Event

Our Weekly Picks: October 20-26

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THURSDAY 21

THEATER

“The Laramie Residency”

Just when you thought it was safe to come out of the closet, a chilling spike in suicide rates among gay teenagers who have been bullied or harassed has reemerged as national news. Which makes this rare double-header of The Laramie Project and its sequel, The Laramie Project: Ten Years Later, Epilogue uncannily apropos. Written in response to the notorious murder of Matthew Shepard, a young gay man in small-town Wyoming, both plays were created from hundreds of interviews with the inhabitants of Laramie. The results offer a detailed examination of how violence affects not only the perpetrators victims, but an entire community. “The Laramie Residency” also includes a special Thursday dialogue between director and coauthor Moisés Kaufman and Tony Taccone of the Berkeley Rep. (Nicole Gluckstern)

Thurs/21, 7 p.m.; Fri/22–Sat/23, 8 p.m., $10–$55

Jewish Community Center of San Francisco

3200 California, SF

(415) 292-1233

www.jccsf.org

FILM/PERFORMANCE

All About Evil: The Peaches Christ Experience in 4-D”

Horror fans are well familiar with the tag line for Wes Craven’s 1972 Last House on the Left: “To avoid fainting, keep repeating ‘It’s only a movie … It’s only a movie…'” Well, it wouldn’t be Halloween in San Francisco without Peaches Christ, whose alter ego, the less-flashy but no less fabulous filmmaker Joshua Grannell, brings his All About Evil to life at the very Mission District theater where it was shot. The film and its accompanying pre-show performance have been out roaming the U.S. and the U.K. for the past several months; expect the hometown gig to be extra-specially spooky, with musical and multimedia numbers by Peaches and Evil cast members. And since the Victoria plays an important supporting role in the film, expect interactive surprises galore. Only a movie? Don’t be so sure! (Cheryl Eddy)

Through Sun/24

8 p.m., $20

Victoria Theater

2961 16th St, SF

www.peacheschrist.com

MUSIC

Joshua Bell with the San Francisco Symphony

An average street performer isn’t always average. In 2007, the acclaimed violinist Joshua Bell participated in an experiment in which he played for 45 minutes as an anonymous busker in the D.C. Metro. The few who bothered to pause in their morning bustle and pull out their headphones realized they were in the presence of greatness. Renowned worldwide, virtuoso Bell joins the San Francisco Symphony in Bruch’s Violin Concerto No. 1. Conducted by James Conlon, the evening also includes Wagner’s Prelude to Act I of Die Meistersinger von Nürnberg, as well as Dvorák’s In Nature’s Realm and the overtures to Carnival and Othello. (Emmaly Wiederholt)

Thurs.–Sat., 8 p.m.; Sun, 2 p.m., $15–$150

Davies Symphony Hall

201 Van Ness, SF

www.sfsymphony.org

MUSIC

Steve Lawler

You can either love or hate seminal Ibiza club Space, and there’s been plenty of room to do both in its 20-year history. But just when you throw up your hands in a bad way at all the astringent trance, tipsy Brits, and noodling minimal, boom!, a DJ comes along who can drag you back to the dance floor. Rightly respected Brit Steve Lawler, known as the “King of Space,” scored that tiara by leapfrogging styles and keeping his sets limber. There’s some fluttering bass, chunky old-school breakdowns, and searing tech in his bag as well as, gasp, snippets of wistful melody. Lawler especially rocks the hard-driving, samba-esque Spanish-Berlin sound that’s become Ibiza’s best recent export. (Marke B.)

9:30 p.m., $10–>$20

Vessel

85 Campton Place, SF

(415) 433-8585

www.vesselsf.com

DANCE

Kunst-Stoff and LEVYdance

Dancers are famous for their kinesthetic memory. Without activating the brain, their muscles recall whole dances — or at least fragments. Show them a step or two and the rest follows. But dancers also seem to be able to dig even deeper, into something akin to an ancestral memory. It may take personal affinity but also a lot of hard research to unearth the kind of treasure trove that then can be used creatively. Two temperamentally different choreographers, Yannis Adoniou, of Greek descent, and Ben Levy, from a Jewish-Persian family, have done the excavations. Adoniou’s Rebetiko, commissioned by CounterPULSE’s Performing Diaspora Program, and Levy’s Our Body Remembers should make for an intriguing evening of might be called “kinetic history.” (Rita Felciano)

Through Oct. 30

Thurs.–Sat. and Sun/24, 8 p.m., $18

ODC Theater

3153 17th St., SF

(415) 863-9834

www.odctheater.org

FRIDAY 22

MUSIC

Stone Foxes

Let’s talk foxes, shall we? The native gray one is uncommon in San Francisco. The exotic red species, however, is a regular interloper of the Presidio. The Stone Foxes, four young dudes who play mean blues, are more like the former: genuine, rare, and always a treat to see in the wild. Sometimes you don’t want indie or nu-gaze or psych-doom-metal — you simply need real rock ‘n’ roll. Their sophomore album Bears and Bulls was released this past July, and though not as raw as their killer debut, it exudes a new and natural confidence. This is their official vinyl release show, so bring extra cash. (Kat Renz)

With Soft White Sixties and Real Nasty

10 p.m., $12

Bottom of the Hill

1233 17th St., SF

(415) 621-4455

www.bottomofthehill.com DANCE

Paco Gomes and Dancers

In his choreography, Brazilian-born Paco Gomes speaks with a powerfully articulated and mature voice. His dances beautifully integrate modern and Afro-Brazilian influences; as a company director he gathers around him — and trains — multi-ethnic dancers who seem to thrive under his tutelage. Now, with guest choreographers Jorge Silva and J. Pazmino, Gomes is presenting Amor O, an evening of works old and new that circles around love: of self, of friends, and also as remembered and lived within families. In addition, the program includes an excerpt of a new work in progress planned for an upcoming international tour. It examines love within another “family,” the Orixas, from the Yoruba religion. Perhaps it’s a consolation that in the world of the gods, not everything went smoothly either. (Felciano)

Through Sat/23

8 p.m., $15

Garage

975 Howard, SF

(415) 518-1517

www.975howard.com

MUSIC

Karl Blau

Eclectic K Records artist Karl Blau throws a wrench into the indie/folk scene with a chameleon-like ability to work within multiple genres. Ignoring the usual expectations of singer-songwriter stereotypes, Blau is known to inject everything from hip-hop and electronic influences to world and reggae music into his solo albums. He’s also worked with some notable names in Phil Elvrum (The Microphones, Mount Eerie) and Laura Veirs. Blau can currently be found playing bass for droney doom-metal band, Earth. It’ll be interesting to see how he melds all these elements together in a live setting. (Landon Moblad)

With Dina Maccabee and Birds and Batteries

7 p.m., free ($5 donation suggested)

Viracocha

998 Valencia, SF

(415) 374-7048

www.viracochasf.com

MUSIC

Lyrics Born

If it was any other rapper describing his newest album as “more synth-oriented” and “dealing with a lot of issues that are more mature than the last few albums, from abandonment to betrayal to incredible joy,” I’d say watch out for a lawsuit from one Mr. West. But since half of Latryx (with Lateef the Truthspeaker) and cofounder of Quannum Records, Lyrics Born is known for bringing his own brand of substance to the scene while pushing the genre forward. His new material, which features emerging artists Trackademicks, Francis and the Lights, and Sam Sparro, will be on display at this release party. (Ryan Prendiville)

With Chali 2na and the House of Vibe and Rakaa

9 p.m., $25

Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com

SATURDAY 23

MUSIC

Triptykon

After almost 30 years in the arena, Tom G. Warrior has earned his status as heavy metal royalty. The Swiss singer and guitarist formed Hellhammer in 1982 and went on to found Celtic Frost two years later. Both bands contributed immeasurably to the development of extreme metal, and their influence reverberates throughout the genre today. Having parted ways with Celtic Frost in 2008, Warrior formed Triptykon, planning to pick up where Monotheist (Celtic Frost’s 2006 LP) left off. The new band’s music combines slabs of doomy guitar, razor-wire black metal, and Warrior’s paint-peeling vocals, breaking down genre boundaries in pursuit of heaviness. Come out and play. (Ben Richardson)

With 1349 and Yakuza

9 p.m., $23

Slim’s

333 11th St, SF

(415) 255-0333

www.slims-sf.com

EVENT

“SF DocFest Roller Disco Costume Party”

Have you ever stared longingly at the roller skaters in Golden Gate Park? Always wanted to join in but too embarrassed by your lack of boogie? Still hung up over the accident you had at a fifth grade skate party? Well, get over it. The Roller Disco Costume Party offers a simple solution: anonymity. As part of DocFest, admission is free with a ticket stub or just $5 if you strap on your best costume (which could potentially double as padding in case of collision.) (Prendiville)

8 p.m., free–$10

CELLSpace

2050 Bryant, SF

www.sfindie.com

MUSIC

Taj Mahal, Toumani Diabaté, Vieux Farka Touré

Tonight the Paramount plays host to a blues exploration featuring American bluesman Taj Mahal, Malian kora player Toumani Diabaté, and Malian guitarist Vieux Farka Touré. To trace the roots of the blues immediately leads to Africa, and in particular to Mali, and each of these three frontmen represents a different facet of that exploration. Mahal has spent decades reinterpreting the blues through far-flung musical traditions from the Caribbean and Hawaii to Europe and Latin America; Diabaté brings to the fore the centuries old West African tradition of the kora; and Touré, the torch-bearing son of the late Ali Farka Touré, represents a more recent cross-pollination of traditional Malian sounds with American blues and rock. While each of the three musicians is a monster in his own right, together they represent a veritable blues trifecta. (Mirissa Neff)

8 p.m., $25–$75

Paramount Theatre

2025 Broadway, Oakl.

(510) 465-6400

EVENT

“B.Y.O.Q.: Bring Your Own Queer”

Gurla-Q, you better bring it: a cavalcade of queer artists, musicians, and performers is avalanching Golden Gate Park for a full day of heady debauchery. Vinyl soul from the Hard French party DJs, homo-futurist sounds from Honey Soundsystem, Las Bomberas de la Bahia’s Afro-Puerto Rican percussion and dance, local indie faves Excuses for Skipping, fashion shows, a candygram booth, art displays, and so much more to turn you hot pink with multitasking. Plus, special guest John Cameron Mitchell giving you Hedwig fierceness. The annual B.Y.O.Q. has been a sweet, sweet success, conjuring up the activist days of yore while introducing some amazing new talent. Don’t wrap your internal pansy up in a plain brown bag, let her shine and shine. (Marke B.)

Noon–6 p.m., free

Golden Gate Park Music Concourse, SF

www.byoq.org

SUNDAY 24

MUSIC

Reigning Sound

Reigning Sound burst out of the gates in 2002 with the garage-punk classic, Time Bomb High School. Since then, the Tennessee-based group — performing as part of the ninth Budget Rock festival — has continued to refine its brand of country, soul, and classic R&B touches by way of organ-filled, distorted guitar-driven rock ‘n’ roll, most recently on 2009s Love & Curses. The band also recently backed up original Shangri-la member Mary Weiss on her 2007 comeback album, further evidence of the range its capable of. As far as modern garage rock goes, Reigning Sound is as classy and fun a group that you’re likely to find. (Moblad)

With Flakes, Ty Segall, and Touch-Me-Nots

9 p.m., $15

Bottom of the Hill

1233 17th St, SF

(415) 621-4455

www.bottomofthehill.com 

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Newsom could be headed for victory

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Gavin Newsom seems poised to win his race for lieutenant governor, at least as indicated by his opponent Abel Maldonado’s increasingly desperate campaign tactics and Newsom’s string of newspaper endorsements, including the Spanish language La Opinion, which chose to pass over a moderate Latino that it has endorsed in the past. The only question now is voter turnout, and whether Newsom’s negatives would be enough to drag him down if the Democratic base stays home in this lackluster election.

In its endorsement in Sunday’s paper, La Opinion wrote, “We are deeply disappointed that in this election [Maldonado] has opted for an opportunistic strategy of using images of undocumented criminals to earn political points. This is unacceptable and his charges against Newsom on this issue are inaccurate.” The reference was to Maldonado’s wild charges in an Oct. 15 debate that Newsom created San Francisco’s sanctuary city policies and was responsible for the fatal shootings of Bologna family members, allegedly by an undocumented immigrant who had once been in city custody. The reality was that Newsom inherited the sanctuary city policy and unilaterally weakened it after the Bologna shooting, even refusing to implement legislation approved by the Board of Supervisors (which Newsom vetoed but the board overrode) to require due process before those arrested are turned over to the feds for possible deportation.

While the paper didn’t seem to understand that Newsom has snubbed his nose at San Francisco progressives and petulantly fed a particularly divisive style of politics here, they do rightfully give him credit for running a complicated city, unlike the conservative city of Santa Maria where Maldonado was mayor and always did the bidding of the Chamber of Commerce, something I observed while working at the Santa Maria Times at the time. “The Democratic candidate has implemented solid, progressive management while leading a diverse city during a deep budget crisis. Newsom has proven to be creative, resourceful, and sensitive while forging alliances that improve the quality of life for his city’s residents,” La Opinion wrote. 

Then yesterday, as the Los Angeles Times reports on its blog, when Newsom held a campaign event trumpeting his support by Latino leaders such as Los Angeles Mayor Antonio Villaraigosa and labor leader Dolores Huerta, Maldonado showed up and sat in the back with his advisers during the event. Now that’s just strange.

A California Democratic Party e-mail blast this afternoon used a series of rhetorical questions to describe the campaign’s episodes: “So was Maldonado’s bizarre behavior an egotistical attempt to intimidate other Latinos who came to the event to support Newsom? Does he feel entitled to the appointed position now that he actually has to compete for voters in a real election? Is he desperate for media attention? Or does he just enjoy being a spectator, watching his opponent secure key Latino endorsements while his own campaign falls apart?”

But the real question is whether Democrats can mobilize enough voters to overcome Newsom’s negatives, from his arrogance to his personal foibles. When I did a search for Gavin Newsom’s name on Yahoo, which automatically guesses what you’re asking for based on past queries, the first three that listed were “Gavin Newsom girlfriend,” “Gavin Newsom divorce,” and “Gavin Newsom affair,” an apparent reference to his admitted affair with Ruby Rippey Tourk, who worked for him and was married to his reelection campaign manager.

So, if you support Newsom for this office — or even if you’re just anxious for him to leave San Francisco a year before his mayoral term expires — don’t forget to get out there and vote.

SAN FRANCISCO FILM SOCIETY FALL SEASON: FRENCH CINEMA NOW

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French Cinema Now builds a comprehensive picture of the current moment in Gallic film and delivers some of France’s most vital filmmakers in person to Bay Area audiences. Join in for a weeklong celebration of vibrant, honest filmmaking and incredible talent.
 
Director Marc Fitoussi will be on hand on Opening Night to present his new film Copacabana, a charming and honest comedy with a masterful performance by Isabelle Huppert; A Real Life features Guillaume Depardieu in one of his final film roles as a small-time criminal who finds love just as the cops are closing in; and Juliette Binoche’s wonderfully humane performance in Closing Night’s Certified Copy garnered the Best Actress Prize at Cannes.
 
For tickets and full program information, visit sffs.org.
October 28-November 3rd @ Landmark’s Embarcadero Center Cinema, 2261Fillmore St., San Francisco
 
WIN two tickets to attend this event by sending an e-mail to promos@sfbg.com with the subject line “French Cinema Now” by midnight on Monday, 11/1.

How they’re sitting

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caitlin@sfbg.com

I’ve been hanging out with the Haight Street kids. Over the course of a week or so, I smoked weed, drank malt liquor, witnessed nasty run-ins with police officers — all events that anyone who has walked down the sidewalks of that legendary street would expect. But I also met people who’d give away their last dollar to a friend, people who know a thing or two about community, and people who don’t see sidewalks only as thoroughfares to commerce.

Ironically, though the homeless kids on Haight are the explicit inspiration for Proposition L, the sit-lie measure on the Nov. 2 ballot, their voices have been significantly absent from the vitriolic debate on its merits and faults. Ironic because of all people, it’s these young men and women — and the citizens of San Francisco who interact humanely with them — who could teach us the most about what public space in San Francisco could be.

I didn’t just stand with a notebook, fire questions, and walk away. I took a seat and spent time with the kids, to see for myself whether its true that they’re harassing people, letting their dogs run amok, and generally ruining everyone’s lives as much as sit-lie supporters say they are. That it turned out to be uplifting was an added bonus. I got to see what many don’t on their way to shop for souvenir bongs, retro dresses, and designer skateboards — the reason young people from around the country come to the neighborhood.

It doesn’t have anything to do with fancy Victorians and boutiques, which may explain the disconnect between the street kids and their detractors. They come for the legacy of individuals brave enough to slough off social mores that Haight-Ashbury residents are so ostensibly proud of — not to mention the companionship of others who are comfortable with their rejection of and by society. They come to share stories and pipes and encouragement, and it was cool to watch a streetscape in San Francisco that wasn’t geared solely to commerce.

And while the young people I talked to told me how much they liked to travel, to live free of convention and without ties to the workday world, after a while most acknowledged that they had left behind families who couldn’t or didn’t care for them, home situations that were uncomfortable enough to make life on the streets seem like a better alternative.

Although violent incidents, uncivil behavior, and threatening dogs are well-documented by other news sources, I didn’t see any of that when I was hanging out on Haight. That doesn’t mean that these things don’t exist — but it might suggest that some of the strident supporters of Prop. L are seeing what they want to see.

SPANGING

Steven, who asked us not to use his full name, is 20 and homeless. He grew up in Stockton, became a welder after high school, then decided he “didn’t want the hassle” of staying put for a wage job. His fingernails play host to an ungodly amount of dirt, but his tight blonde curls, pretty golden eyes (“they look like a lion’s!” says one friend in amazement) and mellow, generous demeanor make him a popular hub among his homeless peers.

It doesn’t hurt that he sells weed, small amounts at a time to passing tourists and acquaintances. He silently passes a pipe around to his companions with the slightest provocation. Steven approached me on the street before he knew I was a journalist, a fact that seemed to make little difference to him.

He says he came to the Haight “for the people,” for the area’s reputation of open souls and unconventional artists that originated in the glory days of Janis Joplin and the Grateful Dead. Like most of the kids I talked to, he eschewed the often dangerous shelter scene to sleep in Golden Gate Park or nearby Buena Vista Park despite the police surveillance that could result in spendy fines for park camping.

Although Steven’s worldly possessions fit into the large camping backpack he carries with him 24 hours a day, and even though he’s been living on Haight less than nine months — broken by a jaunt to Eugene, Ore., where he found it “too rainy” to join the town’s expansive street kid community — he doesn’t plan on being homeless forever. It’s just that nothing about this economic climate inspires him to sell his freedom for a paycheck. He plans to go to a four-year college eventually. He sees an education as the only way to get a “real” job. “But until then, why not do this?” he asks. I’m not sure if he’s waiting for my answer.

“This” is sit on Haight Street and “spange,” the term used for “flying a sign” and asking shoppers and neighbors walking by for money, often in a creative way. Of the many crimes street kids are guilty of in the eyes of supporters, spanging is the only one Prop. L would effect.

If Francisco voters approve it, anyone who sits or reclines on the sidewalk (with exceptions for the handicapped and those with permits — but not for the tired, workers on breaks, or people waiting for buses) will be subject to a fine of $50 to $100 for the first offense and $300 to $500, or a maximum of 10 days in jail, for someone found guilty twice within 24 hours of unduly supporting his or her body on the sidewalk between 7 a.m. and 11 p.m. Similar laws can be found up and down the West Coast — although Portland’s was pulled from the books last year after being found unconstitutional because it targeted the homeless.

I ask street kid after street kid why they’ve chosen this lifestyle. Many wouldn’t have it any other way. “Why do people want us off the street?” says Oz, a 21 year old from upstate New York who deals alongside Steven. “Probably because they can’t do this themselves.”

Though I’m skeptical at first, after a while I see why the unconventional group of “travelers” on Haight choose to spend their time spanging. Conversations get struck up with the most unusual people — the old hippie who bought a new Mad Hatter cap for the weekend, the suburban woman who might or might not like to buy some weed (she can’t decide). When a few businesses ask us to move so they can sweep the sidewalk or clear a doorway, the street kids I’m watching relocate with little protest. Many who walk past Steven seemed to find humor in his sign, which that day reads “Are you one paycheck away from having this be your job too?” He says he likes to switch his message daily. “Keep it fresh.”

By hanging out with the spangers, I get to see a Haight Street with human interaction at its core. People walk by, often dropping off surprisingly generous gifts: a ex-Grateful Dead roadie with a massive beard who lives in Fairfax and stopped by the neighborhood for a quick lunch with his daughter parks in front of Steven’s group and approaches them. “You kids hungry? You look like you could use a pizza.”

He emerges a half-hour later with a large cheese pie and drives away after chatting for a few minutes about the old days, to the glee of the group (many of the street kids are Dead Heads). The kids eat their fill, then start handing out the remaining pizza to people walking by, a comic role reversal. “I like to support the community — they get back all the money they get sucked out of them,” Steven tells me.

“NARCOTIC FUELED, ANTISOCIAL THUGS”

The campaign to put a sit-lie ordinance into effect in San Francisco kicked into gear with a Saturday morning stroll. As San Francisco Chronicle columnist C.W. Nevius — who regularly publicizes complaints against the Haight street kid culture — reported Feb. 27, Mayor Gavin Newsom recently relocated to the neighborhood and saw evidence of drug use on the main stretch of Haight where he was walking with his infant daughter. “As God as my witness, there’s a guy on the sidewalk smoking crack,” Newsom reportedly said.

The mayor threw his support behind a sentiment already being voiced by the Haight Ashbury Improvement Association, a resident-merchant alliance in the area. HAIA sees the street kids as disruptive outsiders. “These are not the flower children of the 1960s. It’s narcotic fueled, antisocial thugs who act like a quasi-gang,” Ted Loewenberg, president of the association, was quoted as saying in Business Week.

Adds the Prop L website: ” … the Haight-Ashbury district — once synonymous with peace and love — this corridor is now a hot spot for street bullies, pit bulls, and drug abuse.” It’s a deft cultural lobotomy that dissociates drugs from the Summer of Love, and a devious one that implies that street kids weren’t major players in that social revolution.

As for the bullies, I didn’t see any violence from the street kids in the days and nights I spent out on Haight Street.

I couldn’t get cops to talk to me about it, either. There were two police officers on foot traversing Haight’s main strip and I introduced myself when they stood chatting with a coffee shop owner in the afternoon sunshine and asked them about the sort of neighborhood complaints they regularly received about the street kids.

“No comment,” Cop No. 1 told me. Okay, Cop No. 2, your thoughts? “I don’t speak English.”

To my requests that they share their view of crime on Haight, I could get one response: “It’s complicated.” Later, when I returned to write down their badge numbers, they were standing silently, staring at a lone young man sitting against a wall next to his skateboard. The kid was looking at the ground. Eventually they handcuffed him and put him in a police car while he pleaded meekly about it “only being a little bit of weed — and I was only skateboarding on the sidewalk.”

The most aggression I witnessed from any party took place while I was tapping my feet to a group of traveling bluegrass musicians performing around 10 p.m. on a Thursday. Their cover of Del Shannon’s “Runaway” had inspired an older homeless man to strike up a curiously graceful stomp dance on the sidewalk. He was so drunk and fully immersed in the music that the bottle of Jim Beam in his flailing hand didn’t even register when the police officer approached him and asked, “What do you think you’re doing?”

The musicians began to pack up. “I could have told you this would happen 20 minutes ago,” one tells me, nodding toward the old man. “Don’t say a word or I’ll fucking take you in,” said the cop, who poured out the half-full bottle and wrote a ticket for the older man, who had made a few feeble protests that ended abruptly with the cop’s obscenity.

The officer said he’d received a complaint about the music, a line I heard from each cop I came into contact with on Haight — including one officer who cautioned a family with a toddler to pack up the bracelets they were selling to pay the towing charges on their van. “People don’t like to see people with kids out here, you better move it along,” the cop said.

“I’ve seen aggression because people start shit,” Steven tells me when I ask him about his experience with street violence. A man has just walked by chanting “dirty, dirty” in Steven’s and his friends’ faces. “They don’t like to see people sit on the ground.”

“There are people who come down here just to make themselves look better,” chimes in Oz. “Like ‘ha ha ha, I have air conditioning.’ All kinds of people start shit”

I asked if they knew they were the focus of a massive political debate in San Francisco. “No, what debate?” asked Steven.

“You mean sit-lie?” Oz asks. “It probably has to do with tourism. I don’t see why else they would do that.”

Even the most well-known recent case of Haight Street violence — which was reported June 11 by New York Times reporter Scott James as having “inspired a grass roots movement” that propelled Prop. L, seems to be a question of mutual aggression on the two sides of the street kids issue.

The story goes that a man named Thomas was hosing down the sidewalk in front of his house — a practice that is growing more common in the Haight to make property inhospitable to the homeless. He found himself “surrounded and engaged in a heated confrontation,” as James reports. Thomas reportedly shouted “Do you want a piece of me?” and a scuffle erupted between him and Chad Potter, a 26-year old homeless man, culminating with Potter being arrested and set free the next day. Thomas says Potter and friends continued to harass him after the incident.

James Orr, 24, is busking with his flute when I meet him sitting by a store that sells flowing hippie skirts and bumper stickers that command future tailgaters to “Coexist.” He’s looking to trade his wind instrument for a banjo, which he plays in addition to guitar. A rolling stone, Orr is in town for the Hardly Strictly Bluegrass festival that weekend — he travels the country going to festivals, and even scored a job recently at upstate New York’s Mountain Jam for the event’s blog site, taking photos with a borrowed camera of performances by (ex-member of The Band) Levon Helm and Michael Franti.

Orr’s quite erudite and eager to “say something articulate” about the situation of the street kids and travelers on Haight. He tells me that yeah, he’s seen aggression go down here on occasion. But he resents those situations leading to laws against sitting on the street.

“It’s another example of the few that do mess up casting a bad light on everyone else. Most of us just want to make some money, put a smile on someone’s face.” As a busker, he finds it baffling that people who are against the presence of the homeless would want him to stop plying his trade by making sitting illegal. “You should point out also that it’s how we make money!” he exclaims.

THE PIT BULLS

Snarling ruffians on frayed rope leashes stalking the city streets! As evidenced by the Civil Sidewalks campaign, dogs — specifically pit bulls — are another source of controversy on the pavement. Last December, SFist identified a C.W. Nevius tirade against the breed as example of its ongoing feature “Pit Bull Hate Watch.” The paper has pointed out that the demonized dogs can make great members of society and are often the subject of a media smear campaign.

But for many homeless youth, their dogs aren’t the means of imposing chaos on the gentry. They keep them for the same reasons we do: friendship, protection, love — and during the days I spent on Haight, it was a pleasure to pat the doggies while interviewing their owners. Most were as gentle and laid back as the kids they sprawled next to, a reasonably expected result from the 24 hours a day of socialization with humans that the homeless lifestyle affords.

Smiley is an inveterate street kid unlikely to go indoors anytime soon. “I don’t know how to do anything else,” she tells me. Now in her early 20s with a shock of magenta, purple, and dirty blonde hair and fanciful purple ear plugs that pierce her lobes before spiraling nearly to her shoulders, she’s been traveling since she was 12 — “a Bohemian by blood,” as she puts it. Not only did her parents move their household regularly throughout her childhood, but their heritage is Romani, from the traveling tribes of Eastern Europe.

For Smiley, travel outside the bounds of business trips and weekend vacations is her life’s norm, and Haight Street’s legacy resounds in her nomadic soul. “Most of the people that travelers idolize were here,” she tells me.

Smiley has a year-old behemoth black mutt with droopy eyes. He obliges her as she leans into him holding her spanging sign, which tells the world the pup needs Benadryl for an upcoming van ride to Southern California. “He’s carsick,” she tells me sheepishly. She admits that the dog can limit her mobility on public transportation, but his benefits outweigh his cost. He keeps her warm at night — and, more important for a young woman who is often on her own, he protects her. For a moment breaking out of tough girl mode, she tell me, “oh yeah, I don’t have to worry about anything when he’s around.”

We talk about the perceived threat of dogs on Haight Street. “They want us to leash them, which I guess I understand — but look at that!” A well-dressed woman in her 40s has her Chihuahua off its leash and it has run into the busy street, with her in hot pursuit. “That dog’s out of control,” Smiley smiles.

PISS

Sitting against a mural on a wall where Haight meets Clayton, I watch Piss, an outgoing, gangly guy in his early 20s with a curly blonde mohawk in a growing-out stage. I ask him where he got his unusual moniker. “I like to get drunk and piss on things,” he says.

Well. Originally from Billings, Mont., Piss has been traveling since his mid-teens. “Let’s just say me and my family don’t get along,” he tells me.

His answers to my questions about why he’s on the streets follow a path I see with many of the younger homeless youth: they insist that the lure of the open road was too hard to ignore, but eventually reveal that their parents kicked them out or were unable to care for them at a young age. Many, like Juju, another small-time weed dealer I met, bounced from family member to family member until frictions with them and their significant others left no recourse but the street.

Piss says he’s been to every state in the country, plus Canada and Mexico. With so many years on the road, he is, as they say, letting his freak flag fly. Piss has a blue, vaguely tribal tattoo that curls around his right eye. He’s wearing white tube socks on the dirty pavement. At first glance, he could be crazy — and maybe he is. Whatever his motivation for travel, it’s not to blend in with the locals.

Piss is also actively spanging passersby in a manner that oscillates between off-putting and charming. “You got some money for some crack and ice cream?” he inquires of a passing trio of young women. They shake their head, but before they’re gone completely he continues “I’m just kidding! I don’t like ice cream! Hey miss, you have a nice ass … day!”

Over the course of the hour that I watch him a stand up routine emerges. Beneath the grime, he’s a charismatic kid with an enviable sense of comedic timing.

As he ranges up and down a 20-foot stretch of sidewalk, belly laughs are elicited from a few targets, dollars surfacing here and there. One man carrying an accordion and wearing an expensive-looking pair of leather Chaco sandals donates a handful of strawberries to Piss and to those of us acting as his entourage.

But Piss’ play is a little rough — like a big puppy — and he’s alienating the people who don’t crack up over crack. A couple of people walk away quickly from his petitions shaking their heads over one of the zingers, their suspicions confirmed about those rowdy Haight Street kids.

He’s not doing anything more than what young travelers do all over the world. Thousands of families bid see you later to young adults en route to Prague, Peru, and Perth each year, where they lug their dirty backpacks through the world’s most wondrous towns.

Of course, these kids aren’t sleeping in the public parks of Cuzco — but in countries with plenty of cheap travelers’ hostels, you don’t have to. And though international flights cost more than the van rides and freight train hops that brought in most of the Haight Street kids, backpackers abroad do the same things: take fewer showers and flaunt social norms — not because they want to cause a problem for the natives of the lands they pass through, but because they are young, and discovering themselves for the first time, and can’t see much past that. Piss isn’t being violent, but he has lost the language to deal with “normies” and he’s seen as unpredictable to the not-traveling, not-disenfranchised around him. Which to those who see public space as a place that should be predictable, mean he’s a threat.

The clash between the settled and transient in the Haight is not new. Indeed, it’s what made the neighborhood famous. As far back as the mid-1960s, officials have been simultaneously fighting and publicizing the Haight’s worldwide reputation as a traveler’s meeting place, a place with a culture of loosened societal moorings and enlightenment through free love, drugs, and art.

Businesses claim that the omnipresent homeless drive away paying customers from Haight Street. It a curious claim in an area where the vagrant hippie culture made the place the tourist attraction it is today, and one that is belied by the entry of Whole Foods, which plans to open a branch this year at a lot at Haight and Stanyan vacant since 2006. When contrasted with the Tenderloin — another neighborhood with a visible street community — and its chronic problems attracting a grocery store, the Haight street kids’ effect on local commerce doesn’t seem to be all that grave.

They certainly aren’t making the place any less desirable of a neighborhood to live in for the wealthy. Real estate website Trulia.com puts the median listing price for homes in the Haight-Ashbury neighborhood at $962,264.

The Haight Street kids I spoke could all too easily see what sit-lie would mean for San Francisco. When you control public space, you control who is in public space — and they have no illusions about whether or not they’re included in the perfect world of those who push the measure. If it’s enacted, the subculture that made Haight famous — part of which still survives today in a different form — would be gone, leaving it sterile and safe for the head shops and clothing boutiques, an even less authentic version of the ’60s love fest their patrons come to the street for. One wonders if a scrubbed-clean Haight is even what the residents and business owners who have thrown their lot behind sit-lie truly want, or if they’ve been duped into sit-lie’s efficacy by the same forces that on a national level have convinced us that curtailing civil liberties will lead to freedom for the real Americans. It comes down to this: What do we want Haight Street to be? Do we want to capitalize and benefit from the accepting, messy, wildly creative legacy the 20th century endowed our streets, or do we want a clean, friendly, outdoor mall? The powers of homogenization and gentrification can demonize the little heathens on Haight Street all they want, but they’ve miscalculated if they think that they don’t belong in San Francisco — after all, Haight created them, not the other way around.

Our 44th Anniversary Issue also includes stories by Sarah Phelan on SF’s disadvantaged youth, Rebecca Bowe’s look at ageing out of the foster care system, and Tim Redmond’s editorial on the issues facing our rising generation

On the cheap listings

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Events listings are compiled by Caitlin Donohue. Submit items for the listings at listings@sfbg.com.

WEDNESDAY 20

hell strung and crooked Release Party The Beat Museum, 540 Broadway, SF; www.thebeatmuseum.com. 6pm, free. The Beat Museum helps to present a night of intensely creative bards from the world over in anticipation of the release of their new poetry tome.

Smack Dab Open Mic Magnet, 4122 18th St., SF; wwwmagnetsf.org. 8pm, free. All ages and genders are welcome to this open mic, which sets a medley of musicians and poets onstage to the tune of five minutes a piece. No open mic traumas here, people.

THURSDAY 21

Art Attack One Year Anniversary supperclub, 657 Harrison, SF; www.visualsby3.com. 9:30 pm, $8. The flopsy, floozy art performance group celebrates its first 365 days on this earth with a burlesque-off featuring Alotta Boutté, Scotty the Blue Bunny, and more local A-listers from the world of tassels and tease.

"Graphic Details: Confessional Comics by Jewish Women" Cartoon Art Museum, 655 Mission, SF; (415) CAR-TOON, www.cartoonart.org. 7pm, $5. Beyond the kvetch and kibitz, female Jewish cartoonists have proven themselves adept at a stark, honest rendering of life in the 21st century. Hear them discuss their art at this panel discussion.

Jo Scott-Coe Books Inc., 2275 Market, SF; (415) 864-6777, www.booksinc.net. 7:30 pm, free. An ex-public school teacher exposes the subtle and overt forms of violence in the education system in her latest book, which she’ll discuss at this bookstore klatch.

BAY AREA

Homeless Connect Health Fair Multi Service Center, 2362 Bancroft, Berk; (510) 809-8516, www.sites.google.com/site/bfhphealth. Noon, free. Vision screenings, STD tests, flu shots, therapist and addiction referrals, haircuts, and more at this gathering of service providers for the homeless.

FRIDAY 22

UN-65 Muir Woods Walking Tour Cathedral UN Grove, Muir Woods, Sausalito; (415) 267-1866; www.una-sf.org. 11am, free. Advance registration requested. Mark 65 years of the United Nations’ brand of global collaboration with this trek through the redwoods, a cup of tea, and some Qi Gong — a path braved by UN founders in 1945.

Fog City Necropolis 354 5th St., SF; (415) 606-2503. 7pm, 10pm. Take a tour through SF’s interactive haunted house, whose theme this year is a truly scary trope: eviction! Evade the undead grasp of Jack Kerouac, Frida Kahlo, the crazy cat man of the Presidio, and more so that you can live to pay rent again.

BAY AREA

"Analysis of the Tea Party Movement" UC Berkeley Alumni House, Bancroft and Telegraph, Berk; www.ccsrwm.berkeley.edu/conferences. 8:30am-5:30am, free. Political scientists and sociologists take a look at America’s most grating political movement: are the Tea Partiers part of a grass roots campaign, a media-driven construction, or something in between?

SATURDAY 23

Actors Theatre Season Kick-Off Actors Theatre, 855 Bush, SF; (415) 345-1287; www.actorstheatresf.org. 7 pm, $10. A cabaret to celebrate the new stage season, featuring the psychedelic tropes of comedian Wil Franken, and the world premiere of William Blake Sings the Blues, penned by the theater’s own company member.

Bernal Yoga Literacy Series Bernal Yoga, 461 Cortland, SF; (4125) 643-9007, www.bernalyoga.com. 8pm, $5 suggested donation. Tsering Wangmo Dhopma and Stephen O’Connor, writers both, will fill the chakras of this neighborhood ayurvedic space with readings from their recent publications.

Bring Your Own Queer Festival Music Concourse, Golden Gate Park, SF; www.byoq.org. Noon-6pm, free. Pack a gay in your rucksack for this community collaboration of art, performance, and music, featuring DJ collectives Honey Soundsystem and Hard French, the Bay Area Derby Girls, and a rescue dog fashion show.

Drag Racing Day Velma’s, 2246 Jerrold, SF; (415) 824-4606. Noon, by donation. A Bayview family needs help raising funds for their drag racing team. They make their own motors and transmissions! Grab a bite at this neighborhood restaurant while you watch racing footage and dad Mike Henery’s presentation to interested young people.

Potrero Hill History Night International Studies Academy, 655 De Haro, SF; (415) 863-0784. 5:30 pm barbeque, $6; 7 pm historical program, free. A movie on Potrero Hill public housing, urban gardening in the neighborhood, and hood tales from 50-year residents like "Goat Hill Phil."

Seismic Safety Fair San Francisco General Hospital, 1001 Potrero, SF; www.sfdph.org/dph/rebuildsfgh. 9am, free. Feeling a little shaky? SF General’s setting aside a day to explain the base-isolated design of its new earthquake retrofitting. It’s meant to be the most seismically-resistant plan available today, so go on and get grounded.

BAY AREA

Cal Science and Engineering Festival Haas Pavilion, Bancroft, Berk; (510) 642-0352, www.scienceatcal.berkeley.edu/festival. 10am, free. Kids been clamoring to touch a real human brain? Bring ’em to this hands-on extravaganza of natural science — for free.

Fantastic Fountain Thistle Recovery Work Party Highway 92-W and I-280-N, San Mateo. 9am, free with RSVP. Remove invasive pampas grass and Australian tea tree so that our small bristly friend the fountain thistle can continue to live long and prosper in the Bay Area.

SUNDAY 24

Sunday Streets: Civic Center and Tenderloin Civic Center Plaza, SF; www.sundaystreetssf.com. 10 am- 3pm, free. The last Sunday Streets car-free community event takes the action to the heart of downtown, with clear biking and walking from a roller disco outside the Asian Art Museum to the Tenderloin National Forest.

Tricycle Music Fest West Various libraries and times, SF; www.sfpl.org/tricycle. Free. Three wheel from library to library or plunk the kiddies in front of a show of their choosing for this day of kids’ music, that effervescent establisher of early literary skills.

Alerts

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news@sfbg.com

WEDNESDAY, OCT. 20

 

Oakland candidates forum

The Alameda County Democratic Lawyers Club hosts at forum featuring the candidates for Oakland mayor and Alameda County Superior Court judge. With the Oakland mayor’s race between well-funded favorite Don Perata and progressive challengers Rebecca Kaplan and Jean Quan heating up as it comes into the home stretch, this could be a fun one.

5–7 p.m., $25 for members, $30 for nonmembers

Everett & Jones BBQ Restaurant

126 Broadway, Oakl.

510-836-7563

demlawyers.org/events

THURSDAY, OCT. 21

 

Save the Dolphins

Earth Island Institute presents “From Flipper to The Cove to Blood Dolphin$: A Conversation with Ric O’Barry,” a plea to save dolphins for being slaughtered in Taiji, Japan. O’Barry, star of the Oscar-winning documentary The Cove and the Animal Planet TV miniseries Blood Dolphin$, will update his campaign with information and video footage from his recent trip to Japan.

7 p.m., $5–$20 sliding scale

The David Brower Center

2150 Allston Way, Berk.

510-859-9100

www.eii.org/events/dolphin

FRIDAY, OCT. 23

 

Ports blocked for Oscar Grant

The International Longshore and Warehouse Union Local 10 has called for a shutdown of Bay Area ports to call for justice in the case of Oscar Grant, who was fatally shot by BART police officer Johannes Mehserle on an Oakland train platform on New Year’s Day 2009. “Bay Area ports will shut down that day to stand with the black community and others against the scourge of police brutality,” said Jack Heyman, an executive board member for the union. Mehserle was convicted of involuntary manslaughter in July and is scheduled to be sentenced Nov. 5.

All day, free

Ports through the Bay Area

www.ilwu10.org

jackheyman@comcast.net

SUNDAY, OCT. 24

 

Sunday Streets

The final Sunday Streets car-free event of the season will for the first time travel through the streets of the Tenderloin and Civic Center area. Bicyclists, pedestrians, and skaters travel a route that passes City Hall, Boedekker Park, Tenderloin Recreation Center, and the Tenderloin National Forest in Cohen Alley, off Ellis near Leavenworth, featuring live performances, the Funkytown Roller Disco, and free bike rental and repair stations. This event also coincides with the second annual Tricycle Music Festival, with live music from 11 a.m. to 2 p.m. on the steps of the Main Library.

10 a.m.–3 p.m., free

Civic Center/Tenderloin

sundaystreets@gmail.com

415-344-0489. ext. 2

www.sundaystreetssf.com

MONDAY, OCT. 25

 

Earth-a-llujah Revival

Reverend Billy and the Church of Life After Shopping Choir returns to San Francisco as part of their Earth-a-llujah, Earth-a-llujah Revival Tour, bringing the environmentalist and anti-consumerist gospel to the Mission District. Fresh off of a run for the mayor of New York City and successful campaign to get Chase Manhattan Bank to disinvest in mountaintop removal coal mining, Rev. Billy (a.k.a. performance artist Billy Talen, who got his start here in SF) and his flock will fill you with the Holy Spirit and exorcise you of your credit cards. Hallelujah!

7 p.m., $12

Victoria Theater

2961 16th St., SF

(415) 863-7576

www.revbilly.com/events/cali-tour

www.brownpapertickets.com/event/133698

Exotic Erotic’s 31st round

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Perhaps you’ve seen them around town. The neon pink fliers announcing that SF’s most gloriously trashy tradition, the Exotic Erotic Ball and Expo, beckons saucily to you this weekend (Fri/22 and Sat/23). Were you curious about the providence of the posters’ graphic design, this just in from founder-behatted cartoon character Perry Mann: “we’re very aware that it’s breast cancer month.”

Well that would explain all the boob examiners! 2010 marks Mann’s 31st year of organized orgy, which nowadays draws in around 10,000 gawkers and pervs a year for onstage sex shows by world famous porn performers, elaborate fetish costuming, ribald entertainment (“we’ve got… orgasmic bingo? I don’t know what that is,” Mann admits to me on the phone), and surprisingly serious musical guests. Sort of. This year is the Family Stone, minus Sly. “We reached out to Sly,” Mann tells me. “If he can get off his crack pipe, he’ll show.”

Mann, who started the Ball famously as a fundraiser for buddy Louis Abolafia’s Nudist Party run at the presidency, has endured his fair share of setbacks in holding the event. A venue change under fractious circumstances (there’s been a few of them over the years associated with the ball, as the East Bay Express recently reported, including complaints that organizers withhold promised prizes from contest winners) has left the EEB with a venue that’s a touch more intimate than last year’s Cow Palace: the Craneway Pavilion, which has about 15 percent less capacity as the Cow. 

A consummate promoter, its difficult to get Mann off his press release script on the phone. We don’t chat about his assertions that disappointing ticket sales in years past were due to corrupted ticket-selling websites. We do, however, manage to cover event logistics. The Pavilion is basically a large glass box on the water, which is… less than ideal? ideal? for a show full of dedicated exhibitionists. The VIP section takes the aquatic escapade to another level: guests willing to pony up the $169 get to shiver their timbers on the San Francisco Belle, a riverboat whose very girth and heft seemed to impress Mann. 

This year’s VIP performance takes on occult themes – vampires being the sex gods of 2010 that they are. Those interested in taking the ticket price plunge can find a preview of events on the Belle at sex blogger (and performer that night), Fleur De Lis SF’s account of dress rehearsals.

And for the pervs off the A-list, don’t worry gang, Exotic Erotic is nothing if not democratically-inclined. In fact, big money’s on the random hallways and corners around Craneway to be where the real action’s at – but if you’re going for the canned stuff, the stages will play host to shows by Noname Jane, Dutch fetish model Ancilia Tilia, Eden Berlin, The Men of Exotica, and the Surreal SF Devil Girls.

Ready yet? Not til you’ve got your outfit, you’re not. The Ball has an anything-goes philosophy when it comes to, well, most things – and the motto definitely extends to sartorial affairs. Past attendees have rocked Bumblebee Transformer ‘fits, every possible form of lingerie — even, Mann tells me, a functioning bathtub that housed three friends for a night. 

“The whole event is about love, it’s really all about love,” says Mann, who himself will be rocking his customary top hat tricked out with “XXXI” in honor of the event’s 31st year spelled out in diamonds. Given his hopes that this year will correct a string of lackluster lust profiteering, his next comment should be a given. 

“Not real diamonds,” he clarifies. 

 

Exotic Erotic Ball and Expo

Expo: Fri/22 4 p.m.-midnight and Sat/23 noon-6 p.m., $20

Ball: Sat/23 8 p.m.-2 a.m., $79-169 

Craneway Pavilion

1414 Harbour Way South, Richmond

www.exoticeroticball.com

 

Willie Brown and accusations of machine politics in D6

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A political mailer promoting progressive supervisorial candidate Jane Kim was funded primarily by former Mayor Willie Brown through a campaign committee that Kim consultant Enrique Pearce helped start and which was located in his office, the latest strange development in a race that is dividing the progressive movement at a crucial moment and prompting a nasty public debate over political “machines.”

It’s illegal for campaigns to coordinate activities with independent expenditure committees such as New Day for SF, which put out the glossy mailer proclaiming “Another renter supports Jane Kim for District 6 Supervisor” and calling her “The people’s candidate.” The most recent campaign finance statements, filed Oct. 4, listed the group’s treasurer as USF student Brent Robinson and the contact number being that of Pearce’s Left Coast Communications, where Robinson worked.

Pearce told the Guardian that he was involved in starting New Day for SF, but that he severed ties with the group and Robinson “about a month ago” when it seemed they might support Kim. “When it started to go down that path, we said that we can’t do that,” Pearce said, adding that he didn’t know why the forms still listed his phone number or why the receptionist in his office took a message for Robinson from the Guardian, although Pearce said they share a receptionist with other organizations. On Oct. 5, a day after the intial filing, the group filed a form to amend Robinson’s phone number.

The campaign finance form shows the group raised $9,200, including $5,000 from Brown on Sept. 30 and $2,500 from Twenty-Two Holdings LLC, which last year applied for a liquor license for the Wunder Brewing Co. Robinson did not return our calls for comment.

The Bay Guardian and other progressive voices used to decry the corrosive influence on San Francisco politics of the Democratic Party political machine established by Brown and former California Senate President (and current state party chair) John Burton. Although that machine is dormant now, the concept of machine politics has been revived in this election cycle by Kim and her allies, adding an ironic note to her support by Brown.

“I’m not a part of anyone’s machine and I’m certainly not a part of anyone’s master plan,” Kim declared during her June 24 campaign kickoff party, where Brown and former Mayor Art Agnos made an appearance. When I highlighted the remark in my coverage of the event, and its inference that Kim’s progressive rival Debra Walker was supported by a budding progressive political machine, it triggered a raging political debate about the concept that continues this day.

The nastiest salvos in that debate have recently been fired at the Bay Guardian and the San Francisco Democratic Party Central Committee – accusing us of being part of a political machine supporting Walker and excluding Kim (who got the Guardian’s #2 endorsement) – by Randy Shaw on his Beyond Chron blog. Shaw is one of two staff writers on the blog, along with Paul Hogarth, a Democratic Party activist and Kim campaign volunteer.

Shaw founded and runs the nonprofit Tenderloin Housing Clinic, which has millions of dollars in city contracts to administer SRO leases through Mayor Gavin Newsom’s Care Not Cash and other programs. He started BeyondChron a few years ago with seed money from Joe O’Donoghue, who was then president of the Residential Builders Association, a developer group that has sometimes clashed with Walker in her capacity as a member of the city’s Building Inspection Commission.

On Oct. 5 and then again on Oct. 12, Shaw wrote and prominently posted long stories promoting Kim’s candidacy and attacking us and the DCCC for not supporting her more strongly. In the first one, “In District 6, Jane Kim takes on the machine,” Shaw defended Burton but shared the Guardian’s criticism of how Brown behaved as mayor.

“Brown’s power was strictly personal, as became clear when his chosen Supervisor candidates were defeated in the 2000 elections,” Shaw wrote, criticizing political machines and writing that the progressive political movement is not “served when those seeking to run for office feel they must choose between ‘playing ball’ with political insiders and giving up their dreams.”

But is it possible that Shaw’s strident campaigning against Walker – indeed, his protege Hogarth planned to challenge Walker before Kim decided to get into the race – was prompted by Walker’s unwillingness to “play ball” with Shaw and his RBA backers? Should we be concerned that it’s actually Shaw who’s trying to build his own little political machine?

I’ve tried to discuss these issues with Shaw and Hogarth, including sending them a detailed list of questions (as has Guardian Executive Editor Tim Redmond), but they’ve been unwilling to respond, just as they were unwilling to contact us before writing two divisive hit pieces that were riddled with inaccuracies that they’ve refused to correct.

I’ve also left messages with Kim and others in her campaign to discuss machine politics and its implications – as well as Sup. Chris Daly, asking about the sometimes close relations that some progressive supervisors have had with Shaw and RBA developers over the years [UPDATE BELOW] – and we’re waiting to hear back.

But Pearce said voters shouldn’t read too much into a relatively small political contribution from Willie Brown, or from the “colorful writing” of Randy Shaw, emphasizing Kim’s independence and saying that was always what she intended to stress when she raised the specter of machine politics tainting the race.

“Randy Shaw is not a part of this campaign, and Willie Brown is certainly not a part of this campaign,” Pearce told us. In fact, Pearce even noted that his office is not a part of the Kim campaign, that they’re merely consultants to it. And he offered his hopes and belief that in 19 days when this campaign is over, progressives would overcome their differences and find a common agenda again. Let’s hope so.

UPDATE: Daly and I just connected and he had an interesting take on all this. He noted that when Brown was mayor, the base that he brought together included the RBA, Rose Pak and the Chinatown power brokers (who also seem to be backing Kim, who used to work as an activist/organizer in that community), and, improbably, both Labor and Downtown.

“But that’s not Gavin’s alignment, his alignment is just downtown. The RBA guys hate Gavin, mostly just because of who is is, a silver spoon guy who never worked a day in his life,” Daly said. So Matt Gonzalez, the board president who ran against Newsom in 2003, formed an alliance with the RBA and O’Donoghue, who already had a long relationship with Shaw, both personal and financial.

Daly also said that he thinks it’s a personality clash more than anything else that is driving Shaw’s opposition to Walker: “He just doesn’t like Debra.” In turn, that sort of personality-based politics — more than any differences in ideology, vision, or qualifications — is souring people in the two political camps on one another as this close election enters the home stretch. But will those resentments linger after this election? Probably, Daly said, although he plans to actively try to mediate the divide once the dust clears on this race.

“Luckily, we have a lot of young people entering the progressive movement,” Daly said. “There’s always a rejuvenation going on and one day the new leaders will be like, ‘Why do that guy and that guy hate each other?’ ‘I don’t know, I think it had something to do with the 2010 election.”

Maxwell disappoints by endorsing Sweet

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To be honest, I wasn’t surprised that termed-out Sup. Sophie Maxwell endorsed D10 candidate Lynette Sweet yesterday. Just disappointed. And it’s not just because Sweet refused to come into the Guardian this fall for an endorsement interview (a stance that suggests that Sweet would be depressingly inaccessible to reporters that haven’t drunk her Kool-Aid—a stance that, unfortunately, reminds me of Mayor Gavin Newsom’s attitude towards the media).

I’d been hearing rumors that Maxwell was going to endorse Sweet since February, when Sweet, who’d already racked up Mayor Gavin Newsom’s D10 blessing at that point, showed up alongside Maxwell at the city’s kickoff event for Black history month.

Then there was the fact that during an interview in February for the Guardian’s kickoff article about the D10 race, Sweet spouted phrases that sounded eerily similar to Maxwell’s words.
“D10 is a pretty diverse district, but there is only one common thread: the need for economic development,” Sweet told me.

But a few days earlier when I interviewed Maxwell about a third, and ultimately unsuccessful, attempt to recall her , Maxwell talked of common threads:

 “I’m waiting for people to have a better understanding of what this community is, what the common thread running through it is, and how to use rank choice voting,” Maxwell said, by way of explaining why she wasn’t willing to endorse anyone that early in the race.

Now, it’s understandable that Maxwell would be looking for a candidate to carry on her legacy. But it she was looking for a moderate black female candidate  then why not endorse Malia Cohen, who isn’t hampered by all of Sweet’s dirty laundry—and has raised the most money in the race, so far?

Could it be that Cohen wouldn’t be down for the kind of dirty deal making that was par for the course back in the days when Willie Brown was still mayor and Sweet was the swing vote that crowned Lennar as master developer at the shipyard/Candlestick Point?

Rumor has it that Maxwell is upset at all the corporate money that’s flooding into this race in support of Steve Moss—and that she asked the other candidates to hold a press conference in which they decry this practice. Rumor also has it that Sweet signaled her willingness to join Tony Kelly, Dewitt Lacy, Chris Jackson and Eric Smith–to name a few–in making such a statement. But it hasn’t happened, yet. And the corporate money keeps rolling in for Moss.

Meanwhile, with three weeks until the election, D10 forums are beginning to sound like a parody of a “Lost” episode featuring a 22-member cast that all claim to represent the city’s polluted and economically depressed southeast sector:

“One of us is a BART director, one of us worked at City Hall, one of us is a community advocate, one of us is a City College Board member, one of us is a civil rights attorney, one of us is an affordable housing development director, one of us is a bio-diesel advocate, one of us is a public safety advocate, one of us was raised in the Bayview, one of us served on the Navy’s Restoration Advisory Board,” and so on.

I’m not saying this is wrong. Hell, I love all this diversity of choices. but I am concerned that, come election night, the progressive vote will get split into a million pieces, while deep-pocketed conservative forces like the Chamber of Commerce and Golden Gate Restaurant line up behind one candidate in an attempt to crush candidates that would stand up to their powerful influence at City Hall and truly represent the D10 community

Yes, there is ranked choice voting, and it’s unlikely that one candidate will win a majority of the vote in the first round. But it’s critical at this venture that progressives develop a winning strategy. D10 candidate Ed Donaldson told me recently that if a candidate who doesn’t represent the community’s concerns gets elected, then the community would respond just as they did around Maxwell—and organize a recall.

But wouldn’t it be better if the community can come together behind three truly progressive candidates and help them win the November election?

One of the key challenges in this race will be to win votes in Visitacion Valley, as well as in the Bayview and/or Potrero Hill.

In his latest column in the Chron, former mayor and Sweet supporter Willie Brown alluded to the importance of this in a city with ranked-choice voting:”It’s not getting much attention, but someone has finally figured out how to get the Asian vote out,” Brown observed.”You do it by mail. You get ballots and ballot books into every household, then have the whole family sit down together. The kids help with the translation, everyone talks things over and everyone votes.”

Meanwhile, D10 candidate Tony Kelly told me that Marlene Tran, who is tri-lingual (English, Cantonese, Vietnamese) and has a good handle on community issues in Viz Valley, has confirmed that Kelly is her second-ranked choice (presuming that she votes for herself in first place. of course).

Not a bad strategy–and one that other progressives need to consider, given ranked choice voting–and the brutal reality that they are going to be massively outspent in the next three weeks.

 

 

 

 


 

 

Treasure Island Music Fest preview, take one

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Cords. Pedals. Buttons. Plugs and pieces. What is electronic music but a soundtrack of electricity flowing from one plastic part to another; a collection of volts humming and vibrating in an ironically harmonious fashion that somehow manages to tantalize our organic bones and flesh? Treasure Island’s Saturday lineup is dedicated to the electronic elements of today’s sound waves, but the event’s artist grouping distorts the genre’s seemingly obvious definition to one that is tattered with new sound bytes and unlikely additions.

Out goes the assumption that “electronic music” equals tranquilized club kids, and in come the offshoots of chill wave, electro-pop, electro-rock, folktronica, dance rock, and all kinds of made-up names. From the dance-party infiltrators, LCD Soundsystem, to the “next level shit” of Die Antwoord, each of the 13 acts playing Saturday’s Island stage hold unique qualities. DeadMau5 and Kruder and Dorfmeister remain strictly digital; Little Dragon and Holy Fuck incorporate traditional instruments; French duo Jamaica bans synth completely, while Miike Snow and Wallpaper might consider their vintage plug-in pianos family members. When it comes to defining today’s electronic scene, DJs and professional remixers definitely count, but the full set of rules is still TBD.

Music is what frees us from our overloaded lives, cutting through our webbed-out existence with sounds that take us “away from it all,” yet electronic music seems to work as both an escape and a reminder. Aren’t we tired of hearing our computers bleep? How about those ridiculously catchy videogame noises and horrid ringtones that rot the brain? Electronically-inclined musicians are adding such sounds to their repertoire, disguising them with mustaches and wigs, tangling them with bass and dreamy melodies then handing them back in a totally rad new package.

It’s a streamlined recycling process, melting, molding, and converting junk sounds into something that injects new movement into our robot routines. No, not everything has been thought of before — here is one area where fresh sounds are being discovered.

In fact, things are so new and up in the air that some bands included in the electronic half of this weekend don’t even consider themselves part of the genre. Sarah Barthel, half of the newest blog sensation Phantogram, is one example, though she and bandmate Josh Carter use a fair amount of outlet-powered instruments like samplers, synths, beat machines, and loop machines. “Sound has so many options today. It’s mind boggling and amazing,” she says while riding in a tour van to Atlanta.

Phantogram’s mysterious electro-rock doesn’t necessarily call out “brand new” when it spins, mostly due to its throwbacks to ’90s trip-hop. But similar to a fair portion of Saturday’s bill, the duo is living somewhere off the classic genre map.

“People will ask, ‘Where’s your drummer? Why don’t you have one?” and I just tell them, ‘We don’t want one,'” Barthel says with a laugh, remembering that just moments prior she had expressed her excitement over Phantogram’s newest addition to the tour family— a real drummer to replace their box with buttons. “In general, we’re just trying to go for a different aesthetic. And typically, more traditional elements like a live drummer wouldn’t fit that. But right now, it’s totally working.”

Electronic music today is full of contradictions — as many loopholes as loops. Anything goes and nothing fits quite right, which is why Antoine Hilarie of Jamaica doesn’t even know how to answer the question, What is electronic music?

“I don’t have the slightest idea, to be honest,” he says, before taking it a philosophical step farther and questioning the point of my question altogether. “Genre-defining is a bit obsolete in my opinion. These days I only listen to bands I like, whether they’re rap, electronic music, rock, or folk.”

It’s a genre that can incorporate all genres, meaning it’s own definition is completely lost for words. But none of the bands on Saturday will be playing unplugged. And if the power does disconnect any of our electric artists, we’ll have a very quiet island. 

TREASURE ISLAND MUSIC FESTIVAL

Sat/16, noon–11 p.m.; Sun/17, noon–10:30 p.m.;

$67.50–$475

Treasure Island, SF

www.treasureislandfestival.com

 

Appetite: WhiskyFest 2010 highlights, part one

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“[Whisky] feels appropriately intellectual: a drink you can wrestle with, linger over, and appreciate with all its nooks and crannies.” – Victoria Moore, How to Drink

WhiskyFest turns into Whisky Week with many of the world’s great master distillers and brand ambassadors in town from the reaches of Scotland and Kentucky for a tasting event of nearly 300 whiskies. I had the privilege of meeting with seven different distillers – some met with me over coffee or lunch, others at intimate gatherings. Impressed by the wide range of approaches, styles and personalities, I could easily write an article about each one and their respective distilleries. I will share highlights, this time with Scotch master, Richard Paterson, from a Charbay whiskey dinner, and tastes from the event. Part two will be conversations with bourbon and rye distillers.

10/8 LUNCH WITH RICHARD PATERSONRichard Paterson, known as “the nose” for his impeccable nose and taste, has been Whyte & Mackay’s master blender for decades. He’s one of the world’s leading scotch experts, author of the book Goodness Nose (which I savored as “homework” all through Whisky Week). To be part of one his seminars (such as at WhiskyFest Friday night), is to be bombarded with dates, history, uproarious expertise, irreverence, drama, laughter. When one lucky member of the class samples Dalmore Sirius (which has sold at up to $60,000 a bottle!), Paterson sets off a mini-rocket filled with confetti. Fireworks. Revelation. Kind of like tasting it myself…

I had the privilege of an intimate three hour lunch over food and the Dalmore line with Paterson at Wayfare Tavern. We covered the range from 12 year to King Alexander III scotches (which I first had at Whiskies of the World). The chocolate, marzipan, tropical fruit of King Alexander III remains a Dalmore highlight for me. It’s the only single malt in the world finished in six different woods (Port, Bordeaux Cabernet Sauvignon, Marsala, Madeira, Matusalem sherry, small batch Knob Creek bourbon barrels). Dalmore’s Gran Reserva stood out more the second and third time I sampled it with spiced marmalade, crushed almonds, and sherry notes from the 60% Oloroso sherry casks it’s aged in.

Get Richard started on wood and he says, “The wood is, as far as I’m concerned, the be all, end all.” With a devotion to fine sherry casks (like Gonzales Byass), a key source of Dalmore’s elegant taste profile, they also use a generous amount of American white oak, bourbon casks from Heaven Hill and Jim Beam, which enriches the profile further.

A favorite, which I would happily sip on its own, isn’t bottled: the unaged distillate or, whisky base. It’s amazing how much you can tell of a spirit’s quality by its foundation. I was pleasantly assaulted with an array of tastes from spice and earth to lemongrass in the clear, strong distillate. I finished every drop.

Certainly a pinnacle is reached with the Sirius. The rare opportunity to sample highly aged spirits just a handful times (like two 1800s cognacs in New Orleans or Highland Park’s 40 and 42 year scotches) has opened doors of flavor I could not dream up – this scotch transported me to regions beyond. There are only 12 bottles of Sirius in existence, a ’51 vintage with a blend of Dalmore scotches from 1868, 1878, 1926, 1939. History courses through each drop, while Paterson’s expert blending skills are illuminated here. Rich chocolate earth gives way to licorice and a bonfire smokiness. I count myself lucky.

To drink with Paterson is to learn how to properly nose a glass, how to hold whisky in your mouth for maximum taste (from many seconds, up to 2-3 minutes). One learns how the dreaded phylloxera aphid (which wreaks havoc on vines) inadvertently aided whisky’s growth by making dominant cognac in short supply, creating demand for other drink (read chapter seven in Paterson’s book). But he doesn’t just talk aphids, he brings visuals: big, plastic bugs to illustrate whisky’s unexpected “friend”.

Quirky and colorful, whisky comes to life through Paterson’s interpretation. Intelligent and challenging though the whisky world can be, Paterson retains the intellect but makes it approachable, fun. A Paterson course in whisky education should be mandatory for all would-be and already-avid drinkers.

TASTES – As usual, VIP hour is the time for the rare, the old, the latest, though it was more packed than ever with a mad rush waiting at the door at opening time.  This meant less opportunity to chat with distillers and hear about what you were tasting. A lot can happen in a year and the number of whiskies I’ve had since the last WhiskyFest meant this year was a lot of re-tasting and confirming favorites. Of the whiskies I had not tried, there weren’t a slew of stand-outs.

One that jumped out was a special unlisted, under-the-table pour of George T. Stagg bourbon. Toasty, charred oak warms, rounded out by a raisin-vanilla sweetness. Out of many over-hyped whiskies in the 20-40 year range during VIP hour, Bowmore’s 25 year stood out with a robust profile of salty brine and baked pear sweetness. Glenfarclas 40 year made a statement with tobacco, elegant tannins, orange. But it was many of my usual favorites that remained at the top, including Highland Park’s 30 year, Pappy Van Winkle’s 20 and 23 year bourbons, Parker’s Heritage 27 year bourbon, and Charbay’s incomparable Release II 1999 Pilsner whiskey. It was good to see Wes and Lincoln Henderson (of Woodford Reserve fame) with their new, port barrel-finished Angel’s Envy bourbon – I sampled an early version from Wes way back in December. Also on the non-whisky tip, I was happy as ever to sip a couple Germain-Robin beauties, including their complex Varietal Grappa, and oaky Coast Road Reserve brandy.

10/6 CHARBAY SPIRITED DINNERWith a magnificent sunset from atop the Marriott’s View Lounge as our backdrop, Marko and Jenni Karakasevic of Charbay hold an intimate spirited dinner annually. With plenty of time to hang out with the Karakasevics and meet fervent food and drink lovers at the two tables, the highlight was, of course, drinking Charbay’s incomparable spirits. Starting off with refreshing Green Tea Aperitif paired with Kumamoto oysters on the half shell, we then moved to one of the stand-out white whiskeys in existence: Doubled & Twisted Light Whiskey.

We moved on to what qualifies as one of the best things I ever tasted in my life (now, and every time I taste it): Release II of Charbay Whiskey. This was the best food match of the night, paired with slow-smoked Berkshire Farms Pork Belly and a mini-tamale in Lagunitas chili mole. Surprise whiskey barrel tastings followed: the Release II, but aged 12 years instead of the 6 years of the current release. At a higher proof, it’s superb, complex, rich.

A Meyer Lemon Vodka  ice intermezzo was a refreshing palate cleanser over basil ice, imbuing tart lemon with almost absinthe-like notes. Dessert was paired with their Black Walnut liqueur. As with most Charbay spirits, it’s a stunning standard-setter in its genre.

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Our Weekly Picks: October 13-19

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WEDNESDAY 13

MUSIC

Vader

Vader’s history stretches back almost 30 years. Borrowing Darth’s moniker might not have been the world’s most original idea, but they were likely among the first to have done it. The Polish death metal stalwarts formed in 1983 in Olstzyn, deep behind the Iron Curtain. Successful demo recordings got them hooked with Earache Records, and the band has been pillaging the world’s stages ever since. Guitarist-singer Piotr Wiwczarek is the only original member left in the fold, but the band’s anthemic music is as potent as ever, mixing impossibly thick blast beats with heavy slabs of neoclassical melody. Their upcoming album Return to the Morbid Reich is a nod to the 1990 demo that made their name; this tour, they’re inviting you along for the ride. (Ben Richardson)

With Immolation, Abigail Williams, Lecherous Nocturne, and Pathology

6:30 p.m., $22

DNA Lounge

375 11th St., SF

(415) 626-1409

www.dnalounge.com

 

THURSDAY 14

DANCE

Lines Ballet

The story of Scheherazade and her 1,001 nights of tales to postpone her beheading by the Persian king has intrigued and captivated audiences for ages. Choreographer Alonzo King’s dance adaptation Scheherazade delves beyond the story to explore themes ranging from the symbolism of abused women to the transformative power imbued in the tales. The company of chiseled titans dance alongside tabla master Zakir Hussain’s score, which incorporates traditional Persian instrumentation into the original classical composition by Rimsky-Korsakov. The piece premiered in Monaco last December; San Franciscans can now experience King’s artistic rendering of Scheherazade’s classic tale for themselves. (Emmaly Wiederholt)

Through Oct. 24

Thurs/14, 7 p.m.; Fri.–Sat., 8 p.m.;

Sun., 5 p.m.; Oct. 20–21, 7:30 p.m., $25–$75

Yerba Buena Center for the Arts

Novellus Theater

700 Howard, SF

(415) 978-2787

www.linesballet.org

 

FILM

“Jim Henson and Friends: Inside the Sesame Street Vault”

Consider the Muppet. Made of foam and googly eyes, set atop spindly legs under a mop of primary-color hair, these brave figures have become our children’s teachers on a level unparalleled in the world of infotainment. We’re talking street, of course — Sesame Street, which since its 1969 debut has won 97 Emmy awards, more than any other show. Yerba Buena Center for the Art is running a series of Sesame clip collections, and today’s viewing pays homage to the contributions of the show’s early creative team, with a special furry hug to creator Jim Henson, and little-seen guest appearances from the show’s early days. (Caitlin Donohue)

7:30 p.m. (also Sat/16, 2 p.m.), $6–$8

Yerba Buena Center for the Arts

701 Mission, SF

(415) 978-2787

www.ybca.org

 

DANCE

“CounterPULSE’s Performing Diaspora: Sri Susilowati”

Stripping world dance of its trappings is quite the rage these days. But few have done it so radically as Indonesian classical dancer did Sri Susilowati at last year’s Performing Diaspora festival. Yet this was the same artist who, only a few months before at the Ethnic Dance Festival, had performed an exquisite, contemporary Javanese mourning dance. Now she is back, having been invited to expand on her 2009 piece. Susilowati may look one of those ethereal dance creatures whose bodies are so stylized that it’s difficult to think of them having earthly passions. Yet they do. Hint on Susilowati: food. Another Indonesian dancer, Prumsodun Ok, opens the show for her. (Rita Felciano)

Thurs/14–Sat/16, 8 p.m.; Sun/17, 3 p.m., $24

CounterPULSE

1310 Mission St./SF

(415) 626-2060

www.brownpapertickets.com

 

MUSIC

Fresh and Onlys and Kelley Stoltz

San Francisco-based artists the Fresh and Onlys and Kelley Stoltz will both have new albums on hand at this double CD release blowout. The new Fresh and Onlys disc, Play It Strange, showcases the band’s garage-rocky spin on 1960s pop, and was recorded for the first time outside of a DIY studio setup with Comets on Fire producer Tim Green. Stoltz releases his newest batch of throwbacks to the Beatles’ and Beach Boys’ style of sunny pop with To Dreamers. This is a perfect night to come out and support local music. (Landon Moblad)

With Carletta Sue Kay

9:30 p.m., $12

Café Du Nord

2170 Market, SF

(415) 861-5016

www.cafedunord.com

 

FRIDAY 15

DANCE

Dandelion Dancetheater

Known for its loud, provocative works merging dance, drama, and music, Dandelion Dancetheater turns its attention to motherhood in MamaLOVE: Seeds of Winter. The seven-women cast explores mom-related themes by diffusing fairy tales, myths, and lullabies to discover the context and relevance of the cultural archetypes and stereotypes surrounding motherhood. Each evening brings a rotating roster of guest mama-choreographers: Mary Carbonara, Tammy Cheney, Laura Elaine Ellis, Suzanne Gallo, Dana Lawton, Laura Renaud-Wilson, and Chingchi Yu. Directed by Kimiko Guthrie, the show promises to be haunting, hilarious, and not to be missed as the mom-artists address the complexities of love, loss, connection, and independence. (Wiederholt)

Though Oct. 24

Fri-Sat, 8 p.m.; Sun, 7 p.m. (also Oct. 24, 3 p.m.), $12-15

Shawl Anderson Dance Center

2704 Alcatraz, Berk.

(510) 654-5921

www.dandeliondancetheater.org

 

SATURDAY 16

MUSIC

Longplayer San Francisco: 1,000 Years in Three Simultaneous Acts”

As a founding member of legendary rabble-rousers the Pogues, Jem Finer helped the band deconstruct traditional Irish music and create a new musical creature out of its varied influences. Taking this willingness to experiment with different sounds and ideas and bringing it to another level, Finer composed Longplayer, a piece designed to last 1,000 years and played on instruments such as Tibetan bowl gongs. Today’s special performance will be a 1,000-minute excerpt performed by 18 musicians on a custom-built, 60-foot-wide circular “instrument” — so slow down and take some time to absorb some art that goes against today’s faster-is-better mentality. (Sean McCourt)

7 a.m.–11:40 p.m., $25–$28

Yerba Buena Center For The Arts Forum

701 Mission, SF

(415) 978-2787

www.ybca.org

 

EVENT

“ODC Theater’s JumpstART”

Several years and millions of bucks in the making, ODC is at last ready to unveil its new state-of-the-art “cultural campus” in the Mission in a celebratory free day of “dance, theater, performance, and community.” With more than 20 performers and organizations participating, there will be something for everybody — yes, even clogging — at this one-of-a-kind public offering. A glance at the roster includes such names as Scott Wells and Dancers, Robert Moses’ Kin, Killing My Lobster, Youth Speaks, and of course ODC/Dance, all curated by ODC Theater director Rob Bailis in collaboration with the likes of choreographer Joe Goode, world music expert Lilly Kharrazi, and playwright-director Mark Jackson. (Robert Avila)

Noon–11 p.m., free (tickets available one hour prior to each performance)

ODC Theater

3153 17th St, SF

(415) 863-9834

www.odcdance.org

 

DANCE

Trolley Dances

I still wish they’d call them Street Car Dances instead of Trolley Dances, because that’s what they are, but the name is a registered trademark and has its origins in San Diego (where they actually have trolleys). However, there is nothing else I would change on these annual easy-rider events. They are pure fun, and curator Kim Epifano always comes up with an intriguing lineup of entertainers. This year you’ll see, among others, dancers from Joe Goode Performance Group, Sara Shelton Mann, Ensohza Minyoshu (traditional Japanese folk music and dance), and Sunset Chinese Folk Dance Group. And do look out for a special treat on Ninth Ave for our animal friends, courtesy of brilliant maskmaker Mike Stasiuk. Boarding takes place at Duboce Park. (Felciano)

Through Sun/17

11 a.m. (runs every 45 minutes until 2:45 p.m.), free with Muni fare ($2)

Duboce at Scott, SF

(415) 226-1139

www.epiphanydance.org

 

EVENT

ArtSpan Open Studios

Do you ever want to stroll into other people’s homes simply from sweet curiosity? Perhaps you covet thy neighbor’s art, or maybe just appreciate light and shadow and like talking with the peeps who represent it? Do all three at the largest and oldest open studios event in the country. The self-guided art tour is ongoing through October, but this weekend doors will open in the artsy northern and eastern neighborhoods. From the nude drawings of Derriere Guard (ahem, Beavis) to the ultraviolet photos of South African succulents, it’s the best opportunity to get to know your local artists. And maybe take home a derriere or two. (Kat Renz)

Through Oct. 31

Sat.–Sun., 11 a.m.–-6 p.m., free

Bayview, Excelsior, Financial District, North Beach, Potrero, Russian Hill, SoMa,Tenderloin

(415) 861-9838

www.artspan.org

 

SUNDAY 17

MUSIC

BATUSIS

Featuring two of the founding architects of punk rock — guitarists Sylvain Sylvain from the New York Dolls and Cheetah Chrome from the Dead Boys — Batusis already has its street cred and headliner status firmly in place. Taking its name from the groovy dance that Adam West performed in the campy 1960s Batman TV show, the band came together and released a new self-titled EP earlier this year that’s steeped in the sounds that earned these six string slingers their place in the punk pantheon in the first place. This dynamic duo may not be so young anymore, but they’re sure as hell just as loud and snotty. (McCourt)

With Re-Volts

8 p.m., $12–$15

Thee Parkside

1600 17th St., SF

(415) 252-1330

www.theeparkside.com


MONDAY 18

MUSIC

David Bazan

Previously known for fronting the popular indie-rock project Pedro the Lion, David Bazan has returned to working under his own name. His most recent solo album, Curse Your Branches, covers some religious-themed lyrical ground that fans should be familiar with by now, like the tales of sinners losing their way and Bazan grappling with his own faith. But it also presents itself in a much more upbeat, poppier setting than we’re used to, often at odds with the reflective and sometimes dark themes of the songs. Moody, country-tinged Baltimore duo Wye Oak opens. (Moblad)

8 p.m., $15

Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com 


The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. We cannot guarantee the return of photos, but enclosing an SASE helps. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

 

Rep clock

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Schedules are for Wed/13–Tues/19 except where noted. Director and year are given when available. Double and triple features are marked with a •. All times are p.m. unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6-15. “Pow! Pow! Pow! Art Festival 2010,” live performance, video installations, and more, Thurs, 8. “Immigrant Film Festival,” Fri, 7 and Sat-Sun, 3. “Other Cinema:” Space, Land and Time: Underground Adventures with Ant Farm (Federici and Harrison, 2010), Sat, 8:30. “Next! And Attention Deficit Gift: A 99 Hooker Screening,” Sun, 8. “Electroacoustic audio-visual improvisations” with Bill Hsu, Gino Robair, and John Shiurba, Tues, 8.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-10. Where the Boys Are (Levin, 1961), Wed, 2:30, 4:45, 7, 9:15. Connie Francis in person to introduce 7pm show. “14th Annual Arab Film Festival:” Masquerades (Salem, 2008), Thurs, 7:30. This event, $20; for more info, visit www.arabfilmfestival.org. “Midnites for Maniacs: Don’t Get Bit … By Big Mouths:” •Fright Night (Holland, 1985), Fri, 7:15; An American Werewolf in London (Landis, 1981), Fri, 9:30; and The Evil Dead (Raimi, 1981), Fri, 11:45. “Connie Francis: The Legend Continues,” live concert with full orchestra, Sat, 8. Presented by the Rrazz Room; visit www.cityboxoffice.com for tickets ($49-99). “Montgomery Clift Double Feature:” •From Here to Eternity (Zinnemann, 1953), Sat, 2:30, 7, and Wild River (Kazan, 1960), Sat, 4:50, 9:15.

CERRITO 10070 San Pablo, El Cerrito; www.rialtocinemas.com. $7. “Cerrito Classics:” Rosemary’s Baby (Polanski, 1968), Thurs, 7:45.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-10.25. “Mill Valley Film Festival,” Wed-Sun. Program information at www.mvff.com. 36 (Marchal, 2005), Oct 18-21, 6:30, 9.

DELANCEY STREET SCREENING ROOM 600 Embarcadero, SF; www.modjeskawomantriumphantmovie.com. Free ($5-10 suggested donation). Modjeska: A Woman Triumphant (Myszynski), Sun, 3.

FORBIDDEN ISLAND TIKI LOUNGE 1304 Lincoln, Alameda; www.forbiddenislandalameda.com. Free. “Forbidden Thrills: Half N’ Half Halloween Horrors:” •Werewolf in a Girl’s Dormitory (Heusch, 1961), and The Manster (Breakston and Crane, 1959), Mon, 7:30.

GRAND LAKE 3200 Grand, Oakl; (510) 452-3556. $10. Enemies of the People (Lemkin and Sambath, 2009), Wed, 4:30, 7:15, 9:30.

HUMANIST HALL 390 27th St, Oakl; www.humanisthall.org. $5. Sharkwater: The Truth Will Surface (Stewart, 2006), Wed, 7:30.

LUMIERE 1572 California, SF; www.landmarkafterdark.com. Free. “Monthly Anime:” “Sengoku Basara,” Thurs, 7.

MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100 (reservations required). $10. “CinemaLit: Apocalypse Noir:” Matinee (Dante, 1993), Fri, 6.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. “Radical Light: Alternative Film and Video in the San Francisco Bay Area:” “1961-71,” Wed, 7:30; “Stories Untold,” Sat, 6; “The Exotic Erotic,” Sat, 8:30; “Procession of the Image Processors,” Sun, 6:30. “Shakespeare on Screen:” Chimes at Midnight (Welles, 1966), Thurs, 7; Romeo + Juliet (Luhrmann, 1996), Sun, 4. “Days of Glory: Revisiting Italian Neorealism:” Bellissima (Visconti, 1953), Fri, 7; Miracle in Milan (De Sica, 1951), Fri, 9:10. “Home Movie Day:” “Film Check-In,” Sat, 11am; “Home Movie Day Screening,” Sat, 1. Metropolis (Lang, 1926), Tues, 7.

PIEDMONT 4186 Piedmont, Oakl; www.landmarktheatres.coom. $8. The Room (Wiseau, 2003), Sat, midnight.

RED VIC 1727 Haight, SF; (415) 668-3994. $6-10. Dr. Strangelove (Kubrick, 1964), Wed-Thurs, 7:15, 9:15 (also Wed, 2). Cropsey (Zeman and Brancaccio, 2009), Fri-Tues, 7:15, 9:15 (also Sat-Sun, 2, 4).  

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $5-9.75. Exit Through the Gift Shop (Banksy, 2010), Wed-Thurs, 9:15. Grant Morrison: Talking With Gods (Meaney, 2010), Wed, 9:30 and Thurs, 7. Who Is Harry Nilsson (And Why Is Everybody Talkin’ About Him?) (Scheinfeld, 2010), Wed, 7, call for times. “SF DocFest,” Oct 14-28. Program information at www.sfindie.com.

SAN FRANCISCO MUSEUM OF MODERN ART 151 Third St, SF; www.sfmoma.org. $5. “Jordan Belson: Films Sacred and Profane,” Thurs, 7.

SAN FRANCISCO PUBLIC LIBRARY Koret Auditorium, 100 Larkin, SF; www.sfpl.org. Free. “Beyond Manny and Marcos: A Showcase of Far-Out Filipino American Films and Theater,” Sat, 3-5:30.

VIZ CINEMA New People, 1746 Post, SF; www.vizcinema.com. $10. “Ozu and His Muse: Setsuko Hara,” Early Summer (1954), Fri, 4:30 and Sat, 3:15; Late Autumn (1960), Sat, 12:15, Sun, 6, and Mon, 4:30; Late Spring (1949), Sun, 12:15 and Tues, 715; Tokyo Twilight (1947), Sun, 2:30 and Mon, 7:15.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “Jim Henson and Friends: Inside the Sesame Street Vault,” Thurs, 7:30 and Sat, 2. “San Francisco Jewish Film Festival Presents: Tough Guys: Images of Jewish Gangsters in Film:” Little Caesar (LeRoy, 1931), Sun, 2.

On the cheap listings

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On the Cheap listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

WEDNESDAY 13

“How to Cook Like a Scientist” Bazaar Café, 5927 California, SF; (415) 831-5620. 7pm, free. Meet Jeff Potter, author of Cooking for Geeks, who combines cooking with Mythbusters to create a food-as-science, cooking experience for those who like to know how things work.

THURSDAY 14

Sparring with Beatnik Ghosts Beat Museum, 540 Broadway, SF; (415) 399-9626. 7pm, free. This ongoing multimedia poetry series returns to the Beat Museum with host Daniel Yaryan and featuring readings by David Meltzer, San Francisco Poet & Beat Icon, Ellyn Maybe & Her Band, Steve Arntson, Jerry Ferraz, Martin Hickle, Richard Loranger, Whitman McGowan, Ginger Murray, Julie Rogers, Margery Snyder, and Chris Vannoy.

FRIDAY 15

Mark I. Chester Benefit Mark I. Chester Studio, 1229 Folsom, SF; (415) 621-6294. 7pm; free, donations encouraged. Celebrate Mark I. Chester’s 60th birthday while helping to raise funds for a new book. View Chester’s current exhibit, “Doing Time on Folsom St: a 30 year retrospective of fine art gay radical sex photography” and enjoy readings and performances by Carol Queen, Tom Orr, Seth Eisen and Jesse Hewitt and more. Sponsored by the Center for Sex and Culture.

“Writing Our Word, Speaking Our Minds, Telling Out Stories” San Francisco Main Library, Latino/Hispanic Community Meeting Room, 100 Larkin, SF; (415) 557-4400. 6pm, free. Featuring readings by and about lesbians with disabilities with Elana Dykewomon, Barbara Ruth, Teya Schaffer, Dominika Bednarska, and the Mothertongue Feminist Theater Collective.

SATURDAY 16

“The Classics” 1:AM Gallery, 1000 Howard, SF; (415) 861-5089. 5:30pm, free. Attend the closing reception for this exhibit, curated by Nate1, that brings together original vintage work from the artists that put San Francisco on the graffiti map and defined Bay Area graffiti style. Guest speaker Spie will give an informative tour of the exhibit on Bay Area graffiti.

Halloween Bazaar Modern Eden Gallery, 403 Francisco, SF; (415) 420-2898. 7pm, free. End your day of touring open studios in North Beach, as part of SF Open Studios’ weekend two, at this spooky-themed trunk show featuring wares by local artists JuJu by Sarah, Marya Zoya Taxidermy Courture, Blackbird Bazaar, Squid Rose designs, and more plus pumpkin carving and painting, music, drinks, and treats. Costumes encouraged.

Potrero Hill Festival 20th street between Missouri and Wisconsin, SF; www.potrerofestival.com. 11am-4pm, free. Soak up the best of Potrero Hill at this street fair with a view featuring local merchants and residents selling their wares, arts, and crafts, two stages with live music, food from Potrero Hill restaurateurs, information booths, and kids activities including a bouncy house, petting zoo, pony rides, and performances.

Taste of Fillmore Fillmore between Post and Jackson, SF; www.tasteoffillmore.com. 1pm-6pm; free admission, $20 for wrist band. Buy a wrist band and enjoy food and wine tastings at boutiques and restaurants, or just walk around and check out some live jazz, walk through home décor scenes installed on the sidewalks, watch cooking demonstrations, fashion shows, and more.

Trolley Dances Meet at the Harvey Milk Center for Recreational Arts at Duboce Park, Scott at Duboce, SF; www.epiphanydance.org. 11am-2:45pm, tours leave every 45 min.; free with MUNI fare. Get out of the theater and into the streets with traveling performances by Epiphany Productions SDT, Joe Goode Performance Group, Sara Shelton Mann, and more as they take you from Duboce Park to the SF Botanical Garden in Golden Gate Park for several unique performance locations.

“The Wild Kitchen” Omnivore Books on Food, 3885a Cesar Chavez, SF; (415) 282-4712. 3pm, free. Hear authors Connie Green and Sara P. Scott discuss their book, The Wild Kitchen: Seasonal Foraged Foods and Recipes, and the increasing popularity of wild delicacies. Green sells her gathered goods across the country to Napa Valley’s finest chefs, so before you buy that expensive meal, consider the free buffet that is California.

Writers with Drinks Make Out Room, 3225 22nd St., SF; (415) 647-2888. 7:30pm, $5-$10 sliding scale. This installment of the monthly spoken word variety show features Marcia Clark, Ken Scholes, Jamie Freveletti, Stephen O’Connor, Kirya Traber and Daniel Allen Cox. Proceeds to benefit the Center for Sex and Culture.

Yerba Buena Fair Yerba Buena Gardens, Mission between 3rd and 4th St., SF; (415) 644-0728. 11am-3pm, free. Celebrate the Yerba Buena neighborhood at the fair featuring live music, dancing, acrobats, neighborhood food vendors, street food vendors, art and history walks, prizes and giveaways, kids activities, and more.

SUNDAY 17

Capsule Hayes Valley Park, Octavia at Hayes, SF; www.capsulesf.com. 11am-6pm, free. Enjoy this fashion design open air market and community party where you can browse locally made clothing, upcycled jewelry and accessories, steampunk-inspired wear, graphic tees, kids clothes, and designer housewares while listening to live music by members of the Jazz Mafia, Brent Bishop and the Part Poopers, and more.

Fiesta on the Hill Cortland between Bocana and Folsom, SF; (415) 206-2140. 10am-6pm, free. Join your friends and neighbors for the 22nd annual Fiesta to benefit the Bernal Heights Neighborhood center, an organization that works to maintain the ethnic, cultural, and economic diversity of Bernal Heights. This alcohol free family event to feature a petting zoo, pony rides, a pumpkin patch, non-profit booths, live music, food vendors and more.

 

Waiting to inhale

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news@sfbg.com

Much of the controversy around Proposition 19, which would legalize marijuana in California for even nonmedical uses, involves speculation about what comes next. Hash bars on Market Street? Packs of joints next to the cigarettes in Mission District bodegas? Bags of green buds available with the bongs for sale on Haight Street? They are questions that have yet to get serious consideration in the city where the medical marijuana movement was launched.

The measure would give local governments almost complete control over how to regulate recreational-use cannabis sales in much the same way that cities set their own standards for medical marijuana dispensaries, a realm in which San Francisco has shown real leadership and created a well-functioning, successful, and legitimate industry (see “Marijuana goes mainstream,” Jan. 27).

But San Franciscans have been slow to prepare for the post-Prop. 19 world, with some other Bay Area cities leaving it in the dust on these issues. Oakland City Council Member Rebecca Kaplan, who is now running for mayor, not only spearheaded that city’s ballot measures on taxing recreational pot sales and permitting large scale growing operations, she’s actively talking using the Amsterdam model to revitalize the city’s downtown business district.

“[Hash bars] absolutely potentially would be part of the mix,” Kaplan told us when we asked about the issue during her mayoral endorsement interview, seeing it as part of a multipronged economic development strategy.

When asked if Oakland should have places where people could go to blaze legally, something Oakland doesn’t allow in its medical marijuana dispensaries, Kaplan said, “Yes. Oh yeah, we’re definitely gonna have those. The only question is gonna be whether the consumption facilities are separate from [those for] sales,” or if they’re under the same roof.

Kaplan thinks this will be part of the winning strategy that takes cannabis use off street corners while acknowledging its appeal to visitors and “synergy with the restaurants. When I talk about wanting to replicate the Amsterdam model in Oakland … it doesn’t just mean that you have … a regulated cannabis facility. You also have restaurants, shops, pedestrian safety, nice lighting, patio dining, musicians, artists.”

She points out that although an Oakland-regulated cannabis industry may use current alcohol regulation as a template, the two substances would not be sold alongside each other. “Frankly, ABC [California Department of Alcoholic Beverage Control) will freak out.” That means, at least in Oakland, you won’t be able to purchase cannabis at bars, liquor, or grocery stores.

On this side of the bay, Sup. Ross Mirkarimi — who wrote the regulations on the city’s medical marijuana facilities — says it is “extremely premature” to contemplate Amsterdam-esque hash bars. “That would have to occur within a strong regulatory framework,” he said, one the Board of Supervisors has yet to envision. San Francisco attorney David Owen, who has helped advise some medical marijuana purveyors, said some dispensaries currently allow on-site medication, and San Francisco might legislate to extend the practice to bars.

Meanwhile other California cities such as Berkeley and Oakland are anticipating Prop. 19’s passage much more proactively. Berkeley’s Measure S would tax cannabis businesses, applying different rates to for profit med-use cannabis businesses, nonprofit med-use businesses, and rec-use businesses (which won’t exist unless Prop 19 passes). The measure would secure medical-use cannabis for low-income patients and tighten regulations on Berkeley’s current med-use dispensaries and cultivators regardless of how Prop. 19 fares. There’s also a Measure T on the ballot that would establish a new committee that, in the event that Prop. 19 passes, would advise city officials on how to implement it.

Berkeley City Council Member Kriss Worthington said planning for the post-Prop. 19 world is smart to “synchronize a forward movement on the state and local level” and to “hit the ground running,” a sentiment that Kaplan also voiced for Oakland and one shared by other cities.

Stockton’s Measure I would tax rec-use cannabis businesses at a higher rate than med-use businesses. Sacramento’s Measure C is similar, containing a provision for a rec-use tax range if Prop. 19 passes. Richmond’s Measure V would tax 5 percent of gross sales of cannabis, and could apply to rec-use businesses too. Oakland’s Measure V would add a 5 percent tax to other taxes already on med-use cannabis, and put a 10 percent sales tax on rec-use cannabis. Measure H, on Rancho Cordova’s ballot, would tax personal cultivation at a higher tax on any square footage beyond the 25 square feet that Prop 19 specifies. Long Beach’s Measure B would establish a business license tax on the city’s potential recreational cannabis businesses. Even Albany, which has no dispensaries, would tax for-profit and nonprofit dispensaries differently through its Measure Q.

But Mirkarimi said he would like to tax marijuana cultivation, and has even voiced support for med-use cannabis dispensaries working directly with SF General Hospital to provide to patients, “thereby segregating a special use” and keeping cannabis prices low or nonexistent based on patient needs.

So if Prop. 19 passes, where will San Franciscans be able to purchase rec-use cannabis? Current med-use dispensaries may be a logical choice. “We already have the infrastructure,” said SF dispensary Medithrive co-owner Daniel Bornstein.

Whereas alcohol purveyors are accustomed to providing one barrier to purchase (when they card the buyer), dispensaries such as Medithrive offer many. “We already card and only accept patronage from those with a valid doctor recommendation. We also require he/she become a member of the dispensary and limit to one visit per day.”

When he contemplates whether Medithrive might provide rec-use cannabis in the future, Bornstein says “If [the city adopts] a responsible statute that’s fair, we would welcome the opportunity to offer a broadened service to more people.”

That avenue troubles Mirkarimi. “I don’t know how that works,” he said. Rec-use cannabis purchase would require no doctor’s notes and could occur within a for-profit business model. How would dispensaries legally reconcile making money under their nonprofit status? “I don’t want to put that burden on them,” Mirkarimi said.

Prop. 19 offers other potential implementation conundrums. For example, the measure will only give local governments the option to legalize the limited cultivation/sale of cannabis. Legalization won’t be compulsory. Therefore, it is likely that a post-Prop. 19-approved California will become a patchwork of alternating “dry” and “wet” municipalities.

So let’s say you’re on a road trip and you pass through many cities that all treat cannabis differently. Bornstein and his Medithrive partner Misha Breyburg worry about such a “patchwork of legal complexity.” But Prop. 19 provides for the legal transport of cannabis through cities that prohibit its sale, and California Assemblymember Tom Ammiano has already proposed legislation to smooth out the rough spots in Prop. 19 and answer open questions.

So for now, everyone is just waiting to see what state voters do.

 

Alerts

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alert@sfbg.com

WEDNESDAY, OCT. 13

Commune and resist

Dubbed the Community and Resistance Tour, this two-hour event seeks to connect the BP oil spill, expressions of racism in Jena, La., and organizing women in prison. Come hear Jordan Flaherty and other speakers discuss these and other struggles for justice and liberation. The event is sponsored by Left Turn Magazine and other radical and independent media projects.

7 p.m.–9 p.m., free

Station 40

3030-B 16th St., SF

www.communityandresistance.wordpress.com

 

THURSDAY, OCT. 14

Get radical for our schools

Sisters Organized for Public Education hosts a community meeting to develop strategies for opposing further cuts to the public school system. Come beforehand and get to know people at the buffet with vegetarian options.

7 p.m. lecture, free;

6:15 buffet, $7.50 donation New Valencia Hall

625 Larkin, Suite 202, SF

415-864-1278

 

Food sovereignty for Haiti

Discussion focused on how food justice and sovereignty are working on the ground in Haiti, here in the Bay Area, and elsewhere. The lively event is hosted by Weyland Southon of KPFA’s Hard Knock Radio and features keynote speaker Pierre Labossiere, a Haitian activist with HaitiAction Committee, and performances by Tacuma King and Bay Area youth Arts.

7 p.m., $10

Humanist Hall

390 27th St., Oakl.

510-548-2220, ext 233

 

FRIDAY, OCT. 15

Turn a New Leaf

Gay Shame San Francisco holds this community meeting to discuss the closing of the New Leaf LGBTQ Counseling Center and what it calls the medicalization of life, criminalization of illness, and growth of the prison-military-medical-nonprofit-industrial complex.

11:30 a.m., free

Market and Ninth streets, SF

www.gayshamesf.org

 

SATURDAY, OCT. 16

Our planet, ourselves

“Earth at Risk: Building a Resistance Movement To Save the Planet” is a daylong event designed to highlight the dire threat that reckless industrialization poses to the planet and build a resistance movement around possible solutions. Host Derrick Jensen interviews 10 people who each hold an impassioned critique of overindustrialized civilization and who offer solutions.

9 a.m.–5 p.m., free

Seven Hills Conference Center

San Francisco State University

1600 Holloway, SF

www.derrickjensen.org

 

Foraged Health

Take a class on medicinal plants available in California. The class is taught by Tellur Fenner of Blue Wind Botanical Medicine Clinic. Come learn what Mother Earth has to offer underfoot and overhead.

1 p.m. – 4 p.m., $20 members; $30 public

18 Reasons

593 Guerrero, SF

www.brownpapertickets.com/event/130794

 

Radical Mental Health

This grassroots media project was created by and for people struggling with that catch-all term, “mental disorders.” Filmmaker Ken Paul Rosenthal presents his poetic documentary Crooked Beauty, which documents Jack McNamara’s journey from psychiatric patient to mental health advocate. Benefits San Francisco’s Icarus Project.

6 p.m.–9 p.m., $5–$10 suggested donation

California Institute for Integral Studies

1453 Mission, SF

www.crookedbeauty.com 

Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 255-8762; or e-mail alerts@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

Lacy’s face disfigured on Dem/Labor doorhanger

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With only three weeks to go until the election. the dirty campaign tricks get stickier.

Top of the list of dirty tricks this week is the person(s) who pasted “Vote Malia Cohen” stickers atop the image of D10 candidate Dewitt Lacy on door hangers that the SF Democratic Party and the SF Labor Council produced  jointly for the November 2010 election. According to Lacy supporters, the offending stickers cropped up primarily on door hangers distributed on Potrero Hill, where Lacy lives, works and has a strong following.

The door hanger features a photo of Jerry Brown for Governor on one side—and thumbnails of the Dem/Council’s local picks on the other. These local picks include Newsom for Lt. Governor, Kamala Harris for Attorney General, Janet Reilly for D2 Supervisor, Carmen Chu for D4 supervisor, Debra Walker for D6 supervisor, Rafael Mandelman for D8 Supervisor and Dewitt Lacy and Malia Cohen for D10–except you can’t see Lacy’s face on the doorhangers that have been disfigured by Cohen stickers.

Historically, the SF Democratic Party only includes the picture of its top ranked candidate on door hangers, and this fall, the DCCC (the endorsing body of the local Dem Party) endorsed Lacy as its first-ranked candidate, Cohen as its second ranked candidate and Eric Smith as its third ranked candidate.

“But we included both Dewitt and Malia on this door hanger because we are doing it with the Labor Council and we have two different first-ranked candidates,” former Board President and current DCCC chair Aaron Peskin told the Guardian, noting that the Labor Council endorsed Cohen as top-ranked and Chris Jackson as its second-ranked candidate.

Cohen’s campaign manager Megan Hamilton told the Guardian that the Cohen campaign was “aware” of the stickers.
“But we did not put the stickers there,” Hamilton said.

Lacy, who dropped by the Guardian with dozens of defaced door hangers in hand, said a stream of supporters have complained about this latest dirty trick.

‘It’s misleading,” Lacy said. ‘If folks haven’t been paying attention, they won’t understand that I have been endorsed as the Democratic Party’s top choice.”

Lacy said the door hangers were distributed a couple of weeks ago at the DCCC’s election season kick-off event to people who were going to walk precincts.
”Of course, at that time, the door hangers weren’t terribly disfigured by someone sticking a ‘vote for Malia Cohen’ sticker over my smiling face,” Lacy added. “But it shows that these folks are nervous about the inroads my campaign has been making in this race. After each forum we have had folks come up to us and say they are excited by our campaign because they are looking for hope and leadership that really represents them.”

So what does Lacy, the top choice of the Democratic Party, look like when he doesn’t have a sticker over his face?

All smiles, after he completed his interview with the Guardian, which gave him its second-ranked endorsement in the D10 race, with Tony Kelly in top place and Chris Jackson in third.

Open Studios spotlight: Calixto Robles

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Because Open Studios is about more than just the free wine and occasional sushi board score. Really! The annual organized voyeurism of creative space in the city will showcase artists’ studios in different neighborhoods each weekend this month. In gleeful anticipation, we visited screen-printer and long time Mission visual artist Calixto Robles, who is helping to throw open the doors to his Life Art Studios (151 Potrero, SF) this weekend.

 

“Meeting new people, that’s the best thing.” Robles is sitting in his studio of six years, surrounded by shelf upon shelf of his lucid dream style paintings, screen printed posters, and a new project that will be on sale at this weekend’s Open Studios: T-shirts covered in iconic prints from the world’s religions, their overlapping designs forming a riotous invocation of peace.

Get inside Calixto’s mind… or at least his print shop

The T-shirts designs are echoes of similar schemas on canvasses that sit on the ground near Robles’ desk area. The Virgin of Guadalupe (herself a figure with one foot in Catholic lore and another in indigenous Mexican faith), Buddha, and Hindu gods, the word “peace” thrown in at intervals for good measure. The brightly colored collages are a favorite of Carlos Santana, who is a good friend of Robles. In fact, the canvasses by Robles’ feet represent different options for Santana to peruse for his family Christmas card this year. 

The beauty of Open Studios is the ability to sample divergent snippets of San Francisco artistic life. In addition to Life Art’s neighborhood in the corner of the Mission that abuts SoMa and Potrero Hill, this weekend’s event will feature open doors in Bernal Heights, Castro, Duboce, Eureka Valley, Glen Park, Mission, Noe Valley, and Portola. Art Span, the organization of artists that coordinates the event, does so to connect artists with budding art aficionados in the hopes of connection at the point of inspiration.

Robles, a longtime Mission resident from Oaxaca who was part of the art movement that erupted in opposition to the dot com evictions of the late ’90s, has participated in for “fix or six years” in Open Studios. He’s exhibited his art for visitors in both group studios and in his home on Guerrero Street, relishing the opportunity to let passers-by into his private creating space. 

Lotus hearts, community art at Open Studios 2010

He’s famous for his screen prints. Wife and fellow artist Alexandra Blum and he bought an ancient printing press from UC Berkeley years ago. It now sits in the center of his studio, an aluminum print  on top of it featuring a “Justicia” banner that a friend drew for Calixto to print. One wall of the lobby gallery of Life Art is still covered in handmade Mexican propaganda posters that Robles and friends displayed in a recent exhibition of political art. 

The beauty of Open Studios, Robles says, is not always the financial bottom line. Rather, it’s the chance to share art with those around us, people with whom you’d never otherwise find yourself discussing artistic vision. 

This weekend will be the first time that Life Art hosts a group show — exciting for that particular artist community, whose artist produce disparate works from Calixto’s peace prints to massive canvasses covered with a mixture of adhesive and table salt. The artists hope to benefit from the foot traffic of people strolling between SOMAarts Cultural Center and Art Explosion, the massive warren of studios that both sit a block from Life Art and will also be participating in this weekend’s Open Studios. 

Some people, Robles tells me, pass through quickly after scanning the works on the wall – but other art fans will go for the more interactive experience. Chill with the guy who makes Carlos Santana’s Christmas cards? It’s a good reason to hit the studio circuit. 


Open Studios: Bernal Heights, Castro, Duboce, Eureka Valley, Glen Park, Mission, Noe Valley, Portola

Sat/9 and Sun/10 11 a.m.-6 p.m., free

151 Potrero, SF

www.artspan.org

 

Hot sexy events Oct 6-12

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It’s about that time, cats and kittens. Time to start fantasizing — Halloween is just around the corner. And though everyone and their mother is going to be Stephen Colbert’s Muslim vampire this year, many will seize the autumnal juncture as an opportunity to whore it up and out – in a good way! 

After all, who doesn’t love the sexy nurses, kitties, police officers, and Snookies that stalk the city bars each year on the 31st? Look, the point is that on this day of days society indulges those that follow their dreams. May as well make it a wet dream, no? Sexy Muslim vampire it is! Oh, and here are some sexy events that’ll wet your whistle this week, with an emphasis on finding that alluring inner equilibrium.

Bawdy Storytelling

Two events this week to get you hooked into what’s happening in Dixie De La Tour’s recurring sexcapade storytelling series: one, a best-of edition featuring writers and comedians from around town (Wed/6) and two, a back alley Lit Crawl edition of Bawdy that’ll have Clarion Alley echoing with the retelling of disastrous dates and tales of unconventional canoodling.  

Bawdy Storytelling: Graphic Confessions

Wed/6 8 p.m., $10

The Blue Macaw

2565 Mission, SF

www.bawdystorytelling.com


Bawdy in the Alley

Sat/9 8:30-9:30 p.m., free

Clarion Alley between 17th and 18th St., SF

www.bawdystorytelling.com


Declaring Our Erotic

Jen Cross knows that erotic writing isn’t just a pleasure to read – for some, the act of writing down passions can be a cathartic, even therapeutic event. That’s why she’s offering this eight-week class for survivors of LGBT sexual trauma. The syllabus promises a safe space to reconnect with your body’s desires and memories. And of course, a chance to write some hot, dirty smut. 

First class Thu/7 6:30-9 p.m., $225-250

email jennifer@writingourselveswhole.com for details


Urge

Put the Citadel’s 5,400 square feet of devious dungeon to use to use for the whipping, slapping, burning, and loving of young loins – hot young male whippersnappers will be the only ones invited to this get together of BDSM blowout. 

Fri/8 9 p.m.- 1:30 a.m., $25

SF Citadel

1277 Mission, SF

(415) 626-1746

www.sfcitadel.org


Steven Saylor

Love, sex, and intrigue in the palace! But this ain’t no corset-buster. No, Steven Saylor’s new book Empire is a males-only play space – the plotline follows Emperor Nero’s eunuch lover Sporus, who becomes the hottest piece of tranny ass on the Forum. Let Saylor woo you into a new love of history at this talk about his latest historical tome of carnal knowledge.

Mon/11 7:30 p.m., free

A Different Light Bookstore

489 Castro, SF

(415) 431 0891 

www.adl-books.blogspot.com


Grizzly’s Bullwhips by the Bay

Don’t worry baby, they got loaner whips. Put your lusted one’s mind at ease by polishing up your whipping skills at this bimonthly peer skill share class by the sea. It’s about safety, kids! After all, when the singletails start flying, you can’t always guarantee that Grizzly, the organizer of the get-togethers, will be there with spare protective goggles to guard those bedroom eyes.

Sun/10 11:30 a.m.- 1 p.m., free

Southeast of the Golden Gate Park Polo Fields, SF

www.laughingbear.org

 

Body Love for Better Sex

How would you spread your legs if you weren’t worried about chunky inner thighs? Body anxiety can be the nemesis of good sex –  but Virgie Tovar, fat positive sex educator, is here to help you titter about Miss Body Anxiety until she drops out of school due to social anxiety. Which is to say, help you feel as pretty as you are. Aww. No more naked nervousness, bam.

Mon/11 6-8 p.m., $20-25

Good Vibrations

1620 Polk, SF

(415) 345-0500

www.goodvibes.com

 

 

Our Weekly Picks: October 6-12, 2010

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WEDNESDAY 6

MUSIC

Caribou

Electronic music whiz Dan Snaith, a.k.a. Caribou, has a spirited stage show. In contrast to the solo job of the albums, Caribou gigs include a full live band and have been known to feature multiple drummers and percussionists (including Snaith himself), plus trippy, projected visuals. For a taste of his knack for polishing 1960s psych and ’70s krautrock weirdness with a modern dance club sheen, check out this year’s Polaris Music Prize runner-up, Swim, or 2003’s excellent Up In Flames. (Landon Moblad)

With Emeralds

9:30 p.m., $18

Regency Ballroom

1290 Sutter, SF

1-800-745-3000

www.theregencyballroom.com

 

THURSDAY 7

PERFORMANCE

Ralph Lemon

Early in his career Ralph Lemon made intimate, highly formal, nonnarrative dances. Then he engaged in huge, multiyear, multidisciplinary enterprises that took him from Abidjan to Beijing and Kyoto. Now he has come home — sort of. Lemon was raised in Minnesota, but in researching his family he encountered a now 102-year old Mississippian with whom he has worked for the last eight years on How Can you Stay in the House and Not Go Anywhere? The work consists of a performance, film, and visual arts installation — all on one ticket. Lemon’s work has always been well considered and choreographically cogent. No reason to think How Can You? will diverge from the norm. (Rita Felciano)

Through Sat/9

8 p.m., $25–$30

Novellus Theater

Yerba Buena Center for the Arts

701 Mission, SF

(415) 978-2787

www.ybca.org

 

MUSIC

Glass Candy

The music industry is a fickle mistress, and when bands take a long time to release material it becomes really easy to forget their past accomplishments. Take Glass Candy: it’s been a minute since the band made any significant waves, instead laying low the past few years and releasing 12-inch singles on trusty record label Italians Do It Better. The band’s style is a mash of disco and contemporary electronics that recall the best John Carpenter scores if they had blasé vocals by Nico. Candy’s singer Ida No remains the group’s greatest asset, and her delivery manages to be silly and sexy at the same time. This show proves that Italians Do It Better understands how to properly conduct a comeback, casting Candy, the label’s biggest successes, as headliners on an all-star bill that includes spin-off outfit Chromatics and, most surprisingly, label owner Mike Simonetti with a DJ set. (Peter Galvin)

With Chromatics, DJ Mike Simonetti, Soft Metals, and DJ Omar

9 p.m., $15

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

 

MUSIC

Tera Melos

Roseville three-piece Tera Melos storms Bottom of the Hill for a night of loud, mathy, prog-inspired rock ‘n’ roll. With new album Patagonian Rats fresh off the presses, Tera Melos seems poised to make some noise in indie-rock circles all over the country. Guitarist Nick Reinhart possesses a bottomless bag of wildly frantic riffs and finger taps, while the rhythm section thrashes along with shifting time signatures and complex song structures. Tera Melos isn’t the first or only band to make this kind of music these days, but it’s certainly one of the best. (Moblad)

With Skinwalker and Glaciers

9 p.m., $10

Bottom of the Hill

1233 17th St., SF

(415) 621-4455

www.bottomofthehill.com

 

DANCE

Margaret Jenkins Dance Company

If you are at all interested in seeing out how mature artists — let’s say, with a track record of more than 35 years — keep turning out good work, there is probably no better way than to keep watching the Margaret Jenkins Dance Company. Jenkins’ MO — she suggests ideas; the dancers come up with responses; she edits the responses — has worked remarkably well, even for San Francisco Ballet dancers, who certainly are not trained along the lines of individual responsibility. This one-night stand offers a return of the wondrous first section of last year’s Other Suns I and a preview peek at Light Moves. Jenkins works for the first time with multimedia artist Naomie Kremer, who creates moving images based on her own paintings. (Felciano)

8 p.m., $18–$26

Jewish Community Center of San Francisco

3200 California, SF

(415) 292-1200

www.jccsf.org/arts

 

FRIDAY 8

MUSIC

Fool’s Gold

Drag rock is very big right now. Who needs authenticity when you can see a band like Edward Sharpe and the Magnetic Zeros being all folk, as if everyone just forgot about Ima Robot? (Oh wait, we did.) Well, same deal with Fool’s Gold and afropop. Of course, Vampire Weekend tries to do the same thing (it’s also known as Graceland-ing), but Fool’s Gold doesn’t have that annoying ka-ching of a cash register in every one of its songs. With a pair of ’60s throwbacks opening, it should make for a musical voyage through time and space. (Ryan Prendiville)

With Bitter Honeys and Soft White Sixties

8:30 p.m., $12

Rickshaw Stop

155 Fell St., SF

(415) 861-2011

www.rickshawstop.com

 

MUSIC

“Tankcrimes Brainsqueeze”

Tankcrimes is a resolutely underground Oakland record label, kicking out small-scale, mostly vinyl releases of criminally overlooked punk and metal bands. Focusing on breakneck tempos, DIY values, and that delicious intersection between punk’s manic energy and metal’s lumbering power, the label has nurtured a small stable of unimpeachable acts. “Tankcrimes Brainsqueeze” is a two-day festival celebrating these crossover crusaders, headlined by Richmond, Va., party animals Municipal Waste and Oakland’s own splattercore dungeon masters Ghoul. Hard-punning death metallers Cannabis Corpse will also appear. Look forward to 48 hours of demented double-time, disemboweled corpses, and decimated beer supplies. (Ben Richardson)

With Vitamin X, Toxic Holocaust, Direct Control, A.N.S., Voetsek, Ramming Speed, and more

Fri/8, 7:30 p.m.; Sat/9, 7 p.m., $15–$17 (two-day pass, $30)

Oakland Metro

630 Third St., Oakl.

(510) 763-1146

www.oaklandmetro.org

 

MUSIC

Davy Jones

As a member of the Monkees, Davy Jones was one of the original teen idols — he sang lead on some of their biggest hits, including “Daydream Believer” and “A Little Bit Me, A Little Bit You.” Unlike many of the other early pop heartthrobs, however, he has since gone on to a highly successful four-decade (and counting) career in show biz. His many other memorable performances and appearances over the years include a variety of acclaimed stage roles, television cameos (think The Brady Bunch) and solo albums. Expect a little bit of everything at these intimate shows. (Sean McCourt)

Fri/8, 8 p.m.; Sat/9-Sun/10, 7 p.m.

(also Sat/9, 9:30 p.m.), $45–$47.50

Rrazz Room

Hotel Nikko

222 Mason, SF

(415) 866-3399

www.therrazzroom.com

 

SATURDAY 9

EVENT

“Behind the Scenes on Treasure Island with Harrison Ellenshaw”

Now considered a swashbuckling classic, Disney’s Treasure Island (1950) was the first entirely live-action film that the studio produced. And one of the people who helped bring the tale of Long John Silver to life was the immensely talented Peter Ellenshaw, who created a series of matte paintings that provided the wondrous sense and grand scope of the various background scenes. His son Harrison, an equally accomplished artist in his own right (having worked on projects such as The Empire Strikes Back (1980)) will be on hand today to discuss his father’s work on the perennial pirate favorite, sharing some of his family’s history and the secrets that went into creating the magic for Walt Disney. (McCourt)

3 p.m., $9–$12;

Screenings, 1 and 4 p.m. daily through Oct. (except today), $5–$7

Walt Disney Family Museum Theater

104 Montgomery, Presidio, SF

(415) 345-6800

www.waltdisney.org

 

MONDAY 11

DANCE

WestWave Dance Festival

Monday nights are livening up this fall during WestWave Dance’s 19th annual contemporary choreography festival. Designed to allow new and established choreographers to develop and present work without the hassles of self-production, the festival presents 20 choreographers from the Bay Area and beyond in four showcases through December. Evening two of the series is an eclectic mix of choreographers hailing from various backgrounds and aesthetics: Viktor Kabaniaev, Tammy Cheney, Rachel Barnett, Annie Rosenthal Parr, and Kara Davis’ project-agora deliver to audiences a sampling of what our rich and unique contemporary dance scene has to offer. (Emmaly Wiederholt)

8 p.m., $22

Cowell Theater

Fort Mason Center

Marina at Laguna, SF

www.westwavedancefestival.org

 

MUSIC

Valient Thorr

Chapel Hill, N.C’.s Southern rocking punks Valient Thorr may sound good on record, but they have to be seen to be believed. Frontperson “Valient Himself” is a bearded lunatic, flying around the stage and spreading the rock gospel with the verbose alacrity of a storefront preacher. The band behind him provides no-holds-barred punk-rock rave-ups with a hefty dose of Southern rock filigree and a dash of unhinged weirdness. New platter The Stranger was produced by knob-god Jack Endino, who thickened the sound without diluting the band’s digressive tendencies. The Thorriors will be cranking it out from atop Bottom of the Hill’s lofty stage, raining down sweat while they do it. (Richardson)

With Red Fang and FlexXBronco

9 p.m., $12

Bottom of the Hill

1233 17th St., SF

(415) 626-4455

www.bottomofthehill.com

 

TUESDAY 12

MUSIC

PS I Love You

Sure, the White Stripes blew the doors open for guitar drum duos to rock and have mainstream success, but the Black Keys proved that it wasn’t all just a quasi-incestuous fluke. Now all the boys feel comfortable doing it together. We’re not going to try and claim that Ontario, Canada’s PS I Love You is the only stripped down, sticks and picks outfit in town tonight, but if the spiraling, echoing post-pop songs off their just released first album (the single “Facelove” in particular) are any indication, you’d be hard up to find one that gives it to you like this. (Prendiville)

With Gold Medalists and Downer Party

9 p.m., $7

Hemlock Tavern

1131 Polk St., SF

www.hemlocktavern.com 


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Valley highs

0

arts@sfbg.com

FILM This year’s Mill Valley Film Festival, the 33rd — we’ll refrain from crucifying it — brings the usual assortment of visiting celebrities starting their Oscar thumpage early at an event with a rep for anticipating next February’s Academy winners. Some have local roots (Annette Bening, Sam Rockwell, James Franco), some don’t (Alejandro González Iñárritu, Edward Norton, Julian Schnabel).

All will be happy, or at least willing, to discuss their creative process from the Rafael or Sequoia stages. But insight into the artistic mind is also available in several lower-profile programs about Bay Area innovators in various media, most made by Bay Area filmmakers.

Tom Ropelewski’s Child of Giants: My Journey With Maynard Dixon and Dorothea Lange is both an appreciation of brilliance — the late, briefly married titans of 20th century Western painting and photography — and a measurement of how difficult it can be to live with. Like many true mavericks, Dixon and Lange drew little distinction between their artistic and personal lives, operating by rules of their own devising that others had to either obey or get the hell out of the way.

Not given much choice in the matter were their two sons, interviewed here. Overshadowed and occasionally neglected by parents (biological and step-) whose notions of progressive upbringing could be dictatorial and harshly critical, one played the passive-obedience card, while the other rebelled to the point of youthful homelessness. Still, they’re forgiving — as a granddaughter puts it, “I can’t pass judgment because I’m not a genius.”

There are no next-generation tattlers in the happier creative vistas of Elizabeth Federici and Laura Harrison’s Space, Land and Time: Underground Adventures with Ant Farm and Emiko Omori’s Ed Hardy: Tattoo the World. The first chronicles the architectural, performance, and media-manipulation of the 1970s SF trickster collective most famously responsible for Amarillo, Texas, automotive cemetery Cadillac Ranch, which one admirer calls “the greatest human undertaking since the Tower of Babel — which failed, and [this] prevailed.” SoCal custom car fanatic and surfer-turned-SF- counterculture-celeb Hardy provides an endearingly modest guide through a career that, perhaps more than any other, revolutionized and popularized U.S. body art.

Among Bay Area narrative features, Scared New World (2005) director Chris Brown’s new Fanny, Annie and Danny hews back to the train-wreck parenting theme. Its three disparately damaged adult siblings seem tragicomedically bad enough company until we meet the monster who made them. Mother Edie (Colette Keen) presides over their climactic Christmas dinner like a lion tamer snapping bullwhip over yelping puppies. Seldom have sing-along carols sounded so hateful.

Ranging farther afield, MVFF 2010 likewise offers a chance to be first on your block to see this year’s Oscar bait (The King’s Speech, 127 Hours) and A-list festival favorites (Blue Valentine, Tiny Furniture). But since those will be coming round soon enough to regular theaters, you’d be better off sampling some of the many features unlikely to be seen again hereabouts.

Several happen to be beautifully photographed foreign titles sharing a certain religious-allegorical dimension. Based on a Gabriel García Márquez story, Hilda Hidalgo’s Costa Rican-Colombian Of Love and Other Demons finds a teenage, early colonialist-era noble dragged to a nunnery, where her rabies symptoms are taken for demonic possession — and where she awakens a priest’s well-buried sensual side. Vardis Marinakis’ Greek Black Field finds a 17th century novice fleeing her convent with a wounded military deserter; in the forest primeval, their own sensual awakening hits a surprising major hurdle. Adán Aliaga’s gorgeous black and white Estigmas follows a burly gentle giant whose picaresque adventures are cursed and redeemed by bleeding stigmata that mysteriously appear on his hands one day.

Special events include an Oct. 8 concert celebrating what would have been John Lennon’s 70th birthday; on Oct. 16 Tim Rutili’s eccentric supernatural whimsy All My Friends Are Funeral Singers, with live accompaniment by his band Califone. Then there’s the Oct. 12 revival of 30-year-old The Empire Strikes Back, the best Star Wars movie. (I might also call it the only really good one, but dare not risk the wrath of fanboys.) Who’s to say a certain Marin resident, employer, and longtime MVFF supporter won’t drop by for the occasion? You never know. 

MILL VALLEY FILM FESTIVAL

Oct 7–17, most shows $12.50

Various venues in Mill Valley, Corte Madera, and San Rafael

1-877-874-6833

www.mvff.com

Fantasy girl

2

It was one of those knockout weekends during which rabid electro kids and throbbing bluegrass fans, twirling gay flaggers and hot-pink breast cancer walkers all blurred into, well, a blur. Hell if I remember most of it. But it’s a dazzling blur, a blur you can really take a shine to, kind of Brazil-shaped with opalescent edges, undulating there in the partially cloudy air, a 4G jellyfish lingering on the event horizon.

I.e., a blackout. So anyway, what’s my favorite multi-gifted, ultra-busty local transsexual performer Cassandra Cass (www.cassandracass.com) doing lately? In case you hadn’t heard, her talents are blossoming every Thursday at midnight on the Showtime network, in an outrageously entertaining reality show called “Wild Things.”

“You mean my two biggest talents are blossoming,” Ms. Cass breathes into my ear — and I swear I hear her shake her boobs over the phone. Cassandra’s one of those beautiful SF nightlife unicorns you spot whisking through random parties on the arm of a handsome gentleman, or pay good money well-spent to see lip-synch lustily at Harry Denton’s packed Sunday’s A Drag brunch buffets (Sundays, noon and 2:30 p.m., $39.95. Starlight Room, 450 Powell, SF. www.harrydenton.com). She’s fantastical, and now she’s the world’s.

On “Wild Things,” Cass and two other trans bombshells, Maria Roman and Tiara Russell, hit the road in a Winnebago, traveling through the West working odd jobs to raise money for Maria’s brother’s kidney disease treatment. Hair-flipping bronco busting, slaughterhouse mishaps, sexy hotdog sales, half-naked car washes, cop-attracting catfights, flirty lube jobs, and more ensue.

Notably missing on their trips into backcountry? Rampant transphobia. “Sure, here we come, these transgender Amazons with impossible figures into your tiny town. But once people got to know us, they loved us, laughed along with us” Cassandra dished. “That’s why I think the show’s so important. We’re the only trans reality show that’s reaching the nation, our ratings are through the roof. And we’re real people. We’re not just standing on a corner looking bitter.”

Cassandra just auditioned for ABC’s “Wipeout”(!) and is currently working on a 2011 edition of her infamously smokin’ calendar. “Mama’s off the chain for that one — put me in a bikini and I’ll do anything,” she purrs. “My goal is to be someone that people look at and go crazy for. Men, women, gay, straight, whatever — I want them to see me and question why they put themselves in a niche, why they think they have to be just one thing.”

 

B.Y.O.F. CINEMA ORGY

A primo opportunity to check out new performance space Ark221 (www.ark221.com), this monthly “bring your own film” fest — nay, orgy — will open your eyes to great local video talent. Moderators J. Douglas Smith and Gregg Golding, a.k.a. transdimensional rapper Odynophagia, reel you in.

Wed/6, 8 p.m., $3. Ark221, 221 11th St., SF. www.cinemaorgy.com

 

MAURICE FULTON

Eccentric Baltimorean tunesmith has lately specialized in a Chicago-looking brand of burbling, red-lit, obsessively detailed house — so nice. He’ll be headlining the invaluable No Way Back monthly with DJs Conor and Solar.

Sat/9, 9:30, $10. 222 Hyde, SF. www.222hyde.com

 

GASLIGHT

Is SF ready for a lounge revival? It is if it’s this aurally sensuous and intellectually stimulating. DJs Delachaux and FACT.50 plumb the depths, from Angelo Badalamenti and Astor Piazzolla to Hooverphonic and Beirut.

Sat/9, 9:30 p.m., $5. Medici Lounge, 299 9th St., SF

 

EL RIO’S 32ND ANNIVERSARY SHINDIG

Hard to believe one of my favorite dives is twice as old as I am! Celebrate all evening with eats, treats, and beats from rockin’ bands Mighty Slim Pickens, The Ex Boyfriends, Bronze, and tons more.

Sat/9, 3 p.m., free. El Rio, 3158 Mission, SF. www.elriosf.com