California

Legal fight brewing over HANC Recycling Center eviction

Sasha Cuttler And Mary Magee
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The Haight Ashbury Neighborhood Council (HANC) Recycling Center, located at the Kezar Triangle in Golden Gate Park, received a 90-day eviction notice following a Dec. 2 Recreation and Park Commission meeting approving plans for a community garden in its current location. However, tenant lawyer Robert De Vries, who is representing HANC, submitted in a Dec. 2 letter to Rec & Park Commissioners that HANC could not legally be made to vacate until the end of June.

The eviction has prompted an outcry from progressive groups, environmental organizations, and other HANC supporters, who turned out en masse at the Dec. 2 meeting and voiced strong disapproval over the proposal. It now appears that the issue may wind up in court.

“HANC has no intention of vacating the premises any earlier than legally required,” De Vries wrote to Rec & Park Commissioners. “HANC is also not willing to allow disruptive construction work or other activities to go forward on the leased property while it is in possession.”

In an earlier memo to Rec & Park Commissioners, city staff proposed issuing HANC a 30-day eviction notice, which would have ousted the recycling center by the end of December. That timing was significant, because it would have occurred under the administration of Mayor Gavin Newsom, a proponent of the eviction, who will vacate office Jan. 8 to be sworn in as Lieutenant Governor. Citing advice from the San Francisco City Attorney, the memo noted that Rec & Park could proceed with a 30-day eviction without commission approval.

But that initial advice was erroneous, City Attorney spokesperson Matt Dorsey told the Guardian, because it did not take into account HANC’s quarterly rental payments. Since the organization pays rent once every 90 days, instead of once a month, it cannot be evicted with just 30 days notice, according to state law. Once it was informed of HANC’s quarterly payments (by city staff, not De Vries’ letter, Dorsey said), the City Attorney advised Rec & Park that it should extend the eviction notice to 90 days.

The extra 60 days doesn’t just buy HANC time, it gives them hope. Newsom will be in Sacramento by then, and it’s possible that he could be replaced with an interim mayor who’s sympathetic to their cause.

De Vries, however, contends that 90 days is still too soon, and that HANC can’t legally be evicted until June 30, 2011. HANC’s original five-year, fixed-term lease ended on June 30, 2001. Since then, it’s been paying rent to the city every 90 days. De Vries wrote that under state law, this arrangement means that “the lease is automatically renewed” for one year, and that it’s renewed annually since 2001. California courts have found that “a tenancy from year to year is created where a tenant holds over after the expiration of a former lease for one or more years and pays rent,” De Vries wrote in his letter. His analysis is based on his reading of California Civil Code Section 1945.

“I don’t really see any other interpretation, frankly,” De Vries told the Guardian. In his view, by issuing a 90-day notice, “they’re putting something into the statute that isn’t there.”

The City Attorney’s office rejects De Vries’ analysis, and insists that the eviction notice is legal. “The lease does not expire on June 30,” Dorsey said, “and Rec & Park delivered a proper notice of termination.”

If this dispute winds up in court, it’s possible that the question won’t be settled until June of 2011 anyhow.

Appetite: Hungry for Change

Jesse Hawthorne Ficks
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Appetite: Hungry for Change

“Change the world with everything you buy”. This is the tag line behind the inspiring Trade as One, a Northern California-based organization that promotes sustainable businesses in poor, marginalized communities. Whether you look at it as a way of giving during the holidays or as a new year’s resolution, it’s an ideal time to try a new program that could be habit-forming.

Trade as One recently launched a monthly subscription called Hungry for Change. Delivered to your door every month is a box including 4-5 foods, a recipe, and additional surprise items. The month I tried the box, it included Canaan sun-dried Palestinian couscous, Glorybee comapi honey, Canaan Palestinian za’atar herbs, and Kopali dark chocolate-covered espresso beans. The additional “surprise” gifts? A Divine chocolate candy bar, a greeting card featuring an artistic photo of a fair trade farmer, and a handy little book, The Better World Shopping Guide. The book is full of incredibly helpful lists and company ratings for best and worst offenders in purchasing everyday items from hair care to paper, alongside supermarket or airline choices.

A subscription is $33 a month or $99 for three months. Add on Coffee Club – http://tradeasone.com/get_involved/hungry_for_change/details (choose regular or decaf) and 1-3 bags of fair trade coffee are included with your monthly shipment. A card detailing the story behind one of the producers in the package brings it home, making it personal. Trade as One’s holistic approach urges changing buying habits. As they say on the back of their greeting cards, we can “fix problems instead of perpetuate them” by using our consumer power to positively affect change. I can think of few better food gifts to a friend, yourself and the world.

www.tradeasone.com

–Subscribe to Virgina’s twice monthly newsletter, The Perfect Spot: www.theperfectspotsf.com

Would ICE deport Superman?

Mary Magee
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Would ICE deport Superman?

Would ICE deport Superman?

That’s a question Erick Huerta, a journalism student in Los Angeles, poses in a timely DREAM Act-related first-person piece about the double life of an undocumented student.

“Once, when I was seven, I fell asleep in Michoacán and woke in Boyle Heights. No joke. Now I am a bewildered 26-year-old undocumented college student, whose life may become a slightly less surreal dream if the DREAM Act ever passes, but only slightly less so,” Huerta writes.

Huerta describes the depression he underwent when he graduated high school in 2002.

“I was horribly depressed because all I had to look forward to in life was selling hot dogs, fruit and shaved ice in a cart my dad owned. Not to mention that a decade of internalized oppression and instilled fear of La Migra traumatized me,” Huerta recalls.

His situation improved somewhat with the passage of state Assembly Bill 540, which allows folks in his situation to pay in-state tuition at college if they are California high school graduates. And inspired by a young woman named Tam Tram, the first undocumented student he ever saw speaking out openly and unafraid, Huerta stopped feeling bad for himself and started to try and make the best of his situation.

This mental shift included finding undocumented students organizing for the DREAM Act.
“I share my story regularly with high school kids because I know my words will resonate with others who are undocumented and afraid,” Huerta concludes. “I let them know they’re not alone and that things will get better if they continue their education. Despite lack of legal status, no one can take away our education.”

Huerta’s words probably won’t stop the haters from leaving offensive comments on the blogs. But as more undocumented youth step forward, tell their stories and put faces on their otherwise shadowy figurres, it’s going to get harder to scapegoat them.

A recent report by the Center for Investigative Reporting suggests the Obama administration has been trying to look tough on immigration enforcement in the past two years, in an effort to appease Republican factions that have been hell-bent on blocking immigration reform. It’s unclear whether personal stories by undocumented students  will be able to transcend partisan politics and give undocumented youth a pathway to citizenship. But if they did, it would be the best gift the nation could give itself this holiday season.

The prop. 8 hearing

Zelda Bronstein
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The prop. 8 hearing

Watching the hearing was a couple of hours well spent; it’s not often that you get to see an actual live oral argument before a federal appeals court. And it’s not often that you get to see three judges, not all of them liberals by any stretch, take apart the fundamental claims of the anti-gay-marriage folks.


There’s a nice live-blog and analysis here.


One of the most interesting elements in this case is the possibility that the legality of same-sex marriage in California may hinge on whether a deputy clerk in Imperial County has the right to represent the people of California in a legal appeal. See, the governor and the attorney general usually defend state laws when they’re challenged in court, but in this case, both Arnold Schwarzenegger and Jerry Brown declined. In essence, they both said they thought Judge Vaugh Walker’s decision overturning Prop. 8 was just fine.


So the supporters of Prop. 8 have to make the case they have legal “standing” to appeal — and the judges seemed more than a little dubious about that. The political group that backed Prop. 8 was in trouble from the start, and couldn’t really demonstrate what legal authority it had to handle the appeal. The deputy clerk from Imperial County, which has a population of 166,000, argued through her lawyer that she would have to sign marriage certificates, and that Prop. 8 directly affects her job. That didn’t get very far, either. And if the appeals court tosses the case on the standing issue, nothing else matters. Walker’s ruling is affirmed and same-sex marriage is legal in California.


Then to the meat of the case. Judge Hawkins instantly asked Charles Cooper, attorney for the Prop. 8 proponents, if the voters of the state of California could legally amend the state Constitution to re-segregate the public schools. Cooper: No. The point was pretty clear: The voters have the right to amend the Constitution, but not in a way that violates fundamental rights.


Cooper went on with what rapidly devolved into lunacy, eg: “When a relationship between a man and a woman becomes sexual, society has a profound interest.” In other words, a man and a woman have sex; they might conceive a child, who might be born “out of wedlock” and raised by a single parent, which would be a bad thing. Judge Reinhardt: That’s a good argument for prohibiting divorce — but isn’t really on point here.


Theodore Olson, representing the plaintiffs, pretty much knocked it out of the park in his first few minutes, noting that California has effectively engineered discrimination into the Constitution by eliminating a right that the U.S. Supreme Court has said repeatedly (14 times, according to Olson) is fundamental. He pointed out that in Lawrence v. Texas, which overturned the sodomy laws, the U.S. Supremes determined that sexual conduct between consenting adults of any gender is protected. So how, he asked, can you take away marriage rights because of a Constitutionally protected activity?


Since the Prop. 8-ers have argued that same-sex marriage would force children to have “a premature interest in sexual activity,” Olson suggested that the court would have to “ban comic books, video games and conversations with other children.”


The judges, as is typical, interrupted all the lawyers to ask questions — until Theresa Stewart stood up, representing the San Francisco City Attorney’s Office. She was sharp, quick on her feet, perfectly prepared — and for most of her short presentation, the judges simply listened. Her point: When it comes to children, family law in California treats same-sex couples and opposite-sex couples precisely and exactly the same; why should marriage be any different?


In the end, what I saw was three judges struggling not with the outcome of the case — Walker’s decision seems likely to be upheld — but with how broad they want the final decision to be. Based on the questioning at the end, it seemed as if they’d rather uphold Walker’s ruling without making a sweeping statement that gay marriage is Constitutionally protected and must be the law of the land everywhere in the United States.


But unless they try to duck the real issues and rule only on standing, that’s going to be a stretch. Any honest, logical ruling can only come to one conclusion — that treating lesbians and gay men differently than straight people violates the Equal Protection provisions of the U.S. Constitution. And if the Supreme Court agrees, it will be the end of gay marriage bans, the end of Don’t Ask, Don’t Tell and the beginning of a new era in America.


UPDATE (thanks to Nichole Dial for research);


Lots of news media coverage on the some good, some lame. The Prop. 8 Trial Tracker website had some of the best breaking stuff. The Mercury News did a live blog by Howard Mintz that was full of details. SF Weekly covered the more amusing accounts such as the crowd outside the court room.  The Bay Citizen also had a live blog and analysis.


Brian at Calitics had one of the best quick analyses and the Chron’s Bob Egelko came out with a really fast story that touches on the major themes of the case.



The AP postings on the Huffington Post covered the highlights as well as an overview of the background of prop 8. The New York Times used the same article, then later added a short, fairly superficial piece by Jesse McKinley  (what, the Times had no live blogger on this?)


 


 

Thrown under the bus, Arc sues Redevelopment

Mary Magee
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Thrown under the bus, Arc sues Redevelopment

Arc Ecology filed suit today in federal court against the San Francisco Redevelopment Agency, citing First Amendment issues and the Commission’s alleged retaliation for Arc’s criticism of the Agency’s Candlestick Point/ Hunters Point Shipyard project

Represented by attorneys from the First Amendment Project, Arc said the purpose of the suit is to hold the Redevelopment Commission accountable on two counts. First, for attaching an unconstitutional condition to the contract that requires silence from its contractors on matters of public concern outside the scope of the contract and second, for taking reprisal actions against Arc Ecology for its award-winning critique of the Candlestick Point Hunters Point Shipyard Redevelopment Plan.

 Redevelopment commissioners threw Arc under the bus this September, when they rejected the recommendation of Agency staff, an independent interagency selection panel, the Hunters Point Citizens Advisory Committee and dozens of Bayview Hunters Point and San Francisco residents to rehire Arc to provide environmental technical and educational services for the cleanup of the shipyard.

At that same meeting, the Commissioners voted to award the contract to Circle Point, a San Francisco-based consulting company that Commissioner Francee Covington worked for, in support of a bridge project near Sacramento, several years earlier.

During the Commission’s Sept. 21 meeting, Commissioners Leroy King, Francee Covington and Darshan Singh joined Commission President Rick Swig in calling for Arc’s ouster, variously accusing Arc’s executive director Saul Bloom of disloyalty and dishonesty, but failing to support their claims with evidence related to the contract in question.

“I’m opposed to giving the contract to Arc,” Commissioner King said, accusing Bloom of talking, “against Lennar.” But Lennar is the developer for the city’s massive Candlestick Point/Shipyard project, and as such it is not in charge of the Navy’s clean-up of the shipyard.

Commissioner Covington pulled out the city’s response to comments on its EIR (environmental impact report) for Lennar’s redevelopment plans, as alleged evidence of Arc’s malfaisance, even though the non-profit’s  Redevelopment contract involved assessing environmental issues related to the Navy’s shipyard clean-up, and not assessing rLennar’s redevelopment proposal.Covington then pointed to, but did not identify, letters she claimed were from individuals who alleged their names were falsely included in a letter supporting Arc’s EIR comments.

(The Guardian subsequently discovered that these missives were form letters. Both were written in identical language. Naim Harrison, who works for Positive Directions, which sent the city one of the form letters, told the Guardian that he signed Arc’s EIR letter, which asked for more time to review the city’s draft EIR. “It seemed a reasonable request,” Harrison said. But Positive Directions director Cedric Akbar, who sent the form complaint letters and was running as a candidate in the hotly contested D10 race, did not return the Guardian’s repeated calls.)

Commission President Swig, a hotel and tourism industry consultant, sought to frame Arc, which was hired as an independent non-profit, as an ungrateful consultant. “As a consultant myself, I don’t agree with all my customers, but I don’t bite the hand that feeds me,” Swig said.
Then the Commission voted 4-0 to reject Arc and award the contract to Circle Point, instead.

“The Redevelopment Commission’s punishment of Arc Ecology sends a message to all contractors that they must now lie for the Commission.” Bloom stated in a Dec. 6 press release. “Just listen to the Agency’s own web-audio of the Commission’s September 21st meeting. This unelected, unaccountable legislative body, one of only a handful of such Commissions in California, is attempting to put responsible criticism in the deep freeze.”

“No matter that the subject of our commentary was outside the scope of our contract, no matter that purpose of the contract was to provide the community with an independent view of the decision-making regarding the Shipyard’s cleanup, and no matter that its own staff found our analysis helpful, the Commission’s action states clearly they prefer public relations to transparency,” Bloom continued. “This is a governmental body with a duty to uphold speech not their private business. The Commission has given notice that to contract with the Agency be prepared to kiss the First Amendment goodbye.”

Arc and the First Amendment Project say their lawsuit will also demonstrate that the Office of Economic and Workforce Development “clearly biased the applicant evaluation score against Arc Ecology but failed in its attempt to rig the recommendation of the Selection Panel” and that the Redevelopment Commissioners “falsely stated the Commission’s policy as always awarding contracts to the highest scoring applicant – even if the difference is only two tenths of one percent out of a possible score of 100.”

First Amendment Project staff attorney Geoffrey King told the Guardian that Arc’s suit focuses on two distinct areas of concern.

“First, there was the attachment of an unconstitutional condition to Arc’s contract, and then there was the taking of retalitory action,” King said. “We allege that statements that Arc made were wholly outside the scope of its contract. But even if its statements were inside the scope of its contract, Arc was hired to be a watch dog and not a lap dog. Arc’s role within that process was to be an independent voice. You can’t condition funding on someone’s silence over something they were not contracting for.”

You could impose conditions like that, King says, if the government hired a public relations firm to disseminate an approved message.

‘That’s where you can control the content,” King said. “But if the government is hiring you to be independent, it can’t get mad at you for providing answers it doesn’t like.”

“And nobody accused Arc of a breach of the duty of loyalty,” King continued, noting that Bloom asked Redevelpment Agency staffers if he was in a breach, and was told that he was not.

“It’s pretty stark when you look at the transcripts of that Redvelopment Commission meeting what the real issue was,” King said.

Saint Gravy

Andrew Lam
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There is a certain faction of society — I think it’s pretty large, if you judge by NorCal standards — that regards Wavy Gravy as some sort of mystical deity from their parents’ generation. We’re not sure what he did, but you should probably address him as Mr. Gravy ’til he tells you not to.

This is a perception that is left unquibbled-with by director Michelle Esrick’s ten year labor of docu-love, Saint Misbehavin’: The Wavy Gravy Movie (opening Fri/3 in Bay Area theaters), and further untouched by my interview with Esrick and the man himself.

Saint Misbehavin’ opening scenes are an iteration of a tie-died holy man’s daily routine. We start out in Wavy’s corner bedroom, awash in sitting Buddha figurines, plastic Disney toys, beads, books, and other sacred objects. Wavy enters, and says a pray and a brief recitation of his heroes. 

This spoken list serves as a blueprint for the bio-pic to come: Jesus, Mohammed, Ghandi, MLK Jr., Jerry Garcia are among those name-dropped. They serve as a background compass for the movie’s neatly plotted trajectory of Wavy’s life: Gravy is born in New York, goes from folk-beatnik Greenwich Village, to acid be-ins with Kesey in California, to the Further Bus.

And then: a stint with the Hopi tribe, and later, off to the East: to Nepal to heal blindness (with the aide of his international medical non-profit Seva). Of course, his creation of Camp Winnarainbow, a summer camp that has been teaching West Coast flower children how to play for three generations now. Today, Wavy is an elder statesman of hippies and their descendents as well as a frozen dessert. His sold-out birthday spectaculars attract crowds like a Phish concert. 

A more recognizable Gravy. Photo Courtesy of Ripple Effect Films

But for our movie-viewing purposes those names at the start also essential because we don’t get to hear a whole lot about Wavy’s inner monolouge in the flick – he’s onstage here, clowning away as he does, well everywhere, not really dishing per se. Saint Misbehavin’ is no E! True Hollywood Story. 

So when I got the chance to sit face to face with the man (I wore a Ringling Brothers clown hat, he had on a blue bowler and carried his familiar fish on a leash), I thought maybe we’d talk a little about how he got so Gravy. “It’s not too many kids that grow up to be a seminal member of so many artistic scenes,” I say. “Washington Park in the early ’60s, SF during the ’60s, Woodstock… but what was special about Hugh Romney (that was his square name from before he was Wavy — even before his first nom de nonsense Al Dente), how’d you get to where you are today?”

Gravy, just a little sleepy-looking in the warm office building where our interview takes place, tells me “one thing just followed from another, listing off his general path across the world.” Such is the role of a tribe elder talking to a youngster: there are things that we are not to know. What more do we need to know, really? He quotes Thelonius Monk, a friend who stand-up comedian Hugh Romney opened for. “Everyone is a genius by just being themselves.”

That’s his deal: the rainbow he travels on is available to us all, if we can only see it and trust to it’s pretty suspended bands of color. Luckily, we do have Saint Misbehavin’ to get literal with. Esrick has put together a wild ride and the information it contains teaches about Wavy’s contributions to the hippie and anti-Vietnam war movement. He was on the front lines back then – Esrick tells me that the way he deals with the chronic pain he sustains from police beatings from those days is one of the most impressive things she learned about Wavy in the 10 years she spent researching for the film with him. 

I ask Wavy his reaction to seeing his epic life laid out on celluloid for thousands of strangers’ viewing pleasure. He refused to see early versions of the film when Esrick was still editing: what was it like to finally view the real thing? “You realize what a long strange trip it was – and continues to be,” he says after a moment’s pause. “It was the only time I’ve ever seen Wavy speechless,” Esrick smiles.

And so I leave our interview without really having gained any insider info on the life of Gravy. But I haven’t departed without a few gems, the primos being the story of meeting his wife (“she put peanuts in my hamburger and I fell in love,”) tips for graceful protests: “I always gave the best cop my rose. They were always very touched,” vegetarianism: “remember you are not what you eat, you are what you don’t shit,”and the truth about relations with the Middle East, spoken by a man who traveled through Iraq and Afghanistan on a rainbow bus in the 1970s: “They know the difference – there are ugly Americans that you see, and there are fellow travelers on the path of life. They recognized us as the latter.”

This from Michelle: “A full biography of Wavy’s would be 10 movies. I was interested in stringing a necklace of pearls together.” Maybe there are things we’re not supposed to know about those on high, or rather, that we don’t have to in order to know that they’re up there.

Epilogue: To gauge what maybe I am missing from the story of Wavy by virtue of not having been there in the glory days, I texted my mom today. “What did Wavy Gravy mean to you back in the day? Was he cool?” She wrote back “I don’t remember him!” Which of course, means she was really there. 

 

Saint Misbehavin’: The Wavy Gravy Movie opens Fri/3 in Bay Area theaters.  

 

‘Infinite City’ maps out inexhaustible SF

Jesse Hawthorne Ficks
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‘Infinite City’ maps out inexhaustible SF

In the introduction to her thrilling new book, Rebecca Solnit provides the best explanation for why Infinite City: A San Francisco Atlas (University of California Press) can only be referred to as a San Francisco atlas, not the San Francisco atlas. “Every place is if not infinite then practically inexhaustible … any single map can depict only an arbitrary selection of the facts on its two-dimensional surface…”

What makes Solnit’s atlas appealing is the very arbitrary nature of the facts she chooses to have represented through a selection of 22 gorgeously rendered maps and a series of essays — many written and curated by guest collaborators with a particular interest in the storied intersection between geography and culture: poets, activists, archivists. From a map of “the names before the names,” an overview of the more than 100 indigenous tribes settled within the Bay Area circa 1769, to a map of the few remaining 6 a.m. bars which once catered to a large population of third-shift workers, to a map juxtaposing 2008’s tally of 99 murders within San Francisco proper with its flourishing population of Monterey cypress trees, the atlas reveals the truths simmering beneath the accepted fictions.

Or rather, a series of selective truths — for part of the joy of Infinite City is the infinite ways in which it can be read. The geo-politically inclined will want to take note of map #4: Right Wing of the Dove, which documents the locations of corporations such as Bechtel, military outposts such as Travis Air Force Base, and defense research laboratories such as Lawrence Livermore National Laboratory while maps for the Bay Area’s self-proclaimed foodie set include both map #7: Poison/Palate, and map #18: The World in a Cup, which details just a sampling of our many beloved coffee houses. Other maps include overviews of black history, butterfly habitats, queer spaces, Ellis act evictions… The subjects, like the possibilities, seem endless.

There’s even a map of San Francisco reimagined as a human head, accompanied by a tongue-in-cheek phrenological reading by novelist Paul La Farge.

It’s the map of Solnit’s internal San Francisco juxtaposed with that of performance artist Guillermo Gómez-Peña’s that comes closest to explaining the human compulsion to want to map out our known territories. In this particular map, both subjects define a series of unrelated places by defining who they are when they are there. From Rebecca: “In the Japanese Tea Garden I am always six years old; in the Sunset, I am almost Irish enough, but not San Franciscan enough; in the Excelsior, I am some chick from the Mission.” From Guillermo: “On the Golden Gate Bridge I still don’t feel suicidal; in Chinatown I am mistaken as a tourist from Spain or Argentina; In the Bollywood Café at 19th and Capp, I am the wrong kind of brown.”

As any of the greats of travel literature might point out, it’s tapping into our relationships with place that we are able to explore our relationships with others and ourselves more deeply. Infinite City offers a more than a few possibilities for each.

Rep Clock

Andrew Lam
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Schedules are for Wed/1–Tues/7 except where noted. Director and year are given when available. Double and triple features are marked with a •. All times are p.m. unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6-10. “Radical Lights: San Francisco Lines of Sight,” Wed, 7:30. Co-presented by San Francisco Cinematheque, Pacific Film Archive, and Prelinger Archives. “Other Cinema:” •D Tour (Granato, 2008) and Sleeping Nights Awake (Albright, 2010), Sat, 8. Calvin and Sweetpea (Fletcher, 2007), Sun, 8.

BRIDGE 3010 Geary, SF; (415) 668-6384. Free ($4 suggested donation). “Cowboy Bebop Appreciation Society and Landmark’s Bridge Theatre present Bebop Nights: Everybody Dies Edition” Fri, midnight.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $10-15. The Sound of Music (Wise, 1965), Wed-Sun, 7 (also Sat-Sun, 1). Presented sing-a-long style.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-10.25. The Girl Who Kicked the Hornet’s Nest (Alfredson, 2009), call for dates and times. Inside Job (Ferguson, 2010), call for dates and times. Leaving (Corsini, 2009), call for dates and times. Today’s Special (Kaplan, 2009), call for dates and times. Vision: From the Life of Hildegard Von Bingen (von Trotta, 2009), call for dates and times. “San Francisco Grand Opera Cinema Series:” Lucia de Lammermoor, Thurs, 7; Sat, 10am. “Buddhist Film Festival Showcase 2010,” Dec 2-9. These shows, $12.

HUMANIST HALL 390 27th St, Oakl; www.humanisthall.org. $5. “Bay Area Culture and Performance Art,” presented by video activist Steve Jacobson, Wed, 7:30.

MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100 (reservations required). $10. “CinemaLit:” Tristram Shandy: A Cock and Bull Story (Winterbottom, 2005), Fri, 6.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. “Radical Light: Alternative Film and Video in the San Francisco Bay Area:” Tribulation 99 (Baldwin, 1999) with ‘Disaster” (Millner, 1975-76), Wed, 7:30. “Carl Theodor Dreyer:” The President (1918), Fri, 7; Vampyr (1931), Fri, 8:40. “Grin, Smile, Smirk: The Films of Burt Lancaster:” The Crimson Pirate (Siodmak, 1952), Sat, 6:30; Sweet Smell of Success (Mackendrick, 1957), Sat, 8:40; Elmer Gantry (Brooks, 1960), Sun, 4:45. “Days of Glory: Revisiting Italian Neorealism:” Voyage in Italy (Rossellini, 1953), Sun, 3.

PARAMOUNT 2025 Broadway, Oakl; (510) 642-5249, www.bampfa.berkeley.edu. $25. The Passion of Joan of Arc (Dreyer, 1928), Thurs, 7:30. An oratorio with silent film featuring Mark Sumner’s Voices of Light libretto, performed by UC Berkeley’s Perfect Fifth and conducted by Mark Sumner.

RED VIC 1727 Haight, SF; (415) 668-3994. $6-10. Animal Kingdom (Michod, 2010), Wed, 2, 7, 9:25. Polack (Kenney, 2010), Thurs, 8. Saint Misbehavin’: The Wavy Gravy Movie (Esrick, 2009), Dec 3-9, 7:15, 9:15 (also Sat-Sun, 2, 4; Wed, 2).

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $5-9.75. Prince of Broadway (Baker, 2010), Wed-Thurs, call for times. California Tango (Togliatti, 2010), Fri, 8. The Temptation of St. Tony (Ounpuu, 2010), Dec 3-9, call for times.

SAN FRANCISCO MUSEUM OF MODERN ART 151 Third St, SF; www.sfcinema.org. Free with museum admission ($9-18). Rara (film) (Bussotti), Thurs, 7. Presented with live piano accompaniment by Sylvano Bussotti. “Bussotti: Concert-Restrospective,” post-screening concert with Bussotti and sfSoundGroup, Thurs, 9.

SHATTUCK 2230 Shattuck, Berk; (510) 843-3699. Free. “Mathematics, Love, and Death:” “Rite of Love and Death” (Mishima, 1965) and “Rites of Love and Math” (Graves and Frenkel, 2010), Wed, 7.

VIZ CINEMA New People, 1746 Post, SF; www.vizcinema.com. $10-12. Kamu Gaidan (Sai, 2009), Wed, 4:45. “8x8x8 Film Fest,” eight short films presented by the San Francisco Jewish Film Festival, Thurs, 8. For info on this event, visit www.jccsf.org. “China Underground,” seven new films from China, Fri-Sun. YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “Go to Hell for the Holidays:” Red White & Blue (Rumley, 2010), Thurs, 7:30; Feast of the Assumption: BTK and the Otero Family Murders (Levitz, 2008), Sat, 7:30; Wolf Creek (Maclean, 2005), Sun, 2.

Playlist

Andrew Lam
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Playlist

JANE BIRKIN

Di Doo Dah

(Light in the Attic)

Arriving in the wake of Light in the Attic’s reissue of the masterful L’Histoire de Melody Nelson, this, Birkin’s first proper — if such a word can be applied to anything involving Serge Gainsbourg — solo album, is a series of light delights. Jean-Claude Vannier trades his characteristic dark orchestration for a string sound that is agile and brighter. On the title track, Birkin revels — in a melancholy way — in her tomboyish characteristics, setting the stage for more pun-filled escapades in androgynous amorousness. Elsewhere, she’s a hitchhiker, a sidewalk cruiser, a hotel trick, a girl on a motorcycle, and other fantasy figurines. The most audacious song is “Les capotes anglaises,” which begins with her blowing up condoms and letting them float off a balcony. The special treat is “Le décadanse,” not so much a failed attempt at creating a dance craze as a successful erotic mockery of dance crazes. There, Gainsbourg appears for another classic duet.

 

DÂM-FUNK

Adolescent Funk

(Stones Throw)

The album’s name is apt, as these tracks, recorded between 1988 and 1992, capture Dâm-Funk’s sound and outlook in a teenage stage of sonic bumptiousness and lyrical lustiness. The content is spelled out in the titles: songs like “I Like Your Big Azz (Girl),” “Sexy Lady,” and “When I’m With U I Think of Her,” are a world away from the mystic leanings of more recent Dâm-Funk tracks like “Mirrors.” Equally direct are the album’s musings on existence, such as “I Love My Life.” The sound owes a debt to — or is a youthful outgrowth of — the early 1980s electro funk of Prince, Mandre, and others. Dâm-Funk has been honing his use of analog keyboards for a long time — when it comes to Korgs and Casios, he’s no new kid on the block, though he was back when these songs were captured on tape. The homecoming-dance cover art, selected by Peanut Butter Wolf from Dâm’s photo albums, captures the vintage feel perfectly.

 

THE FLYING LIZARDS

The Secret Dub Life of the Flying Lizards

(Staubgold)

Flying Lizards are best known for creating possibly the cheapest British chart-topper in history, a pots-and-pans 1979 cover of “Money (That’s What I Want),” distinguished by Deborah Evans’ hilarious deadpan vocal. As the title hints, Evans isn’t present on The Secret Dub Life of the Flying Lizards, nor are any other traditional vocalists — instead, main Lizard David Cunningham remixes 1978 source material by Jah Lloyd. The catch was that Cunningham only had a mono master tape to work with, rather than the plethora of tracks usually associated with dub. A lost gem from the early days of reggae-punk fusions and collisions, this album — with loops built from tape-splicing — reveals the dub underpinnings of Cunningham’s brash and innovative work on “Money.” An irreverent vanguard producer, he uses ping-pong balls to create ricochet effects on one track, just as “Money” seems to throw everything but the kitchen sink at listeners.

 

GIRLS

Broken Dreams Club EP

(True Panther Sounds)

One of the things that makes Girls so special is Christopher Owens’ ability to write so directly about the unavoidable aspects of life without falling into cliché. So it is on “Heartbreaker,” which begins with the observation, “When I look in the mirror/ I’m not as young as I used to be/ I’m not quite as beautiful as when you were next to me.” A newer addition to Girls’ nascent greatness, as displayed on this six-song collection, is their facility at traversing various genres while always sounding like themselves. The reggae and early rock ‘n’ roll fusion “Oh So Fortunate One,” the bossa nova touches of “Heartbreaker,” and the country lament of the superb title track (complete with pedal steel) sound like … Girls. While the sonic palette shifts from song to song — and sometimes within them — more than one composition evokes the anthemic balladry of their 2009 debut album’s “Hellhole Ratrace.” That’s no small achievement. The outlook, though, is less hopeful and more disillusioned. Who knows what the future holds.

 

GOLD PANDA

Lucky Shiner

(Ghostly International)

There should probably be a moratorium placed on the use of the word panda in group names, but the man known as Gold Panda can be forgiven, based on the sheer zinging energy of this album, which has nothing in common with any Beach Boys-flavored Animal Collective endeavors. One of Gold Panda’s trademarks is a sharply-edited, sped-up approach to vocal samples that makes Kanye West’s sound like screw. Instrumental tracks such as “Vanilla Minus,” “Snow & Taxis,” and the incandescent “Marriage” call the crackling warmth of the Field to mind, but their energy is more hyper, their outlook much more colorful. “Same Dream China” takes the glassy percussion of Pantha Du Prince’s “Stick to My Side” into out there realms — it’s one of a few tracks that maneuvers across a high wire just above exotica and Orientalism. A late contender for techno album of the year.

 

THE MANTLES

Pink Information

(Mexican Summer)

San Francisco’s the Mantles deliver great straightforward rock ‘n’ roll. Dressed in a cover by local artist Michelle Blade, this EP picks up where their debut album left off, as guitarist-singer Michael Olivares leads the charge with vocals that somehow manage to sneer and snarl and seem amiable at the same time. “Situations” is actually kind of harsh, taking a scenester or gold-digger to task for his or her shallow and failure-fated state of being. “Lily Never Married” is more reflective, a portrait of a spinster that opens into thoughts about family within a changing world. “Waiting Out the Storm” finds the group trying on its epic journey boots, and they fit just fine.

 

BRIAN MCBRIDE

The Effective Disconnect

(Kranky)

A disturbing subject yields mournful tone poems on this album by Stars of the Lid’s McBride, which collects elements of his soundtrack for Vanishing of the Bees, a 2009 documentary on colony collapse disorder. (Mercifully, voice over by Ellen Page is left off the album.) There’s no flight-of-the-bumblebee whimsy in McBride’s musical testimony to the spirit of the beehive. In the liner notes, he writes that filmmakers George Langworthy and Maryam Henein suggested he focus on “the gloriousness of the bees, the endurance and hardships of traditional beekeepers, pesticides, and the holistic nature of non-industrial agriculture.” These elements aren’t always clearly distinguished, but they are present in a manner that avoids cliché.

 

ARTHUR RUSSELL AND THE FLYING HEARTS FEATURING ALLEN GINSBERG

Ballad of the Lights

(Presspop Music)

“Ballad of the Lights” was performed by a friend at the late Arthur Russell’s funeral, which is as strong a proof as any that it is an important entry within his vast and diverse songbook. This two-song 10-inch vinyl release couples it with another recording from Russell’s many studio collaborations with Allen Ginsberg. Ginsberg’s recitals within “Ballad of the Lights” almost come off superfluous, except that they set the glory of the song’s resurrection-like structure in greater relief. The B-side, “Pacific High Studio Mantras,” is a Buddhist chant accompanied by instrumentation, and perhaps not intended for commercial release. (Ginsberg himself hinged back and forth about whether it should presented in this fashion.) Bob Dylan even figured briefly within Ginsberg’s and Russell’s endeavors, but with so few of them available, it’s hard to discern whether “Ballad of the Lights” is their best work. That it’s pretty great is clear, even if coupled with portraits by Archer Prewitt that play into the more cloying aspects of viewing artists as icons.

 

THE SOFT MOON

The Soft Moon

(Captured Tracks)

It’s no surprise that the debut album by Bay Area musician Luis Vasquez is dark and densely claustrophobic — nor is it a surprise that it’s excellent. It kicks off with one highlight from his earlier EPs, “Breathe the Fire,” where his whispered vocal — dancing over doom-laden bass and guitar worthy of Pornography-era Cure — manifests maximum sinuous menace. The death dance of “Circles” is more Sister of Mercy-like, but really, Vasquez transcends well-known goth and more obscure dark wave poses and influences through sheer intensity of focus. “Sewer Sickness” might be the album’s darkest and most compelling black pit, as Vasquez’s susurrant vocals take on the quality of a malevolent primal incantation.

 

SOLAR BEARS

She Was Coloured In

(Planet Mu)

Like Gold Panda, Solar Bears counter a dodgy name by delivering solid tunes. She Was Coloured In is more melodic than most recordings on Planet Mu. “Children of the Times” mixes Johnny Marr-caliber guitar shimmer with a Vocoder chorus that is sure to evoke comparisons to Air. Likewise, the title composition places Air-y elements up against Aphex Twin-like ambience. Enjoyably ham-fisted prog keyboard flourishes dive in and out of techno terrain on the title track. The chord changes and underpinnings of “Head Supernova” evoke Angelo Badalamenti’s scores for David Lynch. The riddle of Solar Bears is whether all these touchstones or influences add up to an act with its own identity or — perhaps no less an achievement in 2010 — a generically beautiful album.

 

JIM SULLIVAN

UFO

(Light in the Attic)

When an excellent songwriter disappears, his or her voice remains. There is proof of this in the recent issuing of Connie Converse’s priceless previously-private recordings, and now in this reissue of the 1969 debut album by Jim Sullivan, a ten-song collection that fuses orchestral ornamentation and plainspoken brevity. Sullivan vanished into the New Mexico desert one day in 1975, but his musical legacy is being revived, and rightfully so, as the best moments here are reminiscent of better-known contemporaries such as Fred Neil and Tim Hardin. All the doomed young men: there’s something eerie about the funereal string intro of the opening track “Jerome,” yet Sullivan’s music also possesses vitality and good cheer. Best of all is “UFO,” a graceful piece of baroque pop (and quintessential example of a California paranormal mindset), adorned with echo-laden effects that Malibu kinfolk and relative survivor Linda Perhacs might appreciate.

 

WILD NOTHING

Golden Haze EP

(Captured Tracks)

Captured Tracks is home to some of the most beautiful guitar sounds being made today, thanks to Beach Fossils and this group, who see no shame in sheer ’80s-ness. Wild Nothing hail from California, but England meets Australia (and gets along with it better than usual) on “Your Rabbit Feet,” as Slowdive-gone-fast guitar radiates around a vocal that’s equal parts Morrissey and Robert Forster in its offhand debonair delivery. “Take Me In” has another immediate, whirligig guitar melody, and a chorus as big as 100,000 violins. Gorgeous stuff.

Our Weekly Picks: December 1-7

Andrew Lam
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0

WEDNESDAY 1

MUSIC

Good for the Jews

The last time this parodic-Hebraic duo made it to this city, they were greeted by a protesting Nazi who had posted up in front of their show. “He felt that we were representative of the Jewish-owned media. But I want to know: if we’re representing Zionist power, why am I staying at a Holiday Inn?” says group member Rob Tannenbaum. Honestly, the two (the other member is David Fagin) could probably care less about the crazies. Their Xmas alternative songs, which include “Reuben the Hook-Nosed Reindeer,” poke fun at the schmaltz of Christianity and Judaism — secular, and less so — alike, a perfect side dish for your holiday Chinese takeout. (Caitlin Donohue)

8 p.m., $15

Café Du Nord

2170 Market, SF

(415) 861-5016

www.cafedunord.com

 

THURSDAY 2

FILM

The Passion of Joan of Arc

One of the great meteors of film history, Carl Theodor Dreyer’s silent elegy literalizes the adage that the eyes are the mirror of the soul. The Passion of Joan of Arc (1928) charges religious iconography with the erotic fluency of moving images, paving the way for subsequent generations of film transcendentalists who have sought the sacred in the profane. Once you’ve witnessed Maria Falconetti’s Joan, your sense of what’s possible in film acting is forever marked. Seeing the movie at the Paramount accompanied by an orchestral performance of Richard Einhorn’s Voices of Light score promises to be an awesome treat — the cinematic equivalent of a purification ritual. (Max Goldberg)

7:30 p.m., $25

Paramount Theatre

2025 Broadway, Oakl.

(510) 642-5249

www.bampfa.berkeley.edu


THEATER

“San Francisco’s Golden Girls: The Christmas Episodes”

Picture it: San Francisco, 2010. Overcome by their affection for The Golden Girls and a tidal wave of holiday spirit, a quartet of drag superstars (Heklina, Cookie Dough, Matthew Martin, and Pollo Del Mar), plus one legendary rocker (Jane Wiedlin of the Go-Go’s), join forces to present two full-length episodes of the immortal sitcom live on stage. (For GG experts, because I know you’re out there, the eps are “Twas the Nightmare Before Christmas” and “Long Day’s Journey Into Marinara.”) Heklina and company earned raves for The Golden Girls: The Play, and this jolly twist offers an ideal, cheesecake-fueled opportunity to greet the season. (Cheryl Eddy)

Through Dec. 23

Thurs.–Sat., 7 and 9 p.m., $25

CounterPULSE

1310 Mission, SF

www.ticketfly.com

 

MUSIC

Mister Heavenly

Mister Heavenly is the result of a long-rumored collaboration between top-flight indie rock songwriters Nick Thorburn (Islands, Unicorns) and Honus Honus of Man Man. Originally slated to be little more than a tossed-off sidestep, the project picked up steam with the addition of drummer Joe Plummer (Modest Mouse, Shins). No recordings have surfaced yet, so it’s tough to tell what Mister Heavenly is actually gonna sound like. But with Thorburn on record describing it as a low frequency, slowed down version of doo-wop — appropriately dubbed “doom-wop” — I think it’s at least safe to bank on it being awesomely strange. (Landon Moblad)

9 p.m., $12

Café Du Nord

2170 Market, SF

(415) 861-5016

www.cafedunord.com EVENT

 

EVENT

Left Coast Leaning Festival

Pin it on whatever factor you like, but the fact remains that the Best Coast whoops that other coast’s ass, wraps it up nicely, and drops it in the mail marked “Return to Sender.” For reals, it’s nice out here. You already knew that, and so do the wonderful young-person spoken word artists at Youth Speaks, who along with the Yerba Buena Center for the Arts are putting together this homage to the Wild West’s cultural diversity and its many happy mutations of hip-hop culture. Tonight alone you can check out the modern fusion dance stylings of Adia Tamar Whitaker and a dreamy, beautiful animated piece by Los Angeles’ Miwa Matreyek. (Donohue)

Thurs/2–Sat/4, 8 p.m., $20

Yerba Buena Center for the Arts

701 Mission, SF

(415) 978-2787

www.ybca.org

 

FRIDAY 3

DANCE

Liss Fain Dance

Choreographer Liss Fain presents The False and True are One, which plays with the notion of how an event can be perceived differently by various people. Fain breaks up the common proscenium presentation of dance by creating a series of galleries on the stage that audience members can meander through at their leisure. Fain’s talented dancers (Jennifer Beamer Fernandez, Private Freeman, Megan Kurashige, Shannon Kurashige, Alec Lytton, and Bethany Mitchell) will perform throughout Matthew Antaky’s architecturally designed performance space while actor Jeri-Lynn Cohen enacts short stories by Lydia Davis. The result will be many different perceptions and viewings of the same performance. (Emmaly Wiederholt)

Fri/3–Sat/4, 8 p.m., $25

Z Space

450 Florida, SF

www.lissfaindance.org

 

VISUAL ART

“Stella Luminosa”

Electric Works’ new group show “Stella Luminosa” is like a much-needed shot of bourbon to steady oneself against the already advancing avalanche of holiday-themed treacle. Brining together such guiding lights as Dave Eggers, Matt Furie, Ian Huebert, Jason Jägel, Keegan McHargue, Clare Rojas, and Gina Tuzzi, “Stella Luminosa” presents these artists’ highly idiosyncratic winter wonderlands (with extra emphasis on “wonder”) and the odd ducks who inhabit them. Why settle for good cheer when there is plenty of weird cheer to go around? (Matt Sussman)

Through Dec. 24

Reception tonight, 6–8 p.m.

Electric Works

130 Eighth St., SF

www.sfelectricworks.com

 

MUSIC

Mr. Oizo

Who is the elusive Mr. Oizo? Here’s what we know for sure: French. Reportedly born Quentin Dupleux, although it’s specious. Electro DJ and producer. On the notorious Ed Banger record label with Justice, SebastiAn, and Cassius. Frequent collaborator with additional label-mate and proto Ke$ha, Uffie. Double identity as a film director. The subject of most recent film, Rubber, involves a homicidal tire with psychic powers. First infiltrated the U.S. in 1999 with seemingly harmless yet ubiquitous “Flat Eric” Levi’s ad campaign, the soundtrack from which may have been used to indoctrinate domestic sleeper agents. Current developments in sound are more nefarious and possibly deadly. Further surveillance required. (Ryan Prendiville)

With Boyz IV Men

10 p.m., $19.50

103 Harriet

103 Harriet, SF

(415) 431-1200

www.1015.com

 

DANCE

Human Creature and Jessica Damon

Human Creature shares the bill with Jessica Damon and Dancers in this performance presented by Resident Artist Workshop (RAW). With four new works choreographed by codirectors Derek Harris and Meegan Hertensteiner and music by composer Mark Hertensteiner, Human Creature’s witty and dark subject matter includes sleep, a postapocalyptic beginning, and the subconscious. Choreographer Jessica Damon’s piece Coated investigates how it must feel to be coated in oil and addresses the environmental problems associated with innovation and the unconsidered costs of technological growth. Stick around for beer and wine at the post-show party in the basement with DJ K-Real. (Wiederholt)

Fri/3–Sat/4, 8 p.m., $10–$20

Garage

975 Howard, SF

(415) 518-1517

www.975howard.com

 

SATURDAY 4

DANCE

“Pilot 57: Pilot Light”

Twenty years and 27 programs later, ODC’s Pilot series one reason young dancers continue flocking to the Bay Area, cost of living be damned. Pilot participants are not beginners; they have a professional, though usually small, track record. What they want and get from Pilot are 11 weeks of working with equal-minded colleagues in a supportive environment that provides feedback. Practical advice on how to make it in a competitive field is thrown in. Artists Nathan Cottam, Amy Foley, Daria Kaufman, Elizabeth McSurdy, Raisa Punkki, and Charles Slender bring wide perspective to their projects, which should make for appealing shows — and probably had sparks flying during the working sessions. (Rita Felciano)

Sat/4–Sun/5, 8 p.m., $12

ODC Theater

3153 17th St., SF

(415) 863-9834

www.odctheater.org

 

SUNDAY 5

MUSIC

Jonathan Richman

Some know him as the leader of 1970s pre-punk trailblazers, the Modern Lovers. Others recognize him as the wide-eyed crooner known to pop up in Farrelly brothers comedies. But it’s the 30 years’ worth of quirky solo albums that have made Jonathan Richman one of the finest cult singer-songwriters of his era. Combining early rock ‘n’ roll songwriting strummed out on a clean Telecaster; a surplus of world music influences; and sparse, tasteful accompaniment from his longtime drummer Tommy Larkins, Richman is a hilarious and charming performer whose live show is not to be missed. (Moblad)

With Gail Davies

8 p.m., $15

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.gamh.com

 

DANCE

Mary Sano Dance Collaborations

Mary Sano is a passionate advocate for the work of Isadora Duncan. In Japan she was a modern dancer until she encountered the work of the great California dance pioneer. Her programs usually feature Duncan and Duncan-style dances, but she often brings in actors, musicians, and poets for intriguing salon-type evenings. For Ship of Dreams: Kanrin Maru — 150 Years of Hope, Struggle and Friendship, her first evening-length piece, she dipped into all of these resources. Everybody has heard of Commodore Perry, who is credited-blamed for “opening” Japan to wonders of Western civilization in 1851. But does anybody know the story of the Kanrin Maru, which — against incredible odds — carried the first Japanese emissaries to the U.S. in 1860, landing of course in San Francisco? Sano “recreates” this journey with four dancers, seven actors, and five musicians, including Native American singer Dennis Banks. (Felciano)

7 p.m., $28

Brava Theater

2781 24th St., SF

(415) 647-2822

www.brava.org

 

MUSIC

Casiotone for the Painfully Alone

Is it possible that Owen Ashworth has cheered up? For more than a decade Casiotone for the Painfully Alone has been an appropriately descriptive title for his brand of subdued, introspective, keyboard-infused indie pop. But now it’s over. He announced in suitably emo fashion (via LiveJournal): “After nearly 13 years of being the dude from Casiotone for the Painfully Alone, I’m ready for a fresh start and a new challenge. So, after Dec. 5, 2010 (the 13-year anniversary of my first show), I’m throwing out the old songs and I’m trying something new.” Expect this show to be especially bittersweet. (Prendiville)

With Donkeys and Ian Fays

9 p.m., $12

Bottom of the Hill

1233 17th St., SF

(415) 621-4455

www.bottomofthehill.com 


The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Welcome to the Asylum

Andrew Lam
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0
Welcome to the Asylum

arts@sfbg.com

MUSIC Just one glance at the title of Sic Alps’ forthcoming full-length, Napa Asylum (Drag City), triggers memories of what might have been one of the most infamous (a.k.a. perfect) moments in punk history: the sight of the Cramps’ Lux Interior lurching among the patients at Napa State Hospital in 1978, as captured in The Cramps: Live at Napa State Mental Hospital, by SF’s Target Video. How does a humble assemblage of SF noisemakers live up to those memories and dare to go there?

“I know, right?” says the affable Mike Donovan by phone, on the brink of this year’s turkey gorge. “We didn’t even think of it, though people-in-the-know think of that.” A sketch of the old institution, ages before the Cramps roared through it, actually gave Donovan, Matt Hartman, and newest member Noel Von Harmonson the idea of attempting a concept album about the lost spirits roaming the ultimate wine country getaway. But once the band got into recording, the notion ultimately died and only the title and a song or two about the institution’s spaces and characters survived, among a whopping 22 tracks.

Before the January release of its fifth long-player, and first since U.S. EZ (Siltbreeze, 2008), Sic Alps are revving into action, playing a Dec. 4 benefit to pay the hospital bills of artist Akassia Mann, who is battling ovarian cancer. Mann is also the mother of Big Eagle’s Robyn Miller — Hartman and Harmonson’s housemate. Count on the downbeat new songs to wash up that night, riddled with pop references yet mangled and unique in a way that, say, Ariel Pink would appreciate.

The darkness on the edges of this batch of numbers was something Donovan considered. “I guess that’s one of the first things one of my friends said, ‘There’s a bunch of bummer tunes on this,'” recalls Donovan, whose good-naturedness seems to run counter to the album’s tone. “It peeked through. We didn’t say, ‘Let’s make things that are really down. Let’s temper these snappy numbers and noise tracks with bummers.’ But with 22 songs, there’s more room for it to do its thing.”

Likewise, when it came down to editing and sequencing the recording, and deciding if it would be a single or double album, Sic Alps went with the flow — namely, Hartman’s sequence. “It was a ‘killer and no filler thing’ and then Matt put together that sequence and sent it out with an e-mail header — ‘A fuck-yes double album,'” offers Donovan. Gone were the fights of old over sequencing: “It was done.”

In went the songs roughly concerning reincarnation (“Nathan Livingston Maddox,” based on Donovan’s dream about the late Gang Gang Dance member) and magic ( which is “meant to brush by you — it’s nothing you can describe or talk about”). Simmering in the free-floating, far-flung Exile on Main Street-meets-crushed-metal-Royal Trux stew, witchy connects are made between the so-called discovery of the Golden State and the mortgage crisis (“The First White Man to Touch California”), as well as mythic rock ‘n’ roll departures and Midwestern innocents leaving home (“Zeppo Epp”).

It all sounds like nothing other than Sic Alps. The group had been taking it easy, with Ty Segall in its ranks, until Harmonson joined late last year. Now the group’s pillar-like P.A.-slash-power station — a product of the need to control its dramatically, drastically dense brand of echo and reverb — has been doubled in the form of a second tower.

Further, the band is currently honing that bristling, dense thicket of echo with simpatico sound maestro Eric Bauer, once Donovan’s bandmate in Big Techno Werewolves. Just in time for a new growth spurt, Sic Alps recently bunked down in Bauer’s basement-based Chinatown analog studio, where Segall recorded his last album, the Oh Sees tracked its next full-length, and the Mantles jotted down a 7-inch. “When the iron was hot, we were like, ‘Fuck it,’ ” says Donovan. After doing the 9-to-5, the band is ready for something more, though Donovan amiably confesses, “I want the rock ‘n’ roll lifestyle without getting paid for doing rock ‘n’ roll. I only work two days a week, but I have a rock ‘n’ roll lifestyle — without the money.”

SIC ALPS

With the Mumlers, Big Eagle, Bart Davenport, and the Moore Brothers

Sat/4, 8 p.m., $10–$15 sliding scale

Rickshaw Stop

155 Fell, SF

www.rickshawstop.com

 

Music Listings

Andrew Lam
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0

Music listings are compiled by Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 1

ROCK/BLUES/HIP-HOP

Con Brio, Astral Force Elbo Room. 9pm, $8.

“Dweezil Zappa Plays Zappa” Warfield. 8pm, $44.50-89.50.

Fancy Dan Band, Erin Brazill and the Brazillionaires, Sioux City Kid Bottom of the Hill. 9pm, $8.

Keith Crossan Big Band Biscuits and Blues. 8 and 10pm, $15.

New Up, Bernadette, Crackerjack Highway, M80 Mailbox, DJ Jack Frost Independent. 8pm, $14. Benefit for Blue Bear School of Music.

Phantom Kicks, Actors, Sunbeam Rd Rickshaw Stop. 8pm, $10.

“Silicon Valley Rocks: A Benefit For Music in Schools Today” Great American Music Hall. 7pm, $45-75.

FOLK/WORLD/COUNTRY

Good for the Jews Café Du Nord. 8pm, $15.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Cannonball Beauty Bar. 10pm, free. Rock, indie, and nu-disco with DJ White Mike.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Fresh Wednesdays Vessel, 85 Campton, SF; (415) 433-8585. 9:30pm, free. With DJs Slick D, Chris Clouse, Rich Era, Don Lynch, and more spinning top40, mashups, hip hop, and remixes.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

Neighborhood 111 Minna. 9pm, free. With Hot Tub, Man/Miracle, Spirit Spout, King Most, Dnae Beats, Shlohmo, and more.

Red Wine Social Triple Crown. 5:30-9:30pm, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 2

ROCK/BLUES/HIP-HOP

Brothers Comatose, Jugtown Pirates, Human Condition Slim’s. 8pm, $13.

Burial, Vaccuum, No Statik, Torture Unit Kimo’s. 9pm, $7.

Big Bad Daddy Cade Biscuits and Blues. 8 and 10pm, $16. BB King tribute.

French Miami, Horns of Happiness, Teenage Sweater Hemlock Tavern. 9pm, $7.

Mister Heavenly Café Du Nord. 9pm, $12.

Moccretro, Havarti Party, Tarantula Tango, Rival Parties, Family Matters Stud. 7pm, free.

Elliot Randall and the Deadmen, Victoria George, Tiny Television Independent. 8pm, $14.

JAZZ/NEW MUSIC

“Hellkats Holiday Bash” DNA Lounge. 7pm, $13. With Jazz Mafia All-Stars and Hubba Hubba Revue. Benefit for Jennifer “Jersey” Mitti.

Mighty Diamonds Yoshi’s San Francisco. 10:30pm, $22.

Alex Pinto Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Al Stewart Yoshi’s San Francisco. 8pm, $25.

FOLK/WORLD/COUNTRY

Annie Bacon’s Folk Opera, Audiafauna, Seedy Naturalists Swedish American Hall (upstairs from Café Du Nord). 8pm, $15. Benefit for the Liberation Institute.

Bryan Byrnes Socha Café, 3235 Mission, SF; (415) 643-6848. 8pm, free.

Chelle and Friends Coda. 9pm, $10.

Knuckle Knockers Atlas Café. 8pm, free.

My Peoples, B Foundation, La Muñueca y Los Muertos Bottom of the Hill. 9pm, $12.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $10. DJs Pleasuremaker and Señor Oz, with guest Nickodemus, spin Afrobeat, tropicália, electro, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Electric Feel Lookout, 3600 16th St, SF; www.fringesf.com. 9pm, $2. Indie music video dance party with subOctave and Blondie K.

Good Foot Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. With DJs spinning R&B, Hip hop, classics, and soul.

Guilty Pleasures Gestalt, 3159 16th St, SF; (415) 560-0137. 9:30pm, free. DJ TophZilla, Rob Metal, DJ Stef, and Disco-D spin punk, metal, electro-funk, and 80s.

Holy Thursday Underground SF. 10pm, $5. Bay Area electronic hip hop producers showcase their cutting edge styles monthly.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Koko Puffs Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Lacquer Beauty Bar. 10pm-2am, free. DJs Mario Muse and Miss Margo bring the electro.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Studio SF Triple Crown. 9pm, $5. Keeping the Disco vibe alive with authentic 70’s, 80’s, and current disco with DJs White Girl Lust, Ken Vulsion, and Sergio.

FRIDAY 3

ROCK/BLUES/HIP-HOP

Alabama Mike Biscuits and Blues. 8 and 10pm, $20.

Audio Dub, Last Ambassadors Elbo Room. 10pm, $13.

Black Witchery, Blasphemophager, Diocletian, Obeisance Thee Parkside. 9pm, $12-15.

Boney M. Nob Hill Masonic Auditorium, 1111 California, SF; www.discosf.com. 7pm, $45-135.

Congress Coda. 10pm, $10.

Diego’s Umbrella, Triple Cobra, Loyd Family Players Independent. 9pm, $12.

IRB Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

K-Holes, Wax Idols, Stickers Hemlock Tavern. 9:30pm, $7.

Midnight Chaser, Bastard, Vanishing Breed Kimo’s. 10pm, $7.

Eddie Money Rrazz Room. 7 and 9:30pm, $45-50.

“Popscene Presents Chicago vs. San Francisco” Rickshaw Stop. 9pm, $10. With Hey Champ, Butterfly Bones, and Moneypenny, plus DJ sets by Team Bayside High and Aaron Axelsen.

“Secret House Party with People Under the Stairs” Slim’s. 9pm, $19. With DJ Day.

Sistas in the Pit, Cleve-Land, MILF, Ani DiFranco’s Dick 111 Minna. 9:30pm. Benefit for Todd “Spor Virus” Smith.

JAZZ/NEW MUSIC

Mike Stern Band Yoshi’s San Francisco. 8 and 10pm, $18-26.

FOLK/WORLD/COUNTRY

Cuban Cowboys, Dead Westerns, DJ Santero Bottom of the Hill. 8:30pm, $12.

Left Coast Special Socha Café, 3235 Mission, SF; (415) 643-6848. 8pm, free.

DANCE CLUBS

Braza! Som.10pm, $10. With DJs Vanka, Elan, and Caasi.

Deeper 222 Hyde, 222 Hyde, SF; (415) 345-8222. 9pm, $10. With rotating DJs spinning dubstep and techno.

Dirty Rotten Dance Party Madrone Art Bar. 9pm, $5. With DJs Morale, Kap10 Harris, and Shane King spinning electro, bootybass, crunk, swampy breaks, hyphy, rap, and party classics.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs B-Cause, Vinnie Esparza, Mr. Robinson, Toph One, and Slopoke.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Germany Calling Cat Club. 9:30pm, $6. German goth and industrial with DJs Tomas Diablo, Joe Radio, Xander, and Unit 77.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Mighty’s 7-Year Anniversary Mighty. 9pm, $7. With DJ Shortkut, Derek Hena, Motion Potion, Syd Gris, DJ Platurn, and more.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa “Samoa Boy” spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Some Thing Stud. 10pm, $7. VivvyAnne Forevermore, Glamamore, and DJ Down-E give you fierce drag shows and afterhours dancing.

Strangelove Cat Club, 1190 Folsom, SF; (415) 703-8965. 9:30pm, $6. With DJs Tomas Diablo, Melting Girl, Sage, and Daniel Skellington spinning goth and industrial.

Vintage Orson, 508 Fourth St, SF; (415) 777-1508. 5:30-11pm, free. DJ TophOne and guest spin jazzy beats for cocktalians.

SATURDAY 4

ROCK/BLUES/HIP-HOP

Chris Cain Biscuits and Blues. 8 and 10pm, $20.

John Enghauser, Fat Opie, Beautiful Losers Hotel Utah. 10pm, $10.

I-80s Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Marco Benevento Trio Independent. 9pm, $20.

Maus Haus, Fol Chen, Brent Amaker and the Rodeo, Exrays, Epicsauce DJs Bottom of the Hill. 9pm, $12.

Eddie Money Rrazz Room. 7 and 9:30pm, $45-50.

Mumlers, Sic Alps, Big Eagle, Bart Davenport Rickshaw Stop. 8pm, $10-15. Benefit for Akassia Mann, mother of Big Eagle’s Robyn Miller.

Tropical Sleep, Midnite Snaxxx, Bitter Honeys Hemlock Tavern. 9:30pm, $6.

Walken, Huntress, Dark Black Bender’s, 806 S. Van Ness, SF; www.bendersbar.com. 9:30pm, $5.

“We’re Number Fun! Bay Area Derby Girls Prom and Awards Ceremony” Thee Parkside. 9pm, $15.

Yung Mars, Elevaters Café Du Nord. 9:30pm, $12.

JAZZ/NEW MUSIC

Bad Plus Herbst Theatre, 401 Van Ness, SF; www.sfperformances.org. 8pm, $20-50.

Lori Carsillo Coda. 7pm, $5.

Nancy Coleman Socha Café, 3235 Mission, SF; (415) 643-6848. 8pm, free.

Mike Stern Band Yoshi’s San Francisco. 8 and 10pm, $26.

FOLK/WORLD/COUNTRY

“Abjeez: Live in San Francisco” Hemlock Tavern. 8pm, $40.

Jean Marie Paxton Gate, 824 Valencia, SF; (415) 824-1872. 7pm, free.

Rock Soup Ramblers Café Royale, 800 Post, SF; (415) 641-6033. 8pm, free.

Craig Ventresco and Meredith Axelrod Atlas Café. 4pm, free.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Nuxx.

Debaser Knockout. 11pm, $5. Wear your flannel and get in free before 11pm to this party, where DJ Jamie Jams and Emdee play alternative hits from the 1990s.

Everlasting Bass 330 Ritch. 10pm, $5-10. Bay Area Sistah Sound presents this party, with DJs Zita and Pam the Funkstress spinning hip-hop, soul, funk, reggae, dancehall, and club classics. Fire Corner Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests. Foundation Som., 2925 16th St., SF; (415) 558-8521. 10pm.

Gemini Disco Underground SF. 10pm, $5. Disco with DJ Derrick Love and Nicky B. spinning deep disco.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Kontrol Endup. 10pm, $20. With resident DJs Alland Byallo, Craig Kuna, Sammy D, and Nikola Baytala spinning minimal techno and avant house.

New Wave City: Depeche Mode Tribute DNA Lounge. 9pm, $7-12. Eighties with DJs Skip, Shindog, and Melting Girl.

Rock City Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5 after 10pm. With DJs spinning party rock.

Saturday Night Soul Party Elbo Room. 10pm, $10. With DJs Lucky, Phengren Oswald, and Paul Paul spinning 60s soul.

Souf Club Six. 9pm, $7. With DJs Jeanine Da Feen, Motive, and Bozak spinning southern crunk, bounce, hip hop, and reggaeton.

Soundscape Vortex Room, 1082 Howard, SF; www.myspace.com/thevortexroom. With DJs C3PLOS, Brighton Russ, and Nick Waterhouse spinning Soul jazz, boogaloo, hammond grooves, and more.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 5

ROCK/BLUES/HIP-HOP

Casiotone for the Painfully Alone, Donkeys, Ian Fayes Bottom of the Hill. 9pm, $12.

Tommy Castro Biscuits and Blues. 8 and 10pm, $20.

Epica, Scar Symmetry, Agonist, Blackguard DNA Lounge. 6:30pm, $23.

Courtney James Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Posies, Brendan Benson, Aqueduct Independent. 8pm, $20.

Radiators, Battlehooch Slim’s. 8pm, $25.

Desirea Rodgers Rrazz Room. 3pm, $25.

Jonathan Richman, Tommy Larkins, Gail Davies Great American Music Hall. 8pm, $15.

JAZZ/NEW MUSIC

Kay Kostopoulos Bliss Bar, 4026 24th St, SF; (415) 826-6200. 4:30pm, $10.

Mike Stern Band Yoshi’s San Francisco. 5pm, $5-26.

FOLK/WORLD/COUNTRY

Grooming the Crow, Everheart Thee Parkside. 4pm, free.

DANCE CLUBS

Afterglow Nickies, 466 Haight, SF; (415) 255-0300. An evening of mellow electronics with resident DJs Matt Wilder, Mike Perry, Greg Bird, and guests.

DJ Anthony Atlas Hemlock Tavern. 9pm, free.

Call In Sick Skylark. 9pm, free. DJs Animal and I Will spin danceable hip-hop.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, dubstep, roots, and dancehall with DJ Sep, Vinnie Esparza, and guest B-Love.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Pachanga! Coda. 5pm, $10. Salsa with Jesus Diaz y su QBA.

Religion Bar on Church. 3pm. With DJ Nikita.

Swing Out Sundays Rock-It Room. 7pm, free (dance lessons $15). DJ BeBop Burnie spins 20s through 50s swing, jive, and more.

MONDAY 6

ROCK/BLUES/HIP-HOP

Abyssinians, Native Elements, Revival Sound System Independent. 9pm, $20.

Chris Duarte Biscuits and Blues. 8 and 10pm, $15.

Mrt. St. Helens Vietnam Band, Globes Rickshaw Stop. 8pm, $12.

Western States Motel, Maren Parusel, Ash Reiter Hemlock Tavern. 6pm, $6.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Musik for Your Teeth Revolution Café, 3248 22nd St., SF; (415) 642-0474. 5pm, free. Soul cookin’ happy hour tunes with DJ Antonino Musco.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 7

ROCK/BLUES/HIP-HOP

Bedouin Soundclash, Moneybrother, Los Hot Boxers Slim’s. 8pm, $15.

Conspiracy of Beards, Ruby Howl, Gilded Hooks Café Du Nord. 8:30pm, $10.

Delta Spirit, Fling, Darker My Love Fillmore. 8pm, $18.50.

Chris Duarte Biscuits and Blues. 8 and 10pm, $15.

Gay Blades, Girls With Guns, Go-Going-Gone Girls Bottom of the Hill. 9pm, $10.

Gracious Few, Danielle Barbe, Reckless in Vegas Independent. 8pm, $10.

DANCE CLUBS

Brazilian Party Night Elbo Room. 9pm, $5. Brazilian dance hits, samba, funk, and more with DJ Dion and DJ Kwala.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Cho tunes

Andrew Lam
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0
Cho tunes

superego@sfbg.com

SUPER EGO “You know me, I’m always doing something,” Margaret Cho practically purred over the phone en route to another smash show on the East Coast. Um, understatement of the year much? While the Cho-stess with the Mostest is lately giving off the chill vibes of an edgy comedian and right-on scenester in her prime (she’s not shy about being on the golden side of 40), she’s been more active than ever. “I totally have symbolic flames on the side of my tour bus,” she quipped. “It’s so retro ’90s.”

The San Francisco-born, Korean American, queer-lovin’ smart-mouth may have a fulltime TV job on Lifetime’s Drop Dead Diva, but she’s also just released an actually damn good album of “comedy music,” Cho Dependent, with guest helpers like Tegan and Sara, Fiona Apple, Ben Lee, and Ani DiFranco. (Her DIY dancing turd outfit for the “Eat Shit and Die” video is pretty priceless.) Her current “Cho Dependent” tour, however, focuses less on the tunes and more on the stand-up topics she’s polished to raucous perfection. “I talk about immigration, my mother, maybe my new bellydance workout. Also gay rights — I hear they’re really in right now,” she deadpans. High on her agenda when she hits the city? Some more ink at Everlasting Tattoo on Divisadero, “the best tattoo shop in the world.”

“It’s just so awesome to be coming back to SF on this tour,” she continues. “It’s always like coming home to family. A family with a lot of little dogs.”

MARGARET CHO: CHO DEPENDENT Sat/4, 8 p.m., $29.50–$49.50. Nob Hill Masonic Auditorium, 1111 California, SF. www.livenation.com, www.margaretcho.com

 

PHONIC

Thursday night workout time. The weekly Phonic party at Endup is one of my favorite scene treats, and the lineup this time around is too SF techno-tasty to pass up. Dabecy of Electronic Music Bears joins Honey Soundsystem’s Jason Kendig and Pee Play for some distinguished beats in a deeper vein.

Thu/2, 10 p.m.–4 a.m., free before midnight, $10 after. EndUp, 401 Sixth St., SF. www.theendup.com

 

BETTER

This party on Maiden Lane promises to be a fun crush of styles, with wide-ranging dancefloor selections from DJ Deevice (Pirate Cat Radio), Jason Kendig (again!), Sleazemore (Lights Down Low), and Solar (Sunset). “We’re really hoping to save downtown from douchebags and the women who love them,” Deevice told me. “The place is nice, but not chi-chi. I mean, it can’t obviously double as a strip joint like other downtown clubs. Just come and have some fun.”

Check out DJ Deevice’s absolutely lovely “Better” mix:

“Dec 2010 Mix” by DJ Deevice

 

Fri/3, 9:30 p.m.–3 a.m., $5 before 11 p.m./ $10 after. 45 Maiden Lane, SF

 

LAZER SWORD

Finally! Bay natives Lazer Sword, the fab duo who basically broke the future bass scene wide open, are releasing their debut album and it’ll be bonkers. Lazer’s Low Limit and Lando Kal beam in for brain melt, with support from spooktastic up-and-comer OoOoOO, OG atmospheric electro-hopper Machinedrum, and DJ Dials, who always has great hats. It’s all part of Hacksaw Entertainment’s second anniversary blowout.

Sat/4, 9 p.m.–3 a.m., $14.50 advance. Mighty, 119 Utah, SF. www.hacksawent.com

 

SMALLTOWN DJS

One of the highlights of my recent trip up north — this rad-cute duo from Alberta, Canada, pops four turntables and manages to do in Girl Talk types when it comes to mixing electro banger flair with underground house beats, hip-hop and Bmore swagger, and sly pop winks. Somehow it doesn’t come off as Vegas-y mashup as one might supect — maybe it’s vinyl Canadian party magic.

Sat/4, 9 p.m.–3 a.m., $5 before 11 p.m., $10 after. Public Works, 161 Erie, SF. www.publicsf.com

 

TIARA SENSATION PAGEANT

Get ready for glamour and outrage — of a fantastic, ethereal bent, of course. The kids from the Friday weekly Some Thing party blow up with this must-see drag runway fundraiser for the Off Center theater. Contestants: Alotta Boutte, Elijah Minelli, Honey Mahogany, Lil Miss Hot Mess, Mercedez Munro, Monistat, and Turleen. DJs: Stanley Frank and Hoku Mama Swamp. Plus: Juanita More and Miss Rahni. Names!

Sun/5, 8 p.m.–midnight, $35. Temple, 540 Howard, SF. www.templesf.com 

 

The process begins

Andrew Lam
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0
The process begins

steve@sfbg.com

The Board of Supervisors has unanimously adopted a set of procedures for choosing a new mayor to replace Gavin Newsom when he becomes California’s lieutenant governor on Jan. 3. The board is scheduled to formally begin the mayoral selection process Dec. 7 with a discussion of what people want in a new mayor and perhaps even the first votes on nominees for the office.

If the process of approving a process was any indicator, choosing a new mayor won’t be easy. Just sorting out how supervisors will vote on nominees, which the board spent hours doing Nov. 23, illustrated the complex political dynamics and potential for parliamentary gamesmanship at play on a body with a deep ideological divide.

Progressives are on the dominant side of that divide, with Sups. John Avalos, David Campos, David Chiu, Chris Daly, Eric Mar, and Ross Mirkarimi sticking together on a pair of 6-5 procedural votes that sought to dilute their voting power, an effort led by Sup. Sean Elsbernd and supported by his moderate colleagues.

Both sides accused the other of playing games with this all-important process, but the greatest complicating factor seems to be the California Political Reform Act and related conflict-of-interests case law. Because the mayor is paid more than supervisors, board members are barred from doing anything to influence the process to become the new mayor.

That means they can’t publicly voice a desire to become mayor or lobby colleagues for votes. And once supervisors have been nominated to be mayor and they accept that nomination, they must immediately leave the room and be sequestered incommunicado until they decide to withdraw their nominations and participate in the process, after which they may not be renominated.

But the newly adopted details of exactly how that process plays out — including when the vote is called on each nominee, how it is taken, and in what order — will determine if any nominees can get the six votes they need to serve as mayor for the final year of Newsom’s term.

If the current board can’t do it, then the newly elected board — which has an ideological breakdown similar to the current board, but with slightly different personal relationships and alliances — will take up the matter when it is sworn in on Jan. 11. And that board’s challenge won’t be any easier.

Board of Supervisors Clerk Angela Calvillo and the Santa Clara County Counsel’s Office (legal counsel in the matter after our own City Attorney’s Office recused itself, largely because City Attorney Dennis Herrera wants to be mayor) proposed procedures whereby all nominees leave the room while the remaining supervisors vote.

But as Daly noted, clearing several supervisors from the room would make it unlikely that those remaining could come up with six votes for anyone. He also said the system would deny too many San Franciscans of a representative in this important decision and allow sabotage by just a few moderate supervisors, who could vote with a majority of supervisors present to adjourn the meeting in order to push the decision back to the next board.

“The process before us is flawed,” Daly said.

So Daly sought to have the board vote on every nomination as it comes up, but Elsbernd argued that under Robert’s Rules of Order, nominations don’t automatically close like that and to modify a board rule that contradicts Robert’s Rules requires a supermajority of eight votes. Calvillo, who serves as the parliamentarian, agreed with that interpretation and Chiu (who serves as chair and is the final word on such questions) ruled that a supermajority was required.

Although some of his progressive colleagues privately grumbled about a ruling that ultimately hurt the progressives’ preferred system, Chiu later told the Guardian, “I gotta play umpire as I see the rules … We need to ensure the process and how we arrive at a process is fair and transparent.”

Nonetheless, Chiu voted with the progressives on the rule change, which failed on a 6-5 vote. But Daly noted that supervisors may still refuse nominations and remain voting until they are ready to be considered themselves, which could practically have the same effect as the rejected rule change. “If we think that’s a better way to do it, we can do it. But we don’t need to fall into the trap and subterfuge of our opponents,” Daly told his colleagues.

Elsbernd then moved to approve the process as developed by Calvillo, but Daly instead made a motion to amend the process by incorporating some elements on his plan that don’t require a supermajority. After a short recess to clarify the motion, the next battleground was over the question of how nominees would be voted on.

Calvillo and Elsbernd preferred a system whereby supervisors would vote on the group of nominees all at once, but Daly argued that would dilute the vote and make it difficult to discern which of the nominees could get to six votes (and conversely, which nominees couldn’t and could thereby withdraw their nominations and participate in the process).

“It is not the only way to put together a process that relies on Robert’s Rules and board rules,” Daly noted, a point that was also confirmed at the meeting by Assistant Santa Clara County Counsel Orry Korb under questioning from Campos. “There are different ways to configure the nomination process,” Korb said. “Legally, there is no prohibition against taking single nominations at a time.”

So Daly made a motion to have each nominee in turn voted up or down by the voting board members, which required only a majority vote because it doesn’t contradict Robert’s Rules of Order. That motion was approved by the progressive supervisors on a 6-5 vote.

After the divisive procedural votes played out, Chiu stepped down from the podium and appealed for unity around the final set of procedures. He said that San Franciscans need to have confidence that the process is fair and accepted by all. So, he said, “It would be great if we have more than a 6-5 vote on this.”

As the role call was taken, Sup. Carmen Chu was the first moderate to vote yes, and her colleagues followed suit on a 11-0 vote to approve the process.

That unity isn’t likely to last long as supervisors fill an office that wields far more power than any other in city government. But both sides voiced an appreciation for what a monumental task they’re undertaking. “This is without a question the most important vote that any of us will take as a member of the Board of Supervisors and one that everyone is watching,” Elsbernd said of choosing a new mayor.

Daly called for supervisors to open the Dec. 7 meeting with a discussion about what qualities they all want to see in a mayor. “We owe it to the public, we owe it to the city, to discuss it and have it out in the open,” he said, going on to criticize the idea of a nonpolitical “caretaker mayor” and say, “I would like to see a mayor that works with the Board of Supervisors.”

But as the parliamentary jousting between Daly and Elsbernd en route to a bare-bones set of procedures shows, such high-minded ideals are likely to be mixed with some tough political brawls, back room deals, and power plays using arcane rules that guide the deliberations of legislative bodies.

In fact, when Korb was asked whether the adopted process precludes new amendments or procedural gambits, he noted that the Nov. 23 vote was probably just the beginning “given the parliamentary skills of this board.”

 

Supreme Court confirms Guardian legal victory

Andrew Lam
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0
Supreme Court confirms Guardian legal victory

The Bay Guardian won a decisive and final legal victory Nov. 23 in our lawsuit against SF Weekly and its chain parent when the California Supreme Court let stand a verdict now worth more than $22 million.

The ruling ends the Weekly’s appeals, which have stretched for more than two years, and confirms a landmark Aug. 11 ruling by the California Court of Appeal that protects small businesses in the state against predatory chains.

The Bay Guardian sued the Weekly and the New Times chain, now known as Village Voice Media, in 2004, charging that the Weekly had systematically sold ads below cost in an effort to harm the local, independent competitor. By taking advantage of the resources of a large company, the Weekly was able to stay in business despite losing money every year, and was using below-cost pricing as a way to take ads away from the Guardian.

“We have before us the case of an ongoing, comprehensive, below-cost pricing scheme,” the Appeals Court concluded. That sort of behavior is specifically barred by California’s Unfair Practices Act, which was designed to protect small business from big chains.

SF Weekly and VVM tried to argue in their appeals that the state law should be consistent with federal antitrust law, which sets a much higher standard for proving predatory pricing. But the Appeals Court and the Supreme Court disagreed. California, the ruling now says, has every right to provide greater protections for small business than the federal government does.

VVM is still trying to avoid paying the judgment, and the Guardian has been aggressively pursuing collection efforts.

The Guardian’s stellar legal team includes trial lawyers Ralph Alldredge, Rich Hill, and Craig Moody, appellate specialist Joseph Hearst, and collection expert Jay Adkisson.

The lawyers who represented VVM in its unsuccessful trial efforts were H. Sinclair Kerr Jr., Ivo Labar and James Wagstaffe of Kerr & Wagstaffe. The appellate lawers were Paul Fogel, Raymond Cardozo, and Dennis Peter Maio of Reed, Smith. VVM was also represented by Don Bennett Moon. 

DREAM on

Andrew Lam
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2
DREAM on

sarah@sfbg.com

Spurred by congressional Democratic leaders’ promises to hold a vote on the DREAM (Development, Relief, and Education for Alien Minors) Act before the end of Congress’ lame-duck session this month, immigrant and civil rights advocates are pushing for the passage of bipartisan legislation that would give undocumented youth a shot at citizenship if they go to college or serve in the military for two years.

On Nov. 29 in San Francisco, several undocumented young people joined members of the Bay Area Coalition for Immigration Reform outside Mission High School — where as much as 20 percent of the student population may be undocumented, according to principal Eric Guthertz — to explain why it makes sense to give youth who grew up in the United States a shot at legal status.

“We are not asking you to give us a green card,” Anna, a student from Guatemala, said at the event. “All we want is a chance to succeed and give back to this country. We live here, we pay taxes, we’re smart, we go to college, but afterward we can’t work and give back.”

Mario, a 22-year-old gay student who was born in Peru to a Chinese father and Peruvian mother, graduated from UC Berkeley with a civil engineering degree. He explained that because of his lack of documentation, he can’t get a job to pay his bills or save up to pursue a master’s degree, and fears being deported to a homophobic country.

“It would be a waste of talent because I’ve learned California-specific engineering rules and the U.S. building code,” Mario said. “Sometimes I wake up from a nightmare about being detained. I came out here, but in Peru, I’d probably be back in the closet.

Joining Anna and Mario was Shing Ma “Steve” Li, a nursing student at City College, who was released Nov. 19 after two months in federal detention, shortly before he was to be deported to Peru. San Francisco Democrat Sen. Dianne Feinstein introduced legislation to halt his removal, saying it would be “unjust” to deport Li before a DREAM Act vote takes place.

Li, who speaks Cantonese, English, French, and Spanish, grew up reciting the Pledge of Allegiance and dreams of opening a clinic to serve low-income San Franciscans. But recently, federal immigration authorities flew him 800 miles to a jail in Arizona, all because his parents brought him here when he was 12 and he lacks documentation.

“We were handcuffed and shackled to our seats, and I wondered what would happen if the plane went down,” Li recalled.

Li believes the main barriers to the legislation’s passage is lack of accurate information. “People need to know the facts, see the people, and hear their stories,” Li said. “Then they’ll know it is a human rights issue.”

Guthertz said that as principal of Mission High, every year he sees undocumented youth who have great grades and lots of advanced placement classes “hit the wall” of their status. “Over and over, I’ve seen the heartbreaking effect of their situation,” Guthertz said. “The DREAM Act is yet another avenue to help these students.”

Eric Quezada, executive director of Dolores Street Community Services, noted that congressional leaders did not agree to the DREAM Act vote “out of the goodness of their heart — it’s because of the hard work of immigrant advocates.”

Quezada said the push to force a DREAM Act vote in Congress this year began when undocumented youth staged a sit-in in Sen. John McCain’s (R-Ariz.) office in May. “And the vote of Latinos saved the Senate from a Republican takeover on Nov. 2,” he said.

“But we understand this window is closing,” Quezada added, referring to the reality that Republicans will take control of the House in January. “So we’re not taking one vote for granted. And this is the first step. If we are able to pass the DREAM Act, it will be a downpayment for comprehensive immigration reform.”

Sup. John Avalos says the DREAM Act recognizes the contribution immigrants make to the community, and to the creation of economic opportunities for everybody. “Immigrants here support themselves and their families across the water, so it makes sense that we make proper investments and support,” Avalos said. “Education is one way to make the world a more stable place.”

Sup. David Campos, who came to the U.S. from Guatemala as an undocumented teenager, sees the DREAM Act as a piece of commonsense legislation.

“It’s so modest,” Campos said. “Even those who are against comprehensive immigration reform should be for something that recognizes that young people, who came here not by choice but because of their parents’ issues, should be given a chance to give back.”

Campos said his father was able to gain legal status for his whole family because of his employment, but that many undocumented youth aren’t so lucky.

“We open the doors to our public schools, we invest in their education, and then, when they are ready to give back to us, we say, ‘No, we don’t want you here,'” Campos said. “The best and brightest, the risk-takers, come here. As a country, we cannot go forward unless we realize that this influx of creativity and entrepreneurship made this country what it is.”

The biggest fish

Andrew Lam
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6
The biggest fish

rebeccab@sfbg.com

Shortly after Larry Ellison, the billionaire CEO of Oracle Corp. and owner of the BMW Oracle Racing Team, won the 33rd America’s Cup off the coast of Valencia, Spain, in February 2010, a reception was held in his honor in the rotunda at San Francisco City Hall.

The event drew members of Ellison’s sailing crew, business and political heavyweights such as former Secretary of State George Schultz, and other VIPs. Attendees posed for photographs with the tall, glittering silver trophy at the base of the grand staircase.

As part of the celebration, Ellison helped Mayor Gavin Newsom into an official BMW Oracle Racing Team jacket, and Newsom granted Ellison a key to the city, a symbolic honor usually reserved for heads of state and the San Francisco Giants after they won the World Series. Shortly after, the mayor and the guest of honor, whom Forbes magazine ranked as the sixth-richest person in the world, sat down for a face-to-face.

That meeting marked the beginning of the city’s bid to host the 34th America’s Cup in San Francisco in 2013. Since securing the Cup, Ellison has made no secret of his desire to stage the 159-year-old sailing match against the iconic backdrop of the San Francisco Bay, a natural amphitheater that could be ringed with spectators gathered ashore while media images of the stunningly expensive yachts are broadcast internationally.

Newsom and other elected officials have feverishly championed the idea, touting it as an opportunity for a boost to the region’s anemic economy. The city’s Budget & Legislative Analyst projects roughly $1.2 billion in economic activity associated with the event — the real prize, as far as business interests are concerned. It would also create the equivalent of 8,840 jobs, mostly in the form of overtime for city workers and short-term gigs for the private sector.

While the idea has won preliminary support from most members of the Board of Supervisors, serious questions are beginning to arise as the finer details of the agreement emerge and the date for a final decision draws near.

Ellison and the race organizers would be granted control of 35 acres of prime waterfront property in exchange for selecting San Francisco as the venue for the Cup and investing $150 million into Port of San Francisco infrastructure. But the event would result in a negative net impact to city coffers.

Hosting the event and meeting Ellison’s demands for property would cost the city about $128 million, according the Budget & Legislative Analyst, just as city leaders grapple with closing a projected $712 million deficit in the budget cycle spanning 2011 and 2012.

Part of the impact is an estimated $86 million in lost revenue associated with rent-free leases the city would enter into with Ellison’s LLC, the America’s Cup Event Authority (ACEA). In exchange for selecting San Francisco as a venue and investing in port infrastructure, ACEA would win long-term control of Piers 30-32, Pier 50, and Seawall Lot 330 — waterfront real estate owned by the Port of San Francisco, with development rights included. Seawall Lot 330, a 2.5-acre triangular parcel bordered by the Embarcadero at the base of Bryant Street, would either be leased long-term or transferred outright to ACEA.

The most vociferous opponent of the America’s Cup plan is Sup. Chris Daly, who has voiced scathing criticism of the notion that the city would subsidize a billionaire’s yacht race at a time of fiscal instability. “The question is whether or not the package that San Francisco’s putting together is good or bad for the city,” Daly told the Guardian, “and whether or not it’s the best deal the city can get.”

 

THE CREW

According to a Forbes calculation from September 2010, Ellison’s net worth is $27 billion, making him several times wealthier than the City and County of San Francisco, which has a total annual budget of about $6 billion. Ellison reportedly spent $100 million and a decade pursuing the Cup.

As soon as Ellison expressed interest in bringing the Cup to San Francisco, Newsom began charting a course. Park Merced architect and Newsom campaign contributor Craig Hartman of the firm Skidmore, Owings & Merrill was tapped to reimagine the piers south of the Bay Bridge as the central hub for the event, and soon Hartman’s vision for a viewing area beneath a whimsical sail-like canopy was forwarded to the media.

The mayor also issued letters of invitation to form the America’s Cup Organizing Committee (ACOC), a group that would be tasked with soliciting corporate funding for the event. ACOC was convened as a nonprofit corporation, and it’s a powerhouse of wealthy, politically connected, and influential members.

Hollywood mogul Steve Bing, who’s donated millions to the Democratic Party and funded former President Bill Clinton’s 2009 trip to North Korea to rescue two imprisoned American journalists, is on the committee. So is Tom Perkins, a Silicon Valley venture capitalist, billionaire, and former mega-yacht owner who was once dubbed “the Captain of Capitalism” by 60 Minutes. George Schultz and his wife, Charlotte, are members. Thomas J. Coates, a powerful San Francisco real estate investor who dumped $1 million into a 2008 California ballot initiative to eliminate rent control, also has a seat. Coates resurfaced in the November 2010 election when he poured $200,000 into local anti-progressive ballot measures and the campaigns of economically conservative supervisorial candidates.

Billionaire Warren Hellman, San Francisco socialite Dede Wilsey, and former Newsom press secretary Peter Ragone are also on ACOC. There are representatives from Wells Fargo, AT&T, and United Airlines. One ACOC member directs a real estate firm that generated $2.5 billion in revenue in 2009. Another is Martin Koffel, CEO of URS Corp., an energy industry heavyweight that made $9.2 billion in revenue in 2009. There’s Richard Kramlich, a cofounder of a Menlo Park venture capital firm that controls $11 billion in “committed capital.” And then there’s Mike Latham, CEO of iShares, which traffics in pooled investment funds worth about $509 billion, according to a BusinessWeek article.

There’s also an honorary branch of ACOC composed of elected officials including House Minority Leader Nancy Pelosi, Gov. Arnold Schwarzenegger, Sen. Dianne Feinstein, and others. Their role is to help the Cup interface with various governmental agencies to control air space, secure areas of the bay exclusively for the event, set up international broadcasts, and bring foreign crew members and fancy sailboats into the United States without a hassle from immigration authorities.

ACOC is expected to raise $270 million in corporate sponsorships for the America’s Cup. That money will be funneled into the budget for ACEA. It’s unclear whether the $150 million ACEA is required to invest in city piers will be derived from ACOC’s fund drive.

The city also anticipates that ACOC would raise $32 million to help defray municipal costs. “However,” the Budget & Legislative Analyst report cautions, “there is no guarantee that any of the anticipated $32 million in private contributions will be raised.”

A seven-member board, chaired by sports management executive Richard Worth, will direct the ACEA, according to Newsom’s economic advisors, but the other six seats have yet to be filled. ACEA’s newly minted CEO is Craig Thompson, a native Californian who previously worked with a governing body for the Olympics and has helped coordinate major sporting events internationally. In an interview with sports blog Valencia Sailing, Thompson provided some insight on why major corporations might be inspired to donate to the cause. Basically, the Cup is the holy grail of networking events.

“It’s a very difficult economic situation we are going through, and it’s not the best time to be looking for sponsors for a major event,” Thompson acknowledged. “On the other hand, the America’s Cup is one of the very few activities … that offer access to really top-level individuals in terms of education or economic situation. The America’s Cup is a unique platform for a lot of companies that want access to those individuals that are very difficult to reach under normal circumstances. I can tell you for example that Oracle is very pleased with the marketing opportunity the America’s Cup has presented to them. They invite their best customers and are very successful in turning the America’s Cup into a platform for generating business. The same thing can be true for a lot of different companies that need access to wealthy individuals.”

But should San Francisco taxpayers really be subsidizing a networking event for the some of the business world’s richest and most powerful players?

 

TRANSFORMING THE WATERFRONT

Over the past four months, Newsom’s Office of Economic and Workforce Development (OEWD) has been negotiating with race organizers to hash out a Host City Agreement outlining the terms of bringing the America’s Cup to San Francisco.

The proposal will go before the Board of Supervisor’s Budget & Finance Committee on Dec. 8, and to the full board Dec. 14. A final decision on whether San Francisco will host the race is expected by Dec. 31. ACEA and ACOC will each sign onto the agreement with the City and County of San Francisco.

From the beginning, the event was envisioned as “the twin transformation,” according to OEWD — the America’s Cup would be transformed by attracting greater crowds and heightened commercial interest while San Francisco’s crumbling piers would be revitalized through ACEA’s $150 million investment in port infrastructure.

The plan paints downtown San Francisco as the “America’s Cup Village” during the sailing events, and a study produced by Beacon Economics estimates that the financial boost would come primarily from hordes of visitors flocking to the event — more than 500,000 are expected to attend. The city expects a minimum of 45 race days, including one pre regatta in 2011 and one in 2012 (or two in 2012 if the one in 2011 doesn’t happen), a challenger series in 2013, and a final match in 2013.

The transformation of the city’s waterfront would be dramatic. In addition to the rent-free leases for Piers 30-32, 50, and Seawall Lot 330, ACEA would be granted exclusive use of much of the central waterfront, water, and piers around Mission Bay, and water and land near Islais Creek during the course of the event. Under the Host City Agreement, race organizers would have use of water space spanning Piers 14 to 22 ½; Piers 28, 38, 40, 48, and 54, a portion of Seawall Lot 337, and Pier 80, where a temporary heliport would be sited.

Seawall Lot 330, a 2.5-acre parcel valued by the Port at $33 million, lies at the base of Bryant Street along the Embarcadero and has a nice unimpeded view of the bay. Piers 30-32 span 12.5 acres, and Pier 50 is 20 acres.

The Budget & Legislative Analyst’s study predicts that the ACEA could opt to build a 250-unit condo high-rise on Seawall Lot 330, deemed the most lucrative use. Under the Host City Agreement, the city would be obligated to remove Tidelands Trust provisions from Seawall Lot 330, which guarantee under state law that waterfront property is used for maritime functions or public benefit. Tweaking the law for a single deal would require approval from the State Lands Commission, but Newsom, in his new capacity as lieutenant governor, would cast one of the three votes on that body.

The combination of construction, demolition, lost rent revenue, police and transit, environmental analysis, and other event costs would hit the city with a bill totaling around $64 million, according to the Budget & Legislative Analyst study. Since city government would recoup around $22 million in revenue from hosting the Cup, the net impact would be around $42 million. That doesn’t include the potential $32 million assistance from ACOC.

At the same time, the city would stand to lose another $86.2 million by granting long-term development rights to 35 acres of Port property for 66 to 75 years without charging rent, bringing the total cost to $128 million. OEWD representatives played down that loss in potential revenue, saying past attempts to redevelop piers hadn’t been successful because none could handle the upfront investment to revitalize the crumbling piers.

The Host City Agreement has raised skepticism among Port staff and the Budget Analyst that tempered initial enthusiasm for the event. “The terms of the Host City Agreement will require significant city capital investment and will result in substantial lost revenue to the Port,” a Port study determined. Faith in that plan seems to be eroding and it may be scrapped for an alternative plan that’s cheaper for the city.

The Northern Waterfront alternative substitutes Piers 19-29 as the primary location for the event and eliminates the Mission Bay piers from the equation. Under this scenario, ACEA would invest an estimated $55 million, instead of $150 million. In exchange, it would receive long-term development rights to Piers 30-32 and Seawall 330 on “commercially reasonable terms,” according to a Port staff report.

Board of Supervisors President David Chiu requested that the Port explore that second option more fully, and the Port report notes that it would reduce the strain on Port revenue. The Northern Waterfront plan would cost the Port a total of $15.8 million, instead of $43 million, the report notes. Port staff recommended in its report that both the original agreement and the alternative be forwarded to the full board for consideration.

 

PHANTOM BIDS?

Under the competition’s official protocol, Ellison, as defender of the Cup, has unilateral power to decide where the next regatta will be held. Race organizers have said it’s a toss-up between San Francisco and an unnamed port in Italy — though it’s anyone’s guess how seriously a European site is being considered by a team headquartered at the Golden Gate Yacht Club, a stone’s throw from the Golden Gate Bridge.

According to a San Francisco Chronicle article published in early September, Newsom issued a memo stating that San Francisco was competing against Spain and Italy to become the chosen venue. Valencia was said to be offering a “generous financial bid,” and a group in Rome was rumored to have offered some $645 million to bring the Cup to Italian shores, the memo noted. It was a call for the city to present Ellison with the most attractive deal possible to compel him to pick San Francisco.

Speaking at an Oct. 4 Land Use Committee hearing, OEWD director Jennifer Matz told supervisors: “San Francisco was designated the only city under consideration back in July. Now we are competing against the prime minister of Italy and the king of Spain.”

However, the veracity of those claims came into question in mid-November. Daly, incensed that the Mayor’s Office never communicated with him about the Cup despite wanting to hold it in his sixth supervisorial district, launched his own personal investigation. He fired off an e-mail to Team Alinghi, a prior America’s Cup winner, and began communicating with other European contacts until he got in touch with someone in Valencia’s municipal government.

“I got a call back from a representative who basically said I should know something,” Daly recounted. Valencia, his source said, never submitted a bid to host the Cup. At a Nov. 13 press conference, Valencia’s mayor Rita Barbera confirmed this claim, according to a Spanish press report, expressing disappointment that the city had been eliminated from consideration as a host venue. “There was no formal bidding process,” she charged. She also denied reports that any money had been offered.

Meanwhile, the Budget Analyst was unable to find any concrete evidence that other host city bids had been submitted. “We have nothing to confirm that other offers have been made,” Fred Brousseau of the Budget Analyst’s office told the Guardian.

In response to Guardian queries about whether the Mayor’s Office had evidence that Italy had indeed submitted a bid, Project Manager Kyri McClellan of the OEWD forwarded a one-page resolution from the Italian prime minister assuring race organizers that there would be tax breaks, accelerated approvals, and other perks guaranteed if the Cup came to Italy. However, an Italian journalist who looked over the resolution told the Guardian that the document didn’t appear to be a formal bid, merely a response to a query from race organizers.

Daly has his doubts that either Valencia or the Italian port were ever seriously considered. “I think they were phantom bids,” he said, “created by either Larry Ellison or the Newsom administration … to place pressure on the Board of Supervisors.”

A representative from OEWD told the Guardian that officials have no reason to doubt that the European bids, and accompanying offers of money, were real. However, the city wasn’t privy to race organizer’s discussions about possible European venues. A final decision is expected before the end of the year.

Daly hasn’t held back in voicing opposition to the America’s Cup and blasted it at an Oct. 5 Board meeting. “This tacking around Sup. Daly will not get you in calmer waters,” Daly said. “I told myself I was not going to make a yachting reference. But I will bring a white squall onto this race and onto this Cup, and I will do everything in my power starting on Jan. 8 to make sure these boats never see that water.”

 

WIND IN WHOSE SAILS?

The America’s Cup would undoubtedly bring economic benefit to the area and create work at a time when jobs are scarce. Police officers would get overtime. Restaurant servers would be scrambling to keep up with demand. Construction workers seeking temporary employment would get gigs. Hotels would rake it in. Pier 39 would be booming. However, the Budget Analyst report cautioned: “It is unlikely that any labor benefits would remain in the years after the America’s Cup event is completed.”

Certain small businesses would catch a windfall. John Caine, owner the Hi Dive bar at Pier 28, didn’t hesitate when asked about his opinion on the city hosting the Cup. “Please come fix our piers. It’s a shout-out to Larry Ellison,” he said. Caine said he supports the America’s Cup bid 100 percent, and is excited about the boost it could give his business. The Hi Dive would not be required to relocate under the proposal, he added.

At the same time, other small business would be negatively affected, particularly those among the 87 Port tenants who would be forced to relocate to make way for the America’s Cup. The Budget Analyst’s report also notes that retail businesses in the area whose services had no appeal to race-goers might suffer from reduced access to their stores, since crowding and street closures would shut out their customers.

The sailing community has rallied in support of the Cup, and Newsom has received hundreds of e-mails from yachting enthusiasts from as far away as Hawaii and Florida promising to travel to San Francisco with all their sailing friends to watch the world-famous vessels compete.

Ariane Paul, commodore of a classic wooden boat club called the Master Mariners Benevolent Association, told the Guardian that she was excited about the opportunity for the America’s Cup to showcase sailing on the bay. “In the long term, it’s a win-win,” Paul said. “It would be great to have that boost.” As for the financial terms of the deal, she remained confident, saying, “I don’t think that the city is going to let Larry Ellison walk all over them.”

Sup. Ross Mirkarimi is often politically aligned with Daly, but not when it comes to the issue of the America’s Cup. As a kid growing up on the island of Jamestown, a tiny blue-collar community located off the coast of Rhode Island, Mirkarimi learned to sail and occasionally spent summers working as a deckhand. Every few years, the America’s Cup would come to nearby Newport, transforming the area into a bustling hub and bringing the locals into contact with famous sailors. It left an everlasting impression. When the BMW Oracle Racing Team secured the 33rd Cup off the coast of Valencia, Mirkarimi did a double-take when he saw a photograph of the winning team — his childhood friend from Rhode Island was on the crew.

Mirkarimi told the Guardian he supports bringing the Cup to San Francisco because of the economic boost the area will receive — if the Cup continues to return to San Francisco as it did for 53 years in Newport, he said, the city could look forward to a free gift in improved revenue associated with the event, and that could help quiet the tired annual debates over painful budget cuts.

At the same time, he acknowledged that the Budget Analyst report had prompted what he called healthy skepticism. “I think the onus is on the city and Cup organizers to make sure the benefits far, far outweigh the investment,” Mirkarimi said. “This effort is not just about making one of the wealthiest men in the United States that much more wealthy … That can’t be the case,” he said. “It has to be about what will the Cup do in order to be a win-win for the people of San Francisco.” Mirkarimi said he expected scrutiny of the details of the agreement at the Dec. 8 Budget and Finance Committee hearing: “Naturally, in this time of economic downturn … people want to know, what’s the outlay of cost, and what are we going to get in return?” 

Editor’s notes

Andrew Lam
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0
Editor’s notes

Tredmond@sfbg.com

The pollsters like to call it the Santa Claus effect, and we’ve seen it over and over in surveys of California voters in the past few months. I think of it more as some sort of deep political pathology, a schizophrenia combined with delusions that underlies the state’s inability to get anything done.

Here’s what the data shows:

California voters don’t want cuts to higher education; in fact, they want to see more money spent on the University of California system, the California State University system, and local community colleges. They don’t want cuts to K-12 education either. Nor do they want to shut down state parks, release prisoners early, close public hospitals, stop building high-speed rail, reduce state support of local government … or do anything else that would save a significant amount of money.

And they don’t want tax increases.

If you ask people how they think the state should balance the budget, they talk about cutting waste — even though the current Republican governor admits there’s not that much waste left to cut.

I could spend hours talking about how we got here, how decades of corruption and bad governmental priorities soured people so much on the public sector that they don’t believe the state can be trusted to spend their money properly. But part of the issue is that the news media (which love to find a little waste here and there to trumpet) are very bad at presenting the choices.

Nobody in Sacramento’s going to do anything serious about the budget until Jerry Brown takes office; that’s just how it is. So this psycho-financial nightmare is going to fall in his lap — and I wonder sometimes if he ought to force us all to make the choices we want to avoid.

Maybe Brown ought to call a special election in February or March and put two — and exactly two — measures before the voters. Both would balance the state budget. One would do it almost entirely with cuts, and those cuts would be clearly defined: public schools would shut down all over the state. Class size would rise to 40 or more kids. UC would close half its campuses and admit half the number of qualified students it does today. At least 100,000 prisoners would be released as several prison are mothballed. The entire state park system would be shuttered. And that’s just the start. Consumer protection agencies would be abolished, public health devastated — there wouldn’t be a single thing that Californians take for granted that would survive.

Because that’s what a cuts-only, no borrowing budget would look like.

The other proposition would save those services by closing tax loopholes that benefit big business and raising income taxes on the wealthiest people in the state. Brown would have to travel up and down the state and make it clear: these are the choices we face. You can’t solve a $20 billion budget crisis without either tearing the state apart or raising taxes.

No more ducking. No more pretending. No more looking around for Santa Claus. Make the choice, folks: accept new taxes on a small percentage of the population, or give up on the state.

It’s a scary thought, but it may have to come to that.

 

Where the plastic bag ban started

Zelda Bronstein
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8
Where the plastic bag ban started

Even Gov. Schwarzenegger is now supporting a ban on plastic bags in California, saying the measure, which narrowly failed in the state Senate last session, is a top environmental priority. But let’s remember:

While Debra Saunders is making fun of those wacky supervisors in San Francisco who try all these crazy things, it was Sup. Ross Mirkarimi, who pushed the first ban on plastic bags, and the San Francisco supervisors who approved it.

Of course, when the rest of the country starts to realize that pushing high-fat, high-calorie foods to kids by hawking plastic toys is a bad public policy idea, Saunders will be making fun of something else.

Why selling state buildings is so dumb

Zelda Bronstein
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18
Why selling state buildings is so dumb

To stem the massive hemorrhaging in the budget, the state of California has authorized the sale of 24 state-owned office buildings across the state to private investors. The state would then rent back the office space.


It’s a classic case of short-term thinking: In the end, the state will end up paying more money in rent than it will gain from the sales. The nonpartisan Legislative Analyst’s Office reported in April that over the next 30 years, the lease payments will likely cost $5  billion more than if the property had stayed in the state’s possession.


But it would provide an immediate injection of $1.2 billion into the state’s general fund.


But there’s an interesting twist that hasn’t been reported on: The state buildings are currently exempt from local property taxes. Once they’re in private hands, county assessors can put them on the tax rolls.


And the way the deal is structured, the state — that is, the taxpayers — will be subsidizing the private owners to cover the local property tax bills. In effect, the deal means that the state will be shifting more money from its general fund to local government — a good thing for counties, but not a terribly good deal for Sacramento.


According to Eric Lamoureux, spokesperson for the Department of General Services, if the local cities decide to tax the new owners, the rent state agencies pay would increase to make up the difference. The private owners would pay nothing.
“The [cost of the tax] is built into lease terms. Ultimately, the state would be paying that.” Lamoureux said.


And while San Francisco City Attorney’s office is still unsure of the exact terms of the sale-lease back agreement, they plan on looking out for the city’s best interests.


 “The city attorney is going to be extremely diligent with the recorder-assessor to collect all the taxes that are owed,” Matt Dorsey, press spokesperson for City Attorney Dennis Herrera, told us. And by collecting property tax, the local city governments would get a nice boost in revenue.


The sale to California First LLC, a partnership between Hines Interests and Antarctica Capital, has already been met with opposition including a lawsuit and an injunction trying to prevent the deal.

Chronicle finally uses the P word: Progressive

Sasha Cuttler
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41
Chronicle finally uses the P word: Progressive

The San Francisco Chronicle ran a good story yesterday on progressives hopes for appointing one of our own as the next mayor. But beyond being fair to progressives that are often demonized by a newspaper whose political sympathies lie with the downtown crowd, the article was notable for something else: it’s use of the word “progressive.”

For years, Chronicle editors have refused to use the word that is most commonly used to describe the people and ideology that controls a majority of the Board of Supervisors, opting instead to label progressives as “far-left” or “ultra-liberal,” while the economic conservatives in town get the reasonable-sounding label “moderate.”

Sources tell the Guardian that this bit of Orwellian wordsmithing started with former Editor Phil Bronstein and was fueled by Mayor Gavin Newsom complaining to Chronicle editors that calling his political enemies “progressives” made us sound too reasonable, rather than the wild-eyed radicals he considered us to be.

I and others have discussed this with Chronicle Metro Editor Audrey Cooper, and her bewildering argument is that progressive “is a politically loaded term that doesn’t mean much to our readers.” I’ve pointed out that the word is quite descriptive and has deep historical roots in California and its own caucus in Congress – and that labeling us “ultra-liberal” is far more loaded and pejorative – but to no avail.

I ran into the writer of yesterday’s story – Rachel Gordon, a solid reporter and former colleague from the City Desk NewsHour television program – at the Board of Supervisors meeting yesterday afternoon and she said that political reporters at the Chronicle have long been pushing to use “progressive” and the editors finally changed the policy.

I have a message in to Cooper and I’ll follow up in Comments if I learn anything more about how and why the decision was made. But it’s good to know the paper of record is now letting progressives be progressives. Maybe now we can get rid of the “moderate” label. How about SoLibEconoCons (socially liberal economic conservatives)? OK, maybe that still needs some work.

Released, Steve Li urges passage of DREAM Act

Mary Magee
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8

On a cold and sunny morning in late November, as sharp winds stirred up fallen leaves, and most folks were beginning to slow down in anticipation of Thanksgiving, Shing Ma “Steve” Li, a 20-year-old nursing student from San Francisco who narrowly avoided deportation to Peru, whipped the local media into a energized frenzy by advocating for the passage of the DREAM Act during a press conference at the Asian Law Caucus, whose offices sits close to the Transamerica Pyramid, and a stone’s throw from the lantern-decorated streets of Chinatown and the neon-lit strip clubs of North Beach, in San Francisco.

The purpose of the press conference was to give thanks for Li’s release four days earlier from a federal detention facility in Arizona, outline why a hardworking student who has lived in San Francisco since he was 12, has no criminal record, and speaks Cantonese, English, French and Spanish, was incarcerated for two months and threatened with deportation. And ultimately, the event was aimed to stir up support for the DREAM ((Development, Relief and Education for Alien Minors) Act, bi-partisan legislation that leading congressional Democrats plan to put to a vote this month.

Senate Majority leader Harry Reid and House Speaker Nancy Pelosi have promised to move to a vote on the DREAM Act on November 29, during Congress’ lame duck session, a brief window of opportunity to complete action on stalled bills, before Republicans take charge of the House, and Democrats see their majority in the Senate shrink, come January 2011.

Li, his family and his legal counsel Sin Yen Ling, a senior staff attorney at the Asian Law Caucus, kicked off the press conference by acknowledging the many supporters whose phone-calling, letter writing and protesting outside Sen. Barbara Boxer’s offices in San Francisco, helped secure Li’s Nov. 19 release from a federal detention center in Arizona, after Sen. Dianne Feinstein introduced a private bill to delay Li’s deportation.

“I believe his removal would be unjust before the Senate gets to vote on the DREAM Act,” Feinstein said in a Nov. 19 press statement. Feinstein’s bill guarantees Li protection for 75 days after Congress’ lame-duck session end. And Li’s attorney Ling says Feinstein may reintroduce her private bill next year, and that ICE isn’t likely to deport Li in future, now that he is no longer considered a fugitive.

“We don’t feel that Feinstein’s private bill will pass, because of the result of the Nov. 2 election and the reality of partisan politics, but it’s unlikely that Steve will get deported again,” Ling said.

If passed, the DREAM Act would grant undocumented immigrants a pathway to citizenship, if they entered the United States before age 15 and have attended college or served in the military for two years.

Li’s ordeal—and his ensuing conversion to an ardent DREAM Act advocate—is happening against the backdrop of an increasingly anti-immigrant mood in the United States, as witnessed in Arizona, where state legislators passed SB 1070 earlier this year, and now in California, where a Tea Party member from Belmont wants California voters to weigh in on a similar initiative in 2012. And then there’s the sobering reality that come January, congressional Republicans, who are facing challenges from the far right-wing Tea Party,  take control of the House and are unlikely to advocate for immigration reform.

But Li, who is ethnically Chinese, and was born and raised in Peru until he was eleven years old, after his parents left China in the 1980s to escape its one-child policy, remained optimistic, as he drew on his recent experience to illustrate why Congress needs to passes the bi-partisan DREAM Act now.

“I’m still at risk of being deported,” Li said, noting that, each year, about 65,000 U.S.-raised students graduate from high school and would qualify for the DREAM Act, which addresses the fact that federal immigration law has no mechanism to consider the circumstances of youth who were brought here as minors and call the U.S. home, but can’t work legally, face barriers to accessing higher education, and live in constant fear of deportation.

“We have to work to do something to stop these students from being deported,” said Li, who wasn’t aware that a final deportation order had been issued against his family, when he was 14 years old and the U.S. denied his parents’ application for political asylum. “It’s important we push Congress, so no other student has to go through the same thing I did.”

“How many future doctors, engineers and scientists will the US lose,” Li added, questioning whether the US could end up deporting geniuses who might otherwise have discovered a cure for cancer, or invented ground-breaking sustainable energy technologies. “We are America’s future and we want to make a difference,” he said. “I still believe America is a great nation, a moral nation, and that Americans, if given all the information, will do the right thing.”

Li’s legal counsel Ling, recalled how Li and his parents were arrested on Sept. 15 by Immigration and Customs Enforcement (ICE) agents, and detained at ICE’s offices in downtown San Francisco, before being transferred to a jail in Sacramento County. “They were arrested as part of ICE’s fugitive operations program, which targets people who have failed to comply with final deportation orders,” she said.

The family was held there for three weeks, Ling said, before Li’s parents were released back to San Francisco, wearing electronic monitoring anklets. But Li was involuntarily transferred to a federal detention facility in Florence, Arizona, where he remained until mid-November. His transfer also made it impossible for his parents to visit, since, under the terms of their electronically monitored release by ICE, they are not allowed to leave San Francisco.

Ling said ICE blames a lack of bed space in the Bay Area for why they must transfer folks from San Francisco to Arizona, Texas or a facility near Bakersfield, California. But either way, the practice serves to isolate immigrant detainees from family and friends as they await deportation.

“Steve was released from Florence, Arizona, on Friday, Nov. 19, and then took a Greyhound bus, which arrived in San Francisco Saturday afternoon,” Ling said, noting that ICE wasn’t planning to notify her or Li’s family of his release, and that they typically drive folks to Phoenix and drop them off at the bus station.

Li’s mother Maria addressed the media in Cantonese, as she thanked Sen. Feinstein for allowing her son “to return to his mother’s embrace.”

And then Li, who says he is “a huge Giants fan” and “grew up reciting the pledge of allegiance at school, just like everybody else”, described his ordeal
.
“I always viewed myself as an American,” Li said, recalling how that perception was challenged when ICE raided his home and threw him in jail, this fall.
“I was shocked and confused, I felt it must have been a mistake” Li said, recalling that he was in the bathroom getting ready for school when the doorbell rang on Sept. 15.
“I didn’t expect anyone, so I woke up my mother, and she answered the door,” Li said.“Next thing, immigration agents came into the house. I didn’t know what was going on.They said they had to take me somewhere, that I had to be deported. “

Li said he was immediately separated from his mother and not allowed to ask ICE questions.
‘They searched me, threw me in the car, handcuffed me and took me to the immigration center,” Li said, referring to ICE’s office in downtown San Francisco.
“It was intimidating. I was scared of what was going to happen to me,” Li continued, describing how he was held for the rest of the day in a cell that contained 20 other people, some of whom had been transferred from other detention facilities and were already wearing prison clothing.

“I was fingerprinted, my photograph was taken and my situation was explained to me,” Li said, describing his shock at then being transferred in handcuffs and shackles by bus to a jail in Sacramento County with his parents, who were also handcuffed and shackled.
“It was traumatic to see my parents, who are hard-working people, be treated like that,” he said,

In Sacramento County, Li and another detainee were placed in a cell that contained bunk beds, a small table, a toilet and a sink.
“We could only go to the day room and watch TV for one hour a day,” he said. “The immigration authorities didn’t tell me anything, they just threw me from place to place.”

After three weeks, Li thought he was going to be released, when the prison authorities returned his clothes and got him to sign some paperwork. But instead, he was transferred to ICE’s San Francisco office on Sansome Street, put him in a holding cell, and told him he was being sent to Arizona to be processed for deportation,

“My whole world came down,” Li said. “I couldn’t talk to my parents, who had already been released. I thought of never being able to see my family and friends again. It was depressing.”

Things got worse when he was shackled, handcuffed, and loaded onto a bus which took him to Oakland airport, where he was put on a plane with a bunch of other deportation detainees.
“We were handcuffed and shackled to our seats, and I wondered what would happen if the plane went down,” Li said, describing a seemingly interminable journey to Arizona, which involved making landings in Los Angeles and San Diego.
“In San Diego, they took Mexicans off the bus, presumably to drive them to the border,” Li said.

Arriving in Arizona the following morning, Li was driven to an isolated federal detention facility in Florence, which is about 800 miles from San Francisco, where he was only allowed outside his cell for an hour a day.
“We were incarcerated all day and body searched multiple times in a facility, where there were three toilets and four showers between 64 people,” he said.

Locked up with 400 fellow detainees, Li heard a lot of stories that were similar to his: students who’d received a higher education and were very talented, but didn’t have legal status.

In particular, Li remembers one student he met during his Arizona incarceration.
“Like me, he came here with his parents and had no say in that decision, but was picked up as a result of new legislation in Arizona, “ he said.

Li’s arrest means he missed a semester of school, but he vows to continue his studies. And despite his traumatic experience, Li says he is not bitter.
“It went through my mind,” he said, “But I have learned a lot, including the fact that we have a broken immigration system. I urge everyone who qualifies for the DREAM Act to use their voice. They need to find the courage to use it and fight to change the law.”

 
 

 

The Dozen

Andrew Lam
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The Dozen

DANCE The Hip-Hop Dance Fest has grown up. What started 12 years ago as a showcase for local crews and studios has become an excellently balanced showcase of national and international artists. Only four of this year’s 11 participants came from the Bay Area. Sad to say, the sorriest performance all night long came from a local one. Still, the future for hip-hop dance on stage looks brighter than ever.

One of the most moving and wildly applauded works on Nov. 19 was South African dancer/choreographer Jane Sekonya-John’s deftly and economically choreographed Spoti. She donned an old spoti — fisherman’s cap — and transformed herself from a limping, bent old woman into a victorious (though scar-bearing) freedom fighter. Another highlight was Raphael Xavier’s almost oppressively serious Black Canvas, in which breakdancing, much of it floor-bound, became the paint that portrayed three men in fractious, competing, and cooperating relationships. It’s one of the best examples I’ve seen of hip-hop’s theatrical expressiveness.

Los Angeles’ exuberant VersaStyle Dance Company’s Legacy paid tribute to hip-hop’s ancestry by weaving live dance with beautifully chosen video clips from past greats such as Bill Bailey (inventor of the moonwalk), Fred Astaire, Peg Leg Bates, and the Nicholas Brothers. DS Players from San Jose returned with Before Old School, a tribute to the ballroom style of the 1930s and ’40s. Anything this trio touches is blessed with understated wit and a sense of camaraderie.

Also from Southern California, One Step Ahead presented Tables and Chairs, which brought split-second timing and a sometimes humorous approach to the subject of an argumentative family. The kitchen table became the locus for blame-assigning, with flips, kicks, and leaps as synchronized as clockwork. Everyone took as much as they got. Bringing up the L.A. contingent was the b-boying duet between Rock Steady Crew’s YNOT and BailRok, a pint-size virtuoso with a mountains of attitude. Remember the name.

Pro-Phenomen, seven men from France, closed the program with a performance of Signum that justifiably brought down the house. Thematically, the piece had something to do with the preservation of freedom. Impeccably performed, the dancers’ silken combinations and fabulous sense of timing were mesmerizing. Gestures ran down a line or through a circle. Helicopter-like movement popped up like an afterthought from otherwise engaged groups, and tiny dramatic or tender duets exploded out of nowhere and evaporated as quickly. Huge stretches went into military-type push-ups; dancers “fainted,” were thrown, or ended up on the sidelines.

The 12th Hip-Hop Fest also embraced more traditional presentations. Future Shock Bay Area, a large studio company, opened the evening with Rappin Da Bay. The choreography broke what could have been tedious unisons into ever-shifting small ensembles, with a spot for a soloist or two. Perhaps not terribly original, Rappin stayed vital through its performers skill and commitment. SoulForce Dance Company enlivened its choreography by assigning it to characters such as Brandy Logue as “the Elder” and Meegan Hertensteiner as “Miss Meow Meow,” among others. The piece was an amusing, successful mashup of individuality.

Mind over Matter was this year’s serious misstep. Choreographer Allan Frias, who recently appeared on So You Think You Can Dance, has made it something of a specialty to go for sex and violence. Psyke was probably inspired by gangsta rap and underground aspects of gay culture. (The performance was announced as having “adult material.”) Raunch — in this case, simulated violence against women and simulated sex — can be funny, ironic, and pornographic. What it should never be is boring.

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