Berkeley

On the Cheap May 23-29, 2012

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WEDNESDAY 23

Cuba in Focus opportunity to hear panel of Cuban experts speak live 2969 Mission, SF. (415) 821-6545, www.answersf.org. 7pm, $5-10 suggested donation. Cuba is becoming more accessible to US citizens, and some of the country’s social accomplishments are admired on a global scale. Is the US government continuing to present a distorted image of Cuba in order to justify its policy of hostility, subversion, and economic and political sanctions? Hear a panel of renowned experts on Cuba’s economy and social issues discuss this and other timely issues.

 

THURSDAY 24

Revolution, A Love Story book release event Berkeley Fellowship of Unitarian Universalists” Hall, 1924 Cedar, Berk. www.bfuu.org, cindysheehanssoapbox.blogspot.com. 6:30pm potluck, 7pm event, $5-10 suggested donation. No one turned away. Cindy Sheehan presents her reasons for writing this tale about her personal exposure to the Bolivarian revolution in Venezuela in Revolution, A Love Story.

 

FRIDAY 25

Poetry Reading with Jennifer Arin and Elisabeth Frost 601 Van Ness, SF. (415) 776-1111. 7pm, free. Attend a friendly and fun evening with one poet from the West Coast and one from the East Coast. Tonight, Jennifer Arin reads from her new book of poetry, Ways We Hold, and Elisabeth Frost, winner of the White Pine Press poetry contest, reads from her poetry collection, All of Us.

 

SATURDAY 26

Dionysian Festival and birthday party for Isadora Duncan Mary Sano Studio 245 Fifth St., SF. (415) 357-1817, www.duncandance.org. 8pm on Sat/26 and 6pm on Sun/27, $16. Celebrate the 135th birthday of local progenitor of modern dance, Isadora Duncan, who was born in San Francisco on May 26, 1877. Mary Sano, one of the foremost interpreters of Duncans legacy will perform traditional Duncan repertoire with her group, as well as some exciting new work.

Urban Homestead Skillshare Festival to inspire self-sustainable living Hayes Valley Farm, 450 Laguna St, SF. www.sfbace.org. 10am-6pm, sliding scale admission. Learn how to backyard compost, create an urban garden, grow fruit trees, raise chickens, grow herbs for medicine, create co-housing, and cultivate oyster mushrooms and more at this sustainable living educational event.

The 34th Annual San Francisco Carnaval Festival Harrison St. between 16th and 23rd Streets, SF. www.sfcarnaval.org. 5/26 and 5/27, 10am-6pm, free. Today and tomorrow, the festival transforms seven blocks of Harrison Street into a wonderland of miscellaneous food, music, dance, art, crafts and other fun activities and events on several stages for the entire family to enjoy. This years festival highlights include three stages of continuous live music from around the globe, salsa dance classes and competitions, childrens activities, and drumming.

 

SUNDAY 27

A Different Kind of Carnival with Electro Acoustic Brazilian Jungle Music Red Poppy Art House, 2698 Folsom St., SF. www.josegarcia.com. 7pm, $12-20 sliding scale. Take a musical journey into the Amazon in search of healing with Jose Garcia’s new show entitled “Bicho do Mato” (Animal of the Jungle). Introspection, wildlife, and magical deities of Amazonian life are the themes of this show.

Creating a Shamanic Rattle 1663 Mission St., Gruenwald Press 2nd Floor, SF. shamansrattle.eventbrite.com. 2pm-4pm, $15. Within each of us there is a healer/shaman, and in some of us this aspect of the self may appear dormant. During this event you’ll seek to awaken your inner shaman as you create your own unique shamanic rattle using seaweed, dried seeds, stones, sticks, paint, twine, beads and intention, along with some other surprises.

 

Monday 28

Memorial Day: A Day of Honor and Remembrance Presidio of San Francisco, 34 Graham St., SF. www.presidio.gov, (415) 561-5418. 10am-12pm, free. Join veterans and the community for Memorial Day at the Presidio. A procession will begin along the new green in the Main Post, led by the 191st Army Band. The formal program at 11am in the National Cemetery features music by the 191st Army Band, a color guard, and remarks by military and civilian dignitaries.

 

TUESDAY 29

Crime and Punishment in SF, a History Association sideshow and talk St. Philip’s Catholic Church, 725 Diamond, SF. 7pm doors, 7:30pm presentation. $5 admission for nonmembers. Almost as soon as gold as discovered at Sutter’s Mill in 1848, the world began to pour (or rush, if you will) into San Francisco. Ever since, sensational crime — frauds, swindles and murders — has been a feature of this city. John Ralston, author of the book This Date in San Francisco, will present an illustrated program on several of these crimes from the beginning of SF through the mid-20th century.

 

Stage Listings May 23-29, 2012

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

THEATER

OPENING

Othello Phoenix Theatre, 414 Mason, SF; www.brownpapertickets.com. $15-18. Opens Thu/26, 8pm. Runs Thu-Sat, 8pm. Through June 9. Ninjaz of Drama performs Shakespeare’s classic in a contemporary setting.

Slipping New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Previews Wed/23-Fri/25, 8pm. Opens Sat/26, 8pm. Runs Wed-Sat, 8pm; Sun, 2pm. Through July 1. New Conservatory Theatre Center performs Daniel Talbott’s drama about a gay teen who finds new hope after a traumatic breakup.

BAY AREA

God of Carnage Marin Theatre Company, 397 Miller, Mill Valley; www.marintheatre.org. $34-55. Previews Thu/24-Sat/26, 8pm; Sun/27, 7pm. Opens Tue/29, 8pm. Runs Tue and Thu-Sat, 8pm (also June 2 and 16, 2pm; June 7, 1pm); Wed, 7:30pm; Sun, 2 and 7pm. Through June 17. Marin Theatre Company performs Yasmina Reza’s Tony-winning comedy about two sets of parents who meet after their children get into a schoolyard fight.

ONGOING

“Best of PlayGround 16: A Festival of New Writers and New Plays” Thick House, 1695 18th St, SF; www.playground-sf.org. $10-40. Thu/24-Sat/26, 8pm; Sun/27, 7pm. Seven short plays and musicals by Bay Area authors, plus a staged-readings series.

“DIVAfest” Exit Theatreplex, 156 Eddy, SF; (415) 673-3847, www.theexit.org. $15-25. Through Sun/27. Entering its second decade, the estrogen-centric DIVAfest at the Exit is so jam-packed with activities — workshops, burlesque, symposiums, readings, singer-songwriter nights — you’d be forgiven for not realizing that plays are also on the menu. But in fact, they are the main course. This year’s smorgasbord features three very different solo shows, each encapsulating a wholly unique female voice. Genevieve Jessee’s Girl in, but not of, the ‘Hood, which won a “Best of the Fringe Festival” award in 2011, has since been reworked with a new director, Exit Theatre stalwart Michelle Talgarow, rendering it sharper and more comic without minimizing the inner turmoil experienced by the main character, Jessee herself. Catherine Debon’s Alma Colarada, which also won a “Best of the Fringe” in 2011, is an emotionally-charged, experimental roller-coaster ride that appropriately begins and ends on a train. Detailing a family history fraught with World War II resistance fighting, concentration camps, communist sympathies, and endless trains, Debon nimbly vacillates between the neuroses of the present day and the deep despair of the past, while still finding a way to end to piece on a triumphal note. Last but by no means least, the laugh-out-loud romantic farce Pussy, by Maura Halloran, details the tricky intricacies of a lesbian-feline-nosy neighbor ménage à “cat-re”. Yes, it’s about a cat … hmmm, or is it? You should really take the opportunity to find out. (Gluckstern)

Down to This Exit Stage Left, 156 Eddy, SF; www.sleepwalkerstheatre.com. $12-20. Thu/24-Sat/26, 8pm. Thirty-something Charlie (Derek Fischer) plays this little game with himself where he tosses a rotten egg at the kitchen trash as if he were making a free-throw in sudden-death overtime. This little moment, innocent and ordinary on the surface, puzzles one-night stand Donna (Tonya Narvaez) after she happens on the scene. That she would be baffled, even momentarily disturbed by so common a flight of sports-dude imagination is our first taste of the strained mechanics of Adam Chanzit’s slight pulp revenge tale: sure enough, this game of chance turns out to be a (pretty ridiculous) psychopathology ruling Charlie’s world. When a moment later his equally imbalanced and estranged wife (Kendra Lee Oberhauser), fresh from prison and packing heat, bursts in on the two lovebirds, Charlie’s fate-game will become the tortured trope in a table-turning showdown between all three — plus Charlie’s hapless roommate (Jomar Tagatac) and his crew-cut–sporting sidekick (Shane Rhoades). Chanzit offers some mild surprises and amusing banter along the way in Sleepwalkers’ world premiere — helmed by artistic director Tore Ingersoll-Thorp — but the plot and characters are stretched thin, and the tension often grows slack despite the able and likable cast. By the time the story climaxes in a coin-toss of an ending (designed to work out one of two ways, depending), it’s too big a muddle to generate more than a momentary quiver of anticipation over anybody’s fate. (Avila)

Endgame and Play American Conservatory Theater, 415 Geary, SF; (415) 749-2228, www.act-sf.org. $10-95. Tue-Sat, 8pm (also Wed, Sat-Sun, 2pm; no matinee Wed/23). Through June 3. ACT presents two absurd dark comedies by Samuel Beckett.

Fwd: Life Gone Viral Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, www.themarsh.org. $20-50. Thu, 8pm; Sat, 8:30pm; Sun, 7pm. Through June 10. The internet becomes comic fodder for creator-performers Charlie Varon and Jeri Lynn Cohen, and creator-director David Ford.

It’s All the Rage Studio Theater, Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, www.themarsh.org. $15-50. Thu/24, 8pm; Sat/26, 8:30pm, Sun/27, 7pm. Longtime comedian and radio host Marilyn Pittman’s solo play wrestles with the legacy of her parents’ violent deaths in a 1997 murder-suicide initiated by her father. It’s disturbing material that Pittman, a stout middle-aged woman with a gregarious and bounding personality, approaches indirectly via a good deal of humor — including recounting the first time she did her growing-up-lesbian bit before her mother in a DC comedy club. But the pain and confusion trailing her for 13 years is never far behind, whether in accounts of her own battle with anger (and the broken relationships it has left in its wake) or in ominous memories of her too complacent mother or her charming but domineering father, whose controlling behavior extended to casually announcing murderous dreams while policing the boundaries of his marriage against family interference. A fine mimic, Pittman deploys a Southern lilt in playing each parent, on a stage decorated with a hint of their Southwestern furnishings and a framed set of parental photographs. In not exactly knowing where to lay blame for, or find meaning in, such a horrifying act, the play itself mimics in subtler form the emotional tumult left behind. There’s a too brief but eerie scene in which her veteran father makes reference to a murder among fellow soldiers en route to war, but while PTSD is mentioned (including as an unwanted patrimony), the 60-minute narrative crafted by Pittman and director David Ford wisely eschews any pat explanation. If transitions are occasionally awkward and the pace a bit loose, the play leaves one with an uncomfortable sense of the darker aspects of love, mingled with vague concentric histories of trauma and dislocation in a weird, sad tale of destruction and staying power. Note: review from the show’s 2009 run at the Marsh San Francisco. (Avila)

My Tia Loca’s Life of Crime Bindlestiff Studio, 185 Sixth St, SF; www.brownpapertickets.com. $20. Thu-Sat, 8pm. Through June 2. Guerrilla Rep performs a new play by Roy Conboy, chair of SF State’s Playwriting Department.

A Raisin in the Sun Buriel Clay Theater, African American Art and Culture Complex, 762 Fulton, SF; 1-800-838-2006, www.african-americanshakes.org. $10-35. Sat/26, 8pm; Sun/27, 3pm. African-American Shakespeare Company performs Lorraine Hansberry’s classic drama.

Tenderloin Exit on Taylor, 277 Taylor, SF; (415) 525-1205, www.cuttingball.com. $10-50. Thu/24, 7:30pm; Fri/25-Sat/26, 8pm (also Sat/26, 2pm); Sun/27, 5pm. Annie Elias and Cutting Ball Theater artists present a world premiere “documentary theater” piece looking at the people and places in the Cutting Ball Theater’s own ‘hood.

To Be Young, Gifted and Black: Honoring Lorraine Hansberry In Her Own Words Gough Street Playhouse, Trinity Episcopal Church, 1620 Gough, SF; www.custommade.org. $22-28. Thu/24-Sat/26, 8pm; Sun/27, 7pm. Custom Made Theater and Multi Ethnic Theater collaborate on this tribute to the groundbreaking playwright.

The Waiting Period MainStage, Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, www.themarsh.org. $15-50. Fri, 8pm; Sat, 5pm. Extended through July 7. Brian Copeland (comedian, TV and radio personality, and creator-performer of the long-running solo play Not a Genuine Black Man) returns to the Marsh with a new solo, this one based on more recent and messier events in Copeland’s life. The play concerns an episode of severe depression in which he considered suicide, going so far as to purchase a handgun — the title coming from the legally mandatory 10-day period between purchasing and picking up the weapon, which leaves time for reflections and circumstances that ultimately prevent Copeland from pulling the trigger. A grim subject, but Copeland (with co-developer and director David Ford) ensures there’s plenty of humor as well as frank sentiment along the way. The actor peoples the opening scene in the gun store with a comically if somewhat stereotypically rugged representative of the Second Amendment, for instance, as well as an equally familiar “doood” dude at the service counter. Afterward, we follow Copeland, a just barely coping dad, home to the house recently abandoned by his wife, and through the ordinary routines that become unbearable to the clinically depressed. Copeland also recreates interviews he’s made with other survivors of suicidal depression. Telling someone about such things is vital to preventing their worst outcomes, says Copeland, and telling his own story is meant to encourage others. It’s a worthy aim but only a fitfully engaging piece, since as drama it remains thin, standing at perhaps too respectful a distance from the convoluted torment and alienation at its center. (Avila)

The Wrong Dick Dark Room Theater, 2263 Mission, SF; www.darkroomsf.com. $20. Thu/24-Sat/26, 8pm. Ham Pants Productions presents a noir-inspired comedy set in San Francisco.

BAY AREA

Crevice La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thu-Sat, 8pm. Through June 9. Just in case you were feeling panicked about the persistently recessed state of the economy and what might be your own less than ideal place in it, the Impact Theatre and Playground co-presentation of Lauren Yee’s Crevice might help to put your woes into perspective. That’s because slacker sibs Liz (Marissa Keltie) and Rob (Timothy Redmond) are only slightly exaggerated representatives of Generation Next whose penchant for making lackluster life choices has sentenced them to an indefinite prison term of couch-surfing and Teen Mom marathons in their childhood home. Naturally, they desire change, but it’s not until their mother (Laura Jane Bailey) starts having a hot fling with a younger man that things do. In an egregious breach of the TMI line, it appears that Mom’s orgasms open a “crevice” into an alternate reality that Rob and Liz subsequently fall into. Thus removed from the entropy of their former reality they begin testing the parameters of their new one, quickly coming to the realization that sometimes the alternatives to what you already have are even worse. Getting home again is a convoluted, not fully mapped-out process, but in the interim, their navigation of their erstwhile wonderland offers most of the play’s best lines as well as the uncomfortably effective transformation of Reggie D. White from Liz’s nerdish best buddy to multi-lingual Mafia killer and casual sadist. (Gluckstern)

The Great Divide Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $20-30. Previews Wed/23-Thu/24, 7pm. Opens Fri/25, 8pm. Runs Wed-Thu, 7pm; Fri-Sat, 8pm; Sun, 5pm. Through June 24. Shotgun Players performs Adamn Chanzit’s drama about the hot topic of fracking, inspired by Ibsen’s An Enemy of the People.

*The Kipling Hotel: True Misadventures of the Electric Pink ’80s New venue: Marsh Berkeley, 2120 Allston, Berk; (415) 282-3055, www.themarsh.org. $20-50. Sat, 8:30pm; Sun, 7pm. Extended through June 10. This new autobiographical solo show by Don Reed, writer-performer of the fine and long-running East 14th, is another slice of the artist’s journey from 1970s Oakland ghetto to comedy-circuit respectability — here via a partial debate-scholarship to UCLA. The titular Los Angeles residency hotel was where Reed lived and worked for a time in the 1980s while attending university. It’s also a rich mine of memory and material for this physically protean and charismatic comic actor, who sails through two acts of often hilarious, sometimes touching vignettes loosely structured around his time on the hotel’s young wait staff, which catered to the needs of elderly patrons who might need conversation as much as breakfast. On opening night, the episodic narrative seemed to pass through several endings before settling on one whose tidy moral was delivered with too heavy a hand, but if the piece runs a little long, it’s only the last 20 minutes that noticeably meanders. And even with some awkward bumps along the way, it’s never a dull thing watching Reed work. (Avila)

Not Getting Any Younger Marsh Berkeley, 2120 Allston, Berk; (415) 282-3055, www.themarsh.org. $15-50. Fri, 8pm; Sat, 5pm. Extended through June 30. Marga Gomez is back at the Marsh, a couple of too-brief decades after inaugurating the theater’s new stage with her first solo show — an apt setting, in other words, for the writer-performer’s latest monologue, a reflection on the inevitable process of aging for a Latina lesbian comedian and artist who still hangs at Starbucks and can’t be trusted with the details of her own Wikipedia entry. If the thought of someone as perennially irreverent, insouciant, and appealingly immature as Gomez makes you depressed, the show is, strangely enough, the best antidote. Note: review from the show’s 2011 run at the Marsh San Francisco. (Avila)

The Odyssey Angel Island; (415) 547-0189, www.weplayers.org. $40-76 (some tickets include ferry passage). Sat-Sun, Fri/25, and June 1, 10:30am-4pm (does not include travel time to island). Through July 1. We Players present Ava Roy’s adaptation of Homer’s epic poem: an all-day adventure set throughout the nature and buildings of Angel Island State Park.

The World’s Funniest Bubble Show Marsh Berkeley, TheaterStage, 2120 Allston, Berk; (415) 826-5750, www.themarsh.org. $8-50. Sun/27, June 3, 10, 16, 24, and 30, 11am. Louis “The Amazing Bubble Man” Pearl returns with this kid-friendly, bubble-tastic comedy.

PERFORMANCE/DANCE

BATS Improv Bayfront Theater, Fort Mason Center, Marina at Laguna, SF; www.improv.org. Fri/25, 8pm: “Director’s Cut!,” $20. Sat/26, 8pm: “Improvised Murder Mystery,” $20.

“Bitter Melon” Dewey Monument, Union Square, Stockton at Geary, SF; www.pushdance.org. Fri/27-Mon/28, 8pm (or sundown). Free. Push Dance Company and Union Square Live present a world premiere by Raissa Simpson.

“Des Voix … Found in Translation” Z Space, 450 Florida, SF; www.desvoixfestival.com. Fri/25-Sun/27, times vary. $20-75. Playwrights Foundation and Cultural Services of the Consulate General of France/SF present this first-ever festival of newly translated plays by vanguard French authors.

“Dionysian Festival” Mary Sano Studio of Duncan Dancing, 245 Fifth St, Ste 314, SF; (415) 357-1817, www.duncandance.org. Sat/26, 8pm; Sun/27, 6pm. $18. Mary Sano and her Duncan Dancers present the 15th annual festival honoring the birthday of modern dance pioneer Isadora Duncan. Program includes Duncan repertoire as well as new works by Sano.

“Elect to Laugh” Studio Theater, Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, www.themarsh.org. Tue, 8pm. Ongoing through Nov 6. $15-50. Will Durst and friends perform in this weekly political humor show that focuses on the upcoming presidential election.

“Litquake’s Epicenter: A Night of Edith Piaf” Tosca Café, 242 Columbus, SF; www.litquake.org. Tue/29, 7pm. Free. Litquake and City Lights Books celebrate the French chanteuse with author Carolyn Burke (No Regrets: The Life of Edith Piaf) and singer Betty Roi.

“Parkour Deux” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Fri/25-Sun/27 and June 1-3, 8pm (also June 3, 2pm). $15-22. Scott Wells and Dancers perform new work. *

 

Our Weekly Picks: May 23-29, 2012

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WEDNESDAY 23

Ash Reiter

Looking for a sound to kick off that summer breeze? Ash Reiter’s band is ideal listening on a sunny day at the beach, or even while braving the San Francisco fog. Lead singer and songwriter Ash Reiter is a crooner with a voice that critics compare to Cat Power, and a sound that is influenced by Grizzly Bear, the Kinks, and the Strokes. She lives in the Berkeley hills with her band’s drummer (boyfriend Will Halsey). Their latest EP Heatwave is a perfect warm up for this springtime performance, to keep us tied over until their upcoming summer full-length release, Hola. Idea the Artist and Jeremy Rourke support, with their inventive opera and stop-motion art takes on performance, respectively. (Shauna C. Keddy)

With Idea the Artist and Jeremy Rourke

9pm, $10

Cafe Du Nord

2170 Market, SF

(415) 861-5016

www.cafedunord.com

 

Mark Lanegan

With his gravelly and growling, yet still tenderly emotive voice, Mark Lanegan has lent his hauntingly striking talents to a variety of projects over the past 25-plus years. First as the lead singer of grunge favorites Screaming Trees, then as a solo artist, and now continuing with a string of superb collaborations with artists such as Mad Season, Queens of The Stone Age, the Twilight Singers, the Gutter Twins, and Isobell Campbell. Lanegan remains one of the best rock vocalists out there today. His latest effort, this year’s Blues Funeral is another superb release, featuring standout tracks “The Gravedigger’s Song” and “Harborview Hospital.” (Sean McCourt)

9pm, $25

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com

 

THURSDAY 24

I Break Horses

Listen to “Winter Beats” and the title song from 2011’s Hearts, and you’ll probably have Stockholm, Sweden’s I Break Horses figured as a purely dreamy, slightly cold shoegazing act. Just listen to those mesmerizing synth arpeggios and slow, distantly winsome vocals. But as soon as the snares start cracking on “Wired” and build into a beat that a person could actually bounce around a bit too, some of the ice starts melting away, as the sun comes out a little bit. Or maybe your body is heating up, revealing an exciting range to the duo of Maria Lindén and Fredrik Balck, who opened for M83 on the most recent tour. (Ryan Prendiville)

With Silver Swans, DJs Omar and Aaron

9:30 p.m., $14 Advance

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

 

 

Midnight

As anyone who has ever used the internet can tell you, anonymity breeds misanthropy. Midnight is a Cleveland quartet whose members don executioner’s hoods onstage, and their blank faces combine perfectly with band’s brand of filthy, antagonistic thrash. The primary musical influences are obviously Venom and Motorhead, in all their sleazy glory, and Midnight churns out fuzzy carnage on songs like “You Can’t Stop Steel,” “Lust, Filth, and Sleaze,” and “Endless Sluts.” For a return to the satanic chaos that launched black metal in the ’80s, just wait until Midnight. (Ben Richardson)

With Toxic Holocaust, Zombie Holocaust, Crypt Keeper 9pm, $12 Thee Parkside 1600 17th St., SF (415)-252-1530 www.theeparkside.com

 

FRIDAY 25

The Twelves

Perhaps it was destiny that Rio de Janiero duo João Miguel and Luciano Oliveira would produce music together, since they happen to share the same birth date of July 12. The Twelves have been dubbed the Brazilian Daft Punk because of an affinity for dance-electro-house music. While Daft Punk may lean toward producing original work, the Twelves are best known for their string of party remixes on tracks rooted in different genres, including MIA, Asobi Seksu, and Two Door Cinema Club. And they have a welcome unabashedness when it comes to remixing and mashing up on the fly during live sets. (Kevin Lee)

With Volta Bureau, Girls N Boomboxes

9pm, $18.50

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com

 

SATURDAY 26

“Harlem’s Poetic Rebellion: A Salon for the People”

“The world is before you and you need not leave it as it was when you entered.” Kali Boyce and Celeste Chan, founders of the lively Queer Rebels performance organization take James Baldwin’s immortal words to heart, using the legacies of the past to reinvigorate the present. Taking inspiration from the genius flurry of artistic and social developments that was the Harlem Renaissance in the 1920s and ’30s, they present a night of music, poetry, and stage entertainment by nine queer African American performers. Dancer and punk stalwart Brontez Purnell, filmmaker and LunaSea founder Crystal Mason, Youth Speaks champion Joshua Merchant, “Drag King of the Blues” TuffnStuff, and “big, bold and beautiful treasure” The Lady Ms. Vagina Jenkins, among others, will contribute to keeping the light of black culture flaming. (Marke B.)

7pm, $12–<\d>$15

La Peña Cultural Center

3105 Shattuck Av, Berk.

www.lapena.org

 

It Came From Beneath The Sea

While there are a host of special events taking place across the Bay Area this weekend marking the 75th anniversary of the Golden Gate Bridge being built, only one celebrates its destruction! As part of a series of film screenings of movies that feature the iconic landmark, The Presidio Trust and Walt Disney Family Museum are presenting a free outdoor showing of the 1955 sci-fi classic It Came From Beneath The Sea, which features a giant mutant octopus — brought to life by the legendary Ray Harryhausen — that terrorizes San Francisco and pulls the bridge apart in glorious fashion. (McCourt)

6-10pm, free

Presidio, Main Post Green, SF

www.presidio.gov

 

SUNDAY 27

San Francisco Carnaval Parade

Carnavalescos, let’s go! Limber up that bodystocking and get ready to shake your all-over tailfeathers, that glorious festival of SF-style Latin-Carribean-Brazilian exuberance is at (maraca-shaking) hand. Join thousands of brightly clad revelers as they fill the Mission streets with joyful noise and colorful sites — provided by some of the Bay’s favorite performance groups, like the Loco Bloco drum troupe, Ballet Folklorico Nicaragua Viva, Xiuhcoatl Danza Azteca, Grupo Samba Rio, Our Boys Steel Orchestra, and dozens more. And chow down on the cultural treats of the super-festive, possibly Cachaça-soaked Carnaval street festival, going on all weekend. SF Carnaval dates back to 1979 and featured some of the first samba schools in California, so your shimmy-and-shake and bang-on-the-drum is historical, too. (Marke B.)

9:30am-noon, free. Street festival, 10am-6pm (festival also Sat/26)

Parade begins at 24th Street and Bryant. Street festival located at 23rd Street and Harrison, SF

www.sfcarnaval.org

 

Danzig with Doyle

Over the course of the past 35 years, Glenn Danzig has spawned a cult following with his dark and brooding voice, and the sinisterly seductive imagery of his lyrics. From the early days as front man for horror punk icons the Misfits, to metal-infused Samhain, and finally to the eponymous Danzig, where he achieved a degree of mainstream success, he has taken haunting and macabre themes, blasted them with an obsessive sheen, and come up with some of the most evil sounding, yet memorable songs this side of hell. Tonight’s show promises to feature special guest Misfits guitarist Doyle, to run through a set of classic tunes with his old bandmate. (McCourt)

8pm, $38

Warfield

982 Market, SF

www.thewarfieldtheatre.com

 

MONDAY 28

“Wanted Man: Johnny Cash at San Quentin”

We all know there was only one Johnny Cash, but leave it to Anton Patzner (of the Bay Area string metal duo Judgement Day), Laura Weinbach (Foxtails Brigade), Joe Lewis, and Josh Pollock to tackle a reinterpretation of Johnny Cash’s legendary prison performance for one night only, on Memorial Day. Patzner, Lewis, and Weinbach are going by the name the East Bay Three for this show, and one can only guess how Patzner will bring in his infamous violin skills to this inventive concept. The band challenges the audience to act like a “house full of roaring inmates” as Cash was graciously greeted with during his performance, and they ask us, “Been out of your cell lately?” (Keddy)

8pm, $15

Ashby Stage

1901 Ashby, Berk.

(510) 841-6500

www.shotgunplayers.org

 

TUESDAY 29

Active Child

Pat Grossi lobbied his mom to tryout for the Philadelphia’s Boys Choir when he was a kid, which likely influenced the soaring sound he now projects as Los Angeles-based Active Child. AC combines his ethereal vocals and harmonious harp chords with reverbs and electronic drum samples to produce music with an almost hymnal quality to it. Think if the pastoral sensibilities of Bon Iver merged with the synth-pop of M83 or Washed Out and you’ll have the general idea. 2011’s You Are All I See engrosses and haunts listeners with its intimate visceral sermons on identity. (Lee)

With Lord Huron

8:30pm, $15

Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com 


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Rep Clock May 23-29, 2012

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Schedules are for Wed/23-Tue/29 except where noted. Director and year are given when available. Double and triple features are marked with a •. All times pm unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6. “Other Cinema: New Experimental Works,” Sat, 8:30. “Colectivo Cinema Errante presents: Brazilian Voices of Cinema:” At Midnight I’ll Take Your Soul (Marins, 1964) with “Love from Mother Only” (Ramalho, 2003), Sun, 8.

BAY THEATER Aquarium of the Bay, Pier 39, Embarcadero at Beach, SF; www.aquariumofthebay.com. $10-20. “An Evening of Surfing Films,” hosted by Maverick’s surfer Grant Washburn, Thu, 6.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-11. •Harold and Maude (Ashby, 1971), Wed, 3:05, 7, and Brewster McCloud (Altman, 1970), Wed, 4:55, 8:50. •Barfly (Schroeder, 1987), Thu, 7, and Road House (Harrington, 1989), Thu, 9. •Nightmare Alley (Goulding, 1947), Fri, 7, and The Warriors (Hill, 1979), Fri, 9:10. “Marx Brothers Mania:” •Monkey Business (1931), Sat, 2:30, 7:30; Horse Feathers (1932), Sat, 4, 8:50; and Animal Crackers (1930), Sat, 5:25. •Hugo (Scorsese, 2011), Mon-Tue, 7 (also Mon, 2:20), and The Adventures of Tintin (Spielberg, 2011), Mon-Tue, 9:25 (also Mon, 4:45).

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-10.25. Bernie (Linklater, 2012), call for dates and times. Bully (Hirsch, 2012), call for dates and times. First Position (Kargman, 2011), call for dates and times. Marley (Macdonald, 2012), call for dates and times. Monsieur Lazhar (Falardeau, 2011), call for dates and times.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. No screenings scheduled; programming resumes June 8.

RICKSHAW STOP 155 Fell, SF; www.musicvideorace.com. $12. “Music Video Race,” featuring new videos and live music by local bands, Sat, 7:30.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-10. “I Wake Up Dreaming 2012: The French Have a Name for It!”: •He Walked By Night (Werker, 1948), Wed, 6:20, 9:45, and The Underworld Story (Endfield, 1950), Wed, 8; •Guns, Girls, and Gangsters (Cahn, 1959), Thu, 6:30, 9:45, and Inside Detroit (Sears, 1956), Thu, 8. Indie Game: The Movie (Pajot and Swirsky, 2012), May 18-24, 7, 9 (also Sat-Sun, 5). Keyhole (Maddin, 2012), May 25-31, 7:15, 9:15 (also Sat-Sun, 3:15, 5). “New Czech Film Films US Tour 2012:” Four Suns (Sláma, 2012), Tue, 6:30; Matchmaking Mayor (Hníková, 2011), Tue, 8:45.

SF FILM SOCIETY CINEMA 1746 Post, SF. $10-11. •Le Rayon Vert (Summer) (Rohmer, 1986), Wed-Thu, 2:15, 6:45, and Four Adventures of Reinette and Mirabelle (Rohmer, 1987), Wed-Thu, 4:30, 9. Once Upon a Time in Anatolia (Ceylan, 2011), May 25-31, 2, 5:30, 8:30.

TOP OF THE MARK InterContinental Mark Hopkins, One Nob Hill, SF; www.topofthemark.com. Free. “Summer Movie Nights:” Gone With the Wind: Part One (Fleming, 1939), Tue, 7:30. Wine tasting at 5:30.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “War and Remembrance: The Films of Aleksei Guerman:” My Friend Ivan Lapshin (Guerman, 1984), Thu, 7:30; The Seventh Companion (Guerman and Aronov, 1967), Sat, 7:30; The Fall of Otrar (Amirkulov, 1991), Sun, 2.

New cocktails now

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virginia@sfbg.com

APPETITE Wet your whistle: Here are a handful of spots in Berkeley, Sausalito, Union Square, and Hayes Valley with new drinks to put on your warm weather radar — and accompanying bites to go with.

 

COMAL

Downtown Berkeley has never overwhelmed with excellent dining options, much as I’ve combed restaurants within the BART vicinity over the years. Gather (www.gatherrestaurant.com) is my top recommend in the area, but Oaxacan newcomer Comal promises to be a favorite. It’s owned by the former manager of the band Phish with executive chef Matt Gandin, formerly chef de cuisine at Delfina, running the kitchen. The hook for drink lovers is a cocktail menu created by the Bon Vivants (www.bonvivants-sf.com), Josh Harris and Scott Baird. I went on opening night, May 5, and no surprise from that expert bartending crew: each drink tried was a winner, featuring South of the Border spirits from tequila to mezcal.

Jack Satan ($9) is not remotely evil. Despite a tinge of heat from the “infierno tincture,” the whole effect is tart loveliness with Tres Agaves Reposado, hibiscus syrup, lime, and salt. Another immediate standout is a Black Daiquiri ($10) mixing Pampero Aniversario Rum, Averna, lime, sugar, and Chiapan coffee tincture. Tart, bitter, sweet and robust, coffee notes do not dominate but add a hint of earth and body. Mexican classics like the Paloma get the Vivants treatment — the Palomaesque ($9) which substitutes Don Amado Rustico Mezcal for tequila, ups the bitterness ante with Cocchi Americano alongside grapefruit, and rounds it all out with lime, honey, salt, soda.

Oaxacan food, one of my great cravings (mole!), is the other great draw here in the open, modern space and appealing back patio. Of initial dishes tried, duck mole coloradito (a red mole sauce) enchiladas ($14) already had me jonesing for a return. Duck mole and a little Jack Satan? Sins worth committing.

2020 Shattuck Ave., Berk. (510) 926-6300, www.comalberkeley.com

 

COPITA

TV chef and cookbook author Joanne Weir showcases her love of tequila — and recipes from her Tequila — at Copita, Sausalito’s spanking new Mexican restaurant with sidewalk seating, open air setting, and rotisserie chicken, all a stone’s throw from the shimmering Bay. Still working out opening kinks since opening a couple weeks ago, two visits have allowed me to work my way through the entire cocktail menu and enjoyable flights (try the $20 Highlands Reposado flight: Siete Leguas, Ocho, Excellia reposados) with shots of house sangrita: tomato, pineapple, cucumber, orange, celery, ancho chile, lime.

There are cocktails like Joanne’s favorite — one I love to make at home — the Prado: Corazon blanco tequila, Luxardo maraschino liquor, lime, egg white. Fun is the spicy and smoky “Raspado”: Del Maguey Chichicapa mezcal, tamarind, with a chile-salt rim hit spicy, smoky and sweet simultaneously. Add anejo to your Oaxacan chocolate milkshake ($6), and don’t miss the restaurant’s most heartwarming bite thus far: Mexico City-style quesadillas ($8), fried and filled with Yukon gold potatoes, a savory, excellent house chorizo and queso fresco with crema on top.

739 Bridgeway, Sausalito. (415) 331-7400, www.copitarestaurant.com

 

GRAND CAFÉ

Grand Cafe hasn’t been the obvious place for a quality cocktail, but with new bar manager Kristin Almy on board, there’s a stronger focus on cocktails at the Hotel Monaco bar than ever before. In keeping with the restaurant, French influence resounds with cocktail names like Bardot and St. Tropez. Most drinks dwell on the softer side: fizzy, layered, delicate, though a light Napoleon’s Dynamite ($9) is a fine intro for those who don’t think they’re whiskey drinkers: Bulleit Rye, Dubbonet Rouge, lemon, and grapefruit bitters go down all too easy.

Merci ($8) is an elegant, dry aperitif ideal for afternoon or pre-dinner sipping and light on alcohol: Noilly Prat dry vermouth, sparkling wine (prosecco), and Almy’s house blackberry liqueur. A lovely Three Musicians ($9) is subtly soft, infusing tequila with piquillo peppers, mixing cucumber and lime, topping the drink with Lillet foam. Though ideally I’d like a stronger kick of heat and boldness, I see the dilemma at the Monaco: appealing to tourists and locals alike. This menu challenges the inexperienced palate with an approachable, playful whisper. Add on a round of braised ground octopus flatbread ($14) and it’s a happy hour.

501 Geary, (415) 292-0101, www.grandcafe-sf.com

 

ABSINTHE

With recently updated cocktail menu from former bar manager Jeff Hollinger, who went on to open Comstock Saloon (www.comstocksaloon.com) in 2010, classic stalwart Absinthe offers new drinks. If you like it sweet, but a little tart and smoky to keep things interesting, try the Sol Y Fuego, as I recently did. Bartending charmer Raoul mixed a kumquat shrub with nutty-spiced Velvet Falernum, lemon, bitters and a base of Don Amado mezcal. Savor it with fat garlic pretzel sticks dipped in fondue-like Vermont cheddar mornay. Don’t forget to finish with Absinthe’s house specialty: a flaming, cinnamon-laced Spanish coffee. Worth the spectacle alone.

398 Hayes, (415) 551-1590, www.absinthe.com

Subscribe to Virgina’s twice-monthly newsletter, The Perfect Spot, www.theperfectspotsf.com

 

Stage Listings May 16-22, 2012

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

THEATER

OPENING

My Tia Loca’s Life of Crime Bindlestiff Studio, 185 Sixth St, SF; www.brownpapertickets.com. $20. Opens Thu/17, 8pm. Runs Thu-Sat, 8pm. Through June 2. Guerrilla Rep performs a new play by Roy Conboy, chair of SF State’s Playwriting Department.

BAY AREA

The Great Divide Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $20-30. Previews Wed/16-Thu/17 and May 23-24, 7pm; Fri/18-Sat/19, 8pm; Sun/20, 5pm. Opens May 25, 8pm. Runs Wed-Thu, 7pm; Fri-Sat, 8pm; Sun, 5pm. Through June 24. Shotgun Players performs Adamn Chanzit’s drama about the hot topic of fracking, inspired by Ibsen’s An Enemy of the People.

ONGOING

“Best of PlayGround 16: A Festival of New Writers and New Plays” Thick House, 1695 18th St, SF; www.playground-sf.org. $10-40. Thu-Sat, 8pm; Sun, 7pm. Through May 27. Seven short plays and musicals by Bay Area authors, plus a staged-readings series.

“DIVAfest” Exit Theatreplex, 156 Eddy, SF; (415) 673-3847, www.theexit.org. $15-25. Through May 27. Entering its second decade, the estrogen-centric DIVAfest at the Exit is so jam-packed with activities — workshops, burlesque, symposiums, readings, singer-songwriter nights — you’d be forgiven for not realizing that plays are also on the menu. But in fact, they are the main course. This year’s smorgasbord features three very different solo shows, each encapsulating a wholly unique female voice. Genevieve Jessee’s Girl in, but not of, the ‘Hood, which won a “Best of the Fringe Festival” award in 2011, has since been reworked with a new director, Exit Theatre stalwart Michelle Talgarow, rendering it sharper and more comic without minimizing the inner turmoil experienced by the main character, Jessee herself. Catherine Debon’s Alma Colarada, which also won a “Best of the Fringe” in 2011, is an emotionally-charged, experimental roller-coaster ride that appropriately begins and ends on a train. Detailing a family history fraught with World War II resistance fighting, concentration camps, communist sympathies, and endless trains, Debon nimbly vacillates between the neuroses of the present day and the deep despair of the past, while still finding a way to end to piece on a triumphal note. Last but by no means least, the laugh-out-loud romantic farce Pussy, by Maura Halloran, details the tricky intricacies of a lesbian-feline-nosy neighbor ménage à “cat-re”. Yes, it’s about a cat … hmmm, or is it? You should really take the opportunity to find out. (Gluckstern)

Down to This Exit Stage Left, 156 Eddy, SF; www.sleepwalkerstheatre.com. $12-20. Thu-Sat, 8pm. Through May 26. Thirty-something Charlie (Derek Fischer) plays this little game with himself where he tosses a rotten egg at the kitchen trash as if he were making a free-throw in sudden-death overtime. This little moment, innocent and ordinary on the surface, puzzles one-night stand Donna (Tonya Narvaez) after she happens on the scene. That she would be baffled, even momentarily disturbed by so common a flight of sports-dude imagination is our first taste of the strained mechanics of Adam Chanzit’s slight pulp revenge tale: sure enough, this game of chance turns out to be a (pretty ridiculous) psychopathology ruling Charlie’s world. When a moment later his equally imbalanced and estranged wife (Kendra Lee Oberhauser), fresh from prison and packing heat, bursts in on the two lovebirds, Charlie’s fate-game will become the tortured trope in a table-turning showdown between all three — plus Charlie’s hapless roommate (Jomar Tagatac) and his crew-cut–sporting sidekick (Shane Rhoades). Chanzit offers some mild surprises and amusing banter along the way in Sleepwalkers’ world premiere — helmed by artistic director Tore Ingersoll-Thorp — but the plot and characters are stretched thin, and the tension often grows slack despite the able and likable cast. By the time the story climaxes in a coin-toss of an ending (designed to work out one of two ways, depending), it’s too big a muddle to generate more than a momentary quiver of anticipation over anybody’s fate. (Avila)

Endgame and Play American Conservatory Theater, 415 Geary, SF; (415) 749-2228, www.act-sf.org. $10-95. Opens Wed/16, 8pm. Runs Tue-Sat, 8pm (also Wed, Sat-Sun, 2pm; no matinees Wed/16 or May 23; Tues/22 performance at 7pm). Through June 3. ACT presents two absurd dark comedies by Samuel Beckett.

Fwd: Life Gone Viral Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, www.themarsh.org. $20-50. Thu, 8pm; Sat, 8:30pm; Sun, 7pm. Through June 10. The internet becomes comic fodder for creator-performers Charlie Varon and Jeri Lynn Cohen, and creator-director David Ford.

*Hot Greeks Hypnodrome Theatre, 575 10th St, SF; www.brownpapertickets.com. $30-35. Thu/17-Sat/19, 8pm. Cheap thrills don’t come much cheaper or more thrilling than at a Thrillpeddlers musical extravaganza, and their newly remounted run of Hot Greeks affords all the glitter-dusted eye-candy and labyrinthian plot points we’ve come to expect from their gleefully exhibitionist ranks. Structured as loosely as possible on Aristophanes’ Lysistrata, Greeks appropriately enough follows the trials and tribulations of a college sorority tired of “losing” their boyfriends to the big football match every year (Athens U vs. Sparta Tech). Pledging to withhold sex from the men unless they call off the game results in frustration for all, only partially alleviated by the discovery that sexual needs can be satisfied by “playing the other team,” as it were. But like other Cockettes’ revivals presented by the Thrillpeddlers, the momentum of the show is carried forward not by the rather thinly-sketched narrative, but by the group song-and-dance numbers, extravagant costuming (and lack thereof), ribald wordplay, and overt gender-fuckery. In addition to many TP regulars, including a hot trio of Greek columns topped with “capital” headdresses who serve as the obligatory chorus (Steven Satyricon, Ste Fishell, Bobby Singer), exciting new additions to the Hypnodrome stage include a bewigged Rik Lopes as stalwart sister Lysistrata, angelically-voiced Maggie Tenenbaum as the not-so-angelic Sodoma, and multi-faceted cabaret talent Tom Orr as heartthrob hunk Pendulum Pulaski. (Gluckstern)

It’s All the Rage Studio Theater, Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, www.themarsh.org. $15-50. Thu, 8pm; Sat, 8:30pm, Sun, 7pm. Extended through May 27. Longtime comedian and radio host Marilyn Pittman’s solo play wrestles with the legacy of her parents’ violent deaths in a 1997 murder-suicide initiated by her father. It’s disturbing material that Pittman, a stout middle-aged woman with a gregarious and bounding personality, approaches indirectly via a good deal of humor — including recounting the first time she did her growing-up-lesbian bit before her mother in a DC comedy club. But the pain and confusion trailing her for 13 years is never far behind, whether in accounts of her own battle with anger (and the broken relationships it has left in its wake) or in ominous memories of her too complacent mother or her charming but domineering father, whose controlling behavior extended to casually announcing murderous dreams while policing the boundaries of his marriage against family interference. A fine mimic, Pittman deploys a Southern lilt in playing each parent, on a stage decorated with a hint of their Southwestern furnishings and a framed set of parental photographs. In not exactly knowing where to lay blame for, or find meaning in, such a horrifying act, the play itself mimics in subtler form the emotional tumult left behind. There’s a too brief but eerie scene in which her veteran father makes reference to a murder among fellow soldiers en route to war, but while PTSD is mentioned (including as an unwanted patrimony), the 60-minute narrative crafted by Pittman and director David Ford wisely eschews any pat explanation. If transitions are occasionally awkward and the pace a bit loose, the play leaves one with an uncomfortable sense of the darker aspects of love, mingled with vague concentric histories of trauma and dislocation in a weird, sad tale of destruction and staying power. Note: review from the show’s 2009 run at the Marsh San Francisco. (Avila)

A Raisin in the Sun Buriel Clay Theater, African American Art and Culture Complex, 762 Fulton, SF; 1-800-838-2006, www.african-americanshakes.org. $10-35. Fri-Sat, 8pm (no show May 25); Sun, 3pm. Through May 27. African-American Shakespeare Company performs Lorraine Hansberry’s classic drama.

“San Francisco International Arts Festival” Various venues, SF; www.sfiaf.org. Free-$70. Through Sun/20. Performance festival featuring theater and dance from Cuba, Iran, Russia, the U.S., China, Japan, Estonia, and more.

Tenderloin Exit on Taylor, 277 Taylor, SF; (415) 525-1205, www.cuttingball.com. $10-50. Thu, 7:30pm; Fri-Sat, 8pm (also Sat, 2pm); Sun, 5pm. Through May 27. Annie Elias and Cutting Ball Theater artists present a world premiere “documentary theater” piece looking at the people and places in the Cutting Ball Theater’s own ‘hood.

To Be Young, Gifted and Black: Honoring Lorraine Hansberry In Her Own Words Gough Street Playhouse, Trinity Episcopal Church, 1620 Gough, SF; www.custommade.org. $22-28. Thu-Sat, 8pm; Sun, 7pm. Through May 27. Custom Made Theater and Multi Ethnic Theater collaborate on this tribute to the groundbreaking playwright.

The Waiting Period MainStage, Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, www.themarsh.org. $15-50. Fri, 8pm; Sat, 5pm. Extended through July 7. Brian Copeland (comedian, TV and radio personality, and creator-performer of the long-running solo play Not a Genuine Black Man) returns to the Marsh with a new solo, this one based on more recent and messier events in Copeland’s life. The play concerns an episode of severe depression in which he considered suicide, going so far as to purchase a handgun — the title coming from the legally mandatory 10-day period between purchasing and picking up the weapon, which leaves time for reflections and circumstances that ultimately prevent Copeland from pulling the trigger. A grim subject, but Copeland (with co-developer and director David Ford) ensures there’s plenty of humor as well as frank sentiment along the way. The actor peoples the opening scene in the gun store with a comically if somewhat stereotypically rugged representative of the Second Amendment, for instance, as well as an equally familiar “doood” dude at the service counter. Afterward, we follow Copeland, a just barely coping dad, home to the house recently abandoned by his wife, and through the ordinary routines that become unbearable to the clinically depressed. Copeland also recreates interviews he’s made with other survivors of suicidal depression. Telling someone about such things is vital to preventing their worst outcomes, says Copeland, and telling his own story is meant to encourage others. It’s a worthy aim but only a fitfully engaging piece, since as drama it remains thin, standing at perhaps too respectful a distance from the convoluted torment and alienation at its center. (Avila)

The Wrong Dick Dark Room Theater, 2263 Mission, SF; www.darkroomsf.com. $20. Thu-Sat, 8pm. Through May 26. Ham Pants Productions presents a noir-inspired comedy set in San Francisco.

Zorba Eureka Theater, 215 Jackson, SF; (415) 255-8207, www.42ndstmoon.org. $20-50. Wed/16, 7pm; Thu/17-Fri/18, 8pm; Sat/19, 6pm; Sun/20, 3pm. 42nd Street Moon performs Kander and Ebb’s musical salute to Greece.

BAY AREA

Crevice La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thu-Sat, 8pm. Through June 9. Just in case you were feeling panicked about the persistently recessed state of the economy and what might be your own less than ideal place in it, the Impact Theatre and Playground co-presentation of Lauren Yee’s Crevice might help to put your woes into perspective. That’s because slacker sibs Liz (Marissa Keltie) and Rob (Timothy Redmond) are only slightly exaggerated representatives of Generation Next whose penchant for making lackluster life choices has sentenced them to an indefinite prison term of couch-surfing and Teen Mom marathons in their childhood home. Naturally, they desire change, but it’s not until their mother (Laura Jane Bailey) starts having a hot fling with a younger man that things do. In an egregious breach of the TMI line, it appears that Mom’s orgasms open a “crevice” into an alternate reality that Rob and Liz subsequently fall into. Thus removed from the entropy of their former reality they begin testing the parameters of their new one, quickly coming to the realization that sometimes the alternatives to what you already have are even worse. Getting home again is a convoluted, not fully mapped-out process, but in the interim, their navigation of their erstwhile wonderland offers most of the play’s best lines as well as the uncomfortably effective transformation of Reggie D. White from Liz’s nerdish best buddy to multi-lingual Mafia killer and casual sadist. (Gluckstern) (Gluckstern)

A Hot Day in Ephesus Live Oak Theatre, 1301 Shattuck, Berk; info@aeofberkeley.org. $12-15. Fri/18-Sat/19, 8pm. Actors Ensemble performs the world premiere of a musical based on Shakespeare’s Comedy of Errors.

*The Kipling Hotel: True Misadventures of the Electric Pink ’80s New venue: Marsh Berkeley, 2120 Allston, Berk; (415) 282-3055, www.themarsh.org. $20-50. Sat, 8:30pm; Sun, 7pm. Extended through June 10. This new autobiographical solo show by Don Reed, writer-performer of the fine and long-running East 14th, is another slice of the artist’s journey from 1970s Oakland ghetto to comedy-circuit respectability — here via a partial debate-scholarship to UCLA. The titular Los Angeles residency hotel was where Reed lived and worked for a time in the 1980s while attending university. It’s also a rich mine of memory and material for this physically protean and charismatic comic actor, who sails through two acts of often hilarious, sometimes touching vignettes loosely structured around his time on the hotel’s young wait staff, which catered to the needs of elderly patrons who might need conversation as much as breakfast. On opening night, the episodic narrative seemed to pass through several endings before settling on one whose tidy moral was delivered with too heavy a hand, but if the piece runs a little long, it’s only the last 20 minutes that noticeably meanders. And even with some awkward bumps along the way, it’s never a dull thing watching Reed work. (Avila)

Not Getting Any Younger Marsh Berkeley, 2120 Allston, Berk; (415) 282-3055, www.themarsh.org. $15-50. Fri, 8pm; Sat, 5pm. Extended through June 30. Marga Gomez is back at the Marsh, a couple of too-brief decades after inaugurating the theater’s new stage with her first solo show — an apt setting, in other words, for the writer-performer’s latest monologue, a reflection on the inevitable process of aging for a Latina lesbian comedian and artist who still hangs at Starbucks and can’t be trusted with the details of her own Wikipedia entry. If the thought of someone as perennially irreverent, insouciant, and appealingly immature as Gomez makes you depressed, the show is, strangely enough, the best antidote. Note: review from the show’s 2011 run at the Marsh San Francisco. (Avila)

The Odyssey Angel Island; (415) 547-0189, www.weplayers.org. $40-76 (some tickets include ferry passage). Sat-Sun, May 25, and June 1, 10:30am-4pm (does not include travel time to island). Through July 1. We Players present Ava Roy’s adaptation of Homer’s epic poem: an all-day adventure set throughout the nature and buildings of Angel Island State Park.

The World’s Funniest Bubble Show Marsh Berkeley, TheaterStage, 2120 Allston, Berk; (415) 826-5750, www.themarsh.org. $8-50. Extended run: May 5-27 (Sat-Sun, 11am); June 3-July 15 (Sun, 11am). Louis “The Amazing Bubble Man” Pearl returns with this kid-friendly, bubble-tastic comedy.

PERFORMANCE/DANCE

BATS Improv Bayfront Theater, Fort Mason Center, Marina at Laguna, SF; www.improv.org. Fri, 8pm, through May 25: “Director’s Cut!,” $20. Sat, 8pm, through May 26: “Improvised Murder Mystery,” $20.

“A Celebration of Harold Pinter” Royce Gallery, 2901 Mariposa, SF; www.brownpapertickets.com. Fri/18-Sat/19, 7:30pm. $30. John Malkovich directs Julian Sands in this tribute to the famed author and playwright.

“Chanticleer and the Fox: Nun’s Priest’s Tale” Seventh Avenue Performances, 1329 Seventh Ave, SF; www.chaucertheater.org. Sat/19, 7:30pm. $20. Also Sun/20, 2pm, Christ Presbyterian Church, 620 del Ganado, San Rafael. Chaucer Theatre performs musical theater inspired by Canturbury Tales.

City Ballet School Cowell Theater, Fort Mason Center, Marina at Laguna, SF; www.fortmason.org. Sat/19-Sun/20, 2pm. $28. “Spring Showcase” featuring new choreography by Yuri Zhukov.

“Die Blonde Cabaret” Stage Werx Theatre, 446 Valencia, SF; www.stagewerx.org. Mon/21, 6:30pm. $5. Stand-up and burlesque performer Marié Lake presents her comedy cabaret.

“Drinking/Songs: A Night of Beer and the Music That Goes With It” 50 Mason Social House, 50 Mason, SF; www.brownpapertickets.com. Wed/16, 8pm. $20. Singing, beer-drinking, a drinking-songs competition, and more.

“Elect to Laugh” Studio Theater, Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, www.themarsh.org. Tue, 8pm. Ongoing through Nov 6. $15-50. Will Durst and friends perform in this weekly political humor show that focuses on the upcoming presidential election.

“The Heart of Mexico” Yerba Buena Center for the Arts, Novellus Theater, 700 Howard, SF; (415) 978-2787, www.ybca.org. Sun/20, 3pm. $20-39. Folkloric dance from Mexico performed by the acclaimed Compañia Mazatlán Bellas Artes.

“The Keys to Heaven” Exit on Taylor, 277 Taylor, SF; www.cuttingball.com. Sun/20, 1pm. Free. Cutting Ball Theater presents this August Strindberg reading as part of its “Hidden Classics” series.

“Low Down” Z Space, Theater Artaud, 450 Florida, SF; www.levydance.org. Thu/17-Fri/19, 8pm; Sat/20, 2pm. $18-25. LEVYdance and the Foundry present a world premiere collaboration exploring the body’s ability to tell a story.

“Man vs. Wild: Tales of the Great Outdoors!” Intersection for the Arts, 925 Mission, SF; www.litupwriters.com. Wed/16, 7:30pm. $7. Humor reading with the LitUp Writers.

“Martini Cabaret Burlesque” Biscuits and Blues, 401 Mason, SF; www.eventbrite.com. Sun/20, 6pm. $20. Tasteful striptease with costumes and props.

“Porchlight Storytelling Series: I Surrender” Verdi Club, 2424 Mariposa, SF; www.brownpapertickets.com. Mon/21, 8pm. $15. True tales with Harold Atkins, Dennis Collinson, Heather Gold, and more.

“Previously Secret Information” Stage Werx Theatre, 446 Valencia, SF; www.stagewerx.org. Sun/20, 7pm. $15. Storytelling with Paul Myers, Josh Healey, and Joe Klocek.

“Qcomedy Showcase” Stage Werx Theatre, 446 Valencia, SF; www.stagewerx.org. Mon/21, 8pm. $8-20. With Lisa Geduldig, Matina Bevis, and more.

“Ruth Asawa San Francisco School of the Arts 30th Year Anniversary Dance Concert” Palace of Fine Arts, 3301 Lyon, SF; www.sfsota.org. Fri/18-Sat/19, 8pm. $18-28. Student dancers, guests, and artists in residence perform to celebrate the 30th anniversary of this arts and educational institution.

“Smack Dab” Magnet, 4122 18th St, SF; www.magnetsf.org. Wed/16, 8pm. Free. Open mic with featured reader Jai Arun Ravine.

“Tales of Pangu: Lifting Up the Sky” CounterPulse, 1310 Mission, SF; www.counterpulse.org. Sat/19, 8pm. $10-20. Eth-Noh-Tec storytelling theater and Gay Asian Pacific Alliance present this multimedia performance collaboration.

“The Vagina Monologues” Castro Theatre, 429 Castro, SF; (415) 621-6120. Thu/17, 7:30pm. $30. A one-night-only performance in honor of Asian Pacific American Heritage Month.

“Verbatim Verboten” Garage, 715 Bryant, SF; www.brownpapertickets.com. Fri/18-Sat/19, 8pm. $15. The “invasion-of-privacy revue” created by Michael Martin and hosted by Wonder Dave Crady.

2012 Summer Fairs and Festivals

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Through May 20

San Francisco International Arts Festival Various venues. (415) 399-9554,www.sfiaf.org. Check website for prices and times. Celebrate the arts, both local and international, at this multimedia extravaganza.

 

May 19

Asian Heritage Street Celebration Larkin and McAllister, SF. www.asianfairsf.com. 11am-6pm, free. Featuring a Muay Thai kickboxing ring, DJs, and the latest in Asian pop culture, as well as great festival food.

Uncorked! San Francisco Wine Festival Ghirardelli Square, 900 North Point, SF. (415) 775-5500,www.ghirardellisq.com. 1-6pm, $50 for tastings; proceeds benefit Save the Bay. A bit of Napa in the city, with tastings, cooking demonstrations, and a wine 101 class for the philistines among us.

May 19-20

Maker Faire San Mateo Event Center, San Mateo, www.makerfaire.com. $8–$40. Make Magazine’s annual showcase of all things DIY is a tribute to human craftiness. This is where the making minds meet.

Castroville Artichoke Festival Castroville. (831) 633-2465 www.artichoke-festival.com. 10am-5pm, $10. Pay homage to the only vegetable with a heart. This fest does just that, with music, parades, and camping.

 

May 20

Bay to Breakers Begins at the Embarcadero, ends at Ocean Beach, SF, www.zazzlebaytobreakers.com 7am-noon, free to watch, $57 to participate. This wacky San Francisco tradition is officially the largest footrace in the world, with a costume contest that awards $1,000 for first place. Just remember, Port-A-Potties are your friends.

 

May 21

Freestone Fermentation Festival Salmon Creek School, 1935 Bohemian Hwy, Sonoma. (707) 479-3557, www.freestonefermentationfestival.com. Noon-5pm, $12. Answer all the questions you were afraid to ask about kombucha, kefir, sauerkraut, yogurt, and beer. This funky fest is awash in hands-on demonstrations, tastings, and exhibits.

 

May 26-27

San Francisco Carnaval Harrison and 23rd St., SF. www.sfcarnaval.org. 10am-6pm, free. Parade on May 27, 9:30am, starting from 24th St. and Bryant. The theme of this year’s showcase of Latin and Caribbean culture is “Spanning Borders: Bridging Cultures.” Fans of sequins, rejoice.

 

June 2-3

Union Street Eco-Urban Festival Union Street between Gough and Steiner, SF. (800) 310-6563, www.unionstreetfestival.com. 10am-6pm, free. See arts and crafts created with recycled and sustainable materials and eco-friendly exhibits, along with two stages of live entertainment and bistro-style cafes.

 

June 9-17

San Mateo County Fair San Mateo County Fairgrounds, 2495 S. Delaware, San Mateo, www.sanmateocountyfair.com. 11am-10pm, $6–$30. Competitive exhibits from farmers, foodies, and even technological developers, deep-fried snacks, games — but most important, there will be pig races.

 

June 8-10

Queer Women of Color Film Festival Yerba Buena Center for the Arts, 701 Mission, SF. (415) 752-0868,www.qwocmap.org. Times vary, free. Three days of screenings from up-and-coming filmmakers with unique stories to tell.

 

June 10

Haight Ashbury Street Fair Haight between Stanyan and Ashbury, SF, www.haightashburystreetfair.org. 11am-5:30pm, free. Celebrating the cultural history and diversity of one of San Francisco’s most internationally celebrated neighborhoods, the annual street fair features arts and crafts, food booths, three musical stages, and a children’s zone.

June 10-12

Harmony Festival, Sonoma County Fairgrounds, 1350 Bennett Valley, Santa Rosa, www.harmonyfestival.com. One of the Bay Area’s best camping music festivals and a celebration of progressive lifestyle, with its usual strong and eclectic lineup of talent.

 

June 16-17

North Beach Festival, Washington Square Park, SF. (415) 989-2220, www.northbeachchamber.com. free. This year will feature more than 150 art, crafts, and gourmet food booths, three stages, Italian street painting, beverage gardens and the blessing of the animals.

Marin Art Festival, Marin Civic Center, 3501 Civic Center Drive, San Rafael. (415) 388-0151, www.marinartfestival.com. 10am-6pm, $10, kids under 14 free. Over 250 fine artists in the spectacular Marin Civic Center, designed by Frank Lloyd Wright. Enjoy the Great Marin Oyster Feast while you’re there.

 

June 22-24

Sierra Nevada World Music Festival, Mendocino County Fairgrounds Booneville. (916) 777-5550, www.snwmf.com. $160. A reggae music Mecca, with Jimmy Cliff, Luciano, and Israel Vibration (among others) spreading a message of peace, love, and understanding.

 

June 23-24

Gay Pride Weekend Civic Center Plaza, SF; Parade starts at Market and Beale. (415) 864-FREE, www.sfpride.org. Parade starts at 10:30am, free. Everyone in San Francisco waits all year for this fierce celebration of diversity, love, and being fabulous.

Summer SAILstice, Encinal Yacht Club, 1251 Pacific Marina, Alameda. 415-412-6961, www.summersailstice.com. 8am-8pm, free. A global holiday celebrating sailing on the weekend closest to the summer solstice, these are the longest sailing days of the year. Celebrate it in the Bay Area with boat building, sailboat rides, sailing seminars and music.

 

June 24-August 26

Stern Grove Festival, Stern Grove, 19th Ave. and Sloat, SF. (415) 252-6252,www.sterngrove.org, free. This will be the 75th season of this admission-free music, dance, and theater performance series.

July 4

4th of July on the Waterfront, Pier 39, Beach and Embarcadero, SF.www.pier39.com 12pm-9pm, free. Fireworks and festivities, live music — in other words fun for the whole, red-white-and-blue family.

July 5-8

High Sierra Music Festival, Plumas-Sierra Fairgrounds, Lee and Mill Creek, Quincy. www.highsierramusic.com. Gates open 8am on the 5th, $185 for a four-day pass. Set in the pristine mountain town of Quincy, this year’s fest features Ben Harper, Built To Spill, Papodosio, and more.

 

July 7

Oakland A’s Beer Festival and BBQ Championship, (510) 563-2336, oakland.athletics.mlb.com. 7pm, game tickets $12–$200. A baseball-themed celebration of all that makes a good tailgate party: grilled meat and fermented hops.

 

July 7-8

Fillmore Street Jazz Festival, Fillmore between Jackson and Eddy, SF. (800) 310-6563, www.fillmorejazzfestival.com.10am-6pm, free. The largest free jazz festival on the Left Coast, this celebration tends to draw enormous crowds to listen to innovative Latin and fusion performers on multiple stages.

July 19-29

Midsummer Mozart Festival, Herbst Theater, 401 Van Ness, SF (also other venues in the Bay Area). (415) 627-9141,www.midsummermozart.org. $50. A Bay Area institution since 1974, this remains the only music festival in North America dedicated exclusively to Mozart.

 

July 21-22

Renegade Craft Fair, Fort Mason Center, Buchanan and Marina, SF. (415) 561-4323, www.renegadecraft.com. Free. Twee handmade dandies of all kinds will be for sale at this DIY and indie-crafting hullabaloo. Like Etsy in the flesh!

 

July 21-22

Connoisseur’s Marketplace, Santa Cruz and El Camino Real, Menlo Park. Free. This huge outdoor event expects to see 65,000 people, who will come for the art, live food demos, an antique car show, and booths of every kind.

July 23-August 28

The San Francisco Shakespeare Festival, Various locations, SF. (415) 558-0888, www.sfshakes.org. Free. Shakespeare takes over San Francisco’s public parks in this annual highbrow event. Grab your gang and pack a picnic for fine, cultured fun.

July 27-29

Gilroy Garlic Festival, Christmas Hill Park, Miller and Uvas, Gilroy. (408) 842-1625,www.gilroygarlicfestival.com. $17 per day, children under six free. Known as the “Ultimate Summer Food Fair,” this tasty celebration of the potent bulb lasts all weekend.

 

July 28-29

27th Annual Berkeley Kite Festival & West Coast Kite Championship, Cesar E. Chavez Park at the Berkeley Marina, Berk. (510) 235-5483, www.highlinekites.com. 10am-5pm, free. Fancy, elaborate kite-flying for grown-ups takes center stage at this celebration of aerial grace. Free kite-making and a candy drop for the kiddies, too.

July 29

Up Your Alley Fair, Dore between Howard and Folsom, SF. (415) 777-3247,www.folsomstreetfair.org., 11am-6pm, free with suggested donation of $7. A leather and fetish fair with vendors, dancing, and thousands of people decked out in their kinkiest regalia, this is the local’s version of the fall’s Folsom Street Fair mega-event.

 

July 30-August 5

SF Chefs Food and Wine Festival, Union Square, SF. (415) 781-5348, www.sfchefsfoodwine.com. Various times and prices. Taste buds have ADD too. Let them spiral deliciously out of control during this culinary fair representing over 200 restaurants, bars, distilleries, and breweries.

 

August 4-5

Aloha Festival, San Mateo Event Center, 1346 Saratoga, San Mateo. (415) 281-0221, www.pica-org.org. 10am-5pm, free. You may not be going to Hawaii this summer, but this two-day festival of crafts, island cuisine, Polynesian dance workshops, and music performances might just do the trick.

Art and Soul Oakland, Frank Ogawa Plaza, 14th and Broadway, Oakl. www.artandsouloakland.com. $10 adv.; $15 at door. Sample delectable treats, joyfully scream through a carnival ride, get a purple unicorn painted on your forehead — all while rocking out to live jazz, R&B, acoustic, and gospel performances.

Nihonmachi Street Fair, Post between Laguna and Fillmore, SF. www.nihonmachistreetfair.org. 10am-6pm, free. Community outreach infuses every aspect of this Japantown tradition — meaning those perfect garlic fries, handmade earrings, and live performances you enjoy will also be benefitting a number of great nonprofit organizations.

 

August 5

Jerry Day 2012, Jerry Garcia Amphitheater, 40 John F. Shelley, SF. (415) 272-2012, www.jerryday.org. 11am, free; donate to reserve seats. Founded in 2002 when a dilapidated playground in the Excelsior was being transformed to what is now Jerry Garcia Amphitheater, Jerry Day continues as an art and music event brimming with local San Franciscan roots.

 

August 10-12

Outside Lands Music Festival Golden Gate Park, SF. www.sfoutsidelands.com. $225 regular 3-day ticket. Musical demi-gods like Stevie Wonder and Neil Young are headlining this year, and the rest of the jaw-dropping lineup makes us wish it were 2035 already so we can clone ourselves and be at opposite sides of the park at once.

 

August 11

Festa Coloniale Italiana, Stockton between Union and Filbert, SF. (415) 440-0800, www.sfiacfesta.com. 11am-6pm, free. When the moon hits your eye, like a big pizza pie, that’s amore. When you dance down North Beach, visiting every food truck you encounter, you’re in love.

 

August 18

Russian River Beer Revival and BBQ Cookoff, Stumptown Brewery, 15045 River, Guerneville. (707) 869-0705, www.stumptown.com. Noon-6pm, $55. You can’t really go wrong attending a festival with a name like this one. Entry fee includes live music, beer, cider, BBQ tastings, and your resurrection.

San Francisco Street Food Festival, Folsom from 20th to 26th St.; 25th St. from Treat to Shotwell, SF. (415) 824-2729, www.sfstreetfoodfest.com. 11am-7pm, free. You may think there is nothing quite as good your own mother’s cooking, but the vendors at La Cocina’s food fair are up for the challenge.

 

August 25

The Farm Series: Late Summer Harvest, Oak Hill Farm, 15101 California 12, Glen Ellen. (415) 568-2710, www.18reasons.org. 9am-5pm, $50. Head to Sonoma with Bi-Rite’s head farmer and produce buyer to check out Family Farm and Oak Hill Farm. Lunch is included in the ticket price and carpool drivers will be reimbursed for gas.

 

August 25-26

Bodega Seafood Art and Wine Festival, 16855 Bodega, Bodega. (707) 824-8717, www.winecountryfestivals.com. $12 advance, $15 at gate. The seaweed is usually greener on somebody else’s lake — but not this weekend. Have your crab cake and eat it too during this crustaceous celebration of food, wine, beer, and art.

 

September 8-9

Ghirardelli Chocolate Festival, Ghiradelli Square, 900 North Point, SF. (800) 877-9338, www.ghiradelli.com. Noon-5pm, $20. It’s finally time to put your at-home ice cream noshing skills to the test. For two-days only, chocolate lovers unite to celebrate all that is good in life — and by that we mean eating contests, chef demonstrations, and local dessert samplings.

 

September 9

EcoFair Marin 2012, Marin County Fairgrounds and Lagoon Park, Civic Center, San Rafael. (415) 499-6800, www.ecofairmarin.org. 10am-6pm, $5. This sustainability event brings together speaker presentations, exhibitions by energy reducing and conserving business leaders, and tasty raw and vegan food vendors, as a community effort to help bring about a healthier planet.

 

September 14-16

Ceramics Annual of America: Exhibition and Art Fair, Festival Hall, Fort Mason, Buchanan at Marina, SF. (877) 459-9222, www.ceramicsannual.org. $10. Contemporary ceramics from Korea, China, Mexico, Australia, and Italy, as well as top American artists’ works, will be showcased in this one-of-a-kind art show. Tours and discussions regarding the clay medium will be provided as a way to foster knowledge regarding the clay medium.

 

September 16

Comedy Day, Sharon Meadow, Golden Gate Park, SF. (415) 820-1570, www.comedyday.com. Noon-5pm, free. There are two secret cures for depression: sunlight and laughter. Comedy Day brings the two antidotes together for a cheery day of priceless (literally, it’s free) entertainment.

 

September 21-23

Eat Real Festival, Jack London Square, Oakl. (510) 250-7811, www.eatrealfest.com. Free. Processed foods really do have a bunch of weird named ingredients that trigger horrific thoughts in one’s imagination. At Eat Real, suspicion is taken out of the eating experience, as everything is handmade, fresh, and local — so you can just eat.

 

September 22

Superhero Street Fair, Islais Creek Promenade, Caesar Chavez at Indiana, SF. www.superherosf.com. 2pm-midnight, $10-20 suggested donation. Fantasy and reality merge through live music performances, a climbing wall, sideshows, interactive games, and a cobblestone walkway of art. The festival hopes to set the World Record for the largest number of superheroes in one location — or at least put Nick Fury to shame.

 

September 23

Folsom Street Fair, Folsom between Seventh and 12th Streets, SF. (415) 777-3247, www.folsomstreetfair.com. 11am-6pm, free. Time to get out that spiked collar and latex gloves once again. Don’t forget your nipple clamps or the vibrating magic wand, either! Might as well bring out the leather whip and chains too — not that you’ve been anticipating this huge fetish extravaganza all year or anything.

 

September 29-30

Polk Street Blues Festival, Polk between Jackson and California, SF. (800) 310-6563, www.polkstreetbluesfestival.com. 10am-6pm, free. The blues festival will feature two stages, a marketplace of crafts and food booths, and enough saxophones and harmonicas to get you rollin’ and tumblin’.

 

September 30

Petaluma’s Fall Antique Faire, Fourth Street and Kentucky from B Street to Washington, Petaluma. (707) 762-9348, www.petalumadowntown.com. 8am-4pm, free. Watch as downtown Petaluma transforms in to an antique marketplace of estate jewelry, furniture, art, and collectables from over 180 dealers.

 

October 4-14

Mill Valley Film Festival, California Film Institute, 1001 Lootens, San Rafael. (415) 383-5256, www.mvff.com. $13.50 per screening. The 11-day festival presents international features, documentaries, shorts, and children’s films, as well as workshops and seminars dedicated to the art of film-making.

 

October 5-7

Hardly Strictly Bluegrass, Golden Gate Park, John F. Kennedy at Marx Meadow, SF. www.strictlybluegrass.com. Free. Warren Hellman has left us in February, but the bluegrass music festival he gifted to San Francisco goes on in memory of its esteemed founder.

 

October 6

Steampunk Oktoberfest Ball, Masonic Lodge of San Mateo, 100 North Ellsworth, San Mateo. (650) 348-9725, www.peers.org/steampunk.html. 8pm, $15 adv.; $20 at door. Steampunk is a combination of modern technology and Victorian fashion tastes. Think steam-powered airships and breathable corsets. Nineteenth century waltzes, mazurkas, and polkas set the soundtrack to this year’s revelry of costumes, dancing, and anachronistic inventions.

 

October 7

Castro Street Fair, Castro at Market, SF. (415) 841-1824, www.castrostreetfair.org. 11am-6pm, donations collected at entry. Founded by Harvey Milk in 1974, this community street festival joins hundreds of craft vendors, various stages of live entertainment, and an impressive array of outfits and wigs as a celebration of the Castro’s ever-growing diversity.

 

October 13-14

Treasure Island Music Festival, Treasure Island, SF. www.treasureislandfestival.com. $69.50 for single day tickets; $125 for regular 2-day tickets. For those who are normally discouraged by large music festivals because of the usual mobs of people, this is the event for you. The festival always sports a great bill of performers, all of which you can enjoy while having a relaxing a picnic on the grass, watching the sunset fall over the Golden Gate Bridge. The lineup will be revealed later this summer.

 

October 15

Noe Valley Harvest Festival, 24th St. between Church and Sanchez, SF. (415) 519-0093, www.noevalleyharvestfestival.com. 10am-5pm, free. Fall into autumn’s welcoming leaves — there will be circus performers, dog costume contests, jack-o-lantern decorating booths, and a pumpkin patch to make you forget all about your fleeting summer crush.

 

October 26-28

International Vintage Poster Fair, Fort Mason Center, SF. (800) 856-8069, www.posterfair.com. $15. This is the only show in the world that offers over 15,000 original vintage posters. Throw out your duplicate copy, and run here now.

Appetite: 2 new Bay cheap eats spots

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In the spirit of my recent “new SF cheap eats” article, here are two noteworthy new cheap eats joints East and South: Berkeley and Palo Alto.

ASIAN BOX

Asian Box is a newer take-out shop (with one narrow communal table inside and a couple tables outside) in a mobbed Palo Alto strip mall. What could be just another casual Asian food joint has two key things going for it. One is two former San Francisco chefs behind it: executive chef Grace Nguyen, of Out The Door’s Bush Street location, and Chad Newton, who many of us followed at Fish and Farm (where he created one incredible burger).

The other is that Asian Box’s affordable food ($6.95-$8.25) is ultra-fresh and satisfying.

It’s an assemble-your-own meal, starting with short or long grain rice, Asian vegetable salad or rice noodles. Choose a protein — I like juicy garlic soy glazed beef or creamy coconut curry tofu, and finish with add-ons like jalapeno, bean sprouts, carrots, peanuts, mint, basil, pickled vegetables, lime – all at no additional charge (except for a .95 caramel egg).

In terms of sauces, creamy peanut sauce with lime and coconut stands out, while there are also Sriracha and a no oil fish sauce. Vietnamese iced coffee and tart lemon lime marmalade ($2.95 – both winners) flow from juice dispensers, while, much as I wanted to try it, house Jungle jerky ($2.75) was sold out on my recent visit.

Though SF residents needn’t trek from the city, if you’re in the area, it’s easily one of the best cheap meals in Palo Alto and would be a lunch hit in SF if they had a Financial District location.

855 El Camino Real, Palo Alto. (650) 391-9305, www.asianboxpaloalto.com

BRASA

In the space were eVe used to be (which I included in the Guardian’s 2010 Best of the Bay), husband-and-wife owners Veronica and Chris Laramie, reopened the place as Brasa, a casual Peruvian eatery with lime green and neutral walls, and idyllic back deck. While they hope to revisit the eVe concept in a bigger space eventually, Veronica tells me the current goal is to open another Brasa.

The menu is simple, heartwarming Peruvian fare, if not solely worth heading across the bridge for, yet worthwhile if in the area. Classic Peruvian favorites like Lomo Saltado here become a sandwich ($8.25) packed with hangar steak, red onion, tomato, soy sauce, and French fries.

The house specialty is rotisserie chicken (quarter to whole chicken with 1-2 sides: $8.75-$21.75), crispy skin dotted with herbs. We have quality rotisserie in SF, but dipping sauces are a plus here, featuring common Peruvian peppers, aji amarillo and rocoto, my favorite being a green hucatay, sometimes referred to as Peruvian black mint, though it is actually an herb related to marigold and tarragon. The sauce is spicy, herbaceous and creamy.

Sip a refreshing chicha morada ($2), a sweet, purple corn Peruvian juice laden with clove and cinnamon, and finish with house alfajores ($3.50), dulce de leche sandwich cookies (though my favorite alfajores are from Sabores del Sur in SF) or Straus soft serve ice cream (cone $3, pint $6) infused with coffee caramel.

1960 University Ave., Berk. (510) 868-0735, www.brasajoint.com

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Toward the fun: The return of Wavy Gravy

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And so Wavy Gravy, a cultural icon of the 1960s and ever after, returns to the Bay Area and the Freight & Salvage Coffee House in Berkeley on May 22 for a benefit concert to fund his Camp Winnarainbow in Mendocino County.

Gravy sums up his camp in his classic style: “At Camp Winnairainbow we are not trying to create little stars (although it does happen). What we are trying to create are universal human beings that can deal with anything that comes down the pike with timing, balance, humor, and compassion which i call surviving in the  21st century or how to duck with a sense of humor.”  Headlining the show will be Jonathan Richman, the Barry Melton band and special guest Nick Gravenites.  Lee Houskeeper reports:

TOWARD THE FUN
A BENEFIT FOR CAMP WINNARAINBOW
TUESDAY MAY 22ND FREIGHT & SALVAGE COFFEE HOUSE

Media Note: Please call Wavy Gravy directly for interviews at (510) 325-5829 or (510) 525-1407

Cultural icon Wavy Gravy will host a benefit concert on Tuesday May 22nd at Freight & Salvage Coffee House in Berkeley to raise funds for his Camp Winnarainbow.  Headlining the show will be Jonathan Richman, Barry Melton Band and special guest Nick Gravenites.

For 35 years Camp Winnarainbow has been well renowned circus and performing arts camp directed by Wavy Gravy and his wife Jahanara Romney.  Located at Black Oak Ranch in Mendocino County, Camp Winnarainbow provides an opportunity for children and adults to discover new realms of personal achievement, communion with nature and group spirit.

In addition to the basic circus skills that include juggling, unicycle, trapeze, tall stilts, and gymnastics, Camp Winnarainbow even has a theatre department that teaches Shakespeare to Improv and a dance department where kids learn everything from Hip Hop to West African and Swing.

Through its Grace & Joy scholarship program, Camp Winnarinbow is able to impact the lives of thousands of economically disadvantaged children by offering them the opportunity to experience the richness of what camp has to offer. 

Camp Winnarainbow graduates over the years have included the children of the Grateful Dead’s Mickey Hart, Jerry Garcia and Bob Weir, Country Joe McDonald, Jackson Browne, Tom Waits, the Gravy kids and John Madden’s grandchildren.

At Camp Winnarainbow we are not trying to create little stars (although it does happen) what we are trying to create is universal human beings that can deal with anything that comes down the pike with timing, balance, humor and compassion which I call surviving in the 21st century or how to duck with a sense of humor.

Wavy Gravy
May 7th, 2012

WHAT: Toward The Fun-A Benefit for Camp Winnarainbow

WHO: Wavy Gravy, Jonathan Richman, Barry Melton Band and special guest Nick Gravenites.

WHEN: 8:00 pm-Tuesday, May 22nd
6:00 -7:30 pm-VIP Tickets and Reception

WHERE: The Freight & Salvage
2020 Addison Street, Berkeley, CA 94704

Tickets for the benefit are $30 and are available at the Freight & Salvage box office – www.thefreight.org 510-644-2020.
VIP Tickets are $75 and are available at Camp Winnarainbow – www.campwinnarainbow.org 510-525-4304.

For more information about the benefit and Camp Winnarainbow, please visit www.campwinnarainbow.org

11th Annual Pagan Festival and Parade

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Join us at the 11th Annual Pagan Festival & Parade honoring 2012 Keeper of the Light-T. Thorn Coyle with a day of music, dance, speakers, altars, vendors, Druid Story Telling Pavilion, Authors’ Circle, Children’s Crafts, and Community Info Booths. Performers: Evelie Posch with KSME, Shay Black, Ariellah & Deshret Dance Company-Dark Fusion Belly Dance, Anaar-Dark Imaginations Dance, Land of the Blind, Amelia Hogan, the DulciMates and The Empress. Speakers and Authors: Diana L. Paxson, Anne Hill,  Rabbit Matthews, Joi Wolfwomyn, Glenn Turner, Crystal Blanton and Stan Morey II. Best Costume Awards for Youth and Adults. Parade at noon in the streets of downtown Berkeley. More info here.
 
Saturday, May 12 from 10am-5:30pm @ Civic Center Park, Berk. | Free

Rep Clock May 9-15, 2012

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Schedules are for Wed/9-Tue/15 except where noted. Director and year are given when available. Double and triple features are marked with a •. All times pm unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $7. “Other Cinema:” “Occupy Cinema!,” works from and inspired by the Occupy movement, Sat, 8:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-11. Check website for shows and times.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-10.25. Bully (Hirsch, 2012), call for dates and times. The Deep Blue Sea (Davies, 2011), call for dates and times. Letters From the Big Man (Munch, 2011), call for dates and times. Marley (Macdonald, 2012), call for dates and times. Monsieur Lazhar (Falardeau, 2011), call for dates and times. “World Ballet on the Big Screen:” The Bright Stream from the Bolshoi Ballet, Moscow, Tue, 6:30. This event, $15. First Position (Kargman, 2011), May 11-17, call for times. Lou Harrison: A World of Music (Soltes, 2012), Sun, 7.

ELMWOOD 10070 San Pablo, El Cerrito; www.rialtocinemas.com. Free. “Community Cinema:” Strong! (Wyman, 2012), Wed, 7.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. No screenings scheduled.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-10. Gerhard Richter Painting (Belz, 2011), Wed-Thu, 7, 9. Hit So Hard (Ebersole, 2011), Thu, 8:45. Jeff, Who Lives at Home (Duplass and Duplass, 2011), Thu, 7. “I Wake Up Dreaming 2012: The French Have a Name for It!”: •I, The Jury (Essex, 1953), Fri, 6:10, 9:45, and The Big Combo (Lewis, 1955), Fri, 8, 11:30; •Knock On Any Door (Ray, 1949), Sat, 4, 8, and Edge of Doom (Robson, 1950), Sat, 2, 6, 10; •Such a Pretty Little Beach (Allegret, 1949), Sun, 3, 8, and Detour (Ulmer, 1945), Sun, 4:45, 9; The Pretender (Wilder, 1947), Sun, 1:30, 6:30; •The Strange Mr. Gregory (Rosen, 1945), Mon, 6:40, 9:20, and Return of the Whistler (Lederman, 1948), Mon, 8; •Highway 13 (Berke, 1948), Tue, 6:40, 9:30, and The Devil’s Henchman (Friedman, 1949), Tue, 8.

SAN FRANCISCO STATE UNIVERSITY McKenna Theatre, Creative Arts Bldg, 1600 Holloway, SF; (415) 338-2467, creativearts.sfsu.edu. $5-9. “SF State’s 52nd Annual Film Finals,” Fri, 7.

“SAUSALITO FILM FESTIVAL” Various North Bay venues; www.sausalitofilmfestival.com. Fourth annual festival highlighting features, shorts, animation, and documentaries, Fri-Sun.

SF FILM SOCIETY CINEMA 1746 Post, SF. $10-11. The Day He Arrives (Hong, 2011), Wed-Thu, 3, 5, 7, 9. Here (King, 2011), May 11-17, 1:45, 6:30. Michael (Schleinzer, 2011), May 11-17, 4:15, 9.

SAN FRANCISCO MUSEUM OF MODERN ART 151 Third St, SF; www.sfcinematheque.org. $10. “Seconds of Eternity IV:” Galaxie (Markopoulos, 1966), Thu, 7.

SUNDANCE KABUKI 1881 Post, SF; www.sundancecinemas.com. “San Francisco Opera’s Grand Opera Cinema Series:” Il Trittico, Tue/15, 7 and May 19, 10:30am.

VORTEX ROOM 1082 Howard, SF; www.myspace.com/thevortexroom. $7 donation. “Starship Vortex:” •Dark Star (Carpenter, 1974), Thu, 9, and To the Stars By Hard Ways (Viktorov and Viktorov, 1982), Thu, 11.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “Discovering Andrzej Zulawski:” The Third Part of the Night (1971), Thu, 7:30; The Devil (1972), Sat, 7:30; On the Silver Globe (1976/1988), Sun, 2.

Sushi east and west

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virginia@sfbg.com

APPETITE Despite the countless lauded sushi restaurants I’ve eaten at in NY and LA, I find San Francisco more than keeps up, whether due to the staggering range of fish (and lovably surly attitude) Roger delivers at Zushi Puzzle (www.zushipuzzle.com) (pencilfish or flying fish, anyone?), the sustainable efforts of Tataki (www.tatakisushibar.com) and Sebo (www.sebosf.com), or the pristine precision of Sausalito stalwart Sushi Ran (www.sushiran.com), which tops overrated Nobu (www.noburestaurants.com) restaurants, in my book.

Here is one new SF spot and one revamped Berkeley restaurant adding more welcome sushi diversity to the Bay Area.

 

SARU SUSHI BAR

Why couldn’t Saru Sushi Bar have been in Noe Valley all the years I lived right by this 24th Street storefront? The space’s original two sushi incarnations were less than desirable, where I was once subjected to smelly, rubbery fish. The closet-sized restaurant is completely revamped to the unrecognizable point. Still tiny, it feels roomier with large front windows and sleek brown color scheme. Cheery service pleasantly elevates the experience, particularly on a sunny day at lunch.

I’d claim the space has finally arrived. There’s not just the usual hamachi and sake (salmon), but rather playful, unique bites prepared with care. “Spicy cracker” ($7) is a sheet of seaweed fried in tempura, topped with spicy tuna and avocado — a textural bite. Bright halibut tartare is drizzled in lime zest, yuzu juice, and Japanese sea salt. Though I ever appreciate sampling options, some tasting spoons ($7) work better than others. One that worked: young yellowtail (kanpachi) in truffle oil and ponzu sauce, with garlic chips and scallions.

I know I’m good hands if raw spot prawns (amaebi) are on the nigiri menu ($7 two pieces). Bright and firm, they taste as if they were caught fresh that morning. Snappy rolls (maki) are not overwrought. Quality raw scallops are a favorite, so I appreciate Naked Scallop ($12), a roll wrapped in light green soy paper, filled with snow crab, avocado, masago (smelt roe), and, of course, scallop. Not near as junk-food-sushi as it sounds, is the fresh, fun, subtly crispy Popcorn Tuna roll ($10): panko-crusted spicy tuna is topped with masago (smelt roe), scallions, spicy mayo, and a sweet soy glaze.

Noe Valley finally has a destination sushi bar.

3856 24th St., SF. (415) 400-4510, www.akaisarusf.com

 

JOSHU-YA BRASSERIE

At first glance, Joshu-ya Brasserie could be another hip Berkeley student hang-out: a funky, converted old house with red-gated front patio. But step inside the recently remodeled space and bamboo and dark wood exude an Old World Zen. A fountain out front murmurs soothingly while the sun warms the partially covered patio.

A chalkboard lists fish specials, but also rabbit tacos and Kobe kimchi sliders (the latter cooked too medium-well for me). One immediately realizes this is no typical sushi or even Japanese restaurant. Young executive chef-owner Jason Kwon’s vision is bigger. Yes, he is going for the Bay Area standard of seasonal, sustainable, locally-sourced ingredients — after all, he founded Couteaux Review (www.couteauxreview.com), a culinary organization promoting sustainable agriculture. But French influence and unique twists keep things interesting, with dishes like pan-roasted rib-eye medallions in blackberry balsamic reduction, or duck confit with buckwheat noodles, nori and bonito flakes. In some ways, the vision feels beyond what the restaurant has yet fully grown into, but the intriguing elements hold promise.

The $35 omakase is a steal, particularly when chef Kwon informs you his fish supplier is the same one that French Laundry and Morimoto buy from. After a starter of seared albacore, fresh and bright, if a little too doused in fried onions and ponzu sauce, a giant, artistic sashimi platter hits a number of high notes with actual fresh wasabi (always a good sign), aji tataki (horse mackerel) from Japan, kanpachi (young yellowtail) from Hawaii, hirame (halibut) from Korea, and chu-toro (bluefin tuna) from Spain. Only one fish on the platter arrived too cold and firm. The rest were silky and satisfying.

Being less of a sweet tooth, I’d rather have finished the omakase with another savory dish than tempura red bean ice cream. Generous scoops of fried ice cream and pound cake were a little weighted after such a refreshing meal. Seared salmon in truffle creme sounds like a fine dessert to me.

2441 Dwight Way, Berk. (510) 848-5260, www.joshu-ya.com

Subscribe to Virgina’s twice-monthly newsletter, The Perfect Spot, www.theperfectspotsf.com

On the Cheap May 9-15, 2012

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WEDNESDAY 9

They Make Us Dangerous author reading and chitchat Modern Times Bookstore Collective, 2919 24 St., SF. (415) 282-9246, www.mtbs.com, 7-10pm, free. Step onto the Cold War battlefield that was Bolivia from 1964 to 1980, as you listen to the first hand account of a Catholic nun from the US’s Midwest whose doctoral research takes her to this mesmerizing but poverty-stricken region. As revolution clashes with oppression and boils over in dictatorship, author Frances Payne closes the book to answer and discuss your thoughts and inquiries.

Local Authors Night Hayward Area Historical Society, 22380 Foothill Blvd., Hayward. (510) 581-8172, www.haywardhistory.org, 7pm, free. Prepare your have your hairs stand on end as East Bay author Alec Nevala-Lee reads part of his thriller, The Icon Thief, and buckle up for an emotional ride as David Teves, also of the East Bay, reads his novel, A Matter of Time, and takes you one man’s journey through his own personal hell.

 

THURSDAY 10

Plantosaurus Rex prehistoric plant exhibition and time warp Conservatory of Flowers, 100 JFKennedy Dr., SF. (415) 831-2090, www.conservatoryofflowers.org, 10am-4pm Tuesdays-Sundays, $5 general for youth, seniors, students and those with proof of SF residency. $7 general. Today, the Conservatory kicks off a five-month exhibit (ending Oct. 21) that transports you 250-65 million years back in time on a journey through the living plant life and model animals of the Mesozoic Era.

 

FRIDAY 11

MFA Graduate Student Art Exhibition opening reception Phoenix Hotel, 601 Eddy St., SF. www.sfai.edu. noon-10pm, free. The San Francisco Art Institute introduces you to the love-labors of 100 MFA grad students to tantalize your senses with work from across the artistic disciplines, as you meander through the open guestrooms and poolside courtyard of this funky hotel.

SFAI MFA Student Film Screening SFMOMA, Phyllis Wattis Theater, 151 3 St., SF. www.sfai.edu. 1pm-3pm, free. From an experimental documentary about the Occupy movement to an animated short starring an otter and lemur living in a submarine, these works by graduating MFA film students will introduce you to the filmmakers of the future.

 

SATURDAY 12

Making Mothers Visible Pop-Up Photography Arts Event San Francisco Main Public Library, Civic Center, 100 Larkin St., SF. www.imow.org. 10am-3pm, free. Just in time for Mother’s Day, the International Museum of Women invites you to celebrate moms the world around. Watch as volunteers install more than 50 large-scale photographs of mothers and midwives on the exterior of the library. This family-friendly day also features free art activities including face painting for kids and a hands-on art workshop for adults.

Paradigm Shift Pagan Festival and Parade Martin Luther King Jr., Civic Center Park, 2151 Martin Luther King Jr. Way, Berkeley. www.thorncoyle.com. 10am-5:30pm, free. March amid belly dancers, storytellers, music, and merriment in the eleventh annual procession of the Pagan Festival. You and your brood could win a best costume award if you arrive decked out in your finest tribal attire.

Rocket Dog Rescue Happy Hour Benefit Bliss Bar, 4026 24 St., SF. (877) 737-3647, adopt@rocketdogrescue.org. 5pm-7:30pm, free with $10 recommended donation. Bliss out at the bar with fellow K-9 lovers as you enjoy the music of Bright Side Band. All proceeds will benefit dogs in need via Rocket

 

SUNDAY 13

How Weird Street Faire, Electronic Music Festival Howard and 2nd St., SoMa SF. www.HowWeird.org. 12pm-8pm, $10 donation requested. When the Dalai Lama was asked what the average person could do to promote world peace, he replied, “They can make festivals, bring people together.” So: 13 stages of music will dot 13 city blocks for this 13th annual party to celebrate peace and creativity via technical sounds, visual innovations and thousands of people.

 

MONDAY 14

Coit Tower celebrate historic murals at Booksmith The Booksmith, 1644 Haight St., SF. (415) 863-8688, www.booksmith.com. 7:30pm, free. On the June 5 ballot, local voters will consider Prop. B, an initiative asking the city to prioritize restoration and preservation of 27 New Deal-era murals at Coit Tower atop Telegraph Hill. This literary evening is dedicated to reading about and reliving the history of Coit Tower and its art-laden walls.

SHOUT Storytelling Grand Lake Coffee House, 440 Grand Ave., Oakl. www.theshoutstorytelling.com. 7:30pm, $5–<\d>$20, pay what you will. Listen to true but incredible 10-minute stories from the lives of local raconteurs in an informal coffee house setting that will feel like a party in your own living room (that you don’t have to clean up). Feeling the gift of gab? Throw your name into the hat in hopes of getting picked for one of the six-minute wild card slots.

 

TUESDAY 15

Feast of Words; A literary potluck to laugh with a funny lady SOMArts Cultural Center, 934 Brannan St, SF. Feastofwords.somarts.org, feastofwords@somarts.org. 7pm-9pm, $10 advance, $5 with potluck dish, $12 at door. Following a nationwide tour, Oakland-based funny girl writer, Cassie J. Sneider, reads from her new book Fine, Fine Music at this monthly potluck. This intimate party brings writers, foodies, and any combination of the two, together to — well — eat, write, and laugh.

Stage Listings May 9-15, 2012

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

THEATER

OPENING

“DIVAfest” Exit Theatreplex, 156 Eddy, SF; (415) 673-3847, www.theexit.org. $15-25. May 9-27. Three solo shows, plus singer-songwriters, readings, and art displays, highlight this festival honoring female artists.

Endgame and Play American Conservatory Theater, 415 Geary, SF; (415) 749-2228, www.act-sf.org. $10-95. Previews Wed/9-Sat/12 and Tue/15, 8pm (also Sat/12, 2pm). Opens May 16, 8pm. Runs Tue-Sat, 8pm (also Wed, Sat-Sun, 2pm; no matinees Wed/9, Sun/13, May 16, or May 23; May 22 performance at 7pm). Through June 3. ACT presents two absurd dark comedies by Samuel Beckett.

A Raisin in the Sun Buriel Clay Theater, African American Art and Culture Complex, 762 Fulton, SF; 1-800-838-2006, www.african-americanshakes.org. $10-35. Opens Sat/12, 8pm. Runs Fri-Sat, 8pm (no show May 25); Sun, 3pm. Through May 27. African-American Shakespeare Company performs Lorraine Hansberry’s classic drama.

BAY AREA

The Odyssey Angel Island; (415) 547-0189, www.weplayers.org. $40-76 (some tickets include ferry passage). Opens Sat/12, 10:30am-4pm (does not include travel time to island). Runs Sat-Sun and Fri/18, May 25, and June 1, 10:30am-4pm. Through July 1. We Players present Ava Roy’s adaptation of Homer’s epic poem: an all-day adventure set throughout the nature and buildings of Angel Island State Park.

ONGOING

Act One, Scene Two Phoenix Arts Association Theatre, 414 Mason, Ste 601, SF; www.un-scripted.com. $10-20. Thu/10-Sat/12, 8pm. Un-Scripted Theater Company performs the beginning of a new, unfinished play by a local author — and creates an ending on the spot once the script runs out.

“Bay One Acts Festival” Boxcar Theatre, 505 Natoma, SF; www.bayoneacts.org. $25-45. Wed/9-Sat/12, 8pm (also Sat/12, 3pm). Ten bold and adventurous short plays by local playwrights, performed two full programs running in repertory.

Down to This Exit Stage Left, 156 Eddy, SF; www.sleepwalkerstheatre.com. $12-20. Thu-Sat, 8pm. Through May 26. Thirty-something Charlie (Derek Fischer) plays this little game with himself where he tosses a rotten egg at the kitchen trash as if he were making a free-throw in sudden-death overtime. This little moment, innocent and ordinary on the surface, puzzles one-night stand Donna (Tonya Narvaez) after she happens on the scene. That she would be baffled, even momentarily disturbed by so common a flight of sports-dude imagination is our first taste of the strained mechanics of Adam Chanzit’s slight pulp revenge tale: sure enough, this game of chance turns out to be a (pretty ridiculous) psychopathology ruling Charlie’s world. When a moment later his equally imbalanced and estranged wife (Kendra Lee Oberhauser), fresh from prison and packing heat, bursts in on the two lovebirds, Charlie’s fate-game will become the tortured trope in a table-turning showdown between all three — plus Charlie’s hapless roommate (Jomar Tagatac) and his crew-cut–sporting sidekick (Shane Rhoades). Chanzit offers some mild surprises and amusing banter along the way in Sleepwalkers’ world premiere — helmed by artistic director Tore Ingersoll-Thorp — but the plot and characters are stretched thin, and the tension often grows slack despite the able and likable cast. By the time the story climaxes in a coin-toss of an ending (designed to work out one of two ways, depending), it’s too big a muddle to generate more than a momentary quiver of anticipation over anybody’s fate. (Avila)

Fwd: Life Gone Viral Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, www.themarsh.org. $20-50. Thu, 8pm; Sat, 8:30pm; Sun, 7pm. Through June 10. The internet becomes comic fodder for creator-performers Charlie Varon and Jeri Lynn Cohen, and creator-director David Ford.

*Hot Greeks Hypnodrome Theatre, 575 10th St, SF; www.brownpapertickets.com. $30-35. Thu-Sat, 8pm. Extended through May 19. Cheap thrills don’t come much cheaper or more thrilling than at a Thrillpeddlers musical extravaganza, and their newly remounted run of Hot Greeks affords all the glitter-dusted eye-candy and labyrinthian plot points we’ve come to expect from their gleefully exhibitionist ranks. Structured as loosely as possible on Aristophanes’ Lysistrata, Greeks appropriately enough follows the trials and tribulations of a college sorority tired of “losing” their boyfriends to the big football match every year (Athens U vs. Sparta Tech). Pledging to withhold sex from the men unless they call off the game results in frustration for all, only partially alleviated by the discovery that sexual needs can be satisfied by “playing the other team,” as it were. But like other Cockettes’ revivals presented by the Thrillpeddlers, the momentum of the show is carried forward not by the rather thinly-sketched narrative, but by the group song-and-dance numbers, extravagant costuming (and lack thereof), ribald wordplay, and overt gender-fuckery. In addition to many TP regulars, including a hot trio of Greek columns topped with “capital” headdresses who serve as the obligatory chorus (Steven Satyricon, Ste Fishell, Bobby Singer), exciting new additions to the Hypnodrome stage include a bewigged Rik Lopes as stalwart sister Lysistrata, angelically-voiced Maggie Tenenbaum as the not-so-angelic Sodoma, and multi-faceted cabaret talent Tom Orr as heartthrob hunk Pendulum Pulaski. (Gluckstern)

It’s All the Rage Studio Theater, Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, www.themarsh.org. $15-50. Thu, 8pm; Sat, 8:30pm, Sun, 7pm. Extended through May 27. Longtime comedian and radio host Marilyn Pittman’s solo play wrestles with the legacy of her parents’ violent deaths in a 1997 murder-suicide initiated by her father. It’s disturbing material that Pittman, a stout middle-aged woman with a gregarious and bounding personality, approaches indirectly via a good deal of humor — including recounting the first time she did her growing-up-lesbian bit before her mother in a DC comedy club. But the pain and confusion trailing her for 13 years is never far behind, whether in accounts of her own battle with anger (and the broken relationships it has left in its wake) or in ominous memories of her too complacent mother or her charming but domineering father, whose controlling behavior extended to casually announcing murderous dreams while policing the boundaries of his marriage against family interference. A fine mimic, Pittman deploys a Southern lilt in playing each parent, on a stage decorated with a hint of their Southwestern furnishings and a framed set of parental photographs. In not exactly knowing where to lay blame for, or find meaning in, such a horrifying act, the play itself mimics in subtler form the emotional tumult left behind. There’s a too brief but eerie scene in which her veteran father makes reference to a murder among fellow soldiers en route to war, but while PTSD is mentioned (including as an unwanted patrimony), the 60-minute narrative crafted by Pittman and director David Ford wisely eschews any pat explanation. If transitions are occasionally awkward and the pace a bit loose, the play leaves one with an uncomfortable sense of the darker aspects of love, mingled with vague concentric histories of trauma and dislocation in a weird, sad tale of destruction and staying power. Note: review from the show’s 2009 run at the Marsh San Francisco. (Avila)

Killing My Lobster Chops Down the Family Tree TJT, 470 Florida, SF; www.killingmylobster.com. $10-22. Thu/10-Fri/11, 8pm; Sat/12, 7 and 10pm; Sun/13, 7pm. The sketch comedy troupe performs a new show inspired by contemporary families.

“San Francisco International Arts Festival” Various venues, SF; www.sfiaf.org. Free-$70. Through May 20. Performance festival featuring theater and dance from Cuba, Iran, Russia, the U.S., China, Japan, Estonia, and more.

Tenderloin Exit on Taylor, 277 Taylor, SF; (415) 525-1205, www.cuttingball.com. $10-50. Thu, 7:30pm; Fri-Sat, 8pm (also Sat, 2pm); Sun, 5pm. Through May 27. Annie Elias and Cutting Ball Theater artists present a world premiere “documentary theater” piece looking at the people and places in the Cutting Ball Theater’s own ‘hood.

To Be Young, Gifted and Black: Honoring Lorraine Hansberry In Her Own Words Gough Street Playhouse, Trinity Episcopal Church, 1620 Gough, SF; www.custommade.org. $22-28. Thu-Sat, 8pm; Sun, 7pm. Through May 27. Custom Made Theater and Multi Ethnic Theater collaborate on this tribute to the groundbreaking playwright.

The Waiting Period MainStage, Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, www.themarsh.org. $15-50. Fri, 8pm; Sat, 5pm. Extended through July 7. Brian Copeland (comedian, TV and radio personality, and creator-performer of the long-running solo play Not a Genuine Black Man) returns to the Marsh with a new solo, this one based on more recent and messier events in Copeland’s life. The play concerns an episode of severe depression in which he considered suicide, going so far as to purchase a handgun — the title coming from the legally mandatory 10-day period between purchasing and picking up the weapon, which leaves time for reflections and circumstances that ultimately prevent Copeland from pulling the trigger. A grim subject, but Copeland (with co-developer and director David Ford) ensures there’s plenty of humor as well as frank sentiment along the way. The actor peoples the opening scene in the gun store with a comically if somewhat stereotypically rugged representative of the Second Amendment, for instance, as well as an equally familiar “doood” dude at the service counter. Afterward, we follow Copeland, a just barely coping dad, home to the house recently abandoned by his wife, and through the ordinary routines that become unbearable to the clinically depressed. Copeland also recreates interviews he’s made with other survivors of suicidal depression. Telling someone about such things is vital to preventing their worst outcomes, says Copeland, and telling his own story is meant to encourage others. It’s a worthy aim but only a fitfully engaging piece, since as drama it remains thin, standing at perhaps too respectful a distance from the convoluted torment and alienation at its center. (Avila)

The Wrong Dick Dark Room Theater, 2263 Mission, SF; www.darkroomsf.com. $20. Thu-Sat, 8pm. Through May 26. Ham Pants Productions presents a noir-inspired comedy set in San Francisco.

Zorba Eureka Theater, 215 Jackson, SF; (415) 255-8207, www.42ndstmoon.org. $20-50. Wed, 7pm; Thu-Fri, 8pm; Sat, 6pm; Sun, 3pm. Through May 20. 42nd Street Moon performs Kander and Ebb’s musical salute to Greece.

BAY AREA

Anatol Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $30-55. Wed/9-Sat/12, 8pm; Sun/13, 2 and 7pm. Aurora Theatre Company performs a world premiere translation of Arthur Schnitzler’s drama about the love life of an Viennese philanderer.

Crevice La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thu-Sat, 8pm. Through June 9. Impact Theatre and PlayGround present Lauren Yee’s world premiere play about 20-something siblings whose couch-potato lives are uprooted when a chasm opens up in their living room.

A Hot Day in Ephesus Live Oak Theatre, 1301 Shattuck, Berk; info@aeofberkeley.org. $12-15. Fri-Sat, 8pm; Sun/13, 2pm. Through May 19. Actors Ensemble performs the world premiere of a musical based on Shakespeare’s Comedy of Errors.

In Paris Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $22.50-125. Wed/9, 7pm; Thu/10-Sat/12, 8pm (also Sat/12, 2pm); Sun/13, 2pm. Mikhail Baryshnikov stars in Dmitry Krymov’s romantic new play.

*The Kipling Hotel: True Misadventures of the Electric Pink ’80s New venue: Marsh Berkeley, 2120 Allston, Berk; (415) 282-3055, www.themarsh.org. $20-50. Sat, 8:30pm; Sun, 7pm. Extended through June 10. This new autobiographical solo show by Don Reed, writer-performer of the fine and long-running East 14th, is another slice of the artist’s journey from 1970s Oakland ghetto to comedy-circuit respectability — here via a partial debate-scholarship to UCLA. The titular Los Angeles residency hotel was where Reed lived and worked for a time in the 1980s while attending university. It’s also a rich mine of memory and material for this physically protean and charismatic comic actor, who sails through two acts of often hilarious, sometimes touching vignettes loosely structured around his time on the hotel’s young wait staff, which catered to the needs of elderly patrons who might need conversation as much as breakfast. On opening night, the episodic narrative seemed to pass through several endings before settling on one whose tidy moral was delivered with too heavy a hand, but if the piece runs a little long, it’s only the last 20 minutes that noticeably meanders. And even with some awkward bumps along the way, it’s never a dull thing watching Reed work. (Avila)

Lucky Duck Julia Morgan Theatre, 2640 College, Berk; www.berkeleyplayhouse.org. $17-35. Thu/10-Sat/12, 7pm (also Sat/12, 2pm); Sun/13, noon and 5pm. Berkeley Playhouse performs a musical inspired by the “Ugly Duckling” tale.

Not Getting Any Younger Marsh Berkeley, 2120 Allston, Berk; (415) 282-3055, www.themarsh.org. $15-50. Fri, 8pm; Sat, 5pm. Through May 19. Marga Gomez is back at the Marsh, a couple of too-brief decades after inaugurating the theater’s new stage with her first solo show — an apt setting, in other words, for the writer-performer’s latest monologue, a reflection on the inevitable process of aging for a Latina lesbian comedian and artist who still hangs at Starbucks and can’t be trusted with the details of her own Wikipedia entry. If the thought of someone as perennially irreverent, insouciant, and appealingly immature as Gomez makes you depressed, the show is, strangely enough, the best antidote. Note: review from the show’s 2011 run at the Marsh San Francisco. (Avila)

Oleanna Berkeley City Club, 2315 Durant, Berk; www.theatrefirst.com. $15-30. Thu/10-Sat/12, 8pm; Sun/13, 5pm. TheatreFIRST performs David Mamet’s tense two-charater drama.

Red Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $14.50-83. Wed/9, 7pm; Thu/10-Fri/11, 8pm; Sat/12, 2pm. Mark Rothko (David Chandler) isn’t the only one painting with a broad brush in this labored and ultimately superficial two-hander by John Logan, enjoying a competent but underwhelming production by outgoing Berkeley Rep associate artistic director Les Waters. Set inside the late-1950s New York studio of the legendary abstract expressionist at the height of his fame, the play introduces a blunt and brash young painter named Ken (John Brummer) as Rothko’s new hired hand, less a character than a crude dramatic device, there first as a sounding board for the pompous philosophizing that apparently comprises a good chunk of the artist’s process and finally as a kind of mirror held up to the old iconoclast in challenging proximity to a new generation that must ultimately transcend Rothko’s canvases in turn. The dialogue holds up signs announcing intellectual and aesthetic depths but these remain surface effects, reflecting only platitudes, while the posturing tends to reduce Rothko to caricature. Much of the self-consciously reluctant filial interaction here smacks of biographical sound bites or heavy-handed underscoring of theme, and tends toward the outright hokey when touching on the credulity-bending subject of Ken’s murdered parents — with the attendant shades this adds to Rothko’s and the play’s chosen color palette. (Avila)

The World’s Funniest Bubble Show Marsh Berkeley, TheaterStage, 2120 Allston, Berk; (415) 826-5750, www.themarsh.org. $8-50. Extended run: May 5-27 (Sat-Sun, 11am); June 3-July 15 (Sun, 11am). Louis “The Amazing Bubble Man” Pearl returns with this kid-friendly, bubble-tastic comedy.

PERFORMANCE/DANCE

BATS Improv Bayfront Theater, Fort Mason Center, Marina at Laguna, SF; www.improv.org. Fri, 8pm, through May 25: “Director’s Cut!,” $20. Sat, 8pm, through May 26: “Improvised Murder Mystery,” $20.

“Bijoux: Seven-Year Beeyotch!” Martuni’s, Four Valencia, SF; (415) 241-0205. Sun/13, 7pm. $7. Trauma Flintstone hosts an eclectic queer variety show with a Mother’s Day theme.

“Comedy Returns to El Rio” El Rio, 3158 Mission, SF; www.elriosf.com. Mon/14, 8pm. $7-20. With comedians Shazia Mirza, Marga Gomez, Jeff Applebaum, Brendan Lynch, and Lisa Geduldig.

“Elect to Laugh” Studio Theater, Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, www.themarsh.org. Tue, 8pm. Ongoing through Nov 6. $15-50. Will Durst and friends perform in this weekly political humor show that focuses on the upcoming presidential election.

“Feast of Words: A Literary Potluck” SOMArts Cultural Center, 934 Brannan, SF; feastofwords.somarts.org. Tue/15, 7pm. $5-12. With author Cassie J. Sneider and culinary guest Kuukua Dzigbordi Yomekpe.

“A Funny Night for Comedy” Actors Theatre of San Francisco, 855 Bush, SF; (415) 345-1287, www.natashamuse.com. Sun/13, 7pm. $10. Mother’s Day is the theme of this comedy showcase.

“Let Me Entertain You” Venetian Room, Fairmont San Francisco, 950 Mason, SF; www.bayareacabaret.org. Sat/12, 8pm. $45. Tony winner Laura Benanti performs her solo cabaret.

“Listen to Your Mother San Francisco” Cowell Theater, Fort Mason Center, Marina at Laguna, SF; (415) 345-7575, www.listentoyourmothershow.com. Thu/10, 7pm. $25. 826 Valencia benefits from this reading event fearuting 12 local writers sharing stories of motherhood.

“Second Sundays” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Sun/13, 2-4pm. Free. Works-in-progress showings from Deborah Karp Dance Projects, detour dance, and Sarah Keeney/floating rib dance project.

Who is the brick thrower?

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Yael@sfbg.com

The brick-throwing man whose projectiles hit two protesters at the Occupy San Francisco takeover of a Turk Street building on May Day has helped spark intense internal debates in the movement about the use of violence.

But nobody has heard the alleged hurler’s side of the story.

Jesse Nesbitt, 34, was arrested on the scene, and is accused of felony assault, assault on a police officer, and vandalism. I interviewed Nesbitt in San Francisco County Jail May 3. He spoke of his associations with drug addicts and revolutionaries; his previous stints in jails, prisons and psych wards; and his countless arrests on the streets of San Francisco for illegal lodging.

What emerged was a picture of a homeless Army veteran who suffers from untreated mental illness and substance-abuse issues — someone who found a degree of help and solace in the Occupy movement but has never fully escaped his problems. His story is, unfortunately, not unusual — there are many thousands of vets who the system has utterly failed.

Nesbitt told me he was diagnosed as schizophrenic at 16. “From bad things happening, my mental illness has snowballed since then,” he explained.

Nesbitt said he grew up in the projects outside Pittsburgh, Pennsylvania during the 1980s. “It wasn’t too nice,” he explained. When he was 18, he joined the Army.

“I wanted to join the military all my life. That’s what I wanted to do,” he said. The schizophrenia could have stopped him — but “I lied my way in.”

His tour in Korea was during peace time, but he says he still saw combat. “We were supposed to be at peace with North Korea, in a ceasefire. But whenever they got a chance, they shot at us. And whenever we got a chance, we shot at them.

“It hardened my heart. And it gave me a sense of duty to uphold our Constitution.”

Nesbitt returned from South Korea in 1996. Afterward, “I hitchhiked from coast to coast twice. I got married three times. I have a kid in Pennsylvania. I went to jail in Pennsylvania for — being young and stupid,” he said.

Later in the interview, he expanded on his prison time in Pennsylvania. “I did four years and eight months for aggravated assault, theft, and possession of an instrument of crime,” said Nesbitt. “I also did time in Georgia for assault. And I did time in Alameda County for vandalism and weapons.”

In fact, as he tells it, Nesbitt’s time in Berkeley was spent mainly in jail, before he got involved with Occupy Berkeley.

“I don’t know how much time I did in total in Alameda County. I’d be in jail two, three weeks, get out five, six days, then get arrested again. That was from last April to July,” he says.

On the days when he was free, “I was doing what I normally do,” said Nesbitt. “I’d squat somewhere. In the daytime I’d panhandle, go to the library. I was doing a lot of drinking. Then I started getting arrested a lot when I started doing meth.”

That was his life before joining Occupy. “A friend of mine who was shooting heroin at the time said, let’s go join the revolution. It will help clean you up. It helped pull me out of a drug addiction and keep me healthy,” said Nesbitt.

But that wasn’t the only reason he joined.

“I’ve always had revolutionary beliefs,” he says. He spoke of his friends in Pittsburgh. They wouldn’t let him go the G20 protests in 2009, fearing he would be incited to violence.

“I’ve been involved with anarchists for a long time. They pointed out documentaries I should watch, things I should read,” said Nesbitt.

But the example he gave me isn’t your classic Emma Goldman. Nesbitt remembered “The Esoteric Agenda” — a conspiracy-theory film that connects stories about corporate greed with apocalyptic prophecies.

“The education was getting me ready for something,” he said.

At Occupy Berkeley, even while Nesbitt recovered from his meth addiction, he continued to live in a cycle of violence.

“It was in Berkeley out at the Occupy camp. I got into a fight with somebody, I was in a black out. It took six cops to hogtie 135-pound me, so I was talking shit. While I was hogtied, they dropped me on my head. I went from talking shit to unconscious. I slept for the next two weeks,” Nesbitt told me.

His involvement with Occupy San Francisco increased after the Occupy Berkeley encampment was taken down.

Occupy San Francisco, however, didn’t quite progress the way he had hoped. “When they started raiding us in December, I was hoping the numbers would go up. Instead they dwindled,” said Nesbitt.

He was part of a small group of people continuing the “occupation” tactic outside the Federal Reserve Building at 101 Market St. Back in the fall, that sidewalk was a spot where dozens of people held protest signs and meetings all day and many slept throughout the night. After a series of police raids, and as most of those organizing with Occupy moved on to different tactics and projects, some decided to remain there.

Even when the Justin Herman Plaza camp was in full functional form, it was derided as “nothing but a homeless camp.” There were homeless people there, but many found food and other resources, as well as security from both police and other people they feared on the street, leading many to devote themselves to the goals of the protest movement.

The 101 Market camp that emerged in February was mostly a homeless camp — and, although the people there remained fiercely political in their convictions, they certainly didn’t enjoy the safety that the Justin Herman camp once provided.

Nesbitt was one of those people. “The SFPD not letting us sleep, telling us sitting on cardboard was lodging, sitting under a blanket to stay warm was lodging, you can only take so much of it,” he said. “They slammed my head against the back of a paddy wagon last time they arrested me for sitting underneath a blanket.”

His story is not unusual.

“Veterans continue to lead the nation in homelessness,” explained Colleen Corliss, spokesperson for the veterans-aid nonprofit Swords to Plowshares. “There are a lot of factors at play. Those who go to war have a higher instance of mental illness and substance abuse, which ultimately can lead to a vicious cycle of homelessness,” she said. “Even if you serve during peace time, you can still have really traumatic experiences.”

Nesbitt’s experience with the city’s mental health facilities wasn’t enough to break this cycle. “I did get 5150-ed,” he said, describing the term for involuntary psychiatric commitment. “I was in the hospital less than 24 hours, they kicked me out.”

Why? “I threatened to kill a doctor,” said Nesbitt.

Nesbitt’s 24-hour stay was in the overburdened, short-staffed psych ward at San Francisco General Hospital. When the psych wards began closing beds in 2007, it was comprised of four units, each with 30 beds; it is now down to one unit, according to Ed Kinchley, a social worker in the medical emergency department at General.

There’s also a floor in the behavioral health center for psychiatric patients with 59 beds, but “they told the staff last week that they’re planning to close 29 of those beds.”

“Since [the beds] are full almost every day, the bar or the standard for who stays there or who goes in-patient is a lot higher than it used to be,” said Kinchley.

Whatever the reason, Nesbitt was not getting treatment the day of the alleged brick-throwing — and he was having problems. “I was getting an episode the day before it all happened,” he said. “I was afraid to go by myself to sleep because I was hearing voices. Normally those voices tell me to hurt people. I try to keep around people I love and trust that wouldn’t let me do anything.”

Mixed with his schizophrenia is a brand of Constitutionalism that’s not common on the left.

“When you join the military or the police department, you take an oath swearing to defend the United States Constitution against all enemies foreign and domestic,” Nesbitt said. “Now they’re passing the NDAA, Patriot Act, and other bills I don’t know about. They’re intentionally taking away our constitutional rights. We’re supposed to defend those rights, not lie down and take it.

“I think Abraham Lincoln said, if the government betrays us, we’re supposed to take them out.” Nesbitt insists he’s “not a terrorist. No matter what they might say about me in the Chronicle or whatnot, I’m not a terrorist. What is he, then? “I’m a freedom fighter,” said Nesbitt. “I’m fighting for the freedom of everyone.”

Stage Listings May 2-8, 2012

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

THEATER

OPENING

Down to This Exit Stage Left, 156 Eddy, SF; www.sleepwalkerstheatre.com. $12-20. Opens Thu/3, 8pm. Runs Thu-Sat, 8pm. Through May 26. Sleepwalkers Theatre performs a pulpy thriller with two possible endings.

“San Francisco International Arts Festival” Various venues, SF; www.sfiaf.org. Free-$70. May 2-20. Performance festival featuring theater and dance from Cuba, Iran, Russia, the U.S., China, Japan, Estonia, and more.

The Wrong Dick Dark Room Theater, 2263 Mission, SF; www.darkroomsf.com. $20. Opens Thu/3, 8pm. Runs Thu-Sat, 8pm. Through May 26. Ham Pants Productions presents a noir-inspired comedy set in San Francisco.

Zorba Eureka Theater, 215 Jackson, SF; (415) 255-8207, www.42ndstmoon.org. $20-50. Previews Wed/2, 8pm; Thu/3-Fri/4, 8pm. Opens Sat/5, 6pm. Runs Wed, 7pm; Thu-Fri, 8pm; Sat, 6pm; Sun, 3pm. Through May 20. 42nd Street Moon performs Kander and Ebb’s musical salute to Greece.

BAY AREA

Crevice La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Previews Thu/3-Fri/4, 8pm. Opens Sat/5, 8pm. Runs Thu-Sat, 8pm. Through June 9. Impact Theatre and PlayGround present Lauren Yee’s world premiere play about 20-something siblings whose couch-potato lives are uprooted when a chasm opens up in their living room.

ONGOING

Act One, Scene Two Phoenix Arts Association Theatre, 414 Mason, Ste 601, SF; www.un-scripted.com. $10-20. Thu-Sat, 8pm. Through May 12. Un-Scripted Theater Company performs the beginning of a new, unfinished play by a local author — and creates an ending on the spot once the script runs out.

*The Aliens SF Playhouse, 533 Sutter, SF; (415) 677-9596, www.sfplayhouse.org. $20-70. Wed/2-Thu/3, 7pm; Fri/4-Sat/5, 8pm. On the heels of Aurora Theatre’s production of Body Awareness, SF Playhouse introduces local audiences to another of contemporary American playwright Annie Baker’s acclaimed plays, in a finely tailored West Coast premiere directed by Lila Neugebauer. The Aliens unfolds in the days just around July 4, at slacker pace, in the backyard of a Vermont café (lovingly realized to palpable perfection by scenic designer Bill English), daily haunt of scruffy, post-Beat dropouts and sometime band mates Jasper (a secretly brooding but determined Peter O’Connor) and KJ (a charmingly ingenuous yet mischievous Haynes Thigpen). New employee and high school student Evan (a winningly eager and reticent Brian Miskell) is at first desperate to get the interlopers out of the “staff only” backyard but is just lonely enough to be seduced into friendship and wary idolatry by the older males. What unfolds is a small, sweet and unexpected tale of connection and influence, amid today’s alienated dream-sucking American landscape — same as it ever was, if you ask Charles Bukowski or Henry Miller, both points of reference to Jasper and KJ, who borrow Bukowski’s poem The Aliens for one of their many band names. An appropriate name for the alienated, sure, but part of the charm of these characters is just how easy they are to recognize, or how much we can recognize ourselves in them. Delusions of grandeur reside in every coffee house across this wistful, restless land. It’s not just Jasper and KJ who may be going nowhere. A final gesture to the young and awkward but clearly capable Evan suggests, a little ambiguously to be sure, that there’s promise out there yet for some. But more than that: the transaction makes clear by then that there are no fuck-ups, really; not among people with generous and open hearts — never mind how fucked up the country at large. (Avila)

“Bay One Acts Festival” Boxcar Theatre, 505 Natoma, SF; www.bayoneacts.org. $25-45. Wed-Sat, 8pm (also Sat/5 and May 12, 3pm); Sun, 3 and 7pm. Through May 12. Ten bold and adventurous short plays by local playwrights, performed two full programs running in repertory.

Fwd: Life Gone Viral Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, www.themarsh.org. $20-50. Thu, 8pm; Sat, 8:30pm; Sun, 7pm (no show Sun/6). Through June 10. The internet becomes comic fodder for creator-performers Charlie Varon and Jeri Lynn Cohen, and creator-director David Ford.

*Hot Greeks Hypnodrome Theatre, 575 10th St, SF; www.brownpapertickets.com. $30-35. Thu-Sat, 8pm. Extended through May 19. Cheap thrills don’t come much cheaper or more thrilling than at a Thrillpeddlers musical extravaganza, and their newly remounted run of Hot Greeks affords all the glitter-dusted eye-candy and labyrinthian plot points we’ve come to expect from their gleefully exhibitionist ranks. Structured as loosely as possible on Aristophanes’ Lysistrata, Greeks appropriately enough follows the trials and tribulations of a college sorority tired of “losing” their boyfriends to the big football match every year (Athens U vs. Sparta Tech). Pledging to withhold sex from the men unless they call off the game results in frustration for all, only partially alleviated by the discovery that sexual needs can be satisfied by “playing the other team,” as it were. But like other Cockettes’ revivals presented by the Thrillpeddlers, the momentum of the show is carried forward not by the rather thinly-sketched narrative, but by the group song-and-dance numbers, extravagant costuming (and lack thereof), ribald wordplay, and overt gender-fuckery. In addition to many TP regulars, including a hot trio of Greek columns topped with “capital” headdresses who serve as the obligatory chorus (Steven Satyricon, Ste Fishell, Bobby Singer), exciting new additions to the Hypnodrome stage include a bewigged Rik Lopes as stalwart sister Lysistrata, angelically-voiced Maggie Tenenbaum as the not-so-angelic Sodoma, and multi-faceted cabaret talent Tom Orr as heartthrob hunk Pendulum Pulaski. (Gluckstern)

It’s All the Rage Studio Theater, Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, www.themarsh.org. $15-50. Thu, 8pm; Sat, 8:30pm, Sun, 7pm. Extended through May 27. Longtime comedian and radio host Marilyn Pittman’s solo play wrestles with the legacy of her parents’ violent deaths in a 1997 murder-suicide initiated by her father. It’s disturbing material that Pittman, a stout middle-aged woman with a gregarious and bounding personality, approaches indirectly via a good deal of humor — including recounting the first time she did her growing-up-lesbian bit before her mother in a DC comedy club. But the pain and confusion trailing her for 13 years is never far behind, whether in accounts of her own battle with anger (and the broken relationships it has left in its wake) or in ominous memories of her too complacent mother or her charming but domineering father, whose controlling behavior extended to casually announcing murderous dreams while policing the boundaries of his marriage against family interference. A fine mimic, Pittman deploys a Southern lilt in playing each parent, on a stage decorated with a hint of their Southwestern furnishings and a framed set of parental photographs. In not exactly knowing where to lay blame for, or find meaning in, such a horrifying act, the play itself mimics in subtler form the emotional tumult left behind. There’s a too brief but eerie scene in which her veteran father makes reference to a murder among fellow soldiers en route to war, but while PTSD is mentioned (including as an unwanted patrimony), the 60-minute narrative crafted by Pittman and director David Ford wisely eschews any pat explanation. If transitions are occasionally awkward and the pace a bit loose, the play leaves one with an uncomfortable sense of the darker aspects of love, mingled with vague concentric histories of trauma and dislocation in a weird, sad tale of destruction and staying power. Note: review from the show’s 2009 run at the Marsh San Francisco. (Avila)

Killing My Lobster Chops Down the Family Tree TJT, 470 Florida, SF; www.killingmylobster.com. $10-22. Thu-Sat, 8pm (May 12, shows at 7 and 10pm); Sun, 7pm. Through May 13. The sketch comedy troupe performs a new show inspired by contemporary families.

Tenderloin Exit on Taylor, 277 Taylor, SF; (415) 525-1205, www.cuttingball.com. $10-50. Opens Thu/3, 7:30pm. Runs Thu, 7:30pm; Fri-Sat, 8pm (also Sat, 2pm); Sun, 5pm. Through May 27. Annie Elias and Cutting Ball Theater artists present a world premiere “documentary theater” piece looking at the people and places in the Cutting Ball Theater’s own ‘hood.

Thunder Above, Deeps Below Bindlestiff Studio, 185 Sixth St, SF; www.brownpapertickets.com. $20-25. Thu/3-Sat/5, 8pm. Bindlestiff presents A. Rey Pamatmat’s dramatic comedy about three homeless young adults.

The Waiting Period MainStage, Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, www.themarsh.org. $15-50. Fri, 8pm; Sat, 5pm. Extended through May 26. Brian Copeland (comedian, TV and radio personality, and creator-performer of the long-running solo play Not a Genuine Black Man) returns to the Marsh with a new solo, this one based on more recent and messier events in Copeland’s life. The play concerns an episode of severe depression in which he considered suicide, going so far as to purchase a handgun — the title coming from the legally mandatory 10-day period between purchasing and picking up the weapon, which leaves time for reflections and circumstances that ultimately prevent Copeland from pulling the trigger. A grim subject, but Copeland (with co-developer and director David Ford) ensures there’s plenty of humor as well as frank sentiment along the way. The actor peoples the opening scene in the gun store with a comically if somewhat stereotypically rugged representative of the Second Amendment, for instance, as well as an equally familiar “doood” dude at the service counter. Afterward, we follow Copeland, a just barely coping dad, home to the house recently abandoned by his wife, and through the ordinary routines that become unbearable to the clinically depressed. Copeland also recreates interviews he’s made with other survivors of suicidal depression. Telling someone about such things is vital to preventing their worst outcomes, says Copeland, and telling his own story is meant to encourage others. It’s a worthy aim but only a fitfully engaging piece, since as drama it remains thin, standing at perhaps too respectful a distance from the convoluted torment and alienation at its center. (Avila)

BAY AREA

Anatol Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $30-55. Tue and Sun, 7pm (also Sun, 2pm); Wed-Sat, 8pm. Through May 13. Aurora Theatre Company performs a world premiere translation of Arthur Schnitzler’s drama about the love life of an Viennese philanderer.

A Hot Day in Ephesus Live Oak Theatre, 1301 Shattuck, Berk; info@aeofberkeley.org. $12-15. Fri-Sat, 8pm; May 13, 2pm. Through May 19. Actors Ensemble performs the world premiere of a musical based on Shakespeare’s Comedy of Errors.

In Paris Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $22.50-125. Tue and Thu-Sat, 8pm (also Sat, 2pm); Wed, 7pm; Sun, 2pm. Through May 13. Mikhail Baryshnikov stars in Dmitry Krymov’s romantic new play.

*The Kipling Hotel: True Misadventures of the Electric Pink ’80s New venue: Marsh Berkeley, 2120 Allston, Berk; (415) 282-3055, www.themarsh.org. $20-50. Sat/5, 8:30pm; Sun/6, 7pm. This new autobiographical solo show by Don Reed, writer-performer of the fine and long-running East 14th, is another slice of the artist’s journey from 1970s Oakland ghetto to comedy-circuit respectability — here via a partial debate-scholarship to UCLA. The titular Los Angeles residency hotel was where Reed lived and worked for a time in the 1980s while attending university. It’s also a rich mine of memory and material for this physically protean and charismatic comic actor, who sails through two acts of often hilarious, sometimes touching vignettes loosely structured around his time on the hotel’s young wait staff, which catered to the needs of elderly patrons who might need conversation as much as breakfast. On opening night, the episodic narrative seemed to pass through several endings before settling on one whose tidy moral was delivered with too heavy a hand, but if the piece runs a little long, it’s only the last 20 minutes that noticeably meanders. And even with some awkward bumps along the way, it’s never a dull thing watching Reed work. (Avila)

Lucky Duck Julia Morgan Theatre, 2640 College, Berk; www.berkeleyplayhouse.org. $17-35. Thu and Sat, 7pm (also Sat, 2pm); Sun, noon and 5pm (additional performance May 11, 7pm). Through May 13. Berkeley Playhouse performs a musical inspired by the “Ugly Duckling” tale.

Not Getting Any Younger Marsh Berkeley, 2120 Allston, Berk; (415) 282-3055, www.themarsh.org. $15-50. Fri, 8pm; Sat, 5pm. Through May 19. Marga Gomez is back at the Marsh, a couple of too-brief decades after inaugurating the theater’s new stage with her first solo show — an apt setting, in other words, for the writer-performer’s latest monologue, a reflection on the inevitable process of aging for a Latina lesbian comedian and artist who still hangs at Starbucks and can’t be trusted with the details of her own Wikipedia entry. If the thought of someone as perennially irreverent, insouciant, and appealingly immature as Gomez makes you depressed, the show is, strangely enough, the best antidote. Note: review from the show’s 2011 run at the Marsh San Francisco. (Avila)

Oleanna Berkeley City Club, 2315 Durant, Berk; www.theatrefirst.com. $15-30. Thu-Sat, 8pm; Sun, 5pm. Through May 13. TheatreFIRST performs David Mamet’s tense two-charater drama.

Red Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $14.50-83. Tue and Thu-Fri, 8pm; Wed, 7pm; Sat-Sun, 2pm (also Sat, 8pm; no 8pm show May 12; Sun, 7pm). Extended through May 12. Mark Rothko (David Chandler) isn’t the only one painting with a broad brush in this labored and ultimately superficial two-hander by John Logan, enjoying a competent but underwhelming production by outgoing Berkeley Rep associate artistic director Les Waters. Set inside the late-1950s New York studio of the legendary abstract expressionist at the height of his fame, the play introduces a blunt and brash young painter named Ken (John Brummer) as Rothko’s new hired hand, less a character than a crude dramatic device, there first as a sounding board for the pompous philosophizing that apparently comprises a good chunk of the artist’s process and finally as a kind of mirror held up to the old iconoclast in challenging proximity to a new generation that must ultimately transcend Rothko’s canvases in turn. The dialogue holds up signs announcing intellectual and aesthetic depths but these remain surface effects, reflecting only platitudes, while the posturing tends to reduce Rothko to caricature. Much of the self-consciously reluctant filial interaction here smacks of biographical sound bites or heavy-handed underscoring of theme, and tends toward the outright hokey when touching on the credulity-bending subject of Ken’s murdered parents — with the attendant shades this adds to Rothko’s and the play’s chosen color palette. (Avila)

The World’s Funniest Bubble Show Marsh Berkeley, TheaterStage, 2120 Allston, Berk; (415) 826-5750, www.themarsh.org. $8-50. Extended run: May 5-27 (Sat-Sun, 11am); June 3-July 15 (Sun, 11am). Louis “The Amazing Bubble Man” Pearl returns with this kid-friendly, bubble-tastic comedy.

PERFORMANCE/DANCE

“Comedy SuperPAC: Promoting Good Comedy and Great Causes Since 2012!” Hemlock Tavern, 1131 Polk, SF; www.hemlocktavern.com. Mon/7, 7pm. $5. Nate Green and W. Kamau Bell present this ongoing comedy showcase; this week’s performers are Chris Garcia, Brendan McGowan, Jeff Kreisler, and Brandie Posey.

“Cutting Ball Theater Hidden Classics Reading Series” Exit on Taylor, 277 Taylor, SF; www.cuttingball.com. Sun/6, 1pm. Free. Readings of three one-act August Strindberg plays.

“Elect to Laugh” Studio Theater, Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, www.themarsh.org. Tue, 8pm. Ongoing through Nov 6. $15-50. Will Durst and friends perform in this weekly political humor show that focuses on the upcoming presidential election.

“Gaia Grrrls” Dance Mission Theater, 3316 24th St, SF; www.brownpapertickets.com. Fri/4-Sat/5, 8pm (also Sat/5, 4pm); Sun/6, 4pm. $17. Dance Brigade’s Grrrl Brigade performs a contemporary dance-drama that takes on war and climate change.

“May Day: CounterPULSE’s Performance Festival-Fundraiser” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Thurs/3-Sat/5, 8pm. $30-150. Local dancers and performers come together to raise funds for the venue, a haven for experimental and risk-taking work.

“Picklewater Clown Cabaret: Cabaret of Sexy Sex!” Stage Werx Theatre, 446 Valencia, SF; www.brownpapertickets.com. Mon/7, 7 and 9pm. $15. Physical comedy, music, and mayhem.

“Radar Spectacle” Verdi Club, 2424 Mariposa, SF; www.radarproductions.org. Fri/4, 8pm. $15. Radar Lab benefits from this performance featuring music from Mirah, a reading by Armistead Maupin, a live art auction, and more.

“See Mom, I Didn’t Forget!” Shelton Theater, 533 Sutter, SF; www.brownpapertickets.com. Sun/6, 2 and 7pm. $30. “Familial craziness” is the theme of this solo performance showcase in honor of Mother’s Day.

Smuin Ballet Yerba Buena Center for the Arts, 701 Mission, SF; www.smuinballet.org. Wed/2-Sat/5, 8pm (also Sat/5, 2pm); Sun/6, 2pm. $25-62. Program includes the West Coast premiere of Val Caniparoli’s Swipe and the world premiere of Ma Cong’s Through. *

 

Rep Clock

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Schedules are for Wed/2-Tue/8 except where noted. Director and year are given when available. Double and triple features are marked with a •. All times pm unless otherwise specified.

ALAMEDA THEATRE AND CINEPLEX 2317 Central, Alameda; www.projectyouthview.org. $5-100. “Project YouthView 2012: The Power of Youth in Film,” local youth films, Wed, 6:30.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6. “Other Cinema:” Chinese Gardens (Soe, 2012), and other works of “psycho-geography,” Sat, 8:30. “Brazilian Voices of Cinema:” O Cangaceiro (Barreto, 1953), Sun, 8.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-11. Pina (Wenders, 2011), Wed, 2:30, 4:45, 7, 9:15. San Francisco International Film Festival: Don’t Stop Believin’: Everyman’s Journey (Diaz, 2012), Thurs, 7. See www.sffs.org for tickets. “Midnites for Maniacs: Stranded With a Buddy Triple Feature:” •Predator (McTiernan, 1987), Fri, 7:30; The Thing (Carpenter, 1982), Fri, 9:45; and A Boy and His Dog (Jones, 1975), Fri, 11:45. Tickets $13 for one or all three films. The Graduate (Nichols, 1967), Sat-Sun, 2, 4:30, 7, 9:20.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-10.25. Bully (Hirsch, 2012), call for dates and times. The Deep Blue Sea (Davies, 2011), call for dates and times. Letters From the Big Man (Munch, 2011), call for dates and times. Marley (Macdonald, 2012), call for dates and times. Monsieur Lazhar (Falardeau, 2011), call for dates and times. “World Ballet on the Big Screen:” The Bright Stream from the Bolshoi Ballet, Moscow, Sun, 10am. This event, $15. Romanza: The California Structures Designed By Frank Lloyd Wright (Miner, 2011), Sun, 4:15. A Fierce Green Fire: The Battle For a Living Planet (Kitchell, 2012), Sun, 7. This event, $15.

MISSION CULTURAL CENTER THEATER 2868 Mission, SF; www.missionculturalcenter.org. $5-10. El Clásico: More Than a Game (Candaele and CSU-Chico students, 2012), Wed, 7.

ODDBALL FILM + VIDEO 275 Capp, SF; (415) 558-8117. “Past Future Now!,” films selected from the Oddball Film Archive by curator-artist Ashley Lauren Saks, Thu-Fri, 8.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. San Francisco International Film Festival, Wed-Thu. See www.sffs.org for tickets and schedule. “Afterimage: The Films of Michael Glawogger:” Whores’ Glory (2011), Fri, 7; Workingman’s Death (2005), Sat, 6; Kill Daddy Good Night (2009), Sat, 9; Megacities (1998), Sun, 7:30. “Film and Video Makers at Cal: Works from the Eisner Prize Competition,” Sun, 5.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-10. Hit So Hard (Ebersole, 2011), Wed-Thurs, 7:15, 9:30. Gerhard Richter Painting (Belz, 2011), May 4-10, 7, 9 (also Sat-Sun, 3:15, 5).

SF FILM SOCIETY CINEMA 1746 Post, SF. $10-11. The Day He Arrives (Hong, 2011), May 4-10, 3, 5, 7, 9.

VORTEX ROOM 1082 Howard, SF; www.myspace.com/thevortexroom. $7 donation. “Starship Vortex:” •Planet of the Vampires (Bava, 1965), Thu, 9, and The Phantom Planet (Marshall, 1961), Thu, 11.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “Discovering Andrzej Zulawski:” Szamanka (The Shaman) (1996), Thu, 7:30; Possession (1981), Sun, 2.

East Bay Endorsements for the June 5 election

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There aren’t a lot of contested races in the Oakland/Berkeley area. Every member of the county Board of Supervisors is running essentially unopposed. When termed-out Assemblymember Sandra Swanson decided not to challenge state Senator Loni Hancock, the East Bay left avoided a bruising primary fight. In essence, voters will be addressing a series of no-contest primaries and two statewide ballot measures. So there’s not a lot to drive the voters to the polls.

But there are two important races — a contest for Swanson’s 18th Assembly seat and a rare election for an open seat on the Alameda County bench. Our recommendations follow.

STATE SENATOR, 9TH DISTRICT

LONI HANCOCK

Always solid on the issues, Hancock has taken a lead role in fighting bogus foreclosures and takes on the often-challenging job of killing bad bills as chair of the Public Safety Committee. She’s been a strong advocate for ending the death penalty.

STATE ASSEMBLY, 15TH DISTRICT

NANCY SKINNER

Another strong progressive, she’s currently pushing to preserve affordable education in the UC system. She’s also a leader in the campaign to tax online sales.

STATE ASSEMBLY, DISTRICT 18

ABEL GUILLEN

Several strong candidates are seeking this seat, which represents one of the most progressive districts in the state. Our choice is Abel Guillen, a member of the Peralta College Board. Guillen has a strong record in the progressive community and the support of the teacher’s and nurse’s unions. He’s a strong advocate for education and speaks about aggressively seeking new revenue (including a split-role modification of Prop. 13). We were a little concerned about his reluctance to support state Sen. Mark Leno’s efforts to allow local government more authority to raise revenue (Guillen’s worried about statewide equity) but on balance, he’s the best candidate.

We were also impressed with Rob Bonta, vice-mayor of Alameda, who is strong on transit issues and understands the needs of local government. But although he told us he would support repeal of the “three-strikes” law, he’s the candidate of law-enforcement and has the support of the Peace Officers Research Association of California, the dangerous statewide cop union that tries to block nearly every piece of progressive criminal-justice reform. He told us that in the past he’s supported the death penalty because “it’s the voters’ choice.” On the relatively simple question of legalizing pot, he said he “probably” would vote for it.

Thanks to the two-two primary system, it’s likely these two will be facing off again in November. Vote for Guillen.

SUPERIOR COURT, OFFICE NUMBER 20

TARA FLANAGAN

Three East Bay lawyers are running for this rare open seat. Our choice is Flanagan, whose progressive credentials and background make her the strongest candidate.

A former prosecutor in Los Angeles who now does civil litigation and family law, Flanagan is a supporter of open courtrooms and told us she would have no objections to cameras and tape recorders. She agreed that the administrative meetings of the county judges should be open to the public. She’s served as a temporary judge, so already has courtroom experience.

The Alameda bench is still mostly a boy’s club — only 30 percent of the judges are women, and a dismal 1.4 percent come from the LGBT community. Flanagan would bring some needed diversity to the court.

COUNTY SUPERVISOR, 5TH DISTRICT

KEITH CARSON

Incumbent Keith Carson has been a stalwart in the Oakland and Berkeley progressive communities for decades. He’s running unopposed.

The Bay Citizen divorces NYT to marry CIR

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This Sunday is the last day The Bay Citizen – the nonprofit San Francisco newsroom started two years ago by Warren Hellman, the local philanthropist who died in December – will be producing content for The New York Times, as it has been doing throughout its existence. The question now is what are Bay Area citizens losing and what are we gaining?

The Bay Citizen was taken over by the Berkeley-based Center for Investigative Reporting, creating the country’s largest nonprofit news organization, a merger that will be completed next week. Under the direction of veteran local journalists Phil Bronstein, Robert Rosenthal, and Mark Katches, the combined newsrooms won’t be covering breaking news or press conferences, focusing instead on investigations and “accountability journalism” delivered under those two brands and CIR’s California Watch, in collaboration with newspapers and broadcast outlets around the state (read our previous stories for more details on each entity).

“In the end, how does journalism survive and how do you define journalism?” Bronstein told us, relaying the questions his organization is trying to answer. “We’re betting on the idea that quality journalism is something people are willing to pay for.”

But with CIR focused on an inclusive model of partnering with news outlets to do deep reporting and widely offering the resulting work, and The Bay Citizen providing content to The New York Times under an exclusive contract, the new entity decided to end that contract and focus The Bay Citizen on CIR’s mission.

“The Bay Citizen has done a lot of things really well – accountability, watchdog journalism – but they’ve also done breaking news and tried to do too many things,” Katches, the editorial director for the merged newsrooms, told us. “We want to figure out what our lane is and stay in it.”

CIR, with a 35-year history of award-winning investigations, undoubtedly has strong journalistic chops and a talented team of reporters. Its “On Shaky Ground” series on the seismic vulnerabilities of schools throughout the state won a number of big awards and was a finalist for this year’s Pulitzer Prize in Public Service. But in many ways, this is the biggest and best newsroom that most people have never heard of.

“People on the street might know The Bay Citizen, but not the Center for Investigative Reporting,” Bronstein said. That was something that he hoped the merger would help compensate for, with CIR also benefiting from the base of donors and technological expertise that The Bay Citizen had developed.

“CIR isn’t the brand, its stories are the brand, which it distributes to scores of publications,” said Peter Lewis, an longtime journalist who joined The Bay Citizen at its inception.

Lewis spent 18 years with The New York Times and seven with Fortune magazine, then he studied and taught journalism and new media at Stanford University before joining The Bay Citizen. During merger talks, he advocated for a marriage of equals and was “disappointed” that CIR took the lead role, and that it subsequently didn’t create a position for him (veteran local reporter John Upton and a few others were also let go).

While Lewis said that The Bay Citizen has had about eight times the Web traffic as CIR, which is pretty astounding given the age difference in the two entities, it’s unclear how much of The Bay Citizen’s brand identity – something that Rosenthal and Bronstein cited as an important component of the merger – had to do with its now-severed relationship with the Old Gray Lady.

“The decision was made to launch The Bay Citizen simultaneously with The New York Times relationship. That gave it an instant cache and respectability that most startups don’t get,” Lewis said, but it was a “double-edged sword” that also strained the resources of the nascent newsroom to the limits of its capabilities.

“To be honest, The Bay Citizen never reached its potential. It never had time to establish its own voice,” Lewis said. And now that the decision was made to eliminate much of the focus that it has had, covering breaking news and local happenings, Lewis says he unsure what it will mean: “Anytime you reduce coverage, it’s not good for citizens, but they’ll be doing a different kind of journalism.”

Rosenthal said he’s excited about the merger’s possibilities, drawing on the strengths of each entity, but that it will be a work in progress. “It’s going to be a very inclusive model, and it’s going to keep evolving,” he said. “The real measure is not three to six months, but looking at this a year from now will be very interesting.”

“It’s uncharted territory for both of us, but there’s an air of excitement,” Katches said. “We may do some things that are fabulous and some things that flop.”

He said the decision to drop The New York Times was the result of “a thoughtful process,” and they ultimately concluded, “We feel like we can reach even more readers in the Bay Area in a non-exclusive way…If the goal of your work is impact, then you broaden the impact if you broaden your readership.”

The model has worked well at CIR and its California Watch project, which has sought to beef up statehouse coverage that had been waning for years. Katches noted that the “On Shaky Ground” series had the impact it did precisely because it ran in so many media outlets around the state (many of which did localized stories based on the research) and reached millions of readers and viewers.

But CIR wasn’t as successful as The Bay Citizen in creating a stable, long-term financial base. Starting with Hellman and a handful of his wealthy friends, The Bay Citizen sought donations from a wide variety of sources that totaled more than $15 million. By contrast, CIR had limited term foundation funding for a staff of talented journalists.

“How we sustain that and can we do it long term was not something we thought out,” Bronstein (president of the CIR board) said of the efforts he and Rosenthal (CIR’s executive director) made to beef up CIR’s newsroom with foundation funding a couple years ago. “We didn’t have a business structure, we had a journalism structure.”

As newspapers have been hurt by the Internet and corporate consolidations and cuts, Bronstein said said the mission of news organizations has never been more vital.

“With fewer journalists, everything is harder, but it also becomes more important,” he said. Bronstein said the basic question that their journalists will address in San Francisco are: “Who are the people controlling our lives and how are they doing it?”

We spoke to Bronstein on the same day that the Guardian announced Publisher Bruce Brugmann is stepping down from day-to-day operations and that we’re negotiating the Guardian’s sale to a consortium that also owns the San Francisco Examiner. Despite a history of clashes between him and the Guardian, which has always done media coverage and often criticized Bronstein and his newspapers, he had only positive things to say.

“You cannot underestimate Bruce’s affect on San Francisco,” Bronstein said, calling him one of the most influential San Francisco journalists of his era.

“I have a lot of respect for Bruce. He’s yelled at me, like everyone else – it’s a rite of passage in San Francisco. But you’ve stuck to your ideological roots,” he said.

As for advice to the Guardian during this period of transition, Bronstein offered a few questions to ponder: “Can you afford to stick with the base of readers you’ve got? Can you be more digital? Can you give readers more than you’re giving them?”

While he was the editor of the Examiner, Bronstein said his mantra to reporters was, “You have to have an intense curiosity about things and an open mind.” It was something that fit his own belief about the world he was covering.

“Life is never like Walt Disney,” he said, eschewing the idea that there are clear heroes and villains. “The truth is more complicated, but also more interesting.”

The (latest) battle of KPFA

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yael@sfbg.com

If you’re a member of KPFA, the progressive Berkeley radio station, you’ll be receiving a ballot in the mail shortly with one issue at hand: the recall of Tracy Rosenberg. She’s an elected member of the Local Station Board, and her critics want her removed from office.

Rosenberg is also the former chair of the Finance Committee at Pacifica Network, the nonprofit that owns KPFA. And she has become the face of a conflict at KPFA that is about issues much bigger than Rosenberg herself. The petition to recall Rosenberg accuses her of stealing an email list of KPFA supporters, of election fraud in a 2011 Local Station Board election, and of orchestrating the cancellation of the station’s beloved Morning Show. But there’s a deeper issue here: How should the famously fractious KPFA handle a downturn in financial support — and should the station rely more on volunteer programming and less on paid professional staff? How will the station, which is an essential part of the Bay Area left, face a changing media landscape?

As the staff at KPFA—administrative and broadcaster, paid and unpaid, union and non-union—try to answer these questions, most of them with a real commitment to progressive radio, they are also mired in a political dispute that’s been draining for everyone involved.

KPFA has a long history of providing news and critique that supports progressive efforts and questions the status quo. But, like most businesses, it took a hit in the 2008 financial crisis.

That came a decade after some dramatic governance changes. In July 1999, Pacifica put all the local staff on administrative leave and brought in staff from Houston affiliate KPFT to run the station. In response, hundreds protested in the streets, and the establishment of a detailed democratic governing structure came out of the dispute. Soon after, listener donations took off—parties on both sides attribute this to an increased demand for progressive content in the wake of 9/11 and the war on Iraq. But around 2007, KPFA started to use up the last of its reserves.

According to data provided by the station, listener contributions peaked at more than $4 million during fiscal year 2005, and then began to level off. By 2010, donation income was back below $3 million —still more than 2001 levels. As donations dropped significantly during those five years, salaries and related personnel expenses continued a slow and steady increase, and KPFA managed to avoid outright staff and programming cuts.

That is, until September 2008, when the hosts and producers of the Morning Show were laid off and the show cancelled.

According to the recall campaign, the lay offs were retaliatory (the Morning Show staff had criticized Pacifica management on the air). According to defenders, canceling the Morning Show was a necessary budget decision. The recall campaign argues that the dire financial situation has stabilized after the Morning Show was cancelled; the recall people say that the local board had already balanced it through buyouts. The recall crowd says donations have gone down; the other crowd, they’ve shifted, but remain about the same. According to Brian Edwards-Tiekert, one of the forces behind the recall effort, “At the start of the dispute were these retaliatory firings a year and a half ago. It became a recall because of how they dealt with it.”

The Pacifica Foundation has partnered with KPFA since they were both founded out of anti-war movements in the late 1940s, but their relationship has evolved over the years. As it stands, KPFA and Pacifica’s four other member stations pay yearly dues to the foundation; Pacifica, in turn, provides program that is syndicated over many stations such Free Speech Radio News and Democracy Now!

The Save KPFA campaign website makes the case that Pacifica “uses KPFA as a cash cow,” and notes money KPFA loaned to Pacifica around 2000, from which Pacifica apparently still owes KPFA $1.4 million.

As a staff-elected representative on KPFA’s Local Station Board, Edwards-Tiekert pushed back on attempts by Pacifica to seize station funds. The Morning Show invited Pacifica’s executives onto to the airwaves and “challenged them about how much they were taking from KPFA, and about Pacifica’s spending priorities,” the site reads.

“All of those charges are somewhat overstated. There’s a certain percentage of KPFA’s budget that goes to overall expenses,” Rosenberg told us. In fact, according to Rosenberg’s allies, the situation was reversed; KPFA had run out of funds and was threatening to bankrupt Pacifica. In response to budget shortfalls, Pacifica’s executive director Arlene Engleheart “asked all five Pacifica stations to cut down on paid staff 2-3 years ago, as the only way to meet escalating deficits, KPFA’s 4 “sister” Pacifica stations have already done this. Only KPFA continued to employ more paid staff than it can afford.”

According to the website of a campaign against the recall, Support KPFA, in the fall of 2010, KPFA owed Pacifica more than $100,000 in unpaid dues. “At that time I was the representative from KPFA at the national Finance Committee, which does the budget from KPFA after it comes back from the local level,” said Rosenberg. She claims that the budget that the board came up with came short of meeting expenses.

“So as a board member I went to the station and said, where’s the budget? So I pushed for a couple of meetings saying look, a budget has to come up here that makes sense and is balanced. I told the executive director it was her responsively to make sure a plan for a balanced budget went forward. I would say that I put some pressure on the executive director to make some hard decisions.”

Communication Workers of America Local 9415, a union that represents KPFA’s paid workers, brought the issue to the National Labor Relations Board in late 2011, and the federal agency dismissed five charges of retaliation and layoffs out of the seniority order. Edwards-Tiekert, however, was reinstated as the result of a successful union grievance.

The other charges on the recall petition include putting forward two motions to overturn Jan 2011 local station board elections under fraudulent auspices and for specious reasons and misappropriating a list of KPFA members’ personal email addresses.

The election fraud charge refers to a motion Rosenberg brought disqualify Dan Siegel, an attorney who was elected to the Local Station Board, from holding his seat, based on Pacifica policy barring individuals who hold a public office from serving on the board.

“I pointed out that this seemed to be a violation of the bylaws. That’s all I did,” she said.

But the incident turned into a court battle, and a judge eventually issued an injunction reinstating Siegel.

The email theft charge refers to an email blast that Rosenberg sent out concerning the Morning Mix, the Morning Show’s replacement.

The Morning Show provided an in-depth look at stories from around the Bay Area. It had, and still has, a large following. “The corporate media doesn’t cover real issues as they really affect people,” said Sasha Futran, a listener member of the Local Station Board. With its cancellation, she said, “I want to know what’s going on. I want intelligent analysis.”

Democracy Now!—the foremost example of professional progressive journalism in the country—is now KPFA’s highest donation-generating show. And in style and content, the Morning Mix is distinctly not a Bay Area version of Democracy Now!

Instead, it is a show with rotating hosts Dennis Bernstein, Davey D Cook, JR Valrey, Andres Soto, Anita Johnson, Peter Phillips and Mickey Huff. The content and approach varies depending on the host.

Henry Norr, a listener and elected member of the Local Station Board, is pleased with the format, and thinks it might represent a good path for KPFA. “The station should be more community-oriented. We should have a diversity of voices, and lots of people on who aren’t skilled or paid but represent progressive voices and active movements,” said Norr. The new show has increased coverage of Richmond politics and has provided a forum for Valrey and Cook to talk about left-wing politics from an African-American perspective.

But cutting the Morning Show had its financial implications: The old format brought in significantly more donations than the Morning Mix. According to KPFA documents, donations have increased in other time slots that air more traditional-sounding journalism, including during Letters and Politics, Flashpoints, and the Evening News.

So the recall is about the Morning Show, but it’s also about the future: Should KPFA seek to retain a traditional structure, with paid staff who can earn a decent living and focus on making news programs whose quality compares to that of more mainstream outlets? Or should the station solve its budget woes by relying on more community volunteers with more wide-ranging content?

And should the people who work at KPFA have the right to discuss the station’s finances, policies and future openly, on the air, without fear of retaliation?

Rosenberg or not, those issues aren’t going away.

 

Guardian endorsements for June 5 election

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>>OUR ONE-PAGE “CLEAN SLATE” PRINTOUT GUIDE IS HERE. 

As usual, California is irrelevant to the presidential primaries, except as a cash machine. The Republican Party has long since chosen its nominee; the Democratic outcome was never in doubt. So the state holds a June 5 primary that, on a national level, matters to nobody.

It’s no surprise that pundits expect turnout will be abysmally low. Except in the few Congressional districts where a high-profile primary is underway, there’s almost no news media coverage of the election.

But that doesn’t mean there aren’t some important races and issues (including the future of San Francisco’s Democratic Party) — and the lower the turnout, the more likely the outcome will lean conservative. The ballot isn’t long; it only takes a few minutes to vote. Don’t stay home June 5.

Our recommendations follow.

PRESIDENT

BARACK OBAMA

Sigh. Remember the hope? Remember the joy? Remember the dancing in the streets of the Mission as a happy city realized that the era of George Bush and The Gang was over? Remember the end of the war, and health-care reform, and fair economic policies?

Yeah, we remember, too. And we remember coming back to our senses when we realized that the first people at the table for the health-policy talks were the insurance industry lobbyists. And when more and more drones killed more and more civilian in Afghanistan, and the wars didn’t end and the country got deeper and deeper into debt.

Oh, and when Obama bailed out Wall Street — and refused to spend enough money to help the rest of us. And when his U.S. attorney decided to crack down on medical marijuana.

We could go on.

There’s no question: The first term of President Barack Obama has been a deep disappointment. And while we wish that his new pledge to tax the millionaires represented a change in outlook, the reality is that it’s most likely an election-year response to the popularity of the Occupy movement.

Last fall, when a few of the most progressive Democrats began talking about the need to challenge Obama in a primary, we had the same quick emotional reaction as many San Franciscans: Time to hold the guy accountable. Some prominent left types have vowed not to give money to the Obama campaign.

But let’s get back to reality. The last time a liberal group challenged an incumbent in a Democratic presidential primary, Senator Ted Kennedy wounded President Jimmy Carter enough to ensure the election of Ronald Reagan — and the begin of the horrible decline in the economy of the United States. We’re mad at Obama, too — but we’re realists enough to know that there is a difference between moderate and terrible, and that’s the choice we’re facing today.

The Republican Party is now entirely the party of the far right, so out of touch with reality that even Reagan would be shunned as too liberal. Mitt Romney, once the relatively centrist governor of Massachusetts, has been driven by Newt Gingrich and Rick Santorum so deeply into crazyland that he’s never coming back. We appreciate Ron Paul’s attacks on military spending and the war on drugs, but he also opposes Medicare and Social Security and says that people who don’t have private health insurance should be allowed to die for lack of medical care.

No, this one’s easy. Obama has no opposition in the Democratic Primary, but for all our concerns about his policies, we have to start supporting his re-election now.

U.S. SENATE

DIANNE FEINSTEIN

The Republicans in Washington didn’t even bother to field a serious candidate against the immensely well-funded Feinstein, who is seeking a fourth term. She’s a moderate Democrat, at best, was weak-to-terrible on the war, is hawkish on Pentagon spending (particularly Star Wars and the B-1 bomber), has supported more North Coast logging, and attempts to meddle in local politics with ridiculous ideas like promoting unknown Michael Breyer for District Five supervisor. She supported the Obama health-care bill but isn’t a fan of single-payer, referring to supporters of Medicare for all as “the far left.”

But she’s strong on choice and is embarrassing the GOP with her push for reauthorization of an expanded Violence Against Women Act. She’ll win handily against two token Republicans.

U.S. CONGRESS, DISTRICT 2

NORMAN SOLOMON

The Second District is a sprawling region stretching from the Oregon border to the Golden Gate Bridge, from the coast in as far as Trinity County. It’s home to the Marin suburbs, Sonoma and Mendocino wine country, the rough and rural Del Norte and the emerald triangle. There’s little doubt that a Democrat will represent the overwhelmingly liberal area that was for almost three decades the province of Lynn Woolsey, one of the most progressive members in Congress. The top two contenders are Norman Solomon, an author, columnist and media advocate, and Jared Huffman, a moderate member of the state Assembly from Marin.

Solomon’s not just a decent candidate — he represents a new approach to politics. He’s an antiwar crusader, journalist, and outsider who has never held elective office — but knows more about the (often corrupt) workings of Washington and the policy issues facing the nation than many Beltway experts. He’s talking about taxing Wall Street to create jobs on Main Street, about downsizing the Pentagon and promoting universal health care. He’s a worthy successor to Woolsey, and he deserves the support of every independent and progressive voter in the district.

U.S. CONGRESS, DISTRICT 12

NANCY PELOSI

Nancy Pelosi long ago stopped representing San Francisco (see: same-sex marriage) and began representing the national Democratic party and her colleagues in the House. She will never live down the privatization of the Presidio or her early support for the Iraq war, but she’s become a decent ally for Obama and if the Democrats retake the House, she’ll be setting the agenda for his second term. If the GOP stays in control, this may well be her last term.

Green Party member Barry Hermanson is challenging her, and in the old system, he’d be on the November ballot as the Green candidate. With open primaries (which are a bad idea for a lot of reasons) Hermanson needs support to finish second and keep Pelosi on her toes as we head into the fall.

U.S. CONGRESS, DISTRICT 12

BARBARA LEE

This Berkeley and Oakland district is among the most left-leaning in the country, and its representative, Barbara Lee, is well suited to the job. Unlike Pelosi, Lee speaks for the voters of her district; she was the lone voice against the Middle East wars in the early days, and remains a staunch critic of these costly, bloody, open-ended foreign military entanglements. We’re happy to endorse her for another term.

U.S. CONGRESS, DISTRICT 13

JACKIE SPEIER

Speier’s more of a Peninsula moderate than a San Francisco progressive, but she’s been strong on consumer privacy and veterans issues and has taken the lead on tightening federal rules on gas pipelines after Pacific Gas and Electric Company killed eight of her constituents. She has no credible opposition.

STATE SENATE, DISTRICT 11

MARK LENO

Mark Leno started his political career as a moderate member of the Board of Supervisors from 1998 to 2002. His high-profile legislative races — against Harry Britt for the Assembly in 2002 and against Carole Migden for the Senate in 2008 — were some of the most bitterly contested in recent history. And we often disagree with his election time endorsements, which tend toward more downtown-friendly candidates.

But Leno has won us over, time and again, with his bold progressive leadership in Sacramento and with his trailblazing approach to public policy. He is an inspiring leader who has consistently made us proud during his time in the Legislature. Leno was an early leader on the same-sex marriage issue, twice getting the Legislature to legalize same-sex unions (vetoed both times by former Gov. Arnold Schwarzenegger). He has consistently supported a single-payer health care system and laid important groundwork that could eventually break the grip that insurance companies have on our health care system. And he has been a staunch defender of the medical marijuana patients and has repeatedly pushed to overturn the ban on industrial hemp production, work that could lead to an important new industry and further relaxation of this country wasteful war on drugs. We’re happy to endorse him for another term.

STATE ASSEMBLY, DISTRICT 17

TOM AMMIANO

Ammiano is a legendary San Francisco politician with solid progressive values, unmatched courage and integrity, and a history of diligently and diplomatically working through tough issues to create ground-breaking legislation. We not only offer him our most enthusiastic endorsement — we wish that we could clone him and run him for a variety of public offices. Since his early days as an ally of Harvey Milk on gay rights issues to his creation of San Francisco’s universal health care system as a supervisor to his latest efforts to defend the rights of medical marijuana users, prison inmates, and undocumented immigrants, Ammiano has been a tireless advocate for those who lack political and economic power. As chair of Assembly Public Safety Committee, Ammiano has blocked many of the most reactionary tough-on-crime measures that have pushed our prison system to the breaking point, creating a more enlightened approach to criminal justice issues. We’re happy to have Ammiano expressing San Francisco’s values in the Capitol.

STATE ASSEMBLY, DISTRICT 19

PHIL TING

Once it became abundantly clear that Assessor-Recorder Phil Ting wasn’t going to get elected mayor, he started to set his eyes on the state Assembly. It’s an unusual choice in some ways — Ting makes a nice salary in a job that he’s doing well and that’s essentially his for life. Why would he want to make half as much money up in Sacramento in a job that he’ll be forced by term limits to leave after six years?

Ting’s answer: he’s ready for something new. We fear that a vacancy in his office would allow Mayor Ed Lee to appoint someone with less interest in tax equity (prior to Ting, the city suffered mightily under a string of political appointees in the Assessor’s Office), but we’re pleased to endorse him for the District 19 slot.

Ting has gone beyond the traditional bureaucratic, make-no-waves approach of some of his predecessors. He’s aggressively sought to collect property taxes from big institutions that are trying to escape paying (the Catholic Church, for example) and has taken a lead role in fighting foreclosures. He commissioned, on his own initiative, a report showing that a large percentage of the foreclosures in San Francisco involved some degree of fraud or improper paperwork, and while the district attorney is so far sitting on his hands, other city officials are moving to address the issue.

His big issue is tax reform, and he’s been one the very few assessors in the state to talk openly about the need to replace Prop. 13 with a split-role system that prevents the owners of commercial property from paying an ever-declining share of the tax burden. He wants to change the way the Legislature interprets Prop. 13 to close some of the egregious loopholes. It’s one of the most important issues facing the state, and Ting will arrive in Sacramento already an expert.

Ting’s only (mildly) serious opponent is Michael Breyer, son of Supreme Court Justice Breyer and a newcomer to local politics. Breyer’s only visible support is from the Building Owners and Managers Association, which dislikes Ting’s position on Prop. 13. Vote for Ting.

DEMOCRATIC COUNTY CENTRAL COMMITTEE

You can say a lot of things about Aaron Peskin, the former supervisor and retiring chair of the city’s Democratic Party, but the guy was an organizer. Four years ago, he put together a slate of candidates that wrenched control of the local party from the folks who call themselves “moderates” but who, on critical economic issues, are really better defined as conservative. Since then, the County Central Committee, which sets policy for the local party, has given its powerful endorsement mostly to progressive candidates and has taken progressive stands on almost all the ballot issues.

But the conservatives are fighting back — and with Peskin not seeking another term and a strong slate put together by the mayor’s allies seeking revenge, it’s entirely possible that the left will lose the party this year.

But there’s hope — in part because, as his parting gift, Peskin helped change state law to make the committee better reflect the Democratic voting population of the city. This year, 14 candidates will be elected from the East side of town, and 10 from the West.

We’ve chosen to endorse a full slate in each Assembly district. Although there are some candidates on the slate who aren’t as reliable as we might like, 24 will be elected, and we’re picking the 24 best.

DISTRICT 17 (EAST SIDE)

John Avalos

David Campos

David Chiu

Petra DeJesus

Matt Dorsey

Chris Gembinsky

Gabriel Robert Haaland

Leslie Katz

Rafael Mandelman

Carole Migden

Justin Morgan

Leah Pimentel

Alix Rosenthal

Jamie Rafaela Wolfe

 

DISTRICT 19 (WEST SIDE)

Mike Alonso

Wendy Aragon

Kevin Bard

Chuck Chan

Kelly Dwyer

Peter Lauterborn

Hene Kelly

Eric Mar

Trevor McNeil

Arlo Hale Smith

State ballot measures

PROPOSITION 28

YES

LEGISLATIVE TERM LIMITS

Let us begin with a stipulation: We have always opposed legislative term limits, at every level of government. Term limits shift power to the executive branch, and, more insidiously, the lobbyists, who know the issues and the processes better than inexperienced legislators. The current system of term limits is a joke — a member of the state Assembly can serve only six years, which is barely enough time to learn the job, much less to handle the immense complexity of the state budget. Short-termers are more likely to seek quick fixes than structural reform. It’s one reason the state Legislatures is such a mess.

Prop. 28 won’t solve the problem entirely, but it’s a reasonable step. The measure would allow a legislator to serve a total of 12 years in office — in either the Assembly, the Senate, or a combination. So an Assembly member could serve six terms, a state Senator three terms. No more serving a stint in one house and then jumping to the other, since the term limits are cumulative, which is imperfect: A lot of members of the Assembly have gone on to notable Senate careers, and that shouldn’t be cut off.

Still, 12 years in the Assembly is enough time to become a professional at the job — and that’s a good thing. We don’t seek part-time brain surgeons and inexperienced airline pilots. Running California is complicated, and there’s nothing wrong with having people around who aren’t constantly learning on the job. Besides, these legislators still have to face elections; the voters can impose their own term limits, at any time.

Most of the good-government groups are supporting Prop. 28. Vote yes.

PROPOSITION 29

YES

CIGARETTE TAX FOR CANCER RESEARCH

Seriously: Can you walk into the ballot box and oppose higher taxes on cigarettes to fund cancer research? Of course not. All of the leading medical groups, cancer-research groups, cancer-treatment groups and smoking-cessation groups in the state support Prop. 29, which was written by the American Cancer Society and the American Heart Association.

We support it, too.

Yes, it’s a regressive tax — most smokers are in the lower-income brackets. Yes, it’s going to create a huge state fund making grants for research, and it will be hard to administer without some issues. But the barrage of ads opposing this are entirely funded by tobacco companies, which are worried about losing customers, particularly kids. A buck a pack may not dissuade adults who really want to smoke, but it’s enough to price a few more teens out of the market — and that’s only good news.

Don’t believe the big-tobacco hype. Vote yes on 29.

San Francisco ballot measures

PROPOSITION A

YES

GARBAGE CONTRACT

A tough one: Recology’s monopoly control over all aspects of San Francisco’s waste disposal system should have been put out to competitive bid a long time ago. That’s the only way for the city to ensure customers are getting the best possible rates and that the company is paying a fair franchise fee to the city. But the solution before us, Proposition A, is badly flawed public policy.

The measure would amend the 1932 ordinance that gave Recology’s predecessor companies — which were bought up and consolidated into a single behemoth corporation — indefinite control over the city’s $220 million waste stream. Residential rates are set by a Rate Board controlled mostly by the mayor, commercial rates are unregulated, and the company doesn’t even have a contract with the city.

Last year, when Recology won the city’s landfill contract — which was put out to bid as the current contract with Waste Management Inc. and its Altamont landfill was expiring — Recology completed its local monopoly. At the time, Budget Analyst Harvey Rose, Sup. David Campos, and other officials and activists called for updating the ordinance and putting the various contracts out to competitive bid.

That effort was stalled and nearly scuttled, at least in part because of the teams of lobbyists Recology hired to put pressure on City Hall, leading activists Tony Kelley and retired Judge Quentin Kopp to write this measure. They deserve credit for taking on the issue when nobody else would and for forcing everyone in the city to wake up and take notice of a scandalous 70-year-old deal.

We freely admit that the measure has some significant flaws that could hurt the city’s trash collection and recycling efforts. It would split waste collection up into five contracts, an inefficient approach that could put more garbage trucks on the roads. No single company could control all five contracts. Each of those contracts would be for just five years, which makes the complicated bidding process far too frequent, costing city resources and hindering the companies’ ability to make long-term infrastructure investments.

It would require Recology to sell its transfer station, potentially moving the waste-sorting facility to Port property along the Bay. Putting the transfer station in public hands makes sense; moving it to the waterfront might not.

On the scale of corrupt monopolies, Recology isn’t Pacific Gas and Electric Co. It’s a worker-owned company and has been willing to work in partnership with the city to create one of the best recycling and waste diversion programs in the country. For better or worse, Recology controls a well-developed waste management infrastructure that this city relies on, functioning almost like a city department.

Still, it’s unacceptable to have a single outfit, however laudatory, control such a massive part of the city’s infrastructure without a competitive bid, a franchise fee, or so much as a contract. In theory, the company could simply stop collecting trash in some parts of the city, and San Francisco could do nothing about it.

As a matter of public policy, Prop. A could have been better written and certainly could, and should, have been discussed with a much-wider group, including labor. As a matter of real politics, it’s a messy proposal that at least raises the critical question: Should Recology have a no-bid, no contract monopoly? The answer to that is no.

Prop. A will almost certainly go down to defeat; Kopp and Kelly are all alone, have no real campaign or committee and just about everyone else in town opposes it. Our endorsement is a matter of principle, a signal that this longtime garbage deal has to end. If Recology will work with the city to come up with a contract and a bid process, then Prop. A will have done its job. If not, something better will be on the ballot in the future.

For now, vote yes on A.

PROPOSITION B

YES

COIT TOWER POLICY

In theory, city department heads ought to be given fair leeway to allocate resources and run their operations. In practice, San Francisco’s Department of Recreation and Parks has been on a privatization spree, looking for ways to sell or rent public open space and facilities as a way to balance an admittedly tight budget. Prop. B seeks to slow that down a bit, by establishing as city policy the premise that Coit Tower shouldn’t be used as a cash cow to host private parties.

The tower is one of the city’s most important landmarks and a link to its radical history — murals painted during the Depression, under the Works Progress Administration, depict local labor struggles. They’re in a bit of disrepair –but that hasn’t stopped Rec-Park from trying to bring in money by renting out the place for high-end events. In fact, the tower has been closed down to the public in the past year to allow wealthy patrons to host private parties. And the city has more of that in mind.

If the mayor and his department heads were acting in good faith to preserve the city’s public spaces — by raising taxes on big business and wealthy individuals to pay for the commons, instead of raising fees on the rest of us to use what our tax dollars have already paid for — this sort of ballot measure wouldn’t be necessary.

As it is, Prop. B is a policy statement, not an ordinance or Charter amendment. It’s written fairly broadly and won’t prevent the occasional private party at Coit Tower or prevent Rec-Park from managing its budget. Vote yes.

 

Rep Clock

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Schedules are for Wed/25-Tue/1 except where noted. Director and year are given when available. Double and triple features are marked with a •. All times pm unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6. “Other Cinema:” “Cinematic Psychedelia,” with Christian Divine, Sat, 8:30.

BERKELEY FELLOWSHIP OF UNITARIAN UNIVERSALISTS 1924 Cedar, Berk; www.reelwork.org. $5-10. “Reel Work Labor Film Festival:” Brothers on the Line (Reuther, 2012), Fri, 7.

BOLLYHOOD CAFÉ 3372 19th St, SF; catchingbabiessf.eventbrite.com. $12. Catching Babies: Celebrating the Power of Birth, Women, and Midwives (Qaasim, 2011), Mon, 7.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-11. San Francisco International Film Festival, Wed and Fri-Sat. See www.sffs.org for tickets and schedule. •Paper Moon (Bogdanovich, 1973), Thu, 3, 7, and Glengarry Glen Ross (Foley, 1992), Thu, 4:55, 9. Corpus Christi: Playing With Redemption (2012), Sun, 2. Sneak preview screening; more info at www.corpuschristi-themovie.com. •Koyaanisqatsi (Reggio, 1982), Sun, 5:30, 9, and Monumental: David Brower’s Fight for Wild America (Duane, 2005), Sun, 7:15. Pina (Wenders, 2011), May 1-2, 7, 9:15 (also May 2, 2:30, 4:45).

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-10.25. Bully (Hirsch, 2012), call for dates and times. The Deep Blue Sea (Davies, 2011), call for dates and times. The Island President (Shenk, 2011), call for dates and times. Jiro Dreams of Sushi (Gelb, 2011), call for dates and times. Letters From the Big Man (Munch, 2011), call for dates and times. Monsieur Lazhar (Falardeau, 2011), call for dates and times. Marley (Macdonald, 2012), April 27-May 3, call for times. Straight Outta Hunters Point 2 (Epps, 2012), Sun, 7. Filmmaker Kevin Epps in person.

GOETHE-INSTITUT 530 Bush, SF; www.goethe.de. $5. “2011 International Short Film Festival Oberhausen On-Tour,” Wed/25 (German competition program) and May 2 (music videos made in Germany), 7.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Film 50: History of Cinema, Film and the Other Arts:” Dracula: Pages From a Virgin’s Diary (Maddin, 2002), Wed, 3:10. With a lecture by Marilyn Fabe. San Francisco International Film Festival, Wed-Tue. See www.sffs.org for tickets and schedule.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-10. Letters From the Big Man (Munch, 2011), Wed-Thurs, 6:45, 8:45. Hit So Hard (Ebersole, 2011), April 27-May 3, 7:15, 9:30 (also Sat-Sun, 2:30, 4:30. Director P. David Ebersole and film subjects Patty Schemel and Eric Erlandson in person Fri-Sat evening shows.

VORTEX ROOM 1082 Howard, SF; www.myspace.com/thevortexroom. $7 donation. “Starship Vortex:” •Turkish Star Wars a.k.a. Dünyayi Kurtaran Adam (Inanç, 1982), Thu, 9, and Voyage to the End of the Universe (Polák, 1963), Thu, 11.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “Great Directors Speak:” HHH: A Portrait of Hou Hsiao-Hsien (Assayas, 1996), Thu, 7:30; Notes on an American Film Director at Work: Martin Scorsese (Mekas, 2005-08), Sat, 7:30. “New Films About Architecture:” The Pruitt-Igoe Myth (Friedrichs, 2011), Sun, 2 and 4.