Appetite

Korean wave

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virginia@sfbg.com

APPETITE Growing up partly on the East Coast (New Jersey) with close Korean friends exposed me to the pleasures of kimchi and burning hot ssamjang (a Korean hot sauce) early in life. In Flushing, Queens, I savored endless incredible Korean restaurants, often filled only with Korean customers. I was first hooked on those crispy, comforting Korean pancakes, pajeon, and my fondness for the cuisine grew from there.

Although more than 30 percent of our city’s population is of Asian descent, our Korean community is not as large as that of LA or NYC, which could be why we’re less the Korean food Mecca those two cities are (despite our abundance of Korean BBQ joints, that is). But there’s been a recent wave of Korean openings I can only hope will signal a robust Korean dining catalog in our future. The more bulgogi and bibimbap in this town, the better. While I usually find less to love at places mixing cuisines, like the Tenderloin’s new Ahn Sushi & Soju serving both Japanese and Korean food, here are three recent openings that show promise… and none are Korean BBQ.

 

AATO

Aato, a new “Korean fusion” restaurant in the Marina, is an unexpected oasis on busy Lombard Street. Owner Jennie Kim grows herbs in potted plants by a little front patio strewn with white lights. Despite a pricier menu than one typically sees in Korean eateries ($12–$15 for starters, $13.50–$25 for entrees), Aato does things differently, apparent from chandeliers in the surprisingly elegant dining room to the use of locally grown, organic ingredients (though common-as-day in SF, unusual for local Korean spots). Initial highlights include ssam, which literally means “wrapped” in Korean. There are three versions served with rice, kimchi, veggies and rice paper wraps. My gut pushed me straight to eel ssam, but Kim talked me into hangbang (Herbal) bo ssam. I wasn’t sorry. The tender, steamed pork is aromatic and nuanced with herbs. Man-du Korean dumplings are delicately pan-fried, plump with kimchi and shrimp, an exemplary appetizer. Jab-chae is traditional sweet potato noodles stir-fried with beef and seasonal veggies. Weekend brunch intrigues with the likes of eggs with “Korean-style” hash browns,, man-du dumpling soup, and a fritatta with tobiko, salmon, avocado, and cheese.

1449 Lombard, SF. (415) 292-2368

 

NAN

Japantown’s Nan works for two reasons: it’s a minimalist, airy space, with an extensive menu that tends slightly toward creativity. Skewers of pork belly and BBQ beef abound, alongside rice bowls, bibimbap and rice cakes. Seafood pajeon is not the perfection it is at Manna (see below), but bulgogi beef mixed with wheat noodles utterly satisfies, particularly with Asian beers on tap.

1560 Fillmore, SF. (415) 441-9294

 

MANNA

Manna offers a clean, friendly dining room in the heart of the Inner Sunset. It serves a number of Korean classics with varying iterations among their 44 dinner menu items. There are diverse versions of bibimbap, short ribs, and stews. Manna also fries up a buttery seafood pajeon (Korean pancake), loaded with leeks, scallions, mini-shrimp, and squid — one of the best I’ve ever had.

845 Irving Street at 10th Ave., SF. (415) 665-5969

 

OTHER RECOMMENDED (BUT NOT NEW) KOREAN STOPS:

I adore Toyose (3814 Noriega, SF. (415) 731-0232), a humble hangout in a garage with Korean bar style food like spicy chicken wings, washed down with sojus and Korean beers. First Korean Market (4625 Geary, SF. (415) 221-2565) is a tiny Korean market with kimbap, sushi/maki-style rolls. Head to To Hyang (3815 Geary, SF. (415) 668-8186) for raw beef salad — a hefty beef tartare-style beef dish topped with an egg — and other homestyle treats from Mom, whose daughters run the front of the house. Korean tacos are playful and cheap at John’s Snack and Deli (40 Battery, SF. (415) 434-4634) in the Financial District, and the Seoul on Wheels truck (www.seoulonwheels.com) which can be found at Off the Grid (www.offthegridsf.com).

Wonderfully worn HRD Coffee Shop (521 3rd Street, SF. (415) 543-2355) a humble Korean-run sandwich shop in SoMa, serves a hefty spicy pork kimchi burrito. Arang (1506 Fillmore, SF. (415) 775-9095) on Lower Fillmore serves a heartwarming seafood bibimbap with octopus and shrimp. A “fusion” place that really does work, and that is one of the Richmond’s best restaurants overall, is Namu (439 Balboa, SF. (415) 386-8332), offers Korean fried chicken and ever-popular Korean beef short rib “tacos” on nori (seaweed), which is also sold at the Ferry Plaza Farmers Market on Thursdays and Saturdays.

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Appetite: Two tastings to watch for

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Two excellent yearly reasons to wet your whistle are coming to town this week. Whiskey and wine, anyone?

WhiskyFest

WhiskyFest happens tomorrow, a whisk(e)y university, extravaganza, and shit show rolled into one. Though the Marriott ballroom settings feel corporate, most of the world’s best distillers, brand ambassadors, and whisk(e)y experts are on hand with classes, offering pours and chatting with guests. I go every year to taste untasted whiskies, revisit favorites, and meet the world’s great whisk(e)y makers.

Fri/7 6:30 – 9:30 p.m., sold out

San Francisco Marriott Marquis

55 Fourth St., SF

www.maltadvocate.com

 

Wine and Spirits Top 100

Every year Wine and Spirits Magazine throws an annual large tasting honoring the 100 wineries that had the best showing in the publication. I’ve gone the last few years, finding it to be an event that’s more focused on sampling a honed list of wines from around the globe — including sparkling — than most tastings. There will also be bites from favorites like Dosa, Piccino, and Txoko, and historically there’s live jazz. I will miss the event being in the striking SF Design Center Galleria this year, but the City View space is dramatically engulfed by downtown high rises and should be memorable.

Wed/12 6:30 p.m., $105

City View at Metreon

101 Fourth St., SF

www.wineandspiritsmagazine.com/top100 

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Uncorking Jameson

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virginia@sfbg.com

APPETITE Ireland is a green land of rolling hills, sheep, and craggy coastline, to be sure. The people enchanted even more: a generous, welcoming, hilarious lot. One of my favorite people in recent Ireland travels was Liam O’Leary, distillery operations manager at New Midleton Distillery in County Cork, near the southern coast of Ireland.

The name New Midleton may not mean a lot to some, but if you follow Irish whiskey, you know there are merely three distilleries producing publicly sold spirits in all of Ireland and this one’s the mother. Most famously, it’s the home to Jameson (founded in 1780 by John Jameson and originally produced in Dublin at the Old Jameson Distillery, which I also visited). New Midleton also produces numerous Irish whiskies including Midleton, Powers Gold Label, Tullamore Dew, Paddy, and smaller pot still brands like my longtime favorite Irish whiskey, Redbreast, and new love Green Spot. (Oh, that it would become available in the States).

Liam hosted the Renaissance Man and I on a private tour of the grounds. Spending pleasurable hours talking of whiskey and his 40-year history at Jameson (long before it was the huge company it is now), we soon delved into a subject dear to my heart, and, it seems, to every local I spoke to: music. We watched mass distilling in action, and finished with a hearty Irish lunch in the distillery restaurant.

The New Midleton facility is to date the most colossal, high production I’ve yet seen: towering stills, control panels, endless storage buildings stacked with barrels, and the world’s largest pot still (able to hold up to 125,000 liters, or roughly 33,000 gallons), which is no longer in use but is viewable in the Old Midleton museum. Numerous copper pot stills operate simultaneously, holding a massive 75,000 liters each. The facility whirs and buzzes continuously, recalling Ireland’s past, creating its future.

Exploring New Midleton, it was only fitting we talk Jameson. Possibly the highlight of my trip to Ireland — and there were many — was tasting Jameson 20-year whiskey straight from bourbon barrels (of which the majority of Jameson is aged in), and alongside it, 10-year whiskey in sherry barrels, both of which are blended into higher-end final product.

Both were superb, the purest forms of Irish whiskey I’ve tasted, particularly the golden, 20-year in bourbon barrels. Its layers kept unfolding: warm, honeyed and bright, spicy, fresh with grain and fruit. Already perfection, this stuff should be bottled at cask strength on its own. The sherry cask whiskey adds round, dark notes, giving it fullness and sensual depth.

As I taste through the Jameson line here at home, notes from those unforgettable barrels come back to me. I pick up various strains from the bourbon and sherry oak, all with that ever-present smoothness Irish whiskey is known for as it is generally triple-distilled. As the biggest selling Irish whiskey in the world, Jameson has done much to advance the category. Here are my tasting notes:

Jameson Rarest Reserve, $279: Rarest Reserve is the granddaddy of the line. Winning numerous awards (including this year’s Double Gold at the SF World Spirits Competition), it’s an expensive but truly special imbibement. After one explores the full-bodied aromas of ripe plum and spice, the taste impresses with toasted wood, dusty peach, dark chocolate, a hint of slate, leather, and earth. Here I find encompassed the approachable yet elevated possibilities inherent in Irish whiskey.

Jameson 18-year Limited Reserve, $86.99: The 18-year is another big award-winner, hitting my taste buds with an intense amount of peach. For me it evokes a golden summer freshness. Though I prefer it neat, it’s also lovely on the rocks. A couple drops of water allow other tastes to unfold, including orange marmalade, gentle spice, nuttiness, and biscuit. It’s soft yet bright, and could convert the non-whiskey drinker.

Jameson Gold Reserve, $60.99: Gold Reserve is a richer whiskey than the 12-year or Jameson Irish Whiskey. I get creamy apple on the nose, a gentle honey texture, and a peppery finish.

Jameson 12-year Special Reserve, $39.99: The 12-year won Gold this year at the SF World Spirits Competition. It’s sweet and spicy with sherry, wood notes. Oddly enough, I find its astringency is softened and rounded out with food.

Jameson Irish Whiskey, $24.99: The original Jameson has never been my Irish whiskey go-to. I find it a bit hot and thin, despite sweet fruit, vanilla and nuts. But this is the great global seller in Irish whiskey, often the first introduction many have to the category.

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Gin, with wings

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virginia@sfbg.com

APPETITE For those who have been following my Guardian Appetite column, you know I’ve been there since the beginning of 2009, reviewing food and drink, cocktails and wine, restaurants and hole-in-the-walls, both in the Bay Area and on my travels. I am delighted to share a myriad discoveries with you each week here, from my daily meals, tastings and adventures, ranging from whisk(e)y releases to stand-out dishes at new restaurants. Here are four intriguing tastes this week:

 

HOT SAUCE AND PANKO

One of my favorite openings in recent weeks, and my top wings spot in San Francisco, is Hot Sauce and Panko (1545 Clement St., (415) 387-1908, hotsauceandpanko.wordpress.com). Not only is the hot sauce collection — reaching from the deep South to Japan — about the best around, but its blog reveals the owner’s quirky hilarity. As a chicken wing take-out shop selling a wide range of hot sauces, a good 20-plus are available to sample at any given time, so prepare for some serious heat (and note that they sometimes sell out of wings early in the day).

I walk away with a tub of cooked-to-order wings for $19.99, or plenty for two at $14.99. What makes me giddy is they let me choose as many of their appealing preparations as I want in one order. There’s a regular menu offering classic buffalo, honey mustard, or kuzu salt and pepper wings. Wings and waffles come together as a combo ($5.99) or just add a waffle onto your order for $1.99. The specials menu gets crazy with tequila-chipotle-raspberry jam wings or one-week-aged cognac-habanero-lime-bitters wings(!) These aren’t typical menu offerings. Favorites are creamy Thai peanut sauce wings, KFC (Korean fried chicken wings), and a “Pucker Your Mouth” special of wings in lime, fish sauce, garlic, blue agave, and red pepper flakes. A side of spicy slaw ($1.99) further pushes your heat tolerance.

 

ST. GEORGE’S TERROIR GIN

St. George Spirits (also Hangar One) consistently wears the crown for renegade inventiveness. Master distiller Lance Winters and distillers Dave Smith and Chris Jordan lead the way in out-of-the-box creativity. Never have I seen the like of their test tube apothecary of experimentation where they’ll try anything, from foie gras and beef jerky, to carrots and Dungeness crab, to see what works as a spirit.

I love all three of their brand new gins, including Botanivore to Dry Rye Gin. If I had to choose a favorite, however, it’s the Terroir. A true Golden State tribute, this gin reflects the glories of Northern California, with hand-harvested juniper berries, Douglas fir (from Mt. Tam), coastal sage, fennel, California bay laurel, cinnamon, cardamom, lemon — to name but a few of the ingredients. Plus, a portion of sales go to support California wilderness, preserving our mighty state’s nature as the gin reflects its diversity. To me, this is the most striking of the three, with a fresh, pine-y essence… a unique expression, unlike any other spirit out there. You can purchase online at www.stgeorgespirits.com. By the way, Bar Agricole (www.baragricole.com) is making beautiful cocktails with St. George Gins, including a Dry Rye Old Fashioned and Botanivore with Riesling and stonefruit bitters.

 

DRINK OF THE WEEK: POTRERO PINOT AT MICHAEL MINA

It was a privilege recently to have lunch with Franco Luxardo, a sixth-generation member of the Luxardo family of the famed liqueur company. In Northern Italy, Luxardo facilities are surrounded by 20,000 cherry trees from which the company makes its legendary Original Maraschino Liqueur. What particularly stood out over lunch was sweet-yet-dry Cherry Liqueur Sangue Morlacco, made from their Marasca cherries. Full and round, it expresses sour cherry tart while remaining smooth. Michael Mina’s lead bartender Carlo Splendorini crafted exquisite drinks for each of our courses, utilizing Sangue Morlacco. He serves it in a wine glass with VSOP cognac, Old Potrero Rye and his own pinot noir gum syrup, flaming off the alcohol for a whisper of Islay Scotch peat. With the look of deep red wine, it is tart, smoky, lush. Splendorini just added this cocktail to the menu and I helped him name it. Ask for the Potero Pinot. You won’t be sorry.

 

CAN’T MISS EVENT: SUNDAY SUPPER

On Sunday, October 2 at 6 p.m., CUESA’s Sunday Supper Fundraiser (proceeds go to CUESA’s Ferry Plaza Farmers Market) starts with a pre-Supper reception and guests as noteworthy as Michael Pollan, Alice Waters, and Cowgirl Creamery’s Peggy Smith and Sue Conley. Following is a four-course dinner at communal tables upstairs in the Ferry Building under white lights. The chef line-up is stellar, including Michael Tusk of Quince and Cotogna. Chefs like Frances’ Melissa Perello and 4505 Meats’ Ryan Farr carve sustainably raised whole beasts (beef, boar, lamb, etc.) tableside. $200, tickets and full chef line-up: www.cuesa.org/events/2011/sunday-supper *

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Appetite: What not to miss during SF Cocktail Week 2011

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For those of you who attended last year’s San Francisco Cocktail Week, you know it was jam-packed with some downright magical events, celebrating our city’s rich cocktail heritage, bar talent and innovation. Monday begins the fifth annual Cocktail Week, bigger than ever, with numerous national and local brands represented, an extensive schedule of seminars, parties, events, and the first ever Legends Awards honoring key contributors in the field.

I’d recommend Cocktail Week certainly for aficionados (cocktail/spirits geeks), but equally for the curious or those who just plain love classy, transporting events.

To name a few, the enchanting Cocktail Carnival Gala and St. George’s Cocktail Cookout last year were unforgettable for all of us lucky enough to attend. We basked in the glow of camaraderie and unparalleled settings like the historic Old Mint (where this year’s Barbary Coast Bazaar will be held) or along the Bay in Alameda. I’m anticipating more memorable events this year.

MAIN EVENTS  include the first ever Legends Awards Gala, showcasing some of our best talent in a multi-course dinner from chef Jen Biesty (of Top Chef fame), cocktails prepared by some of our best bartenders at stations throughout the room, awards announced, with live music and performance interspersed. The list of 5 award winners (including Lifetime Achievement and Renegade awards), along with the all-star bartender line-up, is here.

This is also the first year for an event like Best of the West, where top talent from cities of the West (LA, Victoria, San Diego, Portland, Seattle, Sacramento, Las Vegas) compete with local bartenders, showing off drink style in each of their cities.

SEMINARS are a new addition this year. The line-up is rich with around 15 seminars. Learn how to stock your own home bar, about the science of taste, or the history of cocktails in San Francisco. Seminars are all held at the Boothby Center for the Beverage Arts (1161 Mission St., Suite 120, San Francisco), the non-profit behind Cocktail Week.

DINING EVENTS are being thrown all week by restaurants and bars, with special cocktail guests and multi-course menus, at bar-star restaurants like Bar Agricole, Heaven’s Dog, and Jasper’s Corner Tap.

AFTERPARTIES include the big shindig at the newly revamped Starlight Room atop the Sir Francis Drake hotel following the Legends Awards Gala (afterparty included in Legends Award ticket price).

Tickets and schedule here www.sfcocktailweek.com. See you there!

— Subscribe to Virgina’s twice monthly newsletter, The Perfect Spot

Appetite: 3 new gins from St. George’s

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Consistently, St. George Spirits (also Hangar One) wears the crown for renegade inventiveness. As I wrote last year, Lance Winters, master distiller, and distillers Dave Smith and Chris Jordan, lead the way in out-of-the-box creativity. Never have I seen the like of their test tube apothecary of experimentation where they’ll try anything, from foie gras and beef jerky, to carrots and fresh Dungeness crab, to see what works as a spirit.

So it is no surprise that they are releasing not one, but three gins, each a diverse expression never before replicated. This would be of no use if taste wasn’t paramount… and it is. Terroir-inspired with locally foraged ingredients that Winters and crew foraged themselves from the likes of Mt. Tam in Marin and along Highway 1, each manifests noteworthy attributes, expressing the Bay Area in ingredients and attitude, with elegant, Old World labels and artwork.

BOTANIVORE GIN
Made from 18 botanicals, including caraway, ginger, California bay laurel, wild fennel, dill, celery seed, coriander, Botanivore reflects the heaviest juniper notes of the three, and thus is most similar to a more traditional London dry gin (or as traditional as St. George gets). A clean gin & tonic showcases its citrus, herbal, floral notes, while the juniper stands firm.

DRY RYE GIN
Pot-distilled with a rye base? You already know it’s going to be interesting. Rye grain delivers spice, while caraway and black pepper notes add woody, earthy nuance to juniper-properties. St. George calls it a gin for whiskey lovers, though I find it almost more a sophisticated white whiskey with gin undertones. Grapefruit and lime peel add brightness to its malty depth.

TERROIR- MT. TAM GIN
A true Golden State tribute, this gin reflects the glories of Northern California. Made from hand-harvested juniper berries, Douglas fir (from Mt. Tam), coastal sage, fennel, California bay laurel, cinnamon, cardamom, lemon, to name a few, a portion of sales go to support California wilderness, preserving our mighty state’s nature as the gin reflects its diversity. To me, this is the most special and striking of the three. Though there is much to love in each, Terroir is such a unique expression, unlike any other spirit out there.

In limited release initially (approx. 500 cases each), will be released September 9 (if not earlier this week) in California, New York, Colorado, Texas, Florida and Chicago, at $35 for 750ml bottle; $12 for 200ml). Purchase online at www.stgeorgespirits.com.

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Appetite: Refreshing the Starlight

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Sampling the new, revamped Harry Denton’s Starlight Room cocktails. All photos by Virginia Miller

Tonight, September 6th, Harry Denton’s legendary Starlight Room will reopen, revamped, with brand new menus and look. Though the space wasn’t quite ready for a sneak peek, I was able sample a few of the cocktails that will be on offer from bar manager Joel Teitelbaum’s winning menu.

Grouped together by time periods, the menu starts with the 1600s and punch, ending with Starlight Room classics from great bartenders who have launched from here over the years (like Tony Abou-Ganim, Marco Dionysos, Jacques Bezuidenhout). Other sections include The Jerry Thomas Years (1860’s), The Dry Years – Prohibition (1920-1933), and Dark Times (1980’s – this one with updated versions of ’80’s hits like the Fuzzy Navel).


Peppered with colorful quotes from W.C. Fields to Homer Simpson, the cocktail and bar food menus are playful and wide-ranging. They walk the fine, thin line of pleasing a steady stream of out-of-towners (due to the bar’s legendary status, location in the Sir Francis Drake hotel http://www.sirfrancisdrake.com/ and on Union Square), but also giving locals and drink geeks strong reasons to stop in.

I sampled five drinks utilizing everything from pisco to calvados. Each was elegant and interesting, yet gentle and subtle enough to introduce (and hook?) the uninitiated on the likes of Scotch, mezcal, genever.

In my photo captions, I describe the cocktails sampled. I encourage you to head out to celebrate the re-opening of a legendary spot I suspect will not only be better than ever, but will finally offer what shouldn’t be a rarity in our fair city: well-crafted, artisanal drink and bites… with a stunning view.

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Appetite: 3 to watch — new restaurants, noteworthy bites

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Open for a matter of weeks or months, these new spots show promise with dishes I’m still thinking about…

LE BORDEAUX – French sausage
The new Le Bordeaux, tucked away in North Beach, holds some subtle surprises. General description: ultra-traditional French bistro fare in a Euro cafe with woodsy, rustic country lodge feel. It’s a blessedly mellow respite for lunch or dinner. The winning dish thus far is Boudin blanc ($18), that light, gentle white pork sausage I love so, common in France as well as in New Orleans cuisine.

It sits atop a mound of caramelized apples and crumbled speculoos, a graham cracker-reminiscent cookie/biscuit. Savory and sweet, the plump sausage dribbles its juices over pastry crumbs. Just like dessert… but with sausage.

524 Union Street
(415) 529-1674

RENDEZVOUS TAPAS LOUNGE – orange blossom beignets
The new Rendezvous Tapas Lounge may be roomy to the point of stark, but shared plates at the hands of executive chef Mattin Noblia’s (who many know from Top Chef fame or at his previous restaurant, Iluna Basque) are made with care. Paper-thin, citrus-radiant octopus carpaccio ($12) and warm, stuffed piquillo peppers ($7) oozing with soft goat cheese, stand out. Orange blossom beignets ($7) truly do dissolve in the mouth. Yes, we’ve seen plenty of beignets on dessert menus in recent years, but orange blossom is an inspired accent, while these eggy-light beignets evoke my favorite Chinese baked goods by way of France. Not too sweet, they are fluffy and comforting.

Of note, the weekend brunch (savory or sweet crepes, crawfish bisque, mimosas, Bloody Marys, etc…) intrigues with a DJ spinning old school hip hop and bar manager Anthony Baker serving off-menu cereal cocktails. Golden Grahams are shaken with Jameson, milk and honey simple syrup (or Honey Nut Cheerios with Amaretto, Fruit Loops with berry vodka) for that finish one gets when nearing the milky bottom of a cereal bowl.

2080 Van Ness Avenue
(415) 409-0660

CANA – Cuban pastries
Oakland’s new Cuban cafe, Cana, is a welcome addition in a region sparse on Cuban treats. Pretty much a walk-up counter with one table inside plus patio seating, Cana scratches the Cuban itch with eats like a hefty Cubano ($8.50) loaded with pork, ham and Swiss cheese, crunchy with pickle, contrasted by hot mustard. But I go for the pastries, like a chocolate ancho chile cookie, or a flan-like guava tart (Pastry de Guayaba), silky subtle with guava. Sip a custom-ground Cafe Cubano or other espresso drink for a robustly sweet accompaniment. Watch for their soon-to-open, next door bar/lounge focused on rum & agricole cocktails, with an in-house cane press (!), cigars, their cafe menu, and live music.

530 Lake Park Avenue, Oakland
(510) 832-1515


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Appetite: Oompah and bratwurst in Larkspur

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Think towering redwoods, smoky aromas of sausages, onions and peppers wafting from a grill, German beers on tap from a cooler, and a darling oompah band of elderly gentleman playing with spunk and skill. Enter the just-launched-this-week Biergarten at the Tavern at Lark Creek. For a short jaunt from the city to Larkspur, it feels worlds away.


I arrived the inaugural Sunday, 8/21, to sunny, fresh air and the knowing shade of those gorgeous redwoods that flank the Tavern (more a classic yellow and white house than tavern). The Biergarten will run every Sunday through October 30 (2pm–5:30pm) outside the restaurant. It evokes Munich beer garden days but with a decidedly California spirit from towering redwoods and elevated beerhaus food.

Chef Aaron Wright grills up smoked beer or chicken apple sausages and garlic bratwurst, juicy and savory, accompanied with grilled onions, peppers and two types of mustard. House-made pretzels come generously dusted with sea salt, or German potato salad helps in soaking up pints of Spaten’s Pilsner and Dark Optimator. Food operates with a ticket system (1-2 tickets, at $5 each, per dish or beer).

When the oompah band raised their steins with rowdy joy, I raised mine, feeling time stop if for a moment, aware of the simple joys of taste, smell, music, camaraderie and nature on a Sunday afternoon.

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For the fall of it

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arts@sfbg.com

FALL ARTS Puppets, fanciful forms of democracy, and disfigured villains are leitmotifs beyond the Beltway this season, as the following theater and performance highlights suggest.

Stuffed and Unstrung Bad puppets, puppets misbehaving, puppets you won’t see on Sesame Street, puppets you don’t want to meet on a darkened street. Eighty of them. And six improvising comedians too: Henson puppeteers gone wild. (Brian Henson, that is, son of puppeteering parents Jim and Jane). Co-presented by SF Sketchfest. (Through Sat/27, Curran Theatre; shnsf.com.)

Roughin’ It: Theater. Oysters. Campfire. Booze. Is one of these things not like the others? No, they are all just like the others. Now you can yell oyster in a crowded campfire and drink like an actor. It seems this unique opportunity (one night only, this weekend) arises because PianoFight is couch surfing right now, very near the actual surf in Tomales Bay. The show-show part of this show consists of new material by local playwrights writing plays for this very moment in time at the Tomales Bay Oyster Company in Point Reyes Station, just in case you were wondering about it. Round-trip shuttle ride from SF available for a few extra clams, and dollar oysters for a dollar. (Sat/27, Tomales Bay Oyster Company, Point Reyes Station; pianofight.com.)

A Delicate Balance Aurora Theatre turns 20 this season too. It has chosen to celebrate by kicking things off with a production of Edward Albee’s great and so great play, A Delicate Balance. And to include in the cast local luminaries Anne Darragh, Charles Dean, and Carrie Paff. This is all just an excellent idea. (Sept. 2-Oct. 9, Aurora Theatre; auroratheatre.org.)

San Francisco Fringe Festival, the 20th annual for god’s sake. Forty-four shows from all over, all over 12 days, all over the lovely Tenderloin. Good theater very cheap, and bad theater, also very cheap. The lottery-based, snob-resistant Fringe: this is what democracy looks like. (Sept. 7–18, Exit Theatre; www.sffringe.org.)

The People: San Francisco Corporations are people too, my friend. So was Hitler. Even I am people apparently. There’s a lesson there somewhere in this Yerba Buena Center for the Arts and Z Space co-production, as the New York–based performance team of Caden Manson and Jemma Nelson (makers of 2009’s wowing S.O.S. at YBCA) bring to the street outside Z Space the local installment of their globetrotting site-specific democracy-curious spectacle, featuring live performance and real-time gi-normous video projections. I’m told there will also be taco trucks. But really: no way you want to miss Big Art Group. (Sept. 16–17, Z Space; bigartgroup.com)

3 For All Maybe the SF Improv Festival has whetted your appetite. Or maybe you already know that this longstanding, outstanding long-form improv trio comprised of Rafe Chase, Stephen Kearin, and Tim Orr are always varied and strange and wonderful. (Sept. 16–17, Bayfront Theatre; www.improv.org.)

Frankenstein Independent Eye’s Conrad Bishop and Elizabeth Fuller present their take on Mary Shelley’s gothic (and profoundly modern) tale, using a trio of actors, a moody mix of sound and image, and their exquisitely crafted puppets. (Oct. 7–30, 6th Street Playhouse; 6thstreetplayhouse.com.)

Richard III Now is the winter of our discontent made glorious with this fall theater-season spectacular starring Kevin Spacey. M’lord. What hump? (Oct. 19–29, Curran Theatre; shnsf.com.)

Desdemona Responding to internationally acclaimed director Peter Sellars’s 2009 staging of Othello, author Toni Morrison and African singer-songwriter Rokia Traoré, together with Sellars himself, channel a conversation between Shakespeare’s unlucky heroine and her African nurse, Barbary, in this intimate and intriguing U.S. premiere. (Oct. 26–29, Zellerbach Playhouse; calperfs.berkeley.edu.)

Endgame and Watt Samuel Beckett is not the Gloomy Gus everybody likes to think. All right, sure, he kind of is. But he’s also very funny. And I’m told tidy. He’s also a genius, damn it, and when it comes to interpretations of Beckett nobody has the cred that these Irish cats do, in Gate Theatre of Dublin’s rare visit to Berkeley’s Zellerbach Playhouse. Starring Barry McGovern, who can’t go on but will go on, in the great play Endgame, as well as his own selections from the novel Watt. (Nov. 17–20, Zellerbach Playhouse; calperfs.berkeley.edu.)

Appetite: Orson cocktails — worth a revisit?

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Orson bar manager Ian Adams shows inspired vision in his cocktails. He’s having fun pairing them with a new four-course dinner, but even more so, his everyday cocktails shine with enough twists to keep me intrigued.

Amorosa ($10) comes on the stem in a champagne glass. It exhibits a rosy Campari and house cinnamon-rose kombucha hue, mixed with cachaca and housemade curacao. The elegant kombucha is not too vinegary, but adds a complex, unexpected layer to the drink’s gently bitter Campari finish. Refreshing and unique, I’d return for this one. A musky, playful course is taken in Ichi the Killer ($10): rye whiskey and lush amari are balanced with Peychaud’s bitters, then given that “little something extra” with pink peppercorn.

Orson is currently running a Blackboard Eats ​”Hotel California” special menu, a delightful concept of four-course meal with cocktail pairings, each drink and dish named after a line in the Eagles’ most famous song. The happiest pairing is “Can’t Kill the Beast”: maple-glazed roasted pig in a butter Tabasco sauce, over a can’t-go-wrong mix of cornbread, pickled peaches and broccolini. Fresno chilies are a genius touch from chef Elizabeth Falkner, nodding to California in a Southern-inspired dinner. “Far Away” is a shoo-in pork companion: bourbon, maple syrup, mint, and muddled peach make for a bright, bracing summer cocktail.

I appreciate the smoky, savory creativity behind the dessert cocktail, “Dance to Forget”, utilizing peat standard, Laphroaig 10yr scotch, rich with a house cherry brandy, spicy with ancho chili-infused chocolate and a bit of cayenne. Paired with Falkner’s “Last Thing I Remember” (chocolate, smoke, plum and a sweet black olive ice cream reminiscent of chocolate chip), it feels like the right way to end a meal.

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Appetite: A mouthwatering preview of the SF Street Food Festival

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La Cocina‘s SF Street Food Festival keeps getting bigger each year. Gearing up for this Saturday’s (8/20) third annual street food extravaganza, prepare for a takeover of numerous Mission blocks (free admission, with food for purchase under $8). This year there was an early sneak peek for media and select guests. There will be much to love at this year’s festival. Many food truck and street food favorites return, plus Ferry Plaza stars like Namu. Just a few stand-outs the new-to-this-year front:

Wax moth larvae tacos from Don Bugito – These pretty, little tacos are laden with crispy larvae, garlic, pasilla chiles, and pickled onions. Some popped them in their mouths without realizing what they were, others turned away once they heard… but to taste them is to be converted. No need to fear bugs in the hands of owner, Monica Martinez. Plus, it’s a great conversation starter.

15 Romolo’s jambalini – I’ve been touting 15 Romolo since day one. One of our city’s best bars is also home to some of the best bar food (just try their Challah at ‘Cha Boy, Nutella lathered on challah bread with fried bananas, bacon, and pickles!) The jambalini (jambalaya croquettes) are fried balls in the style of Italian arancini, with a Creole aioli for dipping. This has been a top bite at the bar for years. Thankfully, it’s also at this year’s Street Food Fest.

Rye on the Road’s Lawrenceburg swizzle & spicy paloma – You’d want Rye on the Road at any party. The experts behind beloved bars 15 Romolo and Rye are handling the bars at Street Food Fest. Watch for the snow cone-like fun of a lawrenceburg swizzle: Wild Turkey 101, maple syrup, lemon, Creole bitters, garnished with mint. Or go for a little heat with a spicy paloma: tequila, grapefruit juice, jalapeno syrup, salt.

Azalina’s Malaysian bites
Azalina‘s fills the far too vacant Malaysian food gap with a few Malaysian items, including a creamy, savory coconut chicken curry on green onion buns, perked up with spice, cut with blueberry cucumber pickles.

For the first time, there will also be six mobile vendors from across the country: The Peached Tortilla (Austin), The Arepa Lady (New York), Big-Ass Sandwiches (Portland), Skillet Street Food (Seattle), La Cocina grads Global Soul (Los Angeles), Ingrid’s Lunch Box (Madison).

Passports ($50-$250) offer discounts on food and eliminate cash purchases or you can just stop by for a couple individual bites.

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Appetite: A pilgrimage to the Plymouth Gin distillery

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A decade ago I explored the central and northern parts of England, feeling strangely at home among its countryside and moors. This summer I took a three-and-a-half hour train ride through those rolling green English hills (yes, dotted with sheep and cows), that was as idyllic as my memories. The journey brought me to the southwestern coast of England and the town of Plymouth

Famed for being the port from which the Mayflower and its pilgrims set sail for America and as home to the British Royal Navy, Plymouth is also known for Plymouth Gin, distilled here since 1793 in the Black Friars Distillery. It is the most atmospheric distillery I’ve ever visited, oozing history from every wall. Stone, wood, and signature navy blue colors (a homage to the seaside location and the town’s navy ties) define its look. Its gorgeous in-house bar evokes both farmhouse and chapel with a wood ceiling and warm, red walls.

Master distiller Sean Harrison was genuinely gracious and hospitable, an engaging conversationalist on numerous subjects. He took us out for haddock and chips, toured us through the distillery, taught us how to make our own basic gin, and treated us to a surprise English tea alongside a river in the woods.

Here is a photo journey commemorating an unforgettable trip as a guest of Plymouth, truly an institution in the spirits world. You can read more about my English adventures here and here

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Class clowns

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THEATER Linda Brown is a maid at the end of her tether, and tender, as the much-put-upon employee-slave of an exclusive country club. The signs are there from the moment she steps onto the stage: the circles under the young woman’s eyes, her frightened stare, the desperate swigs from a ready flask, not to mention her shameless histrionic intensity as she addresses the audience about the soul-sucking richies perpetually at her back.

But it will take the full length of playwright-director Jeff Bedillion and Back Alley Theater’s sometimes ambling, generally rowdy new farce, Country Club Catastrophe, before our lower-class heroine manages a proper escape — only it’s unclear even to her if it’s a genuine escape at all, as she stares into the eyes of her replacement with an eerie shock of recognition.

In this uneven but promising production by newcomers Back Alley Theater, performances are at times stilted and pacing might be tightened in places, and perhaps as much as 20 minutes of meandering dialogue productively lost from the second half. But Country Club Catastrophe gets laughs in part because it knows what it is about. Inspired equally by classical French farce — Molière’s five-act structure in particular — and recognizably American figures from the yawning class divide, it aims at a contemporary social crisis churned by the obscene disparities in wealth in post–middle-class America. (All glimpsed at the preview ahead of opening night.)

Thus, long before her existentially fraught exit, both Linda (played by a comically intense yet sympathetic Katharine Otis) and her handsome gold-digging coworker, the doorman Max (a winningly boisterous Joshua Rice), largely retreat from view behind an onslaught of self-absorbed club members (numbering only a handful in fact, and yet a real handful just the same).

First to arrive is Mrs. Montgomery (a sharp, coolly imperious Jennifer Lucas), her teased hair rising to just within the frame of the front door center stage (in A.J. Diggins’ spare, functional set design) and a long leash trailing from her wrist to an unseen standard poodle with an unhealthy appetite for the doorman. (Exit Max for some scenes.)

Separately from Mrs. Montgomery — who in a manipulative confessional gesture lets Linda know her first name is Tabytha, only to insist she still call her Mrs. Montgomery — arrives the rest of her small but attenuated family. There is husband Miles (Len Shaffer, dispensing affable sleaze), a jolly and salacious philanderer; and son Tristan (a humorously shrill Salvadore Mattos), Tabytha’s barely closeted Brown University brat whose constant companion is a houseplant he calls Sister.

Greater than Tristan’s fixation on foliage, however, is his unbounded lust for childhood playmate Edward (Jeremy Bardwell), the egomaniacally cocksure but increasingly put out fortunate son of club members Biff and Muffy Birmingham (played, respectively, by a buoyantly silly John Weber and a hilariously sugary yet menacingly bitchy Meaghan M. Mitchell). Biff and Miles are best friends; Muffy and Tabytha not so much. Muffy prefers the company of club member and shy post-debutante Peggy Dupont (a harried Sabrina De Mio), whom Muffy bosses and harshly abuses with an almost innocent glee.

Last and, in the opinion of the club house anyway, certainly least comes Cynthia Anniston (an amusingly oblivious and high-keyed Gloria Terese McDonald), Brown University first-year and cheerleader desperately chasing one-night-stand Edward, her lax outfit reading alternately “prostitute” and “foreign exchange student” to the club’s members and its equally indignant staff.

For the play finds stark but amusing ways to underscore the primacy of money over every other social divide, be it race or sexual orientation or education. Even the mere appearance of not having money is enough to put one squarely outside the club — or rather, squarely within its steep hierarchies of privilege and worth. As the plot gets increasingly tangled, we’re left to consider the intoxicating stench of money in everyone’s noses as the ultimate obscenity.

And yet, Linda (and the play) asks, can the greed, selfishness, backstabbing, dirty dealing, and rampant mistreatment that runs rife through these perverse excuses for families really continue without some final judgment befalling such a club and such a country?

Intonations of just such a judgment are there already in the title, in a gathering electric storm outside, in the self-consciously heightened language, and in the rumblings of piano keys from musician Mike Miraglia’s offstage upright. But the catastrophe that finally breaks in on this world isn’t exactly The Day of the Locust. It is, instead, an ironic and apt judgment on the misspent lives and deflated hopes of the present day, so semi-cozy and quietly desperate despite the raging storm outside. 2

COUNTRY CLUB CATASTROPHE

Through Aug. 13

Thurs.—Sat., 8 p.m., $20

Exit Theatre

156 Eddy, SF

www.brownpapertickets.com

 

Appetite: At Beefeater Distillery, London

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One jumps at the chance to spend a day at London’s Beefeater Distillery, particularly when given a personal tour by Beefeater‘s master distiller Desmond Payne. Gracious and mannered, Payne has been making gin for over 40 years, his early days being at Plymouth Gin. As a guest of Beefeater, my trip to London was full of unforgettable days, and this was one of them.

Join me on the photo tour, above, through the distillery, one that has been in operation since 1820 – the longest running London Dry Gin actually made in London.

Beefeater’s unique process is that they steep their 9 botanicals (juniper, angelica root, angelica seeds, coriander, liquorice, almonds, orris root, Seville oranges, lemon peel) for 24-hours in copper pot stills with water and a neutral grain base of English wheat. All this with only five year-round staff? Impressive at over 2 million cases a year.

Payne has been producing a series of seasonal releases, like Beefeater Winter Gin in December, a  Summer Gin (floral notes from elderflower and hibiscus), and a brand new London Market Gin (with kaffir lime and cardamom) that sadly we won’t see released in the US.

— Subscribe to Virgina’s twice-monthly newsletter, The Perfect Spot. Read more about Virginia’s exciting cocktail adventures in London here.

Brian Wilson ain’t got nothing on the men of “Whisker Wars”

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If the hirsute heroes of Deadliest Catch, Ice Road Truckers, and Ax Men haven’t fully satisfied your appetite for bearded he-men, the executive producer of those gems has ditched the “tough vocation” façade and introduced a show that’s purely about the fur: IFC’s Whisker Wars, which debuts Fri/5. The show trails men around the U.S. as they prep and groom for the World Beard and Moustache Championships in Trondhjem, Norway with the long-standing champs of Germany looming in the distance.

Competition categories run the gamut from Freestyle to Full Beard Natural (in one contender’s analogy, that boils down to “synchronized diving vs. marathon”). The former measures artistry and ingenuity, the latter demands “an unbroken line of unshaven ace from the temple to the chin to the other temple … to achieve natural fullness, size, and shape.” For some reason, Miss Oregon serves as a judge for the U.S. Nationals (where California beards killed, as we reported at the time) and looks repulsed as she’s forced to stroke and yank at waist-length beards. That face – filled with a bittersweet mix of disgust and morbid curiosity – seems to be the main driver of the documentary’s entertainment value.

We watch the dueling egos of the men, their interactions with surprisingly sane spouses, and overall grooming techniques. Reigning champ Jack Passion is derided for his narcissism and book deal, while Aarne Bielfeldt serves as a charming foil: a man who lives in the forest and is an avid harpsichordist. Bielfeldt’s beard is a dangling gray, though coincidentally, most of the men on Whisker Wars (including Passion) sport brilliant red beards of varying length and texture.

The beardsmen (beardos?) struggle with everyday tasks, such as eating, and other not-so-everyday tasks, like multiple brushing sessions. Just watching them wrangle unruly facial hair is exhausting, though the show is unexpectedly watchable, mostly because it isn’t afraid to acknowledge the self-seriousness and absurdity of it all.

Whisker Wars premieres Fri, August 5 at 11 p.m. on IFC.

Appetite: Plans of attack for SF Chefs

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SF Chefs year three starts this Monday, an event that has become San Francisco’s biggest food and drink showcase – our “food and wine classic”, if you will — utilizing much of the Bay Area’s best talent. (You can check out my coverage of the event from last year here).  

The event takes over Union Square for a week with events, classes, grand tastings, and nightly parties. There’s something magical about a tented Union Square, especially with the cable cars gliding by and tourists casually wondering what kind of fun is going on. After hours of tastings and music, one can walk to afterparties atop the Westin or other nearby locales, taking in the city lights until the wee hours with dancing and yes, more impeccable food and drink.

But with a week full of events, how does one begin to choose what to attend? I have covered a lot of ground every year I’ve attended and have some specific advice on what to make sure you don’t miss, depending on your preferences. Oh, and don’t forget to allow your stomach some recovery time.

If you’re a cocktail hound or celebrity chef follower

Don’t miss Friday night’s opening celebration and grand tasting (6:30-10 p.m.). Sure, the chef line-up is impressive. Everyone from Michael Mina to Tyler Florence will be there serving creative tastes of their food. There will be more food than you’ll ever be able to fit in one stomach, especially if you attempt to sample from the over 35 chefs who’ll be there.

On the cocktail front, you’ll work double-time to keep up with the amazing bartenders and bars represented as they shake up special event cocktails. There’s fine bartenders at many SF Chefs events, but Friday night particularly showcases a larger number of our city’s best bars in one place.

There’s also plenty of wine, beer, and spirits. You won’t suffer from choices. Chef Joey Altman and the Soul Peppers provide the live blues backdrop. Oh, did I mention that all tastes are unlimited with price of admission? That way you can keep going back for your favorites, if you do happen to pack stomach No. 2. 


If you want all this — and dancing too

Saturday night is another big shindig in “Union Square: Decadence After Dark” (7-10:30pm), again with over 35 chefs plus spirits, wine, beer, cocktails. Again, all unlimited. There will be dancing (if you’re still mobile) along with eats from chefs like David Bazirgan of Fifth Floor and Thomas McNaughton of flour + water.

Save room for the after parties. Friday night’s mayhem happens 10 p.m.-1 a.m. in private rooms at the City Club. With sponsors like Cigar Aficionado and Wente Vineyards, there’s cigars given out and Wente wines flowing along with cocktails, beer, chocolates, coffee, caviar, oysters, and desserts from Pastry Chef Leena Hung (The Restaurant at Wente Vineyards). Best of all, Hubert Keller will be stationed at the turntable. That man does everything.  

Saturday night offers a second afterparty option, this one hosted by Top Chef All-Stars winner Richard Blais and SF-based Skyy Spirits, the latter of whose portfolio includes beloved classics Campari and Wild Turkey, as well as the delightful Espolon Tequila. Chef Blais heads up a team of former Top Chef contestants (Fabio Viviani, Jen Biesty, Marisa Churchill, Mattin Noblia, Ryan Scott) for bites to go with cocktail creations by the Bon Vivants. There’s even more food from Dennis Lee (Namu) and Ryan Farr (4505 Meats) and music from Hot Pocket – a quintet comprised of members of the Best of the Bay winning group Bayonics – and DJ Dojah so you can dance it all off.

 

If you want demos, classes, and unlimited tastings 

There’s individual classes during the week, but for a full feast included, hit up the grand tasting tent all afternoon Saturday or Sunday. Both days feature food from over 30 big-name chefs like Hubert Keller and Elizabeth Faulkner. But there’s also ongoing demos from chefs like Martin Yan, NY’s Cesare Casella, Fabio Viviani, and Gary Danko, while cocktail experts such as H. Joseph Ehrmann and Charlotte Voisey school you on spirits and cocktails. Watch for a Negroni cart where top bartenders will mix you a classic negroni, a sbagliato (basically a sparkling negroni… with prosecco), or a negroni variation of your choice (even better, Campari is donating $200 per hour the cart is in operation to support USBG’s Bartenders Relief Fund).

 

If you want to get up close and personal

Choose from an array of classes, demos and meals taking place in the Westin for a more intimate focus than you’ll get in bustling Union Square during the Grand Tasting Tent and evening parties. You could watch Chris Cosentino (Incanto) and Elizabeth Falkner (Citizen Cake & Orson) take on Dominique Crenn (Atelier Crenn) and Russell Jackson (Lafitte) in a chef’s challenge. Maybe you want to attend a demo with Tyler Florence, a bartender’s cocktail breakfast, a Wine Spectator pinot noir panel, “Secrets of the Sommeliers” with Rajat Parr and Jordan Mackay, or a family cooking demo led by chefs Michael Mina, Craig Stoll (Delfina), Gerald Hirigoyen (Piperade), and their kids.

Another winning night last year was Thursday’s ‘Sugar and Spice” party. Smaller than Union Square events, tastes cover palate extremes, while cocktails from key bartenders and local wineries are featured. The line-up is strong (including Hoss Zaré of Zaré at Flytrap and Mourad Lahlou of Aziza), but it’s manageable and memorable in the stunning mezzanine ballroom of the Westin.

 

SF Chefs

Mon/1-Sun/7, $25-150

Various SF venues

www.sfchefs2011.com

 

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Appetite: Jasper’s menu brightens up the Corner Tap

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All photos by Virginia Miller

You heard it here a couple weeks ago: Jasper’s Corner Tap & Kitchen is going to be a drink destination, no doubt about it. Pair its all-star bartender line-up and impeccable cocktail menu with 18 beers on draft (like Telegraph Reserve Wheat from Santa Barbara), a fine wine list with playful categories like “Flower Power” and “We’ve Got the Funk”, satisfying bar food, (eventually) open-all-day hours – and plunk the whole thing down next to Union Square, a perfect tavern space for your downtown rendevous? The set-up is already screaming hit.

If a sneak taste yesterday is any indication, it’s the type of place to bring friends for casual comfort food – house-made sausages, fish and chips, and lamb shepherd’s pie — with well-crafted yet un-fussy cocktails or craft beers in a space that manages to be industrial and warm at the same time. Bar service bodes well with a  talented staff that includes not only Kevin Diedrich (formerly of Burritt Room and NYC’s PDT), but also Brian MacGregor (Jardiniere), Francis Kelly (Ponzu, Presidio Social Club), and Allison Webber (Portland’s Irving Street Kitchen and The Gilt Club). 

As bar manager Kevin Diedrich told me, the menu is meant to be “approachable and not too geeky,” yet in signature Diedrich style, perfectly balanced and nuanced (for a delicious example of Diedrich balance, try his Soda Jerk, in which blanco tequila and Campari get tart with hits of lime and passion fruit, then fizzy and gently sweet with cream soda and egg white). 

Upping the game, Jasper’s will be the first known bar to have Bols Genever on draft! Starting next week, get your fill of a beloved Dutch spirit, flowing fresh and lush. Stay tuned for future unusual draft and barrel-aged offerings.

Enjoying bar bites (Berkshire pork riblettes, anyone?), I tasted through a wide range of the cocktail menu. With playful descriptions under each drink and plenty of house bitters and syrups, it satisfies the cocktail aficionado but, as Diedrich mentions, keeps bartenders and customers happy by not being painstaking or pretentious. Some drinks only have a handful of ingredients, others require a simple mix and stir and they’re ready. Elegant but straightforward. 

Join me on a little sneak-peek photo journey through a few food and cocktail highlights. Cocktail recipes are Kevin Diedrich’s unless otherwise noted. 

Jasper’s Corner Tap and Kitchen

401 Taylor, SF

(415) 775-7979

www.jasperscornertap.com

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Appetite: 4 noteworthy new spirits

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From an elegant new Islay scotch to a campfire toasted corn whiskey, then two locally-tied spirits, a rye with barbershop ties and a liqueur line imported by SF locals, there’s some noteworthy new sips to share with you.

WHISK(E)YS:

LAPHROAIG 2011 CAIRDEAS
Laphroaig’s master distiller John Campbell and Global Brand Ambassador Simon Brooking were in SF a couple weeks ago. I spent an afternoon with them sipping Laphroaig’s brand new 2011 Cairdeas, Ileach Edition. Limited release, only 350 cases have been made available to the US, of which SF alone has 75 (at Whiskey Shop on Sutter Street). On the heels of last year’s limited Cairdeas Master’s Edition, this winning version is non-chill filtered, hinting at that quintessential Islay peatiness but rounded out with an overall earthy, slate quality, and gentle sweet notes of candied orange.

Laphroaig is releasing a Triple-wood Quarter Cask scotch this Fall in the US (already a big seller in UK), which is basically their creamy, spicy Quarter Cask scotch finished in sherry casks. Though I have a bottle of their now extinct 15yr, and their 10yr is a peat-heavy Islay standard, my favorite remains their 18yr, a less peaty, more balanced beauty redolent of salt, vanilla, honey, with gentle spice and layered depth.

BALCONES BRIMSTONE
– In my 7×7 corn whiskey article, I list Balcones corn whiskey, a 2010 Double Gold medal winner at SF World Spirits Competition. They just released a new whiskey, Brimstone, smoked with sun-baked Texas scrub oak.

My first reaction upon tasting it is to crave BBQ (not unlike with MB Roland’s delightful Black Dog http://mbrdistillery.com/products.aspx, another smoked corn whiskey, although both have quite a different taste profile). Balcones Brimstone tastes, yes, of fresh corn, but with a bold, smoky, campfire essence, and more than a hint of sweet cumin. Distiller Chip Tate calls it, “Texas campfire in a glass.” That’s exactly it. An intriguing addition to the Balcones line.

I can’t help but be drawn more towards smoked corn whiskeys than to standard, clear corn whiskeys.

1512 SPIRITS – Salvatore Cimino is a Nob Hill barber by day (at 1512 Pine Street), and whiskey distiller by night. Cimino comes from a distilling lineage with a Prohibition-era bootlegger grandfather, whose 1923 photo (right) graces the bottle of 1512 Spirits‘ Barbershop Rye.

Distilled over direct fire in Rohnert Park (using one Portuguese copper alembic still and one 70-gallon finishing still), 1512 is truly small batch at 350 bottles per month. Made from 100% rye grain, his unaged rye ($32-35 a bottle) is surprisingly balanced and flavor-rich for a young whiskey.

I sampled the aged rye (not yet released), aged in 3-gallon new char, American oak barrels. At merely three months, it’s already showing robust color and body, the taste full with rich wood notes. Sal hopes to release a classic bourbon and a cherry-smoked bourbon in the future.

Sip these locally-made beauties at 15 Romolo, 83 Proof, Swig and Rye, or buy a bottle at Jug Shop, Healthy Spirits, Cask, Liquid Experience. Even LA’s Father’s Office is serving 1512 alongside their beloved burger.

pür•spirits – Recently released in SF (find them at D&M on Fillmore and online at K&L), pür•spirits is a German-distilled spirits’ line with a local connection: it was imported to the US by SF locals, Kiki and Harvey Braverman, from Kiki’s native Germany.

Though there are also two vodkas and a malted barley spirit, I sampled pür‘s three liqueurs:

– Blood Orange: Spiced and sweet, it is redolent of cinnamon and cloves.
– Elderflower: No, it does not taste identical to St. Germain, but is, rather, a little lighter, gently sweet and floral with hand-picked white elderflowers from around Lake Constance, which is situated between Switzerland, Austria and Germany.
– Pear: I’ve tasted a lot of pear liqueurs, from locally-made ones to those only found in Switzerland, Germany, etc… pür•likör williams is unusual not only in its almost lighter-than-air, delicate mouth feel, but in that it tastes just like fresh-pressed pears. It is my favorite of the three.

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Appetite: Three appetizing new books

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Mission Street Food: Recipes and Ideas from an Improbable Restaurant

By Anthony Myint & Karen Leibowitz

Leave it to McSweeney’s to publish a book that is ode to a series of brilliant SF dining concepts, a recent history of cutting-edge food, and a vividly illustrated cookbook. Mission Street Food, the book, makes me nostalgic for those not-so-long-ago early days of Mission Street Food, the experience. Through the book, I reminisced about favorite dishes served in that ultimate pop-up restaurant out of dingy Lung Shan, found my mouth watering for that incomparable Mission Burger out of Duc Loi Supermarket, and appreciated the current day incarnation of Mission Chinese. This book encapsulates it all, sharing many of the best recipes (with step-by-step photo instructions). We are lucky to have Myint and the Mission Street crew’s visions among us… and such a book to capture the experience.


Food Trucks: Dispatches & Recipes from the Best Kitchens on Wheels

By Heather Shouse

Though Food Trucks (released this spring) paints broad strokes of the rise in the phenomenon that is food trucks, it is a worthy snapshot of how this movement has risen nationally as the economy has suffered. It highlights ingenuity and fresh-thinking from chefs across the country who wanted to make food as affordable as it is exciting. It goes region-by-region through the US, listing a handful of trucks in various cities. Only five Bay Area trucks are listed (including Spencer on the Go! and RoliRoti), which is barely scratching the surface. Nonetheless, it’s a peek into a handful of individual stories and recipes of food trucks launched from New Orleans to Hawaii (including some of my favorite Oahu trucks).

America Walks into a Bar

By Christine Sismondo

Though Sismondo is Canadian, she offers a detailed account of US history from the front row seat of its bars, taverns, saloons, speakeasies and grog shops in her new book, America Walks Into A Bar. She posits that the States’ most important movements, from Revolution to Prohibition, were birthed out of the communal gathering places that are our bars. Factual and historical, Sismondo keeps it seamless, though I found some chapters more interesting than others. Stories of tipsy judges ruling court cases out of taverns and women-bar owners indicted during Salem Witch Trials are engaging and worth a look for those curious about just how much drink has factored into our country’s foundation.

— Subscribe to Virgina’s twice monthly newsletter, The Perfect Spot

our Weekly Picks, July 13-19, 2011

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THURSDAY 14

EVENT

Fire Monks: Zen Mind Meets Wildfire at the Gates of Tassajara

Here’s your spiritual riddle of the week, young grasshopper. Say you’re a Buddhist monk. Two thousand fires are sprinting across California’s tinderous golden landscape. The wind shifts. One blaze streams down a single unpaved road, the sole portal to your monastery. The conundrum expressed best by the Clash alights in your ever-mindful mind: should I stay or should I go now? In June 2008, five monks chose to stay when the Big Sur fires threatened Tassajara, the country’s oldest Zen monastery. Author Colleen Morton Busch shares their story in her new book Fire Monks: Zen Mind Meets Wildfire at the Gates of Tassajara. Hear her read selections, plus stories from the monks and wild land firefighters, on how they successfully fought the fire with the fire within. (Kat Renz)

7:30 p.m., free

San Francisco Zen Center

300 Page, SF

(415) 863-3136

www.sfzc.org

 

EVENT

“Cabaret Bastille”

LitQuake revives the ghosts of Left Bank bohemia for its cabaret and fundraiser Cabaret Bastille. Everyone’s favorite modernists will be in the house — Anais Nin, F. Scott Fitzgerald, James Joyce, Djuna Barnes, Henry Miller, H.D. and of course, the salon dom herself Gertrude Stein — as local writers impersonate these legends and read selections from their work. Other merriments include songs by accordion-accompanied chanteuse Gabrielle Ekedal, a make-your-own-Matisse station, exquisite corpses, and much genius-inducing imbibing. (Matt Sussman)

8 p.m.–midnight, $15

Cellspace

2050 Bryant, SF

www.brownpapertickets.com

 

EVENT

“Crimes Against Horticulture: When Bad Taste Meets Power Tools”

I earn most of my money on my knees, initiating a rampage of genocidal proportions upon the natural world. I pull weeds and I love the killing, though not without remorse, for who am I to judge? (As a nonbreeder, I’m biologically nil compared to the reproductive success of an invasive plant.) I wonder if funny-man gardener Billy Goodnick would diagnose this murderous spree a “crime against” or a “crime in the name of” horticulture? An award-winning landscape architect and host of the Santa Barbara television show Garden Wise Guys, Goodnick brings his humor-infused message of sustainability to horticultural criminals, crazies (any “compulsive rakers” out there?), and petal perfectionists alike. (Renz)

7 p.m., $15

Conservatory of Flowers

100 John F. Kennedy, Golden Gate Park, SF

(415) 831-2090

www.conservatoryofflowers.org

 

COMEDY

Jay Pharoah

Even though comedian Jay Pharoah is only 23, he is already a seasoned veteran of the stand-up circuit, hitting stages since his early teens and honing his hilarious impersonation skills. Eddie Murphy, Will Smith, and President Obama are among his stable of dead-on, side splitting impressions, some of which, along with his many other comedic talents, have been featured on national television since he joined the cast of Saturday Night Live last year. Pharoah’s star is only certain to rise with more national exposure, so do yourself a favor and catch him this weekend in the cozy confines of Cobb’s before it’s too late. (Sean McCourt)

Thurs/14–Sun/17, 8 p.m.

Also Fri/15–Sat/16, 10:15 p.m., $18.50–$20.50

Cobb’s Comedy Club

915 Columbus, SF

(415) 928-4320

www.cobbscomedy.com

 

FRIDAY 15

PERFORMANCE

Persepolis, Texas

Sometimes it takes a Texas-reared second-generation Iranian American cisgendered female in drag to point out what should be obvious: “That this huge stage presenteth nought but shows” (to quote an old Englishman who never set a pointy shoe in Texas). Is self-presentation of any kind just a drag act by another name? Isn’t the real question whose terms apply in the fashioning of one’s persona? Whose hijab is it anyway? San Francisco–based performance artist Maryam Farnaz Rostami explores the tenuous line between identity, persona, eroticism, and exoticism in her first evening-length solo show, embodying a handful of characters — including Rostami’s celebrated drag persona Mona G. Hawd — in movement, music, and an unexpected narrative encompassing contemporary Iran, Iranian Texas, and queer San Francisco. (Robert Avila)

Fri/15–Sun/17, 8 p.m., $20

CounterPULSE

1310 Mission, SF

1-800-838-3006

www.counterpulse.org

 

FILM

Skatetown, U.S.A.

Billed as “The Rock and Roller Disco Movie of the Year!” — the people behind Roller Boogie (which came out the same year) must have taken great offense — 1979 crapsterpiece Skatetown, U.S.A. has been very hard to find for years. What a cast: top-billed rodent Scott Baio, a slutted-up Marcia Brady (a.k.a. Maureen McCormick, who claimed she became a coke addict on this shoot), and 1979 Playboy Playmate-turned-1980-murder-victim Dorothy Stratten, to name just a few. Plus tons of actual roller-disco troupes — you can tell they thought this was their ticket to Broadway — and two genuinely talented dancers showcased as good and bad guy. The very Warriors-style villain is Patrick Swayze, making his film debut (his belt-whip skate solo smokes). With its mix of stupid skit comedy and stupider ensemble dramatics, Skatetown, U.S.A. is a fungal time capsule that played less-than-fresh even at its moment of birth. Yet it’s kind of great anyway. This one-night only revival features free tube socks, presumably not-free beer, and a post-screening roller disco party at Cellspace. (Dennis Harvey)

7 and 9 p.m., $15 (includes roller disco)

Roxie Theater

3117 16th St., SF

(415) 431-3611

www.roxie.com

 

PERFORMANCE

Hello, My Name is Joe

Bringing a global perspective to the push and pull of power structures, Meridian Dance presents 8213 Physical Dance Theater’s world premiere Hello, My Name is Joe, a site-specific work inspired by the concurrent visual art exhibition “In Extremis: Prints Monumental, Intimate.” Based in Taipei, Taiwan, under the direction of Chuo-Tai Sun with collaborator Casey Avaunt (a Maine native), 8213 Physical Dance Theater reveals the ways humans emotionally and physically battle controls. Launching from the old children’s song “Hello, My Name is Joe,” in which the protagonist is asked by his boss to push, pull, and turn buttons, the work challenges the performers to negotiate their freedom within the walls of the Meridian Gallery. (Julie Potter)

Fri/15–Sat/16, 7:30 p.m., $10–$20

Meridian Gallery

535 Powell, SF

(415) 398-7229

www.meridiangallery.org

 

SATURDAY 16

 

FILM

When Harry Met Sally

They’ve brought salsa and swing dancing, a circus festival, and classical music to Union Square. Now the Jewels in the Square Performance Series reopens age-old debates about the nature of friendships and sex, the rebound girlfriend, and orgasmic deli dishes. The latest event on the outdoor-entertainment calendar (in partnership with Film Night in the Park and the San Francisco Jewish Film Festival) is a screening of 1989 classic rom-com When Harry Met Sally. Prime your funny bone for the upcoming 2011 SFJFF (opening night is July 21) with the ultimate “Can a straight man and a straight woman ever be just friends?” flick, starring Meg “On the Side” Ryan and Billy “Made a Woman Meow” Crystal. Bring a friend, significant other, or both. (David Getman)

8 p.m., free

Union Square

Geary at Powell, SF

www.sfjff.org

 

MUSIC

Black Dynamic Sound Orchestra

“Blaxsploitation” cinema is as much prized for its music as for its leather-wearing, Afro-having, ass-kicking heroes and the vengeance that they wreak. What would Shaft (1971) be without its theme song? How could justice be adequately dispensed, or love properly made, without exceptionally funky grooves? It was with questions such as these in mind that the producers of Black Dynamite (2009) must have chosen Adrian Younge to score their filmic love song to black belts and pointy collars. Younge, who also edited Black Dynamite, created a perfect backdrop to a ridiculous movie, and wrote some great songs doing it. With Younge at the helm, Black Dynamite Sound Orchestra takes his vision on the road, performing selections from the Black Dynamite original soundtrack as well as unreleased tracks from a forthcoming album. (Cooper Berkmoyer)

With Lord Loves a Working Man and the Struts

10 p.m., $12

Bottom of the Hill

1233 17th St., SF

(415) 621-4455

www.bottomofthehill.com

 

EVENT

Phono Del Sol Music and Food Festival

Music festivals can totally suck. They cost an Xbox 360, take half a week of your life (that’s never coming back) to see four bands that were in town at small venues the month before, make you realize Kanye is better on YouTube, force you to fend off that bro who won’t stop asking for drugs, and camp in a in a parking lot next to Porta-Potties. It’s a little much. Thankfully the folks at the Bay Bridged blog and Tiny Telephone have you covered with this darling, commitment-free fest that combines two SF passions: music and food. They’ll bring musicians including Aesop Rock, Mirah, and Appetite, and you bring your appetite (plus cash for Off the Grid’s food trucks.) (Ryan Prendiville)

Noon-7 p.m., free

Potrero Del Sol Park

25th St. at San Bruno, SF

www.thebaybridged.com

 

SUNDAY 17

 

VISUAL ART/EVENT

“Google Family Day”

In its “Doodle 4 Google: What I’d Like To Do Someday … ” exhibit (through July 19), the San Francisco Museum of Modern Art linked up with Google to showcase the works of 40 student artists. The works (selected from more than 100,000 submissions) were inspired by a prompt for kids to envision what they would like to do in the future — and channel that energy into redesigning a logo for the website’s continually changing home page. The moon-themed winner (which earned its seven-year-old creator, South San Francisco’s Matteo Lopez, $15,000 in college money plus a technology grant for his school) hit Google in May. The 39 other contestants have the pretty nifty consolation prize of having had their artwork hung in a museum before they’ve even hit 18. Today’s “Google Family Day” event offers free entry for families with kids under 12, with special hands-on activities, performances, and more aimed at young artists. (Getman)

11 a.m.–4 p.m., free for families with children under 12

San Francisco Museum of Modern Art

151 Third St., SF

(415) 357-4000

www.sfmoma.org

 

TUESDAY 19

 

MUSIC

Parenthetical Girls

Pop music. To some these two words together bring to fore images of cloying sweetness, a toothy smile in high gloss shrink-wrap bearing down on contented mall shoppers. Parenthetical Girls is here to remind us that pop still has cards up its sleeve, if not revel in the antagonism. The willfully obscure recording project (usually) from the Pacific Northwest warps complex operatic composition à la Sparks and Eno, adds a dash of Morrissey’s infamous ego, and ends up with songs that are almost caustically intellectual. Experimental it is, but not so much that the essential framework is smothered. Instead, Parenthetical Girls emerges as something uncanny; it draws you in with familiar pop music tropes but leaves you pleasantly unsettled. (Berkmoyer)

With Extra Life and Sam Mickens

9 p.m., $7

Hemlock Tavern

1131 Polk, SF

(415) 923-0923

www.hemlocktavern.com 

 

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LUST FOR LIFE In 1969, San Francisco became the first American city to legalize screening hardcore pornography. In honor of director Michael Stabile’s documentary-in-progress Smut Capital of America, which chronicles the 1969 event and SF’s ensuing pivotal role in the adult film industry during the early 1970s, Yerba Buena Center for the Arts is sponsoring a festival from July 14-Aug. 24 that will screen Stabile’s project and seven vintage porn films.

The festival kicks off with an evening featuring Smut Capital, a post-screening Q&A, rare vintage porn clips, and a discussion between Stabile and YBCA film and video curator Joel Shepard on SF sex culture in the 1960s and ’70s. After seeing the 16 minute-excerpt of the film, I ‘m already intrigued, entertained, and offended.

Smut Capital does more than give a blow-by-blow (sorry for the pun) porn history. It is also one of the few existing histories of sex work and queerness in the 1970s Tenderloin district. There is some pretty transphobic and sexist language in the footage (said by interviewees, not the filmmaker), and its treatment of street sex work and survival sex feels weirdly lighthearted. But because documenting the Tenderloin’s importance to queer and sex cultures is rare, I’m glad this film is in the works. I’m interested to see what other footage Stabile has for us down the road.

YBCA is also screening good old-fashioned smut — a passel of 1960s and ’70s blue shorts and full-lengths are on the schedule. And for another take on the era, a perspective piece from right in the thick of things, look to director Alex De Renzy’s Pornography in Denmark (1969), a controversial (at the time — but then, what wasn’t?) documentary he made during the first Danish adult trade expo to shoot its load after the country rescinded many of its anti-sex laws. De Renzy went on to direct such gems as 1989’s Bring on the Virgins and 1997’s Trashy Ass Deliquents, so you can probably guess where he stands on matters of sexual freedom.

Pornography in Denmark is far more interesting as a historical document than as a documentary or a porn film. As far as docs go, it’s slow; as far as porn goes, well, there’s nudity and sex, but they’re not very arousing. The film is a bit dry and long-winded, with the narrator earnestly explaining the history of porn in Denmark, right down to reciting the national average of production costs.

The interviews with sex industry workers are interesting, though, and some of the dialogue is priceless. I was having giggle fits over lines like “Probably not many men carry a vibrator in their attaché case”; “A tourist’s raincoat has deep pockets”; and “Making a pornographic film can raise a sharp appetite!”

All in all, these events are definitely worth checking out. I’ll be at “Smut Capital” — see you there?

SMUT CAPITAL OF AMERICA: SAN FRANCISCO’S SEX FILM REVOLUTION

Smut Capital , Thurs/14, 7:30 p.m., $6–$8

Pornography in Denmark , July 21, 7:30 p.m., $6–$8

Yerba Buena Center for the Arts

701 Mission, SF

www.ybca.org