SFBG Blogs

Guardian v. SF Weekly: trial update

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It’s extraordinary how the SF Weekly can take a clear legal defeat and try to turn it into a victory.

Yesterday the judge in the Bay Guardian’s lawsuit against the SF Weekly and its parent corporation refused to bar the Guardian’s key expert witness from testifying. The ruling was a clear victory for the Guardian – the Weekly had tried desperately to keep accountant and economic expert Clifford Kupperberg from taking the stand to present evidence of how much the Weekly’s predatory pricing had damaged the Guardian.

And yet, the Weekly’s Snitch blog trumpets the ruling as “Bay Guardian shakedown hits a snag,” arguing that Kupperberg had somehow repudiated his own testimony.

The Guardian is suing the SF Weekly and Village Voice Media for predatory pricing in violation of California business law. The suit charges that the Weekly, with cash support from the 16-paper chain, sold ads below cost for many years in an effort to harm the locally owned competitor.

The trial got underway this week, with early motions on the evidence. Here’s what actually happened in Superior Court judge Marla Miller’s courtroom Jan. 16th and 17th:

Kupperberg, following well-established standards, had developed two scenarios to explain how much the Guardian had lost due to the Weekly’s practice of selling ads below cost. One of the scenarios used data from members of the Associate of Alternative Newsweeklies, information that the papers share with each other once a year to establish industry financial benchmarks.

The SF Weekly’s lawyers argued that part of the data – the material from AAN — wasn’t reliable, so Kupperberg agreed to use his other standards (including New Times own figures in 17 different markets) instead. He also added data from two other Bay Area alternative papers and from local retail sales statistics to buttress his conclusions. His data suggests damages of $5 million to $10 million.

And after the SF Weekly lawyers argued for hours that Kupperberg be disqualified, Judge Miller ruled clearly and unequivocally against them. Kupperberg will be able to testify, and his damages will be admissible.

That’s a big victory for the Guardian.

And while the Weekly lawyers demanded extra time and sought to delay once again a case that’s been in the works for more than three years, Miller moved forward and started the jury selection process Jan.17.

If this is how the SF Weekly and the VVM guys from Phoenix are going to cover the trial, we’re going to have to spend a lot of time correcting the record.

For more context and background on the case, and to see one of our key legal motions and read the story on the case from the Daily Journal click here.

Reviving Reagan: A burst of Durst

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B3 campaign note: Durst is right: there are no real Republican candidates and there is no president for them to fall back on except Reagan. I think the Republicans made a terrible mistake when they left Cheney on the ticket, probably the worst vice president since Aaron Burr, and the kind of bull who carries his own china closet around with him. They should have kicked him off the ticket four years ago and put in the most electable candidate they could find to run as vice president and emerging presidential candidate. Those mistakes are fatal in politics. Thank God the Republicans are making them, one after another.

By the way, I miss Will on the old Will and Willie show on the Air America/Quake radio via Clear Channel. He did a “burst of Durst” on every show, which was always a clever and biting commentary on the day’s news.
Quite a performance. I can almost hear him doing his “burst” as I read his latest column. Willie was of course ex-Mayor Willie Brown. Will and Willie were an excellent show, getting better all the time, and giving San Francisco
a marvelous showcase on Air America radio. Now there are only shows centered from God knows where.
However, John Scott is holding down the 4 to 6 p.m. slot with a creditable left-leaning news program on 960 the Quake. B3

Bark if you’re psychic

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My furry fourlegged friend is a 17-year-old former dog clothing model and lives in a loft in NYC (the bitch made it as a model in Manhattan and left me behind! America’s Top Meanie!) Back when she was young, we’d huddle together, homeless, in shells of buildings in Detroit and Pontiac, MI. She never got the royal treatment until she was discovered by a talent scout who took one look at me and sniffed — and I’m not sure how she’d respond to this:

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Oh yes, it’s real. And it gets better. This CD was “created by Skip Haynes and Dana Walden of the L.A. based Laurel Canyon Animal Company (the only record label that creates music about, for and with animals), who utilized the talents and expertise of intuitive animal communicator Dr. Kim Ogden to translate for them,” according to the press release.

“Canine focus groups selected from over 250 dogs nationwide were assembled and questioned by Dr. Ogden as to their preferences in music and content. The dogs’ responses were then used as guides for the music and lyrics resulting in a CD of songs that dogs love. ”

The CD, apparently, has already yielded a hit, “Squeaky Deaky” — which is accompanied by possibly one of the best videos EVER.

People on YouTube have already posted vids of their dogs reacting to the music. Straight up viral woofiness?

Ammiano: Bernie Ward for the Mayor

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Hi, this is Bernie Ward for the mayor. I understand he’s hiring.

(From the answering machine of Sup. Tom Ammiano on Friday, Jan. 18, 2008.) B3

Yo! Street art peaces out

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By Vanessa Carr

This Friday and Saturday nights, the internationally traveling “Yo! What Happened to Peace?” art show comes to San Francisco’s Jack Hanley Gallery. Started in 2003 in Tokyo by curator John Carr in response to the invasion of Afghanistan and Iraq, the Los Angeles-based show has been traveling to cities around the globe, most recently Stockholm and London.

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The San Francisco show, which opened last night, is a selection from the show’s total body of 250 handmade prints — mostly silkscreens, linocuts, and woodcuts — contributed by 130 artists worldwide with influences ranging from punk rock and hip hop graphics to the Chicano Poster Movement of the 1960s and ‘70s.

A pro-peace, anti-war art show in San Francisco may seem about as novel as a Charlton Heston fanatic at a gun convention, but “Yo! What Happened to Peace” should not be dismissed with a been-there-done-that yawn.

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While some of the pieces fall victim to tired “Fuck Bush” iconography, the majority of the work represents political printmaking at its best: exceptional graphic design, intense colors, expert production, and sharp political commentary.

Titties on fire, fashion aflame

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By Candice Chan

Flaming bras. Typically not my first apparel choice to strut about town, but after attending last night’s Hot Couture: A Fusion of Fire and Fashion, put on by The Crucible, I am seriously considering it.

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In its 9th anniversary show, the center combines work by local clothing and jewelry designers with impressive blacksmithing – fire-spewing tail spikes, anyone? – to create an incendiary spectacular which ensures that everyone gets a little somethin’ somethin’. Think Cirque du Soleil meets Hades meets fashion week in New York.

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Taunting the tiger

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Um excuse me: I suppose it’s news that the guys who were mauled by Tatiana the tiger were standing on a rail and yelling at her, but that’s not exactly an excuse for what happened. The animals at the zoo aren’t supposed to get out. Period.

It’s terrible that people taunt the animals, but they do, and they have, and they will — and if the zoo pens and cages can’t hold the animals anyway, there’s a real problem.

BTW, it was highly unlikely that “taunting” got the tiger agitated. More likely she thought they were food. That’s a much more common predator response.

Shorts are the new features!

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By Jesse Hawthorne Ficks

From the Sundance Film Festival: Midnites for Maniacs programmer and Guardian contributor Jesse Hawthorne Ficks reports on some fest favorites so far.

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Aquarium – directed by Rob Meyer (17min)
Even though you’ve seen Rushmore and Freaks and Geeks, this awkward white kid angst flick delivers exactly what you’ve come to want. Plus with Kaitlin Kiyan’s nuanced ethnic girl-next-door performance, it almost makes-up for the genre’s mind-bogglingly racist Su-Chin from current quirkfest Juno.

Sick Sex – directed by Justin Nowell (12min)
Ever thought your lover was lookin’ hella hawt while they were sick in bed? This dude does his best to pitch the idea of “sick sex” to his sickly grrrlfriend, resulting in some depressingly hilarious results.

Sikumi (On the Ice) – directed by Andrew Okpeaha MacLean (15min)
This quiet cinematic journey evokes the realism of Nanoonk of the North , enabling the viewer to ponder the purpose of our existence. And that’s all in 15 minutes. Someone’s gotta give the director the money to turn this thesis project at NYU into a feature film.

Welcome – directed by Kirsten Dunst (12min)
Winona Ryder arrives at her Lost Highway-esque home one night only to experience some pretty freaky sounds happening in all the rooms she’s not in. I genuinely jumped out of my skin while watching this creepfest.

Spider – directed by Nash Edgerton (9min)
If you’re the kind of boyfriend who loves pulling mini-pranks on your partner, watch this heartbreaking shocker immediately before pissing them off again. I guess this is a comedy — but Jesus, this movie is traumatizing.

Pariah – directed by Dee Rees (27min)
Not only the best short of the festival, Pariah could be the best film of the festival. Actress Adepero Oduye is hypnotic as a 17-year-old lesbian struggling with her identity at school and at home. Complex dialogue and powerful situations will leave you emotionally wrenched. Plus, Wendell Pierce (Bunk on HBO’s The Wire) packs quite a punch as the confused father.

Because Washington is Hollywood for Ugly People
– directed by Kenneth Tin-Kin Hung (7min)
Winning best title of the fest, this collage of hyperactive video game footage has meticulously detailed designs of political figures fighting each other while inhabiting celebrity bodies. MC Paul Barman narrates this clusterfuck, bringing it to the level of downright brilliant. Also worth watching is Hung’s five minute Gas Zappers.

Love me some Dolly…and pass the birthday pie at El Rio

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By Todd Lavoie

All right, I’m giving some heads up time here so you can plan your weekend accordingly: Dolly Parton turns 62 this Saturday, Jan. 19. Oh, the possibilities for celebration are endless, aren’t they? Maybe a spin of her 1971 classic Coat of Many Colors (RCA), or how about slappin’ 9 to 5 (oh, my sweet baby Jesus, so that flick is really from 1980?! Now I feel old) into the ole DVD player, or if you’re feeling particularly ambitious, you could always fry up some catfish and hush puppies (two of the Dixie diva’s favorite dishes, which must always be paired together: “One without the other is like pickin’ without grinnin’,” she once famously declared, and who am I to disagree?) Or, how about this: you could Dolly yourself up and swing on over to El Rio this Saturday night for their Tennessee Mountain Birthday Bash! Yep, a night of Dolly music, movies, and homemade pie! Ah, pie – who doesn’t love pie? And did I mention the Dolly-look-alike contest? I smell a photo op!

Whatever your plans may be, methinks some serious Happy Haps are in order for Ms. Parton. Sure, we’ve all probably succumbed to Dolly the caricature at one point or another, but the fact remains this: she’s one of the sweetest-voiced, savviest, and most successful artists of our lifetime: 25 number-one singles at last count, and 41 top 10 country albums so far – no one else comes close, even. She has penned some of the most touching, soul-baring, achingly tender melodies of the past five decades. But wait, there’s more: a star in the Hollywood Walk of Fame, inductions into the Country Music Hall of Fame and the Nashville Songwriters Hall of Fame, the distinction of being honored as a Living Legend by the US Library of Congress, as well as being rewarded the National Medal of Arts (the highest honor given by the US government for cultural excellence.)

Oh, and let’s not forget: she wrote “Jolene.” Covered by everyone from Olivia Newton-John to the Sisters of Mercy to the White Stripes to Susanna and the Magical Orchestra, it’s an absolute classic in the whole infidelity-song genre, an area with plenty of competition, particularly in country music. Here, in a more recent performance, she gives a shout-out to her drag-queen fans, then kicks up a mighty row with a wicked bluegrass version of the song.

But how much is postage?

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Speaking of my newest fetish-to-be, the MacBook Air, Cool Hunting has already revealed my very favorite (and OK, the first I’ve seen,) accessory for it.

Check it out the posting here.

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Clever clever! This laptop sleeve (yes, really) is called AirMail. Get it? Get it?

Geek lust

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Technology turns me on. Which is not to say I’m a gadget geek – far from it. In fact, the most advanced piece of equipment I own is a first generation miniPod my ex-boyfriend gave me. But I do think there’s something inherently sexy about Technology with a capital T – all those big, pulsing brains working and sweating late into the night, over and over, to create objects that are not only useful, but also beautiful. And the objects themselves – sleek, smooth, and often warm and humming. What’s not to like?

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Dude. DJ Heather B. sure has a nice set of, uh, turn tables. From Merkley’s111 Nude Ladies on Sofas at 111 Minna during the EFF anniversary celebration.

This is a truth that just exists for me, the way I know wearing striped socks always makes me smile and seeing horror movies always gives me nightmares. And usually, the technology itself is enough – no extra accessories (lingerie, dinner and a movie, a naked person holding the technology) are necessary to make laptops and iPod-compatible speaker systems seem hot.

But sometimes the planets align in such a way that my tech-fetish gets kicked up a notch or twelve, and Tuesday’s anniversary party for the Electronic Frontier Foundation was just such a night.

The factors?

Get Health! The LA noise combo gives up their secrets

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Everybody’s talkin’ ’bout Health – as well as Dan Deacon, who the LA noise combo plays with tonight, Jan. 17, at Great American Music Hall. It’ll be an awesome show. I traded e-mails with the outfit this week, and here’s what they graciously coughed up.

SFBG: How did your name come about?

John: We wanted a name like Television, an everyday word. Went down a list with the interweb. Health was left.

SFBG: What makes you play music?

John: Gets me AMPED, man. Unless you’re a little kid, music is the only way you get someone to rage with you.

Jake: Is that a big question or a small question?

SFBG: What sort of “Health”-y things do you do?

John: Kombucha

Jake: Watch out for excess sodium.

Ammiano: hi, you’ve reached 9ll

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Hi, you’ve reached 9ll. If you’re being attacked by a tiger, please press pounce. Uh. I mean pound.

(From the answering machine of Sup. Tom Ammiano on Thursday, Jan. l7, 2008.) B3

The staph sensation

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I have to give it to Michael Petrelis — he’s taken a nice whack at the staph hysteria story. And it’s created quite a discussion on dailykos.

A new report on an outbreak of drug-resistant staph is news, absolutely. But it’s hard to argue that this wasn’t a bit sensationalized. And since when are gay men not part of the “general population”?

Taxi taxi

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For those of us who are fascinated by the San Francisco taxi industry, there’s an interesting report from the city Controller’s office here. It relates to a few pieces of legislation that are coming up in the next few weeks. Sup. Michela Alioto-Pier wants to raise the amount big cab companies can charge their drivers to lease cabs — but the report shows that the big companies are all doing just fine, that revenue is up and that profits are healthy. That would suggest to me that they don’t need more money — which would come, of course, at the expense of the drivers, who would lose, according to the United Taxicab Workers, as much as $5,000 a year on the deal.

And let’s remember: According to the controller, the average driver nets less than $110 for a ten-hour shift, which is barely above the city’s minimum wage.

Alioto-Pier has backed off her initial plan, but there is likely some gate hike on the horizon — and in my mind, it needs to be combined with a fare increase to keep the drivers’ income from dropping.

Holy fuckin’ wonderful!

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By Jennique Mason

This documentary film by Sam Wainwright Douglas and Paul Lovelace achieves the unbelievable feat of capturing Greenwich Village’s two most notorious folkies: Steve Weber and Peter Stampfel. In the wake of the Beats and the
dawn of the hippies, the Holy Modal Rounders destroyed what was then the relatively predictable boundaries of the folk genre. Discovered by most through the Easy Rider soundtrack (“If You Wanna Be A Bird”), they stand as the remnants of a generation who knew if Khrushchev and Kennedy would only drop LSD together, there would be world peace. If it’s hoop snake you’re after or you wanna make your own party, at the end of the day in the words of Rounder Harold Reisch, “once you get past the humiliation of it all, there’s some fun to be had.”

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Fiddler Peter Stampfel and guitarist Steve Weber forge a bond based on a shared fascination with American roots music and psychedelia.

The Holy Modal Rounders: Bound to Lose plays tonight, 7 p.m. at the Christopher B. Smith Rafael Film Center. Wavy Gravy and co-director Paul Lovelace appear in person.

New College still poorly managed, report says

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The beleaguered New College of California is facing another gloomy report just released from its accrediting agency after first being placed on probation last July. Meanwhile, two trustees of the school, Peter Gabel and Colleen O’Neal, reportedly resigned from the school’s board Jan. 15.

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Representatives of the Western Association of Schools and Colleges made a special site visit to the famous liberal arts institution and training ground for social justice activists in November to see what progress the school had made since an array of deficiencies were identified in the July report. During the summer, WASC found a history of administrative “sloppiness and arbitrariness” and identified “clear and egregious violations of institutional integrity, academic integrity.”

WASC is still apparently skeptical that New College can improve its management practices despite having repeatedly allowed the school to remain on probation intermittently for years without stripping its accreditation away entirely.

“The institution has established a pattern over the years of being placed under sanction by the commission, responding with superficial adjustment, and rapidly falling back into past practices.”

Choicers snake lifers in SF

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I just had to chuckle at the phone message I got from a representative of this weekend’s fourth annual Walk for Life, complaining that the Bay Area Coalition on Reproductive Rights had pulled city permits to gather in Justin Herman Plaza before the anti-abortion folks could secure their usual gathering spot. The pro-lifers now plan to gather on the nearby grassy knoll. Tee-hee. Nonetheless, those who want to outlaw abortion could still have numbers on their side, saying they expect to be 25,000 strong, mostly by busing in conservative churchgoers from the suburbs and all over the western U.S. The event marks the 35th anniversary of the landmark Roe v. Wade decision, which these holy warriors are trying to overturn with what they dub the “new civil rights movement,” even bringing in MLK’s niece Alveda King as a speaker to drive home the connection.
But of course, those who favor abortion rights are having none of it — particularly given the provocation of a march in San Francisco populated mostly by outsiders — and they plan to actively confront and hound the marchers as they make their way down Embarcadero to the Marina. Join the fray if you’re so inclined, or stay as far away as possible.

Getting impersonal with Paul F. Tompkins

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By George Chen

Paul F. Tompkins might be a familiar sight, thanks to his appearances on Best Week Ever, The Sarah Silverman Program, and the cult hit Mr. Show (he also toured with the live stage show that came to the Warfield in 2005). But you may not know that he has been performing stand-up for more than 20 years and recently released an album, Impersonal, through A Special Thing, which is only available through iTunes and online mail-order (and Amoeba Los Angeles, if you are in the neighborhood). For those who aren’t familiar with his act, Tompkins is a masterful storyteller with an absurdist wit wrapped in a fairly traditional package: he doesn’t work much profanity and wears a three-piece suit. The comic spoke with me on the phone about his upcoming round of performances as part of the SF Sketchfest.

SFBG: I wanted to get some idea about what to expect for the Sketchfest. I know it’s a slightly different format than you just doing regular stand-up. Or is it? “Comedy Death Ray” is something that happens regularly in LA.

Paul F. Tompkins: “Comedy Death Ray” is a regular LA show [at Upright Citizens Brigade Theater]. It’s been going for four or five years now; it’s stand-up and sketch. As far as that goes up in San Francisco, I’m not sure if they have any sketch on tap – I don’t even know what I’m going to be doing yet. I might just be doing some stand-up or I might do some kind of sketch with somebody else – I’ve done both on that show. I’ll be doing the “Match Game” live show two nights in a row before that, which is like the old Match Game game show. We did it up there last year, and it was a big hit and a lot of fun so we’re doing it again this year.

Is that your sleeve face – or are you just happy to see me?

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By Joshua Rotter

Few of the MP3 generation can recall a time when music-lovers excitedly listened to entire records. But putting needle to groove was only half of a process that included poring over the often arty jacket itself and the internal sleeve to uncover the album’s many intricacies: the song lyrics and the names of the band members, studio musicians, and producers. To many aficionados the packaging was as prized as its contents.

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But once vinyl became mostly obsolete in the age of iMacs, so did these once-cherished album covers. Conversely vinyl’s rarity has turned its “frames” into an art form for diehard record fanatics – and nowhere is this more apparent than in the art of so-called sleeve face, where one conceals oneself with the face or body on an album cover in a seamless fashion so that the two merge harmoniously.

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In today’s climate of non-contextual music downloading, some feel compelled to buck the trend, attempting to more intimately access the artistic process by riffing Guitar Hero, lip-syncing on YouTube, or even just aesthetically, by getting “into the artist’s head” via sleeve facing.

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Taste the dub: Surya Dub steps to

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In this week’s Super Ego I dump out all the 2007 trash and ring in the new with tribute to one of my fave clubz, Surya Dub. Surya hits its first anniversary on Saturday, Jan 26 at Club Six — be there y’all! — and in honor of the gloriously woozy-dub, bhangra-bangin’, wacky breaks occasion, I asked resident DJ and cofounder Maneesh the Twister a few choice q’s.

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Maneesh — ain’t he cute?

What would you categorize most of the music you guys play/host as? It seems to be so much more than dubstep/bhangra …
Well we call this music “Dread Bass Music” because there is not really a genre that fully encompasses what we do. Obviously there is a heavy bass component which is the foundation and a prominent dub influence, but one of the main goals with Surya is to bring seemingly disparate music styles and communities together, hence our vision to bridge the gap between organic styles such as reggae, bhangra, and global beats and more ragga electronic styles such as dubstep, glitch, breakbeat, & drum’n’bass. And as a result this brings together different communities of people from more commercial reggae/dancehall crowds to more underground club culture and Burning Man folks to some of the global beats crowd.

A Bit of Surya Dub

Any comments on the state of San Francisco club music at the moment?
Well I have to say that it has been more refreshing this year than the last few years which def seemed like a slump for underground music of all styles from club culture to indie rock. There def is a nice bubbling energy of creativity again and I think everyone is feeding off of that. I really have enjoyed some of the Surefire Dubstep events, Grime City, and NonStop Bhangra and if I may be biased, dub mission. Some Bay Area artists pushing boundaries and really making a mark in my opinion are Roommate, Kush Arora, Juju, Process Rebel, & Matty G.

Guess who I talked to today — Nancy Wilson

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Don’t miss Nancy Wilson — see “An Evening with Miss Nancy Wilson” at the Herbst Theatre. It showcases a singer with one of the biggest songbooks in the world, and a way with a word like no other. Miss Wilson can make a phrase slice through the air in at least 1,000 different directions, depending on her wise whims. For proof, go to EMI’s new box set of her Capitol recordings and the re-release of the stellar Nancy Wilson Show (on CFP). I recently caught up with her by phone.

Guardian: How are you doing?
Nancy Wilson: Hanging in. How’s the weather?

G: I’m here in the rain.
NW: [Laughs]. Ah, well. I remember when my son used to go to school [in the Bay Area]. He went to Berkeley. One time he called me and said, “Mom, it’s been raining for 40 days straight, I have to get out of here.”

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Ammiano: it’s a Big Mac World!

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Hi. This is George W. Bush and I’ll have a Big Mac and fries. What? Oh. This is Mac World? In that case,
I’ll have an Apple too.

(From the answering machine of Sup. Tom Ammiano on Jan. 15, 2008.) B3

The power of iMarketing!

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Yes, even almost more amazing than the fact that one of the spandex-clad New American Gladiators is indeed a gay porn star — no duh, that’s like, totally hot, yo —

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Photo courtesy of Fleshbot/Colt Studios

and also even almost more amazing than the fact that he’s not yet been implicated in a steroids/HGH investigation, is that fact that mere moments after Steve “Not The Fake Blogger” Jobs unveiled the “ultrathin, ultraportable and ultra unlike anything else” MacBook Air (please please tell me that there’s gonna be a MacBook Air Jordan Apple-Nike crossover!), I received a notice in my inbox about it. That’s the power of people. That’s the power of marketing.

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Just do it?

PS — still waiting on that iTunes Movies marketing push, Appleteers! iGet on it!