Sup. Chris Daly appears to be coming up just short in a power play to force affordability standards on the 10,000 housing units that Mayor Gavin Newsom, Lennar Corp., and other top power brokers are trying to build through a June ballot measure. Daly has been working with Bayview-Hunters Point activists — including those with People Organized to Win Employment Rights (POWER) and Center for Self-Improvement — to craft a ballot measure that calls for rental housing in the area to be affordable by those making half the city’s median income or less and for housing sales to be affordable by those at 80 percent of the median income or less. Daly needs the signatures of four supervisors by 5 p.m. today to place it on the ballot, but right now he only has Sup. Ross Mirkarimi. Supporters of the measure just minutes ago lined up to testify during the public comment portion of today’s Board of Supervisors meeting, citing the dire need for affordable housing to stem the black exodus from the city, while the African-American ministers who have been close to Lennar and Newsom urged the supervisors not to sign it. While Daly tells us there’s still a chance to get signatures from Tom Ammiano and/or Gerardo Sandoval (who at one point, Daly said, seemed inclined to support it but may have gotten worried about how it might affect his run for judge at the same time), but it doesn’t look good. Lennar representatives and their allies have been circulating through City Hall since the measure was completed on Friday, lobbying hard against it. Now, activists may have to gather signatures if they hope to qualify the measure for the June ballot.
SFBG Blogs
Tom Cruise needs Toastmasters
I’m not even going to address whether or not Scientology is a religion or a cult, whether anyone should be following it, or even whether Tom Cruise is holding Katie Holmes and her recently unseen soul hostage.
No, I’m just going to say that if you were trying to convince people that Scientology isn’t a bunch of science fiction bullshit with its own gibberish language, would you let this guy be your spokesperson?
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Click here to watch Defamer’s clips from Tom Cruise’s much-talked-about Scientology video, and see if you can figure out what the hell he’s talking about.
Someone get this writers’ strike over with. Tom Cruise should not be allowed to speak his own words out loud.
Coming of Age in Iraq/Iran

The author’s son, munching on the contents of a care package sent to troops in Iraq.
Today, my son turns 21 in Iraq, where he is serving in the US Army. Happy 21st Birthday, son!
And, in an odd case of history repeating itself, I’m reminded that, three decades ago, I turned 21 across the border from Iraq, in Iran.
I wasn’t in the military, at the time, but a student visiting my soon-to-be in-laws in Teheran, who unbeknownst to any of us, were soon to become permanent exiles from Iran, after the revolution hit, the following year, in 1979.
On the occasion of my 21st birthday, celebrated with vast platters of delectable Iranian food, there were mutterings that the Shah was in dire jeopardy of being overthrown.
The prospect raised hope amongst my leftist Iranian student friends that their country would become more equitable, whilst stirring dire concern among more conservative members of Iran’s older generations that total anarchy would ensue, if the Shah were to fall.
We all know now that the Shah did fall, that anarchy of sorts did ensue—and that for women, the results of the Iranian revolution were a truly mixed bag. But as we drove in Spring 1978, from Iran’s arid capital Teheran, through the Alborz mountains to Damavand, a dormant volcano that is the highest point in Iran, and from there to the jungle-like shores of the Caspian Sea, I little imagined that this beautiful and widely diverse country was about to trade places with the U.S.S.R, as bogey man of the Western world.
And there was no way in the world that I could have posited a future in which my, then unborn, son would end up serving in Iraq, while his US Commander in Chief made threatening noises about Iran, which is where half my son’s ancestors come from.

The author’s son, ironically known as Casper by his buddies since he’s the only man in his unit who actually looks white, in a choke hold with one of his buddies over Christmas,in Iraq.
Call me naïve, but at 21, I blithely imagined that my generation was living at a time of consciousness-raising, to use a very 70s term, in terms of increased understanding of the Other, be it other races, cultures, genders, sexual orientations, or even worlds.
But life has a way of turning out unexpectedly. And it’s oddly sobering to be sitting here, in San Francisco, where so many cultural mores and sexual taboos have been overturned, on the day of the Michigan primary, wondering if Americans will allow Bush, and whoever becomes the next President of the US, to continue whipping up Iranophobia, when it’s not clear who exactly we would send to fight an expanded war in the Middle East.

Casper and his buddy Cisco on duty in Iraq.
And when it’s clear to anyone who has been watching that geopolitical region for the last three decades that the US and other western powers, including my native country, England, tend to back whichever Middle Eastern country is most likely to help secure their interests, be it access to oil, land, money, sea or airways, or other resources, regardless of that Middle Eastern country’s record on human rights or religious or political freedom.
Hence our backing, first of the Shah of Iran, then of Saddam Hussein of Iraq, when we needed someone to fire Scud missiles at a postrevolutionary Iran, and now of the royal family of Saudi Arabia, which happens to control the world’s largest oil reserves and to whom Bush has just announced that he will sell 900 smart bombs, allegedly to help keep Iran in check.
So, as I sit here on January 15, 2008, which would have been Rev. Martin Luther King’s 78th birthday, if he hadn’t been assassinated in April 1968, is it naïve to hope that America, as well as my son, is about to come safely of age in this crazy war-racked world?
That this nation whose birth involved genocide of its native peoples, slavery of several subsequent generations of African Americans, and the continuing exploitation of workers who cross the border illegally from Mexico, is about to elect a man of color or a white woman, and start steering a path that will be sustainable, not just for its own citizens, but for the entire world?
Perhaps it is naive of me, indeed. But here’s to hope, anyway, with a “H,” including the hope that the next US President will chose not to pursue a preemptive path in dealing with the Middle East, but a course that will bring peace to all the inhabitants of a planet whose biggest challenge will be to try and sustain life as we know it, in face of climate change and the vast changes that is likely to bring to the Earth over the course of the next 1,000 years.

Christian Fennesz returns to shore

By Erik Morse
After a long musical sojourn with former Yellow Magic Orchestra electronics magus Ryuichi Sakamoto on 2007’s Cendre (Touch), an extensive live collaboration with Mike Patton and a nomination for Best World Album by the Ethic Multicultural Media Awards (EMMA), Christian Fennesz returns to the sonorous shores of his past with a new 7-inch entitled “On a Desolate Shore a Shadow Passes By.”
Released as a part of Touch’s vinyl-only Sevens series – which includes singles by Phillip Jeck, Cabaret Voltaire’s Chris Watson, and Biosphere – “On a Desolate Shore” finds the Austrian laptop composer working within his métier as the digital scion of Brian Wilson, Kevin Shields, and Jim O’Rourke. Using his patented Mac patches to splay, splice, and caress a Stratocaster, Fennesz produces layer upon layer of compressed guitar feedback and processed glitches that spread out like a beach blanket on the windy sands of the Mediterranean. When a few chords suddenly appear from the whirring microtonal din, the noise musician-turned sculptor conveys with a Proustian flourish something truly magical: the distant memories of aquamarine sunsets and tawny sand dunes seem to emanate from the speakers.
Fennesz’s greatest strength has always been in his keen ability to formulate soundscapes that capture equally the coldest blasts of alien feedback and the most summery mosaic of acoustic guitar strums, chimes, and keyboard drones. Or rather, his compositions are at their most transfixing when they seem to play in music’s littoral zones, where the shallow grounds of textural play might suddenly give way to vast oceanic harmonics. In fact, the cover of the new release – a closeup of a sand path leading to the water’s edge – is once again supplied by photographer Jon Wozencroft and most likely comes from the same rustic-meets-glossy series that provided the cover for 2004’s Venice (Touch). And it does appear after a three-year divagation, Fennesz has returned there for inspiration. While “On a Desolate Shore” might be difficult listening for some, its affecting blend of digital minimalism and seaside dreams reaffirms why Fennesz is the most extraordinary ambient composer since Brian Eno.
A deal on UC Extension?
Well, it looks as if Sup. Ross Mirkarimi and state Sen. Carole Migden have managed to squeeze some real concessions out of the developers of the old UC Extension site. This is still preliminary, and the details are not confirmed, but I’m told that the percentage of affordable housing could be increased from 16 percent to more than 35 percent, a total of 80 more affordable units.
There are still issues here and the players haven’t all agreed, but this is progress.
Today’s Ammianoliner
Obama surfs the Maverick. Clinton says “gnarly, dude, but I ain’t Gidget.” B3
A perfect marriage …
By Andrea Nemerson
…of presenter and material, anyway. I can’t promise you the other kind, although I’m working on it.
Since I had my kids, I’m forever wishing I could write more about kid-having issues in Alt Sex Column, but of course, ASC readers want to hear about fisting and polyamory, — not so much with the kiddie stuff. My other regular readers, at a much more mainstream (www.firstwivesworld.com) site than www.sfbg.com will ever aspire to be, want to hear about nicely dating nice men after a maybe not-so-nice divorce.
I think I’ve got it now, though — Good Vibrations wants me to come in and talk about sex after kids, starting Thursday the 24th at the Berkeley store. I’ll be spinning it more toward the “save your sanity and your relationship” side, and less toward “this is the exact position you should use for this-and-such,” partly because there is no perfect position for thus-and-such, and partly because I believe very firmly that sex is better when your life isn’t falling apart around you. It’s all about still being nice to each other even though everything’s different and there’s a small squalling person demanding all your emotional resources and you’re just…so… tired.
So come see me!
Here’s the information:
East Bay Mother’s Group “Birth Ways” presents – Good Vibes for Mama’s Own Good!
An evening on Motherhood and Sexuality, a special evening of frank and lively discussion, information, and shopping! Featuring key speakers Andrea Nemerson, Samantha Matalone Cook, and Gina Hassan, Ph.D. Free admission, information and goodies!
Explore and shop during this after hours event for mothers only and get 10% off your total purchase!
For more information or to RSVP contact Birthways or Good Vibrations or email donations@Birthways.org.
Thursday, January 24
7:30 p.m. – 10 p.m.
Good Vibrations Berkeley Store
2504 San Pablo Avenue (at Dwight Way)
Berkeley, CA 94702
(510) 841-8987
Vote Willow/Xander in 2012!
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In college, my Buffy-watching buddies and I used to play the cast-our-friends-as-Buffy-characters game. I’d usually end up as either Faith, the slayer who went to the dark side, or Glory, the evil goddess from Hell. I’m convinced this was partly due to physical resemblance (both are brunettes, and Glory has curls), and partly due to the fact that two of the guys playing the game were former lovers with itty bitty bitter streaks. (Hey, it could’ve been worse. One of ’em kept casting his current girlfriend as Drusilla, the vampire who was both evil and bat-shit insane.) Either way, I didn’t mind much.
I was recently reminded of this game when a friend sent me a link to this blog post comparing GOP presidential candidates to Buffy villains, with striking accuracy (way better than we managed while at Reed). Now I just wish someone would do the same for the Dems.
And even more importantly, I can’t wait for the day we get a Willow in office.
(As for who I think I would be? I’m not sure, but I really hope it’s not Dawn.)
SPORTS: Are the A’s history?
If MLB is serious about contraction, Oakland could lose its team
By A.J. Hayes
Several seasons ago, before performance-enhancing drugs started dominating baseball’s off-the-field news, an equally troubling situation was starting to take hold in the perpetually hand-wringing sport – contraction.
In 2001, back when team owners claim they had no clue about baseball’s growing steroids problem, Commissioner Bud Selig floated his scheme to eliminate two major league clubs – his choices at the time were Montreal and Minnesota – to help stave off baseball revenue problems.
For any number of reasons, the contraction plan fizzled and has rarely been heard from since.
But now in 2008 don’t be surprised if talk returns to putting one or more of the game’s 30 clubs on the chopping block – if for no other reason than to divert talk from exactly what pharmaceutical products were injected into Roger Clemens’ buttocks.
The man who fell to Saul Williams

By Benedict Sinclair
As far as Saul Williams albums go, The Inevitable Rise and Liberation of NiggyTardust (available for download here) is a success. As far as Trent Reznor(-produced) albums go, it’s also a success.
This all-around decent pop album includes an endearing U2 cover and on a number of songs linking up with the sounds of TV on the Radio. It has all the attitude of Nine Inch Nails – with Saul’s vocals often eerily resembling Reznor’s – and Public Enemy, whose Chuck D is sampled for a loop in “Tr(n)igger” and whose influence can be seen all over Williams’s rapping. The recording is laced with the vocalist’s soul and anger, which are cocooned within Reznor’s layered guitars, pianos, synths – and moments of softness and programmed, post-grime beats. For Williams it’s a Ziggy Stardust/The Love Below type of performance, borrowing Andre 3000’s dress-up delivery for the title track, a narcissistic collage playing with the “the one” archetype.
Reznor’s melodies can get a bit, erm, familiar, for an hour-long album. And Williams’s lyrics can only keep up with his performance half the time, falling in that inarticulate, lukewarm space between the rhetoric of liberation and revolution. Much of the lyrical ideas and content seem to hint at more than they can really express: the N word gets casual, ineffective treatment, in perhaps a good way.
Iran and Vietnam
Why does this remind me, eerily, of the Gulf of Tonkin incident?
Finding inspiration at Creativity Explored’s “Finders Keepers”
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Making it: Car Factory by Walter Kresnik
By Amy Glasenapp
What first struck me at the opening reception of “Finders Keepers” at Creativity Explored on Jan. 10 was the sheer volume of the crowd. By 7:30 p.m., an hour after the reception began, the show looked like a success. Sculptures and prints were being sold left and right, and at the front counter, lines of enthusiastic visitors eager to know more about the art were becoming labyrinthine. People had to push through gaps in the mass to reach the art in the back room.
Since 1983, Creativity Explored has provided a positive environment for adults with developmental disabilities to explore self-expression through different artistic mediums – in this case, recycled objects. Many of the studio artists have sold work and achieved some renown: James Montgomery, who has a show coming up this week at CIIS (California Institute of Integral Studies), is among them. His subjects consist mainly of clock faces and San Francisco landmarks, and in this exhibition you will find these themes in his sculpture, a break from his usual canvas medium.
Another artist whose work I had seen before, Walter Kresnik, surprised me with his Car Factory piece, which is made from wood, fabric, cotton, and a rusty piece of pipe. A whimsical arrangement of multicolored cars unfettered by roads, with thick cotton smog rising from a pipe that looms disproportionately above the compact “factory,” the work makes a clear political statement about pollution and industry.
Ammiano on Hillary’s obituary
Hillary dies. Relax Obama, it’s Edmund. How’s that for change?
(From the answering machine of Sup. Tom Ammiano on Jan. ll, 2008.)
Personal note to Tom: Watch that enunciation. You are slipping back into your Bernal Heights brogue. Just kidding of course. B3
Lit: Veronica De Jesus’s memorial drawings

This week’s Lit features Lynn Rapoport writing about Hello-Now, from Everywhere, the new book collection of local artist Veronica De Jesus‘s memorial drawings.
Late last year, I went to a book-release event at Dog Eared Books, where many of Veronica’s drawings grace the front or side window. Veronica gave a powerful lecture explaining the motivation behind the project, then Colter Jacobson and Tomo played music. It was a special night.
Here are a few examples of what you’ll find in Veronica’s book:
Friday fluff: Possibly the cutest thing ever
What with tiger attacks, sonic booms killing off arctic life, and leopard and bear near-escapes at the SF Zoo — not to mention another oil-laden barge crashing into another bay bridge! — we turn our attention to the Tiergarden Nuernberg zoo, where this little fuzzy wonder popped out.
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Sure, it had to be removed from its mother for fear that she would attack it, but we love nature anyway. Here’s more.
Go darker: Darker My Love sets us swirling
By Todd Lavoie
Fuzz fuzz fuzz! Douse yourselves in some sweet-lovin’ reverb this Saturday, Jan, 12 – that’s when LA’s narco-garage thumpers Darker My Love bring the noise to the 12 Galaxies stage, promising an evening of spark-shooting feedback and deep-echoed harmonies.
If you caught them at the Fillmore this past October, opening for the Jesus and Mary Chain, then you’re already well aware of the gothically monikered quintet’s proclivities for welding amped-up, chemical-haze clatter to billowy, sun-soaked vocals. If you didn’t – well, it’s never too late to learn, is it?
I’m a total sucker for the vocals – the slightly medicated, ethereal glows drifting from the harmonies of Tim Presley (guitar) and Rob Barbato (bass) are greatly reminiscent of those hoisted into all that shoegaze-y goodness by Andy Bell and Mark Gardener on Ride’s 1990 masterpiece, Nowhere (Sire). Get yourself an earful or two on their myspace profile and see what I mean: a couple of the songs currently featured (“Summer Is Here” and “Helium Heels”, both from their self-titled 2006 release on Dangerbird Records) feel like the logical next step for those British luminaries, had Ride decided to continue onward with the pounding, whooshing, swirling psych-rock of Nowhere rather than trying out that their pop chops (nothing wrong with this career move, of course, but oh how I loved the headthrob of early Ride!).
Little chocolate disco rocks me
All I know is, someone recently dropped this little goodie off on my desk (thanks, Chocolate Elf!) …..
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… and it’s freakin’ delicious. The instructions on the back of this “Taza Disco” say: Break one piece chocolate into one cup steaming milk or water and whisk until frothy — but I just ate the dang thing whole and now I’m the one who’s frothy. Sweet lord, organic stone-ground Taza Chocolate rules!
Jew resigns; Newsom cagey about replacement

Sup. Ed Jew, shown here at a previous court appearance, has been under pressure to resign since last May.
Photo by Charles Russo
Nearly eight months after FBI agents found $40,000 in allegedly extorted cash during raids on his home and office, Ed Jew has resigned from his District 4 seat on the Board of Supervisors, effective at noon tomorrow.
The negotiated deal – announced today by Jew attorney Stuart Hanlon and City Attorney Dennis Herrera – calls for the city to drop its official misconduct and quo warranto actions against Jew in exchange for his resignation, relinquishing any potential claims against the city, and pledging not to seek any public office for at least five years.
“I cannot continue to fight all the battles I’m now facing,” Jew said in a statement read by Hanlon, referring to the criminal prosecutions that are still active, including federal charges of extorting money from the Quickly tapioca stores that faced permitting problems and local charges of perjury and voter fraud for allegedly not living in San Francisco when he ran for supervisor, which was the basis for the city’s efforts to remove him.
Mayor Gavin Newsom suspended Jew in September, replacing him with interim Sup. Carmen Chu. But during a press availability following the announcement of the Jew deal, Newsom was cagey about whether the job now belonged to Chu: “I will be meeting with Supervisor Chu later this afternoon and tomorrow I’ll make my determination.”
Ammiano: Jew loses game show
Ed Jew appears on Don’t Forget the Lyrics: Return to sender, address unknown.
(From the answering machine of Sup. Tom Ammiano on Jan. l0, 2007.) B3
Internal investigation of City College complete
Remember those stories from Lance Williams at the Chronicle that surfaced awhile back about City College of San Francisco improperly diverting public funds to a campaign committee? The school’s Board of Trustees promptly called for an internal probe, and all 232 pages of it are now publicly available. The executive summary downplays the significance of the allegations and lauds the school’s administration for fully cooperating with the investigation:
“The proponents of California ballot measures tend to seek contributions from those who stand to benefit financially from the passage of the measure. This can lead to the criticism that such fundraising has the appearance of “pay to play.” One need only conduct a cursory review of each campaign statement … filed by the Committee to Support Our City College to find numerous engineering firms, building trades and other construction businesses who could benefit from the proceeds of the bond.
“Hermaphrodite”‘s Eric Copeland gets it both ways

By Irwin Swirnoff
When the lines of past and future become blurry there’s the opportunity for a new world to emerge. The space Eric Copeland has created with his most recent album, Hermaphrodite (Paw Tracks), is one where animal meets machine, melody moves around dissonance, and the constant collision of the past and the future remind you that it’s never just one or the other. It’s always both.
Much like his friend Panda Bear who made one of 2007’s best records while taking a break from the Animal Collective, Copeland has created his own sonic achievement while moonlighting from his main gig, Black Dice. There is a cinematic hand at work on Hermaphrodite, which has you in its grasp and offers in return a full, visceral experience.
This LP sounds like it was recording on old analog equipment on its last legs, by someone or something from a different dimension. With hints of gamelan and moments that feel like a secret listen in on a primitive ceremonial tradition, Hermaphrodite feels like a score to a lost film made by Alejandro Jodorowsky and Michelangelo Antonioni. It sounds like the Discovery Channel, shot on old chromatic film stock.
Hugues de la Plaza’s autopsy unveiled
San Francisco’s Medical Examiner is refusing to rule the gruesome June 2 death of French national Hugues de la Plaza a homicide, releasing an autopsy only recently after the man’s friends and family waited six months for its conclusion.
There’s no doubt de la Plaza’s life ended due to multiple stab wounds, but the December report describes the manner of his death, i.e. who wielded the knife, as “undetermined.”

Assistant medical examiner Venus Azar admits that no one close to him was aware of any suicidal inclination on his part, and therefore, it was not possible for her to rule out homicide. But the scene at his apartment where he was found “was not inconsistent with self-inflicted stab wounds,” she wrote (our emphasis).
The Guardian reported in September that no obvious weapon or suicide note was found at de la Plaza’s small Linden Street apartment in Hayes Valley where his body was discovered. A neighbor told us he heard a distinct set of footsteps running away from the apartment shortly after de la Plaza’s front door slammed three times around 2:30 in the morning.
The neighbor, Orion Denley, said the questions asked of him by police all revolved around whether or not de la Plaza suffered from depression, one of many clear indications that the San Francisco Police Department believed from the start that de la Plaza took his own life.
“It’s fucked-up in retrospect,” Denley told us at the time. “I kept thinking, ‘How come they aren’t asking me if I heard anything?’ All they did was ask over and over again if he was suicidal, like they had already made up their minds that he had committed suicide.”
Challenging Newsom’s power grabs

In the wake of Mayor Gavin Newsom’s meddling with the leadership of the supposedly independent San Francisco Public Utilities Commission and San Francisco Metropolitan Transportation Agency Board of Directors, activists and members of the Board of Supervisors are engaged in active behind-the-scenes debates about how to respond.
Generally, they’re resigned to accepting that SFPUC general manager Susan Leal is out (the SFPUC commission has yet to actually remove Leal, who is on disability leave after being hit by a car in front of City Hall, but Newsom is thought to have the votes lined up), and so are his MTA appointees Leah Shahum, Wil Din, and Peter Mezey (Why those three? Read item two here for a possible explanation). The ousted trio submitted the resignation letters that Newsom requested, thereby giving up their legal right to finish out their fixed terms (two of which ended in just a couple months anyway).
But the supervisors and activists still may exact a price for Newsom’s hubris and short-sighted power grab.

