SFBG Blogs

Party Radar: Stereo Total, Sabo, Cam, Dub Mission, more

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Whoo! There’s a lot going on nightlifewise this long weekend. Besides the parties upon which I shined a woozy post-Canadian spotlight in this week’s Super Ego clubs column, here’s a few more great soirees at which you can work out your frustration or relief that you aren’t at Burning Man. The city is ours!

STEREO TOTAL

I caught the seminal ’90s dance-pop-punk, pan-European duo at Bimbo’s last year, with leslie and the Lys opening. Leslie was her usual oddball-amazeball whackadoodle self, but the Totals were a revelation. The place was packed, but even though there were only two of them, they enthralled the crowd with over-the-top mugging and anarchic, scenery-chewing live antics. And of course the infectious music turned into a massive singalong. Long story short: do not miss.

Thu/2, 9 pm, $18. Slim’s, 333 11th St., SF. www.slims-sf.com, www.stereototal.de 

 

BRAZA! FEATURING DJ SABO

NYC beatmaster Sabo has played to glorious acclaim at the Afrolicious and Tormenta Tropical parties, and SF crowds eat his Afro-Latin-tropical-hop beats up. (Does it help that he’s a total babe? Maybe for you — I would never even consider such a thing when evaluating a DJ’s skills.) For this month’s installment of the Braza! party, he’ll be laying down an all-Brazilian set to get your Ipanema jumpin’.

Fri/3, 10pm-3am, $10. SOM, 2925 16th St., SF. www.som-bar.com 

 

DJ CAM

 

The dreamy French hip-hopiste comes bearing surreal stoner grooves. (His new album Sevenincludes an appearance by reclusive house legend Nicolette!) Sway along with local bass-twister Mophono of mind-bending weekly Change the Beat and Carey Kopp.

 

Sat/4,10 pm–late, $10 advance. Mighty, 119 Utah, SF. www.mighty119.com 

 

PROJECT RUNTOVER

Those artsy-crafty drag queens behind weekly Friday night sensation Some Thing at the Stud (go there this week as well) are at it again, bringing their enormously fun — and actually quite genius,fashionwise –  parody of Project Runway to Cat Club. Sublebrity SF alternaqueer teams (pretty much everyone who’s anyone in the city) are given a series of surprise challenges and must use the club’s decorations to formulate a fab outfit. Then the model must perform a drag number in said outfit for judges. It’s a total hoot, and DJ Down-E helps you dance through it all.

Sat/4, 10pm-3:30am, $7. Cat Club, 1190 Folsom, SF. www.sfcatclub.com

 

DUB MISSION 14TH ANNIVERSARY

 

San Francisco’s original dub haven, this weekly joint always makes me smile while turning my head all spacey. Mission maestro DJ Sep welcomes Dr. Israel, Patch Dub, Katrina Blackstone, Turbo Sonidero Futuristico, and MC Mex Tape for a global-eared night of true vibes.

Sun/5, 9 pm, $10 advance. Elbo Room, 647 Valencia, SF. www.elbo.com

 

DJ DIZ

One of my favorite old(ish) school Chicago house DJs comes in for a special Sunday Sessions party at the EndUp. This one’s going til 5 folks, so bring a bottle of water and prepare to get souled-out, classic-style. With Dawn of Sound, Ryan Nyberg, Rick Preston and more.

Sun/5, 8pm-5am, $20. EndUp, 401 6th St., SF. www.theendup.com

 

Street Threads: Look of the Day

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Today’s Look: Charlotte, 24th Street and Castro

Tell us about your look: “I ride, so I’ve been wearing these boots all week.”

ICE suggests SF Secure-Comm opt-out possible

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U.S. Immigration and Customs Enforcement (ICE) spokesperson Lori K. Haley sent the Guardian a statement today that suggests that ICE might change the city’s Secure-Communities activation status, after all.
“Once ICE receives the correspondence from the San Francisco County Sheriff, we will review the request and convene a meeting with the other agencies involved, including the California Department of Justice, to discuss the Sheriff’s specific issues and concerns.  Based upon those discussions, ICE and its partners will examine the options and seek a feasible resolution, which may include changing the jurisdiction’s activation status,” ICE stated.

ICE’s statement came in the wake of a conference call from SF Sheriff Mike Hennessey and SF Police Commissioner Angela Chan, who have been leading the charge to opt-out of a program that is supposed to be voluntary.

“Secure-Comm is not a federal law, it’s a program and it’s voluntary,” Chan told the Guardian.

Chan says she considers ICE’s statement a positive sign, but she insists that San Francisco be at the negotiating table, moving forward.
 “I think it’s important that ICE does not simply meet again with Attorney General Jerry Brown and not include San Francisco. Sheriff Mike Hennessey needs to be at the table,” Chan said.

ICE notes that since Secure-Comm’s activation in San Francisco in early June, the program has resulted in ICE taking custody of “89 potentially removable aliens, including 25 individuals with prior convictions for serious or violent offenses.”

“Secure Communities continues to be a vital tool for identifying potentially removable criminal aliens who’ve come into local law enforcement custody and expediting their removal from the United States,” ICE stated. “It’s a major step forward in ICE’s ongoing efforts to work with local law enforcement to prevent potentially dangerous criminal aliens from being released to our streets.”

But Chan points to an article in Bay City News, in which Hennessey clarifies that he does not have a problem with cooperating with ICE around serious criminal offenders.
“I am not unwilling to cooperate with ICE with regard to serious [offenders] charged with felonies,” Hennessey reportedly said  during today’s conference call with ICE. He also clarified that he had reported felony suspects believed to be in the country without paperwork before Secure-Comm was implemented and will continue to do so under SF’s sanctuary ordinance.

SecureComm is currently in effect in 35 California counties, including all nine Bay Area counties, Los Angeles and San Diego. Under the program, California Attorney General Jerry Brown’s Justice Department shares fingerprints of anyone booked into jail after an arrest, be it for felony or misdemeanor charges, with ICE’s databases to determine if that person is here legally.

In May, when Brown rejected Hennessey’s initial opt-out request, San Francisco Mayor Gavin Newsom backed Brown up, but police Chief George Gascon has reportedly indicated that he would like to see those arrested for minor crimes be exempted.

Today, Hennessey reminded reporters that he has already taken all the steps that ICE is recommending today to try to opt out, but that he was told in that previous go-around–by phone, no less–that opting-out was not an option.
“No meeting was held, no meeting was called, and they did not give me the courtesy of a written response,” Hennessey said.

ICE statistics’ also show that of the ten people already deported from San Francisco under Secure-Comm, only one had been convicted of a serious crime, and six had non-criminal backgrounds.
ICE’s Virginia Kice reportedly told BCN those with non-criminal histories may have had “extensive” histories of immigration-related arrests, which are typically handled administratively.

But Chan says that ICE’s latest statistics seem to prove that the program should be renamed Insecure Communities.
“This actually hurts public safety,” Chan said
      

 
 

Alioto-Pier’s campaign ends

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District 2 candidates Janet Reilly, Mark Farrell, Kat Anderson, Vilma Guinto Peoro, Barbara Berwick and Abraham Simmons may be breaking out the champagne, right about now. That’s because incumbent D. 2 Sup. Michela Alioto-Pier just saw her bid to run for re-election squashed.

But bubbly likely won’t be flowing chez Michela.

As Fog City Journal reports, Alioto-Pier put out a statement expressing her disappointment in the outcome, but her respect for the judicial process.

“I believed and continued to believe that the intent of the voters as reflected in the plain language of our city charter allows me to run for second four year term,” Alioto-Pier said, as she pledged to keep working for her district until her terms ends in January.

The Performant: Final Frontiers with “Sigh-Fi” and W. Kamau Bell

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Scoping out the local arts and culture scene …

So much fascinating shit is rooted in science — from the way things work to the way they fall apart — that it seems passing strange that more performance pieces aren’t written using scientific law as a unifying theme. Not that you’ll find a whole lot in your physics texts about Saturnade a spoofed drink mix with a long list of dire side-effects that belongs more properly in the frame of a John Kricfalusi cartoon. You probably won’t find mention in your astronomy handbooks about alien surveyors with invasion viability agendas either, but why split atoms over it?

In “Sigh-Fi: An Evening of Science-fiction Themed Comedic Shorts” debuting at the Darkroom Theatre, fictions may trump facts, but the undercurrent is endearingly nerdy. Written by Philadelphia Fringe Festival veteran Shawn O’Shea, “Sigh-Fi” includes what is probably his best-known (and fully realized) work, “Starlight Supply,” which stars Jim Fourniadis as thoroughly under-socialized uber-dweeb William William Williams, and Craig Souza as an uptight insurance agent from Universal Business Insurance sent to deny him a $20 million claim for his registered star which has vanished from the night skies.

Other sketches of note include “Dinner Guest,” a Guess Who’s Coming to Dinner spoof involving an affable yet menacing extra-terrestrial Bob (Phil Ristaino) and “Hail to the Queen” in which a planet ruled by women accidentally hijacks a Freddie Mercury lookalike BJ (Richie Lillard) whose initials no longer describe his occupation, in order to force him to impregnate them all. Too bad for these galactic gals William Shatner is no longer traveling around the universe in spandex, because fancy-pants BJ only has eyes for the yummy male slaves in leather tunics—giving the appropriate measure of stage time to the social sciences as well in addition to the natural and applied strains.  

Meanwhile, in a galaxy not too far away, W. Kamau Bell has been trying to “end racism in about an hour”….for over three years. And for a split second there, it looked like he’d succeeded. You remember that split second—it occurred somewhere between November 4th and 5th, 2008. But here it is, 2010, and post-racial has become post-post-racial, and all in all, it’s been a frustrating time for a comedian who’s somewhat unwillingly become the spokesperson for comics-concerned-about-entrenched-racism to be that. Hence the title of Kamau’s new show-in-progress: “Aaaaaarrrrrrrrgh: A Solo Comedy about how Frustrating Frustration can be” (which he performed as part of the Solo Performance Workshop Festival at Stage Werx on Saturday).

It’s such a universal emotion: I could imagine Alien Bob getting stuck at the credit union while they tried to work out how to cash his check from Betelgeuse, or BJ the intergalactic love-slut trying to avoid old cranky critics who want to give unsolicited “feedback,” or cops cracking down on the illegal consumption of Saturnade on the beach. These are the things that happen to all of us—but only Bell has had the foresight to try and work it all into a narrative that tries to make sense of the myriad situations that defy reason and provoke ulcers all across the universe.

Joanna Rees pole vaults into Mayor’s race

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Matier & Ross have an interesting item about venture capitalist Joanna Rees running for mayor and declaring herself  “a progressive independent”.

What they don’t mention –- or don’t know — is that Rees has given $6,500 to Mayor Gavin Newsom’s Lt. Governor campaign.


That puts Rees on par with former Dreamworks co-founder David Geffen, Dreamworks’ Jeffrey Katzenberg, actress Kate Capshaw, film director Stephen Spielberg, and the three members of the Traina clan (Alexis, Todd and Trevor) who so far have each plunked down 6.5 K for Newsom’s latest political run.

Newsom’s campaign filings also record that Rees is with VSP Capital. So if you want to know more about Rees and her partner, you can read their official bios here.

But if you want the gossip on the VSP adultery scandal, read valleygawker’s piece here. And then there’s the piece on VSP’s website about the settlement that you can read here.

 

Endorsement Interviews: Rebecca Prozan

Rebecca Prozan, a candidate for Disctrict 8, has the endorsement of incumbent Sup. Bevan Dufty, and she and Dufty seem to have a lot in common. “I’m able to bring both sides together,” she told us, noting that D-8 constituents “like people who are independent thinkers, who are right up the middle.”

An assistant District Attorney, LGBT and District 8 liaison under former Mayor Willie Brown, and a Recreation & Parks Commissioner, Prozan is familiar with San Francisco government from a number of angles — but she’s also perceptive of the level of mistrust that exists. “There isn’t a San Franciscan in District 8 that actually thinks government is spending every dollar as it should,” she said.

Prozan said she is supportive of a hotel tax to boost revenues, a vehicle license fee to help improve MUNI, and a parcel tax to raise money for schools. She likes the idea of conducting audits as a way to tighten up spending, but rejected the idea of requiring nonprofit organizations to disclose how they spend city funds that are allocated to them. She doesn’t see any reason for split appointments on the SFMTA Board or the Redevelopment Agency, and she believes that while it’s “not a witch hunt,” part of the solution for MUNI should be targeting salaries. She’s against the proposed sit / lie ordinance, she’s a big fan of the Community Justice Center, and she thinks gang injunctions are a useful tool for law enforcement.

Prozan also told us she thinks the city should focus on building more rental housing, and she has been shopping around the idea of figuring out how to convert 1,100 foreclosed San Francisco properties into affordable housing for “teachers, cops, and firefighters.” Listen to the full interview below.

rprozan by endorsements2010

Hennessey to Brown and ICE (again): SF wants out of Secure-Comm

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Sheriff Mike Hennessey has sent a letter to California Attorney General Jerry Brown and Department of Homeland Security officials David Venturella and Marc A. Rapp, reaffirming San Francisco’s desire to opt out of Secure-Communities, a program U.S. Immigration and Customs Enforcement (ICE) activated in San Francisco in June.

In his August 31 letter, Hennessey observes that on August 17, ICE issued a communication that suggests there is now a procedure to address opt-out requests.

‘The ICE communication, Secure Communities: Setting the Record Straight, specifies that, ‘If a jurisdiction does not wish to activate on its scheduled date in the Secure Communities deployment plan, it must formally notify its state identification and ICE in writing (email, letter of facsimile),” Hennessey states. “Upon receipt of that information, ICE will request a meeting with federal partners, the jurisdiction, and the state to discuss any issues and come to a resolution, which may include adjusting the jurisdiction’s activation date in, or removing the jurisdiction from, the deployment plan.”

Hennessey acknowledges that San Francisco County has already been activated in accordance with ICE’s Secure-Comm deployment plan.

“However, as you know, I sought to opt out, in writing, to both the California Department of Justice and Secure Communities,” Hennessey wrote. “I was told at that time in a telephone conversation with Mr. Rapp that there was no provision for a local jurisdiction to opt out. The information provided in Secure Communities: Setting the Record Straight would suggest that there is now a procedure in place to address such requests.”

Hennessey ends his letter by saying he is looking forward to meeting all parties and “coming to a mutually agreeable resolution.”

So, stay tuned….

Save the bees, save the planet

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Native bee advocate Celeste Ets-Hokin didn’t just spend time this summer helping me find squash bees. She also spent months putting together a 2011 native bee calendar, and days writing letters to the US Food and Drug Administration (FDA) about upcoming food safety regulations that will affect all U.S. food growers.

“The FDA sets regulations on how they grow food,” Ets-Hokin explained. “And that could have a negative impact on organic and sustainable growers if the FDA creates regulations that conflict with conservation.”

Farmers are stewards of the majority of the world’s arable areas, Ets-Hokin observes.

“And as stewards of 90 percent of the planet’s arable land, it’s important that growers understand the need for bee habitat and conservation,” she said. “This can be done by restoring habitat, putting in insectary plantings and hedgerows, and other measures.”

Ets-Hokin rejects the notion that bee conservation efforts are elitist.
“If it were so elitist, you wouldn’t have all these preexisting federal programs like the National Resources Conservation Service,” Ets-Hokin said.

But most agriculture operations are run by huge corporations that are not physically present on the land they control, she observes.
“So, when the growers plough under thousands of acres of field, leaving only a patch of dirt, they don’t have to see how it looks,” Ets-Hokin said. “But when farmers put hedgerows and insectaries around farms, they see flowers that bloom all year. That’s refreshing to the spirit. It provides ecosystem services like pollination and beneficial pest control. But it also provides a spiritual uplifting. And I think that is under valued.”

Ets-Hokin worries about the negative impacts on native bees and other beneficial pollinators if the FDA develops a one-size-fits-all approach to food safety.

“If they develop a model that’s tailored to industrial operations, and force it on smaller operations that don’t pose the same risks as bigger operations, with lots of middle men and plastic packaging processes, you incur another risk,” she said, referring to outbreaks of E. coli (Escherichia coli) food poisoning, which are caused by the ingestion of E. coli bacteria.

“When you bring organics to the farmer’s market, there is not one recorded case of E.coli,” Ets-Hokin continued. “But if you impose the same testing protocols and fees on small growers, you disincentivize conservation. And that’s too bad. We need the mosaic.”

In an effort to spread awareness about the importance of bee habitat, Ets-Hokin focussed her newly published  2011 bee calendar on the central role that bees, including native bees, play in ensuring the safety of our food supply and the health of our ecosystem.

“Without native bees, many of the plants that anchor our terrestrial ecosystems would eventually disappear,” Ets-Hokin wrote in the introduction to her calendar.

“So, it’s not enough to say that we’ll put aside a little area for conservation on farms,” she told me, as we hung out in her bee-friendly yard. “It must be done in a regenerative cycle, in which we reuse waste on farms as input for the next round of crops.”

Ets-Hokin also told me how she got into the bee calendar business.

“Originally, I was going to try and produce flash cards, but it turned out that a someone had already done that,” she recalled. “So, then I thought, why not do something more visible and affordable to a broader audience. And so I stole Rollin for the project.”

Ets-Hokin is referring to entomologist and insect photographer Rollin Coville. His kick-ass images helped make Ets-Hokin’s 2010 native bee calendar an instant classic. 

“With insects, it’s important to focus on their eyes,” Coville told me in July, as we hunted for sthe elusive squash bee. And I think you’ll agree he’s right about bees’ eyes, when you check out the amazing images of these furry little vegetarians that illustrate Ets-Hokin’s 2011 bee calendar. Here’s hoping that her calendar will inspire growers and gardeners to include and conserve bee-friendly plants and habitat wherever they can. Save the bees, save the planet!

Steve Moss’ misleading ad

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If you live in Potrero Hill, chances are you read the Potrero View, a neighborhood paper that’s been in existence for 40 years. Five years ago, Steve Moss took over as the View’s publisher and editor. And last year, when Moss filed papers in the D. 10 supervisor race, he stated in an editorial that “running for office and running a paper aren’t necessarily incompatible, but the two activities, undertaken simultaneously, prompts the need to adhere to ethical and legal standards.”

In that same editorial, Moss noted that, according to the Fair Political Practices Commission, a newspaper columnist seeking political office can continue to write columns.
“What they can’t do is advocate for their election, denigrate other candidates, or engage in direct politicking,” Moss wrote.

He also promised that, “The paper will not endorse any of the contenders. And we’ll offer all who’ve filed for the race a 50 percent discount on print and online advertisements—a fee my campaign committee will similarly have to pay.”

So, imagine this reporter’s surprise when I opened up the August 2010 special 40th anniversary issue of the View—and found an almost full-page advertisement, paid for the Steve Moss for D. 10 campaign, that claimed Moss got the View’s endorsement.

Titled ‘Five Things You Should Know About Steve Moss,” the advertisement features a photo of Moss and family. And the first thing that View readers should know, according to his ad, is that Moss “edits and publishes this very paper (but got its endorsement on his own merits).”

Reached by phone, Moss claimed that his ad was intended as a joke.
“It was meant tongue-in-cheek,” Moss said. “It was meant to be a joke.”

But nowhere in Moss’ ad is there any disclaimer that says that the View endorsement is a joke.

” Well, maybe it wasn’t funny,” Moss replied. “But you’re British. You should understand.”

Moss said so far the only call/complaint about his ad has come from me. But he added that perhaps in a future issue, he’d clarify that the View will not make any endorsements.

Moss followed up on my call with an email:

“I talked to my wife, Debbie, about the View advertisement, and she reminded me that she had warned me that some folks wouldn’t understand that the endorsement was a joke,” Moss wrote. “So, at minimum, you have made my wife correct.  Again. I think she’s still going to vote for me, though.”

While I appreciate Moss’ willingness to answer difficult questions from reporters, including those hailing from the British Isles, it seems that Moss is trying to argue that black is white. So, in the spirit of British humor, may I humbly suggest that Moss watch Monty Python’s “The Argument” skit. And then call me for a five-minute argument about his misleading ad.

http://www.youtube.com/watch?v=kQFKtI6gn9Y

School board race shouldn’t be personal

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The backroom anti-Brodkin campaign has to stop

EDITORIAL There are plenty of issues to talk about in the San Francisco School Board race. The new student assignment process marks a dramatic shift in the way parents and kids get to choose schools. The district’s decision to pursue federal Race to the Top money was a mistake. There are too many charter schools, and not enough money for basic programs. The district has made great strides in closing the achievement gap, but there’s more to do. Many school facilities still need upgrades, meaning — potentially — more bond acts. The austerity budget has meant teacher layoffs. Overall, the district is in better shape than it was five years ago, but the goal of quality education for all kids is still a long way off.

This is what candidates and interest groups ought to be talking about. Instead, it seems as if the entire race is about one candidate: Margaret Brodkin.

Brodkin, the former director of Coleman Advocates for Children and Youth and former head of the Mayor’s Office of Children, Youth, and Families is by all accounts among the most experienced people ever to run for the office. She’s also strong-willed, forceful, and sometimes difficult. That’s what’s made her such a successful advocate. Over the past 30 years, she’s been involved in almost every progressive cause involving children and youth in the city, from the creation of the Children’s Fund to the battle against privatization in the public schools.

You think she’d at least be considered a serious candidate and that elected officials and political groups would give her the respect she deserves as someone who has devoted her life to activism on behalf of children.

But some incumbent board members have been engaged in a full-scale, anti-Brodkin campaign the likes of which we’ve rarely seen, even in the rough and sometimes brutal politics of this city. It’s mostly quiet, backroom stuff — and as far as we can tell, it’s not about issues. But they’ve approached just about everyone in local politics to badmouth Brodkin.

Let us stipulate: there are issues, real issues, progressives can disagree on with Brodkin. We’ve fought with her ourselves over some of the programs she implemented when she worked in the Newsom administration. Brodkin was far too supportive of former school superintendent Arlene Ackerman, who was secretive and imperious, for far too long. She’s also a close ally of board member Jill Wynns, who was wrong on a lot of issues over the past few years.

Brodkin has extensive proposals about education reform that she has discussed over and over; if you don’t like them, then don’t vote for her. If you think her proposals would be bad for the kids in the public schools — and in the end, that’s what this is all about — then work to elect somebody else. That’s how politics works.

But the misleading whisper campaign annoys us, and is often based on inaccurate information. Brodkin, we’ve been told, opposed voting rights for noncitizens back in 2004. Not true — she personally wrote a ballot argument in favor of the law. She told us, for the record, on tape, that she disagrees with Wynns and opposes JROTC in the public schools.

There’s also the line (and it’s somewhat reminiscent of some of things that were said about Hillary Clinton during the presidential campaign) that she’s hard to get along with, that she won’t be collegial on the board. At her campaign kickoff, incumbent Hydra Mendoza praised the lack of conflict on the current board and said she wanted to preserve that — the implication being that Brodkin would bring disunity.

But unanimity and lack of conflict isn’t always good for a public board. Too much consensus leads to complacency — and that’s always a big problem, particularly when it comes to oversight.

We’ll issue our endorsements Oct. 6, when we’ve had a chance to talk to all the candidates — and right now we’re not ready to give the nod to Brodkin or anyone else. And we’d be the first to say that she has made mistakes and they ought to be taken into account in any endorsement process.

But we don’t like personal attacks, and we don’t like the politics of personal destruction. It’s not good for the schools, not good for democracy, not good for San Francisco. Argue issues, debate public problems — but this nasty whisper campaign has to stop.

Next stop Mustaine: rappin’ with the Megadeth man

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Dave Mustaine has seen more than his fair share of difficult obstacles to overcome throughout his musical career due to his past drug and alcohol addictions, which famously got him kicked out of the early line up of Metallica. Even during his ensuing triumphs with his own band, long-time metal favorites Megadeth, he struggled often with his demons.

Now clean and sober, the singer and guitarist is riding high on his current successes, which include a new autobiography, Mustaine: A Heavy Metal Memoir (Harper Collins) which hit the New York Times’ best seller list earlier this month when it was published. Megadeth’s latest studio album, 2009’s Endgame (Roadrunner Records) was received well by both fans and critics, and the band is currently on the road as part of the “American Carnage Tour” with Slayer and Testament.

Mustaine and company hit the Cow Palace tonight; he also did a book signing this morning. The first-time author is happy with the ways things have been going so far during his first foray into the literary world.

“I’m very excited about it, because when I initially set out to write this thing, it wasn’t to be on the Oprah book club — although now that I know a little bit more about books it would certainly be cool to sit on the couch and tell her a little bit about my story,” says Mustaine, speaking by phone before a concert in Albuquerque.


“My story is about helping other people and just giving people an indication that they’re not the only one that’s going through hard shit — and that you’ve just got to turn your collar up and lean into the wind, and persevere.”

In the book, Mustaine details his troubled upbringing; how his mother had to take her children and constantly flee from his alcoholic father, how her struggles led to an involvement with the Jehovah’s Witnesses, and how this religious indoctrination would eventually cause a rift between mother and son that resulted in his moving out on his own at the age of 15. There are the stories of sex and drugs along with the music, as is pretty much a requisite of any rock n’ roll memoir, but Mustaine doesn’t attempt to glorify his past mistakes.

“I’ve always wanted to tell the truth to people about what happened to my career, so they don’t think that I’m such a horrible person. I remember when my son was just a little guy and we did VH1’s Behind The Music and I had talked about crack — my son was coming home on the bus and some of the older students started chanting ‘Your dad’s a crack head’ to the point where he was in tears. It was really painful.”

Mustaine’s now-infamous stint in the early days of Metallica are covered as well, giving an insider’s perspective on what really happened — and despite years of trading barbs in the press, the axeman has appeared to have resolved most of the issues that he had with the other members of that band, who unceremoniously gave him the boot during a 1983 trip to New York. Earlier this year Megadeth and Metallica, along with Slayer and Anthrax — collectively known by fans as “The Big Four” — performed a handful of concerts together in Europe.

“I saw them over in Europe, we had dinner and it was fine. I was sitting there at the table with Lars and James, and I thought it was so great that we were together again — we’re in different bands, but the fact that we as three young little guys, what we accomplished, how we changed the world. I mean honestly, you can’t even listen to a television program anymore without hearing music that’s [evolved from] what we created. To be able to sit there with our brethren and knowing that in this room stands the cream of the crop of American heavy metal talent, and it was such a great feeling.”

“My relationship with Lars and James has been publicized a lot, so I went up to James and I said, ‘I don’t want to try to repair our old relationship. That would be like rearranging the deck chairs on the Titanic. I want to have a new relationship with you,’ and I think that’s what we have now, it’s great, and I’m going to see the guy when I get into town.”

At one of the concerts they played together, the guys got on stage to jam on old favorite, “Am I Evil?,” a cover song that goes back to the formative days of Metallica, when they used to live and play in San Francisco and the Bay Area.

“We would play the Stone and the Old Waldorf, and one of the songs that we would play, guaranteed, every single set, no matter where we played, no matter how big we got, we always played ‘Am I Evil?’ a song by Diamondhead. If you could have been in the little jam room right before we went on, it was so moving, because when the band stops there’s a little guitar part where there’s some hammer-ons, and Lars looked over to James and he said, ‘Hey, who should we have play this?’ He was pointing to me like he wanted me to do it and I thought, dude that is so cool. Who would ever have thought that we would have gone to that place where we were so hurt, and we just kept lobbing grenades at each other, to the place now where we’re playing together again, and we’re hanging out and hugging and having dinner with our wives.”

As he continues on his concert and book tours, Mustaine enjoys meeting the multiple generations of fans that come out, and the fact that he gets to talk to them about what he’s been through in his life.

“One of the things that I want the reader to know is that this wasn’t something that I wrote to be this self-absorbed book. It’s just a lot of revealing stuff that I share about my life and my walk, and how my life changed in 2002 when I became Christian.”

“I really have a hard time saying that I’m Christian because so many Christians are hypocrites, and have just given Christianity a bad name; I believe in God and I believe in Jesus, that’s my bag, that’s it, no more, I don’t push it on anybody. Being a dude who read the Satanic bible and did witchcraft and put hexes on people, that’s pretty cool.”

Doing both tours at the same time have been draining on the metal icon, but he says he wouldn’t have it any other way.

“I’m exhausted right now, my voice is sore, my arm is sore, my wrist is sore, but this is what I signed up to do, this is the job I do. I’ve always wanted to be the best at what I do.”

“We’re just constantly searching for that next riff that’s going to set us over the top and give us that number one record, that next lyric that’s going to break us through mainstream radio and we have a number one hit again, that perfect guitar solo, so that we get back on top again. We’re doing everything that we can, we’re every ounce of strength that we have.”

After this current tour wraps up, more touring around the world lays on the horizon — but first, Mustaine is excited about going back into the studio to record a new album — one that will again feature founding bassist David Ellefson, who had not played with the band since 2002 until re-joining earlier this year.

“The cool thing is having the signature bassist back, it gives a certain root to the bottom end again that people have grown to love, I’m excited about how our lives our progressing. I’m just so blessed I can’t even tell you, I look at my career right now and to think there was a period where no one wanted to touch us anymore — here we are,” Mustaine emphasizes. 

“I’ve got the band back, we’ve got a great record that’s getting critical acclaim, I’ve got the book on the best seller list, the tour, everything is so magnificent and I’m so grateful for all of this.”

Slayer, Megadeth, and Testament

Tonight, 7 p.m., $39.50

Cow Palace

2600 Geneva Ave., Daly City

www.cowpalace.com

www.livenation.com

 

It’s not about taxes

3

I heard an executive from Coda Automotive, which makes electric cars, talking on NPR this morning about why the company is going to locate its manufacturing plant in Southern California. He talked about the quality of the workforce, about the demographics of the state, about the fact that Californians understand environmental issues … all sorts of reasons to build a plant here. And he never once mentioned taxes.


That’s not surprising — for all the whining the California Chamber of Commerce does, corporate taxes aren’t a major factor when businesses look at setting up shop in this state. We’d do a lot better to raise taxes to the level where we could afford to educate the next generation of workers. That’s far more important in building a strong economy.

The Performant: Nerds vs. Geeks and other four-letter words

0

Scoping out the local arts and culture scene …

Are you a nerd, or are you a geek? A geek, or a nerd? I like to think of myself as a word nerd. Doctor Popular claims to be a super nerd. The organizers of the next San Francisco-based BarCamp claim to be geeks — though they do allow that one can “geek out” about almost anything, including peanut butter and jelly sandwiches.

Yet both nerds and geeks presenting at Noisebridge’s monthly “5 Minutes of Fame,” to a crowd composed of nearly 100 folks who mainly, though not exclusively, could be categorized as either, or possibly both. The premise of 5MoF is short (very) and sweet: in five minutes or less each presenter gives a talk, makes a pitch, or demonstrates a work in progress to the general public who may then in turn offer assistance or appreciation.

Topics this week included why dumb is good (‘cause Socrates said so), music you can make on your iPhone, how to combat global ignorance with a video game, the creation of a new Tenderloin performance space dedicated to “cutting-edge vintage,” the demise of the fourth estate, and what the heck is in my kombucha anyway? Best of all, during the post-show mingling, people who’d asked for assistance with projects were almost all approached by people equipped to do just that. Maybe that’s the vital ingredient in what makes a nerd a nerd or a geek a geek — that an entire social event can be built around the moral equivalent of helping people out with their trig homework. Journalist Quinn Norton inadvertently summed up the collaborative spirit of the event by promising in her talk “Manufacturing Dissent” to stop “only writing about the shit that geeks break, but writing about the shit that geeks build.”

What else do geeks build? Well, while some geeks are building pathways to newer computers, others are building pathways out of old ones. The Sculpture Garden at the San Francisco Dump has an entire walkway made of cement slabs with embedded ephemera — computer chips, silverware, random tools, colored glass. But it’s the sculptures lining the walkway that really dazzle. A dragonfly made of a propeller, a fence made of bicycle wheels, a double archway decorated with a dazzling mosaic of tiles and glass, nesting balls of webbed wires. Free tours of the garden, the facility, and the Artist-in-residence studios take place every third Saturday of the month, inspiring not a small dose of waste stream envy.

Wrapping up my dork-tastic journey a couple weekends ago was the They Might Be Giants concert in Stern Grove, where myself and all my pasty brethren were treated to an afternoon of unseasonal sunshine and a 25-song set stuffed with maths, geography, the periodic table, space ships, the alphabet, shriners, and drum-playing worms. Since TMBG has been crossing over into the kid market since 2002, there were lots of little’uns jumping up and down to the geek groove, but not nearly as many as there were awkwardly-limbed adults trying to frug to “Upside Down Frown”. Which in many ways proved just as entertaining to watch as the band — another one of my favorite four-letter words.

Portland’s Macro BrewFest cheers the chug

0

“Are you noting the hints of coriander in your Rolling Rock?” my buddy wants to know. On a late summer afternoon, the couples and regulars scattered around us throughout a southeast Portland, Oregon neighborhood dive are taking a break from the microbrews their city is known for. For them, it was all about the tall cans. And for a damn good reason – the proud beginning of what may well be the world’s first Macro BrewFest, which went down this past weekend.

Not that Glen Wallace, owner of festival host O’Malley’s Saloon and Grill, isn’t into fancy suds. Wallace, who moved to Portland from his native Boston nine years ago, came up with the idea while at one of Beervana’s (as Portland, site of a national record 30 in-city craft breweries, has been colloquially termed) many micro brew fests. 

“Me and my buddy were sitting there with our little plastic cups and our beer nickels,” Wallace, an affable chap, tells us as we drink to his new festival’s health at one of O’Malley’s streetside picnic tables, the Southeast Foster Road traffic whizzing by a few feet from our bench seats. The two friends were reflecting on the bum hand that cheap beers are dealt in a town that often prizes hops over national ad campaigns. “The macro and domestic beers really seem to get shunned a little bit,” Wallace says, whose own draft pulls are evenly split between local stars like Eugene’s Ninkasi Brewery, and old school pulls of Coors and Pabst Blue Ribbon. “And I tend to think in contrarian terms.”

O’Malley’s Saloon and Grill owner Glen Wallace and his macros

Credit to this oppositional nature his next move: Wallace placed an order for an obscene amount of 16 different kinds of suds, the beers that we all drink, but aren’t necessarily stomping at the bit to stand up for. I take a break from sampling wares so that he can proudly escorts me into his walk-in refrigerator, which at the three day festival’s start was piled with cases of Coors Banquet, Steel Reserve, Olympia, Old German, and Natural Ice. “We were going to stock Iron City too, but they had a canning problem in Pennsylvania or something like that,” he reflects.

To truly give the much maligned macrobrew it’s due, Wallace went big with the concept: a bluegrass night, a comedy night that with the help of a stand-up connected staffer attracted sign-ups from 34 amateur yucksters. He sold “beer passes” for five bucks, which got you four tall cans of the Americana elixir of your choice, and in this manner got rid of 800 beers in three days – a big event for a small dive bar. To get people invested in the concept he offered a bonus feature: ballots to vote on O’Malley’s new house beer. His “dark horse” favorite, the white and red cans of Rainier, took home top honors from his discerning patrons, which he seemed to be happy about. “I’ve had a few long nights with Rainier,” he told me.

And such was the world’s first Macro BrewFest – which, judging from the way Wallace was talking, may not be the world’s last. He’s looking into trademarking the event’s name. After all, he says, people are beginning to return to their old standbys in these economic hard times. Miller High Life will always be there for its fans, an important fact in a Beervana where unemployment is currently standing at 10.2%. Chug! 

 

The truth about Death Row

3

This story is really just tragic, but it does reflect a reality in the California prison system. Very few people on death row die by execution. The leading cause of death is old age.


George Smithey, for example, was 70, and had been on Death Row since 1989. That’s 21 years, during which the state has spent a fortune on high-security imprisonment and legal appeals. It costs millions to prosecute the death penalty to its conclusion, and in most cases, the state has to pay millions more to defend the accused. Those costs are mandatory; the Supreme Court (and the basic rules of human civilization) require that someone facing the ultimate penalty be given every possible avenue of appeal, every chance to make sure that the state isn’t making an irreversible mistake. 


Life without parole is way cheaper — and in most cases, gets you to the same place anyway.

SFBG Radio: Do-it-yourself politics

1

Today Johnny and Tim talk about the rise of DIY politics — from northern Michigan to San Francisco. Check it out after the jump.


 

SFBGRadio8/30/2010 by endorsements2010

Newsom and the mighty duck

5

Remarkable (or sadly, maybe not so remarkable) interview with Gavin Newsom on the Bay Citizen website. Remarkable because the candidate for lt. governor ducked every single significant issue. Not so remarkable, I guess, because it’s just more of what we’ve seen for years.

And because it really did show his political priorities.

His repsonse, for example, to a question about the cost of higher education in California: “You have to stop all these budget cuts. … Stop the draconian budget cuts. It’s counter to fiscal prudency, economic growth and competitive advantage.”

So how do you do that? How do you find the money?

Quack:

“It’s a question of priorities, what do you value. San Francisco … didn’t cut in those areas we value.”

Oh, so we don’t care about services for the poor?

Then there’s Prop. 13. His answer to the complete unfairness of the state’s property tax system? Quack:

“Difficult questions. It requires a debate, and I’m not afraid of saying we should have a debate about this.” Amazing. The almighty duck.

 

 

Endorsement Interviews: Debra Walker

Editors note: The Guardian is interviewing candidates for the fall elections, and to give everyone the broadest possible understanding of the issues and our endorsement process, we’re posting the sound files of all the interviews on the politics blog. Our endorsements will be coming out Oct. 6th.

Debra Walker, a candidate for District 6, has obviously thought a lot about sustainable development — and she isn’t just focused on what building materials are being selected. In addition to planning in ways that would limit traffic congestion and still make sense years from now when the city is grappling with sea-level rise, affordability ranks near the top of her list of priorities.

“Can we agree that we are not building enough below-market housing?” she asked.

A tenant representative on the city’s Building Inspection Commission, Walker is interested in integrating an analysis of the socioeconomic effects of development into the city planning process. “We need to look at our development proposals through a different lens,” she said. “We need to come at planning from the perspective of what we need.”

She’d like to see the city look at the larger picture of what kind of a future is being crafted through its planning decisions. “Land use is the primary issue in District 6 and District 10,” she said. “If we do it wrong, it will exacerbate every problem we have. It’s the future of San Francisco.”

As someone whose primary mode of transportation is a bicycle, Walker looks at MUNI from the perspective of some one who might take transit more often if her busy schedule permitted it. “None of our policies encourage people to ride transit,” she pointed out, adding that she would be interested in exploring ways to boost ridership in order to improve MUNI service, and looking at measures such as a vehicle license fee to create additional funding for transit.

Walker also talked with us about revenue generating measures, why she would support a Bank of San Francisco as a way to prime the pump for our local economy, and how to address issues surrounding local hiring. Listen to the full interview below.

dwalker by tim94107

Street Threads: Look of the Day

0

Today’s Look: Bailey, 23rd and Valencia

Tell us about your look: “These are bleached Vans, and the purse is from Mexico.”

Space is the place: The Sword’s “Warp Riders”

1

Once a metal album has surpassed a certain threshold of ambition, it is obligated to begin with an instrumental intro track. If said album is a concept album, this is doubly important. Warp Riders, the latest album by Austin, TX quartet the Sword, is a concept album in the most deliciously nerdy sense.

Weaving a dense science fiction tale of a distant plant caught in the throes of “tidal locking” (confining one hemisphere to dark and one to light), its songs regale the listener with visions of archers, mystical orbs, time travel, space travel, time/space travel, and beings called Chronomancers. The instrumental intro, “Acheron/Unleashing the Orb,” is therefore exactly as epic as you would suspect, erupting out shuddering guitar effects into hard-charging downbeat thrash.

The Sword have traveled a long way since their debut Age of Winters landed them on tour with Metallica. Warp Riders’ second track (and first single) “Tres Brujas” bears the trappings of this journey, boasting a chunky, arena-ready riff that prepares to bang heads in the nosebleed seats without sacrificing the band’s distinctive sound.

In the hands of producer Matt Bayles, this sound is rounded, warmed and perfected. Full of crystal clarity and meticulous composition, the album represents a milestone of professional accomplishment, if nothing else. Every note seems to fall in it’s proper place; every fill is carefully constructed and performed. Even the palm-muting sounds mysteriously augmented.

Third track “Arrows in the Dark” is a classic Sword singalong, taking advantage of singer J.D. Cronise’s improved vocal power and enunciation. Cronise is responsible for the album’s impenetrable plotting, so any questions about why arrows play such a big role in a sci-fi story should be directed to him (or possibly James Cameron).

“Chronomancer I: Hubris,” which follows, provides the album’s best riff, an anthemic masterpiece that resolves into vocal-powered verse that inches the story along. “Lawless Lands,” immediately after, is more of a sleeper hit, a stylistic departure that allows the band to settle deep into a hypnotic groove, showcasing bassist Bryan Richie.

After a methodical beginning, the tempo revs up for “Astraea’s Dream,” which is sure to please fans of the band’s more adrenaline-soaked early material. The title track that follows is a barn-burner along the lines of “Freya” (the song that got the Sword their big break), delivering big chunks of exposition along with a massive, concept-encapsulating chorus.

If there’s a song on the album destined to get goats, it’s “Night City,” a mid-tempo Thin Lizzy-style butt rocker with a chorus riff that borders on tongue-in-cheek. But when you consider what the lyrics describe — “You’re in a place they call the Night-side/In the shadows where the killers and the pirates hide/Stick around if you think you can survive” — the choice of a bloozy, verse-chorus-verse number to match a hard-drinking, hard-partying spaceport makes much more sense.

“Chronomancer II: Nemesis” opens with thunderous heaviness and finishes with a guitar solo – Kyle Shutt joins Cronise on a hair-raising tapped harmony as they conclude the enigmatic time-sorceror’s story. The table is then set for “(The Night the Sky Cried) Tears of Fire,” a valedictory epic built around the “Immigrant Song” drum pattern, lovingly adapted by drummer Trivett Wingo. Rife with cataclysmic imagery and infectious choruses, the song burns hot before breaking apart, resolving into the same keening guitar that began the album.

Though it represents the band at its most accessible, but also its most self-indulgent, Warp Riders is nothing if not a smashing success. That a band with such ability has the time, skill, inclination, and funding to craft an impeccable stoner rock album about time travel can be viewed in this day and age as a great boon. The Sword have escaped the gravity of their Sabbath homage roots, and dodged the asteroids of their detractors. Only one question remains: where is this rock ‘n’ roll spaceship headed next?

ICE says Secure Communities opt-out is possible

5

On Aug. 10, national civil rights groups released documents on the Department of Homeland Security’s Secure Communities program.

These groups’ findings–based on information gleaned from materials obtained through a Freedom of Information Act request–included the startling statistic that the vast majority (79 percent) of people detained due to S-Comm are non-criminals, up for lower level offenses, such as traffic offenses or petty juvenile mischief. 

U.S. Immigration and Customs Enforcement (ICE) has since responded to claims made at that press conference, saying, among other things, that local jurisdictions can, in fact, opt out of the program–though the process sounds somewhat convoluted.
 

“Widespread confusion persists about how jurisdictions can choose not to participate in [Secure Communities] due to concern about how the program will impact community policing initiatives and public safety,” ICE’s statement notes.

“As part of the Secure Communities activation process, ICE conducts outreach to local jurisdictions, including providing information about the biometric information sharing capability, explaining the benefits of this capability, when they are scheduled for activation, and addressing any concerns they may have,” ICE continued.

“If a jurisdiction does not wish to activate on its scheduled date in the Secure Communities deployment plan, it must formally notify its state identification bureau and ICE in writing (email, letter or facsimile),” ICE concluded. “Upon receipt of that information, ICE will request a meeting with federal partners, the jurisdiction, and the state to discuss any issues and come to a resolution, which may include adjusting the jurisdiction’s activation date in or removing the jurisdiction from the deployment plan.”

Local immigrant rights groups are taking ICE’s statement as a hopeful sign that San Francisco could yet opt out of the program, even though attempts to do so earlier this year–initiated at the request of San Francisco Sheriff Mike Hennessey–fell apart at the state level. But maybe the winds have changed. Stay tuned…

Gunning solo: Slash speaks!

0

For more than 20 years, Saul Hudson — better known to his millions of fans around the world simply as Slash — has exuded the very essence of what it means to be a rock star. His iconic stage image, with the trademark top hat, sunglasses, and low-slung Les Paul, is instantly recognizable, as are his innumerable guitar licks and solos that are now part of the rock n’ roll canon. He plays the Warfield Sun/29.

Having made a name for himself first with the titanic sound and success of Guns N’ Roses in the late 1980s and early 1990s, then capturing lightening in a bottle yet again in Velvet Revolver, the agile axeman released his first solo album in April, recruiting some of biggest names in music to lend their vocal talents to the self-titled effort. Ozzy Osbourne, Lemmy Kilmister, Dave Grohl, Iggy Pop, Ian Astbury, and more fill out of the collection of tracks that feature Slash’s trademark sound and style, yet explore some new territory when it comes to the sonic soundscape that he’s canvassed over the years.

Slash wrote the music, and then sent the track to the performer that he thought best fit the song, asking if they would like to participate. The approach to the record was an almost compete role reversal for the guitar slinger, who has recorded countless guest appearances and performances over the past two decades.

“That was exactly what inspired the record, really — I’ve done so much stuff on other people’s records it finally got to the point where I wanted to do a record where I get everybody,” says Slash, speaking by phone from his home in Los Angeles.

“The music dictated who should sing each song, that’s where the choices came from; the music inspired in my mind who should sing it.”

The process of writing and recording for the album was a collaborative effort, with Slash providing the foundation for the songs, then giving his friends free reign to write their own lyrics and change the arrangements if they wanted to.

“It was really open ended — I had what I considered to be some sort of an arrangement; a riff, a couple parts, maybe a chorus. That was open to interpretation to whoever I was working with — the vocal melodies and the lyrics were totally up to the singer. All these people are obviously great, I didn’t need to tell them what to sing,” he laughs.

“I would send them the demo and if they had some ideas to change anything then I was totally open to it, so in some cases we really dissected the song and rebuilt it from the ground up.”

The first video from the album, “Back From Cali,” was released earlier this month, and Slash’s U.S. tour in support of the new record kicks off at this weekend’s Sunset Strip Music Festival, where he will also be honored for his contributions to the Strip and the music world in general. The city of West Hollywood even declared August 26 to be “Slash Day,” something that the soft-spoken and humble musician has trouble wrapping his brain around.

“It’s a huge honor, but it’s really surreal, you know what I’m saying, I mean, ‘Slash Day’? Come on,” he laughs. “But they called me up and told me that I was going to be the honoree for this year’s festival, and it’s a little overwhelming. Being that I’m at home, I haven’t left the house — there’s a lot of activity going on around Sunset right now.”

The six string shredder will also be inducted into the Hollywood Walk of Fame and receive his own star on Hollywood Boulevard next year, another honor that has left him almost speechless.

“That’s even more surreal, that’s one of those things where you don’t even know what to say. I feel like very much a part of L.A. because I came up here — I wasn’t transplanted here later on, I got here when I was five years old, and I’ve been in this area for that long. Being recognized as being significant enough to be honored a star, that’s a whole different trip, it’s very flattering.”

He pauses before laughing and adding, “I’m wondering if there was some payola involved.”

Slash says that fans can expect to hear a wide range of songs on the upcoming tour, both from the new album, and broad sampling of tunes from across his back catalog, including Guns N’ Roses and Velvet Revolver tracks. His new band, featuring singer Myles Kennedy from Alter Bridge, hits the Warfield this weekend, a place that Slash says holds some good memories for him.

“It’s actually one of my favorite theaters in the country, I remember the first time Guns N’ Roses played the Warfield, it was just one of those amazing magic nights. I don’t think I’ve ever had a bad gig at the Warfield. It’s just one of those iconic old theaters, always a hell of a good time.”

Slash

Sun/29, 8 p.m., $29.50-$40.
Warfield
982 Market, SF
www.thewarfieldtheatre.com

 

SFBG Radio: Glenn Beck goes to Washington

8

Today Johnny and Tim talk about Glenn Beck’s march on Washington — and why all those people who rail about the inappropriateness of an Islamic cultural center in New York see nothing wrong with Beck dishonoring the memory of Martin Luther King Jr. Listen after the jump.


 

sfbgradio8272010 by endorsements2010