SFBG Blogs

The Treasure Island nightmare

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There are times when people like me, who think development should be driven by public needs, not private profit, are in something of a bind. I don’t like the Lennar plan for Bayview Hunters Point — but I agree that doing nothing isn’t a very good alternative. Sometimes, the “no-project” alternative isn’t an alternative at all — which gives the developers a huge hand up in negotiations with the city. Gee, you want affordable housing? We can give you 15 percent — or we can walk away and you’ll get nothing.


But when it comes to Treasure Island, I think we’re in a different situation. The proposed development is so out of whack, so looney, that it makes no sense to me — and the alternative of doing nothing, at least for now, isn’t so bad at all.


The plan calls for 19,000 new residents on the 403-acre artificial island in the Bay. At most, 25 percent of the units would be below-market. Which means some 13,700 rich people, virtually all of them with jobs in San Francisco, the Peninsula or the East Bay, would be plunked into a place with no viable transportation alternatives.


I wonder if any of these planners have ever tried to leave TI by car; it’s a nightmare. And there’s no way to fix it: Even if they build a new acceleration ramp (the current stop-and-go into 60-mile-an-hour traffic is a death trap), the Bay Bridge is already at full capacity during a very long rush hour in the morning and evening. And does anybody really think those 13,700 people will all take the ferry to work every day?


Impossible: There’s no way to provide enough ferry service for that population at anything resemble the cost the developers are willing to pay. How about all the Google and Yahoo and Genentech employees (and that’s a big part of the population buying new high-end condos in San Francisco)? You think they’re all going to take a ferry to downtown SF then hop on a bus or train then take another bus to the office? Not these folks. A lot of them will want to drive.


And the bridge, which is already backed up, will back up further, driving more traffic onto the streets of SOMA and creating a slowdown all the way back to Berkeley.


Meanwhile, the island is sinking, and water levels are rising. Forget the fancy engineering plans to sink stone columns deep into the clay under the Bay; what happens when the water rises? Are we going to surround the entire place with seawalls?


And here’s the bottom line: The current situation isn’t all that awful. There’s a small amount of housing out there, some of it affordable. There’s lots of open space. A little effort and the playing fields and parkland could be upgraded and TI could, for the intermediate term, be a day-use area for the city. Not a terrible alternative.


At some point, either the island’s going to sink back into the Bay or it’s going to have to be completely redeveloped. But right now, with no public money available, we’re at the whims of private developers. And what they’re offering doesn’t even remotely meed the city’s needs — and will create a catastrophic transportation problem.


So the supervisors are in a great position to negotiate. We want 50 percent affordable housing, we want the developer to pay for substantially increased bus and ferry service (or maybe we want to add a rail line to the Bay Bridge). And if that’s not something the developers want to do, fine: we’ll wait. Nothing wrong with that.


 


 

SFBG Radio: US bond ratings and federalism

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What does it mean that the bond rating agencies are considering downgrading U.S. government debt? Is another financial crisis on the way — and is there a progressive vision of returning some federal powers to the states? Johnny Angel and Johnny Venom discuss after the break.

sfbgradio4192011 by endorsements2010

4/20 fantasy: Ziggy’s new comic book

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Attention, WonderCon, Ziggy is missing. Repeat, we are missing Ziggy Marley. But only for a second – turns out the “Love is My Religion” star had only wandered away from the Image Comics booth into the dizzying panorama of the comics convention for a moment to snag his son some of the new Green Lantern toys. “He’s into it,” he tells me, smiling as his fixers and Image staff scramble to set up the seats for our interview.

But to be clear about what exactly we’re doing here: Ziggy Marley is releasing a comic book on 4/20. It’s called Marijuana Man, obviously. 

It’s about a hero (a white guy!) named Sedona, a being from the planet Yelram – like, read it backwards — on Exodus, where the for-real (a.k.a., the weed smoking, freedom-fighting, down) Earthlings are trying their best to defeat the evil, environment-ruining, pill-pushing Pharma-Con. Sample Pharma-Con line: “I want to get this over with so we can get back to the business of selling people chemicals they don’t need.” Hiss.

The book really is gorgeous, illustrated by Jim Mahfood of 40 Oz. Comics, who pretty much has the sexy street art graphic novel on lock. I mean, the guy illustrated Colt 45’s label, for chrissakes.

“There’s quality in the textures,” Marley tells me (still smiling, he’s always smiling because love is his religion). “It’s a collector’s edition.” Some characters’ speak with a smoker’s patois, a lushly-proportioned-yet-badass guerilla named MJ – like, think about it – bonds with Sedona in a ecstatic, abstract sex session also patronized by the Lion of Judah and the crashing wave from Katsushika Hokusai’s 36 Views of Mt. Fuji series. And there’s whizzing, crashing battles between Sedona and a Pharma-Con mercenary on a motorcycle that leaps and murders. 

The Marijuana Man gang

But. Ziggy Marley, you have never once made a comic book before. I had doubts, doubts as to whether this book, with its “Ziggy Marley’s” inscribed over its title, was indeed the work of the genial reggae star in front of me. I put it to him: Ziggy, was Marijuana Man really your idea?

He says: yes. Ziggy uses the royal “we,” which is fine because Bob Marley is his dad.

“We had the idea to create a superhero who gets his powers from a plant.” It seems that royal Ziggy, or team Ziggy (this last probably includes Snoopy, his genial bodyguard who takes photos of Ziggy bonding with childrens in Brazil and later bemoaned to me the fact that Shakira got a helicopter to airlift her to a concert in Argentina that the two headlined, while team Love = My Religion had to proceed on a congested road, which I agree isn’t right) were ready for a superhero that got righteous not through the ingestion of toxic chemicals, or prosthetics, or capitalism, but rather natural medicine. 

So Marley had the original idea for the comic, but then chose a crack team of comic professionals to make it come to fruition. “Jim and Joe [Casey, another big deal-guy who wrote the book] would do their thing, and every once in awhile I’d say ‘what about this.’” 

Basically, there’s a cause involved here, and not least because Marley plans to make Marijuana Man‘s 4/20 release an annual occurrence. “Sedona’s a metaphor for the plant itself. We believe the plant is special, if used properly,” he says, admitting that Marijuana Man carries an additional message. To wit: “to get rid of the stigma and the demonization of the plant.”

“I have a vivid imagination,” he smiiiiles. There is nothing more that I want to do with my day past hang out with this happy, sun-shiney man and his comic book dreams, so I start asking him what comic books he likes.

He likes Jonah Hex, “the weirdest Western hero” who was born to a prostitute mother and a father who sells him to the Apaches, whose respect he earns and then loses at the hands of a jealous chief’s son, who messes up his face with a hot tomahawk. Hex becomes a bounty hunter anti-hero. At some point, Hex is catapulted into 2050. When he dies (card game) his body is stolen, stuffed, and unfairly displayed by a touring circus. I think he is later resurrected, and takes to fighting for and against crime again with the Black Lantern Corps. 

“Jonah Hex, he’s a bad good guy, he’s a good bad guy,” Ziggy says. I wish I could walk around WonderCon all weekend with Ziggy Marley and talk about this, but his next interview is already waiting for him and then he has a big stack of Marijuana Man posters to sign for fans. 

“The thing about comic books, it’s a deep thing. They’re not frivolous, they have meaning,” he tells me. “Music fans who love our philosophies and ideas, I think they can relate to that. They’re art. They’re not just about drawing people, hands, and feet.” 

That man, I swear, love him. To celebrate your holiday with Marijuana Man, here’s a website that’ll point you to the nearest comic book store. 

Extra! Nevius finds a bad landlord!

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Our old buddy C.W. Nevius actually found a landlord he doesn’t like — a guy named Peter Iskander who is trying to toss some seniors and disabled people out on the streets. In a classic bleeding-heart column April 17, he lamented the pending evictions, which would pave the way for the landlord to turn some rental units into tenancies in common:


Imagine the sight of Carlo Tarrone, who is in his 70s and uses a walker, and Sandy Bishop, who is 70 and has lung cancer, forced out of their homes.


Imagine it, Chuck. It happens all the time. It’s been happening for years in this city (and elsewhere), in large part because of the Ellis Act, a truly abominable law that paves the way for landlords to evict tenants and then sell the units for fast cash. Nevius seems to understand that the Ellis Act is behind this particular horror story — but instead of suggesting that the law ought to be changed, he ends his column by suggesting that San Francisco ought to make these sorts of evictions more profitable:


Maybe it is time to start looking at ways to get middle-class buyers into San Francisco real estate. Mayor Ed Lee is looking at a one-time “condo bypass,” an idea floated by Mayor Gavin Newsom in 2010, where tenancies in common residents could pay a large fee to be allowed to convert to a condo. No one would be evicted, and the cash-strapped city could gain millions in fees.


Another plan is “fractional” mortgages for tenants in common. Rather than the old model where everyone in the building is part of a large single mortgage, each unit would have its own mortgage, making it sort of a pseudo-condo.


Actually, Chuck,  both of those plans will make condos and TICs more attractive. That means more evictions of old people — and poor people, and middle-class people who want to live in the city and are getting forced out by somewhat richer middle class people. It’s an awful situation, and what Nevius calls for would just make it worse.


When there’s enough publicity, sometimes bad landlords back off, and I’m sure Nevius will celebrate if that happens as the result of his column. I’ll be happy, too; every inappropriate eviction averted is another small victory. But most tenants don’t get daily newspaper columns written about tham, and you can’t fight this battle one case at a time. You need structural reforms, and repealing the Ellis Act is step one.  




Cherry Blossom Festival in Japantown, 4/17/11

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Every which way you turned, there was someone else you wanted to get your picture taken with, from the big wooly Totoro to people decked out in over-the-top anime costumes. The annual Cherry Blossom Festival in Japantown was in full bloom this weekend, April 16-17, and everyone in town seemed to be there. The streets were packed with yummy eats, colorful clothing, and of course, lots of stands dedicated to raising money for Japan and their rescue relief efforts.

On Sunday, the morning started with the Grand Parade, which went from Civic Center to the heart of Japantown. For me, there was one main attraction: the anime costume contest. I’ll confess, I don’t know much about anime or what characters the contestant’s threads were representing. But I do know that they were all super-creative and I loved how much attitude everyone on stage had. In my mind, pyramid head, with his jumbo-sized bloody sword and yarn-ball-head sidekick, definitely should have won. They rocked.

 

SFBG Radio: Why is Donald Trump leading the polls?

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what does it mean when Donald Trump leads all of the Republican candidates in the newest polls? Johnny and Tim discuss after the jump.

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Unions didn’t cause the financial crisis

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It’s been said before and will be said again, but still worth noting: The bipartisan U.S. Senate report on the financial meltdown concludes that, as Calitics notes:


Our financial crisis and resulting recession occurred as a result of risky, unethical and likely criminal behavior by reckless Wall Street institutions and the regulators that failed to stop them.  


In other words, the worst of the recession — and the plummeting economy, and sharp loss of revenue to states, cities and counties, which precipitated several rounds of bloody budget cuts — wasn’t caused by labor contracts, or pensions, or local government waste and bloat.


I’m not saying that pension reform shouldn’t be part of the solution, but let’s all keep this in mind. I don’t see anywhere near the same push for financial-sector reform and givebacks as there is for union givebacks. And they ought to be at least in the same discussion.

American Idol: Bye, Paul

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I finally got one right, and so did America.


Well, I almost got it right — I predicted that Paul, Stefano and Lauren would be in the bottom three, and it turned out to be Paul, Stefano and Haley, but whatever — after last week’s fisaco with Pia, I’m just glad that the 53 million votes went in the right direction.


No offense, Paul, but the rest of the group (except maybe Stefano) is in a different class. And you notice that the judges didn’t cry or express any shock; they all knew this was coming.


And it’s true that the guys this time are overall better than the women, but since the voting started, the loser every week has been female. 


Nice to see Kelly Clarkson back. Rihanna did that thing with the dancers on the floor and the smoke, which has been done so many times it’s become trite, and her new song isn’t anything special. (Not like “What’s My Name,” which at least has the classic lyrics “The square root of 68 is 8 somethin’, right?”).


Next week: Stefano goes home. If only because Haley and Lauren are getting a pass while the gender balance stays out of whack.


 

Calvin Trillin, Deadline Poet

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Donald Trump Demands That Obama Show His Birth Certificate

By Calvin Trillin

All White House hopefuls we forewarn:

You’ll have to prove that you were born.

Before Trump hits the state of granite,

He’ll have to tell us all the planet

Upon which he was born and reared —

Where loudmouths reign and hair is weird.

Live Shots: PJ Harvey at the Warfield, 4/14/11

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PJ Harvey has taken the Warfield stage at numerous points and in many forms during her career over the past two decades – never predictable, always engaging. Her performance on Thursday night, a pre-Coachella warm-up gig, was the sort of wonderfully unexpected showing you’d come to expect from Polly Jean.

Dressed in a white robe and black-feathered Valkyrie-esque headdress, Harvey spent much of the night cradling her autoharp, looking like a dreamscape figment from one Neil Gaiman’s Sandman novels. It was appropriate attire for the set of music she delivered – both ethereal and sublime.

With the backing of her deft three piece band (featuring longtime collaborator John Parish) Harvey delved deeply into the new material from her latest album, Let England Shake. By her standards, it’s a quiet body of work (resonating with the atmosphere of 1998’s Is This Desire), reflecting on our modern era of warfare and human strife. The material is excellent, and Harvey delivers it with an affected certainty, as if the entire setlist was handed down to her on divine authority. This then, made for a night that was far less rock concert and more of an artistic exploration of sorts. With most artists, that may have made it tedious, but with Harvey it was spellbinding.

She delivered some big favorites, of course, including “Down by the Water,” “Big Exit,” and “The Sky Lit Up,” though she fit them into the evocative mood she had been developing all evening. The crowd didn’t seem to mind in the least, spending many of the down moments in between songs broadcasting their love and gratitude to Harvey and her music.

Never content to just tow the line of what has worked in the past, Polly’s past three albums (most notably the hallucinatory piano balladry of White Chalk) have been mature and outside-the-box efforts unlikely to win huge commercial appeal. But like this unique performance at the Warfield, it stands as evidence that the 50 Foot Queenie is poised to age gracefully.

 

Live Shots: Fact/SF at The Garage, 4/14/11

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I remember when I was a little girl, I used to live down at my Grandma Kay’s house in Belmont. She had a big living room, with floor to ceiling windows that looked out over the bay. I used to dance around on the wooden floors in my socks to her Peggy Lee and Patsy Cline cassettes, which I played over and over again. It was a strange time. Grandma Kay was sick with cancer and I was too young to totally understand what was going on.

Last night I went to watch FACT/SF at the Garage. The first piece was two people, sitting in metal folding chairs, a lit cigarette filling the room with sweet smoke. There was not an inch of movement, just the sound of Peggy Lee singing “Is That All There Is.” It was melancholy and brought me right back to that living room in Belmont, and I wondered how many other people in the audience had some strange connection to that song.

This is my third time seeing FACT/SF and every time I see them it’s emotional. Yes, there are perfect pirouettes and elegant extensions, but then there’s always something deep, slightly dark and always thought-provoking. 

There’s a little bit of theater, at least a few wonderfully wacky costumes, and of course, there are the eyeballs. Choreographer Charles Slender has a serious thing about eyeballs and their ability to transform his dancers into more than just moving bodies. Whether the dancers are staring straight into your own eyes, or directly up at the ceiling, there’s an intensity about those eyeballs that brings so much to the performance.

The show, which has one more run tonight, is a collection of new and old works, including an excerpt from the evocative “The Consumption Series,” with it’s fluffy red tutus and bright orange tangerines. I know you haven’t made any plans for tonight, so now you’ve got some. Now then: let’s keep dancing. Let’s break out the booze and have a ball …

 

Welcome to the neighborhood, museum mural

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Ellen and Lance Anderson are visiting their son in the Sunset, all the way from upstate New York. They’d read about the mural they’re now standing in front of in the newspaper that morning, and decided to make a trip out to the Mission to check it out. “And maybe get something to eat,” Lance told me, looking around at the vendors setting up around us and the mural for the Mission Community Market‘s first day of 2011. 

No snacks being forthcoming, the Andersons settled on peppering artist Ben Wood with questions about the seven years of work that had culminated on the wall in question. Was he really the one who had photographed the 1700s mural on an interior wall of the Mission Dolores, a mural hidden for centuries by the main reredos?

He was, he told them. Wood must be used to answering such questions – his project to transcribe a historic mural has gotten tons of press. But here I zone out and regard the mural itself. I’ve heard its back story

It is something to see the mural there’s been so much buzz about in paint-and-plaster person, and mainly because it’s not what I was expecting. For one, it’s not very pretty, strictly speaking. 

Being familiar with Wood’s work, I probably could have anticipated its realness. He’s not in the business of creating ornamental works, that one. Most of Woods’ projects to date have involved digging up historical events and subjecting them to the public imagination. In the past, that’s meant projecting images of Ohlone Indians on the Coit Tower on the Fourth of July and making a short film that animates the Diego Rivera mural that was removed from the Rockefeller Center with videos of people telling its story.

So here’s the Mission Dolores mural, an exact translation of a piece of what you’d see if you had dropped into that foot and a half crawl space between the altar and the wall on the day that Wood and historian-archaeologist Eric Blind photographed it in 2004. There are meticulously rendered dents, areas where the paint was torn off by less-than-meticulous workers, cracks in the wall, all faithfully recorded by Clarion Alley artists Jet Martinez, Bunnie Reiss, and Ezra Eismont. 

Between the blemishes and the colorful geometric pattern taken from a different part of the church that frames the mural, it’s certainly an artistic statement. But what I find interesting about the piece is that it uses the form of street mural to communicate history and open up years gone by to neighbohood discussion.

Passer-bys and Mission Community Market-goers can interprete for themselves just how much of the Ohlones’ own faith was put into the work, how much Christianity had already penetrated their lives. Maybe it can be a hint to what life was like back then, at the dawning of the Mission District.

At the mural’s official unveiling ceremony and market kick-off, Supervisor David Campos addressed the crowd that had formed as the farmers and vendors finished pyramiding their mandarins, angling their mini-pies, and smoothing their Mission bus line t-shirts for optimal visual appeal. “The Mission is thriving because of the organizing that happens here,” he said.  

Campos passes the mic to Wood, who wonders out loud how much of the journey to the wall behind him he has time to share (not a lot). Blind gets the mic next, and comments on how great it was to work with Woods, sharing his archaeologist’s pleasure at seeing his findings erected in a busy neighborhood farmers market.

“So often we find things like this that are hundreds of years old and it’s so hard to figure out how to share them with large groups of people.”

Martinez talks about the piece’s future on this block as his little boy Lazlo runs circles around him. “We’re not trying to combat graffiti, we’re trying to share the space.” 

The owner of the Mission Market building was surely attracted to the mural project as a way of preventing the tags that still cover the non-muraled side of his property’s wall (for which there is plans for another Martinez mural). One hopes for the best for the Ohlone mural, but even with the explicatory paragraph that Martinez lettered over the door of the indoor marketplace on which it’s painted, the unassuming nature of the piece seems a ripe target for taggers. 

Lazlo cuts the ribbon hastily strung up across the wall and bam: the Mission has a new mural. I hope it treats it well, but either way, welcome to the neighborhood. 

 

Lemi Ponifasio’s Tempest: Without a Body has a soul

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Watching Lemi Panafasio/MAU’s Tempest: Without a Body on Thurs/7 amplified the grave feeling I often possess when I read the newspaper. The sense of deep empathy and sadness in an effort to understand the unsettling and horrific events in the world permeated the experience. Tempest delivered a heavy reminder of the ugly oppression and destruction of which humans are capable. The visceral result of the performance lingered after the curtain descended, as many of my generally chatty acquaintances remained quiet and introspective in the lobby. The post-show vibe highlighted the transformative power of this very big work composed of rich imagistic theater and ritual dance from the Pacific. The company, MAU, employs indigenous artists to perform outside of the original context of their art form, and the form strongly translates in the context of Tempest.

The dark nature of the work was, thankfully, not elicited by shock factor. A spaciousness allowed for images to shift and resonate, from the pure energy of a man acting in resistance with a quivering hand and ejected tongue, to the creaturely walking of another on all fours, with fisted hands and jutting hips. A silvery naked figure, supine and slithering, offered a luminous embodiment of human breath and life, juxtaposed with a dusty, bloody fallen angel with crooked wings and a blood-curling scream. Throughout the evening, a rumbling stasis reinforced the sense of doom. The images of chaos and toil, absent of overt literality, accumulated and stirred.

Excerpt from Tempest: Without a Body:

http://www.youtube.com/watch?v=WfLqv85uCww

Despite the bleak environment, the performers embodied resilience during certain scenes. Charles Koroneho, with his expressive tattooed face, delivered in the Maori tongue a powerful passage called “The Establishment of Life Principle.” He was dwarfed by a large projection of a man’s face, thus appearing to stand up to a grand opposing force. During his oration he experienced each word with his entire body, stamping feet and thrusting limps, completely consumed and incensed to emphasize his message. Within the doomed landscape, he revealed a striving and a voice. Later, a handful of robed men also brought forth a thread of hope, as they executed precise gestural movements and shuffled through a cloud of dust singing a harmonic song, which intensely cut through the dark rumbling.

True to the company’s mission, the work emerges as activist art. In blending politics and performance, Tempest calls on us to do better, to reconnect with that which is nourishing, to take better care of ourselves, each other, our world. Even in an adverse environment, Lemi Ponifasio’s performers boldly demonstrate the pursuit and challenge of humanity in the chaos. Tempest is, indeed, completely unsettling, which fuels its potency and power to transform. This moving work of art shakes us around and asks us to consider our action given the uncomfortable and ugly truths of our time. 

Playing in a Domina’s toy box: Mistress Minax shares her favorites

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Cat whiskers and raindrops are horribly dull items to top a list of favorite things — Maria was obviously not the right person to ask. Professional and lifestyle domina, Mistress Minax, has the real list and a collection of preferred leather, rubber and steel toys that will make more than just the hills feel alive.

Eve “Mistress” Minax knows what’s good; 12 years of experience as a dom, BDSM educator, consultant, performer and trainer has fine-tuned her ability to pick out sexy props for work and after-hours fun. Her play spaces, the Minax Mini-Mansion and Dungeonette, are neatly lined with items simultaneously inviting and intimidating; shelves of curious gadgets packed with possibilities.

“I like layering,” she says in regards to her diverse set-up. “I’m not just going to use electricity on you for three hours or beat you for three hours. I mean, I can, but I’d rather work through a series of play.”

Minax considers electricity, bondage and sensory deprivation to be her specialties, but a session is all about the individual’s desire.

“I want you to reach sensory overload. Not to the point where you scream, ‘get me out’, but I want to keep the body so alive that there becomes a vibrant awareness of every little thing. You come to a zen state of mind.”

When Minax first started working she had a minimal set-up: leather corset, sexy pair of boots, crop, whip, some rope, nipple clamps. and a play space.

“And now I’m pretty well equipped,” she smirks about the obvious understatement. “It’s a combination of curiosity, necessity, and desire.”

But who are the shining stars in her current toy box? Minax paces around her dungeon and then her bedroom, enthusiastically pointing out canes and slings, boot collections and cages; pleasure obviously comes in many forms. Choosing is hard, but if she had to make a list, or only take a handful of items onto a deserted, kinky island, these are her picks.

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ET-312

“The machine that has made me a very happy woman.” The electric current can tingle or torture depending on desired intensity. She’s got three versions, including one with remote, so it can discretely buzz in public.

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Sleep sack 

 It completely immobilizes, freeing the person and allowing them intense and interesting play. “With bondage comes surrender.”

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Suspended cage 

 Great paired with bondage belt, mitts, hood and ankle restraints. The crank that lifts the cage from the ground makes a perfect sinister-sound, very complimentary for those wishing to role-play “a scary lady hoisting me up in a cage” scenario. 

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Martin’s Cuffs

 “Fetishisically quite beautiful.”

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Multipurpose cage

 Doubles as a bondage table. StirRups to come.

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The medical room

 Dr. Eve really likes catheters and urethra dilation.  

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Canes 

 Minax previously injured her wrist from all the whipping action but she’s healed and ready for some Corporal. 

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Hoods 

Her favorite hood has a zipper down the front, providing optional eye and mouth holes. Very versatile. Ideal for novices and flexible experimentation.

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Pumping set

 Can be used on any and all body types for A to B transformation. Enlarge a clit, breasts, balls, ect. “It’s quite primal. Like Bonobos, flashing their huge genitalia at one another. It’s very exciting.”

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Betty Dodson’s vaginal barbellHitachi Magic Wand and Njoy 11 

Great for all types of holes. A classic. And two full pounds of fun.

 

Still interested in kettles and brown-paper packages tied up with strings? Or are these bound to be a few of your new favorite things?

 

Anti nuclear movement gears up

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  The ongoing battle to stop Pacific Gas and Electric Co. from renewing its license to operate the Diablo Canyon nuclear plant continued April 14th as part of a nationwide antinuclear campaign. In the wake of the disaster at Japan’s Fukushima nuclear facility, activists around the country are calling on the California Public Utilities Commission and the U.S. Nuclear Regulatory Commission to cease issuing license renewals.

A demonstration of about four dozen lively activists on the steps of the CPUC office across from City Hall followed a public hearing at which more than 30 speakers expressed concern about the presence of nukes in California.   “This is basically an introduction event,” Jason Ahmadi, an Oakland resident and member of the April Action Committee, the group that organized the protest, told the Guardian. “We came out today to make the statement to shut down nuclear facilities.”  

“The PUC acts as an interface between the industry and residents,” Jan Lundberg, oil analyst and founder of the nonprofit Culture Change, said. “The system is out of control. We are trying to keep the truth about nuclear power out there.”   The truth, Lundberg, who spoke in front of the CPUC, includes the irresponsibility of plants creating radioactive waste that will be toxic for thousands of years — and the risk factors associated with generating nuclear power and maintaining nuclear facilities.  

“I do not approve of nuclear power,” he said. “It’s my planet too. There is a vast overabundance of energy in California. We need to conserve. We need to share.”  

Activists also presented arguments in favor of phasing out nuclear power in California at the Senate Energy Committee in Sacramento today.  

On another anti-nuclear front, close to 45 organizations filed a petition challenging the way the NRC conducts business. NRC officials are required to respond to the petition, according to Jane Swanson, spokesperson for the San Luis Obispo-based Mothers For Peace spokesperson. The petition calls for the suspension of six existing reactor license renewal decisions, including Diablo Canyon as well as permit decisions for 21 proposed nuclear reactor projects in 15 states, according to a Physicians for Social Responsibility news release.  

Swanson told us she thinks it’s possible that the NRC will suspend nuclear licenses. “I don’t think this many groups would be working so hard these last few days without a strong possibility of it happening,” Swanson said   

“There is precedent. Lessons have been learned,” she said. The historical precedent Swanson mentioned was a review of all U.S. nuclear facilities after the Three Mile Island accident in 1979, a review that triggered the NRC to suspend all licensing decisions of nukes at that time.  

Currently, Mothers for Peace is suing the NRC and PG&E to require seismic studies of earthquake faults around the plant that have only been recently discovered before PG&E’s license is renewed.   PG&E requested in a letter to the NRC on April 10 that the commission delay the final processing of the application to renew its license, which would keep DCPP operating until 2045, until 3-D seismic studies— studies the CPUC approved funding for in August of last year— were completed.   In response to the company’s attempt to assuage the public’s concern over Diablo Canyon’s long-term safety Swanson said, “PG&E is not really interested in working with anyone, they only care about profits.”  

Mothers for Peace will hold a rally in opposition of license renewal on April 16, in Avila Beach adjacent to the DCPP in San Luis Obispo.

Hey Nikki! Sixx heads to SF to sign his new book, “This Is Gonna Hurt”

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Known not only for his fiery stage presence and key songwriting contributions as bassist for Mötley Crüe, Nikki Sixx gained a notorious reputation for his off-stage antics as well, particularly his legendary appetite for drugs and debauchery. Sober now for several years, Sixx detailed many of these early escapades and horrors in his 2007 book The Heroin Diaries.

He returns — just in time before a major summer tour featuring Mötley Crüe, Poison, and the New York Dolls, which hits San Francisco June 15 — with the follow up, This Is Gonna Hurt: Music, Photography and Life Through The Distorted Lens of Nikki Sixx (William Morrow), a look at his post-addiction life that finds him a successful author, radio host, and of course, still rocking the stage as a member of the Crüe and Sixx: A.M.

The new book, which Sixx signs tonight (Thurs/14) at Book Passage in the Ferry Building, is a strikingly designed collection of attention grabbing and thought-provoking photos and essays, a body of work that covers a wide variety of subjects. When he came up with his first draft of the project, Sixx says that it wound up being 500 pages long — his passions for the book and subjects inspiring a flurry of writing that he eventually streamlined into the 200 page tome that was released earlier this week.

“I had this body of work from the last ten years as a photographer, and once I started talking about photography, it was really like peeling an onion; I started looking at a lot of social issues, a lot of issues of my own, where I came from, where I’m at and where I’m going,” says Sixx.

“It took a lot of trimming down and finding that thread — when I write I kind of just do this stream of consciousness writing, I’m really influenced by Beat Generation writers. I can really get lost in words, and sometimes that’s hard for a reader to follow, so it really took an editor to help me figure out the best way to deliver the message.”

That main message, which Sixx touches on throughout the book, is that he hopes to show people a different way of looking at life, that where mainstream society sees freaks and deformities, he sees through to the inner beauty.

Some of the images he captured while travelling the world on tour with Mötley Crüe; there are pictures of the band included, but the collection mainly focuses on his adventures offstage: exploring brothels in Germany, drug-infested alleys in Vancouver, gothic churches in St. Petersburg, Russia. Several images featured in the book were shot in his private photography studio, with models running the gamut from women who could be called obese to men with a variety of birth defects to a double amputee.

“For me, it’s all about seeing something and going for it, I wanted to push myself to the next level as a photographer,” says Sixx, who says that after working with the models, he often felt that they were the type of person that he — and others — should aspire to be.

In one passage of the book, he relates a story of visiting San Francisco a few years ago; while walking down by the waterfront and piers, he was approached by a large, African American homeless man, who said, “Hey Tattoo Man…you have any money?”

Sixx replied, “I’ll do you a favor if you do me one…don’t judge me by the color of my skin, ok?”

The man apologized, Sixx smiled and told him “It’s ok, happens all the time.”

The man’s response: “Yeah, me too.”

“That fit with what the overall message of This Is Gonna Hurt is all about, it really is in a nutshell what we do to each other as people, and this man who has been judged is whole life is judging another man. And I’m guilty of it too, it’s something I have to work on,” says Sixx.

With several book signings in the near future, the release of the book’s companion CD from Sixx: A.M., the summer Mötley Crüe tour, his radio show and new clothing line, Sixx certainly has his plate full; he admits to being a workaholic in the book, but it clearly brings him satisfaction and inspiration.

“I’m just so excited to get out there and see what kind of reaction that it raises in people,” says Sixx, who hopes that the book will inspire his fans to do something creative and fulfilling in their own lives. “Music will always be there, along with other creative outlets, whether its clothing design, or photography, or writing. For me, creativity is something anybody can do at any age — not have, do. Some people say, ‘Well I’m not a creative person’ — that’s not true. If you want to be creative you can be, you can pick up a guitar or a pen or whatever, and it’s sort of like being a magician — you just make stuff appear, it can come out of thin air. It’s amazing.”

Thurs/14
6 p.m., purchase of book ($29.99) is required for admission.
Book Passage
1 Ferry Building, SF
(415) 835-1020
www.bookpassage.com

Dick Meister: Rebuilding the American Middle Class

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Dick Meister, formerly labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor, politics and other matters for a half-century.

Of all the many comments, pro and con, that have been made about the widespread attempts to weaken American unions, none have been clearer or more on the mark than the words of President Bob King of the United Auto Workers Union.

King, of course, is on the union side of the argument. But as King made very clear, that’s the side to be on if you believe working people should have full collective bargaining rights and the decent wages, hours and working conditions that result from fair bargaining.

King’s comments came in an exceptional column in the latest issue of Solidarity, the UAW’s official magazine.  The column is titled, simply, “Do Justice.”

To Bob King, “doing justice does not mean trying to reduce the wages, benefits and standard of living of all workers in America,” as far too many Republican politicians at all levels of government are trying to accomplish, with their main target – for now  – public employees.

“Doing justice to me,” said King, “means that everyone has an equal opportunity, and if they make the individual decision to work hard and live by the rules, then they will be able to live a middle-class standard of living and retire with dignity and maintain their middle-class standard of living.”

I know, and you know, that can’t happen if working people are denied the essential right to unionization – the essential right to a strong bargaining voice in determining their pay and benefits through their unions. That’s obvious, for unionization is the main reason for the rise of an American middle class,  beginning with the granting of union rights to most workers by federal law in the 1930s.

But as Bob King warned, those rights and the middle class they established are under serious attack by anti-union politicians and others who “preach the vision of scarcity, the vision of division and the vision of fear.”

Ours is a country gifted with great abundance, with plenty to give each of us a fair share. But union opponents preaching “the vision of scarcity” deny that. They act as if there’s not enough in this, the world’s richest country, to give a fair share to all.

Yet there is enough to go around, as we should know, and unions are the primary vehicles for guaranteeing that working people get their fair share of our abundance.

Which is why greedy corporate interests and other anti-labor forces that want a larger share at the expense of others argue selfishly against unions and, indeed, against the very concept of collective bargaining.

Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for a half-century. Contact him through his website, www.dickmeister.com, which includes more than 250 of his columns.

American Idol: Where’s Simon when we need him?

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Well, we don’t get far into the show before Ryan Seacrest reminds us all that Jennifer Lopez has just been named the Most Beautiful Woman in the World. Go, J-Lo. Tonight, however, she looks rather odd in a dress that included a big pink fluffy thing in her lap, as if she’d just given birth to a sea anenome.


The theme is “songs of the cinema,” which the contenders seem to take as “any song that’s evr been used in any movie anywhere,” which leaves a lot of room. Paul opens with Bob Seger’s “Old Time Rock ‘n’ Roll,” and it’s awful, a perfomance that should mark the end of his tenure on the show. Except that Lauren tries to sing that bad syrupy song from the Hannah Montana movie and can’t even hit all the notes. The Big Cringe. Two down.


Here’s the problem (and the reason I miss Simon Cowell, despite all the annoyance he brought): The three judges were all sunshine and roses, talking about how great those two performances were. Embarassing. Simon would never have tolerated this level of weak and worthless junk.


Then along comes Stefano, who has to be shaken up about what happened last week, but he’s a step up from the other two. Scotty’s next, and, as usual, far outclasses the rest of the field.


Casey. Whoa. He turns down a Phil Collins tune and does Nat King Cole. Really fine performance, something totally different — but I fear it’s way too weird for America. We shall see.


Haley: Blondie, “Call me.” She’s got the same problem as when she tried to sing Janis Joplin; she smiles too much. You need attitude for this shit, and she doesn’t have it.


Jacob, after a bit of flailing around, decides on “Bridge Over Troubled Waters,” and it’s a knockout. Not my favorite Paul Simon song, but perfect for Jacob, who I still don’t like as much as my kids do.


And then James, the show closer, the show stopper. He takes a risk, too, and does … Metal. Real Metal, the theme song from the “Heavy Metal” movie, complete with Zakk Wylde on guitar. Give metal a chance, he says — and it’s the peformance of the night, an Idol moment, and it better not cost him in the votes.


If there’s an Idol God, then Paul, Lauren and Stefano are the bottom three and Paul is going home. I voted.


 

Mayor derails hearing on nightclub crackdown

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Will entering a large nightclub in San Francisco be akin to a TSA pat down? We won’t know for a while, as the proposal for heightened security measures by San Francisco Police has caught the interest of Mayor Ed Lee and further discussion has been stalled pending his analysis.

A hearing last night (Tues/12) at the Entertainment Commission proved to be a disappointment for the dozens of people who attended in hopes of getting closure on the hotly contested proposal, which has drawn criticism for its infringement on freedom and privacy and burdensome cost to club owners, as well as being the latest battle in San Francisco’s War on Fun.

“We need to protect our events,” said Liam Shy of the organization Save the Rave, a coalition of people dedicated to keeping electronic dance parties alive. “They are in a state of crisis right now, and this would make it much worse.”

Shy and fellow Save the Rave member Matt Kaftor saw the mayor’s interest in the issue was a good indication that community dissent has been heard.

“I would be truly shocked if this passed,” said Kaftor. “If it does, we will be protesting constantly.”

The proposal would require all venues with an occupancy of 100 or more people to record the faces of all patrons and employees and scan their IDs for storage in a database, which would be available to law enforcement on request for at least two weeks. Metal detectors, security cameras and brighter lights in the venues would also be required. The proposal was created in response to recent violence in and around nightclubs, most notably the shooting outside Suede in Fisherman’s Wharf last year that resulted in the closing of the club.

However, critics say this is an overreaction that unfairly targets events as sources of violence.

“What I keep getting from measures like this is that police work is hard,” said SF resident Jonathan Duggan. “But instead of doing their hard work, they are just creating another avenue for privacy invasion that shifts the responsibility to everyone else.”

Although the main target is nightclubs, many events in San Francisco would be affected. Events with strong cultural, ideological, and political components are frequently held at venues that would be affected by these rules.

Eva Galperin of the Electronic Frontier Foundation showed up last night prepared to give the commission a piece of her mind. She shared a letter with us outlining her concerns, which listed the support of many other civil liberty and privacy protection groups such as the Bill of Rights Defense Committee.

“The city of San Francisco has a long history of political activism and cultural diversity which would be profoundly threatened by this proposed rule,” Galperin wrote. “Scanning the IDs of all attendees at an anti-war rally, a gay night club, or a fundraiser for a civil liberties organization would result in a deeply chilling effect on speech…This would transform the politically and culturally tolerant environment for which San Francisco is famous into a police state.”

District 8 Supervisor Scott Weiner, who has been instrumental in the effort to keep events in San Francisco alive, told us that he does not support the proposal. His resolution to protect events passed the Board of Supervisors on March 29 and focuses on collaboration between city agencies and nightclub owners to combat violence rather than simply cracking down on entertainment venues.

 “It’s one thing for a large club with a history of problems to receive those kinds of exceptional security measures, but for the majority of clubs, it strikes me as overkill as well as invasion of privacy,” Weiner told us.

Jocelyn Kane, executive director of the Entertainment Commission, could not give any indication as to when another hearing would be or what prompted the mayor’s decision.  Neither she nor the mayor’s office could elaborate on whether the mayor has problems with the proposal or is simply responding to the public outrage.

Supes vote on Botanical Garden fees

The Board of Supervisors voted on April 12 to keep in place nonresident fees at the San Francisco Botanical Garden for at least another two years, rejecting a proposal by Sup. John Avalos to do away with the fees and make up for the shortfall with a portion of revenues brought in by a real-estate transfer tax that was approved by voters last year.

Advocating for his position, Avalos stood to tell a story about his last visit to the Botanical Garden. “A couple months ago, I was able to go there with my kids,” he began. “I went in, I was asked for my ID, I showed my ID. I noticed the next person who came in after me looked very agitated when she got to the gate. She said the F-word very loud, and she started to walk away. I approached her, and I said, ‘hey what’s going on?’ And she said, ‘I come here everyday, and I’m being asked for my ID, and I have to go back to my house to get it because I don’t have it with me today.'”

She wasn’t the only person who seemed disgruntled by the gatekeeper that day. “On my way out, I noticed a few tourists coming up,” Avalos continued. “It looked like they were from Germany. They walked up to the gate and then they walked back away from the gate. They clearly did not go in because they did not want to pay the fee.” A couple in their 60s tried to enter, but they did not go in because they didn’t have their IDs proving that they lived in San Francisco, he added.

Bottom line: “The gate and the fee has really diminished what people’s enjoyment of the park has been like for decades,” he said. “Can’t there just be one fee that we don’t raise? Can this be that one fee? I don’t think that’s asking too much.” He also noted that budget analyst’s report showed that the fees did not bring in the revenue that had been anticipated, a point echoed by Sups. Ross Mirkarimi and David Campos.

Yet Avalos’ pitch wasn’t enough to persuade his colleagues. On the question of whether money from the real-estate transfer tax revenues should be used to make up for the nonresident fees so that the Botanical Garden could be free for everyone, supervisors said no on a 7-4 vote, with Sups. Eric Mar, Mirkarimi, Campos, and Avalos voting yes.

The board also voted on whether the nonresident admission fees should be extended beyond June 30, 2011 (a date set when the fee was initially imposed), as proposed by Mayor Ed Lee. Board President David Chiu offered an amendment that the fees would only remain in place for two years, after which point the debate could be rehashed. The amendment was adopted, and the mayor’s proposal passed on a 6-5 vote, with Sups. Jane Kim, Mar, Mirkarimi, Avalos, and Campos voting no.

So, that’s how it went down at the board. If you’re a nonresident, the Botanical Garden still isn’t free.

Since Kim and Avalos both shared their accounts of visiting the Botanical Garden, I thought I’d share my own photos and impressions from a visit on a recent afternoon, when I had several hours to myself to explore Golden Gate Park’s haven of greenery. Admission was free, since I’d planned ahead to bring my ID.

The day was sunny and warm, and I spent a long time photographing the light streaming through a cluster of bamboo and sitting by a pond watching some water bugs skip around on the surface. It was a welcome escape from city life with an element of educational value, since all the plants are labeled with plaques identifying their Latin names, common names, and places of origin.

I noticed two people sitting wordlessly together in the sun. The woman, who seemed to be a caregiver, was seated on a bench, and beside her was an elderly man in a wheelchair with a blanket over his lap. The man seemed to be very frail. Yet he wore a serene expression, and was clearly enjoying the calm and quiet afternoon.

I don’t know if they paid to get in or not. As Board President David Chiu noted at the meeting before voting in favor of keeping the fee in place, “We don’t live in a perfect world.” You can argue about the privatization of parks, or about the need to find all possible sources of revenue in order to fend off cuts to city-funded services. Nevertheless, it’s sad to think of the folks who would be barred from the simple pleasure of sitting in the sun surrounded by natural beauty, because they can’t afford to pay.

Hot sexy events: April 13-19

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Where better to talk dirty than on the techno-verse? Nowhere, that’s where. Our fave SF sex blogger – c’mon, besides ourselves — Fleur De Lis SF makes an appearance at this used-to-be (before it expanded it occasional East Bay nights) monthly storytelling event, as does Reid Mihalko, a sexpert who has made appearances on Tyra Banks’ TV show, in addition to other seemingly unlikely places for a perv like him. Hot tip: Fleur De Lis just wrote about how Mihalko ahem, enjoyed meeting her the other day at Monika Thomas’ Sex Geek Potluck – knowing these two, could a round two be far behind? 

Bawdy Storytelling: Taking Dirty and Technology

It’s shocking how often people use the Internet these days for things that don’t involve sex. Well, not these folks. This month’s Bawdy has assembled a top shelf lineup of pervs, including Allison Moon, creator of Burning Man’s home for queer women, Camp Beaverton, and as-of-recently author of a new lesbian werewolf novel. Everyone will be talking about how they’ve used technology to get super viral. Sexting during the event encouraged.  

Weds/13 8 p.m., $10

The Blue Macaw

2565 Mission, SF

www.bawdystorytelling.com


“Advanced CBT: Ready for the Ride?”

EMS/TENS-type electrical stimulation, cock and ball bondage, how to torture and tease your partner – who is ready for a walk on the wild side? Surely, that would be the attendees of this workshop, led by Gabriele Hoff, who has interviewed over 1200 couples and individuals for her research into the topic. 

Weds/13 6-8 p.m., $20-25

Good Vibrations

1620 Polk, SF

(415) 345-0500

www.goodvibes.com 


Eddie Dane memorial

Good night, sweet clown. Eddie Dane was a lot of things to a lot of people in the burlesque community, but a bummer to mourn – never! Help the tassel-twirlers say goodbye to one of the country’s great Burly Q troupe leaders at this free memorial burlesque revue, why don’t you?

Thurs/14 8 p.m., free

DNA Lounge

375 11th St., SF

(415) 626-1409

www.hubbahubbarevue.com


International Ms. Leather 25th Anniversary weekend

So very much for leatherwomen going on this weekend! The International Ms. Leather celebration hits town on Thursday, and if speed tricking, uniform parties, and of course, the yearly competitions for Ms. Leather and Ms. Bootblack are up your alley, you’d be best served by getting down that of this weekend-long celebration of women in hides. 

Thurs/14-Sun/17, $25-155

www.imsl.org


Kinky Salon: Prohibition

You know what wasn’t outlawed during Prohibition? That’s right, ukuleles. So dance I say, to the organic pluckings of Five Cent Coffee, just one of the live music and performances acts that will be going on at Kinky Salon – while a building full of new friends have sex all around you. Kazoo orgy? 

Sat/16 10 p.m.-late, $25-35 members only

Mission Control 

www.missioncontrolsf.org


“Let’s Talk About Sex”

Lee Harrington thinks you – yes you! – deserve to live the sex life of your dreams. To that end, he’s holding this frank discussion about what turns us all on when no one is looking. It’s all about airing your dirty laundry, and feeling good about it. Are you in?

Tues/19 7:30 p.m., $15-25 sliding scale

Center for Sex and Culture

1349 Mission, SF

(415) 552-7399

www.sexandculture.org

 

Pope J.P. a saint? Jesus.

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