SFBG Blogs

Start your day off dead: Your Dia de los Muertos events guide

Andrew Lam
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There is probably no more devastatingly beautiful day in San Francisco as today, Dia de los Muertos. It’s more neighborly than Burning Man Decompression, more colorful than a march on the Federal Building — and has more emphasis on colored tissue paper than even the Mission’s spectacular Carnival parade (see here for last year’s Guardian photo gallery). Peep the community altars at SOMArts Cultural Center (above) and read on for more on where you can let those skeletons out of the closet.

So who are you remembering this year? At SOMArts “Illuminations” altar exhibition (read our interview from last year with Rene and Rio Yañez, the father-son team that curates the event) this year’s artists have created homages to Martha Sanchez, deceased doyenne of the Casa Sanchez taqueria and brain behind everyone’s favorite cheap tortilla chips; friends who passed away in the San Bruno fires; victims of Hurricane Katrina; and Pablo Picasso. Rene Yañez’ 3-D art pops from one end of the maze of installations.

You still have ’til Saturday to check those out, but be sure you drop through the Mission tonight if you haven’t seen the explosion of creativity that goes into all the house parties, kids costumes, dance performances, and altars artistically lounging about Parque de los Niños Unidos this time of year. 

 

“Illuminations” altar exhibit

Through Sat/5

Closing party: Sat/5 6-9 p.m., $6-$10 suggested donation

SOMArts Cultural Center

934 Brannan, SF

(415) 863-1414

www.somarts.org

 

Day of the Dead procession

Join in with your still-living loved ones — contrary to popular belief, facepaint and costumes are not required — and march to the park where all the altars are set up. In prior years, the parade has been marked by paper mache puppetry on a massive scale, dance performances, and cross-cultural celebration.

7 p.m., free

22nd St. and Bryant, SF

www.dayofthedeadsf.org  

 

Day of the Dead Festival of Altars

Genuflect in front of the wall of Michael Jackson remembrances (one of last year’s efforts), or just kick back and take pleasure in a Mission District park full of happy families — and sure, partying — after dark. This is one of the neighborhood’s most special happenings of the year. 

6-11 p.m., free

Garfield Park

26th St. and Harrison, SF

www.dayofthedeadsf.org

 

SF Symphony Dia de los Muertos family performance

Mexican tenor David Lomelí will join the symphony’s world-class cast for this family day on Van Ness Street. “Besame Mucho,” “Granada,” and works by Mexican composers will stud the program, and from 1 p.m. traditional dancers strut their stuff in the lobby, right by the tables full of pan de muerto and Mexican hot chocolate drinks. 

1 p.m. procession, 2 p.m. performance, $15–$68

Davies Symphony Hall

201 Van Ness, SF

(415) 552-8338

www.sfsymphony.org

 

See listings for more dead head events

The latest Lee voter fraud charges

Zelda Bronstein
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The latest Lee voter fraud charges

The Ed Lee campaign is, of course, distancing itself from the latest voter fraud allegations. Spokesperson Tony Winnicker says nobody on the Lee team knew anything about it, that the idea of eight low-level associates at a property firm each giving the maximum $500 didn’t ring any alarm bells:

“If this is true, then these people have perjured themselves,” Lee campaign spokesman Tony Winnicker said when The Chronicle informed him about the donations. “They looked directly into the eyes of our campaign staff and lied, and they should be held accountable.

And honestly, I don’t think anyone on Lee’s team directly solicited the illegal contributions. I could be wrong, but let’s give them the benefit of the doubt. But the notion that Winnicker is shocked — shocked — that this sort of behavior was going on doens’t quite pass the sniff test. The problem is that Lee refused to take public financing, got in the race late and decided to raise a buttload of money really fast — and when you do that, and you take cash from the likes of Andrew Hawkins, you’re almost guaranteed to run into trouble.

I think Dennis Herrera has it right; his press statement makes the point:

“Too many of Ed Lee’s supporters act as though they’re above the law — on money laundering, on ballot tampering, and more — and Ed Lee isn’t strong enough to stop it.  If this is how they behave before an election, just imagine how they’ll behave after the election, if Ed Lee wins.

This has always been the danger with Mayor Lee — he’s surrounded by some very bad actors, he can’t keep them under control — and if he wins, they’ll have the run of City Hall.

Is this enough — or the cumulative impacts of this enough — to allow someone else to win the election? I don’t know. Around 30,000 people have already voted. Some of Lee’s hard-core supporters will ignore the problems and vote for him anyway. But maybe, just maybe, the stench surrounding the campaign will convince a lot of the people who were considering putting Lee second or third to vote for someone else. That’s what would turn the tide in the Nov. 8 election.

UPDATE: Bill Barnes, who reviews the contributions for the Lee campaign, told me that since Hawkins had used a different name (Dr. Andrew Hawkins-Cohen) and since the eight donors all listed occupations that seemed plausible for a large donation and all signed the document saying it was their own money, nothing set off any alarms. “We’ve gotten about 4,000 checks,” he said.

But still: If Andrew Hawkins wants Lee to be mayor that badly, there’s plenty to worry about.

Lee benefits from vetoing health care reform

Sasha Cuttler
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Lee benefits from vetoing health care reform

Downtown groups that pressured Mayor Ed Lee to veto legislation that would have prevented businesses from raiding their employees’ health savings accounts have been funneling big bucks into independent expenditure campaigns formed to keep Lee in the Mayor’s Office.

Meanwhile, the Board of Supervisors today strengthened a weak alternative to the vetoed legislation by Board President David Chiu, which it then continued for two weeks. The amendments by Sup. Malia Cohen were unanimously approved by the board, but her five allies in supporting the vetoed legislation – David Campos, John Avalos, Ross Mirkarimi, Jane Kim, and Eric Mar – preferred that the measure be returned to committee for more analysis, losing on a 6-5 vote.

“We need more time to understand the implications of the amendments. We’re not sure if it actually closes the loophole,” Campos, the vetoed measure’s sponsor, said of provisions in the Health Care Security Ordinance – the city’s landmark measure that required employers to provide some health coverage to employees – that allowed businesses last year to pocket more than $50 million from health savings accounts they created for their employees.

One Cohen amendment specifically addressed one of the more egregious violations – restaurants that charge customers at 3-5 percent surcharge for employee health care and than pocket that money at the end of the year – which Chiu had addressed only by calling for more scrutiny of the tactic by the Office of Labor Standards. She also would require businesses to keep two years worth of contributions in the account, rather than the one year sought by Chiu to address the so-called “January problem” of businesses draining the account at the end of every year and leaving nothing for employees who get sick or injured at the start of the year.

It was perhaps a sign of the heat that Lee took from labor and consumer groups for his veto that he quickly issued a press release today praising the supervisors for addressing the issue. “I applaud President Chiu, Supervisor Cohen, organized labor, small business owners, and the Department of Public Health for finding the solutions to this important public policy that can strengthen our City’s landmark Health Care Security Ordinance. By closing the loophole through these proposed amendments, we can increase access to health care, protect jobs in our small businesses and protect consumers while growing our economy at the same time,” it read.

But Lee appears to have already benefited from heeding the demands of downtown – particularly the San Francisco Chamber of Commerce and Golden Gate Restaurant Association (GGRA) – who made defeating the Campos legislation a top priority, casting it as a new “fee” that would drain $50 million from the local economy.

The San Francisco Alliance for Jobs and Sustainable Growth PAC, created by notorious downtown bagman Jim Sutton, is the best-funded on the four independent expenditure groups that are supporting Lee, taking in $390,000 this fall, including $27,000 from the GGRA and $25,000 from the Chamber’s SF Forward group. Both groups also support the Committee on Jobs, which kicked in $110,000 to the Alliance campaign. GGRA also gave another $10,000 to the pension reform campaign that Lee is pushing, support the Chamber had threatened to withhold if the Campos measure was approved.

GGRA Executive Director Rob Black denied this was pay-to-play politics, noting that the Alliance is also supporting DA George Gascon, Sheriff candidate Chris Cunnie and two ballot measures. “But absolutely, the mayor’s name is on there and the organization voted to endorse him,” Black said.

GGRA voted in August to endorse Lee, Chiu, and Michela Alioto-Pier for mayor. Black said the organization is “generally supportive of Sup. Chiu’s approach to reforming the Health Care Security Ordinance,” and Black specifically said it supports improving requirements that businesses notify employees about the health savings accounts and how to use them.

The GGRA led the original fight against the HCSO in 2006, which was sponsored by then-Sup. Tom Ammiano, who lined up a veto-proof majority on the progressive-dominated board and eventually persuaded then-Mayor Gavin Newsom to support it. The measure created the Healthy San Francisco program and required employers to spend a minimum amount per employee on health care, although federal ERISA law bars cities from prescribing how that money is spent.

GGRA challenged the employer mandate all the way to the U.S. Supreme Court on the grounds that it violated ERISA, losing the case. Many of its members restaurants then opted to use health savings accounts rather than paying into Healthy San Francisco or private health insurance, even though health experts say such accounts are the worst option.

Campos and his allies have maintained that money in these health savings accounts belongs to employees and that businesses that use and raid them gain an unfair competitive advantage at the expense of their employees, customers, and city taxpayers, who are often forced to foot the bill for the uninsured.

Campos and the coalition that supports him has said they may take this issue to voters if the Chiu/Lee legislative fix doesn’t address their concerns.

Adachi video attacks public financing

Zelda Bronstein
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Adachi video attacks public financing

This is odd: An eight-minute video narrated by Matt Gonzalez in support of Jeff Adachi devotes a considerable amount of time to attacking public campaign financing — something Gonzalez always supported as a supervisor.

The video claims that the $4 million that “politicians” are taking to pay for their mayoral campaigns could have helped the city avoid cancelling summer school and cutting school bus routes.

Actually, the city doesn’t pay for summer school or for school buses; the school district does. But I suppose the city could have scrapped public financing and given the money to SFUSD. Unlikely, but possible. (The city actually does share some money with SFUDS, under a measure that Gonzalez opposed.)

The thing about public financing, of course, is that it allows candidates like John Avalos, who won’t get big business support, to run a competitive campaign. If it prevents special interests from buying elections, it saves the city far more than it costs. Public financing has always been a central part of the progressive agenda, nationally and locally.

The rest of the message is about what you’d expect — pension reform, Recology’s franchise fee, giveaways to the police and fire unions. All stuff that Adachi has made part of his campaign. It’s nicely (if inexpensively) produced, and, as always, Gonzalez is a great presenter.

But what’s up with the attack on public finance?

(UPDATE: Gonzalez emailed me to say that Adachi doesn’t oppose public financing but thinks this is a bad year to accept it. He also said when he chaired the Budget Commitee the city sent a lot of money to the schools. But he did oppose the measure that guarantees some city funding to SFUSD.)

Peel your eyes for the SF Underground Short Film Fest

Jesse Hawthorne Ficks
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The ininimitable Peaches Christ has just released the teaser for her annual filmic funfest for those who take their movies wee, happening Nov. 19. Talking head in a toilet! Need we say more.

SF supervisors support OccupySF’s 24/7 encampment

Sasha Cuttler
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SF supervisors support OccupySF’s 24/7 encampment

The San Francisco Board of Supervisors today approved a resolution supporting Occupy Wall Street and the right of OccupySF to maintain a 24/7 encampment in Justin Herman Plaza, although sponsors of the measure narrowly lost a fight over amending the measure to allow police to use force if “there is an objective threat to safety or health.”

The sponsors of the measure – Sups. John Avalos, David Campos, Eric Mar, and Jane Kim – noted that heath and safety concerns were used as a pretext for both police raids on OccupySF and for last week’s violent police crackdown on the Occupy Oakland encampment, something San Francisco officials uniformly say they want to avoid here. Those four sponsors were joined by Sup. Ross Mirkarimi in opposing the amendment by Sup. Scott Wiener, which passed on a 6-5 vote.

But the overall measure – which urges Mayor Ed Lee to drop his opposition to tents and other camping infrastructure and not order another police raid on the camp – was then approved on an 8-3 vote, with Sups. Mark Farrell, Carmen Chu, and Sean Elsbernd in dissent. Farrell and Chu both expressed support for the movement’s call for addressing severe economic inequities in the country, but they oppose the tactic of occupation.

Board President David Chiu, the swing vote on allowing the resolution to be watered down, said his vote was an effort to get as much support for the measure as possible. “For me, it was important to build consensus here at the board,” he said, praising the work that city officials and OccupySF participants have done to resolve their differences. “I have been very impressed with the behavior of individuals involved in this movement.”

Wiener had made a number of amendments to the resolution that Avalos accepted without objection, drawing the line only at the change that would specifically allow for police to use force to dislodge the protesters. While the nonbinding resolution doesn’t compel any action by Lee or the SFPD, Avalos praised the mayor for meeting privately with OccupySF members after he seemed to take a firm public stand again allowing camping.

“I do want to thank the mayor for coming to the table on how our public spaces can be used,” Avalos said. Kim echoed the point, noting that, “A ton of progress has been made.” The Mayor’s Office has not yet responded to Guardian requests for comment on the resolution or his current position on OccupySF, but we’ll update this post when we hear back.

Wiener and others also thanked Avalos for taking the lead role in addressing this issue. “I want to thank Sup. Avalos for being so open and collaborative,” Wiener said, noting that he’s been very impressed with how OccupySF has handled itself throughout the standoff. “I’m very supportive of OccupySF…It’s been incredibly peaceful and people have been friendly and passionate.”

David Chiu, the fashion mayor

Zelda Bronstein
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David Chiu, the fashion mayor

There’s a new fashion in the mayor’s race, and it’s … accessories! This new mailer says to vote for Sup. David Chiu because he knows how to accessorize — check out the cool glasses, and the sensible yet snazzy shoes and the high-tech wristwatch. Oh, and there’s a laptop/cell phone/ipad, a checkbook, a scissors, a red pen, a calculator and a set of scales, which I assume are to measure out justice and not medical marijuana. Although that’s fashionable, too. On the back of the mailer a nicely-dressed line of people stands out in front of City Hall in some sort of synchronized dance step; they all have their left hands pointed up. Cute.

Localized Appreesh: The Sandwitches

Tony Robles
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Localized Appreesh is our weekly thank-you column to the musicians that make the Bay. Each week a band/music-maker with a show, album release, or general good news is highlighted and spotlit. To be considered, contact emilysavage@sfbg.com.

The Sandwitches are all about high highs and low lows. The vocals of Heidi Alexander and Grace Cooper (both former back-up singers for Fresh & Onlys) defy the bounds of San Francisco garage, piping up from low and fuzzed out to high-pitched and near theatrical. The music strays similiarly from convention, with an underlying garage-pop root that sometimes hits close to country-folk, other times lends itself more toward dewy trophy love song/doo-wap. It’s a sound that takes a minute to digest – and that’s a good thing.

You can check it out for yourself. The trio’s upcoming seven-inch single The Pearl is streaming now, here. And then you can go see it live. The Sandwitches will fill the opening slot of a pretty righteous show this week at the Fillmore, with headliners/Australian indie poppers Architecture in Helsinki and lo-fi American rockers DOM.

You may protest, “but that’s not how you spell sandwiches!” Yes, spelling wizards, it’s a play on words. Sand-witches. Witches of bread. Meaning sourdough with warts, or something less gross. Spooky PB&J? Bubbling cauldrons of BLT? Or as you’ll see below, the name simply came from “a process of elimination.”  It’s also way easier to Google.

Year and location of origin: 2009, Frisco, baby.
Band name origin: A process of elimination
Band motto: “More feeling”
Description of sound in 10 words or less: dingy, pingy, bumpy, pumpy, lumpy, brash, sophisticated, and smooth.
Instrumentation: Mexican telecaster, Mexican stratocaster, drum set
Most recent release: The Pearl/Benny’s Memory Palace 7″, Hardly Art
Best part about life as a Bay Area band:  The buds [ed note — double entendre?]
Worst part about life as a Bay Area band: The fog?
First record/cassette tape/or CD ever purchased:  Queen Greatest Hits I & II, Blue Beatles hits collection on tape.
Most recent record/cassette tape/CD/or Mp3 purchased/borrowed from the Web: Jackie Gleason, Music for Lover’s Only.
Favorite local eatery and dish: Chevys and fried chicken.

Sandwitches
With Architecture in Helsinki and DOM
Thurs/3, 8 p.m., $20-$29
Fillmore
1805 Geary, SF
(415) 346-6000
www.livenation.com

A walk with the Valencia Street smile lady

Andrew Lam
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A walk with the Valencia Street smile lady

“Ooh, out of state, too,” Claire Lemmel winces as a parallel parker crunches his van into the side of a Jaguar. Then she puts her smile back on.

There’s a strong possibility you’ve seen Lemmel’s teeth, either on her “smile car” or on the enlarged mounted photo she holds while sauntering daily down Valencia Street. Lemmel takes her smile to the movies. She takes it to the ophthalmologist. The gleaming eight-inch incisors could be frightening, but no one seems to think so.

Instead, Lemmel’s interactive art generates exactly what she wants it to: interpersonal connection. It’s fascinating to walk with this earnest, sunhatted woman and watch the reactions. 

Most people avert their eyes, glance again, avert once more, and start to involuntarily smile as they walk. Others engage directly, laughing or quickly snapping a photo. Cars honk, bicyclists stare, and narrowly avoid injury. “Are you a dentist?” seems to be the most common question, “awesome” the most frequent comment. Lemmel began her smile project one year ago as part of a public art initiative called CONNECT. 

“People are always texting,” she says, “but they’re not connecting. They’re unengaged, even as they interact.” Lemmel has made it her daily mission to spread goodwill, roaming her Mission neighborhood and beyond with the sign. Walking behind her is a bit bizarre; ten or eleven oncoming faces will split in unison into grins. 

It doesn’t hurt Lemmel’s cause that she’s extremely personable, blessed with both good teeth and a warm Texas drawl. Mission shopkeepers, walkers, and street vendors know her and expect her. Many folks seem to take the sign as an invitation to flirt rather shamelessly with Lemmel, who chucklingly engages and walks on.  

And it’s hard to imagine, after a Valencia Street cruising session with this beaming being, a time that she isn’t smiling. But everyone has their limit, and two hours is Lemmel’s. She walks home with tired cheeks, the mouth tucked under her arm still joyful.  

 

The Real Ed Lee story

Zelda Bronstein
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The Real Ed Lee story

The Ed Lee Story has some much-needed competition. The boring, patronizing (to readers) and over-the-top hagiography of the interim mayor was just sitting there waiting for a parody, and now the Leland Yee campaign has obliged.

The Real Ed Lee, written by the Yee team, has a serious political point, but it’s actually funny, sometimes really funny, and it’s much easier to read than the plodding “Ed-Is-Greater-Than-God” prose of the original. A section titled “San Francisco’s Future, Ed Lee Style” notes that if the incumbent is elected to a full term

The Golden Gate Bridge will be now called the PG&E/Recology Golden Gateway to Corruptville. Make sure to show your employee badge at the the toll botth for your discounted rate (wink, wink).

HealthySF will be renamed the Endangered Restaurant Protection Act. You will be charged an additional 42 % on your bill. Please note — no health care will be provided.

Muni buses will now be operated by GO Lorries. Surprisingly, service will remain generally the same.

David Chiu is now District Attorney. Oh, wait ….

The book goes through the details of how Lee rose through the ranks at City Hall, along the way approving a couple of fraudulent vendors and getting caught up in Willie Brown’s sleaze. It discusses how his campaign is taking credit for other people’s work and ideas. It describes how he promised over an over not to run, then went ahead and did it anyway. It’s got a great picture of him steering a 139-foot yacht with the caption “I’m on a boat.”

I don’t know how well this will work, but it’s clear that Lee is falling in the polls and the cumulative impact of his mistakes and the attacks on him by the other campaigns is taking its toll. And for once, we have a campaign piece that made me laugh instead of crying.

 

 

Guardian editorial: Leave the occupiers alone!

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As the world watches, San Francisco and Oakland should set the standard by supporting  Occupy San Francisco and Occupy Oakland and supporting  their goals and peaceful tactics.  B3

 With all of the police raids and arguments over messages and demands and tactics, it’s easy to forget that the Occupy Wall Street movement has a clear political point — and it’s right.

The movement is about the devastating and unsustainable direction of the American economy, about the fact that a tiny elite controls much of the nation’s wealth, that virtually all of the income growth over the past 20 years has gone to the very top, about the collapse of the middle class and the rise of economic inequality that would have been unthinkable a generation ago. Those are the central issues facing the United States, the state of California and the cities of San Francisco and Oakland today — and instead of trying to crack down on the protests, city officials ought to be endorsing the occupy movement and talking about cracking down on the financial institutions and the wealthy.

A few things worth noting:

1. The protesters are almost entirely nonviolent. Although there have been a few isolated incidents in Oakland and SF, the overwhelming majority of the thousands of people at Justin Herman Plaza and Frank Ogawa Plaza are actively promoting and insisting on nonviolence. This is not a crowd that is a threat to anyone.

2. There’s a precedent for long-term political protest camps in San Francisco. The AIDS Vigil remained at U.N. Plaza — with tents, tarps, and cooking gear — for ten years, from 1985 to 1995.

3. The city of San Francisco’s citations — reported without question in the daily newspapers — about health and sanitation problems are way overblown. The OccupySF protesters are making extraordinary efforts to keep the place clean. When the city failed to live up to its promise to provide portable toilets, the protesters ordered (and paid for) their own. As state Sen. Leland Yee (not known as a crazy radical) noted after a visit Oct. 26: “While hundreds gathered, there was not one incident of violence. If the interim mayor thinks there are health issues, I certainly didn’t see them.” We visited Oct 31, and the place was clean and peaceful.

4. The cat-and-mouse game with the San Francisco police is the equivalent of psychological warfare; protesters have to be on edge at all times for fear of a crackdown that may or may not come.

5. Mayor Jean Quan made a bad mistake sending in the cops to roust Occupy Oakland. Nothing good at all can come of any further police eviction action.

Frankly, we don’t see why the protesters — who are well-behaved, represent no threat to anyone, and are doing a huge civic and national service by bringing attention to an issue that the powers that be in Washington, Sacramento and (sadly) San Francisco have largely ignored — can’t stay where they are. If there are health issues, let the Department of Public Health work with the occupiers. If there’s a problem with a portable kitchen, let the Fire Department show the protesters how to run it safely and legally (there are portable cooking devices at every street fair, in dozens of food trucks and in probably 100 other places around town).

The people at OccupySF and Occupy Oakland have done an amazing job of building a safe, respectful and inclusive community. They are the political heroes of 2011. If there’s anyplace in America where the movement ought to be allowed to grow and thrive, it’s here in the Bay Area.

 

Survey shows Lee aligned with tenant advocates only half the time

Sasha Cuttler And Mary Magee
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The results of a mayoral candidates’ survey created by the Council of Community Housing Organizations (CCHO) offered some surprises. Based on candidates’ responses, venture capitalist Joanna Rees, one of the more conservative contenders, came across as a stronger advocate for affordable housing and tenants’ rights than interim Mayor Ed Lee, who previously defended tenants as an attorney with the Asian Law Caucus.

The survey posed 25 yes-or-no questions to mayoral hopefuls, formulated by CCHO, the San Francisco Tenants Union, and the Housing Rights Committee. A “Yes” answer meant the candidate was aligned with the housing advocates’ standpoint, a “No” response was frowned upon as contrary to advocates’ housing agenda, and a “?” signified the response, “I’ll consider it.”

All told, Lee responded “No” to six questions, “I’ll consider it” to seven questions, and “Yes” to 12 questions, demonstrating consistency with the housing advocates’ agenda about half the time. Rees, on the other hand, responded “No” to three questions, and “Yes” to every other question.

Other respondents included Public Defender Jeff Adachi, Sup. John Avalos, green party candidate Terry Joan Baum, Board President David Chiu, former Sup. Bevan Dufty, City Attorney Dennis Herrera, and Sen. Leland Yee.

Candidates who answered in the affirmative to every survey question were Avalos, Baum, and Yee. Dufty responded “No” to eight questions, and “I’ll consider it” to one. Chiu responded “Yes” to most questions and “I’ll consider it” to four questions, though there was some confusion as his response wasn’t listed every time.

There you have a summary of the scorecards. So what were the questions?

Every single candidate answered “Yes” to this one: “To make up for the huge State and Federal cutbacks in affordable housing funding, will you commit to placing a dedicated affordable housing funding measure on the November 2012 ballot of at least $100 million?”

So no matter who’s elected, housing advocates will have an opportunity to advance this idea.

Among the more divisive issues was the question of reforming condo conversion laws to regulate tenancies-in-common conversions, in order to stem depletion of affordable housing stock. Lee, Rees, and Dufty responded that they would not seek such reforms; Yee, Avalos, Adachi, and Baum said they would. Herrera declined to answer.

Candidates were also divided on whether the San Francisco Rent Board, which mitigates disputes between tenants and landlords, ought to be reformed to “increase tenant representation and balance appointments between the Mayor and Board of Supervisors?” Yee, Lee, Dufty, and Adachi rejected that idea.

And Lee stood alone in answering “no” to this question: “Will you enforce a balance between market-rate housing and affordable housing that fulfills the City’s adopted housing goals, even if such a linkage slows down the overproduction of luxury condos until a minimum level of affordable and middle income housing catches up?”

All others said they would, except Chiu, who said, “I’ll consider it.”

View the full results of the survey here.

Superviors and labor leaders challenge Lee’s OccupySF stance

Sasha Cuttler
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Superviors and labor leaders challenge Lee’s OccupySF stance

Mayor Ed Lee has put the city and its police force on a collision course with not only OccupySF, but also several members of the Board of Supervisors and top labor leaders who support the movement and want the city to allow its encampment to continue.

They spoke at a special hearing of the City Operations and Neighborhood Services Committee that was convened by Chair John Avalos this morning, supporting a resolution that Avalos created to allow OccupySF to have tents and other infrastructure that Lee opposes. The resolution – which is co-sponsored by Sups. Eric Mar, David Campos, and Jane Kim – was approved by the committee and is set to be considered by the full Board of Supervisors tomorrow (Tues/1).

“It is something I am wholeheartedly supporting because it is an expression of great frustration and concern about the economic system,” Avalos said. “We need to speak with a greater voice about changing our economic system so it works for the many and not just the few,” Avalos said, explaining why he is “wholeheartedly supporting” the OccupySF movement.

But Avalos said he’s been frustrated that Lee and the police have raided the camp twice and are threatening more, something that Avalos has been trying to mediate since the first raid on Oct. 5. He also said the city should learn from Oakland that using the police force to stop the movement only makes it stronger.

“If we were to try to stop it from happening, it would just encourage more people to take part in it,” he said, noting that more midnight raids are dangerous for both police and protesters. “We have to figure out as a city how we’re going to facilitate, encourage, and accommodate this movement.”

But instead, Avalos said Lee’s stand against allowing tents or an kind of encampment, while claiming to support the message OccupySF, has created a tense standoff. “I’ve seen very mixed messages come out of this administration,” Avalos said, adding that nobody believes police statements that the massing of SFPD cops in riot gear on Oct. 26 was only a training exercise.

Mar said OccupySF deserves tremendous credit for holding the space and being responsive to the health and safety concerns raised by city officials. “I’ve seen a transformation in the movement in the last three weeks that is truly impressive,” Mar said. “I’ve also seen, during the General Assemblies, an incredible exercise in democracy.”

He also disputed accusations that the camps are dirty and that the movement is unfocused. “Don’t believe the hype from the mainstream media but look at the messages coming out of this movement,” said Mar, who was wearing a “We are the 99 percent” sticker.

“We should allow OccupySF to do what they’re doing,” Campos said. “It’s good for San Francisco.”

Campos also called out Lee and Oakland Mayor Jean Quan for ordering violent raids on the peaceful encampment, disputing the idea that “somehow it’s okay for us to spend the limited resources we have on these kinds of police actions…I hope we don’t have Mayors Quan and Lee wasting resources that could be better spent elsewhere.”

During the public comment portion of the hearing, each of the more than two dozen speakers supported the resolution.

“What this resolution does is it calls on the other supervisors and the mayor to decide how they want to deal with OccupySF,” said Gus Feldman of SEIU Local 1021.

Representatives of several labor unions and the San Francisco Labor Council that have voted to endorse OccupySF spoke at the hearing, include Ken Tray with United Educators of San Francisco, who gave a rousing speech in support of the movement.

“The times have changed and the political landscape has shifted,” Tray said, ticking off a long list of reasons for supporting the movement, from San Francisco’s long tradition of advocating for progressive change to the fact that “the schoolchildren of San Francisco are being denied resources because the 1 percent refuse to pay their fair share.”

Frank Martin del Campo of the SF Labor Council displayed the bruises on his arm inflicted by police during the raid on the Occupy Oakland, saying “this was an attempt to criminalize dissent…It represents the politicization of the police.”

Labor Council Executive Director Tim Paulson said, “I just want to be clear that we are the 99 percent….We want Occupy San Francisco to be there 24/7.” He and others say the Occupy movement is highlighting deep economic inequities that the labor movement has long been raising as well. “OccupySF has called the question on really important issues we’ve been struggling with for years,” said Gabriel Haaland of SEIU Local 1021

“Here is a peaceful protest being answered with violence,” said Pilar Schiavo of California Nurses Association, which has been supporting the occupations. This is an important political struggle, she said, and “It’s time for the mayor to decide what side he’s on.”

Many speakers focused their criticism on Lee, such as Brad Newsham, who said, “Any official who would send in the riot police to deal with this camp does not deserve to be mayor of San Francisco.” He said the city should set an example for the country by formally allowing the encampment to continue, and he turned to the young protesters in the room and said, “Hold your ground and we’ll try to get your back.”

Sean Semans, an active member of OccupySF since the beginning, thanked Avalos and the other progressive supervisors for “saving us when nobody would,” and he expressed frustration with the Mayor’s Office.

“The mayor still doesn’t recognize us, he won’t come down and see the work we’re doing,” Semans said. “We can do all kinds of work when we’re not fighting to protect our First Amendment rights.”

He was part of an OccupySF delegation that met with Lee last week, and Semans said the mayor offered to help get the protesters rooms in SRO hotels or meals from local soup kitchens, showing that he has a fundamental misunderstanding about what this occupation is about.

As Semans said, “It shows what we’re dealing with here.”

The Hangover: Oct.23-28

Andrew Lam
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Fever dreams and wardrobe malfunctions: all about Halloween Weekend 2011 (and it’s still not over!)

**It’s a little nerve-wracking going out in costume for a show when it’s not  quite yet Halloween. What if no one else dresses up and it’s a scene out of  Legally Blonde? Luckily the bands at Brick and Mortar (Zulus, Uzi Rash, Apache, Nobunny, Ty Segall)  were slated to perform costumed covers, so I figured it would be safe. (Plus, I  spent enough money making the damn thing to ensure I’d be living with my dad for an additional month — so I was gonna milk it.) Still, when I got inside the venue, I scouted to find some other outfits among black  clothes and leather. A guy was wearing a 1994 USA Olympic Dream Team  windbreaker (“Carl Mullen” he told me, pointing to one of the figures  with a basketball) and a still priced-tagged Batman cap, so I assume that he was the first of many Tyler the Creators, despite his refusal. Another guy was dressed as Middle Aged Business Man Who Has Too Much To Drink, Tries To Mosh Too Early, And Is Never Seen Again, but this was easily topped by the best costume of the night: Totally Trashed Crazy Girl (Ryan Prendiville)

**If you were in the back of the Prospector in Long Beach, Calif. on Saturday night, you likely saw my glowing light saber sharking through moshing bodies up front for the Shitfits, a Misfits cover band (actually, the members of now-defunct math rock act the Valley Arena) that comes together just once a year at this special time. The musicians, who are now spread out across the U.S. in San Francisco, New York City, and Long Beach, have been dressing up as the Shitfits for the past six or so Halloweens, though they claimed this perhaps could be their last. My saber disappeared sooner than I’d hoped, when an angry, long-haired, ratfink tried to start some shit in the pit. This is Halloween, man, we’re here to celebrate ghoulish punk, not incite brocious pummeling. No matter, the sweaty set tore it up, kicking off with “Where Eagles Dare” and ending bittersweetly with “Last Caress. (Emily Savage) 

** South by Southwest favorites White Denim helped draw a sizable crowd in support of Manchester Orchestra to the Regency Ballroom on the Friday before Halloween. The Austin, Texas locals did not, however, save for a few ripping solos and a lap around the stage that coincided with some lyrics about running (I think), perform memorably for the sparsely costumed audience. White Denim played jammy, hip indie rock with, albeit, some interesting twists and breakdowns, and certainly with no lack of musicianship, but the set failed to deliver any standout moments. Instead, it seemed to fade into a background noise of other, similar bands with able musicians at the helm playing decent rock’n’roll to the Coachella generation. (Cooper Berkmoyer)

**There were art shags aplenty (and some lovely folks haven’t shown their faces on the nightlife scene in a while) at the tongue-through-cheek orgiastic spectacle that was Thursday’s “Ann Magnuson plays David Bowie and Jobriath, or, the Rock Star as Witch Doctor, Myth Maker, and Ritual Sacrifice” at the SF MoMA’s Halloween installment of its nighttime Now Playing series. While the live show featuring the beloved New York performance artist and Bongwater singer — backed by a fantastic four-piece live band — wasn’t quite as long as its title, it did covera whole lot of ground. Practically David Bowie’s entire career catalog got a glance, refracted through a bloody Mayan-type ritual enactment, with piñata even. But that was just the first bit. Jobriath, revered gay glam rock cult star who burnt out early and later died of AIDS, was resurrected and his tunes reverently trotted out by the always mesmerizing Ann. But in the end it was Beelzebub, the half-naked gogo “acolyte” dancing onstage throughout the entire show, who won. Imagine a wide-eyed Eyeore on ecstacy and you’re halfway there. (Marke B.)

**Santa Cruz did what it does best this weekend: dress up like crazies. Also: Peewee Herman! And motorcycle riders. And a Goldigger (why is that still a costume?). They had to, so that the surfers could be distracted from the fact that the Santa Cruz Coldwater Classic hit a weekend of sub-par waves in front of the town’s lighthouse. Not disappointing at all: the grin on eventual winner, Brazilian Miguel Pupo. Or the fish taco truck. No lines! (Caitlin Donohue)

**The season was in full effect Friday night at Kimo’s, with three costumed bands and quite a few creatively-attired audience members, including a dead-on Jack White. (It seemed all of Polk Street was in the Halloween spirit, for that matter, though the girls dressed as “slutty Teenage Mutant Ninja Turtles” really should’ve known better.) Anyway, rockers Heavy Action — with ghostly back-up dancer — took the stage first with a raft of 70s covers (including “Boris the Spider,” complete with a prop spider), followed by punk-band-with-songs-about-Van-Damme-movies Dalton (all members were dressed as Wayne’s World characters). Headliners Street Justice moonlighted as “Sesame Street Justice” for the night. Turns out that in addition to teaching children about friendship, Bert and Ernie are also capable of throwing down big time. Who knew?(Cheryl Eddy)

**Trannyshack Halloween: A Party was OK on Saturday. Most of the drag numbers were recycled and a little tired, although a neatly choreographed dance number by several of our finest Asian zombie queens, the Rice Rockettes, to “Heads Will Roll” was cuuute. Hostesses Peaches Christ and Heklina seemed to be in a bad mood — and when secret guest costume contest judge Tommy Lee failed to show up, their wrath exploded. Playing his apology voicemail over the PA (he claimed he had “a show tomorrow so really need my rest … rock on, ladies!”) they could barely conceal their disappointment. And usually ace retro DJ Omar seemed a bit on autopilot — although Oingo Boingo’s “Dead Man’s Party” sounds great right now, and Mary J. Blige’s first album is really making a comeback through a wide variety of DJs. Some of the costumes were dope and we still danced to the wee hours. (Marke B.)

 

Live Shots: Soulwax at the Independent

Tony Robles
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Whether more or less true in other places, the crowds at shows in the Bay Area can be disappointingly savvy regarding encores. They know that if the band says goodnight and leaves the stage, the show is only possibly over. Or if recorded music comes over the speakers, the show is likely over. And (of course everyone knows) that when the house lights come on, the show is definitely over. It’s a convention that the bands and audience both understand, but robs everyone of some fun. Which was why it was wonderfully surprising that the majority of the people at the Independent Thursday night stuck around clapping, shouting, and making noise ’till it hurt in an attempt to get Soulwax to come back out on stage.

Didn’t happen. The staff of the club kept cranking the volume of the music louder, finally getting on the mic to announce that it was really over, everyone actually had to leave. Anyone that wants more will need to check out the Live 105 Subsonic Halloween Ball at the Regency Ballroom tonight, where the Dawaele brothers will be headlining as one of their many other aliases/projects, 2manydjs. Which may be confusing for anyone outside of Belgium, the UK, or Soulwax’s extremely dedicated fan base.

Essentially, what the folks at the show on Thursday (many of whom seemed to have traveled to be there and may have paid hefty sum to the scalpers outside) got was Soulwax, the four-part electronic rock band, which is a bit of an oddity in that its last conventional album was 2004’s Any Minute Now. Nonetheless it’s continued to tour and perform the earlier material, reworking and tightening it up. Which basically means that as a group, Soulwax has its act down: matching suits, tons of strobes to go with them, and the music, a no-nonsense succession of synthed out, percussive tracks that go from brooding to funky to electro without ever stopping. (Maybe part of the reason that people wanted an encore so bad – shortly after a screaming sing-along rendition of “NY Excuse” – was that without the breaks the ending just snuck up on them.) When I say they don’t stop, I mean it; for a band, Soulwax transitions seamlessly, with the skill of great DJs.

Which the Dawaele brothers are, primarily under that other name: 2manydjs. That’s been their focus the last couple of years, culminating in the creation of Radio Soulwax, an ongoing collection of 24-hour long theme mixes available online, accompanied by some pretty crafty visuals created from the sampled album covers. (I’ve found listening to it to be a great way to power through the work day, assuming 5 Hour Energy, coffee, or cocaine doesn’t work for you.) As Soulwax, the band put on a hell of a show–supported by Goose, a group that understands everyone can switch from keyboards to guitars as much as they want, provided that the drummer kicks hard and lays down some tommy gun fills–but 2manydjs may be able to top it. According to an avowed fan I talked to last night (the kind that has the white label vinyl and wears black glasses without lenses–hopefully as an early Halloween costume,) 2manydjs is the “real deal.” Somehow, as an encore, it might be the rare case where the DJ set is better than the band.

Live 105’s 3rd Annual Subsonic Halloween Ball
With 2manydjs, Fake Blood, Bag Raiders, Classixx, Tenderlions, Aaron Axelson, and more
Mon/31, 5:45 p.m., $25-$90
Regency Ballroom
1300 Van Ness, SF
(800) 745-3000
www.theregencyballroom.com

Remembering Pina Bausch onscreen … and onstage

Sue Vaughan
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Remembering Pina Bausch onscreen … and onstage

One reason I love dance so much is the transcendence I feel when I watch really powerful dance. It is the feeling that somehow the bodies onstage have moved beyond being simple dancers on an elevated platform and are instead communicators of something that can’t be written or painted, but can only be communicated through the medium of physical movement. When I have this feeling I know I will once again be swept up in dance and cry or laugh or simply feel my soul reverberate. 


 One such great practitioner of dance passed away in 2009. Her name was Pina Bausch, and she created epic dance-theater pieces for her company in Wuppertal, Germany. Bausch’s work built itself upon the personalities of her dancers, asking them to emote theatrically in order to create meaning in movement. Her pieces were characterized by elaborate sets, including stages covered in dirt, flowers, leaves, chairs, and even rain. Her dancers were incredibly devoted to her, some staying in her company for two to three decades, investing their lives in her work. She delved into themes ranging from sex to death, heavy topics she explored through repetition, pushing both her dancers and her audiences’ comfort thresholds. She is attributed with creating the genre of tanztheater, or dance-theater. While not all loved her work, she undeniably pushed hard and said much through dance.
 
Wim Wenders, renowned film director, playwright, author, photographer, and producer, has long been spellbound by Bausch’s work. While he had discussed with Bausch on many occasions documenting her work, it wasn’t until the advent of 3D technology that he knew he had found the perfect medium to capture the essence of Bausch’s work on film. The resulting film, Pina, began as a collaboration between Bausch and Wenders, but after Bausch’s sudden death Wenders decided to complete the film as a tribute to her. I recently saw Pina at the recent Mill Valley Film Festival, and found it deeply touching.

The care and devotion both Wenders and the dancers have in creating a testament to their lost teacher, leader and friend is evident in every beautiful shot and scene. The film walks a fine line between trying to be representational of Bausch’s work and knowing it cannot begin to do it justice in one short film. Excerpts from some of her more famous works are interspersed with choreography taken off of the stage and out into Wuppertal. From a dancer struggling up a huge hill of dirt to a man catching a woman as she falls down steps, these moments of site-specific dance are not an attempt to change the perspective of Bausch’s choreography, which was always presented in proscenium theaters, but simply to honor the spirit of her choreography by showcasing it in different settings.
 
Pina left me incredibly sad, for I will never have the opportunity to see much of her work. Her pieces, with their elaborate stage sets and their dependence on the dancers’ personalities, cannot easily be reset on other dance companies. Yet somehow the ephemeral nature of her work makes it all the more special. Her company is touring for what might be the last time, and is coming to the Bay Area via Cal Performances on December 2 and 3. The piece being presented, Danzón, is a meditation on life’s trajectory through childhood and sexual awakening on into adulthood and death. This will be one of the last chances to see Bausch’s work performed with the dancers she crafted the piece on.
 
What little I’ve seen of Bausch’s work has left me breathless. Knowing that dance like Bausch’s exists, dance that can communicate a feeling so powerful across generations and cultures, fills me with such love and reverence for the art form. I highly recommend seeing either Pina or Danzón. See Bausch’s work one way or another. It might be the last time we can.

Manchester Orchestra delivers the Southern riffs at the Regency Ballroom

Tony Robles
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South by Southwest favorites White Denim helped draw a sizable crowd in support of Manchester Orchestra to the Regency Ballroom on the Friday before Halloween. The Austin, Texas locals did not, however, save for a few ripping solos and a lap around the stage that coincided with some lyrics about running (I think), perform memorably for the sparsely costumed audience.

White Denim played jammy, hip indie rock with, albeit, some interesting twists and breakdowns, and certainly with no lack of musicianship, but the set failed to deliver any standout moments. Instead, it seemed to fade into a background noise of other, similar bands with able musicians at the helm playing decent rock’n’roll to the Coachella generation.

Headliners Manchester Orchestra, on the other hand, delivered where White Denim almost, so close, really, but didn’t. Although named after a city half a world away, this quintet didn’t hide its Atlanta, roots, with booming Southern riffs made for long haired swaying.

Singer Andy Hull’s voice carried the night; his powerful and versatile vocal chords were the perfect accompaniment to songs that often hinged on a transition from Elliot Smith-like emotive indie rock to Weezer-esque arena worship. The crowd was rocking right along with the rest of the band, especially the keyboard player – what is it about keyboard players in rock bands that makes them feel like they have to overcompensate? There was plenty of singing along, dancing and no-joke raised lighters to top it all off.

These songs made up the bulk of the set and, while enjoyable, were relatively formulaic. The most interesting part of Manchester Orchestra’s set was not these anthems, but instead the several shorter songs interspersed throughout: a handful of minute or so long tunes reminiscent of Billy Bragg or early Against Me! that showcased Hull’s songwriting prowess. Sappy? Perhaps. Awesome? Indeed.

A very Nobunny Halloween turns crazy, quickly

Tony Robles
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It’s a little nerve-wracking going out in costume for a show when it’s not quite yet Halloween. What if no one else dresses up and it’s a scene out of Legally Blonde? Luckily the bands at Brick and Mortar (Zulus, Uzi Rash, Apache, Nobunny, Ty Segall) were slated to perform costumed covers, so I figured it would be safe. (Plus, I spent enough money making the damn thing to ensure I’d be living with my dad for an additional month–so I was gonna milk it.) Still, when I got inside the venue, I scouted to find some other outfits among black clothes and leather. A guy was wearing a 1994 USA Olympic Dream Team windbreaker (“Carl Mullen” he told me, pointing to one of the figures with a basketball). Another guy was dressed as Business Man Who Has Too Much To Drink, Tries To Mosh Too Early, And Is Never Seen Again, but this was easily topped by the best costume of the night: Totally Trashed Crazy Girl.

Totally Trashed Crazy Girl is an excellent example of how to pull off a costume. Because it’s not just about the outfit. Hers was simply a black dress, although she gained (some would say stole) some accessories throughout the night. By itself, not enough to make people understand the costume, but she also committed to the concept. (Because really, who wants to stand around all night explaining how you’re a Totally Trashed Crazy Girl when they ask “What are you supposed to be?”).

As soon as the Zulus came onstage performing as the Stooges, it was clear that TTCG would have to step up her game. Because let’s face it, it’s hard to show up Iggy Pop and Zulus’ Iggy was on it. Launching into “Search and Destroy,” he almost immediately flew into the crowd, where he would spend half his time, when not contorting his body into extreme poses onstage. Simply trying to wave the lead singer down mid-song would not prove to be a strong enough tactic for TTCG.

And step it up she did. While Uzi Rash covered the Undertones, TTCG took to pulling on the lead singer’s pant legs. Initially, slightly bothered, saying “Would you stop that?”, Uzi Rash’s version of Feargal Sharkey eventually just blew her off with bursts of microphone feedback before walking over her with his bare feet.

During its set, Apache’s singer asked if there were any drinks for his Dead Boys. Someone in the audience passed up a partially full flask of Jack Daniel’s Honey Whiskey, which was passed around by the band before being set down by the kit. This is where TTCG proceed to creep onstage and grab it for herself. “No!” the original owner of this questionable liquor said, “That’s not for you!” and took it away.

Now fully in the spirit of the role, TTCG was comfortable being on stage, seeking out any drinks or Reese’s Cups that happened to be evading her. Ty Segall as the Gories took it upon himself to eject her mid-song, screaming “Get this girl off the stage, motherfuckers!”

The bands had a lot to contend with that night in addition to TTCG, in particular stolen setlists taken by overzealous fans. Nobunny, doing his best David Johansen (all the New York Dolls were looking pretty good), had to request that they give it back, “or at least just shout out the next song.” Fittingly, it was “Bad Girl,” during which TTCG made her final appearance. (Clearly it had to be a costume – how else could she have survived the night? Five bands!) “You’re a bad girl,” admonished Nobunny. “Only because you keep punching me in my dick and I don’t like it.” Just to show that there were no hard feelings, he later awarded TTCG a red feather boa.

Dick Meister: Respect for car wash workers

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RESPECT FOR CAR WASH WORKERS – AT LAST

By Dick Meister

Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for more than a half-century. Contact him through his website, www.dickmeister.com, which includes more than 350 of his columns.

Few workers are more poorly treated and generally ignored than those swift moving and hard-working employees of the country’s many thousands of car washing facilities. But finally, there’s genuine hope that the carwash workers will win much better conditions.

Workers at a major Southern California carwash have won what could very well be just the first of many union contracts in California and elsewhere that will guarantee them decent treatment. The workers are significantly strengthened by their membership in a local of the powerful United Steelworkers union.

Their initial contract, with a major Southern California carwash, is what could be only the first of many union contracts in California and elsewhere that will promise carwash workers decent treatment.

As they had in winning the contract, it’s certain they’ll have strong backing from a coalition of the Steelworkers, AFL-CIO and hundreds of community and faith organizations that began a unionizing drive three years ago.

The contract terms are modest, but they’re an important, badly needed start toward correcting the carwash workers’ truly deplorable conditions. As one Steelworkers official said, they generally are treated “like workers in a third-world country.”

Most carwash workers are immigrants, many undocumented. A successful organizing drive among them undoubtedly would lead to stepped-up organizing drives among the nation’s millions of other immigrant workers, particularly janitors, nursing home aides and security guards.

The AFL-CIO noted that the car wash workers generally “are without the power to fight back against the horrible conditions in which they work.” The New York Times reported that “they are to scared to speak out or give their bosses any excuse to fire them.”

A veteran car washer, Oliverio Gomez, said bosses at the now unionized firm “didn’t treat us like people. What I hope is that future generations who come to work here aren’t treated as badly as we were – that they’re no longer humiliated, but respected.”

Car washers often work 10-hour days, six days a week, often for as little as less than half the legal minimum wage, often for as little as $30 to $40 a day. Some work before, after or even during their scheduled shifts strictly for tips. Many aren’t paid for the time they spend waiting for customers to drive in.

The work is dangerous. As the AFL-CIO reported, employers commonly violate health and safety laws, exposing workers to “a variety of toxic chemicals without adequate protective gear and frequently work for extended periods under the sun without rest or shade.”

An investigation by the Los Angeles Times estimated that two-thirds of the car washing facilities that have been investigated by California’s Labor Department over the past eight years were violating one or more laws. That included underpaying workers, hiring child labor, going without workers compensation insurance and denying workers meal breaks.

Meanwhile, the employers were doing well. Their profits in Los Angeles, for instance, were averaging $1 million a year.

The monetary terms of the car washers’ two-year union contract include a modest raise of only about 2 percent, and cover only 30 workers. But whatever the terms, they are an important foundation for better terms in later contracts covering far more workers at other car washing firms.

There are other terms in the contract, however, that are more important than pay raises. The contract guarantees badly needed health and safety protections, prohibits employers from disciplining or firing workers without just cause, including firing those who complain openly about unsafe conditions. And it sets up a formal procedure for settling grievances and a procedure to settle disputes by arbitration.

Although it shouldn’t be necessary, but certainly is, the contract requires employers to follow the labor laws that many have been openly violating. Among other things, that will require breaks for workers and paying them for time spent awaiting customers rather than just for their time working.

Above all, as car wash worker Olivereo Gomez declared, the union contract means “we finally get respect as workers.”

Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for more than a half-century. Contact him through his website, www.dickmeister.com, which includes more than 350 of his columns.

Gear up: Trevor Traynor’s lowrider captures cruise into the Mission

Andrew Lam
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Photographer Trevor Traynor is moved by lowriders. And he says he’s not the only one.

“Lowriders move people,” he wrote to the Guardian in an email interview. “Literally and figuratively. When you’re cruising people smile, wave, they take pictures. The cars connect people of all walks of life and the clubs enjoy it as well. It keeps people productive with a strong passion in cars.”

You can tap into his love for the low on Thu/3, when Traynor’s photo show “Low Life” opens at The Summit SF in the Mission.

Though the Mac-sprouting coffeeshop might seem like an odd venue for a show that celebrates the Mission’s Latino car clubs, the San Francisco-based shutterbug’s exhibition will be hanging just a few blocks away from where his passion for lowriders was first spawned on Cinco de Mayo in 2010. 

“As a native New Yorker, seeing 30-plus lowriders cruising low and slow, hopping on three wheels down Mission Street was something new and exciting and the energy [could] not be ignored,” Traynor recalls. The sight was enough to get him in a ride. “I remember hanging out of the back of a mint 1969 yellow [author’s note: he’s also described it as “flan-colored”] Buick Skylark Convertible while Lexxx from the Padrinos Car Club drove nice and slow for me to steady my camera.”

Traynor’s body of work has tended to specialize in hip-hop culture — he’s shot everyone from Mos Def and E-40 to Lil’ B and N.E.R.D. over the years. But since that Cinco, Traynor has ridden with a score of Bay Area clubs: The Inspirations (the only cars people are stoked to see when Sunday Streets hits the Mission), Padrinos, Pachuco, Aztecas, Excandalow, Frisco’s Finest, Bay Riders, and Fo’ Fifteen Car Club among others. The images from the show come from outside the Bay, too — places like Santa Fe and Sacramento make appearances. On opening night, they’ll be accompanied by shifting motion visuals from John Coyne, and DJs bumping lowrider anthems from the Summit sound system.  

It’s clear from looking at the shots of the cars and their riders that result that he digs the aesthetic (craziest thing he’s ever seen airbrushed on a ride: “A nude angel goddess holding two smoking guns riding a fire-breathing dragon above the pits of hell”) but he insists that these are more than just pretty machines. 

“Lowriders hold history in the Chicano community. [The cars’ purpose is] a sense of pride, passion, and respect. Car clubs are a small community, a family, a group of friends that are all car-loving aficionados.” He’s even seen car clubs that do youth outreach programs and toy drives. 

“Some people wake up on a sunny Sunday and go golfing, go to the park, go to the courts, go hiking. Car clubs cruise. Lowriding is a lifestyle.”

 

“Low Life”

Through Dec. 1

Opening reception: Thu/3 7-10 p.m., free

The Summit

780 Valencia, SF

(415) 861-5330

www.thesummit-sf.com

 

CHP menaces the Halloween Critical Mass ride

Sasha Cuttler
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The California Highway Patrol seems to be on high alert and itching to fight the people in the street, at least if a bizarre incident at last night’s Critical Mass is any indication. And that’s a scary prospect in the Bay Area, where the ongoing standoffs between police and the Occupy movements in San Francisco and Oakland are potential powder kegs that require cool heads on both sides.
Critical Mass was rolling through the warm streets of San Francisco, as it’s been doing on the last Friday of the month for 19 years, and it was a glorious night. The weather was nicer than it’s been in years for the Halloween ride and most of the large crowd wore costumes, many of them playing off Occupy Wall Street themes, from zombie bankers to the Glass Seagull (a reference to the gutted banking regulation Glass-Steagall Act).
Best of all, the San Francisco Police Department seemed to be standing down and allowing the ride to self-regulate, which it did with a minimum of conflicts with drivers. The mood was buoyant and many riders said it was the best Critical Mass they’d been on in a long time.
Then suddenly, as the ride headed up Market Street toward the Castro, crossing Octavia Boulevard, about a dozen CHP officers on motorcycle rapidly descended on the ride, aggressively cutting the dense ride in half to clear Octavia. Some used their motorcycles to push the cyclists back and tensions flared.
Angry words were exchanged back-and-forth between the cyclists and cops, some of whom seemed to be itching for a fight. One in particular pursued the cyclists up Market Street, playing the provocative tough guy or using his motorcycle to try to corral and menace the ride, long after the standoff had ended with enough green lights for the ride to get past Octavia and his fellow officers left.
This battle over public space and freedom of assembly isn’t going away anytime soon. There are resentments building and there will be bad apples on both sides of the barricades in the days and weeks to come. That’s one reason why Mayor Ed Lee is playing a dangerous game by threatening to raid OccupySF at any moment, and why the SFPD’s approach to this ride was far better than the CHP’s.
Just stand down and let the people police themselves.

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