SFBG Blogs

Get your holiday shop on: Recchiuti Chocolates pop up in Dogpatch

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That Michael Recchiuti has a fan base is no surprise. That it’s dubbed the “Obsession Club” isn’t exactly unexpected either.

The Dogpatch-based chocolatier is opening a pop-up shop in the same neighborhood for easeful holiday treat-purchasing on November 17. Recchiuti is a tireless experimenter known as much for his carefully-sourced product as for the egregiously gut-tickling tastings he holds.

Past events the company has hosted have featured chocolate and tofu, not to mention chocolate paired with olive oil, spirits, and cheese. And who else would have the chutzpah or know-how to forge such majesty as the Ovaltini? The treat is a chocolate sherbet with cacao nib brandy paired with a barley malt cocktail garnished with a chocolate cigarette. 

Recchiuti, working tirelessly in his personal production kitchen, also produces items within the traditional bars, bonbons, and boxes format, giftable items wherein you can still see his robust imagination. 

The Little Nib pop-up, a smaller version of Recchiuti’s Ferry Building store, will showcase such Recchiuti classics as the asphalt jungle mix (peanut butter pearls, burnt caramel hazelnut, burnt caramel almond, and two different types of chocolate-covered cherries). 

Also up for the old holiday-minded swoop-and-grab maneuver are fleur de sel caramels, truffles, peppermint thins, sweet sauces, brand new chocolate bar flavors, and wine and beer pairing boxes. 

Recchiuti Little Nib Pop-Up

Open Thursday-Saturday 11 a.m. – 6 p.m. through the holidays

807 22nd St., SF

www.recchiuti.com

 

Watch a San Francisco ukulele star plead her case

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It’s tough to be a musician in this town. Not everyone has the natural talent and drive, plus it’s tiring and costly spending every waking moment trying to show the world your sound. So we tip our hats for adorable Uni and her Ukulele and her efforts to release a new record — with the help of some Kickstarter dough. In this video, she pleads her case.

There are homeless people and mental problems at Occupy encampments? No duh, that’s the point.

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The SF Examiner reporter that embedded at the Occupy SF camp just brought back a titillating story of pants-off rowdies, pot smoking, and screaming. This is how it starts (I swear):

The third major fight at the Occupy SF encampment was supposed to be the last of it Monday night after about 100 protesters banished “Jimmy the Instigator.”

Most protesters believed he was responsible for about half the brawls that broke out there in recent days. Once he was gone, tensions eased, and a heartwarming singalong forecast a peaceful night.

Then Nick took off his pants, the drugs and alcohol took their toll and the violence returned.

Examiner staff writer Mike Aldax spent 24 hours at the encampment undercover. He didn’t tell anyone he was a reporter or his real name, which I can tell you is A) arguably unethical as a journalist in a situation that doesn’t explicitly call for it and B) a great way to ensure that you don’t have any honest conversations with any of the people you’re reporting on. 

It’s fine if you’re just there to find ways to belittle protesters though! Like this gem: 

The east side now resembles a scene from “Pirates of the Caribbean.” Drunk people are fighting and yelling incessantly as someone sings a folk song in a low, bluesy voice.

I mean, that verbal imagery is hilarious but then, making fun of addicts is kind of like shooting fish in the bucket. Ahem, homeless fish that have run into all the injustices and inequities in life that the Occupy movement has sprung up in reaction to. 

Aldax differentiates the troublemakers from “responsible protesters” and tells tales of people with mental illness, not to mention someone who asks him for money, hugs him, and asks him for more, and of course, an incident in which he is told to turn his camera off. Of course, he’s undercover so the person that asks him to do so calls him by his psuedonym, which is Mickey (which I consider a fake name with flair, btw, begrudging props). 

I was also at the encampment the other day interviewing occupiers to get a deeper understanding of the society that’s sprung up in Justin Herman Plaza. Only I told the occupiers my real name. Even though I am a member of the media, I am of the belief that even if you are homeless you still merit the basic standards of human interaction. 

A photographer and I were at the Occupy SF info table when Nate Paluga (by the way Examiner, the occupiers have last names), came up and pointed to a cardboard sign that read “equality and justice” amid the brochures and fliers. “I did that,” he told me. “I’m kind of the camp philosopher. This movement means something different to different people, but I haven’t found anyone that disagrees with those being some core values.”

It turned out he was a bike mechanic who left his apartment in Nob Hill to come live at the camp. He also was one of the camp peacekeepers, and knew a fair amount about the “addicts, opportunists, and people suffering from mental illness” profiled in the Examiner post. 

Here’s the thing, Paluga told me – there’s a reason why people are like that. 

“They’re coming from places where there wasn’t a lot of equality and justice and they’re bringing that with them. You gotta step in and tell them ‘you’re gonna be okay.’”

That’s the role he fills on camp, but he says that kind of intervention also serves to reinforce the camp’s core values.

At Occupy SF, there’s a 70-year-old woman who is nuts. She screams a lot, occupiers told me. But she’s also a barometer for them: when people freak out on her, the craziest one there, others know that that person needs to be spoken with, and reminded of why OccupySF is there in the first place. Because we’re all crazy in our own way. There’s homeless people with mental problems at Occupy because there are homeless people with mental problems everywhere — it’s just that at the Occupy encampments they’re not precluded from being heard because of it. 

Paluga wasn’t denying that disruptions or evictions happen at Occupy – but also he was acknowledging that the movement has the responsibility to deal with trodden-upon people in a different way than the castigation techniques of our legal and social system. “You’ll see it,” Paluga told me. “People will step in.”

This line kills me in the Examiner article. In it, Aldax considers the failure of Occupy if the “good” and “bad” protesters are forced to co-exist:

As long as these two communities live side by side, it’s hard to see how the movement’s message will ever transcend the storyline being scripted by the troublemakers. 

But what about the storyline being scripted by the mass media?

Holy Ghost! proves it’s worth the wait at Slim’s

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I’d been worried about making it to the Holy Ghost ! show at Slim’s on time, so it was a relief to see the singer of Jessica 6, the opening band, standing outside Slim’s having a
smoke. Black hair, black heels, black mini skirt, black leather jacket: Nomi Ruiz is recognizable. I wished her luck and went inside to find out just how early I was.

DJ Eli Escobarwas spinning, but the place is basically dead. A few people up in the loft having food, a few more at the bar, but little life to the place. It turned out to be a decent wait, and as Escobar continued to spin a mix of house and contemporary dance rock, I became anxious. A few people trickled in, but not at a fast enough rate to fill the place quickly.

One person, at least, was very excited. I know he was excited because when I came into the club he was outside screaming “I’m so excited!” to no one in particular, and inside he was standing next to me screaming, once again, “I’m so excited!” He explained in slurred words how he’d been trying to see Holy Ghost! for the longest time, but just happened “to always be on the wrong coast.” 

Luckily, Jessica 6 hit the stage, and it seemed to help with the restless energy. And for the first time in the night, other people were shouting, most clearly “We love you, Nomi!” Perhaps best known as one of the prominent singers in Hercules and Love Affair, Ruiz is at the forefront in her new project. Whereas Hercules struck a delicate balance of conflicted emotions and often achieved a certain morose euphoria, Jessica 6 has a more straight-forward club sound. Opening with “In The Heat” from the debut LP See The Light, Nomi sang, “Don’t you feel the beat?” and began to work the crowd. Less campy, more pop, there’s still a lot of love-torn feelings, but the general focus seems to be on seizing the night.

When Jessica 6’s set ended, the excited/drunk guy approached the edge of the stage and doubled over, face down on the stage. A minute later I had to stop paying attention to that impending disaster, because the roadies were setting up the equipment. As the pièce de résistance, a black tarp was pulled away to reveal a massive, multicolored console of analog synthesizer. The stage lights went dark and the rainbow of panels on the front started to glow as Holy Ghost! took the stage, launching into “Static on the Wire,” from its 2010 EP of the same name.

Although Holy Ghost! is just two guys, Nick Millhiser and Alex Frankel, they enlisted a number of other musicians (including the drummer who played with Jessica 6) to bolster the live show, just as James Murphy did for live LCD Soundsystem performances. Frankel, sporting the second leather jacket of the night, was on vocal duties, while Millhiser was stationed on guitar behind a pair of floor toms. The bands took moves into familiar territory with “It’s Not Over,” not just because it’s one of its more recognizable songs, but because it has what I can only assume to be a deliberate lyrical reference to New Order’s “Bizarre Love Triangle.”

After the third song, “Say My Name,” I’d exhausted my photo op, and decided to make my way away from the stage. I had a friend inside the venue texting me for half an hour asking where I was. As soon as I started to move, I realized that I’d greatly underestimated the crowd. It was packed. Unfortunately, it also was a drunk crowd, not an E crowd, so hardly budging.

With a little more space, I took in the band again, and it’s was getting slower into “Slow Motion.” Among its tracks, it maybe does the least for the band, in part because it sounds a lot like a Chromeo song. Still, while Holy Ghost! isn’t always breaking new ground, it sticks to a formula that works. One of the best things about  LCD Soundsystem
shows was the way in which the band allowed James Murphy to basically do whatever he wanted. With Holy Ghost! (which, given its connection to DFA Records, seems an obvious hope to partially fill the LCD void), this was most noticeable with the big console in the back of the stage, and on a track like “Do It Again,” where the synth is even more prominent than on the record, allowing Millhiser and Frankel to add additional percussive accents on the toms or cowbells.

Holy Ghost! closed the night by playing “Jam for Jerry,” written in response to friend and drummer Jerry Fuchs’ sudden death from falling down an elevator shaft in 2009. The rare dance song that transcends the floor, it’s not just about dealing with one tragedy, but everything in life that ends before you’re ready. But like “It’s Not Over,” “I Know, I Hear” – which was played as an encore with Nomi Ruiz – refuses to accept this. When the band left the stage for good DJ Escobar took over once again, for those of us that weren’t quite ready to leave.

The scene at Occupy Cal last night (VIDEO)

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Students at the University of California at Berkeley voted overwhelmingly to reestablish an Occupy encampment at the university’s Sproul Plaza yesterday, Nov. 15, following a student strike and Day of Action packed with marches, rallies, and student protests called in response to a police crackdown on Occupy Cal’s first attempt to set up tents Nov. 9.

A general assembly drew thousands to Sproul Plaza, the historic site where Berkeley’s free speech movement began. The 15th annual ceremony honoring recipients of the Mario Savio Young Activist Award was held on the steps outside Sproul Hall following the general assembly, and Robert Reich, Chancellor’s Professor of Public Policy at the University of California at Berkeley and former secretary of labor under President Bill Clinton, delivered a speech on “Class Warfare in America.”

By 11:30 p.m., roughly 20 tents had been pitched, and more were cropping up. The atmosphere felt like a festival as hundreds of students assembled their mini tent city, threw a dance party on the steps, waved signs, and vowed to stay their ground. Police presence was minimal, with several officers surveying the scene from a balcony above the plaza and a handful of Alameda County Sheriff deputies in regular uniform clustered near Bancroft Street at the campus edge.

The Guardian will have a full report on the events of the day and night later on, but for now, here’s a video that captures the vote to re-occupy and the high-energy scene that followed.

Video by Shawn Gaynor and Rebecca Bowe

Madlib’s Medicine Show returns to SF

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The final album to Madlib’s 13-part Medicine Show is scheduled to be released this month, capping a series that may prove to be the producer’s magnum opus. Through 12 albums, already he has journeyed through genres – hip-hop, dub, soundtrack music, free jazz, soul, psychedelic rock. He sampled music from around the world – Brazil, Africa,
Jamaica. He culled work from different eras – records from the 1970s, his own unreleased tracks from the ’90s, new productions from today.

When not delving into his massive record collection and producing mixtapes as the Beat Konducta, Madlib goes by a variety of different production aliases, ranging from the
warped-voice lyricism of Lord Quasimoto to the jazz-themed stylings of Yesterday’s New Quintet. He gained new fans in 2004 when he collaborated with rapper MF Doom to form Madvillain and combined blunted beats with heavy, slurred rhymes on album Madvillainy (Stones Throw). Rumors are circulating that the duo is working on an eagerly awaited sequel. Meanwhile, Madlib still remains tapped into the hip-hop scene, recently teaming with Black Star (emcees Talib Kweli and Yassim Bey, formerly known as Mos Def) to produce new track “Fix Up.”

So what does Madlib have in mind for the Mighty crowd on Fri/19? The flyer for Mighty says it’s Madlib’s Medicine Show with Stone Throw mate J-Rocc. Maybe we’ll get to hear
snippets of Medicine Show 13. Maybe Lord Quas launches into a helium-noted harangue on the police. Maybe Madlib spins Krautrock. Really, it could be anything.

http://www.youtube.com/watch?v=tf_YoG9M6Mk&feature=list_related&playnext=1&list=SPA1483AB92DEEA9EE

Madlib
With J-Rocc
Fri/19, 9 p.m., $25
Mighty
119 Utah, SF
(415) 762-0151
www.mighty119.com

Occupy your imagination: Tomorrow, hear the words of a Mission son

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It’s getting into the grind time for the Occupy movement. The first, brilliant tactic of camping out in our nation’s towns and cities is meeting with a nationally-coordinated crack-down, just like we all knew it would. It’s time for phase two.

Benjamin Bac Sierra knows a lot about reimagining. The author survived an adolescence among the Mission gangs to publish the first novel by a native son to come out of the neighborhood in decades

“Once upon a time,” he writes on his blog announcing a lecture tomorrow (Thu/17) at City College,  “the truth was that I was supposed to be a dishwashing convict criminal and to disagree with that truth was to fight the universe.”

With the raid on Zuccoti Park, the raids on Oscar Grant Plaza, the violence on the UC Berkeley campus (?!?), it’s clear that the warriors of Occupy are in need of some uplift – and they’re certainly in need of a plan. 

“To invent your destiny, you must appreciate your base knowledge and synthesize it with other knowledge or predictions, and create something new, unimagined by others,” Bac Sierra writes. Sure, it’s New Agey and maybe his presentation isn’t geared exactly towards camping activists – but this is a man from a section of society that gets a raw deal, who has subverted the “rules” and come out on the other side with a family, a teaching gig at City College, a luminous book, and self-worth.

It might be worth a trip to City College to hear him at this point, just sayin’. 

 

“Inventing Your Destiny” presentation by Benjamin Bac Sierra

Thu/16 1 p.m., free

Diego Rivera Theatre

City College of San Francisco

50 Phelan, SF

todobododown.wordpress.com 

 

U.S. mayors holding regular discussions about Occupy protests

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The U.S. Conference of Mayors, a nonpartisan organization of cities with populations of 30,000 or more, is holding regular discussions about Occupy protests nationwide. In recent days, protests that sprung up as part of the Occupy Wall Street movement in New York, Oakland, Portland, Denver, and some others were targeted with police crackdowns. In a recent interview with BBC news, Oakland Mayor Jean Quan stated that she had been in discussion with other mayors in the days before police raided Occupy Oakland.

The following is a statement issued by the U.S. Conference of Mayors.

“As with many other issue areas, The U.S. Conference of Mayors has facilitated regular conference calls with interested mayors to discuss issues of concern and exchange ideas about the Occupy Wall Street Demonstrations.

“Two of those calls have been a round robin discussion and provided a forum for mayors and police executives to discuss the impact of the demonstrations on their cities and how they are responding to it.

“Included in the discussions have been efforts cities have made to accommodate the demonstrators and maintain public health and safety. Other topics discussed include the costs cities are incurring as a result of the events and the impact on other city service and activities.”

Unclear at this point is whether federal agencies have also been involved in discussions held prior to the recent series of crackdowns. During protests held in Oakland last year decrying the fatal shooting of BART passenger Oscar Grant, there were federal agents mixed among police who were stationed in the streets.

Uh oh … feds raid pot clubs in Seattle

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The feds have launched a coordinated series of raids on medical marijuana dispensaries in the Pacific Northwest. The Stranger in Seattle has extensive coverage:

Federal agents and local law enforcement are executing a volley of raids on medical-marijuana disperses throughout Western Washington this afternoon, according to several sources, who say some of the proprietors are being handcuffed and taken away in squad cars. Thus far, we’ve received reports of busts in Olympia, Lacey, Tacoma, Puyallup, and Seattle.

The Cannabis Defense Coalition has posted a tally of 14 dispensaries raided today.

The raids are leaving patients empty handed and it’s not clear what comes next or whether any of the Western Washington clubs will survive.

This is very bad news, and you have to wonder:

The feds have threatened pot clubs across California and shut down at least two in San Francisco. They’re trying to shut down a lot more in the Seattle area. At least 14 mayors have been on a conference call to coordinate strategy against the Occupy movement. Are the feds involved in that, too?

Is November the month that governments across the country, working together, are going to strike back at medical pot and Occupy? What possible reason could the Obama administration have to do that, one year before an election that he won’t win without the support of the people who are getting arrested, evicted, abused and forced to lose their medical suppliers?

What the fuck is going on?

 

 

 

Guardian editorial: Mayor Ed Lee’s challenges

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 Mayor Ed Lee has always talked about bringing the city together, about avoiding division and harsh conflict. And now  that he’s won a four-year term, he’s must address a wide range of city problems that in the past haven’t responded well to consensus and compromise.
He’s going to have to do it in the wake of an election in which the centrist candidates all finished low in the pack — and the strongest progressive actually won more votes than anyone else on Election Day. And his victory comes at a time when there’s more concern over economic inequality than this country has seen since the 1930s — represented most visibly by the large and growing OccupySF encampment.
The mayor received huge financial support — in the hundreds of thousands of dollars — from some of the same people and businesses that the Occupy movement is targeting. Some of his campaign contributors have an conservative economic agenda that’s way to the right of the center of San Francisco politics. And some of his closest allies (and strongest supporters) are, to put it kindly, ethically challenged. So it’s not going to be easy for the mild-mannered mayor to lead the city — and if he wants to be successful, he needs to work with and not ignore the left.
There are a few critical steps that would show the people who opposed him that he’s not a captive of big-business interests and that he can be trusted:

1. Appoint a real progressive to Sheriff-elect Ross Mirkarimi’s District Five supervisorial seat. If Lee is really mayor who’s above petty politics, the chief criterion for the appointment shouldn’t be loyalty to Lee or Willie Brown or Rose Pak et al.  District Five supported Avalos over Lee by a solid margin (in the Haight, Avalos got twice as many votes as Lee). The district has been represented by two people, Matt Gonzalez and Mirkarimi, both of whom were elected as Green Party members. It’s almost certainly the most left-leaning district in the city, and deserves a supervisor who represents that political perspective. Most of the qualified people who fit that description supported a candidate other than Ed Lee for mayor.

2. Don’t send the cops to roust OccupySF. The movement has support all over the city and is making an historic statement. It’s probably the most important political demonstration in San Francisco since the 1960s. A mayor who has any shred of a progressive soul should recognize that the most important issue facing this city and this nation is the wealth and income gap and help OccupySF make its voice even louder.

3. Present a plan for more than a “cuts only” budget. Yes, the sales tax measure lost, putting a hole in the city budget, and yes, it will be a year before a credible new revenue measure can go on the ballot. But now is the time to start bringing people together to look at what comprehensive tax reforms might be more appealing than a regressive sales tax.4. Don’t give away the city to the One Percent. A developer wants to build 160 condos for the very, very rich on the waterfront at 8 Washington. Mayoral ally Rose Pak supports the project. It’s about as blatant an example as possible of something that only benefits multimillionaires, and it will be one of the first major land-use decisions Lee will have to grapple with. Making his opposition clear would demonstrate his independence.

5. Support public power and community chocie aggregation. And appoint SPUC commissioners with visible, credible public power credentials. PG&E has maintained its illegal private power monopoly in San Francisco for decades  by muscling  mayors to appoint only PG&E-friendly commissioners who keep City Hall safe for PG&E.

6.  Run an open administration. Both previous mayors, Gavin Newsom and Willie Brown, were openly hostile to the press, hostile to open government and and supremely arrogant. Lee has a different personal style and he ought to show that he respects the Sunshine Ordinance by directing his departments to abide by the rulings of the Sunshine Task Force. That’s what good government would look like.

What if you were rich?

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There seem to be more and more millionaires coming out of the nicely paneled woodwork to tell us that they should pay higher taxes.  I heard one of these folks on NPR yesterday and she was talking about what made her happy in life. She’s loaded, young, and could have anything she wanted, but what she said made a lot of sense: She said she would be better off and a lot happier if everyone in the country had access to decent housing, enough to eat, quality transportation and a chance at a good education. 

So I started thinking about it, I guess there’s a reason that I’m a horrible capitalist, because I totally agree with her. If I hit the lottery …  well (geek alert), I’ve had my eye on that cool Visconti lava fountain pen, but there’s really not of lot of stuff that I want. And maybe I’m not that odd – maybe most people really don’t want isn’t Michael Moore’s mansion (gawd, who would keep it clean? I can’t even get the dog hair off the floor of my little place in Bernal Heights). Maybe most of us want to make sure our family has a place to live and there’s money for the kids to go to college and medical care for our aging parents and a job that’s not awful.

What else do I want? I want to be able to ride high-speed rail to L.A. instead of driving the car on I-5 on Thanksgiving week. I want the kids to be able to take buses directly to school so I don’t have to drive them. I want more nudity on TV (well, that’s not really about money, I guess). I want the rec centers and libraries to be open every day and on the weekends, and I want them to have great programs, and I want to have more swim classes at the public pools so I don’t have to pay to send my daughter to the YMCA, and I want to be able to see a doctor when my leg hurts without waiting a month for a manged-care appointment. A nice fishing boat would be cool, but I could share.

Seriously: I’m like the rich girl on NPR (kind of): Most of what I want is stuff that the government ought to be providing to everyone anyway. If only she and the rest of the rich people in the country, who already have everything they want, were paying fair taxes. I got no problem with people wanting to be the next Bill Gates, and even in a really good capitalist system (is that possible?) there will always be rich people, and I suppose the desire for financial success drives progress.

But wouldn’t we all be better if … we were all better? What would you want if you were rich?

And if I do hit the lottery, do I get a tax deduction on the boat?

Dick Meister: Mucho car!

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By Dick Meister

Dick Meister is a San Francisco-based former sports car driver.

It’s gone forever, my beloved Triumph Spitfire, that classic, marvelous looking British sports car that never ran anywhere near as well as it looked. Pearl white it was, with black trim. Pretty. But noisy, roaring sports-car-like down streets and highways to disturb my neighbors and who knows how many others.

For more than 30 years my 1979-model British beauty served me, going everywhere I wanted it to go, drawing approving glances and remarks from pedestrians and other drivers. It was, as one Spanish-speaking admirer exclaimed, “mucho car!”

The Spitfire also gave me the chance to spend lots of time with John, an extremely able, pleasant and sympathetic mechanic. Not to mention the tow truck drivers I often called on to get the car to John’s place of business for fixing,

It also won me the acquaintance of Anthony, the attendant in the garage of the radio station where I regularly recorded commentaries. Whenever I drove in, his eyes lit up. And on those frequent occasions when the Spitfire was being cared for by John, and I arrived in my wife’s humble Toyota sedan, Anthony was clearly disappointed and concerned. He sincerely wanted to know right away whether something bad had happened to “the little car?”

But the Spitfire and I have both become too old to remain together – though the car’s looks don’t reveal its advanced age. My wife Gerry and I were reminded of that recently by two teenage boys who were walking by on the street adjacent to where we had just parked and were sitting with the car’s vinyl top pulled back.

“What,” one boy loudly asked, “is that funny old couple doing in that slick-ass car?”

So now we have parted for good. The memories, however, remain.

It seems not everyone is familiar with Triumph Spitfires, which don’t have brand name labels affixed to their bodies like most other cars. The rarity of the unlabeled Spitfires became frighteningly evident soon after we began our long relationship. My wife Gerry and I were purring along, a mild summer breeze flowing gently around us, brilliant sky above, and not a highway patrolman in sight. Sixty, seventy . . .

Suddenly, a car roared up behind us and then pulled alongside. The driver waved and shouted. What was he saying? “Flat? Flat? “

My God, and we were going close to 80! Gerry didn’t panic. She never does. But me, well . . . “Look! Look! Which tire! Find it! Watch out! Hang on!”

The car next to us slowed as we slowed, and the driver repeated his message. Only now I could see that he was smiling – and hear that he was not saying “flat” at all. The word was “Fiat” as in, “Is that a Fiat, or what?”

And there were those kids staring intently from the rear of cars in front of us on freeways, demanding to know what they were looking at. It wasn’t easy to concentrate on the road with two, three, maybe four kids mugging and waving and pointing as we rolled full tilt down the road.

Coming upon suspicious characters hovering about the car in darkened parking lots and alongside the curb on dark city streets was exciting, too. They always said things like, “Just trying to figure what make car you got here, mister.” But life in the big city being what it is, I was never sure about that.

Yet it was quite nice to be approached in garages and parking lots by young women anxious to learn the identity of “that great looking car.”

Some people didn’t even bother asking the question. One day, for instance, there was a couple crossing the street in front of us, eyeing my magnificent unlabeled machine.

“What?” asked the man, smirking most knowledgably. “A Fiat, of course.” Imagine. My unlabeled British gem being taken again for an Italian.

Then there was the time after I came out of a building in which I had been transacting some important business, quite aware the time had expired on the parking meter. A meter maid in no–nonsense navy blue was slowly circling my unlabeled Spitfire, peering quizzically at the front, side and rear.

“Ah,” said I. “Just in time.”

“No,” said she. “Ticket’s written up. Just looking to see what make to put on it.”

“Oh, ho. And what happens if I don’t tell you?”

“Nothing. I’ll just write it up, ‘Make unknown.’ Actually, you know, it doesn’t really matter to me what it is.”

The final insult to the Spitfire came on its very last day in my possession. It was in one of its frequent non-operating moods, so I yet one more time called AAA for a tow. Out came a truck in four hours – four hours! – a truck equipped to carry, not a beautiful sports car, but a mere motorcycle. The dispatcher had assumed that my Triumph Spitfire was – you guessed it – a Triumph-brand motorcycle.

I tried to drive the car out of the garage and onto the flatbed tow truck’s ramp. Click! Click! Click! Over and over I turned the key and pumped the gas pedal, expecting the usual roar. But the car refused to start. I could only conclude that my beloved Spitfire didn’t want to leave me after all our years together. Finally, the reluctant car was pushed up and onto the truck.

What a humiliating way to go for the Spitfire. For me, too. At least I was able to send the car off to a very good home – John the mechanic’s garage, where it will be on display with a half-dozen other bright, shiny, aged and I assume happy classic British sports cars.

I’ll miss the excitement and feeling of adventure that came with driving what I freely to concede was a highly undependable auto. Despite the fondness I now feel for the departed car, I can’t quite forget the feelings of genuine panic it too often caused me. Too many times, I’d be driving along happily, when, suddenly, the engine would fail me. “Sputter! Sputter! Sputter!” I panicked as I searched desperately for a safe place to park my temperamental machine.

The greatest adventure was my last. I was driving up a very steep San Francisco hill, cars moving in a steady stream in both directions. Then, suddenly, no brakes! Down I plunged, backwards, at ever-accelerating speed, until, finally, I smashed into a neighbor’s parked car. I had no other choice.

I also had no choice but to spend lots to get the brakes replaced. I was used to that, however. I calculate that over the 32 years of our life together, I spent more than $14,000 on repairs for the car that I bought new for $6200.

It’s taken lots of very hard thinking, but I’m finally reconciled to losing what has been my attractive daily companion for three decades. That’s all there is to it.

It’s gone. Gone!

Dick Meister is a San Francisco-based former sports car driver.

The Performant: Humanesque

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“More Human Than Human” and “Two Clowns” explore the in/human condition

If our frail human lives begin, as the fundies would have it, at the moment of conception, at what point are we defined as being possessed of humanity? Is it simply a matter of our genetic makeup? Is it possible for a fully “human” consciousness to develop in non-human entities, and is it such consciousness that defines us at all? At what point, if ever, do we abdicate our rights to lay claim to our humanity? These questions may not be new, but they never seem to go entirely out of fashion, and this weekend you can catch two very different pieces of theatre tackling these persistent conundrums: “More Human than Human,” at The Dark Room, and “Two Clowns” at the Boxcar Theatre Studios on Hyde Steet.


More Human than Human,” penned by B. Duke (Paul Addis), is a prequel to the cult film Bladerunner (1982) and the novel from which it was adapted, Philip K. Dick’s enduring sci-fi classic Do Androids Dream of Electric Sheep (1968). Taking the tack that it is the artistic abilities displayed by the rogue replicants which propels their burgeoning self-awareness, “Human” turns pleasure model Pris (Kendra Coeur) into an aspiring ballerina, assassin/burlesque dancer Zhora (Alissa Magrill) into an opera singer, the slow-witted Leon (Alejandro Torres) into a sensitive photographer, and the ringleader Roy (Ronan Barbour) into an appreciator (though not a writer) of poetry.

Two other replicants, Hector (Sean Mann) and Jennifer (Francesca Crebassa) created especially for this origin story, display similar talents, and together the six formulate a plan to hijack a shuttle and head to earth to pursue their dreams. The very definition of “bare bones,” it’s not a production that seems destined to reach a broad audience, though certainly “dickheads” and Bladerunner completists will be intrigued, but the suggestion it raises that self-awareness is a side-effect of the creative drive is one worth mulling over, whether in the theatre, or maybe just over a few beers.

In Ronnie Larsen’s “Two Clowns,” the oddience is introduced to two very different icons of our collective American consciousness—Divine and John Wayne Gacy. The first half follows Harris Glenn Milstead, Divine’s alter-ego and creator, for the last 24 hours of his short life, preparing to put the Divine character to rest and seek his fortunes playing male roles. Actually it’s a little misleading to bill it as a play about Divine, since the play is really about Milstead’s desire to shed the Divine character and reinvent himself, but the second half of the show, the John Wayne Gacy half, is very definitely about the notorious “killer clown”.

As Gacy, Larsen morphs chillingly into a fast-talking, swaggering braggart whose hardened exterior shell can’t entirely conceal a gaping hollow within that he ravenously tries to fill with violence and sex. Alternating between bragging about his exploits and protesting that he’s no “sicko,” Gacy’s snarling monologues are interspersed with testimony from his mother, his ex-wife, and Jeffrey Ringall, one of the few of his victims known to have survived his encounter with the prolific serial killer. Like “More Human than Human,” the subject matter of “Two Clowns” proves more compelling than the actual staging, but its unflinching focus on the outer edge of humanity’s imperfections does provide an intriguing opportunity for reflection.

More Human than Human
Through Nov 19
8 p.m., $25
The Dark Room
2263 Mission, SF
(415) 401-7987
www.darkroomsf.com
www.morehumanthanhuman.org

Two Clowns
Through Nov 26
7 p.m., $20
Boxcar Theatre Studios
125A Hyde, SF
(415) 967-2227
www.boxcartheatre.org
www.ronnielarsen.com

Localized Appreesh: The Spyrals

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Localized Appreesh is our weekly thank-you column to the musicians that make the Bay. Each week a band/music-maker with a show, album release, or general good news is highlighted and spotlit. To be considered, contact emilysavage@sfbg.com.

You remember using spirographs as a child — drawing endless, satisfying colorful curves with your extensive color pencil collection? You could probably bust that out again and give the Spyral’s Sunflower Microphone seven-inch single (released today, a precursor to the upcoming 2012 album) a spin. The wave-like reverb of garage guitar meets a lower 13th Floor Elevators-y howl here, a surfy psychedelic dream. Check out Side A on the Spyrals’ Bandcamp page.

Also, give a listen to the San Francisco psych-pop trio’s output from earlier this year Clouds, equally mind rolling, equally appropriate for an afternoon spent lazily spinning creative circles. And then, even further back, there’s the entrancing song “Soul,” from 2009, and its captivating video, laced with surf and war imagery (see the vid below).

To celebrate the release of Sunflower Microphone this week, the Spyrals play Hemlock Tavern on Thursday.

Year and location of origin:
2009, San Francisco
Band name origin: Time being a never ending spiral. We’re trying to capture a time, good or bad, and share it with the people.
Band motto: It’s gotta groove.
Description of sound in 10 words or less: Best shit you heard in a long while.
Instrumentation: Guitar, vox, bass, drums
Most recent release: Single comes out November 15. Album out early 2012.
Best part about life as a Bay Area band: There’s no shortage of people doing interesting stuff.
Worst part about life as a Bay Area band: There’s no shortage of people doing crap.
First record/cassette tape/or CD ever purchased: Digital Underground Sex Packets.
Most recent record/cassette tape/CD/or Mp3 purchased/borrowed from the Web: Downloaded the Gories I Know You Be Houserockin the other day.
Favorite local eatery and dish: That’s a tough one. Probably Los Compadres. It’s a family owned Taqueria in South City, near where we rehearse. Damn good carnitas.

The Spyrals
With Michael Beach, Hypatia Lake
Thurs/17, 9 p.m.,$6
Hemlock Tavern
1131 Polk, SF
(415) 923-0923
www.hemlocktavern.com

Vintage Spyrals video:
http://www.youtube.com/watch?v=QNXvaKymGz0

Maximum Consumption: Justin Bua finds the vegan in hip-hop

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Hip-hop and jazz visual artist Justin Bua is reeling off the pillars of vegan hip-hop.

Mr. Wiggles, DJ Qbert, Russell Simmons, Dead Prez, KRS-One, Mear One – I think GZA from Wu Tang? But I’d doublecheck that.” (It turns out he’s at least vegetarian, as are four members of the Wu) “I think being vegan is the ultimate expression of hip-hop,” says the B-boy cum bestselling poster artist. 

It was a novel twist to our conversation, which took place over a table at Gracias Madre, Cafe Gratitude’s vegan Mexican restaurant in the Mission. Bua’s new coffeetable portrait book, The Legends of Hip-Hop (Harper Collins, 160 pp, $34.99) came out earlier this month, and he had just performed at the Independent the night before in a show that he hopes to take around the country in 2012. The Bay’s DJ Qbert – one of Bua’s subject for Legends, who was just finishing up his plate of food at the table when I walked into the restaurant – and others had spun while Bua hosted and supplied visuals. The show had sold out, the painter told me. He said tickets were going for “$60, $70” from scalpers. 

But back to veganism. 

“It’s irreverant, subversive, truth,” Bua mused over a creamy, vegan coconut pie when I asked him about the connection between hip-hop and eschewing dairy. “It’s about having a clean head and mind.”

C’mon, even Tupac was on this level. “Let’s change the way we eat, change the way we live, change the way we treat each other,” Bua quotes. “Let’s change the way we eat? He was talking about going vegan.” 

This is Bua’s jam – changing the world through personal actions. He sees his own work to document hip-hop’s legendary emcees, DJs, graffiti artists, producers, and B-boys as a entry in the historical record. Of his swirling, regally distorted works he says “they’re really in the tradition of the Grecos, the Raphaels, the Rubins” – artists which once documented the elite and created some of the few lasting visuals of the times in which we live. 

“I’d like people to take away from The Legends of Hip-Hop that these people are as historically revelant as the kings and the queens, those are the important people of the time.”

He says that given the hip-hop generation’s spending power, that the music has the capacity to change the world. And that it could do it through veganism, the rejection of industrial farming and that invasive act of consuming a fellow earth-dweller. “The ultimate form of respect is to not eat each other. That’s fucking weird.” 

To that end, Bua is considering launching a hip-hop-oriented eco-festival, featuring presentations by the food scientists whose findings have helped change his own lifestyle. So taken is he, in fact, by the power of food, that he and girlfriend Ruby Roth started a cooking blog called We Be Vegan, and he has an affordable super food drink in the works with nutritionist David Wolfe. He calls Wolfe “the most knowledgable person I’ve ever met in my life – and I’ve met Cornell West and Bill Clinton.” He hopes to drop the product in the next few months, insisting “you have an experience when you drink it.”

Ultimately, he’d like to see the people that take strength like he does in hip-hop’s powerful figures translate their message into taking control over their diets. Corporations, he said, can be toppled by what’s in your kitchen cabinet and lower intestine. Big companies should never be trusted to care for the health of the people.

“They know that they’re putting garbage on your plate, but they don’t care because the want that money. We gotta eat simple. Seven billion people on this planet is unstable. You can’t feed the world meat.”

 

One percent assault the waterfront

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While the 99 percent are fighting to hold onto a crowded encampment at Justin Herman Plaza, two new condo projects are moving along in San Francisco that would give the one percent specatular views from their mulitmillion-dollar homes on the waterfront.

And as much as OccupySF has been a challenge for Mayor Ed Lee, his administration’s response to giving choice parcels to some of the wealthiest people in the country will test his housing policy and his political independence.

The Port Commission is holding preliminary meetings on the 8 Washington project, which is about as direct a conflict with the city’s General Plan and housing needs as anyone could ever imagine. The developer wants to build 165 of the most expensive condos in the city’s history, aimed entirely at the very, very rich. Many will no doubt be used as pieds a terre for people who will live in San Francisco only a few weeks of the year. The project will do nothing to address the desperate need for affordable housing and housing for the middle class.

Rose Pak, the Chinatown business consultant who was central to Lee’s campaign, told me a few months ago that she supports the project. Marcia Smolens, one of the city’s top lobbyists, is working on it. There will be big money and clout pushing this — even though there is no rational reason why San Francisco should ever approve it.

And while BeyondChron claims that gentrifcation and overdevelopment isn’t so much of a problem these days because “financing … development is more difficult than ever,” the developers don’t seem to have noticed. A Nov. 11 story in the San Francisco Business Times (you can only get a few paragraphs if you don’t subscribe) explains that “developers are starting to plan new projects again after more than three years of inactivity” –and one of the biggest is a 284-foot, 160 unit residental highrise at 75 Howard Street. There’s a parking garage now on the site, which would be demolished to build condos that one expert told the BizTimes would sell for 1,000 a square foot.

You got that? A 1,000 square-foot one-bedroom unit would go for $1 million.

So we have two major waterfront projects — both of them high-end luxury condos, both of which would have just lovely views of the OccupySF encampment — moving forward while the barricades go up and the mayor decides when to evict the protesters. A classic battle for the soul of the city. Who’s side will Ed Lee be on?

Live Shots: Feist at the Warfield

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SFBG photographer Charles Russo caught Feist at the Warfield on Monday. 

The Hangover: Nov. 10-12

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**The sunny, indie rock jams of Ridgewood, NJ’s Real Estate cured my rainy day blues on Friday night at Slim’s. San Francisco’s unshaven, flannel-clad urban lumberjacks showed up en masse to seek shelter from the rain and soak up some seriously good vibes. The five-piece kicked off with “Suburban Beverage” from its 2009 self-titled debut. Inviting us to mellow out, leader Martin Courtney repeated the song’s only words, “Budweiser, Sprite, do you feel alright?” Fans responded with blissful head-nodding. See full story here. (Frances Capell)

**I shall refrain from naming this unnamed SF bar for reasons that will soon become clear. On Friday night I took a group of females out for a night of drinking, dancing, and old school friendly conversations. At the bar where we eventually landed, the DJs were spinning what amounted to Bar Mitzvah music. No, not Hebraic, religious, Cantorial chants, I’m talking about the Celebrate Good Times after-party repeated hits, the ones we’ve all just heard too many times, at the aforementioned life changing parties, and in commercials for cheap burgers or pull-up diapers, at the dentist’s office (my dentist keeps the mood perky). The meandering blob of drinkers seemed confused — but willing, determined — to dance to this godforsaken sound. I, however, could not muster enough enthusiasm. (old-stick-in-the-mud, Emily Savage)

**It wouldn’t (quite) be fair to fault the party for the muscle-bound tank top clones posing sullenly about the edges of the dancefloor and truth be told, the beats coming from Stallion Saturdays at Rebel more than made up for all the unyielding musculature in the club. Seattle’s DJ Nark had appeared for the evening, sporting fetching neckwear and spinning even more fetching, not-corny-at-all jams from disco greats to more current, creepy-good modern bangers. By the end of the night the place was packed, just packed with hairless wonders, swaying slightly to the tune of their sugar-free Red Bull-vodkas. (Caitlin Donohue)

**The cooperative music project known as BOBBY may never be conventionally popular. Founded by Tom Greenberg as a multimedia project at Vermont’s Bennington College, BOBBY’s avante-garde psych-folk tunes are favored by the nerdiest of music geeks. That said, my fondness for BOBBY’s strange, multi-layered debut album was enough to send me across town in dismal weather to catch its brief opening set at Bottom of the Hill on Saturday night. It was an uncharacteristically mature crowd for the venue, peppered with the occasional young art hippie. Four members of the sometimes septet were present, all of whom sported bizarre blonde wigs. The band opened with the cinematic “We Saw,” and continued on to “Sore Spores,” the catchy standout track from its debut. Weird samples and synths were paired with guitar, drums, and crazy vocal harmonies. BOBBY finished with an untitled, totally epic track and left the stage long before I was ready to say goodbye. (Frances Capell) 

**Guitarists strummed intricately, singers rang out piercingly in throaty voices, everyone clapped complicated rhythms, and brightly costumed dancers stomped, shouted, and whirled until they could no more at San Francisco Theatre Flamenco‘s thrilling “45 Años de Arte Flamenco” celebration at the Marines Memorial Theater on Saturday. Although guest dancer Manuel Gutierrez couldn’t be there due to visa issues (this is happening to a lot of performers lately!), the fantastic Juan Siddi took over with jaw-dropping, toreador-jacketed moves. Company artistic director Carola Zertuche fascinated with her regal bearing and sprightly footwork, while a chromatic bulerías dance by Cristina Hall (accompanied in the beginning by Alex Conde playing the strings of his piano) was eerily contemporary and deeply engaging. Singers Kina Mendez and Jose Cortes mesmerized with entwined cries and intimations of extreme longing. Olé! (Marke B.)

**Toward the end of a tight, danceable set at the Great American Music Hall on Saturday night – a performance that was, by the way, dedicated to Occupy Oakland – Austra’s glorious vocalist Katie Stelmanis told the crowd this show was the best of the tour. My mind went black and the thought flashed: I bet she says that to all the cities. I felt a pang of jealousy. Though the operatic electro-new wave act is based in Canada, I wanted her – and the rest of the band – to love San Francisco most of all, to blow us sugary, synth-soaked kisses for eternity. The night started with such a snag, a quartet of sorrowful hipsters pretending to see a friend “Oh Sarah! I think she’s up there all alone” and bully their way into a hot and packedthistight crowd, but when crystal-throated Stelmanis fluttered out in a flowy cape-dress, looking like a peroxide cult leader, flanked on either side by two back-up singers in gold-lined black tunics, it was hard to stay pissy long. Song three: the emblematic stunner “Lose It.” (Emily Savage) 

**The stage lights go dark and the rainbow of panels on the front start to glow as Holy Ghost! takes the stage at Slim’s, launching into “Static on the Wire,” from its 2010 EP of the same name. Although Holy Ghost! is just two guys, Nick Millhiser and Alex Frankel, they’ve enlisted a number of other musicians (including the drummer who played earlier with Jessica 6) to bolster the live show, just as James Murphy did for the live LCD Soundsystem performances. Frankel, sporting the second leather jacket of the night, is on vocal duties, while Millhiser is stationed on guitar behind a pair of floor toms. The bands takes moves into familiar territory with “It’s Not Over,” not just because it’s one of their more recognizable songs, but because it has what I can only assume to be a deliberate lyrical reference to New Order’s “Bizarre Love Triangle.” (Ryan Prendiville)

 

Oakland occupiers respond to second police raid

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By Shawn Gaynor

Angered yet undeterred by an early morning police raid, several thousand protesters came out in support of Occupy Oakland and marched from the Oakland Public Library back to the encampment site at Frank Ogawa Plaza — renamed Oscar Grant Plaza by the occupiers — a little after 5 p.m. on Nov. 14. The atmosphere of the march was festive as the crowd made its way through the streets of Oakland, chanting and waving signs and banners.

The Oakland Police Department had a small presence of regularly uniformed officers in the plaza as of 5:30 p.m., but they did not interfere with protesters streaming into the square, where tents were dismantled by police earlier that day. However, city officials made it clear in the hours following the raid that they would not allow protesters to remain in the plaza overnight.

According to a text message update, an emergency general assembly was being convened at the amphitheater of the plaza to determine future plans.

Protesters were also circulating petitions calling for a recall of Mayor Jean Quan.

Check back here for more.

Fearing violence, UC cancels Regents meeting; Chancellor pardons arrested UC protesters

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Citing public safety concerns, University of California has canceled a UC Board of Regents meeting set for Wednesday morning at UCSF Mission Bay, a meeting that has been the target of months worth of student organizing to protest tuition hikes and service cuts and which dovetailed with the roiling Occupy movements in the Bay Area.

After police crackdowns on Occupy encampments in Oakland and in UC Berkeley’s Sproul Plaza over the last week, the long-planned showdown with the UC Regents – whom protest groups such a ReFund California say are among the powerful 1 percent that Occupy has targeted and which they blame for deep cuts in California’s public university system – was highly anticipated.

OccupyCal protesters have called for a strike on that and other UC campuses tomorrow to protest the violent police expulsion of student protesters at UC Berkeley last week. At a General Assembly at 6 pm today (Mon/14) in UC Berkeley’s Sproul Plaza, attendees will decide how to respond to the cancellation of the meeting.

Other groups that include labor representatives, such as ReFund California, will also independently decide how to proceed. “We’re figuring out what to do,” said Jennifer Tucker with ReFund, noting that they will post that information on its website: www.makebankspaycalifornia.com.

A statement issued today by the UC President’s Office cited information gathered by UC Police: “From various sources they had received information indicating that rogue elements intent on violence and confrontation with UC public safety officers were planning to attach themselves to peaceful demonstrations expected to occur at the meeting.

“They believe that, as a result, there is a real danger of significant violence and vandalism. They have advised us further that this violence could place at risk members of the public, students lawfully gathered to voice concerns over tuition levels and any other issues, the UCSF community, including patients, and public safety officers, UC staff and neighbors of UCSF Mission Bay. They recommended to us, in the strongest of terms, that we cancel or postpone the meeting as scheduled.”

Tucker criticized the move: “We were floored this morning by the announcement that the Regents were canceling their meeting. There had been a statewide organizing campaign for months on this with thousands of students coming in on buses from throughout the state,” she said, adding that, “There will still be protests on Wednesday, but we’re not sure what form they will take.”

Meanwhile, UC Berkeley Chancellor Robert J. Birgeneau, who was out of the country during the violent police crackdown last week, today issued a statement ordering a third-party investigation of the clash and granting amnesty under the Student Code of Conduct to all students who were arrested for blocking police from removing the encampment.

“It was only yesterday that I was able to look at a number of the videos that were made of the protests on November 9.  These videos are very disturbing.  The events of last Wednesday are unworthy of us as a university community.  Sadly, they point to the dilemma that we face in trying to prevent encampments and thereby mitigate long-term risks to the health and safety of our entire community,” he wrote. “Most certainly, we cannot condone any excessive use of force against any members of our community.”

Lessons from 2011 for 2012

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With the release of precinct results for the 2011 election, we are able to actually see, for the first time, what San Francisco voters did, as opposed to hearing what various nabobs said they did.  There are a couple of key conclusions about the vote that should guide any left-liberal thinking of the key 2012 Supervisor races.

The first thing San Francisco voters did- about 40,000 of them-  was stay home.  Turnout – about 40% – was the lowest for a mayor’s race in 40 years. Moreover, counter to several “expert” narratives, turnout in neighborhoods with large numbers of Chinese voters — Chinatown, the Richmond, the Sunset, and Vis Valley — was lower (average 33%) than in neighborhoods with few Chinese voters — Diamond Heights, Noe Valley, the Castro and West of Twin Peaks — where turnout averaged 40%.

There seems to be four reasons for this curious outcome. A couple of them have lessons for us for the 2012 election that we ignore at our peril.
First, in a City that is clearly center-left, voters were presented with nine center-right candidates, seven of whom were declared by the Chronicle at one time or another to be “serious.” Only John Avalos was a clear center-left choice. This was shown in the huge number undecideds that appeared in poll after poll. Undecided voters are often unhappy at the lack of choice being offered by the field and simply don’t vote.

Second, professional campaign management of the supposedly serious candidates was terrible and actually counter-productive to their candidates’ best interests. The pros actually seemed to have suppressed turnout in key neighborhoods. Ace Smith and Bill Barnes, working for for Ed Lee, spent most of their time trying to distance their candidate from his base and key supporters, made rookie fund-raising mistakes time and again and gave their counterparts in the Yee and Herrera campaigns ample ammunition for a  series of negative ads and mailers.  John Whitehurst and Mark Mosher, working for Herrera, and Jim Sterns, working for Yee, took the opportunity and went negative on the least threatening figure in San Francisco politics in recent memory. 

As we all know negative campaigns generally suppress turnout — and that seems to be the case in this election. Avalos, who after September had no professional management, stayed positive and gained votes by doing so.

Third, organized labor, for the first time in living memory, did not endorse the winning candidate for mayor. Indeed, its official candidate, Yee, came in FIFTH. It’s as if labor decided to concentrate only on its issue — pension reform — and devote no energy, people or money to the myors race. Without labor’ support,effective GOTV in left-liberal neighborhoods is all the more difficult and was clearly beyond the ability of the Avalos campaign to carry by itself.

Labor knew who it wanted to vote on pension reform and narrowly focused only on those voters. That it still has the ability to do electoral politics can be seen in the fact that more total votes were cast on  Proposition C (186,336) — labor’s pension- reform measure –than were cast for all candidates in the mayors race (179,888).

Finally, there were 160 fewer polling places this election than last year, and to make matters worse the Department of  Elections mailed 115,000 voter handbooks with the wrong polling place address causing them to send postcards with the corrections. While this in no way was responsible for the 40,000 fewer votes cast, it was probably worth several hundreds of missed votes.

The lessons for next year? We need good candidates who actually align with political sensibility of the voters. This will be especially true in District Five after Mayor Lee appoints some center-right clone in the most left-liberal district in the city, and equally true in District Three with David Chiu, who has certainly turned to the right since his election. 

Supervisor David Campos in District 9 will be fine in this regard as will Supervisor Eric Mar in District 1 — where he will face a real fight.
Avalos’ showing in the mayors race should do him well in District 11 and offers a real chance for him to be board president in 2013.
Community-based left-liberals and labor must come together closer than in this election and perhaps closer than at any time since the Great depression. Labor’s support for the Occupy movement is a good indication that fruitful common ground can be found. We need each other more than ever in 2012.

We need to work to get good lines for the new districts and have a grand meeting of the minds on how we address the absentee voter issue.  Both labor and the Mirkarimi campaign did absentees well enough to win.  We need to apply their lessons to the Supervisors races.

Dare to struggle, dare to win.

Calvin Welch is a housing activist who has been watching San Francisco elections for more than 40 years.

 

Live Shots: Real Estate and Big Troubles at Slim’s

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The sunny, indie rock jams of Ridgewood, NJ’s Real Estate cured my rainy day blues on Friday night at Slim’s. San Francisco’s unshaven, flannel-clad urban lumberjacks showed up en masse to seek shelter from the rain and soak up some seriously good vibes. The five-piece kicked off with “Suburban Beverage” from its 2009 self-titled debut. Inviting us to mellow out, leader Martin Courtney repeated the song’s only words, “Budweiser, Sprite, do you feel alright?” Fans responded with blissful head-nodding.

Courtney looked effortlessly hip in his thrift store button-up and thick-rimmed glasses. With his ball cap, t-shirt, and scruffy beard, bassist Alex Bleeker resembled someone’s dad jamming out on a Saturday afternoon. Bleeker praised San Francisco as his favorite city before the band jumped into “Easy,” the opening track from its sophomore effort, Days (Domino). As Courtney recited lyrics involving dreams, running through fields, and free love, guitarist Matt Mondanile warmed the venue with his clean guitar riffs.

The band’s lengthy set consisted of new songs from Days interspersed with selections from its debut. Considering the consistent sound of Real Estate’s albums, I was surprised to see Courtney and Bleeker trading lead vocal duties. A highlight of the evening was “It’s Real,” which had fans singing along to its catchy chorus of Ohs. Another success was the laid back, exceptionally chill “Out Of Tune.”

Real Estate also covered a couple songs by fellow New Jersey bands, the first of which was Felt’s “Sunlight Bathed The Golden Glow.” The jangly pop track was perfectly suited to the group’s summery backyard sound. After closing with “All the Same,” the band returned to the stage to cover the Feelies’ “Higher Ground.” Though I suspect few of them were familiar with the original, the audience totally loved it.

Real Estate finished out its encore with some favorites and left with the promise to meet fans at the Attic for a drink. Cloaked in the warmth of Real Estate’s positive vibes, I ventured back into the dark and blustery San Francisco night.

Opener: I had high hopes for another act from Ridgewood, Big Troubles. Though the band looked cute enough to take to the prom, its opening set fell a little flat. After getting hooked on its recent album Romantic Comedy (Slumberland), I was looking for a more intense, dynamic version of the songs I’d come to love. What I got was the equivalent of listening to the CD in my bedroom. With such a clear shoe-gaze influence, however, I suppose a highly animated performance would be a betrayal of the band’s roots.

 

All photos by Wolfgangg Photography.

Second chances at the Cadillac Hotel

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Never let it be said that the Cadillac Hotel’s lobby is a stranger to people in need of a do-over in life. Muhammed Ali sparred in the gym that once stood here, Jerry Garcia slept upstairs, but nowadays the historic Tenderloin hotel is home to poor, single adults. On Friday afternoon, a collection of residents, neighbors, and opera were assembled for a tale of redemption, fall from grace, redemption, fall from grace. 

No, not a biblical sermon – try a performance of Porgy and Bess.

“If you didn’t start out right you can hit reset. That’s what we believe in. Everything we’re giving to you right now, you’re giving right back to us.” San Francisco Recovery Theatre director Geoffery Grier stood in front of the Cadillac’s pride and joy – an 1884 Steinway grand piano, donated in the name of Western Addition neighborhood activist Patricia Walkup. 

The show was part of a series that was inaugurated in 2007 to utilize the Steinway and bring art into the classically beautiful lobby of the Cadillac, where SRO residents shuffle about past crystal chandeliers, fake spiral topiaries, and a massive fireplace. The hotel’s founder, Leroy Looper, passed away two months ago. His wife Katherine is pushing on with the concert series, and next month will host former member of the Supremes Susave Green in the space.

Of course, it wasn’t the whole Gershwin opera (four hours!) What Grier emceed was a one-hour rendition of Porgy and Bess‘ most well-known songs: “Summertime,” “Ain’t Necessarily So,” “A Red Haired Woman.” The performers vamped their way through multiple characters – at one point Eric Ward (who changed from a red dress shirt-vest combo to a blue dress shirt-vest combo halfway through the show) took the stage two songs in a row, a different role for both. The multiracial cast may have stumbled through Gershwin’s heavy-handed use of ebonics, sure — but there was no denying that the motivation behind the performance was heartfelt.

The whole thing was cheer-worthy really. By the time the cast (minus a regal, leonine woman bedecked in pearls that sang a R&B-afied version of “Summertime”) was performing a sing-a-long rendition of “O Lawd, I’m On My Way,” I was already feeling separation anxiety. 

Of course, as Grier reminded us, the end of the show just means we can do it all over again. 

Next month’s Cadillac performance will mark an extra-special milestone: the piano’s turning 127 years old. There will be birthday cake.

 

Susave Green feat. the Jeffery Chin Trio

Dec. 2 12:30-1:30 p.m., free

Cadillac Hotel

(415) 673-7223

www.cadillachotel.org