SFBG Blogs

Snap Sounds: Super 11

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SUPER 11
SUPER ONZE
(self-released)

Led by hand drumming, three-stringed n’goni lute, and organic pitch shifting Malian chant, Super 11’s Super Onze is a compelling set of songs. The band, a collective formed in a remote region of Northern Mali, plays Takamba, a type of music typically created for weddings and other ceremonies. It comes from a rich musical history, linked to other artists in the area, and in style to acts such as Ali Farka Touré.

I first came to Super 11 through cantorial-blues act Sway Machinery. The Sway Machinery traveled to Mali a few years back to work on an album and Gao-based Super 11 ended up appearing on the New York act’s double record — a brilliant decision. It’s no wonder the collab worked. Merely explore the fiery opening vocal solo on Super Onze‘s “Khoumeissa,” or fall deep into any of the album’s thumping hand-made dance beats. It’s available at www.super11.bandcamp.com.

More reasons why PG&E hurts the city

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I know that the folks in Santa Clara are just taking full political advantage of the Candlestick blackout, buy you have to admit: They have a persuasive case. Here’s today’s Bay Citizen:

On Tuesday, Santa Clara’s mayor said his city’s superior public infrastructure helped lure the Niners away from San Francisco.

“To say this would be unlikely here is too kind: it simply could not happen in Santa Clara,” Mayor Jamie Matthews said in a Tuesday interview.

Santa Clara’s publicly owned Silicon Valley Power agency runs its own power generation and distribution system, drawing on sources such as wind turbines on Altamont Pass.

“The reason they moved to Santa Clara is the reliability of our services,” Matthews said. “We have reliability in our electricity system that is unparalleled.”

Yep: PG&E’s aging infrastructure and its inability to keep the lights on costs San Francisco jobs. And a reliable public system like the one in Santa Clara would help attract business. Maybe even more than tax breaks.

You paying attention, Mr. Mayor?

 

Tax Kim Kardashian!

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This is perfect: The Courage Campaign is running an ad encouraging Kim Kardashian — who made $12 million last year for pretty much nothing except being Kim Kardashian — to endorse the millionaire-tax ballot initiative. The point is that Kim’s income is about 240 times as much as the income for the median California family — and she pays only 1 percent more in taxes.

We need to make Kim understand how much regular folks are suffering these days. If we do, maybe she’ll support paying a little more to help fund criticial services.

Sign me up. Tax Kim. If I had her phone number, I’d call her right now and tell her that her public is waiting — for her to join the Courage Campaign. Somehow, I don’t.

The Performant: Tradition! Tradition!

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Golden Girls, Kung Pao Kosher, Merry Forking Christmas … the holidays are coming whether you like it or not.

Love ‘em or hate ‘em, the holidays just keep on coming around. And unless you plan on hibernating the entire month of December away, sooner or later someone is going to force you into an ugly sweater and drag you to some seasonal entertainment designed to fill you with goodwill towards all humankind — or some such optimistic twaddle. Even so, there’s certainly no reason you have to subject yourself to endless renditions of Tchaikovsky’s famous suite or stale Bing Crosby carols in order to fulfill your holiday spirit quota. Alternatives abound here in Babylon-by-the-Bay, and you’re sure to stumble across a few that speak to your own imitable tastes.


Call it nostalgia, or call it an abiding love for the dubious fashions of the late 80’s, but whatever the attraction, this year’s edition of Trannyshack’s “The Golden Girls Christmas Episodes,” (through Dec. 23) has been packing the house at the Victoria Theatre with its irreverent rendition of the iconic television show. The four Tranny Grannies — Heklina, Cookie Dough, Pollo del Mar, and Matthew Martin — embody their characters with real affection, as their enthusiastic audiences sing along to the retro jingles of old Dr. Pepper commercials while cat-calling each spectacular costume change.

Another tradition-in-the-making, Pianofight’s third annual production of “A Merry Forking Christmas,” (through Dec. 30) is also packing the house with a good mix of PianoFight first-timers and old “Forking” initiates who are easily identified by their crumpled brown paper BYOB bags. The concept of “Forking” is both deceptively simple and yet infinitely clever — a choose-your-own-adventure story which “forks” off in several, audience-mandated directions, mostly determined by chaotic bursts of applause. Set in that oppressive microcosm otherwise known as “The Mall,” the play follows a handful of characters battling the stress and hopelessness of Christmas Eve either engaged in last minute selling, buying, security guarding, or Santa Claus-ing as the “true meaning” of the holiday in question eludes each.

Since nothing can make one feel more self-consciously Jewish than a month full of Christmas cheer, it’s good to know that Lisa Geduldig’s Kung Pao Kosher Comedy event (Dec. 23-25) has been stuffing holiday orphans of all faiths full of potstickers and potshots for nineteen years. This year’s headliner is Elayne Boosler, and if you go for the dinner show your ticket includes a seven-course feast, which sounds like my kind of Christmas. Or it would if it didn’t compete with the First Satanic Church’s annual Black X Mass (Sun/25) at the Elbo Room. Basically an excuse to throw a high-voltage rock show on the quietest night of the year, Black X Mass consistently boasts some of the most eclectic line-ups imaginable, combining costumed concept bands with “abstract metal” ensembles, mean-tempered go-go devils, various permutations of Mongoloid and Graves Bros. Deluxe, and a black-clad specialist in a rarified musical field — “Theremin Wizard Barney.” It’s a season’s greeting more reminiscent of “The Shining” than “It’s a Wonderful Life” but let’s face it, sometimes that’s exactly the kind of tradition we like best.

Holiday greetings and good cheer from the Guardian

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After 45 years of printing the news and raising hell for good causes in San Francisco and beyond. B3 

 

Catholic Church rejects LGBT ministers

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I grew up in the Catholic Church, and it pretty much drove me away from religion. I could never quite get the basic contradictions between a message of love for all people and a politics of intolerance. (Jesus loves his children, except the women, who have to be second-class citizens, and the homosexuals, who are going to burn in Hell.)

Then there was the general wackiness: Every Sunday, we had to pray for “the Jews” in the hope that they would see the light of Jesus and be saved. I once asked our head parish priest, who was also the “Christian Doctrine” teacher at my Catholic school, what that was all about; the Jewish people I knew seemed to be doing fine on their own. They believed their thing, we believed ours, and so what? Were these folks all really going to suffer eternal damnation? That seemed so, you know, harsh.

The priest was very direct: Our way, the Catholic way, was the only way. Everyone else was wrong and would pay for it. People who didn’t believe the same things we did were doomed to hideous torture in the flames of Hades until the end of time and beyond. Too bad for them.

Oh, and by the way: It wasn’t just a sin to have sex, even with yourself — it was a sin to think about it.Later, Father.

Before the blog comments start, let me acknowledge that there are many wonderful Catholics who have done wonderful things for the world. I have nothing but respect for them and they way they live their lives. The nuns who live next door to my mom in Philadelphia are really sweet and helpful to her, and they were great when my dad was dying. I’m a proud atheist, but whatever turns your spirit on is fine with me. Just don’t tell me I have to agree with you.

That said, the dodos who run the organizational part of the Church have always been a bit of a problem.

For example: this is San Francisco, and there are a decent number of gay Catholics, and a lot of them go to Most Holy Redeemer Church in the Castro, which is about as welcoming to gay people as any Catholic institution can ever be. And what does the Great and Exalted Archbishiop, Geroge Niederauer, do? According to a nice scoop by Cythina Laird in the BAR, he kicks a few lesbian and gay ministers out of an Advent service:

At least three gay and lesbian clergy members were disinvited from participating in Advent services at Most Holy Redeemer Catholic Church in the Castro, the Bay Area Reporter has learned. … “The basic reason is that Archbishop Niederauer felt the themes for vespers should better reflect the themes of Advent,” Wesolek told the B.A.R.

The “themes of Advent?” The only “theme of Advent” I know is that it celebrates the upcoming feast of the birth of Christ, who, at the time of his miraculous arrival into this world, hadn’t said a single thing about homosexuals.

Let’s be serious: This isn’t a religious statement, it’s a political statement about same-sex marriage. The archbishop can’t tolerate the idea that people — even respected religious people who also believe in Jesus, one of them a damn bishop, for Christ’s sake  — who happen to disagree with his teachings on marriage might share the stage with his holy crew:

Charles was the Episcopal bishop of Utah and was married to a woman for many years. After his retirement in 1993, he came out as a gay man, divorced his wife, and moved to San Francisco. In October 2008 he married Felipe Sanchez-Paris, Ph.D. in a civil ceremony in San Francisco. The couple had a church wedding in 2004 that was covered in the San Francisco Chronicle .

He told the B.A.R. that he received a call the night before his scheduled appearance “indicating that my participation in a liturgical service was unacceptable to the Chancery (in all likelihood, the archbishop): presumably, my participation as the first openly out gay bishop, legally married according to the laws of the state of California, might suggest approval of gay marriage.”

Kind of hard to believe. Or not.

I wish the folks at the archdiocese would talk to me about this, but they haven’t returned my calls.

UPDATE: George Wesolek, spokesperson for the archdiocese, just called me. He acknowledged that the archbishop had decided to disinvite the three ministers on the grounds that “it appeared they might be going to talk about topics with agendas. Advent is not the time for politicizing this, for divisive issues, it’s a time to bring people together.”

In other words: If you want to talk about same-sex marriage, shut up.

 

 

Style Paige: Shot in shearling

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Question: can you wear too much shearling? Those that are non-plussed over the material might say yes after seeing this man I snapped a photo of on 16th and Mission Streets who was dressed in a leather coat lined with shearling, topped off with a green hat. But on that chilly day, I was struck by the outfit — it was exuding warm and fashionable.

Talk of shearling has been churning the blogosphere for weeks. Louis Vuitton’s monogram handbag with shearling trim has been responsible for much of it, as have polls on the materials aesthetic merits. Just yesterday, photos of Nicki Minaj were posted on the Web in which she wore wore Fendi shearling cuffed booties.

It’s a vintage-inspired style that both men and women can replicate from celebrities and runway looks. Check out 3.1 Phillip Lim or Calvin Klein then head to a Bay Area thrift store and find your own one-of-a-kind coats and hats. I see nothing wrong with a shearling overload because you can never have too much of a good thing. Well maybe some things, but definitely not shearling.

 

Lots of buzz and politicking around D5 appointment

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There is eager speculation – and lots of public and private pressure being applied to Mayor Ed Lee – over the question of who he will appoint to fill the District 5 seat on the Board of Supervisors that is being vacated by Sheriff-elect Ross Mirkarimi.

Anti-progressive entities from the San Francisco Chamber of Commerce to the San Francisco Chronicle are urging Lee to appoint a fellow moderate to the solidly progressive seat, despite the outrage that would trigger on the left and the difficulty that appointee would likely have keeping the seat after the November election.

Chron columnist CW Nevius today published a weird little puff piece plugging London Breed – a moderate who wants the D5 seat, a fact he strangely didn’t mention – and her leadership of the African American Art & Cultural Center. Chron columnist Leah Garchik also pumped up Breed as a D5 appointee last week. Nevius’ column in particular seemed to be a thinly veiled attempt to influence the decision, despite the regular insistence by Nevius and others at the Chron that they never have a political agenda or try to influence City Hall. Yeah, right – at least we at the Guardian are honest about our advocacy for more progressive city leadership.

Breed is being strongly pushed by Willie Brown, the former mayor and current Chron columnist, as well as most of the city’s African American ministers, such as Revs. Amos Brown and Arnold Townsend, who showed up at last week’s Board of Supervisors meeting and followed Lee back to his office after his appearance before the board.

Sources connected to the ministers told us that Lee hadn’t returned their phone calls in recent weeks and they were angry about the snub, so they showed up to let him know and mau-mau him into appointing Breed. Indeed, Brown did get a private meeting with Lee after his followers wedged their way into the office.

Reporters had asked Lee about the D5 appointment just moments before and he said that he was in no hurry to make a decision. “I want to pay my respects to many groups in District 5,” Lee said.

While many names have been floated as D5 contenders, there are a few that rise to the top. Malcolm Yeung, public policy director of the Chinatown Community Development Center, is being pushed by Rose Pak, the Chinatown power broker who worked with Brown to get Lee into Room 200.

But given Lee will probably avoid simply choosing between the Brown and Pak choices – unless they can privately coalesce around someone, which is certainly a possibility – most City Hall speculation these days falls on Christina Olague. The Planning Commission president comes from the progressive camp but she also served as a co-chair of Progress for All, creators of the Run, Ed, Run campaign that persuaded Lee to run for a full term.

Speaking to the Guardian in October, Olague denied that her early endorsement of Lee had anything to do with the D5 seat, which she said she wasn’t seeking but would take if offered. “If we get progressives to support him early on, maybe we’ll have a seat at the table,” was how she explained her support for Lee.

On Friday, Olague showed up for Mirkarimi’s art opening and holiday party in his City Hall office, and she chatted with other possible contenders for the D5 seat, including Quintin Mecke, Julian Davis, Gabriel Haaland, Jason Henderson, and Michael O’Connor. Asked by the Guardian if she had any insights into how the appointment was going, she said all she knows is what she’s read online and in the newspapers.

And so we wait.

Last-minute gifts: Social Justice T-shirts from Liberation Ink

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Looking for a gift for the revolutionary who has everything? Liberation Ink is a great place to go for consciousness-raising apparel…

LIBERATION INK: Do you have a friend who has been dying for a “Brown and Proud” T-shirt ($24)? Perhaps they’re jonesing for an organic tote with a picture of Assata Shakur ($16)? Liberation Ink, an all-volunteer, worker-owned apparel printing and design collective, believes in a sustainable movement for social justice that is funded from within.

It prints revolutionary faces and sayings on shirts made organically and/or without the use of sweatshop labor. All profits go directly to support grassroots social justice organizations like the May 1st Alliance for Land, Work and Power, and the Deporten a la Migra Coalition. The brand’s comfy, stylin’ T-shirts will have your lucky giftee looking fly and spreading the word of social equality in one fell swoop.

www.liberationink.org

For more last-minute gift ideas check out the Guardian’s Holiday Guide.

 

Nite Trax: Nebakaneza’s top 10 dubstep tracks of 2011

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DJ Nebakaneza of the always raging Ritual Dubstep weekly (every Thursday, 9pm-3am at Temple) has one of the finest ears on the dubstep scene and a generous taste when it comes to the often narrowly defined genre. The Anonymous-like masked mixer has definitely turned us on to some great tunes this year. Here’s his tops in the wobble department for 2011:

10. Natty Freq, “Luna Obscura,” Wizard Piss EP

Natty Freq – Luna Oscura (SB004 Clip) by Natural Frequency

9. Gomes, “Lower State,” Lower State EP

GOMES LOWER STATE EP MINI MIX by Gomes aka G-Man

8. Bratkilla, “Underworld,” Deathstep

7. TKR, “Cluster Bomb,” Divergent Paths Vol. 2

[PL017] _ TKR – Cluster Bomb – Out now on Divergent Paths Vol2! by ParadiseLostRecordings

6. Silkie featuring Truth, “Feel,” City Limits Vol. 2 

http://www.youtube.com/watch?v=TF3G8GkYcyI

5. Genetix, “Stealth,” Beast Mode EP

Genetix – Stealth by Genetix Dubstep

4. Vinja, “Bombassador,” Bombassador/Flute Loop EP

Vinja – Bombassador by Vinja

3. Disonata, “Evoke,” Form Your Path/Evoke EP

Evoke / Form Your Path OUT NOW on DiaMind Records on 12″ and WEB by Disonata

2. 501, “White Lies,” Dubstep Dubplates Volume 1

http://www.youtube.com/watch?v=-rVODO7sUFs

1. Aya, “In Too Deep,” Not Here To Mingle EP

http://www.youtube.com/watch?v=x9UcX9Ct0q8

BONUS! Check out Nebakaneza mixing blindfolded:

The lights are on in Santa Clara

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It’s ironic that PG&E is trying to blame the (brief) power outages at Candlestick — seen live, nationwide, on what was otherwise a great Monday Night Football game — on San Francisco. Even by the utility’s biased admission (and let’s remember — these are the same folks who tried to duck blame for the San Bruno blast that killed eight people), the whole problem started when a line owned and operated by the private utility lost power.

But here’s the best part: One of the main reasons that Santa Clara has been able to finance a brand new stadium for the team, which will soon abandon poor, beat-up old Candlestick, is that the Peninsula city has its own public-power agency.

I’m not for using public money to build sports stadiums. The people who own NFL teams (with the exception of the Green Bay Packers) are not only part of the 1 percent; they’re part of the top one-tenth of the one percent. They’re very, very rich folks, who can pay for their own damn stadiums.

And I don’t think San Francisco will suffer greatly when the Niners move south — we never got much of an economic benefit from football games here, anyway.

But I’ll always remember the story Sheriff Mike Hennessey told me a few years back, when he was attending one of Mayor Gavin Newsom’s department-head meetings, and the mayor started complaining about Santa Clara’s efforts to woo the Niners, and how money from that city’s power agency was making it hard for S.F. to compete.

“Are you saying,” Hennessey asked the mayor, “that if San Francisco had public power, we might be able to keep the 49ers?”

Newsom didn’t respond.

Localized Appreesh: the Cosmo Alleycats

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Localized Appreesh is our weekly thank-you column to the musicians that make the Bay. Each week a band/music-maker with a show, album release, or general good news is highlighted and spotlit. To be considered, contact emilysavage@sfbg.com.

Snap your fingers – jazzy San Francisco swingsters the Cosmo Alleycats have officially released their debut album, The Late Late Show. It’s the kind of story you love to hear: talented local band makes good, a group that formed as a weekly venue houseband makes the leap to fully-realized recording act. And that record beams with tinkling piano, hearty sax, the thumping backbone of upright bass, and a mix of soulful jazz numbers, vintage R&B, and poppy upbeat swing. 

Celebrating their new retro-tinged album this week, the Cosmo Alleycats play two local release shows; one at Le Colonial, at which they were hatched, and then another at Blondie’s Bar & No Grill – there’ll be a special “Alleycat Cosmo” cocktail available at the second event, here’s hoping there’s good booze contained within.

Year and location of origin: January 2010 on Cosmo Alley in SF
Band name origin: Mike: Booze & lack of foresight. Steve & Emily: A couple of us were asked to pull together a band to fill in for Kim Nalley at Le Colonial while she was on vacation for a month. Assuming that there would only be four performances, we wanted the band name to reflect the venue location. Since Le Colonial is on Cosmo Alley, “The Cosmo Alleycats” seemed like a natural fit. Soon after, we were hired as the full time Wednesday night band and started doing gigs all around the Bay Area. The name just stuck.
Band motto: Steve: Get people dancing; Mike: Don’t ask Noam about his hair; Emily: Create fun!
Description of sound in 10 words or less: Emily: Modern vintage R&B and boogaloo swing – we defy classification!; Mike: twang, honk, bang, thump, tinkle, hum.
Instrumentation: Vocals (Emily Wade Adams), Sax (Pete Cornell), Piano (Noam Eisen), Upright Bass (Steve Height) and Drums (Mike Burns). The album also features Nick Rossi on guitar and David Kellerman on keys.
Most recent release: The Late, Late Show (2011)
Best part about life as a Bay Area band: Emily: Loyal, enthusiastic, supportive fans (many of whom wow us with their secret swing dancing skills) and the opportunity to play a range of excellent venues from fun dive bars to hallowed music halls, awesome festivals, and gorgeous winery weddings; Steve: There are so many people here that love seeing live music and are tremendously loyal to bands that they enjoy; Mike: Playing in my home town.
Worst part about life as a Bay Area band: Steve: Bridge traffic; Mike: DJs; Emily: Trying to park to load in!
First record/cassette tape/or CD ever purchased: Mike: Herman’s Hermits; Emily: Oh God. My first tape was either Madonna’s “You Can Dance” or George Michael’s “Faith”. First CD was Soul II Soul’s Club Classics Volume 1. When I was three, I’d listen to the Beatles’ Magical Mystery Tour record over and over, looking at all the pretty pictures in the booklet that came with the record and wondering why all these old dudes were dressed up in costumes. I had no clue that drugs were involved until I was about 20.”
Most recent record/cassette tape/CD/or Mp3 purchased/borrowed from the Web: Emily: Other than our own? The latest releases from Amy Winehouse and the Black Keys; Mike: Arann Harris and the Farm Band.
Favorite local eatery and dish: Steve: Le Colonial’s brussels sprouts; Mike: Cordon Blue, California @ Hyde, menu #5; Emily: Where to begin? The food trucks at Off the Grid are ridiculous. I’m addicted to Curry Up Now’s chicken tikka masala burrito. Also, the veggie burger at the Plant Organic is to die for. And I love my Thursday night ‘liquid dinners’ with the band at Blondie’s Bar & No Grill.”

Cosmo Alleycats
Wed/21, 7-10 p.m.
Le Colonial
20 Cosmo Place, SF
www.lecolonialsf.com

Thurs/22, 9 p.m.-12:30 a.m.
Blondie’s Bar & No Grill
540 Valencia, SF
www.blondiesbar.com

Guardian editorial: Making Clean Power SF work

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EDITORIAL The way the San Francisco Chronicle describes it, the city’s new green power program “won’t come cheap.” That’s a line that Pacific Gas and Electric Co. will use over and over again in the next few months as the city finally prepares to get into the retail electricity business, 98 years after Congress mandated public power for San Francisco. Clean Power SF will offer 100 percent clean energy — and yes, right now, this spring, it will cost a little bit more than buying nuclear and coal power from PG&E.

But that price differential will change dramatically in the next few years — if the city goes forward not just with buying and aggregating power from the commercial market but developing renewable energy on its own.

That’s the key to the future of Clean Power SF — and as a proposed contract to get the system up and running comes to the Board of Supervisors, the need for a city build-out of at least 210 megawatts of energy generation capacity is, and must be, an essential part of the plan.

As Rebecca Bowe reports in the Guardian, there’s some disagreement about the contract proposed by the San Francisco Public Utilities Commission. The deal with Shell Energy North America would have the energy giant buy green power wherever it can, deliver it to San Francisco customers along PG&E’s lines — and charge enough to pay for the power and overhead expenses. That, initial reports say, could raise the bill of an average customer somewhere between $7 and $50 a month, depending on use. For most residential customers, the increase is going to be on the low end.

The problem is that the PUC estimates from the start that two-thirds of the potential customers will drop out of the program and stick with PG&E. That’s an abysmal projection, reflecting in part the PUC’s long reluctance to take the program seriously, in part a failure to plan an aggressive marketing campaign — and in part the lack of a long-term vision for the program.

The bottom line is simple: As long as the city is buying energy from somebody else, there are going to be problems. Right now, renewable energy demand exceeds supply, so prices are high. That’s going to fluctuate over the next decade.

But it’s entirely possible for the city to build its own renewable infrastructure and generate power that will beat PG&E’s prices in the short-term future — and will be far, far less expensive a decade down the road. Clean Power SF will never work to its full potential unless the city owns a significant part of the generation system. (Ultimately, the city will never see the full economic benefits of public power until it buys out PG&E or builds its own delivery system.)

The PUC included — at the demand of public-power advocates — a clause in the contract stating that a city build-out was part of the plan. The proposal before the board only includes the contract with Shell — but the final deal should include specific plans for how much local power will be generated, how it will be funded — and how it will ultimately replace the power Shell is providing. The city should start right now looking for sites (there’s lots of surplus city land) and seeking bids for construction, and if the PUC can’t come up with enough revenue-bonding money, the board should put a comprehensive clean energy bond on the November ballot.

The Local Clean Energy Alliance estimates that building 210 megawatts of clean power in San Francisco would generate nearly 1,000 direct jobs and as many as 4,300 indirect jobs. That sort of program would be a boost to the economy and guarantee the city stable energy sources for the future. And it would allow the PUC to market Clean Power SF not as a plan that will cost consumers more today — but as a plan that the city can all-but guarantee will save you money, substantial amounts of money, over the next ten years.

 

Last-minute gifts: Terrarium, $10

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Got loved ones in need of more green? Here’s a last-minute gift idea that’s sure to provide them with a respite from the concrete jungle…

MISSION STATEMENT: One of the three owners of this well-turned-out Mission boutique crafts these “air plants” in bulbous aquarium bowls. Rocks, sand, moss, and greenery coexist peacefully within the bowels of the terrariums – the perfect window sill companion for your buddy who longs for more nature in their life.

3458 18th St., SF (415) 244-7457, www.missionstatementsf.com

For more last-minute gift ideas check out the Guardian’s Holiday Guide.

 

Hot sexy events: December 21-27

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It’s been a minute since we’ve assembled the week’s sex events in this column. That’s our bad – we’ve been busy (mind yer business). But we’re back this week! And thank goodness because the week of Christmas and the beginning of Channukah has to be the least-happening week for sex events of the year. Which is why we’re including the following list of DIY sex events. 

1.Sperm donation. It is very, very chic now to give away for free what you once you were paid lots of money for. Just ask this guy. It’s very 99 percent.

2.Streaking. The city’s going to be way, way slowed down this week, and with all this legal nudity people have been getting way too complacent about their public bareassery. This is the perfect time to run it out down Divisadero in the middle of the day on the 25th, you’ll be glad you did. (Avoid frightening families, please) 

3.Slap-fighting. Not just for the I-don’t-want-to-get-expelled-from-school-but-I’m-still-really-mad-at-you high school kid set! 

4.Gear up for next month adult industry judge-a-rama, the AVN Awards. Read up on the favorites, celebrate the fact that 2010 and 2011’s “best female performer” Tori Black has a new free site. Of course, the only naked she’s getting is on her face — her makeup-less morning confessionals are an experiment in just how much pervs want to get to know their fave porn star. How many people will be getting off while reading how the young Miss Black enjoys her music? (Fyi, she finds it to be  “a way of life. More than that, it’s the feeling of life.”)

Or, just go to these sex events. Ambience is everything. 

 

 

Good Vibes customer appreciation days

You’ll be overloaded on nog anyways, so it’s probably best that the free tipples at Good Vibes are of the non-alcoholic variety. And who doesn’t love Martinelli’s? Certainly no one who needs a nice vibrator for that holiday-time lover. Sales associates will be extra-ready to guide you on your erotic shopping, and, free chocolate. Tip: we’re loving the OhMiBod Freestyle G wireless vibrator, which can hook up to your music system so you can pulse to the beat. Pair it with a homemade playlist and you’ll be making beautiful music for a lucky giftee.

Thu/22 6-9 p.m., free; Fri/23 6-8 p.m., free

Various Bay Area locations

www.goodvibes.com

 

Center for Sex and Culture holiday party

Revel in your sex-positive community with the center’s annual white elephant gift exchange. We’re betting there’s going to be a higher-than-average amount of naughty behavior here tonight, but keep your Santa hats on, people. Potlucking encouraged!

Fri/23 6-10 p.m., free

Center for Sex and Culture

1349 Mission, SF

www.sexandculture.org


 

Christmas weekend at KOK Bar

It’s just not Christmas without grinding your belly against a Folsom daddy. KOK Bar is keeping the cheap drinks flowing through the weekend and you should def reward the decision by ditching familial engagements for at least one or two Absolut SF-sodas. Free clothes check for your cruising pleasure. 

Fri/23 5 p.m., free

Sat/24 6 p.m., free

Sun/25 6 p.m., free

1225 Folsom, SF

www.kokbarsf.com

 

“Cigar Play: Mouth, Hands, Eyes, Spirit”

It seems appropriate, on the brink of New Year’s Eve 2011, to light a celebratory cigar. After all, when the world is going to end in mere months, who cares about the pinkness of one’s lungs? And in true decadent SF spirit, there is now a class especially for teaching erotic usage of the cigar. Teachers Konraad and Jazz will take the class through “titillating to tortuous” usages of stogies. First timers, don’t inhale!

Tue/27 8-10 p.m.

SF Citadel

www.sfcitadel.org

Louis Dunn: Mission accomplished in Iraq

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New York Times headline (12/19/11): “Last Convoy of American Troops Leaves Iraq, Marking a War’s End”

Second paragraph in the Times story:  “As an indication of the country the United States is leaving behind, for security reasons the last soldiers made no time for goodbyes to Iraquis with whom they had become acquainted. To keep details of the final trip secret from insurgents–or Iraq security officers aligned with militias–interpreters for the last unit to leave the base called local tribal sheiks and and govenment leaders on Saturday morning and conveyed  that business would go on as usual, not letting on that  all the Americans would soon be gone.”

Final three  paragraphs  in the Times story:  “History’s final judgment on the war, which claimed nearly 4,500 American lives and cost almost $1 trilliion, may not be determined for decades.

“But as the last troop convoy crossed over, it marked neither victory nor defeat, but a kind of stalemate–one in which the optimists say violence has been reduced to a level that will allow the country to continue on its lurching path toward stability and democracy, and in which the pessimists say the American presence has been a Band-Aid on a festering wound.

“‘Things will go worse in Iraq after the U.S. withdrawal, on all levels–security, economics and services,'”said Hatem Imam, a businessman in Basra.  “‘We are not ready for this.'”

Impertinent questions: So how many civilians deaths were there?  And what the hell were we doing in Iraq in the first place?

Note:  The graphics and cartoons of Louis Dunn, former Guardian art director, illustrator, and cartoonist, will appear regularly in the Bruce blog and in the Guardian. B3

 

 

 

 

 

Live Shots: ‘Yes Sweet Can’ at Dance Mission Theater

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Sweet Can Productions puts on a gonzo circus show, but with a focus on quotidien, real-world concerns. For its upcoming “Yes Sweet Can” show, running for over two weeks at Dance Mission Theater, the performance is inspired by everyday chores — and actually makes them seem like fun.

Cleaning can be a blast, apparently, and making a cup of hot chocolate — while balancing a pot of hot milk on your head, of course — can also be rather exciting. The performers’ talents as acrobats are obvious, their flexibility undeniable. Whenever I see them do those super-exaggerated back bends, I always think “Man, that must feel sooo good!

The storyline at moments can seem a little vague, but that didn’t really seem to matter since the show is always moving forward (sometimes actually flying forward) with aerial feats, high up in the rafters of the theater.

“Yes Sweet Can” by Sweet Can Productions
Dance Mission Theater
3316 24th Street
Thru Jan 1, check website for times and prices
www.sweetcanproductions.com

Mayor Lee, Sharp Park, and Gavin Newsom

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So Ed Lee’s going to veto the Board of Supervisors resolution on Sharp Park. Of course he is. And there’s more than snakes and frogs at issue here.

The veto, I think, sets the tone for what we’re going to see over the next four years, which is: Gavin Newsom.

For four years, the progressive bloc on the board — that is, the shaky sometimes-majority that can pull together six votes on an issue — is going to run slam into a mayoral veto a good deal of the time.

In this case, John Avalos, David Campos, David Chiu, Jane Kim, Eric Mar and Ross Mirkarimi — that’s the list of the six — all supported a plan to negotiate with the National Park Service to take over the property, which would probably mean the end of the golf course. It’s an environmental issue, mostly, and also a public-resource issue — but the main thing is that it’s an issue that split the board along the left-center/right lines that we’ll see again and again over Lee’s term. And Lee is siding with the right.

That’s what we came to expect from Newsom — every progressive initiative was a struggle; often, bill sponsors had to line up eight votes, not six, because there was always the threat that Newsom would shoot it down. And I’m getting the feeling that we’ll be facing the same thing with Mayor Lee.

 

Live Shots: Dinosaur Jr. at the Fillmore

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By Jolene Torr

The nostalgia factor of a night spent at the Fillmore, watching Dinosaur Jr. play the entirety of its classic Bug album while the scents of weed and that cloying old familiar CK One (I shit you not) steeped into my clothes, is hard to ignore. Though I was too young to appreciate Bug in 1988, watching the slacker-rock trio indulge in sprawling guitar solos and dense, chugging bass lines undoubtedly evoked a longing for grunge and those impetuous ’90s.

Former Black Flag frontman and spoken word artist Henry Rollins couldn’t shake that wistful yearning for another time either as he sat on stage with Dino Jr. last Thursday for a pre-show interview. Invoking the spirits of the Fillmore, Rollins declared, “I always get a bit of déjà vu when I come here. This is where Janis [Joplin] and Grace Slick played!”

Slack-jawed, awed in the venue’s music history, he asked, “So what does it mean to play at the Fillmore?” A big, meaty question like that might normally necessitate an equally sentimental response, but J Mascis, rather than trip down memory lane with the rest of us, championed the venue’s acoustics. “The sound’s really good,” he said. “It’s hard to have a bad night here.”

With his bellicose stare, Rollins probed the band for key insights, opining that the “rip-roaring, pedal-to-the-metal” Bug represented a “sharpening of sound” and with it, a sound that “got more heavy.” There was the promise to be loud, that sound was sacrosanct.

The six stacked amps surrounding the band was the temple. When asked how a venue responds to the volume of the guitars, J Masic said, “Once a sound guy came on and turned down my amp.” He laughed, still bewildered that this had once happened, “That’s like sacrilegious to me.”

After the 30-minute-ish interview, the band launched into Bug, playing to a burly male-centric room, aggressive in their hollers and “owwws” through J’s distortion and Murph’s thunderous drums, lumbering along to Lou Barlow’s bass. They played loud, for sure, extended intros and songs that seemed to play longer than they should that really just seeped into one another, for a night of melodics and heroic guitar anthems in quintessential slacker fashion.

 

All photos by Chris Stevens.

Warren Hellman, the 1 percent exception

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San Francisco lost a piece of its soul when Warren Hellman died last night. In a deeply polarized city, where Occupy’s paradigm of the 99 percent versus the 1 percent resonates more than anywhere, Hellman showed how an extremely wealthy investment banker could champion the interests of all San Franciscans.

I first got to know Warren in 2007 when I did a series of in-depth interviews with him for a Guardian cover story. Before that, he had been a bit of a villain to progressives as he worked with his downtown friends, such as the late Gap founder Don Fisher, to fund political initiatives and groups that aggressively pushed a pro-business agenda, from the Committee on Jobs to the parking garage under Golden Gate Park.

Born into the family that founded Wells Fargo Bank, he became the youngest partner to join Lehman Brothers before founding one of San Francisco’s largest investment banking firms, Hellman was solidly in the 1 percent. But he was a curious man with a good heart, compassionate soul, nimble mind, and strong sense of integrity.

So when the progressives he previously battled over the parking garage pushed for more car-free hours in the park – something Hellmann and his allies had pledged to support if the garage was built – he joined them and battled with his former garage allies who had abandoned that pledge, eventually forcing a compromise when it seemed the car-free crowd was headed for defeat.

That was the reason I got to know him and the focus on my “Out of downtown” story, but it was only the beginning. I came to know about how he was spending his money to help the schools and the poor, about his generous/selfish gift of the Hardly Strictly Bluegrass Festival, and about his belief that George W. Bush and other neo-conservatives – those who so shamelessly and short-sightedly helped consolidate this country’s wealth in fewer and fewer hands – were sullying his Republican Party.

So we stayed in touch and had early morning breakfasts together every six months or so, talking about the issues of the day. We talked about Burning Man, an event he loved and one I was covering and writing a book about. He listened as I complained about my shrinking staff at the Guardian and how the contraction of journalism was bad for San Francisco, and we talked through some possible solutions.
It bothered Warren to see the San Francisco Chronicle being decimated by an out-of-town corporation, and he wanted to help. So he took that kernel of an idea, mulled it, and discussed it with a wide variety of people who had expertise on the topic, just as he would do with his myriad investment banking ideas.

And with that steady heat that he applied to this kernel, he popped it into The Bay Citizen, a non-profit professional newsroom that has already done a great service to San Francisco, and which owes its existence to Hellman, who subsidized it with millions of dollars of his own money and encouraged his rich friends to give millions more. That is among his many legacies, although he was probably most proud of the Hardly Strictly Bluegrass Festival, probably the country’s best free concert. Warren loved that music, and he told me it was mostly because it told the stories of common people so beautifully. “The kind of music is the conscience of our country,” he told me. The San Francisco Board of Supervisors last week offered a bit of appreciation for Warren’s gift, renaming the main venue of Speedway Meadows as Hellman’s Hollow.

I’ll let the Bay Citizen and other media outlets write Warren’s full obituary. What I’m choosing to think about now is the man, and he is someone who I will truly miss. San Francisco just won’t be the same place without the example he set, but I hope it lives on in the hearts and minds of those in a position to help San Francisco find its heart and realize its potential.

 

A different kind of holiday fair: POOR Magazine’s Mercado de Cambio

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“Welcome to the revolution,” says Mariposa Villaluna as she staffed a table at POOR News Network’s annual holiday market and knowledge exchange on Saturday, Dec. 17. “We’ve been doing this for centuries.”

Villaluna, who has worked with POOR on many of its community art, education, and journalism initiatives geared towards low and no-income San Franciscans, described Saturday’s “Po’ Sto” as an alternative to more widespread – and more consumerism-oriented – holiday sales. 

At the Po’ Sto’, which occupied the third floor of the Mission District’s Redstone Building, she trades her handmade earrings for radical talk and fellow artists’ wares. For barter or sale: cotton onesies boldly disseminate at 62 Occupy sites. 

Villaluna said the guide is a primer of sorts to sustaining an inclusive revolution and provides Occupy encampments with oft-neglected perspectives — those of the elderly, indigenous, and undocumented. 

POOR News Network, a response to corporate control of media, includes a magazine, offers training in alternative journalism, and stages community gatherings like Saturday’s holiday market. 

Twinkling strands of lights hung behind the young men rapping at the front of the market. A huge roast chicken slowly shrank in a corner. And those who hold POOR’s mission close to their hearts –from five-year olds to 60-year olds – called out to each other across the space. 

Next up for POOR, says the magazine’s co-editor Lisa “Tiny” Gray-Garcia, is the realization of a decades-long dream. It will be called Homefulness and it will entail a community-driven space in Oakland that will hold a garden, school, journalism training center, and yes, homes. 

“Poverty is an industry nowadays,” says Gray-Garcia. “Our purpose is to launch microbusiness economies, to collectivize our forces and our traditions.”

Dick Meister: Stamp out sexual harassment

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By Dick Meister

Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for more than a half-century. Contact him through his website, www.dickmeister.com, which includes more than 350 of his columns.

Thanks to the recent widely publicized reports of alleged sexual harassment by some highly prominent men, the serious problem of sexual harassment on the job has drawn lots of attention from unions and other advocates of working women. And for good reason.

A recent Washington Post-ABC News poll indicated that nearly two-thirds of Americans now consider sexual harassment a problem. The poll also showed that about one-fourth of the country’s working women report having been sexually harassed on the job.

The increasing concern about harassment may very well explain the withdrawal of Republican Herman Cain from the presidential race amid allegations that he made unwanted sexual advances while heading the National Restaurant Association in the 1990s.

Cain, of course, denied the accusations. But the Post says that by a ratio of more than two to one, women who said they had been harassed at work had unfavorable views of Cain. By an even larger margin of nearly three to one, they said they were apt to believe Cain’s accusers.

Quite apart from the question of Cain’s guilt or innocence, 25 percent of the men polled said they worried that they might be unfairly accused of sexual harassment.

The Post reported that about 10 percent of the men said “they may at one time done something, even inadvertently, that a colleague may have considered an unwanted sexual advance.” But the percentage of men saying that is lower than it was in the past. Undoubtedly that percentage will rise, in part because of the heightened concern prompted by the charges against Cain and other prominent men.

Previously, the level of concern was even lower. A 1994 ABC News poll, for instance, showed that 32 percent of working women said they had been sexually harassed on the job. Reports of harassment have deceased steadily since then, with fewer women younger than 50 currently claiming to have been victims.

Overall, about one in six Americans now say they’ve been sexually harassed at work. That includes 24 percent of women workers, 9 percent of men. The 1994 survey showed that nearly one-third of women 18 to 49 said they had been sexually harassed, as compared with today’s lower figure of one-fourth of such women.

The percentage of workers who’ve reported to their employer that they’ve been harassed has meanwhile increased, although not nearly enough. Despite the generally heightened concern about harassment, about half of those charging harassment at work told pollsters they never reported it.

About one-third said they didn’t think it serious enough to report, and about one-fifth were worried about the possible consequences – or thought it wouldn’t do any good to report harassment.

Major steps have been taken to combat discrimination against workers because of their race, gender, age or other factors. Now it’s time to pay increased attention to combating sexual harassment, still one of the most serious forms of workplace discrimination.

 

Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for more than a half-century. Contact him through his website, www.dickmeister.com, which includes more than 350 of his columns.

 

 

Path: p » strong

 

Laura Gravander’s top 10 live bands of 2011

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For so many more year-end music lists, click here and pick up this week’s paper.

Dirty Cupcakes’ Laura Gravander presents a totally nepotistic list of the top 10 live bands of 2011:

1. ELECTRO: This is the band of 8-year-old girls I mentored this summer as a volunteer at Bay Area Girls Rock Camp. After learning two chords from scratch, they wrote a droney, unintentionally avant-garde five-minute anti-bullying opus with a rap breakdown that blew my mind at their July showcase at the Oakland Metro. This is the future.

2. Uzi Rash: Swamp reptile Max Nordile and his band of trashy weirdos play music that is both grating and catchy, and deceptively complex. See them live and they will freak you out, and possibly hit you in the eye socket with an empty 40 oz. (it happened to me).

3. Shannon and the Clams: Seeing the Clams live feels like being magically reunited with your childhood dog — happy and nostalgic, a little bit sad. This metaphor is especially apt if you and your childhood dog loved to DANCE! 4. Younger Lovers: Killer guitar parts, dance-crazy beats, and singer-drummer-songwriter Brontez’s onstage bitching makes Younger Lovers’ shows unpredictable and exciting. Plus, their guitarist is super-cute!

5. King Lollipop: Elfin hillbilly plays bubblegum rockabilly (or something like that!) backed by six drummers who sound like a marching band meets drum circle, minus the lame.

6. Human Waste: Freaky spacesuited dystopian moog-punk from the Moon. Rumored to consist of members of Uzi Rash, Shannon and the Clams, and Dirty Cupcakes. More space waste to come in 2012.

7. Glitter Wizard: Intricate, impressive glam rock. And once, mid-song, I saw frontman Wendy Stonehenge light his hand on fire!

8. PIGS: This three-piece plays metal for people who love metal. Ripping it up soon in a scummy warehouse near you.

9. Knifey Spoony: Oakland punk rockers with impressive live show and unexpectedly melodic hooks. Singer-guitarist Steve Oriolo studied music in college but uses his powers for good (rock), not evil (anything that doesn’t rock).

10. Sweet Nothing: I’m a sucker for two-piece bands and girl drummers, and Ian and Melissa always rock my face off.

 

Shannon and the Clams bring it live:
http://www.youtube.com/watch?v=zET182UnfNo