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Negrodamus knows: Paul Mooney, ringmaster of black comedy, returns to the Bay

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By Caitlin Donohue

Paul Mooney made comedy what it is today. And if you didn’t already know, he’s ready to educate you on the subject. Mooney’s new memoir, Black is the New White (Simon Spotlight Entertainment), lays bare a life spent writing for the seminal auteurs of black comedy, all while keeping it real and making white people nervous. Young pups will recognize him as the prophet Negrodamus from The Chappelle Show, but Mooney, who used to put down riffs for his best friend, Richard Pryor, also has credits on Saturday Night Live, In Living Color, and Sanford and Son. Me and Mr. Mooney had a chat the other day in anticipation of his upcoming shows at Cobb’s Comedy Club starting Thurs/5. He had some words of wisdom and, surprisingly, didn’t call me a honky once.

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You know you are a bad, bad man when you’ve got beef with Oprah: Mr. Mooney’s controversial humor has made him a comic legend.

San Francisco Bay Guardian: You grew up a hambone dance champion in Oakland. Do you see any changes in the place since back when you were growing up there in the 50s and 60s?
Paul Mooney: Oh honey, has it changed. I can’t find my grandma’s house because of all the golf clubs and white folks these days.

SFBG: Are you stoked to be back in the Bay Area for your upcoming show?
PM: I love San Francisco. The Asians, the Latinos, they all love me. I love the people’s attitude, they’re educated and happy about being here. Everything will be legalized in San Francisco. Only last time some Asian girl tried to give me trouble because I said ‘chop chop’. Everybody says ‘chop chop,’ it means hurry! I said that’s a crock of shit, that’s someone looking for something. Sometimes people walk in [to my act], they think they can take it. It’s comedy. If you can’t take it, you don’t have a sense of humor, get out! If you can’t take the heat, get out of the kitchen. Don’t cook!


Mooney was the writer behind the groundbreaking, racially charged 1975 Richard Pryor/Chevy Chase ‘word association’ skit on SNL

Dia de los Awesome

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By Molly Freedenberg

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Airbrush work by Jessica Atreides and Andrew Jones at last year’s Dia de las Muertos event at Five & Diamond. Photo courtesy of jonology.com.

With all the Halloween hullabaloo, it’s easy to get distracted from that other awesome holiday that comes this time of year: Day of the Dead. In fact, many revelers prefer the Mexican holiday, with its beautiful rituals and sincere honoring of the dead, to our bastardized American one, with its inebriated masses in slutty costumes. Lucky for all of us, we don’t have to choose just one or the other. So how should you celebrate on Monday, November 2?

The cornerstone of San Francisco’s Dia de los Muertos celebration is, of course, the procession in the Mission that concludes at the Festival of Altars. Meet at 24th and Bryan streets at 7pm for the lively parade, or at Garfield Park (26th and Harrison) at 8:30pm for the festival. (www.dayofthedeadsf.org)

But first, we’re going to stop by Dia de los Muertos with Five & Diamond, a reception celebrating the store’s second anniversary, featuring airbrush makeup by SOHA Collective and altars to beloved friends, and then join a procession to the larger parade on 24th Street. (5-7pm, free. 510 Valencia, SF. www.fiveanddiamond.com)

Can’t make it out on Monday night? Visit SOMArts later in the week for its 11th annual Day of the Dead Exhibition, featuring more than 50 artworks inspired by the Mexican tradition still on display through November 7. The gorgeous entries span cultures, mediums, and scale, filling the large front space with a maze of moving, reverent art. The gallery is open Tuesday-Friday, 2:00 – 7:00 pm, and Saturday, 12:00 – 5:00 pm.
(934 Brannan, SF. 415-863-1414, www.somarts.org)

Beer Here: Q&A with Magnolia’s Dave Mclean

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By Molly Freedenberg

In this week’s issue of the Guardian, we talk about reasons to drink craft beer made locally and discuss someof the masters making noteworthy brews. But the Bay Area craft brew scene is so vibrant and varied, we could only touch on some of what makes it great. In coming weeks, we’ll post longer interviews with experts at brewpubs, better beer bars, and breweries on this blog. Also keep an eye out for a story about seasonal brews in our Holiday Guide and a follow-up to this week’s “Beer Here!” article, both coming out in November.

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For our first installment of our online beer series, we’d like to give a nod to Magnolia Gastropub and Brewery and David Mclean, the award-winning brewmaster/owner of the Haight-Ashbury destination spot. Here’s the transcript of our Q&A with him:

SFBG: How long have you been around?

DM: 12 years next month

SFBG: Why is Northern California so good for brewing beer?

DM: It’s one of the birthplaces of the modern, American craft beer movement, giving it a 30-40-year head start over many other regions in the country. Not only does that mean that there are many talented brewers here but also that we have a well-educated customer base who appreciate the diversity of flavors and styles brewed in the area. The many facets of the Bay Area’s artisan food and beverage culture dovetail together, impacting both the way brewers think about their craft and the way local beer drinkers embrace local beer.

SFBG: Why is it important to drink beer made locally?

DM: On one level, it’s just a good idea to support local businesses in general. More specifically, when talking about craft beer, there is a sense of local identity and local pride that comes from drinking beer made in one’s community. And, from both an environmental and flavor
standpoint, it’s nice to not expend resources shipping beer great distances. Most beer tastes best when fresh and though that doesn’t mean you can’t get fresh beer from farther afield (or stale local beer), you greatly improve your odds drinking local. That’s especially true if you drink beer at your local brewpub, where the beer only travels from the physically attached brewery to your glass.

Gialina: Good pizza deserves a second chance

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By Sarah C. Jimenez

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Back to the pizza place. It was inevitable, I know. The place that last month my novia and I had a fit in and walked out of after not getting service—not getting a simple greeting after 10 minutes. We, the brown lesbianas in the corner, watched as the perfect white couple who came in long after us sipped their Peronis contently, while we were still hoping to maybe get waters. Our usual efficient and jovial server who, in the past, has always delivered pristine service, had been replaced with…well, no server at all. We’d been crushed that our favorite pizza place had not only blatantly offended us, but shattered our much anticipated pizza fantasies we’d toyed with all day.

The return to Oz started with a middle of the day phone-call while banging away at my computer like Schroeder at his piano, trying to meet a deadline: “Dinner tonight…. Tickets to Wicked…. Call in sick to work?” my girlfriend had pleaded. Giving up a $200 bar shift was not hard. Getting glammed-up for theater was not hard. Going to dinner back at the place where we’d last left with nothing but our stubborn dignity was.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Allison, Washington Square Park

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Tell us about your look: “I got this in Denmark. My style philosophy is copy Europe.”

Halloween en ‘Mass’: Critical Masquerade takes to the streets

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Stop signs, moving automobiles, propriety be damned. If you have a bike and it’s after 5 p.m. on the last Friday of the month in the city, pedal hard down to the Ferry Building ’cause it’s time for some Critical Mass action. The monthly ride, meant to call attention to how tough it is to be on a bicycle in the city, has garnered its share of frustrated honks and hateration, but despite it has grown to include thousands of two wheeled participants.

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The troops rally before the 6:30 start (Photo by Troy Holden)

This being the end of October, the spooookiest time of the year, Friday’s ride is dubbed ‘Critical Masquerade’ and marked by a bigger flash mob than usual. Think lots and lots of costumes on bikes, experiencing varying degrees of mobility.

Because there’s nothing like jumping a curb dressed as Delta Burke on ‘Designing Woman.’ Because you’re trying to clear some caloric space out for all the mini-Twix and Sugar Babies. It’s big and bad and the police can’t shut it down because I’m fairly sure it’s already illegal. So slap on some flair, throw your refreshments in your basket and start pushing pedal down to the Embarcadero.

Fri/30, 6 p.m., free
Justin Herman Plaza (in front of Ferry Building)
www.criticalmass.wikia.com

Not for beginners: Goodwill ‘As Is’ gets put on notice

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Text and photos by Caitlin Donohue

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Shop til you drop at your local prison… I mean- Goodwill!

“This is the best kept secret in San Francisco,” explains a gentleman who is shoving trash bags full of used clothes into his car. To his side, a bevy of homeless folk rummage through a newly dropped off pallet of purses, most of them spilling to the 11th St. sidewalk. They make it clear I am not to join them. Perhaps this place is a diamond in the rough, but there’s no way in hell I’m getting my Halloween costume here.

I’ll tell you what I don’t need; a hermetically sealed, corporately engineered, vastly overpriced sexy witch/hippie/dinosaur getup from Target. Not my bag. A good ‘stume is all about craft. I love the thrill of the hunt and on any day, for whatever reason, I love thrift stores.

But SF ain’t an easy town for used clothes- you find a lot of ‘vintage’ prices under the ‘thrift’ moniker. So I was all a-flutter to go to the Goodwill As Is store, located around the corner from their mega shop on South Van Ness. The As Is store is a “donation outlet,” a Goodwill warehouse supplying humanity’s offerings direct to you, without the unnecessary bother of employees “sorting,” “fixing,” or “cleaning” the items.

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Right this way for endless haggling and questionable business motivation!

Now, I am not what you’d call a “squeamish” person. I’ve trawled places where regular shoppers wear rubber gloves and unproven urban legends swirl about of dead cats found in the clothing trolleys. But this store struck me as something between the black market and a Greyhound bus station.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Will, 22nd Street and Valencia

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Tell us about your look: “Sounds good!”

Don’t ask, just drag: Iraq War vets don dresses for peace

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By Caitlin Donohue

Where is Cindy Sheehan these days? The 2005 Nobel Peace Prize nominee/mom was all up in the news a few years ago what with the campouts in Bush’s front yard and political campaigns. Inside scoop: this Halloween she’ll be kicking up her heels here in the city on behalf of a dragged-up peaceful protest to remember.

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Spend your Halloween advocating for more choppers with pink bows in their propellers

Yes, the Peace Mom herself will be tramping about on stage as George W. Bush himself, at the “Make Drag Not War” benefit drag revue, hosted by Artist Malcom Drake. The event is a benefit for Dialogues Against Militarism, a group sending a delegation to Israel and Palestine to meet with peaceniks on all sides of the Gaza Strip conflict.

Stephen Funk of Iraq Veterans Against the War was an organizer of the event, which features a debut drag performance by 12 of his gung-ho veterans. Stephen says the boys are excited to rock the stage, if understandably a little nervous. “The performance will be based on stories from the military perspective. These are significant issues, and instead of sitting in a circle and talking about them, we’ll be reenacting them in a way that’s more entertaining.”

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SF Boylesque: Using their good looks to noble ends. Photo by Tony Perez

Bravo, boys. Our troops will be sharing the stage with Raya Light, Suppositori Spelling and all male burlesque beauties SF Boylesque. A few of our intrepid performers leave for the Middle East tour early Sunday morning. Shall we send them off with a bad hangover and good memories?

Sat/31 7:30 p.m. (doors at 7 p.m.), $15-$20
Dance Mission Theater
3316 24th St., SF
www.againstmilitarism.org/buytickets

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Ulrika, 20th Street and Mission

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Tell us about your look: “These are boots from Thrift Town, which is where I’m headed right now. I made this bag from cloth that my friend brought back from Bali.”

Trash Lit: A delusional ‘Pursuit of Honor’

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Editors note: Bay Guardian Executive Editor and acrostic master Tim Redmond has a bad 30-year addiction to mystery/crime/thriller books. He’s decided that he might as well put this terrible habit to productive use by giving these sometimes awful, sometimes entertaining and — on rare occasion — significant works of mass-market literature the Joe Bob Briggs treatment.

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Pursuit of Honor
Vince Flynn
(Simon and Schuster, 431 pages, $27.99)

By Tim Redmond

This deeply delusional author seems to think he’s the next Tom Clancy, with a counterterrorism-operative hero named Mitch Rapp, a love for all that is military and secretive, and a political agenda that leans toward Attila the Hun. He once devoted an entire book to the premise that the president of the United States should be murdered because he refused to de-fund the Rural Electrification Administration. In case you need any perspective, Glen Beck calls Pursuit of Honor “fantastic.”

Rapp starts out this episode by beating up a stereotypical liberal would-be CIA reformer who — guess what — turns out to have a “personality disorder.” In fact, Rapp discovers, “It’s not uncommon for people with this disorder to hire lawyers.” Then he beats up his best buddy who is too much of a wimp to kill the CIA inspector general, who isn’t with the program.

It gets better. You’ve got bad Arabs right from Central Casting, paranoid terrorists who kill innocent federal (CIA) employees, female senators who love abortions and hate the CIA, and a nifty reference to ol’ Joe McCarthy, who “may have been a drunk and an ass, but that didn’t make him wrong.”

Two broken Russian knees. One broken Russian nose. Glass-tube-up-the-dick-and-break-it torture. Nutty Al-Qaeda guys shooting Midwesterners from an RV. But not enough plot to even make this feel like waste-of-time fun.

Clancy’s a right-wing loon, too, but at least he has a phenomenal talent for constructing a story. Poor Mr. Flynn isn’t in that league.

Sweet Tooth: Afternoon delights

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By Megan Gordon

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This week, I pay homage to two very different sweet shops in two very different neighborhoods: The Mission and The Marina. Wherever you live or work, I say take advantage of the next time you need a little comfort food, sneak out of the office early, and stop by one of these places for a cookie or a cream puff and a glass of milk. Maybe you can even find someone to read you a story while you take a nap.

Pacific Puffs
Don’t get me wrong. I love a good chocolate layer cake (or a slice of it, that is) after a long day. It’s rich, reliable, and won’t let you down—three elements of daily life that I can’t say I often experience. But sometimes a basic, no-frills cream puff and a glass of milk gets a girl through the afternoon like nothing else. Enter Pacific Puffs: a relatively new Cream Puffery in the Marina, serving up a little simple satisfaction each day. And really, there’s nothing more feel-good than a few homegrown brothers starting a cream puff business in the heart of the Marina using a recipe that’s been in their family for decades.

Trent and Rhys Carvolth bake the puffs in an off-site kitchen in Bernal Heights in small batches and sell them at their Union Street location. When you visit, you’ll have an important decision to make: whipped cream or custard filling? Those who may be turned off by the cloyingly sweet cream filling of an unnamed local competitor may gravitate towards the whipped cream-filled puffs. But for the true puff-aficionado, the Classic Cream Puff is the way to go. It’s made with traditional choux pastry (a light dough consisting of butter, water, flour and eggs) and filled with a mixture of vanilla custard and whipped cream, topped with a chocolate glaze.

Yes we (Daisy) Khan

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by Caitlin Donohue

“From Harriet Tubman to Susan B. Anthony to Amelia Boynton Robinson, faithful women throughout American history have shaken up the status quo, driving some of our country’s most remarkable examples of broad political and social change.”

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Daisy Khan touts some good ol’ hope and change at her lecture tomorrow

Daisy Khan is well placed to comment on the efficacies of faith in social activism- her own name would not be too incongruous to add to the list of observing freedom fighters above. Khan’s struggle, however, is not for the Underground Railroad or universal suffrage, but rather for a Muslim religion that is fair and just for its members and has a positive relationship with the global community.

It is a tall order. But the key to a better world is identifying your allies, and Khan has identified two as the most crucial to the task at hand in her upcoming lecture “Countering Extremism in Youth and Women’s Leadership in Islam.”

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Nat, 21st Street and Mission

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Tell us about your look: “I just got these clothes in the Mission. It’s all fresh.”

Partying with the dead heads

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by Caitlin Donohue
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Jose Posada’s classic Day of the Dead “Calavera” engraving

The sharpening chill, nights stretching longer past their summer shortness- in autumn the world as we know it begins to draw in upon itself towards winter’s temporary death. In Mexico, this moment is celebrated as Day of the Dead, a time when the lines blur between this world and the next. Families gather together to remember and treasure lost loves and try their best to tempt them back for a visit.

How do they throw down the welcome mat? This is Mexico we’re talking about, so of course their answers are art and fiesta. There are mock altars decorated with colorful tissue paper and skulls made of sugar. Playful calaveras are written, macabre epitaphs that make fun of your still-living friends. Parades and processionals fill the main streets and over at the cemetery, people are setting up tailgating parties on their dead friends’ graves. It’s a time to strut with a smile in front of death and subvert sadness.

Back to you (you like that, don’t you), because this is also San Francisco we’re talking about. Here are two incredible ways to wild on D.O.T.D:


How it went down last year at the SF Symphony’s Day of the Dead concert

Appetite: Franziskaner Dunkelweisse, Swoonbeams, cider sauce, and more

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Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

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Foreign Cinema

10/29 – Foreign Cinema’s Oktoberfest German-themed dinner
Get your lederhosen on… or at least be hosted by someone wearing theirs… at Foreign Cinema this Thursday. No, it’s not a German restaurant per se, but I’d trust most meals in the hands of chefs Gayle Pirie and John Clark. Their special Munich-style, three course dinner is $34.95, including one hearty beer, but is also available a la carte (along with the regular menu). Make reservations for the night, down Oktoberfest beers (a Weihenstephaner Festbier or Franziskaner Dunkelweisse) while eating beet and cucumber salad, wiener schnitzel with fried potatoes, and spiced apple cake with praline and cider sauce. Dreimal hoch (i.e. three cheers)!
Thu/29, 6-10pm
2534 Mission Street
415-648-7600

www.foreigncinema.com

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10/29 – Fair Trade Month celebrated at Samovar Tea Lounge
October is Fair Trade Month and downtown’s Samovar Tea Lounge commemorates with a Fair Trade Gala this Thursday. Fair trade speakers discuss the movement from all angles (that of the suppliers, certifiers, retailers, and farmers) with plenty of Q&A to answer your questions. On hand to sample as you join in the discussion are fair trade products from Alter Eco Olive, Frontier Herbs and Spices, La Yapa Quinoa, Tcho Chocolate, Swoonbeams Chocolate, and more, plus Samovar’s new line of Fair Trade Teas.
Thu/29, 7-9pm, $10
730 Howard Street
415-227-9400

www.samovarlife.com

Talk to the hand: Madame speaks again

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By Marke B.

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She’s back, yak, yak, yak!

First, if you are in any way remotely gay, watch this now. Then everyone watch this and weep a little about what’s been lost:

Just in time for Halloween, beloved, be-snappy, and bejeweled fisting bottom comedienne Madame returns to San Francisco. Seriously, this broad is pretty freakin’ hilarious and puts on one hell of a show. Even though her originator Wayland Flowers passed away some years ago, Madame has a new man on her arm (Rick Skye) and still retains all that campy snap and bite many of us grew up loving on Hollywood Squares, Solid Gold, and Rowan & Martin’s Laugh In. Wait, was Madame even on the Muppet Show? I guess not, since the universe wasn’t canceled out …

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Now billed as “The Diva of Decadence,” her new show “Madame with an E!” promises a multimedia spectacle, and a taste of her upcoming (celebrity cooking?) show, Madame’s Dish.

After the jump, my 2006 interview with the grande dame of giddyness (when Joe Kovacs was the new man on her arm), that veers from personal tragedy to new vibrators with a quick yank of the string …

“Madame with an E!”
Oct. 29-31, 10 pm, $30-$35
The Rrazz Room
Hotel Nikko, 220 Mason St., SF
866-468-3399
www.therrazzroom.com

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s look: Melanie, 23rd Street and Mission

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Tell us about your look: “I’m wearing all Baby Phat. I’m trying to wear a street look.”

The hot tubs, private trails, and deer packs of Sea Ranch

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Photos and text by Caitlin Donohue

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The Pomo indians, original inhabitants of the land where the Sea Ranch community now stands, burned down their huts when they fell into states of disarray. No carpet shampoo. No broom. I could get into that. Make the bed? Nah, let’s just burn it down and build a new one!

Their devil-may-care attitude to home design, however, does not extend to the current residents of the coastal Sonoma County community. ‘Sea Ranch style’ was developed here, appropriately enough; natural wood architectural beauts with emphases on windows and decks. No overhanging eaves allowed. No fences. Indigenous plant landscaping only.

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The 1,211 homes in the planned community are usually empty. 65% of them are vacation homes, sporadically occupied. They perch along the Ranch’s ten miles of sea bluff and sweeping Northern California tundra, which was totally deforested in the late 1800s and early 20th century by waves of European immigration, the Gold Rush and a freakin’ sawmill.

I’ve been going to Sea Ranch since I was a small thing and always loved its other-worldliness. My family went here, above all, to sit in hot tubs, play board games and gawk at deer packs. City folk, go figure.

Biopic “Amelia” disappoints (…and bores)

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By Lynn Rapoport

Unending speculation surrounds the fate of aviator Amelia Earhart, who, with navigator Fred Noonan, disappeared in 1937 over the Pacific while attempting to circumnavigate the globe. However, Mira Nair’s biopic Amelia clarifies at least one fact: that Earhart (played by Hilary Swank) was a free-spirited freedom-loving lover of being free. We learn this through passages of her writing intoned in voice-over; during scenes with publisher and eventual husband George Putnam (Richard Gere); and via wildlife observations as she flies her Lockheed Electra over some 22,000 miles of the world. Not much could diminish the glory of Earhart’s achievements in aviation, particularly in helping open the field to other female pilots. And Swank creates the impression of a charming, intelligent, self-possessed woman who manages to sidestep many of fame’s pitfalls while remaining resolute in her lofty aims. She’s also slightly unknowable in her cheery, near-seamless virtue, and the film’s adoring depiction, with its broad, heavy strokes, at times inspires a different sort of restlessness than the kind that compels Earhart to take flight. Amelia is structured as a series of flashbacks in which the aviator, while circling the earth, retraces her life –- or rather, the highlights of her career in flying, her marriage to Putnam, and her affair with Gene Vidal (Ewan McGregor), another champion of aviation (and the father of author Gore). And this, too, begins to feel lazily repetitive, as we return and return again to that cockpit to stare at a doomed woman as she stares emotively into the wild blue yonder.

Amelia opens today in Bay Area theaters.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Mayra, 23rd Street and Mission

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Tell us about your look: “This jacket is from Factory To You.”

The Emerigo Vespucci of Fillmore Street

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text and photos by Caitlin Donohue

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I was off on my own adventure the day I found Cottage Industry (2326 Fillmore, SF). Drawn initially to its display window full of small wooden men with exotic potbellies, further exploration revealed that this was the kind of cavernous, glorious grab bag of a store every neighborhood should have.

Scattered throughout the cluttered aisles was an antique cabinet whose jars and drawers neatly organized a world’s worth of ceramic beads, banks of somber African idols. I lost myself fingering a starter jacket made from dashiki fabric and in the fumes from the cones of bazaar incense. International objects of flair on shelves, on the floor, on every inch of wall.

It was as though someone traveled the globe and brought back every beautiful thing they saw. Which basically, is what happened.

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Owner Claudio Barone ventured from his native Napoli at age 18 to open his first store in New York City, and brought his current collection- culled from estate sales, antique stores and local markets in 47 different countries- to Pacific Heights 22 years ago. “I had to explore our territory,” he tells me. “You know, Italians discovered this place.”

Pics: Trolley Dances salve Muni woes

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Text and photos by Ariel Soto

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For once, taking Muni was actually a pleasure. This weekend saw the San Francisco Trolley Dances dip and twirl along Muni stops, which meant riders had their noses pressed against the glass as salsa dancers shimmied along the street, chasing the J-Church as it made its way from Dolores Park to Balboa Park Pool. The annual event featured dance companies from around the Bay Area as well as the young and talented swimmers of the SF Merionettes Synchronized Swim Club. The piece “Journey through time in no time because it is time” performed by the Deep Waters Dance Theater, was especially inventive and witty, mixing theater, poetry and dance in a piece that revolved around the ideas of more time and less time, and the time in between, ending with the audience pointing to the sky, looking up towards a new time of “infinite possibilities.” Oh, if only every ride on Muni could be quite as enjoyable and entertaining as this one.

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Other participating dancers and companies included: Deborah Slater Dance Theater, Epiphany Productions Sonic Dance Theater, Kathleen Hermesdorf, and Rosamaria Garcia and Jorge Rodolfo De Hoyos

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Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Mark, 22nd Street and Valencia

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Tell us about your look: “Making the old new again. Also a Russian spy.”