Pixel Vision Archives — Page 100 of 133 — San Francisco Bay Guardian Archive 1966

“Blossom”: fashion, beats, and eats

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April 9, 2009

By Molly Freedenberg

Too classy for BRC? Blanket by Tamo Design.

Faux fur’s not just for Burning Man anymore. Not when it’s in the capable hands of Tamo, who not only uses her extremities to helm her namesake clothing company but also to DJ with the Angels of Bass. The blonde beauty’s hoodies, jackets, and blankets are soft, beautiful, well-constructed, and as appropriate for dinner in Potrero as they are for dancing on the playa (if not more so). Plus, her line of baby items is so damn adorable, it almost makes me want to have a little tike just to outfit him in fuzzy, eco-friendly goodness. (I said almost.) But perhaps what’s best about Tamo is her constant drive to support the independent fashion community through collaborative events like this weekend’s “Bloom” at The Triple Crown. Along with S&G Clothing, Tamo will host a full afternoon of beats, eats, and kickass clothes from 15 designers, including Silver Lucy Design, Steam Trunk, Lemon Twist, and Miss Velvet Cream.

Blossom: Come out and Bloom
April 11, 2-8pm
free, all ages
The Triple Crown
1760 Market, SF
Click here for event link

A Q&A with Nick Cave

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April 9, 2009

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By Johnny Ray Huston

Nick Cave and I probably crossed paths in Heaven one night. Heaven was a club on Woodward Avenue in Detroit where you could go, after 2 a.m., to dance and sweat and lose yourself to the sounds of DJ Ken Collier. Cave’s time in Heaven has made it possible for him to create “Meet Me at the Center of the Earth,” his show at Yerba Buena Center of the Arts. Time spent in that kind of cathartic, uninhibited place is necessary for someone — someone like Cave — to bring people to the Earth’s core and allow them to begin reimagining from the center of existence. When Cave and I talked on the phone recently, the morning of a full-page profile of him appeared in the Sunday New York Times, our discussion started near Heaven, and ended in Barack Obama’s Chicago.

SFBG How has your studio changed over the years, in terms of location, layout, and contents?
Nick Cave My studio has changed according to the way my career has changed. I’ve expanded in space due to demand. I’ve had to bring on more studio assistants. It’s evolved and grown, but without expanding beyond my means. I look at it the same way I did when I had a clothing store. I try to make smart moves.

SFBG Do those things influence your process, or do many of your ideas originate outside of the studio space?
NC I think it does occur outside the studio space. The studio is where the ideas are manifested. The ideas come from being out there in the world — just being open. Though sometimes a revelation may happen in the studio, based on an experience I’m developing. It happens when it happens.

SFBG We’ve both spent formative time in Detroit and the Detroit area. I went to Wayne State [University], while you went to Cranbrook Academy of Art]. I’d love to know more about your experience there with [fiber artist and teacher] Gerhardt Knodel. I wondered also whether you had ties to the club scenes in Detroit or Chicago at any time.
NC Oh, hell yeah [laughs].
Cranbrook was probably the most extraordinary place for me. I could have gone straight to New York [City], or to other schools, but I knew I needed an environment that was somewhat isolated, because of my desires to be distracted by other creative endeavors. Cranbrook provided this amazing intensive rigor and isolation from the world. Yet I had Detroit, which really allowed that gritty balance. It was the best of both worlds. When I needed to get the hell out of Cranbrook, believe me, I did.

Photo by James Prinz

Lit: ‘Halliburton’s Army’ uncovers the monster

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April 9, 2009

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By Ben Terrall

Halliburton’s Army: How A Well-Connected Texas Oil Company Revolutionized The Way America Makes War

By Pratap Chatterjee
Nation Books
304 pages
$26.95

Pratap Chatterjee, director of CorpWatch, a dogged, effective monitor of corporate malfeasance, has a long track record as a muckraking journalist. The dirt he uncovers on Dick Cheney and Donald Rumsfeld’s favorite company in Halliburton’s Army could help provide grounds for an interesting, and gratifying, series of court cases.

The “army” of the title is staffed with Asians and other workers of color paid scanty wages to toil at crappy jobs once performed by U.S. soldiers. Chatterjee argues that this contracting has made U.S. warfare cheaper by allowing the Pentagon to spend fewer dollars training troops. The workers on the bottom of the ladder aren’t getting much, while “cost-plus” and no-bid contracts, price-gouging, and kickbacks have shoveled tens of millions Halliburton’s way. A whistleblower involved in an audit that she discovered was really a cover-up estimated that the cost of supporting Halliburton/KBR managers in Kuwait City was $73 million per year. To quote Rep. Henry Waxman (D-Los Angeles) within the book, when the Army outsources “this much work on contract management, they really are outsourcing oversight.”

Chatterjee, author of 2004’s Iraq, Inc: A Profitable Occupation, pulls together a vast amount of information (much of it gathered from trips as a reporter in Iraq and Dubai, where Halliburton moved for sunnier tax climes). At times it threatens to overwhelm his narrative. Harried publishing in tight economic times may be the reason for an excess of subsections with different typefaces — given the impressive reportage, the overall presentation is a bit jumbled. Nonetheless, Halliburton’s Army is an important resource.

Species twists at Move(men)t: A Men’s Dance Festival

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April 9, 2009

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By Rita Felciano

In the history of dance, the male of the species occupies a curious position. In some cultures only men were allowed to dance in public. In Western aristocratic education, dancing was a requirement for a future courtier. But until fairly recently, ballet choreographers consistently undervalued male dancers, and it was women who pioneered modern dance. In the 1930s, however, Ted Shawn’s all-male ensemble did much to break down the prejudice against men in dance. In the Bay Area, every decade or so brings about a refocusing on masculine performances. There is an energy — both virile and tender — to these presentations that, in the past at least, made them very special experiences for men and women alike. Some of that, unquestionably, had to do with the testosterone that just bounced off the walls. Even so, to see so many guys cooperating with each other is still not something we are accustomed to seeing on stage. The latest incarnation of all-male dancing, "Move(men)t: A Men’s Dance Festival," now in its second year, includes Mark Foehringer, who has long choreographed for men; Folawole Oyinlola, of Nigerian descent, who excels in improvisation; Kegan Marling, perhaps best known in his partnership with Jane Schnorrenberg; and Joe Landini’s new San Francisco Moving Men. Ten choreographers in all will show their chops in the tiny but hopping Garage performance space.

MOVE(MEN)T: A MEN’S DANCE FESTIVAL Fri/10–Sat/11, 8 p.m., $10-$20. The Garage, 975 Howard, SF. (415) 885-4006. www.brownpapertickets.com

Blog Love: Sandwich porn at BreadxBread

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April 9, 2009

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Juliette Tang shouts out to local bloggers. Read her last installment here.

Seitan philly cheesesteak from Benders, from Breadxbread

Breadxbread is the San Francisco blog we’ve been waiting for. Devoted entirely to the topic of sandwiches, Breadxbread takes us on the journey a slice of bread takes to find its perfect counterparts in the chaotic world of ingredients, which include the whole mess of things in the world, like seitan, honey ham, and bacon, before finally meeting its partner, that other slice of bread, in a final embrace of harmony, unity, and tastiness. Everyone has an opinion on where to get the best sandwich in San Francisco, but for the bloggers at Breadxbread, the search for the holy grail of sandwiches is a neverending pursuit. Updating at a frequency that suggests AW and JoJoJoJo subsist entirely on a diet of things in sandwich form, their blog is peppered with photos and reviews of sandwiches, which they either get from various places, mostly concentrated in the Mission and its immediate surrounds, or that they make at home. Breadxbread is singlehandedly responsible for reigniting my interest in Mr. Pickles Sandwich Shop on the corner of 20th and South Van Ness, which I have passed and peeked inside many times but which I’ve never felt motivated to try until now.

Street Threads: Look of the Day

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April 9, 2009

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Faith, Civic Center

Tell us about your look: “I’m a thrift store connoisseur.”

Bruce Willis honored at Sonoma International Film Festival

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April 8, 2009

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By Juliette Tang

The 12th Annual Sonoma International Film Festival, a festival celebrating “the best in food, wine, art and music,” ended weekend with a big tribute and party in honor of Bruce Willis, an inexplicable choice in every sense except that he happens to be good friends with the Festival’s executive director, Kevin McNeely. Personally, I’ve never been not the biggest Bruce Willis fan, though I thought his performances in The Sixth Sense and Twelve Monkeys were understated and effective. Bruce is not just an actor in the cut-and-dry sense, but an uber-celebrity. His movies regularly make billions of dollars worldwide, and he is the 7th highest grossing actor of all time. Even though I’m not the type of person to watch action movies, I’ve seen every single Die Hard, either at friend’s houses, or on an airplane somewhere, or just because it was a Saturday and I was tuned onto TNT – it’s one of those movies that, chances are, you will somehow see even if you don’t try to see it, just by merit of being alive. And despite (or maybe, because of) the baldness-induced machismo and the faint but perceptible odor of sleaze he emits, some women really like him. How? Why?

Perhaps Bruce Willis’ special brand of je ne sais quoi is due to his beautiful singing voice? Check out some great vintage Bruce, after the jump.

A guide to artists with famous namesakes

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April 8, 2009

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Read the growing number of enthusiastic articles about Soundsuit creator Nick Cave and you’ll soon notice most of them have something in common — at one point or another, the journalist or author has to interject that this Nick Cave isn’t the Australian gothic blues dirge icon. Cave the dancer-turned-sculptor/designer likely faces his musical namesake at every turn, but he is just one contemporary visual artist with a well-known moniker. To clarify matters, behold this illustrated breakdown.

NAME Nick Cave
FORTE Murder ballads
SIDE GIGS Writing, acting, and leading Sinnerman
CURRENT PROJECTS Dig, Lazarus, Dig!!! (Mute, 2008); a screenplay with the Leonard Cohen-ish title Death of a Ladies’ Man
QUOTE “An eye for an eye and a tooth for a tooth / And anyway I told the truth / And I’m not afraid to die.”

NAME Nick Cave
FORTE Sculpture, video, and artistic fashion with untamed imagination
SIDE GIGS Dance and choreography
CURRENT PROJECTS “Meet Me at the Center of the Earth,” at Yerba Buena Center for the Arts; a 90 Soundsuit dance performance in 2012 at Chicago’s Millennium Park
QUOTE “The arts are our salvation — the only thing that allows us to heal and also helps us dream about what will make the world a better place.”

NAME Phil Collins
FORTE Blue-eyed soul, romantic movie themes, turning prog into pop, drumming, Alamo artifact collecting, and becoming an icon of male pattern baldness
SIDE GIGS Duets with Billy Ocean, replacing Peter Gabriel in Genesis
CURRENT PROJECTS Fatherhood, greatest hits collections
QUOTE “She’s an easy lover / Before you know it you’ll be on your knees.”; “I feel so good if I just say the word / Su-su-sussudio.”

Street Threads: Look of the Day

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April 8, 2009

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Elizabeth, City Hall

Tell us about your look: “I’ll wear anything as long as it’s comfortable.”

The Blender: What we’ve been eating

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April 7, 2009

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By the peckish Guardian staff

(1) Charcuterie plate and salmon with mussels and asparagus, L’Ardoise

(2) LaLoo‘s black mission fig goat’s milk ice cream

(3) Three’s a Crowd roll, We Be Sushi

(4) Duck liver mousse with truffles, La Folie

(5) Green chicken curry, Magic Curry Kart

Local Artist of the Week: Dana Harel

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April 7, 2009

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LOCAL ARTIST Dana Harel

TITLE Circus Ranivorus, graphite on paper, 96 by 72 inches

STORY This is from a series of 10 graphite drawings. The positioning of the hands references traditional shadow puppetry, without the use of light and shadow. Each animal is rendered at the scale of the true creature. Harel: "I am exploring the construction of fictional hybrid combinations, treating the body as kin to all wild things."

BIO Born and raised in Israel, Harel received her BFA in architecture from California College of the Arts in 2000. Her work has been selected for juried shows at Southern Exposure and Gen Art.

SHOW "Dana Harel: Kin," through May 3. Tues.-Sat., 11 a.m.-7 p.m.; Sun., 11 a.m.- 5p.m. Frey Norris Gallery, 456 Geary, SF. (415) 346-7812.

WEB www.freynorris.com

Point Break Live is bitchin’!

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April 7, 2009

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By Steven T. Jones

Dude, like, you totally gotta see this play, you know. It’s, like, catching the perfect tube, yeah. So, are you gonna jump or jerk off?

Er, um, sorry about that. I was just rehearsing my Keanu Reeves impression in the hopes of snagging the lead role when I return to Point Break Live, which plays Friday nights at CELLspace for the next two months. And let me tell you, this is a unique theatrical experience, something that quickly dawns on you when you enter the room and see the entire audience wearing the plastic rain ponchos they distribute at the door.

The story is familiar to fans of the 1992 film Point Break, starring Reeves as Johnny Utah, the college football star turned FBI agent (partnered with the inimitable Gary Busey) who goes undercover as a surfer to pursue a gang of adrenaline junkie bank robbers led by Bodhi Sattva, played in the film by Patrick Swayze.

To capture Reeves’ acting acumen, the action starts with audience members trying out for the part, and the winner reads his (or her) lines from cue cards throughout the play. But that funny shtick (Utah’s interactions with his handler at some of the best of the performance) is just the beginning of what makes this absurd play such a great time. You’ll feel the surf at the beach, get splattered with blood during the hold-ups, and interact with colorful cast members, all while drinking $2 Pabst Blue Ribbons out of the can.

What more can you ask for?

Appetite: Czech in FiDi, Easter meals, Bushi-Tei bistro, Front Porch bones, and more

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April 7, 2009

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By Virginia Miller

The new cityhouse: apres-shopping bacon-wrapped swordfish

As long-time San Francisco resident and writer, I’m passionate about this city and obsessed with exploring its best food-and-drink spots, deals, events and news, in every neighborhood and cuisine type. I have my own personalized itinerary service and monthly food/drink/travel newsletter, The Perfect Spot, and am thrilled to share up-to-the minute news with you from the endless goings-on in our fair city each week on SFBG. View the last Appetite installment here.

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NEW RESTAURANT and BAR OPENINGS
A double-dose of Bushi-Tei in Japantown with a new bistro
I love you, Bushi-Tei. Though a Michelin-star winner with rave reviews, I often wonder why few seem to have been to this upscale Asian restaurant with a French cuisine ethos? Chef Wakabayashi is a genius, as far as I’m concerned, and the experience, from wine list to savory dishes to desserts, have always been a creative-fresh thrill for me over the years. I dig the dark woods of the modern dining room, the seamless service, and most of all, the glorious food. So I’m delighted to see the unveiling of Bushi-Tei Bistro this week, with a $6-15 price range and dishes like housemade udon, Japanese curry and sushi. Conveniently close to key Japantown/Lower Fillmore landmarks, I’d guess this could be the new gourmet-but-affordable-Asian-eats stop before or after a movie at Sundance Kabuki, a visit to the Kabuki Spring spa or a concert at the Fillmore.
1581 Webster Street
415-409-4959
www.bushi-tei.com

Cityhouse debuts in the Parc 55 Hotel
It appears to be another Union Square hotel restaurant (i.e. expensive), but Parc 55 Hotel‘s $30 million makeover (scheduled to be done in June) includes this steakhouse restaurant, cityhouse, helmed by Chef Brian Healy of the former Terrace at the Ritz-Carlton San Francisco. Open for breakfast, lunch and dinner with an all-day bar oferring swank cocktails and bar bites, it’s a downtown shopping respite or meet-up spot with visiting friends craving steak, bacon-wrapped swordfish, oysters and strawberry rhubarb crisp.
55 Cyril Magnin Street
415-392-8000
http://dev.tigglobal.com/RenaissanceParc55/restaurants/cityhouse.cfm

Street Threads: Look of the Day

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April 7, 2009

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Dylan, 25th Street and Castro

Tell us about your look: “I’m sorta a rock star and I love really skinny jeans.”

“Venture” adventure

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April 6, 2009

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By Natalie Gregory

I hadn’t seen The Venture Bros. before writing this review. I like Adult Swim. But I happen upon it very randomly, when I’m in a certain sort of mood. For devout Adult Swim fans, please skip the next few sentences. Inspired by old school action cartoons, The Venture Bros. features the Venture family, headed by the Monarch and his wife Dr. Girlfriend. They are villains, you see, who face all the problems of a family ruling the universe (or at least trying to take it over through industrial innovation). It feels a little like a cartoon version of Dr. Evil’s shenanigans. It’s amusing, though sometimes, as with other animated series, it feels like one should ingest marijuana before viewing. It’s really all about being in the weird world of the Ventures, and paying attention just enough to catch the wittiest remarks. Well, if you need explanations, there are always DVD commentaries to look forward to.

The Venture Bros. Season 3 is now available on DVD.

Style on (less than) a Dime: Take the boring out of button down

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April 6, 2009

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SFBG’s Laura Peach checks out local fashion you can afford. Check out her latest installment here.

Recently I was talking to a friend who lost her job. She was lamenting about her feelings of uselessness and loafing round the house looking for something to do. “Maybe I could pick up knitting… or crocheting… something, anything to keep my hands busy.” A few minutes later came the shift in conversation to clothes, and how she is bored with everything in her closet.

It was this combination of topics – unemployment, the need for a hobby, and the desire for an updated wardrobe – that led us to the idea of reconstructing our own clothes. Cheap? Check. (The clothes are already in your closet.) Keeps the hands busy? Check. Revamps the wardrobe? Double check.

Problem is, we didn’t know how. So we asked fabulous local clothing reconstructionist Miranda Caroligne, who we profiled in January’s Careers and Education section , where to start. She showed us how to turn a boring button-down into an exciting frilled-top worthy of Louis XIV (should his highness become a modern Mission-dweller). With her directions, some basic sewing materials, a shirt out of your closet, and a little time (which, if you are stuck in the same situation as my friend, you may have plenty of), you can reinvigorate your style without spending a dime.

Learn to make this shirt yourself! Fun and recession-friendly. Photo by Kimberly Sandie.

Street Threads: Look of the Day

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April 6, 2009

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Anna, Second Street and King

Tell us about your look: “I always like to by comfy, no matter what I’m wearing.”

“Changing Channels” tonight!

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April 3, 2009

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Creative Growth is one of the best places — if not the best — to make art in the Bay Area, and is host to some of the Bay’s most imaginative artists, including Tara Tucker, Aurie Ramirez, and William Scott (whose visions of a better San Francisco are on view at a current White Columns solo show in New York).

Michael Hall originated the site’s Video Production workshop, which has already put together some entertaining animation-filled DVDs. Hall produced the latest Creative Growth video and animation project, “Changing Channels,” which includes CG’s first-ever exhibition devoted to those forms. Tonight there’s a free screening event with popcorn. Pow!

Fri/3, 7:30 p.m.
Creative Growth
355 24th St., Oakl.
(510) 836-2340 ext.15
www.creativegrowth.org

Street Threads: Look of the Day

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April 3, 2009

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Halley, Hyde and Market

Tell us about your look: “I’m a second-hand fashion person.”

Smells like 20-something angst: 500 Days of Summer

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April 3, 2009

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By Juliette Tang

Wednesday night at the Sebastiani Theatre in downtown Sonoma, the Sonoma International Festival kicked off with a showing of 500 Days of Summer, an indie-romance starring the lovely and blue-eyed Zooey Deschanel and the surprisingly-cuter-as-he-ages Joseph Gordon-Levitt, alum of 3rd Rock. Directed by music video director Marc Webb, the cloyingly sentimental movie makes liberal use of a twee ‘supermix’ of popular college radio love songs, which included The Smiths, Regina Spektor, Doves, Belle & Sebastian, Black Lips, Spoon, Jack Penate, and Feist — “Mushaboom,” during a wedding scene, no less. About an unstable romance between two scruffy, marginally hip 20-somethings in Los Angeles, the movie was a hit with a Sonoma audience, who clapped and cheered after the showing. It ought to be mentioned, though, that this audience inexplicably also loved the Comcast commercial that played during the previews, clapping and cheering after that as well.

Deschanel and Gordon-Levitt play Summer and Tom, two people who look like everything that protagonists in ‘quirky’ emo rom-coms are supposed to look like. She has long wavy hair with bangs, wears opaque tights, ballet flats, and little cardigans over vintage dresses. He appears to have a large collection skinny ties, sweater vests, Pumas, and messenger bags. Tellingly, in one scene, Tom actually admits that he fell in love with Summer at first sight, because she looks like what his dream girl would look like. Called 500 Days of Summer because Tom’s relationship with summer lasts – hah – 500 days, most of those 500 days are wasted away by Tom, who is either pining after Summer, or subsequently whining when their whirlwind relationship ends abruptly. The film’s message is that Tom’s grave was entirely self-dug because he didn’t recognize the warning signs. As viewers, we’re left wondering why we should feel sorry for Tom at all if the mess was of his own making.

Watch it: Peeping at ‘Alien Trespass,’ chatting up filmmaker R.W. Goodwin

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April 2, 2009

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A blast from a kinder, gentler past – complete with a whopping penile-shaped alien monster with a unnervingly large eyeball. That’s the sweet, funny, and ever-so-slightly spooky Alien Trespass, which rights the wrongs of the recent turgid remake of The Day the Earth Stood Still (2008): this tribute to ‘50s sci-fi thrills and chills is fully aware of its throwback appeal and stays true to not only the spirit but the quirky details of its B movie predecessors – banish the Mars Attacks! irony. I talked to director-producer R.W. Goodwin, best known to some for his executive producer work on the first five seasons of The X Files.

R.W. Goodwin (as he signs a set of Alien Trespass lobby cards): I have all these collectibles from The X Files like the season one hats that Christopher [Carter] and I did for the crew. They’re all stuffed in closets, and I keep saying to [my wife] Sheila [Larken, who appeared in The X Files as Scully’s mother], “These are going to be worth a lot of money someday!” [Laughs] She goes, “Well, how about now?” She’s sick of finding X Files T-shirts and hats everywhere she looks.

SFBG: Now are you worried about being typecast as an alien lover?

Bacon: The other other white meme

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April 2, 2009

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By Molly Freedenberg

Last night, I slept with bacon. Or rather, I soaked up my whiskey and beer with a big fat bacon sandwich — slices of crisp, thick-cut pork piled between two sides of a cheese bagel — and then drifted off to sleep immersed (thanks to the bedroom’s proximity to the kitchen) in the smell of fried pig.

This has been happening a lot more often than it used to – and not just because I finally kicked that pesky eating disorder and discovered that bacon (and french fries, and pizza, and just about everything else) really does taste better than rice cakes dipped in mustard. It’s also because everyone around me seems to be eating bacon. Talking about bacon. Talking about art about bacon.

It’s got me wondering: When and how, exactly, did bacon become such a big friggin’ deal?

Baconstache: where two ironic trends collide. Photo courtesy of skullsandbacon.blospot.com.

Fantastic Planet tonight!

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April 2, 2009

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I might have to skip Venus vs. Serena, chapter 20: René Laloux’s Fantastic Planet is screening at SFMOMA tonight. Escape the first Thursday art stampede for privacy, darkness, and a playful scary dream.

One major reason I’m looking forward to seeing this movie is its soundtrack, by Alain Goraguer. I got a reissued vinyl edition (on the Pathe Marconi label) recently, and it is equally attractive and spooky. Goraguer worked with Serge Gainsbourg, and in some ways his La Planete Sauvage score reminds me of Gainsbourg’s soundtrack work with Jean-Claude Vannier. Without a doubt, Air has stolen plenty from Goraguer’s sinister yet sleek orchestration and his (and Gainsbourg’s, and Ennio Morricone’s, and Pino Donaggio’s…) use of sighing female vocals. The blog Electric To Me Turn — which gets love for taking its name from a Bruce Haack song — notes some of those corollaries, to which I’d add a resemblance to some David Axelrod sounds as well as the score for Shaft.

I’ve never seen anything more than clips of Fantastic Planet. But the movie is crammed with art references, is a big influence on early Hayao Miyazaki, and its surreal take on societal oppression and rebellion (inspired by the ’60s Soviet invasion and occupation of Czechoslovakia) is more than applicable to the US, even if we’re in woozy morning-after status. Here’s a great trailer (love the voice-over, blue diamond effects, and the way critic Judith Crist’s last name is misspelled):

Street Threads: Look of the Day

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April 2, 2009

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Olena, Civic Center

Tell us about your look: “I like European style.”