Caitlin Donohue

On the Cheap Listings

Andrew Lam
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Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 12

"Birth of Suns" astrophysics presentation Revolution Books, 2425 Channing, Berk. (510) 848-1196, www.revolutionbooks.org. 7pm, free. Walls closing in around you? For a little perspective, attend this lecture by UC Santa Cruz professor Mark Krumholz, whose expertise lies in star formation. He’ll be discussing how a celestial being is born, which involves so much mass, space, and distance that your roommate problems will fade into the distance on the power of his words.

SoMa B.A.G. (Bad Art Gallery) Satellite 66 Gallery, 66 Sixth St., SF. www.sfindie.com. Art show is open Wed/12-Fri/14, Sept. 19-21, and Sept. 26. Film screenings every Wednesday in September, 8pm, free. Perhaps a description of a work included in this SF IndieFest exhibition will suffice for this listing: "The artist created this work during his controversial Paint By Numbers period of the late 1980s and early ’90s. A raccoon engages the viewer with his coal black eyes, caught in the act of posing for a painting." Also, the gallery is screening Patrick Swayze movies on Wednesdays. Tonight is Point Break.

"(re)collection: Family Photos Swept by the East Japan Tsunami" Intersection for the Arts, 925 Mission, SF. www.theintersection.org. Through Oct. 27. Opening reception: 7-9pm, free. Without being told to do so, rescue workers in the town of Yamamoto, Japan began to collect photos from the houses damaged and destroyed by the 2011 tsunami. This art exhibit assembles just a few of these partially-obscured images, reminders of the human cost of that catastrophic event.

THURSDAY 13

Belcampo Meat Co. job fair Food Craft Institute, 65 Webster, SF. www.foodcraftinsitute.org. 8am-noon, 4-7pm, free. Ever wanted to work with artisan animal products? Head over to Belcampo’s job fair, where you can learn about career opportunities at its NorCal farm, meat counters in Marin and SF, plus jam and cheese-making classes. Snack provided, bring your resume.

Projector Magazine screening Roxie Theater, 3117 16th St., SF. www.roxie.com. 8pm, $5. Movie geeks and freaks will thrill to this live reading of the magazine that dissects films creatively (no snarky film reviewers here, folks). Tonight, screenings and readings collide as writers read their Projector pieces after a clip from the film that inspired them plays on the Roxie’s big screen.

FRIDAY 14

SF Society for the Prevention of Cruelty to Animals Homecoming Adoptathon SFSPCA, 201 Alabama, SF. www.sfspca.org. Through Sun/16. Fri/14, 1-8pm; Sat/15 and Sun/16, 10am-6pm; free. Kick-off party: Fri/14, 5-9pm, free. The friend of the furry and feathered couldn’t be making it any easier for you to go home with a companion of your own. The SFSPCA is hosting a party with free cocktails, free wine, free beer, with the opportunity for a free adoption to boot! The adoption special last throughout the weekend, so take home a kitty, puppy, bird, beast just as soon as you’re ready.

"From One Thing To Another: The Art of Recycle" Gray Loft Gallery, 2889 Ford, third floor, Oakl. grayloftgallery.blogspot.com. Through Nov. 9. Opening reception: 6-9pm, free. Have you been to Jingletown? So has this developing arts area in Oakland been recently dubbed. Check out the pleasures of the neighborhood by starting at this group show of art made from recycled, reclaimed, and upcycled materials.

Armenian Bazaar and Food Festival Khachaturian Armenian Community Center, 825 Brotherhood Way, SF. (415) 751-9140, www.stgregorysf.org. Through Sun/16. Fri/14, 7pm-midnight; Sat/15, noon-midnight; Sun/16, noon-6pm; free. For over 50 years, St. Gregory’s has hosted this superb opportunity to sample sarma and sou-beoreg (stuffed grape leaves and a cheese-parsley dish), check out the "highly anticipated" Sunday backgammon tournament, and watch live folk dancing. This year is the first for the fest’s beer and wine garden, which surely will only up its appeal.

"The Shirt" photography by Matt Sharkey Pretty Pretty Collective, 3290 22nd St., SF. www.mattsharkeyphotography.com. Opening reception: 8pm-midnight, free. Do you like photography? How about naked women? Photographer Sharkey took shots of 30 in the same old t-shirt, and most will be in attendance tonight as he celebrates the release of his new book of said shots, appropriately titled This Shirt.

"Oakland Under $100" Actual Cafe, 6334 San Pablo, Oakl. (510) 653-8386, www.actualcafe.com. Through Oct. 11. Opening reception: 6-10pm, free. Oakland artist Emily Coker shows her works (all retailing for under $100, natch) at this art opening, which also features live art-making, a silk-screening station, photobooth, and live music by Starmachine and DJs Ladybyrd and Who Killed Laura.

SATURDAY 15

Kiddo Disco Bollyhood Cafe, 3372 19th St., SF. www.kiddodisco.com. 11am-3pm, $5 per person, $20 maximum per family. You’ll be able to see over everyone’s heads at this club, and no need to save your monies for the late night burrito afterwards – snacks here are free, and anyways the thing will be over by 3pm. This is the fourth annual Kiddo Disco, where families can bring their future clubbers for a taste of the future while DJ Matt Haze spins. DIY face painting, bubbles, and a quiet area for reading and coloring will be supplied. Why aren’t all parties more like this one?

Coastal cleanup day Martin Luther King Jr. Shoreline Park, Doolittle Drive and Swan Way, Oakl. www.savesfbay.org. 9am-noon, free. Bring your own bucket (there will be a contest to determine the prettiest one) to this cleanup day, which aims to provide safe space for trees to thrive, birds to birth, and people to gaze out over the beauty of nature. And keep your eyes out for weird: Save the Bay will be giving prizes for the most bizarre piece of detritus recovered.

"Folsom Exposed!" photography by Mark I. Chester Wicked Grounds, 289 Eighth St., SF. www.wickedgrounds.com. Through Nov. 30. Opening reception: 7-10pm, free. Gear up for high leather season with photographer Chester’s shots of SF’s sex culture underbelly. Images going as far back as the late 1970s are in included in this show at SF’s kinky coffee shop. Come early (on time, at 7pm) for special slideshow discussion by the pervy photog himself.

Dance Discourse Project de Young Museum, 50 Hagiwara Tea Garden Drive, Golden Gate Park, SF. www.counterpulse.org; www.dancersgroup.org. 2-4pm, free. Performer Monique "Fauxnique" Jenkinson, SFMOMA associate curator Frank Smigiel, and others form a panel that will discuss the intersection of dance and visual arts – what happens when movement enters a building designed for housing paintings and the like?

SUNDAY 16

Mexican Museum free family day Mexican Museum, Fort Mason Center Building D, SF. www.mexicanmuseum.org. Noon-3pm, free. Celebrate Mexico’s Independence Day with this open invitation to families during Hispanic Heritage Month (which, oddly enough, runs Sept. 15-Oct. 15). The museum’s special portraiture and contemporary art exhibits will be open, and kids will have an opportunity to make creative masterpieces of their own.

East Bay buzz

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East Bay buzz

caitlin@sfbg.com

BEER I will not re-enter the one-sided debate of whether the East Bay is cooler than San Francisco (we covered that in our much hullabalooed April 11 cover story, helpfully titled “San Francisco’s loss”) But I will tell you this: one side of the Bay Bridge has less hills. Less hills being a boon for the drunk biker in us all.

If that is not enough motivation to embark upon a self-guided cycling tour of the East Bay beer scene, then I don’t know what is. Let me tell you about a recent, successfully-completed jaunt from which my team and I emerged with double IPA paunches, and a newfound appreciation for the San Francisco Bay Trail (of which you can find maps here: baytrail.abag.ca.gov).

 

EL CERRITO

Hook up your handlebars for a pleasant BART ride out to this north-of-Berkeley, family-friendly area, where a cruise of mere blocks will take you to the airy brewpub of Elevation 66 (10082 San Pablo, El Cerrito. (510) 525-4800, www.elevation66.com). Stainless steel fermentation tanks make for tasty eye candy from the bar, where we wound up setting our messenger bags and ordering a sampler flight of seven beers. For such a tiny operation, Elevation 66 offers a swath of pours: on tap the day we visited were seven of its in-house brews, including a heavenly Contra Costa kölsch, the perfect light beverage with which to begin a day of exercising and drinking, and five guest pours, of which we tried a bubbly, sweet Two Rivers blood orange cider. Important matters settled, we tackled the extensive food menu, which stocks homemade potato chips, a Peruvian causa made with poached prawns, avocados, Yukon potatoes, and habanero, and more.

Now, leave the brewery (I know, but there’s lots to see.) Take the beautiful, wetlands-lined Bay Trail south, feeling free to jump off at the overpass when you see the Golden Gate Fields (1100 Eastshore Frontage Road, Berk. (510) 559-7300, www.goldengatefields.com). If it’s Sunday, all the better — $1 entry, $1 beers, $1 hot dogs.

 

BERKELEY

Note the USDA community garden that will zip by on your right (at 800 Buchanan, Berk.) as you emerge from the Bay Trail into the Albany-Berkeley area, home to some of the largest breweries in the East Bay, besides of course the mega-fermenters at the Budweiser factory in Fairfield.

Your first stop will be at Pyramid Alehouse (91 Gillman, Berk. (510) 528-9880, www.pyramidbrew.com), and though you may find the quality of some of the beers at this Seattle-born chain brewery to be just about what you’d expect from a space tinged with notes of T.G.I. Friday’s, you can make a game of counting the pyramids incorporated into the décor for extra stimulation. If you dare, embark upon a 40-minute free tour given every day at 4pm by a bartender who may or may not include gems like: “if you like metaphors, you’ll love this one.” At any rate, it’s a good primer for people who have no idea how beer is made and it includes tons of free booze at the end. Check out Trumer Pils Braueri (1404 Fourth St., Berk. (510) 526-1160, www.trumer-international.com) a few blocks away for another free tour that runs daily at 3:45pm.

Head back to the Bay Trail, unless you feel like a trip further inland to Berkeley’s two fun brewpubs Jupiter (2181 Shattuck, Berk. (510) 843-8277, www.jupiterbeer.com) and Triple Rock Brewery (1920 Shattuck, Berk. (510) 843-2739, www.triplerock.com). Between Berkeley and Oakland you have three lovely miles of trail ride, and if I’m not mistaken we are in the thick of blackberry season, which means the indigo clumps you’ll see on your right just past Sea Breeze Market and Deli (598 University, Berk.) are ripe for picking.

 

OAKLAND

You could while away a day within just a few blocks in downtown Oakland, such a prime sitting-out-with-a-microbrew kinda neighborhood it is.

In terms of places that make their own brew, there is none better than the 1890s warehouse building that houses Linden Street Brewery (95 Linden, SF. (510) 812-1264, www.lindenbeer.com), the little brewery that could. There’s only a few meters in between tank and tap here, and on weekdays you can sit in the joint’s tap room and suck down golden pints of its Urban Peoples’ Common Lager, while hearing the story from the bartender of how it came to the forefront of Oakland’s craft beer scene.

You may not even guess, right off the bat, that Pacific Coast Brewing Company (906 Washington, Oakl. (510) 836-2739, www.pacificcoastbrewing.com) is brewing the suds that wind up in your $9/five beer sampler — but it is. The charming brick pub has all the fried pickles one has come to expect from a solid bar menu, and a latticed patio that provides a little privacy from the Oakland cityscape. Out front, you can park your steed and walk it out — the rest of your stops are within stumbling distance, unless you’re trying to really make a day of it and head south to Drake’s Brewing (1933 Davis, San Leandro. (510) 568-2739, www.drinkdrakes.com) and its tucked-away pint parlor.

You may just have saved the best for last. The Trappist (460 Eighth St., Oakl. (510) 238-8900, www.thetrappist.com) and Beer Revolution (464 Third St., SF. (510) 452-2337, www.beer-revolution.com) are two of my favorite Bay beer bars, regardless of area code. Both have superlative selection and cute, sunny patios, but considerably different vibes.

The Trappist is a classy, under-lit place with two bars and an elegant rotating list of beers at each, some local and some from far-flung locales. On our visit, we tried a trio of superb sour beers, including the transcendent red-brown Belgian Rodenbach Grand Cru. Trappist’s food menu is full of elegantly spare, small plates packed with big flavors, like a recent Mahon Reserva cheese platter with truffled almonds and shisito peppers. I’m no meat eater, but I heard rave reviews of the comparatively proletarian Trappist dog, which was studded with bacon and seemed an apt pairing for a beer that may out-class you.

Beer Revolution, as the name would imply, is a populist place — local brewers regularly roll through to share their fermentation philosophies. Though their draft menu is impressively large, the beauty of this place is variety. Inside the bar there is a vast refrigerator land where bottles await for your to-go/for-here fancy. We vote for-here, because you’ll want to savor every drop of your East Bay booze cruise.

 

Come see me tonight: The stars of the ASKEW Festival talk sex

Andrew Lam
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Come see me tonight: The stars of the ASKEW Festival talk sex

We probably have Madison Young to thank that the festival is happening at all – the creator of wandering alt-sex gallery Femina Potens curated ASKEW, this weekend (Thu/13-Sat/15)’s YBCA smorgasbord of sexual politics, personalities, and pleasure points as expressed through film and performance.

So who better, we thought, to tell you why you need to lace up your thigh high latex and view ASKEW? And thinking even bigger, who better than the women-artists Young has assembled for three nights of screenings, their themes centering on sensuality, identity, and social justice? Read on for the voices of a sex worker documentarian, a MILF, and an activist examining BDSM and race.

Hiwa B: License To Pimp

“Sex work is in the fabric of America. San Francisco itself has a rich history of sexual revolution, so it makes sense that it leads the way in cutting-edge thinking about sexual politics. While the focus of my documentary is on strip clubs in San Francisco, the issues are national, even global. What labor rights do strippers have? Who determines whether they are enforced or needed? How are strippers responding to illegal labor conditions? These are some of the questions that I tackle in my film. I think that San Franciscans will find this film of interest because they most probably know sex workers who are confronting these issues.”

Screening at “Intersections: LOVE:SEX:PORN:ART: Our Intimate Identity” Thu/13, 7pm, $10

Madison Young: Down the Rabbit Hole: A Year in the Life of a Sexy Mama

“This is a very personal intimate autobiographical work that blends text readings, experimental performance, and video art. It’s an internal dialogue of a mother rediscovering her identity as both a lover and a mother. An exploration of pain, growth, body image, feminism, identity, public ridicule, and orgasms all structured loosely with in the frame work of Lewis Carroll’s Alice in Wonderland. I don’t think that there has ever been such an intimate display of vulnerability on the subject of sexuality and motherhood as you will find in this performance. It’s a piece I’m really proud of, and it’s also my birthday.”

Screening at “The Birth of Something New: Explorations of Queer Home, Family & Community” Fri/14, 7pm, $10

Mollena Williams: Impact

Photo by Aeric Meredith-Goujoun

“As a presenter in the BDSM, kink, leather and alt-sex communities, I often find myself trying to explain why the hell we do what we do. And as a performer, I find the dramatic and visual elements of kink to make rather compelling theater. As a black woman and a masochist, I find it challenging to have my sexuality judged based on cultural assumptions, judgmental attitudes, fetishization of race, fear and ignorance.  It came to me that it might be interesting to see what it looks like when people witness something as straightforward as a spanking.  

“I’m fortunate enough to have friends I can email and say “hey, come by the house and we’re gonna video you beating my ass.” The only “No, sorry, I can’t!” responses were due to scheduling conflicts. The people doing the spanking in the short are all friends, but when you see them presenting, variously, as friendly, aggressive, and neutral aggressors in the context of BDSM, the role of voyeur really manifests in the way it does in our works: as an active participant. 

“Being in the room with viewers as they watch Impact allows me to heighten that anxiety and tension by physically bringing my presence to the experience of watching the film, therefore closing the gap between voyeurism and experience. There will be some invitation to interaction, and I am fascinated to see whether or not people in the audience feel empowered to interact with me in the performance, or hang back.”

Screening at “In/Visible: Women fighting for visibility & survival in a world that doesn’t always celebrate difference” Sat/15, 7pm, $10 

“The f*cking building was looking like a f*cking jail. But now it’s like a museum.”

Andrew Lam
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A guy who is on the board of the Oakland Museum of California buys an abandoned 36,000 square foot warehouse (1350 Fourth St., Berk.) He doesn’t realize the structure is a hot spot for local graffheads, but when he sees the art inside his new purchase he decides to roll with it, at least until he turns it into office space. Enter Endless Canvas, the superlative Bay street art site that Mr. Property Owner taps to curate the building. And viola. Special Delivery, a three-story aerosol wonderland, opened this Saturday with a bigass all-ages party, live music from Ear Peace Records, and what might be the highest concentration of legal street art you can see today in the Bay. The whole deal’s only standing til the end of the month, so we suggest checking EC’s website for its next viewing hours. 

Slutwalk’s tomorrow! Whatcha not wearing?

Andrew Lam
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It’s only a year old, but the international Slutwalk movement — born in Canada when a police officer affirmed that rape could be avoided if women could “avoid dressing like sluts” during a panel on crime prevention — has enraged the sexphobic, galvanized many feminists, and inspired thousands to yes, walk the streets. Tomorrow (Sat/8), the fun comes to Dolores Park.

Sick of the noise? Canadian organizers sure were — and their response to the officer’s comments led them to don fishnets, cake on the makeup, basically kit themselves out in whatever they were feeling that day, and take to the streets to show that women, and everyone else for that matter, should be able to wear anything they feel like without fear of being violated. 

The guest speakers at SF’s second Slut Walk tomorrow include Good Vibrations staff sexologist Carol Queen, queer activist Tommi Avicolli Mecca (who called out Pride on its lameness as a radical event this summer in the Guardian), and state assemblyperson Sally Leiber. You can catch the organized rally from 11am-noon, though there will be sluts all over Dolo from 9am-1pm. 

Slutwalk

Sat/8 9am-1pm

Dolores Park

19th St. and Dolores, SF

www.slutwalksfbay.org

 

Pro-life Bernal billboard corrected by feminist vandals

Andrew Lam
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[H/t Bernalwood]

Those in favor of a women’s right to choose need no longer avert their eyes from that squalling pro-life billboard on the corner of Cortland and Andover — some midnight marauders “corrected” its anti-choice sentiment. Who says there’s no good street art in San Francisco?

PR problems

Andrew Lam
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PR problems

caitlin@sfbg.com

HERBWISE Though I’ll admit the waves of federally-mandated dispensary closures that have washed over the Bay in recent months make it hard to keep in mind, I can’t shake the feeling that the key to legalization is not burning effigies of US Attorney Melinda Haag and harassing Barack Obama when he comes to town. Though those things can be fun.

These nonsensical days of the government blocking our access to cannabis will only stop when regular old citizens realize that the War on Drugs is not making them any safer.

Which is why I’m talking to Kristina Barnes about her porch rowdies. The mother of two, who is a project manager for an energy conservation company, moved to the Mission a year and a half ago. Along some of her neighbors and an agent from the Mission Miracle Mile Business Improvement District, Barnes wrote a letter in protest of property owner Gus Murad’s plan to put a weed dispensary into part of the Mission Street building that until recently housed his restaurant Medjool.

The letters were sent to the city’s Planning Commission, but also to Haag, causing East Bay Express reporter David Downs to call Barnes and her crew “snitches,” and “clueless, craven, money-hungry carpetbaggers,” whose primary goal was to gentrify the Mission. One of the letters, he reported, even used what I like to call “the g-word,” as a positive term, calling into question the protesters’ basic grasp of SF’s social climate.

Fine, I chortled a little at the snitches part.

But I live really close to Morado Collective’s proposed site. It troubled me that my neighbors thought that “this shop will invite loads more undesirable people to our neighborhood,” as Barnes’ letter put it.

The perception of the pot clubs as a dangerous, disruptive place is sadly, common — Haag has used it as justification for her crusade, even though a UCLA study published in the July issue of the Journal of Studies on Alcohol and Drugs found zero evidence that dispensaries raise crime rates.

I needed to know where the negative image was coming from. So I called Barnes up to find out why she didn’t want high-quality nuggets near her family.

Turns out, Barnes does not support medical marijuana. “There’s a lot of misleading legality about it,” she said. “If I were to guess, 80 percent of the people [who frequent dispensaries] have no reason to be there.” In other neighborhoods, she told me, she’s seen people exit clubs and give joints to friends.

She thinks the Morado Collective will adversely affect her block. “My primary concern is that it’s really selfish,” she told me. “We moved into a neighborhood that has the promise of getting a little cleaner and better.” More saliently, she was concerned that her porch would look like an attractive place to smoke that newly-purchased bud. People use it as a smoke spot already, she said.

Of course, there was no reason to base this conversation on conjecture. Until it was shuttered by the feds earlier this summer, Shambhala Healing Center welcomed patients at 2441 Mission — across the street from the Morado Collective’s future home. (The dispensary is now delivery-only.) Had Barnes’ porch been inundated by Shambhala’s patrons? Had such disruptions diminished in the months since the club closed its doors?

Actually, she was unaware that she’d been living around the corner from a dispensary since she moved to the neighborhood. Granted, Shambhala looked like a yoga studio from the outside. “I can’t believe I didn’t know the other one was there,” Barnes said. It was unclear if this fact was enough to affect her views on disruptive dispensaries, but one hopes it was food for thought.

 

ALSO, LOGIC PROBLEMS

While researching this column, I also spoke with Philip Lesser of the MMMBID, who told me his neighborhood group was firmly in favor of medical marijuana, likening pot clubs to medical centers. But, he said, the Morado Collective’s spot between fancy restaurants Foreign Cinema and Lolinda “just doesn’t seem like the appropriate place to have a doctor’s office.”

What would be appropriate? “I’m thinking that anything that could better promote the arts and entertainment,” he ventured, adding that Alamo Draft House is set to open a five-screen movie theater in another Murad property across the street.

But — what makes you want to go to the movies more than weed?

 

On the Cheap Listings

Andrew Lam
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0

Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 5

Humpday happy hour Good Vibrations, 2504 San Pablo, Berk.; 1620 Polk, SF. www.goodvibes.com. 6:30-7:30pm, free. The strap-on: a necessity to many, mind-boggling to others, both to some. In Berkeley, tool over to your local Good Vibes for this guided shopping event where experts will talk to you about what you need to look for in a falsie friend. At the chain’s Polk Street location, GV employees will demystify the 50 Shades of Grey phenomenon. What will it take for you to recreate a scene with your own Christian Grey? Chances are, you’ll find the tools you need here.

THURSDAY 6

"Captured: Specimens in Contemporary Art" Bedford Gallery, Lesher Center for the Arts, 1601 Civic Dr., Walnut Creek. (925) 295-1417, www.bedfordgallery.org. Through Nov. 18. Opening reception 6-8pm, $5. Trend watch! Throughout our history, humans have appropriated the natural world as raw material for our bizarre artistic impulses. Nowhere is this more true than in Walnut Creek, where a new exhibit opens showcasing reassembled taxidermy, curiosity cabinets, and specimen boxes.

Geoff Manaugh talks applied topology Banatao Auditorium, Sutardja Dai Hall, UC Berkeley. (510) 495-3505, bcnm.berkeley.edu. 5-7pm, free. Things we know: Manaugh used to be a senior editor at Dwell Magazine, and a contributing editor at Wired UK. Currently, he runs a think tank for the Columbia University architecture department. Today’s UC Berkeley talked will be, according to the press release, about "burglary, tunneling, and urban perforation." In other news, UC Berkeley can sometimes create really confusing press releases.

Fillmore Fashion Night

MADison Avenue party Cartoon Art Museum, 655 Mission, SF. www.cartoonart.org. 7-9pm, $5-500. Celebrate the closing of "What, Me Worry?: 60 Years of Mad Magazine" at this little downtown shrine to the drawn and funny. Early 1960s attire is encouraged – in fact, you’ll get your date in for free if you’re both wearing Mad Men-style flair.

FRIDAY 7

Paralympics viewing party LightHouse for the Blind, 214 Van Ness, SF. (415) 694-7350, www.lighthouse-sf.org. 6-8pm, free. RSVP recommended. This center for the visually-impaired is celebrating its brand-new entertainment center with this party for the London 2012 Paralympic Games. Yes, there will be pizza.

"Party Like It’s 1906" One City One Book launch party The Green Arcade, 1687 Market, SF. www.sfpl.org. 7pm, free. It’s always a good idea to celebrate author-sociologist Rebecca Solnit, and no day better than today, when the SF Public Library launches a citywide reading of her community-forged-in-disaster book A Paradise Built in Hell. It’s the eighth time the library’s encouraged the city to read together, and today Solnit will be on hand, and snacks they were noshing around the time of the 1906 SF earthquake will be available like oysters, sourdough bread, and beer.

Night Market Public Works, 161 Erie, SF. www.publicsf.com. 5-9:30pm, $5. "Bacon Crack" chocolates, vegan soul food, and champagne funnel cakes go fabulously with a ukulele chanteuse — as any attendee of Forage SF’s upcoming Night Market will be able to attest. The organization dedicated to promoting ultra-local nourishment has been striking gold with this recurring nightlife-snack event, at which local small vendors rub elbows with the Bay’s musicos, DJs, and of course, party-hard foodies. Check out Uni and Her Ukulele, the 29th Street Swingtet, and Izzy*Wise.

KALX 50th anniversary art exhibit opening Rock Paper Scissors Collective, 2278 Telegraph, Berk. kalx.berkeley.edu. 6-9pm, free. For a half-century, UC Berkeley’s been home to 90.7 FM, a.k.a. KALX, where John Lennon talked People’s Park riots and Green Day crashed when they came to town. Come tonight to check out a collection of KALX paraphernalia, flyers, and historic photos.

SATURDAY 8

All You Can Dance Alonzo King Lines Dance Center, 26 Seventh St., SF. dancecenter.linesballet.org. 1-5pm, $5. Don’t know jack about dancing? Take a four-hour crash course today, with a sampling of mini-courses on ballet, flamenco, Chinese movement, hip-hop, modern, and more. Teachers will be on hand to possibly turn you on to a whole new beat of your heart.

Babylon Salon Cantina, 580 Sutter, SF. www.babylonsalon.com. 7pm, free. Explore the Bay at this evening of readings – you’ll hear tales from a special education classroom, from assassinated journalist Chauncey Bailey’s finals days and ensuing trial, plus words from the "refreshingly off-kilter" (according to the NY Times Book Review) Lysley Tenorio. Cash bar on-site.

SUNDAY 9

The Last Picture Show free screening Berkeley Underground Film Society, The Tannery, 708 Gillman, Berk. berkeleyundergroundfilms.blogspot.com. 7:30, donations suggested. Small town life examined, in this film about Anarene, Texas, and a bunch of kids just trying to get along. High school honey Jacey is the babe every one wants, but will the perfect sweetheart be enough to counteract the slow death of the town she calls home?

TUESDAY 11

Jefferson Graham’s "Video Nation: A DIY Guide to Planning, Shooting, and Sharing Great Video" The Booksmith, 1644 Haight, SF. (415) 863-8688, www.booksmith.com. 7:30pm, free. These days, it’s all about video. Author Graham knows it – that’s why he compiled this book on how to create the best footage for bloggers, web show hosts, and small business owners. The USA Today columnist and tech video host shares how to get your clip to go viral.

Women’s comedy night The Layover, 1517 Franklin, Oakl. www.feelmore510.com. 7pm, free. Sponsored by downtown Oakland’s sex-positive community shop Feelmore510 (a Best of the Bay 2012 winner!), this evening is for female-focused yucksters. Grab a drink, peruse the art that covers the Layover’s walls, and ready yourself for quips.

Is it hot in here, or is that just Maru? Uniqlo brings techy wonderclothes, cult cat to SF

Andrew Lam
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It was a foggy, sloppy evening in Golden Gate Park, and I was activating my gloom-whine during our walk to Pasquale’s but then: HEATTECH. Thanks Uniqlo! Your Union Square pop-up, and impending West Coast flagship store opening, half-translated catch phrases, mega-cheap Hiroshima-born line of basic clothing, and all, saved my dinner date.

Though, the pop-up shop that is now open isn’t the dreamland of cheap basics and jewel tones I’d been promised — stock is mainly limited to HEATTECH, cashmere sweaters, puffy jackets and the zipper-free “easy legging pants” I am now living in. (I prefer to refer to them as “future pants,” but believe the layperson terminology would be “jeggings.”) The day we visited, it was staffed about three times as heavily as it needed to be — hyper-training sessions for the future staff of its store at 111 Powell set to open on October 5.

Clothes that make you warmer

Why should you care about another affordable shop for solid t-shirts when that neighborhood already hosts a passel of H&Ms, Forever 21s, and other number-initial combos? I don’t see those chains featuring Maru in any of their opening-day promos, firstly.

Secondly, the fog monster. I was a little skeptical of some of Uniqlo’s HEATTECH line of clothing claims (the unnamed anti-perspiration chemicals in its men’s clothes gave me pause, and the fact that the women’s line eschews these for an “extra-soft” fabric feel is not that cute.) But gender-neutrality aside, those “hollow fiber threads” that Uniqlo uses to make its patterned and plain-colored line of turtlenecks, tank tops, and long-and-short-sleeved HEATTECH shirts are on the money, when it comes to depression-producing SF freeze. Time will tell how many washes the effect will withstand, but my boatneck long-sleeve was magic on aforementioned Golden Gate hike. 

I’m hoping to learn more about this miracle of wardrobe at the brand’s upcoming fashion-tech panel discussion, where Yasunobu Kyogoku, Uniqlo’s chief operating officer will chat with Refinery29 editor Katie Hintz-Zambrano, director of merchandising for the Academy of Art’s fashion school Keanan Duffty, and Brit + Co.‘s Brit Moran. They’re covering clothing technology, which includes how its marketed on ye olde social networks. 

“Making Life a Little Better” Uniqlo fashion-tech panel discussion

Thu/6 6-9pm (panel at 7pm), free with RSVP

Uniqlo pop-up

117 Post, SF

www.uniqlo.com/us

Chauvinism: Not a good tool for fighting chauvinism

Andrew Lam
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9
Chauvinism: Not a good tool for fighting chauvinism

I know we’re all feeling a little queasy from all the Tampa tidings, but let’s remember why we’re here.

Mark Morford’s column on SFGate on Tuesday should have been another smart, snarky putdown of anti-feminist Republican platforming. But it turned out to be even more of a bummer than Condoleeza Rice hiding her pro-choice-ness under a podium.

Here is Morford on Lulli Akin, wife of Todd, a fact which automatically means we should probably just leave the poor woman alone:

Let us move on to… Akin’s wife. There is Lulli, standing next to her man as if dipped in concrete, tight-lipped and hard as a frying pan, looking for all purposes like someone removed her heart 40 years ago and replaced it with a brick.

Akin’s wife appears to us as a wan facsimile of a vibrant, authentic female, something not altogether real, unmoving and unblinking as her husband tries to backpedal violently, saying “No no no, of course rape is a terrible thing, of course women should never get raped, and that’s why I sure hope they stop asking for it very soon because angry Jesus does not like it one little bit.”

Male journos: please erase the phrase “authentic female” from your lexicon. Trust me.

Afterwards, it is AkIn’s two teenage daughters turn, who appear to be at the age least capable of handling critiques of performance on national TV. Morford has this to say: 

Oh my God, the daughters. Just look. Look at the two Akin managed to drag on stage with him. It is they who inspired this column. It is they who have a look in their eye like they’ve just been made to swallow a fistful of broken glass. Again.

I hate agreeing with a website whose banner reads “exposing and combating liberal bias,” but Morford, sir! Assessing the female offspring of politicians (really, any gender) based even slightly on their physical appearance is best left to expert assholes like Rush Limbaugh and Glenn Beck.

The column goes onto give condescending well wishes to the girls in their escape from Dad’s ethos system.

Shall we repost the palate cleanser of the week? Take it away Samantha Bee. 

Pass the vegan deep-fried pizza fritters

Andrew Lam
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2

**AN EARLY VERSION OF THE DINNER FLYER SAID AUGUST ON IT — THIS IS INDEED HAPPENING IN SEPTEMBER!**

Pleasurable it is, to announce the announcement of Hella Vegan Eats occupying Dear Mom (2700 16th St., SF. (415) 625-3362)’s rotating pop-up kitchen spot this Sat/1. Our Street Food Festival favorites will be whipping up deep-fried butternut squash pizza nuggets (our words, not theirs), an old-fashioned doughnut stuffed with beet burger, green curry coconut rice tamales, and more from 6pm-1am. Plus, animal product-free cupcakes from West Oakland’s Fat Bottom Bakery. 

And, brunch! The same day, 11:30am-5pm (feel free to sleep in, see) for a menu including vegan french toast with coconut “bacon,” fried banana, strawberry, and maple-peanut butter syrup. Also: mini-burritos. It’s not all vegan, but Mission Mission wants you to know that Dear Mom is in the middle of a veritable Pop-Up Jubilee.

The ladies are raising funds for a food truck, too. Check out their cute video: 

Graffiti, now: Guerrero Gallery shows USDA prime street writers

Andrew Lam
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0

There was no wine and cheese at the opening of “Leave the Beef on the BBQ.” There were massive slabs of meat though, onto which Guerrero Gallery owner Andres Guerrero slathered sauce and tried to look inconspicuous.

The crowd, which spilled out onto the sunny Saturday streets of San Francisco on August 25, was mainly there to see art anyhow. The exhibit was the most diverse graffiti-themed assemblage Guerrero had shown to date, and the graff heads in attendance had a lot to look at — not to mention reflect on. Graffiti, if the works inside were anything to judge by, is at the junction of, about 70 different artistic directions. 

“We’ve got your standard graffiti piecers, you also have guys that focus on tag style, we also have real, true bombers,” Guerrero told me on the phone a few days later. The walls of the ex-White Walls gallerist’s vast, skylit gallery held clusters of works: some framed, some on canvas, some pieces seemingly translated direct from the side of a Muni bus, some a bit harder to connect to the underground art legacy that birthed them. To name all the artists assembled would take up a lot of space here (see the gallery’s website for a full list, obviously), but a few stand-outs include: Richard Simmons and Lil’ Kim album covers, artfully bubble-lettered by Pez, looping tentacles straight out of the TWS style book by Estria, and a carefully-drawn urban jumblescape by Gorey. 

The mishmash highlighted graffiti’s progression into the fine art world — and its complicated, give-and-take relationship with the rest of contemporary art, Guerrero says. A dog smokes a cigarrette in an otherwise classically-themed piece. This would be the work of Kuma, who you can also find tagging over animal portraiture street art in Brooklyn. Complicated, no?

If it all seemed of somewhat dissimilar provenance on the walls, that was the point. Guerrero culled “Beef” participants from across the country, across the world — and across generations. “We have 1970 pioneers, the leaders and originators of this format,” he said. “Then there’s the current graff guys who are really taking it to another level.” Some have been showing in galleries for years, for others, Saturday marked the first time their work had popped up indoors. 

It was challenging to pull it all together, Guerrero says. For chrissakes, there’s over 70 artists represented in the show. But the work was a labor of love. 

“What prompted [the show], or really moved me to do it is that I really want to have fun,” he reflects. “I felt out of touch with the culture.” He reverts back to shout-out mode. “It was more to honor these guys. They’re the ones who lead the way right now in terms of a lot of contemporary works and influence.”

“Leave the Beef on the BBQ”

Through Sept. 3

Guerrero Gallery 

2700 19th St., SF

(415) 400-5168

www.guerrerogallery.com

 

My delicate hand needs a lady pen

Andrew Lam
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6

This is almost as dumb as when my elementary school principal told us girls couldn’t do Safety Patrol on big, scary Judah Street. 

Who says sailing’s not a spectator sport? Hot America’s Cup action

Andrew Lam
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0

We brought nautical-themed beer and outfits to Crissy Field for the America’s Cup preliminary races, and had a great view of one of the turning points of the really big boats before the winning sailors aggressively sprayed champagne on each other. I’m not sure how many of the race’s subtleties our fellow spectators were getting, but it was clear the Team Prada had a lot more fans than Team J.P. Morgan. Say what you like about the economic benefits of millionaire’s sporting events in our city, but they are great excuses to wear peacoats, anchor jewelery, and visible chest hair. Arrrr! 

Barry McGee, you tricked me

Andrew Lam
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0

Granted I’m not out in Berkeley a ton, but I found it strange that someone had tagged an entire concrete side of the Berkeley Art Museum/Pacific Film Archive the very first week that thousands of impressionable minds were invading the UC Berkeley campus and waiting in half-block lines to enjoy a free grilled cheese sandwich in between classes.

“SNITCH,” the 15-foot-tall graff screamed, with a bubble dotting its “I.” Wow, I thought, proceeding to the media preview of Barry McGee a.k.a. Twist a.k.a. Lydia Fong a.k.a. Ray Fong’s first mid-career retrospective (opening today, through Dec. 9) — someone’s not big on Twist.

But duh, everyone (everyone in the Bay who would tag a museum wall, at least) is big on Twist. The “SNITCH” tag, just like the massive red piece that obscured the museum’s glass front doors, was engineered by McGee and his some-dozen team of be-cardiganed, baseball cap flat-brimmed artistic cohorts, many of whom were still bustling about on Thursday trying to get the exhibition ready for the opening reception mere hours away. 

He came up earning tagger cred for his masterful tags and cartoon anti-heroes all over the streets of SF, but the hyper-successful and hyper-problematic museum-street art confluence is a crossroad that Twist has stood firmly atop for decades now. Of course he’s the first to tag his own opening.

I’m not going to go into too much depth about the exhibit here, because that would make the paper piece I’m going to write about it in a few weeks totally pointless, but know that it is the most ambitious spread BAM/PFA has ever undertaken (how the hell did they get that van in there? Curator Larry Rinder had no answers for the passel of press assembled at the preview), in terms of mediums it is wildly diverse, and you will probably never see any thing like it because the days of astronomical funding for art are dead and many of the rarely-seen Twist projects — he hasn’t had a Bay Area solo show since 1994 — took stacks to produce.

If you’re looking for a good moment to check out the show, I suggest that you don’t do it during university passing time unless you dig flip-flops, and that you coordinate instead with one of the rad events that BAM/PFA has scheduled to run in accordance with the show. Here’s a couple: 

L@TE: Friday Nights @ BAM/PFA

Sept. 21, curator Larry Rinder in conversation with Jeffrey Deitch 6-7pm; Lawrence Rinder; Devendra Banhart, Justin Hoover, and Chris Treggiari 7:30-9pm, $7. McGee chats with the guy who funded his biggest splashes, Deitch, and exhibit curator Rinder. The artist’s SF Art Institute fellow alum Barnhardt brings his wacky brand of folk to the L@TE night event, with Hoover and Treggiari slinging their street-based cuisine. 

Oct. 19, Jim Prigoff: “Graffiti: A History in Photographs” 6pm; T.I.T.S. and Erick Lyle (Scam) 7:30-9pm, $7. Prigoff, along with peers Martha Cooper, Jon Naar, Jack Stewart, Henry Chalfant, traveled the world when graff was still in its young’n stages, snapping shots of a youth-based art form that had yet to run through the commercial grinder. Tonight, he runs through some of his archival images of Bay greats like DREAM, and of course, Twist. Zinester Lyle and grrrl mob quartet T.I.T.S. raise a rebel yell later that night at L@TE. 

Nov. 16, Peggy Honeywell and Bill Daniel 7:30-9pm, $7. Visual artist Clare Rojas, a.k.a. folk singer Peggy Honeywell shares an affinity with partner McGee for aliases, and is sure to turn out a hot show (check out our 2011 interview for her woman-centric, quietly lovely artwork). Bill Daniels tracks indie film and hobos with his “dirt lot cinema.”

Barry McGee

Fri/24-Dec. 9

Berkeley Art Museum/Pacific Film Archive

2626 Bancroft, Berk.

(510) 642-0808

bampfa.berkeley.edu

You reached a website that is broken, hell yes

Andrew Lam
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1
You reached a website that is broken, hell yes

Never before has a 404 “website missing” page been endowed with such joy. Thank you, Moldovan freelance designer Anatoly Sivachenko.

Enter the abyss: Gay men draw vaginas (and you can too!)

Andrew Lam
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4

A black whorl navigated by a rowboat. A luscious pair of pink lips, gaping wide. Earmuffs, a box of muffins, a crawling rodent and a wide-eyed kittycat. All at once. Such is Anthony of New York City’s intrepretation of female genitalia. Gay men draw the darndest things! Writer Shannon O’Malley and photographer Keith Wilson — the same team behind the macabre-beloved Apocalypse Cakes — have cobbled together a whimsical Tumblr of such images, donated from around the country. Plus, they invite all comers to draw vag imaginings of their own at Dolores Park Gay Beach art parties (the next one is Sept. 2, fyi.) 

Why is this happening? We emailed the two to find out.

SFBG: Why are you having the gays draw vaginas?

Shannon O’Malley: I want to know what they think of vaginas. No one really knows. Sometimes gay guys say they are afraid of them. But some of them revere the vag. It’s all so complex. It’s neat to tease out all this convoluted psycho-sexual-cultural stuff through drawing. We’re collecting lots of vaginas and putting them all in a book called Gay Men Draw Vaginas, which we are self-publishing by the end of the year. We are already enthralled with the drawings we’ve collected thus far, so I can’t wait to see what the entire collection is going to look like.

Keith Wilson: As a gay myself, I wanted to see what other homos thought about the lady part that baffles us. Aside from some amazing visual insights into the vagina, it’s also led to some entertaining (and important!) conversations about the vagina versus the asshole and how one is gross but the other is to be worshipped. Sometimes they turn into heated arguments about gay men’s disrespect for women’s bodies and gay male social power blah blah blah. Awesome.

SFBG: Where have you held the drawings?

KW: I hold them between my legs.

SO: Recently, we held a mass public collection at Castro and Market one Sunday. And we’ve had one at my house. That was a party that happened to be full of a lot of guys, so I put pens and markers in front of them and asked them to whip up some vaginas. But spontaneous vag art can happen at any time, at any place.

SFBG: How would you characterize the vagina drawings you’ve seen?

SO: A lot of them attempt to visually replicate a vagina. But a minority are more conceptual. We have several dentatas. Lots of flowers. Some are on the rag.

KW: The drawings so far have been way more diverse than I thought. As we build our inventory, I see some categories of inspiration emerging: animals, Georgia O’Keefe, the all-pink palette, floral, and gestural.

 

Gay Men Draw Vaginas Drawfest #2

Sept. 2, 1pm, free

Gay Beach, Dolores Park

facebook.com/gaymendrawvag

 

Cheeseburger wolfpack

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0
Cheeseburger wolfpack

caitlin@sfbg.com

FALL ARTS In a workshop far north, in the wilds of Portland, a man creates wooden monsters. But they’re gorgeous, these beasts: vertigo-inducing whorls of eyes and mouths and thousands of pin feathers. So entrancing are the works of artist A.J. Fosik that you want to trip and fall into the maw of one of his riotously colorful works, preferably while on whatever drug their maker was partaking in when he laboriously cobbled them together. (perhaps also while listening to Mastodon.) Fosik will bring the wolfpack south to Guerrero Gallery for a show beginning Nov. 10.

SFBG: I’ve read that your sculptures are meant to ape religious icons and the zealotry that surrounds them — is that true of this latest series?

A.J. Fosik: It is true. If religious people would stop being such colossal dickheads I would have a lot more time on my hands to pursue hobbies.

SFBG: High-falutin’ theories of faith aside, do your beasties have names, personalities?

AJF: They are characters in an archetypal sense, not in a my name is Dave sense. They are manifestations of the apparently inescapable human need to put a face to the unknowable in some sort of attempt at easing our existential angst. Ideally, I would like them to serve as inspiration to move past that way of thinking and embrace the unknowable. Sometimes [they have names], mostly they are named after the ideals of a humanity better than ours.

SFBG: Where do they live?

AJF: The same place all deities do, in your head.

http://www.youtube.com/watch?v=_in6MbARF4s

SFBG: They’re so attention-grabbing — during the creation process, how do you relate to them? Do you have conversations?

AJF: I breathe life into them through their nostrils. Each piece receives a command written on parchment and rolled up, which is then placed in their mouths and compels them to obey.

SFBG: How long does a standard piece take you to make?

AJF: It takes a few splinters per hand and a couple of thousand pin nails.

SFBG: If you could engineer your beasts to perform a mechanical function, what would it be? You can say “eat people.”

AJF: I would like them to be able to take a precision slice from the part of the brain of every thick-skulled mouth breather that is responsible for holding onto the idea of faith as a virtue. Either by tooth or by claw they could slowly replace the justifications of so much hatred and replace them with the urgency of this life. Or they could regurgitate cheeseburgers to order.

SFBG: Your work is incredibly detailed. Why so elaborate?

AJF: If I stop working then I have to drink. When I start drinking, out come the wolves. It’s a safety measure. Also, DMT.

SFBG: Does anyone out there have a wall of Fosik pieces, like a psychedelic version of one of those wild imperialist British hunters?

AJF: If it does exist then I am insulted that my invitation has failed to materialize. If you’re reading this I can bring booze and firearms on short notice.

SFBG: Describe where you’d most like to see one of your works installed.

AJF: That’s sort of an odd thing at the moment. It really doesn’t seem to matter as much where the physical piece ends up, its real life is on Tumblrs and blogs or wherever else. If they don’t have teeth there they haven’t really lived.

A.J. FOSIK

Nov 10-Dec 8

Guerrero Gallery

2700 19th St., SF

(415) 400-5168

www.guerrerogallery.com

Drug peace

Andrew Lam
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0
Drug peace

HERBWISE Author Doug Fine’s last book, Farewell My Subaru, is about the year he moved to a secluded New Mexico farm and attempted to live without petroleum. He’s just as creative about advocating against the War on Drugs as is his against fossil fuel dependency — for his new book Too High To Fail: Cannabis and the New Green Economic Revolution Fine spent a cannabis season living in a Mendocino grow town. He’s been getting love from his recent appearance on Conan, but we caught up with him via email for some real talk while he was en route from his home, a.k.a. the Funky Butte Ranch, “hurtling toward live events in Colorado in an ’87 RV.” He’ll be in town this week doing readings, so read up here and bring him questions to his Booksmith reading on Wed/22 and his event for cannabis patients at Harborside Health Center on Fri/24. 

SFBG: What are you adding to the discussion on cannabis legalization with Too High To Fail?

Doug Fine: I relocated to Mendocino County, and for 10 months covered the county’s successful efforts to permit sustainable cannabis farmers. I followed one flower named Lucille — for reasons that have to do with the neighbor of a farmer I followed — from farm to liver cancer battler. 

Mendocino’s “zip-tie” [cannabis farm permit] program was so successful in 2011 that it was about to be emulated in several other counties in the Emerald Triangle. With 100 tax-paying American small farmers coming above ground to declare themselves legitimate, the county raised $600,000 and saved seven deputy sheriff positions. The practitioners of a profession that generates 80 percent of the county’s revenue could now be part of society. Then, just before harvest, the DEA raided the most prominent zip-tie farmer, and the US Attorney threatened the county Board of Supervisors with arrest if they didn’t effectively cancel the program. Which they did. 

SFBG: Would you say you have a different writing style than others who have tackled the War on Drugs?

DF: It’s kind of comedic investigative journalism. Since I don’t only want to preach to the converted on any issue, I think the humor draws people in as they see I’m a regular guy, a dad, an American, and not some kind of radical pushing an agenda. I try to laugh my way to the truth. 

SFBG: In your opinion, why isn’t cannabis legal today?

DF: Pat Robertson wants to end the Drug War, my cowboy hat-wearing senior ladies at the post office in my New Mexico canyon want to end it. Everyone’s ready except Congress. Even a DEA spokesman said when I asked why the zip-tied farmer was raided, “If you don’t like the Controlled Substances Act ask Congress to change it.” And it’s up to us as voters to do just that: get cannabis out of the CSA and allow states to regulate it like alcohol. It’s win-win: a $30 billion infusion into the economy annually that will cripple the cartels. 

SFBG: Do you smoke weed?

DF: I have used it. I think it’s a good plant. My general take on it is a spiritual one. The Bible isn’t vague on this. It’s in Genesis, not bured way back in Numbers. Chapter 1, Verse 29 says: “You shall have all the plants and seed-bearing herbs to use.” Not “unless one day Richard Nixon decides he doesn’t like one of them.”

SFBG: I hear you live with goats?

DF: Yep, I generally see as many goats on a given day as I do humans. I meditate with my goats and live on their yogurt, cheese, and, most importantly, their honey-cardamom ice cream.

 

DOUG FINE

Wed/22 7:30pm, free

The Booksmith

1644 Haight, SF

www.thebooksmith.com


Fri/24 2-5pm, free, medical marijuana patients only

Harborside Health Center

1840 Embarcadero, Oakl.

www.harborsidehealthcenter.com

See ya, SAD: Post-Car Travel Agency pops-up with mid”summer” vacay inspiration

Andrew Lam
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7

It wasn’t until I was lying on an office park lawn just south of Jack London Square yesterday, staring back at the Transamerica Pyramid-studded fog bank that currently consitutes our city, that I could acknowledge that Seasonal Affective Disorder is effectively ruining my life and most likely, everyone else’s in San Francisco these weeks.

Thankfully, that epiphany was quickly followed by a visit to the antidote, the Post-Car Travel Agency. It’s easy for city-dwellers to forget, but it is possible to access sunshine, san automobile, whenever one has the saddlebags to do so. The pop-up agency has popped up on Shotwell Street at the Storefront Lab, where it will be offering bike trip planning know-how, way-flash pannier bags in Bay-inspired colorways handmade by Seattle’s Swift Industries, more park guides than you can shake a stick at, and a photo show by Eric Jensen everyday through Fri/24. They also had PBR on my trip to the shop’s daily happy hour from 6-9pm yesterday, because any good bike tourist knows malty beverages make the road less rough. 

Pardon the pun, but the shop is geared towards beginners. “There’s some people who need help getting into this,” says Post-Car tour agent Kelly Gregory, who along with Kristin Saunders applied to Yosh Asato and David Baker when they learned of the couple’s plans to open an experiment in neighborhood storefronts on Shotwell. The Agency is the space’s second tenant (there will be eight total), after Deep Craft Atelier and its handmade longboards. The idea was based on the Post-Car Press guidebooks written by Gregory and Justin Eichenlaub, which we profiled in last year’s Summer Guide. 

So what did I find to remedy my fog hangover at the shop? Four ready-made bike trips, each encapsulated in a helpful brochure and neatly displayed next to a steed that would be perfect for the adventure. My personal favorite was the 106-mile “Big Sur to Boot Camp” trip, whose pamphlet included information on public transit to and from the Big Sur area, directions to nearby hot springs, local foraging tips, and notes on the Fost Hunter Ligget Hacienda, a guesthouse ($50 for the “cowboy room”) located inside an active military base that has both a bar and a bowling alley on premise. 

Other trips included “The Lush,” a mosey about East Bay wineries, a trek between Tahoe and Yosemite, and “The Down and Dirty,” which takes riders over Planet of the Apes Road (yesterday’s Highway 1, and a convenient option for those looking to dodge the nasty, shoulder-lite bits of that particular thoroughfare) to Half Moon Bay. Each $10 brochure includes a helpful packing list, map, and info on rad side trips for those looking for the scenic route. Combine a trip guide with a PCTA patch and Swift Industries tool roll for $37, the so-called “Tender Spoke Getaway.”

All you need to get started, really. For those looking not just for biking tips but biking buddies to boot, the women of Post-Car Travel Agency will be leading a group ride to Samuel P. Taylor Park (and it’s bike-in campsites tucked beneath massive redwood trees) on Sat/25. The four-hour, 30-mile ride will be just great for breaking out of this dismal cloud cover. 

Post-Car Travel Agency at StoreFrontLab

Open 6-9pm through Fri/24; ride to Samuel P. Taylor State Park departs Sat/25, 2pm

337 Shotwell, SF

www.storefrontlab.org

Finally: All-female street art takes over ATL

Andrew Lam
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0

As colorful and diverse as the global street art scene is these days, it’s still overwhelmingly a boy’s game. That’s why we’re so stoked to hear about the first days of Living Walls Atlanta, a street art conference in its third year that decides to step out and feature all-female artists in 2012 Wed/15-Sun/19. Its lead organizer Monica Campana and her team have attracted an ace crew for what by all accounts will be the first all-women global street art festival.

New York-New Jersey wheatpaste artist LNY is on the ATL scene now and will have a Guardian exclusive for us next week. Read on for a preview of some of the baddie artists featured at this year’s Living Walls.

 

Go here for a video a day from the Living Walls crew

Molly Rose Freeman – Memphis

Cake — New York

Tika – Zurich 

Plus! 

Hyuro – Spain/Buenos Aires

Sten and Lex – Rome

Olive47 – Atlanta

Too $hort signs on for Cow Palace sex soirée

Andrew Lam
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1

Too $hort luvs porn stars. In fact, sometimes he needs them. The Oakland rapper performed with a passel of them onstage at this year’s AVN Awards, and if you need more proof, this: he’s headlining next month’s Cow Palace pervfest (handily stepping in to replace the now-defunct Exotic Erotic Ball), the XO Ball and Expo.

He joins a list that also includes adult flick luminaries Tori Black, Chanel Preston, Stoya, and the puzzle tattoo-covered, chainsaw-to-the-face wielding Enigma. What else will you find at the open-to-all-sexualities soirée on Folsom Street Fair weekend, besides another change to wear your Mr. S pyramid swirl pouch? Burlesque, a freak show, aerial performances, and erotic art and fashion. No indiscriminate groping please.

XO Ball and Expo

Expo Sept. 21, 5-11pm; Sept. 22 11am-6pm; $20-35/day

Ball Sept. 22, 8pm-2am, $50-200

Cow Palace

2600 Geneva, SF

www.xoexpo.com

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