youth

Crossing the line

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sarah@sfbg.com

Estella (a fake name she used to protect her identity) is a single mother of five who came to the United States from Latin America when her oldest daughter was a baby, hoping for a better future for her family.

But thanks to a shift in San Francisco’s sanctuary policy that Mayor Gavin Newsom ordered last year, Estella’s daughter — we’ll call her Maria, now 15 — was seized by federal immigration authorities this fall, ripped from her family and community, and shipped to a detention center in Miami.

Her crime: she got in a fight with her younger, U.S.-born sister.

The experience shattered Estella’s dreams and terrified her family, whom immigration experts describe as "mixed status" because Estella also has U.S.-born children.

It also convinced Estella to speak out publicly to try to convince Newsom that legislation that ensures due process for kids like her daughter is the right thing to do.

Last month, a veto-proof majority of the Board of Supervisors voted to support amendments to Newsom’s current policy in an effort to make sure juveniles get their day in court before being hastily and needlessly referred to federal immigration authorities.

But the next day, Newsom vetoed the legislation introduced by Sup. David Campos, claiming it violates federal law. And now Newsom is refusing to debate the issue with Campos or meet with the community whose kids are at risk of being deported because someone in local law enforcement suspects them of being here without paperwork and accuses them of committing a serious crime.

Under Newsom’s policy, which he ordered without public review in June 2008, city officials are required to refer juveniles whom they suspect of being undocumented felons to U.S. Immigration and Customs Enforcement (ICE) when they book them at Juvenile Hall.

Last month Newsom defended his policy, saying that the city’s sanctuary ordinance, as originally conceived and adopted, was designed to protect law-abiding city residents.

"It was never meant to serve as a shield for people accused of committing serious crimes in our city," Newsom wrote in his veto letter.

His comments followed close on the heels of a San Francisco Chronicle editorial claiming the majority of these juveniles detained are subsequently found guilty of serious crimes.

But this is not true: the Juvenile Probation Department’s 2008 statistics show that 68 percent of the young people arrested in San Francisco that year were found to be innocent.

And as Estella’s story shows, under Newsom’s policy juveniles who have not committed serious crimes are at risk of being reported and detained for possible deportation.

This means a teenager — a 15-year-old girl in this case — could get dropped off in a country she last saw when she was a baby, with no family to meet and take care of her. These kids are at risk of being preyed upon by criminal gangs or "coyotes," often-unscrupulous human traffickers known to abuse and abandon young people during the perilous border crossing.

Most kids in Maria’s situation would want to return to their U.S. home — to their parents, families, friends — the only community they know. But since the federal government has made border crossings increasingly perilous, getting back to the U.S. often requires several thousand dollars in smuggler fees — leaving teens open to harsh exploitation.

In other words, deportation — in Maria’s case, for the crime of a fight with her sister — could be a sentence to years of forced labor, life in a violent gang … or death.

BAD DAY AT SCHOOL


It’s not clear how Maria got into the altercation at school with her sister; fights between siblings and friends in high school are hardly a rare or even terribly remarkable experience. But in this case, Estella told us, a school official reported her daughters’ fight to a social worker, who brought a police officer to Estella’s house for questioning.

As a result, Estella’s daughter was taken to Juvenile Hall. A year ago, she would have had access to a lawyer, who would have helped sort things out. If the fight had been serious or violent, she might have been placed on supervised probation.

But thanks to Newsom’s new policy, probation officers referred her to ICE and its agents swooped in, seized her, and shipped her to Miami.

Ultimately, a juvenile judge in San Francisco recommended Estella’s daughter be put on probation — but by that time, Maria was already in Florida, in a detention center run by a private company under contract to the Department of Health and Human Services’ Office of Refugee Resettlement (ORR).

Detainees have no right to a public defender or free legal services. It’s often hard for their families to find out exactly where they are, so detainees wait in detention for immigration officials to decide what to do next.

Maria was fortunate that ORR recommended temporary reunification. Immigrant advocates say that Estella’s daughter is now back in the Bay Area with her family, but is still under deportation proceedings.

They note that one way parents can get their kids back from ICE is by giving up information — including the names, fingerprints, and addresses of other family members — to federal immigration authorities. But parents are not always willing to do that, especially if it could lead to other family members, including children, being deported.

As of press time, a super-majority on the Board of Supervisors is planning to override Newsom’s veto of Campos’ legislation at its Nov. 10 meeting. But the mayor has said he intends to ignore the Campos legislation — a posture that is not only legally questionable, but leaves immigrant parents facing the ongoing nightmare that their teens could get deported to a country they never knew for a crime they didn’t commit.

Immigrant advocates cite the case of a 14-year-old boy who is under ICE removal proceedings after he brought a BB-gun to school, and a Mexican youth who was deported, even though the District Attorney’s Office dismissed the robbery charges against him.

Patti Lee, managing attorney for the San Francisco Public Defender’s Office Juvenile Unit, described how the feds recently snatched a kid outside juvenile court, even though the District Attorney’s Office had dismissed his case.

"The kid was coming into court with his mother and the ICE agent had a photo of him, and grabbed him outside the building," Lee said. "His mom was hysterical and it was traumatic for our staff."

These are not isolated cases. ICE spokesperson Virginia Kice told us that 150 juveniles from San Francisco have been referred to ICE, and 114 have been taken into federal custody and transferred to detention facilities since Newsom ordered his policy change in 2008.

Immigration advocates say some of the kids have been sent to Yolo County, while others have been shipped to Oregon, Washington, Indiana, and Florida, making visits from family members, who may themselves be undocumented, extremely difficult.

Eric Quezada, an immigrant advocate and the executive director of Dolores Street Community Services, told us that while kids may try crossing the border to rejoin their families and friends, "lacking the serious dollars to come back, many are deported into extreme poverty or to be part of a gang."

Lee notes that federal immigration authorities have a duty to reunite children with their families. "But if the family is undocumented, its members are afraid to step forward, afraid to step into the Youth Guidance Center," Lee said. "So there are some children sent back to their alleged country of origin, without a family and resources. Because we can’t track them, that may be a death sentence."

DEATH MARCH


As a volunteer with No Mas Muertes (No More Deaths), a humanitarian camp in Arizona, SF Pride member Molly Goldberg has seen firsthand what being deported and trying to cross the border means to immigrants in terms of loss of dignity and life.

Arizona has been an immigrant rights testing ground for years. Shortly after its creation as an agency, the Department of Homeland Security provided millions of dollars to build a wall blocking the easiest terrain, forcing border crossers into the most rugged and dangerous areas, Goldberg said.

"They are bottle-necking it so folks cross in the most difficult, deadly area," she said.

Since the wall went up, the numbers crossing have gone down — but numbers dying have gone up. Goldberg said 184 people have died so far this year. But the numbers of dead could be much higher. "Because of the vultures and other scavengers, bodies are gone pretty quickly," she said.

This year, Service Employee International Union Local 1021 organizer Robert Haaland accompanied Goldberg to the border. Haaland says what he saw convinced him of the need for Campos’ amendment.

"I kept thinking about the Campos legislation in terms of seeing the impact of people crossing the border after being deported," Haaland said. He described a makeshift memorial to a 14-year-old El Salvadoran girl named Josseline whom smugglers left behind after she got sick from eating a bad can of tuna, according to her younger brother. He managed to cross the border, but Josseline died after wandering alone and without water in the border’s dry and inhospitable no man’s land for a week.

Others get left behind and die because they are wearing the wrong shoes and end up with badly blistered feet or are too weak to continue the grueling trek. Haaland recalled seeing water bottles that volunteers had left on the coyote trails but had subsequently been slashed, presumably by nativist vigilantes.

"The Border Patrol is using the desert as a weapon and harassing people who go to the border to give humanitarian aid," Haaland said.

That’s where some of the kids Newsom has sent for deportation will wind up.

WHERE ARE THEY NOW?


Although Newsom has made it clear he intends to keep referring kids to ICE, their whereabouts and fate under his policy remains somewhat of a mystery.

Kenneth Wolfe, a spokesperson for ORR, which is responsible for detained juveniles deemed "unaccompanied" (a category they could be placed in if they refuse to divulge the whereabouts of undocumented family members in the U.S.) said he can’t divulge their precise whereabouts because of juvenile confidentiality rules.

Wolfe told the Guardian that kids could be placed in juvenile halls or shelter-like facilities run by private contractors, depending on their crimes. He said ORR is required to report to Congress annually about the program, but the report for FY 2008-09 won’t be available for a few months.

In the meantime, Wolfe e-mailed the Guardian a copy of ORR’s 2007-08 report, which includes a map featuring colored circles to represent the numbers of apprehended kids based on Department of Homeland Security referrals.

The map shows that in 2007-08, less than 100 juveniles were apprehended in Los Angeles, New York, Philadelphia, and Washington; 100-250 were apprehended in San Diego; 1,000-1,600 in Phoenix; and 1,600-2,600 at the U.S.-Mexico border.

Presumably, next year’s map will include a colored circle around San Francisco, representing an apprehension rate similar to San Diego. But it probably won’t reveal which facilities these kids were sent to or whether they were ultimately deported, even though these kids were apprehended on the basis of referrals made by local city officials.

Nor will it show what the local community knows full well: that many deported kids cross back over the border to rejoin their families. Only now, because they have been deported, they are forced to go underground and are at risk if being recruited by gangs.

The federal government’s Unaccompanied Alien Children (UAC) program was transferred from ORR to the Department of Homeland Security in 2003. "The program is designed to provide for the care and placement of unaccompanied alien minors apprehended in the U.S. by Homeland Security agents, border patrol officers, or other law enforcement agencies and are taken into care pending resolution of their claims for relief under U.S. immigration law or released to adult family members or responsible adult guardians," reads the U.S. Catalog of Federal Domestic Assistance. "Resolution of their claims may result in release, granting of an immigration status (such as special immigrant juvenile or asylum), voluntary departure, or removal."

According to a 2008 ORR report, "a great number of UAC have been subjected to severe trauma, including sexual abuse and sexual assault in their home countries or on their journey to the U.S.: gang violence, domestic violence, traumatic loss of a parent, and physical abuse and neglect. In addition, UAC experience the increased probability of ongoing trauma as a result of their uncertain legal status and return to difficult life circumstances."

The report also notes that "UAC have indicated that, among other reasons, they leave their home countries for the U.S. to rejoin family, escape abusive family relationships in their home country, or find work to support their families in their home country."

ORR has approximately 7,200 UAC a year in its facilities, which are operated by organizations such as the U.S. Catholic Conference of Bishops and Lutheran Immigration and Refugee Services. There are more than 41 ORR-funded care provider facilities in 10 different states.

Last year’s ORR report noted that average length of stay in federal detention facilities is 55 days before children are released to family members and other sponsors, move into the adult system, or are returned to their home countries.

"As these programs increase and ICE increasingly places people in them, there’s a financial incentive to keep detaining people." Francisco Ugarte, an immigration lawyer with San Francisco Immigrant Legal and Education Network, told us.

But Abigail Trillin, staff attorney for Legal Services for Children, says ORR is doing a better job of handling juveniles than ICE did. "ORR has the right and obligation to try and place these kids in the least restrictive option," Trillin said. "But being reunified with your family does not in any way change the fact that you are under federal removal proceedings. So you still have a very significant risk of being deported alone to your country of origin."

Having a documented parent helps a juvenile make the case for staying in the U.S. permanently, as does having grounds for asylum. Having siblings who are U.S. citizens or having been here since you were a small child does not significantly help someone’s case.

But ending up in lockup can makes things worse. "If a child is in an ORR secure detention facility, they are less likely to fight their deportation case — a fight that could take up to two years — than if they were reunified with their family," Trillin said. "We have not yet seen a juvenile move from a secure facility to a foster home, but we have in the case of kids who are in ORR shelters for more than three months and have a legal case for staying."

Still, she said it’s possible a child could be flown to an airport in their country of origin without much subsequent support in most Latin American countries. "If they are Mexican, they are flown to the airport in Tijuana, and if there are no relatives, they are turned over to a child welfare agency in Mexico," Trillin said. "I don’t believe that level of cooperation exists elsewhere, though there might be some temporary shelters for them to wait in while their relatives are coming."

All countries of origin will have some involvement, Trillin noted, to the extent that they are contacted because all these kids need travel documentation. But that support is minimal. As she said, "Our country feels that it’s done its duty once the consulates are contacted."

LETTER OF THE LAW


In his Oct. 28 veto letter, Newsom claimed that the supervisors had changed the sanctuary ordinance by "restricting the ability of local law enforcement officers to report juveniles who are in custody after being booked for the alleged commission of a felony and are suspected of vioutf8g the civil provisions of our sanctuary ordinance."

But in a Nov. 2 response to Newsom’s veto, Campos countered that his amendment won’t shield anyone guilty of such crimes and he invited Newsom to publicly debate the issue. "The board and the people of San Francisco deserve to understand more fully why you intend to ignore this policy and the time-honored democratic processes followed in enacting it," Campos wrote. "At stake is the protection of innocent immigrant children that have been unjustly separated from their families."

He also accused Newsom of spreading misinformation about what federal law requires. "City officials have no affirmative legal duty under federal law to expend limited local resources and funding on immigration enforcement," Campos wrote, citing a July 1, 2008 public memo from the City Attorney’s Office and legal experts from Yale Law School, Stanford Law School, and UC Davis Law School who "have all agreed that there is no federal duty to inquire or report."

Noting that the City Attorney’s Office has made it clear that his proposed amendment is "a legally tenable measure," Campos concluded that "the point at which a referral of a minor is made to ICE is ultimately not a legal decision but a policy decision.

"Our criminal justice system rests on the principle that everyone is innocent until proven guilty; that is why providing youth an opportunity to contest a charge in court is a matter of basic due process," Campos continued. "The current policy is creating a climate of fear in immigrant communities, which means that immigrants who have been victims or witnesses to crimes are afraid to come forward."

The City Attorney’s Office has declined to comment on whether the mayor has the authority to ignore properly approved legislation. "We are not going to comment on legislation that’s still in the legislative process," City Attorney spokesperson Matt Dorsey told us.

But Campos believes the mayor lacks any such authority. "Can the mayor ignore legislation because he believes it’s illegal? Does he have the authority to have the final say? I don’t think so," said Campos, who is an attorney.

Trillin sees Newsom’s refusal to debate the issue with Campos as further confirmation that the Mayor’s Office doesn’t have a substantive argument that its sanctuary policy is a good one. "They can’t defend their position. They can’t win on substance," said Trillin, whose organization frequently provides legal guidance and support for immigrant youth.

She noted that the controversy that prompted Newsom’s policy change started with family reunification efforts. City officials were trying to reunite undocumented teenagers who were caught selling crack in downtown San Francisco with their families in Honduras when ICE officials intercepted them at George Bush Intercontinental/Houston Airport in December 2007 and May 2008.

These interceptions led U.S. Attorney Joe Russoniello, who opposed San Francisco’s sanctuary ordinance when it was introduced in the 1980s, to claim that flying youth back to their families without first referring them to ICE was tantamount to harboring criminals.

After the apprehended city officials claimed they were acting in accordance with San Francisco’s sanctuary ordinance, Russoniello convened a federal grand jury to investigate the city’s juvenile probation department. That investigation still hangs over JPD, even as Sen. Barbara Boxer mulls recommending candidates to replace Russoniello.

Meanwhile, right-wing activists have been blaming the city’s sanctuary policy for the tragic 2008 shootings of three members of the Bologna family, after they discovered that 23-year-old Edwin Ramos, the alleged killer and an MS-13 gang member, was apprehended by San Francisco’s juvenile justice system as a teen, but was never referred to the feds.

Facing this firestorm, Newsom caved to public pressure and followed the advice of Kevin Ryan, his Republican criminal justice director and the only prosecutor fired for cause during the 2006 U.S. attorneys firing scandal, by ordering that the city treat juvenile immigrants as adults, referring them to ICE at the moment of arrest on felony charges.

CHILDREN ON ICE


The same day supervisors approved Campos’ amendment, outgoing LAPD Chief William Bratton urged his department to keep its focus on fighting crime, not illegal immigration, plunging headfirst into the controversy over the federal 287(g) program.

Created in 1996 and expanded in the wake of 9/11 purportedly to counter terrorism and violent crime, the 287(g) program allows the federal government to enter into agreements giving local police the authority to enforce federal immigration laws. This has led many immigrants to mistrust and refuse to cooperate with local cops.

"My officers can’t prevent or solve crimes if victims or witnesses are unwilling to talk to us because of the fear of being deported," Bratton wrote in a Los Angeles Times opinion piece.

"I think what Chief Bratton is saying is different from what we are hearing in San Francisco" Campos said. "Mayor Gavin Newsom seems to be implying that San Francisco’s juvenile probation officers have no choice. But really, there is no law requiring them to refer kids to ICE. So it seems that what the mayor is doing is creating a de facto 287(g) program that gives local officers the power of federal agents."

That’s why Campos said it’s important for Newsom to participate in a public discussion of his intentions. "We need to ask the mayor if what he is saying is that JPD is an arm of ICE. If that’s the case, we need to know."

President Obama promised during the campaign that immigration reform would be part of his legislative agenda, but the White House hasn’t acted much on the issue. Yet immigration attorney Francisco Ugarte is hopeful that the tide is turning locally, as witnessed by the outpouring of support for Campos’ legislation. "Thirty-three percent of San Francisco residents are foreign-born," Ugarte observed. "That’s a really high number, a significant part of the constituency."

Russoniello told the Guardian that immigrants are not entitled to the same level of due process as citizens, implying that the U.S. has a two-tier criminal justice system. "There are citizens, and then there are people," Russoniello said.

Ugarte finds such arguments laughable. "The federal government has to make the argument that the Fourth Amendment does not apply to undocumenteds," Ugarte said. "These are hare-brained ideas that stem from hate and fear. The wonderful part of our country is that we have respect in the laws for all."

Ugarte believes that blaming the tragic Bologna murders on the city’s immigrant youth policy is like arguing that putting people on parole leads to crime. "Yes, there are going to be bad apples," Ugarte said. "But that doesn’t mean we can solve our problems by sending people to another country. L.A. thought it could get rid of gangs by deporting people to El Salvador. But guess what? They only grew the problem."

Patti Lee of the Public Defender’s Office doesn’t believe that the sanctuary policy will change unless the Board exerts financial pressure on Juvenile Probation. "I do not believe the policy will change because JPD is under orders from the mayor," Lee explained. "But JPD is supposed to comply with the legislation. So the Board of Supervisors, through its Public Safety Committee, could question JPD’s chief about his current process and why he isn’t complying with it. The board does have control over JPD’s budget, so it can put the squeeze on them."

"When police arrest and detain an undocumented child and bring them into detention charged with a felony, the minute they come in front gate, JPD has been directed to contact ICE," Lee said. "So we are not even aware until a day or two later, when we receive a police report or when we get a house list the next day, if someone is ICEed or not."

If the kids are unaccompanied and there are no family members in town, they typically go to juvenile lock-up for 30 days and then are released to ICE and get deported," Lee said.

"They are being ICEed even if they are adjudicated," Lee added, noting how her department got one youth’s charges reduced to misdemeanors but JPD reported the youth to ICE anyway, based on the current policy that any undocumented person booked on a felony should be reported at the moment of booking. "So they were ICEed without due process," Lee said. "And these are children."

Events listings

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Events listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 11

Food for Thought Participating restaurants in the Mission District, SF; www.missiongraduates.org/foodforthought. All day, free. Enjoy some of what the Mission has to offer while helping to invest in it’s future at this annual dine-out fundraiser for Mission Graduates, a nonprofit that prepares Mission youth for college careers. Participating restaurants will donate 25-100% of your total bill.

THURSDAY 12

From the Hood to the House San Francisco War Memorial Opera House, 301 Van Ness, SF; (415) 674-6117. 7pm, $75-500. A benefit to honor Reverend Cecil Williams’ 45th anniversary at Glide featuring Maya Angelou, Rita Moreno, Alonzo King LINES Ballet, San Francisco Opera Adler Fellows, San Francisco Opera Orchestra, and more.

Sugar Rush 111 Minna, 111 Minna, SF; (415) 626-5470. 7pm, $60. Attend a sweet fundraiser benefiting Spark, a local youth empowerment organization that organizes one-on-one apprenticeships, featuring unlimited dessert-tastings from high end restaurants like Boulevard, Chez Panisse, Range, Humphry Slocombe, and more.

FRIDAY 13

A Country Called Amreeka Arab Cultural and Community Center, 2 Plaza, SF; (415) 664-2200. 7pm, $5-10 suggested donation. Hear Syrian- American civil rights lawyer and author Alia Malek discuss her new book A Country Called Amreeka: Arab Roots, American Stories.

Drinking and Dancing The Lab, 2948 16th St., SF; (415) 407-0225. 8pm, free. A sport under recognized, dancing with a drink-in-hand requires coordination with your beverage, your partner, the music, and your liver. Join in the open floor competition followed by a knockout tournament. Stronger drinks awarded more points.

Farming and Food Golden Gate University School of Law, 536 Mission, SF; (415) 442-6636. 9am, $30. Attend this Environmental Law and Policy Conference that takes a look at the role law and policy plays in shaping aspects of food.

Green Festival Concourse Exhibition Center, 635 8th St., SF; 1-800-58-GREEN. Fri. Noon-7pm, Sat. 10am-7pm, Sun. 11am-6pm; $15. Discover the latest in renewable energy and green technology, savor Fair Trade, organic, and natural foods and beverages, and learn how to incorporate sustainability at home at this annual festival that integrates all aspects of environmentalism into one fun and educational event.

Masked Soirée DNA Lounge, 375 11th St., SF; (415) 626-1409. 9pm, $18. Enjoy a sexy soirée with live music, performances by Burlesque Deviant Nation models, suspension acts, an art auction, and a costume contest with free subscriptions to Deviant Nation magazine.

Young Workers United Station 40, 3030B 16th St., SF; (415) 621-4155. 7pm, free. Buy art, dance, and donate money to benefit Young Workers United, a nonprofit dedicated to improving working conditions of young people and immigrants in low wage, service sector jobs.

SATURDAY 14

Coats for Cubs Buffalo Exchange, 1210 Valencia, SF; 1555 Haight Street, SF; 1-866-235-8255. Starting Nov. 14 through Earth Day on April 22, 2010. Bring your real fur apparel, including trims and accessories, to any Buffalo Exchange store and help provide bedding and comfort to orphans and injured wildlife. Condition of fur is unimportant.

Golden Gala Castro Theater, 429 Castro, SF; (415) 863-0611. 8:15pm, $35. Attend this tribute to Golden Girl Rue McClanahan, appearing live in-person, featuring performances by SF Golden Girls and a "Golden Girls Gone Wild" contest with cash prizes.

Mural Walks Café Venice, 3325 24th St., SF; (415) 285-2287. 11am, $12. Tour over 60 murals in this 10-block walk organized by Precita Eyes Mural Arts and Visitors Center. Other walking tours available, go to www.precitaeyes.org for details.

BAY AREA

A Day at Pixar Pixar Animation Studios, 1200 Park Ave., Emeryville; (415) 227-8666. 11am for VIP and 1pm for Family ; $35-149, advanced tickets required. Experience the world of Pixar films behind the scenes at this fundraiser for San Francisco’s Cartoon Art Museum. See art, sculptures, and other items from the Pixar archives, get a crash course on how to draw Pixar characters, and watch a selection of Pixar short films. VIP ticket holders can also enjoy special full length movie screenings, discussions with crew and staff, and discounts at the Pixar store.

SUNDAY 15

Outdoor Bootcamp Kezar Stadium Track, Frederick at Stanyan, SF; www.02athletics.com. 7am, free. Get motivated and start moving your ass at this free weekly workout session.

BAY AREA

Fur Ball Fundraiser Hopalong Animal Rescue, 5749 Doyle, Emeryville; (510) 267-1915×103. 1pm, $40. Help support Hopalong Animal Rescue at this fundraiser featuring live music, hors d’oeuvres, wine tasting, a silent auction, and special guest KTVU anchorman Frank Somerville. Hopalong offers rescue, placement, prevention and outreach programs to the community and strives to eliminate the euthanasia of adoptable animals.

MONDAY 16

Amy Goodman First Congregational Church of Berkeley, 2345 Channing, Berk.; 1-800-838-3006. 7pm, $15. Hear investigative journalist, Democracy Now! host, and New York Times best-selling author Amy Goodman discuss her new book, Breaking the Sound Barrier. Event to benefit KPFA radio.

TUESDAY 17

Gardening in Small, Urban Spaces San Francisco Public Library, 100 Larkin, SF; (415) 557-4500. 6pm, free. Permaculturist Fred Bove takes us beyond the herb garden with a discussion about the possibilities, and produce, that can be coaxed out of tiny spaces for little effort or money.


David Wilson

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johnny@sfbg.com

You can stare blankly at a museum piece for three seconds, or you can view a drawing through one of David Wilson’s events — through a swim in the Pacific Ocean, or through staring at a sky criss-crossed by an intricate lattice of branches. You can do the gallery troll stroll, or you can walk over hills and small mountains into caves and coves where, thanks to Wilson and friends, music and movies reside.

If you experienced Wilson’s "Open Endless" and "Memorial Fort" this year, you’ve been to places you likely wouldn’t have encountered otherwise, and have memories to draw from as you move on. Though these were autonomous-zone community gatherings, subtextually and privately, they were partly inspired by Wilson’s father, who died the day after "Open Endless" traversed the Marin Headlands. "Everything I felt excited about [artistically] took on a different tone," he says, when asked about the initial cancer diagnosis. "I started a six-month drawing project up in the hills. It was personal meditation on what was happening, and also a chance to be removed from my life in a way that I could feel like I was sending thoughts out eastward. I was drawing eastward."

"Drawing is a tool that I carry with me," he continues, as we sit on a patch of grass in Dolores Park, where a dog tries to munch on our pastries. "It’s a viewfinder to orient my wanders while trying to find places, and find myself in places."

For Wilson, this journey traces back to annual visits to Cape Cod during his youth. His drawings and paintings range from life-size shells to a 22-foot watercolor coastline rendered on the aged white paper of record sleeves. "I like seeing what’s already invested in a piece of parchment," he says, agreeing about a kinship with Todd Bura, Ajit Chauhan, and Colter Jacobsen. "Age marked in that gentle way on paper is beautiful."

Wilson’s drawings have metamorphosed into site-specific events in eucalyptus groves, military tunnels, and even islands. Last year, and he and some co-conspirators woke up on New Year’s morning to reserve every campsite on Angel Island for one July weekend. With "Memorial Fort," Wilson’s process has progressed to additions to the landscape, resulting in an unlikely oasis in the woods of Richmond. "Ideas in general are infectious," he observes. "If an idea is exciting, then things can fall into place."

www.ribbonsribbons.blogspot.com

Emory Douglas

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arts@sfbg.com

As a teenager, Emory Douglas was sentenced to 15 months at the Youth Training School in Ontario. It may have been the best thing for him — and the worst thing "the Man" could have done. In the prison printing shop, he discovered a gift for print and collage he would later use as the minister of culture for the Black Panther Party. From 1967 until the party disbanded in the 1980s, his iconic graphic art marked most issues of the newspaper The Black Panther.

Douglas brought the militant chic of the Panther image to the masses, using the newspaper to incite the oppressed to action. In the name of expediency and limited resources, he developed collage tricks to maximize his passionate message. His back-page posters emphasized the Panthers’ community programs, like free breakfast for children, clinics, schools, and arts events. His works presented the struggle with a mixture of empathy and outrage — sometimes direct, sometimes allegorical — that remains innovative and contemporary amid today’s high-tech standards.

In a 1968 salvo called "Position Paper No. 1 on Revolutionary Art," Douglas states: "Revolutionary art is learned in the ghetto from the pig cops on the beat, demagogue politicians, and avaricious businessmen. Not in the schools of fine art. The Revolutionary artist…hears the sounds of footsteps of black people trampling the ghetto streets and translates them into pictures of slow revolts against the slave masters, stomping them in their brains with bullets, that we can have power and freedom to determine the destiny of our community and help to build our world." For 33 years Douglas has stood by these words, working toward a better world for the people.

When Rizzoli published a compendium of Douglas’s posters, broadsheets, and fliers in 2007, a new generation became familiar with the causes of solidarity, liberation, and self-determination he holds dear. He has since had large-scale shows at sites such as L.A.’s Museum of Contemporary Art, while his commitment to social change has led to exhibitions and speaking engagements at Oakland’s New Black World and the sorely-missed Babylon Falling in San Francisco. His interpretation of Toni Morrison’s Bluest Eye for last year’s "Banned and Recovered" show at San Francisco Center of the Book was one of the standout pieces of 2008.

Douglas’ work captures the tragedy and triumph of the disenfranchised, impoverished, and fed up; an eternal struggle against those blessed with power who choose to abuse it. Much like the works of Goya and the words of Hugo, his contribution to that struggle remains immeasurable — not just for what he has created, but for the people he will empower for generations to come.

www.itsabouttimebpp.com

>>GOLDIES 2009: The 21st Guardian Outstanding Local Discovery awards, honoring the Bay’s best in arts

The battle for District 6

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tredmond@sfbg.com

The race to replace Chris Daly — the always progressive, sometimes hotheaded supervisor who has dominated District 6 politics for almost a decade — is becoming one of the most important battles of 2010, with the balance of power on the board potentially in play.

Through whatever accident of politics and geography, San Francisco’s even-numbered districts — five of which will be up for election next fall — haven’t tended to fall in the progressive column. Districts 2 (Marina-Pacific Heights) and 4 (Outer Sunset) are home to the city’s more conservative supervisors, Michela Alioto-Pier and Carmen Chu. District 8 (the Castro) has elected the moderate-centrist Bevan Dufty, and District 10 is represented by Sophie Maxwell, who sometimes sides with the progressives but isn’t considered a solid left vote.

District 6 is different. The South of Market area is among the most liberal-voting parts of San Francisco, and since 2000, Daly has made his mark as a stalwart of the board’s left flank. And while progressive are hoping for victories in districts 8 and 10 — and will be pouring considerable effort and organizing energy into those areas — Daly’s district (like District 5, the Haight/Western Addition; and District 9, Mission/Bernal Heights) ought to be almost a gimme.

But the prospect of three progressive candidates fighting each other for votes — along with the high-profile entry of Human Rights Commission director Theresa Sparks, who is more moderate politically — has a lot of observers scratching their heads.

Is it possible that the progressives, who have only minor disagreements on the major issues, will beat each other up and split the votes enough that one of the city’s more liberal districts could shift from the progressive to the moderate column?

A FORMIDABLE CANDIDATE


A few months ago, District 6 was Debra Walker’s to lose. The Building Inspection Commission member, who has lived in the district for 25 years, has a long history on anti-gentrification issues and strong support in the LGBT community.

Jim Meko, who also has more than a quarter century in the district and chaired the Western SOMA planning task force, was also a progressive candidate but lacked Walker’s name recognition and all-star list of endorsements.

Then rumors began to fly that school board member Jane Kim — who moved into the district a few months ago — was interested in running. Kim has been a leading progressive voice on the school board and has proven she can win a citywide race. She told me she’s thinking seriously about running, but hasn’t decided yet.

Having Kim in the race might not have been a huge issue — in District 9 last year, three strong progressives competed and it was clear that one would be the ultimate winner. But over the past two weeks, Theresa Sparks has emerged as a likely contender — and if she runs, which seems more than likely at this point, she will be a serious candidate.

Sparks picked up the kind of press most potential candidates would die for: a front-page story in SF Weekly and a long, flattering profile in San Francisco magazine, which called her "San Francisco’s most electrifying candidate since Harvey Milk." Sparks does have a compelling personal tale: a transgender woman who began her transition in middle age, survived appalling levels of discrimination, became a civil rights activist and now is seeking to be the first trans person elected to the San Francisco Board of Supervisors.

She has experience in business and politics, served on the Police Commission, and was named a Woman of the Year by the California State Assembly (thanks to her friend Sen. Mark Leno, who would likely support her if she runs).

"Anyone who knows Theresa knows that she is smart, a formidable candidate, can fundraise, and will run a strong race," Robert Haaland, a trans man and labor activist who supports Walker, wrote on a Web posting recently.

She’s also, by most accounts (including her own) a good bit more moderate than Walker, Meko, and Kim.

LAW AND ORDER


Sparks doesn’t define herself with the progressive camp: "I think it’s hard to label myself," she said. "I try to look at each issue independently." Her first major issue, she told me, would be public safety — and there she differs markedly from the progressive candidates. "I was adamantly against cuts to the police department," she said. "I didn’t think this was a good time to reduce our police force."

She said she supported Sup. David Campos’ legislation — which directs local law enforcement agents not to turn immigrant youth over to federal immigration authorities until they’re found guilty by a court — "in concept." But she told me she thinks the bill should have been tougher on "habitual offenders." She also said she supports Police Chief George Gascón’s crackdown on Tenderloin drug sales.

And she starts off with what some call a conflict of interest: Mayor Gavin Newsom just appointed her to the $160,000-a-year post as head of the HRC, and she doesn’t intend to step down or take a leave while she runs. She told me she doesn’t see any problem — she devoted more than 20 hours a week to Police Commission work while holding down another full-time job. "I don’t know why it would be an issue," she said, noting that Emily Murase ran for the school board while working as the director of the city’s Commission on the Status of Women.

But some see it differently. "It would be as if the school superintendent hired someone to a senior job just as that person decided to run for school board," Haaland said.

Sparks’ election would be a landmark victory for trans people. For a community that has been isolated, dismissed, and ignored, her candidacy (like Haaland’s 2004 run in District 5) will inspire and motivate thousands of people. And it’s a tough one for the left — opposing a candidate whose election would mean so much to so many members of one of the city’s most marginalized communities could be painful. "A lot of folks will say that the progressives will never support a transgender candidate," Haaland noted.

But in terms of the city’s geopolitics, it’s also true that electing Sparks would probably move District 6 out of the solidly progressive column.

"If we lose D6, it’s huge," Walker noted. "This is where most of the new development is happening, where law-and-order issues are playing out, where we can hope to save part of the city for a diverse population."

More than that, if progressives lose District 6 and don’t win District 8, it will be almost impossible to override mayoral vetoes and control the legislative agenda. And that’s huge. On issue like tenants rights, preventing evictions, controlling market-rate housing development, advancing a transit-first policy — and raising new revenue instead of cutting programs — the moderates on the board have been overwhelmingly on the wrong side.

Kim, for her part, doesn’t want to talk about the politics of the 2010 elections — except to say that she’s thinking about the race and will probably decide sometime in the next two months. But she agreed with my analysis of how any left candidate should view this election: if she’s going to enter, she needs to present a case that, on the issues that matter, she’d be a better supervisor than either of the two long-term district residents with strong progressive credentials already in the race.

"I don’t have an answer to that now," Kim told me. "And when I make my decision, I will."

Music listings

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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 4

ROCK/BLUES/HIP-HOP

Black Whales, Harbours with Heather Marie Thee Parkside. 8pm, $7.

Can’t Find a Villain, Custo, Audiodub, Monbon, My Pet Monster Elbo Room. 9pm, $8.

Evangelicals, Holiday Shores, Fake Your Own Death Hemlock Tavern. 9pm, $8.

Grooming the Crow, Vagabondage, T & A El Rio. 8pm, $5.

Housecoat Project, Eva Jay Fortune, Ol’ Cheeky Bastards, Yes Gos Hotel Utah. 8:30pm, $6.

If Your Hands Were Metal That Would Mean Something, Lee Koch, Timmy Curran Café du Nord. 8:30pm, $12.

Lights, Stars of Track and Field, Mick Leonardi Bottom of the Hill. 9pm, $10.

Little Dragon, Nite Jewel Independent. 9pm, $20.

Pete and J, Allofasudden Red Devil Lounge. 8pm, $8-10.

Jimmy Thackery Biscuits and Blues. 8pm, $18.

White Rabbits, Local Natives, Glass Ghost Slim’s. 8pm, $15.

BAY AREA

Puscifer, Uncle Scratch’s Gospel Revival Fox Theater. 8pm, $39.50-79.50.

JAZZ/NEW MUSIC

"B3 Wednesdays" Coda. 9pm, $7. With Colin Brown Band.

Backyard Alchemy: Jesús Diaz, Scott Amendola, Jaz Sawyer Great American Music Hall. 8pm, $20.

"Jazz Mafia Wednesdays" Yoshi’s San Francisco. 10:30pm, $14. With Shotgun Wedding Symphony.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Marcus Shelby Jazz Jam Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Muziki Roberson and the Go Ensemble Yoshi’s San Francisco. 8pm, $14.

Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

Trio 3 Swedish American Hall (upstairs from Café du Nord). 7:30pm, $35.

FOLK/WORLD/COUNTRY

Bluegrass Country Jam Plough and Stars. 9pm.

Freddie Clarke Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm; $12.

Gaucho, Michael Abraham Jazz Session Amnesia. 8pm, free.

Meklit Hadero El Valenciano, 1153 Valencia, SF; (415) 425-3604. 9pm, $7.

Jason Movrich Blarney Stone, 5625 Geary, SF; (415) 386-9914. 9pm, free.

DANCE CLUBS

Afreaka! Attic, 3336 24th St; souljazz45@gmail.com. 10pm, free. Psychedelic beats from Brazil, Turkey, India, Africa, and across the globe with MAKossa.

Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Hump Night Elbo Room. 9pm, $5. The week’s half over – bump it out at Hump Night!

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.

Magic Booty Snacks Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 8pm. With Planet Booty, Sweet Snacks, and magician Brad C. Barton.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 5

ROCK/BLUES/HIP-HOP

*"Alternative Tentacles 30th Anniversary Incest-A-Thon" Great American Music Hall. 8pm, $22. With Jello Biafra and the Guantanamo School of Medicine, Citizen Fish, Star Fucking Hipsters, and MIA.

Mickey Avalon, Beardo, Ke$ha Slim’s. 9pm, $26.

Blues Control, Hank IV, Celine Dion Hemlock Tavern. 9:30pm, $7.

Hanson, Hellogoodbye, Steel Train, Sherwood Regency Ballroom. 6:30pm, $30.

Mat Kearney, Vedera Fillmore. 8pm, $22.50.

Mum, Sin Fang Bous Independent. 8pm, $23.

New American Mob, Inferno of Joy, Disciples, High and Tight Annie’s Social Club. 8pm, $8.

Port O’Brien Bottom of the Hill. 9pm, $12.

Tainted Love Red Devil Lounge. 8pm, $15.

Tempo No Tempo, Maus Haus, Man/Miracle Rickshaw Stop. 8pm, $10.

White Cloud, Happy Hollows, Grand Lake Thee Parkside. 9pm, $6.

BAY AREA

Puscifer, Uncle Scratch’s Gospel Revival Fox Theater. 8pm, $39.50-79.50.

JAZZ/NEW MUSIC

Kenny Brooks Coda. 9pm, $7.

Nick Culp Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.

Pete Escovedo and the Latin Jazz Orchestra Yoshi’s San Francisco. 8 and 10pm, $26.

Laurent Fourgo Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7:30pm, free.

"Full Moon Concert Series: Mourning Moon" Luggage Store Gallery, 1007 Market, SF; www.luggagestoregallery.org. 8pm, $6-10. With Andrew Raffo Dewar.

Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.

Kat Parra Jewish Library, 1835 Ellis, SF; (415) 567-3327. 7pm, free.

Mark Robinson Shanghai 1930. 7pm, free.

Esperanza Spalding Palace of Fine Arts Theatre, 3301 Lyon, SF; www.sfjazz.org. 7:30pm, $20-37.

Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Ashleigh Flynn, Alden, Ruth Gerson, Heather Combs Hotel Utah. 9pm, $8.

Flamenco Thursdays Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, 9:30pm; $12.

Greensky Bluegrass Mission Rock. 10pm, $8-10.

Shannon Céilí Band Plough and Stars. 9pm.

Snakeflower II, Becky Lee, Earthmen and Strangers, Ignot Rot Amnesia. 9pm, $7.

Those Darn Accordions, Big Lou’s Polka Casserole, Bella Ciao with Tom Torriglia Café du Nord. 8pm, $12.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, B Lee, and special guest Natural Self spin Afrobeat, Tropicália, electro, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Holy Thursday Underground SF. 10pm, $5. Bay Area electronic hip hop producers showcase their cutting edge styles monthly.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Lacquer Beauty Bar. 10pm-2am, free. DJs Mario Muse and Miss Margo bring the electro. Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest. Rock Candy Stud. 9pm-2am, $5. Luscious Lucy Lipps hosts this electro-punk-pop party with music by ReXick.

Solid Club Six. 9pm, $5. With resident DJ Daddy Rolo and rotating DJs Mpenzi, Shortkut, Polo Mo’qz and Fuze spinning roots, reggae, and dancehall.

Studio SF Triple Crown. 9pm, $5. Keeping the Disco vibe alive with authentic 70’s, 80’s, and current disco with DJs White Girl Lust, Ken Vulsion, and Sergio.

FRIDAY 6

ROCK/BLUES/HIP-HOP

*"Alternative Tentacles 30th Anniversary Incest-A-Thon" Great American Music Hall. 8pm, $22. With Jello Biafra and the Guantanamo School of Medicine, Ludicra, Munly and the Lupercalians, and Knights of the New Crusade.

Battlehooch, Ghost and the City, Picture Atlantic Bottom of the Hill. 10pm, $12.

Miles Benjamin, Anthony Robinson, These United States Hotel Utah. 9pm, $10.

Bravery, Howling Bells Warfield. 9pm, $27.

Devo, Reggie Watts Regency Ballroom. 9pm, $40-75. Performing Q: Are We Not Men? A: We Are Devo.

Dinosaur Jr., Lou Barlow, Violent Soho Fillmore. 9pm, $30.

Disgust of Us, Pidgeon, Moggs Sub-mission Gallery, 2183 Mission, SF; www.disgustofus.com. 8pm, $8.

Hallelujah the Hill, Mist and Mast, Pancho-san Hemlock Tavern. 9:30pm, $7.

Mark Hummel and Rusty Zinn Biscuits and Blues. 8 and 10pm, $20.

Langhorne Slim, Dawes Independent. 9pm, $15.

DJ Lebowitz Madrone Art Bar. 6-9pm, free.

Kally Price Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

"Revival Tour" Slim’s. 8pm, $15. With Chuck Ragan, Jim Ward, Frank Turner, Konrad, Joey Cape, Audra Mae, and Anderson Family Bluegrass. 8pm, $15.

Stung, Darkwave Café du Nord. 9:30pm, $12.

Tarran the Sailor and the Ancient Rugged Revival Elbo Room. 10pm, $10-15. Five and Diamond’s two-year anniversary party.

TrEas Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

Venetian Snares, Wisp, Nero’s Day at Disneyland DNA Lounge. 9pm, $20.

*Walken, One Hundred Suns, Frontside Five, Floating Goat Annie’s Social Club. 9:30pm, $7.

BAY AREA

Dropkick Murphys, Youth Brigade, Flatliners, Insurgence Fox Theater. 7:30pm, $25.50-29.50.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Pete Escovedo and the Latin Jazz Orchestra Yoshi’s San Francisco. 8 and 10pm, $28.

Lucid Lovers Rex Hotel, 562 Sutter, SF; (415) 433-4434. 6-8pm.

Marcus Shelby Jazz Orchestra Coda. 10pm, $12.

Pat Martino Quartet featuring Tony Monaco, Larry Goldings Trio Palace of Fine Arts Theatre, 3301 Lyon, SF; www.sfjazz.org. 8pm, $25-65.

Terry Disley Experience Shanghai 1930. 7:30pm, free.

FOLK/WORLD/COUNTRY

Cuban Nights Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8:30pm, $15. With Fito Reinoso.

George Lammam Ensemble Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 10:30pm.

Hasmik Harutyunyan, Kitka St. Gregory Nyssen Episcopal Church, 500 DeHaro, SF; (415) 255-8100. 8pm, $15-25.

Rob Reich and Craig Ventresco Amnesia. 7pm, free.

Whiskey Richards Plough and Stars. 9pm.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Audion, Dinky Mighty. 9pm, $15. Spinning an electronic light show.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Prismatic Anniversary Temple. 10pm, $10. With DJs Colette, Andrew Phelan, George Cochrane, and more spinning house, deep house, and hip hop.

Deathtripp Thee Parkside. 9pm, $5. Green and Wood spin coldwave, deathrock, post-punk, doom, and more.

Deep End 222 Hyde, 222 Hyde, SF; (415) 345-8222. 9pm, $10. With DJs Keith Kemp, Dub U, DJG, and more spinning dubstep and techno.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Hella Tight Amnesia. 10pm, $5.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Popscene vs. Tricycle Records Rickshaw Stop. 10pm, $12-15. With Acid Girls, Jokers of the Scene, Frail, and Silver Swans.

Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.

Strangelove: tribute to NIN Cat Club. 9pm, $6. DJs Tomas Diablo, Joe Radio, Unit 77, and more spinning goth and industrial.

Upper Playground and Sonic Living Happy Hour Laszlo. 6-9pm, free. Resident DJs Amplive and Tourist with special guests. Drink specials and giveaways.

Whateva Mezzanine. 9pm, $20. With DJs Marc Ashken, Eric Sebastian, and Worthy.

SATURDAY 7

ROCK/BLUES/HIP-HOP

*"Alternative Tentacles 30th Anniversary Incest-A-Thon" Great American Music Hall. 8pm, $22. With Jello Biafra and the Guantanamo School of Medicine, Alice Donut, Victims Family, and Burning Image.

Browntown West, Starlene, DJ Tony Bottom of the Hill. 2pm, $15.

Chali 2na, Gift of Gab, Mr. Lif Independent. 9pm, $20. Hosted by Lyrics Born.

Devo, Reggie Watts Regency Ballroom. 9pm, $40-75. Performing Freedom of Choice.

Los Dryheavers, Get Dead!, Stagger and Fall Annie’s Social Club. 9pm, $8.

Entertainment, Blessure Grave, Entropy Density Kimo’s. 10pm, $6.

*"Fog Rising" Broadway Studios. 2pm, $15. With Witch, Saviours, Assemble Head in Sunburst Sound, Red Fang, Night Horse, and more.

Greasetraps Boom Boom Room. 10pm, $10.

Will Hoge, Paul Freeman Café du Nord. 7:30pm, $12.

Low Red Land, Ketman, Wandas, Cannons and Clouds Thee Parkside. 9pm, $7.

Mantles, Finches, Little Wings Hemlock Tavern. 9:30pm, $8.

Mister Loveless, Downer Party, Holy Rolling Empire Bottom of the Hill. 10pm, $10.

Moped Amnesia. 10pm.

Serena Ryder, Eoin Harrington Hard Rock Café San Francisco, Pier 39, SF; (415) 956-2013. 7pm, $10.

Shants, Caleb Nichols House of Shields. 9pm, $5.

Sista Monica Biscuits and Blues. 8 and 10pm, $20.

Still Flyin’, Yellow Fever, Nodzzz Café du Nord. 10:30pm, $10.

Sweedish, Mr. Mime, Anaura Hotel Utah. 9pm, $10.

Tyrone Wells, Stephen Kellogg and the Sixers, Matt Hires Slim’s. 8:30pm, $18.

JAZZ/NEW MUSIC

Alphabet Soup Coda. 10pm, $10.

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Pete Escovedo and the Latin Jazz Orchestra Yoshi’s San Francisco. 8 and 10pm, $28.

Savion Glover Palace of Fine Arts Theatre, 3301 Lyon, SF; www.sfjazz.org. 7 and 9:30pm, $30-75.

John Kalleen Group Shanghai 1930. 7:30pm, free.

Milton Nascimento Nob Hill Masonic Center, 1111 California, SF; www.sfjazz.org. 8pm, $25-75.

Ricardo Scales Top of the Mark. 9pm, $15.

Sara Tavares Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 8pm, $25-65.

Patrick Wolf Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

FOLK/WORLD/COUNTRY

"Abolitionists in the Round: A Benefit for the International Justice Mission" Elbo Room. 6-9pm, $15. With David Greco, Rick Hardin, Matt Langlois, Jane Lui, and more.

African Dance and Drum Festival African American Art and Culture Complex, 762 Fulton, SF; (415) 378-4413. 9pm, $25.

Bluegrass Bonanza Plough and Stars. 9pm.

Carnaval Del Sur Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, $15. Live Flamenco music and dance.

Earthquake Kitchen Red Poppy Art House. 8pm, $10-15.

Freddy Nunez Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Debaser Knockout. 11pm, $5. Wear your flannel and get in free before 11pm to this party, where DJ Jamie Jams and Emdee play alternative hits from the 1990s.

Everlasting Bass 330 Ritch. 10pm, $5-10. Bay Area Sistah Sound presents this party, with DJs Zita and Pam the Funkstress spinning hip-hop, soul, funk, reggae, dancehall, and club classics.

Fire Corner Koko Cocktails, 1060 Geary; 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests.

Four G’s Magazine Club Six. 9pm, $10. Issue release party featuring DJs Beset, Boo Boo Danger, and B.Souuza, and a live performance by Bored Stiff.

Gemini Disco Underground SF. 10pm, $5. Disco with DJ Derrick Love and Nicky B. spinning deep disco.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Leisure Paradise Lounge. 10pm, $7. DJs Omar, Aaron, and Jet Set James spinning classic britpop, mod, 60s soul, and 90s indie.

New Wave City DNA Lounge. 9pm, $7-12. Eighties dance party with Skip, Shindog, Lowlife, and Dangerous Dan.

Rebel Girl Rickshaw Stop. 10pm, $5. "Electroindierockhiphop" and 80s dance party for dykes, bois, femmes, and queers with DJ China G and guests.

Saturday Night Soul Party Elbo Room. 10pm, $10. Sixties soul with DJs Lucky, Phengren Oswald, and Paul Paul.

Slayers Club Anniversary Club Six. 9pm, $10. Featuring David Last with MC Zulu, Mochipet, and Kush Arora, and DJs Freddie Future, Lokae, Manitous, and more spinning dubstep and electronic.

So Special Club Six. 9pm, $5. DJ Dans One and guests spinning dancehall, reggae, classics, and remixes.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 8

ROCK/BLUES/HIP-HOP

"Battle of the Bands" DNA Lounge. 5:30pm, $12. With Sagacious Past, Novak, Afterthought, Wooden Jesus, and more.

Birds and Batteries, Telegraph Canyon, DJ Elise Café du Nord. 9pm, $12.

Exene Cervenka, Sean Wheeler and Zander Schloss Slim’s. 8pm, $15.

Common Rotation, Liz Clark, Justin Trawick Hotel Utah. 8pm, $8.

Dutchess and the Duke, Greg Ashley, El Olio Wolf Bottom of the Hill. 9pm, $10.

David Gray, Lisa Hannigan Nob Hill Masonic Center, 1111 California, SF; www.livenation.com. 8pm, $37.50-50.

Jason Isbell and the 400 Unit, Chuck Prophet Great American Music Hall. 8pm, $15.

Samuel James Union Room at Biscuits and Blues. 8pm, $10.

Jay Nash, Shane Alexander Red Devil Lounge. 8pm, $8-10.

Panther, Death Sentence: Panda!, Shakes Gown Hemlock Tavern. 9pm, $7.

Saosin, POS, Innerpartysystem, Eye Alaska Fillmore. 8pm, $17.50.

Ten Foot Tall and 80 Proof Thee Parkside. 4pm, free.

BAY AREA

Pixies, Rain Machine Fox Theater. 8pm, $49.50-64.50.

JAZZ/NEW MUSIC

John Abercrombie with Mark Feldman, Drew Gress, and Joey Baron Florence Gould Theatre, Legion of Honor, 34th Ave at Clement, SF; www.sfjazz.org. 2pm, $35-50.

Carolina Chocolate Drops Palace of Fine Arts Theatre, 3301 Lyon, SF; www.sfjazz.org. 3 and 7pm, $5-50.

Ornette Coleman Davies Symphony Hall, 201 Van Ness, SF; www.sfjazz.org. 8pm, $25-85.

Pete Escovedo and the Latin Jazz Orchestra Yoshi’s San Francisco. 2 and 7pm, $5-28.

Frank Jackson and Larry Vuckovich Bliss Bar, 4026 24th St, SF; (415) 826-6200. 4:30pm, $10.

Rob Modica and friends Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 3pm, free.

Jane Monheit Sir Francis Drake Empire Ballroom, 450 Powell, SF; www.bayareacabaret.org. 4 and 7pm, $45.

FOLK/WORLD/COUNTRY

Chicago Afrobeat Project Mojito, 1337 Grant, SF; (415) 596-3986. 9pm, $10.

Enrique Bunbury Warfield. 8pm, $52-62.

Fiesta Andina! Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 7pm, $10. With Eddy Navia and Sukay.

Marla Fibish, Erin Shrader, Richard Mandel and friends Plough and Stars. 9pm.

Grupo Falso Baiano Coda. 9pm, $7.

La Yumba Café Cocomo. 9pm, $20.

Smoke Free Tour Rock-It Room. 9pm, $15. Featuring live performances by Mega Banton and Prestige.

DANCE CLUBS

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, J Boogie, and guest Jah Yzer.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 9

ROCK/BLUES/HIP-HOP

Ian Anderson Warfield. 7:30pm, $45-75.

Asa Random, Weekend, Cheetahs on the Moon Elbo Room. 9pm, $5.

Bishop Allen, Throw Me the Statue, Darwin Deez Rickshaw Stop. 7:30pm, $15.

Blind, Orchestra of Antlers, Commissure Bottom of the Hill. 9pm, $8.

Dujeous Coda. 9pm, $7.

Everclear, Clayton Senne Independent. 8pm, $25.

Raveonettes, Crocodiles Bimbo’s 365 Club. 8pm, $25.

Jonas Reinhardt, Windsurf, Miracles Club, DJ Pickpocket Knockout. 9pm, $7. Presented by Donuts!

Vandaveer, Odessa Chen, Stripmall Architecture Café du Nord. 9:30pm, $10.

BAY AREA

Pixies, No Age Fox Theater. 8pm, $49.50-64.50.

JAZZ/NEW MUSIC

Amiri Baraka, Howard Wiley Trio Yoshi’s San Francisco. 8pm, $20.

Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.

Andrew Speight and friends Shanghai 1930. 7pm, free.

FOLK/WORLD/COUNTRY

Suburban Revolt, Silver Folk Song Society Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

Toshio Hirano Amnesia. 8:30pm, free.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synth-pop with Decay, Joe Radio, Melting Girl, Miz Margo, and Lexor.

Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.

King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.

Krazy for Karaoke Happy Hour Knockout. 5-9pm, free. Belt ’em out with host Deadbeat.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 10

ROCK/BLUES/HIP-HOP

Earthmen and Strangers, Nectarine Pie, Becky Lee and Drunkfoot Hemlock Tavern. 9pm, $6.

Fat Tuesday Band Biscuits and Blues. 8pm, $15.

fun., Dusty Rhodes and the River Band, AB and the Sea Bottom of the Hill. 8pm, $12.

Game Rebellion, CU Next Weekend Elbo Room. 9pm, $7.

Imogen Heap Fillmore. 8pm, $25.

Over the Rhine, Katie Herzig Great American Music Hall. 8pm, $25.

Paramore, Paper Route, Swellers Warfield. 7:30pm, $32.

Parson Redheads, Blank Tapes, Monahans Hotel Utah. 9pm, $6.

Emily Wells, Simple Citizens Café du Nord. 7:30pm, $10.

Wild Thing, Kim Phuc, Ruleta Rusa Knockout. 10pm, free.

Saul Williams, American Fangs Independent. 8pm, $20.

BAY AREA

Pixies, Black Gold Fox Theater. 8pm, $49.50-64.50.

JAZZ/NEW MUSIC

Louis-Virie Blanche and Constant Creation Yoshi’s San Francisco. 8pm, $20.

"Booglaloo Tuesday" Madrone Art Bar. 9:30pm, $3. With Oscar Myers.

Dave Parker Quintet Rasselas Jazz. 8pm.

"Jazz Mafia Tuesdays" Coda. 9pm, $7. With Spaceheater’s Jazz Furnace.

Ricardo Scales Top of the Mark. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Barry O’Connell, Vinnie Cronin and friends Plough and Stars. 9pm.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJs What’s His Fuck, Johnny Repo, and Chaos.

Drunken Monkey Annie’s Social Club. 9pm-2am, free. Rock ‘n’ roll for inebriated primates like you.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Am I illegal mama?

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OPINION "Am I illegal mama?" My mixed-race, Mexican, Chinese, Puerto Rican, and Irish six-year-old son gazed up at me with the largest of puppy eyes after we watched a corporate media television report on Mayor Gavin Newsom’s rejection of the legislation by David Campos that would give due process to migrant youth caught up in the criminal in-justice system.

After recovering from my sorrow at my son’s logical interpretation of our criminalizing, dehumanizing society, I went on to explain that as far as I was concerned no human is illegal — or an alien, for that matter. I told him that the whole concept of "illegal people" is rooted in our society’s attempt to create more products for the ever-hungry prison-industrial-complex by criminalizing poor youth of color, migrant workers, and houseless adults and elders in poverty for the sole act of being poor, seeking work not having housing, and so on. (Yes, I do talk to my son with truth and candor about such things because that is how my African-Boricua-Taina mama raised me.)

His discovery, albeit terrible, did not shock me. Rather, it was the final nudge I needed to release a public statement from all the multiracial, multicultural, multilingual mamas, grandmothers, aunties, uncles, fathers, and grandfathers I write with, make art with, co-mama with, co-teach with, and am in relationships with at POOR Magazine/Prensa POBRE. We are people who believe that not only is no human being illegal, but that all these borders are false constructs of imperialism. We believe in the rights of children, if you believe that all children, and all people, deserve basic due process rights — which is all the sanctuary legislation by Sup. David Campos grants.

So Mayor Newsom, why reject this modest legislation? Have you become so blinded by your desire to be tough on crime that you don’t even recognize the voices and desires of your voting public in San Francisco, who overwhelmingly organized and spoke in favor of this?

But you can’t blame Newsom alone. Corporate media and corporate government fuels this notion of illegality in relation to human beings and has so ingrained the terms "illegal" and "alien" as ways of describing human beings that many people use these words without direct malice or intent to harm. So, like most insidious racially unjust policies and practices in American culture, these terms and notions roll along, gaining steam and power.

In an attempt to address this ongoing disinformation campaign about migration and immigrants, POOR Magazine launched the Voces de Inmigrantes en Resistencia Project to ensure that the silenced voices of immigrants in poverty are not only heard but are redefined as journalists, poets, media producers, and scholars.

After our talk, my son looked up at me and said, "Mama, I have an idea — if all us people, kids, and adults in the world all stand together holding hands, then they won’t be able to separate us or hurt any of us." Then he stopped and very slowly and carefully added, "Or crim-in-alize us." *

Tiny a.k.a. Lisa Gray-Garcia is the coeditor, cofounder and co-madre of POOR Magazine. She is also the author of Criminal of Poverty: Growing Up Homeless in America, published by City Lights.

Kink glitches the matrix

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By D. Scot Miller

kink1109.jpg
Kink.com’s Van Darkholme, Peter Acworth, and Princess Donna in the Armory boiler room, photographed by Pat Mazzera for our 2008 “Kink Dreams” cover story.

I’ve always been fascinated with the Kink.com building on 14th and Mission.

A former armory, and reproduction of a Moorish castle, it looks like a parochial school for wayward souls. Often I’ve wondered what goes on in this monolithic old-world structure, seeming more suitable for doling out justice than ecstasy. I checked out a few of Kink’s family of Web sites and recommend all you surfers out there do the same. There’s an aura around the building, the history, and what it now houses that epitomizes what San Francisco was, is, and can be that I’m behind with everything I’ve got.

Of course, there’s BDSM with Hogtied.com, MenInPain.com, and TheTrainingofO.com. Woe unto the cynic within me who has become jaded by BDSM. Though the people are enjoying themselves and others, maybe too many trips to the old Power Exchange (and sub-station) and Folsom Street Fair in my youth have taken their toll.

The ones I find fascinating are WiredPussy.com, TSSeduction.com, FuckingMachines.com, and UltimateSurrender.com.

Campos invites Newsom to debate immigrant youth policy

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Text by Sarah Phelan

Sup. David Campos has responded to Mayor Gavin Newsom’s Oct. 28 veto of his proposal to restore due process to all youth in the city’s juvenile justice system… by inviting Newsom to publicly debate the issue.

Campos said he is extending the invitation because the mayor’s veto, “raises more questions than it answers,”

Campos noted that a veto-proof majority of the Board support his legislation, “because it advances the public safety, inclusion and anti-discrimination goals of our city’s 20-year-old sanctuary ordinance, and because it was carefully vetted with the City Attorney’s Office, which approved it to form.”

Observed that there has been, “ a lot of misinformation about what federal law does and does not require in this context,” Campos also sought to clarify how federal law intersects with the duties of local city employees.

“To be clear, city officials have no affirmative legal duty under federal law to expend limited local resources and funding on immigration enforcement,” Campos said.

Campos cited a July 1, 2008 public memo from the City Attorney’s Office which stated that federal civil law does not require the city to give federal authorities information about children in its juvenile justice system that are suspected of being undocumented.

“In fact, a plethora of legal experts from Yale Law School, Stanford Law School, and UC Davis Law School have all agreed that there is no federal duty to inquire or report,” Campos said. “Moreover, the confidentialiity of juvenile records is protected under state law.”

Noting that the City Attorney’s office and legal experts have made clear that his proposed amendment is “a legally tenable measure,” Campos observed that, “the point at which a referral of a minor is made to ICE is ultimately not a legal decision but a policy decision.”

Campos said he feels a public discussion is appropriate in light of recent comments that Newsom plans not to enforce the amendment.

“The Board and the people of San Francisco deserve to understand more fully why you intend to ignore this policy and the time honored democratic processes followed in enacting it,” Campos said.

“At stake is the protection of innocent immigrant children that have been unjustly separated from their families,” he wrote, citing Juvenile Probation Department 2008 statistics, which show that the majority (68%) of arrested youth were later found innocent of the alleged charges.

“It is important to clarify that there is a huge distinction between child who is merely suspected of having committed a crime and a child who is found by a court to have committed a crime ,”Campos said. “Indeed, our criminal justice system rests on the principle that everyone is innocent until proven guilty; that is why providing youth an opportunity to contest a charge in court is a matter of basic due process.”

Observing that UC Davis Professor Bill Ong Hing confirmed to the Board’s Public Safety Committee on Oct.5 that there is nothing in federal and state law that would nullify his amendment, Campos said, “The current policy is creating a climate of fear in immigrant communities, which means that immigrants who have been victims or witnesses to crimes are afraid to come forward. When we uphold the fundamental American value of due process for all of our city’s youth, that will make all of us safer as well.”

Newsom vetoes sanctuary amendment, Board mulls options

11

Text and photos by Sarah Phelan

Estella15bc.jpg
All mothers of immigrant youth, like Estella (center) are asking, is for the City to give their kids a day in court before handing them over to the feds for possible deportation. Is that really too much to ask?

No one was surprised when Mayor Gavin Newsom vetoed the Board’s newly passed sanctuary ordinance amendment today. That’s because the mayor, in between leaking confidential memos, has been threatening to do that for months

But Newsom’s move leaves the Board mulling its options, including legal action, since mayors don’t seem to have the authority to refuse to enact legislation that’s been approved by a veto-proof majority of supervisors.

Newsom’s move also raises the question of the whereabouts of the 114 juveniles who have been picked up by federal immigration authorities since the mayor began requiring city probation officers to act like extensions of the federal government.

Under the policy that Newsom ordered without public input or review in June 2008, city officials are required to refer kids to US immigrations and Customs Enforcement (ICE) based solely on allegations that they have committed a felony and on the probation officers’ own suspicions that these kids are undocumented.

That seems like a huge burden to place on the probation officers’ shoulders. And meanwhile, we are not aware of
anyone in the Mayor’s Office giving any kind of public accounting of where these 114 youth,s who have been disappeared with the help of our tax payer dollars, are being held, or whether they actually have been deported.

Meanwhile, immigrant advocates report that they have had zero success getting Newsom to meet them in person, in the 16 months since the mayor ordered his policy shift, last summer.

Recently, faced with leaked memos and a damaging misinformation campaign , it’s fallen to the parents of these disappeared children to explain the painful consequences of having their kids unjustly ripped from their families, and still the mayor refuses to meet with them.

Newsom claims that the sanctuary policy “was never meant to serve as a shield for people accused of committing serious crimes.”

If that’s true, then the policy needs the Campos amendment to make it a just and fair treatment of immigrant youth.

Under the Campos amendment, any immigrant juvenile found guilty of having committed a serious crime will be deported. But those found innocent will be spared the terrifying experience of finding themselves in federal hands, awaiting deportation, even though they never actually committed a felony crime.

Campos has repeatedly pointed out that federal law does not require city officials to act as federal agents.

But so far, Newsom’s policy has done just that, and has already led to a 15-year old girl being whisked off to Miami, because she got in a fight with her sister, a 14-year old boy being taken into federal custody because he brought a BB gun to school, another youth being picked up by ICE for graffiti infractions, all because San Francisco probation officials picked up the phone and called ICE, before those kids had a chance to prove their innocence,

That’s why eight supervisors, representing a city a third of whose inhabitants are foreign born, voted yesterday to make a minor amendment that will majorly improve Newsom’s policy. And for that, the Board should be commended.

Sanctuary showdown

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sarah@sfbg.com

City Hall echoed with delighted whoops of Si se puede! last week, as a veto-proof majority of the Board of Supervisors voted to give juvenile immigrants their day in court before referring them to federal immigration authorities.

But the battle over the civil rights of immigrant kids is far from over, as Mayor Gavin Newsom, Police Chief George Gascón and U.S. Attorney Joseph Russoniello all insist that they will ignore or defy the city ordinance.

That puts the city in a strange legal position: the supervisors have passed a law that the mayor won’t implement — so it’s not clear what will happen next.

But here’s what is clear — and alarming: under Newsom’s policy, which the sanctuary legislation by Sup. David Campos would overturn, large numbers of immigrant kids are facing possible deportation. U.S. Immigration and Customs Enforcement (ICE) spokesperson Virginia Kice told the Guardian that 150 juveniles from San Francisco have been referred to ICE since June 11, 2008 when Newsom began requiring that the city’s probation officials refer youth to ICE on arrest.Of those, 114 have come into federal custody (and may be facing deportation). Campos, who came to this country from Guatemala as an undocumented teen, said his legislation is a "balanced response" to the shift in sanctuary policy

Under Newsom’s policy, city probation officials are required to refer juveniles booked on a felony and appear undocumented to ICE at the time of arrest.

But under Campos’ amendment, ICE referral would not occur unless a juvenile justice court finds the youth guilty as charged.

Mayoral spokesperson Nathan Ballard short-circuited the immigrant community’s hopes for due process by announcing that Newsom simply plans to ignore Campos’ legislation.

"The Campos bill isn’t worth the paper it’s written on — it’s unenforceable and he knows that," Ballard told the San Francisco Chronicle.

Campos says that’s nonsense. "The whole point of having a sanctuary ordinance is that we choose not to be in the business of federal immigration enforcement," Campos said. "We are not an arm of ICE."

In a phone interview, Russoniello told the Guardian that Newsom’s policy accords juveniles due process at the federal level, and that federal immigration authorities are not interested in going after people who are obeying laws or are simply out of status.

"Our focus is guns, gangs, and drugs," Russoniello said. "But people who are detained should have no expectation that they will not be deported."

In other words, kids who are arrested on felony charges — who may not be guilty — could be deported anyway.

"Juvenile Probation Department alerts ICE when an individual comes in that they believe may be a deportable juvenile alien," Kice said. "We dispatch an officer to interview the juvenile, elicit biographical information, and do background checks to see if they have a legal basis for being in the country."

So where are the kids Newsom has turned over in the past year? Hard to say. Kice said the federal Human and Health Services’ Office of Refugee Resettlement is responsible for ensuring that kids receive appropriate care and protection. "We no longer deal with the custody issues related to juvenile cases," Kice added.

Russoniello said he doesn’t know the whereabouts of the 114 juveniles placed in federal custody since Newsom’s policy took effect in June 2008, but dismissed such concerns as "pretextual."

"Before June 2008, the city’s pretext for sending [Honduran teenagers] back home was to reunite them with their family. Now the complaints are they are being ripped away from their families," he said. "The Campos legislation is mute, it’s irrelevant, and it’s contrary to federal law, and I think the mayor and the chief of police both agree."

Chief Gascón, concerned about the lack of due process and kangaroo courts at the federal level that he experienced as police chief in Mesa, Ariz,, recently told the Guardian he hoped to see Campos and Newsom find a compromise.

Gascón, who was appointed by the mayor, now says he believes Newsom’s hands are tied because of federal laws. "I don’t think the mayor has a choice," Gascón told the Chronicle.

But Sheriff Mike Hennessey, whom ICE pressured to amend his department’s policy toward immigrant detainees last year, thinks the Campos amendment is reasonable. "I don’t think we want to be reporting people who aren’t worthy of prosecution," Hennessey said. "Federal law says that if a probation officer violated the Campos’ amendment, they could not be penalized, under federal law," Hennessey explained. "That’s different from saying they are mandated to report juveniles to the federal authorities."

Juvenile Probation Department Chief William Siffermann told the Guardian that his agency "will continue to discharge its duties and responsibilities in a manner that conforms with all laws and await the outcome of the San Francisco legislative process."

"At the conclusion of that, we will confer with the city attorney and outside legal counsel around any impacts this would have on existing protocols."

Music listings

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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 28

ROCK/BLUES/HIP-HOP

Jace Everett, Kevin Meagher Hotel Utah. 9pm, $10.

Former Ghosts, White Hinterland, Common Eider King Eider Hemlock Tavern. 9pm, $8.

Sean Hayes, Killbossa Independent. 8pm, $16.

Hot Shears, Tank Attack Knockout. 9pm, $6.

Joe Buck Yourself, Jesse Morris and the Man Cougars, .357 String Band, DJ Eva Von Slut Annie’s Social Club. 8pm, $10.

David Landon Biscuits and Blues. 8pm, $15.

MC Chris, Whole Wheat Bread, I Fight Dragons Slim’s. 8:30pm, $5.

Amy Milian, Bahamas Café du Nord. 8:30pm, $15.

Nathan Moore, Fred Torphy Connecticut Yankee, 100 Connecticut, SF; www.theyankee.com. 9pm, $12.

Struck By Lightning, Aftermath, Man Among Wolves, Witness the Horror Thee Parkside. 8pm, $6.

William Elliott Whitmore, Hoots and the Hellmouth, Ferocious Few Bottom of the Hill. 9pm, $12.

JAZZ/NEW MUSIC

"B3 Wednesdays" Coda. 9pm, $7. With Nick Rossi Trio.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Cindy Blackman’s Another Lifetime Great American Music Hall. 8pm, $30. Tony Williams tribute.

Mads Tolling Quartet Yoshi’s San Francisco. 8 and 10pm, $20.

"Meeting of the Minds" Palace of Fine Arts Theatre, 3301 Lyon, SF; www.sfjazz.org. 7:30pm, $30-70. With Béla Fleck, Zakir Hussain, and Edgar Meyer.

Phat Man Dee Climate Theater, 285 Ninth St., SF; (415) 704-3260. 8pm, $7-15.

Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

FOLK/WORLD/COUNTRY

Freddie Clarke Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, 9:30pm; $12

Gaucho Amnesia. 8pm, free. Michael Abraham Jazz Session.

Ben Jordan Plough and Stars. 9pm.

Odes with Kevin Taylor Rite Spot, 2099 Folsom, SF; (415) 552-6066. 9pm.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Club Shutter Elbo Room. 10pm, $5. Goth with DJs Nako, Omar, and Justin.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 29

ROCK/BLUES/HIP-HOP

Blowie, Luv and Rockets, Jealousy Knockout. 9:30pm, $8.

Marc Broussard, Matt Hires Café du Nord. 8:30pm, $30.

Dodos, Ruby Suns Bimbo’s 365 Club. 8pm, $18.

Shane Dwight Biscuits and Blues. 8pm, $15.

Jesse Grant, Elektrik Sunset, John Predny Kimo’s. 9pm, $6.

Lorne Smith’s Guns for San Sebastian, Booty Cooler Boom Boom Room. 9:30pm, $10.

Mumiy Troll Independent. 8pm, $25.

MurderMurder, Piles, Josef Van Wissem Hemlock Tavern. 9pm, $6.

Joshua Radin, Watson Twins Great American Music Hall. 8pm, $20.

"Rock Strip N’ Roll 3: A Naughty Good Time for Halloween" Rouge Night Club, 1400 Broadway, SF; www.myspace.com/liveevilrock. 9:30pm, $10. With Live Evil, Godz of Rock, Electric Vagina, burlesque performances, and more.

Shonen Knife, Ty Segall, Kepi Ghoulie: Electric! Rickshaw Stop. 8pm, $14.

Tainted Love Red Devil Lounge. 8pm, $15.

Third Date Blondie’s, 540 Valencia, SF; (415) 864-2419. 9pm, free.

Times New Viking, Axemen, Clipd Beaks, Work Bottom of the Hill. 9pm, $12.

*Valient Thorr, Early Man, Hightower, Nihilist Annie’s Social Club. 8pm, $10.

"Witch Tits Homo Halloween Party" Thee Parkside. 9pm, $5-10. With dance jams spun by DJ Campbell, Durt, and Jean Jamz; live music by Try the Pie and Imogen Binnie; and a fashion show.

Your Cannons, In the Dust, Gem Tops, Foreign Resort Hotel Utah. 9pm, $7.

JAZZ/NEW MUSIC

Audrey Shimkas Trio Shanghai 1930. 7pm, free.

Terry Disley Washington Square Bar and Grill, 1707 Powell, SF; (415) 433-1188. 7pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.

Erik Jekabson’s New Orleans Quartet Coda. 9pm, $7.

Laurent Fourgo Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7:30pm, free.

Yasmin Levy Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 7:30pm, $25-65.

Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.

Dave Mathews Yoshi’s San Francisco (in the lounge). 6pm, free.

Stompy Jones Top of the Mark. 7:30pm, $10.

Swing with Stan Rite Spot, 2099 Folsom, SF; (415) 552-6066. 9pm.

FOLK/WORLD/COUNTRY

Bluegrass and Old Time Jam Atlas Café. 8pm, free.

Charming Hostess Red Poppy Art House. 7pm, $10-15.

Dunes El Rio. 9:45pm, $5.

Flamenco Thursdays Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, 9:30pm; $12.

Brent Jordan Union Room at Biscuits and Blues. 8pm, $5.

Ravi Shankar and Anoushka Shankar Davies Symphony Hall, 201 Van Ness, SF; www.sfjazz.org. 7:30pm, $30-90.

Tipsy House Plough and Stars. 9pm.

Tribal Seeds Rockit Room. 8pm, $10.

Jozef Van Wissem, Diego Gonzalez, Lickets, Mira Cook Amnesia. 9pm, $8.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, B Lee, and special guest Ibeke Shakesdown spin Afrobeat, Tropicália, electro, samba, and funk.

Bingotopia Knockout. 7:30-9:30pm, free. Play for drinks, dignity, and dorky prizes with Lady Stacy Pants.

Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Popscene Halloween Party 330 Ritch. 9:30pm, $8. With DJs Aaron and Nako and live performances by Veil Veil Vanish and Danger.

Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest.

Solid Club Six. 9pm, $5. With resident DJ Daddy Rolo and rotating DJs Mpenzi, Shortkut, Polo Mo’qz and Fuze spinning roots, reggae, and dancehall.

Wonderland Ruby Skye. 8pm, $40. Enter a fantasy world inspired by Alice and Wonderland to benefit at-risk youth.

FRIDAY 30

ROCK/BLUES/HIP-HOP

Art Brut, Princeton Café du Nord. 10:30pm, $16.

Bayonics, Orgone Elbo Room. 10pm, $15.

Blue Flames, Society’s Child El Rio. 10pm, $6.

Ronnie Baker Brooks Biscuits and Blues. 8 and 10pm, $22.

Death Valley High, Perfect Machines, Killola, Pinky Swear, Protoman Annie’s Social Club. 9pm, $7.

Fast Times Broadway Studios. 8:45pm, $40. First 500 drinks free; proceeds benefit the Steven David Cannata Scholarship Fund.

DJ Lebowitz Madrone Art Bar. 6-9pm, free.

Luce, Felsen Red Devil Lounge. 8pm, $10.

Lucha Vavoom Fillmore. 9pm, $32.50.

Melt Banana, All Leather, We Be the Echo Slim’s. 9pm, $15.

Moonspell, Divine Heresy, Secrets of the Moon, DJ Rob Metal Thee Parkside. 9pm, $15.

Monophonics Coda. 9pm, $10.

No Age, Residual Echoes, Magic Bullets Great American Music Hall. 9pm, $16.

Nobunny, East Bay Grease, Apache Dropout Hemlock Tavern. 9:30pm, $7.

Pine and Battery, New Montgomery, OONA, Hi-Nobles Bottom of the Hill. 9pm, $8.

Skee-Lo, 40 Love, Aquarius, ADDX Rock-It Room. 9pm, $15.

Sleepy Sun, Antlers Independent. 9pm, $14.

Sound Junkies El Rincon. 9pm, $10.

Super Diamond, Knights of Monte Carlo Bimbo’s 365 Club. 9pm, $22.

BAY AREA

"Evil 105’s Subsonic Halloween Spookfest" Cow Palace, 2600 Geneva, Daly City; www.ticketmaster.com. 6:30pm, $40. With Faint, Basement Jaxx, Infected Mushroom, Crystal Method, Flosstradamus, Steve Aoki, and more.

Regina Spektor, Jupiter One Fox Theater. 8pm, $37.50.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Dee Dee Bridgewater Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 8pm, $30-70. Tribute to Lady Day.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Lucid Lovers Rex Hotel, 562 Sutter, SF; (415) 433-4434. 6-8pm.

Lisa Mezzacappa and friends Red Poppy Art House. 8pm, $15. Edgar Allen Poe-themed performances.

Nicholas Payton, Don Byron Grace Cathedral, 1100 California, SF; www.sfjazz.org. 8pm, $35-60.

Pedestrian Deposit, Acre, Brandon Nickell, Work/Death, Infinite Body Lab, 2948 16th St, SF; www.thelab.org. 9pm, $8.

Sandra Aran Group Shanghai 1930. 7:30pm, free.

Marcos Silva Yoshi’s San Francisco (in the lounge). 6pm, free.

FOLK/WORLD/COUNTRY

Cuban Nights Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8:30pm, $15. With Fito Reinoso.

*"Dark Side of the Uke" Knockout. 10pm, $6. Tatami Mats perform Pink Floyd’s Dark Side of the Moon with their all-ukelele ensemble, plus Frisky Frolics and DJ dX.

Toshio Hirano, Michael Musika, Vanessa VerLee, Karl Young, Jessie Woletz Li Po Lounge. 8:45pm, $5. Art opening for Jeremy Rourke.

Joe Henley Band Plough and Stars. 9pm.

Pamela Means, Thomasina and the Jam Dolores Park Café. 7:30pm, free.

Orquesta La Moderna Tradicion Yoshi’s San Francisco. 8pm, $18.

Sonny and the Sunsets, Sean Smith and the Present Moment, Donovan Quinn, Sandwitches Amnesia. 9pm, $7. With DJ Patty P.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

All Hallow’s Eve DNA Lounge. 9pm, $13. Guild, Meat, and Hubba Hubba co-present this party with DJs Decay, BaconMonkey, Joe Radio, Melting Girl, and more.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Blow Up Rickshaw Stop. 10pm, $15. With DJs Jeffrey Paradise and Richie Panic spinning dance music.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

FreakBeat Regency Ballroom. 9pm, $25. DJs Paul Oakenfold and Rooz spinning progressive house, tech house, and techno.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Hallonasty Mighty. 9pm, $10. With DJs Ron/E, Worthy, Laura, and more spinning heavy grooves from the whole musical spectrum.

Halloween Friday Mezzanine. 9pm, $25. With DJs Zach Moore, Syd Gris, Kramer, and Adnan Sharif.

Hov-o-ween Medici Lounge, 299 9th St., SF; (415) 501-9162. 9pm, $3. Featuring a deathrock costume contest with DJs Voodoo, Purgatory, and BatKat spinning goth, industrial, deathrock, glam and more.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.

Suite Jesus 111 Minna. 9pm, $20. Beats, dancehall, reggae and local art.

SATURDAY 31

ROCK/BLUES/HIP-HOP

GG Amos and the GG3 Riptide. 9pm, free.

Chris Kid Anderson Biscuits and Blues. 8 and 10pm, $20.

Bayonics, Orgone Elbo Room. 10pm, $15.

Built to Spill Fillmore. 9pm, $25.

"Club Silencio and the Coalition of Aging Rockers present Caroly n Keddy’s Super Secret Scary Halloween Show" Hemlock Tavern. 9:30pm, $8.

Corner Laughers, Desoto Reds Make-Out Room. 7:30pm, $7.

Dead Souls, Spellbound, Reptile House Annie’s Social Club. 9pm, $7.

Fast Times Maggie McGarry’s, 1353 Grant, SF; (415) 399-9020. 9pm, free.

Grannies, Mongoloid, Steel Tigers of Death El Rio. 10pm, $7.

Loquat, LoveLikeFire Bottom of the Hill. 8:30pm, $14.

Pop Rocks Red Devil Lounge. 8pm, $10.

Rattler, Bang Maiden, Hate Breeders Thee Parkside. 9pm, $10.

*Slough Feg, Totimoshi, Grayceon, Serpent Crown El Rio. 4pm, $8.

Tori Sparks Union Room at Biscuits and Blues. 8:30pm, $10.

Stone Foxes, Wendy Darling, Buxter Hoot’n Hotel Utah. 8:30pm, $10.

Super Diamond, Knights of Monte Carlo Bimbo’s 365 Club. 9pm, $22.

*Swingin’ Utters, Throw Rag, Thee Merry Widows Slim’s. 9pm, $16.

Triple Cobra, DJ Omar Rickshaw Stop. 9pm, $12.

Wallpaper Mezzanine. 8pm, $25.

Wil Blades Soul Solution Boom Boom Room. 9:30pm, $10.

BAY AREA

"Hell-O-Ween 2009" Uptown. 9pm, $10. With Sonic Seducer and the Hobo Gobbelins.

"Hippie Halloween Costume and Dance Party" Art House Gallery and Cultural Center, 2095 Shattuck, Berk; (510) 482-3336. 8pm, $13. With Spirit Wind as Santana, Pearl Essence as Janis Joplin, Cosmos Factory as Creedence Clearwater Revival, and others.

Johnny Vegas and the High Rollers 19 Broadway. 9:30pm, $15.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Larry Dunlap Yoshi’s San Francisco (in the lounge). 6pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

James Cotton Superharp Band with Hubert Sumlin Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 8pm, $25-65.

"Jazz Mafia’s Seventh Annual Mobsters Ball" Coda. 10pm, $10.

Marco Benevento Trio Yerba Buena Center for the Arts Forum, 701 Mission, SF; www.sfjazz.org. 9pm, $25. Halloween dance party.

Proteges of Hyler Jones Shanghai 1930. 7:30pm.

Ricardo Scales Top of the Mark. 9pm, $15.

Lavay Smith and Her Red Hot Skillet Lickers Yoshi’s San Francisco. 8pm, $22.

FOLK/WORLD/COUNTRY

Albino! Independent. 9pm, $18. Special Star Wars-themed Halloween show.

BooGrass Plough and Stars. 9:30pm, $6-10. Featuring some scary bluegrass, a costume contest, games, treats, and more.

Carnaval Del Sur Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, $15. Live Flamenco music and dance.

Halloween Spectacular Amnesia. 8pm, $7. With Cretatous and Bob Saggath.

Sila and the Afrofunk Experience Café du Nord. 10pm, $15.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Big Top Club Eight, 1151 Folsom, SF; (415) 431-1151. 9pm, $10. A homoween disco circus featuring a costume contest, drag performances, and go go boys with DJs Kevin Graves and Marcus Boogie.

Cock Fright Underground SF. 9pm; $8, $5 with sports costume. With DJs Earworm and Matt Hite slaughtering the dance floor and performances by Hugz Bunny and Suppositori Spelling.

Dress to Kill Madrone Art Bar. 9pm, $5. A Fringe Halloween party with costume contest and the best indie rock music videos with added special effects.

Hacksaw Halloween Poleng Lounge. 10pm, $12. Featuring Mixhell, a duo with Brazilian heavy metal drummer Igor Cavalera and Laima Cavalera on the turntables.

Halloween Booootie DNA Lounge. 9pm, $10-15. Mash-up party with Adrian and Mysterious D, Dada, and more, plus a costume contest (including "Best Mash-Up Costume"!) and live performances.

Famous: Sin and Celebrities Glas Kat. 9pm, $30. Dress as your favorite Hollywood icon and dance down the red carpet with DJs Fuze, Jerry Ross, Mauricio, and more.

Ghost Ship California Ave., Hanger II, Treasure Island, SF; www.kraaksmak.com. 9pm, $40. With DJs Kraak and Smaak and Fort Knox 5.

Heaven and Hella Suite 181, 181 Eddy, SF; (415) 345-9900. 10pm. With DJs Mindmotion, One G, and Mark Divita spinning dance beats and radio hits. Costume contest for complimentary bottle service.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Kiss of Death Vessel, 85 Campton, SF; (415) 433-8585. 10pm. Featuring a costume contest and DJs Frenchy Le Freak, Pheeko Dubfunk, and Martin Aquino.

Monster Bash Beauty Bar. 10pm, free. Boos and booze all night with DJ White Mike.

Night of the Living Bass Mighty. 9pm, $20. A costume party with DJs Wolfgang Gartner, Uberzone, Syd Gris and more.

Nightmare on 6th Street Club Six. 9pm, $18. With DJs Maseo of De La Soul, Shortkut, Jah-Yzer, Serg One, and more spinning soul, classic hip hop, reaggae, and dancehall.

Nightmare on Van Ness Regency Ballroom. 9pm, $60. Multiple levels featuring a live performance by LMFAO and DJs E-Rock, Scene, Mark Farina, Dale Martin, BB Hayes, Sam Issac, and more.

Saw VIII Masquerade Extravaganza Blue Macaw, 2565 Mission, SF; (415) 341-7314. 9pm, $20-50. Featuring a costume contest with cash prizes, and two spooky levels of music with DJs Mindmotion, Sake1, and more.

SF Halloween Ball San Francisco City Hall, 1 Dr. Carlton B. Goodlett Place, SF; (415) 816-7763. 9pm, $45-100. An upscale Halloween costume party with DJs remedy, cut 5, vangeli, and more spinning mainstream, top 40, mashups, and house.

Spider Ball Bently Reserve, 400 Sansome, SF; (415) 288-0202. 10pm, $55. Featuring DJs and live performances by Vibe Squad, Beats Antique, Random RAB, Resident Anti-Hero, Tamo, and more to support the Black Rock Arts Foundation.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Teenage Dance Craze Halloween Party Knockout. 10pm, $3. Scary teen beat, twisters, and surf rock with DJs Sergio Iglesias, Russell Quann, and Howie Pyro.

Thriller Lexington Club. 9pm, free. Featuring a Michael Jackson inspired costume contest and DJs Durt and Ponyboy startin’ somethin’ on the dance floor.

Zombie Ball Verdi Club, 2424 Mariposa, SF; (415) 861-9199. 9pm, $15. With a live performance by the Hi Rhythm Hustlers and guest Cari Lee and DJs spinning teen beat tunes.

SUNDAY 1

ROCK/BLUES/HIP-HOP

Built to Spill Fillmore. 7pm, $25.

Dirty Projectors, Little Wings Bimbo’s 365 Club. 8pm, $18.

Flyleaf, Paper Tongues Great American Music Hall. 8pm, $25.

Lucero, Jack Oblivion, John Paul Keith and the One Four Fives Mezzanine. 8pm, $22.

*Possessed, Impaled, Sadistic Intent, Witchhaven DNA Lounge. 6pm, $25.

Jason Reeves, Curtis People Café du Nord. 8pm, $12.

Brittany Shane, Misisipi Mike and Gayle Lynn, Vandella Make-Out Room. 8:30pm, $7.

Skinny Puppy, Vverevvolf Grehv Regency Ballroom. 8pm, $30.

Tori Sparks Union Room at Biscuits and Blues. 8:30pm, $5.

UFO, Travis Larson Band Independent. 8pm, $25.

BAY AREA

Shonen Knife, Ty Segall, Dreamdate, DJs Zola and Jen Schnade Uptown. 9pm, $14.

JAZZ/NEW MUSIC

Brenda Wong Aoki and Mark Izu Ensemble Yoshi’s San Francisco. 2pm, $5-20. Performing Japanese ghost stories and jazz.

Giovanni Allevi, Patrizia Scascitelli Yerba Buena Center for the Arts Forum, 701 Mission, SF; www.sfjazz.org. 7pm, $25-35.

Marc Cary Focus Trio Florence Gould Theatre, Legion of Honor, 34th Ave at Clement, SF; www.sfjazz.org. 2pm, $25.

Rob Modica and friends Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 3pm, free.

Pamela Rose Yoshi’s San Francisco. 7pm, $22.

SF Contemporary Music Players ODC Dance Commons, 351 Shotwell, SF; (415) 278-9566. 4:30pm, $5-10. Performance and discussion of Ken Ueno’s "Archaeologies of the Future."

"SFJAZZ Beacon Award" Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 7pm, $20-50. Honoring John Handy.

SFJAZZ High School All-Stars Yerba Buena Center for the Arts Forum, 701 Mission, SF; www.sfjazz.org. 3pm, $5-15. Playing Duke Ellington and the sounds of the Harlem Renaissance.

"SIMM New Music Series" Musicians Union Hall, 116 Ninth St, SF; (415) 905-4425. 7:30pm, $10. With Reconnaissance Fly and Noertker’s Moxie.

FOLK/WORLD/COUNTRY

Boulder Acoustic Society Amnesia. 9pm, $7-10. With special guest.

Fiesta Andina! Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 7pm, $10. With Eddy Navia and Sukay.

Mucho Axé Coda. 8pm, $7.

DANCE CLUBS

Breakfast in Bed Supperclub. 5am, $15. Halloween After-Party with DJs Syd Gris, Alain Octavo, Cosmic Selector, Dulce Vita, and more.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Vinnie Esparza, and guest Teleseen.

Fresh Ruby Skye. 6pm, $25. A Halloween weekend T-Dance with DJ Tony Moran.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Religion Bar on Church. 3pm. With DJ Nikita.

Shuckin’ and Jivin’ Knockout. 10pm, free. Rock, doo-wop, jivers, stompers, and more on 78 rpm with DJs Dr. Scott and Oran.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 2

ROCK/BLUES/HIP-HOP

Airborne Toxic Event, Henry Clay People Fillmore. 8pm, $21.

*Big Business, Triclops! Bottom of the Hill. 10pm, $12.

Chevelle, Halestorn, After Midnight Project Regency Ballroom. 7:30pm, $28.

Emerald Triangle Independent. 9pm, $15.

Land of Talk, Eulogies Café du Nord. 8:30pm, $10.

Tiger Lilies, Vinsantos Great American Music Hall. 8pm, $20.

Trawler Bycatch, Seim and Rossfunke, 1-2-3 Knife Elbo Room. 9pm, $5.

JAZZ/NEW MUSIC

Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.

Nice Guy Trio Yoshi’s San Francisco. 8pm, $14.

Reptet Make-Out Room. 8pm.

SF Contemporary Music Players Herbst Theatre, 401 Van Ness, SF; (415) 278-9566. 8pm, $28. Performing "Maid to Order," music of Leroux, Ueno, Dennehy, and RB Smith.

FOLK/WORLD/COUNTRY

Belle Monroe and Her Brew Glass Boys Amnesia. 8:30pm, free.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.

King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

Armin Van Buuren Ruby Skye. 9pm, $30. With DJs Alain Octavo and Syd Gris.

TUESDAY 3

ROCK/BLUES/HIP-HOP

Ashford and Simpson Rrazz Room, Hotel Nikko, 222 Mason, SF; 1-866-468-3399, www.therrazzroom.com. 8pm, $47.50-55. Performing through Nov 14; check website for showtimes.

Astral, Ghosts and Strings, Moonlight Orchestra, Seabright Elbo Room. 8pm, $6.

Atlas Sound, Broadcast Great American Music Hall. 8pm, $16.

B-Cups, Minks, Started-Its Bottom of the Hill. 9pm, $8.

Layce Baker and the Black Diamond Band Biscuits and Blues. 8pm, $15.

Cage the Elephant, Morning Teleportation, Shackletons Slim’s. 8pm, $16.

Chinese Stars, All Leather, Casy and Brian, Sensitive Hearts Thee Parkside. 8pm, $8.

Jeffrey Foucault and Andy Friedman, Dave McGraw Café du Nord. 8:30pm, $10.

Kawabata, ?Alos, 3 Leafs Hemlock Tavern. 9pm, $10.

Imelda May Independent. 8pm, $15.

Queen Latifah Regency Ballroom. 8pm, $39.50-49.50.

Ron Thompson Union Room at Biscuits and Blues. 8pm, $10.

Verbal Abuse, Rat Damage, Steeples Knockout. 10pm, free.

JAZZ/NEW MUSIC

Claudia Acuna Yoshi’s San Francisco. 8pm, $20.

"Booglaloo Tuesday" Madrone Art Bar. 9:30pm, $3. With Oscar Myers.

Conscious Jazz Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Dave Parker Quintet Rasselas Jazz. 8pm.

Euliptian Quartet Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

"Jazz Mafia Tuesdays" Coda. 9pm, $7. With Joe Bagale.

Ricardo Scales Top of the Mark. 6:30pm, $5.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJs What’s His Fuck, Taypoleon, and Mackiveli.

Drunken Monkey Annie’s Social Club. 9pm, free. Guest DJs, free pool, and $1 Hamm’s.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.

Mixology Aunt Charlie’s Lounge, 133 Turk, (415) 441-2922. 10pm, $2. DJ Frantik mixes with the science and art of music all night.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

The case against Prop. D

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OPINION Proposition D is a classic developer’s scam. It was written by a mid-Market Street property owner who is spending more than $250,000 million to push hollow propaganda pieces preaching the wonders of his bill. When you strip away the glossy photos and misleading language, Prop. D is an attempt by private real estate owners to put up huge, flashing billboards and keep virtually all the money for themselves.

There is all kinds of misleading information in this thing. Individual signs are limited to 500 square feet — but the legal text encourages property owners to cluster as many signs as they want to display a single, massive, synchronized, electricity-sucking advertisement. What really pisses us off about the campaign for Prop. D is how the backers market it as "for the kids." (Because what kind of monster would vote against helping the kids, right?)

But that’s all a bunch of non-binding fakery. The 20 percent to 40 percent of advertising revenue that doesn’t go straight into the property owners’ pockets would go to the Central Market Community Benefits District — a self-selecting, self-reguutf8g group made up of the very landlords who own the buildings on Market Street. Then the CBD would get to decide how to spend the money with no public input or regulation. There’s no definition of what the "youth programs" would be. The backers also plan on spending money on a new ticket booth and on their own staff and expenses.

Back in 2002, 77 percent of San Franciscans voted to ban new advertising signs anywhere in the city. The Planning Department has issued a brutal analysis of Prop. D, calling it an unprecedented power grab that would strip regulatory oversight of the billboards from the (public) Planning Department and hand it over to the private CBD.

The mid-Market area needs help, for sure. But Prop. D is not the way to do it. If you really want to clean up Market Street, it’s gonna require some actual elbow grease in the neighborhood, some community input, a comprehensive revitalization plan, and real solutions for homelessness. Prop. D has zilch. If developers are serious about helping the underserved youth of the Tenderloin, why is there no binding language requiring a mandatory minimum of money for community benefits? Since when have digital billboards ever improved the quality of life of anyone — let alone cured poverty or homelessness?

We’re pretty bummed at the miserable press coverage of this totally sneaky proposition. We’re joining with a diverse group of community leaders and organizations, including state Sen. Mark Leno, Assembly Member Tom Ammiano, Sups. John Avalos and Ross Mirkarimi, School Board Vice President Jane Kim, Community College Trustee Steve Ngo, SoMa Community Action Network, the Coalition on Homelessness, the Alliance for a Better District 6, Senior Action Network, League of Conservation Voters, Livable City, and others in saying a big "hell no" to Prop. D. If Prop. D somehow does pass, we plan on working to put something on the 2010 ballot that would put real community input and oversight into this clusterfuck.

Jeremy Pollock and Ali Uscilka are on the steering committee of the SF League of Pissed Off Voters, which empowers young people to become politically engaged and educated on the issues. Since 2003 we’ve been organizing broad-based coalitions to create permanent, progressive, grassroots change. Read our entire voter guide at www.theballot.org.

Gavin Newsom, lawbreaker

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EDITORIAL Mayor Gavin Newsom has set off something of a crisis in San Francisco government by insisting that he will defy the city law that seeks to protect immigrant youth from deportation. While Newsom claims that the sanctuary policy approved 8-2 by the supervisors last week violates federal law (something the same-sex marriage advocate hasn’t worried so much about in the past), this is really a matter of politics. Newsom, candidate for governor of California, doesn’t want to seem soft on crime — so Newsom, mayor of San Francisco, is siding with the federal immigration authorities.

He’s also putting out a misleading message about the law.

The sanctuary legislation, by Sup. David Campos, is an attempt to deal with a very real — and serious — problem. Under the city’s current policy, any time a young person is arrested and the juvenile probation department thinks he or she might lack documentation, the officers involved contact Immigration Control and Enforcement. That means kids who have lived in this country for years and have no ties to their birth nation can be deported — just on the basis of an arrest that could turn out to be groundless.

Campos’ law establishes a city policy that prohibits local law enforcement from reporting juvenile offenders to ICE until they’ve been convicted of a crime. That’s just basic due process.

Newsom insists (and the city attorney’s office agrees) that no city employee can be penalized for contacting ICE. But that’s not the point of this law. Right now, juvenile officers are required to call ICE when they have someone in custody who may be undocumented. There’s no federal law saying this has to happen. And it’s perfectly legal — and appropriate — to lift that mandate and to say, in effect, that no city employee should be penalized for declining to turn a kid over to the feds.

At this point, the city attorney hasn’t argued that the Campos bill is illegal or unenforceable, and no judge has overturned it. When, as expected, the supervisors override Newsom’s certain veto, the bill will become city law — presumptively valid until a court rules otherwise. And Newsom has a legal obligation as mayor to abide by and enforce that law.

City Attorney Dennis Herrera is in something of a bind here since he has to represent both the mayor and the supervisors. But he needs to make clear, in public, that while he warned of possible legal implications of the Campos legislation, right now there is nothing preventing the law from taking effect — and that the mayor, like any other city official, is required to follow it.

The supervisors need to keep pushing the issue, too. And they need to be prepared to go to court to seek a writ mandating that the city’s chief executive follow his sworn oath and faithfully execute the law.

None of this needs to happen. Newsom could have worked with Campos on the legislation. Instead, the mayor continues to defy the board and act like the sort of imperial executive who is utterly unqualified for any higher office. For the sake of innocent kids facing the horrors of deportation, San Francisco’s reputation as a sanctuary city and Newsom’s own political future, he needs to back off and agree to abide by the city’s own laws.

Editorial: Gavin Newsom, lawbreaker

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Gavin Newsom, candidate for governor of California, doesn’t want to seem soft on crime, so Newsom, mayor of San Francisco, is siding with the federal authorities on deporting immigrant youth

EDITORIAL Mayor Gavin Newsom has set off something of a crisis in San Francisco government by insisting that he will defy the city law that seeks to protect immigrant youth from deportation. While Newsom claims that the sanctuary policy approved 8-2 by the supervisors last week violates federal law (something the same-sex marriage advocate hasn’t worried so much about in the past), this is really a matter of politics. Newsom, candidate for governor of California, doesn’t want to seem soft on crime — so Newsom, mayor of San Francisco, is siding with the federal immigration authorities.

He’s also putting out a misleading message about the law.

Yes we (Daisy) Khan

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by Caitlin Donohue

“From Harriet Tubman to Susan B. Anthony to Amelia Boynton Robinson, faithful women throughout American history have shaken up the status quo, driving some of our country’s most remarkable examples of broad political and social change.”

Daisy Khan 1009.jpg
Daisy Khan touts some good ol’ hope and change at her lecture tomorrow

Daisy Khan is well placed to comment on the efficacies of faith in social activism- her own name would not be too incongruous to add to the list of observing freedom fighters above. Khan’s struggle, however, is not for the Underground Railroad or universal suffrage, but rather for a Muslim religion that is fair and just for its members and has a positive relationship with the global community.

It is a tall order. But the key to a better world is identifying your allies, and Khan has identified two as the most crucial to the task at hand in her upcoming lecture “Countering Extremism in Youth and Women’s Leadership in Islam.”

Mexico report: The electricity meltdown

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By John Ross

MEXICO CITY — Monday morning, Oct. 12, broke broodingly over Mexico City. The headlines on a score of newspapers hanging from Vicente Ramirez’s kiosk were universal loas for Calderon’s heroic seizure of Luz y Fuerza del Centro. As usual, La Jornada, the capital’s left daily, was the exception. Political columnist Julio Hernandez noted that on the eve of the centennial of the Revolution of 1910-1919, Mexico stood at a decisive moment: if Calderon was allowed to validate the takeover of the company and destroy the SME, the left’s goose was cooked.

Around the counter at the Café La Blanca, sullen faces were buried in their newspapers. Isidro Zuniga talked about putting 34 years in at a box factory before being shown the door – “I gave them my youth for a handful of pinche lentils. This is how the bosses fuck us. Chinga su Madre Senor President! We will stand with the SME…”

Benito Ruiz, the driver at the hotel where I’ve lived for 25 years, was steaming. Calderon was like the dictator Porfirio Diaz who was dumped by the Revolution, like the president Gustavo Diaz Ordaz who had ordered the massacre of hundreds of students on the eve of the Olympics in 1968. “Watch your back, Senor John,” he warned, “these bastards will stop at nothing…”

Others had less sympathy for the workers. Don Juanito Lopez, a tailor here in the old quarter, was dismissive of Luz y Fuerza which he thought rotten to the core with corruption. When you complained about your light bill or wanted to get something fixed, employees demanded a “stimulus” bribe. Sky-high electric bills have driven a wedge between Luz y Fuerza workers and the general public.

I walked over to the neighborhood Luz y Fuerza office on Carranza Street. It was locked up tight but the Mexican flag was still flapping from the roof. Handwritten signs (“Listen up people! The SME is fighting for you!”) were taped to the dusty windows. A young woman who said she was the daughter of an electricista, handed me a leaflet that explained what Calderon had done “is called fascism just like under Hitler and Mussolini and Pinochet and Diaz Ordaz.”

Park life — and 3,000 guitars

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arts@sfbg.com

MUSIC Golden Gate Park has once again become a nexus for huge music concerts. The massive scope of events such as Outside Lands can’t help but evoke the legacy of San Francisco in the 1960s, when musical gatherings were not only abundant, but a definite inspiration behind concerts elsewhere — especially Woodstock. With West Fest, organizer Boots Hughston and an extensive lineup of musicians and participants are paying tribute to Woodstock’s 40th anniversary. But they’re also bringing a sense of living history to a place where new generations of music lovers — some of whom knowingly or unknowingly admire contemporary acts influenced by the Woodstock era — regularly congregate.

Politically speaking, it’s especially important to bridge a sense of then and now. One person who will be doing exactly that is David Hilliard, former chief of staff in the Black Panther Party, author of many books, and current-day teacher. "Our purpose was always to ensure that art was part of our revolutionary political process," says Hilliard. "I dispatched members of our chapter to Woodstock ’69 as a gesture of solidarity to the counterculture movement. We were the comrades of the hippies and yippies and Peace and Freedom Party. We had the support of people like John Lennon — that was our constituency. It makes sense that we should be included in a celebration of this momentous event."

Hilliard has no problem connecting his message to the present — especially because the present includes some tell-tale problems. "I have to talk about the contemporary issue of millions of people who have lost their homes to foreclosure," he says, when asked about the subjects of his West Fest speech. "And isn’t it ironic that universal health care is the chief issue of the day, because we were devoted to free health care — it was central to our program."

Hilliard isn’t especially inspired by contemporary hip-hop, aside from Talib Kweli and a few other conscious artists. When asked whether the music of the moment approaches the political intensity of hip-hop’s Public Enemy era, he answers with a "hell no" that is as strong as it is quick, adding, "The whole industry has been reduced to a few artists who make it because they come up with songs about the latest dance."

This doesn’t mean that Hilliard and his contemporaries don’t have a hand in politicizing popular culture and youth culture in ways big and small. Black Panther Minister of Culture Emory Douglas currently has a solo exhibition at the Museum of Contemporary Art in Los Angeles, and Hilliard takes part in projects like the South L.A. Road to College, which teaches South Central L.A. youth about the Panthers and their history while preparing them for college. HBO is developing a six-hour series on the Panthers based on Hilliard’s 1993 book This Side of Glory and Elaine Brown’s 1992 autobiography A Taste of Power: A Black Woman’s Story. "We are proud to be working with Carl Franklin," Hilliard says, referring to the series’ director, whose undersung 1992 classic One False Move renders in truly disturbing human terms the kind of drug violence that 1994’s Pulp Fiction treats as entertainment. "We need a year to tell this story [in a series], but we’ll take six hours and hope that it will inspire people to tell the story more often."

West Fest’s wildest musical element has to be an attempt to outdo the Guinness World Book of Records‘ current entry for Largest Guitar Ensemble via a 3,000-or-more-guitar rendition of Jimi Hendrix’s "Purple Haze." A chief force leading this effort, the producer and musician Narada Michael Walden, is also performing a set in honor of Hendrix later in the day. "Jimi Hendrix was the highest-paid performer at Woodstock, the most sought-after at the time," Walden points out from his base at Tarpan Studios in San Rafael. "A lot of the music he played at the festival — "Jam Back at the House," "Villanova Junction," "Isabella," "Fire" — is in obscurity because we only hear "Purple Haze" and "Foxy Lady." I wanted a chance to play some of the songs Jimi played at Woodstock that we don’t get to hear."

Moreover, working with musicians such as Vernon Ice Black, Hendrix’s bassist Billy Cox, and some special guests, Walden hopes to tap into the political subtext of Hendrix’s music at West Fest. "He didn’t just want white fans or black fans, he wanted to reach everybody," Walden says. "He tried his hardest by doing "The Star-Spangled Banner" in a way in which you heard the bombs exploding. He’d been a paratrooper jumping out of airplanes, and he wanted our nation to wake up to what we were doing, all the needless killing in Vietnam."

If anyone can corral 3,000-plus guitarists into making something musical, it’s the energetic Walden. He’s the producer behind the hits that made Whitney Houston and Mariah Carey into stars, and before that, the gorgeous pop R&B songs by teenage Stacey Lattisaw ("Let Me Be Your Angel," "My Love") that no doubt inspired those divas-to-be to work with him. "My first solo album [Garden of Love Light] in 1976 was produced with Tommy [Tom] Dowd," he remembers, when another legendary musical force who turned away from the U.S. military is mentioned. "I spent months and months recording with him and learned first-hand from him. He was really here to do what he did — only a few people understood how to compress music for radio in a way that it could still live and breathe. He knew how to take the queen of soul, Aretha, and give her a Southern sound with a vibrancy that allowed all people everywhere to feel it. That’s the genius — not just the musical side but the scientific side — of Tom Dowd."

The life stories of men such as Hendrix and Dowd — who abandoned atomic work on the Manhattan Project for the studios of Atlantic Records — are still applicable today. After all, this is an era in which Barack Obama calls for more troops in Afghanistan and wins the Nobel Peace Prize. Amid the potential and contradictions invoked by such a circumstance, Walden’s Hendrix-inspired endeavors and Hilliard’s speech at West Fest are worth hearing.

WEST FEST, 40TH ANNIVERSARY OF WOODSTOCK

Sun/25, 9 a.m.–6 p.m., free

Golden Gate Park, SF

www.2b1records.com/woodstock40sf

Board changes sanctuary policy to give kids day in court

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Text and images by Sarah Phelan

Civil rights groups celebrated today, as the Board of Supervisors amended the city’s sanctuary policy to ensure that immigrant youth get their day in court before being handed over to the feds for deportation.

Under the new policy, which Sup. David Campos, Eric Mar, Ross Mirkarimi, Sophie Maxwell, Chris Daly, John Avalos, Bevan Dufty and Board President David Chiu co-sponsored, juveniles won’t be handed over to federal immigration authorities unless they are found guilty of a felony.

That marks a shift from the draconian olicy that Newsom ordered last year, the day after he announced his gubernatorial run. Under that policy, kids were referred to the feds at booking, meaning US citizens and immigrants who hadn’t committed a felony could be wrongly deported.

A huge crowd, including immigrants, civil rights experts, teachers and local high school kids, cheered when Board President Chiu announced that the Campos amendment (so-called because Sup. David Campos spearheaded the effort to move this legislation) passed on its first reading

“This is really for our youth, for our kids, because they deserve nothing more, nothing less, than just full equality when it comes to how the law treats them,” Campos said after the vote.

“The fact that you’re undocumented doesn’t mean you’re not a person under the United States Constitution,,” he said. “ If we can’t stand up for the Constitution in San Francisco, then where can we stand up for it in this country?”

Campos worked for over a year to fashion today’s amendment, working with civil rights experts and immigration lawyers to come up with a proposal that City Attorney Dennis Herrera has deemed legally tenable.

Mayor Gavin Newsom’s office vowed today to ensure that probation officers aren’t forced to break federal law in order to abide by the Campos legislation.

But Campos said the city’s CEO can’t pick and choose which city laws to follow.
“We expect the mayor’s office to follow the laws of the city and county of San Francisco – that’s his job,” Campos said. . “If he refuses to do that, the board will have to figure out what our options are.”

Meanwhile, Juvenile Probation Chief William Siffermann said he can’t prohibit officials from reporting instances where there’s a reasonable belief that civil immigration laws have been violated.

Film listings

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Film listings are edited by Cheryl Eddy. Reviewers are Kimberly Chun, Michelle Devereaux, Max Goldberg, Dennis Harvey, Johnny Ray Huston, Louis Peitzman, Lynn Rapoport, Ben Richardson, Matt Sussman, and Laura Swanbeck. The film intern is Fernando F. Croce. For rep house showtimes, see Rep Clock. For first-run showtimes, see Movie Guide.

SF DOCFEST

The eighth annual San Francisco Documentary Film Festival runs through Oct 29 at the Roxie, 3117 16th St, SF. Tickets ($11) are available by visiting www.sfindie.com. For commentary, see "Is the Truth Out There?" All times p.m.

WED/21

"Bay Area Shorts: The People and Places of the SF Experience" (shorts program) 7. Shooting Robert King 7. Cat Ladies 9:15. Houston We Have a Problem 9:15.

THURS/22

Dust and Illusion 7. What’s the Matter With Kansas? 7. The Entrepreneur 9:15. Homegrown 9:15.

FRI/23

Johnny Cash at Folsom Prison 7. Mine 7. October Country 9:15. Speaking in Code 9:15.

SAT/24

Johnny Cash at Folsom Prison 2:30. Nursery University 2:30. Apology of an Economic Hitman 4:45. Youth Knows No Pain 4:45. Marina of the Zabbaleen 7. Trimpin: The Sound of Invention 7. The Philosopher Kings 9:15. Proceed and Be Bold! 9:15.

SUN/25

Pop Star on Ice 2:30. "Worldwide Shorts: Snapshots of Life in Five Different Countries" (shorts program) 2:30. Junior 4:45. Only When I Dance 4:45. The Great Contemporary Art Bubble 7. Rabbit Fever 7. American Artifact 9:15. Cropsey 9:15.

MON/26

Vampiro: Angel, Devil, Hero 7. "Worldwide Shorts" 7. Proceed and Be Bold! 9:15. Youth Knows No Pain 9:15.

TUES/27

Junior 7. "Worldwide Shorts" 7. Marina of the Zabbaleen 9:15. Mine 9:15.

OPENING

Amelia Mira Nair directs Hilary Swank in this Amelia Earhart biopic. (1:51) Albany, Piedmont, Sundance Kabuki.

Antichrist See "Lars Loves Lars." (1:49) Embarcadero.

Astro Boy The popular manga and Japanese television series finally gets an animated film, featuring voice work by Freddie Highmore, Nicolas Cage, Kristen Bell, and others. (1:34) Presidio, Shattuck.

*Big Fan The Wrestler screenwriter Robert Siegel continues to trawl tri-state working class blues for his directorial debut, Big Fan, a darkened fairy tale of sports mania and the male ego. Sandpaper rough comic Patton Oswalt is Paul Aufiero, a thirtysomething New York Giants nut who lives with his mother and scripts huffy raps for his nightly 1AM "Paul from Staten Island" call to the local sports radio station. Siegel locates a revealing stage for anxious performances of masculinity in the motor-mouthed rituals of sports talk radio. Big Fan is at its best when Aufiero is locked in dubious battle with abstract foes like "Philadelphia Phil," but the film starts to slow down as soon as our anti-hero and his lone pal Sal (Kevin Corrigan) spot Giants QB Quantrell Bishop (Jonathan Hamm) at a Staten Island gas station. They tail him to a strip club in New York City, where Bishop gives Aufiero a bruising upon discovering he’s been followed, thus compromising the Giants’ playoff chances. What a tangled web we weave and all that. It’s telling of Siegel’s limited talents that the best part of the fateful trip into Manhattan is Oswalt’s grimace when faced with a nine buck Budweiser. We’re so hungry for any kind of regionalism in mainstream filmmaking that even Big Fan‘s cheapest shots (all its women characters, for instance) don’t overpower the pleasure of Oswalt’s marshy profanities and the provincial jabber of New York vs. Philadelphia and Staten Island vs. Manhattan. (1:35) Lumiere, Shattuck. (Goldberg)

Cirque du Freak: The Vampire’s Assistant Time to officially declare a vampire overload. (1:48) Shattuck.

*The Damned United Like last year’s Frost/Nixon, The Damned United features a lush 70’s backdrop, a screenplay by Peter Morgan, and a commanding performance by Michael Sheen as an ambitious egotist. A promising young actor, Sheen puts on the sharp tongue and charismatic monomania of real-life British soccer coach Brian Clough like a familiar garment, blustering his way through a fictionalized account of Clough’s unsuccessful 44-day stint as manager of Leeds United. Though the details of high-stakes professional "football" will likely be lost on American viewers, the tale of a talented, flawed sports hero spiraling deeper into obsession needs no trans-Atlantic translation, and the film is an engrossing portrait of a captivating, quotable character. (1:38) Embarcadero. (Richardson)

*Good Hair Spurred by his little daughter’s plaintive query ("Daddy, how come I don’t have good hair?"), Chris Rock gets his Michael Moore freak on and sets out to uncover the racial and cultural implications of African-American hairstyling. Visiting beauty salons, talking to specialists, and interviewing celebrities ranging from Maya Angelou to Ice-T, the comic wisecracks his way into some pretty trenchant insights about how black women’s coiffures can often reflect Caucasian-set definitions of beauty. (Leave it to Rev. Al Sharpton to voice it ingeniously: "You comb your oppression every morning!") Rock makes an affable guide in Jeff Stilson’s breezy documentary, which posits the hair industry as a global affair where relaxers work as "nap-antidotes" and locks sacrificially shorn in India end up as pricey weaves in Beverly Hills. Maybe startled by his more disquieting discoveries, Rock shifts the focus to flamboyant, crowd-pleasing shenanigans at the Bronner Bros. International Hair Show. Despite such softball detours, it’s a genial and revealing tour. (1:35) Lumiere. (Croce)

Motherhood Introducing this film at the Mill Valley Festival recently, director Katherine Dieckmann — of 2000’s awkward A Good Baby and ingratiating 2006 Diggers, on whose screenplays she did and didn’t contribute, respectively — said she made it because she’d never seen a movie reflecting modern motherhood "as it really is." So why does this slick indie seriocomedy feel like a baby-burpup of things we’ve seen a million times before? Perhaps because its beleaguered heroine (Uma Thurman, straining for stringy-haired, sweaty "realism") is the same comically frazzled, faux-deglamorized, supposedly endearing quirky girl sitcoms have served up for decades. She’s got a brash single-mom pal (Minnie Driver, suddenly doing Catherine Zeta-Jones), a semi-negligent husband (Anthony Edwards), aching authorial aspirations (currently expressed via an unconvincingly delightful motherhood blog), and two very young children. Taking place over a single day’s contrived mummy stressouts, Motherhood self-sabotages at nearly every turn. It renders the seldom unappealing Thurman a tiresome ditz whose potential extra-parental fulfillment arrives stupidly deus-ex-machina. No less plastic than Baby Boom (1987), this movie suffocates her, while that one at least gave Diane Keaton room to rise above condescending material. (1:30) (Harvey)

The Nightmare Before Christmas 3D The Tim Burton-produced tale returns in 3D form. (1:16) Castro, Grand Lake.

Ong Bak 2: The Beginning Important: though it does star the original’s Tony Jaa, this is not a sequel to 2003 Thai hit Ong-bak, about a pious martial-arts master who journeys to the big city to retrieve the stolen head of his village’s sacred Buddha. Rather, Ong Bak 2 travels back in time so that lethally limber star Jaa (who also directs) can portray a young man adopted by bandits after his noble parents are slaughtered by a corrupt general. Along the way, he learns multiple fighting styles; bones are crunched, elephants are charmed, and emo flashbacks abound. The cool thing about Ong-bak was that it showcased Jaa’s unique Thai fighting style in an urban environment — his country-bumpkin character took down mobs of petty hoods and smugglers, and he faced an array of ridiculous foes in underground pit fights (for righteous reasons, natch). Ong Bak 2‘s historic setting feels a tad generic, even if it does provide an excuse for a crocodile-wrestling scene. Also, the tragic storyline calls for the kind of acting depth Jaa simply doesn’t have. Though he glowers with conviction, his fists and feet are the most charismatic things about him. (1:55) Lumiere, Shattuck. (Eddy)

Saw VI If this keeps up, ol’ Jigsaw will soon have as many movies as Godzilla. (1:30)

The Vanished Empire Pink Floyd records may become contraband once behind the Iron Curtain, but coming-of-age clichés remain the same in Karen Shakhnazarov’s seriocomic tale of adolescent ecstasies and agonies in 1973 Moscow. Lenin’s words are taught in school, though 18-year-old Sergey (Alexander Lyapin) is more interested in chasing girls, scoring pot, and savoring such illicit pop pleasures as jeans and rock music. Cool Kostya (Ivan Kupreyenko) and geeky Stepan (Yegor Baranovsky) are his contrasting cohorts, forming a trio of pubescent anxiety whose rites of passage are complicated by the arrival of Sergey’s girlfriend, Lyuda (Lidiya Milyuzina). The empire of the title is an ideological one, crumbled by a pleasure-seeking new generation who sell their grandfathers’ Marxist tomes in order to pay for Mick Jagger’s latest hit. Despite its evocative sense of time and place, however, the film’s teen nostalgia remains frustratingly amorphous, squandering the chance to find the youthful pulse of the nation’s transitory upheavals. (1:45) Sundance Kabuki. (Croce)

ONGOING

*Bright Star Is beauty truth; truth, beauty? John Keats, the poet famed for such works as "Ode on a Grecian Urn," and Jane Campion, the filmmaker intent on encapsuutf8g the last romance of the archetypal Romantic, would have undoubtedly bonded over a love of sensual details — and the way a certain vellum-like light can transport its viewer into elevated reverie. In truth, Campion doesn’t quite achieve the level of Keats’ verse with this somber glimpse at the tubercular writer and his final love, neighbor Fanny Brawne. But she does bottle some of their pale beauty. Less-educated than the already respected young scribe, Brawne nonetheless may have been his equal in imagination as a seamstress, judging from the petal-bonneted, ruffled-collar ensembles Campion outfits her in. As portrayed by the soulful-eyed Abbie Cornish, the otherwise-enigmatic, plucky Brawne is the singularly bright blossom ready to be wrapped in a poet’s adoration, worthy of rhapsody by Ben Whishaw’s shaggily, shabbily puppy-dog Keats, who snatches the preternaturally serene focus of a fine mind cut short by illness, with the gravitational pull of a serious indie-rock hottie. The two are drawn to each other like the butterflies flittering in Brawne’s bedroom/farm, one of the most memorable scenes in the dark yet sweetly glimmering Bright Star. Bathing her scenes in lengthy silence, shot through with far-from-flowery dialogue, Campion is at odds with this love story, so unlike her joyful 1990 ode to author Janet Frame, An Angel at My Table (Kerry Fox appears here, too, as Fanny’s mother): the filmmaker refuses to overplay it, sidestepping Austenian sprightliness. Instead she embraces the dark differences, the negative inevitability, of this death-steeped coupling, welcoming the odd glance at the era’s intellectual life, the interplay of light and shadow. (1:59) Empire, Four Star, Opera Plaza, Piedmont. (Chun)

*Capitalism: A Love Story Gun control. The Bush administration. Healthcare. Over the past decade, Michael Moore has tackled some of the most contentious issues with his trademark blend of humor and liberal rage. In Capitalism: A Love Story, he sets his sights on an even grander subject. Where to begin when you’re talking about an economic system that has defined this nation? Predictably, Moore’s focus is on all those times capitalism has failed. By this point, his tactics are familiar, but he still has a few tricks up his sleeve. As with Sicko (2007), Moore proves he can restrain himself — he gets plenty of screen time, but he spends more time than ever behind the camera. This isn’t about Moore; it’s about the United States. When he steps out of the limelight, he’s ultimately more effective, crafting a film that’s bipartisan in nature, not just in name. No, he’s not likely to please all, but for every Glenn Beck, there’s a sane moderate wondering where all the money has gone. (2:07) California, Empire, Grand Lake, 1000 Van Ness, Presidio, SF Center. (Peitzman)

Cloudy With a Chance of Meatballs (1:21) Oaks, 1000 Van Ness.

Coco Before Chanel Like her designs, Gabrielle "Coco" Chanel was elegant, très chic, and utterly original. Director Anne Fontaine’s French biopic traces Coco (Audrey Tautou) from her childhood as a struggling orphan to one of the most influential designers of the 20th century. You’ll be disappointed if you expect a fashionista’s up close and personal look at the House of Chanel, as Fontaine keeps her story firmly rooted in Coco’s past, including her destructive relationship with French playboy Etienne Balsar (Benoît Poelvoorde) and her ill-fated love affair with dashing Englishman Arthur "Boy" Capel (Alessandro Nivola). The film functions best in scenes that display Coco’s imagination and aesthetic magnetism, like when she dances with Capel in her now famous "little black dress" amidst a sea of stiff, white meringues. Tautou imparts a quiet courage and quick wit as the trailblazing designer, and Nivola is unmistakably charming and compassionate as Boy. Nevertheless, Fontaine rushes the ending and never truly seizes the opportunity to explore how Coco’s personal life seeped into her timeless designs that were, in the end, an extension of herself. (1:50) Albany, SF Center, Sundance Kabuki. (Swanbeck)

Couples Retreat You could call Couples Retreat a romantic comedy, but that would imply that it was romantic and funny instead of an insipid, overlong waste of time. This story of a group of married friends trying to bond with their spouses in an exotic island locale is a failure on every level. Romantic? The titular couples — four total — represent eight of the most obnoxious characters in recent memory. Sure, you’re rooting for them to work out their issues, but that’s only because awful people deserve one another. (And in a scene with an almost-shark attack, you’re rooting for the shark.) Funny? The jokes are, at best, juvenile (boners are silly!) and, at worse, offensive (sexism and homophobia once more reign supreme). There is an impressive array of talent here: Vince Vaugh, Jason Bateman, Kristen Bell, Jean Reno, etc. Alas, there’s no excusing the script, which puts these otherwise solid actors into exceedingly unlikable roles. Even the gorgeous island scenery — Couples Retreat was filmed on location in Bora-Bora — can’t make up for this waterlogged mess. (1:47) Marina, 1000 Van Ness, SF Center, Shattuck. (Peitzman)

*District 9 As allegories go, District 9 is not all that subtle. This is a sci-fi action flick that’s really all about racial intolerance — and to drive the point home, they went and set it in South Africa. Here’s the set-up: 20 years ago, an alien ship arrived and got stuck, hovering above the Earth. Faster than you can say "apartheid," the alien refugees were confined to a camp — the titular District 9 — where they have remained in slum-level conditions. As science fiction, it’s creative; as a metaphor, it’s effective. What’s most surprising about District 9 is the way everything comes together. This is a big, bloody summer blockbuster with feelings: for every viscera-filled splatter, there’s a moment of poignant social commentary, and nothing ever feels forced or overdone. Writer-director Neill Blomkamp has found the perfect balance and created a film that doesn’t have to compromise. District 9 is a profoundly distressing look at the human condition. It’s also one hell of a good time. (1:52) Castro. (Peitzman)

*An Education The pursuit of knowledge — both carnal and cultural — are at the tender core of this end-of-innocence valentine by Danish filmmaker Lone Scherfig (who first made her well-tempered voice heard with her 2000 Dogme entry, Italian for Beginners), based on journalist Lynn Barber’s memoir. Screenwriter Nick Hornby breaks further with his Peter Pan protagonists with this adaptation: no man-boy mopers or misfits here. Rather, 16-year-old schoolgirl Jenny (Carey Mulligan) is a good girl and ace student. It’s 1961, and England is only starting to stir from its somber, all-too-sober post-war slumber. The carefully cloistered Jenny is on track for Oxford, though swinging London and its high-style freedoms beckon just around the corner. Ushering in those freedoms — a new, more class-free world disorder — is the charming David (Peter Sarsgaard), stopping to give Jenny and her cello a ride in the rain and soon proffering concerts and late-night suppers in the city. He’s a sweet-faced, feline outsider: cultured, Jewish, and given to playing fast and loose in the margins of society. David can see Jenny for the gem she is and appreciate her innocence with the knowing pleasure of a decadent playing all the angles. The stakes are believably high, thanks to An Education‘s careful attention to time and place and its gently glamored performances. Scherfig revels in the smart, easy-on-eye curb appeal of David and his friends while giving a nod to the college-educated empowerment Jenny risks by skipping class to jet to Paris. And Mulligan lends it all credence by letting all those seduced, abandoned, conflicted, rebellious feelings flicker unbridled across her face. (1:35) Albany, Embarcadero, Empire, Sundance Kabuki. (Chun)

The Horse Boy Rupert Isaacson and Kristin Neff are a Texas couple struggling to raise their five-year-old autistic son Rowan. When they discover that the boy’s tantrums are soothed by contact with horses, they set out on a journey to Mongolia, where horseback riding is the preferred mode of traveling across the steppe and sacred shamans hold the promise of healing. Michael Orion Scott’s documentary is many things — lecture on autism, home video collage, family therapy session, and exotic travelogue. Above all, unfortunately, it’s a star vehicle for Isaacson, whose affecting concern for his son is constantly eclipsed by his screen-hogging concern for his own paternal image (more than once he declares that he’s a better father thanks to Rowan’s condition). The contradiction brings to mind doomed activist Timothy Treadwell in Grizzly Man (2005), and indeed the film could have used some of Werner Herzog’s inquisitive touch, if only to question the artistic merits of showing your son going "poopie." Twice. (1:33) Opera Plaza, Shattuck. (Croce)

*In the Loop A typically fumbling remark by U.K. Minister of International Development Simon Foster (Tom Hollander) ignites a media firestorm, since it seems to suggest war is imminent even though Brit and U.S. governments are downplaying the likelihood of the Iraq invasion they’re simultaneously preparing for. Suddenly cast as an important arbiter of global affairs — a role he’s perhaps less suited for than playing the Easter Bunny — Simon becomes one chess piece in a cutthroat game whose participants on both sides of the Atlantic include his own subordinates, the prime minister’s rageaholic communications chief, major Pentagon and State Department honchos, crazy constituents, and more. Writer-director Armando Iannucci’s frenetic comedy of behind-the-scenes backstabbing and its direct influence on the highest-level diplomatic and military policies is scabrously funny in the best tradition of English television, which is (naturally) just where its creators hail from. (1:49) Opera Plaza. (Harvey)

Inglourious Basterds With Inglourious Basterds Quentin Tarantino pulls off something that seemed not only impossible, but undesirable, and surely unnecessary: making yet another of his in-jokey movies about other movies, albeit one that also happens to be kinda about the Holocaust — or at least Jews getting their own back on the Nazis during World War II — and (the kicker) is not inherently repulsive. As Rube Goldbergian achievements go, this is up there. Nonetheless, Basterds is more fun, with less guilt, than it has any right to be. The "basterds" are Tennessee moonshiner Pvt. Brad Pitt’s unit of Jewish soldiers committed to infuriating Der Fuhrer by literally scalping all the uniformed Nazis they can bag. Meanwhile a survivor (Mélanie Laurent) of one of insidious SS "Jew Hunter" Christoph Waltz’s raids, now passing as racially "pure" and operating a Paris cinema (imagine the cineaste name-dropping possibilities!) finds her venue hosting a Third Reich hoedown that provides an opportunity to nuke Hitler, Himmler, Goebbels, and Goering in one swoop. Tactically, Tarantino’s movies have always been about the ventriloquizing of that yadadada-yadadada whose self-consciousness is bearable because the cleverness is actual; brief eruptions of lasciviously enjoyed violence aside, Basterds too almost entirely consists of lengthy dialogues or near-monologues in which characters pitch and receive tasty palaver amid lethal danger. Still, even if he’s practically writing theatre now, Tarantino does understand the language of cinema. There isn’t a pin-sharp edit, actor’s raised eyebrow, artful design excess, or musical incongruity here that isn’t just the business. (2:30) Oaks, 1000 Van Ness, SF Center. (Harvey)

*The Informant! The best satire makes you uncomfortable, but nothing will make you squirm in your seat like a true story that feels like satire. Director Steven Soderbergh introduces the exploits of real-life agribusiness whistleblower Mark Whitacre with whimsical fonts and campy music — just enough to get the audience’s guard down. As the pitch-perfect Matt Damon — laden with 30 extra pounds and a fright-wig toupee — gee-whizzes his way through an increasingly complicated role, Soderbergh doles out subtle doses of torturous reality, peeling back the curtain to reveal a different, unexpected curtain behind it. Informant!’s tale of board-room malfeasance is filled with mis-directing cameos, jokes, and devices, and its ingenious, layered narrative will provoke both anti-capitalist outrage and a more chimerical feeling of satisfied frustration. Above all, it’s disquietingly great. (1:48) Oaks, Opera Plaza, 1000 Van Ness, SF Center. (Richardson)

The Invention of Lying Great concept. Great cast. All The Invention of Lying needed was a great script editor and it might have reached classic comedy territory. As it stands, it’s dragged down to mediocrity by a weak third act. This is the story of a world where no one can lie — and we’re not just talking about big lies either. The Invention of Lying presents a vision of no sarcasm, no white lies, no — gasp —creative fiction. All that changes when Mark Bellison (Ricky Gervais) realizes he can bend the truth. And because no one else can, everything Mark makes up becomes fact to the rubes around him. If you guessed that hilarity ensues, you’re right on the money! Watching Mark use his powers for evil (robbing the bank! seducing women!) makes for a very funny first hour. Then things take a turn for the heavy when Mark becomes a prophet by letting slip his vision of the afterlife. Faster than you can say "Jesus beard," he’s rocking a God complex and the audience is longing for the simpler laughs, like Jennifer Garner admitting to some pre-date masturbation. (1:40) 1000 Van Ness, Piedmont, Shattuck. (Peitzman)

Law Abiding Citizen "Spike Lee’s Inside Man (2006) as re-imagined by the Saw franchise folks" apparently sounded like a sweet pitch to someone, because here we are, stuck with Jamie Foxx and Gerard Butler playing bloody and increasingly ludicrous cat-and-mouse games. Foxx stars as a slick Philadelphia prosecutor whose deal-cutting careerist ways go easy on the scummy criminals responsible for murdering the wife and daughter of a local inventor (Butler). Cut to a decade later, and the doleful widower has become a vengeful mastermind with a yen for Hannibal Lecter-like skills, gruesome contraptions, and lines like "Lessons not learned in blood are soon forgotten." Butler metes out punishment to his family’s killers as well as to the bureocratic minions who let them off the hook. But the talk of moral consequences is less a critique of a faulty judicial system than mere white noise, vainly used by director F. Gary Gray and writer Kurt Wimmer in hopes of classing up a grinding exploitation drama. (1:48) 1000 Van Ness, Presidio. (Croce)

My One and Only (1:48) Opera Plaza.

New York, I Love You A dreamy mash note to the city that never sleeps, New York, I Love You is the latest installment in a series of omnibus odes to world metropolises and the denizens that live and love within the city limits. Less successful than the Paris, je t’aime (2006) anthology — which roped in such disparate international directors as Gus Van Sant and Wes Craven, Alfonso Cuaron and Olivier Assayas — New York welcomes a more minor-key host of directors to the project with enjoyable if light-weight results. Surely any bite of the Big Apple would be considerably sexier. Bradley Cooper and Drea de Matteo tease out a one-night stand with legs, and Ethan Hawke and Maggie Q generate a wee bit of verbal fire over street-side cigs, yet there’s surprisingly little heat in this take on a few of the 8 million stories in the archetypal naked city. Most memorable are the strangest couplings, such as that of Natalie Portman, a Hasidic bride who flirtatiously haggles with Irrfan Khan, a Jain diamond merchant, in a tale directed by Mira Nair. Despite the pleasure of witnessing Julie Christie, Eli Wallach, and Cloris Leachman in action, many of these pieces — written by the late Anthony Minghella, Israel Horovitz, and Portman, among others — feel a mite too slight to nail down the attention of all but the most desperate romantics. (1:43) Bridge, Shattuck. (Chun)

*Paranormal Activity In this ostensible found-footage exercise, Katie (Katie Featherson) and Micah (Micah Sloat) are a young San Diego couple whose first home together has a problem: someone, or something, is making things go bump in the night. In fact, Katie has sporadically suffered these disturbances since childhood, when an amorphous, not-at-reassuring entity would appear at the foot of her bed. Skeptical technophile Micah’s solution is to record everything on his primo new video camera, including a setup to shoot their bedroom while they sleep — surveillance footage sequences that grow steadily more terrifying as incidents grow more and more invasive. Like 1999’s The Blair Witch Project, Oren Peli’s no-budget first feature may underwhelm mainstream genre fans who only like their horror slick and slasher-gory. But everybody else should appreciate how convincingly the film’s very ordinary, at times annoying protagonists (you’ll eventually want to throttle Micah, whose efforts are clearly making things worse) fall prey to a hostile presence that manifests itself in increments no less alarming for being (at first) very small. When this hits DVD, you’ll get to see the original, more low-key ending (the film has also been tightened up since its festival debut two years ago). But don’t wait — Paranormal‘s subtler effects will be lost on the small screen. Not to mention that it’s a great collective screaming-audience experience. (1:39) Metreon, 1000 Van Ness, Presidio, Sundance Kabuki. (Harvey)

*Paris Cédric Klapisch’s latest offers a series of interconnected stories with Paris as the backdrop, designed — if you’ll pardon the cliché — as a love letter to the city. On the surface, the plot of Paris sounds an awful lot like Paris, je t’aime (2006). But while the latter was composed entirely of vignettes, Paris has an actual, overarching plot. Perhaps that’s why it’s so much more effective. Juliette Binoche stars as Élise, whose brother Pierre (Romain Duris) is in dire need of a heart transplant. A dancer by trade, Pierre is also a world-class people watcher, and it’s his fascination with those around him that serves as Paris‘ wraparound device. He sees snippets of these people’s lives, but we get the full picture — or at least, something close to it. The strength of Paris is in the depth of its characters: every one we meet is more complex than you’d guess at first glance. The more they play off one another, the more we understand. Of course, the siblings remain at the film’s heart: sympathetic but not pitiable, moving but not maudlin. Both Binoche and Duris turn in strong performances, aided by a supporting cast of French actors who impress in even the smallest of roles. (2:04) Embarcadero, Shattuck. (Peitzman)

The Providence Effect Located in Chicago’s gang-infested West side, the illustrious Providence St. Mel School rises above its surroundings like a flower in a swamp. Or at least it does in Rollin Binzer’s documentary, where analysis of the institution’s great achievements at times edges into a virtual pamphlet for enrollment. Focusing mainly on affable school president Paul J. Adams III, a veteran of the civil rights movement whose "impossible dream" made Providence possible, the film chronicles the daily activities of teachers and students vying for success in the face of poverty and crime. Given the school’s notoriously unwholesome environment, it’s a bit disappointing that the film chooses to exclusively follow the trajectory of model pupils, trading grittier tales of struggle in favor of a smoother ride of feel-god buzzwords and uplifting anecdotes. The documentary isn’t free of scholarly platitudes straight out of Goodbye, Mr. Chips (1939), but, in times when teachers get as much respect as Rodney Dangerfield, its celebration of the importance of education is valuable. (1:32) Opera Plaza, Shattuck. (Croce)

*The September Issue The Lioness D’Wintour, the Devil Who Wears Prada, or the High Priestess of Condé Nasty — it doesn’t matter what you choose to call Vogue editor-in-chief Anna Wintour. If you’re in the fashion industry, you will call her — or at least be amused by the power she wields as the overseer of style’s luxury bible, then 700-plus pages strong for its legendary September fall fashion issue back in the heady days of ’07, pre-Great Recession. But you don’t have to be a publishing insider to be fascinated by director R.J. Cutler’s frisky, sharp-eyed look at the making of fashion’s fave editorial doorstop. Wintour’s laser-gazed facade is humanized, as Cutler opens with footage of a sparkling-eyed editor breaking down fashion’s fluffy reputation. He then follows her as she assumes the warrior pose in, say, the studio of Yves St. Laurent, where she has designer Stefano Pilati fluttering over his morose color choices, and in the offices of the magazine, where she slices, dices, and kills photo shoots like a sartorial samurai. Many of the other characters at Vogue (like OTT columnist André Leon Talley) are given mere cameos, but Wintour finds a worthy adversary-compatriot in creative director Grace Coddington, another Englishwoman and ex-model — the red-tressed, pale-as-a-wraith Pre-Raphaelite dreamer to Wintour’s well-armored knight. The two keep each other honest and craftily ingenious, and both the magazine and this doc benefit. (1:28) Presidio. (Chun)

*A Serious Man You don’t have to be Jewish to like A Serious Man — or to identify with beleaguered physics professor Larry Gopnik (the grandly aggrieved Michael Stuhlbarg), the well-meaning nebbishly center unable to hold onto a world quickly falling apart and looking for spiritual answers. It’s a coming of age for father and son, spurred by the small loss of a radio and a 20-dollar bill. Larry’s about-to-be-bar-mitzvahed son is listening to Jefferson Airplane instead of his Hebrew school teachers and beginning to chafe against authority. His daughter has commandeered the family bathroom for epic hair-washing sessions. His wife is leaving him for a silkily presumptuous family friend and has exiled Larry to the Jolly Roger Motel. His failure-to-launch brother is a closeted mathematical genius and has set up housekeeping on his couch. Larry’s chances of tenure could be spoiled by either an anonymous poison-pen writer or a disgruntled student intent on bribing him into a passing grade. One gun-toting neighbor vaguely menaces the borders of his property; the other sultry nude sunbather tempts with "new freedoms" and high times. What’s a mild-mannered prof to do, except envy Schrodinger’s Cat and approach three rungs of rabbis in his quest for answers to life’s most befuddling proofs? Reaching for a heightened, touched-by-advertising style that recalls Mad Men in look and Barton Fink (1991) in narrative — and stooping for the subtle jokes as well as the ones branded "wide load" — the Coen Brothers seem to be turning over, examining, and flirting with personally meaningful, serious narrative, though their Looney Tunes sense of humor can’t help but throw a surrealistic wrench into the works. (1:45) California, Embarcadero, Piedmont, Sundance Kabuki. (Chun)

The Stepfather (1:41) 1000 Van Ness.

Toy Story and Toy Story 2 1000 Van Ness, SF Center.

Where the Wild Things Are From the richly delineated illustrations and sparse text of Maurice Sendak’s 1963 children’s book, director Spike Jonze and cowriter (with Jones) Dave Eggers have constructed a full-length film about the passions, travails, and interior/exterior wanderings of Sendak’s energetic young antihero, Max. Equally prone to feats of world-building and fits of overpowering, destructive rage, Max (Max Records) stampedes off into the night during one of the latter and journeys to the island where the Wild Things (voiced by James Gandolfini, Catherine O’Hara, Forest Whitaker, Chris Cooper, Lauren Ambrose, Paul Dano, and Michael Berry Jr.) live — and bicker and tantrum and give in to existential despair and no longer all sleep together in a big pile. The place has possibilities, though, and Max, once crowned king, tries his best to realize them. What its inhabitants need, however, is not so much a visionary king as a good family therapist — these are some gripey, defensive, passive-aggressive Wild Things, and Max, aged somewhere around 10, can’t fix their interpersonal problems. Jonze and Eggers do well at depicting Max’s temporary kingdom, its forests and deserts, its creatures and their half-finished creations from a past golden era, as well as subtly reminding us now and again that all of this — the island, the arguments, the sadness — is streaming from the mind of a fierce, wildly imaginative young child with familial troubles of his own, equally beyond his power to resolve. They’ve also invested the film with a slow, grim depressive mood that can make for unsettling viewing, particularly when pondering the Maxes in the audience, digesting an oft-disheartening tale about family conflict and relationship repair. (1:48) Four Star, Grand Lake, Marina, 1000 Van Ness, Sundance Kabuki. (Rapoport)

Whip It What’s a girl to do? Stuck in small town hell, Bliss Cavendar (Ellen Page), the gawky teen heroine of Drew Barrymore’s directorial debut, Whip It, faces a pressing dilemma — conform to the standards of stifling beauty pageantry to appease her mother or rebel and enter the rough-and tumble world of roller derby. Shockingly enough, Bliss chooses to escape to Austin and join the Hurl Scouts, a rowdy band of misfits led by the maternal Maggie Mayhem (Kristin Wiig) and the accident-prone Smashley Simpson (Barrymore). Making a bid for grrrl empowerment, Bliss dawns a pair of skates, assumes the moniker Babe Ruthless, and is suddenly throwing her weight around not only in the rink, but also in school where she’s bullied. Painfully predictable, the action comes to a head when, lo and behold, the dates for the Bluebonnet Pageant and the roller derby championship coincide. At times funny and charming with understated performances by Page and Alia Shawcat as Bliss’ best friend, Whip It can’t overcome its paper-thin characters, plot contrivances, and requisite scenery chewing by Jimmy Fallon as a cheesy announcer and Juliette Lewis as a cutthroat competitor. (1:51) 1000 Van Ness, SF Center. (Swanbeck)

*Zombieland First things first: it’s clever, but it ain’t no Shaun of the Dead (2004). That said, Zombieland is an outstanding zombie comedy, largely thanks to Woody Harrelson’s performance as Tallahassee, a tough guy whose passion for offing the undead is rivaled only by his raging Twinkie jones. Set in a world where zombies have already taken over (the beginning stages of the outbreak are glimpsed only in flashback), Zombieland presents the creatures as yet another annoyance for Columbus (Jesse Eisenberg, who’s nearly finished morphing into Michael Cera), a onetime antisocial shut-in who has survived only by sticking to a strict set of rules (the "double tap," or always shooting each zombie twice, etc.) This odd couple meets a sister team (Emma Stone, Abigail Breslin), who eventually lay off their grifting ways so that Columbus can have a love interest (in Stone) and Tallahassee, still smarting from losing a loved one to zombies, can soften up a scoch by schooling the erstwhile Little Miss Sunshine in target practice. Sure, it’s a little heavy on the nerd-boy voiceover, but Zombieland has just enough goofiness and gushing guts to counteract all them brrraiiinss. (1:23) 1000 Van Ness, Shattuck, Sundance Kabuki. (Eddy)

REP PICKS

*Sorry, Thanks Though part of San Francisco Film Society’s week-long "Cinema by the Bay" program and featuring plenty of choice views of the Mission district, Dia Sokol’s feature debut is really set in the mythical land of Mumblecoria, where conversations are only half heard and fuzzy twentysomethings looking for self-discovery make up most of the population. We meet Kira (Kenya Miles) and Max (Wiley Wiggins) in the awkward aftermath of a one-night stand, hoping to not run into each other as they go their separate paths. Naturally, the opposite happens and the two develop a tentatively flirtatious relationship, complicated by Kira’s recent romantic woes and Max’s sweet-natured girlfriend (Ia Hernandez). Brimming with alternately whimsical and irritating mumblecore staples (complete with an appearance by mumble-auteur Andrew Bujalski as Max’s crabby pal), Sorry, Thanks is a modest but often affecting deadpan comedy that, due to Sokol’s deft sense of crisscrossing emotions and winning performances by Miles and Wiggins (who still has the softness he showed in 1993’s Dazed and Confused), ends up more "thanks" than "sorry." (1:33) Clay. (Croce)

Events listings

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Events listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

WEDNESDAY 21

Distribution Workshop Artists’ Television Access, 992 Valencia, SF; festival@atasite.org. 7:30pm, free. Gain insight into the world of experimental film exhibition and distribution at this workshop and panel discussion featuring Joel Bachar from Microcinema International, filmmaker Jonathan Marlow from SFcinemateque, filmmaker Maia Carpenter from Canyon Cinema, filmmaker Craig Baldwin from Other Cinema, and associate editor and producer of Wholphin, Emily Doe.

Root Division Auction Root Division, 3175 17th St., SF; (415) 863-7668. 7:30pm, $35. Support artists and arts education at this community auction and benefit for local emerging artists and Root Division’s after school art program for Bay Area youth.

FRIDAY 23

Art in Storefronts 989 Market, SF; www.sfartscommission.org/storefronts. 5pm, free. Enjoy live music and pick up a map at the opening party for the Art in Storefronts program, where participating storefronts along central Market and Taylor streets will display original window installations done by San Francisco artists.

Crush It! The Booksmith, 1644 Haight, SF; (415) 863-8688. 6pm; $22, includes book. Meet Gary Vaynerchuk, host of the popular daily webcast The Thunder Show on tv.winelibrary.com, and get a copy of his new book Crush It! Why now is the time to cash in on your passion, a guide on how to turn your interests into businesses.

Haunted Haight Walking Tour Starts in front of Coffee to the People, 1206 Masonic, SF; (415) 863-1416. Fri., Sat., and Sun throughout October, 7pm; $20 advanced tickets required. Discover neighborhood spirits and hunt ghosts with a real paranormal researcher on this haunted tour which includes chances to win spooky prizes and a guidebook.

Leon Panetta Intercontinental Mark Hopkins, 999 California, SF; (415) 869-5930. 11am, $30. Hear CIA director and California native Leon Panetta discuss the current challenges facing national security. Attendees may be subject to search.

SATURDAY 24

BYOQ Music Concourse, Golden Gate Park, 55 Hagiwara Tea Garden Drive, SF; www.byoq.org. Noon, free. Come dance and play at the Bring Your Own Queer music and arts festival featuring bands, DJs, performances, art, fashion, and more.

Passport 2009 Mission Playground, Valencia between 19th and 20th St., SF; (415) 554-6080. Noon, $25 for booklet. Pick up a map and purchase a "passport" at Mission Playground and begin your adventure to various locations around the Mission to collect artist-made stamps that will personalize your Passport 2009 journey.

Save City College Sale Parking area of the Balboa Reservoir across from the San Francisco City College Ocean Campus Science Hall, 50 Phelan, SF; www.ccsf.edu/saveccsf. 9am-2pm, free. Help restore canceled classes at the City College of San Francisco for the Spring 2010 semester at this Save City College garage sale and flea market.

Opera Costume Sale San Francisco Opera Scene Shop, 800 Indiana, SF; sfopera.com. Sat. 11am-5pm, Sun. 11am-4pm; free. Get a last minute Halloween costume at the San Francisco Opera’s warehouse sale featuring hats, masks, fabrics, shoes, and handmade costumes for women, men, and children.

Potrero Hill History Night International Studies Academy, 655 De Haro, SF; (415) 863-0784. 5:30pm; free program, $6 for BBQ. Enjoy BBQ from Potrero Hill restaurants and music by the Apollo Jazz Group, followed by a performance by the I.S.A. Community Choir, and ending with interviews of unique long-time residents.

Walk for Farm Animals Ferry Market Plaza, meet behind the Vallicourt Fountain in Justin Herman Plaza, SF; 607-583-2225. Noon, $20. Help expand awareness of the unnecessary suffering that farm animals endure and help raise funds for Farm Sanctuary, a farm animal rescue, education, and advocacy organization.

BAY AREA

Exotic Erotic Ball Cow Palace 2600 Geneva, Daly City; (415) 567-BALL. 8pm, $79. Attend the 30th anniversary of the Exotic Erotic Ball, a lingerie, fetish, and masquerade celebration of human sexuality and freedom of expression featuring live music, DJs, and costume contests.

SUNDAY 25

BAY AREA

Sister of Fire Awards Oakland Asian Cultural Center, 388 9th St., Oak; (510) 444-2700. 11am, $50-5,000. Help honor four remarkable women: Civil rights and immigration advocate Banafsheh Akhlaghi, Colombian indigenous rights advocate Ana Maria Murillo of Mujer U’wa, employment and labor rights advocate and author Lora Jo Foo and Tirien Steinbach of the East Bay Community Law Center. Featuring brunch and live music.

MONDAY 26

Ghosts of City Hall SF City Hall, meet at South Light Court, through Polk street entrance, 1 Dr. Carlton B. Goodlett Place, SF; (415) 557-4266. 6:30pm, free. Hear stories of disinterred remains, assassinations, and other ghostly lore, like the little-known fact that a cemetery once covered Civic Center. Allow time for security check.

Billboards and blight

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GREEN CITY David Addington presents a tempting vision for revitalizing the seedy mid-Market area, a kind of something-for-nothing deal that helps the children, property owners, and residents of the Tenderloin and relieves that burden from the cash-strapped city government.

All we, as San Francisco voters, have to do is accept a few new billboards, which voters banned in 2002 by passing Proposition G. Well, actually, more than a few. More like a cacophony of flashy and interconnected electronic signs and large billboards on top of the area’s 52 buildings. Proposition D, which Addington wrote and sponsors, would allow an unlimited number of business and general advertising signs along Market Street between Fifth and Seventh streets.

"I’m not afraid of signs," Addington says in his Southern drawl as we walk the neighborhood where he owns the Warfield Theater, the old Hollywood Billiards building, and the new Show Dogs gourmet hot dog joint next to the Golden Gate Theater, and where he seems to know everyone from scruffy street souls to his fellow business people.

As Addington points out, this is the most dilapidated stretch of Market Street, rife with vacant storefronts and cheap retail outlets, but bordered by U.N. Plaza on one side and the bustling Westfield Mall and Powell Street cable car stop on the other. It’s a two-block stretch that is neglected and ignored by much of the outside world.

"To change that, you’re going to have to make a dramatic visual presentation," Addington said, laying out a vision of a glitzy, twinkling theater district that lights up the neighborhood and beckons visitors. And the kicker is that by doing so, advertisers would pour millions of dollars of revenue into improving and promoting the neighborhood.

Property owners would get most of that money: 60 percent for most of them, but 80 percent those with street-level theaters, museums, or other interactive uses. "The idea is to create more ground-floor entertainment uses," he said, which, in turn, would liven up the neighborhood.

The rest of the money — and all the sign permits and approvals — would be controlled by the Central Market Community Benefits District (CBD). Some of the money would go to things like a ticket kiosk, some to creating a master plan for the neighborhood, some to beautification programs, and some to youth programs in the Tenderloin, which Addington has used as a major selling point for Prop. D.

"This measure will change the lives of the kids of the Tenderloin next year," said Addington, whose money and vision have garnered significant support from across the political spectrum, including a majority of the Board of Supervisors, much of it locked down before most people even saw the measure coming.

But opponents say problems with the measure go far beyond just accepting billboards as the answer to blight, which is a tough enough sell in sign-wary San Francisco. They note that the measure for the first time usurps city authority over permits and gives it to a CBD, which profits from the signs and has no incentive to put the brakes on. Further, the vaguely written measure has no guarantees for how the money will be spent, or if the kids will indeed get any of it.

"We definitely need to do something about Market Street, but Prop. D isn’t the thing," said Tom Radulovich, executive director of Livable City and the measure’s chief critic. "It’s very disturbing for those of us who believe in public process."

The Planning Department also raises concerns. Planning Director John Rahaim wrote in a scathing July 24 memo that the measure creates vague structures and logistical difficulties and tries to regulate sign content and delegate city authority in ways that may be illegal.

"Such unprecedented delegation of power to a private entity may create the risk of legal liability for the city. Moreover, because of the new powers that would be assigned to the CBD, concern regarding the CBD’s membership, decision-making process, and accountability are apparent," he wrote.

Radulovich also takes issue with Addington’s contention that the measure is needed to restore the luster of the once-vibrant theater district. "There’s no legislative reason to do this if it’s theater marquees you want," Radulovich said. "Prop. D is really about big billboards on the tops of buildings."