Video

Gryp the surgeon

Jesse Hawthorne Ficks
-
5
Gryp the surgeon

arts@sfbg.com

MUSIC The bass. The accents. A scary little man in a hooded jacket. On first introduction to Die Antwoord via the video for their breakthrough jam, “Enter the Ninja,” I was officially freaked out: intimidated by their honest anger, rank lyrics and ultrahip haircuts. It was early February of this year when the Ninja, Yo-Landi Vi$$er, and DJ Hi-Tek of South Africa entered my life, and only days after we met on the ‘interweb,’ I was officially obsessed.

Blowing up their videos to full-screen, I inhaled their stench, injected their music-laden virus, and swallowed mouthfuls of diseased, infectious theatrical genius for hours on end, letting all that is Die Antwoord swim to my brain, pump through my veins, and wallow in the depths of my stomach. I felt sick, happy, and addicted — and apparently, so did the rest of the world.

Die Antwoord blew up almost immediately after a couple quick posts from influential music tasters. Only six months into their new-found fame, these sick bastards have already played — and wooed — Coachella, signed with Interscope, and gained shows with MIA on their first official U.S. tour. Even gross celebrities like Fred Durst and Katy Perry have typed their praises. Their show at the Rickshaw Stop sold out in less than an hour.

They’re white trash with skills: super-slick production, extra-catchy hard core beats, and personas that should be employed by the traveling carnival. Images of sexpot Yo-Landi and her tween-like frame rotate between cracked-out fiend, a shy classmate I met in the fourth-grade, and a sexy, antiestablishment Swedish lesbian. It’s probably not OK that I find her at all attractive. The tiny-lady MC is totally cool being covered in rats, freely kisses the critters, and holds them upside down by their tails. I am quite jealous of her ability to rock wicked-short bangs.

Then there’s Ninja; a rail-thin, pasty man with a mouth as rotten as San Francisco’s Sixth Street. His collection of tattoos are horrible. My favorites include a large, erect penis; his non-gangster “very secret fairy forest”; and phrases like “If you don’t like funerals, don’t kick sand in a ninja’s face.” His prime video moment: a close-up of his seemingly giant balls aggressively keeping beat to a sick bass line, hidden only under the thin fabric of his “Dark Side of the Moon” boxers.

Die Antwoord’s third member, DJ Hi-Tek, is basically mute and/or hasn’t fully developed his character quite yet. Stay tuned.

So nasty. So raw. So are they real? The Web is stocked with videos of Max Normal TV, Ninja’s, a.k.a. Waddy Jones’, former project that included Yo-Landi Vi$$er as his assistant. They’re art punks and all their projects before now simply laid the groundwork for Die Antwoord.

People’s concern with the legitimacy of the group is out of style. Since when don’t we like people who take on alternate public personas? Would we really like them more if they were, as one Videogum writer put it, “actually borderline mentally retarded poor children from ghettos covered in generic Cheetos dust and meth crumbs?” No. Because either way they’re fokken intense, intoxicating, absurd, and pumping some serious Zef flow. (Says Ninja: “Zef = flavor, ultimate style, fokken cool, more than fokken cool. A zone. A level. And we’re on the highest level.”)

What any fan needs to figure out is how to translate the crazy-thick accent and constant use of Afrikaans slang. Yo-Landi finds it hilarious that fans attempt to sing along, unknowingly screaming absurdities that would make anyone blush. The song “Jou Ma se Poes in ‘n Fishpaste Jar” translates to “Your mother’s cunt in a fishpaste jar,” which, unsurprisingly, has a corresponding picture. Just don’t go around spouting off the lyrics in front of Grandma.

DIE ANTWOORD

With DJ Jeffrey Paradise

Fri/16, 8:30 p.m., sold out

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

666-ZOMB

Jesse Hawthorne Ficks
-
0
666-ZOMB

arts@sfbg.com

FILM Yes, vampires and werewolves are getting pretty dang tired lately.

Yet even they haven’t risked getting so overexposed as our shuffling undead friends.

George Romero’s last couple Dead films felt tapped out — if you were Romero, wouldn’t you be bored with zombies by now too? We’ve had remakes of Romero sequels, fer chrissakes. Plus we’ve had so many zombie comedies (2004’s Shaun of the Dead being the gold standard) that parodying the genre has itself become a cliché. There’ve been Zombie Strippers (2004), Nazi zombies (last year’s Dead Snow pretty much completed that concept), gay zombies (Bruce La Bruce’s oddly poignant 2008 Otto), a zombie feature made by an 11-year-old girl (Emily Hagins’ 2006 Pathogen), a documentary about that (2009’s Zombie Girl) … yada, yada. Of course there’s still fun to be had on occasion. But mainstream hit Zombieland (2009) worked not ‘cuz of zombies per se, but because Woody Harrelson and Jesse Eisenberg were funnier than their routine spoofy material.

Let’s face it: zombies are a limited concept. You can make them go slow or fast (pausing naturally to debate whether “fast zombies” betray all things sacred). They can be silent, grunty, or banshee-screamy. That’s about it. Vary the formula much farther and you’re outta zombie territory.

[Rec] 2 does fudge matters somewhat. This sequel to the successful 2007 Spanish original (decently Hollywood-remade in 2008 as Quarantine) elaborates its hints that what’s going on here is not just some bite-driven viral thingie but a supernatural evil. It’s home-lab “contagious enzyme” germ warfare — meets Satan. The zombies are, indeed, recently-munched living beings who can be perma-killed with the traditional headshot. Yet they are also Exorcist-y “possessed” who speak in many voices, including the classic Mercedes McCambridge-through-Linda-Blair obscene croak. Whatever.

Explication wasn’t the first film’s strong suit. It isn’t for this superior follow-up, either, which starts with [Rec]‘s memorable final shot (which Quarantine shamelessly surrendered in trailers): last survivor Ángela Vidal (Manuela Velasco) dragged from first-person camera range by something that surely ended her career as both glam TV reporter and living human.

Picking up moments later, [Rec] 2 then switches to the camcording POV of special-forces cops speeding to a Barcelona apartment building whose residents, responding firefighters, and fluff-story-pursuing TV news guests are now presumed undead. No one is allowed in or out save the SWAT-equivalent team whose imposed outside leader (Jonathan Mellor) turns out to be no Ministry of Health official, but a priest.

After various really bad things happen, their camera dies. [Rec] 2 cleverly then restarts the narrative from other live-video viewpoints, first wielded by three neighboring bourgeois teens who elude site barriers in search of “something really cool.” Once they realize what they’ve gotten themselves into, they do what comes naturally: panic and demand adults save them. But mummy and daddy can’t help you now.

Returning writing-directing duo Juame Balagueró and Paco Plaza know the slow build won’t work a second time, so [Rec] 2 quickly turns headlong. That it works pays testament to their screenplay — which cleverly develops original tropes rather than simply reprising them — and ability to invest the exhausted mockumentary form with visceral potency. (A couple deaths here are truly memorable despite the usually obfuscating shaky-cam format.)

There are silly ideas — otherwise invisible ephemera can be seen by night-vision cameras? Satan hasn’t covered his Radio Shack ass yet? — but [Rec] 2 proves there’s still imaginative life in zombie cinema, even if it requires bending the rules. [Rec] 3 and 4 are reportedly moving forward. This might become the rare film series — living or undead — that steadily improves.

[REC] 2 opens Fri/16 in Bay Area theaters.

 

On the cheap listings

David Talbot
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0

On the Cheap listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

WEDNESDAY 14

Make Beer in Your Basement Bazaar Café, 5927 California, SF; (415) 831-5620. 7pm, free. Learn to make your own beer to both save money and get invited to more parties. Home brewer Caleb Shaffer presents an overview of the beer brewing process, complete with explanations on technique, equipment, and ingredients.

Vive le Film! Hotel Rex, 562 Sutter, SF; www.disposablefilmfest.com. 8pm, free. In honor of Bastille Day, the Disposable Film Festival will present a collection of disposable films with a French flare. Enjoy drink specials courtesy of Hotel Rex and valet bike parking provided by Globe Bikes.

THURSDAY 15

Hayes Valley Farm Tour Hayes Valley Farm, Laguna between Oak and Fell, SF; www.laborfest.net. 3pm, free. Attend this LaborFest sponsored tour of Hayes Valley Farm, an urban agriculture education and research project, and learn about the alliance of urban farmers, educators, and designers that comprise the Hayes Valley Farm Project Team and the innovative strategies used on the farm in order to meet the needs of our planet and the surrounding communities of San Francisco. Tours of the farm are held every Thursday and Sunday.

FRIDAY 16

Free Museum Weekend Various museums in San Francisco, visit www.onlyinsanfrancisco.com/target for exact dates and times. Fri.-Sun., free. The de Young Museum, Asian Art Museum, SFMOMA, Contemporary Jewish Museum, Museum of African Diaspora, Zeum, and the Yerba Buena Gardens Festival are all offering free admission days throughout the weekend for all ages along with hands-on art activities, and family friendly performances.

SATURDAY 17

“Art Show” Cat Club, 1190 Folsom, SF; (415) 703-8964. 5pm, $5 suggested donation. Watch interpretive drag performances devoted to the works of Keith Gaspari, who will be hosting along with the lovely Bebe Sweetbriar. Featuring works by local artists and performers, champagne toasts, a raffle, and special Bulleit bourbon cocktails to benefit Visual Aid, a non-profit that supports artists living with HIV.

“Beatles to Bowie” San Francisco Art Exchange, 458 Geary, SF; (415) 441-8840. 7pm, free. Attend the opening of this Rock n’ Roll photo exhibition displaying original photos showcasing the evolution of music from the British invasion to glam rock from 1962 to 1974. Featuring never before seen photos by Terry O’Neill.

Behind the Storefronts Chinese Cultural Center of San Francisco, 3rd floor, 750 Kearny, SF; (415) 252-2598. 2pm, free. Learn about how Art in Storefronts, a citywide project that temporarily places original art installations and murals into vacant storefront windows and exposed walls, from some of the artists and property owners who participated in the current Chinatown exhibition. An artist-led tour of the storefronts and murals will follow the discussion.

Night Light SOMArts Cultural Center, 934 Brannan, SF; (415) 552-1770. 9pm, $5 suggested donation. Get lost in a multimedia garden party featuring temporary multimedia, abstract sound, video, and film installation set in the garden of SOMArts. In conjunction with the current “Totally Unrealistic: the art of abstraction” exhibit.

Schools for Salone El Rio, 3158 Mission, SF; (415) 648-4767. 4pm, $10 suggested donation. Enjoy an afternoon of dancing, eating, drinking, and probable sunshine to benefit Schools for Salone, a non profit that build schools in Sierra Leone. Featuring music by DJs Marcos, Eschew, SpinCycle, PMS, and Ras Kanta, African food by Bissap Baobab, and raffle prizes.

Song and Poetry Swap The San Francisco Folk Music Club, 885 Clayton, SF; (415) 648-3457. 8pm, free. Join the Freedom Song Network to help keep the spirit of labor and political song alive in the Bay Area by bringing songs or poems to share at this swap of picket line, rally, and concert songs and poems. No musical training or talent required. Part of LaborFest 2010: www.laborfest.net.

Union Square Art Walk Participating galleries along Post and Sutter streets, SF; for exact locations visit http://artwalksf.com/. Noon-5pm, free. Take a free, self-guided walking tour of Union Square art galleries at this art walk featuring artist talks, performance art, live music, film screenings, refreshments, and more.

SUNDAY 18

Lots of Abundance Meet at CCA Farm, 8th St. at Hooper, SF; www.sfbike.org. 9:45am, $5 suggested donation. Discover local projects that reclaim abandoned lots and former freeways for public use and for the purpose of restoring connections to food on this two and a half hour bike tour led by TransitionSF and the San Francisco Permaculture Guild. The tour will highlight local efforts to create community and garner support for both the environment and the economy.

MONDAY 19

Ubu Roi Theater Pub, Café Royale, 800 Post, SF; www.sftheaterpub.wordpress.com. 8pm, free. Take in a one night performance of Alfred Jarry’s 1896 bawdy and nihilistic re-imagining of Macbeth, translated and modernized by Bennett Fisher. Enjoy this original work and workshop at the Café Royale bar featuring musical accompaniment by DJ Wait What.

For Lit, Talks, and Benefits listings, visit the Pixel Vision blog at www.sfbg.com/pixel_vision.

Fix the BART police force – or disband it

David Talbot
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4

18 months after a BART cop shot Oscar Grant, the transit agency still doesn’t have effective police oversight

EDITORIAL Who murdered Oscar Grant? Part of the equation is the years of neglect of the BART Police. — Assembly Member Tom Ammiano

We’re angry, too.

Angry that a police officer who shot and killed an unarmed man could wind up with little or no prison time. Angry that the news media whipped up such a fervor over the potential for a riot in Oakland that it almost guaranteed someone would show up and break a few windows. Angry that the jury who decided this case was 400 miles away and included no African Americans.

But mostly we’re angry that 18 months after a BART cop shot Oscar Grant, the transit agency still doesn’t have effective police oversight. And until the BART board recognizes that it still has 200 poorly trained, poorly supervised,* armed officers on the streets — and that this shooting wasn’t an anomaly, it was simply the latest in a series of criminal acts by BART police officers that led to the deaths of innocent people — and until the BART Board starts treating this like the emergency that it is, the problems are going to continue.

There are elements of this case that are historic — and very positive. This is the first time we can remember that a police officer in California has faced murder charges for an on-duty shooting. That alone sends a powerful message — and the Alameda County District Attorney deserves immense credit for taking the case to trial. And let’s not forget: Johannes Mehserle was, in fact, convicted. With the additional penalties for using a handgun, he could wind up with a sentence of more than 10 years.

Much of that is now in the hands of Los Angeles County Superior Court Judge Robert Perry, who will sentence Mehserle later this summer. The judge in an involuntary manslaughter case has considerable discretion; he could, conceivably, sentence Mehserle to probation, and the killer of an unarmed man could walk away with no jail time at all. Perry could sentence him to five years (of which the former officer would probably serve no more than three). He could also go as high as 14 years, which seems more reasonable.

Most of the protesters in Oakland were peaceful; most recognized that the verdict was mixed, that at least Mehserle was convicted, and that there’s still a chance justice will be done. It’s hard to imagine that the patience of the community will last long in the wake of an unacceptably short sentence.

But even if Perry issues a sentence that reflects the crime, there’s still the problem of the BART Police. This isn’t the first time a BART cop has killed an unarmed person; twice before, the subway system’s finest have committed crimes just as heinous as the one that put Johannes Mehserle in the dock. The difference is that the previous shootings — which we covered in depth and the mainstream media ignored — were never caught on video. BART never took either killing seriously, never changed police oversight procedures — and shouldn’t be surprised that nothing changed.

Now the agency, with much reluctance and gnashing of teeth, has created a modest civilian oversight program. But it’s not enough — and the reason is simple: The BART directors don’t want to spend the time it takes to monitor and control an armed police force. They’ve always happily delegated that job to someone else — a general manager, an assistant general manager, a police chief — and never done the job they were elected to do.

Now time’s up. The BART directors need to take direct control of the police, including holding hearings on disciplinary action and quickly acting on complaints against problem officers. Or they need to recognize that they can’t run a police force, disband the BART police, and let a professional law enforcement agency from one or more of the BART counties take over.

Fix the BART police force – or disband it

David Talbot
-
0
Fix the BART police force – or disband it

EDITORIAL Who murdered Oscar Grant? Part of the equation is the years of neglect of the BART Police. — Assembly Member Tom Ammiano

We’re angry, too.

Angry that a police officer who shot and killed an unarmed man could wind up with little or no prison time. Angry that the news media whipped up such a fervor over the potential for a riot in Oakland that it almost guaranteed someone would show up and break a few windows. Angry that the jury who decided this case was 400 miles away and included no African Americans.

But mostly we’re angry that 18 months after a BART cop shot Oscar Grant, the transit agency still doesn’t have effective police oversight. And until the BART board recognizes that it still has 200 poorly trained, poorly supervised,* armed officers on the streets — and that this shooting wasn’t an anomaly, it was simply the latest in a series of criminal acts by BART police officers that led to the deaths of innocent people — and until the BART Board starts treating this like the emergency that it is, the problems are going to continue.

There are elements of this case that are historic — and very positive. This is the first time we can remember that a police officer in California has faced murder charges for an on-duty shooting. That alone sends a powerful message — and the Alameda County District Attorney deserves immense credit for taking the case to trial. And let’s not forget: Johannes Mehserle was, in fact, convicted. With the additional penalties for using a handgun, he could wind up with a sentence of more than 10 years.

Much of that is now in the hands of Los Angeles County Superior Court Judge Robert Perry, who will sentence Mehserle later this summer. The judge in an involuntary manslaughter case has considerable discretion; he could, conceivably, sentence Mehserle to probation, and the killer of an unarmed man could walk away with no jail time at all. Perry could sentence him to five years (of which the former officer would probably serve no more than three). He could also go as high as 14 years, which seems more reasonable.

Most of the protesters in Oakland were peaceful; most recognized that the verdict was mixed, that at least Mehserle was convicted, and that there’s still a chance justice will be done. It’s hard to imagine that the patience of the community will last long in the wake of an unacceptably short sentence.

But even if Perry issues a sentence that reflects the crime, there’s still the problem of the BART Police. This isn’t the first time a BART cop has killed an unarmed person; twice before, the subway system’s finest have committed crimes just as heinous as the one that put Johannes Mehserle in the dock. The difference is that the previous shootings — which we covered in depth and the mainstream media ignored — were never caught on video. BART never took either killing seriously, never changed police oversight procedures — and shouldn’t be surprised that nothing changed.

Now the agency, with much reluctance and gnashing of teeth, has created a modest civilian oversight program. But it’s not enough — and the reason is simple: The BART directors don’t want to spend the time it takes to monitor and control an armed police force. They’ve always happily delegated that job to someone else — a general manager, an assistant general manager, a police chief — and never done the job they were elected to do.

Now time’s up. The BART directors need to take direct control of the police, including holding hearings on disciplinary action and quickly acting on complaints against problem officers. Or they need to recognize that they can’t run a police force, disband the BART police, and let a professional law enforcement agency from one or more of the BART counties take over.

Protests turn to riots in wake of Mehserle verdict (VIDEO)

Sasha Cuttler And Mary Magee
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3

In the hours following the announcement of that Johannes Mehserle had been found guilty of involuntary manslaughter for fatally shooting Oscar Grant in the back on a BART platform on New Year’s Eve 2009, downtown Oakland became a drama-filled scene that changed minute by minute.

In the early hours, rallies were held, with community leaders speaking out against the killing of Oscar Grant and police brutality in general. At least 1,000 protesters gathered peacefully at the intersection of 14th and Broadway streets to hear a series of speakers venting anger. Representatives from the nonprofit Youth UpRising and other groups tried to discourage violence, but anger and frustration erupted into acts of vandalism once the rally came to a close and the night set in. Around the same time, police strapped on gas masks, readied clubs, and issued a dispersal order.

Around 8:30 bottles started flying among shouts of “fuck the police,” and “no justice, no peace.” A window was smashed at a Foot Locker near 14th and Broadway, and another window came down at the Far East National Bank, across the street. Looting followed, as did graffiti tagging, and trash cans lit ablaze.

By 10 p.m., things descended into further disarray as smaller crowds advanced north on Broadway and Telegraph, with just a few hundred continuing to smash windows at Whole Foods, Sears, Starbucks, and several other locations. The Guardian was on the scene and caught much of the early activity and some of the later rioting on film. The videos are presented below in chronological order. The Guardian left a crowd of less than 50 rioters near Whole Foods at Bay Place and Vernon Street, around 10:30.

http://www.youtube.com/watch?v=O_t8w7-_bVc
Shortly after the verdict was announced, Oscar Grant’s sister-in-law, Yolanda Mesa, tearfully addressed a small crowd outside Oakland City Hall. Video by Wendi Jonassen

http://www.youtube.com/watch?v=V1qclrgIOtE
A rally being held in the middle of the intersection at 14th and Broadway in downtown Oakland dissolved into chaos when police in riot gear approached and announced through a megaphone, “We are here to assist you in your peaceful protest.” Video by Rebecca Bowe

http://www.youtube.com/watch?v=Si0sH_v0oq8
As a marching band played in the background, activists hoisted a sign onto a lamppost over the intersection of 14th and Broadway in downtown Oakland. Video by Rebecca Bowe

http://www.youtube.com/watch?v=Y9S144Tptbg
A protester challenging police in the midst of demonstrations in downtown Oakland was tackled by officers in riot gear. Video by Alex Emslie

http://www.youtube.com/watch?v=V4veyVC204E
Oakland City Council member Rebecca Kaplan gave an interview at the line between demonstrators and police as she linked arms with others at 12th Street and Broadway. Council member Jean Quan stood nearby. Video by Alex Emslie

http://www.youtube.com/watch?v=EiV2-kp5Gc8
Police declared the protest to be an unlawful assembly and issued an order to disperse just before 9 p.m. The police charged, and this reporter got caught in the fray. Video by Alex Emslie

http://www.youtube.com/watch?v=NBwMMiFEe-o
Rioters ignited a trash can and dragged it down 15th Street toward the police line at around 9:30 p.m. Video by Alex Emslie

http://www.youtube.com/watch?v=z2eIW9YTwzQ
The riots took a noticeable turn just before 10 p.m. Even as the crowds diminished, more fires were ignited and store front windows were broken between 15th and 17th streets on Broadway as and rioters began to move further North. Video by Alex Emslie

 

Stage listings

David Talbot
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0

Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Cindy Goldfield & Scrumbly Koldewyn in Cowardly Things New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctsf.org. $20-28. Previews Thurs/8, 8pm. Opens Fri/9, 8pm. Runs Thurs-Sat, 8pm. Through July 31. Cindy Goldfield and Scrumbly Koldewyn in a tribute to Noel Coward.

Comedy Ballet The Garage, 975 Howard; (800) 838-3006, www.brownpapertickets.com. $15-25. Opens Fri/9, 8pm. Runs Thurs-Sat, 8pm, Sun, 3pm. Through July 18. Dark Porch Theatre presents an outlandish and unusual dance and theater hybrid.

Dead Certain Royce Gallery, 2901 Mariposa; (866) 811-4111. $12-28. Previews Thurs/8-Fri/9, 8pm. Opens Sat/10, 8pm. Runs Thurs-Sat, 8pm. Through August 14. Expression Productions presents a psychological thriller by Marcus Lloyd.

Foresight Fort Mason Southside Theater, Building D; www.fortmason.org. $22-27. Opens Fri/9, 8pm. RunsFri-Sat, 8pm; Sun, 2 and 8pm. Through July 18. Easily Distracted Theatre presents a new play by Bay Area filmmaker Ruben Grijalva.

Gilligan’s Island: Live on Stage! The Garage, 975 Howard; (800) 838-3006, www.brownpapertickets.com. $15-20. Opens Sun/11 8pm. Runs Sun, 8pm. Through August 29. Moore Theatre and SAFEhouse for the Performing Arts brings the TV show to the stage, lovey.

The 91 Owl African American Arts Cultural Complex, 762 Fulton; 574-8908, www.brownpapertickets.com. $10-25. Previews Thurs/8, 8pm. Opens Fri/9 8pm. Runs nightly 8pm. Through July 22. A production of Bernard Norris’s play about the life of a San Francisco bus stop.

Piaf: Love Conquers All Eureka Theatre, 215 Jackson; (800) 838-3006, www.brownpapertickets.com. $25-36. Previews Wed/7-Thurs/8, 8pm. Opens Fri/9 8pm. Runs Tues-Fri, 8pm; Sat, 2 and 8pm. Through August 7. Tone Poet Productions brings a portrait of Edith Piaf to the stage.

"San Francisco Olympians Festival" Exist Stage Left, 156 Eddy; www.sfolympians.com $10.

BAY AREA

Mrs. Warren’s Profession Bruns Ampitheatre, 100 California Theatre Shakespeare Way, Orinda; (510) 548-9666, www.calshakes.org. $34-70. California Shakespeare Theater presents George Bernard Shaw’s classic morality play.


ongoing

Abigail: The Salem Witch Trials Temple SF, 540 Howard; www.templesf.com. $10. Thurs/8, 29, Aug 5, 12, 19, 26, 9pm. Through Aug 26. Buzz Productions, with Skycastle Music and Lunar Eclipse Records, presents an original rock opera based on the Salem witch trials.

Beijing, California Thick House Theater, 1695 18th St; www.asianamericantheater.org. $15-25. Thurs-Sat, 8pm; Sun, 5pm. Through July 17. Asian American Theater Company presents a new play by Paul Heller set in the year 2050, when China invades America.

*Blackbird: Honoring a Century of Pansy Divas Mama Calizo’s Voice Factory, 1519 Mission; 786-9325, www.evezen.org. Thurs-Sat, 8pm. Through Sat/10. The intimate Blackbird Funeral Parlour Speakeasy is somber-toned and deceptively hushed, complete with period furnishings, a see-through dressing room, softly flickering altar, and obligatory piano. Only a few moments into Seth Eisen’s exceptional one-man cabaret, however, and the place is alive and kicking: doleful aspects of the décor making ample room for a sly, vigorous, soulful performer and a completely unexpected journey through some vibrant underground queer history (backed by fellow Circo Zero alum Sean Feit’s sharp musical direction and breezy accompaniment, and Alanna Simone’s gently humorous and haunting video pieces). Your guide is 100-year-old Jean Marlin, author of the notorious 1930s Pansy Craze, 75 years dead and looking fabulous in tails, bold green cravat, dapper purple hankie and a topping of regal black plumage (costumer Jack Davis demonstrates a genius throughout for turning a shoestring budget into a G-string–supported extravaganza). A multifaceted performer with quick tongue, nimble steps, and hearty voice (giving life to an assortment of extraordinary songs), Eisen uses drag, dance, puppetry, and performance art techniques to give flight to worthy exotic blackbirds known and forgotten—drag queen Zen priest Tommy Issan Dorsey; sexually ambiguous Danny Kaye; Brazil’s inimitable Ney Matogrosso; the definitely outré Klaus Nomi; and disco treasure Sylvester, whose live rendition of the Beatles’ "Blackbird" at SF’s War Memorial Opera House is one of several standout moments in this rollicking and poignant act of resurrection, insurrection, and homage. (Avila)

"Durang Me!" Next Stage, 1620 Gough; 1-800-838-3006, www.custommade.org. $10-28. Thurs-Sat, 8pm. Through Sat/10. Christopher Durang’s The Actor’s Nightmare could just as easily be called The Accountant’s Nightmare, as befuddled Everyman and presumed non-actor George Spelvin (Eric O’ Kelly) attempts to navigate his way out of a confused rendition of Noel Coward’s "Private Lives" dressed as Prince Hamlet and menaced by a trashcan-bearing Beckett-arian (AJ Davenport). This traditional companion piece to Durang’s Catholic School send-up Sister Mary Ignatius Explains It All for You references a Catholic boyhood several times, but it is the anxiety of the present moment that prevails, as the stage clears, and Spelvin is chased into a corner by an unforgiving spotlight to deliver his frantic last-ditch attempt at a soliloquy: his ABC’s. The titular Sister Mary Ignatius (AJ Davenport), by turns arctic and expansive, attempts to explain all, while periodically trotting out her star pupil Thomas (Cole Cloud) to recite catechism and spell eck-u-men-ickle for cookies. Davenport plays the pedantic side of Sister Mary with humorous vigor, but when a group of her former students drop by "to embarrass her" she doesn’t quite pull off embodying the ogress of their now-adult nightmares. Of her former students, it is probably Aloysius Benheim (Eric O’Kelly) who comes across as the most damaged by her tyranny, and not coincidentally, suffers the piece’s greatest humiliation. (Nicole Gluckstern)

How the Other Half Loves Phoenix Theatre, 414 Mason; (800) 838-3006, www.offbroadwaywest.org. $35, Thurs-Sat, 8pm. Through July 31. In Alan Ayckbourn’s 1971 comedy, a night of infidelity propels two colliding couples into menacing a third, a pair of innocents unwittingly drawn into the whole affair as alibis. The collisions are made all the more kinetic by the fact that Ayckbourn cheekily drops the two principal couples into overlapping living rooms, where they continually brush by each other in ironic obliviousness. At the outset of this droll two-act, Fiona Foster (a smart, cucumber-cool Sylvia Kratins) has just slept with Bob Phillips (a brilliantly sourpussed James Darbyshire), junior colleague of her husband Frank (Jeff Garrett, exuding the animated splendor of the full-on English twit), on the night of the couple’s wedding anniversary (pure coincidence for the forgetful, loveless Fiona). In loose coordination with lover Bob, Fiona explains her late night absence with reference to a pair of vague acquaintances, the Featherstones (Jocelyn Stringer and Adam D. Simpson). Bob does the same with Teresa (a spunky Corinne Proctor), his homebound wife and a new, deeply disgruntled young mother. Naturally, back-to-back dinner parties with said alibis ensue, much to the horror and chagrin of the adulterers. Off Broadway West Theatre Company’s production, smoothly helmed by Richard Harder, makes the most of the complex staging as both time and space collapse over intersecting dining tables. If the play is slow to catch fire, it reaches a nice sustained peak that proves worth the going. Shaky accents from Garrett and especially Simpson can distract at times, but Harder’s cast is generally solid and engaging, with particularly enjoyable work from Darbyshire and Proctor as the volatile younger Phillips with their crass bickering, canned erotic energy, and barely countenanced off-stage baby. (Avila)

The New Century New Conservatory Theatre Center, 25 Van Ness, SF; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; Sun/11, 2pm. Through Sun/11. New Conservatory Theatre Center performs Paul Rudnick’s bill of short comedies.

Peter Pan Threesixty Theater, Ferry Park (on Embarcadero across from the Ferry Bldg); www.peterpantheshow.com. $30-125. Tues and Thurs, 7pm; Fri-Sat, 7:30pm (also Sat, 2pm); Wed, 2pm; Sun, 1 and 5pm. Through August 29. JM Barrie’s tale is performed in a specially-built 360-degree CGI theater.

Posibilidad, or Death of the Worker Dolores Park and other sites; 285-1717, www.sfmt.org. Free. Sat-Sun, 2pm; also Sept 6, 2pm; Sept 17, 8pm. The San Francisco Mime Troupe opens its 51st season with a modern song and tango about politics in the workplace.

Reading My Dad’s Porn and French Kissing the Dog The Marsh Studio Theater, 1074 Valencia; (800) 838-3006, www.themarsh.org. Thurs-Sat, 8pm. Through July 17. The title of San Francisco writer-performer Cherry Zonkowski’s confessional solo show gives only a little away—a passing detail from the Nordic diversions of a spirited army brat and daughter of an alcoholic father—but the rest of the narrative leaves even less to the imagination. An account of Zonkowski’s initiation into the sex party and BDSM scene, Reading My Dad’s Porn bounces gleefully between comically graphic depictions of sweaty, writhing Bay Area meet-and-greets and a childhood and young adulthood buried in family dysfunction, a loveless marriage, and the grueling teaching load of a recent English PhD. Ultimately, it’s the story of a woman finding her own identity and community, and if the outlines sound familiar they also feel that way. The straightforward plot—peppered with humorous details and asides (as well as the odd song, accompanied by accordionist Salane Schultz, alternating nights with Aaron Seeman)—lacks both urgency and characters of much complexity. The story’s patina of outré sex, meanwhile, is far from revelatory and too superficial and jokey to offer much dramatic heft. Nevertheless, the show, developed with director David Ford, draws a limited appeal from the force of Zonkowski’s extroverted personality, whose orientation sexual and otherwise skews toward fun—although her more aggressive attempts to corral the audience into participating (mainly vocally) in the show’s narrative high jinx may put some off even more than the fisting by the snack table. (Avila)

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-25. Thurs-Sun, 8pm. Through August 28. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

Young Frankenstein Golden Gate Theatre, 1 Taylor; 551-2000, www.shnsf.com. $30-99. Thurs-Sat, 8pm; Sun, 2pm, also Tues/13, July 20, 8pm; Wed/7, July 24, 21, 2 and 8pm. Through July 25.

For all its outlandish showmanship, Mel Brooks’s other movie-turned-musical is not quite as grand a beast as The Producers . Still, the adventures of Victor Frankenstein’s reputation-conscious grandson, Frederick Frankenstein—played with exceeding charm and surgeon-like skill by major cut-up Roger Bart, originator of the role on Broadway—remains a monster of a show, in more ways than one. The rapid-fire repartee, for starters, is scarily deft, the comic timing among a first-rate cast all but flawless (even when milking a line shamelessly), the fancy footwork (choreographed by director Susan Stroman) pretty fancy, and the mise en scène holds some attractive surprises as well. At the same time, and despite the fecund humor revolving around questions of size and virility, the show’s actual two-and-a-half-hour length proves a bit wearying, especially as many of the best jokes (though by no means all) are the much-loved and universally much-repeated gags from the film. Moreover, Brooks’s songs, while very able, rarely rise to memorable and sometimes feel perfunctory or a bit busy. One of the glorious exceptions is the blind hermit scene (played brilliantly by Brad Oscar), which combines the hilariously plaintive song "Please Send Me Someone" with a lovingly faithful rendition of the original spoof for a sequence that literally smokes. (Avila)


BAY AREA

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. July 24, 31, 8pm; July 18, 25, Aug 1, 7pm; Fri/9, 16, 9pm. Through August 1. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

Left of Oz Ashby Stage, 1901 Ashby, Berk; (800) 838-3006, www.brownpapertickets.com. $25-50. Fri-Sat, 8pm, Sun, 7pm. Through July 18. Stephanie’s Playhouse presents a lez-queer musical comedy following the out west adventures of Dorothy.

Les Liasons Dangereuses Redwood Ampitheatre, 30 Sir Francis Drake, Ross; (415) 251-1027, www.porchlight.net. $15-30. Thurs-Sat, 7:30pm; also Wed/7, 7:30pm. Through Sat/10. Porchlight Theatre Company presents a production of Christopher Hampton’s adaptation of the 1782 novel.

Loveland The Marsh Berkeley, 2120 Allston, Berk; (800) 838-3006, www.themarsh.org. $25-50. Fri/9, 7pm; Sun/11, 2pm. Through July 11. Ann Randolph’s comic solo show about an irreverent woman’s trip back to her childhood home in Ohio.

Shaker Chair Pear Avenue Theatre, 1220 Pear Avenue, Mtn View; (800) 838-3006, www.brownpapertickets.com. $15-30. Thurs-Sat, 8pm; Sun, 2pm (also Sat/10, 2pm). Through July 11. Pear Avenue Theatre presents Adam Bock’s play about a middle-aged widow who applies Shaker philosophy to her lifestyle.

Speech & Debate Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $34-55. Wed-Sat, 8pm; Sun, 2pm, 7pm; Tues, 7pm. Through July 18. Aurora Theatre closes its 18th season with Stephen Karam’s comedy about three teen misfits connected to a small town sex scandal.


PERFORMANCE/DANCE

BATS Improv Theatre Bayfront Theater, Fort Mason Center, B350 Fort Mason; 474-6776, www.improv.org. Fri-Sat, 8pm. Through July 31. Bay Area Theatresports presents an evening of theater and comedy.
The Bowls Project: Secrets of the Apocalyptic Intimate Yerba Buena Center for the Arts, Sculpture Court, 701 Mission; 978-2787, www.ybca.org. Tues/6, 6-8pm, free. Through August 22. Charming Hostess presents a series of performances in conjunction with an interactive sound sculpture.
Liz Grant Variety Pack Comedy Show Purple Onion, 140 Columbus; 200-8781, www.brownpapertickets.com. Fri, 4:30pm. Through Sept 3. $10. A changing lineup of stand up comedy.
"San Francisco Olympians Festival" Exit Stage Left, 156 Eddy; www.sfolympians.com Fri/9-Sat/10, 8pm, $10. A series of one=act perfomances by No Nude Men Productions.

On the cheap listings

David Talbot
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0

On the Cheap listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

WEDNESDAY 7

“Misspelled” Robert Berman/E6 Gallery, 1632 Market, SF; (415) 558-9975. 7pm, free. Attend the opening reception for Victor Reyes’ public art installation turned gallery exhibition that explores Reyes’ unique approach to graffiti, by dissecting individual letters and exposing the anatomy and architecture found in the symbols we use to communicate. Inspired by San Francisco’s streets, these alphabets recontextualize abandoned city surfaces to raise questions about how we interpret these spaces and the content within them.

FRIDAY 9

Japanese Superheroes Viz Cinema, New People, 1746 Post, SF; (415) 525-8600. 7pm, $10. Join hosts Patrick Macias, August Ragone, and Tomohiro Machiyama for a new talk in the TokyoScope Talk Series about the fascinating history and origins of Japanese superheroes featuring rare film clips and images from numerous tokusatsu, sentai, and henshin hero productions including Ultra Seven, Kikaida, Space Sheriff Gavan, and more.

BAY AREA

Juggling and Unicycling Festival Berkeley High School, Jacket Gym, 1980 Allston, Berk.; www.berkeleyjuggling.org/festival. Fri. 3pm-Midnight, Sat. 9am-Midnight, Sun. 9am-5pm; free. Vaudeville style variety show Sat. 7:30pm, $15. Meet and watch some of the best jugglers and unicyclists on the West Coast and learn some tricks of the trade for all skill levels at juggling, unicycle, and circus arts workshops.

SATURDAY 10

Art Riot Space Gallery, 1141 Polk, SF; www.hyphenmagazine.com. 7pm; $5, or $15 including a one year subscription to Hyphen Magazine. Featuring an exhibit by illustrators and painters from across the country, live painting, music by DJs B-Haul and Gordon Gartrell, and vegan cupcakes by Black Orchid Bakery. Featured artists include Danny Neece, Eve Skyler, Jon Stich, Jorge Mascarenhas, and more.

“Borders” Root Division, 3175 17th St., SF; (415) 863-7668?. 7pm, free. This exhibit about lines and how we cross them will feature work by artists from 9 different states, representing 9 different ethnicities, that explores how we define and interact with the borders that surround us. Mediums to include interactive sculpture, video, photography, installation, performance, and new media.

Hayes Valley Community Picnic Patricia’s Green Park, Hayes at Octavia, SF; RSVP at (415) 240-2433. 1pm, free. Join members of your community for a picnic brought to you by the Dean Clark Store, where revelers will share food, soft drinks, play games, and exchange gifts.

Strike Reenactment Hyde Street Pier, Jefferson at Hyde, SF; www.laborfest.net. Noon and 3pm, free. See a live reenactment of the 1901 San Francisco Waterfront strike, when sailors, teamsters, and longshoremen went on strike for better pay and working conditions. Hear speeches and join the march to implore ships’ crews to join the ranks. Part of the 2010 LaborFest.

Summer Freedom School St. Francis Lutheran Church, 152 Church, SF; (415) 703-0465. Saturdays through Aug. 14; 10am, free. This six week seminar on the Civil Rights Movement (aka the Southern Freedom Movement) serves as a case study for how social movements happen and a tool for getting ready for the next one. Mornings will feature guest speakers, short films and discussions, followed by a pot luck lunch, and an afternoon portion of discussions and activities. For more information visit www.educationanddemocracy.org.

A Voice for Justice in Honduras Mission Cultural Center for Latino Arts Theater, 2868 Mission, SF; 415-643-5001. 7pm, donations encouraged. Hear Karla Lara sing from the classic “Nueva Trova” repertoire with added themes of love, motherhood, and human rights. Lara and other musicians formed Artists in Resistance, a group that performs to maintain an open public opposition to the de facto governments of Roberto Micheletti and Porfirio Lobo, which repress media and democracy. Proceeds benefit Artists in Resistencia in Honduras.

BAY AREA

Treasure Island Triathlon 533 California, Treasure Island, San Francisco Bay; www.tricalifornia.com. 5k-10k Run Race, Sat. 7am-Noon; Olympic Distance Triathlon, Sat. 7:30am-5pm; Sprint Distance Triathlon, Sun. 7am-Noon; Sports Expo, Sat. 7am-3pm, Sun. 7am-Noon. All events free for spectators. Enjoy views from the scenic looped course as you watch athletes compete, including 50 contestants from past seasons of the TV series The Biggest Losers. A Sports Expo will be going on all weekend featuring the latest triathlon gear, athlete services and food vendors.

SUNDAY 11

Big Umbrella Open Studios Big Umbrella Studios, 906.5 Divisadero, SF; (415) 359-9211. 3:30pm; free, suggested donation for use of supplies. Join Big Umbrella artists in art making, art being, or art gazing at this participatory workshop for adults and children. Bring supplies, found objects, and works in progress. Art making supplies will also be available. Collaboration encouraged.

Jewish Music Festival Party Yerba Buena Gardens, Mission at 3rd. St., SF; (510) 848-0237 ext. 119. Noon, free. Celebrate the 25th Anniversary of the Jewish Music Festival at this picnic and party featuring performances, instrumental jams, a parade, and an instrument petting zoo for all ages. Instruments encouraged. Artists to include Eprhyme, Glenn Hartman and the Klezmer Playboys, Peter Jacques, Elana Jagoda, and more.

World Cup Finals Civic Center Plaza, Polk between McAllister and Grove, SF; (415) 831-2782. 11:30 a.m., free. Join fellow San Francisco soccer fans for a big screen broadcast of the World Cup finals featuring soccer-related activities for youth, food vendors, and valet bike parking. No glass bottles or alcohol permitted.

MONDAY 12

“What’s Cookin’ with Josh Kornbluth” Contemporary Jewish Museum Café, 736 Mission, SF; (415) 655-7800. Noon, free. Liven up your Mondays with an interactive improvised lunch performance by monologist Josh Kornbluth, who will entertain and engage you with lively lunchtime banter all summer long. Every Monday through August 30.

 

Music listings

David Talbot
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0

Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 7

ROCK/BLUES/HIP-HOP

AB and the Sea, What Laura Says, DJ Ted Café du Nord. 9:30pm, $5.

Beehive Spirit, Satellite Crush, Happy Talk Elbo Room. 9pm, $6.

Fol Chen, Jhameel Bottom of the Hill. 9pm. $12.

Kajillion, Amanda’s X, Real Rickshaw Stop. 8pm, $10.

Maine, This Century Slim’s. 7pm, $18.

MofoParty Band Biscuits and Blues. 8 and 10pm, $16.

Project Pitchfork, Ayria, Break Up DNA Lounge. 8pm, $20.

*Shannon and the Clams, Outdoorsmen, Tropical Sleep Knockout. 9:30pm, $5.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Fresh Wednesdays Vessel, 85 Campton, SF; (415) 433-8585. 9:30pm, free. With DJs Slick D, Chris Clouse, Rich Era, Don Lynch, and more spinning top40, mashups, hip hop, and remixes.]

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 8

ROCK/BLUES/HIP-HOP

B Stars, Beautiful Train Wrecks, Maurice Tani Band Hotel Utah. 9pm, $8.

Beth Custer Ensemble, Dina Maccabee Band, Allison Lovejoy’s Cabaret Nouveau Café du Nord. 8pm, $12.

Big Billy Daddy Cade Biscuits and Blues. 8 and 10pm, $16. BB King tribute.

“The Bowls Project: Secrets of the Apocalyptic Intimate” Yerba Buena Center for the Arts Sculpture Court, 701 Mission, SF; (415) 987-2787, www.ybca.org. 6pm, free with gallery admission ($5-7). Charming Hostess with special musical guests.

Deerhoof, Donkeys, Southeast Engine Bottom of the Hill. 9pm, $15.

Downer Party Hemlock Tavern. 9pm, $5. With DJs Mother Barry, Mattfiesta, Scissorwolf, and DJ Swords.

Mob Figaz featuring the Jacka and Husalah, Strong Arm Steady Slim’s. 9pm, $21.

Unter Noll, Cyanotic, Cynical Mass DNA Lounge. 9pm, $11.

Wisecracker, Jokes for Feelings, Spawn Atomic Kimo’s. 9pm.

FOLK/WORLD/COUNTRY

Gold Diggers Café Royale, 800 Post, SF; (415) 641-6033. 8pm, free.

Kentucky Twisters Atlas Café. 8pm, free.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-7. DJs Pleasuremaker and Señor Oz spin Afro-tropical, samba, and funk.

BASE Vessel. 9:30pm, $10. With DJs Chris Liebing and Alland Byallo spinning tech house.

CakeMIX SF Wish, 1539 Folsom, SF; www.wishsf.com. 10pm, free. DJ Carey Kopp spinning funk, soul, and hip hop.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Good Foot Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. With DJs spinning R&B, Hip hop, classics, and soul.

Gymnasium Matador, 10 Sixth St, SF; (415) 863-4629. 9pm, free. With DJ Violent Vickie and guests spinning electro, hip hop, and disco.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Kissing Booth Make-Out Room. 9pm, free. DJs Jory, Commodore 69, and more spinning indie dance, disco, 80’s, and electro.

Koko Puffs Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Motion Sickness Vertigo, 1160 Polk, SF; (415) 674-1278. 10pm, free. Genre-bending dance party with DJs Sneaky P, Public Frenemy, and D_Ro Cyclist.

Nacht Musik Knockout. 10:30pm, $5. Dark, minimal, and electronic with DJs Omar, Josh, and Justin.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Solid Thursdays Club Six. 9pm, free. With DJs Daddy Rolo and Tesfa spinning roots, reggae, dancehall, soca, and mashups.

FRIDAY 9

ROCK/BLUES/HIP-HOP

Angels of Vice, Stereo Freakout, Farallon, Ratchet Great American Music Hall. 7:30pm, $15.

Seth Augustus Revolution Café, 3248 22nd St., SF; (415) 642-0474. 8:45pm, free.

Guy Davis and the High Flying Rockets Biscuits and Blues. 8 and 10pm, $22.

*Dwarves, Tater Famine, Thee Merry Widows Thee Parkside. 9pm, $10. Acoustic performances.

Erasure-Esque, Sing Blue Silver Café du Nord. 9:30pm, $12.

Ettrick, Sean, Peji/Kunin, Pink Canoes Hemlock Tavern. 9:30pm, $7.

Flexx Bronco, Neon Nights, Bite, Karma Bomb Kimo’s. 9pm, $7.

El Guincho, Still Flyin’, Ghosts on Tape Rickshaw Stop. 8:30pm, $15.

Hi-Rhythm Hustlers Verdi Club, 2424 Mariposa, SF; www.thehirhythmhustlers.com. 9:30pm, $15.

Jrod Indigo with Kat 010 Coda. 10pm, $10.

*Magic Bullets, Dreamdate, Wax Idols Knockout. 9pm, $7.

Music for Animals, Foreign Resort, Hundred Days Bottom of the Hill. 9:30pm, $12.

Skinlab, Attitude Adjustment, A Thousand Kingdoms, Un-ID Slim’s. 8pm, $15.

Water and Bodies, Beta State, Knife Prty, Citabria Hotel Utah. 9pm, $8.

DANCE CLUBS

Bang the Box 222 Hyde. 9pm. With DJ Joakim spinning electronic.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Fo’ Sho! Fridays Madrone Art Bar. 10pm, $5. DJs Kung Fu Chris and Makossa spin rare grooves, soul, funk, and hip-hop classics.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Club Dragon Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. A gay Asian paradise. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Heartical Roots Bollywood Café. 9pm, $5. Recession friendly reggae.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Know Your History Som. 9pm, $15. With DJs 45 King, Shortkut, Marky, and A-Ron spinning hip hop.

Lucky Road DNA Lounge. 9pm, $10. Gypsy punk dance party with Sister Kate, Rose Harden, MWE Band, and more.

Makeout Sessions Club Six. 9pm, $10. With DJs Juan Basshead, La Cuchina Som Sistema, Blackheart, Ultraviolet, and Rob Cannon spinning dubstep.

Pantheon 103 Harriet, 103 Harriet, SF; (415) 431-1200. 9pm, $25. A night of Gods and Goddesses featuring DJs Elite Force, Soul of Man, Slyde, Myagi, and more spinning divine wonders to raise money for the Burning Man Temple 2010.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa “Samoa Boy” spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Some Thing The Stud. 10pm, $7. VivvyAnne Forevermore, Glamamore, and DJ Down-E give you fierce drag shows and afterhours dancing.

Strictly Video 111 Minna. 9pm, $10. With VDJs Shortkut, Swift Rock, GoldenChyld, and Satva spinning rap, 80s, R&B, and Dancehall.

Treat Em Right Elbo Room. 10pm, $5. Hip-hop and funk with DJ Vinnie Esparza and guests.

Tsunami Supperclub. With the Coda tag team and DJs fLOORCRAFt, Johnnie Schiffer, FurSure, and more spinning electronic and progressive dance.

SATURDAY 10

ROCK/BLUES/HIP-HOP

Ariel Pink’s Haunted Graffiti, Magic Kids, Pearl Harbor Bimbo’s 365 Club. 9pm, $15.

Au Revoir Simone, Social Studies, Alexa Wilding Great American Music Hall. 9pm, $16.

Black Nite Crash, Sky Parade, These Hills of Gold, Silent Pictures Hemlock Tavern. 9:30pm, $8.

Carbon Leaf Café du Nord. 9:30pm, $16.

Dm Stith, Inlets, Silje Nas Hemlock Tavern. 5pm, $7.

Goldenhearts, Soft White Sixties, Happy Idiot Thee Parkside. 9pm, $8.

James Harman Band Biscuits and Blues. 8 and 10pm, $20.

Paul McCartney AT&T Park, 24 Willie Mayes Pk, SF; www.ticketmaster.com. 7:30pm, $49.50-250.

Jordin Sparks, Ashlyne Huff, Days of Difference Regency Ballroom. 8pm, $28.

Triple Cobra, Butlers, Hewhocannotbenamed, DJ Omar Bottom of the Hill. 9:30pm, $12.

21st Century, Adam Farone, Picture Me Broken, Endings for Anastasia, Guns Fall Silent Slim’s. 7:30pm, $15.

Victim Nation Thee Parkside. 3pm, free.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

“Meridian Music: Composers in Performance” Meridian Gallery, 535 Powell, SF; (415) 398-7229, www.meridiangallery.org. 7:30pm, $5-10. With Frank Gratkowski’s Artikulationen (articulations).

“Re-Sonic in the Illuminated Forest” Lab, 2948 16th St, SF; (415) 320-6685. 8pm, $10-15. Performances and talks by Alyce Santoro, Joshua Churchill, and Thomas Carnacki.

FOLK/WORLD/COUNTRY

Julio Bravo y Orquesta Salsabor The Ramp, 855 Terry Francois, SF; (415) 621-2378. 5pm, free.

Sandy Cressman and Homenagem Brasileira Coda. 7pm, $10.

Kara Lara Mission Cultural Center for Latino Arts Theater, 2868 Mission, SF; (415) 821-1155. 7pm; free, donations encouraged. A benefit for Artists in Resistencia.

“Portraits” City Art Gallery, 828 Valencia, SF; (415) 970-9900. 7pm, free. A release party for Off the Air Production’s new album featuring 32 songwriters.

Elio Reve y Su Charangon Yoshi’s San Francisco. 8 and 10pm, $30.

SF Hootenanny Night Café International, 508 Haight, SF; (415) 552-7390. 7pm, free. With the Courtney Janes, Bhi Bhiman, Rick DiDia, and Aireene Espiritu.

Naima Shalhoub Revolution Café, 3248 22nd St., SF; (415) 642-0474. 8:45pm, free.

“Song-Along: A Songwriters Showcase” Bazaar Café, 5927 Californa, SF; (415) 831-5620. 7pm, free. With Pi Jacobs, Thea Hopkins, and Karyna Cruz.

Allen Thompson Plough and Stars. 8pm, $5.

DANCE CLUBS

BADNB Club Six. 9pm, $10. With DJs 2 Cents, Truth, Alphonic, Canadub, and Audio Angel spinning drum and bass.

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Nuxx.

Bootie DNA Lounge. 9pm, $6-12. Mash-ups.

Cockblock Rickshaw Stop. 10pm, $7. Queer dance party for homos and friends with DJ Nuxx and Zax.

Dead After Dark Knockout. 6pm, free. With DJ Touchy Feely.

Electricity Knockout. 10pm, $4. A decade of 80s with DJs Omar, Deadbeat, and Yule Be Sorry.

Frolic Stud. 9pm, $3-7. DJs Dragn’Fly, NeonBunny, and Ikkuma spin at this celebration of anthropomorphic costume and dance. Animal outfits encouraged.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Rock City Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5 after 10pm. With DJs spinning party rock.

Same Sex Salsa and Swing Magnet, 4122 18th St, SF; (415) 305-8242. 7pm, free.

Scotty Boy Vessel. 9:30pm, $20. Spinning mash ups.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Spotlight Siberia, 314 11th St, SF; (415) 552-2100. 10pm. With DJs Slowpoke, Double Impact, and Moe1.

Tormenta Tropical Elbo Room. 10pn, $5-10. Electro-cumbia DJs.

SUNDAY 11

ROCK/BLUES/HIP-HOP

“Battle of the Bands” DNA Lounge. 5:30pm, $12. With My Addiction, Lucabrazzi, Kavarzee, and more.

Birds and Batteries, Grand Hallway, That Moanin’ Dove Biscuits and Blues. 8pm, $12.

Colossal Yes, Lazarus, Donovan Quinn and Zachary Cale Hemlock Tavern. 9pm, $6.

Ferocious Few, Fake Your Own Death, Murder of Lilies, Death Valley High Bottom of the Hill. 8pm, $10.

Austin Lucas, Cory Branan Thee Parkside. 8pm, $8.

Nickle Slots Thee Parkside. 4pm, free.

Sea Dramas, Guy Sebastian Hotel Utah. 8pm, $8.

Streetlight Manifesto, Supervillains, Wonder Years, Dan Potthast Slim’s. 7:30pm, $16.

FOLK/WORLD/COUNTY

Gente do Samba The Ramp, 855 Terry Francois, SF; (415) 621-2378. 5pm, free.

Gipsy Kings Fillmore. 8pm, $85.

Jewish Music Festival Party Yerba Buena Gardens, 750 Howard, SF; (415) 820-3550. Noon, free.

Devon McClive Amnesia. 6:30pm, free.

Elio Reve y Su Charangon Yoshi’s San Francisco. 5 and 7pm, $5-30.

DANCE CLUBS

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, dubstep, roots, and dancehall with DJ Sep, J Boogie, and Vinnie Esparza.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?

Jock! Lookout, 3600 16th St, SF; (415) 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Lowbrow Sunday Delirium. 1pm, free. DJ Roost Uno and guests spinning club hip hop, indie, and top 40s.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 12

ROCK/BLUES/HIP-HOP

Farmer Dave Scher, Seventeen Evergreen Rickshaw Stop. 8pm, $10.

*Li’l Kim Rrazz Room, Hotel Nikko, 222 Mason, SF; (415) 394-1189, www.therrazzroom.com. 8pm, $47.50-75.

Miggs, Silver Griffin Café du Nord. 8pm, $12.

Moka Only and Factor, Ceschi, Open Mike Eagle, Kirby Dominant, Toast Elbo Room. 9pm, $8.

Tool Bill Graham Civic Auditorium, 99 Grove, SF; www.ticketmaster.com. 8pm, $59.50.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Musik for Your Teeth Revolution Café, 3248 22nd St., SF; (415) 642-0474. 5pm, free. Soul cookin’ happy hour tunes with DJ Antonino Musco.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 13

ROCK/BLUES/HIP-HOP

Andrew Belle, Ernie Halter, Tony Lucca Hotel Utah. 8pm, $12.

Fat Tuesday Band Biscuits and Blues. 8 and 10pm, $15.

Halsted, Dave Smallen Café du Nord. 9:30pm, $10.

Hanalei, James Leste, Rob Carter and Ruben Diaz Bottom of the Hill. 9pm, $8.

Mynabirds, Honeycomb Rickshaw Stop. 6pm, $10.

Maren Parusel, Fight or Flight Thee Parkside. 8pm, $8.

Prize Hog, Black Skies, Flood Hemlock Tavern. 9pm, $6.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJ Big Dwayne and DJ What’s His Fuck.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Fromagique Elbo Room. 9pm, $10. Live music and tawdry burlesque with Bombshell Betty.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Alerts

David Talbot
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0

alert@sfbg.com

WEDNESDAY, JULY 7

Think Outside the Bomb


Learn about Think Outside the Bomb, a volunteer, youth-organized, grassroots network working for nuclear abolition. Also learn about its 2010 Disarmament Summer campaign at this presentation on nuclear weapons, the energy industry, and the human and environmental costs of nuclear weapons. Entertainment, special guests, and more.

7 p.m., free

The Long Haul

3124 Shattuck, Berk.

www.totbtour.wordpress.com

THURSDAY, JULY 8

"Sustainable Home Landscape"


Attend this panel discussion on how to harvest rainwater and reuse greywater in the urban landscape moderated by Cleo Woelfle-Erskine, one of the founders of Greywater Action. Learning how to conserve water at home is becoming increasingly important for Californians as we face drought and collapsing ecosystems.

6 p.m., free

San Francisco Public Library

Latino Hispanic Community Meeting Room

100 Larkin, SF

(415) 557-4484

SUNDAY, JULY 11

Pastors for Peace


Support the 21st Friendshipment Caravan to Cuba as it passes through San Francisco on its way to deliver humanitarian aid to Cuba and challenge the U.S. blockade. The caravan is visiting 130 U.S. and Canadian cities to educate people about the blockade while collecting construction, medical, and education supplies before traveling to Cuba without asking for a U.S. government license. Featuring a presentations and video.

2 p.m., free

Temple United Methodist Church

65 Beverly, SF

www.cuba726.org

More Drought Solutions


Learn how to save water in your house and yard with greywater systems, rainwater catchments, earthworks, and landscaping choices at this presentation and workshop with instructor Babak Tondre. The greywater system at EcoHouse was the first permitted residential greywater system in California. Return home with ideas and plans of your own.

10 a.m., $15

Ecology Center, Suite H

2530 San Pablo, Berk.

(510) 548-2220

MONDAY, JULY 12

The good tariffs

Attend this one-day conference titled "Feed-in Tariffs: A Time for Real Action on Renewable Energy in California" to discuss feed-in tariffs as way to stimulate investment in renewable energy, increase energy security, and promote economic development in California.

9 a.m.– 5 p.m., $30

City Club

11th Floor

155 Sansome, SF

www.pacificenvironment.org/FITconference

TUESDAY, JULY 13

Adoption options


Attend this informational workshop to find out about the possibilities of providing a permanent home to one of the 80,000 foster children in California. Adopt A Special Kid (AASK) is located in Oakland and provides social work services necessary for adoption as well as a monthly stipend until children reach the age of 18. All families welcome, including LGBT families, singles, partnered people, older people, disabled people, homeowners, and renters.

7 p.m., free

AASK Office, Suite 103

8201 Edgewater, Oakl.

(510) 553-1748 ext. 12

Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 437-3658; or e-mail alert@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

COH sends in “hostage negotiators” during budget talks (VIDEO)

Sasha Cuttler And Mary Magee
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12

Members of the Board of Supervisors, their legislative aides, and other City Hall regulars were all looking a bit sleep-deprived as they darted from office to office at City Hall July 1 after ongoing budget negotiations kept everyone up late the night before. Just as an agreement on the city budget seemed within reach on June 30, Mayor Gavin Newsom and his chief of staff, Steve Kawa, had expressed strong opposition to several initiatives that progressive members of the Board of Supervisors sought to place on the November ballot.

The mayor’s last-minute move was described by some as a quid pro quo that withheld support for an amended budget — which included about $40 million in restorations to community programs that are high priorities for members of the board — unless four different proposals were struck from the ballot. Three were proposed charter amendments dealing with commission appointments that would distribute power more evenly between the board and the mayor, and the fourth was a proposal put forth by Sup. Ross Mirkarimi that would have required the San Francisco Police Department to adopt a community-policing model and engage in neighborhood foot patrols, initially cast as an enlightened alternative to Newsom’s proposed law banning sitting or lying down on the sidewalk. 

“In so many words, he had expressed clear dissent, and that was made relative to our budget proceedings,” Mirkarimi said, noting that the mayor didn’t phrase it in a way that would have run afoul of a law prohibiting that kind of bargaining over legislation. Newsom Press Secretary Tony Winnicker dodged repeated Guardian questions about whether Newsom was demanding conditions unrelated to the budget, coming closest to a direct answer when he said, “Before discussions of vetoing would even come up there would have to be something at the full Board to consider or veto, and there’s not, so NO.”

Technically legal or not, Newsom’s move was enough to prompt members of the Coalition on Homelessness, an advocacy group, to decry it as “a hostage situation.” As if negotiators ping-ponging back and forth across City Hall weren’t jarred enough already, the Coalition on Homelessness and Budget Justice Coalition members opted to underscore their point by blasting heavy metal music outside the mayor’s office windows in order to “push the standoff to a close, and release the needed funds to safety.”

“The package of add-backs and cuts would have preserved the essential services San Francisco families rely on to survive the recession,” the Coalition wrote in a press statement that was released as budget negotiations wore on. “In order to leverage political gain on unrelated issues, the Mayor chose to hold hostage the package of restorations to vital senior health services, youth violence prevention programs, mental health treatment and cuts to waste.”

The heavy metal stunt only lasted about two minutes before deputy sherriffs put the kibosh on it, but “hostage negotiators” Patrick Flanagan (shown in the video wearing sunglasses), James Chionsini, Que Newbill, Lorraine Deguzman, Bob Offer-Westort, and Jennifer Friedenbach managed to make their way into the reception area of the mayor’s office. Mike Farrah, director of the Mayor’s Office of Neighborhood Services, was sent out for a bargaining session with the pizza-bearing crew. We caught the whole tense situation on film, and here’s how it went:

The “hostage negotiations” session took place around 4 p.m. Around the same time, various members of the board were going in to meet with the mayor on what several described as “parallel conversations” regarding the charter amendments, and the roster of programs that supervisors wanted to see restored after Newsom proposed slashing them in his June 1 budget proposal.

As the Budget & Finance Committee prepared to meet around 6:30 p.m., the worst fears of the Budget Justice Coalition did not seem to be realized. City Controller Ben Rosenfield arrived to the board chambers with freshly printed copies of an add-back list that included most of the programs that were high priorities for progressive supervisors and community advocates. However, Newsom had not given that list his stamp of approval, so a final budget agreement between both parties remained elusive. Winnicker cast those add-backs as contrary to Newsom’s wishes: “Don’t for a second even try to suggest that it’s improper to raise concerns about the fiscal impact of a new $40 million setaside in the context of a discussion of the budget.”

As for the discussion about the charter amenments, Mirkarimi characterized it as “ongoing.” Avalos called the preliminary amended budget “a work in progress,” but members of the Budget & Finance Committee still voiced a round of thank-yous to one another and all of the community groups who were there to assist with the process.

The Budget & Finance Committee forwarded the budget, including the restoration package, to the full board. Using a variety of sources, supervisors were able to restore $32,941,541 in funding for programs ranging from homeless services, to mental health care programs, to programs that aid and assist impoverished single-room-occupancy hotel residents, and others. An additional $7.4 million meant to cover a variety of youth and senior programs will depend on a supplemental appropriation that won the committee’s preliminary approval. Sup. Sean Elsbernd dissented on both counts, but still made a point of thanking the other committee members for their work.

 



First-person shooter

Jesse Hawthorne Ficks
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0
First-person shooter

Extra Lives: Why Video Games Matter

Tom Bissell

(Pantheon Books/Random House, 218 pages, $22.95)

In the fifth chapter of his essay collection Extra Lives: Why Video Games Matter, author Tom Bissell meets “Al,” a staffer at the 2009 DICE convention, an annual game industry event held in Las Vegas. “By 2020,” gushes Al, “there is a very good chance that the president will be someone who played Super Mario Bros. on the NES.”

There exists an entire generation who grew up alongside video games, and while it might well include a future president or two, it also contains a handful of talented writers eager to vivisect their childhood obsessions. Bissell is a model for this new breed of video game journo — schooled in the discourse of academic criticism, tempered in the crucible of high-stakes, highbrow publishing, and possessed of an unapologetic love for the medium — and Extra Lives is an important, relentlessly perceptive book.

Bissell began as a travel writer, and his background gives him a gift for evocative descriptions of video game vignettes that sketch the aesthetic and technical particulars in deft, efficient strokes. Each of the nine essays in the collection is roughly centered around a single game; the limited corpus, chosen with conviction and care, skews toward recent games like Bethesda’s Fallout 3 and Bioware’s Mass Effect.

This modern focus is a reaction to a game design sea change, one that privileges story and artistic ambition over technical achievement and mindless action. But games have a long way to go, and Bissell is determined to unpack their puerility, along with his unblinking acceptance of it: “If I were reading a book or watching a film that, every 10 minutes, had me gulping a gallon of aesthetic Pepto, I would stop reading or watching,” he opines. “Games, for some reason, do not have this problem. Or rather, their problem is not having this problem. I routinely tolerate in games crudities I would never tolerate in any other form of art or entertainment.”

Veering constantly from the personal to the theoretical, Bissell proves that it’s possible to ruminate on the past, present, and future of video games in a way that is both intellectually rigorous and consistently entertaining. The book’s only flaw is its relative brevity, especially considering that two essays (“The Grammar of Fun” and “Grand Thefts”) already have appeared in print in an abridged form. Nevertheless, games and gamers should count themselves lucky to have Extra Lives on their side.

Sparks reveals her conservativism in exchange with Walker

Sasha Cuttler
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26

During the District 6 supervisorial candidate debate that San Francisco Young Democrats held last week, a two-question exchange between two of the leading candidates – progressive Debra Walker and downtown-backed Theresa Sparks – offered a revealing look at their starkly different worldviews and priorities, which is more important in this race than people’s machine politics conspiracy theories.

During the second portion of the event, candidates were allowed to ask a question of another candidate, and Walker and Sparks focused on one another with pointed questions (this occurred at around the 30-minute mark, although the video doesn’t seem to allow users to forward to that point, forcing you to endure the often insipid commentary).

Walker went first, asking Sparks why, during her more than four-year tenure on the Police Commission – a body in charge of disciplining police officers accused of serious misconduct after citizen complaints are investigated and found valid by the Office of Citizen Complaints, with each case assigned to a particular commissioner – Sparks didn’t hold any hearings or act to punish any officers.

Sparks said the accusation wasn’t true, and that she did hold one hearing during that time, and then said that the Police Commission is prohibited by the city charter from intervening in the internal workings of the Police Department, implying that the body isn’t actually in charge of disciplining officers. Walker said Sparks was wrong and tried to ask a follow-up question and was cut off by moderator Melissa Griffin.

So this week, I called both candidates to try to get to the bottom of the dispute. “She indicated it’s not the commission’s job to focus on these things, and that’s absolutely not the case,” Walker said. “She was incorrect saying it wasn’t the job of commissioners to do this.”

And when I talked to Sparks, she didn’t dispute that fact, but conveyed how complicated the process was when officers are accused of serious misconduct (minor misconduct just goes to the chief), with lawyers seeking stipulated settlements and whatnot, and repeatedly emphasizing “it’s a bad system.” One reason it’s so bad is her own lack of qualifications: “You can’t have people like me, whose only legal background is watching Law and Order, trying to handle these cases.”

Sparks was appointed by Mayor Gavin Newsom, who is backing her supervisorial bid, which is also expected to have strong support from the San Francisco Police Officers Association. She wouldn’t say how many cases she was assigned during her tenure, but OCC records show more than 300 cases assigned to the commission during her tenure and the long backlog left in her wake has been the subject of criticism by everyone from Police Chief George Gascon to new Police Commission Jim Hammer.

Rather than supporting this civilian oversight of problem officers, Sparks wants to turn those duties over to Gascon’s office, telling us, “We need to give this chief more authority to fire officers rather than going through this ridiculous process.”

At the debate, after seeming stung by a question she jokingly called a “softball,” Sparks fired back by asking Walker whether she supported the proposed tax measures now being considered by the Board of Supervisors to help close the city’s large budget deficit, framing the question by saying they would hurt small business.

Walker answered by voicing her support for small business, but noting how essential city services such as public health programs were being deeply cut and that the city needed new revenue to deal with its structural budget deficit, although she said that she had yet to decide which of the tax measures she supported considering none have been approved for the ballot yet.

This week, Moody’s Investor Services lowered the citys’ credit rating precisely because Newsom’s budgets have not addressed that structural budget deficit, and even the Controller’s Office has ordered more than a $100 million placed on reserve because of doubts about the mayor’s revenue assumptions.

So for Sparks to characterize the need for new revenue as an unfair attack on small business indicates a short-sighted, right-wing approach to municipal finances, an approach Walker rejects, telling us, “I think we need to be responsible and do the right thing in dealing with the city’s needs…It’s going to cost us and the people who come after us more and more because of these cuts.”

When I spoke with Sparks, noting the Moody’s report, she seemed to back away from how she was trying the characterize the revenue measures at the debate. “I do think the city needs new revenue, but I don’t think that taxing small business is the way to go,” she said, referring to a proposal by Sup. David Chiu to tax commercial rents, which would be paid by the landlords.

So I asked Sparks whether she supported any of the proposals or if she was advocating any other revenues measures, and she said, “Quite honestly, I need to think about that because I do think we need more revenue.”

Which is pretty much the same answer Walker gave in a far more honest and direct way in that debate, without trying to pander to the fears of small businesspeople. The bottom line is that the downtown corporations who are backing Sparks have done nothing to help the city during this prolonged recession, while demanding even greater police responses to deal with poor people sitting on sidewalks and other perceived problems, and that hypocrisy should be front and center in this election.

REELing against the tide

John Elberling
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0

In a world of relative cinema-watching convenience, with Netflix and Blockbuster By Mail, the quirky neighborhood video rental store is going the way of the record store and the dodo. However, the East Bay still houses at least one fantastic holdout, REEL Video, located on Shattuck Ave. in Berkeley. But perhaps not for long — despite REEL’s unique stock and organization, it is in fact owned by Hollywood Video, which recently filed for bankruptcy and announced the liquidation of all its stores. Over the past few weeks, REEL was suddenly plastered with fliers addressing frequently-asked questions about the store’s imminent closure, and calling for customer input on the store’s uncertain future.


Thanks to its impressive Netflix-besting selection (a VHS copy of 1965’s Chimes at Midnight!) and its invitingly idiosyncratic shelving categories (e.g. “Your Mom,”” “So Bad It’s Half Off,” “One Man Army,” “British Television,” “Werner Herzog,” “Bromance”), REEL is a staple of the Berkeley film-buff/geek/cultist community. With a section devoted specifically to the beloved Criterion Collection, and a broad array of international cinema, it’s a great resource for UC Berkeley students studying film or just looking for a crazy popcorn movie on a Friday night (Black Gestapo, anyone?).

The latest press release from REEL details a proposed future for the store, wherein it would become “ a community movie education and gathering place in addition to its on-going video rental business.” REEL’s employees and other champions are seeking “angel investors” to help purchase the video collection and lease the store grounds, in preparation for their newly conceived “potentially non-profit” status.

On or around Wednesday, June 23, REEL launched www.savereelvideo.com; they’ve also set up SaveReelVideo@gmail.com for interested customers to communicate with the store’s management.

Get on this, people! A genuine outpost of cultural weirdness and passion is about to be subsumed by the tide. It seems these are slowly dissipating, at least in the non-virtual world, so we have to save what we can.

Stage listings

David Talbot
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0

Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Beijing, California Thick House Theater, 1695 18th St; www.asianamericantheater.org. $15-25. Opens Thurs/2, 8pm. Plays Thurs-Sat, 8pm; Sun, 5pm. Through July 17. Asian American Theater Company presents a new play by Paul heller set in the year 2050, when China invades America.

Posibilidad, or Death of the Worker Dolores Park and other sites; 285-1717, www.sfmt.org. Free. Previews Sat/3, 2pm. Opens Sun/4, 2pm. Runs Sat-Sun, Sept 6, 2pm; Sept 17, 8pm. The San Francisco Mime Troupe opens its 51st season with a modern song and tango about politics in the workplace.

BAY AREA

Left of Oz Ashby Stage, 1901 Ashby, Berk; (800) 838-3006, www.brownpapertickets.com. $25-50. Opens Fri/2 8pm. Runs Fri-Sat, 8pm, Sun, 7pm. Through July 18. Stephanie’s Playhouse presents a lez-queer musical comedy following the out west adventures of Dorothy.


ONGOING

Abigail: The Salem Witch Trials Temple SF, 540 Howard; www.templesf.com. $10. July 8, 29, Aug 5, 12, 19, 26, 9pm. Through Aug 26. Buzz Productions, with Skycastle Music and Lunar Eclipse Records, presents an original rock opera based on the Salem witch trials.

*Blackbird: Honoring a Century of Pansy Divas Mama Calizo’s Voice Factory, 1519 Mission; 786-9325, www.evezen.org. Thurs-Sat, 8pm. Through July 10. The intimate Blackbird Funeral Parlour Speakeasy is somber-toned and deceptively hushed, complete with period furnishings, a see-through dressing room, softly flickering altar, and obligatory piano. Only a few moments into Seth Eisen’s exceptional one-man cabaret, however, and the place is alive and kicking: doleful aspects of the décor making ample room for a sly, vigorous, soulful performer and a completely unexpected journey through some vibrant underground queer history (backed by fellow Circo Zero alum Sean Feit’s sharp musical direction and breezy accompaniment, and Alanna Simone’s gently humorous and haunting video pieces). Your guide is 100-year-old Jean Marlin, author of the notorious 1930s Pansy Craze, 75 years dead and looking fabulous in tails, bold green cravat, dapper purple hankie and a topping of regal black plumage (costumer Jack Davis demonstrates a genius throughout for turning a shoestring budget into a G-string–supported extravaganza). A multifaceted performer with quick tongue, nimble steps, and hearty voice (giving life to an assortment of extraordinary songs), Eisen uses drag, dance, puppetry, and performance art techniques to give flight to worthy exotic blackbirds known and forgotten—drag queen Zen priest Tommy Issan Dorsey; sexually ambiguous Danny Kaye; Brazil’s inimitable Ney Matogrosso; the definitely outré Klaus Nomi; and disco treasure Sylvester, whose live rendition of the Beatles’ "Blackbird" at SF’s War Memorial Opera House is one of several standout moments in this rollicking and poignant act of resurrection, insurrection, and homage. (Avila)

Die Walküre War Memorial Opera House, 301 Van Ness, SF; www.sfopera.com. $15-360. Wed/30, 7pm. Through Wed/30. San Francisco Opera presents the second installment of Wagner’s Ring cycle, directed by Francesca Zambello.

"Durang Me!" Next Stage, 1620 Gough; 1-800-838-3006, www.custommade.org. $10-28. Thurs-Sat, 8pm. Through July 10. Christopher Durang’s The Actor’s Nightmare could just as easily be called The Accountant’s Nightmare, as befuddled Everyman and presumed non-actor George Spelvin (Eric O’ Kelly) attempts to navigate his way out of a confused rendition of Noel Coward’s "Private Lives" dressed as Prince Hamlet and menaced by a trashcan-bearing Beckett-arian (AJ Davenport). This traditional companion piece to Durang’s Catholic School send-up Sister Mary Ignatius Explains It All for You references a Catholic boyhood several times, but it is the anxiety of the present moment that prevails, as the stage clears, and Spelvin is chased into a corner by an unforgiving spotlight to deliver his frantic last-ditch attempt at a soliloquy: his ABC’s. The titular Sister Mary Ignatius (AJ Davenport), by turns arctic and expansive, attempts to explain all, while periodically trotting out her star pupil Thomas (Cole Cloud) to recite catechism and spell eck-u-men-ickle for cookies. Davenport plays the pedantic side of Sister Mary with humorous vigor, but when a group of her former students drop by "to embarrass her" she doesn’t quite pull off embodying the ogress of their now-adult nightmares. Of her former students, it is probably Aloysius Benheim (Eric O’Kelly) who comes across as the most damaged by her tyranny, and not coincidentally, suffers the piece’s greatest humiliation. (Nicole Gluckstern)

La Fanciulla Del West War Memorial Opera House, 301 Van Ness; www.sfopera.com. $15-360. Fri/2, 8pm. Through Fri/2. San Francisco Opera presents Puccini’s opera, with Deborah Voigt as Minnie.

How the Other Half Loves Phoenix Theatre, 414 Mason; (800) 838-3006, www.offbroadwaywest.org. $35, Thurs-Sat, 8pm. Through July 31. Off Broadway West Theatre Company presents an early play by Alan Ayckbourn.

Krapp’s Last Tape Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Thurs-Sat, 8pm. Through Sat/3. Cutting Ball Theater remounts its strong recent production of Samuel Beckett’s hour-long solo play, featuring a full-fledged and satisfying turn by a hearty, slyly comic Paul Gerrior as the titular Krapp, reflecting on the fleeting sense of self recorded on reel-to-reel tapes over the course of a long life. Artistic director Rob Melrose approaches the material with supreme assurance and passionate but never stifling fidelity. David Sinaiko provides the recorded voice of the younger Krapp, expertly balancing a passion and unselfconscious pomposity that has Gerrior’s Krapp alternately bemused, euphoric, and wincing through one of Beckett’s most autobiographical and surprisingly affirming pieces. Melrose’s choice use of scenic elements, meanwhile, including the palpably solid 1950s-era tape machine, places Gerrior (suitably odd and natty in costumer Maggie Whitaker’s dapper vest, high-water trousers and white shoes) in a kind of communion with the reel and the real—an affecting and quietly unsettling relationship, pitched against an infinite blackness all around, that has Krapp at one point resting his head gently on the machine as he and the insubstantial voice of his younger self relive a moment of intimacy with a long-gone lover. (Avila)

The New Century New Conservatory Theatre Center, 25 Van Ness, SF; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; July 11, 2pm. Through July 11. New Conservatory Theatre Center performs Paul Rudnick’s bill of short comedies.

Peter Pan Threesixty Theater, Ferry Park (on Embarcadero across from the Ferry Bldg); www.peterpantheshow.com. $30-125. Tues and Thurs, 7pm; Fri-Sat, 7:30pm (also Sat, 2pm); Wed, 2pm; Sun, 1 and 5pm. Through August 29. JM Barrie’s tale is performed in a specially-built 360-degree CGI theater.

Reading My Dad’s Porn and French Kissing the Dog The Marsh Studio Theater, 1074 Valencia; (800) 838-3006, www.themarsh.org. Thurs-Sat, 8pm. Through July 17. The title of San Francisco writer-performer Cherry Zonkowski’s confessional solo show gives only a little away—a passing detail from the Nordic diversions of a spirited army brat and daughter of an alcoholic father—but the rest of the narrative leaves even less to the imagination. An account of Zonkowski’s initiation into the sex party and BDSM scene, Reading My Dad’s Porn bounces gleefully between comically graphic depictions of sweaty, writhing Bay Area meet-and-greets and a childhood and young adulthood buried in family dysfunction, a loveless marriage, and the grueling teaching load of a recent English PhD. Ultimately, it’s the story of a woman finding her own identity and community, and if the outlines sound familiar they also feel that way. The straightforward plot—peppered with humorous details and asides (as well as the odd song, accompanied by accordionist Salane Schultz, alternating nights with Aaron Seeman)—lacks both urgency and characters of much complexity. The story’s patina of outré sex, meanwhile, is far from revelatory and too superficial and jokey to offer much dramatic heft. Nevertheless, the show, developed with director David Ford, draws a limited appeal from the force of Zonkowski’s extroverted personality, whose orientation sexual and otherwise skews toward fun—although her more aggressive attempts to corral the audience into participating (mainly vocally) in the show’s narrative high jinx may put some off even more than the fisting by the snack table. (Avila)

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-25. Thurs-Sun, 8pm. Through August 28. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

BAY AREA

The Drawer Boy Marion E. Greene Black Box Theatre, 531 19th St, Oakl. www.brownpapertickets.com. $10. Thurs-Sat, 8pm; Sun, 2pm. Through Sun/4. TheatreFIRST presents Michael Healey’s comedy about two aging farmers with a family secret.

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Sat/3, July 24, 31, 8pm; July 18, 25, Aug 1, 7pm; Fri/ 2, July 9, 16, 9pm. Through August 1. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

"Fireworks Festival" Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $25-35. Through Sat/3, showtimes vary. This performance festival includes work by John Leguizamo, David Sedaris (whose show is already sold out), Dan Hoyle, and Wes "Scoop" Nisker.

Les Liasons Dangereuses Redwood Ampitheatre, 30 Sir Francis Drake, Ross; (415) 251-1027, www.porchlight.net. $15-30. Thurs-Sun, 7:30pm; also July 7, 7:30pm. Through July 10. Porchlight Theatre Company presents a production of Christopher Hampton’s adaptation of the 1782 novel.

Loveland The Marsh Berkeley, 2120 Allston, Berk; (800) 838-3006, www.themarsh.org. $25-50. Fri/ 2, 9, 7pm; Sat/3, 5pm; July 11, 2pm. Through July 11. Ann Randolph’s comic solo show about an irreverent woman’s trip back to her childhood home in Ohio.

Shaker Chair Pear Avenue Theatre, 1220 Pear Avenue, Mtn View; (800) 838-3006, www.brownpapertickets.com. $15-30. Thurs-Sat, 8pm; Sun, 2pm (also July 10, 2pm; no performance Sun/4). Through July 11. Pear Avenue Theatre presents Adam Bock’s play about a middle-aged widow who applies Shaker philosophy to her lifestyle.

Speech & Debate Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $34-55. Wed-Sat, 8pm; Sun, 2pm, 7pm; Tues, 7pm. Through July 18. Aurora Theatre closes its 18th season with Stephen Karam’s comedy about three teen misfits connected to a small town sex scandal.


PERFORMANCE/DANCE

BATS Improv Theatre Bayfront Theater, Fort Mason Center, B350 Fort Mason; 474-6776, www.improv.org. Fri-Sat, 8pm. Through July 31. Bay Area Theatresports presents an evening of theater and comedy.

The Bowls Project: Secrets of the Apocalyptic Intimate Yerba Buena Center for the Arts, Sculpture Court, 701 Mission; 978-2787, www.ybca.org. Tues/6, 6-8pm, free. Through August 22. Charming Hostess presents a series of performances in conjunction with an interactive sound sculpture.

Hannibal Buress Rickshaw Stop, 155 Fell; 861-2011, www.rickshawstop.com. Wed/30, 8pm. $12. The Saturday Night Live writer performs along with W. Kamau Bell and Jen Slusser.

Curtain Up! The Life and Times of Ethel Merman Martuni’s, 4 Valencia; 241-0205, www.dragatmartunis.com. Wed/30, 7pm. Tom Shaw Trip presents an evening devoted to the famous indomitable diva.

Kinsey Sicks: Each Hit & I Rrazz Room, 222 Mason; (866) 468-3399, www.theRRazzroom.com. Tues/6, 7pm. $35-40. An all new musical revue with parodies of Katy perry and others.

Liz Grant Variety Pack Comedy Show Purple Onion, 140 Columbus; 200-8781, www.brownpapertickets.com. Fri, 4:30pm. Through Sept 3. $10. A changing lineup of stand up comedy.

Qcomedy Showcase Martuni’s, 4 Valencia; 241-0205, www.Qcomedy.com. Mon, 5pm. A weekly show of queer comedy.

The Romane Event Make Out Room, 3225 22nd St; 647-2888, www.pacoromane.com. Wed/30, 7:30pm. $7. A comedy event led by SF comedian Paco Romane.

BAY AREA
Backroom Comedy 5332 College, Oakl; (510) 655-3929, www.candychurilla.com. Wed/30, 8pm. Free, A stand up comedy show hosted by Candy Churilla.

Charlie Murphy: So funny, even Juggalos can dig

Andrew Lam
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Charlie Murphy does not want to hear another “Fuck yo couch!” Though the comedian talked his way into fame with his cult favorite skits on the Chappelle Show, in which he shared the stories of hanging with Prince and Rick James back in the days he was brother Eddie’s security detail, that was then, this is now. Or, as he put it to me in a recent phone interview, “that was the Dave Chappelle show. This is the Charlie Murphy show.” Indeed. Murphy’s moved into his own spotlight, headlining his own stand up tour (coming to Cobb’s for a four night run beginning Wed/30) , and sassing up supporting roles in a whole slew of black ensemble comedies on the silver screen. God dammit, he’s a big deal. And even if he’s not gonna punch you in the face for not laughing at his act anymore (see below if that doesn’t make any sense), something tells me it behooves you to be amused anyway. Plus, he killed it at the Gathering of the Juggalos. Charlie Murphy’s on the way!

 

San Francisco Bay Guardian: You’ve got a lot of projects coming out now, a whole lot of movies opening soon.

Charlie Murphy: Yeah I have this movie with Bow Wow, The Lottery Ticket, that’s coming out in August, and also the Cookout 2. And right now, I have my DVD [Charlie Murphy: I Will Not Apologize] out, and my book, Charlie Murphy: The Making of a Stand Up Guy. It’s all about me keeping people aware of the fact that I’m here and I’m doing this. You got to put your best foot forward at all times.

 

SFBG: Definitely. That’s a lot of stuff. Is there one project that you were particularly excited about?

CM: My DVD. When I first started doing stand up, no one took me seriously. It was like, he can go on stage and he can make the crowd laugh, but you really think he’s going to stick around with that? Like, this guy, he’s not really one of us. But I did stick around, and I did extremely well. If someone else won’t toot your horn for you, you’ve got to toot your own horn, you know what I mean? You don’t just show up and start doing stand up comedy, and go on a world tour and sell out everywhere, and don’t have bad shows. I did that. And I’m not bragging about it. 

 

SFBG: Uh huh. 

CM: I’m humble about the fact that I was given the opportunity to live up to the opportunity I was given. But at the same time, no one else was acting like what I did was an accomplishment. So that’s why I put the book together, that’s why I put the DVD together, because everyone was talking about that Chris Rock went over to Europe, to South Africa, to all that. That was supposed to be the biggest comedy tour ever, it was international. Little did everybody know that Charlie Murphy did the same thing. The same year. But I didn’t have a deal with HBO, you know what I’m saying? 

 

SFBG: You had the advantage of having people in your family that had made that jump into international celebrity before you. The moment that you realized that Eddie was going to be super famous, how did that compare to the moment that you realized that hey, you were going to be famous, too?

CM: There’s no comparison because I can’t feeling another person’s feelings, so I don’t know what that felt like for him. I was proud of him, but I can’t eat his bread. There’s no meal in that for me. 

 

SFBG: Did I see a Youtube video of you performing at an Insane Clown Posse concert? Did that happen?

CM: Yeah, yeah, I was with the Juggalos, and I would love to do another one.

 

SFBG: How did that happen?

CM: It was in the woods at night. How it happened — to this day I couldn’t answer your question 100%. I didn’t think it was going to work out the way it did.

 

SFBG: But they loved you. You could see from the video.

CM: It was mad love, mad love. That was an experience for me because I was told to expect the exact opposite.

 

SFBG: They have that reputation of being kind of belligerent.

CM: But what I did was I was belligerent with them. So we had a great time.

 

SFBG: Got along great, then.

CM: Got along just great.

 

SFBG: I do want to ask you one question about the Chappelle Show. When you heard that he was leaving the show – first of all, how did you hear about it, and second of all, what were your thoughts when you heard he was… taking off?

CM: Disbelief. Didn’t no one believe it when it first took place. I didn’t believe — or understand why. But looking back, it was probably the best thing because I wouldn’t have done all the stand up I have done, and I wouldn’t have been around as many people that I’ve been around had that show kept going, because that was the Dave Chappelle Show, not the Charlie Murphy show. This is the Charlie Murphy show. I’d much rather be at the Charlie Murphy show than anybody else’s show. 

 

SFBG: You said at one point you moved away from bodyguarding because you became a little too zealous with how you were carrying out –

CM: No no no no. The point I was trying to say was that I’m not a bodyguard, in the sense of a professional. I’m a bodyguard in the sense of, if you mess with anybody in my family I better not be around to hear about it. With my brother, all this stuff was happening, he was being heralded and hyped up as this special person, and we were very proud of him. And as a byproduct of that, if you see somebody going against that, you get very animated. You know, this person is personally threatening your family member, and a special one at that. So I would get extra hyped, and it was very easy to get me to jump on somebody. Several things like… you’re not laughing. Everybody’s laughing, and one person’s not laughing. They might be sitting there with a stomachache. I don’t even think about that. It’s like, what’s your face like that for? And I wanna beat you up. And I would jump on it.

 

SFBG: Would you go out into the audience?

CM: We’d be in the audience! We’d be walking in the audience, [if] somebody had an attitude, we’d give them a whip.

 

SFBG: Is getting punched in the face something we should be concerned about if we go to your show in San Francisco? 

CM: No. I’m a professional, and everyone that travels with me is as well. We focus on one thing, living up to the hype, doing a great show, and making sure people want to see us again. Period. So I’m trying to make friends. Make love not war, that’s how it go.

 

SFBG: Cool. Anything else you want us to know?

CM: Just tell them I’m getting ready to come there and tear it down! Charlie Murphy’s on the way.

 

Charlie Murphy

Wed/30 (through Sat/3) 8 p.m. (also 10:15 p.m., Fri and Sat), $28.50-32.50

Cobb’s Comedy Club

915 Columbus, SF

(415) 928-4320

www.cobbscomedyclub.com

 

 

 

So ya wanna be in pictures? Two calls for onscreen lovemakers

Andrew Lam
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Has your lover ever gazed at you over a post coital puff, coughed, and whispered through a cancer-wracked, husky voice (sorry, those damn cigs have me all riled today) “baby, we should be in pictures,”? Of course, right? Like, this morning, probably! Well, fire up that Gchat and ready your Flip on its charger, because you and and he-she-it have a date with destiny — times two! — this Pride weekend. That’s because Good Vibes is running two calls for submissions of homemade/independent sex films, both due Wed/30.

 

Numero uno: The Independent Erotic Film Festival 

Everyone’s always dreaming of the day when Dr. Carol Queen and Peaches Christ dissect your lovemaking onstage in front of the audience of the Castro Theater! Right? Right? “There’s nothing like discussing film criticism with a bunch of drag queens,” Queen told me in a recent phone interview. Queen, SF’s resident sexpert, one-time Lusty Lady peep show tease, and founder of the Center for Sex and Culture, said the 4th year of the IXFF (which will take place Sept. 23) will be great because “we can see things that aren’t in the genre expectations of porn — it expands peoples’ ideas of what a sex movie is. If people are only looking at porn on cable TV, they’re only seenig a little bit of what sexuality can be.”

And you, gentle reader, can be part of that sexuality expansion! Of course, not everyone’s entry needs to be hard core. Says Dr. Queen, some past films could have made it as a documentary. “Some are different,” she told me. “They’re artier, they’re more personal.” Whatever’s sexy to you, mmkay?

Entries can be up to seven minutes long (keep it short and more of your randy peers can air their nasty bits at the festival). Good Vibes chooses the shorts they air based on how “good” they are, as well as in the spirit of fostering diversity of sexual representation. Oh, and the People’s Choice award winner gets $1,500 — that’ll keep you condoms for days! You can send it in until midnight on Wed/30, which by my count means you have about 5 days and 10 hours to get it up.

 

Numero dos: “The G-Spot Does Exist” challenge

“We decided to make this film after after all the press about the G-spot not really existing,” said Dr. Queen about Good Vibes and Je Joue‘s new project, Gush: The Official Guide to the G-Spot and Female Ejaculation, the third in the Good Releasing “Pleasure Ed” series (for which she writes and hosts). “It was this ridiculous study they did — they weren’t sex researchers! They asked a lot of dumb questions, got dumb answers.”

The companies will be tapping porn performers to act in G-spot stimulating scenes — with real life partners, and favored co stars, as has been the series’ wont in the first “Pleasure Ed” movies, of which the first two installations focused on cunnilingus and fellatio. “We want people to learn seeing genuine sexual energy,” said Queen.

But they’re also seeking a regular gal who just really likes her spongey mass of pleasure.

“We wanted to see who out there wanted to represent her own skills and knowledge,” Queen told me. They’re accepting submissions in the form of videos, or even an essay and photos. Once you have won the G-spot crown, your next task is to find out who you want to share it with; like the pros, you’ll be performing for Gush with a partner of your choice — even if that’s a Je Joue G-Ki.

 

For salacious details on how to submit to the The Independent Erotic Film Festival (entries due Wed/30), go to www.gv-ixff.org

For all the gushing glory of “The G-Spot Does Exist” challenge, send videos to: Good Releasing G-Spot Video, 934 Howard Street, San Francisco, CA 94103. Or or or! Just join the rest of the world by digitizing, and sending a link, photo and/or essay to casting@goodreleasing.com

SCENE: Shannon and the Clams open up

Jesse Hawthorne Ficks
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SCENE: Shannon and the Clams open up

 

A long version of the interview in the current issue of SCENE:

If I’m going to stay up late and go as deep as I can into the night, so far that I’m just about lost and in trouble, I want the sounds of Shannon and the Clams with me. The Oakland group’s album I Wanna Go Home (1-2-3-4-Go! Records) is packed with songs that have been there and will shine a light to lead you back into the day, while letting you have a sip or two and an adventure or three along the way. This is rock ‘n’ roll music, electric-charged by bassist Shannon Shaw’s wild wonder of a voice, guitarist Cody Blanchard’s flair for classic crooning and crying, and drummer Ian Amberson’s fierce reliability. See Shannon and the Clams live. You will believe.

SFBG Shannon, when did you start to sing for fun? What singers did you love as a kid? What kind of stuff forms what you’ve called a “rage cage,” and does singing help you break out of it?
SHANNON SHAW I have been making up songs since I could talk at the ripe age of two. The first song I remember in full came about because I was cast off to spend time in my room for being bad. There, I formed a rage cage (rage cage: an explosion of anger you can’t escape from) and sang a song that lasted the duration of my time out. The lyrics were something like: ‘I’m really a princess, and my mom doesn’t know because she’s evil, and I’m a princess, and my gramma is my real mom who is a queen and she loves me and lives in a castle…my castle, I’m a princess, where’s my castle?” Very sophisticated, eh? I think I was 4ish at the time.
My favorite singers growing up were definitely Roy Orbison, Kermit the Frog, the Mouse Girl from An American Tale, Mrs. Brisby from The Secret of N.I.M.H., Eric Burdon, George Strait, Les Claypool, Ronnie Spector, Shelley Fabares, the Supremes, and Connie Francis. I know it’s a strange combo, but it’s true.

http://www.youtube.com/watch?v=ndApsVCeM54

SFBG Did you all meet at California College of the Arts? What was that experience (meeting and being there) like?
CODY BLANCHARD Yeah, I met Ian and Shannon [during] my second year there. And me and Ian lived in a big house together with 5 people, but we were always really busy with school stuff, so we didn’t even hang out much. We used to have crazy gigantic parties there — that’s where Shannon and the Clams started playing as a band. I wasn’t in the band yet, but I would listen to them practice. 
IAN AMBERSON Cody and I used to live together, but we all joined forces by way of CCA. The music my peers introduced me to had a big impact on my knowledge and taste. CCA is so small that sometimes you form relationships and exchange ideas with people at a higher rate, just by your proximity to others in a context that attempts to promote creativity.

SFBG Cody, you sing an amazing song called “Warlock in the Woods.” Can you tell me a bit about the warlock?
CB The warlock was a child whose mother didn’t want him and ditched him in the forest and tied him up with tree roots. The roots started to grow around him and tell him their secrets and poison his mind. He sort of went into a cocoon of roots, then was released decades later, very mixed-up and manipulated by the dark spirits of the forest. He took a cave as his new home and was convinced that he must capture the hearts of young children and travelers in the woods and put them inside this amulet, which the trees had given him, in order to find his way home and to be free of the forest. In the end, he realizes that all the hundreds of hearts he has taken have done nothing for him and he was still living in a cave, lost in the woods, and that he was tricked by the evil forest into doing their bidding.
I like to write songs about fantastical stuff these days, weird little stories set to song. That’s my favorite kind of song; one that tells a tiny story that you are easily able to follow just by listening.

SFBG What is your favorite item of clothing right now?
CB A rope belt.
SS A ripped-up white Adam Ant V-neck T-shirt that Seth of Hunx and His Punx gave me. While I was on tour with them in France I saw him wearing it one day and said, “I love Adam Ant, I need your shirt.” He took it off of his back and handed it to me. What a good friend! He stood there, nearly naked as a jaybird, to give me the shirt of my dreams. I wear it every Friday night if you ever wanna see it.

SFBG Whose sense of style do you admire?
CB The members of the Lollipop Guild — you know, from The Wizard of Oz. We represent the Lollipop Guild!
SS A really pleasant pie-baking mother of the ’50s, mixed with an ’80s skateboardin’ bad boy.

SFBG What do you like and not like about Oakland?
CB I love that’s it’s not too big or too busy, not overwhelming. All of the neighborhoods are really small and you can find a totally hip fancy neighborhood and then walk a few blocks and be in some scary warehouse district full of abandoned hot dog stands. I like that it’s kind of like San Francisco’s more relaxed little brother. Less freaks here, more quiet — less happening, but still tons of cool stuff. I like a place that doesn’t have too much going on.
I love that there is crazy scary Ghost Town and West Oakland, but then there’s also the Oakland hills with amazing parks like Tilden and Joaquin Miller. I generally wish there were more trees and foliage. I thrive on fauna, and I grew up in a very woodsy suburb. I love the Berkeley Bowl — I guess that’s in Berkeley.
One thing I’m on the fence about is gentrification. On one hand, I don’t like burned-out neighborhoods, but on the other, I hate really expensive stuff and excess and money as an oppressive force. And I know all that stuff is catering to people like me. It makes me feel mixed-up and bad. It sort of destroys the charm of a more naturally evolved neighborhood.
IA Oakland is just a great hub. It sort of feels like being in the middle of a giant cultural sample platter. Having places like Berkeley and San Francisco nearby is nice, while not having to live in those more demanding environments.

SFBG Where do you like to go out at night? 

CB I love movie theaters so much. Usually they’re too expensive, though. My favorite thing is when a theater plays an old movie. I’ve seen Blade Runner, El Topo, The Thing, Jurassic Park, Maximum Overdrive and a bunch of other stuff in the theater. I also love to go to the video store and rent movies. It’s way more fun than Netflix or something, because it’s impulsive and you’re not sure what to get and all these other movies or snacks can catch your eye. Or I love to be around a BBQ or a campfire. My parents have a fire pit. And if there can be fireworks too, then it’s my #1 dream. Or bicycling through the empty night. Or being in a car or a train going across the country, staring out the window.

SS If I had my choice, I would hang out in a wooded area by some railroad tracks with a boombox and a bike.I used to hand out at this old Sunsweet prune factory by train tracks in an old deserted part of downtown Napa. I loved it so much. It was super overgrown with weeds, and surrounded by foliage and abandoned factories. There was a little campfire area nearby and a perfect place to sip on a Friday night sneaky flask. I think I like the feeling of being kind of like a hobo, waiting to hop a train, or camping all hidden in the middle of town. I like having freedom and privacy outside. Part of why Oakland is so rad.

SFBG Shannon, your brothers were at one of your recent shows. What’s it like to have them in the audience?
SS Lucky for me they come to most of my shows. I like them a lot. They are giant and hilarious and love to shake it. They both walk around and seem to have these magic invisible love vests on at all times. It’s really nice to see them dancing around and making people happy.

SFBG Cody, why do think there have been so many great songs about crying?
CB Umm, well crying is something you do instinctively as a baby, and you do it all the time. I guess you laugh and shit and barf a lot too. But maybe when people think of crying it brings them back to that primal state — baby times. It’s a very powerful, uncontrollable emotion. People are drawn to powerful things like that, like when a song has so much power over you it brings you back to a time when you had no control, crying. It is attractive because it is so powerful and so rare. And we try not to cry, so when there’s a song that lets us feel as if we are crying, maybe we love it because we miss that feeling. Or maybe people just want to pretend they are babies. A song about crying might make you feel like a helpless baby, which can be fun. I like to do that. Like Muppet Babies.

SFBG How about death songs, doomed teenage romance or otherwise – do you have any favorites?
SS “Johnny Angel” by Shelley Fabares, “Earth Angel” by the Penguins, “Leader of the Pack” by the Shangri-Las, “Little Town Flirt” by Del Shannon, “I Think We’re Alone Now” by Tommy James and the Shondelles, “Last Kiss” by Ricky Nelson, “Patches” by Dickey Lee. So tragic. Listen to those lyrics — oh my!
CB I love “The Gypsy Cried” by Lou Christie as a doomed romance song. Mostly because the music is soooo great. But also because you don’t really get an answer in that song; the man goes to the gypsy to see what the future holds for his love, and the premonition is so sad and devastating that the gypsy can’t even speak, all she can do is cry.
“Snowman” by Diane Ray is awesome, it’s about building a snowman to replace your former lover. “Don’t Drag No More” by Susan Lynne includes death, and the hook and title are grammatically incorrect — that’s awesome.

SFBG Who are your favorite record producers, past and present?
CB I really love Joe Meek. Ian turned me on to him. Such a weirdo, and his stuff is so experimental for the time [when he was recording]. And he was crazy, which is double interesting, also gay and he couldn’t play any instruments or read notation. So I hear.
Also, Giorgio Moroder is incredible, both his crazy awesome stuff with Donna Summer and his solo stuff. I think he produced the theme for The Neverending Story.
Ennio Morricone is so awesome, such an experimental freak. Big influence. I so dearly love the music from Leon Schlesinger and Harman & Ising cartoons, MGM and Warner Bros. studios. Not sure who was in charge of the music.
Also, those Italian synth weirdos who did soundtracks for all those ’70s Lucio Fulci movies, like Fabio Frizzi and Claudio Simonetti.

SFBG Shannon, what were some of your wildest and favorite experiences on the road in Europe with Hunx and the Punkettes, and what were some of your favorite ones?
SS Probably full-group ghost hunting in underwear in Liege, Belgium, in this abandoned college where we had to sleep. Lots of screaming and giggling and inappropriate flashlight shining.
Also, maybe full-band nude sauna with King Khan and his wife and kids. Those Europeans are quite comfortable with nudity. ‘Twas hard for me, because I’m a former Mormon and a bit of a chunker if you haven’t noticed. In the end, no one gave a shit and it was fun! Glad I did it.
In Paris, we played along a canal that was basically a gypsy camp. Seth wore a banana hammock made of candy that broke at a very inconvenient time. Instead of helping him with his suddenly public family jewels, some demon of entertainment overtook me and made me tear the remaining candies off his bod and throw them to the audience. I think he thought it was funny.

SFBG If you could set up a dream bill packed with bands you’ve never played a show with, who would be on it? What place would be the venue?
SS Gene Pitney, Roy Oribson, Gem, Danzig, Lou Christie and the Tammys, and the Muppet Band.
CB Oh boy, Ennio Morricone, the Lollipop Guild, the Ramones, Devo, King Tuff, Best Coast, Mark Sultan, the Ooga Boogas, Pissed Jeans, the Seven Dwarves (from the Disney cartoon), Roger Miller, King Louie (from The Jungle Book), Motorhead, Jonathan Richman, the Monks and the Frogs.

SFBG Rollercoasters or haunted houses?

SS Haunted houses. Not the fake kind at fairs and stuff. Real ones.
IA Haunted houses. Our favorite is in the Enchanted Forest theme park in Salem, Oregon. It has lots of creepy automatons and surprisingly scary uses of compressed air to scar the crap out of ya.
CB Gosh, tough call. Haunted houses. They have more character and their creation and construction is a more nuanced art form I think. They’re longer and more entertaining and weird and freaky. Although I do love rollercoaster art more than almost anything. The glitter and lightbulbs and bold stripes and stuff. So wonderful, so American.

SFBG Hot dogs or hamburgers?
SS Hamdoggers, I think.
IA The process leading up to both is disgusting, but I really prefer a well-cooked brat over a patty of beef. Hot dogs are so much more mysterious, and have a pleasant snap to them.
CB Hamburger, no contest. Hamburgers are bigger and more filling and it’s easier to fit more cool toppings on them, like cheese and mayonnaise and avocado and pickles and onions and stuff. Although Pink’s Hot Dogs in LA makes me think twice about that statement. Also, vegetarian hot dogs taste like a garbage can, and vegetarian burgers come in all types of weird flavors and textures.

SFBG 45 record parties or drive-in double features?
SS Drive-in! I’ve never been to one. Somebody wanna give me a ride?
CB Drive-in for sure. I go to record parties all the time, but I never get to go to the drive-in because they are so rare these days. I love movies so much, and the drive-in is the ultimate movie experience. You’re outside in the magical summer night and you can do whatever you want in your car. It’s very nostalgic for me. I saw Honey, I Shrunk the Kids at a drive-in when it came out. I don’t think I’ve been to one since.

SFBG Have any of you ever had a curfew, and if so, did you break it? Do you like staying up late at night, and if so, why?
SS Our curfew system at both houses was crappy and confusing. My mom only had one if she was mad or awake, so most of the time me and my brothers would stay under the radar because she went to bed so early.
My little brother Paddy and I would sleep way deep out in our field with our dogs at night when it was hot in the summer. We would wait until we were sure Mom was passed out and then go sneak around in the country with sticks to hit stuff, or dig holes, or whatever hilbilly kids do. And at my dad’s house the curfew was always conveniently right before Are You Afraid of the Dark? came on Nickelodeon or X-Files started. He hates “scary stuff” so much. He didn’t want me and my bros exposed to it because he saw the original Mummy in the ’50s when he was little and is still scarred from it.
CB Yes, I had a curfew, and yes, I broke it constantly. I got grounded once because me and my neighbor friends camped in my backyard with a bunch of TVs and video games and Doritos and 2-liter Cokes and we got bored and snuck out of the yard and ran around the neighborhood, hid from cars, and climbed on the roof of the junior high. When we came back to go to sleep, my parents were waiting and came out with flashlights. A flashlight in your face is so disturbing. We got grounded from each other for a month.
I like the late night and early morning equally. The only thing I don’t like about the late night is that you will probably miss the early morning. Both times are really quiet and there are certain things that are off-limits, like calling people and going to the store. It limits your activity in a fun way. You have to find something weird to do. Someone once told me that there’s a theory that, since more people are asleep at night, there’s less “psychic energy” flying around at night, and so your mind feels different, quieter, more focused. I’m not sure, but I like to believe it.

SFBG It’s perfect that you’ve performed at the Stud. Etta James used to sing there, and  Shannon’s vocal on “Troublemaker” reminds me of her. Do either of you ever feel the presence of ghosts or artists or people you love when writing or performing a song? Who would you most like to join you on stage?
IA I think it would be really awesome to jam with Dick Dale or maybe the piano stylings of Zombies-era Rod Argent.
CB I don’t think think about songwriting enough to feel that. Or maybe I think about it too much. I like to think about Marc Bolan when I sing some new thing to myself. He seemed so enchanted and magical and possessed by some uncontrollable musical spirit. I like to think part of his ghost is inside me, like maybe just the ghost of his hair or something. Or I like to think at least that his ghost likes what I’m singing, and he can hear me through all the noise of the astral plane, because we are alike somehow. I would most like to share a stage with Marc Bolan. We would dress like psychedelic elves and do duets.
SS Roy Orbison is totally my #1, Gene Pitney is my #2, Frankie Valli is my #3, the Beach Boys are my #4, Danzig is my #5.
What would I give to do a show with Roy O.? I don’t think I coild ever have enough gold, doubloons, or talent to sign with him or his ghost. He was so special and unique and genuine. You can feel his troubles and pain like they’re yours when you listen. Earthshattering heartache and longing is his forte.

SFBG What are the Clams up to these days? Are you recording a new album? Can you tell me about some of your new songs?
IA We should be recording our new stuff soon, but soon might mean in several months. We are playing with the Pharmacy and Guantanamo Baywatch at Pissed Off Pete’s on 25th. That will be a show worth going to.
CB We’re getting a bunch of material ready for a new album. We have a 7″ of some really old awesome stuff coming out on Southpaw Records, it’s called “Paddy’s Birthday” and it’s so good.
We’re trying to lay off playing so much, we overwork and distract ourselves doing so many shows, although it seems like Oakland loves it when we play two parties a week. We love them!
We’re spending some money on recording equipment. The new stuff has some Buddy Holly-type poppy sparse hop jump fun songs and some dark scary Disney soundtrack haunted forest type stuff, like “Teddy Bear’s Picnic.” Also a lot of ballads like we’ve always done, but they’re vocally weirder, lots of weird doo-wop yelps, Muppet singing and Morricone primal yowling. We’re trying to finally perfect some powerful Everly Brothers/girl group-style harmonies. And we’re experimenting with some super-evil-sounding ’80s punk thrash stuff. I can’t wait to record ’em!


Boom boom boom! SF’s got a horse in the World Cup song race

Andrew Lam
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What’s your favorite World Cup song? We’ve covered some smoothies in Gavin Hardkiss’ “Mundo Via Afrika,” and chatted with Eux Autres about their contribution to the games. Salon.com just poured a cooler of haterade all over Shakira’s head for her “Waka Waka,” (probably because they don’t like Fozzie Bear). But there’s tons of delightfully earnest attempts to encapsulate-cash in on the futbol crazy sweeping the globe for the next month. Angelique Kidjo has hit us up with a Curtis Mayfield cover for Africa, and K’Naan… well I love K’naan. His video has a lot of backflips on beaches, which I support. But did you know that SF has a hat-tricking local troubador of our own?

Yes sir, meet Nader DeAik, who had me believing he was a pop star from Bethlehem who was throwing the Bay a bone with a few shows here and there to entertain us with his greatness. But no! He lives here! He is a curly haired, jovial looking man who wants to entertain us with his smiles and Americanized wardrobe (don’t believe me? check out his earlier video shot at the de Young – now that’s an “international” pop star!). He has recorded a song called “Strike!” that you must set aside your criticism, and just revel in. 

Glory in his greatness. San Francisco, you are now represented at the World Cup. I hear Henry Thierry bumps this in the locker room:

Why’d Nader feel compelled to unleash this into our world? “I’m a huge soccer fan, and a player as well,” the soft spoken pop star told me in a recent phone interview. “I wanted to share my excitement and celebration with soccer fans worldwide. I decided to make a song full of energy and spirit.”

So… did tapping into the billions of soccer fans out there (three billion alone took in the opening game this year) up Nader’s bottom line? “It’s a world sport, it’s one of the biggest events in the world. Its great exposure for me. I’ve been getting a lot of great feedback regarding the song.”

“It’s been playing on radio stations in the Middle East, and it’s been playing in clubs here,” says Nader, who added he wasn’t aware of any other Bay composed World Cup songs this year, and that DJs get hyped to play a local joint to whip up soccer spectators into a frenzy.

Fab, Nader. DeAik’s clearly a big believer in the power of the soccer ball to bring people together, so tell us – is it important for the Bay to be represented by a World Cup song (one at least, right?) “Yes absolutly,” he decided. “Soccer is very popular in the Bay area, and I think it’s great not only for the Bay area, but the US as well. The other day I was at a soccer field and I was shooting parts of the music video with the youth. Watching the youth play soccer, sing along to the song. It was just great.”

Nader DeAik

Aug 8, check website for times and prices

The Bethlehem Association 25th Anniversary Convention

Hyatt Regency Santa Clara

5101 Great American Parkway, Santa Clara

(408) 200-1234‎

www.naderdeaik.com

www.bethlehemassoc.org

alt.sex.column: Clip show

Jesse Hawthorne Ficks
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alt.sex.column: Clip show

Dear Readers:

Nah, I’m not really going to saddle you with a “clips” column — that would be cheesy. But I do happen to have a bunch of interestingish non-question stuff from my inbox, so bear with me.

First up, an article from The New York Times called “The Perils Of Sexual Roundelays,” which is kind of refreshing because, despite the title, it actually pokes some holes in the “ZOMG hooking up and friends with benefits will be the death of love and marriage as we know it” cultural panic usually expressed in articles called “the perils of sexual” whatever. Sort of. The article (www.nytimes.com/2010/05/09/fashion/09Studied.html) describes what may be the first major study of non-monogamous behavior among adults). The study sets out to examine whether what the researchers call “non-serious relationships,” (a.k.a. “hooking up”) lead to “concurrent partnerships” (hooking up with lots of people, a.k.a. being a big old’ slut”).

The writer, Pamela Paul, keeps her head better than most, but even so it’s interesting to note the way the article treats non-monogamy not as a risk factor for STDs or eventual loneliness and heartbreak, but as an unquestioned Big Bad all on its own, something to be avoided even by those who appear to want it.

Eventually, though, Paul does come around to the sensible conclusion that “all this doesn’t necessarily mean hooking up leads to non-monogamy.”

On to the next item, a press release that may be of interest to you job hunters who may be just a little bit curious about what it might be like to work in the sexual entertainment industry. As a code monkey.

The sex industry’s premier trade show — CyberNet Expo — takes place July 8-10 in San Francisco.

This year exhibitors are making a real effort to attract and meet with jobseekers who have Web design, programming, and technical skills.

The adult online industry is hiring! Hiring companies are meeting with professionals who have skills in Web designing, photo and video editing and encoding, Web hosting and billing, and technical programming of any online language (PHP, C++, Java, etc.). Consultant and freelancers are in demand, too. Bring your resume and receive 20 percent off admission fee

You’re welcome. Good luck.

My last item is more in the way of a question for you intrepid sex scouts. I got a come-on from one of my favorite independent sexe shoppes, Babeland, and was reminded that I haven’t had an opportunity to examine either the SaSi, the very expensive smart not-a-vibrator that was last year’s big sex-toy sensation, or the more recent, vaguely comical “Sqweel oral sex simulator.” The Sqweel is a disk-shaped apparatus that resembles a small, pornographic Ferris Wheel, or my asthma meds dispenser — if my asthma meds dispenser could perform cunnilingus. It’s a little wheel studded with cute little pink “tongues” and it’s so peculiar yet promising that I need to hear from someone who’s encountered one in real life. Does it work? Does it get, um, tangled? Can you use it without laughing?

Sorry for the clips show. See ya next week.

Love,

Andrea

Got a question? Email Andrea at andrea@mail.altsexcolumn.com

Your big queer week

Jesse Hawthorne Ficks
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ONGOING

Boys in their Bedrooms Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. Mon-Thu 5 p.m.–2 a.m., Sat–Sun 2 p.m.–2 a.m. Through June 30. Photographer Amos Mac of Original Plumbing zine gets up close and personal, chronicling the trans male lifestyle.

Chronotopia SOMArts, 934 Brannan, SF; (415) 552-1770, www.somarts.org. Explore “the past, present, and future of queer histories” with this eye-popping photography exhibit that celebrates the spectrum of queer images.

Faetopia Festival Old Tower Records space at Market and Noe streets, SF; Various times and prices. Through June 26. www.playajoy.org/faetopia. The lovely, radical faeries of Comfort and Joy take over this huge space for a “remix of the past and present for future utopias,” including eco-homo installations, “cuddle cinema” events, and a gossamer wing-load of ideas and performances.

Frameline Film Festival Various locations; see website for dates and times, www.frameline.org. The humongous citywide queer flick fest is still going strong, with dozens of screen gems.

Golden Girls Mama Calizo’s Voice Factory, 1519 Mission, SF; (415) 690-9410, www.voicefactorysf.org. Thu/24 and Fri/25, 7p.m. and 9 p.m.. $20–$25. Heklina, Cookie Dough, Matthew Martin, and Pollo Del Mar are joined by Mike Finn and Laurie Busman for live-action versions of two all-new episodes of the beloved TV show.

National Queer Arts Festival Various locations; see website for details, www.queerculturalcenter.org. Experience scandalously good spoken word, cabaret, art installations, and so much more as this powerhouse monthlong celebration of queer revelations continues.

 

WEDNESDAY 23

Allstars 4 The Garage, 975 Howard, SF; (415) 518-1517, www.975howard.com. 8 p.m., $10-$20. An array of one-person shows and monologues that focus on the diversity and struggle of queer daily life.

Booty Call Q Bar, 456 Castro, SF; (415) 626-7220, www.qbarsf.com. 9p.m., $3. Juanita More, Joshua J, and photographers whip up dirty tunes and photobooth eye-candy, with DJ W, Jeremy of House of Stank.

HomoEvolution El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 8p.m., free. LGBT hip-hop showcase in full effect, with Foxxjazell, Bry’Nt, Benni E, Drew Mason, and Sgt. Sass.

Mary Go Round LookOut, 3600 16th St, SF; (415) 431-3111, www.lookoutsf.com. 10 p.m., $5. House of Glitterati invades the weekly drag show, anchored by Suppositori Spelling, Cookie Dough, and Pollo Del Mar.

OH! Powerhouse, 1347 Folsom, SF; (415) 552-8689, www.powerhouse-sf.com. The Bright Young Gentlemen’s Adventuring Society cordially invites you to get it on. With DJs Taco Tuesday and PDX hottie Stormy.

Pullin’ Pork for Pride Pilsner Inn, 225 Church, SF; (415) 621-7058. 6 p.m.–9 p.m. free. Hot pork in hot buns (free sandwiches from the Funk N Chunk crew, we mean). It’s the Guardian’s annual free-for-all shindig with DJ Stanley Frank of Vienetta Discotheque, games, surprises, more.

Radar: Old School 3 San Francisco Public Library, Koret Auditorium, 100 Larkin, SF; (415) 557-4400, www.radarproductions.org. SF’s top writers reimagine the lives and legacies of queers gone by. With Justin Chin, Len Plass, Cyd Nova, and more.

 

THURSDAY 24

A Spot of Tea African American Arts and Culture Complex, 762 Fulton, SF; www.queerculturalcenter.org. 8 p.m., $12–$20. Original Plumbing brings on an all-transmale cabaret extravaganza with Chris Vargas, Berlin Reed, Ketch Wehr, Glenn Marla, and more.

Bad Reputation Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 9 p.m., free. The sexy Lex’s infamous Pride kick-off, with DJs Jenna Riot and Dee Dee Crocodile, go-gos, drink specials. Oh, and smokin’ hot grrrls.

Bedtime Stories A Different Light, 498 Castro, SF; (415) 431-0891, www.adlbooks.com. 7:30 p.m., free. Fabio, oh, Fabio? Erotic gay romance author G.A. Hauser steams up the windows of A Different Light.

Carletta Sue Kay, Brent James, Pepperspray The Eagle, 398 12th St., SF. (415) 626-0880, www.sfeagle.com. 10 p.m., $5. Faggotty rock time. A screwed-up Appalachian-ish crooner, a naughty country high-flyer, and four heavy metal drag queens take over the Eagle. What’s not to love?

Gold Queers in the Night 111 Minna, SF; (415) 974-1719, www.111minnagallery.com. 9 p.m., $7. The Stay Gold and Hella Gay crews team up with Blood, Sweat, and Queers for an epic night of youthful, sweaty jams in the indie dance vein.

Gretchen Phillips and Phranc El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 8 p.m., $8–$15. Texan Phillips and “all–American, Jewish, lesbian folksinger” Phranc bring the Sapphic sounds.

Marga Gomez is Proud and Bothered New Conservatory Theater, 25 Van Ness, SF; (415) 861-4914, www.nctcsf.org. 8 p.m., $28 advance. Also Sat/26. The hilarious lesbian Latina queen of comedy takes a sharp-shootin’ walk of shame through her not-so-Prideful past.

Nightlife California Academy of Sciences, 55 Music Concourse, SF; (415) 379-5128, www.calacademy.org. 6 p.m.-10 p.m., $8–$10. Get thee to the awesome museum for tunes by Juanita More!, LadyHouse, and Stanley Frank, plus Sex Talk with Jane Tollini, and, of course, live penguins.

Queer Radicals New Valencia Hall, 625 Larkin, SF; (415) 864-1278. 7p.m., free (summer buffet for $7.50). A panel of queer and transgender activists discusses how to build a militant movement for LGBT liberation.

The Sound of Fabulous Mission High School, 3750 18th St., SF: www.sfprideconcert.org. 8 p.m., $15–$40. Also Fri/25. The Lesbian/Gay Chorus of San Francisco celebrates 30 years of, yes, fabulous, joining forces with the Gay Men’s Chorus, and the Freedom Marching Band for some “out loud and proud.”

Sybaritic Cougars with Ecosexual Tendencies Good Vibrations Polk, 1620 Polk, SF; (415) 345-0400, www.goodvibes.com. 6 p.m.–8 p.m., free. Sex-positive activists Annie Sprinkle and partner Beth Stephens host a retrospective of their Love Art Lab series.

The Tubesteak Connection Aunt Charlie’s, 133 Turk, SF; (415) 441-2922, www.auntcharlieslounge.com. 10 p.m., $4. A sticky, finger-lickin’, Hi-NRG hijinks tribute to bathhouse disco and funk rarities, swarthy clones, and outfits Grace Jones would die for. With DJ Bus Station John.

 

FRIDAY 25

Art Attack Pride Supperclub, 657 Harrison, SF; (415) 348-0900, www.supperclub.com. 9 p.m., $20. Video artist III paints the club fuchsia for DJ Lady Kier of Deee-Lite, the return of drag-rock amazers Pepperspray, and LA mesh-wonder Fade-Dra.

Bearracuda Pride DNA Lounge, 375 11th St., SF; (415) 626-2532, www.dnalounge.com. 9 p.m.-late. $20. Two floors of beard rubs, belly bumps, fur fun, and hairy hijinks as the city’s wild bear club goes big. DJ Ted Eiel heads up.

Bibi Gay Middle Eastern Mega Pride Party Paradise, 1501 Folsom, SF; (415) 252-5018, www.paradisesf.com. 9 p.m., $15. One of the most-anticipated parties of the season, with DJs Nile, Nadar, and Cheon delving into global sounds for a hip-shaking, ululating crowd of all stripes. Hookahs! Hotties! Bellydancers!

Folsom Friday Various SoMa venues, www.folsomfriday.com. 10 p.m.–2 a.m., free. Shuttles run down Folsom Street all night for a sleazy-fun bar crawl in SF’s other mecca for queer venues, including Truck, Chaps, Powerhouse, Blow Buddies, Lone Star, Mr. S, and Off Ramp Leathers.

MR. Mighty, 119 Utah, SF; (415) 626-7001, www.mighty119.com. 8 p.m.–4 a.m. $15. Break out your giant fake mustaches: NYC’s Larry Tee and our own house hero David Harness rock all night at this annual campy hoot. Yes, there’ll be a hot ‘stache (and ‘stache-riding?) contest.

San Francisco Trans March Dolores Park, Dolores and 18th St.; (415) 447-2774, www.transmarch.org. 3 p.m. stage, 7 p.m. march; free. Join the transgender community of San Francisco and beyond for a day of live performances, speeches, and not-so-military marching.

Some Thing Biggest Bestest Gayest Funnest Drag Show Sensation! Ever The Stud, 399 Ninth St., SF; (415) 863-6623, www.studsf.com. 9 p.m.–4 a.m., $10. Er, the name kind of says it all? The packed weekly club goes nuclear. VivvyAnne ForeverMore, Glamamore, Juanita More, Down-E, Diamond Daggers, Anna Conda &ldots; who’ll walk away with the mushroom cloud?

Original Plumbing presents Unofficial! Elbo Room, 647 Valencia, SF; (415) 552-7788, www.elbo.com. 9 p.m., $10. A party in honor of trans pride and visibility — plus, it’ll be a blast. Rocco Katastrophe and Jenna Riot host, DJs Chelsea Starr and 100 spokes spin, furry photo booth, trans slideshow, performances by Glenn Marla and Ice Cream Socialites.

Trans March 2010 Dolores Park, 17 Street and Dolores, SF. Rally at 3:30, march at 7 p.m.. www.transmarch.org. “United by Pride, United by Power” is the theme of this year’s inspiring event, with performances by the Transcendence Gospel Choir, Nori Herras, and a ton more.

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SATURDAY 26

Big Top vs. Trannyshack Club Eight, 1151 Folsom, SF; (415) 431-1151, www.eightsf.com. 9 p.m., $10 adv. Surely, it will be a circus when these two balls-out parties collide. Big Top brings the half-naked cockring-masters, Trannyshack brings the barkers. With DJ W. Jeremy. Midnight dragocalypse with Heklina, Ambrosia Salad, Miss Rahni, and more.

Bootie: Lady Gaga vs. Madonna DNA Lounge, 375 11th St., SF; (415) 626-2532, www.dnalounge.com. Could it get any stereotypically gayer? Don’t worry, punkers, the Bootie mashup crew are here to subvert it into happy chaos. Huge drag show at midnight.

Chaser: The Imminent Return EndUp, 401 Sixth St., SF; (415) 896-1075, www.theendup.com. 5 p.m.–10 p.m., $10. Monistat lives! Her ass-whoopin’, drink-spillin’ drag club resurrects itself, with a full-on show of every insanely entertaining alternaqueen in the phonebook, apparently. Plus DJ Guy Ruben.

Cockblock Mega-Pride Rickshaw Stop, 155 Fell, SF; (415) 861-2011, www.rickshawstop.com. 9 p.m., $20-$25. Wild, wet, and more wild at this ecstatic, high-hoofin’ joint for lezzies, queers, and lovers. With DJs Nuxx and Motive and hot chicks galore.

Excuses for Skipping and Lauren DeRose Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 3 p.m., free. Warm up for the Dyke March with these two live rockin’ acts.

Go Bang! Pride Edition Deco Lounge, 510 Larkin, SF; (415) 346-2025, www.decosf.com. 9 p.m.-after hours, $5. One of our cutest disco and house parties goes pink with DJs Jason Kendig, Marcelino Andrade, Sergio, and more. Expect to be turned out, put upside-down, and spun around.

Lights Down Low Pride Edition Triple Crown, 1760 Market, SF; (415) 863-3516, www.triplecrownsf.com. 8 p.m.–4 a.m., $15. The gonzo electro party delivers a worthy Pride blackout with DJs Larry Tee, Kim Ann Foxman, Saratonin from Brownies for my Bitches, Sleazemore, Derek Bobus, and more. Hosted by the Miss Honey kids and Davi.

LGBT Pride Celebration Civic Center, Carlton B. Goodlett Place and McAllister, SF; (415) 864-3733, www.sfpride.org. Noon–6 p.m., free. Celebrate LGBT pride at this free outdoor event featuring DJs, speakers, and live music. This is the first half of the weekend-long celebration sponsored by SF Pride, featuring hip-hop, a battle of the bands, and more.

LGBTQ History Bike Tour Meet at Cupid’s Arrow on the Embarcadero near the Ferry Building, SF; 2 p.m.–5 p.m., $5 donation. Get smart (and fit) for Pride on this eight-mile tour of queer history hotspots, ending up at the Dyke March.

Love and Happiness SOM, 2925 16th St., SF; (415) 558-8521, www.som-bar.com. 10 p.m.–4 a.m., $15. It’s a glorious old-school house reunion for the rainbow children, with David Harness and Ruben Mancias on decks, Robnoxious at the door, and Joseph Solis hosting.

Kiss Me Deadly Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 9 p.m., free. After the Dyke March, cool off (most likely get hotter) with DJ Bunnystyle of Blood, Sweat, and Queers.

Mango After Dyke March Party El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 8 p.m., $10/$15. Food, drink, dancing, and girls, girls, girls at this juicy ladies night.

Pink Pleasure Party Good Vibrations Valencia, 603 Valencia, SF; (415) 522-5460, www.goodvibes.com. 8–10p.m., free. Drop in, dyke out, gear up for a sensual Pride at this Good Vibes mix n’ mingle.

Pink Saturday Castro District, SF; www.thesisters.org. 6p.m.–midnight, donation requested, all ages. The Sisters of Perpetual Indulgence host their cuckoo annual outdoor event, featuring entertainment, beer, cocktails, food, and, duh, cruising galore.

Pink Triangle Installation Twin Peaks Vista, Twin Peaks Blvd parking area, SF; (415) 247-1100, ext 142, www.thepinktriangle.com. 7:30–10:30 a.m., free. Bring a hammer and your hunky work boots and help install the humongous pink triangle atop Twin Peaks for everyone to see. Volunteers needed! Do it!

San Francisco Dyke March Dolores Park, Dolores and 18th St., SF; www.dykemarch.org. Rally at 3 p.m.. March at 7 p.m.. Free. The one “do not miss” event of Pride, with tons of entertainment and speakers, impossibly sexy crowd, and a “Dyke Planet, Green Planet” theme.

Sundance Saloon Pride Dance Hotel Whitcomb, 1231 Market, SF; (415) 626-8000, www.sundancesaloon.org. 8 p.m., $10. Also Sun/27. Shine up your spurs for a country line-dance party that’ll put you in a hootin’ mood.

 

SUNDAY 27

Body Rock Temple Bar, 600 Polk, SF; (415) 931-5196. 11 a.m.–6 p.m., 18+ free. Delightfully tawdry Miss Monistat queens it over this all-day dragstravaganza, featuring the Sisters of Perpetual Indulgence, Mutha Chucka, Cher-A-Little, and others. With crazy beats from Electronic Music Bears, High Fantasy, and more.

Gay Shame Goth Cry-In Outside LGBT Center, 1800 Market, SF; www.gayshamesf.org. 2 p.m.–3:30 p.m., free. Protest and grieve the commercialization of Pride and the community – throw on your blackest black and let the tears roll.

Juanita MORE!’s Pride Party 2010 Kelly’s Mission Rock, 817 Terry Francois Blvd, SF; (415) 626-5355, www.juanitamore.com. 2 p.m.–2 a.m., $35. Pretty much the charitable Pride party of the year, flooded with cool kids, admirers, and the sounds of the mind-blowing Cougar Cadet Corps Drumline. DJs James Glass, Chelsea Starr, Kim Ann Foxman, and many more. Benefiting Bay Positives. Shuttles available from the Pride Celebration.

Les Beaux SOM, 2925 16th St., SF; (415) 558-8521, www.som-bar.com. 3 p.m.–9 p.m., $10. Don’t catch your breath after Pride, girls. Get beautiful with Cockblock’s DJ Nuxx and decks guests Sarah Delush and Rapid Fire.

LGBT Pride Celebration Civic Center, Carlton B. Goodlett Place and McCallister, SF; (415) 864-3733, www.sfpride.org. Noon–7 p.m., free. The celebration hits full stride, with a buttload of musical and dance performances and, truly, something for everyone. Don’t forget your sunscreen or little umbrella.

LGBT Pride Parade Market at Davis to Market and Eighth Sts, SF; (415) 864-3733, www.sfpride.org. 10:30 a.m.–noon, free. This 40th annual parade, with an expected draw of 500,000, is the highlight of the Pride Weekend in the city that defines queer culture.

Honey Pride Paradise, 1501 Folsom, SF; (415) 252-5018, www.paradisesf.com. 6 p.m.–2:30 a.m., $3. Legendary (actually) disco DJ Steve Fabus goes classic house on us, joining the regular Honey Soundsystem discaires for stylish specialness all around. $8 beer bust 6 p.m.-9 p.m..  

Queerly Beloved Pink Sunday Party El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 3 p.m.–8 p.m., $5. Courtney Trouble and Tina Horn host this benefit for queerporn.tv. DJs Campbell and Venus in Furs, performers Alotta Boutte and Dexter James, kissing and kink booths, and dirty, sexy queers.

Too Fast for Love Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 9 p.m., free. “Shake it, fake it, take it” as DJ Campbell spins the dirty at this Pride after-affair.

Inflated meaning

Jesse Hawthorne Ficks
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Inflated meaning

arts@sfbg.com

FILM Don’t let Air Doll‘s title fool you. Mannequin (1987) or Lars and the Real Girl (2007) this ain’t. This gritty, Tokyo-set fairytale about an inflatable sex doll who comes to life represents a departure on many fronts for director Hirokazu Koreeda, who has become known for such faintly melancholy studies of quiet perseverance as Nobody Knows (2004) and After Life (1998). Despite its fantastic premise and candid eroticism, Air Doll covers similar emotional territory to those older titles, surveying with no less an empathetic eye the fickleness of human connection, the power of adoration, and the loneliness that seems to be a hallmark of urban life.

Saucer-eyed Korean actress Doona Bae (of 2005’s Linda Linda Linda fame) stars as Nozomi, the titular doll who escapes her devoted owner’s apartment and wanders through the densely packed surrounding streets. Eventually she finds employment at a video store, where she falls in love with a coworker (after he gives her one of the best and queerest BJs ever committed to film). Along the way she learns to tell lies, harbor jealousy, and experience what it’s like to have the "heart [she] wasn’t supposed to have" break. In short, what it means to be human.

All the while, Koreeda never sugarcoats Nozomi’s "vocation," letting sexually frank but never prurient episodes stand in contrast to the film’s more lighthearted moments. But, as I found out when I spoke to Koreeda the day after Air Doll screened at the 2010 San Francisco International Film Festival, that’s part of being human too. My thanks go out to Beth Cary for being such a wonderful interpreter.

SFBG You’ve never made an adaptation before. What initially attracted you to Yoshiie Goda’s manga series?

Hirokazu Koreeda There was one scene in particular that attracted me. In the video shop, when the air doll snags her arm on a nail in the wall and starts deflating and the young male clerk comes over and tends to her wound. At first she is shy and embarrassed but then she starts feeling a real sense of fulfillment and satisfaction as he blows air into her. To me it was like a sex scene, but done with the breath. Using a person’s breath as a way that people commingle and communicate was very interesting to me.

SFBG Air Doll has really divided critics. I think it’s because the film doesn’t stick to a certain tone or mood. Is this what you were aiming for?

HK In a way it was. What I discussed with Doona Bae is that the doll is born like a baby — innocent — and then learns various things about the world by imitating humans. In that process, she sees how poetic things are, how pessimistic things are, and how comedic things are, so she changes as well. I think such a mix of elements is present in our everyday lives, so I wanted the film to reflect that.

SFBG How was it working with Doona Bae? Her performance has such a Giulietta Masina-like quality to it.

HK [Laughs] Actually, before we started filming I suggested that she watch La strada (1954) and Nights of Cabaria (1957), not because I was aiming for a certain style, but because I thought they might be helpful. I also spent about five hours walking her through the entire film (with an interpreter, since she doesn’t speak Japanese). During that time even she would tear up and cry during the sad parts and laugh during all the pleasurable parts. Afterward she said, "I’ve got it. I understand the character now." And in the two months of filming, she didn’t waver from what we discussed at all. She was great.

AIR DOLL opens Fri/25 in Bay Area theaters.

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