Treasure Island

Waste of paper

Jesse Hawthorne Ficks
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Waste of paper

rebeccab@sfbg.com

Several weeks ago, Sup. Chris Daly e-mailed the San Francisco Ethics Commission to ask what seemed like a simple question. Daly is spearheading a June citywide ballot measure to ask voters to support the designation of the new Transbay Transit Center as the end point for the planned California High Speed Rail project, a response to the California High Speed Rail Authority’s move to explore alternative locations.

As an elected official, Daly knew there were certain individuals he might be barred from accepting money from for this effort. A San Francisco campaign finance law prohibits entities holding city contracts worth $50,000 or more from donating to political campaigns run by the elected officials who approve those contracts, a rule crafted to eliminate quid pro quo dealings that can corrupt the political process.

But when Daly tried to find out whose checks he shouldn’t be accepting, he didn’t receive a simple list of names in response. Instead he got a dense e-mail highlighting the complexity of this area of campaign finance law, offering no easy answers. For one, it wasn’t clear whether the law applied to his committee. Assuming it did, however, there was another hurdle.

“Determining which contributors are prohibited from contributing to your committee is a bit complex at the moment,” Oliver Luby, an Ethics Commission staffer, wrote in the e-mail, “because the contractor disclosures filed … are only in hard copy format.”

This vexing detail meant that obtaining a searchable list of banned contributors would require scanning hundreds of Ethics Commission forms filed on behalf of the Board of Supervisors, then manually entering potentially thousands of data rows into a spreadsheet, a project that could suck up significant time and resources.

The campaign contribution ban applies not only to major contractors, but the executive officers, subcontractors, and major shareholders of those contracting firms, so there could be a long list of individuals prohibited from making a political donation once a single contract is approved.

These restrictions theoretically create an excellent safeguard against corruption — but since it’s not recorded in electronic format, the filings amount to an almost useless sea of data. In fact, even the Ethics Commission, which is supposed to regulate violations of this ban and issue fines, isn’t able to routinely do so.

Luby pointed out the shortcoming of the system and an easy solution to Executive Director John St. Croix and Deputy Director Mabel Ng in an internal e-mail last December. “Private interests that can afford to manually create databases using the data … will have an advantage over other interests (perhaps even our own office) where the resources are not available to manually create such databases,” he wrote. “The obvious solution to this problem is e-filing.”

For example, if city agencies and political campaigns were required to submit their data in Excel spreadsheets or through an online system that automatically created spreadsheets, it would be easy to compare them to see who is violating the law.

When asked about this, St. Croix said the resources just don’t exist to upgrade the commission’s online capabilities. “We don’t have the resources to develop the software right now,” he told us. “So someday, yes. After we go through the next election season, and people see that they have a lot of difficulties in complying with this, then we may be able to build some support to make these changes.”

The e-mails were among hundreds of documents included in response to a Sunshine Ordinance public information request the Guardian submitted to the Ethics Commission in February. The assortment of documents relating to the contractor contribution ban revealed just how difficult it is for the average person to discern whether any entities striking deals with the city are at the same time trying to curry favor with the politicians who approve their contracts.

In 2006, a batch of reforms were approved to tighten restrictions on campaign contributions from major city contractors and require filing disclosure forms. Intended to point a floodlight on pay-to-play practices, the rules were championed by former Ethics Commissioner Joe Lynn, who died late last year.

Since it was established in 2006, however, the law has seen neither steady enforcement nor routine compliance from elected officials, documents show. The Mayor’s Office, for example, did not start filing the forms until April 2009, a month after critical media reports pointed out that few city departments were in compliance. While many more have started filing regularly, it appears that certain state agencies covered by the law — including the Treasure Island Development Authority (TIDA) — have not.

Nor does the Ethics Commission itself seem focused on ferreting out potential violators. “I am reluctant to ask my auditors or enforcement staff to review [contract disclosure] filings and compare them against campaign filings because the sheer amount of data will make the search wasteful and likely fruitless,” St. Croix wrote in a memo to his staff last October.

At the same time, attempts have been made to scale back the scope of the law, based on the argument that it is difficult to enforce. St. Croix’s memo recommended that the contribution ban not apply to contractors who deal with state agencies such as TIDA or the Redevelopment Agency, which are controlled by mayoral appointees and oversee development contracts worth millions of dollars. “Although city elective officers appoint some members of those bodies, city officials rarely have any involvement with those agencies’ contracts,” he argued.

Asked if these suggestions will be discussed formally anytime soon, St. Croix was doubtful. “Unfortunately, even though we think they’re necessary, it’s going to be a very difficult sell at the Board [of Supervisors],” he said. “Even though we think we’re fixing a problem, it looks like you’re rolling back reform, and that’s not popular.”

On the eve of an election season featuring hotly contested seats on the Board of Supervisors, the Democratic County Central Committee, and other high-profile local and statewide offices, the relatively arcane archive of the contractor disclosure forms stored away at the Ethics Commission might get more attention. Are major corporations that do business with the city scratching the backs of politicians who want to advance their political careers to keep the wheels greased for their own business ambitions?

Without a user-friendly, functional system for tracking contracts and comparing them against campaign contributions, it’s tough to say.

The Chronicle’s dishonest hit on district elections

Zelda Bronstein
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The move to get rid of district elections – which is based entirely on the fact that big business and more conservative voices (including the Chron) don’t like the progressive policy positions of the current board – is now well under way. The Chron devoted its Insight section to the issue Feb. 28, leading with a long editorial that wandered back and forth between points and never really made the case.


An example of the Chron’s logic:


But sitting atop the decision-making tree [in San Francisco] are small-time politicos, some elected with fewer than 10,000 votes in a city with a population of 808,976.


Horrifying! It’s as if the United States Congress – which has to decide issues like war and peace — was made up of local politicos who were elected with as few as 100,000 votes in a nation of 350 million.


Or as if the California Assembly – which has to deal with a $28 billion budget deficit – was made up of local politicos who were elected with as few as 50,000 votes in a state of more than 35 million.


A district supes votes could represent about 1.2 percent of the entire city. A state Assembly member could represent only 0.1 percent of the population of the state. And yet, I don’t hear the Chron calling for the state Assembly to be replaced with an at-large body.


More:


A town with sweeping plans to develop two empty Navy bases at Hunters Point and Treasure Island, fill vacant offices with new jobs, and cut its budget by more than a half billion dollars isn’t getting the thought, expertise – and citywide vision – it needs for these challenges.
This lack of broad leadership obstructs the city’s future. A major cause is the district election system that magnifies neighborhood and tight-knit interest groups to produce officeholders with little stake in citywide questions. If all politics is local, as former House Speaker Tip O’Neill famously declared, then San Francisco has pushed this dictum to the max. It’s all about me and my neighborhood.


That’s absolutely, factually untrue – the district elected board has done more to advance citywide issues – from minimum wage to health care to the rainy day fund to infrastructure planning – than any at-large board in the previous 20 years.


And the Chron’s own editorial contradicts that argument:


Supervisor David Campos (a winner with 9,440 votes) led a move to keep illegal immigrants who are juveniles accused of felonies from being turned over to federal authorities, despite a city legal opinion that the idea wouldn’t fly. Supervisor John Avalos (6,918 votes) dreamed up the “must spend” order directing the mayor to maintain expenditures in a record deficit year. Thankfully, he dropped the idea at the 11th hour


Okay, I get that the Chronicle editorial board doesn’t like the Campos sanctuary bill or the Avalos must-spend legislation – but that are both citywide issues. They have nothing to do with “me and my neighborhood.”


Which is really the entire point here. The Chron doesn’t like the outcome of district elections – because over the past ten years, the progressives have shown they can win district races. There’s a good reason for that; in district races, you don’t need to raise huge amounts of money.


As Assemblymember Tom Ammiano and Supervisor David Chiu point out in an opposing editorial:


Part of that increased accessibility to government is the result of the decrease in the cost of running a district versus a citywide election. In the 1994 citywide elections, the average winning candidate spent $456,000 in today’s dollars. That’s 225 percent greater than the amount spent today: In 2008, the winning candidates spent an average of $204,000. Candidates needing to raise money for a citywide race will inevitably turn to special interests for contributions. If you believe elected representatives should speak up for people, not just the special interests that donated to their campaigns, today’s district system serves you better.



They also note:


Before district elections were passed, under a citywide election system, many neighborhoods – the Excelsior, the Sunset, the Mission and Bayview-Hunters Point – had no supervisor of their own. Today, all residents can pick up the phone and reach an office responsible for their neighborhood and responsive to their concerns – a broken streetlight, a dangerous pothole or a consistently tardy Muni line.


A lot of people don’t like Chris Daly’s personality, and some don’t like his politics, but if you’re a person living on SSI in a grubby little hotel room in the Tenderloin and you need help, you can walk into his office and get a welcome reception and assistance with your needs. You won’t get that from the mayor.


On the other hand, do you think, Don Fisher ever needed to stand in line and try to make a 15-minute appointment to talk to Gavin Newsom? Seriously?


And while we’re on the personality stuff: Yeah, some of Daly’s antics have been over the top. But he’s no worse than some of the others who have served on citywide boards. Former Sup. Bill Maher once accused one of his opponents of having a small penis, and waved around two fingers spread about an inch apart to the press and public.


More important, we had supervisors who did nothing. We had supervisors who did exactly what the mayor said without any question. We had supervisors who were wholly-owned subsidiaries of major local corporations. I’ll take Chris Daly over those folks any day.


By any rational standard, the district board over the past ten years has been more productive, more accountable, more representative and more accessible than any at-large board I’ve seen in my almost 30 years of covering this city.


So the Chron needs to shut up about “citywide perspective”’ and personalities. If the paper wants to oppose district elections, it needs to drop the poll-tested downtown talking points and tell the truth:


The current board is too liberal for the Chron. The moderate candidates the paper prefers can’t win in districts. So they want to change the rules.


That’s the story, beginning, middle and end.


 

MTA works on deep Muni service cuts

Sasha Cuttler
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By Nima Maghame

San Francisco Municipal Transportation Agency, which operates Muni, has pushed back a City Hall meeting (originally set for today) to make a decision on budget-related plans for cutting transit services by 10 percent across the city and raising prices on monthly passes, setting it for Friday 26th at 9 a.m. instead.

The proposal seeks “a savings of 313,000 annual service hours, which would result in $4.8 million in savings for the fiscal year 2010. The annual savings would be $28.5 million.”

At the Feb. 8 meeting, where the MTA formally announced its new plans, representatives from disability and senior citizen communities voiced their frustrations with the monthly pass price increase. Both groups not only rely on public transportation to get around the city, but many are members of organizations that subsidize passes for those in need. Many of these organizations can’t budget the new price hikes, which could mean that people who depend on these hand-outs may not get them.

“The people of San Francisco need transit. We were there to stop the MTA — 99 percent of the people at the meeting were there to say don’t cut services, don’t cut rates, there are other ways,” Forrest Schmidt, an organizer for the ANSWER Coalition, told us.

The 10 percent cut in service would hit the residents of Treasure Island hard because many rely on buses to get on and off the island. Several came to the meeting to voice their Muni needs and point out that the 108 bus is the only alternative to driving a car. They criticized MTA calculations that determine the appropriate amount of service that can be cut without causing too many problems for commuters.

“Alternative means don’t exist when you live on Treasure Island. They have to acknowledge that we have unique factors,” Treasure Island resident and art student Drew Williams said at the meeting.

The MTA board heard the plea, MTA spokesperson Judson True told us: “The board has decided to reevaluate their plans for the 108 line.” It was one of several factors that has caused the MTA board of delay its budget decisions.

Critics are infuriated at the MTA for not taking a proactive approach at dealing with its fiscal challenges. “It’s a damn shame it came to this. The severity was not predictable but the deficit was predictable,” said longtime transportation activist Dave Snyder, who recently formed a new transit riders union to advocate on behalf of Muni riders. “The revenue panel met a couple of years ago and the MTA declined all their recommendations.”

 

Wednesday: MTC’s $70 million question, plus the return of the Bay Bridge west span bike path

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By Rebecca Bowe

Sustainable transit advocates are rallying the troops for two back-to-back meetings tomorrow in Oakland: The Bay Area Toll Authority (BATA) and the Metropolitan Transportation Commission (MTC). While they’re technically separate bodies, BATA and the MTC are comprised of the very same people, wearing different hats at each meeting.

Bike advocates packing the BATA meeting will voice support for a bike path on the west span of the Bay Bridge, a possibility that has been studied but not yet funded. (Plans for the new east span include a bike and pedestrian pathway, but it would end at Treasure Island.) Since the toll authority will be discussing raising bridge tolls at tomorrow’s meeting (up to $6 during rush hour on the Bay Bridge), bike advocates want some of the possible new revenue to go toward a bike path. But there’s a catch: BATA has said it might be prohibited from allocating funding for this type of project.

Andy Thornley, program director at the San Francisco Bicycle Coalition, says this detail is crucial because until it’s clear whether BATA could use those possible funds, “everything is a little bit paralyzed.” The message bike activists plan to deliver tomorrow, he said, is this: “Don’t forget — you must finish this bridge for everybody, not just people in cars.”

Those turning out for the MTC, meanwhile, plan on urging commissioners to reallocate $70 million in federal stimulus dollars to cash-strapped Bay Area transit agencies, instead of taking the chance of losing it.

The $70 million had been earmarked for the Oakland Airport Connector, a proposed link between the BART system and Oakland International Airport. But the project, which has gone forward with no shortage of controversy due to the $500 million price tag, was dealt a blow in mid-January that threw the $70 million into question.

Nightlife and Entertainment

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BEST REP FILM HOUSE

Red Vic

From rock docs to cult classics, this Upper Haight co-op’s schedule has kept its cozy couches filled with popcorn-munching film buffs since 1980.

1727 Haight, SF. (415) 668-3994, www.redvicmoviehouse.com

Runners up: Castro, Roxie

BEST MOVIE THEATER

Balboa Theater

Packing the house with film festivals, second-run faves, indie darlings, and carefully chosen new releases, this Richmond gem offers old-school charm with a cozy neighborhood vibe.

3630 Balboa, SF. (415) 221-8184, www.balboamovies.com

Runners up: Castro, Kabuki Sundance

BEST THEATER COMPANY

Un-Scripted Theater Company

The Un-Scripted improv troupe elevates comedy from one-liners and shtick to full-fledged theatrical productions with a talented cast and eccentric sensibilities.

533 Sutter, SF. (415) 869-5384, www.un-scripted.com

Runners up: ACT, Shotgun Players

BEST DANCE COMPANY

Hot Pink Feathers

Blurring the line between cabaret and Carnaval, this burlesque troupe drips with samba flavor (and feathers, of course).

www.hotpinkfeathers.com

Runners up: DholRhythms, Fou Fou Ha!

BEST ART GALLERY

Creativity Explored

The cherished nonprofit provides a safe haven for artists of all ages, abilities, and skill levels while making sure that great works remain accessible to art lovers without trust funds.

3245 16th St., SF. (415) 863-2108, www.creativityexplored.org

Runners up: 111 Minna, Hang

BEST MUSEUM

De Young

Golden Gate Park’s copper jewel boasts stunning architecture, one hell of a permanent collection, and an impressive schedule of rotating exhibitions.

50 Hagiwara Tea Garden Drive, SF. (415) 750-3600, www.famsf.org/deyoung

Runners up: Asian Art Museum, SF MOMA

BEST MIXED-USE ARTS SPACE

CellSPACE

From aerial circus arts to metalsmithing, fire dancing to roller-skating parties, CellSPACE has had its fingers all over San Francisco’s alternative art scene.

2050 Bryant, SF. (415) 648-7562, www.cellspace.org

Runners up: SomArts, 111 Minna

BEST DANCE CLUB

DNA Lounge

DNA scratches just about every strange dance floor itch imaginable — from ’80s new wave and glam-goth to transvestite mashups and humongous lesbian dance parties.

375 11th St., SF. (415) 626-1409, www.dnalounge.com

Runners up: Temple, 1015 Folsom

BEST ROCK CLUB

Bottom of the Hill

San Francisco’s quintessential “I saw ’em here first” dive, Bottom of the Hill consistently delivers stellar booking, cheap drinks, and great sound.

1233 17th St., SF. (415) 621-4455, www.bottomofthehill.com

Runners up: Slim’s, The Independent

BEST HIP-HOP CLUB

Club Six

Six blurs the line between high and low, offering an upstairs lounge in which to see and be seen and a basement dance floor for those who want to show off their b-boy prowess.

60 Sixth St., SF. (415) 531-6593, www.clubsix1.com

Runners up: Poleng, Milk

BEST JAZZ CLUB

Yoshi’s

Nothing says “Bay Area” quite like Yoshi’s masterful combo of classic cocktails, inventive maki rolls, and world-class jazz acts.

510 Embarcadero West, Jack London Square, Oakl. (510) 238-9200; 1330 Fillmore, SF. (415) 655-5600; www.yoshis.com

Runners up: Jazz at Pearl’s, Biscuits and Blues

BEST SALSA CLUB

Cafe Cocomo

Smartly dressed regulars, smoking-hot entertainment, and plenty of classes keep the Cocomo’s floor packed with sweaty salsa enthusiasts year-round.

650 Indiana, SF. (415) 824-6910, www.cafecocomo.com

Runners up: El Rio, Roccapulco

BEST PUNK CLUB

Annie’s Social Club

The club maintains its cred by presciently booking on-the-rise punk and hardcore bands and adding a sprinkle of punk rock karaoke, photo-booth antics, and ’80s dance parties.

917 Folsom, SF. (415) 974-1585, www.anniessocialclub.com

Runners up: Thee Parkside, 924 Gilman

BEST AFTER-HOURS CLUB

Endup

Where the drunken masses head after last call, the aptly named Endup is probably the only club left where you can rub up against a fishnetted transvestite until the sun comes up. And after.

401 Sixth St., SF. (415) 646-0999, www.theendup.com

Runners up: Mighty, DNA Lounge

BEST HAPPY HOUR

El Rio

“Cash is queen” at this Mission haunt, but you won’t need much of it. El Rio’s infamous happy hour — which lasts five hours and begins at 4 p.m. — consists of dirt cheap drinks and yummy freebies.

3158 Mission, SF. (415) 282-3325, www.elriosf.com

Runners up: Midnight Sun, Olive

BEST DIVE BAR

500 Club

A mean manhattan might not be the hallmark of a typical dive, but just add in ridiculously low prices, well-worn booths, and legions of scruffy hipsters.

500 Guerrero, SF. (415) 861-2500

Runners up: Broken Record, Phone Booth

BEST SWANKY BAR

Bourbon and Branch

Mirrored tables, exclusive entry, fancy specialty cocktails, and a well-appointed library root this speakeasy firmly in “upscale” territory.

501 Jones, SF. (415) 346-1735, www.bourbonandbranch.com

Runners up: Red Room, Bubble Lounge

BEST TRIVIA NIGHT

Brain Farts at the Lookout

“Are you smarter than a drag queen?” Brain Fart hostesses BeBe Sweetbriar and Pollo del Mar ask every Wednesday at 7:30 p.m. at this gay hot spot. Maybe.

3600 16th St., SF. (415) 431-0306

Runners up: Castle Quiz (Edinburgh Castle), Trivia Night (Board Room)

BEST JUKEBOX

Lucky 13

Bargain drinks, a popcorn machine, and Thin Lizzy, Hank 3, Motörhead, and Iggy on heavy rotation: Lucky 13 never disappoints.

2140 Market, SF. (415) 487-1313

Runners up: Phone Booth, Lexington Club

BEST KARAOKE BAR

The Mint

It may be nigh impossible to get mic time at this mid-Market mainstay, but once you do, there are hordes of adoring (read: delightfully catty) patrons to applaud you.

942 Market, SF. (415) 626-4726, www.themint.net

Runners up: Encore, Annie’s Social Club

BEST CLUB FOR QUEER MEN

Bearracuda at Deco

Bears at the free buffet, bears on the massage table — bears, bears everywhere, but mostly on the dance floor at this big gay biweekly hair affair in the Tenderloin.

510 Larkin, SF. (415) 346-2025, www.bearracuda.com

Runners up: The Cinch, The Stud

BEST CLUB FOR QUEER WOMEN

Lexington Club

With a pool table, a rotating gallery of kick-ass art, and regular rock DJ nights, this beer-and-shot Mission dive has been proving that dykes drink harder for more than a decade.

3464 19th St., SF. (415) 863-2052, www.lexingtonclub.com

Runners up: Cockblock, Wild Side West

BEST CLUB FOR TRANNIES

Trannyshack

Say hello, wave good-bye: Heklina’s legendary trash drag mecca hangs up its bloody boa in August, but it’s still the best bang for your tranny buck right now.

Stud, 399 Ninth St., SF. (415) 252-7883, www.trannyshack.com

Runners up: AsiaSF, Diva’s

BEST SINGER-SONGWRITER

Curt Yagi

Multi-instrumentalist Curt Yagi has been making the rounds at local venues, strumming with the swagger of Lenny Kravitz and the lyrical prowess of Jack Johnson.

www.curtyagi.com

Runners up: Jill Tracy, Kitten on the Keys

BEST METAL BAND

A Band Called Pain

If you didn’t get the hint from their name, the Oakland-based A Band Called Pain bring it hard and heavy and have lent their distinct brooding metal sound to the Saw II soundtrack and Austin’s SXSW.

www.abandcalledpain.com

Runners up: Thumper, Death Angel

BEST ELECTRONIC MUSIC ACT

Lazer Sword

Rooted in hip-hop but pulling influences from every genre under the sun, the laptop composers seamlessly meld grime and glitch sensibilities with ever-pervasive bass.

www.myspace.com/lazersword

Runners up: Kush Arora, Gooferman

BEST HIP-HOP ACT

Beeda Weeda

Murder Dubs producer and rapper Beeda Weeda may make stuntin’ look easy, but he makes it sound even better: case in point, his upcoming album Da Thizzness.

www.myspace.com/beedaweeda

Runners up: Deep Dickollective, Zion I

BEST INDIE BAND

Ex-Boyfriends

San Francisco outfit and Absolutely Kosher artists the Ex-Boyfriends dole out catchy power pop with a shiny Brit veneer and a dab of emo for good measure.

www.myspace.com/exboyfriends

Runners up: Gooferman, Making Dinner

BEST COVER BAND

ZooStation

A mainstay at festivals, parties, and Slim’s cover-band nights, ZooStation storm through the U2 catalog (they take on more than 140 of the band’s tunes).

www.zoostation-online.com

Runners up: AC/DShe, Interchords

BEST BAND NAME

The Fucking Ocean

Fuck Buttons, Holy Fuck, Fucked Up, Fuck, indeed: the time is ripe for band names that can’t be uttered on the airwaves, and the Fucking Ocean leads the pack. George Carlin would be so proud.

www.myspace.com/thefuckingocean

Runners up: Stung, Gooferman

BEST DJ

Smoove

Ian Chang, aka DJ Smoove, keeps late hours at the Endup, DNA Lounge, 111 Minna, Mighty, and underground parties all over, pumping out power-funk breaks.

www.myspace.com/smoovethedirtypunk

Runners up: Jimmy Love, Maneesh the Twister

BEST PARTY PRODUCERS

Adrian and the Mysterious D, Bootie

Five years in, the Bay’s groundbreaking original mashup party, Bootie, has expanded coast-to-coast and to three continents. This duo displays the power of tight promotion and superb party skills.

DNA Lounge, 375 11th St., SF. (415) 626-1409, www.bootiesf.com

Runners up: NonStop Bhangra crew, Mike Gaines (Bohemian Carnival)

BEST BURLESQUE ACT

Twilight Vixen Revue

Finally, someone thinks to combine pirates, wenches, classic burlesque, and foxy lesbians. This all-queer burlesque troupe has been waving its fans (and fannies) since 2003.

www.twilightvixen.com

Runners up: Sparkly Devil, Hot Pink Feathers

BEST DRAG ACT

Katya Ludmilla Smirnoff-Skyy

Gorgeous costumes, a glamorous backstory, and a jam-packed social calendar are reasons enough to catch this opera diva, but it’s her flawless mezzo that keeps fans hurling roses.

www.russianoperadiva.com

Runners up: Charlie Horse, Cookie Dough

BEST COMEDIAN

Marga Gomez

One of America’s first openly gay comics, San Francisco’s Marga Gomez is a Latina firebrand who’s equally at home performing at Yankee Stadium or Theatre Rhinoceros.

www.margagomez.com

Runners up: Robert Strong, Paco Romane

BEST CIRCUS TROUPE

Vau de Vire Society

Offering a full-on circus assault, the wildly talented and freakishly flexible troupe’s live show delivers plenty of fire performances, aerial stunts, and contortionism.

www.vaudeviresociety.com

Runners up: Teatro Zinzani, Pickle Family Circus

BEST OPEN MIC NIGHT

Hotel Utah

One of the city’s strongest breeding grounds for new musical talent, Hotel Utah’s open mic series opens the floor for all genres (and abilities).

500 Fourth St., SF. (415) 546-6300, www.hotelutah.com

Runners up: Queer Open Mic (3 Dollar Bill), Brain Wash

BEST CABARET/VARIETY SHOW


Hubba Hubba Review: Best Cabaret/Variety Show
PHOTO BY PATRICK MCCARTHY

Hubba Hubba Revue

Vaudeville comedy, tassled titties, and over-the-top burlesque teasing make the Hubba Hubba Revue the scene’s bawdiest purveyor of impropriety.

www.hubbahubbarevue.com

Runners up: Bohemian Carnival, Bijou (Martuni’s)

BEST LITERARY NIGHT

Writers with Drinks

This roving monthly literary night takes it on faith that writers like to drink. Sex workers, children’s book authors, and bar-stool prophets all mingle seamlessly, with social lubrication.

www.writerswithdrinks.com

Runners up: Porchlight Reading Series, Litquake

BEST CRUSHWORTHY BARTENDER

Laura at Hotel Utah

Whether you just bombed onstage at open mic night or are bellied up to the Hotel Utah bar to drink your sorrows away, the ever-so-crushworthy Laura is there with a heavy-handed pour and a smile. She’s even nice to tourists — imagine!

500 Fourth St., SF. (415) 546-6300, www.hotelutah.com

Runners up: Chupa at DNA Lounge, Vegas at Cha Cha Cha

Nightlife and Entertainment — Editors Picks

BEST CREEP-SHOW CHANTEUSE

There’s just something about the inimitable Jill Tracy that makes us swoon like a passel of naive gothic horror heroines in too-tight corsets. Is it her husky midnight lover’s croon, her deceptively delicate visage, her vintage sensibilities? Who else could have written the definitive elegy on the “fine art of poisoning,” composed a hauntingly lush live score for F.W. Murnau’s classic silent film Nosferatu, joined forces with that merry band of bloodthirsty malcontents, Thrillpeddlers, and still somehow remain a shining beacon of almost beatific grace? Part tough-as-nails film fatale, part funeral parlor pianist, Tracy manages to adopt many facades yet remain ever and only herself — a precarious and delicious balancing act. Her newest CD, The Bittersweet Constrain, glides the gamut from gloom to glamour, encapsulating her haunted highness at her beguiling best.

www.jilltracy.com

BEST CINEMATIC REFUGE FOR GERMANIACS

Can’t wait for the annual Berlin and Beyond film fest to get your Teuton on? The San Francisco Goethe-Institut screens a select handful of German-language films throughout the year at its Bush Street language-school location. For a $5 suggested donation, you can treat yourself to a klassische F.W. Murnau movie or something slightly more contemporary from Margarethe von Trotta. Flicks are subtitled, so there’s no need to brush up on verb conjugations ahead of time. And the Bush Street location is within respectable stumbling distance of many Tendernob bars, not to mention the Euro-chic Café de la Presse, should your cinematic adventure turn into an unexpected Liebesabenteuer. Unlike SF filmic events offering free popcorn, free-for-all heckling, or staged reenactments of the action, Goethe-Institut screenings need no gimmickry to attract their audiences — a respectable singularity perhaps alone worth the price of admission.

530 Bush, SF. (415) 263-8760, www.goethe.de

BEST UNFORCED BAY AREA BALKANIZATION

Despite all the countless reasons to give in to despair — the weight of the world, the headline news, those endless measured teaspoons — sometimes you just have to say fuck it and get your freak on. No party in town exemplifies this reckless surrender to the muse of moving on better than the frenetic, freewheeling proslava that is Kafana Balkan. No hideaway this for the too-cool-for-school, hands-slung-deep-in-pockets, head-bobber crowd. The brass-and-beer-fueled mayhem that generally ensues at Kafana Balkan, often held at 12 Galaxies, is a much more primitive and fundamental form of bacchanal. Clowns! Accordions! Brass bands! Romany rarities! Unfurled hankies! The unlikely combination of high-stepping grannies and high-spirited hipsters is joined together by the thread that truly binds: a raucous good time. Plus, all proceeds support the Bread and Cheese Circus’s attempts to bring succor and good cheer to orphans in Kosovo. Your attendance will help alleviate angst in more ways than one.

www.myspace.com/kafanabalkan

BEST GOREY BALL

There’s no doubt about it — we San Franciscans love to play dress-up. From the towering Beach Blanket Babylon–esque bonnets at the annual Sisters of Perpetual Indulgence Easter Sunday to the costumed free-for-all of All Hallows Eve, the more elaborate the excuse to throw on some gay apparel, the more elaborate the apparel. This makes the annual Edwardian Ball tailor-made for San Francisco’s tailored maids and madcap chaps. An eager homage to the off-kilter imaginings of Edward Gorey, whose oft-pseudonymous picture books delved into the exotic, the erotic, and the diabolic within prim and proper, vaguely British settings, the Edwardian Ball is a midwinter ode to woe. From the haunting disharmonies of Rosin Coven to the voluptuous vigor of the Vau de Vire Society’s reenactment of Gorey tales, the ball — which now encompasses an entire three-day weekend — is a veritable bastion of dark-hued revelry and unfettered fetish.

www.myspace.com/edwardianball

BEST PROGRESSIVE LOUD ‘N’ PROUD

We love Stephen Elliott. The fearless writer, merciless poker opponent, and unrepentant romantic’s well-documented fall from political innocence — recounted in Looking Forward to It (Picador, 2004) and Politically Inspired (MacAdam/Cage, 2003) — has kept him plunged into the fray ever since. Like most other ongoing literary salons, Elliott’s monthly Progressive Reading Series offers a thrilling showcase of local and luminary talent, highlighting up-and-comers along with seasoned pros — shaken, stirred, and poured over ice by the unflappable bar staff at host venue the Make-Out Room. All of the proceeds from the door benefit selected progressive causes — such as, most recently, fighting the good fight against California state proposition 98. Books, booze, and ballot boxing — a good deed never went down more smoothly or with such earnest verbiage and charm.

www.progressivereadingseries.org

BEST UNDERAGE SANDWICH

When it comes to opportunities to see live independent music, most Bay Area venues hang kids under 21 out to dry. Outside of 924 Gilman in Berkeley and the occasional all-ages show at Bottom of the Hill, the opportunities are painfully sparse. But thanks to members of Bay Area show promotion collective Club Sandwich, the underground music scene is becoming more accessible. Committed to hosting exclusively all-ages shows featuring under-the-radar local and national touring bands, Club Sandwich has booked more than a hundred of them since 2006, ranging from better-known groups like No Age, Marnie Stern, and Lightning Bolt to more obscure acts like South Seas Queen and Sexy Prison. Club Sandwich shows tend to cross traditional genre boundary lines (noise, punk, folk, etc.), bringing together different subcultures within the Bay Area’s underground music scene that don’t usually overlap. And the collective organizes shows at wildly diverse venues: from legitimate art spaces like ATA in San Francisco and Lobot in Oakland to warehouse spaces and swimming pools.

www.clubsandwichbayarea.com

BEST BEER PONG PALACE

Pabst Blue Ribbon, American Spirits, track bikes, tattoos, stretchy jeans, slip-ons, facial hair, Wayfarers. Blah, blah, blah. If you live in the Mission — and happen to be between 22 and 33 years old — you see it all, every night, at every bar in the hood. Boooring. If you’re sick of all the hipster shit, but not quite ready to abandon the scene entirely, take a baby step over to the Broken Record, a roomy dive bar in the Excelsior that serves gourmet game sausage, gives away free beer every Friday(!), rents out Scrabble boards, and isn’t afraid to drop the attitude and get down with a goofy night of beer pong or a bar-wide foosball match. The cheap swill, loud music, and street art will make you feel right at home, but the Broken Record’s decidedly Outer Mission vibe will give you a much-needed respite from the glam rockers, bike messengers, “artists,” and cokeheads you have to hang out with back in cool country.

1166 Geneva, SF. (415) 255-3100

BEST VOLUPTUOUS VISIBILITY

Every June, the Brava Theater quietly morphs into the center of the known universe for queer women of color. And what a delectable center it is. Over the course of three days, the Queer Women of Color Film Festival, produced by the Queer Women of Color Media Arts Project, screens more than 30 works by emerging filmmakers for a raucously supportive audience — an audience that happens to be cute as all hell. In fact, some would call the festival the cruising event of the year for queer women of color. Of course, the films are worth scoping too. Students of QWOCMAP’s no-cost Filmmaker Training Program create most of the festival’s incredible array of humorous and sensitive films, which explore topics such as romance and family ties. For festivalgoers, this heady mixture of authentic representation, massive visibility, and community pride (all screenings are copresented with social justice groups) is breathtakingly potent. It’s no wonder a few love connections are made each fest. Want just a little more icing on that cake? All screenings are free.

(415) 752-0868, www.qwocmap.org

BEST DANCE-FLOOR FLICKS FIX

The San Francisco Film Society is best known for putting on America’s oldest film fest, the San Francisco Film Festival. But the organization also hosts a TV show, publishes an amazingly vibrant online magazine, and throws a slew of events throughout the year under its SF360 umbrella, a collection of organizations dedicated to covering film in San Francisco from all angles. There’s SF360 movie nights held in homes across the city, Live at the Apple Store film discussions, and special screenings of hard-to-see films held at theaters throughout the Bay Area. But our favorite SF360 shindig is its monthly SF360 Film+Club Night at Mezzanine, which screens underground films to a room of intoxicated cinephiles who are encouraged to hoot, holler, and at times — like during the annual R. Kelly Trapped in tha Closet Singalong — flex their vocal cords. Past Film+Club screenings have included a B-movie skate-film retrospective, prescreenings of Dave Eggers’s Wholphin compilations, and an Icelandic music documentary night, at which, we’ll admit, we dressed up like Björk.

www.sf360.org

BEST HORIZONTAL MAMBO ON HIGH


Project Bandaloop: Best Horizontal Mambo on High
PHOTO BY TODD LABY

Normally when one mentions doing the horizontal mambo, nudges and winks ensue. But when Project Bandaloop gets together to actually do it, the group isn’t getting freaky, it’s getting wildly artistic — hundreds of feet up in the air. The aerial dance company creates an exhilarating blend of kinetics, sport, and environmental awareness, hanging from bungee cords perpendicular to tall building walls. The troupe is composed of climbers and dancers, who rappel, jump, pas de deux, and generally do incredibly graceful things while hoisted hundreds of feet up in the air. Founded in 1991 and currently under the artistic direction of Amelia Rudolph, Project Bandaloop’s company of dancer-athletes explores the cultural possibilities of simulated weightlessness, drawing on a complete circumferential vocabulary of movement to craft site-specific dances, including pieces for Seattle’s Space Needle and Yosemite’s El Capitan. (Once it even performed for the sheikh of Oman.) Now, if there were only a way to watch the rapturous results without getting a stiff neck.

(415) 421-5667, www.projectbandaloop.org

BEST YODELALCOHOL

From the sidewalk, Bacchus Kirk looks like so many other dimly lit San Francisco bars. Yet to walk inside is to step into a little bit of Lake Tahoe or the Haute-Savoie on the unlikely slopes of lower Nob Hill. With its raftered A-frame ceiling, warm wood-paneled walls, and inviting fireplace, the alpine Bacchus Kirk only needs a pack of bellowing snowboarders to pass as a ski lodge — albeit one that provides chocolate martinis, raspberry drops, and mellow mango cocktails rather than hot cocoa, vertiginous funicular rides, and views of alpenhorn-wielding shepherds. This San Francisco simulation of the après-ski scene is populated by a friendly, low-key crowd of art students, Euro hostelers, and diverse locals — no frosty snow bunnies here — drawn by the congenial atmosphere, the pool table, and that current nightlife rarity, a smoking room. Tasty drinks and lofty conversation flow freely: if you leave feeling light-headed, you won’t be able to blame it on the altitude.

925 Bush, SF. (415) 474-4056, www.bacchuskirk.org

BEST COCKTAILS WITH CANINES

Plenty of bars around town call themselves pooch-friendly — as if a pampered shih tzu housed in a Paris Hilton wannabe’s purse, its exquisitely painted paw-nails barely deigning to rest atop the bar, represents the be-all and end-all of canine cocktail companionship. The Homestead, however, goes the extra mile to make four-legged patrons of all shapes and sizes at home with its “open dog” policy. Permanently stationed below the piano is a water dish, and the bar is stocked with an ample supply of doggie treats. At slack times, the bartenders will even come out from behind the bar to dispense said treats directly to their panting customers. Talk about service! As for the bipeds, they will undoubtedly appreciate the Homestead’s well-worn 19th-century working-class-bar decor (complete with a potbellied stove!) and relaxed modern-day atmosphere. It’s the perfect spot to catch up with old friends — either furry or slightly slurry — and make a few new ones.

2301 Folsom, SF. (415) 282-4663

BEST VISA TO MARTINI VICTORY


Bartender Visa Victor: Best Visa to Martini Victory
PHOTO BY NEIL MOTTERAM

When überfancy personalized cocktails started popping up all over town, it was only a matter of time before we of the plebeian class started demanding our fair share. Looking to be poured something special, but can’t afford a drink at Absinthe? Want to sample a few stupendously constructed tipples in the Bourbon and Branch vein with limited ducats? Score: Visa Victor the bartender has what you want. Once a journeyman slinger, Visa has started filling regular shifts — typically Wednesdays and Sundays — at Argus Lounge on Mission Street. What he offers: his own DJ, a well-populated e-mail list of fans, and an array of unique ingredients including rare berries, savory herbs, and meat. Yes, meat — his recent bacon martini turned out to be not just an attempt to tap into the city’s growing “meat consciousness” but damn good to boot. And hey, we didn’t have to take out a phony second mortgage to down it.

BEST JAZZ JUKE

Pesky Internet jukeboxes are everywhere: any decent night out can be ruined by some freshly 21-year-old princess bumping her “birthday jam” incessantly. The old-school jukebox, on the other hand, has the oft-undervalued ability to maintain a mood, or at least ensure that you won’t be “bringing sexy back” 27 times in one evening. Aub Zam Zam in the Upper Haight maintains an exceptional jukebox chock-full of timeless blues, jazz, and R&B slices. Selections include Robert Johnson, Miles Davis, Louis Armstrong, Bessie Smith, Taj Mahal … the list of smooth crooners and delicate instrumentalists goes on and on. This is in perfect keeping with Aub Zam Zam’s rep as a mighty fine cocktail lounge, established in the 1940s. New owner Bob Clarke has made the place a lot more welcoming than it was in the days of notoriously tyrannical founder Bruno, who proudly boasted of 86ing 80 percent of the Zam Zam’s would-be customers. But Clarke’s kept at least one thing from Bruno’s days besides mouthwatering drinks: his favorite juke jams.

1633 Haight, SF. (415) 861-2545

BEST FUNNY UH-OH

It’s hard to tell if the entity known as Something with Genitals is a comedy act or a cultural experiment designed to monitor human behavior under unusual circumstances. Take, for example, the night one member of this duo, sometimes trio, of dudes made his way through the crowded Hemlock Tavern on cross-country skis. When he finally maneuvered himself onto the stage, the lights went out and the show was over. Sometimes no one gets onstage at all. Instead the audience gets treated to one of the group’s ingeniously simple short films, which are way better at summing up every one-night stand you’ve had than a regular joke with a punch line. Check out their video on MySpace of a guy who strikes up a conversation with a shrub on some Mission District street, invites it to a party, offers it a beer, asks it to dance, shares some personal secrets and heartfelt dreams, then proceeds to drunkenly fuck it, and you’ll wonder if they’ve been reading your diary. Funny uh-oh, not funny ha-ha.

www.myspace.com/somethingwithgenitals

BEST WEIRD EYE FOR WEIRD TIMES

Even if you’re not in the market for stock footage — the chief focus of Oddball Film + Video, which maintains an archive crammed with everything from World War II clips to glamour shots of TV dinners circa 1960 to images of vintage San Francisco street scenes — you can still take advantage of this incredible resource. Director and founder Stephen Parr loves film, and he loves the unusual; lucky for us, he also loves sharing his collection with the public. RSVPs are essential to attend screenings at the small space, which in recent months has hosted such programs as “Shock! Cinema,” a collection of hygiene and safety films (Narcotics: Pit of Despair) from bygone but no less hysterical eras, and “Strange Sinema,” featuring yet-to-be-cataloged finds from Oddball’s ever-growing library (a 1950s dude ranch promo, an extended trailer for 1972 porn classic Behind the Green Door). Other past highlights have included programs on sex, monkeys, India, and avant-gardists and nights with guest curators like Los Angeles “media ecologist” Gerry Fialka.

275 Capp, SF. (415) 558-8117, www.oddballfilm.com

BEST SWEET ISLE OF ROCK

It doesn’t get much sweeter, in terms of massive multistage music gatherings soaked with mucho cerveza and plenty of sunshine: looking out over the bay at our sparkling city from the top of a Ferris wheel as Spoon gets out the jittery indie rock on the main stage below. That was the scene at last year’s inaugural two-day Treasure Island Music Festival, a smooth-sailing dream of a musical event presented by the Noise Pop crew and Another Planet Entertainment. The locale was special — how often do music fans who don’t live or work on the isle ever get out to that human-made spot, a relic from the utopian era of “We can do it!” engineering and World’s Fairs. The shuttles were plentiful and zero emission. The food was reasonably priced, varied, and at times vegetarian. About 72 percent of the waste generated by the fest was diverted to recycling and composting. Most important, the music was stellar: primo critical picks all the way. This year’s gathering, featuring Justice, Hot Chip, and the Raconteurs, looks to do even better.

www.treasureislandfestival.com

BEST WHITE-HOT WALLS

Pristine walls couldn’t get much more white-hot than at Ratio 3 gallery. Chris Perez has a nose for talent — and an eye for cool — when it comes to programming the new space on Stevenson near SoMa. The curator has been on a particular roll of late with exhibitions by such varied artists as psychedelia-drenched video installationist Takeshi Murata, resurgent abstractionist Ruth Laskey, and utopian beautiful-people photog Ryan McGinley, while drawing attendees such as Mayor Gavin Newsom and sundry celebs to openings. Perez also has a worthy stable of gallery artists on hand, including local legend Barry McGee (whose works slip surprisingly well among recent abstract shows at the space), rough-and-ready sculptor Mitzi Pederson, op-art woodworker Ara Peterson, and hallucinatory dreamscape creator Jose Alvarez. Catch ’em while the ratio is in your favor.

1447 Stevenson, SF. (415) 821-3371, www.ratio3.org

BEST ON-SCREEN MIND WARP

When edgy director of programming Bruce Fletcher left the San Francisco Independent Film Festival (IndieFest), fans who’d relied on his horror and sci-fi picks were understandably a little worried. Fortunately, Fletcher’s Dead Channels: The San Francisco Festival of Fantastic Film proved there’s room enough in this town for multiple fests with an eye for sleazy, gory, gruesome, unsettling, and offbeat films, indie and otherwise. There’s more: this summer Dead Channels teamed up with Thrillpeddlers to host weekly screenings at the Grand Guignol theater company’s space, the Hypnodrome. “White Hot ‘N’ Warped Wednesdays” are exactly that — showcasing all manner of psychotronica, from Pakistani gore flick Hell’s Ground to culty grind house classics like She-Freak (1967). Come this October, will the Dead Channels fest be able to top its utterly warped Hump Day series? Fear not for the programming, dark-dwelling weirdos — fear only what’s on the screen.

www.deadchannels.com

BEST BACKROOM SHENANIGANS

Everyone knows when Adobe Books’ backroom art openings are in full swing: the bookstore is brightly lit and buzzing at an hour when most other literature peddlers are safely tucked in bed, the crowd is spilling onto the 16th Street sidewalk, and music might be wafting into the night. Deep within, in the microscopic backroom gallery, you might discover future art stars like Colter Jacobsen, Barbra Garber, and Matt Furie, as well as their works. Call the space and its soirees the last living relic of Mission District bohemia or dub it a San Francisco institution — just don’t try to clean it up or bring order to its stacks. Wanderers, seekers, artists, and musicians have found a home of sorts here, checking out art, bickering over the accuracy and comprehensiveness of the time line of Mission hipster connections that runs along the upper walls, sinking into the old chairs to hang, and maybe even picking up a book and paging through.

3166 16th St., SF. (415) 864-3936, adobebooksbackroomgallery.blogspot.com

BEST HELLO MUMBAI


DJ Cheb i Sabbah at Bollyhood Café: Best Hello Mumbai
PHOTO BY NEIL MOTTERAM

India produces more movies than any other place on the planet, although you’d scarcely know it from the few that make it stateside. But the American Bollywood cult is growing, and Indian pop culture is dancing its eye-popping way into San Francisco’s heart with invigorating bhangra club nights and piquant variations on traditional cuisine. Bollywood-themed Bollyhood Café, a colorful dance lounge, restaurant, and bar on 19th Street, serves beloved Indian street food–style favorites, with tweaked names like Something to Chaat About, Bhel “Hood” Puri, and Daal-Icious. The joint also delights fans of the subcontinent with nonstop Bollywood screenings and parties featuring DJs Cheb i Sabbah and Jimmy Love of NonStop Bhangra. The crowd’s cute, too: knock back a few mango changos or a lychee martini and prepare to kick up your heels with some of the warmest daals and smoothest lassis (har, har) this side of Mumbai.

3372 19th St., SF. (415) 970-0362, www.bollyhoodcafe.com

BEST POP ‘N’ CHILL


Sheila Marie Ang at Bubble Lounge: Best Pop ‘N’ Chill
PHOTO BY NEIL MOTTERAM

When people get older and perhaps wiser, they begin to feel out of place in hipstery dive bars and tend to lose the desire to rage all night in sweaty dance clubs. But that doesn’t mean they don’t want to party; it just means they’d rather do it in a more sophisticated setting. Thank goddess, then, for Bubble Lounge, the Financial District’s premier purveyor of sparkling social lubricant. For a decade, this superswanky champagne parlor has dazzled with its 10 candlelit salons, each decked out with satin couches, overstuffed chairs, and mahogany tables. BL specializes in tasters, flights, and full-size flutes of light and full-bodied sparkling wines and champagnes. But if poppin’ bub ain’t your style, you can always go the martini route and order a specialty cocktail like the Rasmatini or the French tickler — whatever it takes to make you forget about the office and just chill.

714 Montgomery, SF. (415) 434-4204, www.bubblelounge.com

BEST REGGAE ON BOTH SIDES

Reggae may not be the hippest or newest music in town, but there are few other genres that can inspire revolutionary political thought, erase color lines, and make you shake your ass all at the same time. Grind away your daily worries and appreciate the unity of humanity all night long on both sides of the bay — second Saturdays of the month at the Endup and fourth Saturdays at Oakland’s Karibbean City — at Reggae Gold, the Bay Area’s smoothest-packed party for irie folk and dance machines. Resident DJs Polo Moquuz, Daddy Rolo, and Mendoja spin riddim, dancehall, soca, and hip-hop mashup faves as a unified nation of dub heads rocks steady on the dance floor. Special dress-up nights include Flag Party, Army Fatigue Night, and the Black Ball, but otherwise Reggae Gold keeps things on the classy side with a strict dress policy: no sneakers, no baseball caps, no sports attire, and for Jah’s sake, no white T-shirts. This isn’t the Dirty South, you know.

www.reggaegoldsf.com

BEST MEGACLUB REINCARNATION

Its a wonder no one thought of it before. Why not combine green business practices with a keen sense of after-hours dance floor mayhem, inject the whole enchilada with shots of mystical spirituality (giant antique Buddha statues, a holistic healing center) and social justice activism (political speaker engagements, issue awareness campaigns), attach a yummy Thai restaurant, serve some fancy drinks, and call it a groundbreaking megaclub? That’s a serviceably bare-bones description of Temple in SoMa, but this multilevel, generously laid out mecca for dance music lovers is so much more. Cynical clubgoers like ourselves, burnt out on the steroidal ultralounge excesses of the Internet boom, cast a wary eye when it was announced that Temple would set up shop in defunct-but-still-beloved club DV8’s old space, and feared a mainstream supastar DJ onslaught to cover the costs. Temple brings in the big names, all right, but it also shows much love for the local scene, giving faves like DJ David Harness and the Compression crew room to do their thing. The sound is impeccable, the staff exceedingly friendly, and even if we have to wade politely but firmly through some bridge and tunnel crowd to get to the dance floor, we can use the extra karma points.

540 Howard, SF. www.templesf.com

BEST BANGERS AND FLASH


Blow Up: Best Bangers and Flash
PHOTO BY MELEKSAH DAVID

Disco, house, techno, rave, hip-hop, electroclash … all well and good for us old-timers who like to stash our pimped-out aluminum walkers in the coat check and “get wild” on the dance floor. But what about the youth? With what new genre are they to leave their neon mark upon nightlife? Which party style will mark their generation for endless send-ups and retro nights 30 years hence? The banger scene, of course, fronting a hardcore electro sound tinged with sweet silvery linings and stuttery vocals that’s captured the earbuds and bass bins of a new crop of clubbers. Nowhere are the bangers hotter (or younger) than at the sort-of weekly 18-and-over party Blow Up at the Rickshaw Stop, now entering its third year of booming rapaciousness. Blow Up, with resident DJs Jeffrey Paradise and Richie Panic and a mindblowing slew of globe-trotting guests, doesn’t just stop with killer tunes — almost all of its fabulously sweat-drenched, half-dressed attendees seem to come equipped with a digital camera and a camera-ready look, as befits the ever-online youth of today. Yet Blow Up somehow leaves hipper-than-thou attitude behind. Hangovers, however, often lie ahead.

www.myspace.com/blow_up_415

BEST SCRIBBLER SMACKDOWN

It may not be the Saudi tradition of dueling poets, in which two men swap lines until one can’t think of any more couplets (and is severely punished), but the Literary Death Match series, put on by Opium magazine, is San Francisco’s excellent equivalent, though perhaps less civilized. Try to remember the last poetry reading you attended. Tweedy professors and be-sweatered Mary Oliver acolytes, right? Literary Death Match is not this mind-numbing affair. It’s competitive. It’s freaking edge-of-your-seat. And everyone’s drunk. Readers from four featured publications, either online or in print, do their thing for less than 10 minutes, and guest “celebrity” judges rip participants apart based on three categories: literary merit, performance, and “intangibles” (everything in between). Two finalists duke it out to the literary death until one hero is left standing, unless she or he’s been hitting up the bar between sets. Who needs reality television when we’ve got San Francisco’s version — one in which literary aspirations breed public humiliation, with the possibility of geeky bragging rights afterward?

Various locations. www.literarydeathmatch.com

BEST MISTRESS OF MOTOWN

Drag queens — is there nothing they can’t make a little brighter with their glittering presence? Squeeze a piece of coal hard enough between a perma-smiley tranny’s clenched cheeks and out pops cubic zirconium, dripping with sparkling bon mots. Yet not all gender illusionists go straight for ditzy comic gold or its silver-tongued twin, cattiness. Some “perform.” Others perform. And here we must pause to tip our feathery fedora to she who reps the platinum standard of awe-inspiring cross-dressing performance: Miss Juanita More. No mere Streisand-syncher, class-act Juanita dusts off overlooked musical nuggets of the past and gives them their shiny due. Despite punk-rock tribute trends and goth night explosions, Juanita’s focus stays primarily, perfectly, on that sublime subcultural slice of sonic history known formerly as “race music” and currently as R&B. Her dazzling production numbers utilize large casts of extras, several acts, and impeccable costumery that pays tribute to everything from Scott Joplin’s ragtime to Motown’s spangled sizzle, dirty underground ’70s funk to Patti LaBelle’s roof-raising histrionics. When she’s on spliff-passing point, as she so often is, her numbers open up a pulse-pounding window into other, more bootyful, worlds.

www.juanitamore.com

BEST AMBASSADORS OF DREAD BASS

That cracked and funky dubstep sound surged through Clubland’s speakers last year, an irresistible combination of breakbeats energy, dub wooziness, sly grime, intel glitch, and ragga relaxation. Many parties took the sound into uncharted waters, infusing it with hip-hop hooks, Bollywood extravaganza, roots rock swing, or “world music” folksiness. But only one included all those variations simultaneously, while pumping local and international live acts, fierce visuals, multimedia blowouts, and an ever-smiling crowd of rainbow-flavored fans: Surya Dub, a monthly lowdown hoedown at Club Six. The Surya crew, including perennial Bay favorites DJ Maneesh the Twister and Jimmy Love, and wondrous up-and-comers like Kush Arora, Kid Kameleon, DJ Amar, Ripley, and MC Daddy Frank on the mic, describes its ass-thumping sound as “dread bass,” which moves beyond wordy genre description into a cosmic territory the rumble in your eardrums can surely attest to. Surya Dub keeps it in the community, too, helping to promote a growing network of citywide dubstep events and spreading their dread bass gospel with parties in India.

www.suryadub.com

BEST HELLA GAY BEST OF THE BAY

Very few things in this world are gay enough to warrant the Nor Cal Barney modifier “hella,” but for tattooed karaoke-master Porkchop’s sort-of-monthly series at Thee Parkside, Porkchop Presents, the term seems an understatement. At least three times a season, the mysterious Porkchop gathers her posse of scruffy boozehounds and butt-rockin’ hipsters to the best little dive bar in Potrero for a daylong celebration of the gayest shit on earth. Past events have included Hella Gay Karaoke, Hella Gay Jell-O Wrestling, a Hella Gay Beer Bust, and the all-encompassing nod to gaydom, Something Hella Gay, an ongoing event during which gay folks go drink-for-drink to see who’s the gayest of them all. Join Porkchop and her crew of lowbrow beer snobs at Thee Parkside for arm wrestling competitions, tattoo-offs, and hella gay sing-along battles. You probably won’t win anything because the competition is so stiff and the rules are so lax, but you can rest assured that the smell of stale cigarettes, cheap beer, and sweaty ass will stay in your clothes for at least a week after the show. And that’s all that really matters, isn’t it?

Best of the Bay 2009: Arts and Nightlife

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Best of the Bay 2009: Arts and Nightlife

Editors Picks: Arts and Nightlife

BEST BLOODY QUEEN

A gut-spewing zombie drag queen roller derby in honor of Evil Dead 2. An interview with The Exorcist‘s Linda Blair preceded by a rap number that includes the line, “I don’t care if they suck their mother’s cock, as long as they line up around the block!” A virtual wig-pulling catfight with Elvira, Mistress of the Dark. All this and more have graced the proscenium of the Bridge Theater as part of the jaw-dropping (literally) Midnight Mass summertime B-movie fun series, brought to us by the always perfectly horrific Peaches Christ. Her wigs alone are usually enough to scare the jellybean-bejeezus out of us, but Peaches combines live craziness with wince-worthy flicks to take everything over the top. After this, her 12th season of disembowelled joy, Peaches is moving on from Midnight Mass to become a director in her own right — she just wrapped up filming All About Evil with Natasha Lyonne and a cast of local fleshbots. Look for it in your googleplex soon, and know that Peaches still stumbles among us.

www.peacheschrist.com

BEST FLAMIN’ FUN

Kids, really, don’t try this at home. Don’t hook up your two-player Dance Dance Revolution game to a row of flamethrowers. Don’t rig said game to blast your dance competitior with a faceful of fire in front of an adoring crowd if they miss a step. Don’t invest in enough propane to fuel a small jet, a flaming movie screen for projecting all those awkward dance moves onto, and a booming sound system to play all the Japanese bubblegum techno you could ever hope to hear. Leave the setup to Interpretive Arson, whose Dance Dance Immolation game has wowed participants and spectators alike from Black Rock City to Oaktown — and will scorch Denmark’s footsies this fall. Do, however, seek out these intrepid firestarters, and don a giant silver fireproof suit with a Robby the Robot hood. Do the hippie shake to the mellifluous tones of Fatboy Slim and Smile.dk, and prepare yourself to get flamed, both figuratively and literally.

www.interpretivearson.com

BEST PENGUIN PARTY, PLANETARIUM INCLUDED

Penguins are damn funny when you’re drunk. They’re pretty entertaining animals to begin with, but after a couple martinis those little bastards bring better slapstick than Will Ferrell or Jack Black. But tipsily peeping innocent flightless birds — plus bats, butterflies, sea turtles, and manta rays — is just one of many reasons to attend Nightlife, the stunningly rebuilt California Academy of Sciences’ weekly Thursday evening affair. This outrageously popular (get there early) and ingenious party pairs gonzo lineups of internationally renowned DJs and live bands with intellectual talks by some of the world’s best-known natural scientists. Cocktails are served, the floor is packed, intellects are high — and where else can you order cosmos before visiting the planetarium? Another perk: the cost of admission, which includes most of the academy’s exhibits, is less than half the regular price, although you must be 21 or older to attend. Come for the inebriated entertainment, stay for the personal enrichment.

Thursdays, 6 p.m., $8-<\d>$10. California Academy of Sciences, 55 Music Concourse Dr., Golden Gate Park, SF. (415) 379-8000, www.calacademy.org/events/nightlife

BEST LINDY HOP TO LIL’ WAYNE

Retain a fond nostalgia for the 1990s swing revival scene? Swing Goth is the event you’ve been waiting for. Not quite swing and not even remotely goth, Swing Goth gives swing enthusiasts the go-ahead to boogie-woogie to modern tunes at El Rio. This isn’t your grandmother’s fox trot: rock, rap, ’80s, alternative, Madchester, Gypsy punk, and almost anything else gets swung. Held on the first and third Tuesday of each month and tailored for beginners, this event draws an eclectic crowd that includes dudes who call themselves “hep cats,” Mission hipsters, and folks who rock unironic mom jeans and Reebok trainers. If you’re new to swing, arrive at 7:30 and take a one-hour group lesson with ringleader Brian Gardner, who orchestrates the event, to get a quick introduction to swing basics before the free dance. Lessons are $5, but no extra charge for ogling the cute dykes who call El Rio their local watering hole. Swing? Schwing!

First and third Tuesdays, 7 p.m., free. El Rio, 3158 Mission, SF. (415) 282-3325, www.swinggoth.com

BEST CELESTIAL TRAJECTORISTS

Who can take a sunburst of boomer rock inspirations — like The Notorious Byrd Brothers-<\d>era Byrds and Meddle-some Pink Floyd — sprinkle it with dew, and cover it with chocolaty nouveau-hippie-hipster blues-rock and a miracle or two? The fresh-eyed, positive-minded folks of Assemble Head in Sunburst Sound can, ’cause they mix it with love and make a world many believed had grown hack and stale taste good. Riding a wave of local ensembles with a hankering for classic rock, hard-edged Cali psych, Japanese noise, and wild-eyed film scores, the San Francisco band is the latest to make the city safe once more for musical adventurers with open minds and big ears. What’s more, the Assemble Head in Sunburst Sound’s inspired new third album, When Sweet Sleep Returned (Tee Pee) — recorded with help from Tim Green at Louder Studios — has fielded much press praise for space-traveling fuzzbox boogie blowouts like “Drunken Leaves” and blissed-out, sitar-touched jangle rambles such as “Kolob Canyon.” Consider your mind burst.

www.myspace.com/theassembleheadinsunburstsound

BEST DANCE DYNAMO

You can’t miss him. He has legs like tree trunks and arm muscles that ripple like lava. When he leaps you think he’ll never come down, and his turns suggest the power of a hurricane. He is dancer Ramón Ramos Alayo, Six years ago he founded the CubaCaribe Festival that now packs in dance aficionados of all stripes, and he’s one of the shaping forces behind the wild San Francisco Carnaval celebration. He runs Alayo Dance Company, for which he choreographs contemporary works with Afro-Cuban roots, and he teaches all over the Bay Area — as many as 60 people show up for his Friday salsa classes at Dance Mission Theater. But Ramos is most strikingly unique as a performer. Ramos is as comfortable embodying Oshoshi, the forest hunter in the Yoruba mythology, as he is taking on “Grace Notes,” a jazz improvisation with bassist Jeff Chambers. No wonder Bay Area choreographers as radically different as Joanna Haigood, Sara Shelton Mann, and Robert Moses have wanted to work with him.

www.cubacaribe.org

BEST BLUEGRASS AMNESIAC

Toshio Hirano packs a mean sucker punch. At first glance he’s a wonderfully eccentric Bay Area novelty, a yodeling Japanese cowboy playing native songs of the American heartland. Yet upon further inspection, it becomes as clear as the skies of Kentucky that Toshio is the real deal when it comes to getting deep into the Mississippi muck of Jimmie Rodgers-<\d>style bluegrass. Enchanted by the sound of American folk music as a Japanese college student, Toshio soon ventured stateside to spend years traveling and playing from Georgia to Nashville to Austin before finally settling in the Bay Area. Today, Toshio plays once a month at Amnesia’s free Bluegrass Mondays to standing-room-only crowds. Stay awhile to hear him play Hank Williams’s “Ramblin’ Man” or Rodgers’s “Blue Yodel No. 1(T for Texas).” It’ll clear that Toshio’s novelty is merely a hook — his true appeal lies in his ability to show that there’s a cowboy lurking inside all of us.

www.toshiohirano.com

BEST COMMUNITY CHOREOGRAPHERS

A collective howl went up in 1995 when it was announced that the annual festival Black Choreographers: Moving into the 21st Century at Theater Artaud was ending due in part to lack of funding. But two East Bay dancers, Laura Elaine Ellis and Kendra Kimbrough Barnes, actually did something about it, working to ensure that African-American dancers and dance-makers received attention for the range and spirit of their work. It took 10 years, but in 2005, Ellis and Kimbrough Barnes helped launch Black Choreographers Festival: Here and Now, which takes place every February in San Francisco and Oakland. The three-week event is a fabulous way for a community to celebrate itself and to invite everyone to the party. While the choreographers’ range of talent and imagination has been impressive — and getting better every year — the performances are merely the icing on the cake. Master classes, mentoring opportunites for emerging artists, and a technical theater-training program for local high school and college students are building a dance infrastructure the next generation can plug into.

www.bcfhereandnow.com

BEST MADCAP POP MAIDENS

San Francisco can always use another all-female band — and Grass Widow satisfies that need beautifully, cackling with brisk, madcap rhythms and rolling out a happy, crazy quilt of dissonant wails. Drummer-vocalist Lillian Maring, guitarist-vocalist Raven Mahon, and bassist-vocalist Hannah Lew are punk as fuck, of course — in the classic, pre-pre-packaged noncodified mode — though many will instead compare the trio’s inspired, decentered pop to dyed-in-the-bluestockings lo-fi riot grrrl. Still, there’s a highly conscious intensity to Grass Widow’s questioning of the digital givens that dominate life in the late ’00s, as they sing wistfully then rage raggedly amid accelerating rhythms and a roughly tumbling guitar line on “Green Screen,” from their self-titled debut on Make a Mess: “Flying low into trees. We exist on the screen. Computer can you hear me? Understand more than 1s and 0s?” Grass Widow may sweetly entreat the listener, “Don’t make a scene,” but if we’re lucky, these ladies will kick off a new generation of estrogen-enhanced music-making.

www.myspace.com/grasswidowmusic

BEST PURPLE SING-ALONG

Karaoke is one of those silly-but-fun nightlife activities that always has the potential to be awesome but usually isn’t. The song lists at most karaoke bars suck, the sound systems are underwhelming, and no matter where you go there’s always some asshole bumming everyone out with painful renditions of Neil Diamond tearjerkers. Well, not anymore! Steve Hays, a.k.a. DJ Purple, is a karaoke DJ — or KJ — who has single-handedly turned the Bay Area’s once tired sing-along scene into a mother funkin’ party y’all. DJ Purple’s Karaoke Dance Party happens every Thursday night at Jack’s Club. Forget the sloppy drunks half-assing their way through Aerosmith and Beyoncé songs. DJ Purple’s Karaoke Dance Party is all about Iron Maiden, Snoop Dogg, Led Zeppelin, and Riskay. No slow songs allowed. An actual experienced DJ, Hays keeps the beats running smooth, fading and blending as each person stumbles onstage, and even stepping in for saxophone solos and backup vocals when a song calls for it. And sometimes even when it doesn’t.

Thursdays, 9 p.m., free. Jack’s Club, 2545 24th St., SF. (415) 641-5371, www.djpurple.com

BEST FLANNEL REVIVAL

In this age of continual retro, it comes as a surprise that listening to mainstream ’90s alternative rock can give you, under the right inebriated circumstances, the kind of pleasure not experienced since heroin went out of vogue. Debaser at the Knockout has become one of the best monthly parties in San Francisco, largely because it gives ’80s babies, who were stuck playing Oregon Trail in computer class while Courtney Love and Kat Bjelland were rocking it out in Portland, the chance to live out their Nirvana-era dreams. Debaser promoter Jamie Jams is the only DJ in San Francisco who will spin the Cranberries after a Pavement song, and his inspired mixology is empirically proven to induce moshing en masse until last call, an enticingly dangerous sport now that lead-footed Doc Martens are back in style. Sporting flannel gets you comped, so for those still hung up over Jordan Catalano and the way he leans, Debaser is rife with contemporary, albeit less angsty, equivalents.

First Saturdays, 9 p.m., Knockout, 3223 Mission, SF. (415) 550-6994, www.myspace.com/debaser90s

BEST CRANIUM MONOPOLY SCRABBLE RISK

The shaky economy’s probably put your $60 concert plans on hold and relegated those high-rolling VIP nights to the back burner. So it’s a great time to return to the simpler forms of social interaction, such as shaking some dice and screaming, “Yahtzee, bitches!” or guffawing maniacally every time some poor fool attempts to pass your two hotels on Boardwalk. Fortunately, game night at On the Corner café on Divisadero fills your staid Wednesday evenings with enough card-shuffling, Pop-o-matic popping, I-want-to-be-the-thimble classics to sink your battleship blues. Plus, there’s coffee and beer. Working in collusion with the colossal collection of neighboring Gamescape, On the Corner provides a plethora of gaming options to fit its large tables and vibrant atmosphere. Stratego, Scattergories, and other trivial pursuits are all available, and the 7 p.m.-<\d>to-<\d>closing happy hour includes $2.50 draft beers and sangria specials. The tables fill up quickly, though — arrive early so you won’t be sorry.

Wednesdays, 7–10 p.m., free. 359 Divisadero, SF. (415) 522-1101, www.sfcorner.com

BEST PARTY OF ONE

Perfect moments are never the ones you work hard to create. Too much effort kills the magic. Instead, the moments we treasure are those that steal up on us, slipping past our defenses to reveal, for just an instant, the sublime wonder of the universe. This is precisely what happens during one’s first encounter with the Lexington Street disco ball, innocuously spinning its multifaceted heart out on a quiet neighborly block in the heart of the Mission District. One moment you’re just walking down the street minding your own business — perhaps rehashing the “should have saids” or the “could have beens” in the muddled disquiet of your mind — when suddenly you spot it, the incongruously located disco ball suspended from a low-hanging branch, throwing a carpet of stars across the sidewalk for anyone to enjoy. All is still, but the music in your heart will lead you. Hold your hands in the air, walk into the light, and dance.

Lexington between 20th and 21st streets, SF

BEST BLOCK-ROCKIN’ BIKE

Amandeep Jawa’s bright blue, sound-rigged party-cycle — Trikeasaurus — is our bestest Critical Mass compadre and bike lane buddy, and an essential component of his impromptu FlashDance parties. This three-wheelin’, free-wheelin’, pedal-and-battery-powered funk machine has been bringing the party to the people — and leading spontaneous Michael Jackson tributes — from the Embarcadero to the Broadway tunnel for the past two years. Even if you’re just out for a stroll or a bit of that ephemeral San Francisco “sun”-bathing, when Trikeasaurus comes rolling along you just have to boogie on down the road, bust a move, get your groove thing on, let your freak flag fly, and insert ecstatic cliché here. We can pretend all we want in the privacy of our own hip sancta sanctorum that Destiny’s Child or OutKast will never move us, but somehow when Trikeasaurus comes bumping by, we just can’t help but bump right back. Don’t fight the feeling! Join the 500-watt, 150-decibel velolution today.

www.deeptrouble.com

BEST HOLES FOR YOUR KRAUTROCK SOUL

If you’ve done ketamine, you know what it’s like to get lost in the cosmic K-hole. To those who have entered the mystical D-hole, however, your ketamine story is child’s play. The Donuts dance party, thrown at various times and locations throughout the year by DJ Pickpocket and visual artist AC, provides adventurous club-goers with that most delicious of drugs: donuts, given away free. First timers, be careful: these potent little sugar bombs are highly addictive and can often lead to an all-night binge of ecstatic power-boogie, which can result in terrible withdrawal symptoms. Like many other popular club drugs, donuts are offered in powdered form, though they can also be glazed, which leaves no tell-tale residue around the mouth. But as long as you indulge responsibly, entering the Hole of the Donut is perfectly safe. Amp up your experience to fever-pitch perfection with Donuts’ pulse-pumping Krautrock, new wave, retro disco, and dance punk live acts and beats.

www.myspace.com/donutparty

BEST PLACE TO PARTY LIKE A SLOVENIAN

If there’s one thing all Slovenians have in common, it’s that they know how to deck a muthafunkin’ hall, y’all. It stands to reason then that Slovenians run one of the biggest and best halls in town. The Slovenian Hall in Potrero Hill is available for all your partying needs — birthdays, anniversary bashes, coming-out fests, etc. The rooms inside the hall are spacious and clean, the kitchen and bar spaces are outfitted to serve an entire army, and there are plenty of tables and chairs. But it’s the decor that makes this place unique: Soviet-era and vintage tourism advertisements are sprinkled throughout the place and banners promoting Slovenian pride hang from the ceiling. The hall also hosts live music events — recently an Argentine tango troupe took up residence there, making things border-fuzzingly interesting, to say the least.

2101 Mariposa, SF. (415) 864-9629

BEST FUTURE RAP CEO

Odds are you’ve not yet heard of East Bay teen hip-hop talent Yung Nittlz — but one day soon you will. The ambitious, gifted Berkeley High student has already amassed five albums worth of smooth and funky material that he wrote, produced, and rapped and sang on. In August 2007, when he was just 13, the rapper born Nyles Roberson scored media attention when Showtime at the Apollo auditions came to town and he was spotted very first in line, having camped out the night before. And while Yung Nittlz wasn’t among the lucky final few to be picked, he did make a lasting impression on the judges with his strong performance of the song “Money in the Air” and choreography that included him strategically tossing custom-made promo dollars that he designed and made. The gifted artist also designed the professional-looking cover for his latest demo CD, which suggests fans should request the hit-sounding “Feelin’ U” on KMEL 106 FM. Stay tuned. You’ll likely be hearing it soon.

www.myspace.com/yungnittlz

BEST B-MOVIE SURVIVOR

The crappy economy has ruined many things. It’s the reason both the Parkway and the Cerrito Speakeasy theaters — where you could openly drink a beer you’d actually purchased at the concession stand, not smuggled in under your sweatshirt — closed their doors this year. But even a bummer cash crunch can’t dampen a true cult movie fan’s love of all things B. Deprived of a permanent venue for his long-running “Thrillville,” programmer and host Will “The Thrill” Viharo adjusted his fez, brushed off his velvet lapels, and started booking his popular film ‘n’ cabaret extravaganzas at other Bay Area movie houses, including the 4-Star and the Balboa in San Francisco, and San Jose’s Camera 3. Fear not, devotees of film noir, tiki culture, the swingin’ ’60s, big-haired babes, Aztec mummies, William Shatner, the Rat Pack, Elvis, creature features, Japanese monsters, and zombies — the Thrill ain’t never gonna be gone.

www.thrillville.net

BEST GAY FLIPPER ACTION

Much like travel agents, beepers, and modesty, pinball machines are slowly becoming relics of the past. But it’s difficult to understand why these quarter-fed games would fall by the wayside, since they’re especially fun in a bar atmosphere. What else is there to do besides stare at your drink, hopelessly chat up the bartender, constantly check your phone, and try to catch that one cute patron’s eye. At the Castro’s Moby Dick, pinball saves you from such doldrums. Sure, the place has the requisite video screens blaring Snap! and Cathy Dennis chestnuts, and plenty of hunky drunkies to serve as distractions. But its quarter-action collection — unfortunately whittled down to three machines, ever since Theater of Magic was retired due to the difficulty of finding replacement parts — is a delightful retro rarity in this gay day and age. So tilt not, World Cup Soccer, Addams Family, and Attack from Mars fans. There’s still a queer home for your lightning-quick flipping.

4049 18th St., SF. www.mobydicksf.com

BEST BLAST OF JUSTICE

Founded in 2002, the many-membered Brass Liberation Orchestra has been blowing their horns for social justice all over the Bay Area — from the San Francisco May Day March and Oakland rallies for Oscar Grant, to protests against city budget cuts and jam sessions at the 16th Street BART station. Trombones out and bass drums at the ready, this tight-knit organization of funky folk recently returned from New Orleans, where they played to support community rebuilding projects in the Lower Ninth Ward. With a membership as diverse as they come, the BLO toots their horns specifically to “support political causes with particular emphasis on peace, and racial and social justice” — especially concerning immigrants’ rights and anti-gentrification issues. But the most joyful part of their practice is the spontaneous street parties they engender wherever they pop up, and their seemingly impromptu romps through neighborhoods and street festivals. Viva la tuba-lution!

www.brassliberation.org

BEST WITTY WONG

Is your idea of hell being trapped in a room with a white, collegiate, spoken-word “artist” — or worse yet, being forced to wear an Ed Hardy t-shirt? Are you a veteran of the 30 Stockton and the 38 Geary, with the wounds and the stories to prove it? Can you just not help but stare at someone who somehow can’t resist an act of street corner masturbation? Then you’re ready to lend an ear to Ali Wong, the funniest comedian to stomp onto a San Francisco stage in a long time. Some people get offended by Wong, which is one reason she’s funny — comedy isn’t about making friends, and she’s not sentimental. She draws on her family history and writing and performing experience in implicit rather than overt ways while remaining as blunt as your funniest friend on a bender.

www.aliwong.com

BEST SITE FOR SHUTTERBUGS

Take a picture, it’ll last longer. Especially if you take it to — or even at — RayKo Photo Center, a large SoMA space that boasts a studio, a shop stocked with new and used cameras, a variety of black-and-white and color darkrooms, a digital imaging lab (with discount last-Friday-of-the-month nighttime hours), and classes where one can learn the latest digital skills as well as older and arcane processes such as Ambrotype (glass plate) and Tintype (metal plate) image-making. Devoted in part to local photographers, RayKo’s gallery has showcased Bill Daniel’s panoramic yet raw shots of a post-Katrina Louisiana and has likely influenced a new generation of shutterbugs affiliated with groups and sites like Cutter Photozine and Photo Epicenter. One of its coolest and truly one-of-a-kind features is the Art*O*Mat Vending Machine, an old ciggie vendor converted into a $5-a-piece art dispenser. And of course RayKo has an old photo booth, so you can take some quick candid snapshots with or without a honey.

428 Third St., SF. (415) 495-3773, www.raykophoto.com

BEST RAPPING CABBIE

The great myth about cab drivers is that they’re a bunch of underappreciated geniuses who write poetry and paint masterpieces when they’re not busy shuttling drunks around. Most cabbies, however, aren’t Picassos with pine-scent air fresheners. They clock in and out just like we all do, and then they go home and watch reality TV. There are, however, a few exceptions to the rule: true artists who have deliberately chosen the cabbie lifestyle because it allows them the freedom to pursue their passions on the side. MC Mars is such a cabbie. A 20-year veteran on the taxi scene, Mars is also a hip-hop performer, a published author, and an HIV activist. You can check his flow every Wednesday night at the Royale’s open-mic sessions. Or, if you’re lucky enough to hail his DeSoto, you can get a free backseat show on weekends. And don’t forget to pick up his latest CD, “Letz Cabalaborate,” available on Mars’ Web site.

www.mcmars.net

BEST FRESH POETICS

The Bay Area knows poetry. And people in the Bay Area who know poetry today realize that the San Francisco Renaissance, the Beats, the Language poets, and even the New Brutalists might inspire contemporary writers, but they don’t own them. You can encounter proof in places like Books and Bookshelves, and read it in publications like Try. As the Bay Area Poetics anthology edited by Stephanie Young made clear in 2006, Bay Area verse is enormous and ever-changing. One year earlier, David Larsen established a space for it in Oakland with his New Yipes Reading Series, which frequently paired poets with filmmakers. He’s since moved to the East Coast, but Ali Warren and Brandon Brown re-energized the concept, simplifying its name to The New Reading Series and refining its content to readings with musical interludes. It’s the best place around to hear Tan Lin and Ariana Reines and confront notions of the self through Heath Ledger. It’s also hosted a kissing booth, for all you wordsmiths who aren’t above romantic trappings.

416 25th St., Oakl. www.newyipes.blogspot.com

BEST HOUSE OUTSIDE

For 15 years, the much-loved and lovable warm weather Sunset parties have shaken various hills, isles, parks, patios, and boats with funky, techy house sounds. Launched by underground hero DJ Galen in 1994, the outdoor Sunset gigs have amassed a huge following of excited party newbies and familiar old-school ravers — and now even their kids. Early on in the game, Galen was soon joined by fellow Bay favorite DJs Solar and J-Bird, and the three — collectively known as Pacific Sound — have kept the vibe strong ever since. This year saw a remarkable expansion on the Sunset fan base: attendance at the season opener at Stafford Lake reached almost 4,000, and Pacific Sound just launched an annual — and truly moving — party on Treasure Island that had multiple generations putting their hands in the air. The recent Sunset Campout in Belden drew hundreds for an all-weekend romp with some of the biggest names in electronic music — true fresh air freshness.

www.pacificsound.net

BEST SECRET OF ETERNAL RAVE

According to murky local legend, sometime in the early ’90s a Finnish archaeologist named Mr. Floppy passed through Oakland on a quest to find an inverted pyramid rumored to hold the secret to eternal life. He didn’t find anything like that, of course, but he did discover a really cool apartment complex run by an obsessive builder named George Rowan. The sprawling place, which housed multiple dwelling units as well as an outdoor dance area and an out-of-use bordello and saloon famously frequented by Jack London in the 1800s, was an interconnected maze of rooms decorated with found objects and outsider art. It was a perfect spot to throw underground raves, which is exactly what Floppy and Rowan did until the day they got slapped with a fire-hazard citation. Nobody really knows what happened to the psychedelic archaeologist after that, although his spirit lives on: Mr. Floppy’s Flophouse has recently re-opened as a venue for noise shows, freaky circuses, and all-night moonlit orgies.

1247 E. 12th St., Oakl

Tenant Torment

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Tenant Torment

Mayor Gavin Newsom’s mid-December decision to announce — on YouTube — that he planned to introduce legislation to protect San Francisco renters from foreclosure-related evictions has outraged tenants rights organizations.

They say Newsom is trying to undermine a much stronger bill by Sup. John Avalos that would give thousands of tenants in newer buildings the same protections as tenants in buildings constructed before 1979.

The mayor’s bill is a classic piece of politics — stealing some of the limelight and giving political cover to mayoral candidate Sup. Bevan Dufty, who voted against Avalos’ package but doesn’t want to be seen as anti-tenant.

This way Newsom and Dufty can enthusiastically support a bill that won’t offend as many landlords — while the mayor vetoes a more robust tenant-protection measure.

Dufty’s decision to side with Sups. Michela Alioto-Pier, Carmen Chu, and Sean Elsbernd in voting Dec. 8 against Avalos’ just-cause legislation gave Newsom veto power over a package that would have empowered thousands of renters.

The Avalos legislation seeks to extend just-cause eviction requirements and protections to tenants in units that are not now subject to eviction controls, which includes most residential rental units built after June 13, 1979. That’s when the city’s current rent control law took effect — and as part of a compromise needed to get the votes for that law, its framers agreed to exempt all “newly constructed” housing.

Newsom’s proposal would only protect those tenants from one category of evictions.

While Newsom promised to introduce his counter-proposal Dec. 15, nothing has come from the Mayor’s Office of Housing so far, fuelling suspicions that the legislation is in fact being drafted by Michael Yarne, a former developer who now works for the Mayor’s Office of Economic and Workforce Development.

Asked Dec. 16 if the Mayor’s Office has submitted any tenant protection legislation, mayoral spokesperson Joe Arellano e-mailed the Guardian, “Not yet. Still ironing out a few details.”

‘OUTRAGEOUS’

In his YouTube address, Newsom said he was committed to vetoing the Avalos legislation, which he claimed was “well-intended” but “went too far.”

His alternative, Newsom said, would protect tenants from the “predatory nature of banks” and “other circumstances” related to “macroeconomic challenges.”

Sara Shortt, executive director of the Housing Rights Committee of San Francisco, described Newsom’s play as “outrageous.”

“The mayor is essentially stealing a bill that came out of the community, watering it down and taking credit for other people’s work,” she said.

“Probably the most frustrating part of this is that there was no attempt to work with any of us,” Shortt added.

As Shortt notes, if Avalos’ legislation doesn’t pass, tenants in at least 10,000 rental units that have come onto the market since 1979 will be left without just-cause eviction protection. That means they can be tossed out for almost any reason.

Shortt’s estimate includes 1,900 units at Trinity Place, 113 units at 430 Main St., 308 units at 333 Harrison St., 113 units built by the Emerald Fund in the Castro District, 192 recently completed units at Strata in Mission Bay, 179 units at 1 Polk St., 720 units at 1401 Market St., 52 units at 818 Van Ness Ave., 5,679 units at Park Merced, and 720 units at Archstone, 350 Eighth St.

But her estimate doesn’t factor in the thousands of potential rentals in the pipeline for Treasure Island, the Candlestick Point shipyard development and the old Schlage Lock site.

Facing a mayoral veto and unwilling to leave tenants without any hope, Avalos introduced an amended version of his just-cause evictions package that addressed Dufty’s concerns about unintended consequences during the board’s Dec. 15 meeting.

“Dufty said he was worried that if someone was in the military and was sent to Afghanistan or decided to go to Harvard to finish their master’s and then wanted to return to their apartment, they’d have to pay a relocation benefit,” Avalos legislative aide Raquel Redondiez explained.

So Avalos amended his legislative package to provide an owner the option of giving additional notice in lieu of making relocation payments for owner move-in eviction of a newly converted single-family home or individually-owned condominium, provided the tenant was initially given specified notice of this status.

The amended bill would also allow eviction from a condominium unit with separable title that had been rented by the developer for a limited time prior to sale of the unit, when the developer has given specified advance notice to the renters.

But Dufty still voted against the amended legislation.

Dufty’s legislative aide Boe Hayward claimed the office didn’t cut a deal with Newsom. “We heard Newsom was interested in introducing legislation but we haven’t seen a draft,” Hayward said. “Michael Yarne mentioned it.”

NO DATA

Hayward told the Guardian that part of Dufty’s problem was an absence of data to support advocates’ claims that people in non-rent-controlled units are being evicted without cause.

“I’ve heard anecdotally that this has happened, but I’ve never seen anyone testify that this has happened,” Hayward said.

He also said Dufty wants Avalos to sit down with small property owners and the San Francisco Apartment Association to hear their concerns.

Shortt acknowledged that such data is hard to come by, but noted that this data gap occurs precisely because there is currently no reporting requirement for evictions that occur in buildings built after June 1979.

“For folks in non-rent-controlled units, it’s like the Wild West,” she said. “Landlords can say ‘I want you out’ and they don’t have to give a reason.

“Right now, such evictions are perfectly legal,” Shortt added, noting that part of the benefit of Avalos’ proposed legislation is that these evictions would be tracked and monitored in future.

She said the mayor’s alternative doesn’t address the larger problem. “While foreclosures are a huge piece of the problem, they are not all of it. There is all this new construction going on. And now that the housing market has turned, units that are either being built or temporarily marketed as rentals, not condos. We’re gaining more units without protections. We can’t just turn a blind eye and say there is no problem and wait for a crisis.”

Dufty told the Guardian that he voted Dec. 15 against Avalos’ amended proposal because “small property owners weren’t invited to the table to dialogue. There needs to be more dialogue between tenant advocates and property owners to come to common ground.”

He said owners are already keeping thousands of rent-controlled units off the market and fears they’ll do the same with post-1979 units. “I don’t want to legislate to the extremes and create a ripple effect where post-1979 units are kept off the market. I’m trying to find ways for folks to rent out their units.” Dufty also said he hadn’t seen the mayor’s proposed legislation.

Shortt said she doesn’t understand what Dufty hopes to achieve by convening landlords and tenant groups. “I feel like we’ve made it clear where we’re willing to go on this, and I can’t imagine anything the San Francisco Apartment Association or others might say that would convince us otherwise. Maybe it’s just a torture technique.”

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PROTECTING FAMILIES FROM EVICTIONS

Another major tenant protection bill — Sup. Eric Mar’s legislation to protect families from owner move-in evictions — is headed to the full Board of Supervisors in January. The legislation follows what Mar calls “a couple of minor tweaks” during a Dec. 14 Land Use Committee hearing that took place after months of vetting his bill with the public and family, tenant, and landlord advocacy groups.

The bill seeks to protect families with children from eviction through the OMI process, but would preserve the right of a landlord’s family to evict a tenant’s family, Mar explained.

“During these challenging economic times, our city needs to do whatever it can to ensure that our families are able to live and work here,” Mar said. “This legislation will help our city protect one of our most vulnerable populations: families with children.”

During the hearing, Mar observed that San Francisco is the third most expensive county in the nation for renters and that rent-controlled housing, which encompasses about 70 percent of the city’s rental housing stock, contributes to maintaining a balanced city.

“When a rent-controlled unit is vacated voluntarily or through eviction, the landlord can bring the rental property up to current market rate, making these units unaffordable for our working class and low-income families,” Mar said.

Ted Gullicksen, executive director of the San Francisco Tenants Union, said children need to be protected from no-fault evictions.

“San Francisco protects seniors and other vulnerable tenants from no-fault evictions like the so-called owner move-in eviction,” Gullicksen observed. “We see many families with children being evicted in San Francisco, too often resulting in the family being forced to leave the city where their children were born.”

Advocates say the problem is serious. “We see families flee San Francisco every year due to evictions such as owner move-ins,” said Chelsea Boilard, family policy and communications associate at Coleman Advocates for Children.

Representatives for the San Francisco Apartment Association and other landlord groups spoke out against Mar’s proposal, arguing that anyone with children would have a permanent protection and raising similar objections to ones raised in hearings on Sup. John Avalos’ just-cause legislation.

By the meeting’s end, Mar had amended his legislation to address concerns around the definition of “custodial parent,” including the worry that a 19-year-old could sublease a room to a 16-year-old pretending to be the “custodial parent.”

But Sup. Sophie Maxwell came out against Mar’s amended proposal, which is headed to the full board in January at the recommendation of Mar and Board President David Chiu. All three supervisors sit on the Land Use committee.

“I’m not comfortable with a yes on this legislation,” Maxwell said. “I think we need a comprehensive look at our rental laws and what we need to do. Otherwise, we’ll end up with a hodgepodge.” (Sarah Phelan)

The Big Zero – SF version

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By Steven T. Jones
bfz001.jpg
I can’t stop thinking about Paul Krugman’s wonderfully biting recent commentary, “The Big Zero,” and his persuasive point that in the last decade, “we achieved nothing and learned nothing.” The Nobel laureate economist was talking about the national economy, but I think his point can also be applied to other realms as well, and specifically to San Francisco.

Sprawl development and over-reliance on the automobile have strained public resources and contributed to global warming, bad air quality, and diminished quality of life. The bursting of the housing bubble and its related lies shows clearly that most people can’t afford to buy a home and must rent. Stagnant wages, decimated 401Ks, and the dead promise that we’ll be OK if we work hard and play by the rules show that we’re all in the same boat, equally vulnerable to hard times and ultimately dependent on government and each other if things really get bad.

So what are we doing with these lessons learned? The core of this city’s housing policy is to simply let an untrustworthy, financially weak corporation, Lennar, build 16,000 homes – the vast majority for sale at pricey market rates – in the two most isolated parts of the city: southeast SF and Treasure Island (which will need to be severely hardened against rising seas). And to make it worse, Mayor Gavin Newsom’s big revenue idea is to let rich people buy their way out of the condo conversion lottery, further depleting the rental stock relied on by two-thirds of city residents.

We’re promoting shitty private sector jobs at all cost (including refusing to adequately tax big corporations) and cutting public sector jobs that have good pay and benefits without a thought, in the process hurting our public health and social service functions. Newsom is still taking his cues from the realtors, landlords and Chamber of Commerce – who have all been so obviously wrong in their advocacy this decade – and refusing to even meet with advocates for tenants, immigrants, environmentalists, and the working class, the very people who most need the help and attention of the Mayor’s Office.

To me, being a progressive simply means that we can do better, that we can progress, that we can learn from the past to improve the future. So Krugman’s insightful column should be a wake-up call, a needed reminder that the economic conservatives like Newsom have been dangerously wrong and that we need to chart a new course.

SF to pay $100 million for disappearing island

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By Steven T. Jones
Treasure Island Rendering.jpg
Artists rendering for the Treasure Island development.

Mayor Gavin Newsom just announced an agreement in which San Francisco will pay the U.S. Navy more than $100 million for Treasure Island – property that we were originally supposed to get for free to offset the economic impacts of military base closures and which could be underwater by the end of the century.

In the press release, Navy Secretary Ray Mabus called the agreement “good for the American tax payer” and Newsom expressed optimism that “having the terms of this conceptual agreement with the Navy in place will allow us to finalize our development plans and generate badly needed jobs in this difficult economic climate.”

But this project is still years away from breaking ground. And despite what the release called a project “widely heralded as one of the most environmentally sustainable development plans in US history,” an April report from the San Francisco Bay Conservation and Development Commission indicates that a 55-inch sea level rise from global warming – which models show we could experience within 90 years — would inundate most of the island.

Yet project developers, including Lennar Corp. and the politically connected Darius Anderson, will be long gone when Treasure Island sets a new standard for underwater sustainability.

Music listings

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Music listings

Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 28

ROCK/BLUES/HIP-HOP

Jace Everett, Kevin Meagher Hotel Utah. 9pm, $10.

Former Ghosts, White Hinterland, Common Eider King Eider Hemlock Tavern. 9pm, $8.

Sean Hayes, Killbossa Independent. 8pm, $16.

Hot Shears, Tank Attack Knockout. 9pm, $6.

Joe Buck Yourself, Jesse Morris and the Man Cougars, .357 String Band, DJ Eva Von Slut Annie’s Social Club. 8pm, $10.

David Landon Biscuits and Blues. 8pm, $15.

MC Chris, Whole Wheat Bread, I Fight Dragons Slim’s. 8:30pm, $5.

Amy Milian, Bahamas Café du Nord. 8:30pm, $15.

Nathan Moore, Fred Torphy Connecticut Yankee, 100 Connecticut, SF; www.theyankee.com. 9pm, $12.

Struck By Lightning, Aftermath, Man Among Wolves, Witness the Horror Thee Parkside. 8pm, $6.

William Elliott Whitmore, Hoots and the Hellmouth, Ferocious Few Bottom of the Hill. 9pm, $12.

JAZZ/NEW MUSIC

"B3 Wednesdays" Coda. 9pm, $7. With Nick Rossi Trio.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Cindy Blackman’s Another Lifetime Great American Music Hall. 8pm, $30. Tony Williams tribute.

Mads Tolling Quartet Yoshi’s San Francisco. 8 and 10pm, $20.

"Meeting of the Minds" Palace of Fine Arts Theatre, 3301 Lyon, SF; www.sfjazz.org. 7:30pm, $30-70. With Béla Fleck, Zakir Hussain, and Edgar Meyer.

Phat Man Dee Climate Theater, 285 Ninth St., SF; (415) 704-3260. 8pm, $7-15.

Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

FOLK/WORLD/COUNTRY

Freddie Clarke Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, 9:30pm; $12

Gaucho Amnesia. 8pm, free. Michael Abraham Jazz Session.

Ben Jordan Plough and Stars. 9pm.

Odes with Kevin Taylor Rite Spot, 2099 Folsom, SF; (415) 552-6066. 9pm.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Club Shutter Elbo Room. 10pm, $5. Goth with DJs Nako, Omar, and Justin.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 29

ROCK/BLUES/HIP-HOP

Blowie, Luv and Rockets, Jealousy Knockout. 9:30pm, $8.

Marc Broussard, Matt Hires Café du Nord. 8:30pm, $30.

Dodos, Ruby Suns Bimbo’s 365 Club. 8pm, $18.

Shane Dwight Biscuits and Blues. 8pm, $15.

Jesse Grant, Elektrik Sunset, John Predny Kimo’s. 9pm, $6.

Lorne Smith’s Guns for San Sebastian, Booty Cooler Boom Boom Room. 9:30pm, $10.

Mumiy Troll Independent. 8pm, $25.

MurderMurder, Piles, Josef Van Wissem Hemlock Tavern. 9pm, $6.

Joshua Radin, Watson Twins Great American Music Hall. 8pm, $20.

"Rock Strip N’ Roll 3: A Naughty Good Time for Halloween" Rouge Night Club, 1400 Broadway, SF; www.myspace.com/liveevilrock. 9:30pm, $10. With Live Evil, Godz of Rock, Electric Vagina, burlesque performances, and more.

Shonen Knife, Ty Segall, Kepi Ghoulie: Electric! Rickshaw Stop. 8pm, $14.

Tainted Love Red Devil Lounge. 8pm, $15.

Third Date Blondie’s, 540 Valencia, SF; (415) 864-2419. 9pm, free.

Times New Viking, Axemen, Clipd Beaks, Work Bottom of the Hill. 9pm, $12.

*Valient Thorr, Early Man, Hightower, Nihilist Annie’s Social Club. 8pm, $10.

"Witch Tits Homo Halloween Party" Thee Parkside. 9pm, $5-10. With dance jams spun by DJ Campbell, Durt, and Jean Jamz; live music by Try the Pie and Imogen Binnie; and a fashion show.

Your Cannons, In the Dust, Gem Tops, Foreign Resort Hotel Utah. 9pm, $7.

JAZZ/NEW MUSIC

Audrey Shimkas Trio Shanghai 1930. 7pm, free.

Terry Disley Washington Square Bar and Grill, 1707 Powell, SF; (415) 433-1188. 7pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.

Erik Jekabson’s New Orleans Quartet Coda. 9pm, $7.

Laurent Fourgo Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7:30pm, free.

Yasmin Levy Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 7:30pm, $25-65.

Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.

Dave Mathews Yoshi’s San Francisco (in the lounge). 6pm, free.

Stompy Jones Top of the Mark. 7:30pm, $10.

Swing with Stan Rite Spot, 2099 Folsom, SF; (415) 552-6066. 9pm.

FOLK/WORLD/COUNTRY

Bluegrass and Old Time Jam Atlas Café. 8pm, free.

Charming Hostess Red Poppy Art House. 7pm, $10-15.

Dunes El Rio. 9:45pm, $5.

Flamenco Thursdays Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, 9:30pm; $12.

Brent Jordan Union Room at Biscuits and Blues. 8pm, $5.

Ravi Shankar and Anoushka Shankar Davies Symphony Hall, 201 Van Ness, SF; www.sfjazz.org. 7:30pm, $30-90.

Tipsy House Plough and Stars. 9pm.

Tribal Seeds Rockit Room. 8pm, $10.

Jozef Van Wissem, Diego Gonzalez, Lickets, Mira Cook Amnesia. 9pm, $8.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, B Lee, and special guest Ibeke Shakesdown spin Afrobeat, Tropicália, electro, samba, and funk.

Bingotopia Knockout. 7:30-9:30pm, free. Play for drinks, dignity, and dorky prizes with Lady Stacy Pants.

Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Popscene Halloween Party 330 Ritch. 9:30pm, $8. With DJs Aaron and Nako and live performances by Veil Veil Vanish and Danger.

Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest.

Solid Club Six. 9pm, $5. With resident DJ Daddy Rolo and rotating DJs Mpenzi, Shortkut, Polo Mo’qz and Fuze spinning roots, reggae, and dancehall.

Wonderland Ruby Skye. 8pm, $40. Enter a fantasy world inspired by Alice and Wonderland to benefit at-risk youth.

FRIDAY 30

ROCK/BLUES/HIP-HOP

Art Brut, Princeton Café du Nord. 10:30pm, $16.

Bayonics, Orgone Elbo Room. 10pm, $15.

Blue Flames, Society’s Child El Rio. 10pm, $6.

Ronnie Baker Brooks Biscuits and Blues. 8 and 10pm, $22.

Death Valley High, Perfect Machines, Killola, Pinky Swear, Protoman Annie’s Social Club. 9pm, $7.

Fast Times Broadway Studios. 8:45pm, $40. First 500 drinks free; proceeds benefit the Steven David Cannata Scholarship Fund.

DJ Lebowitz Madrone Art Bar. 6-9pm, free.

Luce, Felsen Red Devil Lounge. 8pm, $10.

Lucha Vavoom Fillmore. 9pm, $32.50.

Melt Banana, All Leather, We Be the Echo Slim’s. 9pm, $15.

Moonspell, Divine Heresy, Secrets of the Moon, DJ Rob Metal Thee Parkside. 9pm, $15.

Monophonics Coda. 9pm, $10.

No Age, Residual Echoes, Magic Bullets Great American Music Hall. 9pm, $16.

Nobunny, East Bay Grease, Apache Dropout Hemlock Tavern. 9:30pm, $7.

Pine and Battery, New Montgomery, OONA, Hi-Nobles Bottom of the Hill. 9pm, $8.

Skee-Lo, 40 Love, Aquarius, ADDX Rock-It Room. 9pm, $15.

Sleepy Sun, Antlers Independent. 9pm, $14.

Sound Junkies El Rincon. 9pm, $10.

Super Diamond, Knights of Monte Carlo Bimbo’s 365 Club. 9pm, $22.

BAY AREA

"Evil 105’s Subsonic Halloween Spookfest" Cow Palace, 2600 Geneva, Daly City; www.ticketmaster.com. 6:30pm, $40. With Faint, Basement Jaxx, Infected Mushroom, Crystal Method, Flosstradamus, Steve Aoki, and more.

Regina Spektor, Jupiter One Fox Theater. 8pm, $37.50.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Dee Dee Bridgewater Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 8pm, $30-70. Tribute to Lady Day.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Lucid Lovers Rex Hotel, 562 Sutter, SF; (415) 433-4434. 6-8pm.

Lisa Mezzacappa and friends Red Poppy Art House. 8pm, $15. Edgar Allen Poe-themed performances.

Nicholas Payton, Don Byron Grace Cathedral, 1100 California, SF; www.sfjazz.org. 8pm, $35-60.

Pedestrian Deposit, Acre, Brandon Nickell, Work/Death, Infinite Body Lab, 2948 16th St, SF; www.thelab.org. 9pm, $8.

Sandra Aran Group Shanghai 1930. 7:30pm, free.

Marcos Silva Yoshi’s San Francisco (in the lounge). 6pm, free.

FOLK/WORLD/COUNTRY

Cuban Nights Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8:30pm, $15. With Fito Reinoso.

*"Dark Side of the Uke" Knockout. 10pm, $6. Tatami Mats perform Pink Floyd’s Dark Side of the Moon with their all-ukelele ensemble, plus Frisky Frolics and DJ dX.

Toshio Hirano, Michael Musika, Vanessa VerLee, Karl Young, Jessie Woletz Li Po Lounge. 8:45pm, $5. Art opening for Jeremy Rourke.

Joe Henley Band Plough and Stars. 9pm.

Pamela Means, Thomasina and the Jam Dolores Park Café. 7:30pm, free.

Orquesta La Moderna Tradicion Yoshi’s San Francisco. 8pm, $18.

Sonny and the Sunsets, Sean Smith and the Present Moment, Donovan Quinn, Sandwitches Amnesia. 9pm, $7. With DJ Patty P.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

All Hallow’s Eve DNA Lounge. 9pm, $13. Guild, Meat, and Hubba Hubba co-present this party with DJs Decay, BaconMonkey, Joe Radio, Melting Girl, and more.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Blow Up Rickshaw Stop. 10pm, $15. With DJs Jeffrey Paradise and Richie Panic spinning dance music.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

FreakBeat Regency Ballroom. 9pm, $25. DJs Paul Oakenfold and Rooz spinning progressive house, tech house, and techno.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Hallonasty Mighty. 9pm, $10. With DJs Ron/E, Worthy, Laura, and more spinning heavy grooves from the whole musical spectrum.

Halloween Friday Mezzanine. 9pm, $25. With DJs Zach Moore, Syd Gris, Kramer, and Adnan Sharif.

Hov-o-ween Medici Lounge, 299 9th St., SF; (415) 501-9162. 9pm, $3. Featuring a deathrock costume contest with DJs Voodoo, Purgatory, and BatKat spinning goth, industrial, deathrock, glam and more.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.

Suite Jesus 111 Minna. 9pm, $20. Beats, dancehall, reggae and local art.

SATURDAY 31

ROCK/BLUES/HIP-HOP

GG Amos and the GG3 Riptide. 9pm, free.

Chris Kid Anderson Biscuits and Blues. 8 and 10pm, $20.

Bayonics, Orgone Elbo Room. 10pm, $15.

Built to Spill Fillmore. 9pm, $25.

"Club Silencio and the Coalition of Aging Rockers present Caroly n Keddy’s Super Secret Scary Halloween Show" Hemlock Tavern. 9:30pm, $8.

Corner Laughers, Desoto Reds Make-Out Room. 7:30pm, $7.

Dead Souls, Spellbound, Reptile House Annie’s Social Club. 9pm, $7.

Fast Times Maggie McGarry’s, 1353 Grant, SF; (415) 399-9020. 9pm, free.

Grannies, Mongoloid, Steel Tigers of Death El Rio. 10pm, $7.

Loquat, LoveLikeFire Bottom of the Hill. 8:30pm, $14.

Pop Rocks Red Devil Lounge. 8pm, $10.

Rattler, Bang Maiden, Hate Breeders Thee Parkside. 9pm, $10.

*Slough Feg, Totimoshi, Grayceon, Serpent Crown El Rio. 4pm, $8.

Tori Sparks Union Room at Biscuits and Blues. 8:30pm, $10.

Stone Foxes, Wendy Darling, Buxter Hoot’n Hotel Utah. 8:30pm, $10.

Super Diamond, Knights of Monte Carlo Bimbo’s 365 Club. 9pm, $22.

*Swingin’ Utters, Throw Rag, Thee Merry Widows Slim’s. 9pm, $16.

Triple Cobra, DJ Omar Rickshaw Stop. 9pm, $12.

Wallpaper Mezzanine. 8pm, $25.

Wil Blades Soul Solution Boom Boom Room. 9:30pm, $10.

BAY AREA

"Hell-O-Ween 2009" Uptown. 9pm, $10. With Sonic Seducer and the Hobo Gobbelins.

"Hippie Halloween Costume and Dance Party" Art House Gallery and Cultural Center, 2095 Shattuck, Berk; (510) 482-3336. 8pm, $13. With Spirit Wind as Santana, Pearl Essence as Janis Joplin, Cosmos Factory as Creedence Clearwater Revival, and others.

Johnny Vegas and the High Rollers 19 Broadway. 9:30pm, $15.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Larry Dunlap Yoshi’s San Francisco (in the lounge). 6pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

James Cotton Superharp Band with Hubert Sumlin Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 8pm, $25-65.

"Jazz Mafia’s Seventh Annual Mobsters Ball" Coda. 10pm, $10.

Marco Benevento Trio Yerba Buena Center for the Arts Forum, 701 Mission, SF; www.sfjazz.org. 9pm, $25. Halloween dance party.

Proteges of Hyler Jones Shanghai 1930. 7:30pm.

Ricardo Scales Top of the Mark. 9pm, $15.

Lavay Smith and Her Red Hot Skillet Lickers Yoshi’s San Francisco. 8pm, $22.

FOLK/WORLD/COUNTRY

Albino! Independent. 9pm, $18. Special Star Wars-themed Halloween show.

BooGrass Plough and Stars. 9:30pm, $6-10. Featuring some scary bluegrass, a costume contest, games, treats, and more.

Carnaval Del Sur Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, $15. Live Flamenco music and dance.

Halloween Spectacular Amnesia. 8pm, $7. With Cretatous and Bob Saggath.

Sila and the Afrofunk Experience Café du Nord. 10pm, $15.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Big Top Club Eight, 1151 Folsom, SF; (415) 431-1151. 9pm, $10. A homoween disco circus featuring a costume contest, drag performances, and go go boys with DJs Kevin Graves and Marcus Boogie.

Cock Fright Underground SF. 9pm; $8, $5 with sports costume. With DJs Earworm and Matt Hite slaughtering the dance floor and performances by Hugz Bunny and Suppositori Spelling.

Dress to Kill Madrone Art Bar. 9pm, $5. A Fringe Halloween party with costume contest and the best indie rock music videos with added special effects.

Hacksaw Halloween Poleng Lounge. 10pm, $12. Featuring Mixhell, a duo with Brazilian heavy metal drummer Igor Cavalera and Laima Cavalera on the turntables.

Halloween Booootie DNA Lounge. 9pm, $10-15. Mash-up party with Adrian and Mysterious D, Dada, and more, plus a costume contest (including "Best Mash-Up Costume"!) and live performances.

Famous: Sin and Celebrities Glas Kat. 9pm, $30. Dress as your favorite Hollywood icon and dance down the red carpet with DJs Fuze, Jerry Ross, Mauricio, and more.

Ghost Ship California Ave., Hanger II, Treasure Island, SF; www.kraaksmak.com. 9pm, $40. With DJs Kraak and Smaak and Fort Knox 5.

Heaven and Hella Suite 181, 181 Eddy, SF; (415) 345-9900. 10pm. With DJs Mindmotion, One G, and Mark Divita spinning dance beats and radio hits. Costume contest for complimentary bottle service.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Kiss of Death Vessel, 85 Campton, SF; (415) 433-8585. 10pm. Featuring a costume contest and DJs Frenchy Le Freak, Pheeko Dubfunk, and Martin Aquino.

Monster Bash Beauty Bar. 10pm, free. Boos and booze all night with DJ White Mike.

Night of the Living Bass Mighty. 9pm, $20. A costume party with DJs Wolfgang Gartner, Uberzone, Syd Gris and more.

Nightmare on 6th Street Club Six. 9pm, $18. With DJs Maseo of De La Soul, Shortkut, Jah-Yzer, Serg One, and more spinning soul, classic hip hop, reaggae, and dancehall.

Nightmare on Van Ness Regency Ballroom. 9pm, $60. Multiple levels featuring a live performance by LMFAO and DJs E-Rock, Scene, Mark Farina, Dale Martin, BB Hayes, Sam Issac, and more.

Saw VIII Masquerade Extravaganza Blue Macaw, 2565 Mission, SF; (415) 341-7314. 9pm, $20-50. Featuring a costume contest with cash prizes, and two spooky levels of music with DJs Mindmotion, Sake1, and more.

SF Halloween Ball San Francisco City Hall, 1 Dr. Carlton B. Goodlett Place, SF; (415) 816-7763. 9pm, $45-100. An upscale Halloween costume party with DJs remedy, cut 5, vangeli, and more spinning mainstream, top 40, mashups, and house.

Spider Ball Bently Reserve, 400 Sansome, SF; (415) 288-0202. 10pm, $55. Featuring DJs and live performances by Vibe Squad, Beats Antique, Random RAB, Resident Anti-Hero, Tamo, and more to support the Black Rock Arts Foundation.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Teenage Dance Craze Halloween Party Knockout. 10pm, $3. Scary teen beat, twisters, and surf rock with DJs Sergio Iglesias, Russell Quann, and Howie Pyro.

Thriller Lexington Club. 9pm, free. Featuring a Michael Jackson inspired costume contest and DJs Durt and Ponyboy startin’ somethin’ on the dance floor.

Zombie Ball Verdi Club, 2424 Mariposa, SF; (415) 861-9199. 9pm, $15. With a live performance by the Hi Rhythm Hustlers and guest Cari Lee and DJs spinning teen beat tunes.

SUNDAY 1

ROCK/BLUES/HIP-HOP

Built to Spill Fillmore. 7pm, $25.

Dirty Projectors, Little Wings Bimbo’s 365 Club. 8pm, $18.

Flyleaf, Paper Tongues Great American Music Hall. 8pm, $25.

Lucero, Jack Oblivion, John Paul Keith and the One Four Fives Mezzanine. 8pm, $22.

*Possessed, Impaled, Sadistic Intent, Witchhaven DNA Lounge. 6pm, $25.

Jason Reeves, Curtis People Café du Nord. 8pm, $12.

Brittany Shane, Misisipi Mike and Gayle Lynn, Vandella Make-Out Room. 8:30pm, $7.

Skinny Puppy, Vverevvolf Grehv Regency Ballroom. 8pm, $30.

Tori Sparks Union Room at Biscuits and Blues. 8:30pm, $5.

UFO, Travis Larson Band Independent. 8pm, $25.

BAY AREA

Shonen Knife, Ty Segall, Dreamdate, DJs Zola and Jen Schnade Uptown. 9pm, $14.

JAZZ/NEW MUSIC

Brenda Wong Aoki and Mark Izu Ensemble Yoshi’s San Francisco. 2pm, $5-20. Performing Japanese ghost stories and jazz.

Giovanni Allevi, Patrizia Scascitelli Yerba Buena Center for the Arts Forum, 701 Mission, SF; www.sfjazz.org. 7pm, $25-35.

Marc Cary Focus Trio Florence Gould Theatre, Legion of Honor, 34th Ave at Clement, SF; www.sfjazz.org. 2pm, $25.

Rob Modica and friends Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 3pm, free.

Pamela Rose Yoshi’s San Francisco. 7pm, $22.

SF Contemporary Music Players ODC Dance Commons, 351 Shotwell, SF; (415) 278-9566. 4:30pm, $5-10. Performance and discussion of Ken Ueno’s "Archaeologies of the Future."

"SFJAZZ Beacon Award" Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 7pm, $20-50. Honoring John Handy.

SFJAZZ High School All-Stars Yerba Buena Center for the Arts Forum, 701 Mission, SF; www.sfjazz.org. 3pm, $5-15. Playing Duke Ellington and the sounds of the Harlem Renaissance.

"SIMM New Music Series" Musicians Union Hall, 116 Ninth St, SF; (415) 905-4425. 7:30pm, $10. With Reconnaissance Fly and Noertker’s Moxie.

FOLK/WORLD/COUNTRY

Boulder Acoustic Society Amnesia. 9pm, $7-10. With special guest.

Fiesta Andina! Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 7pm, $10. With Eddy Navia and Sukay.

Mucho Axé Coda. 8pm, $7.

DANCE CLUBS

Breakfast in Bed Supperclub. 5am, $15. Halloween After-Party with DJs Syd Gris, Alain Octavo, Cosmic Selector, Dulce Vita, and more.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Vinnie Esparza, and guest Teleseen.

Fresh Ruby Skye. 6pm, $25. A Halloween weekend T-Dance with DJ Tony Moran.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Religion Bar on Church. 3pm. With DJ Nikita.

Shuckin’ and Jivin’ Knockout. 10pm, free. Rock, doo-wop, jivers, stompers, and more on 78 rpm with DJs Dr. Scott and Oran.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 2

ROCK/BLUES/HIP-HOP

Airborne Toxic Event, Henry Clay People Fillmore. 8pm, $21.

*Big Business, Triclops! Bottom of the Hill. 10pm, $12.

Chevelle, Halestorn, After Midnight Project Regency Ballroom. 7:30pm, $28.

Emerald Triangle Independent. 9pm, $15.

Land of Talk, Eulogies Café du Nord. 8:30pm, $10.

Tiger Lilies, Vinsantos Great American Music Hall. 8pm, $20.

Trawler Bycatch, Seim and Rossfunke, 1-2-3 Knife Elbo Room. 9pm, $5.

JAZZ/NEW MUSIC

Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.

Nice Guy Trio Yoshi’s San Francisco. 8pm, $14.

Reptet Make-Out Room. 8pm.

SF Contemporary Music Players Herbst Theatre, 401 Van Ness, SF; (415) 278-9566. 8pm, $28. Performing "Maid to Order," music of Leroux, Ueno, Dennehy, and RB Smith.

FOLK/WORLD/COUNTRY

Belle Monroe and Her Brew Glass Boys Amnesia. 8:30pm, free.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.

King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

Armin Van Buuren Ruby Skye. 9pm, $30. With DJs Alain Octavo and Syd Gris.

TUESDAY 3

ROCK/BLUES/HIP-HOP

Ashford and Simpson Rrazz Room, Hotel Nikko, 222 Mason, SF; 1-866-468-3399, www.therrazzroom.com. 8pm, $47.50-55. Performing through Nov 14; check website for showtimes.

Astral, Ghosts and Strings, Moonlight Orchestra, Seabright Elbo Room. 8pm, $6.

Atlas Sound, Broadcast Great American Music Hall. 8pm, $16.

B-Cups, Minks, Started-Its Bottom of the Hill. 9pm, $8.

Layce Baker and the Black Diamond Band Biscuits and Blues. 8pm, $15.

Cage the Elephant, Morning Teleportation, Shackletons Slim’s. 8pm, $16.

Chinese Stars, All Leather, Casy and Brian, Sensitive Hearts Thee Parkside. 8pm, $8.

Jeffrey Foucault and Andy Friedman, Dave McGraw Café du Nord. 8:30pm, $10.

Kawabata, ?Alos, 3 Leafs Hemlock Tavern. 9pm, $10.

Imelda May Independent. 8pm, $15.

Queen Latifah Regency Ballroom. 8pm, $39.50-49.50.

Ron Thompson Union Room at Biscuits and Blues. 8pm, $10.

Verbal Abuse, Rat Damage, Steeples Knockout. 10pm, free.

JAZZ/NEW MUSIC

Claudia Acuna Yoshi’s San Francisco. 8pm, $20.

"Booglaloo Tuesday" Madrone Art Bar. 9:30pm, $3. With Oscar Myers.

Conscious Jazz Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Dave Parker Quintet Rasselas Jazz. 8pm.

Euliptian Quartet Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

"Jazz Mafia Tuesdays" Coda. 9pm, $7. With Joe Bagale.

Ricardo Scales Top of the Mark. 6:30pm, $5.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJs What’s His Fuck, Taypoleon, and Mackiveli.

Drunken Monkey Annie’s Social Club. 9pm, free. Guest DJs, free pool, and $1 Hamm’s.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.

Mixology Aunt Charlie’s Lounge, 133 Turk, (415) 441-2922. 10pm, $2. DJ Frantik mixes with the science and art of music all night.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Treasure Island fest: Flaming Lips, Yo La Tengo, Decemberists

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Folk this: Decemberists’ Colin Meloy. All photos by Kimberly Chun.

By Kimberly Chun

Ah, washing up on Treasure Isle late in the day Sunday, Oct. 18, seemed like the way – though it was a bummer to miss Vetiver, Beirut, et al. The short and sweet stuff: it was considerably colder and foggier than Saturday, so it was in everybody’s best interest to huddle together en masse while Walkmen and then the Decemberists played. And wow, what fabulous animations accompanied the Portland, Ore., band’s set – tumbling with wild things, pyramids, geometrics, landscapes of jewel-like mountains and obelisks, star fields, and the like. The perfect accompaniment to the delicate Brit folk and outright psych-prog the band is purveying these days: the standout was the title track of this year’s The Hazards of Love album (Capitol).

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Greening of YLT: Yo La Tengo’s Ira Kaplan, right, and James McNew.

The following set by Yo La Tengo seemed almost anticlimactic, though you had to appreciate the strenuous noise jams the band is rolling out. Ira Kaplan helmed the keyboard from the start then switched over to guitar as the combo abruptly segued into “Stockholm Syndrome,” with James McNew on falsetto vocals. Up next, just as quickly: the loveable, cacophonous “Here to Fall” off YLT’s new Popular Songs (Matador).

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Man in a bubble: Flaming Lips in utero.

The wait was completely worth it, as we tarried in the photo pit (and my camera decided to die on me) and Wayne Coyne and the Flaming Lips set up on the main stage. All-girl backup vocalists with bunny ears, the Lips busting through the pull-apart screen at the exact do-go-there spot where a massive go-go girl opened her legs. (Coyne rolled out in his big bubble, followed by a stage-diving bunny.) Ah, no one delivers a show like FL (though there was a health emergency up front where I was — the frontman later asked to see if the lady taken off was OK). Coyne offered an opening monologue about how the group is an honorary SF band of sorts since the first show they ever played was at the beloved ole I-Beam in the Haight. We’ll take ’em.

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Treasure Island fest: Dan Deacon, the Streets, tree smarts, viz art, and more

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Dan Deacon, above, leads the mob, and a fiery dusk off Treasure Isle. All photos by Kimberly Chun.

By Kimberly Chun

Gawg-eous. And I mean both Dan Deacon – in full-tilt follow-me-folks mode and the jaw-dangler of a sunset Saturday night, Oct. 17, at this year’s Treasure Island Music Festival. So sad that I couldn’t get there early enough to catch Crown City Rockers and Federico Aubele and stumbled out too early to see alphabet-soup Bridge Stage acts MSTRKRFT and MGMT – nevertheless here are a few watercolor, waterside memories of the happenings mid-fest.

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You gots to hand it to Dan Deacon – the man knows how to power out a show, either solo or with his current 12-piece Dan Deacon Ensemble. “We can get in the zone in three minutes!” yelped Deacon happily – ever the leader of the flock as he sounded out the air-guitar/air-conductor hand gestures shortly before his set. Way to get the energy up: the band entered on the waves of excitement generated by a stage-diving/ascending chum, who was carried from the audience and deposited onstage. And what a stage – crammed with musicians and sidekicks like the cavorting feller in the orange dot costume and a note-worthy three-piece drum ensemble. Switching it up from jumpy happy beats to piping drone, the outfit sounded for all the world like a spazz-tastic, kiddie digi-hardcore orchestra. Not all of Deacon’s endeavors were a raging success – but try organizing a dance contest at the drop of Gucci-patterned fedora – and he continues to sound much better up close and on record than live (and across the Treasure Island compound) – but the man got the soiree started for sure.

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The Streets followed, praising the crowd for its fashion-forward garb (“You also look great with it off!”) and waxing humble about his own perpetual all-black ensemble and muttering about how well it hides dirt. The UK rapper was in a sexy yet unpredictable mood – dissing Sacramento, recalling his stage dive from a Fillmore balcony box, and commenting on the fact Treasure Isle is known for its solid sounds. At one point, he urged a woman perched on a pal’s shoulders to take off her top while also chiding her for blocking the view of other fans. Beatles riffs floated over it all.

Later DJ Krush provided future-beats before for dinnertime while LTJ Bukem broke those beats and picked up the pace. As the sun set in flamingo pinks and outrageous purples, Brazilian Girls provided surprisingly good, if ditzy fun, closing their well-played set with a paean to – did I hear right – pussies as audience members climbed onstage to shimmy.

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Other sights: the sad view of a tree broken by some jerk-offs who were watching the Streets from its branches. Puts a damper on the eco-friendly air surrounding the fest, no? A chainsaw came out as we bystanders gawked off to the side (one comment overheard: “Who cares?”). We found respite in the art booths on the adult midway, where we hung out stories written out on hand-painted petals in the Scales Project installation and checked out the live graf art. Sorry signs of the apocalypse: skate-board-ready Megan Fox and Kate Moss tributes.

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Solar flair

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Solar flair

arts@sfbg.com

SONIC REDUCER How to compare beat heads and pop pachyderms? Honestly, if I was given a buck for every time some discriminating music listener told me that this year’s Treasure Island Festival lineup looked much more exciting than Outside Lands’ bipolar program (Os Mutantes? M.I.A.? Was Dave Matthews’ mom-rock presence dampening your fiery fun?), I’d be buying a round of Tecate and bacon dogs for every Mission hoodie hovering near the 22nd Street cart.

Treasure Isle is still a bifurcated fest — but it’s a much more pleasing mixture than Outside Lands’ recent attempt to stir Deerhunter seriousity in with the breasts and boobies that casually tail Black Eyed Peas. Saturday remains devoted to dancier waters; Sunday, to rockier shores — a Coachella model harnessing the pleasures of the dancefloor as well as the ambition of art rock. This year’s slyest move is the way Treasure Isle has inextricably tangled up performers like Girl Talk and Dan Deacon — artists who tap the integrative energy of fans who wanna get in the act, climb onstage, and live the dream that once could only be gleaned at warehouse shows and small, sweaty underground spaces. MGMT is the only curious inclusion on Saturday’s bill: wouldn’t they feel more at home on Sunday, amid the twisted, folkier folk with a mangled psychedelic ‘n’ orchestral bent, à la Grizzly Bear, Vetiver, Beirut, and Yo La Tengo?

Not to take anything away from Flaming Lips, whose new double album, Embryonic (Warner Bros.) dovetails savagely yet sweetly with the noise-ier power-points of YLT’s Popular Songs (Matador). And by the way, the Lips have done it again. Namely they’ve found a way to get born once more, just as they have so many times before during their unexpectedly lengthy lifespan — one that vrooms from the indefinable psych-punk of Oh My Gawd!!! (Restless, 1987) and the Alternative Nation pop of Transmissions from the Satellite Heart (Warner Bros., 1993) to the sci-lab experiments of Zaireeka (Warner Bros., 1997) and the back-to-the-future head-space of Soft Parade (Warner Bros., 1999).

This time the Lips look to the planets, randomness, and ’60s utopian rock as their guides for a way to reformulate the old acid formulas, retexturize the beast, and rethink the punk, now finding its latest bright, blistering incarnation in raw blasts of in-the-red, zippered noise and bristling shit-fi grind ("Convinced of the Hex") and immaculate bachelor-pad space-rock decorated with Voyager-like transmissions of mathematician Thorsten Wormann holding forth on polynomial rings ("Gemini Syringes").

If At War With the Mystics (Warner Bros., 2006) went to battle against the forces of religious fundamentalism intent on waging a War on Terror without, Embryonic harnesses the struggle of the child within. Its rough, fragmented brilliance evokes the acid-laced forebears like 13th Floor Elevators, more polished proggists such as King Crimson, generational retro-futurist kin like Stereolab, and free-floating panic-rock innocents such as Deerhoof. Shh, don’t talk to me about the incoherence of Christmas on Mars, though Embryonic falls into the same continuum. It’s a dispatch from the outer edges of nightmares, where "Your Bats" wings its way into the jittery, shattered, shaky guitarism of "Powerless," before accelerating into the motor-psycho rev-ups and -downs of "The Ego’s Last Stand."

The combo continues to make a sonic spectacle of stumbling and falling with grace and gore, trailing bloody rags, hand puppets, balloons, star charts, and tinsel in its wake: "Aquarius Sabotage"’s fairy-dust power skronk and "See the Leaves" apocalypso crunch embody the perfectly incendiary collision between crap-fi with Pro Tool-y tweakery. Embryonic makes the rough endings and hard births embodied by ’09 more weirdly glorious, if not a little easier. *

TREASURE ISLAND MUSIC FESTIVAL

With Flaming Lips, MGMT, Girl Talk, Yo La Tengo, and others

Sat/17-Sun/18, noon–10:40 p.m., $65–$249.99

www.treasureislandfestival.com

————-

JESUS LIZARD

Back from a collapsed long and quality time with Qui, sometime-chef David Yow steps away from the frying pan and into the fire. Sat/17, 9 p.m., $25. Fillmore, 1805 Geary, SF. www.livenation.com

MONSTERS OF FOLK

It sounds like a joke — but it’s so not, when M. Ward, Conor Oberst, Jim James, and Mike Mogus, the dudes who aren’t afraid to reveal their soft, pale folkie underbelly, get together. Sat/17, 8 p.m., $39.50–$45.50. Fox Theater, 1807 Telegraph, Oakl. www.apeconcerts.com

A PLACE TO BURY STRANGERS

The so-called "loudest band in New York" takes it up a notch with their tasty Exploding Head (Mute). With These Are Powers, All the Saints, and Geographer. Sat/17, 9 p.m., $12–$14. Independent, 628 Divisadero, SF. www.theindependentsf.com

Music listings

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Music listings

Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 14

ROCK/BLUES/HIP-HOP

Lane Coker and Big Delta, Papa’s Garage Boom Boom Room. 9:30pm, $5.

Shawn Colvin Yoshi’s San Francisco. 8pm, $30.

Great Lake Swimmers, Wooden Birds, Laura Gibson Great American Music Hall. 9pm, $16.

Lickets, Marianne Dissard, Andrew Collberg Hemlock Tavern. 9pm, $7.

New Fangled Wasteland, Guns for San Sebastian, Fred Torphy Café du Nord. 9:30pm, $10.

Parents, Boy in the Bubble, Cannons and Clouds Red Devil Lounge. 8pm, $8.

Planet Loop Madrone Art Bar. 9pm, free.

Pogues, Chris Shiflett and the Cheaters Regency Ballroom. 8pm, $58-70.

Reduced to Ruin, Band of Annuals, Anaura Hotel Utah. 9pm, $6.

Ash Reiter, Michael Musika, TaughtMe El Rio. 8pm, $5.

Sid Morris Blues Band Rasselas Jazz. 8pm, free.

Tan Sister Radio, Lloyd’s Garage, Wonderland PD, Pine Away Rock-It Room. 8:30pm, $6.

Thee Vicars, Shannon and the Clams, Larry and the Angriest Generation, Sonic Chicken 4 Elbo Room. 9pm, $7.

These Arms Are Snakes, DD/MM/YYYY, Glaciers Bottom of the Hill. 9pm, $12.

Earl Thomas unplugged Biscuits and Blues. 8pm, $16.

JAZZ/NEW MUSIC

"B3 Wednesdays" Coda. 9pm, $7. With Pete Levin.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Karen Segal Trio Yoshi’s San Francisco. 10pm, $14.

"Meridian Music: Composers in Performance" Meridian Gallery, 535 Powell, SF; (415) 398-7229. 7:30pm, $10. With Doctor Bob.

New Rite Spot All-Stars Rite Spot, 2099 Folsom, SF; (415) 552-6066. 9pm.

Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

FOLK/WORLD/COUNTRY

Freddy Clarke Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, $12.

Gaucho, Michael Abraham Jazz Session Amnesia. 8pm, free.

Seth Augustus Band Climate Theater, 285 Ninth St., SF; (415) 704-3260. 8pm, $7-15.

Zej Plough and Stars. 9pm, free.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Open Mic Night 330 Ritch. 9pm, $7.

Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 15

ROCK/BLUES/HIP-HOP

Cirque Noir Boom Boom Room. 9:30pm, $10.

David Bromberg Big Band, Angel Band Great American Music Hall. 8pm, $40.

Family Curse, Gort, Hot Daxx, Tellurian Sleeves Annie’s Social Club. 8pm, $7.

Jail, Mojomatics, Pipsqueak, Sonic Chicken 4 Hemlock Tavern. 9pm, $7.

KMFDM, Angelspit, Legion Within Regency Ballroom. 8pm, $30.

Mae, Locksley, Deas Vail Bottom of the Hill. 8pm, $14.

Moby, Kelly Scarr Warfield. 8pm, $34.

Mofo Party Band Biscuits and Blues. 8pm, $15.

Mother Hips Café du Nord. 9pm, $25.

Paper Raincoat, Adam Levy, Derek Evans Hotel Utahl. 9pm, $10.

Pretty Lights, DJ Rootz, DJ Morale Independent. 9pm, $22.

"Rumpus Music and Comedy Night" Rickshaw Stop. 8pm, $10. With John Wesley Harding, Jason Finazzo, Terra Naomi, Nato Green, and more.

Say Anything, Eisley, Moneen, Moving Mountains Slim’s. 7:30pm, $20.

Schlong, Get Rad, Street Justice Eagle Tavern. 9:30pm, $6.

67 Satellite El Rio. 6pm, free.

Glenn Tilbrook, Marianne Keith Red Devil Lounge. 8pm, $15.

Varukers, Doomsday Hour, Dopecharge, Deface Thee Parkside. 9pm, $10.

BAY AREA

English Beat, Damon and the Heathens Uptown. 9pm, $20.

Gogol Bordello, Apostle of Hustle Fox Theater. 8pm, $32.50.

JAZZ/NEW MUSIC

Margie Baker Shanghai 1930. 7pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.

Laurent Fourgo Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7:30pm, free.

Patrick Greene Coda. 9pm, $7.

Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.

Miguel Zenon’s "Esta Plena" Yoshi’s San Francisco. 10:30pm, $12.

Stompy Jones Top of the Mark. 7:30pm, $10.

Trombone Trio Rite Spot, 2099 Folsom, SF; (415) 552-6066. 9pm.

FOLK/WORLD/COUNTRY

Flamenco Thursdays Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, 9:30pm; $12.

Gema y Pavel Brava Theater, 2781 24th St., SF; (415) 641-7657. 7:30pm, $25. A benefit concert for Instituto Familiar de la Raza.

Jeannie and Chuck’s Country Roundup Atlas Café. 8pm, free.

Kularts undercover Bayanihan Community Center, 1010 Mission, SF; (415) 348-8042. 8pm, $10. A benefit for the survivors of Typhoon Ondoy in the Philippines turning Filipino love for cover tunes into aid.

Red Mountain, Stellamara with Dan Cantrell Amnesia. 9:30pm, $7.

Round Mountain, Stellamara Amnesia. 9pm, $7.

String Chamber Ensemble, Classical Revolution Amnesia. 6pm, free.

Tipsy House Plough and Stars. 9pm, free.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, and B Lee spin Afrobeat, Tropicália, electro, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Gurp Out Club Six. 9pm, $10.With DJs Fresh Coast All-Stars, Luke Sick, Bo-Strangles, and more spinning hip hop.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Meat DNA Lounge. 9:30pm, $2-5. Industrial treats and BBQ meats with DJs BaconMonkey, Netik, and Lexor.

Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest.

Rock Candy Stud. 9pm-2am, $5. Luscious Lucy Lipps hosts this electro-punk-pop party with music by ReXick.

Solid Club Six. 9pm, $5. With DJs Mpenzi, Polo Mo’qz, Shortkut, and more spinning roots, reggae, and dancehall.

Toppa Top Thursdays Club Six. 9pm, $5. Jah Warrior, Jah Yzer, I-Vier, and Irie Dole spin the reggae jams for your maximum irie-ness.

FRIDAY 16

ROCK/BLUES/HIP-HOP

Bog Savages Maggie McGarry’s, 1533 Grant, SF; (415) 399-9020. 9pm, free.

*Butthole Surfers, Melvins Regency Ballroom. 9pm, $30.

David Bromberg Big Band, Angel Band Great American Music Hall. 8pm, $40.

Delgado Brothers Biscuits and Blues. 8 and 10pm, $20.

Devil’s Own, Porkchop Express, Hang Jones Hotel Utah. 9pm, $8.

Floater, Flamingo Gunfight Red Devil Lounge. 8pm, $10.

Intelligence, Hank IV, Mayyors, Bronze, DJ Crackwhore Elbo Room. 9pm, $10.

Nellie McKay and the Aristocrats Yoshi’s San Francisco. 8 and 10pm, $22.

Music Lovers, Minks Make-Out Room. 7pm, $7.

Next, Scranton, Ol’ Cheeky Bastards, Psycho Kitty Pissed Off Pete’s, 4528 Mission, SF; (415) 584-5122. 9pm, free.

Phenomenauts, Go Jimmy Go, Struts, Horror-X DNA Lounge. 8:30pm, $14.

Queers, Secretions, Go-Going-Gone Girls Bottom of the Hill. 9pm, $12.

Quick and Easy Boys Grant and Green. 9pm.

Ronkat’s Katdelic Boom Boom Room. 10pm, $12.

"Scott Alcoholocaust’s Birthday Party" Annie’s Social Club. 9:30pm, $7. With Everything Must Go, Fucking Wrath, Sabertooth Zombie, and Trust Nothing.

Sky Larkin, Peggy Sue and the Pirates, EFFT Hemlock Tavern. 9:30pm, $9.

Three Hour Tour El Rio. 9pm, free.

Wax Tailor, Abstract Rude Slim’s. 9pm, $16.

BAY AREA

Ani DiFranco Zellerback Auditorium, UC Berkeley, Berk; www.livenation.com. 8pm, $35.

Nomeansno, Triclops!, Disastroid Uptown. 9pm, $13.

Snow Patrol, Plain White T’s Fox Theater. 8pm, $35.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Terrence Brewer Shanghai 1930. 7:30pm, free.

"Cultural Encounters: Friday Nights at the deYoung presents Jazz at Intersection" Wilsey Court, de Young Museum, 50 Hagiwara Tea Garden Dr, SF; www.deyoungmuseum.org. 6:30pm, free. With Howard Wiley and the Angola Project.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Lucid Lovers Rex Hotel, 562 Sutter, SF; (415) 433-4434. 6-8pm.

Robby Marshall Group Union Room (at Biscuits and Blues). 9pm, $5.

Soul Delights Rite Spot, 2099 Folsom, SF; (415) 552-6066. 9pm.

Valerie Troutt and the Fear of a Fat Planet Crew Red Poppy Art House. 8pm, $12-20.

BAY AREA

"Binary Series #7: Intersections Between Cities and Media" CNMAT, 1750 Arch, Berk; (415) 871-9992. 8pm, $12. "Trio Fibonacci: Quebecois Compositions" with the music of Laurie Radford and Serge Provost, Hideo Kawamoto and Damon Waitkus, and video by Agnes Szelag.

FOLK/WORLD/COUNTRY

Bluegrass Bonanza Plough and Stars. 9pm, $7.

Brass Menazeri, Fishtank Ensemble, DJ Zeljko Café du Nord. 9:30pm, $15.

Cuban Nights Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8:30pm, $15. With Fito Reinoso.

Neal Morgan, Dominant Legs, Lemonade Amnesia. 9pm, $8.

Theresa Perez, Amy Epstein, Melanie Kurdian Dolores Park Café. 7:30pm, free.

Rob Reich and Craig Ventresco 7pm, free.

Sila Coda. 10pm, $10.

Tippy Canoe ArtZone Gallery, 461 Valencia, SF; (415) 441-8680. 10pm; open to holders of Doc Fest tickets or ticket stubs only, free. Opening night party for SF Doc Film Fest.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Arrhythmia Club Six. 9pm, $10. With DJs Tony Hewitt, Wally Callerio, and more spinning house.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Blow Up Rickshaw Stop. 10pm, $15. With DJs Jeffrey Paradise and Richie Panic spinning dance music.

Deep Fried Butter, 354 11th St., SF; (415) 863-5964. DJs jaybee, David Justin, and Dean Manning spinning indie, dance rock, electronica, funk, hip hop, and more.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

510’s Finest Presents: King Thee Parkside. 10pm, $4. This new party promises "hoochie dance jamz."

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Glamour Gravity, 3251 Scott, SF; (415) 776-1928. 9pm. A networking party for the fashion industry.

Jump Off Club Six. 9pm, $10. Pure house music all night long.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

Loose Stud. 10pm-3am, $5. DJs Domino and Six spin electro and indie, with vintage porn visual projections to get you in the mood.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.

SATURDAY 17

ROCK/BLUES/HIP-HOP

Astra, Orchid, Children of Time Annie’s Social Club. 9pm, $10.

Brother Ali, Evidence, Toki Wright, BK-One Slim’s. 9pm, $15.

Down Down Down, Common Men, Dandelion War, Con of Man Retox Lounge. 9pm, $5.

*"Frank El Rio and Scott Alcoholocaust’s Joint Birthday Party" El Rio. 10pm, $8. With Ludicra, King City, and Futur Skullz.

Goodbye Nautilus, Chop, My First Earthquake Hemlock Tavern. 9:30pm, $6.

*Jesus Lizard, Killdozer Fillmore. 9pm, $25.

MC Trachiotomy Hemlock Tavern. 6pm, $5.

Eric McFadden and friends, Shakewell Boom Boom Room. 9:30pm, $12.

Nellie McKay and the Aristocrats Yoshi’s San Francisco. 8 and 10pm, $22.

Nerf Herder, Goodbye Gadget, Lone Angels Bottom of the Hill. 10pm, $12.

A Place to Bury Strangers, These Are Powers, All the Saints, Geographer Independent. 9pm, $14.

Pop Rocks Red Devil Lounge. 9pm, $10.

Ras Kass, Xienhow, Sincere, Bossasaurus, Team Razor Fang, Nerd Nate Rock-It Room. 9pm, $10.

"Sansei Live" San Francisco Presidio Officer’s Club, 50 Moraga, Presidio, SF; (415) 931-2294. 6pm, $75. With Lyrics Born, ScoJourners, and Kaz-Well. Benefits Kimochi, Inc., who help Bay Area seniors live independently.

EC Scott Biscuits and Blues. 8 and 10pm, $20.

"Treasure Island Music Festival" Treasure Island; www.treasureislandfestival.com. Noon, $65. With MGMT, MSTRKRFT, Girl Talk, Brazilian Girls, Streets, Passion Pit, and more.

Why?, Mount Eerie, Au, Serengetti and Polyphonic Great American Music Hall. 9pm, $16.

BAY AREA

"Monsters of Folk" Fox Theater. 8pm, $39.50-45.50. With Conor Oberst, Jim James, M. Ward, and Mike Mogis.

Sole, Astronautalis Uptown. 9pm, $12.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Dead Kenny Gs Coda. 10pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Jessica Johnson Shanghai 1930. 7:30pm, free.

Robby Marshall Group Union Room (at Biscuits and Blues). 9pm, $5.

Ricardo Scales Top of the Mark. 9pm, $10.

BAY AREA

Wayne Shorter Quartet Zellerbach Hall, UC Berkeley, Berk; (510) 642-9988, www.calperformances.org. 8pm, $28-52.

FOLK/WORLD/COUNTRY

Carnaval Del Sur Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, $15. Live Flamenco music and dance.

Knotty Pine String Band Plough and Stars. 9pm, $7.

Robbie O’Connell Balclutha ship, Hyde Street Pier, Fisherman’s Wharf, SF; (415) 561-6662. 8pm, $14.

Octomutt, Grooming the Crow Rite Spot, 2099 Folsom, SF; (415) 552-6066. 9pm.

Okay-Hole Amnesia. 10pm, $6.

Jerry Santos Palace of Fine Arts Theater, Bay and Lyon, SF; (415) 392-4400. 8pm, $35-40. Hawaiian musician and composer joined by award-winning dance troupe Na Lei Hulu | Ka Wekiu.

Tango No. 9 Red Poppy Art House. 8pm, $12-20.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Cock Fight Underground SF. 9pm, $6. Locker room antics galore with electro-spinning DJ Earworm and hostess Felicia Fellatio.

Covenant, Ejector, DJ Kyron 5 DNA Lounge. 9pm, $18. Also with Death Guild DJs Decay, Melting Girl, and Joe Radio.

Fire Corner Koko Cocktails, 1060 Geary; 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Non Stop Bhangra Rickshaw Stop. 9pm, $20. Celebrate the dance and music of Punjab.

PURE Entertainment Butterfly Lounge, 1370 Embarcadero, SF; www.partywithpure.com. DJs Ken and Genesis Kim spinning hip hop and top 40s at this PURE launch party.

Saturday Night Live Fat City, 314 11th St; selfmade2c@yahoo.com. 10:30pm.

Saturday Night Soul Party Elbo Room. 10pm-2am, $5. DJs Lucky, Paul Paul, and Phengren Oswald spin butt-shakin’ ’60s soul on 45.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

TekAndHaus Anu, 43 6th St., SF; (415) 543-3505. 10pm, $5. DJs dCoy, Javalight and Zenith spinning tech-house.

TOPR Club Six. 9pm, $10. With DJs 2 Fresh, Beset, Quest, Rec League, and more spinning hip hop.

SUNDAY 18

ROCK/BLUES/HIP-HOP

All That Remains, Lacuna Coil, Maylene and the Sons of Disaster, Taking Dawn Regency Ballroom. 7pm, $22.

Adrian Belew Slim’s. 8pm, $25.

Brothers Goldman Boom Boom Room. 9:30pm, free.

Lumerians, Grass Widow Hemlock Tavern. 9pm, $10.

Nellie McKay and the Aristocrats Yoshi’s San Francisco. 2 and 7pm, $5-22.

Messerchups Red Devil Lounge. 8pm, $20.

La Roux, DJ Omar Great American Music Hall. 8pm, $15.

Straylight Run, Anarbor, Camera Can’t Lie Rickshaw Stop. 7pm, $12.

"Treasure Island Music Festival" Treasure Island; www.treasureislandfestival.com. Noon, $65. With Flaming Lips, Decemberists, Beirut, Grizzly Bear, Yo La Tengo, Walken, Bob Mould, and more.

JAZZ/NEW MUSIC

Dead Kenny Gs Coda. 9pm, $12.

Dozie Rrazz Room, Hotel Nikko, 222 Mason, SF; 1-866-468-3399. 7pm, $30.

Rob Modica and friends Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 3pm, free.

Pete Yellin’s Quartet Noe Valley Ministry, 1021 Sanchez, SF; www.noevalleyministry.org/jazzvespers. 5pm, free.

Wood Brothers Yoshi’s San Francisco. 9:30pm, $15.

FOLK/WORLD/COUNTRY

Marla Fibish, Erin Shrader, Richard Mandel and friends Plough and Stars. 9pm, $5.

Fiesta Andina! Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 7pm, $10. With Eddy Navia and Sukay.

Tony Furtado and friends, Mia Dyson Swedish American Hall (upstairs from Café du Nord). 7:30pm, $15.

Jerry Santos Palace of Fine Arts Theater, Bay and Lyon, SF; (415) 392-4400. 2pm, $35-40. Hawaiian musician and composer joined by award-winning dance troupe Na Lei Hulu | Ka Wekiu.

Underskore Orchestra, Japonized Elephants Amnesia. 9pm, $7-10.

DANCE CLUBS

Catholic Paradise Lounge. 10pm, $3. Celebrate the release of this Patrick Cowley album.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, J Boogie, and Irie Dole.

5 O’Clock Jive Inside Live Art Gallery, 151 Potrero, SF; (415) 305-8242. 5pm, $5. A weekly swing dance party.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 19

ROCK/BLUES/HIP-HOP

Beach House, Papercuts, DJ Andy Cabic Bottom of the Hill. 9pm, $14.

Duct Tape Date, My Addiction El Rio. 9pm, $8.

Dysrhythmia, Grayceon, Say Bok Gwai, DJ Rob Metal Thee Parkside. 8pm, $8.

Owl City, Scenic Aesthetic, Brooke Waggoner Slim’s. 7:30pm, $13.

Phantom Kicks, Ventid Hemlock Tavern. 7pm, $5.

Casey Prestwood and the Burning Angels, Hang Jones, Mississipi Riders Elbo Room. 9pm, $5.

*Jay Reatard, Nobunny, Hunx and His Punx, Box Elders, Digital Leather Great American Music Hall. 8pm, $18.

*"w00tstock" Swedish American Hall. 7:30pm, $22. With Paul and Storm, Wil Wheaton, and Mythbusters’ Adam Savage.

JAZZ/NEW MUSIC

Beth Custer Ensemble feat. Chris Grady Yoshi’s San Francisco. 8pm, $14.

Michael Burns Rite Spot, 2099 Folsom, SF; (415) 552-6066. 8pm.

"Jazz at the Rrazz" Rrazz Room, Hotel Nikko, 222 Mason, SF; 1-866-468-3399. 8pm, $25. With the Mike Greensill Trio and Gary Foster.

Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.

FOLK/WORLD/COUNTRY

Homespun Rowdy Amnesia. 8:30pm, free.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Goth and industrial with Decay, Joe Radio, and Melting Girl.

Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.

King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 20

ROCK/BLUES/HIP-HOP

Boca do Rio, Valerie Orth, Ben Benkert Elbo Room. 8:30pm, $7.

Brandi Carlile Fillmore. 8pm, $26.

Ghostface Killah, Souls of Mischief, Fashawn, Strong Arm Steady, Deep Rooted Slim’s. 9pm, $26.

Nathan James Biscuits and Blues. 8pm, $15.

Nodzzz, Thomas Function, Yusseff Jerusalem Hemlock Tavern. 9pm, $7.

Carrie Rodriguez Hotel Utah.8pm, $10.

Strike Anywhere, Polar Bear Club, Crime in Stereo, Ruiner Bottom of the Hill. 8pm, $12.

Those Darlins’, Choir of Young Believers, Grates Rickshaw Stop. 8pm, $10.

Patrick Watson, Threes and Nines Great American Music Hall. 9pm, $15.

"w00tstock" Swedish American Hall. 7:30pm, $22. With Paul and Storm, Wil Wheaton, and Mythbusters’ Adam Savage.

Hawksley Workman Café du Nord. 8:30pm, $15.

BAY AREA

Koffin Kats, Jim Rowdy Show, Tater Famine Uptown. 9pm, $10.

Stone Temple Pilots Fox Theater. 8pm, $52.50.

JAZZ/NEW MUSIC

Dave Parker Quintet Rasselas Jazz. 8pm.

Equinox Trio Rite Spot, 2099 Folsom, SF; (415) 552-6066. 9pm.

"An Evening with Peter Sellars and Earplay" Forest Hill Clubhouse, 381 Magellan, SF; www.earplay.org. 6pm, $100.

"Jazz Mafia Tuesdays" Coda. 9pm, $7. With Shotgun Wedding Quintet.

MO Jazz Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 8pm, free.

Ricardo Scales Top of the Mark. 6:30pm, $5.

Spanish Harlem Orchestra Yoshi’s San Francisco. 8 and 10pm, $16-24.

FOLK/WORLD/COUNTRY

Slow Session Plough and Stars. 9pm, free.

Tippy Canoe, Mikie Lee Prasad Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

DANCE CLUBS

Cuntry Monkey Annie’s Social Club. 9pm, free. Drunken Monkey goes country with bluegrass, honky tonk, rockabilly, and more.

DJ Ism Boom Boom Room. 9:30pm, free.

Drunken Monkey Annie’s Social Club. 9pm-2am, free. Rock ‘n’ roll for inebriated primates like you.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Stump the Wizard Argus Lounge. 9pm, free. Music and interactive DJ games with DJs What’s His Fuck and Wizard.

Womanizer Bar on Church. 9pm. With DJ Nuxx.


Living with water

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rebeccab@sfbg.com

GREEN CITY Here’s a sobering thought: By the middle of the century, the waters of the San Francisco Bay could rise up to 16 inches. By 2100, in a worst-case scenario, the water level could creep up 55 inches higher, affecting some 270,000 people and placing economic resources worth $62 billion at risk.

These projections, which are potential consequences of climate change, are outlined in San Francisco Bay: Preparing for the Next Level, a joint report issued by the San Francisco Bay Conservation and Development Commission (BCDC) and a team of Dutch research and engineering firms.

The Dutch have centuries of experience with flood mitigation. The low-lying, flood-prone territory of the Netherlands, adjacent to the North Sea, has forced Dutch engineers to become well versed in utilizing dikes, levees, and other adaptive techniques to contend with sea-level rise.

Drawing on that expertise, the San Francisco Bay study serves as a wake-up call and the beginnings of a roadmap for the Bay Area, listing 60 possible measures for addressing what appears to be an inevitable rise in sea level. Ideas range from sturdy levees, to mechanical floodwalls, to innovations such as floating houses.

"Adaptation is essential because it’s really too late to stop climate change and sea-level rise," Will Travis, executive director of BCDC, noted at a Sept. 21 symposium held to discuss the study. "If we shut down all the power plants, turn off all the lights, and park all the cars today, it’ll still continue to get warmer for at least a half a century or more."

Even with the world’s flood-mitigation experts on the case, the scenarios are daunting — and the implications are only beginning to come into focus for policymakers, planners, and the urban populations who inhabit coastal territories.

Waves in the bay could swell to about 25 percent higher on average. Intense storms are also expected to happen more often. If the sea level rose one foot, for instance, a storm-surge induced flood that used to occur roughly once a century would instead happen once a decade. The changes would be accompanied by an air-temperature increase of more than 10 degrees by 2100 — the difference between a typical summer day and a typical winter day in San Francisco.

"The reality of sea-level rise needs to be taken seriously," San Francisco Board of Supervisors President David Chiu, who delivered remarks at the symposium, told the Guardian. Chiu represents San Francisco on BCDC, one of the few bodies that can bring multiple stakeholders from throughout the region under one tent to plan for sea-level rise.

If the sea level in the San Francisco Bay rose three feet, some critical landmarks — Treasure Island, AT&T Park, and San Francisco International Airport — would end up underwater unless mitigation measures were in place.

Treasure Island, the site of one of the largest redevelopment projects currently moving forward in San Francisco, was cited in the report as a case study "for how large-scale development projects can deal with rising sea levels." Project developers are looking at artificially increasing island elevation to accommodate a three-foot rise in water level, according to Jack Sylvan, director of joint development for the city’s Office of Economic and Workforce Development.

Plans also include creating a buffer between new construction and the high-water line, and leaving open the possibility of shoring up the perimeter if it’s necessary to prevent flooding in the future, he said. "The fact that it’s an island forces us to address the issue," Sylvan told the Guardian.

In the report, proposed strategies for coping with climate change were presented along a continuum. One end emphasized fortress-like solutions that would support economic growth alone, while the opposite end featured more ecologically-oriented ideas like retreating from the waterfront and allowing nature to take its course.

The guiding philosophy from the Dutch was that the best approach would be to find a middle ground between these two extremes, and tailor solutions to each individual coastal area. "You should not only fight water," advised Bart Van Bolhuis, of the Consulate General of the Netherlands. "We want to share with you how we’ve mastered living with water."

The Kajagoogoo of Jacques Attali

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arts@sfbg.com

MUSIC For those of you who missed the memo, it all hasn’t exactly been smooth sailing for the good people of the ol’ U.S. of A over the last year or so. You don’t have to be Noam Chomsky to realize that if the national unemployment rate is hovering right around 10 percent, that’s not good. If you toss in a confusing war that we are still involved in, the polar icecaps melting faster than Joan Rivers’ face in a boiling torrential downpour, and the small matter of a monster flu pandemic, it’s quite clear: Americans have a right to feel a trifle downcast at the moment.

Yet while we face some strains of a musical slump (screamo, ringtone rap etc.) that is just as woeful as our current financial state, 20th century American history tells us that there may be hope for the future. If you look back through the 1900s, there is a constant byproduct of periods of American crisis. We get some pretty damn awesome music.

Financially speaking, the past year or two has been dominated by scary words like recession and downturn, yet you and I have largely avoided the most bone-chilling term of all. To encounter it, you need to set your DeLorean to the 1930s, where you will find our country in the midst of the most terrifying 10 letters in our economic lexicon — depression.

Beginning with some dramatic leaps in 1929, the Great Depression is the benchmark for what happens when things go horribly wrong. In the U.S., unemployment rates reached an unprecedented 25 percent, and the country, not to mention the rest of the planet, was wallowing in the unpleasant waters of the River Styx.

But something curious happened. As folks were dealing with the decade’s bleakest times, Americans were also writing, recording, and performing some of the finest music in the nation’s history. Legendary jazz artists like Louis Armstrong, Duke Ellington, and Billie Holiday released some of the best material of their careers, while the roots of country music were sowed by musicians like Jimmie Rodgers, Lead Belly, the Carter Family, and Woody Guthrie. Much of the Depression-era work of these artists combines palpable, affecting melancholy with surprising overtones of faith, hope, and celebration. Music served as a window into the pain of the average American, and also as an escape from the real-life problems people were facing.

This phenomenon returned in many ways during the late 1960s. While thousands of Americans were fighting a war that nobody seemed to understand, those left behind faced widespread inflation and high interest rates. America again turned to its musicians to air frustrations and fears. Taking cues from artists like Pete Seeger and Doc Watson (who were still active during the generation), a new generation of protest music exploded. The new folk of singers-songwriters such as Bob Dylan and Joan Baez gripped the nation. So did the socially-conscious soul of troubadours like Marvin Gaye, Gil-Scott Heron, and Sam Cooke.

Though these are perhaps the two most obvious instances of great music being created during hard times in America, they aren’t the only ones. Deep in the 1980s, as white suburbanites were loving Reaganomics and rocking out to Kajagoogoo and Huey Lewis, residents of inner cities across America were stuck smack-dab in GOP-perpetrated trickle-down hell. Groundbreaking artists such as NWA, Ice-T, and KRS-One sprang out of the cities, further igniting the massive cultural and commercial force that is hip-hop.

Which brings us to the big question — can we do it again? While you may call it naiveté, I’m optimistic about the chances of history repeating itself. In just the last year, folk has made quite a resurgence, with Fleet Foxes, Bon Iver, the Avett Brothers and others gaining massive followings and selling out venues wherever they play. Also, due to file-sharing, the rise of easily-streamable digital music, and well-run independent labels, artists are able to get their music out to larger audiences without interference from conservative and controlling corporate entities. The rise of independent music is apparent in the lineup of the upcoming Treasure Island Music Festival, widely expected to be one of San Francisco’s biggest concert events this year. Though tickets aren’t cheap, people haven’t minded shelling out for a bill that features only five bands currently signed to a major label.

Not so long ago, in the late 1990s and early 2000s, the economy was booming. Things were great for everyone — except the American pop music fan, who was subjected to overproduced boy bands, toothless pop rock (Sugar Ray, Smashmouth), nu-metal, and countless other forms of forgettable garbage. So while your pockets may be empty now, it might be a good thing. Hold out a hope that maybe, just maybe, in 30 years, the music of the next decade will be lauded much like the tunes of the 1930s and the 1960s.

Until then, just sit tight and keep praying for the death of auto-tune.

Mayor Gavin Newsom directs wind power energy to the Guardian!

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By Rebecca Bowe

Newsom wind.jpg
Photo courtesy Luke Thomas, Fog City Journal

Here’s the scoop: The San Francisco Bay Guardian will get 50 megawatts of wind power, courtesy of San Francisco Mayor Gavin Newsom.

Don’t get excited — the mayor was only kidding. Newsom’s witty remark came in response to a question by local journalist and blogger Luke Thomas, when he asked the mayor who would own the energy being generated by the municipal wind turbines that are envisioned throughout the city in a report unveiled today.

Newsom’s response: “I hope it’s the Bay Guardian.”

SFBG publisher Bruce B. Brugmann was delighted by the news, and immediately emailed a San Francisco Chronicle City Hall reporter to say he was available for comment on how he plans to use the power.

The press conference was held to announce the recommendations of San Francisco’s Urban Wind Power Task Force, a group convened to study possibilities for small urban wind projects in the city. The vision involves siting turbines at famous city landmarks, mapping micro-climates to figure out how best to harness wind energy potential, and making it easier for small urban wind projects to be permitted.

“Wind needs to be part of the urban mix,” Newsom said. “There are still a lot of questions, but nonetheless there’s a lot of enthusiasm.” Wind-power demonstration sites could include the Civic Center Plaza, The W Hotel, a new San Francisco Public Utilities Commission headquarters on Golden Gate Ave., and Treasure Island, Newsom said.

My question for Newsom was whether the city’s Community Choice Aggregation effort, which has a stated goal of supplying publicly owned power generated by 51 percent renewable energy by 2017, would be integrated into the bold new wind-development plans. The overarching vision of the Wind Power Task Force report is to develop 50 megawatts of wind power over the next few decades, a much longer time line than the initial 2017 target established by CCA. Newsom replied, “It certainly could be. I haven’t gotten that far along.”

To which we’d like to respond: Did you have a nice time on that PG&E-funded trip to Mexico?

Environmental review, Inc.

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rebeccab@sfbg.com

Michael Cohen, director of San Francisco’s Office of Economic and Workforce Development, called us from the back of a taxi on a recent Thursday afternoon and complained that he was feeling "perplexed" by all the negative attention aimed at a plan his office helped design.

Perplexed? Maybe — but the concept of having a private consultant take over some planning work during the environmental review of major development projects was never going to happen without a fight.

No sooner had Cohen, OEWD Development Advisor Michael Yarne, and Planning Department Director John Rahaim publicly floated the idea than it was roundly criticized by a host of opponents who called it a danger to public jobs and an invitation for conflict-of-interest nightmares.

The controversy was triggered by a draft request for qualifications (RFQ), released jointly by OEWD and the Planning Department, to hire a private consultant to help the city’s environmental review of major development projects. The consultant would be hired on the developers’ dime. The idea, Cohen said, was to do something about the long backlog in city planning’s Major Environmental Analysis division. Developers often complain that environmental review takes too long, and delays cost money.

"MEA doesn’t have enough resources to do all the work," Cohen told us. "Our simple suggestion is to require private development projects to pay to provide extra resources to the department." The RFQ states in an underlined font that the private consultant would work under the supervision of city staff, and that final policy decisions would remain with public employees. Cohen emphasized that if it goes forward, "not a single planner will lose their job."

Nonetheless, the RFQ was lambasted in a letter sent to Rahaim on behalf of IFPTE Local 21, a union representing about 250 city planners. The letter charges that it could undermine city jobs and allow developers to essentially purchase an environmental analysis that would pave the way for project approval.

Under the current system, a developer who requests a permit to build, say, a condominium high-rise must hire a private consulting firm to write a report describing how the new condos would affect the existing landscape. That report then gets forwarded to the Planning Department for review by MEA staff, a time- and labor-intensive process.

The RFQ would make it possible for a large-scale developer who desired a speedier environmental review to shell out more money for the private consultant, who would do much of the legwork of reviewing the environmental impact report. While city staff would still have the final say, the environmental review process for those projects would consist largely of a consultant overseeing a consultant.

And nearly all the consultants in the environmental-review field make their money from developers.

A source close to city planning told the Guardian that Yarne drafted the RFQ, and that the impetus behind it was to remedy delays encountered by the Treasure Island and Lennar Corp. Hunters Point Shipyard projects.

A critic who spoke on condition of anonymity told the Guardian that there’s a lot of skepticism surrounding the idea since it comes from a former developer. Yarne was a principal at development firm Martin Building Co. until 2007, and he publicly complained about the slow environmental review process while in that role.

"The only deficiencies that we have been informed of have been relayed to us by Michael Yarne in the Mayor’s Office," the Local 21 letter notes. "His primary observation has to do with the expediency by which these reviews have turned around. We do not believe that outsourcing these services addresses the problems he expressed to us." On the contrary, the letter states, "in-house staff would have to review a second consultant’s work, which would prolong rather than streamline the environmental review process."

Rahaim, the planning director, told us that "the idea was to look for ways to help the staff out," and stressed that he viewed it as "augmenting as opposed to outsourcing" city jobs. However, he added that it’s "not something I’m sold on as the only way to do this."

Rahaim seemed receptive to the union’s concerns, said Adam Gubser, president of the Planner’s Chapter of Local 21. But union members remain universally opposed to the proposal as it stands. "There are serious flaws that need to be addressed," Gubser said. "We’re very concerned about contracting out, so any proposal is held under a microscope."

City Planning’s latest mess

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EDITORIAL The San Francisco city planning director, John Rahaim, has kept a fairly low profile since taking over the troubled department in 2008. But some serious problems are starting to fester on his watch — and if he and the planning commissioners don’t clean up the mess, the supervisors need to step in.

Rahaim remains somewhat in the shadow of the former director, Dean Macris, who is responsible for some of the worst San Francisco development problems of the past three decades. And the Macris influence is still very heavy in the department. But Rahaim needs to step out and show that things are going to change. For starters, he should:

•Scrap the plan to privatize environmental review. As Rebecca Bowe reports on page 15, the department is looking at bringing in outside consultants to help clear up the backlog in the Major Environmental Analysis division of the Planning Department. It’s a horrible idea — the environmental consulting firms that do this work make most of their money from developers, and that’s where their loyalties will always lie. The city planning staff is by no means perfect, but at least the unionized MEA staffers have some ability to demand that builders follow the rules and that environmental impact reports are relatively honest. The whole idea comes (not surprisingly) from the big developers, particularly Lennar Corp. at Hunters Point and the consortium looking to redevelop Treasure Island; they’re worried about the short-staffed Planning Department’s slow pace of project review. But we don’t see those developers helping raise new revenue for the city — money that could allow planning to hire more staff.

•Back away from allowing developers to block sunlight in city parks. San Francisco voters approved a measure back in 1984 that essentially halted the construction of any tall buildings that would cast shadows on city parkland. Proposition K has worked remarkably well over the years. But now, with such behemoths as the 100-plus-story tower planned for the Transbay Terminal area and the high-rise condo complex near the Transamerica Building threatening to block out the sun in public open space, the developers are looking for ways to "update" — that is, gut — Prop. K protections. On Aug. 23, a who’s who list of big local developers, architects, and lawyers met with city planning officials to discuss the issue (the attendance list, and more background, is posted at sfbg.com). The Planning Commission will get a briefing on the topic Sept. 17.

We don’t see the problem with Prop. K — protecting parks from high-rise shadows is pretty basic planning and has been public policy for 25 years. Rahaim should drop this developer-driven plan, now.

•Get Macris the hell out of the Planning Department. Mayor Gavin Newsom and the Planning Commission hired Rahaim a year and a half ago. So why does Macris, the former director, still have an office in the department? Why is he routinely consulted on major issues? When, oh when, will he finally go away?

According to the mayor’s press secretary, Nathan Ballard, Macris isn’t costing the city any money — a handful of developers are chipping in to cover the cost of his paycheck. That alone is a problem — since when do developers get to have their own paid planner sitting in on office in the Planning Department?

And frankly, Macris has been a shill for big developers all his career. He oversaw much of the massive over-construction that took place in the 1980s, and resisted all attempts at slowing down runaway growth. He’s a bad influence on the department, and Rahaim needs to send him packing, now.

Rahaim has gotten a fairly free ride so far, but things are starting to spiral out of control in his department. It’s a disturbing pattern, and the supervisors should be prepared to hold hearings and start taking action. *

Editorial: City Planning’s latest mess

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When, oh when, will Dean Macris finally go away?

EDITORIAL The San Francisco city planning director, John Rahaim, has kept a fairly low profile since taking over the troubled department in 2008. But some serious problems are starting to fester on his watch — and if he and the planning commissioners don’t clean up the mess, the supervisors need to step in.

Rahaim remains somewhat in the shadow of the former director, Dean Macris, who is responsible for some of the worst San Francisco development problems of the past three decades. And the Macris influence is still very heavy in the department. But Rahaim needs to step out and show that things are going to change. For starters, he should:

•Scrap the plan to privatize environmental review. As Rebecca Bowe reports on page 15, the department is looking at bringing in outside consultants to help clear up the backlog in the Major Environmental Analysis division of the Planning Department. It’s a horrible idea — the environmental consulting firms that do this work make most of their money from developers, and that’s where their loyalties will always lie. The city planning staff is by no means perfect, but at least the unionized MEA staffers have some ability to demand that builders follow the rules and that environmental impact reports are relatively honest. The whole idea comes (not surprisingly) from the big developers, particularly Lennar Corp. at Hunters Point and the consortium looking to redevelop Treasure Island; they’re worried about the short-staffed Planning Department’s slow pace of project review. But we don’t see those developers helping raise new revenue for the city — money that could allow planning to hire more staff.

The shakedown

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markeb@sfbg.com

If you think you can handle more massive autumn debauchery than Oct. 3’s gargantuan Lovevolution (www.sflovevolution.org) parade and festival, which showcases every electronic continent-shaker on the local scene, or the Treasure Island Music Festival (www.treasureislandfestival.com) Oct. 17-18 with its onslaught of dance music NAMES, then you may want to jet to the below. Child, I’ve seen your plate — and it’s never full.

HIP-HOP DEBASER


Launch your fall-forward blackout in old-school shelltoes, as the primo Debaser party veers from its grunge-revival template with classic rap chestnuts, St. Ides drink specials, and a sneaker contest (prizes: an eighth, a forty, a pager.) Sat/29, 9 p.m., $5. The Knockout, 3223 Mission, SF. www.myspace.com/debaser90s

MATTHEW DEAR


Oh dear, oh Dear, the techno DJ heartthrob is back in town from touring the world, this time without his live band. Expect a ravenous pop polish and the usual Ghostly International joys. Sept. 4, 10 p.m., $12 advance. Mighty, 119 Utah, SF. www.mighty119.com

BATTLE AT GROUND ZERO


The very grand finale of the SF Grand Vogue Ball, which has been energetically building up a roster of fantastic contestants during preliminaries every Friday night in August, will be an explosion of face, attitude, and flailing limbs. Sept. 11, 8 p.m., free. Yerba Buena Center for the Arts, 700 Howard, SF. www.sfgrandvogueball.tk

DAM FUNK


Laidback techno-boogie and electro-funk from the shades-bedecked master of jambox rock. West Coaster Dam of L.A.’s luscious Funkmosphere parties will be showing off rare vinyl cuts from his personal collection as well as some of his own, much lauded tracks. Sept. 11, $10. Poleng Lounge, 1751 Fulton, SF. www.polenglounge.com

BEARRACUDA MAGNUM


Supersize your Folsom Street Fair weekend — and prepare for your hairy winter hibernation in style — with hundreds of sweaty, burly men when furry-techno paradise Bearracuda takes over DNA Lounge. Heave, ho! Sept. 25, $10–$15. DNA Lounge, 375 11th St., www.bearracuda.com

DROP THE LIME


Sexy electro ragers — plus singing! — from the super-flirty posterboy of all-night bangin’. He’ll be rolling up with twisted adrenaline junkie Tim Exile and hometown Lights Down Low hero Sleazemore. Sept. 25, $12.50 advance. Mighty, 119 Utah, SF. www.mighty119.com

SLAVIC SOUL PARTY!


In the hoot-and-whirl tradition of Gogol Bordello and Balkan Beat Box, this massive brass band brings Eastern European sounds to the dancing masses, on the order of our own beloved Kafana Balkan crew. New album Taketron (barbes) is a shining example of the new Romany hybridity. Sept. 25, 8:30 p.m. and 11:30 p.m., $15/$25. Elbo Room, 647 Valencia, SF. www.elbo.com

PART TIME PUNKS


L.A.’s rabble-rousing promoters, Part Time Punks, join the Honey Soundsystem and Donuts crews for a thoughtful onslaught from the past, with live performances from the Raincoats and Section 25, plus a DJ set from Gang of Four. Oct. 9, $25 advance. Mezzanine, 444 Jessie, SF. www.mezzaninesf.com

BOYS NOIZE


Pushing electro through the crystalline prism of your ass, the esteemed (you can be esteemed in electro?) DJ and beat-mongrel keeps squeezing dirty, dirty beats from the banger stone. He’ll be pumping lightning jags from his new disc Power! (BNR). Nov. 4, 9 p.m., $17.50 advance. Mighty, 119 Utah, SF. www.mighty119.com

Fall fairs and festivals

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AUG 28-30

Outside Lands Music and Arts Festival Golden Gate Park, SF; www.sfoutsidelands.com. 12-10pm, $89.50-$225.50. SF’s best alternative to That Thing in the Desert is back for its second year, with headliners Pearl Jam, Dave Matthews Band, and Tenacious D playing for you and two thousand of your closest friends.

BAY AREA

Eat Real Festival Jack London Square, Oakl; eatrealfest.com. Fri, 4-9pm; Sat, 10am-9pm; Sun, 10am-5pm. Free. Buy from your favorite street food vendors, sample microbrews at the Beer Shed, or shop in the market for local produce at this sister event to La Cocina’s Street Food Festival.

AUG 29-SEPT 20

SF Shakespeare Festival Presidio’s Main Post Parade Ground Lawn, between Graham and Keyes; www.sfshakes.org. Sat, 7:30pm; Sun, 2:30pm, free. The genius of Shakespeare in SF’s most relaxed setting.

SEPT 1-30

Architecture and the City Times, locations, and prices vary. www.aiasf.org/archandcity. The American Institute of Architects San Francisco chapter and the Center for Architecture + Design host the sixth annual fest, featuring home tours, films, exhibitions, dining by design, and more.


SEPT 5-6

BAY AREA

Millbrae Art and Wine Festival Broadway Avenue between Victoria and Meadow Glen, Millbrae; (650) 697-7324, www.antiquesbythebay.net. 10am-5pm, free. The Big Easy comes to Millbrae for this huge Labor Day weekend event.

SEPT 6

BAY AREA

Antiques and Collectibles Faire Alameda Point, Alameda; www.antiquesbythebay.net. 9am-3pm, $5. California’s biggest and best antiques and collectibles extravaganza is back with 800 outdoor booths, with something for everyone.

SEPT 9-20

Fringe Festival Exit Theatre, 156 Eddy; 931-1094, www.sffringe.org. Times and prices vary. An ever-changing collection of unusual and lively experimental theater pieces will be showcased over the course of 18 days.

SEPT 12-13

Chocolate Festival Ghirardelli Square; www.ghirardellisq.com. 1pm, free. Indulge in chocolate delicacies, sip wine, and enjoy chocolate-inspired family activities at this annual event benefiting Project Open Hand.

Power to the Peaceful Festival Speedway Meadow, Golden Gate Park; www.powertothepeaceful.org. 9am, prices vary. Michael Franti and Guerrilla Management present the 11th annual festival dedicated to music, arts, action, and yoga. With Alanis Morrisette, Sly & Robbie, a special after party at the Fillmore, and workshops all day Sunday.

BAY AREA

Mountain View Art and Wine Festival Castro Street between El Camino Real and Evelyn Ave, Mountain View; (650) 968-8378, www.miramarevents.com. 10am-6pm, free. More than 200,000 art lovers will gather for the 38th installment of one of America’s top art festivals, featuring crafts, live music, food, and drink.


SEPT 13

Brews on the Bay Jeremiah O’Brien at Pier 45; 929-8374. Times, locations, and prices vary. www.aiasf.org/archandcity. The American Institute of Architects San Francisco chapter and the Center for Architecture + Design host the sixth annual fest, featuring home tours, films, exhibitions, dining by design, and more.


SEPT 17-21

BAY AREA

Symbiosis Gathering Camp Mather, Yosemite; www.symbiosisgathering.com. $180, includes camping. This synesthesia of art, music, transformational learning, and sustainable learning is quickly becoming one of NorCal’s favorite fall festivals. This year’s headliners include Les Claypool, Yard Dogs Road Show, Bassnectar, and the Glitch Mob.


SEPT 19-20

Autumn Moon Festival 667 Grant; 982-6306, www.moonfestival.org. 11am-6pm, free. Chinatown’s annual street fair features continuous Asian entertainment, lion dances, costumed artisans, cultural demonstrations, arts and crafts, and food vendors.


SEPT 27

Folsom Street Fair Folsom Street between Seventh and 12 St; www.folsomstreetfair.org. 11am-6pm, free. The world’s largest leather event covers 13 city blocks with entertainment, vendors, and plenty of spectacle.


OCT 2-5

Hardly Strictly Bluegrass Speedway Meadow, Golden Gate Park; www.strictlybluegrass.com. Check website for times. Free. Natalie MacMaster, Emmylou Harris, Aimee Mann, Neko Case, and many more perform for free in Golden Gate Park.

OCT 3

LovEvolution Civic Center Plaza; www.sflovevolution.org. 12pm, free. The event formerly known as Love Parade may have a new name, but the music, color, and fun remains.

OCT 3-4

World Veg Festival San Francisco County Fair Bldg, Lincoln and Ninth Ave; 273-5481, www.sfvs.org/wvd. 10am-6pm, $6. The San Francisco Vegetarian Society and In Defense of Animals present the 10th annual award-winning festival featuring lectures, cooking demos, vegan merchandise, and entertainment.

OCT 4

Castro Street Fair Castro at Market; www.castrostreetfair.org. 11am-6pm, free. The festival founded by Harvey Milk returns with the theme "Come Get Hitched in the Center of the Gay Universe," in an effort to keep the embers burning in the fight for equal rights.

OCT 9-17

Litquake Locations vary; Times vary, most events free. To commemorate its 10-year anniversary, the storytelling festival kicks off with the "Black, White, and Read" ball and continues with nine days of lit-themed programming.

OCT 11

San Francisco Decompression Indiana Street; www.burningman.com. Break our your still-dusty Burning Man costumes and welcome hard-working BMORG staff back to "Real Life" with this BRC-themed street fair and festival.

OCT 15

West Fest Speedway Meadows, Golden Gate Park; www.2b1records.com. 9am-6pm, free. 2b1 Multimedia Inc., the Council of Light, and the original producer of Woodstock 1969 team up to celebrate Woodstock’s 40th anniversary with a free show featuring Country Joe, Denny Laine, Alameda All Stars, Michael McClure, and tons more.

OCT 16

WhiskyFest San Francisco Marriott, 55 Fourth St; 896-1600, www.maltadvocate.com. 6:30-9:30pm, $95. America’s largest whisky celebration returns to SF for the third year with more than 200 of the world’s rarest and most expensive whiskies.


OCT 17

Potrero Hill Festival Potrero Hill Neighborhood House, 953 De Haro. 9am-5pm. This benefit for the Potrero Hill Neighborhood House features a jazz brunch catered by students of The California Culinary Academy and continues with a street fair along 20th Street between Missouri and Arkansas.


OCT 17-18

Treasure Island Music Festival Treasure Island; www.treasureislandfestival.com. Fri-Sat, 11am. $65-$249. The Bay Area’s answer to Coachella (minus the camping, heat, and Orange County douchebags) is back, this year featuring The Flaming Lips, The Decemberists, Yo La Tengo, The Streets, and about 100 other indie favorites and up-and-comers.

BAY AREA

Half Moon Bay Art and Pumpkin Festival Main Street at Highways 1 and 92, Half Moon Bay. 9am-5pm, free. Jim Stevens and Friends will return to the world famous festival featuring music, crafts, parade, and children’s events.

OCT 23-24
Exotic Erotic Expo Cow Palace, 2600 Geneva; www.exoticeroticball.com. Fri, 2-10pm; Sat, 12-6pm; $20. Part Mardi Gras, part burlesque, and part rock concert, this two-day fest is a celebration of human sexuality and freedom of expression, with its crowning event the Exotic Erotic Ball on Saturday night.
NOV 2
Day of the Dead Starts at 24th and Bryant, ends at Garfield Park; www.dayofthedeadsf.org. 7pm, free. Celebrate this traditional Latin holiday – and SF institution — with a procession and Festival of Altars.
NOV 13-15
SF Green Festival San Francisco Concourse Exhibition Center, 635 Eighth St; www.greenfestivals.org Fri, 12-7pm; Sat, 10am-7pm; Sun, 11am-6pm. $15-$25. A joint project of Global Exchange and Green America, this three-day event features the best in green speakers and special events.
NOV 27-DEC 20
Great Dickens Christmas Fair Cow Palace Exhibition Halls, 2600 Geneva; www.dickensfair.com. Fri-Sun, 11am-7pm. Check website for ticket prices. Channel Charles Dickens’ Victorian London with this 90,000 square-foot theatrical extravaganza.

Weird Wine of the Week: Pairing wine with a view

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Amy Monroe shares her favorite unusual, overlooked, and underappreciated wines. Check out her previous installment here.

wwSF Skyline_0809.jpg

Today is one of those days when it’s easy to daydream and hard to work. From my window, I can see everything in high definition Technicolor. The port of Alameda and the Berkeley hills are etched against a sky of uninterrupted Wedgewood blue. A clean white sailboat cuts a straight line path through the smooth waters of the bay. Sunshine glints off the windshields of cars rolling across the bridge toward Treasure Island. There are precious few days when San Francisco shrugs off its cloak of fog and shows its striking face in stark, detailed relief. That today is one of them makes it easy to think about cutting out of the office early to kick back on the deck with a glass of wine. Not red, no. Let me say emphatically, today is a white wine kind of day.

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