Technology

Dirty business

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rebeccab@sfbg.com

The owner of a certified minority-owned business in San Francisco is suing the city, charging that his telecommunications company went belly up after city officials falsely accused him of participating in a fraudulent kickback scheme within the city’s Department of Building Inspection (DBI).

The case and depositions of high-ranking officials offer a rare window into the inner workings of city government at a time when corruption was rife within DBI and regulations governing city contracting were considerably less strict. They also provide a glimpse at how city business was sometimes conducted under the administration of Mayor Willie Brown, a powerful figure who has resurfaced recently in San Francisco politics.

In addition, the case alleges inappropriate behavior by current Mayor Ed Lee when he was the city’s purchasing director. One of the depositions includes allegations that Lee, at Brown’s direction, approved a city contractor who was utterly unqualified and was later accused of being part of a criminal scam.

The plaintiff in the lawsuit — James Brady, CEO of Cobra Solutions — closed up shop years ago and moved to Sacramento with his wife and business partner, Debra. But he’s been locked in an ongoing legal battle against powerful forces in City Hall since 2003, when he claims the city stopped issuing payments to his company, terminated its contract, and declined to award it a new contract on suspicions of bribery.

“They want to make us look like we’re Bonnie and Clyde,” Brady told the Guardian. “We’ve never done a thing.”

Nancy Fineman, an attorney with the firm Cotchett, Pitre & McCarthy, which is representing the city in the case, said the corruption allegations against Cobra still stand and she emphasized, “The city attorney was not involved in doing anything wrong.”

In a complaint filed Jan. 7, attorney G. Whitney Leigh — law partner of former Board of Supervisors President Matt Gonzalez — alleges that a host of city officials are responsible for precipitating Brady’s financial ruin.

According to Leigh’s version of events, Cobra was dragged into an overzealous campaign to hold someone accountable after a contractor the city alleged was corrupt vanished, leaving a number of subcontractors unpaid and the city “with egg on its face.”

Leigh subpoenaed Ed Harrington, former city controller and current head of the San Francisco Public Utilities Commission; Deputy City Controller Monique Zmuda; former officials from the Office of Contract Administration, and others to testify out of court during discovery. Leigh describes the case as “a Shakespearean tragedy combined with a cartoon combined with a soap opera.”

For City Attorney Dennis Herrera, it might be more like a zombie flick. The city attorney is gaining momentum in his campaign for mayor and has taken an early lead in fundraising against his opponents. The Cobra Solutions saga might be one that he — and other top city officials — would rather forget.

 

CONFLICTS AND CRACKDOWNS

Appeals in the case have reached all the way to the California Supreme Court, which ruled that Herrera had a conflict of interest that should have disqualified his office from suing Cobra. Beginning in September 2000, before he was elected city attorney, Herrera provided legal representation to Cobra while working with a private firm called Kelly, Gill, Sherburne & Herrera.

Due to the disqualification, Herrera could not discuss specifics in the case. But he did offer us a general comment. “I’ve made it very clear that me and my office are going to have zero tolerance for corruption and individuals who would violate the public trust,” he said. “This case, I think, represents that philosophy.”

When Herrera was campaigning for city attorney in the November 2001 race, he ran on a platform of cracking down on fraud and corruption. The DBI case began as a triumphant delivery of that campaign promise.

In 2003, following a yearlong investigation by a Public Integrity Task Force that Herrera had convened, a corrupt DBI official named Marcus Armstrong got busted by the feds. He’d allegedly falsified the qualifications on his resume and set up shell companies to funnel money out of city coffers for his own personal gain. He pleaded guilty to corruption charges brought by the U.S. Attorney, and spent time in prison for cheating the city out of about $500,000.

Herrera brought a civil suit against Armstrong and a DBI contractor, Government Computer Sales, Inc. (GCSI), which allegedly partnered with Armstrong in a kickback scheme. Questions surrounded GCSI from the start. It only gained certification as a city contractor after being rejected multiple times by city staff as unqualified. Deborah Vincent-James, who directed the city’s Committee on Information Technology (COIT) at the time and has since died, testified in a 2008 deposition that GCSI was “fraudulent” and got the contract only because of ties to Mayor Brown.

Herrera hit a stumbling block when he amended the complaint to name Cobra Solutions and its management company, TeleCon Ltd., as another city contractor in on Armstrong’s kickback scheme. (Debra Brady was president of TeleCon, which predated Cobra. Although the Bradys insist the two entities were separate, Herrera named TeleCon in the suit as an alter ego of Cobra.)

Cobra struck back, claiming the City Attorney’s Office wasn’t entitled to file suit against the company because Herrera’s old firm had represented Brady. Herrera told us the whole thing came about “because of the 18 minutes that I billed to work for Cobra.”

Herrera’s office initially denied any conflict of interest. “Immediately upon discovery of Cobra’s role, the office screened Herrera off from further involvement in the investigation and all matters related to it in accordance with a stringent ethical screening policy Herrera established when he took office,” according to a statement issued by the City Attorney’s Office.

But the Supreme Court disagreed in a 2006 ruling. “The possibility that the City Attorney’s former client might be prosecuted for civil fraud by the City Attorney’s office may test public faith in the integrity of the judicial system,” the ruling stated, “raising the specter of perceptions that the former client will be treated more leniently because of its connections, or more harshly because of leaked confidences.”

 

COBRA’S CASH

The city’s lawsuit alleged that Cobra paid Armstrong about $240,000 in bribes in exchange for $2.4 million worth of business with DBI from April 1999 through 2000. The allegation was based on checks Cobra sent to Monarch Enterprises, which the city said was an Armstrong front. The investigation found that GCSI paid Armstrong about 10 percent of the contract amount in a similar fashion.

“Armstrong used these and all other funds received from Cobra for his personal benefit and gain,” the suit claimed. The complaint also charges, “Cobra … knew that Monarch enterprises was wholly owned and controlled by Armstrong, and that any payment made by Cobra was in fact a payment to Armstrong.”

But Cobra’s suit claims an FBI investigation into Cobra’s involvement found no wrongdoing. Additionally, “We turned all of our records over to the U.S. Attorney,” Leigh noted, and that didn’t lead to a criminal prosecution.

Brady calls the corruption allegation “a big lie,” and says his company’s name has been wrongfully sullied. He says Armstrong led him to believe Monarch Enterprises was an Internet company performing training, support, and computer security upgrades as a subcontractor. The bills came in, and Cobra believed it was responsible for paying for the service, Brady said. “We mailed the checks, and never thought about it.”

Before the trouble started, Cobra Solutions was in a growth phase, having gone from four employees to 35 in just a few years. James and Debra Brady moved from Colorado to San Francisco in the late 1980s with nothing. James Brady worked as a manager in several SROs, became a member of the Tenderloin Merchant’s Association and helped establish a credit union serving low-income residents.

The couple established TeleCon Ltd. and started out as city subcontractors providing voicemail services. At first, they had very limited resources. “Prior to being able to afford an office, Debra frequently used the telephones in the women’s lounge at Nordstrom to conduct business,” according to her bio.

Cobra was established after Vincent-James urged the Bradys to submit a bid for an upcoming contract. The city had opened up a Request for Proposals (RFP) for vendors who wanted to be admitted to the Computer Store, an entity created to speed up municipal orders for technical services.

Before then, it could take six months for the city to purchase so much as a desktop computer. A Human Rights Commission vetting process, designed to ensure that city contractors adhered to environmental and social justice criteria, caused long delays. Then-City Purchaser Ed Lee created the Computer Store to solve this logistical challenge. Vendors who applied for membership were vetted in the RFP (minority-owned businesses were given preference), admitted as certified contractors, and granted preference by city departments in need of IT services.

Cobra’s first departmental contract through the Computer Store was a $1.3 million agreement to provide technical services for DBI, working with Armstrong. Things got off to a rough start.

“We could never find the guy, he would never be at work, and when we did see him, he was complaining,” Brady recounted. According to Cobra’s complaint, “it ran into a series of disputes with DBI and Armstrong over the scope of work and particular payment issues,” and Cobra was eventually awarded a settlement reflecting services it provided after Armstrong changed the scope of the work.

Brady says he sought city help in dealing with Armstrong. According to Cobra’s complaint, he appealed for assistance to COIT, which oversaw the Computer Store. Cobra’s relationship with Armstrong soon soured, and the DBI deal dissolved.

According to the description of Vincent-James, “The relationship between James Brady … and Marcus got worse … Marcus got another company involved because James Brady would not do what Marcus wanted to do.”

The other company was GCSI.

 

NEW PHASE

Things got better for the Bradys before they got worse. Cobra became one of the city’s largest technology services providers, netting $14.5 million in contracts with various city agencies by 2003. They relocated to a nicer, more spacious office in the Financial District.

A partnership with IBM granted them access to higher credit limits than ever. The couple had a home custom-built in El Sobrante. When GCSI vanished without a trace, Vincent-James called on Cobra to hire some of the GCSI subcontractors who had gotten burned in the process, according to a deposition from former city purchaser Judith Blackwell.

By 2003, the Public Integrity Task Force’s DBI investigation was in full swing, but Brady didn’t know it. He says he started experiencing problems getting paid, yet couldn’t get an explanation from city agencies.

According to Cobra’s complaint, “The city intentionally frustrated payments to Cobra and TeleCon because investigators hastily and incorrectly concluded that the companies had conspired with Armstrong in a GCSI-type scheme to defraud the city.”

Fineman, the city’s attorney, said she strongly disagrees with “the idea that we just stopped and left them in the lurch,” emphasizing that there had been a whole separate legal proceeding arising out of the fact that “Cobra was not paying its subcontractors,” in violation of its contract.

The city defended its decision to delay Cobra’s payments by pointing to the GCSI scandal, which had left city agencies high and dry. “By the time the City discovered GCSI’s fraud and stopped making payments to GCSI, GCSI had already received millions of dollars in city payments that were not then passed on to the subcontractors,” a letter from the City Attorney’s Office to Brady’s attorneys explained. “Once the city started investigating the payments to GCSI that Marcus Armstrong authorized, GCSI’s assets, officers and staff disappeared. … The city has an obligation to its taxpayers to prevent the GCSI scenario from unfolding with regard to Cobra / TeleCon.”

Brady insists that because Cobra couldn’t get paid, it couldn’t pay its subcontractors, or its creditors, either — and the financial holdup triggered a cascade of losses. “I’ve got IBM, Booz Allen Hamilton, and American Express breathing down on me like a dragon,” he said. “Everybody wants to get paid. We owed folks after we couldn’t collect our receivables.”

The bills were piling up. “We were sinking fast,” said Debra Brady, “so we sold our house in El Sobrante.”

Brady said he was stunned to learn that Cobra had been named in Herrera’s suit.

“I have 37 employees, and I had to go in and tell them. I was all choked up and the phone was ringing, and it was my attorney on the line telling me that the FBI was coming. I could not believe that after everything we had achieved in the last three years, my former attorney was filing a lawsuit against me.”

 

CLEARING THEIR NAMES

After filing the complaint against Cobra, the City Attorney’s Office called on the company to submit to an audit — but Cobra refused on the basis that Herrera’s firm had represented it in the past. “The City Attorney’s assumption of the role of auditor seems calculated to exacerbate and expand the existing conflict of interest,” Cobra attorney Ethan Balogh wrote in an April 2003 letter. “This problem could easily be solved by allowing an agency other than the City Attorney to conduct the audit.”

In a lengthy back-and-forth, Herrera’s office responded: “You have never explained why your client, having been caught sending over $240,000 in cash to a San Francisco IT manager who authorized over $2.4 million in payments to Cobra/TeleCon during the period of time which he received those payments, has elected not to immediately … open its books and records to the city. Instead … you have raised a host of constantly-shifting objections and arguments as to why the city’s demand was inappropriate.”

Cobra’s lawsuit charges that the City Attorney’s Office never informed the Controller’s Office that Cobra would have allowed an audit by another party. At the same time, it charges, city attorneys weren’t allowing Cobra to communicate with the controller directly, due to the legal dispute.

“The question of who would do the audit and whether or not the City Attorney was doing the audit was not something that I was aware of or certainly had not agreed to,” Deputy City Controller Monique Zmuda said during her deposition.

Meanwhile, Cobra had received the highest Human Rights Commission score of any bidder for a renewal on the Computer Store contract, an HRC document shows. Brady received a letter stating that his company would be awarded a new Computer Store contract — but shortly after, he got a second letter reversing that award.

Judith Blackwell, who oversaw city purchasing under Brown’s administration, explained why during her deposition with Leigh. After Cobra’s bid evaluation, Blackwell testified, her office moved to award the contract — but the controller intervened, saying Cobra shouldn’t be awarded a new contract because of the Armstrong scandal. Blackwell wasn’t willing to throw Cobra out, however.

“I learned from watching politics that I cannot afford to bend the rules,” Blackwell testified. “If I step outside the precise boundaries in any way, or if any African American administrator does, they are probably not going to be interpreted in the same way as if anyone else did it. Based on the … procurement code, there is no way that I could, as the purchasing director, just throw them out.”

Blackwell testified that Zmuda requested that she sign paperwork denying Cobra the contract, and Blackwell received a warning when she refused. “She told me that I needed to remember that when [Mayor Brown] was gone that they, the Controller’s Office, and [Chief of Staff Steve Kawa] — I knew that is what she was implying — were in charge,” Blackwell said. Once Mayor Gavin Newsom replaced Brown, Blackwell was let go. She now lives in New York City.

Blackwell testified that losing her job came as a surprise, since she’d worked on Newsom’s campaign and expected to keep her position. “I had asked him something about why it happened and he said … he knew nothing about it and people were acting without, you know, basically not at his direction,” Blackwell testified. “I said, well, Mayor Newsom, you are in charge. And his response was, oh, I wish that were so.” 

 


ED LEE APPROVED UNQUALIFIED CONTRACTOR ACCUSED OF CORRUPTION

GCSI — a company accused of defrauding the city after improperly being given a city contract by Ed Lee, allegedly at the urging of then-Mayor Willie Brown — is long gone.

“I don’t think they’re around,” Nancy Fineman, an attorney representing the city, told the Guardian. “We’ve just been focused on Cobra and TeleCon.”

The story of how GCSI came to be a city contractor may be the most fascinating part of this case, one that could have repercussions today, even though it happened in the late-1990s.

Like Cobra Solutions, GCSI was a contractor with the city’s Computer Store — gaining admission after being repeatedly rejected by city staff, according to a 2008 deposition with former COIT director Deborah Vincent-James, who has died.

Vincent-James testified that GCSI didn’t meet the minimum qualifications and recounted how, during an interview with city officials about the bid, a member of the City Attorney’s Office noticed a wire peeking out from the suit of a GCSI representative who had been surreptitiously taping the meeting.

“San Francisco was not aware of GCSI’s wrongful conduct, financial problems, or legal difficulties at the time it hired GCSI to work on the DBI projects,” a city lawsuit claimed. Nor had the city realized that, “GCSI’s president and owner had been arrested and imprisoned by a federal judge for contempt of court and for disbursing funds in an effort to avoid …efforts to collect its loan.”

GCSI principal Robert Fowler resided in both Washington, D.C., and California, was believed to be a citizen of Sweden, and was also the director and owner of a bank located on the Caribbean island of St. Vincent, according to Herrera’s complaint.

“From day one, I knew that they were not qualified,” Vincent-James’ deposition transcript reads. She went on to say that the official city process for evaluating contractors was “totally bypassed.” Nonetheless, “We had to admit them to the Computer Store.”

“Who told you, you had to admit them to the Computer Store?” attorney Whitney Leigh asked.

“The director of purchasing,” states Vincent-James’ deposition transcript. “Ed Lee.”

She went on to testify that Lee had been acting under the direction of Mayor Brown. According to her deposition, “[Lee] was directed by the Mayor’s Office and told to do an evaluation process. They evaluated them. They were put in the store.” She also testified, “Principals of GCSI hired an attorney who had been in the State Legislature with Mayor Brown and … GCSI had felt that because we were asking intrusive questions during the oral interview, such as ‘Why do you have that wire hanging out of your coat?’ … They felt that biased the committee toward … not hiring them.”

Neither Brown nor Mayor Lee’s office responded to requests for comment.

GCSI is still a codefendant in the complaint, but the principals of the defunct company seem to be off the hook. A 2008 story from the Anchorage Daily News noted that Fowler had emerged as the head of a natural gas company in Alaska. The Bradys, meanwhile, are getting ready for another court date in March. “We keep going to court,” Debra Brady said. “I’m kind of like, when is the end coming?”

Sound and environment: Moving beyond tropical bass with Chief Boima

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A couple weeks ago I shot a long-winded email to former Bay Area DJ and producer Chief Boima. I had just finished speaking to Dun Dun of the Los Rakas crew for what eventually became this article, and he mentioned an upcoming EP with former Bay Area DJ and producer Boima. Now, if you don’t know about Boima, you need to get acquainted with the Banana Clipz digital funk on Ghetto Bassquake (for free download, too). It’s a joint instrumental album between Boima and Oro 11 of Bersa Discos that merges electronic architectonics with rhythms, melodies, and sound bits from the African diaspora.
Enough of that, though — Boima withstood my long-windedness, and after a couple exchanges, he did all the explaining.

SFBG Dun said that you do with instrumentals what Los Rakas does with lyrics. Do you see similarities in your respective styles? Your backgrounds and influences?
Chief Boima Well, when I first came across Los Rakas I had just come back from Panama, and I was on this high from hearing all the big carnaval tunes and the mix of sounds that reflected my musical and cultural background, but in a Spanish-speaking world. I grew up on the stuff that a lot of Panamanians grew up on, zouk, dancehall, soca, etc. So I was at the SF Carnaval and I heard Panamanian reggae but with this Bay Area flavor to it. (Check my initial reaction here, and I had been posting stuff like this.) I identified with what they were doing immediately.
Also, my father is from Sierra Leone, and I grew up with West African cultural influences, so I try to incorporate that musically into my electronic and hip-hop beats. I feel like Los Rakas do the same thing with Panama, and what Dun said is a great compliment.

SFBG Dun also mentioned a future EP coming up. What’s your process working with Los Rakas? What are some of your thoughts on this upcoming EP?
CB Well I linked up with Rico and Dun after not seeing them for maybe a year. I had given Rico some instrumentals and I never had gotten the chance to record on them. At that point I had a little studio set up in my spot in Oakland, so I invited them down to work on stuff. I think it was a real natural collaboration because we knocked out a lot of different stuff in like 6 months. They would come over and just freestyle or write. A lot of songs came out through different processes. Like one song they gave me an acapella and I constructed a beat around it. Other songs, I played them the beat and they’d just start writing to it, and we’d record. This would all happen after work and on weekends, so it was cool because the sessions were real compact but productive. I’m real excited about the EP. I think the material is strong and unique, so I can’t wait to see the reception.

SFBG “Tropical” or “tropical bass” seems to be the new term which has emerged to cover the range of new electronic music informed by both American and Afro-Latin styles of music, and their many convergences and hybrids. Do you see yourself as part of this tropical movement? Would you trace its form or define it differently?
CB I get the name tropical bass, but I see it akin to a label like world music that’s just kind of vague. I think the styles that are included under the genre are diverse musically, but they share similarities in the production process that is informed by increased access to technology and information across the world. It’s also really related to urban environments, like hip-hop and house were in their beginning stages. So I see all this music as a kind of continuum of hip-hop and electronic music from Detroit and Chicago. I see myself as part of that production process, more than a musical genre.
The genres I enjoy and work with are informed by their local environments and have names like hip-hop, dancehall, coupe decale, house, soca, and kuduro. They come out of specific regions, and their environments inform the music. A lot of the most popular rhythms are related to Africa and its diaspora, people who are generally scattered around the tropics. So that’s why people use tropical, but I wouldn’t necessarily describe myself or anyone else that way. It doesn’t really work anymore when you get [sounds like] Balani in Mali, or UK Funky, which are not tropical [in setting], but are still informed by the same aesthetics and production processes.

SFBG Do you try to digitize or transfer Afro-Latin/Caribbean folk sounds, genres, or ideas into electronic form?
CB Yes, but I don’t explicitly set that as a goal. I add in all my influences, which are informed by growing up in the Midwest and spending time on the West Coast as much as “folk” music. I was into hip-hop and electronic music growing up, and my older relatives would get down to music that was recorded by live instruments. I love those older tunes, they make me nostalgic, and make me feel connected to my culture, so I wanted to bring the feelings that I have when I hear them to a contemporary club space.

SFBG Our sense of place is now more amorphous than it was maybe thirty years ago. The Internet has in many ways uprooted us, and with regards to music, given us access to all sorts of folk genres, sonic forms of indigenous culture, traditional sounds and instruments, beforehand only accessible perhaps by being there or coming into contact with someone who was indeed there. To what extent do you think the open source availability of the Internet influences the way you channel folk forms of music and older sonic traditions in your production? In what way does place or region (whether the Bay, Cuba, NY, or online places, even the temperate range of tropical) inform your music?
CB I think the Internet has facilitated interactions and dialogue, but you can’t overlook things like increased immigration and traveling. A New York Times article recently said that New York is as diverse as it’s ever been. It claims that NY has more people born in other countries living there than ever before. The whole United States is changing. Europe is changing. The feedback loop to global centers of production in the “South” is super influential. International travel is becoming cheaper, so it’s easier to see the whole world. I think we’re going to reach an energy crisis in the near future where all that will be curbed a little, and the Internet will keep those interactions going, but we’re really living at the apex of an empire, just like the Romans, and the Ottomans, and the Greeks were super diverse civilizations informed by cultures from all over the world. So the Internet is just our current means of achieving those interactions. It takes the place of the role that sailors and desert caravans and conquerors had before. It’s just faster, and totalizing across the globe.
I travel a lot, and I have a diverse cultural background with multiple influences. That puts me in a certain position of influence because of my experience, but someone who has never traveled can have the same influences because I post about it on the Internet. But that doesn’t mean that it’s a new thing. Cotton and sugar comes from India. Potatoes come from Peru. Coffee comes from Ethiopia. These are things that are fundamental to our cultural identity today, but we don’t necessarily think about them as coming from other places. I feel like these things seep into everyday life, and they become a part of wherever they end up whether NY, London, Rio, Kampala, etc. But when they get to those places I think they change. In other words, environment’s influence is fundamental and if you listen hard you can tell the difference.

Haute pot

9

steve@sfbg.com

CANNABIS Marijuana edibles have come a long way in a short time.

Just a few years ago, the norm was still brownies of uncertain dosage that tasted like eating weed, right down to the occasional stem or lump of leaf, served in a wax paper envelope. But now the foodies have gotten into the game, producing a huge variety of tasty treats that are incredibly delicious even before the munchies kick in.

San Francisco could be on the verge of a culinary revolution that would parallel those being experienced in the realms of boutique eateries, gourmet coffee, and high-end street food vendors — except for the fact that makers of cannabis edibles still reside in a legal limbo.

As long as they’re operating under the umbrella of a cannabis collective, getting marijuana from its growers and selling through its dispensaries, then the weed bakers are in compliance with state law. But they’re still illegal under federal law, and even California law doesn’t allow them to operate independently as wholesalers, making it difficult to scale up operations and do more than just break even financially.

Judging from the skittishness of some of San Francisco’s top edibles producers — who didn’t want to be identified by their real names and were wary of letting us know too much about their operations — they perform this labor of love under a cloud of understandable paranoia.

“Unfortunately, secrecy is a rule we have to live by, day in and day out,” said the founder of Auntie Dolores, who we’ll call Jay. She makes a line of popular, strong, and yummy products that include pretzels, chili lime peanuts, caramel corn, and cookies of all kinds.

Yet the legal threats haven’t stopped producers from professionalizing the edibles industry — in terms of quality control, packaging, consistency, and innovation — and drawing on foodie sensibilities and their own culinary training to develop creative new products that effectively mask or subtly incorporate that bitter cannabis taste.

“We’re all about masking the flavor of the cannabis because I really don’t like the flavor that much,” Jay said of products that are stronger than most but somehow without a hint of weed in them. “People here have a high standard. It’s their medicine and their food, and we have a lot of foodies who are really into our products.”

Choco-Potamus is an example of this new generation of edibles, combining gourmet chocolate-making with the finest strains of cannabis, using only the best buds rather than the leaves and other plant matter that have often gone into edibles. Mrs. Hippo, the pseudonym of the chief baker, has worked for a national company in the food industry for about a decade, mostly doing branding, and it shows in this eye-catching product.

“I’m kind of a foodie. We have friends who roast whole pigs and brew their own beer, that kind of thing,” she said. “Really good high-grade marijuana has some really great flavor qualities, particularly when combined with cocoa. I really want the patients to enjoy the flavor, not just the feeling.”

 

EAT YOUR MEDICINE

Steve DeAngelo, founder of Oakland’s Harborside Health Center, one of the Bay Area’s biggest dispensaries, said edibles have been increasingly popular, particularly among older users, patients with medical conditions that make smoking problematic, or those who prefer the longer body highs of eating it.

“Our sales of edibles has trended steadily upward since we opened,” DeAngelo said, noting that last year the club sold $1.2 million in edibles, about 5.5 percent of total sales, compared to $306,000 (3.2 percent) after they opened in 2006. “As an absolute amount, we’ve seen the amount of edibles quadruple in the last four and a half years. As percentage of sales, we’ve seen it double.”

He said the main difference between eating and smoking marijuana is duration and onset. Smoking it brings on the high within minutes and it usually last for less than two hours, whereas eating it takes about 45 minutes for the effects to kick in, but they can then last for six to eight hours.

“There are different forms for different symptoms,” he said, noting that edibles are perfect for someone with insomnia or other symptoms that disturb normal sleep patterns, while someone who needs marijuana in the morning can smoke or vaporize it and have the effects mostly gone by the time they go to work.

“When you eat it, it goes through your limbic system, so it hits your brain differently,” said Jay of Auntie Dolores, saying that she and many others prefer the subtle differences in the high they get from eating cannabis. Others who prefer edibles are those looking to just take the edge off without being too stoned. “A lot of the people who like the edibles are moms. They don’t want to smell like pot or be too high,” Mrs. Hippo said.

She noted that her chocolates are not as strong as many of the edibles out there, with each candy bar containing two doses. “It’s a personal preference for how I want the bars to taste,” she said, although she has been working on making a stronger version as well, which many dispensaries and their customers prefer.

But Mr. and Mrs. Hippo say they think taste is becoming as important as strength, calling it an emerging area of the market. “I have a dream that there could be just an edibles dispensary,” Mr. Hippo said, envisioning a pot club with the look and feel of a high-end bakery.

For now, demand for edibles is still driven by “potency and packaging,” says SPARC founder Erich Pearson. “I think people eat food to eat food and enjoy. They don’t eat to get high.” Yet as long as they’re getting high in this competitive marijuana marketplace, the edibles makers have been making better and better tasting products.

Jade Miller makes 12 flavors of cannabis-infused drinks under the Sweet Relief label, with spiced apple cider being her top seller. She draws other training at New York City’s Institute for Culinary Education to make some of the best-tasting drinks on the market.

“I got into it because I needed alternative pain relief when I had whooping cough and a torn shoulder muscle,” Miller told us.

She was injured while on a cooking job with Whole Foods Catering in September 2006. She hated the opiates that she was prescribed for her shoulder pain, preferring marijuana. But when she contracted whooping cough, she couldn’t smoke pot anymore without painful coughing, so she got into making edibles.

At the time, many of the pot-laced foods out there weren’t very good or professionally made. “Some edibles were inedible,” she said. “I became a one-woman campaign against brownies.”

 

QUALITY CONTROL

With a background in homeopathy and appreciation for marijuana, Jay started making edibles 10 years ago, informally helping two aunts battling cancer. But in the last couple of years she’s honed her recipes, improved her packaging, and transformed her Auntie Dolores snacks into some of the best on the market, available in several local dispensaries, such as Medithrive, SPARC, Bernal Heights Dispensary, and Shambhala.

“I just knew I could make stronger and better-tasting stuff,” she said. “The demand from the patients is really high for great products.”

Horror stories abound about users who overdosed on edibles and ended up being incapacitated all day or night, but that’s mostly been a problem of dosage, which modern technology has helped overcome. Choco-Potamus and other makers routinely send their batches to a lab for testing.

“The idea is we can be helping an edibles producer or a tincture maker quantify the cannabis in the product,” said Anna Ray Grabstein, CEO of Steep Hill Laboratory in Oakland, which tests cannabis and related products for strength and purity. “They’re able to use that information to create consistency in their recipes.”

It’s been difficult to meet the rising demand given the current legal framework.

“Yes, we would love to scale up. I’d love it if more people had access to our product. We’d love to sell it outside of California,” Jay said. “But it’s tricky because there’s so many gray areas,”

Larry Kessler is the program manager for the San Francisco Department of Public Health’s Medical Cannabis Dispensary Inspection Program, which reviews the procedures of edibles makers and requires those who work with one than one dispensary to get a certified food handler license from the state.

“We just want to make sure they know what they’re doing,” Kessler told us.

San Francisco has some unique rules, banning edibles that require refrigeration or other special handling, granting exceptions on a case-by-case basis. Unlike Oakland and some other jurisdictions, San Francisco also requires edibles to be in opaque packaging. “It was to get rid of the visual appeal to children,” he explains.

All the edible makers say they can live with those local rules, and they praise San Francisco as a model county for medical marijuana regulation. The problem is that state law doesn’t allow them to be independent businesses.

“It’s against state law. There’s no wholesaling allowed, and that’s a big issue around edibles,” Kessler said. “It’s a complicated issue.”

All the edibles makers in this story say they are barely getting by financially, and all have other jobs to support themselves. Jay says she’s thought about giving up many times, but she’s been motivated by stories they’re heard from customers about the almost miraculous curative properties of their products, particularly from patients with cancer and other serious illnesses.

“I get an e-mail like this and then it’s back to the kitchen,” Jay said, referring to a letter from a customer who credits her with saving his life. “There are so many positive properties it has. There’s really no other plant like it.”

Getting free

3

rebeccab@sfbg.com

Shane Bauer and Josh Fattal have been held captive in Evin Prison in Tehran for more than 540 days, and their friends and supporters in the Bay Area have been mounting an extraordinary campaign pushing for their release.

On July 31, 2009, Bauer and Fattal were hiking with Sarah Shourd, who is Bauer’s fiancée, through green mountains in Iraqi Kurdistan. The three UC Berkeley graduates had traveled from Damascus for a recreational visit. They were wandering nearby Ahmed Awa, a popular tourist destination where hundreds of people had flocked to camp, to visit a waterfall and enjoy the peace and quiet of the mountains.

They say they didn’t realize how close they were to Iran, which has no diplomatic ties to the United States.

Shourd told the Guardian she’s not sure whether they accidentally traversed the Iranian border, because it was unmarked. “We had no intention of being anywhere near Iran,” she said. “And if we were, we’re very sorry.”

Iranian officials surrounded them, speaking in Farsi, which they couldn’t understand. They were arrested on suspicion of spying and taken into custody. Before being taken to prison, one phoned a friend, Shon MeckFessel — who had been traveling with them but opted not to go on the hike because he wasn’t feeling well — to alert him that something had gone wrong. That would be the last communication any of them would have with close friends or family members for months.

Shourd was finally released on bail Sept. 14, 2010 on humanitarian grounds after spending 410 days in solitary confinement. She was reunited with family and friends — but Bauer and Fattal have remained in detainment ever since.

Since returning to the United States, Shourd has thrown her energy into advocating for their release — and she’s not alone. “Everyone in the family has been working tirelessly for all 18 months,” she said, “which is far, far longer than we ever imagined in our worst nightmares.”

 

FIGHTING FOR FREEDOM

While Shourd was still in prison, her mother, Nora, gave up her home and job to move in with Bauer’s mother, Cindy Hickey, and work for their release full-time. Fattal’s older brother, Alex, suspended his graduate studies at Harvard to dedicate himself to the campaign. His mother, Laura Fattal, stopped working to devote herself to the campaign.

“That’s just family alone,” Shourd noted. “If you start to look to how many people have contributed to our campaign and how many ways, it just blows your mind.” Soon after her release, Shourd put out a call for people to hang banners proclaiming the innocence of Bauer and Fattal and calling for their release. In response, nearly 60 banners were unfurled in 25 different countries.

Shourd has made countless media appearances since her release, and even put out an MP3 of a song she composed while in solitary confinement, which can be downloaded as a way to support the Free the Hikers campaign. Their story has drawn the interest of prominent figures. On Jan. 19, Noam Chomsky released a video offering to testify on their behalf if a trial is held, saying Bauer and Fattal “have dedicated themselves to advocating for social and environmental justice in Africa and elsewhere, and they truly embody the spirit of humanitarianism.”

Others who have publicly defended the trio include President Barack Obama, who issued a statement in July saying none of the hikers ever worked for the U.S. government, addressing Iranian accusations that they were there to commit espionage. United Nations Secretary General Ban Ki-Moon and the Archbishop Desmond Tutu have called for their release. A documentary has been produced about their plight, and a second one is in the works.

In San Francisco, artists and musicians have responded in droves to a call for support. An art auction that will benefit the campaign is planned for Jan. 29, featuring the work of more than 80 artists, plus live musical performances. As a nod toward Bauer’s work in photojournalism, the event will emphasize photography, and notables such as Mimi Chakrova, Taj Forer, Roberto Bear Guerra, Ken Light, the LUCEO Photo Collective, Susan Meiselas, Lianne Milton, Mark Murrmann, Alec Soth, and others have donated work. Among the artists who donated pieces are Marianne Bland, Mark Brecke, Teresa Camozzi, Andreina Davila, Eric Drooker, and former Board of Supervisors President Matt Gonzalez.

In early February, a music benefit will be held at the Bottom of the Hill to benefit the campaign. Titled “They Sing These Songs In Prison,” the event will feature performances of The Nightwatchman — that’s Tom Morello of Rage Against the Machine — plus Jolie Holland, accordionist Jason Webley, and Ryan Harvey & Lia Rose.

“The funding is to support the campaign to free Shane and Josh, and it goes to a wide array of needs that we have, like translation into Farsi, travel for media, and meeting with some various embassies and governments that are involved in advocating for Shane and Josh’s release,” Shourd explained. “Also, some of the money will probably go toward legal fees, and website fees, and materials for the campaign from flyers to business cards to t-shirts.”

 

WHO ARE THE HIKERS?

The campaign to advocate for their release has been tagged Free the Hikers, but the identities of the three young people (Bauer and Fattal are both 28, Shourd is 32) go much deeper than that. They’re social-justice advocates, antiwar activists, writers, environmentalists, travelers, and creative thinkers with deep ties to the Bay Area.

Shourd, who lives in Oakland, was teaching English to Iraqi refugees when she was in Syria, as well as practicing some journalism. Fattal, who taught at Aprovecho — an education center in Oregon focused on sustainability and permaculture — had been traveling to India, South Africa, and other places through the International Honors Program to lead workshops on health and sustainable technology before visiting his friends in Syria.

“Josh is an environmentalist, he’s a teacher, he’s an incredible, incredible, generous and selfless man,” Shourd said. “As soon as you meet him, you feel what an extraordinary and unique human being he is. I was friends with him for years before he came to visit us in Damascus, and he decided to travel with us to Northern Iraq to Iraqi Kurdistan to learn about Kurdish culture, to see another diverse aspect of the Middle East.”

Bauer wrote for publications such as The Nation, Mother Jones, and the Christian Science Monitor. A photojournalist who has won multiple awards and had his work published internationally, Bauer has documented everything from tenant conditions in San Francisco SROs to conflict-ridden regions in Africa and the Middle East. Bauer also wrote an article for the Guardian about an Oakland residence that is famous among East Bay anarchists (See “Hellarity burns,” May 27, 2008).

“Shane has an incredible passion for pursuing truth and complicating our ideas about other parts of the world, about conflicts around the world and at home,” Shourd noted. She added that many of his stories serve to highlight “some of the very specific ways that the U.S. presence in Iraq has taken a toll on innocent people.”

Before their ill-fated excursion, Shourd said she’d heard from multiple westerners and her Arabic tutor that Iraqi Kurdistan was a safe and enjoyable place to visit. “It’s often referred to as ‘the other Iraq’ because it’s a semiautonomous region designated as a no-fly zone by the U.S. government,” she explained. “It’s actually a part of the Middle East that has a very positive fingerprint from the U.S. government because they helped protect the Kurdish people from Saddam Hussein. So Northern Iraq is not a dangerous place for Americans or westerners to go, and no American has ever been killed in Northern Iraq, which is just phenomenal after a decade of war and occupation.”

She said Bauer, Fattal, and MeckFessel were all enthusiastic about the trip, and after researching it online, the four felt they had enough information to travel there. “We ordered a special Lonely Planet guide of Northern Iraq, and a friend of ours who went a month before we did borrowed it and lost it, so we didn’t have the Lonely Planet guide,” she noted. “But we still felt we had enough information about it to travel there and really believed we had nothing to fear.”

 

SOLITARY

Shourd credits her fiancé and her friend with helping her through “every minute of prison,” even though she was alone in her cell for 23 hours a day. At first she wasn’t allowed to see them at all, but after some time had passed, guards allowed her to visit with them in an outdoor courtyard for 30 minutes a day. Later, that brief time together was increased to an hour.

“There’s no way I could have maintained hope and maintained my own sanity and the strength that it took to get through every day of isolation and depravity and uncertainty and fear,” she said. “The emotional strength that that took, and the discipline that it took, really Shane and Josh and I all created together in the little time that we had, through the unconditional support and love we had for each other.”

Since they didn’t speak Farsi and the guards spoke very little English, it was difficult to communicate basic needs, and Shourd described the experience as being surrounded by hostility.

“Whenever I just started to slip away mentally, Shane and Josh would bring me back, and the knowledge that they were going to be there for me was the only thing that got me through 410 days of solitary confinement,” she said. The three thought up activities to give themselves something to look forward to, like marking time with small courtyard celebrations and special food they saved to share together or discussing topics in an organized format. “We had almost like a curriculum that we followed of study, and sort of intellectual exploration,” she explained.

They were only allowed to have pens for one month — that was the easiest month, Shourd said. But the rest of the time, even though they weren’t permitted to write things down, they were allowed to read. “Books were our lifeline. We read the same books in concert, we took turns reading books and passed them back and forth when we saw each other in the courtyard. And we would memorize dates and memorize poetry and recite poetry to each other and test each other on dates,” Shourd said.

“Josh would give me math problems to do in my head because he knew I was trying to get better with algebra. We had a dictionary that we passed back and forth, and we would make stories from words in the dictionary and tell each other these really intricate fantastical stories that we came up with. Anything to keep your mind busy.”

Beginning in her second month in prison, Shourd also passed the time by composing songs. A month went by before she was able to share the first one with Bauer and Fattal, but when she did finally sing it for them, they learned the words and sang it with her. “When we were together in the outdoor courtyard, they would just tell me to sing louder,” Shourd said. “I know they’re singing those songs now.”

The intellectual drills, storytelling, math problems, and singing weren’t merely a remedy for boredom. “You have to really keep your mind strong and busy so that you don’t get sort of swallowed up by the abyss of fear and loneliness that encroaches on you day by day in that kind of situation,” she said.

 

LOOKING AHEAD

Despite the time, energy, and effort spent on the campaign to free all three, no one can say for sure just when Bauer and Fattal will finally be reunited with family and friends. In November, Iranian authorities said that a trial previously scheduled for that month had been postponed, but the Free the Hikers campaign is calling for them to be released without a trial.

“They don’t deserve to be there one minute longer than I was, and they never deserved to be there in the first place,” Shourd said. “They should be shown the same kind of humanitarianism that they have put into action in their lives, through their work.”

Amnesty International is among many of the groups that have called for the Iranian government to release the two young men. “One year after their arrest, the Iranian authorities’ failure to charge them with illegal entry into Iran or more serious charges, such as espionage, has fueled speculation that the Iranian authorities are holding them as a bargaining chip,” notes a statement released July 2010 by Amnesty International, an international human rights organization.

Meanwhile, Shourd has been contemplating what her experience would have been like if the U.S. and Iran actually maintained diplomatic ties, and she published an opinion piece on CNN International calling for greater communication between the governments.

“I think it’s their responsibility to their people to do that, and I think it’s a tragedy that there’s been 30 years of practically no relationship between Iran and the U.S.,” Shourd said. “It’s a tragedy for countless Iranian Americans in this country who have a hard time visiting their relatives in Iran, sending them money, even just getting information about them or visiting their homeland.”

She began her opinion piece by recounting the time that a prison guard brought her freshly picked roses, an uncommon gesture of kindness during her incarceration. “In the worst of circumstances, the most extraordinary acts of human kindness emerge,” she told the Guardian. “They were rare. The vast majority of my experience was empty and desolate. But the times that the guards were kind to me … will stay with me for the rest of my life.” *

ART AUCTION TO FREE ALL THREE

Saturday, Jan. 29, 7 p.m.

SomArts Cultural Center

934 Brannan, SF

Musical performances by The Ferocious Few, Devon McClive and Sons, Grant Hazard and Lorin Station

www.artforssj.tumblr.com/#about

THEY SING THESE SONGS IN PRISON

Featuring The Nighwatchman, Jolie Holland, Jason Webley, Ryan Harvey & Lia Rose

Thursday, Feb. 10, 8:30 p.m., $12–$18

Bottom of the Hill

1233 17 St., SF

www.bottomofthehill.com

To learn more, visit www.freethehikers.org, www.freeourfriends.eu

Burn the Bay

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Self-medicate and simmer? Hardly. A nice big toke deserves (another and) a trip out and about to see some of the Bay Area’s finest sites to be stoned in. Just don’t flash that bong around — we hear that shit’s still illegal (?). Here are the Guardian staff picks for places around town that your buzz will love.

 

GOOD MANG KOK BAKERY

Post-Mary munchies are no joking matter. Yeah, you laugh when your buddy eats sausages dipped in maple syrup, but when it’s your turn the joke’s on you. Fortunately, Good Mang Kok Bakery in Chinatown is there to get you through those funky hunger spells. It’s got it all: pork buns, shrimp dumplings, egg tarts, mochi, sesame balls, chow mein — more grease and sugar than you can shake a spliff at. The joint (ha!) smells like stoner heaven, but the best part about Good Mang Kok is that it won’t leave a dent in your wallet — three steamed pork buns cost only $1.50 and all the food a stoner can eat won’t ever cost more than a 10 spot. Peep the window sign that says “Dim Sum Nice Food” and you’ll know you’re at the right place.

1039 Stockton, SF. (415) 397-2688

 

KADAMPA BUDDHIST TEMPLE’S “MEDITATIONS ON WORLD PEACE”

It’s Sunday morning, you’re stoned, and your heart is full of love. Kumbaya friend, mosey down to the Mission’s Kadampa Buddhist Temple for its weekly group meditation on world peace — because we all know that war, violence, and suffering are huge mellow-harshers. Inside the small building you’ll find a meeting room lined with chairs, Buddhist art, and sculpture — take a seat and be on time. Class includes a guided prayer, a spiritual teaching (try not to space, because if you pay attention here you can learn a lot), and refreshments. Every level of experience is welcome and no stoner will be turned away for lack of funds.

Sundays, 10:30 a.m.–noon, $10 donation suggested. 3324 17th St., SF. (415) 503-1187, www.meditationinnortherncalifornia.org

 

REVOLUTION CAFE

We regard the Revolution Cafe as its own mythic country, one in which bearded men and dashing women from various cosmopolitan European, Latin-American, and African cities epically lounge, smoke from their spliffs still lingering in their leather jackets and hand-woven mountain sweaters. In this convivial company, there is no better vantage point to regard the Mission’s ragtag parade from behind the fog of (medicinal, surely) Humboldt fog, particularly with a glass of house red or cappuccino in hand. Languid inter-table conversation is a mandate on the Revolution porch — retreat inside to giggle at The Awl’s witticisms on your laptop or take in the piano-guitar duo occupying Rev’s tiny corner that is allotted to its live music offerings.

3248 22nd St., SF. (415) 642-0474

 

ZEUM

Who says you have to be a kid to get a kick out of this museum’s interactive art and technology exhibits? Twist one up and try your hand at photo manipulation, animation, and video-mixing geared toward the mini-mind. And while we’re feeding our heads here, why not go truly techno-psychedelic with the kids’ museum’s Z Dance — dance in front of a green screen and a computer will transfer your image to a trippy backdrop (see Jefferson Airplane’s Smothers Brothers Comedy Hour performance of “White Rabbit” for inspiration). For gizmo gear-heads to blasé Betties, some advice for truly groking the beauty of Zeum: nothing will awaken your childlike wonder like a little William’s Wonder.

221 Fourth St., SF. (415) 820-3320, www.zeum.org

 

SEWARD STREET SLIDES

In 1966, Seward Street minipark was the site of a neighborhood sit-in that saved the last remaining open space between Seward and Corwin streets from encroaching development. Honor the community protesters’ struggle in true ’60s spirit by lighting up, grabbing a cardboard box, and flying down the polished concrete flumes for freedom (you can also slide at the chutes in Children’s Playground and Bernal Heights). Getting blazed is a good way to mitigate small bruises and the burn of climbing to the top of the remarkably long chute. But if intoxication and high velocity isn’t your favorite mix, there are plenty of places to perch peacefully and watch the action.

Acme between Seward and Corwin, SF

 

BERKELEY BOWL

This locally-owned grocery chain is a stoner’s dream, whether you alight on the 40,000 square foot megastore or the sleek new western location complete with parking lot: an added convenience for pre-browse hot-boxing. From asparagus to zatar (a Lebanese spice related to mint), the Technicolor aisles tantalize tokers’ taste buds, and are the ideal playscape for customer antics — shopping cart drag races are not unheard of. Feeling peckish? Avoid being “that hippy” shoving patchouli-scented paws in the bulk bins. Try baking among the baked goods at the store café, where you’ll find plenty of fresh soups, sandwiches, and company to ponder universal truths with.

2020 Oregon, Berk. (510) 843-6929; 920 Heinz, Berk. (510) 898-9555, www.berkeleybowl.com

 

WESTFIELD MALL ESCALATORS

Try to accomplish anything at the Westfield Mall while sober and you will surely end up crying outside of Jamba Juice, then struggling for hours more just to find the first floor exit. A better way of approaching the shiny downtown consumerist behemoth is to get faded and ride the escalators for, like, a really long time. The inter-floor specimens at the Westfield are a sight to behold. Unlike boring linear escalators, these zigzag upward and downward in Escher-esque profundity, caged in the mall’s dome-like interior. Those seeking ascent or descent must navigate a loop of shiny retail spaces just to find their way to the next moving staircase. Keep your wits about you — if you know which way is up, you may just reach Century Theatres!

865 Market, SF. (415) 512-6776, www.westfield.com/sanfrancisco

 

AUDIUM

Seeing the sights while stoned is all well and good, but you can give your optic nerves the night off and still totally trip off of SF. The wonder that makes it all possible is the Audium, where synapse-stimulating sound sculptures are unleashed on listeners seated in a round auditorium that is darkened to blackness to further heighten the experience. This place was constructed to get you high off auditory fumes. Sayeth Stan Shaff, the composer who co-masterminded the Audium concept back in the 1950s: “As people walk into a work, they become part of its realization. From entrance to exit, Audium is a sound-space continuum.” Somehow we’ve made it through this entire paragraph without using the term “mind-blowing.” Shoulder pat.

Performances Fridays and Saturdays, 8:30 p.m. 1616 Bush, SF. (415) 771-1616, www.audium.org

 

NORTHERN CALIFORNIA COAST GALLERY AT THE STEINHART AQUARIUM

Look, for those riding the green hornet, buzziness doesn’t get much better done than at the California Academy of Sciences. The Morrison Planetarium sends not just cosmic gas and glistening stars whirling around your dome, but protozoan tendrils and glimmering ambient sounds as well, as part of the current “Life” show. Iridescent butterflies flit unfettered about the Buckyball-like “Rainforests of the World” structure. And of course there’s Claude the preening albino alligator and a clownish troupe of cavorting penguins. But for sheer shivery loveliness, we like to slip into the basement for the Steinhart Aquarium’s gorgeously curated exhibits of regional undersea habitats. The Philippine Coral Reef wastes our retinas with its neon delights and the generalist Water Planet Galleries include infinite otherworldly species. But it’s the Northern California Coast Gallery that keeps us rooted in a meditative pose with its hypnotically undulating anemones and sensuously intertwined towers of opalescent kelp. Think about it. That’s, like, right off Ocean Beach, dude. Your pipe is your snorkel.

55 Music Concourse Dr., Golden Gate Park, www.calacademy.org

List assembled by Emily Appelbaum, Marke B., Caitlin Donohue, and Hannah Tepper.

Net neutrality: “The American Way”

Media Alliance, an Oakland-based organization advocating for press freedom and media access, has teamed up with San Francisco-based Bad Monkey Studios to produce a quirky cartoon about net neutrality called “The Internet You Need.”

The short film follows a December vote by the Federal Communications Commission approving a set of net neutrality rules.

Critics say those regulations fall short of what’s truly needed to maintain an even playing field for all internet users, and Media Alliance is encouraging people to write to their congressional representatives to push for stronger rules.

(There’s a broad array of opinion as to whether the FCC vote resulted in protecting an open internet, or whether it sold consumers short in favor of internet service providers.)

The Media Alliance and Bad Monkey cartoon and website seem like an attempt to make the issue accessible to those of us who aren’t technology wizards. The emphasis on soda pop and BBQ strikes us as a little weird, but sparking dialogue about net neutrality seems like a worthy goal.

Here’s the pitch from Media Alliance: “Net Neutrality really means ‘Internet Freedom.’ The freedom for you to put up what you want when you want to and have it seen equally by everyone in the world. It means what you put up has as much chance of being seen as something created by a major corporation. It’s innovation from the ground up in the truest sense. It’s the American Way.”

alt.sex.column: Resolved

1

Dear Readers:

I’m pretty sure last year’s New Year’s resolution was to get a New Year’s resolution column in on time. So that one’s out, but there is still time for me, and, more important, you, to do a sex-and-love-life audit and figure out what’s wanting and what you could do about it in the coming year. Here are some ideas.

1) No faking it. Have you been faking it? Quit that. If it’s going on and on and you know it’s heading nowhere, say that. Conversely, if it’s a nice relationship and generally good sex but just not going to go that way for you this particular time, just offer to get partner off and it’s your turn next time. No harm done, and no faking.

2) Try something new. Obvious, I know, but honestly, do this. I’m not going to tell you what the “this” ought to be. But just because you haven’t noticed the rut, doesn’t mean you’re not in one. Maybe it’s just so deep you can’t see the way out. Or maybe things could be even better.

3) Read up on other stuff. You don’t have to try the new stuff, just find out about it. But maybe if you investigate X thing, you’ll be inspired to try it. Maybe knowing some new weird stuff will just make you fun to talk to at parties.

4) Buy something new. Sex toy stores like Good Vibrations, Blowfish, and Babeland make it easy and not even embarrassing. If you’ve been there, done that and yawn, maybe you could go to Etsy or one of the other handicrafts marketplaces and find something a little different, like the tentacle dildos. Or if you’re already over one-of-a-kind handmade blah blah, make your own!

5) Rummage. Find something that makes you feel irresistible and/or invincible. The usual suggestion is fancy lingerie but if you’re not the girly type (none of this requires you to be an actual girl) maybe it’s boots or a corset. Actually, those are mine, find your own.

6) Do something nice to (not just in) your bedroom. Clean it, declutter it, maybe paint it. Buy it new sheets. Cracker crumbs and a dirty ashtray do not a sensual oasis make,

7)Stop waiting for people to notice you and ask someone. You can do it. Hide behind technology if you like, but do it.

8) (Big One) Figure out what you want. Read around, look at porn, read the nice catalogs, pay attention to what crosses your mind just before you decide you’re in the mood, or while you’re doing it. Reflect on episodes that really worked for you. Don’t just do what you’ve been doing or what you think you ought to be doing, put some serious work into figuring out what you want to be doing.

9) Tell your partner. And this brings us back to 1), don’t fake it.

Happy New Year.

Love,

Andrea

Gor a question? Email Andrea at andrea@mail.altsexcolumn.com

Faces of debt

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caitlin@sfbg.com

CAREERS AND ED In this weeks’ issue, Rebecca Bowe examines rising tuition and its effect on this generation of Californian students. Here, we profile three scholars that are dealing with very real repercussions from their student debt load.

 

BEN GLEASON, 31

Mills College, teaching credential

Oberlin College, American literature major

Total debt: $25,000

Ben Gleason remembers the day that he applied for his $10,000 student loan from Citibank to finance his teaching credential tuition. “I got it done online within a half hour. I didn’t have to talk to anybody or write an essay — easy money with severe consequences.” The consequences of such a serious financial decision — sans the aid of any counseling from either his school or bank? Gleason’s eventual decision to leave classroom teaching.

It’s not an uncommon story for this generation of teaching school graduates, in a state where teaching salaries are hardly keeping pace with rising tuition. Gleason started working as an ESL teacher in Richmond’s underfunded West Contra Costa Unified School District right after graduating from Mills College. His student loans were overwhelming — a problem that was exacerbated when he took a trip to Guatemala to work and improve his ability to communicate with his Spanish-speaking pupils. To remain afloat financially, Gleason applied for a forbearance on his loans and was surprised to return home after two years to a loan that had gone up by 25 percent due to interest. “I was really, really screwed,” he recalls.

Gleason didn’t feel like there was any way he could go back to his teaching salary, so to support his new wife (the two met in Guatemala) and daughter, he decided to start his own business with the help of an old boss — a private firm that helps reeducate state government workers on sustainability issues.

That means one less qualified teacher for low-income Californian children. And Gleason still has 15 to 20 years left of debt payments. “I wish that there was a more systemic way to solve this problem,” says the former public educator.

 

ANNE MOSTAD-JENSEN, 28

Santa Clara University, law degree

College of St. Catherine St. Paul, library sciences

Concordia University St. Paul, international studies and history major

Total debt (estimated at graduation): $120,000

Anne Mostad-Jensen and her twin sister grew up in a small Minnesota town. They attended the same college, Concordia St. Paul, where they both majored in history and international studies. After that, they went on to College of St. Catherine (also in St. Paul) to get their master’s degrees in library science. But then their paths diverged. Her sister traveled to Denmark in pursuit of her Danish citizenship — their father is Danish — and was able to complete her master’s in a country where the government pays for most of its citizens’ educations. Mostad-Jensen remained in Minnesota, to continue on in the American university system.

What kind of difference has the move made in these women’s lives? Try $65,000 of student debt. That’s because Mostad-Jensen’s sister, even after completing her master’s and attending one of the Icelandic languages programs she’s currently applying for, will only owe roughly $55,000 worth of loans — all from her time at American schools. Mostad-Jensen, who is now attending law school at Santa Clara University, will owe $120,000 by the time she graduates. “I’ve never had any consumer debt, but I’ve always told myself not to pass up educational opportunities just because I didn’t have the cash on hand,” she says.

Mostad-Jensen wants to work at the intersection of international copyright and technology law, possibly in a law library, a specialty career that benefits from degrees in multiple areas of study. She counts herself lucky that homeownership and a family aren’t her immediate goals. “Having a family — I just don’t understand how people do it with debt these days.” Her Midwestern community values come to the fore when she talks about the U.S. government’s inability to provide Americans with affordable education. “Isn’t the government an extension of the community? Europeans, the lack of stress they have by not having to pay out of pocket for health care and education — I mean they can actually live their lives.”

 

RAMON QUINTERO, 32

UC Berkeley, geography major

Total debt: $25,000

Ramon Quintero is a UC Berkeley student activist, but he wasn’t always radicalized around debt issues. “I didn’t come to Berkeley because of its activist reputation. I became an activist because of my situation,” he says. Quintero could no longer pay for his student housing and wound up living in his 1979 Toyota truck with camper shell on the streets of Berkeley, sending his baby daughter home to live with her grandmother.

Quintero came to Berkeley via Southern California, where his family landed after immigrating from Sinaloa, Mexico, when he was 11. He attended community college to get his core credits before coming to Berkeley, where rapidly rising tuition fees are putting a strain on the student community. Although he is a legal resident, Quintero was especially concerned about the effect that the rising cost of education was having on undocumented students.

And, of course, on his leaky camper shell roof. He sprang into action, driving a truck that he calls Santa Rita, to all nine UC campuses, encouraging fellow students to paint art on it that spoke to their concerns for the future of public education. Quintero was arrested twice for his roles in campus protests and he and Santa Rita were profiled in The New York Times and several California newspapers. Suddenly, the university found space for him in student housing.

“I saw the hypocrisy in the system,” says Quintero, who has fulfilled all his UC coursework for graduation but has convinced a professor to hold credit for one of his courses for another semester so he could go on a research fellowship to Madrid. The fellowship, he says, is crucial for his application to grad schools — another step toward fulfilling life goals he doesn’t think would be possible if he has to begin assuming the burden of his student debt. 

 

50 years in exile

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arts@sfbg.com

VISUAL ART In 1988, Jeff Koons unveiled Michael Jackson and Bubbles, three ceramic sculptures of the pop icon and his pet chimpanzee. Koons’ sculptures, syncing his kitsch with Jackson’s gaudy tastes, were the conclusion of a series titled “Banality.”

In “Universal Remote,” Bay Area artist Jaime Cortez reintroduces Michael Jackson as an art subject. But Cortez is after something other than Koons’ surface banality. His exhibition’s variety of media — including a globular sculptural centerpiece that’s a counterpoint to Michael Jackson and Bubbles — form a mythic narrative. By turns revelatory and enigmatic, “Universal Remote”‘s look at history and human nature (to employ two Jackson keywords) is akin to Adam Curtis’ recent documentary It Felt Like a Kiss, which uses Phil Spector’s music to score the insidious maneuverings of the 1960s. If, as Cortez notes, the U.S. tends to sanitize the violence and viciousness of fairy tales, that clean-up work is trumped by a return-of-the-repressed within pop culture. I recently visited Cortez at Southern Exposure as he assembled the show, which includes a Jan. 29 program of readings and performances.

SFBG When did you decide to tell a Michael Jackson story?

JAIME CORTEZ It started a year ago. I was struck by how much Michael Jackson’s music was a part of my personal history. I’m at just the right age so that by the time I could be conscious of pop music, he was there. I realized that he did something that hardly anyone had done — he’d been a part of my life for decades. I started thinking about him more, and became fascinated with the aftermath of his death.

SFBG The degree of public scrutiny he received was akin to passing through the looking glass — you could say that he passed through the looking glass more often and intensely than anyone.

JC That’s a beautiful way of putting it. He was a creature of media. It was completely symbiotic — media tapped him, and he tapped media. My friend Ignacio [Valero] compares him to the frog put into boiling water that enjoys the heat until it’s too late.

He was consumed by this obsession with his own stardom. It’s almost as if he was making his face into a graphic brand. Everything was being flattened out: hot red lips, extremely pale face, shiny black eyebrows and hair.

SFBG His nose is central to your photo-collages. To me, it has fatal connotations. He marred or restricted a part of his body that is central to breathing and respiration.

JC I would look closely at photos of him and try to see him. There’s such a haze of media static and lies and mythologizing around him that it’s hard to get a bead on him. I feel that he was either in a deep state of constant denial, or a liar. He was constantly giving contradictory statements.

It actually made my eyes tear up when I took a good look at his face, his nose in particular — it was beyond repair. He had all the money in the world to change his face, but something went terribly wrong, and he was deformed.

SFBG Your show has many different forms: drawings, rotating scrolls, photo-collage, and sculpture. Why did you create more than one series of works?

JC There are theories about the five steps in the grieving process, and I was thinking about the different ways people deal with the passing of a person. The drawings of the animals represent a clean mourning. Michael Jackson was surrounded by so many parasitic people — those dependent on him for their financial well-being and sense of fabulousness — that his pets might have been the only place where he could get real love, besides maybe children. The pets are a stand-in for everyone’s grief.

The [show’s] lamps relate to the process of mythologizing from the record companies and the media — after a while, you couldn’t tell if the National Enquirer was more reliable than People or Newsweek. And then on top it all was his self-mythologizing. He alternated between extreme humility and grandiose egotism. The unadulterated rotating lamps that you buy for children’s rooms present a little story, one that illuminates a child’s space. I felt they were the proper form for exploring a very adult fairy tale about Faustian tradeoffs.

SFBG How did the text accompanying the lamps come about?

JC I was having dinner with Gary [Gregerson] and Jill Reiter, and Gary joked, “Michael Jackson was a castrato.” When he said that, I had this Tetris moment where all the blocks fell into place. When I began studying the castrati, it really got interesting. The most famous of them were basically rock stars. Women would faint or go gaga when they saw them. Women wanted to have sex with them. They looked different from other people because they developed differently from being castrated. And they had these gifts — the best of them had the lung power of a grown man coupled with a high, boyish or womanly voice.

SFBG How did you create the elaborate encasement that is the show’s centerpiece?

JC It’s built from a bunch of vases attached to each other with industrial adhesive. The statue is polymer modeling compound with wires for an Afro. The bubble on top is an acrylic globe I ordered from a street lamp company. On one hand, it makes him look like a specimen under a bell jar. Overall, it has a feeling of grandiosity and loneliness.

SFBG The mirror at the base adds another dimension.

JC Yes, it make the sense of space ambiguous. But most of all, I wanted to make something that looked precarious. For me, the piece is a visual analog for all the unbelievable machinery behind making a kid into a star. There’s an amazing amount of publicity and technology and image management, in addition to training and performing — this amazing apparatus, all of it built around a little 70-pound kid.

JAIME CORTEZ: UNIVERSAL REMOTE

Through Feb. 19, free

Southern Exposure

3030 20th St., SF

(415) 863-2141

www.soex.org

Editor’s Notes

0

tredmond@sfbg.com

Social inequality is morally wrong, politically dumb, and economically unsustainable. It also makes you fat.

Seriously.

There’s a book by two British epidemiologists that argues the physical and mental health case for economic equality — and it’s full of great stuff. It’s a year old, but I read a nice analysis of it in Nicholas Kristof’s column in the Jan. 2 New York Times. Kristof notes that Richard Wilkinson and Kate Pickett, both British epidemiologists, cited vast and growing evidence that societies with greater equality are in general more healthy. And by that they mean not only that those societies have less crime and violence; the people who live with greater equality actually have less heart disease, mental illness, and obesity.

The book is called The Spirit Level: Why Greater Equality Makes Societies Stronger. A lot of it’s kind of touchy-feeley, but in the end, they come to a scientific conclusion: “The relationships between inequality and poor health and social problems are too strong to be attributable to chance.”

The two scientists also take on one of the great taboos of modern economics. They argue that growth isn’t necessarily good, that the standard goal of every official government policy in every major nation in the world — capitalist, socialist, or communist — over at least the past half-century, has been based on a flawed assumption.

There aren’t even that many progressives in this country who want to challenge the idea that the economy needs to grow to solve problems like unemployment and poverty. Sim Van Der Ryn, the visionary planner and architect, once told me that it makes no sense to have “a perpetually adolescent economy.” But in most polite company, that’s heresy.

But our new governor, who once employed Van Der Ryn as the director of the Office of Appropriate Technology, has a few heretical cells in his Jesuit-trained brain. And while I don’t expect him to turn the state’s growth frenzy on its head, he ought to be willing to think about this:

The solution to California’s problems may lie more with redistributing the pie than with making it larger.

I’m not arguing that we should abandon growth, particularly at a time of high unemployment. But keep in mind: corporate profits are already up, both here and nationwide — but the big companies are hoarding their cash and not hiring. Banks are making money again — but they’re not lending it out. We’re in a different sort of recovery here, one that may, for the moment, be structurally jobless. During the deep recession, businesses figured out how to survive with fewer employees, and they’re not about to start expanding the payroll.

And of course, the public sector has done nothing but shrink, and there’s little talk of anything but more shrinking.

So maybe the only way we’re going to get out of this is to inject more money into the economy, not by borrowing but by sending some of the idle wealth at the top back down to the level where it might become production. It might make us all a lot healthier. Because it turns out that you don’t have to eat the rich; just tax them.

Live Shots: Roger Waters’ epic “The Wall,” HP Pavilion, 12/08/2010

4

In the minutes before Pink Floyd mastermind Roger Waters took to the stage at HP Pavilion earlier this week to perform the band’s epic 1979 double album The Wall, the playlist coming through the house speakers gave way to Billie Holiday’s “Strange Fruit,” a song that seemed well-matched for the impending performance. For an artist that is commonly known for romantic jazz ballads, Holiday’s “Strange Fruit” was a defining moment in her career, a point in which she ascended beyond the simplest manifestations of her identity and delved into the  darkest corners of her times.

In a similar sense, there is no easy way around The Wall. Pink Floyd’s last album during their monumental run in the ’70s — Dark Side of the Moon, Wish You Were Here, Animals — was not only their most artistically ambitious, but a lingering challenge to the nature of the band’s legacy. Longview attempts to define Pink Floyd in the realm of blacklight posters, spacey sounds, or a Dazed and Confused mindset, will inevitably get stuck at The Wall: a dark and confrontational album that is ultimately the most emblematic of Pink Floyd’s greatest characteristics.

So, with Waters (at age 67) suggesting that this will be his last tour, it is appropriate that he would finish with his masterpiece. And make no mistake – this was a concert for the ages.

Playing before an enthralled sold-out crowd, Waters put on a spectacle of acid-casualty-inflicting-potential that seemed peerless on numerous fronts. Musically, the material was as dynamic as it was seamless, deftly rendered by a world-class band of musicians over a juggernaut of a sound system. Visually, the staging seemed calibrated past “entertain” and set on “assault”, showcasing a sensory barrage of giant puppets, crashing airplanes, and flying pigs all amidst the construction (and eventual toppling) of a 40ft wall that also served as a towering projection screen for a dizzying array of images and video.

Yet the most notable aspect of the performance was the sheer relevance of the material. This was really an amazing feature, considering that Waters wrote The Wall in the run up to the Reagan-Thatcher era and was now performing it in the aftermath of Bush-Cheney. In this regard, Waters delved deeply into the confrontational aspect of the album’s material, challenging the audience with all-too-timely themes of war, ideology, government surveillance, and the general estrangement of modern human relations. During “Run Like Hell” the projections on the wall at one point showed the Wikileaks-released video of the 2007 Apache Helicopter massacre in Baghdad; not exactly light viewing material to accompany one of Floyd’s classic radio hits.

Waters looked and sounded formidable throughout the concert, stalking the stage with good-humored authority as the wall was erected in front of the band throughout the beginning half of the album. This first set was packed with striking moments, such as the ominous acoustic beauty of “Goodbye Blue Sky” beset by visuals of bomber planes dropping their payloads of -isms  (dollar signs, religious symbols, and corporate logos) on those below. “Another Brick in the Wall (Part 2),” with its re-occurring mantra – “We Don’t Need No Education” – was already a staggering spectacle as a three-story marionette school teacher with laser eyes dwarfed the musicians below, only to then be embellished by a choir of  local school kids filling the stage to sing the later verses.

However, the most poignant moment of the show came during the second set as Waters – who had lost his father as a boy during World War II – performed “Vera” and “Bring the Boys Back Home” beneath video spots of children reuniting with their fathers returning home from war. The final clip – of a young girl going from surprise to gut-wrenching emotion as she first sees her father – left audience members wiping back tears as Water’s sang the line, “Does anybody else in here/feel the way I do?”

The wall came toppling down after the more theatrical rock-opera moments of the second album, culminating with “The Trial” performed  beneath Gerald Scarfe’s hallucinatory animation from the 1982 film adaptation of the album. Waters and company finished the concert amongst the rubble, playing a wonderfully serene and hopeful version of “Outside the Wall.”

Much has been made of the fact that the original staging of this album was a logistical debacle when it was performed in only four cities some 30 years ago, and that the evolution of technology has now made it feasible. Yet, in a similar sense, the album’s material has matured in its own way in this time. Writing during a time of personal crisis in the late 70s, Waters conceived the album as an exploration of human relationships and the many obstacles that hinder them. The timeliness of these themes then — especially after a decade marred by war and a divided population – makes this tour less of a nostalgic throwback and more of manifested vision. Pink Floyd had always been far ahead their time, so there is a fitting logic that it would take three decades for The Wall to be properly realized in concert.

Of course, it’ll be interesting to see if this tour is in fact the last call on an original Pink Floyd experience. Altough the surviving band members are getting on in years (keyboardist Richard Wright died in 2008), they have made some steps at amends recently, and even expressed interest in collaborating again. Perhaps then, there is still time for those walls to come down. After all….when it comes to Pink Floyd, it’s well known that pigs will fly

Going to a club — or boarding an airplane?

12

news@sfbg.com

The War on Fun — a term coined by the Guardian in 2006 to describe the crackdowns on nightclubs, special events, and urban culture by police, NIMBY neighbors, and moderate politicians — continues to grind on in San Francisco.

The latest attack was launched by Mayor Gavin Newsom and the San Francisco Police Department, which has proposed a series of measures to monitor and regulate individuals who visit bars or entertainment venues, proposals that the embattled Entertainment Commission will consider at its Dec. 14 meeting.

Perhaps most controversial among the dozens of new conditions that the SFPD would require of nightclubs is an Orwellian proposal to require all clubs with an occupancy of 100 persons or more to electronically scan every patron’s identification card and retain that information for 15 days. Civil libertarians and many club owners call this a blatantly unconstitutional invasion of privacy.

Driving the latest calls for a crackdown is a stated concern over isolated incidents of violence outside a few nightclubs in recent years, something Newsom and police blame on the clubs and that they say warrants greater scrutiny by police and city regulators.

But the proposals also come in the wake of overzealous policing of nightclubs and parties — including improper personal property destruction and seizures, wrongful arrests and violence by police, harassment of disfavored club operators, and even dumping booze down the drain — mostly led by SFPD Officer Larry Bertrand and his former partner, Michelle Ott, an agent with the California Department of Alcoholic Beverage Control.

Those actions were documented in back-to-back cover stories by the Guardian (“The New War on Fun,” March 24) and SF Weekly (“Turning the Tables,” March 17), and they are the subject of multiple ongoing lawsuits by nightclub owners, patrons, and employees, including a racketeering lawsuit alleging that officials are criminally conspiring against lawful activities.

Yet rather than atoning for that enforcement overreach, Newsom and SFPD officials seem to be doubling down on their bets that San Franciscans will tolerate a more heavily policed nightlife scene in the hopes of eliminating the possibility of random violence.

A series of nighttime shootings this year has grabbed headlines and prompted calls to action by the Mayor’s Office and Board of Supervisors President David Chiu, whose District 3 includes North Beach. In February, there were shootings at Blue Macaw in the Mission and Club Suede at Fisherman’s Wharf, followed by a shooting at the Pink Saturday fair in June, one outside Jelly’s in SoMa in July, and the high-profile murder of a German tourist near Union Square in August.

Chiu responded with legislation to give the Entertainment Commission greater authority to close down problem nightclubs and, more recently, with legislation to require party promoters to register with the city so that officials can take actions against those who act irresponsibly.

In September, Newsom asked the SFPD for its recommendations and he received a laundry list of proposals now before the Entertainment Commission. That body held a closed session hearing Nov. 30 to discuss a confidential legal opinion by the City Attorney’s Office on whether the identification scan would pass constitutional muster, an opinion that has so far been denied to the Guardian and the public, although officials say it may be discussed in open session during the Dec. 14 hearing.

“Everything is being considered,” Jocelyn Kane, acting executive director of the Entertainment Commission, told the Guardian. Her office already has looked at the different types of scanners that clubs could use and has discussed the idea with several technology companies.

SFPD Inspector Dave Falzon, the department’s liaison to the nightclubs and ABC, told the Guardian that he believes the data gathered from nightclub patrons would allow police to more easily find witnesses and suspects to solve any crimes committed at or near the nightclubs.

“It’s not intended to be exploited,” Falzon said, stressing that the recommendations are a work in progress and part of an ongoing dialogue with the Entertainment Commission — an agency Newsom, SFPD officials, and some media voices have been highly critical of over the last two years.

Along with the proposal for the ID scanners, SFPD proposed many other measures such as increased security personnel (including requiring clubs to hire more so-called 10-B officers, or SFPD officials on overtime wages), metal detectors at club entrances, surveillance cameras at the entrances and exits, and extra lighting on the exterior of the night clubs.

Though this may sound to many like heading down the dystopian rabbit hole with Big Brother potentially watching your every move, Falzon thinks it’s the opposite. “It isn’t that police department is acting as a militant state,” Falzon said. “All we’re trying to do is to make these clubs safer so they can be more fun.”

Yet critics of the proposals don’t think they sound like much fun at all, and fear that employing such overzealous policing tools will hurt one of San Francisco’s most vital economic sectors while doing little to make anyone safer.

Jamie Zawinski is the owner of the DNA Lounge, which recently celebrated its 25th anniversary. He has been a leading voice in pushing back against the War of Fun, including running a blog that chronicles SFPD excesses. He said the proposed regulations go way too far.

“It’s gang violence happening on the street. The nightclubs are being scapegoated. You don’t solve the problem by increased security in the clubs,” Zawinski told us, adding that the lack of proper policing on the streets should be addressed before putting the financial strain on the entertainment industry.

“It’s ridiculously insulting. I will not do that to my customers. It’s not a way to solve any problems,” Zawinski said. “It sets the tone for the evening when you start demanding papers.”

It’s also a gross violation of people’s rights, says Nicole Ozer, the director of Technology and Civil Liberties Policy for the American Civil Liberties Union of Northern California. She said that recording people’s personal information when they enter a public venue raises troubling legal issues.

“There are some real implications of tracking and monitoring personal data. The details of what you visit reveal things about your sexuality and political views,” Ozer said, adding that the ACLU would also have issues with how that information is used and safeguarded.

In response to police crackdowns on nightlife, club owners and advocates earlier this year formed the California Music and Culture Association (CMAC) to advocate for nightlife and offer advice and legal assistance to members. CMAC officials say they are concerned about the latest proposals.

“The rise in violence has to be looked at from a societal point of view,” said Sean Manchester, president of CMAC and owner of the nightclub Mighty. He noted that most of the violence that has been associated with nightclubs took place in alleys and parking lots away from the bars and involved underage perpetrators. “In many instances [the increased security measures] wouldn’t have done anything to stop it,” he said.

While there are plenty of ideas to combat crime at nightclubs, nightlife advocates say the city is going to have to look beyond club venues to address what can be done to combat crime without infringing on any civil liberties or damaging the vibrant nightlife. Or officials can just listens to the cops, act on their fears, and make the experience of seeing live music in San Francisco more like boarding an airplane.

The Entertainment Commission meets Dec. 14 at 6:30 p.m., Room 400, City Hall.

Editor’s notes

2

Tredmond@sfbg.com

The New York Times, the old established voice of the liberal media elite, ran a piece on Sunday looking for answers to the nation’s persistent economic crisis. Reporter David Segal interviewed prominent economists on the left and right — the likes of John H. Cochrane at the University of Chicago, James K. Galbraith at the University of Texas, even Gar Alperowitz at the University of Maryland, who’s kind of (God help us) a socialist.

The right-wingers talked about the need to cut government, the left-wingers talked about community co-ops and green technology, and all sides agreed that the situation was dire and would probably get worse. But nobody even mentioned wealth inequality.

It’s kind of mind-boggling. It’s as if the entire subject is off the table, taboo, something that doesn’t get discussed in the company of polite economists. And that’s just crazy.

Look: the 400 richest Americans today have combined assets of about $1.5 trillion. Raise that number to 5,000 and you can about double the total wealth. This is a very rich country; our prospects aren’t bleak at all. With a bit of enlightened public policy, we could profoundly improve the economic situation in just a few months.

I have no PhD. I barely escaped Wesleyan University with an economics degree in 1980, squeaking out a D in my last class by promising the (very conservative) professor that if he failed me, I’d be back next year. But it doesn’t take econometric wizardry to add up the figures. They go like this: A one-time 20 percent wealth tax on the 5,000 richest Americans — including many people who have pledged to give away half their wealth anyway — would generate about $600 billion. Nobody would miss any meals; no families would lose their homes, or even their second or third homes, or their personal jets. Expand the pool a little and you could easily reach $1 trillion.

With that money, you could immediately create 7 million jobs (at an average of $50,000 a year) and fund them for three years. That would cut the unemployment rate in half. What would those people do? Plenty. They could rebuild the country’s roads and highways and bridges, and build high-speed rail systems, and work in health care clinics, and teach art and music and writing, and clean up environmental messes … there’s loads of work in this country. And even with a modest estimate of the economic multiplier, those 7 million public sector jobs would create another 3 million private sector jobs, and all of a sudden, the country’s booming again. And a lot of those people who were hired by the government could now transition to private business. (And those very rich people would do well in the boom, as they always do, and might even make most of their money back.)

Raise taxes on the top 5 percent of the nation’s wage earners and corporations and you would generate enough money to keep the program going until the private economy could pick up the slack. Then eliminate the Social Security tax on the first $25,000 of income and expand it to cover all income up to $250,000 and suddenly — a huge incentive for small businesses to hire new workers and a stable retirement system for the next two generations.

It’s not that hard. It’s not a socialist revolution. Nobody really gets hurt, and a lot of people benefit. I mean, it seems to me that it ought to be part of the discussion. Maybe that’s why I was such a lousy economics student.

 

Are you ready for GWAR??

1

Apparently, even the massive, all-powerful aliens and scumdogs of the universe known as GWAR have trouble with reception on their iPhones.

While conducting a phone interview before a show in Hollywood, band leader Oderus Urungus’ connection cut out twice, leaving him grumbling, “Maybe I’m clutching my iPhone too tightly!”

Perhaps it was his giant claws proving to be too much for our puny human technology to handle — either way, once the connection was re-established, the intergalactic beast that has led GWAR for more than a quarter century had no shortage of hilarious and outrageous things to say.

Having just finished taping a segment for the Fuel TV show Daily Habit, Oderus was being informed that he had revealed a bit more of himself to the television audience than he had thought. “I just did the show apparently with my balls hanging out the entire time and nobody told me! That’s not like a big thing for Oderus, my balls usually are hanging out — but to try to get on national TV, I’m willing to do the ball tuck, but apparently the ball tuck didn’t work, it was horrible, it looked like a duck-billed platypus coming out of a burrow or something!”

Although someone out there in TV land was undoubtedly offended by this show of alien masculinity, they can just add themselves to the scores of non-believers and critics who have unsuccessfully assailed the musical and cultural force that is GWAR over the past couple of decades. Currently celebrating their 25th anniversary, the heavy metal space gang that brought our planet recorded gems such as Scumdogs of the Universe and This Toilet Earth are back in all their unholy glory with a new album, The Bloody Pit of Horror (Metal Blade).

Propelled by the first sleazy single, “Zombies, March!,” Oderus Urungus and his cohorts have returned in fine beastly form, ready to again spread their love to fans around the globe — which of course means spraying audiences with all manner of fake blood, bodily fluids, and god knows what else.

At a time when many bands their age would be mellowing out and producing so-called “mature” material, GWAR has shown that they are only getting dirtier and heavier with time, as any fan should expect from a group with their background and history.

“With any of the records we’ve made, we didn’t really go into it with a preconceived notion of what it was going to sound like. We just went at it and tried to make the record that was appropriate to what we felt like at the time, and I guess we were feeling particularly ferocious [with this one],” says Oderus. “We just wanted to emphasize how fucking awesome we are, and recall a day not so long ago when bands actually put out an album about once a year — nowadays that just doesn’t happen, bands take forever in between albums, and half the time they’re full of re-mixes, or tracks from other albums that got cut.

We just wanted to have a whole bunch of great music for our fans, and just celebrate the idea of GWAR. One of the things about this album that’s a little different that gives it that ferocious sound is that we tuned down I believe to F#, which is basically the loosest that guitar strings can be and still stay on the neck — it sounds like the guitars are vomiting — in a good way! I think it makes for a very powerful record.”

When asked if his band of rubber aliens, mutants, deviants and demons ever looks back on their history and thinks about the fact that they’ve been  doing what they do successfully for so long, the answer is a firm “No.”

“If we took the time to go back and actually examine what we were doing, we’d be so shocked and appalled that we’d stop doing it. It’s better to just keep mindlessly plugging onward,” laughs Oderus. “[With that being said] we are very well aware of just how awesome it is what we’ve managed to do, and we intend to keep doing it as long as possible — or until we escape the planet Earth, whichever comes first.”

With the release of The Bloody Pit of Horror, GWAR have been hitting the road in support, crossing the United States and making an appearance on national late night television, with a performance last month on Late Night with Jimmy Fallon.

“We did Springer and Joan Rivers like 20 years ago, and it took them 20 years to let us back on television!”

Oderus himself has been making several more recent appearances on TV, however — in the last year or so he’s been a regular guest on, of all places, a Fox News program, Red Eye. Although it does sound like an awfully strange pairing, the intergalactic barbarian thinks that Fox sees in him a potential for higher ratings, thus justifying having a giant space beast running around their studios.

“It is an odd match that they would put GWAR in a position where I can not only comment on society but do it over and over again, but obviously they’re having a little fun with it. It’s pretty funny to be walking around the Fox studios in New York City and run into Glenn Beck…yeah, Oderus and him are hanging out, backstage buddies!”

Having toured all over the world in the past 25-plus years, Oderus and his bandmates have seen all manner of crazy and twisted things, but the singer says that no place can hold a candle to what’s he’s seen and experienced right here in San Francisco.

“Pretty much every time we’ve been to San Francisco, it’s been insane, since the very first GWAR tour where we showed up in an old school bus, and ended up parked in the Tenderloin for a week straight, that neighborhood was really bad. And then our show at the Warfield where the bums were dropping dead right outside of the venue; the line was going around the block, they were three dead homeless people laying on the sidewalk, and out fans were just very politely stepping over their corpses, that was pretty weird!”

He also mentions a doorman selling crack by the side of the stage within just a few feet of a nearby cop — one that at first the band didn’t even believe was a real officer. “I thought he was a guy that dressed up in a joke cop outfit, because his uniform was so fucked up and dirty, and he was driving this cop car that was all beat to shit, the fenders were even hanging off it!”

With that said, Oderus is eagerly looking forward to playing here in the city on Sunday, and has some words of praise for his local fans.

“San Franciscans — you still have a complete, stone cold lock on the sickest, weirdest, most fucked up town in the United States. New Orleans has nothing on you people!”

http://www.youtube.com/watch?v=qusEPwdM7B8&feature=related

GWAR

With the Casualties, Infernaeon, and Mobile Death Camp
Sun/21, 7:30 p.m., $22-$25
Regency Ballroom
1290 Sutter St., SF
(800) 745-3000
www.theregencyballroom.com

Joystick to the world

0

culture@sfbg.com

You can see it at your local Walgreens: that magical moment, at midnight every Nov. 1, when the Halloween display melts into the ether, replaced by a bevy of festive, possibly toxic, green-and-red confections. Christmas comes similarly early in the game business; unlike holiday movies, year-end software blockbusters have to be sitting on store shelves in time to entice flocks of early-bird shoppers.

This year promises a winter harvest of diverse delights, though there is a clear emphasis on familiar faces and established names. Groundbreaking technology will wheedle its way into American shopping carts alongside intellectual property that dates back to 1928.

 

ROCK HARDWARE

Though its most promising features are spread out over multiple months, Rock Band 3‘s release in the dying embers of October signaled the start of the holiday game glut. On the more casual end of the spectrum, there are many changes designed to improve the title’s performance as a party-powering karaoke machine on steroids. But it’s on the hardcore end that Harmonix’s offering really shines. New “Pro” instrument modes transform the entire idea of the rhythm game, promising exact correspondence between notes heard and notes played, turning an exercise in plastic-instrument frivolity into an actual teaching tool. The retail version ships with a full two-octave keyboard; future bedroom shredders will have to wait until March 1 to get their hands on Squier’s six-string electric guitar-controller hybrid.

 

KINECTRIC SLIDE

Harmonix rolled out another big title this year: Dance Central, a gleefully earnest dancing simulator that aims to do for cutting rugs what Guitar Hero did for ripping solos. Taking advantage of Microsoft’s Wii-killing, Xbox 360-exclusive Kinect technology (available now), which uses a TV-mounted camera to record player movements, the game weans digital dance off Dance Dance Revolution‘s cheesy floor pads, tracking your entire body and translating that motion into animated on-screen boogieing.

A number of other games have been released that are calibrated for use with the Kinect, either focusing on fitness (YourShape: Fitness Evolved, EA Sports Active 2) or cartoonish, arm-waving sports-mime (Kinect Adventures, Kinect Sports). Liberated from the tyranny of holding onto a controller, 360 owners will also be able to deploy the Kinect’s voice commands, which be useful for browsing through a number of new software features, which include ESPN and Last.fm, streaming direct to your console.

 

EVERYTHING OLD IS NEW AGAIN

Cannibalizing the past is nothing new when there are profits on the line, but no one does it with the kind of capitalist élan that the game industry evinces. Did you enjoy NBA Jam and Goldeneye 007 in the 1990s? Of course you did. And you’ll enjoy them again, now that they’re back, sporting upgraded display resolutions and gameplay adapted to modern, button-coruscated controllers. NBA Jam began as a downloadable adjunct to NBA Elite 2011; now that that game has been pushed back, the two-on-two hoops title is getting a full retail release on all the major consoles Nov. 17. Goldeneye is available now for Wii and Nintendo DS; playing as Oddjob is still totally cheating.

Japanese giants Namco Bandai have dusted off Splatterhouse, their goofily gory 1988 smash. Musclebound protagonist Rick is back, still sporting a hockey mask, still dismembering ghosts and ghouls with a blood-soaked two-by-four. The survival horror-brawler hybrid is due out Nov. 23 for PS3 and Xbox 360.

 

MOUSE HOUSE

It’s been a long time since Disney’s iconic character was featured in his own video game, so Junction Point Studio’s Epic Mickey is sure to be met with high expectations. Helmed, bizarrely, by legendary designer Warren Spector, who is better known for gritty cyberpunk classics System Shock and Deus Ex, the game promises a slightly more adult — even gothic — take on Disney’s least-adult character.

Gameplay will center around a painting mechanic. Using his trusty brush, Mickey will be able to transform his environment, daubing in bridges over otherwise impassable chasms. The judicious application of paint thinner will erase dastardly enemies. Look for Epic Mickey Nov. 30.

 

WHAT A WONDERFUL WORLD (OF WARCRAFT)

If you were to measure the impact of this year’s holiday releases using total hours invested as your metric, there’s no doubt that World of Warcraft: Cataclysm would come out on top. As the third expansion to Blizzard’s megalithic franchise, the game can count on a built-in player-base of some 12 million subscribers, each about as likely to buy Cataclysm as a heroin addict is to buy more smack.

The attractions this time around include two brand-new races — players will now be able to battle their way around Azeroth as Goblins or Worgen (read: werewolves). The expected litany of new dungeons, new loot, and new gameplay tweaks is also provided. The Cataclysm begins Dec. 7. And if you don’t know what to get that tween WoWer in your life at the last minute? But her some game time at www.blizzard.com.

50 cute-as-heck gifts for $10 and under

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Our official metaphor for holiday shopping this season is just going to have to be Tron. Not just because Tron: Legacy opens Dec. 17 or because some of us are forever stuck in totally awesome adolescent ’80s video game world. We also must zip across the alien landscape of holiday commercialism, snatching up neon-fantasy presents (and possibly exploding). Go! Go! Go!

Or, you know, use this guide and pick up some killer giftos all in one easy trip. We scoured the city for cool items ringing in at 10 ducats and under. Yes, you can still wear an electric blue bodysuit. (Marke B.)

 

JESUS FLASHLIGHT, $4.99

Tutti Frutti

With the exception of millions of Jews, Buddhists, Muslims, Hindis, and Zoroastrians, Jesus is lighting up the world these days. And what better way for your Xian friends to keep His light flowing than this Jesus flashlight. Pair it with a Jesus pen; we’re pretty sure this is the pen Jesus would have used.

718 Irving, Inner Sunset, SF. (415) 661-8504

 

DYNA GRO PLANT FOOD, $5.95

Plant’It Earth

Since Prop. 19 flopped at the polls, it’s back to dealer-only cell phones and GIY smokes. Give your dealer or favorite organic grower this perfect 7-9-5 blend of plant food and help nourish the next crop (you’ll be paying for it anyway). Plant’It Earth also has grow lights, soil, and other no-Prop. 19 essentials.

661 Divisadero, Panhandle, SF. (415) 626-5082, wwwplantitearth.com

 

SQUEAKY TOY SQUIRREL, $3.99

The Animal House Pet Mercantile

As the movie “Up” taught us, if dogs could talk, their conversation would go something like this: “Squirrel!” Give Bowser this plush toy Squirrel!, which will last way longer than a real Squirrel! and not stink up your house. Animal House also has cat toys, but your cat won’t give a shit.

157 Fillmore, Lower Haight, SF. (415) 552-0233, www.theanimalhouse.com

 

“MEDITATING” SIGN, $7

San Francisco Zen Center Bookstore

Tired of hearing your beloved shriek “Shut the #$%@* up, I’m meditating!” when you inadvertently stumble onto your deck at 6:30 a.m.? End it with this calligraphy sign, which can be hung from a doorknob or from the back of your beloved’s neck. Back it up with a book on Zen.

300 Page, Hayes Valley, SF. (415) 863-3136, www.sfzc.org

 

HOT DOG TOTE, $4.99

Arch Art Supplies

The sandwich rectangle, the pizza triangle, the hamburger round — all are inadequate for toting le hot dog. End the long-standing and justifiable frustration of your frankfurtin’ friends with this washable, reusable, hot dog-specific tote. Pick up the chips bag to go with it, or maybe some drafting or graphics supplies.

99 Missouri, Potrero Hill, SF. (415) 433-2724, www.archsupplies.com

 

BRANCH 3-WAY SPLITTER, $10

Zinc Details

‘Tis the season for sharing — but only if you want to and only if you have the technology. To make others share with you, give your BFF (or No. 1 frenemy) this 3-way music splitter and put an end to the nasty talk about how 3-ways don’t work. Zinc Details has plenty of other nifty stuff that can be done as a two-way or one-way.

1905 Fillmore, Pacific Heights, SF. (415) 776-2100, www.zincdetails.com

 

FROMAGE BLANC, $4.50

Cowgirl Creamery

So “some of your best friends are Jews” and you feel bad because you know Santa won’t go there. Make amends for years of no Santa with this fromage blanc, which is way better than regular cream cheese and not from Philly. Add a tub of hand-clabbered cottage cheese for their blintzes, kugels, and whatever else it is Jews eat.

1 Ferry Building, #17, Embarcadero, SF. (415) 362-9354, www.cowgirlcreamery.com

 

“STUBBY” HAMMER, $4.99

Cole Hardware

We believe that, like hemlines in other realms, a mini or micro version of the Utilikilt is due out any day now. And when that happens, utilidudes will need scaled-down, “stubby” versions of their tools to make it all work (and boy do these tools work). Cole Hardware also has stubby pliers and wrenches.

956 Cole, Cole Valley, SF. (415) 753-2653, wwwcolehardware.com

 

FELT FLOWERS, $7

Samsara

Why buy blooms destined for the dustbin for your loved ones when you can score them these long-lasting buds? Samsara’s small sales floor is packed with small treasures imported from the Far East. Pick up a colorful woven headband or Indian lotus wooden stamp for the yogi on your list.

2035 Union, Marina, SF. (415) 563-5485

 

BOBINO CABLE BUDDY, $3.99

Under One Roof

Many a hook-up mood has been ruined waiting for the hookee to disentangle three feet of earphone wire from a fly or brassiere. Stop the madness with the Cable Buddy, which keeps cords neatly wrapped and out of the way. And get few extra for those cords you know you’ll get ensnared in at the hook’s house.

518 Castro, Castro District, SF. (415) 503-2300, www.underoneroof.org

 

ECO-BAG, $1.75

Ichiban Kan

It’s not a competition, but your my-eco-bag-is-more-eco-than-your-ego-bag pals will love this Japanese-made eco bag. The bag comes in six different patterns, all groovy enough to go with all their hemp outfits. Ichiban Kan also has bento boxes, lunch bags, and knit panda hats.

22 Peace Plaza #540, Japantown, SF. (415) 409-0472, www.ichibankanusa.com

 

SPORK, $4

Flight 001

Your peripatetic pals can’t help it if they find themselves casting off plastic utensils everywhere they go. Detox them with the Spork, a durable, washable spoon-fork-knife in one. The brightly-colored utensil is guaranteed to make fellow travelers say “go Spork yourself” to disposables. Flight 001 also has clocks, bags, and bagatelle for the traveler.

525 Hayes, Hayes Valley, SF. (415) 487-1001, www.flight101.com

 

NOE VALLEY APIARIES, $7.95

The Green Arcade

Give your honey bun some fresh-baked honey buns made with honey from Noe Valley Apiaries. Better yet, give your honey bun the whole jar and she can drink it herself. The limited-edition honey is unfiltered and antibiotic-free. Or get a book on beekeeping while you’re at this perfectly curated, eco-centric store so you can give your honey bun her own hive someday.

1680 Market, Hayes Valley, SF. (415) 431-6800, www.thegreenarcade.com

 

CERAMIC ROSE, $5

Xapno

Put an end to the chronic “Yes, I loved the roses you gave me last week but now they’re DEAD” statements with this ceramic rose. Baked by a local ceramics artist and available with or without a stem, the roses come in lovely shades of pink, ivory, peach, and lavender. Xapno can also set you up with a vase or ribbon to set it off.

678 Haight, Lower Haight, SF. (415) 863-8199, www.xapno.com

 

GLASS STRAW, $9

GlassDharma

The glamour girls and boys who won’t drink coffee or red wine with you anymore because it stains their teeth need to get back to reality with one of these glass straws. (Buh-bye, BriteSmile.) Ensure that they bring it with them to your next drinking game by getting them bamboo carrying case as well.

Online only. (707) 964-9350, www.glassdharma.com/straws

 

CLASSIC SOUL AND R&B MIX CDS, $10

Rooky Ricardo’s Records

Diehard record collectors love to dig through crates of dust-covered vinyl searching for elusive, long-out-of-print song 45s. Rooky Ricardo’s is perfect for them (cool old singles for around $3!) — and for those of us who just want to hear some awesome music without the stiff back and neck (or record player). A sweet selection of classic soul, pop, and R&B mix CDs culled from Rooky’s collection will get your sweet ones humming.

448 Haight St., Lower Haight, SF. (415) 864-7526, www.rookyricardos.com

 

TOPOGRAPHIC TRAIL MAPS, $8–$9.50

Sports Basement

This holiday season, tell your loved ones to take a hike. A handy trail map of southern Marin ($9.50) combined with the 76 Marin Headlands bus can easily help them rediscover the glorious nature beckoning just outside the Golden Gate. Also at Sports Basement: Nalgene PBA-free water bottles start at $8.50.

1590 Bryant St., SoMa, SF. (415) 575-3000;

610 Old Mason St., Presidio, SF. (800) 869-6670, www.sportsbasement.com

 

SWEETIE PIE PRESS BUTTONS PACK, $6 FOR 3

Rare Device

Who doesn’t love buttons? No one. They’re a quick, easy way to customize your backpack, hat, coat, scarf, whatever. And even when they’re designed by artists, they’re still cheap. Sweetie Pie buttons are produced as series by designers using security envelopes, reclaimed silk-screened posters, and other recycled materials. There’s a ton of individuality in each pack, so grab more than one.

1845 Market St., Hayes Valley, SF. (415) 863-3969, www.raredevice.net

 

ICE CREAM GIFT CERTIFICATE, $5

Three Twins Organic Ice Cream

Give a special gift of sweet, sweet empty(ish) calories. Using only organic ingredients, Three Twins scoops up incredible flavors like milk and honey, lemon cookie, chocolate peanutbutter cookie, or the exotic Dad’s Cardamom. With a $5 certificate, your giftee can choose between two teensy ice cream cones or a pint to munch on at home while watching 30 Rock on Hulu.

254 Fillmore St. Lower Haight, SF. (415) 487-8946, www.threetwinsicecream.com

 

THE WALKING DEAD COMIC, $2.99

Al’s Comics

Do you have a friend literally salivating and moaning for next week’s The Walking Dead episode on AMC? Satisfy their zombie craving with an issue of the original comic book series (now at issue #78). And since comic books are Hollywood’s favorite source material for summer blockbusters these days, Al’s Comics is probably going to have 2013’s summer action blockbuster of the year… right now!

1803 Market St., Hayes Valley, SF. (415) 861-1220, www.alscomicssf.com

 

FAKE MUSTACHE, $9.95

Costumes on Haight

If there’s one thing everyone should own, it’s a mustache. It might just be the most useful gift you could ever give. Who knows when your recipients may need to change identities quickly, appear as an authority figure, or even just get really really handsome instantly. Costumes on Haight provides ‘staches for any need or hair color. Spirit gum’s an extra $2, but you’ll earn that back quickly at 10 cents per ride.

735 Haight St, Lower Haight, SF. (415) 621-1356. www.costumesonhaight.com

 

LONELY PLANET PHRASEBOOK $8.99

Get Lost Books

Your perennially-traveling friend always seems to have the most fabulous stories to recount. But the on-the-ground truth is probably a lot less romantic, with miscommunications, bad directions, and an unintentional slur or two. Swing by Get Lost Books for a handy Lonely Planet phrasebook they can take with them when they do. No more ignorant American oopsies for them (and possibly a lot more sex).

1825 Market St., Hayes Valley, SF. (415) 437-0529. www.getlostbooks.com

 

ZING! LAUNCHING SPOON, $5 and SOUPER! SPOON ACTION FIGURE, $10

New People

Naughty uncle gifts alert: New People’s got the goods for meal avoidance — a spoon that doubles as a superhero and another that spring-launches broccoli. Hand off to the nearest tyke, then duck (the wrath of the li’l ones’ parents). Tokyo pop culture mall New People is an amazing one-stop source for quirky, beautiful lifestyle accessories like dope headphones and separated toe socks.

1746 Post, Japantown, SF. (415) 525-8600, www.newpeopleworld.com

 

MINI BURRO PIÑATA, $7.99

SF Party

This party donkey’s cool to get behind — the recipient will be stoked by his party-pumping bustability. (Hint: stuff with mini bottles.) SF Party’s got what you need for instacheer — peep the local store’s decorations and holiday flair for ways to trick everyone into thinking you’re festive.

939 Post, Tenderloin, SF. (415) 931-9393, www.sfparty.com

 

IGNITE ME MASSAGE CANDLE, $10

Good Vibrations

You already know that Good Vibes is the top spot for fun, sexy, and horizon-expanding gifts for your sweetie (or prospective sweetie). These two ounces of scented soy wax set the mood for a little post-mistletoe vida loca. Just light the candle and it melts into massage oil.

Various locations, SF. www.goodvibes.com

 

HOT CHOCOLATE SET, $10

Sweetdish

Looking for a wintertime wonder amid Sweetdish’s happy racks of rare and delicious candies? Try their hot chocolate sets, packaged here in San Francisco: Taza drinkable chocolate disks and a Japanese ceramic mug and spoon are included in this power punch for the holiday sweet tooth. While you’re there, pick up some locally made Poco Dolce chocolate — the burnt toffee ($6.50 per pack) is to die for.

2144 Chesnut, Marina, SF. (415) 563-2144, www.thesweetdish.com

 

TRAVEL-SIZE BUTCH BODY SPRAY, $8

This one’s fun for sending a pleasant mixed message: “They want me to butch it up when I’m on the go, but with a body spray?” Forunately, one sniff of this enticingly spicy scent will ax all doubts, and the travel-spritzing will begin in earnest. (Also available: floral Femme and tangy Original scents.) Local-centric beauty product makers Nancy Boy provides line after line of scrumptious freshness.

347 Hayes, Hayes Valley, SF. (415) 552-3802, www.nancyboy.com

 

LASER MONEY DEVICE, $7

Misdirections Magic Shop

When your teenager wants to expand his trick repertoire beyond lighting farts, it’s time for a magic laser money device. With practice, your teenager can create money out of nothing, just like the Fed! It’s also the perfect comeback to “You can stop washing the dishes when you start making money.” Misdirections has other magic galore.

1236 Ninth Ave., Inner Sunset, SF. (415) 566-2190, www.misdirections.com

 

PERSONALIZED INITIAL STICKERS, $5

Toss

Toss designs its own classy prep looks, which will hit the spot for any beachy babes within striking distance of your gift list. But if the pretty handbags and frothy dresses are too spendy, cop the store’s style with embroidered stickers that’ll customize any existing satchels your bronzed beauty swings over their shoulder.

2185 Chestnut, Marina, SF. (415) 440-8677, www.tossdesigns.com

 

ORIGAMI FAST FOOD SET, $3.95

Paper Tree

Fold-your-own hamburger, shake, and fries for … what, your vegetarian sister? Meat-loving Uncle Mark? Paper Tree’s aisles of origami kits — paper and laughably cryptic Japanese instructions included — range from make-your-own meals to puppy dogs and finger puppets, and make a fantastic offering for any of your friends who dream of creating their own world.

1743 Buchanan, Japantown, SF. (415) 921-1700, www.paper-tree.com

 

HAMBURGER KITCHEN TIMER, $8

Park Life

Too bad hamburgers don’t go in the oven, ’cause that would be the funniest thing ever with this plump, juicy-looking thing! (The joke might work with Hanukkah sufanganiyot, too.) Park Life’s a neato outpost of cleverly designed artifacts and nom-nom art, with something for everyone, but mostly really cool everyones.

220 Clement, Richmond, SF. (415) 386-7275, www.parklifestore.com

 

SOURCE ZINE, $3

Needles & Pens

Locally published advice on fermenting, planting, and all kinds of other stuff makes a swell gift for your favorite urbanite interested in sustainably downsizing for 2011. Needles & Pens stocks indie clothes and jewelery designs, as well as racks of zines from fresh local artists and doodlers.

3253 16th St., Mission, SF. (415) 255-1534, www.needles-pens.com

 

EYE-MELTING WALL CALENDAR, $3

Little Otsu

Calendars can be so … quantifying. Leave it to craft wonderland Little Otsu to make date-finding creative again. Pick up this cheaply had bit of creativity designed by Ron Regé Jr., for the nonlinear thinker on your list, or browse the racks of Otsu’s recycled material stationary and precious T-shirt designs.

849 Valencia, Mission, SF. (415) 255-7900, www.littleotsu.com

 

CANTAINER BICYCLE CUP HOLDER, $10

Gravel and Gold

Because nothing goes better than bikes and bevvies — they’ll cruise into golden, road soda (we mean coffee, of course!) glory with an American-made bike cup holder masterpiece from this beautiful, sunny Mission store, whose shelves of hip handmade treasures take the crass consumerism straight out of your holiday shopping.

3266 19th St., Mission, SF. (415) 552-0112, www.gravelandgold.com

 

PISTACHIO BAKLAVA, $7.95

Sumiramis Middle Eastern Imports

Score flaky, made-in-the-Bay filo dough holiday meal or gathering treats at this fantastical, low-key grocery store, which stocks all things Mediterranean from hookahs to halvah. Your lucky guests will wonder where you got it. (Make like you had to go further than 26th Street and Mission.)

2990 Mission, Mission, SF. (415) 824-6555

 

DE LA ROSA CANDY, $3.69

Casa Guadalupe

These crumbly peanut marzipan gems are a recognizable staple of Latino bodegas, but the red rose on their 30-pack carton wouldn’t look out of place alongside brightly wrapped presents under a Hanukkah bush.

2999 Mission, Mission, SF. (415) 824-2043

 

RHINESTONE INITIAL EARRINGS, $10

Good Fellows

Reward those who’ve been nice through 2010 with this customizable bling — they can wear their sparkly identities on their lobes! Because you know you have a friend who will be more impressed if you tell them you got their present from a head shop. And Good Fellows has a dispensary in the back if your giftee’s on the very, very good list.

473 Haight, Lower Haight, SF. (415) 255-1323

 

YUMMYPOCKETS PB&J ITEM HOLDER, $9.50

Therapy

Stuff the mouth of their wallet — money tastes good again with this disturbingly realistic peanut butter and jelly sandwich billfold. Therapy’s got the goods when it comes to gifts for the young fashionista on your list — another great choice is their faux-Guate coin purses ($10), decorated with colorful embroidered patterns that call up your trip last year to Lake Antigua.

Various location, SF. www.shopattherapy.com

 

THE SNOWY DAY, $6.99

Lola of North Beach

Lit love for the soon-to-be-bundled little one. The illustrations in this new board edition are as stunning as they were when Caldecott winner Ezra Jack Keats published the original book in 1962. Lola’s is a great gift stop for chic families — Mom and Dad included — on your list.

1415 Grant, North Beach, SF. (415) 781-1817, www.lolaofnorthbeach.com

 

HOMEMADE SPINACH PASTA, $2.95 PER POUND

Molinari Deli

Step around the display arrays of Italian fruitcakes and brightly-wrapped candies up to this old school neighborhood joint’s deli case. You can buy the hostess with the mostest a peck of that finest green — a skein of house-made spinach noodles. Maybe she’ll even invite you back for a holiday-themed pasta feed.

373 Columbus, North Beach, SF. (415) 421-2337

 

TRAVELS WITH GINSBERG: A POSTCARD BOOK, $9.95

City Lights Books

Ginsberg in Benares, Ginsberg in Venice, Ferlinghetti in SF — this book of postcards is the perfect bon voyage present for your favorite wanderlustful loved one. Include a card urging that one of the notes makes it back to you when the L.O. has a spare moment. City Lights, as well all know, has the best and brightest in O.G. Beat lit as well as today’s hottest book titles.

261 Columbus, North Beach, SF. (415) 362-8193, www.citylights.com

 

CHOPSTICK KIDS CHOPSTICK HELPER, $10

Aldea Niños

Get ’em going on noodle bowls young with these playful pinchers. Soon enough, your tyke will be ready to slurp udon with the best of them. Aldea’s newly opened children store stocks all the finest in sustainably made baby products. For another cheap, fun gift, try the wooden fish castanets, whose clacking teeth with make a flamenco fiend of any toddler.

1017 Valencia, Mission, SF. (415) 874-9520, www.aldeababy.com

 

SUCCULENT CANDLES, $6

Current

Oof — they couldn’t even keep last year’s astrophytum kicking? Lower the ante and reignite the light with this cacti candle. Current also stocks natural beauty products and small vases made to be tied up in a beautifully wrapped, color coordinating gift box. Indeed, many of its offerings already are, perfect for the gift-and-go.

911 Valencia, Mission, SF. (415) 648-2015

 

MR. LACY SHOELACES, $2.50

Shoe Biz

Sure, your buddy’s got style — but are their Technicolor kicks looking technically mussed and scuffed? You can brighten the load for any sneaker kid with these ties, which sit alongside Shoe Biz’s fantastic selection of boots and slippers and are available in a lacy rainbow of shades.

Various location, SF. www.shoebizsf.com

 

CHARDONNAY ANCHOVY STUFFED OLIVES, $6.95

We Olive

Does it get more posh than Chardonnay anchovy-stuffed Californian olives? No. And they taste good too! We Olive’s racks of California olive products, from tapenade to lip balm, will tickle the palate of any gourmand on your list. Plus, the store has samples that will sate you for hours. Squirt a dab of their transcendent olive oils on a bread cube and get shopping.

2379 Chestnut, Marina, SF. (415) 673-3669, www.weolive.com

 

ALBUM COVER NOTEBOOKS, $9.95

Green Apple Books

Giving new meaning to the words “liner notes,” these repurposed record sleeves have been transformed into the keepers of your giftee’s nascent raps and lovelorn lyrics. Green Apple has three floors of books and an annex of every stripe and flavor, so plan on getting lost for a few days — and emerging with an armful of amazing finds for everyone on your gift list.

506 Clement, Richmond, SF. (415) 387-2272, www.greenapplebooks.com

 

FOUR-INCH SUCCULENTS, $7

Succulence

Haworthia, aeonium, echeveria, oh my! Snag one of these flower-producing enduring plants from this cacti shop — it even stocks two-inchers for the true budget gifty. Succulence also sells unique pots and frames, so your loved one’s new plant buddy will be looking dapper indeed.

402 Cortland, Bernal Heights, SF. (415) 282-2212

 

MAGIC WAND $6

Fiddlesticks

Yes, this is really just a smallish wooden star at the end of a thinnish wooden rod. We will not argue! But the star comes in such pretty colors, and the simple wooden-toyness of it conjures up childhood loveliness. Plus, hello — instantly anyone becomes a fairy princess or Harry Potter! Cool tyke hotspot Fiddlesticks has an array of neat matching outfits and other magical doo-dads.

508 Hayes, Hayes Valley, SF. (415) 565-0508, www.shopfiddlesticks.com

 

CHOCOLATE BAR WITH POPPING ROCKS

Oh, Christopher Elbow, chocolatier to the stars! Your gem-colored, bite-sized, often Bucky Dome-shaped chocolates tend toward adventurous flavors like Venezuelan spice, rosemary caramel, and spiced pear. But you keep it real with our favorite quick trip back to childhood: the Christopher Elbow chocolate bar No. 6. A thick slab of dark chocolate bursting with popping candy rocks? Chocolate plus fun equals win.

401 Hayes, Hayes Valley, SF. (415) 355-1105, www.elbowchocolates.com

 

OWL-SHAPED MUG, $8.99

Kamei Housewares and Restaurant Supply

Who-who can’t resist a cup of joe from a lovable owl? Kamei’s got what you need in terms of high class, unique kitchenware on the cheap. It also has out-of-the-kitchen objects — check by the front door for a stack of beautiful paper parasols for the promenading perambulator on your list.

525-547 Clement, Richmond, SF. (415) 666-3699

 

FELT MUSHROOM, $6 AND $8

Lotus Bleu

Let’s spend the holidays shrooming! For your most cherished permagrinner (or possibly Smurf) come these beauties, small and large, in orange, gray, brown, and blue combinations. Made of sustainable wool by a couple in Nepal, these squishy caps fit perfectly in your hand — and also fit right in with Lotus Bleu’s dazzlingly patterned, natural fabric goods aesthetic.

325 Hayes, Hayes Valley, SF. (415) 861-2700, www.lotusbleudesign.com


TAKENOTSUYU YUKI HONOKA “SILENT SNOW” SAKE, $8

True Sake

True Sake was recently anointed by The New York Times as a true original, a gem of a space specializing in nothing but sakes. Seriously, dozens of gorgeous bottles and wildly diverse flavors await you here. Our pick is this super-cute, super-fresh, super-smooth sake. Wine is so passé — put a little bow on one of these beauties and come off sophisticated.

560 Hayes, Hayes Valley, SF. (415) 355-9555, www.truesake.com

Only a miracle can save Steve Li now

41

Supporters of Shing Ma “Steve” Li, a 20-year-old nursing student, gathered outside the offices of Sen. Barbara Boxer today to urge her to sponsor a private bill in a last ditch effort to halt Li’s deportation to Peru, which is scheduled to take place Monday, November 15—two months after ICE (Immigration and Customs Enforcement) agents arrested Li in San Francisco.

“While we do not introduce private bills, our staff is happy to meet with Mr. Li’s family and his attorneys to discuss his case,” Boxer spokesperson Zachary Coile emailed the Guardian, as protesters delivered stack of letters to Boxer’s office, asking that she intervene in Li’s case.

Unlike Sen. Dianne Feinstein who has sponsored private bills in the past, Boxer has no record of intervening in this way. But advocates were hopeful that now that she has survived the November 2010 election, Boxer will pull off a miracle before Monday.

This afternoon, Li’s attorney Sin Yen Ling texted the Guardian that her request for deferred action had been denied, meaning that Li will be on a plane to Peru on Monday, baring some last minute miracle.

“Our office has been in touch with ICE and is exploring the options,” Gil Duran, media spokesperson for Sen. Dianne Feinstein told the Guardian, half an hour after Li’s request for deferred action was denied.

And Boxer spokesperson Zachary Coile said the senator’s staff met with Li’s mother, his attorney, his City College professor and others, this afternoon.

“While we do not introduce private bills, our staff was happy to meet with Steve Li’s family and his attorney to discuss his case,” Coile stated. “We reiterated Senator Boxer’s strong support for the DREAM Act, which would provide a path to citizenship for tens of thousands of undocumented students who go to college or serve in the military. Senator Boxer will keep working in the Senate until it becomes law.”

And tonight, Drew Hammill, press secretary to Speaker Nancy Pelosi emailed the following statement to the Guardian:

“Speaker Pelosi believes that Steve Li’s case is a textbook example of the pressing need for comprehensive immigration reform and passage of the DREAM Act. Speaker Pelosi is working with other Members to recommend that ICE grant deferred action in this case.”

Boxer, Feinstein and Pelosi, who have both been strong supporters of the DREAM Act, have vowed to keep working until it is passed.

Earlier this fall, on Sept. 14—the day before ICE arrested Li– Senate Majority Leader Harry Reid announced plans to add the DREAM Act as an amendment to the Department of Defense authorization bill.

But that effort was blocked by Senate Republicans. And after the bloodbath that congressional Democrats endured this November, it’s unclear if the DREAM Act has a prayer, though Nancy Pelosi vowed to move it forward during Congress’ upcoming lame-duck session, and it has continued to attract bi-partisan support since it was first introduced in 2001 by Senators Richard Durbin (D-Il) and Richard Lugar (R-IN).

At today’s protest, Li’s legal counsel, Sin Yen Ling, decried the federal government’s decision to deport her client.

“A 20-year-old City College student is not a threat to our national security,” Ling said. “We need to bring Steve Li home as soon as possible.”

According to Ling, Li has not seen his mother Maria, who divorced Li’s dad for years and lives with Li in San Francisco, since his Sept. 15 arrest, when  ICE picked up Li and his mother in Ingleside on Sept. 15 and placed them in separate cars. The car carrying Li then picked up Li’s  father in the Richmond, and all three family members were processed at ICE’s Sansome Street office in downtown San Francisco, before being transferred to Sacramento County Jail. But Li was then involuntarily transferred to an ICE detention facility in Arizona. Meanwhile, Li’s parents were released from detention when ICE determined that China does not want them back because they left China seeking political asylum. But they are now required to wear cumbersome electronic monitoring anklets, because they are deemed a flight risk, and are not allowed to leave San Francisco.

As a result, Li’s parents have been unable to visit their son in Arizona. And should he be deported to Peru, it’s not clear if they will be permitted to follow. And should if they decide to travel to Peru, they will not be allowed to reenter the U.S. for at least ten years, further complicating a complex situation.

At today’s rally, Li’s mother Maria spoke in public for the first time,  breaking down into tears, as she begged Sen. Boxer and the U.S. government to help.

“He has no money, no clean clothes, how will he get by?” she asked, referring to ICE’s plan to put her son on a plane to Lima, Peru, where he reportedly knows no one.  “Sen. Boxer, will you just watch and pretend you didn’t see anything? Today, when you see all of us standing here begging you, will you respond to us? I hope you can understand it from a mother’s perspective and meet with me to discuss how we can help Steve.”

Ling said Li’s mother decided to speak because of the direness of her son’s situation, even though she was wearing a federally-mandated monitoring anklet.
“She felt it was now or never,” Ling said.

Li’s teacher Sang Chi also spoke, praising Li as a model student and a prime example of the kind of person that should be eligible for the DREAM Act. And then the Rev. Norman Fang led Li’s supporters in a prayer.

‘We ask that a miracle take place and that Steve’s mom and San Francisco can be happy again, that the heart and soul of what is morally right can overcome regulations,” Fang said, noting that 100 years, his family members were detained at Angel Island “for no other reason than they were Chinese. ‘There is only one border in our world—the one that separates Heaven and Earth.”

Li’s attorney Sin Yen Ling clarified that she doesn’t believe that ICE singled Li out.
“He’s just been swept up as part of a larger program,” Ling said, noting that actions that split families apart and target folks who came to this country as undocumented children have inspired a movement of DREAMers—folks who support the DREAM Act.

Every year, about 65,000 U.S. raised students, who would qualify for the DREAM Act’s proposed benefits, graduate from high school, according to the National Immigration Law Center (NILC).

“These include honor roll students, star athletes, talented artists, homecoming queens, and aspiring teachers, doctors and U.S. soldiers,” states a NILC press release. “They are young people who have lived in the U.S. for most of their lives and desire only to call this country their home. Even though they were brought to the U.S. years ago as children, they face unique barriers to higher education, are unable to work legally in the U.S. and often live in constant fear of detection by immigration authorities.”

Asked how ICE caught up with Li, who does not have a criminal record, Ling pointed to modern technology
“In this day and age, you can track anyone down,” Ling said.” And it’s a priority for ICE to identify people with final deportation orders,” she continued. Ling was referring to the fact that Li’s parents were denied their request for political asylum from China and issued a removal order, unbeknownst to their son Steve, who was born in Peru, came to the U.S. when he was 12 and was 14, when his parents’ asylum request was denied.

But Ling did not blame President Barack Obama, who promised to bring millions of undocumented residents out of the shadows, when he was running for president in 2008.
“It’s tough to criticize the president when he had five different priorities coming into office, including healthcare. His administration probably miscalculated how long it would take to pass healthcare. And part of the problem is partisan politics around immigration.”

Ling estimates that there are two million young people currently in the U.S. who would benefit from the passage of the DREAM Act, but blamed partisan politics for why the legislation failed to pass by only 3 votes in the Senate in September.

Sup. David Campos showed up at the rally and told Li’s supporters that the Board of Supervisors unanimously approved a resolution Nov. 9 calling for ICE to defer Li’s deportation.

“The Board is not always on the same page, but on this issue we were unanimous,” Campos said. “We get it, we understand the tragedy that this deportation would result in. And we remain hopeful that something will happen. There are millions of young people in the same predicament, and the solution is not deportation. The solution is passing comprehensive immigration reform. Until then, we need an intervention.”

Meanwhile, somewhere in Arizona, Steve Li sits in a jail cell, hoping, praying and dreaming…