SF

Sexcipe: Pork chops and slut training

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Pork Chops with sautéed Honey Crisps, and Sweet Potato Sluts!

 

By Mistress Eve Minax, a professional dominatrix, sex educator, and food lover based in SF. As told to Juliette Tang.

This recipe occurred one evening when I entertained a lovely slut in training. Who knew that being fed and fucked simultaneously while blindfolded could be so much fun? Well, I do.

So easy and hot!

Pork Chops with sautéed Honey Crisps, and Sweet Potato Sluts!

By Mistress Eve Minax, a professional dominatrix, sex educator, and food lover based in SF. As told to Juliette Tang.

This recipe occurred one evening when I entertained a lovely slut in training. Who knew that being fed and fucked simultaneously while blindfolded could be so much fun? Well, I do.

So easy and hot!

Ingredients:

2 thick cut boneless pork chops

2 medium sized apples, (I prefer honey crisp)

2 medium sized, unpeeled, fresh, organic sweet potatoes

salt/pepper – I like hickory smoked salt and 4 peppercorn mix for mine.

a bit of olive oil

Method:

First, put sweet potatoes in the oven at 325 f.

Then, rub in a little olive oil then salt and pepper the chop to perfection.

Make sure you are dressed in something slutty but a little bossy yourself. Being the bossier slut always grants you more street cred than wearing sneakers or a stretch pants. I like to wear something short with high heels and of course a harness, ready to strap on my cock at any time. If you already have one attached, consider easy access and sexy undies. Put on some sexy music. For slut training, I have a burlesque mix that moves into trip hoppy grooves because I like to have my slut strip for me to get me turned on before I fuck them.

 

Sit in a prominent place and order your slut to dress/undress and dance! Enjoy the show. If it’s really good, you may wish the slut to worship your body while self touching. Things should be heated up. Now’s the time I put the slut in the sling, (some people call these adult swings). A bed or a couch will do, but a sling is best! I like to blindfold my slut now, and restrain the hands so that they can almost touch themselves but not quite.

Return to kitchen, slice the apples in crescent shapes, and put them and the pork chops in a cast iron skillet on very low heat with a bit of olive oil.

Back to slut, slowly begin fondling the nipples and caressing the sex. Slut should be writhing a bit now. Be sure to tell the slut that you’d really like to see them take everything your going to give. Put a ball gag in the mouth and warn of “other things” to come. Be sure to fondle and pinch all the right spots, perhaps even penetrating a bit to loosen the slut up for more.

Return to kitchen, turn chops. Remove potatoes from the oven to cool.

Back to slut. Now is the time to place nipple clamps on and insert a butt plug and/or vibrator if you are so inclined. 
Return to kitchen. Remove chops onto a cutting board and slice into one to two inch slivers. Cut the an end off each one of the potatoes. Plate the pieces and apples with the potatoes. Back to slut with plate. Begin telling your slut what a little greedy pig they are, ask them if they want more, (they will!). Remove the gag, take a piece of chop and apple, move between sluts legs grinding into the groin and feed slut, taking care to tell them how “dirty” they are and how they need to be fed, to be “filled up”. Grind some more. Grab the potato and squeeze a bit of fresh warm, softness into slut’s gaping mouth. Grind some more. Alternate respectively until you feel it’s time for penetration. I like to keep stuffing the slut until cataclysmic orgasm and fullness, but hey, you’re the chef and the boss, I’ll let you decide how to proceed from here!

 

 

Let the gut-busting begin: Sketchfest 2010 hits the stage

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By Caitlin Donohue

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Michael Ian Black and his oddly piercing gaze take the stage Friday at SF Sketchfest

It’s coming for you. That weird pain in your side after you’ve laughed so long all the air in your lungs has emptied and your stomach muscles have gotten really tired. Oh yeah, it’s on its way, cause today’s the day Sketchfest hits San Fran. The comedy festival was started by a group of local comedians, who wanted to re-establish SF as a premier spot for stand up performances and sketch work. Now in its eighth year, Sketchfest is made up of live shows by famous-and-not-so-much individuals and troupes, as well as the odd onstage interview and movie showing. The sheer girth of Sketchfest can be a bit… daunting to navigate, so we’re getting you started with a few of our fave upcoming shows. Enjoy. And remember to breathe, that’ll help with the laughter-cramps. Also: weed, which actually has utility on a variety of levels here. Sketchfest goes through Feb. 2nd and you can find info on schedules and ticketing at www.sfsketchfest.com.

Comedy Death Ray
You should not do Sketchfest without seeing some standup. Now, originally Michael Cera was scheduled to be on Death Ray, but he had some “scheduling conflicts” that left us with the more-than-capable Michael Ian Black to helm the ship. Black’s work in such shows as Comedy Central’s “Stella” and “The State” has left a large, hysterical footprint in this world of ours, and once you add in Dana Gould, Scott Aukerman and musical guest Aimee Mann, “Death Ray” looks to be a killer show.
Fri/15 8 p.m, 10:30 p.m., $30
Cobb’s Comedy Club
915 Columbus, SF

Meister: MLK was a working-class hero

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One of the most important reasons to remember Dr. King was his championing the cause of Memphis strikers and others who sought union recognition

By Dick Meister

(Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for a half-century.)

“I AM A MAN,” the signs proclaimed in large, bold letters. They were held high, proudly and defiantly, by African-American men marching through the streets of Memphis, Tennessee, in the spring of 1968.

The marchers were striking union members, sanitation workers demanding that the city of Memphis formally recognize their union and thus grant them a voice in determining their wages, hours and working conditions.

Hundreds of supporters joined their daily marches, most notably Martin Luther King Jr. He had been with the 1,300 strikers from the very beginning of their bitter struggle. He had come to Memphis to support them despite threats that he might be killed if he did.

SF Weekly fails to block collection

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By Tim Redmond

New Times Media LLC, the holding company for the Village Voice chain, has failed in its attempt to suspend the charging order entered last week in San Francisco Superior Court in favor of the Bay Guardian.

The charging order gives the Guardian a lien on all of VVM’s newspaper properties and furthers the independent local paper’s efforts to enforce a $21 million judgment.

Commissioner Everett A. Hewlett, Jr., rejected the attempted Ex Parte Motion to Stay brought by New Times on the basis that New Times failed to show the existence of any emergency.

Commissioner Hewlett also held that to suspend the charging order, New Times would have to post an appeal bond as in any other civil case, instead of a much smaller amount that was sought by New Times’ counsel.

New Times’ attorney Randall S. Farrimond argued that New Times could not post an appeal bond for the full amount, because it was merely a holding company and does not have any assets.

But Bay Guardian attorney Jay D. Adkisson pointed to a financial analysis produced prior to trial by New Times, which showed that New Times claimed total assets of $191 million as late as December, 2007.

New Times and its subsidiary SF Weekly LP collectively owe the Bay Guardian nearly $21 million resulting from a jury verdict for predatory pricing that was entered in 2008.

In 2008, shortly after the jury verdict, New Times was successful in obtaining a temporary suspension of the judgment similar to the one that it unsuccessfully sought on Monday, but then refused to post an appellate bond.

New Times has instead attempted to rely on its complex corporate structure to defeat the collection of the judgment while it pursues its appeal.

In a statement posted on the website of the Association of Alternative Newsweeklies, VVM Executive Editor Mike Lacey and CEO Jim Larkin argue that the court order is “very limited.” Not so, says Adkisson; the ruling gives the Guardian considerable leverage to collect from the New Times papers. In fact, if the charging orders were so worthless, it’s surprising that the VVM legal team has spent so much time and effort fighting to block them on an emergency basis.

In the statement, Lacey and Larkin also insist that they simply want their day in court – that they don’t want to pay until the California Court of Appeals has rendered a verdict.

But that conflicts directly with what VVM and its lawyers have told the Guardian’s legal team on repeated occasions. Those communications have suggested that VVM doesn’t believe the Guardian will ever collect any money, since the chain has an asset-protection plan that would frustrate any creditor.

VVM has more than adequate assets to post an appeal bond – but if the chain posts a bond, and the Guardian wins the appeal, the bond guarantees that we’ll get paid. Posting a bond would render any asset protection plan moot.

Our position has been clear from the start: Either VVM should pay the judgment now, or it should offer a guarantee that the money will be there when the appeals are over. And over the past two years, in repeated legal rulings, four San Francisco judges have agreed.

The artistic merit of large men who wrestle in their diapers

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By Caitlin Donohue

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Sumo will save us all! Andy Ristaino’s contribution to “Into the Ring, Sumo Style”

The life of a sumo wrestler, as it turns out, is not much unlike that of a thoroughbred racehorse. Both live in stables- called heya in the case of the Japanese martial artists, where life is highly stratified by the wrestlers’ ranks- and both live life according to their handlers. For the sumo wrestler, this is the head of their stable, always an ex-wrestler, and the National Sumo Association. Their stable head oversees their sleep schedule, diet, what clothing they can wear (novices get a paper-thin robe, even in the winter) and training, while the National Sumo Association takes care of everything else. One unlucky sumo wrestler had the bad luck to crash his car and the Association immediately suspended him from a game. On a short leash, them sumo boys.

Plus, they both do drugs. Racehorses have their ‘roids or horse tranquilizers or whatever they use to get quick, and it turns out sumo wrestlers have been known to toke the wacky weed on occasion.

This all to say that there is more than meets the eye about these exotic creatures. Something about all this regimen, their sleekly obese good lucks, and they way they throw themselves around… one begins to see why the mystique of the sumo has spread to the Bay Area artists that are putting on “Into the Ring, Sumo-Style,” an exhibit showing at the SOMarts Cultural Center.

Leading the pack is cartoonist Marinaomi, whose watercolor renditions of sumo wrestlers belching and excreting colorful balloons set the tone for an offbeat assemblage of pieces that pay homage to these whales of the Land of the Rising Sun. You get Sumo Elvis (Gabrielle Gamboa), Sumo Food Court (Fredrick Nolan) and even Sumo Godzilla Fighter Andy Ristaino). It all takes place in the arty SOMA industrialized wonderland that is SOMarts, a place I love for the sheer originality of their installations.

Picture it: fat men with their hair in buns, everywhere. All that and free sake to boot. Bomb.

“Into the Ring, Sumo Style”
Opening Reception: Fri/15 6-9 p.m. (exhibit continues through Sat/23), free
SOMarts Cultural Center
934 Brannan, SF
www.somarts.org

Hot sex events this week: Jan 13-19

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Compiled by Molly Freedenberg

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Get a copy of Roulette – or any one of your favorite Reel Queer Productions videos – signed by Madison Young or Courtney Trouble at Saturday’s special Good Vibes event.

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>> How to Be the Dominant Guy Women Want
BDSM veteran John Lichtenberg hosts this free workshop for men of all ages, experience levels, and relationship statuses (and also women who’d like to observe). The workshop is based on the concept that old models of masculinity no longer work, and men need to learn how to please women in a way that feels sexy and safe to empowered, sophisticated women.

Thurs/14, 7pm
free
Fort Mason, SF
RSVP to johnlitchenberg@gmail.com

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>> Sneakeasy Speakeasy
The cocktails will be cheap but the girls will be high class when Dottie Lux hosts burlesque performances by Bunny Pistol, Honey Lawless, sASSy Hotbuns, and more at this one-time-only show at the soon-to-be-closed venue.

Thurs/14, 9pm
$4
Annie’s Social Club
917 Folsom, SF
www.anniessocialclub.com

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>> Little Minksy’s
The cocktails will be cheap but the girls will be high class when Dottie Lux hosts burlesque performances by Bunny Pistol, Honey Lawless, sASSy Hotbuns, and more.

Thurs/14, 9pm
$5
Club Deluxe
1511 Haight, SF
www.liveatdeluxe.com

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Making it

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superego@sfbg.com

SUPER EGO Some foaming bloviator recently, misspellingly commented on sfgate.com that the Guardian was about nothing more than “the lasest [sic] freaky sex worker or drag queen DJ.” Which reminded me — it’s been literally and figuratively forever since I featured a drag queen DJ, lasest or no. (I’ll save the freaky sex workers for myself, thank ye.) Trollface, this one’s for you.

Or rather it’s not. This one’s about the new Some Thing party, every Friday at the Stud. (This is not to be confused with the equally wacky and strange Thing Nite, every first and third Tuesdays at Aunt Charlie’s Lounge, www.auntcharlieslounge.com. Things are in the air!) It’s true that Some Thing is brought to us by the same gender-transcenders behind the giddy, tinsel-strewn Monday night alternaqueer conflagration Tiara Sensation: Vivvyanne Forevermore, Glamamore, and DJ down-E. And, yes, it’s true that Some Thing will feature two drag-based shows per night — “A Gem in the Rough” at 11 p.m. and “Some Thing More: The Drool in the Crown” at midnight.

But we’re in a post-drag moment. Classic, glamorous lipsync-to-camp-classics drag (especially as practiced by the amazing Hot Boxx Girls, www.thehotboxxxgirls.com) has seen its dips and resurgences, as has its anarchic, punk-tinged sometime-nemesis, trash drag, like that practiced at the now defunct Trannyshack. But the Some Thing threesome represent a third way, one that uses the familiar concept of drag as a mere portal into all kinds of performance effects.

Post-drag thrills at exposing drag’s ancient commedia dell’arte roots, deconstructing gay history in order to create its own glimmering, sculptural kitsch. A signature piece by Glamamore — the alias of star couturier Mr. David — sees two performers dressed in hilariously intricate yet cumbersome origami outfits, pantomiming the histrionic flower duet from the 1881 opera Lakmé by Léo Delibes. Vivvyanne’s “That’s Not Drag” concept nights for Tiara Sensation hectically stretched the boundaries of the genre to the outside parking lot, while the “Project Runtover” competition series — parodying Project Runway, duh — encouraged the audience itself to rip down the clubs decorations and create their own entries. (This seemed a natural outgrowth of the trio’s ever-present hot-glue-gun-and-glitter craft table, also to be featured at Some Thing.)

And down-E, when he’s not playing vintage dance cuts of deliberately questionable taste, is the closest thing the Bay has to an anti-drag queen. Swathed in asexual free-bin leftovers, sporting a skewed tonsure wig and oversized eyeglasses, and munching a bag of SunChips, he disastrously drones, live, along to peppy hits by the Carpenters and Whitney Houston. The unnerving result is less a send-up of traditional gender roles than the feeling that some misty-eyed alien has infiltrated your Great-Aunt Ruth.

Beyond the theoretical, though, Some Thing should be a good ol’ hoot — and it’s awfully nice for edgy queers to have a regular Friday night destination again. The great trash drag club that previously dominated that spot, Charlie Horse at the Cinch, was shut down due to noise complaints after five years, and its politically-minded hostess, Glendon Anna Conda Hyde, is now running for District 6 supervisor. (There’ll be a daytime charitable-fundraising Charlie Horse drag marathon farewell party Jan. 30, 1 p.m.-7 p.m., at the Cinch, 1723 Polk, SF.) Weekly parties are always tough to pull off — but with hot glue guns, loony tunes, and slippery theatrics at the ready, the Some Thing crew just might make it work.

SOME THING
Fridays, 10 p.m., $5
The Stud
399 Ninth St., SF
www.studsf.com

Appetite: Warm elegance, cocktail science

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By Virginia Miller of www.theperfectspotsf.com. View the last installment of Appetite here.

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Come, join me by the fire … Photo by Virginia Miller

Deep South elegance in a San Mateo cottage: Dollie Marie’s
I can never get enough of that unique-to-the-US cuisine: Southern cooking. Enter Dollie Marie’s, delightful, boisterous Chef Gator’s latest, whose restaurants I’ve had the pleasure of eating at through the years (and sadly saw close), from Noe Valley’s Alcatraces to Gator’s in downtown San Mateo. When Southern cuisine has a touch of white suit jacket (the waiters), fine dining elegance at reasonable prix fixe prices of $38 for three courses or $49 for four, I’m lured in.

Add in an amuse bouche, a palate cleanser, homemade candies, and courses cooked with love and finesse, place it in a gorgeous cottage, fireside glowing, each room lined with photos of Chef Gator’s family through the generations, and I’m won over. I’m already thinking about when I can next make it to this new gem in the Bay Area dining scene, tucked away off El Camino Real in a non-descript part of San Mateo. For less than the cost of many mid-range San Francisco restaurants, there’s the finest frog legs I’ve ever eaten, blackened catfish, alligator and caramelized onion gratin, turtle soup, pan-fried oysters and bananas foster. Service is attentive and the atmosphere welcoming, like dining in a friend’s New Orleans’ home. You feel like it’s a special occasion, even if it’s not.
1602 South El Camino Real, San Mateo
650-638-938
www.dolliemaries.com

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(c) The Exploratorium, www.exploratorium.edu / Photo Credit, David Barker

1/20 – Science of Cocktails
Yes, there is a science, in creativity and experimentation, to cocktails, and next Wednesday at the Exploratorium there’s a one-of-a-kind event, answering questions like "Will drinking absinthe make you hallucinate?" and "Which hangover cures actually work?" Unfortunately, this night is now sold out, though word on the street is that the Exploratorium’s website will recap recipes and experiments you can try at home post-event. Maybe Science of Cocktails will become a tradition, returning next year – especially since so many of us SF locals geek out on the craft of mixology. Why not explore the physics, chemistry, and biology of the delicious drink you hold in your hand?
Wed, 1/20
7-10pm
Palace of Fine Arts, 3601 Lyon Street
visit.exploratorium.edu/events/science-of-cocktail

Street Threads: Jody

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Jody, Ulloa and West Portal

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Tell us about your look: “I wear these boots almost everyday. I got them at Target.”

Street Threads: Roselyn and Madeleine

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Roselyn and Madeleine, Ulloa and West Portal

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Tell us about your look: (Roselyn) “I got this jacket at a department store.”

Herrera defends CCA against attacks

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By Rebecca Bowe

San Francisco City Attorney Dennis Herrera filed a petition with the California Public Utilities Commission today urging it to restrict Pacific Gas & Electric Co.’s hostile attacks against Community Choice Aggregation (CCA), a program that allows local governments to establish alternative power programs.

The petition asks the CPUC to modify one of its decisions by inserting clear language spelling out that that investor-owned utilities are prohibited from sending out anti-CCA marketing materials, making misleading statements, or engaging in other activities that interfere with the creation of these alternative energy programs.

San Francisco’s CCA, dubbed CleanPower SF, is in the phase of reviewing five different applications from prospective electricity service providers. The goal of the program is to offer San Franciscans electricity derived from 51 percent renewable sources by 2017 at rates that match or beat PG&E prices. Contract negotiations with the highest-scoring candidate could begin as early as next month.

PG&E initially supported to the 2002 legislation, AB 117, which enabled the creation of CCAs statewide and prohibited utilities from interfering with efforts to set them up. But in recent months, California’s largest utility has made a complete turnaround, spending $5 million on a proposed ballot initiative that would require a two-thirds majority vote in local jurisdictions before governments could implement CCAs.

As Marin County and San Francisco move forward with their respective attempts to set up greener alternatives to PG&E, the pressure is intensifying. Several weeks ago, a wave of attack mailers paid for by PG&E crashed into San Francisco homes and businesses. This is the sort of activity Herrera is seeking to prevent by filing today’s petition with the CPUC. Because the city is short on time, he requested an expedited review.

“We cannot let Californians be denied the benefits of cleaner, cost-effective energy alternatives — consumer choice is simply too important to ratepayers and the environment,” Herrera said. “The California Public Utilities Commission exists to police giant utilities, to assure that their monopoly advantages aren’t abused to exploit consumers or frustrate the policy objectives of our state lawmakers. Yet that is exactly what has happened since PG&E locked CCA into its crosshairs. It is critical for state regulators to move quickly and decisively to tighten regulations, and restore teeth to the law as the legislature intended.”

Muni layoffs don’t make sense

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By Tim Redmond

Nobody likes the folks who drive around and issue parking tickets, those poor souls who used to be called “meter maids” and are now known much less lyrically as “parking control officers.” It’s a tough job — PCOs get assaulted, abused and sneered at. But they bring in a lot of money for San Francisco.

And frankly, it’s not their fault that it’s hard to park in this city. There are too many cars in too little space — and too many San Franciscans who came from more suburban areas think that they ought to be able to drive anywhere and find a free spot to park. But it’s not like that in this city.

Anyway, I was intrigued to see that the SF MTA is now planning to lay off 24 PCOs. That’s along with four mechanics, 10 people who clean trains and buses (eew, that’s going to make things nice on Muni) and handful of others.

First of all, I understand that the MTA has a budget problem and nobody wants to raise Muni fares any more. We could have solved a lot of this by extending parking meter hours, but the mayor didn’t want to do that. So now we’re looking at cuts.

The problem with cutting people who write tickets is that, in the end, I think less tickets will be written. And however joyful that may be to the free parking set, it will wind up costing the city money in the long run.

The overall problem with all of this? Muni, for all of its problems, is one of those public agencies that just get better when you throw money at them. That doesn’t always work; the solution to every public-sector problem isn’t more money. But when it comes to Muni, I’ve followed budgets and performance over the years, and I think it’s pretty clear: When Muni is better funded, the buses run more often, are on time more, are cleaner and come closer to providing a valid alternative to driving.

When you make cuts, the system gets worse, more people drive, and everyone complains that Muni is no damn good.

Something to think about, Mr. Mayor.

Meister: Get off the bandwagon, Willie

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City employees and working people generally need all the friends they can get in these perilous times. Willie Brown is not likely to be one of those friends in need.

By Dick Meister

(Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for a half-century.)

As former Mayor Willie Brown suggested in his Sunday Chronicle column on Jan. 3, “it’s time for politicians to begin an honest dialogue” about civil service. For starters, Willie should get his facts straight and get off the anti-public employee bandwagon that so many politicians are riding these days.

Brown said, for instance, that “the deal used to be that civil servants were paid less than private sector workers in exchange for an understanding that they had job security for life.”

Not so, Willie. Public employees were paid less because, if they were qualified for their jobs – as shown by civil service tests and other means – they were more likely to continue working for the government and were willing to accept long-term benefits – primarily health care and pensions – in lieu of higher pay.

The latest on collecting the SF Weekly’s debt

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By Tim Redmond

The Bay Guardian has moved a step closer to enforcing a $21 million judgment against SF Weekly and its parent company.

A California judge ruled Jan 4th that the Guardian may tie up the assets of the Village Voice Media chain. Commissioner Paul Slavit granted the Bay Guardian’s motion for an order charging the interests of the various Village Voice newspapers with liens.

The lien affects 16 companies nationwide, including the LA Weekly, Minneapolis City Pages, Denver Westword, Kansas City Pitch, Miami New Times, New Times Broward-Palm Beach, Phoenix New Times, Riverfront Times, Ruxton Group, Seattle Weekly, Lancero Associates, Dallas Observer, Houston Press, OC Weekly and the flagship publication The Village Voice.

The ruling creates additional opportunities for the Bay Guardian to collect the money. Attorneys for the Bay Guardian will next be exploring the possible sale of one or more of the Village Voice chain’s newspapers, the appointment of a receiver to take control of the companies, and the possibility of placing the Village Voice chain into an involuntary bankruptcy proceeding.

“We are very pleased with the order and will press on aggressively to collect the money owed us as a result of the SF Weekly’s illegal below-cost sales campaign aimed at putting us out of business,” said Bruce B. Brugmann, editor and co-publisher of the San Francisco Bay Guardian.

The judgment stems from a 2008 verdict in a Guardian lawsuit charging SF Weekly and its owner with selling ads below cost in an effort to harm a locally owned competitor. After a six-week trial, a San Francisco jury awarded the Guardian $6.3 million, which Judge Marla Miller increased to $15.6 million. With attorney’s fees and accrued interest, the judgment is now worth close to $21 million.

The Weekly and VVM have appealed — and in most cases, collection efforts would be delayed until after the appeal. But most defendants post an appeal bond — in essence, a guarantee that the judgment will be paid after the appeals are exhausted. VVM hasn’t done that — and instead has sought ways to avoid payment.

The Guardian previously seized SF Weekly’s vehicles and the rent that its subtenants pay.

Part of the evidence introduced before Commissioner Slavit was a chart that shows the structure of Village Voice Media. You can view it here (PDF).

Street Threads: Mary

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Mary, Vincente and West Portal

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Tell us about your look: “My roomies had a garage sale and this hat was left over, so I asked if I could have it and they said yes.”

The SF Weekly still gets it wrong

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By Tim Redmond

I found it somewhat amusing that the SF Weekly’s writers, Benjamin Wachs and Joe Eskenazi, were really worried about whether we would be “professional” in responding to an inaccurate story about city finance:

We appreciate that the Guardian was kind enough to send us its letter prior to running its article, likely this week. Communications from the paper’s reporter have been thoughtful and professional — so we hold out hope that this may be an article that could do more than simply obscure San Francisco’s gaping weaknesses with analytical smokescreens. On the other hand, it may yet be a hit piece written for the benefit of the city political bodies the Guardian openly aligns itself with and shills for — and who are responsible for some of the misgovernment highlighted in our story

And then go on to respond to us with a piece that’s mostly snark – snark being the refuge of reporters who don’t really have facts to lean on.

I’m going on KQED’s Forum show Friday morning to debate the Weekly guys about this, which will be fun, but in the meantime I have to set something straight.

From the Weekly story:

The Guardian gets to break its own rules and compare San Francisco’s budget to L.A.’s and Chicago’s by “add[ing] to the L.A. and Chicago city budgets a percentage of the L.A. County and Cook County spending equal to each city’s percentage of the county population.”

This would make perfect sense — if it didn’t make no goddamn sense. You can’t just determine overlapping city and county budgets via long division; cities are cities and counties are counties because they have differing, separate services. L.A. City and County each have their own Departments of Public Works, Building Inspection Departments, road crews, parks departments, you name it. Cities pay for their own services because they usually don’t use the counties’. Simply adding a lump sum of county costs on to city costs makes about as much sense as multiplying the city numbers by Planck’s Constant.

Whoa – Planck’s Constant. Dude – you musta gone to college or something.

The fact is that you not only CAN compare SF to Los Angeles and Chicago by accounting for both city and county spending – you HAVE TO.

A little lesson in public finance here, since that’s one college class the Weekly boys apparently slept through.

Most communities in the U.S. have four basic levels of government – federal, state, county, and city (or township, or town). Some have even more (village etc.) and some have fewer (Connecticut abolished county-level government many years ago). And there are special districts, like BART and AC Transit and school districts and mosquito abatement districts and lots more.

But for this particular argument, we’re looking at state, county and city government. That’s what you get in California.

The counties, as operating arms of the state, provide many, many services – expensive services – to people who live in cities. In Los Angeles, for example, there’s a city police department that handles law enforcement. But after someone’s arrested by the LAPD, the COUNTY district attorney, the COUNTY public defender, and the COUNTY courts system take over. And if the perp is guilty, the COUNTY sheriff takes custody (or else the state does).

Los Angeles COUNTY provides much of the welfare money for poor residents of Los Angeles CITY. Los Angeles COUNTY runs the system that counts the ballots for Los Angeles CITY elections.

You get the point.

So if you want to compare spending in the city of Los Angeles to spending in the CITY AND COUNTY of San Francisco, you have to either (a) eliminate all of the functions that count as county services in San Francisco or (b) much simpler, estimate what percentage of the L.A. county budget goes to services in L.A. city.

We took a rational approach – take the population of L.A. city and the population of L.A. County, and apportion to L.A. city a percentage of the county budget equivalent to the proportion of county residents who live in the city. That’s probably a low estimate of county spending in L.A. city, since more of the crime and welfare needs of the county are situated in that one city than in any other part of the vast county.

But whatever, we’ll take the lowball number.

Not magic, not physics, not chemistry, just basic common-sense and a basic understanding of how finance works in American cities.

Is this perfect? No. What you really need to do is analyze exactly how much government money – state, federal, city, county, special district etc. – is spent in every city you want to compare. That’s a bigger task than either the Weekly or the Guardian has taken on so far.

And I admit – we may be wrong by a few percent one way or the other. But we aren’t the ones trying to claim that the city spends vastly more money than anyone else who compares to us.

Oh, and as for this:

On the other hand, it may yet be a hit piece written for the benefit of the city political bodies the Guardian openly aligns itself with and shills for — and who are responsible for some of the misgovernment highlighted in our story

Let me point out that most of the problems the Weekly points to are management issues that properly belong in the office of the Mayor of San Francisco.

And I don’t know in what possible universe – other than a Weekly hallucination – anyone could argue that Gavin Newsom is someone the Guardian is, or has ever been, aligned with.

New year, same struggle for hotel workers

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By Caitlin Donohue

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Hotel workers and their allies block Geary St. traffic last night to announce their boycott of the SF Hilton. Photo by Erik Anderson

Over 1,400 union members and community supporters assembled downtown last night to protest management’s role in contract negotiations with the hotel workers’ union, Unite Here! Local 2. Police arrested 140 activists for their peaceful protest, which blocked traffic on Geary for hours in the blocks surrounding the Hilton San Francisco. The hotel was targeted to announce its addition to a boycott list that now includes seven businesses. Shouts of “when they say ‘cut back,’ we say ‘fight back’!” sounded through the city streets as the sign-toting protesters marched a picket line in front the hotel, symbolic of a struggle whose implications in the labor movement reach well beyond the 9,000 San Franciscan members of Local 2.

Before the rally began, Local 2 member Ringo Mak saw the show of support encouraging. “This shows San Francisco is still a union town!” he said. Mak, a 20-year waiter at the Hilton and member of his union’s bargaining team, was heartened by the numbers turned out by supporters- especially for what it meant in terms of the fight hotel workers had ahead of them. “This is our first action of 2010,” he said, “and it’s a great way to show the Hilton that we’re not giving up.”

The truth about San Francisco’s budget

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“San Francisco,” SF Weekly recently proclaimed, “is arguably the worst-run big city in America.” That’s a hell of a claim — the levels of corruption and mismanagement in urban America are legendary. But the Weekly’s Benjamin Wachs and Joe Eskenazi set out to prove their case — with a series of mostly anecdotal points that looked at the usual targets: Nonprofits. Unions. And one senior Newsom administration staffer who pretty much everyone agrees was a horrible manager.

We were tempted to just let it go. Sure, there’s plenty of incompetence and waste in the Newsom administration. There’s a need for more accountability in some of the nonprofits that get city money. The police union got too big a raise in 2007.

That pattern also exists in a lot of other big cities. You wanna make a big headline by claiming SF is the very worst? Whatever.
But the heart of the Weekly’s factual analysis was a chart that purports to show that San Francisco spends vastly more per capita than other “comparable” cities. That’s a claim we hear all the time, one that the more conservative political forces constantly use to argue against higher taxes (and in favor of big spending cuts).

So it’s worth exploring a little further. Because when you look at all the facts, the Weekly analysis is just wrong.

Comparing cities is a complex task — urban areas in America are governed in very different ways. You can’t, for example, compare San Francisco to any other city in California because San Francisco is the only combined city and county. Get arrested in Berkeley, and the Alameda County sheriff locks you up, the Alameda County district attorney prosecutes you, the Alameda County public defender takes your case, and the Alameda County courts adjudicate it. And if you win, you ride home on AC Transit — a separate system that isn’t in the budget of either the city or the county.

In San Francisco, all those things are in the same city budget.

But Wachs and Eskenazi decided to get beyond that. “Any time someone tries to point out that San Francisco has serious systemic problems, the response (from the Mayor’s Office, from city bureaucrats, and sometimes even from city activists) is that ‘San Francisco is both a city and a county,’ as if that explained everything,” Wachs told us in an e-mail. “So the comparison was already being made as part of the city’s defense: San Francisco is a city-county, and what appear to be systemic problems are actually just features of being a city-county.

“We proved that isn’t the case: San Francisco’s per capita spending is significantly out of line even when compared to other large city-counties.”
Actually, it’s more than just the city-county distinction. The large cities-counties SF Weekly chose are so dramatically different in the services they do — and don’t — provide that the comparison comes close to being meaningless. Ken Bruce, a partner in the Harvey Rose Accountancy Firm, which serves as San Francisco’s budget analyst and does similar work in other cities, is no fan of wasteful spending. But he told us he wasn’t impressed with the Weekly chart: “I have yet to see a rigorous analysis done comparing San Francisco to other cities,” he said.

And the way the Weekly added up the numbers was, at best, misleading.

For starters, San Francisco runs (and includes in its city budget) an airport, port, public transit system, county hospital, and skilled nursing facility (Laguna Honda), for a total of more than $2 billion. None of the comparison cities do all those things. Or rather, some do those same things — but they aren’t in the local budget.

In Philadelphia, for example, the public transit system is a regional agency. Philly chips in $63 million from its general fund to help the Southeast Pennsylvania Transit Authority (SEPTA). SF pays almost three times that much to run its own Muni, because the overhead costs are included in the local budget. Philly taxpayers spend much more than $63 million on SEPTA — it just comes out of a different budget and funding stream, so it isn’t in the figures the Weekly used. Denver’s transit system is regional too, and thus not in the city-county budget.

In Indianapolis, the city transit system, Indygo, is far less complicated than ours. Jenny Brown, a spokesperson for Indygo, told us she was amazed her city was being compared to San Francisco: “Our transit system is not in the same league as yours,” she said.

Philadelphia also does not pay for a county hospital or include its port or airport in its budget. Neither does Denver.

There’s also a difference in most municipalities between the general fund (locally allocated spending) and the total budget, which includes federal and state money, self-sustaining departments, etc. In Philadelphia that’s a big distinction — more than $3 billion a year — but the Weekly compared Philly’s general fund to SF’s total budget (something Wachs admitted to us was his mistake).

So we took this a step further. First, in Chart A, we compare apples to apples — general funds to general funds. It turns out SF and Philly are relatively close in per capita spending. Then we adjusted the budgets to account for the fact that SF includes in its budget a lot of services other cities and counties budget somewhere else. That makes all the comparison cities a lot closer.

But can you really compare San Francisco — with its diverse and complex population and urban problems — to Indianapolis or Nashville? Even Denver? If even the folks in Indianapolis think that’s kind of bogus, we figured we could do better. So we set out to find some cities that make a more fair comparison. We included Philadelphia, but added Los Angeles and Chicago (New York, by the way, is so big, so complex, and has so many counties, boroughs, and budget items, that it’s not fair to compare that city to any other — even though is would help our case). To account for the city-county issue, we added to the L.A. and Chicago city budgets a percentage of the L.A. County and Cook County, Ill. spending equal to each city’s percentage of the county population. (Not a perfect yardstick, but pretty close).

As Chart C shows, all four big cities are within about 30 percent of each other in terms of per capita spending.

But there’s another big factor — cost of living. The vast majority of the budgets of these cities goes to employee pay and benefits — and it stands to reason that a city with a higher cost of living would have to pay its employees more. And San Francisco has by far the highest cost of living (according to the latest figures from the Council for Community and Economic Research’s ACCRA Cost of Living Index) of all the cities in this chart.

So we adjusted per capita spending by the cost of living index (SF = 169, L.A. 145.4; Philadelphia, 124.1; and Chicago, 110.8) and discovered that in fact all four big cities spend roughly the same per capita — although San Francisco spends the least.

So is San Francisco a service-rich city (like L.A., Philadelphia, and Chicago)? Absolutely. Is SF’s spending far out of whack with what other similar municipalities spend? No, not at all. All things considered, it’s a little low.

PS: The Weekly spent much of its article attacking the lack of accountability in the city’s $500 million’ worth of nonprofit spending. That’s a huge issue, but oddly, the Weekly didn’t quote a single person who supports the system San Francisco uses to distribute services through nonprofits.

We’ve been critical of many individual nonprofits, and some are over-funded, wasteful, and of dubious value. But overall, as labor activist Robert Haaland told us: “The fact that an individual nonprofit isn’t performing up to standard doesn’t mean that the services aren’t needed.”

And there are many who say the San Francisco model is, in fact, a national standard. Margaret Brodkin, former director of the Mayor’s Office for Children, Youth, and Families, helped develop the current system of nonprofit accountability in that office. She has been invited to speak all over the country about the standards and data system they developed. “Others have replicated the data system we had in place. It’s held up as a national model, the data system as well as the standards,” she explained.

So it’s not so simple — and to use a few anecdotes and some inaccurate and misleading figures to call San Francisco the worst managed city in the nation is, well, a bit of a stretch. To say the least.

Street Threads: Jen

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Jen, 24th Ave. and West Portal

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Tell us about your look: “My jeans are from the No Fear Store.”

10 sexy books published in 2009

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As the aughts, a decade fondly described by many to be the worst decade ever, mercifully makes way to the grave, an uncharacteristically optimistic blogosphere is abuzz with requisite “best of the decade” lists, signaling that even the grimmest times come with small condolences. These “best of the decade” lists are — for all their neat hierarchies, pithy generalizations, and annoying assumption of authority — quite fun to read. And, as a rare opportunity to recycle old news as relevant content, they are also fun to write.

Among the many “best ofs” floating about at the moment, I find myself gravitating toward the literary. For all their Anglo-centric, sexist, dead white male undertones, and despite the occasional mentions of Malcolm Gladwell or Dan Brown, these “best books” lists seem far less depressing than their pop-cultural (like hipster of the decade) or political counterparts (like top political scandals of the decade). And as I peruse the many books deemed by many opinions to be the best of the year or, grander yet, best of the decade, I find myself compiling a modest, literary list of my own: 10 Sexy Books Published in 2009. Having been all of 14-years-old in the year 2000, I don’t really have the authority to create a “best of the decade list” regarding anything sexual.

However, I have certainly read some very sexy books this past year.

If sexy is to be taken by its dictionary definition as “sexually interesting or exciting,” then the following ten decidedly qualify. Some are sexy for their potent ability to raise readerly temperatures, others, for their intellectually seductive, mentally stimulating faculties. Despite a somewhat disparate array of themes and subjects, each book is capable of producing the feeling that compels readers to, as my aunt puts it, “close their legs and open a book”: the ecstasy of reading.

10. Confessions of an Ivy League Pornographer, by Sam Benjamin. Ahh, Ivy Leaguers, drawn, as moths are to a flame, to porn careers which are subsequently turned into quarter-life memoirs. Or not. Mind you, this career trajectory is not something I fault a college graduate, or anyone at all, from pursuing. In an economy in which a college graduate is lucky to find a job doing anything, partying with porn stars sounds like the glittering reward at the end of a Horatio Alger (himself an Ivy League grad) tale. With the dreaded spring semester looming ahead, soon-to-be-graduates are advised to find inspiration where they can. Hint: Benjamin’s book.

9. Over Here, a volume of poems by Frank Sherlock. Having won a coveted Sexiest Poem of 2009 award, from CAConrad’s “Sexiest Poem Award” blog, Sherlock is a shoo-in for a spot on this list. “Over Here” is, without a doubt, a sexy poem — though it’s not a poem about sex. What makes Sherlock’s poem sexy is, in CAConrad’s words, its “tenacious defiance for culture’s endless forms of violence to our fellow humans, other animals and the environment.” Hmm… tenacious defiance…

8. Live Nude Girl: My Life as an Object, by Kathleen Rooney. In the beginning, there was irony: Rooney began working as a nude model after being fired from her cafe job because she refused to sleep with her boss. Her experiences as an art model are the inspiration and subject of her book. Rooney is a talented writer whose honesty, conviction, and obvious poetic gifts underline her ambitious theoretical observations. In this contemplative book, Rooney ruminates on working in the buff and, in the process, finds something to say about Roland Barthes, Judeo-Christianity, and the Terra Cotta warriors of China. Somehow, she succeeds in making such declarations convincing; Rooney did earn money being naked, but her memoir cloaks that nudity in layers of meaning.

7. Obsession: An Erotic Tale, by Gloria Vanderbilt. I wrote about Vanderbilt’s erotica earlier this year. Vanderbilt, who will be entering her 86th year in 2010, has a habit of becoming hugely successful in endeavors that should reasonably predict the exact opposite. Like that time in the ’80s when she lent her name a line of high-waisted mom jeans… for women and men. The famous socialite’s new career as a writer of BDSM erotica has impressed even Salman Rushdie, who acknowledged, “Writing about work and writing about sex are probably the two hardest things. If I’m still doing it when I’m 85, I’ll be very grateful.”

6. Roberto Bolle: An Athlete in Tights, photographed by Bruce Weber. Men are lucky. Men are not confronted nearly to the degree that women are by images of bodily perfection. Can you imagine what would happen if half the advertisements featuring undressed women, from Victoria’s Secret to American Apparel to PETA, were to be replaced with one of Weber’s strapping Adonises? For my benefit, can we conduct an informal experiment using Weber’s images of Roberto Bolle?

5. Best Women’s Erotica 2010, edited by SF’s own Violent Blue. As a genre, erotica is tarnished with a sorry reputation, so it is a truth universally acknowledged that a writer in possession of good erotica-writing abilities must be in want of a literary champion. Anais Nin had Henry Miller; these women writers have Violet Blue. Like the other “Best Women’s Erotica” collections Ms. Blue edits, her latest will not disappoint her readers and fans.

4. Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry, by Leanne Shapton. To any degree that a break-up can be sexy, this one is, perhaps because, in reading Shapton’s book (an experiment of form that is part story, part photo essay, part auction catalogue) we can’t help but recall the intensity and sadness of our own past relationships. Through ingeniously chosen ephemera, vibrant “artifacts” Shapton employs to bring her characters to life, the otherwise cloying artifice of a fictional auction becomes believably real. As this is a story of a break-up, it makes perfect sense that we should see nothing of Lenore and Harold themselves. Like our own ex-lovers, their identies are marked by absence outlined in memory, as invisible fingerprints tracing the objects they leave behind.

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3. The Adderall Diaries: A Memoir of Moods, Masochism, and Murder, by local writer Stephen Elliott. Granted, neither murder nor Adderall is sexy. Then again, this isn’t a book about murder or Adderall. Like most of Elliott’s work, The Adderall Diaries is about Stephen Elliott and, true to form, his latest effort contains (in addition to good writing and a dark backstory that readers familiar with Elliott’s work will recognize as one that could only have happened in this author’s universe) a healthy dose of stolid sexual confessionism. Judging from the behavior of some of Elliott’s fans, as gathered from his own reports and my own firsthand observations of several local readings, Stephen Elliott is a subject that some women do find sexy indeed.

2. We Did Porn: Memoir and Drawings by local writer/artist/pornographer Zak Smith, a tome that helped SFBG‘s D. Scot Miller overcome his “fear and predjudice of hipsters.” Given that Smith looks like a combination between Devon Sawa’s character in SLC Punk and a guy I had a crush on in high school who drew pentagrams on his fingernails with a White Out pen, we shouldn’t understate the accomplishment. In any case, it was the art that swayed D. Scot, who contends that despite being a “artsty-fartsy, probably spoiled, uber-talented white boy artist,” Smith’s “artwork is impeccable. There is tenderness, daring, heat in his pieces. With a Nan Goldin compassion, he captures an intimacy and inclustion that is often lacking in the movies he and his comrades made.” Seconded.

1. Don’t Cry, by Mary Gaitskill. Mary Gaitskill is, in my opinion, the sexiest writer currently working in the English language. I’ve been an overzealous fan since I discovered, at an impressionable age, her short story “Secretary,” a BDSM-themed story of a young secretary’s affair with her boss (that later inspired the Gyllenhaal/Spader movie of the same name). Gaitskill is unafraid to tackle grand themes in small spaces, and it’s her short stories — oozing as they are in love, sex, and grief — that her formidable abilities are most obvious. She lends an intelligence, devastating accuracy, and unmatched bravery of sentiment to topics otherwise reducable as merely “perverse”. In “Folk Song,” Gaitskill creates a female character who decides to have sex with a thousand men in a row. A 43-year-old woman, in “Old Virgin,” lends her anatomy to Gaitskill’s precisely honed scalpel. My favorite of the collection, “Mirror Ball,” reveals the theft of a soul, literally, as something that a beautiful young Mephistopheles collects from his trail of lovers. Like the sex that Gaitskill is so adept at describing, the stories in this collection are first brutal, then revealing — and necessarily in that order.

Is SF spending too much money?

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By Tim Redmond

When the SF Weekly ran its cover story a couple of weeks ago calling San Francisco “the worst-run big city in the U.S.” my first thought was to ignore it. That kind of claim is meaningless; it’s just a flashy headline, and the story didn’t back it up with much more than a few examples of bad management of the sort that occur in cities all over.

So what makes San Francisco “the worst?” Well, part of it, said the Weekly, is the fact that SF spends more money per capita than any comparable city and county. In fact, according to a chart the Weekly included in its story, SF spends more than twice as much per capita as Philadelphia (which is actually a comparable city, with big-city problems and a fairly rich service mix) and spends more than four times as much as Indianapolis (which isn’t comparable for a lot of reasons).

But the minute I started paying attention to that chart, I knew there was something really wrong. Melanie Ruiz and I spent some time checking it out, and we found that the “comparisons” are somewhere between misleading and totally bogus.

Here’s what we found.

What’s important here is that it’s really hard to compare any two cities in America on this level. Cities are organized in so many different ways, and their budgets are set up so differently, that any direct comparison is going to look like apples to oranges.

For example, Philadelphia and San Francisco both have extensive, costly public transportation systems. Taxpayers in both cities underwrite those systems. But in Philly, the system, known as the Southeast Pennsylvania Transit Authority, is a distinct agency (like BART is out here); the city and county of Philadelphia contributes $63 million a year to its operations, but the major overhead costs are outside of the city budget.

There’s an airport in Philly, too. It’s expensive to run, just as SFO is expensive to run. It mostly pays for itself through landing fees, just as SFO does. In San Francisco, the cost of the airport (which takes no taxpayer money) is included in the city budget; in Philly, it’s not.

People in Philly who get sick and have no insurance don’t die in the streets – but that city and county doesn’t fund a public hospital the way SF does.

In fact, San Francisco’s budget includes just about everything that any city offers. It’s not that this city provides services nobody else does (well, we do, but that doesn’t explain the budget differences entirely). It’s that other cities and counties don’t include those services in their budgets.

Now, the folks at the Weekly, who criticized our story before it was even out, argue that

Yes, our city pays for things others don’t — but, then, other cities have to maintain aging infrastructure weakened by extreme heat and cold. Other cities have to keep up municipal vehicles ravaged by salt. Other cities have to shovel snow. Other cities have miles and miles more pothole-filled streets to look after. Other cities’ Sheriff’s Departments have many more responsibilities than San Francisco’s. Other cities have police forces larger than several European nations’ standing armies and security costs that dwarf this city’s.

All of which is true – and makes the point that you can’t do exact comparisons without doing a whole lot more work than the Weekly did on its chart.

But most of those items are million-dollar items – shoveling snow costs Denver, for example, millions a year – but not hundreds of millions or billions. Same for filling potholes. (Most cities don’t have Sheriff’s Departments, by the way – that’s a county function – and the county sheriffs who do more work are policing unincorporated areas. And the only city with that massive police force is New York, which is so unusual that it’s hard to compare it to any other American city.)

But the bottom line is, those are (comparatively) small-ticket items. The items that make a city budget seem huge are the departments and programs that run in the multiple hundreds of millions of dollars, and those tend to be things like public hospitals, transit systems, and airports. In SF, they account for more than $2 billion a year – and because of the way this city is set up, all of that goes in the same $6.5 billion budget.

We tried several ways to make a better comparison, which you can see here (pdf)

We compared general funds to general funds (something the Weekly got wrong). We deflated the SF budget by taking out those big-ticket items that other cities don’t include in their budgets. We tried to find cities more comparable to SF – big cities with big-city problems and services – and we tried to adjust those budgets to account for the fact that some of those cities get extensive services that are paid out of separate county budgets.

And we did something else: We took into account the cost of living. The vast majority of what the city budget (here and elsewhere) goes for is salaries of city workers. It costs a lot more to live here, so we pay our workers better. There are plenty of academic studies that look at comparable costs of living in cities; we used a generally accepted one.

And when we were done with all of this we came to the conclusion that SF doesn’t spend more than comparable cities; it’s really about the same.

Now that’s probably unfair to San Francisco (and Los Angeles). We’re in California, where the state doesn’t spend as much per capita on programs that aid cities as other states do. Yes, the state has a budget of more than $100 million dollars, but 40 percent of that goes for education – and in many other states, local property taxes pay for much of the cost of public schools. In California, thanks to Prop. 13, local property taxes are inadequate to provide decent public schools, so the state has taken up the burden.

When you take that factor out of the state budget, and compare California to other states, the per-capita spending is pretty low.

Our comparisons aren’t perfect. There are other cities to look at, other line items to examine, other methods of comparing that are also valid. The folks who read this blog (and the folks at the Weekly) will no doubt argue with our methods, and I bet somewhere in there we made some mistakes. But overall, I think our approach is more accurate.

People who live in cities typically pay taxes to several levels of government – the feds, the state, special districts (like BART), school districts (except in California), counties and the cities themselves. I would argue that San Franciscans probably pay less per capita than the residents of many other cities (certainly less as a percentage of their income). We just pay it all into one big pot.

That’s why the SF Weekly chart was so misleading. And why this kind of argument shouldn’t be used to say that San Francisco spends too much money on government.

I’m not going to argue that local government is perfect, or that it’s free or corruption and waste. There’s a lot of waste in San Francisco (does the mayor really need five press aides?) and plenty of inefficient spending.

But overall, it’s not a whole lot worse than other cities. That’s my conclusion.

Street Threads: Suzanne

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Suzanne, 14th Avenue and West Portal

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Tell us about your look: “This is sweater is from Canada. It’s 20 years old.”

Dick Meister: Know your class

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‘Know your class’
By Dick Meister

(Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor, politics and other matters for a half-century.)

When Jack Hall died, flags were flown at half-staff throughout Hawaii, longshoremen closed the ports of San Francisco, Los Angeles and San Diego for 24 hours, and thousands of other workers in Hawaii and all along the west coasts of the United States and Canada also stopped work to show their respect.

That was 40 years ago. Yet Jack Hall, one of America’s greatest labor leaders, is still remembered fondly by many working people. In Hawaii, where he was regional director of the International Longshoremen’s and Warehousemen’s Union, many ILWU members had a paid holiday on Jan. 2, the date of his death. Others will have a holiday on the Feb. 28th anniversary of Hall’s birth.