San Francisco

Nurses Union Alleges Intimidation by Sutter

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By Emma Lierley

As several thousand striking nurses continue to picket ten Bay Area Sutter Health hospitals this week, the California Nurses Association announced Thursday that they have filed charges against Sutter Health for mistreatment of their members.

Alleging continued harassment and threats made against striking nurses, along with failure to bargain “in good faith,” the union lodged their complaints with the National Labor Relations Board. CNA official Shum Preston told the Guardian Thursday that the charges are being brought forward on behalf of a few specific nurses who have received direct threats, as well as many nurses who faced hostile situations in their hospitals.

Amie Davidow, a striking labor and delivery nurse with California Pacific Medical Center in San Francisco, told the Guardian Thursday that “nurse managers are calling people at home, threatening them with losing their job, loss of health benefits, and threats of suspension.”

Davidow said that she herself has received no direct harassment but that, “there are a lot of nurses very scared about [these threats].”

When we asked CPMC representative Kevin McCormick about the charges, he strongly disputed their validity, and claimed that they were made to drum up sensational media headlines. “This is the third time our nurses have been on strike, and we have never done anything to them in the past. Why would we do something now?”

McCormick added that the dispute was with the union, and not the nurses themselves. “We want the nurses to come back to work after the strike. We want to have the best relationship we can with our nurses,” he said.

596 reasons not to make $150K in San Fran

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Here’s something juicy: a PDF file that lists the 596 people who work for the City of San Francisco and earn over $150,000 a year.

imagesramen.jpg
Imagine how many packets of Ramen you could buy if you made over $150K a year? Better yet, imagine what you could eat, instead?

This list was procured following Sup. Aaron Peskin’s announcement that he wants to eliminate such positions, unless they are absolutely essential, rather than simply slash and burn from the bottom up, as Mayor Gavin Newsom appears to be proposing.

As it happens, most of these jobs are safe from cuts, thanks to a bunch of charter mandates that say, the City needs department heads, and lawyers and doctors.

But the list makes for interesting reading especially if you are sitting in a cramped apartment, huddled over a space heater and eating Ramen noodles for the 596th time!

The land that hardcore left behind

1,646

“You look more like a hardcore kid than a hipster.”

In San Francisco? Doubt it. This is the land of science-teacher flats, floppy bangs and terrifyingly large sunglasses. The residue escaped to the East Bay years ago.


The infamous Boston Beatdown


Tragedy in Austin


XLimp WristX “I love hardcore boys”

Superlist: Make some noise

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Don’t despair if your frequent oral treatises to progressive ideals end up falling on deaf ears. Instead, let your feet walk and your trumpet talk. Armed with even an undernourished musical skill and the will to disregard noise ordinances in your neighborhood, you can find a street band, whether bawdy or principled, to soundtrack your most ardently held beliefs. Oh, you’ll be heard all right.

Bateria Lucha (www.baterialucha.org) could be loosely translated as "drums for the struggle," but essentially the passion of the Brazilian percussion tradition to which the name refers has no cognate in staid English. Catalyzed by the initial uproar over the current Iraq war, Lucha founder Derek Wright envisioned a musical force that would unify and groove-ify the chants of protesters, not drown out their message. Today, aspiring bateristas can join Wright for multilevel Brazilian percussion workshops each Thursday in Oakland in preparation for Bateria Lucha’s musical surge tactics, employed everywhere from picket lines to San Francisco Carnaval.

If you’ve ever joined a human blockade on Market or picketed the Woodfin Hotel, you’ve certainly had your marching morale boosted by the Brass Liberation Orchestra (< a href="http://www.brassliberation.org" target="blank_">www.brassliberation.org). Hailing from Oakland and San Francisco, this dedicated group takes peace and social justice activism seriously, even when enticing a city block of protesters to shake it to the Black Eyed Peas. Dispatching a spirited crew of brass, woodwind, and percussion players to rallies and events around the region, the BLO welcomes new members who can keep pace with the music and the cause.

If it’s spectacle you seek, look no further than Extra Action Marching Band (www.extra-action.com), the drum majors of San Francisco values since 1999. Credited with being among the early subverters of the once mannerly marching band aesthetic, Extra Action still manages to shock audiences with antics and braggadocio, often posing profound questions such as: why perform on a stage when you can dance naked on top of the bar?

Offering youth classes in San Francisco since 1994, the leadership of Loco Bloco (www.locobloco.org) has already raised a generation of students into its own ranks. Each year, the nonprofit’s mentors in Brazilian drumming and dance prepare a performance group for participation in San Francisco’s Carnaval. Drawing a strong contingency of players already affiliated with Loco Bloco, rehearsals preceding the May parade are open to all ages and abilities. The $5 class fee for adult Carnaval participants goes toward scholarships for youth.

Oakland’s Loyd Family Players (www.theloydfamilyplayers.com) are no purists. Beats and hooks from the band members’ own diverse musical backgrounds have found their way into this bateria’s boisterous repertoire. Nevertheless, the lineup of Brazilian surdos, snare drums, shakers, and bells still carries the distinctive thump of authentic samba at its craziest. Props go to the fiercest female percussion section around.

A spirit of cheerful anarchy sustains the Los Trancos Woods Community Marching Band (www.ltwcmb.com), which began its long life on New Years Day, 1960, in a hilltop village tucked away behind Palo Alto. The application for new members requires only "the desire to have a good time," and rehearsals are limited to once a year. You can tag along with their procession through North Beach on Columbus Day as long as your "uniform" is suitably absurd, but you’ll know you’re really in the club when you find yourself halfway to Monterey honking New Orleans–style kazoo in the Castroville Artichoke Festival Parade.

The Musicians Action Group (Magband@aol.com), a self-described circle of "old left wingers," roots its music in the history of American activism, performing songs of the labor, antiwar, and civil rights movements. Born out of a need to make noise about social justice, MAG has played at major demonstrations and protests since 1981. The group welcomes newcomers who share their mission of supporting progressive causes with music that is historically and politically significant.

Superlist: Hot shaves

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Oh, the beard. You’ve seen it all over the city on all kinds of faces. It’s both the Scandinavian overgrowth of a hipster on a fixie and the trimmed-up, yuppified smarm of the suit sitting next to you on the 47. The bald 43-year-old in the Ozzfest T-shirt: he wears the hell out of it in an attempt to distract attention from his retired scalp.

We love it. Eventually, though, it starts to itch or begins to rub your significant other the wrong way. Here’s your answer: ooh, the hot shave. Many barbers will tell you they no longer perform this time-consuming yet important service. But the following will gladly and skillfully remove your chinstrap and leave you feeling smooth again.

A shave is a bit pricier at the Art of Shaving (845 Market, SF; 415-541-9801, www.theartofshaving.com), located inside the Westfield Mall, than at a typical barber shop. Last shave starts at 8:30 p.m., so they’re great in a pinch.

Everything, including your shave, seems to cost $16 at Asano (3312 Sacramento, SF; 415-567-3335), an appointment-only hole in the wall off Presidio Ave. With only one or two chairs going at any given time in this tiny space, you’d better call ahead.

Say bye-bye in style to last year’s neck-beard trend at the Barber Lounge (854 Folsom, SF; 415-934-0411, www.barberlounge.com). With two barbers on deck, including San Francisco Barber College graduate Rick Cortezzo, this self-described "ultrahip" full-service salon in an artsy SoMa loft can provide all the requisite new-school pamper while giving you a hot-towel shave that would make Gramps proud.

Dwayne Robinson, founder and executive director of Bayview Barber College (4912 Third St., SF; 415-822-3300, www.bayviewbarbercollege.com), teaches his young pupils everything they need to know to pass the state exam, with a five-hour evaluation that includes a practical on the hot shave. On top of such fundamentals as foot position, lather control, the 14-stroke sequence, and the all-important hot-towel finish, Dwayne stresses the importance of a polished customer-service approach to all aspects of the barbering craft. You can come in and get a super-affordable shave from one of his students any time after 10 a.m., when class instruction ends. Stick around for the joke-cutting and some half-reliable dating tips.

Ask for Victor at Exchange (435 Pine, SF; 415-781-9658). He’s the only one who performs the hot shave at this classic establishment, which is built into the side of a downtown Pine Street slope. Barber rumor has it that Victor’s shaves are the best in the city, so it’s probably worth the wait.

Founders Kumi Walker and Sean Heywood designed MR. (560 Sacramento, SF; 415-291-8800, www.mrthebarbershop.com) as a high-end local service for the manly needs of Financial District execs and other fine gents. Featuring huge plasma TVs, a shoeshine bench, plush seating, and a full-service bar, MR. provides its clientele with all the trappings of an upscale lounge. Though one-off shave arrangements can be made, MR. also offers a monthly membership, at a steep price, in exchange for 24 hours’ worth of styling service.

Ask your Mission bartender, he’ll tell you that at Willy’s (3227 22nd St., SF; 415-826-2344) they still do things the old way: a close shave, a nice hot towel, and good conversation. Although Willy no longer runs the shop, this spot is a surefire bet, and walk-in friendly.

The newly remodeled space at Sunset Barber Service (1374 Ninth Ave., SF; 415-564-4744) feels like home, what with its hardwood floors, finished counters, warm color scheme, and "mature" reading material. Jay and his father have been running this neighborhood outlay for 40 years and have seen all the fads come and go: the Faux Manchu, the Lonely Mennonite, the Mandlebar, and let us all wistfully recall the Amorous Marine.

Superlist: Dives with karaoke

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Here’s why dive bar karaoke is better than what you’ll find at the established venues: (1) you’re less likely to get shamed by karaoke "professionals" who hog the mic and collude with the KJ to play nothing but show tunes and ballads; (2) wait times tend to be shorter, giving you more chances to shine; and (3) the song repertoire tends to be a bit wackier, which — if you’re lucky — means finding such rare gems as Danzig’s "Mother" or your favorite Paula Abdul B-side. Now go forth and rock that mic.

With its lush red velvet glow and fine wine and Belgian beer selection, Amnesia (853 Valencia, SF; 415-970-0012) hardly feels like a dive bar, which is what makes its free Tuesday night karaoke so special. Plus, the fact that it’s hosted by Glenny Kravitz, one of the most prolific KJs in the dive bar circuit, means there will be a huge selection of music and props — à la cowbell and toy sax.

If you want a dimly lit, dive-classy karaoke spot with a great beer selection and a hipster crowd that will actually hit the dance floor while you croon Usher, then come to the Attic (3336 24th St., SF) for its once-a-month karaoke night on second Mondays.

Not only does Annie’s Social Club (917 Folsom, SF; 415-974-1585, www.anniessocialclub.com) offer the rare opportunity to sing Iron Maiden and Judas Priest at its "punk and schlock" karaoke nights, but its also pours drinks stiff enough to make you think you can actually pull off a high-pitched heavy-metal wail. Monday nights are free with karaoke on the main stage; Fridays and Saturdays you’ll pay cover for the band but can slip into the tucked-away karaoke room that holds a mercifully small crowd. Come prepared by previewing their song list online.

There’s no better way to take a Friday after-work happy hour (6–9:30 p.m.) with your coworkers to a whole new level of embarrassment than with karaoke at the Beale Street Bar & Grill (133 Beale, SF; 415-543-1961). Running 22 years strong, this Financial District spot draws a hugely mixed crowd, ranging from suits to bike messengers and construction workers.

It’s hard to name the best thing about Bow Bow Cocktail Lounge (1155 Grant, SF; 415-421-6730) — whether it’s the bartender known for getting wasted, throwing firecrackers, and forgetting to charge you for drinks; the opportunity to sing your karaoke selection in either English or one of several East Asian languages; or some of the strangest background graphics you’ve ever seen. But once you’ve been, there’ll be no mystery why it’s heralded as one of the best karaoke spots in the city. Sing until closing on Friday and Saturday nights.

Neighborhood folks and young Mission transplant types rub elbows at Thursday-night karaoke at Jack’s Club (2545 24th St., SF; 415-641-5371). Jack’s keeps it real with cheap beer, an energetic crowd, and classic karaoke tunes including hip-hop and old-school jams.

There is no better way to mourn the beginning of another workweek than to make like an Outer Mission hipster and head to the Knockout (3223 Mission, SF; 415-550-6994) for its Monday night "Krazy for Karaoke Happy Hour" (6–9 p.m.). After a shot of karaoke-induced adrenaline and a few drinks from its quirky menu — which includes hot toddies, spiked root beers, and electric limeade — you’ll start to feel like Friday’s not looking quite so far away after all.

Lingba Restaurant & Lounge (1469 18th St., SF; 415-355-0001), a swanky Southeast Asian restaurant in Potrero Hill with an adjoining bar, hosts karaoke on Sunday nights with none other than the Karaoke Shark himself, Glenny Kravitz.

Who says the Mission is hopelessly overrun by hipsters and bridge-and-tunnelers on the weekends? The Napper Tandy (3200 24th, SF; 415-550-7510) has a warm, neighborhood-sports-bar kind of feel — the kind of place where you go to catch the game, shoot pool, eat fish and chips, and sing your favorite hits on a Saturday night.

On Friday and Saturday nights, Rick’s Restaurant and Bar (1940 Taraval, SF; 415-731-8900) draws an older crowd of Sunset regulars and neighborhood folk — and occasional San Francisco State University students — for crooners, classics, and pop.

Starting at 6 p.m. on Monday nights, El Rincon (2700 16th St., SF; 415-437-9240) serves up Cuban food and karaoke, featuring music ranging from Latin and reggae to ’80s punk, pop, and goth.

Switchboard Music Festival

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PREVIEW While something like the Treasure Island Music Festival can be summarized in a nutshell — a day of indie rock and a day of electronica — the annual Switchboard Music Festival defies classification. Traditionally, a lack of stylistic consistency is frowned upon in the music world — some artists spend years searching for their own reliable sound — Switchboard organizers say times have changed. With file-sharing and iTunes inundating fans with music, composers have the opportunity to go wild. On a song-by-song basis, good music is good music, regardless of who produced it or what genre it is.

Like many of the acts throughout the day, San Francisco’s Aaron Novik seems to put his eggs in more baskets than the Easter Bunny. Novik is a self-described "clarinetist, composer, bandleader" who clearly has a propensity toward variety, as his projects span anywhere from psychedelic jazz to metal. At the festival, Novik will lead his traditional Jewish folk band the Yidiots, which includes Guardian editorial intern Dina Maccabee on violin.

Fellow musical butterfly Amy X Neuberg, the festival’s headliner, will demonstrate her wide range of musical manifestations. Oakland composer Neuberg’s performance centers on creative uses of her own voice, including some over-the-top opera, soft jazz tones, and spoken word — all looped in real time through a sequencer to create harmonies. Genres will bend and tear within her set and those of others, only to shatter with the first note of the following act.

SWITCHBOARD MUSIC FESTIVAL With Christopher Adler, Dan Becker, Del Sol String Quartet, Edmund Wells, Erik Jekabson, Gamelan X, Ian Dicke, Ian Dickenson, Inner Ear Brigade, Jonathan Russel, Robin Estrada, Ryan Brown, and Slydini. Sun/30, 2–10 p.m., $5–$25. Dance Mission Theater, 3316 24th St., SF. (415) 826-4441, www.switchboardmusic.com

Shelter

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REVIEW To a certain extent, almost all surfing flicks carry undercurrents of homoeroticism — but rarely do those vibes take center stage. With Shelter, that’s not the case. Starring Trevor Wright (a TV vet making his big-screen debut) and Brad Rowe (Billy’s Hollywood Screen Kiss), the movie is about two young surfer dudes whose practice of spending endless hours together either half-naked in the water or bonding over neverending six-packs of beer leads to a passionate love affair. So don’t expect to see any radical wave-riding here. Instead, you should count on a sweet and tender rendering of innocent flirtation (and the awkwardness, playfulness, and silliness that come with it), and of the complex deeper emotional phases that a person falling in love goes through. Although Shelter doesn’t avoid being a bit sappy every now and then — and at times the acting feels a bit forced — the truly amazing chemistry between the two protagonists overshadows many of the film’s imperfections. The first movie to be produced under the here! Films Independent Film Initiative (which helps thematically edgy and thus noncommercial projects with all aspects of production), Shelter also marks director Jonah Markowitz’s first attempt at feature filmmaking. If you missed it at Frameline last summer, here’s a chance to make amends.

SHELTER opens Fri/28 in San Francisco.

Karaoke revolution

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REVIEW The radio at my neighborhood Laundromat is a source of pop music melancholy. That a-ha song "Take on Me" gets me misty while folding socks — damn it.

Something similar happened when I first saw British artist Phil Collins’s captivating Smiths karaoke video project, dünya dinlemiyor (Turkish for "the world won’t listen") at the San Francisco Museum of Modern Art in 2006. The piece documents Turkish Smiths fans performing versions of the band’s classics in front of high-keyed landscape photo backdrops — many depicting sites far more tropical than Istanbul. Throughout the run of the exhibition, the cozy projection room was packed with people who stayed far longer than they would for more blatantly arty video pieces. They laughed with empathy — and perhaps to deflect the mix of emotions roused by their own powerful memory triggers.

Dünya dinlemiyor was just one-third of a recently completed trilogy by Collins: to bracket his shoot in Istanbul, he also conducted karaoke sessions at Bogotá, Colombia, and two Indonesian cities. All three were recently united as a triptych at the Dallas Museum of Art. That Texas metropolis — site of the 1992 concert DVD Morrissey: Live in Dallas — is a long way from here. But the monograph produced for the exhibition, Phil Collins: the world won’t listen (Yale University Press, 132 pages, $45), serves as something akin to an edifying concert brochure. This is particularly true of a historical essay (regarding the Smiths oppositional relationship to Thatcherism and corporate label hegemony) by music critic Simon Reynolds.

In addition to Reynolds’s observations, Phil Collins: the world won’t listen includes still photos from videos, related imagery, two other illuminating essays, and a particularly engaging interview with Collins. "Karaoke is a form of joyful treason in which you quite materially supplant your idol," he tells the book’s editor, Dallas Museum curator Suzanne Weaver. Her conversation with the artist illuminates his interest in mediated subjects, and positions his Smiths project as an anti–American Idol. "Every single season [American Idol] is about complete conformity around the idea of the songbook," he observes. Collins’ Smiths project shatters that conformity, presenting an international range of people swayed by the idiosyncratic, outsider, emo aura of, say, "The Boy with the Thorn in His Side."

Critic Bruce Hainley links American Idol to the George W. Bush administration in a manner that — fittingly, considering that the Smiths are a touchstone of Collins’s project — combines longing with astute social observation. "What does it take to be a celebrity (not a star), circa 2007?" he asks, and then provides the American Idol–inspired answer: "Twelve weeks, and consumers voting with more gusto than they have voted in any recent American presidential election." Just as insistently, Hainley points to the crush-generating erotic lure of pop music collateral, citing a shirtless Joe Dallesandro on the cover of the first Smiths album, as well as the camera’s apparent lust for a Smiths fan in a red T-shirt in Collins’s Bogotá-set video. Next, Liz Kotz provides descriptive insight into Collins’s other works, which subvert standard practices of popular media in their depictions of Kosovo refugees, Iraqi citizens, and people emotionally scarred by their appearance on reality TV.

Because musical performance is so central to Collins’s work, it’s a shame that this slip-cased volume doesn’t include a DVD with a few song snippets and examples of the similarities and differences between each national version of the project. But there are compensations: the book does sport images of the Smiths’ set lists, an unauthenticated 1981 handwritten note from Morrissey, and Hainley’s comic acknowledgment of Collins’s pop music namesake: "Why not Genesis karaoke?"

Patty meltdown

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› superego@sfbg.com

SUPER EGO Clear the runway! Clear the runway! She’s got a Target elastic waistband and too many Walgreens L’Oreal home highlights in her shag — and she’s about to crash-land drunk off her Lucite Shoe Pavillion fuck-me pumps and into my $30 Blue Lotus powertini, with guarana extract, caffeine, taurine, and B vitamins 3, 5, 6, and 12. Somebody call Grey’s Anatomy on her jiggly, glitter-thonged ass, stat. Save me, Dr. McCreamy! Save my exorbitant cocktail!

Nightlife 911!!!

Hi. I’m writing to you from the bowels of underground club connoisseur hell, a.k.a. a gay bar in Las Vegas on St. Patrick’s Day during spring break. Try not to imagine it. On the giant video screen: a 2005 frat-boy rave remix of the Cranberries’ "Zombie." In the glass tanks lining the dance floor: live piranhas. Streaming through the door: distressed embroidered jeans and bleached-out cocka’dos. Kill me.

"What did you expect?" Hunky Beau reminds me not-so-gently. "This city has the freakin’ Liberace Museum. Drop the snob act." So I take some heart in the equality of it all. The Vegas homo-horror crowd out by the airport’s no different from the straight-when-sober one thronging the Strip, except the lesbians are real and the other women aren’t. Or rather, they’re 50 percent less real. Surgery is confusing! It’s like silicone algebra. And don’t let’s even glance at Vegas menswear, ‘k? When did Affliction team up with Hurley and Crocs to make Jams?

Other than the occasional squawk of stale reggaetón emanating from pastel Hummers on West Tropicana — not to mention a slew of rowdies screeching "The Star-Spangled Banner" throughout New York New York (never forget!) — the charge-card cocktails, Timba-hop tunes, and space-age bachelor ultralounge aesthetic of omnisexual fantasyland are bottle-serviced with a splash of Burner du Soleil myshtique. In Las Vegas, the apex of a corker evening is a Coyote Ugly boobarella with red contact lenses and vampire fangs writhing on a dry-iced bar to DJ Tiësto. The only thing missing, really, is a topless raver girl revue with dildo glowsticks and peekaboo JNCO jeans. I’m copyrighting this idea immediately.

Everything’s slathered in pimps-and-ho cheese and infernal strobing ultraviolet beams, grinding my delicate complexion into hamburger. Is this what you want, America? Awful-looking skin?

Like Manhattan and Miami — where three-quarters of San Francisco’s dance music movers-and-shakers are currently scratching their bikini waxes at the bubbly-drenched, forever-2001 Winter Music Conference — Vegas has now officially Disneyfied the salacious grit from my fond partial-memories of nightlife there, on and off the Strip. Bring on the recession, darlings! I’m all for having wild fun — this, after all, is how a majority of Midwesterners will be introduced to club culture — and I realize that a vibrant and shocking underground depends on a slick surface limelight to tunnel beneath. But please: what happens in Las Vegas, stay there.

Lady Go Boom Enough grumpy, let’s party! You may remember the excitably gorgeous Lady Tigra as one half of ’80s Miami Bass female electro-rap phenom L’Trimm, whose sub-woofin’ 1988 hymn to cracked windshields, "Cars That Go Boom" (Hot Productions), raised the fluorescent-suspendered rafters of club kids nationwide at the time. I was there, and Tigra was fierce. Now she’s back — grrrl! — with a slinky-nasty new album, Please Mr. Boombox (High Score), and a savvy plan to retake the alternative nightlife spotlight by teaming up with the cheekiest promoters on the West Coast. Fresh from her balls-out show at Los Angeles’s latest actually great party, Mustache Mondays, she’ll sink her claws into your dancey-pants with gender-bending vocalist and performance artiste extraordinaire Jer Ber Jones and the ever-beaky DJ Chicken at Cafe Du Nord on March 28. Her warped OMD-sampling jam "A Moon Song," especially, has been freaking the red zones in my headphones lately. And please note that I have not made a single tragic Tatiana the Tiger joke in this catty plug, mostly because I wish I’d mauled that hot dead Indian boy first and I’m still bitter. So there.

LADY TIGRA

Fri/28, 8:30 p.m., $15

Cafe Du Nord

2170 Market, SF

(415) 861-5016

www.cafedunord.com, www.myspace.com/theladytigra

Closing time

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› amanda@sfbg.com

The sign on the door speaks the truth to the 200 people who pass through it everyday: "Buster’s Place/13th Street Drop-In will be permanently closing Monday March 31 at 5 p.m."

Will, a trim, soft-spoken man seated inside Buster’s on a Monday afternoon, reading a paper and waiting for his laundry to finish spinning, says that starting April 1, "The street is going to be where I go. The Safeway sink is going to be my shower."

Buster’s Place, a homeless services facility run by Haight Ashbury Free Clinics, is on Mayor Gavin Newsom’s midyear budget chopping block. But recently passed legislation says the city must provide a 24-hour drop-in center accessible to anyone. On March 18, the Board of Supervisors, by a vote of 9-2, passed "standards of care" mandating that all city-funded homeless shelters meet a basic level of sanitation and service, stocking facilities with toilet paper, soap, and nutritious food, as well as keeping at least one open 24 hours a day for anyone to walk in the door. (See "Setting Standards," 1/30/08 and "Shelter Shuffle," 2/13/08.)

Newsom tacitly supported the new law, but took issue with the $160,000 price tag — which does not include the $1 million it takes to run Buster’s for a year.

The Human Services Agency plans to temporarily fill Buster’s void with 150 Otis, a city-owned building across the street where storage and shelter reservations are provided for homeless people. In the past, it’s been an emergency shelter for men, but it is only permitted to operate nine months out of the year. On April 1 it will reopen with about 30 beds and 30 to 40 chairs — all for men — and will only be open until June 30, the end of the fiscal year. HSA did not respond before press time to multiple requests for more details on the plan.

Beyond trying to fix a permanent problem with a temporary solution, 150 Otis will be a shadow of Buster’s.

"Buster’s definitely handles more than 30 to 40 people a night," said the Department of Public Health’s David Nakanishi. On March 20, for example, Buster’s staff reported to Nakanishi that 98 people were on-site at 3 a.m. — 90 males and eight females. They also reported 30 people at 3 p.m. and 80 at 8 p.m.; 90 was the average between midnight and 7 a.m. Overall, the staff sees 150-200 people a day.

The drop-in center is often the first place a newly homeless person goes for help. But now those people — especially women — will have one less option.

Buster’s manager, Carolyn Akbar, has been telling clients to go to the Free Clinics’ Oshun Center, which has 24-hour drop-in services for women. But, she said, "A lot of women don’t like to go there because it’s right in the heart of the Tenderloin."

Funding for 150 Otis is coming from an HSA budget surplus. "They’re not saving any money. They said as much at the budget hearing," said Sup. Chris Daly.

Already, other city-funded facilities are feeling the strain of one less helping hand. The Mission Neighborhood Resource Center has many of the same services as Buster’s, but is only open weekdays and already operating at capacity. Still, "I’m seeing my numbers spike up," said director Laura Guzman. Contracted to serve 100 people a day, her staff tries to keep the number under 200, but lately it’s been closer to 250. "We had an incidence of violence last week as a result of more people in the facility," Guzman said. Guzman called drop-in facilities "critical players in our system of care. "When everything else fails, the drop-in is there."

Necessities like showers, laundry, restrooms, telephones, and access to medical and dental services can be found at Buster’s. Also, unlike any of the 15 other city-funded places for homeless people, it’s open 24 hours a day, seven days a week, and is "low threshold," meaning there are no basic requirements to come in.

Nakanishi listed several reasons why a drop-in center aids in overall public health, from preventing deaths on the street to providing a place to take a shower and use the bathroom. A Request for Proposals put out by DPH to continue the 24-hour drop-in services next year is also on hold, shaving a slim million from the city’s budget.

Tenderloin Health, which operates a drop-in center on Golden Gate Avenue, was one of the respondents to DPH’s RFP for a 24-hour center and said it was more than willing to extend operating hours past the current 11:30 p.m. closing time.

"The funding was pulled the same day we submitted the proposal," said Colm Hegarty, director of development for the nonprofit. "We would do it. Our proposal was very specific."

Drop-in centers have been criticized as places where people hang out and avoid the shelter systems and services they provide, but that was never the intention for Buster’s, which has only been open for 13 months. "The program was designed to really have around the clock case management," said Nakanishi, who wrote the RFP.

Akbar said Homeless Outreach Team officers were supposed to be working with center staff to move people deeper into the care system, but she’s been told they’re too busy working with people on the streets.

Which is what Buster’s is all about. Most of the people still on the streets aren’t interested in doing something to change their situations, points out Keith Bussey, deputy director of integrated health services for the Haight Ashbury Free Clinics. "But people who come into a drop-in are in that pre-contemplative stage of change. They’re venturing inside for maybe the first time."

Will is unequivocal about Buster’s proposed replacement: "Not 150 Otis. I don’t want anything to do with 150 Otis because of the people who work there." Claiming he’s received rude treatment there too many times, Will even stopped using the storage facility there. Middle-aged and homeless in San Francisco for the past couple of months, he sleeps outside and after two stays in the city’s shelters said, "Never again."

"Ultimately it’s going to hurt the city," said Hegarty of the closing. "You’ll see more of a presence on the streets. People will want to see something done about it, so there will be more police responding. The criminal justice system is going to become burdened. The emergency room at San Francisco General is going to become burdened. People will go anywhere they can just to get off the streets."

Editor’s Notes

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› tredmond@sfbg.com

A couple of decades ago, the American Civil Liberties Union sued San Francisco over the cross on Mount Davidson. The issue was pretty simple — a religious symbol on public land — but the furor was insane: critics attacked the ACLU up, down, and sideways and acted as if the separation of church and state was some form of blasphemy.

Yes: even in this tolerant, secular city, people get amazingly bent out of shape over this stuff. In fact, when I called Mission Police Station this week and asked why churches are allowed to use the middle of Guerrero Street for free parking on Sundays, Sgt. Larry Gray tried to talk me down.

"Tim, Tim, you don’t want to go up this tree," Gray, who is a charming and funny man, told me.

Sorry, Sarge, but I’m going there.

See, if you live in the Mission, it’s pretty hard to ignore. Double parking and parking in the medians is strictly illegal, and people get stiff tickets for it — except on Sunday morning, when churchgoers get a complete pass.

The churches don’t have to get permits or pay the city a fee or anything. According to Gray, there really aren’t any rules. The cops just look the other way.

"It’s a San Francisco tradition that goes back a hundred years," Gray told me. "They used to do the same thing with horses and buggies."

I know, I know, tradition and all. Last Sunday was Easter, for Christ’s sake, and I ought to give the believers a break. And on one level, it’s not that big a deal at all. The streets are still passable, mostly, although it’s a little more dicey for bikes and cars to coexist on a narrower strip of pavement. Traffic isn’t a big deal on Sundays (mostly), and if it is, people shouldn’t be driving so much anyway.

But nobody else gets to do this.

If you go to see the (secular) Mime Troupe in Dolores Park and you stick your car in the middle of the street, you get a ticket. If you drink at a (secular) bar or eat at a (secular) restaurant and you leave your car in the Valencia Street median, you get cited. You can’t double park while you run in for a (secular) cup of coffee at Muddy Waters.

So, with all due apologies to Sgt. Gray and the good people of faith, I have to ask again: Why do the churches get something nobody that else does? Am I the only one who thinks this is a bit sketchy?

I continue to get calls from people who are furious about the state’s plan to spray chemical pheromones from helicopters over San Francisco in August as a way to wipe out the Light Brown Apple Moth. Assemblymember Mark Leno and state Senator Carole Migden both are fighting it. Mayor Gavin Newsom wrote the governor this week to urge a health study before the spraying starts.

An environmental impact report is underway, but the state and the feds are calling this an emergency (the LBAM damages crops) and they’re planning to go forward no matter what.

I fear the only way to stop this is in court, with a challenge to the EIR — its timing, validity, the emergency declaration, etc. City Attorney Dennis Herrera ought to take this on. Thousands of people with young kids in the path of the spray would be immensely grateful.

Stop the Cow Palace land grab

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EDITORIAL Technically, the Cow Palace isn’t in San Francisco, but it’s part of the larger city’s history. It was the site of two historic political conventions, a string of historic concerts, and lots of less memorable smaller events. It’s home to the Grand National Rodeo. For a lot of people who care about links to the city’s past, it’s a treasure. For the half-million or so folks who pass through the doors every year, and the dozens of promoters who use the cavernous hall for expositions, shows, and performances that don’t fit anywhere else, it’s an invaluable part of the local cultural scene.

For people who worry about earthquakes and catastrophes, it has immense appeal — the place could serve as a gigantic shelter, with beds, showers, a huge parking lot for staging, and room to land helicopters in the event of a disaster.

To real estate developers, it’s a potential gold mine. And to Daly City, where the Cow Palace sits, it’s an opportunity to create a huge new complex of condos and retail stores that would bring in millions in new taxes.

So when state Sen. Leland Yee introduced a bill that would force the state to declare the Cow Palace surplus property and sell it to Daly City, the battle lines were drawn. A front-page story in the San Francisco Chronicle suggested that the venerable place could be razed for redevelopment. Supporters have come forward to talk about its role in the community and its value as a venue. The Daly City manager, Pat Martel, argued that the place gives her city nothing whatsoever in terms of taxes and hosts some events — like a gun show and the Exotic Erotic Ball — that her constituents find offensive.

What’s missing from most of this debate is the fact that this is 68 acres of prime real estate that’s still publicly owned. Declaring it surplus would almost certainly lead to the privatization of an immense block of potentially priceless urban land.

Yee’s bill, SB 1527, is just the latest chapter in a battle over the Cow Palace that goes back several years. The board that oversees the facility, which reports to the state Department of Agriculture, has been negotiating with Daly City to lease 13 acres of parking lot and underused land for development. That would allow the city to build some new housing, seek a supermarket that the neighborhood badly needs, and add to the local tax base. But the talks have stalled — and after Daly City hired powerhouse lobbyist and former assemblymember Bill Duplissea to take the case to the Legislature, and Daly City’s council asked for help, Yee stepped up.

SB 1527 mandates that the state sell the property to Daly City, with the proceeds going to pay off some of the debt the state incurred through the governor’s misguided deficit-recovery bonds. Yee argues that the state needs the money in this brutal year to save public education, and we understand how powerful that message can be — but selling off public land to cover budget shortfalls is almost always a terrible idea.

There’s little doubt what the endgame is here: Daly City doesn’t have the cash to buy 68 acres that will be worth hundreds of millions of dollars at fair market value. All the small municipality will be is a conduit — the land will be quickly flipped and sold (or leased for very long terms) to private developers.

The Yee bill is designated an "urgency measure," which means it could be approved as early as April. That’s ridiculous; there is no urgency here. This is a huge decision, and needs a lot more public discussion and debate.

We suspect that there’s a way to meet Daly City’s needs for development without turning over the entire 68 acres. There’s almost certainly a way for the Cow Palace to remain and for some of its land to be used for housing and retail.

But we haven’t even seen a template for what sort of project would go on the site. How much of the housing would be affordable? How much of the retail would serve the community? Would this become another chain-store-and-luxury-condo site with gated homes in an economically depressed area? What will the San Francisco neighborhoods that border on the site get out of it? Will there be any new parkland or open space? How will a large commercial complex there affect traffic, noise, pollution, displacement, and other environmental factors in the surrounding areas?

How on earth can you talk about selling off such a huge chunk of public land without even talking about how it will be used?

This is nuts. Yee’s bill needs to be defeated, and all the parties (including the San Francisco city planners and supervisors) need to start cautious, long-term discussions about the Cow Palace, its land, and the needs of the public. Otherwise this will appear — with justification — to be nothing but a sellout of gargantuan proportions.

Buster’s axed: City’s top earners next?

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Anyway you cut it, the city budget deficit is going to be painful

Sup. Chris Daly failed to save Buster’s Place from the budgetary chopping board today—a quest Sup. Tom Ammiano deemed “a Sophie’s Choice,” since it involved disappropriating funds that had been earmarked for making the Board’s Chambers wheelchair accessible.

“But I applaud Daly for trying to do an Immaculate Conception, a Hail Mary to make it work,” said Ammiano, as he joined Sups. Sean Elsbernd, Sophie Maxwell, Jake McGoldrick, Carmen Chu and Bevan Dufty to defeat Daly’s plan.

But by meeting’s end, the homeless weren’t the only ones feeling the city’s budget pain. Hundreds of highly paid city employees were surely chewing their nails, following Board President Aaron Peskin’s announcement that in light of the city’s $338 million deficit, he is drafting an ordinance to eliminate all base salaries over $150,000.

596 city employees make over $150,000 a year, according to the Controller’s Office.

But while the MTA’s Nathaniel Ford tops the list ($297,999), with the Retirement System’s David Kushner ($289,478) and Administrative Services’ Amy Hart ($264,524) in second and third place, followed by the Airport’s John Martin ($256,565), Controller Ed Harrington ($256,553) and DPH’s Dr Mitch Katz ($256,553), don’t expect them to be laid off any time soon.
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You can try dealing with the deficit with lots of little cuts from the bottom up.

As Peskin told the Guardian, the Board is not allowed to tinker with some positions, because of charter mandates.

“Some people are constitutionally protected, such as department heads,” Peskin said, “and Proposition D arguably protects police personnel who make over $150,000. And others are doctors at San Francisco General Hospital.”

But beyond those restrictions, a lot of folks could be standing in Peskin’s potential firing line.

“All of them, regardless of pay, perform an important function in the government,” Peskin observed, “but rather than do what the Mayor is doing and make 8 percent across-the-board cuts, we’re making sure that the most vulnerable people don’t get hurt.”
“And we don’t need public information officers in every department,” Peskin added, noting that their elimination would save the City about $50 million a year.
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Or try attacking the problem from the top down.

Peskin admitted that the police, fire and nurses MOUs, which Mayor Gavin Newsom negotiated last summer in the run up to his 2007 mayoral reelection, explain a large part of the City’s 2007-2008 budgetary woes.

“We are all to blame for that. The Board signed off on them, I’m not going to pretend we didn’t,” Peskin said, observing that this month’s axing of Buster’s Place and the Workers Compensation Clinic are “just the tip of the iceberg.”

“Come the Mayor’s budget, we’ll be crying over much larger things,” Peskin explained. “That’s why we need to take some radical steps now to lessen the impact.”

Monique Zmuda of the Controllers Office told the Guardian that the City will need to determine if the functions performed by folks who make over $150,000 are “mandated”. From the remaining sublist, Peskin will have to decide, “if he is truly intending to delete those jobs,” said Zmuda, noting that many of the remaining positions are lawyers, and that “it’s not Peskin’s intention to stop city departments from being able to do business.”

Pointing to the 8 percent cut that the mayor asked of departmental baseline budgets last November, and the additional 8 percent personnel cut that Newsom just announced, Zmuda said, “Peskin’s request means the Boad has additional options to consider, that it’s not just reacting to the Mayor’s proposal. If we have a $338 million gap, it’s better if the options add up to more than that, so that the Board can pick and choose and decide what is the highest priority to save and to cut.”

Or as Sup. Jake McGoldrick told the Guardian” I think Peskin is trying to invigorate a dynamic dialogue and debate.”

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And then, of course, there’s the Chinese toy axe.

In other Board-related news, the Olympic Torch debate continues to burn.
As protesters chanted ‘Mayor Newsom reject China’s bloody torch” outside City Hall, Sup.Tom Ammiano introduced a resolution urging the Mayor, the Mayor’s Office of Criminal Justice and the San Francisco Police Department to comply with the City’s Sunshine ordinance and immediately release the route of the April 9 torch run, along with other documents that the American Civil Liberties Union of Northern California requested on March 13.

And Board President Aaron Peskin sent Supervisor Chris Daly’s resolution, which proposes to accept the Olympic Torch with “alarm” in light of China’s Tibetan crackdown, to the Rules Committee this Thursday.

The Guardian Iraq War casualty report (03/24/08)

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For a breakdown of the positions that relevant politicians are taking on the war in Iraq, visit the slate.com link below. 36 U.S. soldiers were killed this month, which means at least one U.S. soldier was killed for every day that passed. Click here to view.

Casualties in Iraq

U.S. military:

4 U.S. Soldiers were killed in a bomb blast on Sunday bringing the American soldier death toll to 4,000, according to CNN.

The New York Times created a web page called Faces of the Dead, where you can view specific information about all of the U.S. Soldiers who have died in Iraq.

4,276: Killed since the U.S. invasion of Iraq 3/20/03

Source: http://www.icasualties.org/

145 : Died of self-inflicted wounds, according to http://www.icasualties.org/

For the Department of Defense reports go to: http://www.defenselink.mil/

For a more detailed list of U.S. Military killed in the War in Iraq go to: www.cnn.com

To view a breakdown of U.S. military casualties by state of residence, click here.

Iraqi civilians:

82,394 – 89,914: Killed since 1/03

Source: http://www.iraqbodycount.net

For a list of recent events that have resulted in Iraqi casualties, visit :
http://www.iraqbodycount.org/database/recent/

For first hand accounts of the grave situation in Iraq, visit some of these blogs:
www.ejectiraqikkk.blogspot.com
www.healingiraq.blogspot.com
www.afamilyinbaghdad.blogspot.com

Iraq Military:

30,000?: Killed since 2003

Source: http://www.infoshout.com

Journalists:

127 journalists have been killed since the start of the war in March, according to CPJ.


Refugees:

2.2 million: Iraqis displaced internally

2 million: Iraqis displaced to neighboring states

Incessant violence across much of Iraq’s central and southern regions has forced tens of thousands of people to leave their homes every month, presenting the international community with a humanitarian crisis even larger than the upheaval aid agencies had planned for during the 2003 war, according to United Nations High Commissioner for Refugees’ estimates.

U.S. Military Wounded:

132,199: Wounded from 3/19/03 to 3/01/08

Source: http://www.icasualties.org/


The Guardian cost of Iraq war report (03/24/08): So far, $505 billion for the U.S., $63 billion for California and $1 billion for San Francisco.

Compiled by Paula Connelly

Here is a running total of the cost of the Iraq War to the U.S. taxpayer, provided by the National Priorities Project located in Northampton, Massachusetts. The number is based on Congressional appropriations. Niko Matsakis of Boston, MA and Elias Vlanton of Takoma Park, MD originally created the count in 2003 on costofwar.com. After maintaining it on their own for the first year, they gave it to the National Priorities Project to contribute to their ongoing educational efforts.

To bring the cost of the war home, please note that California has already lost $63 billion and San Francisco has lost $1 billion to the Bush war and his mistakes. In San Francisco alone, the funds used for the war in Iraq could have been used to provide 3,144,442 homes with renewable electricity, 726,370 people with health care, or 31,528 public safety. For a further breakdown of the cost of the war to your community, see the NPP website aptly titled “turning data into action.”

For more information on what the war is costing the United States visit the American Service Friends Committee website here.

Or maybe just, No Joe Nation

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Well, my blog item on some supporters of Ross Mirkarimi suggesting he run as a green for state Senate attracted calls almost the moment I posted it. And the callers have a point:

This isn’t just a San Francisco seat. Right now it’s a queer seat. And it’s possible that even the talk of Mirkarimi running could siphon away some of the energy that progressives say is needed to defeat Joe Nation.

For the record, I don’t think it’s a particularly good idea for Mirkarimi to run for state Senate; as I wrote, I think he would do better to stay in San Francisco. But I think the fact that this is even being talked about (and not by Ross, who I’m sure is flattered by it but who really isn’t pushing the issue) is evidence that there’s a concern out there about what would happen if neither Carole Migden nor Mark Leno wins the June primary.

Here’s the other option: Progressive supporters of both Leno and Migden could do something entirely radical, and come together to campaign to keep this a queer SF seat — which means running a campaign that says hey: Vote Leno. Or vote Migden. But don’t vote for Nation.

That might mean Migden and Leno deciding not to attack each other as Election Day approaches, and to save their negative campaigning for the candidate from Up North.

Gee, could they actually do that?

Mirkarimi for state Senate?

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I just heard a fascinating little rumor that says something about the state Senate race between Carole Migden, Mark Leno and Joe Nation.

Nation’s from Marin and is the more moderate candidate, and some San Franciscans fear that the two more progressive queer legislators could split the SF vote and leave the door open for Nation to win – and for San Francisco to lose a state Senate seat. So a few supporters of Sup. Ross Mirkarimi are saying that he ought to enter the race, as a write-in for the June Green Party primary.

Under the theory here, Mirkarimi would get the Green nomination. If Migden or Leno is the Democrat in the race, he’d drop out. If it’s Nation, he might want to decide to stay in.

Of course, that could mean giving up his board seat, since he’s up for re-election in November, and I’m not sure that’s a good idea. Perhaps better to have Mirkarimi in San Francisco than Sacramento.

But it shows how concerned people are about the prospect of SF losing this seat.

Mirkarimi was a little startled when he first heard of the plan, which was hatched by supporters who never actually talked to him about it. “I was taken by surprise at how well thought out this became, completely independent of me,” he said. He said he’s running for re-election to the Board of Supervisors, and that’s his priority. But he’s not against the concept of joining the Green Party primary, and if the Democrat were Joe Nation “then I would have to make a decision.”

You got torched

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Reporting by SFBG intern Emma Rae Lierley and SFBG reporter Sarah Phelan

Amid a backdrop of increased bloodshed in Tibet, and an early morning March 20 arson attack on the Chinese Consulate in San Francisco, Tibetan supporters gathered last Thursday outside City Hall for a candlelight vigil to protest San Francisco’s April 9 Olympic torch relay.

Inside City Hall, Mayor Gavin Newsom spoke to a semi-circle of news cameras, claiming that hosting the torch brings “pride” to many in the city, including San Francisco’s Chinese community, and stressing that the torch should be seen as a symbol of unity, both for the city and the world.

But during the Olympic Torch’s April 9 relay through San Francisco—its only North American touchdown as it travels from Greece to Beijing—the torch will be run along San Francisco’s waterfront, not through the narrow streets of the city’s Chinatown. And that Tibetan critics of China’s continuing human rights abuses would like to stamp out the torch’s relay through San Francisco entirely, claiming China has stained the flame’s original symbolism

“We, the Tibetans in San Francisco, see the torch as a tainted torch, a Chinese torch tainted in Tibetan blood,” said Tsering Gyurmey, an organizer of the March 20 vigil and an activist with SF TeamTibet, a collection of local organizations.

“The people of San Francisco don’t want the torch,” Gyurmey added. “It’s against the values of the city, against human rights and democracy. This torch comes from the communist Chinese government, where Tibetan people are being killed on their own land.”

A few hours earlier, Gyurmey was one of over a hundred speakers at a Board of Supervisors committee meeting, as Sups. Carmen Chu and Sean Elsbernd, Newsom’s closet allies on the Board, helped strike down a resolution, authored by Sup. Chris Daly, that took a critical stance of China and the Olympic torch.

Public comment lasted over two hours on the item, and was largely in favor of the resolution introduced by Supervisor Chris Daly. Calling for a solemn acceptance of the torch, the resolution asked for the city to receive it with “alarm and protest.”

Supervisor Daly also decried the city’s consideration of “free speech zones,” or special areas where anti-Chinese demonstrations would be limited to during the torch run.

“When our administration was asked to set up these zones, they should have said no,” Daly said during the meeting. “We can not be told to compromise our democracy as we ask others to expand theirs.”

Daly has pledged to try and reinsert his criticisms, when the resolution comes before the full Board on April 2, the week before the Olympic Torch relay is scheduled.

Meanwhile, China has lashed out at US House Speaker Nancy Pelosi, calling her a “defender of arsonists, looters and killers” according to international news reports, after she visited the Dalai Lama and criticized Chinese oppression in Tibet.

“If freedom-loving people throughout the world do not speak out against China’s oppression in Tibet, we have lost our moral authority to speak on behalf of human rights anywhere in the world,” said Pelosi. who came out punching when evidence of China’s pre-Olympic crackdown on religious leaders, journalists and lawyers first emerged.

“The Olympic Games in Beijing this summer should provide an opportunity for more free expression, not less,” Pelosi said. MArch 12.

But now US Senator Dianne Feinstein is weighing in on the side of caution, telling the Board of Supervisors not to use the Olympic torch relay to condemn China, claiming that doing so, will make it harder to resolve the Tibet issue.

As for San Francisco’s plan to try to contain protesters in “free speech zones” – located at the start and end of the torch run – Feinstein reportedly doesn’t have a problem with it. That’s the way she handled demonstrations at Democratic National Convention in San Francisco back in 1984 when she was mayor.

Guardian Eye: Downtown squiggle

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We’ve invited fab local photog Darwin Bell to share some of his photos with us throughout the next month, and tell us what the heck he was thinking when he took them.

Study in Curves

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Darwin Bell: “This is probably my favorite building in San Francisco, located at First and Market. The curves and lines are just amazing and so fascinating to photograph. “

FPPC Chair: Migden “Deceitful … We Will Fight Her”

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By JB Powell

On Thursday, the full board of the Fair Political Practices Commission (FPPC) voted to approve a record settlement agreement with State Sen. Carole Migden. As part of the deal, Migden had to pony up $100,000 of her own money as a down payment on the $350,000 in total penalties – the largest amount the FPPC has ever fined a public official in its 34 year history. The incumbent senator has one year to come up with the rest of the cash. Migden and two of her campaign aides admitted to 89 different campaign finance violations – including spending over $16 grand of campaign funds for “personal use.”

In a separate matter – covered this week in the Guardian (“Migden sues the FPPC”) – Migden is hauling the FPPC into federal court to save about a million dollars they say she can’t have. In a statement released after the vote yesterday, commission chair Ross Johnson didn’t mince words in voicing his displeasure with the San Francisco Democrat: “Senator Migden’s track record has shown her complete disdain for [campaign finance laws] … We will now focus our attention on [her] lawsuit and Senator Migden’s numerous other serious and deceitful violations of California law. We will fight her all the way.”

Everlasting fantastical: Mike Davis’s twisted dreamworlds

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By Vanessa Carr

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“Egg”

If you’ve ever seen the strange monsters and fantasies of the bizarre 16th Dutch painter Hieronymus Bosch and thought, “Man! I wish that guy could have given me a tattoo” — well, you might still have your chance with San Francisco tattoo artist and painter Mike Davis.

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In addition to owning San Francisco’s Everlasting Tattoo, Davis is a self-taught painter whose oil painting seem plucked from another time. The inhabitants of the fantastical world he’s created are insects, crustaceans, snakes, birds, scorpions, eggs, fruit-bearing trees, trumpets, birdhouses on fire, the classic dripping ear, and draped figures.

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“We show Mike not only because he is a phenomenal painter, but because no one else is doing what he is doing,” says White Walls Gallery owner Justin Giarla.

Davis’ first solo show, “Solo Flight,” opened this past weekend runs through April 12 at the White Walls Gallery, featuring 24 paintings and drawings from his upcoming book, Blind Man’s Journey.

White Walls Gallery, 835 Larkin, SF. 415-931-1500, www.whitewallssf.com

The Guardian Iraq War casualty report (03/19/08)

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For a breakdown of the positions that relevant politicians are taking on the war in Iraq, visit the slate.com link below. 36 U.S. soldiers were killed this month, which means at least one U.S. soldier was killed for every day that passed. Click here to view.

Casualties in Iraq

A female suicide bomber killed five Iraqi civilians today in Northeast Baghdad, according to the L.A. Times.

Yesterday, 2 U.S. soldiers and 52 Iraqi civilians, including 6 youths, were killed in bombings across Baghdad on the same day that Vice President Cheney visited the country to discuss security, according to the BBC.

Iraqi civilians:

82,249 – 89,760: Killed since 1/03

Source: http://www.iraqbodycount.net

For a list of recent events that have resulted in Iraqi casualties, visit :
http://www.iraqbodycount.org/database/recent/

For first hand accounts of the grave situation in Iraq, visit some of these blogs:
www.ejectiraqikkk.blogspot.com
www.healingiraq.blogspot.com
www.afamilyinbaghdad.blogspot.com

U.S. military:

4,268: Killed since the U.S. invasion of Iraq 3/20/03

Source: http://www.icasualties.org/

145 : Died of self-inflicted wounds, according to http://www.icasualties.org/

For the Department of Defense reports go to: http://www.defenselink.mil/

For a more detailed list of U.S. Military killed in the War in Iraq go to: www.cnn.com

To view a breakdown of U.S. military casualties by state of residence, click here.

Iraq Military:

30,000?: Killed since 2003

Source: http://www.infoshout.com

Journalists:

127 journalists have been killed since the start of the war in March, according to CPJ.org.


Refugees:

2.2 million: Iraqis displaced internally

2 million: Iraqis displaced to neighboring states

Incessant violence across much of Iraq’s central and southern regions has forced tens of thousands of people to leave their homes every month, presenting the international community with a humanitarian crisis even larger than the upheaval aid agencies had planned for during the 2003 war, according to United Nations High Commissioner for Refugees’ estimates.

U.S. Military Wounded:

132,199: Wounded from 3/19/03 to 3/01/08

Source: http://www.icasualties.org/

The Guardian cost of Iraq war report (03/19/08): So far, $503 billion for the U.S., $63 billion for California and $1 billion for San Francisco.

Compiled by Paula Connelly

Here is a running total of the cost of the Iraq War to the U.S. taxpayer, provided by the National Priorities Project located in Northampton, Massachusetts. The number is based on Congressional appropriations. Niko Matsakis of Boston, MA and Elias Vlanton of Takoma Park, MD originally created the count in 2003 on costofwar.com. After maintaining it on their own for the first year, they gave it to the National Priorities Project to contribute to their ongoing educational efforts.

To bring the cost of the war home, please note that California has already lost $63 billion and San Francisco has lost $1 billion to the Bush war and his mistakes. In San Francisco alone, the funds used for the war in Iraq could have been used to provide 3,144,442 homes with renewable electricity, 726,370 people with health care, or 31,528 public safety. For a further breakdown of the cost of the war to your community, see the NPP website aptly titled “turning data into action.”

For more information on what the war is costing the United States visit the American Service Friends Committee website here.

Clubs: Chrome gets our headbanging rocks off

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Polish me off, Chrome. All photos by Joshua Rotter.

By Joshua Rotter

Chrome makes me think of those metallic-plated bicycles that kids ride around on. It also reminds me of the same-name rock band that formed in San Francisco in the late ’70s. Promoter Bill Picture (Trans Am) managed to meld both elements together at monthly rock night Chrome at the Gangway.

Showcasing DJ Dirty Knees (Trans Am, Charlie Horse) and special guest DJs including March’s Metal Patricia, this metal night gets gear heads banging with heavy favorites like Bad Company’s “Feel Like Makin’ Love” and Motley Crue’s “Too Fast for Love.” It’s like a metal hall of fame with something old and something newer.

Headbanging purists might divide the genre into two phases: the early years with bands like Deep Purple, Led Zeppelin, and Black Sabbath and the later, new wave of British metal (NWOBHM), led by tougher, harder acts like Judas Priest, Iron Maiden, and Motorhead. But I chronologize it differently: BRHCO and ARHCO, before Rob Halford Came Out and After Rob Halford Came Out, which finally brought the genre out of the closet.

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Lessons for the U.S. in Bolivia

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LA PAZ, BOLIVIA — I’ve spent a lot of time in recent months pondering people power, both for my article on the fifth anniversary of the Iraq War and in preparing for my trip to Bolivia, where since 2000 popular movements and direct action have ousted two presidents, thwarted water and natural gas privatization efforts, and brought former coca grower Evo Morales and his MAS (Movement Toward Socialism) Party to power.

Here in Bolivia, where everyone down to the poor street vendors are organized into unions and federations, the people can shut down entire cities or critical infrastructure for weeks on end. Solving the myriad problems facing this poor country may still be difficult, particularly with Morales facing a U.S.-backed upper class in revolt over the new proposed constitution, but there is a sense of real empowerment here, of true democracy in action.

In the U.S., we seem to have forgotten that definition of democracy, instead content to define it as what we do in voting booths, choosing between the two parties every couple years, or bitching about the government in conversations or blog posts. Five years ago today, we saw an exception to that approach on the streets of San Francisco.

But what if we didn’t go home? What if it was like Cochabamba, Bolivia in 2000, or El Alto and other departments spilling into La Paz in 2003, and the people stayed in the streets, absorbed the police and military crackdown, and developed into a broad uprising that drew in the middle class and made governing the country — let alone launching an ill-advised war — an untenable position?

It’s tough to imagine that scenario in the U.S., isn’t it? But whereas President Bush has arrogantly condemned Bolivia for what he sees as “a breakdown in democracy,” I think there are important lessons that we gringos can learn from our Bolivian brothers and sisters. Here, with no power beyond direct action, they have fundamentally altered the course of their country. But we in the States, with all our wealth and power, have allowed our government to illegally run amuck in the world, causing irreparable harm. And I think that’s something we should all ponder today and in the months ahead.

p.s. To read a travel journal of my five-week trip through Bolivia and Peru, visit my personal blog.