San Francisco

The SF Weekly’s big lie

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By Tim Redmond

Will Harper, who insists he’s not opposed to public power, lashed out today at the Yes on H campaign. His claim: Supporters of the Clean Energy Act — including me — aren’t being straight with the voters about what the measure means.

Yes, Will: Much of what is in the charter amendment could be done without going to the ballot — if the mayor of San Francisco were willing. But with a mayor whose chief political advisor, Eric Jaye, is on Pacific Gas and Electric Company’s payroll, it’s a little hard to get any progressive energy policy done. Even if eight supervisors vote for, say, a study to consider public power, the mayor can do what he’s done with affordable housing: Refuse to spend the money.

And yes, it seemed to make sense to put together an overall ballot measure that included several things — aggressive clean-energy goals, an energy optioins study AND enabling legislation to allow the supervisors to issue revenue bonds for utility projects.

Harper insists that Prop. H is somehow misleading:

With the earlier power measures, their intent was always clear: Municipalize PG&E. Prop. H, however, conceals its true objective.

Um, I think if you read the Guardian, Will, you’ll see that we’ve been rather clear that this is a BOTH a clean-energy proposal and a public-power measure, and that we think that’s a good idea. The evidence is pretty clear that public power is the best (perhaps the only) way to meet strong clean-energy goals; PG&E clearly isn’t going to get there.

It’s true that the measure calls for a study on power options. If it hadn’t, then PG&E and its allies would be blasting the measure for mandating public power without a study. You can’t win with these guys.

As for his personal attack on me:

In various editorials, the Prop. H supporters at the Bay Guardian have made this seem like no big deal. The most blatant distortion appeared in its recent endorsement issue in which executive editor Tim Redmond proclaimed, “Nobody ever votes on revenue bonds. In California, we vote on general obligation bonds, which are backed by taxpayers. Revenue bonds are backed by a defined revenue stream…”

Actually, people do vote on revenue bonds. Seven years ago, San Francisco voters approved Prop. A, which authorized the city to sell $1.63 billion worth of revenue bonds to upgrade the Hetch Hetchy Reservoir. The defined revenue stream: San Francisco water users, who saw their rates go up.

Will, do your homework. In 2002, voters approved two things: A revenue bond measure for water and sewer projects and another measure that allows the SF PUC to issue revenue bonds without a vote of the people..

So we don’t vote on water and sewer revenue bonds. We don’t vote on airport revenue bonds, either. The airport is in the process right now of selling revenue bonds for the Terminal 2 rebuild; nothing on the ballot about that. In fact, the mayor wants to speed up the process. The voters have decided that it’s okay to issue revenue bonds for improving the airport and the Hetch Hetchy water system; all Prop. H does is ask for the same authority for clean energy and power projects.

There’s nothing secret about this (except maybe the SF Weekly’s position on the issue). Harper writes:

I’m not opposed to the idea of public power, but I don’t like being bullshitted.

Okay, WIll, now that I’ve cleared it all up for you, are you voting Yes on H?

Mayor’s economic stimulus plan — huh?

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Gavin Newsom just announced an “economic stimulus plan” for San Francisco. Guess he wants to get in on the action.

Unfortunately, there’s not a lot in his plan that actually amounts to any local econic stimulus.

Here’s his first proposal:

Accelerate capital projects, such as the Terminal 2 rebuild at SF
International Airport, the SF General rebuild, the Transbay Transit
Center, HOPE SF and the rebuild of the Hall of Justice.

That’s nice — I’m all in favor of increasing public works spending during a recession. But there are a couple of problems. For one thing, the municipal bond market is in the toilet. The airport’s Terminal 2 bonds aren’t going to fly off the shelf right now. If Prop. A passes and the voters approve the San Francisco General rebuild, it will be months before the city can start selling those bonds at a decent rate.

And, of course, most of the money for rebuilding the airport terminal won’t do anything for local business. Those contracts go to big out-ot-town firms like Tutor-Saliba , which are not known for helping local and minority subcontractors.

Then there’s this proposal:

Increase foreign investment by establishing San Francisco as the premier
gateway between Chinese businesses and North America. A delegation of
San Francisco officials will go to China in November to set up a
“China Desk” to attract businesses to San Francisco.

You can ask any progressive urban economist what factors are effective in stimulating a local economy, and they’ll tell you that it starts with local investment, local initiative, local business. Seeking outside investment is a poor and ineffective subsitute.

Then:

Reduce the cost of doing business in San Francisco by reviewing fees on
businesses, helping local business take better advantage of federal,
state and local tax credit programs and implementing targeted tax
incentives.

Which fees is he going to reduce — and how is he going to pay for that? Cut the public workforce — in a recession? .

Finally:

Keep dollars local by creating more local jobs through City Build and
other workforce programs, expanding San Francisco tourism marketing
more regionally, revising parking and transit polices to make it
easier to visit San Francisco, expanding Neighborhood Market Place
Initiatives and Business Improvement Districts including the new
Tourism Improvement District, reducing retail leakage with the “Shop
Local” campaign, and increasing funding for business attraction and
retention efforts.

As if we aren’t already trying to expand our tourism marketing?

There are plenty of things that could help. I’d even argue that supporting Prop. B, the affordable housing measure, and Prop. H, the Clean Energy Act, would create jobs in the city for San Franciscans, keep more money in the economy and provide a sustainable economic stimulus.

But oh, wait — the mayor is against those.

Sparring with Garcia

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I was honored to be a guest on KQED’s Forum with Michael Krasny this morning, but I was once again dismayed by the conservative political spin of Examiner columnist Ken Garcia, another guest on the show. Perhaps I should adjust my expectations (after all, Garcia works for a paper that endorsed John McCain for president) but it’s still so frustrating to be arguing about issues we should have settled generations ago in San Francisco.

Instead, progressives are still fending off arguments by Garcia and his ilk that Pacific Gas & Electric is more trustworthy than our elected local government (a ridiculous notion that PG&E is spending record-breaking millions to push), that decriminalizing social ills such as drug use and prostitution is the same thing as condoning and promoting them (as if “harm reduction strategies” pioneered in SF is a foreign concept), that creation of affordable housing (which developers won’t build without public subsidies that Prop. B will strengthen) is something the city can’t afford, that new revenue measures are also bad, and that the best leadership program we can offer our young students is JROTC (the main purpose of which is to instill military values in our peace-loving kids and recruit them as cannon fodder for our wasteful, unnecessary wars).

I think I held my own and hopefully offered listeners a better sense of this city’s full political spectrum than they often get from the mainstream media, but I’ll let you all be the judge of that. You can listen to the show here:

Obama and the SF DCCC

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So Kos reports that Obama now has so much money he’s thinking about sharing it with Democratic Party committees to help expand the majority in Congress. I’m good with that; 60 seats in the Senate and a strongly Democratic house and Obama (like FDR in 1933) would have the ability to take immediate direct action to get the economy going again — the right way.

Of course, if he has that much money, maybe he could toss some of it toward the San Francisco Democratic Party to help elect progressive supervisors, build affordable housing and pass the Clean Energy Act.

Street Threads: What the heck are you wearing?

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Guardian street photog Ariel Soto takes in San Francisco style.

Kisha Crystal Gianna Eddy and Divisadero.jpg
Kisha, Crystal, and Gianna, Eddy and Divisadero

After my last few fashion seeking jaunts through the city, the styles seems to be moving towards fall, with boots galore and then a mix of almost all black and white, or totally color crazy. Luckily for us city dwellers, the sun is still shining here in San Francisco and we don’t have to completely cover up to fight the elements, or our toes for that matter, as many were still sporting cute open toed sandals. My favorite fashionista this round? Olive in her adorable purple pants. Whose style do you lust over?

Anee Castro and 18th.jpg
Anee, Castro and 18th Street

Carol Fillmore and Sacramento.jpg
Carol, Fillmore and Sacramento

Corey Pierce and Post.jpg
Corey, Pierce and Post

Jamie Sacramento and Fillmore.jpg
Jamie, Sacramento and Fillmore

James McAllister and Divisadero.jpg
James, McAllister and Divisadero

Mayumi Buchanan and Sutter.jpg
Mayumi, Buchanan and Sutter

Fashionable Francophiles: Meet Please Dress Up!

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By Justin Juul

pleasedressup4a.jpg

Please Dress Up! is a clothing company run by Grant Doolittle and Judy Berbarian, two artists who live in near the Panhandle. If you’ve noticed all the girls rocking stripy shirts and pencil pants in the last few months, it’s because of them.

SFBG: So what’s your deal?
Judy Berbarian: My name’s Judy Berbarian and this is Grant Doolittle and we make up the label Please Dress Up! We’re custom clothiers/fashion designers.

SFBG: What’s the general idea behind Please Dress Up!?
Doolittle: Well, it’s just as the name states, really. We want people to dress up and we want to create unique pieces that are timeless in both style and in construction so they can do it. The name Please Dress Up! came to us after realizing what direction we wanted to take our clothing. It’s clear and direct and people get the message right away, I think.

SFBG: Do you fit in with any fashion trends, like a specific school of fashion or whatever?
Berbarian: Our work is rooted in the tradition of French couture: custom made-to-measure garments all available in different fine fabrics. We don’t pay much attention to trends, but we do admire other designers. Some of our favorites are Balenciaga, Viktor and Rolf, Yves Saint Laurent, Christian Dior, and John Galliano.

pleasedressup1.jpg

SFBG: What about local designers? Are you part of an indie fashion movement or something?

Berbarian: We’re pretty separate from any scene, but we do admire some local designers. Al from Al’s Attire in North Beach is our favorite. He’s a true craftsman and his work is just amazing. We’d love to have a shop just like his once we get a little more settled. As far as us fitting in to the design scene here, it’s been kinda hard. San Francisco used to be a Mecca for designer and high-quality clothing, but the industry has sort of disappeared and so have most of the resources for designers like us. All we have is each other to push our creativity further. On the flipside though, the indie designer scene here is special because it’s so raw. Also, people here really want to support locally made crafts. That’s why all the indie festivals have been doing so well lately.

pleasedressup2.jpg

SFBG: So how did you guys get into the fashion thing? Did you go to fashion or design school or anything?

Doolittle: Nope. No school for me.
Berbarian: Me neither. I’ve been sewing since I was 14 though. I always wanted to do this, but my Aunt discouraged me. It’s was kind of weird because she always made all my clothes, yet she wanted me to be a doctor or a lawyer or something. But I just wanted to be like her and make clothes. I was doing it on my own for a while and then Grant came along. We’ve been friends for seven years now, and we’ve been living together for like a year.

Dear Mayor Newsom: pertinent questions on Clean Energy

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By Bruce B. Brugmann

I am doing a special set of Pertinent Questions on the Clean Energy Initiative (Prop H) for all the persons and organizations that PG&E enlisted to front for its multi-million dollar campaign of Big Lies to defeat H. My first pertinent questions go to Mayor Gavin Newsom, who is in the unenviable position trying to be Gavin the Green while standing with PG&E and against the residents and businesses and environmentalists and neighborhoods of San Francisco.

Dear Mayor Newsom, (via press secretary Nathan Ballard):

I see that PG&E is using you as its major poster boy for its multi-million dollar campaign against the Clean Energy Initiative on the November ballot (Prop H).

I would like to ask you the following questions for my Bruce Blog on the Guardian website at SFBG.com. I am doing a series of questions for persons and organizations that PG&E is using to front its campaign against H, the most expensve initiative campaign in city history.

+How can you represent yourself as the “green mayor” and be a “green talk show” host on green 960 radio when you are standing with PG&E and against the residents, businesses, the environmental community, the Democratic party, the City and County of San Francisco, and the federal Raker Act of l9l3 (which mandates San Francisco become a real public power city?)

+How can you, as mayor, representing thousands of city employees, allow PG&E as a private power company to in effect say that city workers and managers are too dumb, too incompetent, too reckless, and too lazy to run an electric system?

+How can you, as mayor, allow PG&E to in effect control the city’s Hetch Hetchy public power system and the city’s energy policy and thus jeopardize our entire Hetch Hetchy water and power system because the city is in violation of the public power mandates of the Raker Act?

+How can you, as mayor, allow the dirty Potrero Hill power plant to keep pumping away because PG&E controls the city’s energy policy? (I see the fumes every day from my office window on Mississippi Street.)

I would appreciate answers or comments by 5 p.m. today that you could either put on my my blog yourself or give to me to put up on my blog. Thanks very much.

Sincerely yours,

Bruce B. Brugmann, editor and publisher

P.S. No answer as of blogtime on Friday. I’ll keep you posted.

CFAC’s Sunshine and Darkness awards

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OPEN-GOVERNMENT GROUP GIVES “DARKNESS” AWARDS ZAPPING ORANGE COUNTY
JUDGE, CAPISTRANO SCHOOL BOARD, SAN BERNARDINO ASSESSOR

The California First Amendment Coalition has named the 2008 recipients of its “Darkness Award,” given in recognition of conduct that thwarts freedom of speech and the public’s right to know. The awards, to be presented Saturday, October 18 at UC Berkeley, are given to:

Riverside Superior Court Judge David C. Velasquez, who attempted to bar the Orange County Register from covering public testimony in a lawsuit against the paper. His attempt to impose government censorship in the form of a prior restraint was quickly knocked down by the Court of Appeal.

San Bernardino County Assessor Bill Postmus, a former chairman of the Board of Supervisors who: 1) refused to disclose his activities and e-mails during a two-week period when wildfires raged in the county, 2) as assessor hired an “executive support staff” that, according to the Grand Jury, did “public image work for him, and 3) employed an aide who is being prosecuted by the District Attorney for alleged destruction of public records.

The Capistrano Unified School Board, which was so indifferent to anti-secrecy laws that the Orange County District Attorney issued a public report outlining the board’s many violations of the Ralph M. Brown public meetings law. In a follow-up inquiry, the District Attorney found further violations and concluded that the board had proven itself “incapable or unwilling” of complying with the law.

In contrast to the Darkness Awards, CFAC also today named the 2008 winners of awards that affirmatively honor service in the cause of free speech, open government and the public’s right to know. Attorney Hal Fuson, the Chauncey Bailey Project, the San Francisco Chronicle, Associated Press reporter Linda Deutsch, and legislative advocate Jim Ewert are being recognized for their dedication to First Amendment principles.

Hal Fuson, vice president and chief legal counsel of Copley Press, will receive the annual Bill Farr Award, presented jointly by CFAC and the California Society of Newspaper Editors. The award recognizes Fuson’s career-long contributions to the principles of free speech,
free press and public access to government.

The Chauncey Bailey Project and the San Francisco Chronicle will receive CFAC’s Beacon Award. The Chauncey Bailey Project, representing 25 journalists from multiple Bay Area news organizations and journalism schools, produced more than 140 stories that
illuminated the circumstances around the 2007 assassination of Chauncey Bailey, an editor for the Oakland Post who was investigating Your Black Muslim Bakery. Working independently but likewise relying heavily on public records, the San Francisco Chronicle generated 103 stories and probed deeply into the case.

Linda Deutsch, the legendary court reporter for the Association Press, is a Beacon Award winner. Ms. Deutsch has not only brought some of the nation’s most celebrated trials to our doorsteps, she has fought valiantly for openness and press freedom, earning among other things the Society of Professional Journalists’ First Amendment Award.

Jim Ewert, legal counsel and legislative advocate for the California Newspaper Publishers Association, is being honored with a Beacon Award. Ewert is in his second decade of protecting reporters, standing up to censorship, and elevating the rights of student
journalists and their advisers.

The awards will be presented at CFAC’s annual Free Speech and Open Government Assembly, to be held this Friday and Saturday at the UC Berkeley Graduate School of Journalism. The award presentation is on Saturday. The program and free online registration are available here:

The full citations for all awards follow.

Downtown’s dirty tricks

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By Steven T. Jones

So everyone knew that downtown financial interests (such as the Committee on Jobs, Chamber of Commerce, Police Officers Association, the Association of Realtors, BOMA, PG&E, etc., not the mention their enablers at the Chronicle and Examiner) would be spending big money this election to try to buy the Board of Supervisors. And we knew they’d fight dirty, particularly in the swing districts of 1, 3, and 11.

But a couple of revelations from the past 24 hours show that the attacks that are filling mailboxes and the airwaves aren’t simply dirty – they’re dishonest, unethical, and perhaps even illegal. The Fog City Journal stumbled onto a great story that appears to show illegal political collusion between Dist. 11 supervisorial candidate Ahsha Safai (the real estate developer candidate of Mayor Gavin Newsom who refused our request for an endorsement interview and won’t return our phone calls) and the POA.

And the Chronicle reports on the complaint that Dist. 3 candidate David Chiu filed with the Ethics Commission after a television ad falsely claimed that he supports legalizing prostitution, despite his consistent opposition to Prop. K, the ballot measure that would do so. The commercial and several mailers also falsely claim that Dist. 11 candidate John Avalos still works for Sup. Chris Daly, who downtown is trying to make the poster child for all that’s wrong with San Francisco.

Of course, PG&E and downtown’s bagman, attorney Jim Sutton, have already been the subject of the biggest fines that the Ethics Commission has ever levied for illegal campaign behavior. So perhaps they’re content to just keep lying now and worry later about paying fines with their seemingly bottomless reservoirs of cash.

The mirage

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>johnny@sfbg.com

America is a very poor lens through which to view Las Vegas, while Las Vegas is a wonderful lens through which to view America.

— Dave Hickey, "A Home in the Neon"

If, as Oscar Wilde once claimed, a lie can tell the truth, then what Dave Hickey writes is truer than ever: looking at Las Vegas is a terrific way to see the United States. Paul Verhoeven knew as much when he made Showgirls (1995). The fact that his old-school Euro-Hollywood auteur vision of Sin City offended so many bourgie film critics only proved its lasting, um, value. Like Verhoeven, the Italian artist Olivo Barbieri also appreciates Las Vegas from a distance. But while Verhoeven maintains his distance even in the middle of a lap dance, with site specific_Las Vegas 05 (2005), Barbieri prefers literal remoteness. He appraises the bright colors and the neon glow of Las Vegas from up above, via a helicopter.

The resulting view of the Entertainment Capital of the World, another chapter in Barbieri’s ongoing project of urban portraiture, is one half of Henry Urbach’s well-timed exhibition "Double Down: Two Visions of Vegas." Within Urbach’s black-box presentation, Barbieri’s long-distance perspective trades off with the Tetris walls, distorted mirrors, and repetitious gambling-addict flurries of Stephen Dean’s warmer yet less resonant No More Bets (2004). At first glance, the amazing thing about Barbieri’s videos is how unreal and utterly toy-like the cityscapes appear, and Las Vegas is no exception — thanks to his tilt-shift lens 35mm photography, a rooftop antique-car rally looks like a kids’ collection of model cars, and the Luxor’s Sphinx and white-nippled Pyramid are mere parts of an elaborate toytown.

Today, as the US dollar seems more abstract and illusive than ever, Las Vegas’ playland presentation of all that money can buy has attained a new level of honesty. (It also seems endearingly quaint in comparison to 21st century "evil paradises" — to quote Mike Davis — such as Dubai.) "The whole city floats on a sleek frisson of anxiety and promise that those of us addicted to such distraction must otherwise induce by motion or medication," Hickey writes in "At Home in the Neon," from Air Guitar (Art Issues Press, 216 pages, 1997). When Vegas resident Hickey notes that "there is nothing quite as bracing as the prospect of flying home, of swooping down into that ardent explosion of lights in the heart of the pitch-black desert," he may as well be writing a description of Barbieri’s video, though site specific_Las Vegas 05‘s helicopter hovers like a dizzy bird above an old McDonald’s and the Stardust’s ’50s-luxe marquee (where Wayne Newton is missing an e). Barbieri’s debt to a site-specific avant-garde film tradition (such as pat O’Neill’s 2002 The Decay of Fiction) becomes clear when he reaches the fountains of the Bellagio. There, he wryly connects waterworks out of Kenneth Anger’s Eaux d’Artifice (1953) with soundtrack detonations that evoke Bruce Conner’s Crossroads (1976). Bathing in the sensory overload of "Double Down: Las Vegas," one suspects that — like the arcade in Kiyoshi Kurosawa’s apocalyptic Pulse (2001) — Las Vegas would go on glowing and chiming long after all the people are gone.

Dave Hickey begins Liberace: A Rhinestone as Big as the Ritz (BükAmerica, 16 pages, $1.49), a tribute to the ivory-tinkling owner of the world’s largest rhinestone, by describing his own balcony view of the Strip, where the neon logos of the Desert Inn, the Stardust, Circus Circus and other sites make the surrounding nature look "bogus as hell." As Hickey puts it, more wittily than Jean Baudrillard, "the honest fakery of the neon" trumps "the fake honesty of the sunset." Perhaps we should replace the face on the one-dollar bill. George Washington has done his time. Bring on Liberace.

DOUBLE DOWN: TWO VISIONS OF VEGAS

Through Jan. 4, 2009; $7–$12.50

San Francisco Museum of Modern Art

151 Third St, SF

(415) 357-4000

www.sfmoma.org

EXCLUSIVE: Downtown’s slate

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>>CLICK HERE FOR OUR EXCLUSIVE CHART TRACING THE DOWNTOWN AND PG&E CAMPAIGN MONEY (PDF)

Reports filed with the city’s campaign finance database show that six big downtown outfits — the San Francisco Apartment Association, the Building Owners and Managers Association, Plan C, the San Francisco Chamber of Commerce, the Committee on Jobs, and Pacific Gas and Electric Co. — are spending millions to stop progressive candidates and measures and elect a pro-downtown, pro-landlord slate for the Board of Supervisors.

These political action committees (PACs) use their huge war chests in several strategically significant ways.

They make direct monetary contributions to each other, with most paying directly into Plan C, which seems to stand for "Condo Conversion Complex" PAC. Almost $20,000 has moved between these committees in recent months.

They directly fund local candidate and ballot committees, pay for independent billboards, mailers and postage, write ballot arguments, and host fundraisers for their preferred slate. The Building Owners and Managers Association (BOMA) has spent $130,000 to date promoting its candidates.

They use Carmen Chu’s image on $11,500 worth of the No on H mailers. They have funneled $63,000 into the into the Yes on V campaign, which is being used against progressive candidate Eric Mar.

You can follow the money yourself at www.sfgov.org/site/ethics_page.asp?id=74890

But with the next filing deadline set for Oct. 23, and some committees willing to pay late fines, much of what transpires won’t be disclosed until after Nov. 4.

The city maintains an updated list of independent expenditures and electioneering or member communications at www.sfgov.org/site/ethics_page.asp?id=88183.

These show massive amounts of late money being spent to support Sue Lee, Alicia Wang, Joe Alioto, Mike Denunzio, Chu, Eva Royale, and Ahsha Safai and oppose Mar. Stay tuned. And vote early and often.

Reviving radicalism

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› news@sfbg.com

As the country’s economic, environmental, and political systems teeter on the brink of collapse, several Bay Area groups are reviving calls for radical solutions. And some are drawing parallels to the spirited political activity of 40 years ago.

“In my opinion, 1968 was the beginning of a process, an awakening of the questioning of social movements,” Andrej Grubacic, a globalization lecturer at ZMedia Institute and the University of San Francisco, told the Guardian.

The Great Rehearsal was a week of events from Sept. 17-25 that centered on the many protests, actions, and events of the 1960s and ’70s that are paralleled today. The event alluded to an ongoing struggle for alternatives to the failing institutions that are hurting the average American.

“Neoliberalism is this sort of clinching of the system. It is the last gasp of a dying system,” Katherine Wallerstein, executive director of the nonprofit Global Commons, told us. Wallerstein believes that deregulation is to blame for many of our economic woes, such as the housing crisis, job loss, and a volatile market.

Other recent events such as the Radical Women conference in San Francisco have highlighted the systemic causes of our economic turmoil, saying we should bail out people not banks, cancel student debt, and end home foreclosures. They went on to suggest that the bailout was just a form of jubilee for the rich.

Radical Women member Linda Averill announced at the conference that “if unions don’t take the offense now, we’re going to lose it all.” She went on to advocate mobilizing the labor movement, stating that we must band together against those sustaining the system. Other revolutionaries went even further, calling to abolish the capitalist system. RW member Toni Mendicino said the system of profit is inherently greedy and that reguutf8g it isn’t enough — we must get rid of it.

The Student Environmental Action Coalition (SEAC) is a radical student-run organization focused on solving global climate change. Many of the initiatives taken by SEAC deal with less mainstream environmental concerns, including combating coal power and promoting clean water. These previously ignored problems are pumping new life into the environmental movement. Brian Kelly, former Students for a Democratic Society organizer who now does organizing work for SEAC, told us, “The problem is the fucked-up system. (We need to) carve out a decent life through an alternative to capitalism.”

John Cronan, an organizer for the radical union Industrial Workers of the World, advocates Participatory Economics (Parecon) as an alternative to capitalism. He highlighted Parecon’s values as a solidarity-based system that abolishes the market and replaces it with participatory planning. Parecon, he says, will take into account the social costs that goods and services create; something commonly ignored in today’s capitalist system, a system many claim perpetuates the environmental crisis.

“Climate change is highlighting the system flaws,” Kelly said. He went on to place the environment and climate change as the highest priority in the upcoming presidential election, proposing green technology as the answer to the economic turmoil and global climate change taking place. The Power Vote program, he told us, supports the investment in green technologies by politicians and citizens.

The Community Environmental Legal Defense Fund (CELDF) has pushed local governments in many rural farming communities to create ordinances claiming nature as an entity that should have more political and legal prominence than property. These ordinances aim to curb pollution and provide communities with a safeguard against corporate influence.

Through similar efforts, grassroots organizations have managed to stop 59 coal-fired power plants in 2007 by persuading courts not to grant permits for the plants. This is one of many steps to contest the environmental degradation taking place.

“I believe we have reached the stage where it is time for civil disobedience,” said Al Gore, calling for people to rise up against the construction of new coal plants, speaking at the Clinton Global Initiative in March.

Gore’s call to action has prompted many activists to battle corporations and self-interested government. “The current economic and political systems are out of whack with human and democratic values,” Kelly said. “The system is exposing itself.” According to many, the system is shifting dangerously close to totalitarianism.

There’s even been a resurgence of the old Cointelpro (Counter Intelligence Program), an FBI-run spying and political sabotage program that was responsible for the arrests of 13 Black Panthers in 1973 in connection with the 1971 murder of a San Francisco police officer. The men were subjected to torture techniques similar to those used at Guantánamo Bay and Abu Ghraib.

The 13 Panthers were acquitted for lack of evidence and the case was closed. However, in 2005, with the help of the USA Patriot Act, the case was reopened and eight of the Panthers were re-arrested. John Bowman, one of the detained, announced to the press, “The same people who tried to kill me in 1973 are the same people who are here today trying to destroy me.” Former Panther Richard Brown warned audiences at the Great Rehearsal that the Patriot Act has given the government the ability to profile any ethnic group or organization, past and present, as terrorists.

“The Patriot Act was passed in the name of protecting us and our democracy. But it limits us,” Cronan said. Groups like New SDS have incorporated working against the Patriot Act through their antiwar work, and the American Civil Liberties Union (ACLU) has consistently battled against the act.

Even the Communists are back. Earlier this month, the Revolutionary Communist Party held a demonstration in San Francisco, telling the small crowd, “The world today cries out for radical, fundamental change.”

Many radical groups see opportunity in the current moment. Grubacic told us that, “The future belongs to the ones creating it in the present.” *

 

Horror at home

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› news@sfbg.com

According to the Geneva-based Internal Displacement Monitoring Center, 26 million people around the globe are currently seeking safety from conflicts within their own countries. Almost half of these internally displaced persons (IDPs) do not receive significant assistance from their governments.

The United Nations High Commissioner for Refugees says that 16 million people have fled to other countries in search of safety — many settling down in refugee camps that lack adequate shelter, supplies, and medical treatment.

Find it hard to grasp the enormity of these statistics? According to Dr. Matthew Spitzer, so do most people — which is why the Nobel Peace Prize- winning humanitarian organization Doctors Without Borders/Médecins Sans Frontières (MSF) is setting up a refugee camp in the heart of San Francisco.

"So often there are news articles that say 100,000 refugees just did this, there’s famine in Ethiopia … it just doesn’t register anymore," Spitzer, who has worked with MSF around the world and currently serves as president of the MSF board of directors, told the Guardian. MSF’s interactive exhibit, "A Refugee Camp in the Heart of the City," attempts to combat what Spitzer calls "compassion fatigue" — and it does so with great success.

The camp is free and open daily to the public from Oct 15 to 19 between 9 a.m. and 5 p.m. in Little Marina Green Park. During the exhibit, which has appeared on almost every continent and in more than a dozen US states, MSF aid workers act as tour guides, taking groups around the 8,000-square-foot simulation and explaining what refugees need to survive. Statistics come to life as visitors of all ages crowd into makeshift tents, taste high protein biscuits used by MSF aid workers to ward off malnutrition, and attempt to carry 44-pound jugs of water.

Maybe the reality of the global refugee problem will hit you when you try on the "bracelet of life," a piece of paper refugee children wear wrapped around their upper arms to identify their risk of starvation. Some 20 million children qualify for the most severe form of malnutrition — the bracelet’s "red zone," which notes a less than 110 mm (4.3 inch) upper arm circumference. "Can you put your arm through this hole?" a Doctors Without Borders postcard asks in stark white lettering above a thumb-sized cutout circle. "A child dying of starvation can."

The simple postcard has more impact than the sobering statistics on the back More than half the deaths of children under five are due to malnutrition — 6 million per year, or 12 children every minute. Or maybe after struggling to carry your daily ration of water — one five-gallon jug — back to your shelter, the fact that most Americans use 100 gallons of water per day will become more meaningful.

For Spitzer, the shelter area, where guides lead their tour groups into tiny canvas tents and ask them to try and lie down inside, is one of the most effective parts of the exhibit. "Twenty people in a tent and someone coughs — what’s the impact of that?" Spitzer asks. "Where are you going to cook? Where are you going to clean?" He relates the simulation to his experience working as a field coordinator in Liberia, where he was shocked at the refugees’ living conditions.

"There were 50, 60 people living in makeshift tents that were supposed to be transit structures," he told us. Unfortunately, due to lack of UN funding and organization, more and more refugees were forced to crowd into the small tents, resulting in numerous medical issues. "It was ridiculous … we take shelter for granted, but [refugees] are denied these basic rights."

In 2000, the Sacramento Public Health Department, whose staff often works with IDPs seeking shelter in the United States, sent its health care workers to MSF’s Los Angeles exhibit for training. MSF’s Refugee Camp exhibit is meant to shock.

Nevertheless, the tours are age-appropriate and strive to educate rather than scare. Elementary school students touring the water supply area focus on carrying the heavy jugs, while older visitors might learn about the sexual abuse risks facing young refugee women who walk long distances to collect water. Regardless of age, every visitor absorbs the information his or her own way. "Students giggle at the latrines at first," Spitzer told the Guardian, but grow silent when they are told there are only two latrines for 8,000 refugees. "They’ll ask, ‘Where is the school? Where is the playground?’"

Establishing a connection between the refugees and exhibit visitors is an important step toward social awareness. While you might not be that surprised to hear that Sudan is home to 5.8 million IDPs, did you know that 4 million IDPs currently live in Colombia? Probably not, because the US media rarely covers international IDP and refugee issues.

Iraq accounts for 2.5 million refugees; Afghanistan for 3.1 million more. Most of these people were forced to flee as a result of US intervention and warfare — although there is barely any US media coverage. Spitzer told the Guardian he hopes that if the public can "feel solidarity with the refugees" as a result of visiting the exhibit, people will start to question the lack of information provided to Americans. The purpose of the exhibit isn’t to receive donations or recruit members, but simply, Spitzer said, "to educate" — regardless of whether the attendee "goes on to volunteer or become politically active or simply raises consciousness among their friends and family."

The MSF Web site is full of comments from people who were in some way altered or illuminated by the tour. Apoorva Balakrishnan, a University of Manitoba student, wrote, "I felt in a slump about my medical studies — so much biochemistry and details that seemed so pointless. This exhibit reminded me of the real reason I am becoming a doctor: people."

Another note, signed "Alec," says: "Some people have yet to realize what happens in the world around them. I came to this camp. Now I am no longer one of those people. "

One anonymous author summed up his reaction in two words: "I’m speechless."

A real plan for safety in the Mission

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OPINION When I heard the news that Jorge Hurtado was shot and killed in the Mission District, I was doubly stunned. Not only was the 18-year-old my neighbor, he was shot on the same corner where Erick Balderas was killed a year ago.

Eleven years ago, Erick was a student in the fourth grade class I taught at Paul Revere Elementary in Bernal Heights. In fact, three of my former students have been murdered in the city in the last two years. None were gang members — and none of their attackers have been caught.

Violent crime in the Mission is on a huge upswing; the homicide rate is on track to double what it was a year ago. In just a few weeks there have been six killings in the Mission. It’s a tragedy that affects everyone: kids, parents, teachers, business leaders — the entire community.

That community has begun to take matters into its own hands after receiving no commitments from the Mayor’s Office. It’s going to take two things to overcome violence in the community: community policing to better prevent and solve crimes, and engagement around social problems that promote violence.

I am glad that Capt. Stephen Tacchini of the Mission Police Station will receive more reinforcements in response to these recent shootings. But it’s not enough. Beat cops get to know the people in the neighborhood, and vice versa. But it has to be done the right way: the officers have to be trained appropriately so that police and people in the community can feel comfortable interacting with one another. Especially in a neighborhood like the Mission, cultural competency training is critical.

In Chicago, the city creates incentives for police to live in the communities they patrol. We’re exploring new housing options for teachers in the school district, and we should expand the discussion to include police officers as critical members of the community.

We don’t need to go as far as Chicago, though, to find ideas that work: in District 5, Sup. Ross Mirkarimi has pushed for foot patrols (the supervisors overrode a mayoral veto last year to make it happen). He has also gathered everyone around the same table — nonprofits, police brass, community leaders, city agency heads, small business owners — and these stakeholders have collectively worked on the problems. Because of these strategies, District 5 has seen a huge reduction in violence.

We also have to make sure that the organizations working with youth are engaged with one another, not competing for resources at the expense of getting the job done. There is $12 million available citywide for violence prevention, much of it spent in the Mission. But we’re not seeing results. Duplication of services, as well as filtering out the really troubled youth who are most at-risk, have diminished the impact of our CBO’s hard work.

I’ve already proposed that a Beacon Program be opened at O’Connell High School, which is near the heart of the violence. It would give kids a safe place to drop in as late as 2 a.m., where they could be referred to counseling services, if necessary.

Candlelight vigils are one way to help a community mourn their loss and begin to heal. But we won’t stop this endless cycle with vigils alone. Prevention needs to be our unified goal. *

Mark Sanchez is the president of the San Francisco Board of Education and a resident of the Mission District.

Greener than thou

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> news@sfbg.com

GREEN CITY Mayor Gavin Newsom has made a high profile push for several new green initiatives in recent weeks, a concerted political move that comes just as he and his political team are aggressively working to subvert a city ballot measure that would make far bigger gains in combating climate change and greening the city’s energy portfolio than anything he’s proposing.

"San Franciscans should be ashamed that they have a mayor who is greenwashing and gay-washing his way to the governor’s mansion," Julian Davis, campaign manager for Proposition H, the Clean Energy Act, told the Guardian.

Newsom opposes Proposition H, which would direct the San Francisco Public Utilities Commission to figure out how to provide clean and renewable energy to the city, and Pacific Gas & Electric Co. has hired Newsom’s chief political strategist, Eric Jaye, to lead the multimillion dollar campaign to defeat the measure.

Davis said the steady stream of green initiatives from the Mayor’s Office are simply a means to make up for the mayor’s severe deficiency in environmental credibility. "You can’t call yourself a green mayor when here is a genuine green measure and you’re against it," Davis said.

The array of press releases issued from the mayor’s office include a partnership with the Clinton Global Initiative to transform the Civic Center into a green model of sustainability by reducing water and energy use, and installing solar panels as well as living roofs.

Further green city visions include installing solar paneling on 1,500 commercial buildings within one year, and giving building owners rebates of as much as $10,000 as part of the solar rebate program launched in July.

But some supervisors take issue with the direction of the program, which they say would only make solar installation companies become rich people overnight. "There are a lot of flaws in that thing," said Sup. Jake McGoldrick. "It should’ve been steered toward low-income folks, nonprofits, schools — stuff like that."

Sup. Gerardo Sandoval said the mayor’s program would lead to an unequal distribution of wealth with an already small pool of resources — something he is trying to combat with a loan program that would offset the cost of solar installation for residences. "If we don’t help residences, families will be left to their own devices," he said.

Moreover, the mayor has set aside $1 million for the Environmental Service Learning Initiative (ESLI), which would integrate environmental community service into K-12 schools, and hired a Director of Sustainability, with $150,000 salary, to develop curriculum and help the district become more energy efficient and environmentally conscious. And last week the Mayor’s Office promoted rainwater harvesting for the purposes of outdoor irrigation and indoor toilet use, and sent out press releases touting the SFPUC’s Big Blue Bucket eco-fair held Oct. 11 to educate people about this concept.

Brad Johnson, legislative coordinator at the Sierra Club, called on Newsom to do more than use green events for media opportunities, stating that the mayor’s initiatives are "not a truly visionary policy, like Prop. H is a visionary and sweeping policy."

When the Mayor’s Office was contacted about the statements made by the supervisors and the Sierra Club as well as the contradiction in policies, Nathan Ballard, Newsom’s director of communication, replied tersely: "They’re not experts." Attempts to elicit further clarification yielded no reply from Ballard.

But Jared Blumenfeld, director of the San Francisco Environment Department, and interim director of the Recreation and Park Department, provided broader insight to the mayor’s environmental politics, insisting that the green calendar of events is nothing out of the ordinary.

"Every week we do a great number of events around the environment. The pace has been pretty unrelenting for the past year," Blumenfeld told us.

But experienced environmental leaders remain suspicious of the timing and correlation of the mayor’s green photo and media opportunities while he wages an aggressive war against Prop. H.

"I think they’re related, and he’s trying to cover his bases should Prop. H win and he finds himself on the losing side of a major initiative," said John Rizzo, a board member of the Sierra Club.

Editor’s Notes

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› tredmond@sfbg.com

Follow the money: downtown and the landlords are trying to take over the Board of Supervisors.

It’s not surprising. For the past eight years, the progressives have had enough of a solid majority on the board to prevent Mayor Gavin Newsom from putting some of his worst plans in place and to propose — and often implement — a much better agenda.

This board brought us the living wage ordinance and the universal health care program. This board is moving to solve the budget crisis with taxes on wealthy property owners and big law firms. This board isn’t about to approve an Eastern Neighborhoods Plan that turns the city entirely over to the developers. This board supports public power and renewable energy, and is willing to go up against Pacific Gas and Electric Co.

In fact, these past few years have marked the first time in a generation or more that downtown hasn’t controlled both the Mayor’s Office and the board. And the big boys don’t like it a bit.

They know they can’t defeat Sup. Ross Mirkarimi in District 5, and that they can’t stop a progressive candidate from winning in District 9. But they are going full bore, with huge bags of money, to try to get their toadies elected in Districts 1, 3, and 11. This is a real threat, folks. We could lose the board in November. We could lose rent control; that’s what the landlords want.

Sarah Phelan and Ben Hopfer have put together a beautiful chart in this issue that shows how all this is happening. Essentially, a few big players and their political action committees have amassed hundreds of thousands of dollars and are using that money to try to smear supervisorial candidates John Avalos, Eric Mar, and David Chiu. There are independent committees doing hit pieces. There is money pouring directly into the campaigns of downtown candidates. There’s PG&E money. It’s a sewer of nasty campaign cash, all aimed at making sure that three solid progressives don’t win.

The San Francisco Tenants Union has a study showing that big landlords, developers, and real estate lobbyists have poured more than $100,000 into a real estate slate made up of Sue Lee in D1, Joe Alioto in D2, and Ahsha Safai in D11. Almost $60,000 went to Alioto alone; that’s a third of his total money.

You can see where that money’s going if you live in the Excelsior, North Beach, or Richmond districts. It’s going for misleading, nasty hit pieces. One piece attacks Mar for supposedly preventing neighborhood kids from attending neighborhood schools (on the School Board, Mar, like every other sensible board member, has refused to allow the schools to be resegregated, which is what the "neighborhood schools" movement is talking about). Another attacks Avalos for being too close to Sup. Chris Daly (sure, he worked for Daly and they share some political views. But if you meet Avalos, you realize he and Daly have radically different temperaments).

All this is part of a larger downtown strategy. If this crew can’t win those three races in November, I guarantee they’ll try to amend or repeal district elections in the next two years. They’re well-funded, they’re serious, the stakes are high — and they have no problem fighting dirty.

If you live in Districts 1, 3, or 11, vote for Mar, Chiu, or Avalos. If you don’t, you can still help. Go to Avalos08.com, Ericmar.com, or votedavidchiu.org. Show up at 350 Rhode Island St. (enter on Kansas) any Mon.–Thurs. between 5:30 and 8:30 p.m. to phone bank or 10 a.m. Sat. and 11 a.m. Sun. to walk precincts. Give money or volunteer. As the old Depression-era slogan said. This is your city. Don’t let the big men take it away from you. *

Looking in at outsider art

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Midway through I’m Like This Every Day, friends of underground musician Peter Stubb debate whether or not Stubb is actually a werewolf. Such is the unverifiable quality of Stubb’s legend. Since the early 1990s, between trips to the state mental hospital in Georgia, Stubb has made nearly 100 rare but highly sought after home-recorded cassette tapes of his often catchy, but lyrically death-obsessed, violent, and sad acoustic music. Stubb’s lo-fi tapes, some available only in editions of one or two, have the eerie, timeless, and deeply lonesome feel of old Alan Lomax field recordings. When director Mitchell Powers goes to the haunted, piney, Civil War blood-soaked hills of northwest Georgia, he finds that Stubb’s story shares some of the epic and tragic quality of the old bluesmen at the crossroads.

As the film opens, we see home video footage of a young and fresh-faced Stubb looking into the camera and saying, "Music is basically my life." The first shot of contemporary Stubb is of just his arm, lined from wrist to elbow with scars from self-inflicted knife slashes, as he strums the guitar. The story of the rough years in between is told chronologically by interviews with Stubb and childhood friends from defeated, dead-end factory town Dalton, Ga. — known as "the carpet capital of the world." Along the way we learn tales of Stubb painting his own child in blood and fucking a can of cranberry sauce during the making of his classic "Blueberry Masturbator" tape, while we meet characters like a shirtless, neck-tattooed friend of Stubb’s named Number Two, who cheerfully makes his screen debut trying to piss into his own mouth with one hand while carrying a tall can of Steel Reserve in the other.

Yet when Stubb’s ex-wife remembers fondly, "No one had ever sang to me like that before," it is achingly sweet. The film is so compelling because debut director Powers never sensationalizes these characters, but instead presents their stories with generosity and warmth. By refusing to diagnose Stubb or dismiss him as mentally ill, Powers suggests that the struggle to stare down our demons is one we all share. In only 19 minutes, Powers’ sympathetic short probes the uncomfortable border between being an artist and being insane. Stubb’s friends speak of him with reverence, awe, and a loving acceptance: "Peter gets obsessed with these shadow demons that inhabit his body," explains Number Two, with suddenly sober conviction. "And the only way he can get them out is to cut them out."

I’M LIKE THIS EVERY DAY PLAYS WITH BIGFOOT: A BEAST ON THE RUN

Sat/18, 5 p.m.; Oct 22, 9:30 p.m., $10.50

Roxie, 3117 16th St, SF

www.sfindie.com



THE SEVENTH SAN FRANCISCO INTERNATIONAL DOCUMENTARY FESTIVAL runs Oct. 17–Nov. 6 at the Roxie, 3117 16th St, SF and the Shattuck, 2230 Shattuck, Berk. For tickets (most shows $10.50) and more information, visit www.sfindie.com>.

Economic stimulus, at home

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EDITORIAL Mayor Gavin Newsom is planning to announce a local economic stimulus package some time this week. The Board of Supervisors is holding hearings on how the city can help the San Francisco economy. As the presidential candidates thrash around with proposals to address the worst economic crisis since the 1930s, local politicians are hoping to do their part at home.

And that’s a fine idea. Even in this globalized economy, San Francisco can do a lot to protect its residents and businesses from the ongoing disaster. But the best way to do that will require political courage — and a recognition that economic stimulus works best from the bottom up, not the top down.

The most effective way to get a depressed economy going, in other words, is to put money as directly as possible in the hands of the people most likely to spend it. That means the sorts of policies that big business and landlords will want — say, cutting "red tape" and reducing business fees and taxes — isn’t gong to help.

Progressive economists say that on the national level, one of the most effective policies would be a short-term reduction in the payroll tax. Most working people pay 7.5 percent of their wages into the Social Security trust fund, and most businesses match that contribution. Suspend the employee contribution for three months and everyone in the nation instantly gets a significant raise. (The Social Security fund would take a hit, but this is an emergency and that can be fixed later; despite all the gloom and doom, Social Security will be fine for the next half century with just a few minor fixes.)

The idea is that people who get a raise during a recession are likely to spend it, quickly, which pours money into the economy. The same principal can work in San Francisco. Any economic stimulus package will cost money and add to the city’s deficit (unless Newsom and the supervisors are willing to raise taxes to fund it). But some short-term policies could more than pay for themselves by jump-starting local spending.

A few ideas:

Place a moratorium on all residential evictions. Barack Obama is talking about a short-term freeze on mortgage foreclosures, which makes sense for the nation. But in San Francisco, where most residents are renters, evictions are far more of an economic threat. The mayor and the supervisors could ask the sheriff to refrain from carrying out any eviction actions for a limited period (and potentially cut off funding for eviction actions).

Create an emergency rent-subsidy fund. Make city cash available to anyone facing eviction because of economic circumstance.

Reduce Muni fares for a few months. Muni is in many ways a tax on the poor and working class, who have no other travel options. Almost every penny that people spend on transportation would go right back into the economy.

Suspend the payroll tax on small businesses. Small businesses create most of the jobs in the city; suspending the tax on the smallest businesses (those, say, with payrolls of less than $500,000) would help the most vulnerable and keep the engines of the local economy from failing. Raising the tax on big businesses would, of course, more than pay for this.

Raise the general assistance payment. Sure, some of that money would be spent on alcohol and drugs, but most would be spent on things like food and clothing.

Spend more, not less, on the public sector. Government spending creates jobs; government programs saved the United States from the Great Depression. Taxing the wealthy to fund public jobs programs makes excellent economic sense at the city level, too.

Those are just a few ideas. The supervisors should devote their hearings to developing more. But a plan that only helps big business and doesn’t put money in the pockets of the rest of San Franciscans won’t do anything to help the local economy. *

Land of the free, home of the brave

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By Cheryl Eddy


> cheryl@sfbg.com

Things I learned while screening a double-wide stack of DocFest discs: there’s a perilously thin line between superfan and super-stalker. Bacon and Miracle Whip wrapped in a tortilla makes a pretty tasty snack. It’s possible to be pro-bird, but not anti-cat. When uttered in the context of The Price is Right, the words "a new car" and "come on down" battle for the title of three greatest in the English language. And there are two passionate schools of thought that divide the Bigfoot-is-real community: flesh-and-blood vs. supernatural.

America may be super-fucked in many ways, but we’ll never be short on weirdos, nor will documentary filmmakers ever tire of recording their antics. DocFest’s 2008 slate is roughly three-fourths devoted to the United States of Oddballs. And why not? Seriously, it’s fascinating stuff. One of the best films is by Swiss filmmaker David Thayer, who travels across the Northwest in search of men who’ve devoted their lives, or at least a good chunk of hobby time, to studying the region’s most elusive life form. Bigfoot: A Beast on the Run is as deadpan as anything in the Werner Herzog canon; it never once mocks its subjects, even when talk strays from giant footprints and muffled audio recordings to men in black and photographs of the creature in "interdimensional orb form."

A different type of hunt is the focus of Andy Beversdorf’s Here, Kitty Kitty (2007), filmed in the trenches of Wisconsin, circa 2005, amid the great should-feral-cats-be-declared-"non-protected" debate. In other words, should you be able to shoot that stray cat that’s been yowling around your garbage cans? In this corner: the slightly befuddled academic who published a study blaming free-ranging felines for the state’s declining songbird population. In the other: kitty-rights activists. Cute, furry peril is also a theme of Bunnyland (2007), in which filmmaker Brett Hanover trails Pigeon Forge, Tenn. resident Johnny Tesar, a.k.a. "Johnny Rock," a singular character who implausibly finds Native American artifacts every time he looks at the ground — and was suspected of slaughtering a golf course’s 73 cotton-tailed mascots, among other misdeeds.

Another strange pocket o’ Americana surfaces in Elvis in East Peoria (2007), which is kind of about Jerry, an unambitious Elvis impersonator, but is also about the platonic yet curiously close relationship he has with his manager, Donna, who truly believes Jerry "oozes Elvis." (In case you’re wondering, this is where I learned about the magic of bacon plus Miracle Whip plus tortillas.) Crave more creepy fandom? Sean Donnelly’s I Think We’re Alone Now, about a pair of obsessed Tiffany fans, is among the more unsettling films I’ve ever seen. Despite a slight whiff of exploitation — one of the subjects has Asperger syndrome, the other is an alcoholic, and both are on disability — the film is a jaw-dropper, filled with trainwreck moments and revelations. Like, did you know Tiffany can time travel and communicate with aliens? More important, does she know?

Lest you think this entire festival focuses only on backwoods crazies, let me assure you that Abel Ferrara’s Chelsea on the Rocks, an insider’s look at New York’s storied Chelsea Hotel, presents urban eccentrics galore — plus footage of the burning Twin Towers as shot from the hotel, and much lamenting about how the building’s recent change in ownership has affected its longtime residents. But not every DocFest pick has a dark flipside: Jeruschka White’s Come on Down! The Road to the Price is Right is a joyful tribute to the game show, with most former contestants admitting that their time onstage with Bob Barker ranks among the best in their lives — no matter how embarrassing the Showcase Showdown outcome, or how tacky the consolation prize.


THE SEVENTH SAN FRANCISCO INTERNATIONAL DOCUMENTARY FESTIVAL runs Oct. 17–Nov. 6 at the Roxie, 3117 16th St, SF and the Shattuck, 2230 Shattuck, Berk. For tickets (most shows $10.50) and more information, visit www.sfindie.com>.

Doc workers

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More DocFest:

>>A cockeyed view of a kooky country

>>Musical outsider may be genius, werewolf

>>DocFest Web site

> cheryl@sfbg.com

The first thing I noticed about the 2008 San Francisco International Documentary Film Festival was its enormous size. Well, OK, I actually squealed in delight over the inclusion of a Bigfoot doc. Then I took stock of how many films were contained in this year’s program. DocFest’s seventh incarnation is actually larger than its parent fest, the San Francisco Independent Film Festival. Along with the Another Hole in the Head horror festival, both are headed up by founder Jeff Ross.

"It’s the biggest festival I’ve ever done — it’s three weeks long, 48 programs, 107 screenings altogether," Ross explains. This year, DocFest also unfurls a week of films at Berkeley’s Shattuck Cinemas. "I think there’s going to be a strong audience in Berkeley. I just moved to the East Bay, so it’s kind of part of my personal agenda to bring more of my stuff over there." For the first time Ross is also giving an award, naming filmmaker Melody Gilbert "Someone To Watch" based on the strength of her small but growing body of work.

DocFest’s 2008 line-up represents the work of programmers Bill Banning (owner of the Roxie Cinema, the chief venue for Ross’ festivals) and Fay Dearborn, a former programmer at Cape Cod’s Woods Hole Film Festival. She met Ross while working at IndieFest; after what she calls "one of those festival romances," the two married earlier this year.

Dearborn and Ross are obviously in synch, but Dearborn and Banning are also complementary, at least in terms of their programming styles. Banning culls most of his picks from films he scouts at fests like Washington, DC’s Silverdocs, while Dearborn sifts through DocFest’s hundreds of unsolicited submissions.

"I think Fay found most of the fun docs, though [I chose] Hi My Name is Ryan, which is really fun. I saw it at Silverdocs, and the audience was literally in stitches," Banning says. "The idea is to mix it up. There were two really good boxing films I saw at Silverdocs, and we took the better of the two, Kassim the Dream, which is an incredible film. But we’re also looking for good docs from the Bay Area, and there are a number of them in [this year’s program.]"

Banning and Ross agree that the increasing popularity of documentaries is due to multiple factors. "Digital filmmaking has totally changed the documentary landscape," Banning says. "It used to cost so much money to shoot 10 minutes of film on 16mm film. Now you can buy a really great camera for $6,000 and shoot forever on it."

Ross points to films like Fahrenheit 9/11 and Super Size Me (both 2004) — as well as past DocFest hit Spellbound (2002) — as exposing non-narrative films to a wider audience. But as Dearborn explains, the DocFest audience isn’t necessarily looking for films that have mainstream appeal. "I think there’s a certain core DocFest watcher who comes to see slice-of-life documentaries about people who are just inherently interesting, but not in a National Geographic kind of way — sort of a human interest story that’s maybe a little more offbeat," she says, citing the weirdly compelling Elvis in East Peoria and Bunnyland (both 2007) as films she’s particularly excited to screen.

For the first time, DocFest has a presenting sponsor in San Francisco-based Current TV, a doc-focused channel co-founded by Al Gore. Ross sees the partnership as a good match, but he’s hesitant to predict what’s ahead for DocFest. Despite the sponsorship, Ross says that DocFest and IndieFest are still funded 85 percent from their ticket sales, "which is unheard-of in the film festival world."

"I do not have a plan for 2009," he says. "I’d like to see how the festival works [at a larger size]. Everything I do is kind of an experiment. We try different things — this year’s it’s the expansion to Berkeley, so we’ll see how it goes."


THE SEVENTH SAN FRANCISCO INTERNATIONAL DOCUMENTARY FESTIVAL runs Oct. 17–Nov. 6 at the Roxie, 3117 16th St, SF and the Shattuck, 2230 Shattuck, Berk. For tickets (most shows $10.50) and more information, visit www.sfindie.com>.

San Francisco Trolley Dances

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PREVIEW How many more 38s do I have to look at when I really need the 5? And how come the 35 is always empty, while you can’t find a spot to put your feet, not to mention a seat, on the 22? Muni manages to infuriate just about everybody — from the latte-clutching N-Judah riders to the grocery bag-shlepping "Chinatown Express" shoppers.

Still, I’ve never lived in a city where people did not vociferously complain about their public transportation system. That’s why San Francisco Trolley Dances is such a neat idea. No, they are not another Muni pacification plan, but the brainchild of local choreographer Kim Epifano. If you are a stickler for accuracy, the idea came from Jean Isaacs Dance Theater in San Diego where they do have trolleys. For this year’s San Francisco Trolley Dances you board the new T-Third Street line anywhere between Mission Bay and Bayview-Hunters Point. Besides taking you through vastly varied cityscapes, you can watch performances on the street as you ride by or get off at designated spots. Scott Wells and his high-flying acrobat/dancers will send you off at Fourth and Berry streets, and Joanna Haigood’s community dancers will welcome you in front of the Bayview Opera House. All that for $1.50.

SAN FRANCISCO TROLLEY DANCES Sat/18-Sun/19, 11 a.m.–2:45 p.m. (rides start every 45 minutes from Fourth and Berry streets), $1.50 or Fast Pass. (415) 226-1139, www.epiphanydance.org

“SF Open Studios: Weekend 3”

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STUDY 3, 2003 BY DAVID KING

PREVIEW The third weekend of Open Studios focuses on spaces in Bernal Heights, Duboce Triangle, Glen Park, Eureka Valley, Noe Valley, and the Castro and Mission districts. Here’s a lucky-seven list of artists worth seeking out.

Matt Sarconi Spatial clarity is a major aspect of Sarconi’s photography; his use of frames within frames elevates images that might be pretty as a greeting card into something more contemplative. His settings span from the Bay Area to Spain and Croatia.

A.J. Oishi There’s at least a bit of the late Sol Lewitt in Oishi’s low-key commercial acrylic-on-canvas paintings. She patterns circles within circles (or conversely uses smaller circles to form larger ones) while experimenting with muted versions of appetizing colors such as chocolate, orange, and cherry.

David King The gallery owner Jack Fischer first showed me some of King’s collages, which commingle camp and metaphysical imagery in a manner that never neglects visual pleasure. King’s most recent work veers away from blue-hued dreamland into darker, microscopic images. His sharp-eyed use of found material means an upcoming residency at the San Francisco Dump holds promise.

Lauren Kohne A mixed-media piece that mines musicality from the grids, strips, and numbers on Muni bus transfers demonstrates Kohne’s interest in foregrounding societal habit and patterns.

Victor Cartagena Artist and teacher Cartagena had a stark solo exhibition at Galeria de la Raza earlier this year — a visit to his busy studio is bound to reveal different facets of (and relationships between) his mixed media works, painting, and printmaking.

Bill Basquin This is a busy time for Basquin: you can find his collected films for sale at Needles and Pens, see at least one of them projected by kino21 at Yerba Buena Center for the Arts this week, and check out photos from his urban garden series "SOILED" at Mission Pie. He’ll show photos and installation work at Open Studios.

Robert H. Garrett Garrett’s photo in the Open Studios guide suggests a color version of Henry Wessel’s droll, laconic, crisp images of the suburban landscape.

SF OPEN STUDIOS: WEEKEND 3 Various neighborhoods, SF. (415) 861-9838. www.artspan.org

Will Ivy makes us itch for more

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will ivy 008.jpg

By Jen Snyder

Man, San Francisco, you are a very musically incestuous city.

On Friday, Oct. 10, I traveled to Chinatown’s Li Po Lounge for a show. I really appreciate any reason that sends me to Chinatown, be it a mission as a tour guide for house guests or a dire need for new China Flats, but this was a particularly promising trip. Li Po Lounge is a totally legitimate dive bar, plus it has one of those excellent creepy basement show rooms that you usually only can find in Oakland. The sound isn’t super-great, but the lighting (there basically is no “lighting”) and the mood is perfect. To top it off, Will Ivy of Bridez was performing his solo material.

I knew it was going to be good: I’d already listened to a few of Will Ivy’s lo-fi tracks on MySpace and totally dug them, particularly the song “Scrap Plastic,” but my hunch was based slightly more on the fact that most good bands have members with excellent side projects. I’ve always been a fan of songwriters and the diary-style lyrics and the mood that’s created when you’re writing things alone in your room.

Free-flowin’: Independent Fashion Fest dazzles

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Photos and text by Ariel Soto

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Edgy, non-traditional and dramatic models made their way down the catwalk Saturday night at the Yerba Buena Center of the Arts Bay Area Independent Craft & Couture Runway show. There was no lack of creative and unique designs, all of which seemed to stem from the free and colorful spirit of San Francisco. The fashion presented, which featured local designers who focus on creating sustainable clothing and stick by green business practices, featured designers from R.A.G. Co-op, Hellyn Teng Mersereau, Sarah Zins, Rehema Bah, and Erin Mahoney.

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