San Francisco

Dick in a box

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› a&eletters@sfbg.com

If the assassination of JFK was a defining, traumatic blow to American hopefulness, the Watergate scandal a decade later arguably created something worse: a deep collective cynicism that our politics could never escape corruption, or that the guilty would be truly punished even when caught red-handed. How much worse have we shrugged off since?

As the most secretive White House in modern memory pulls up stakes, there’s a fear that particular history may repeat itself. What if Bush blanket-pardons his cabinet, as Gerald Ford did for Richard Nixon, of any and all crimes not yet formally accused? In 1974, that move informed our great nation that at certain high levels, the concept of justice need not apply. In fact, it meant Dick. Nixon left the country in far better (shaky, but better) shape than W., but arguably suffered a greater popular backlash than Bush will. He never admitted any criminal wrongdoing, copping to vague "mistakes made" instead. He resigned to avoid impeachment, and the full airing of dirty laundry that would have required. Thus, the sweatiest president ever avoided total humiliation. But didn’t he owe us repentance?

The pardon and Nixon’s subsequent shrinking from public life left a majority feeling cheated. He owed us that pound of flesh — withholding it was intolerable arrogance. Adapted by Peter Morgan from his widely produced play, with the originating lead actors reprising their roles, Frost/Nixon dramatizes the moment when Tricky Dick did get called onto the public carpet to confess his sins. Which he did — well, sorta kinda. The disgraced prez (Frank Langella) is offered tempting scads of money to be interviewed on TV by an odd candidate for interrogator, the rather garish Brit chat show host David Frost (Michael Sheen) — a showbiz personality more akin to contemporaries the Galloping Gourmet and early Geraldo Rivera than, say, Walter Cronkite (or even Dick Cavett).

Nixon’s people (including Kevin Bacon as security chief) figure this presumably softball platform will provide opportunity to burnish his tarnished legacy as statesman. The team that womanizing, cheerfully shallow Frost assembles to prep for this American broadcast "comeback" worry that he lacks the depth of knowledge, experience, or backbone to pin subject to mat. All suspense here hinges on whether Frost can give his armchair opponent "the trial he never had." He’s seemingly outmatched: fallen yet not feebled, the ex-president proves a master of spin, evasion, and subterfuge.

George Clooney was reportedly eager to direct Frost/Nixon; he might’ve made something slyer and subtler than Ron Howard, who sometimes underlines performance nuances as if wielding a bullhorn and flashing neon sign. But it’s still the best movie he’s done, a nimble opening-up of a talky stage entity that only slightly exaggerates the import of real-life events. Langella makes one realize how seldom the most widely caricatured president in history has been portrayed as more than a collection of grotesque tics; Sheen is as expert here as he was playing Tony Blair in 2006’s The Queen. While its contemporary echoes aren’t overt, Frost/Nixon prods an important question: why do we demand even less accountability of our Commander-in-Chief now? What should have been lessons learned from Nixon instead begat heightened apathy, gullibility, and stupidity. As an electorate, we got the Commanders-in-Chief we deserved.

FROST/NIXON opens Fri/12 in San Francisco.

Breaking ground

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› steve@sfbg.com

The long-awaited process of rebuilding the Transbay Terminal formally begins Dec. 10 with a groundbreaking ceremony led by Mayor Gavin Newsom. But the agency pushing the project is still a long way from finding the money to build the project’s voter-mandated centerpiece: a high-speed rail and Caltrain station.

Even as the Transbay Joint Powers Authority embarks on the fully funded, $1.2 billion first phase of the project — which includes building a temporary bus station, demolishing the current building, and rebuilding the 1 million-square-foot transit hub by 2014 — the agency still hasn’t included the crucial $300 million "train box" in its plans.

Transportation planners say the train box, which is essentially the shell structure in which the train station would be built during the project’s second phase, is very important both logistically and financially (doing it later could be very expensive and disruptive to the station’s operation), particularly since the TJPA has secured little of the $3 billion needed for phase two.

"It would be a misuse of taxpayer money not to build the train box now," Dave Snyder, transportation policy director for the San Francisco Planning and Urban Research Association, told the Guardian. "The most urgent thing now is to make sure the train box is built as part of phase one."

"We are working hard to identify the funding for the train box in phase one," TJPA executive director Maria Ayerdi-Kaplan told the Guardian. "It’s more expensive to build it later."

But that source must be found by spring to be included in construction contracts.

Critics have questioned whether the trains will ever arrive at Transbay Terminal’s downtown location, and those doubts grew in recent weeks after Judge Quentin Kopp, the California High Speed Rail Authority chair, publicly suggested that the existing Caltrain station at Fourth and Townsend streets would be a fine high-speed rail terminus and that tunneling the final 1.4 miles to Transbay might not be worth the money (see "High speed derailment?", SFBG Politics blog, 11/18/08).

Kopp’s comments were prompted by premature TJPA efforts to secure funding guarantees from the $10 billion in high-speed rail bond money approved by voters Nov. 4 and by his concerns about how the project is being managed by Ayerdi-Kaplan and the high-priced public relations firm she relies on, Singer & Associates.

That rift, its lingering aftermath, and the failure of the TJPA to identify funding for Transbay Terminal’s rail components have rattled those who see the project as the linchpin for the region’s transportation system.

"I don’t think it works with the rail terminal at the current Caltrain station at Fourth and Townsend," Snyder said. "The access to downtown just isn’t good enough. The trains have to come downtown."

The Transbay Terminal was built in 1939 as the truly multimodal facility that supporters want it to become again. It received both buses and the commuter trains that traveled along the lower deck of the Bay Bridge until the bridge was converted to handle cars alone in 1959. At its peak at the end of World War II, 26 million passengers used the station annually, but those numbers dropped off precipitously as private automobile use increased.

The neighborhood around the terminal at First and Mission streets deteriorated and became a redevelopment district full of dormant public land, which the state turned over to facilitate development activity that includes the terminal rebuild (with a rooftop park), a neighborhood of 2,600 new homes (35 percent of which are required to be affordable), and a series of towering office buildings (including the tallest one on the West Coast).

Land sales expected to total $429 million are the single biggest funding source for phase one of the Transbay Terminal project, with the rest coming from state and federal funds, participating transit agencies such as AC Transit, a loan that will be repaid by increased property taxes, and increases in the sales tax and bridge tolls that were dedicated to the project by past ballot measures.

The prospects of bringing trains into the terminal seemed to rely on the high-speed rail project, which Kopp instigated as a legislator in the mid-’90s. Since then, the project has been studied and certified, with its documents explicitly spelling out how trains will travel from Transbay Terminal to Los Angeles Union Station in about two hours and 38 minutes.

After years of delays in bringing the $9.9 billion high-speed rail bond measure to the ballot, Proposition 1A was narrowly approved by voters Nov. 4. The TJPA immediately asked CHSRA for priority funding and was rebuffed by Kopp, who on Nov. 13 wrote, "Please do not attempt to secure California High Speed Rail Project funds to defray the enormous cost of the 1.4 mile ‘downtown rail extension.’ Such effort will not be welcomed by me."

In comments to both the Guardian and the San Francisco Chronicle, Kopp raised questions about wasteful spending at TJPA, the leadership of Ayerdi-Kaplan (who has met with Kopp and CHSRA director Mehdi Morshed just once), and the TJPA’s use of Singer and Associates, whose multiyear contract of up to $900,000 calls for paying the TJPA’s main contact, Adam Alberti, $350 per hour. "We don’t have a PR person deflecting media inquiries," Kopp said of his agency.

Ayerdi-Kaplan, who had little transit or executive experience before being appointed to the post at the urging of then–mayor Willie Brown, met with the Guardian editorial board last week and glossed over her past inaccessibility and conflicts with Kopp, saying the project is on track, she’s engaged with it, and she’s confident of its success.

"We have raised over $2 billion for the project and have a fully funded phase one. We’re still working on identifying the funding for the rail," Ayerdi-Kaplan said. TJPA has developed a list of possible funding sources, the biggest item being $600 million from the CHSRA.

She admitted that she hasn’t personally tried to contact Kopp about the funding request or worked to develop a good relationship with him or his agency, both of which Kopp has criticized. "At some point, we are going to sit down and talk," Ayerdi-Kaplan said.

She said there’s strong public support for the project. "We take a very positive approach," she told us. "You have to believe in what you’re working on, you have to believe it’s going to happen — as anything in life: you have believe your relationships are going to work, that your business is going to work, that your project is going to happen — or you have no business doing it," she said. Ayerdi-Kaplan said the project is fully certified and just waiting for funding, which should make it attractive to increased infrastructure spending proposed by President-elect Barack Obama. "There’s a lot of things that are in the works immediately with his economic stimulus package," she said.

Alberti said he has reached out to Morshed and received assurances that the CHSRA is still planning to use Transbay Terminal, something Morshed also confirmed for the Guardian — but with some hedging.

"Transbay Terminal is our terminal station in San Francisco as of now, based on our environmental documents," Morshed told the Guardian. Yet he said the authority is beginning more project-specific environmental studies, "and part of the requirements of environmental analysis is we need to look at all options."

Kopp said it’s unlikely that the Transbay Terminal — or any other project — will get a commitment for bond money soon: "We’re not going to be spending money or making funding commitments for years."

7.5 better ways to balance the budget

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OPINION In Mayor Gavin Newsom’s seven-and-a-half-hour YouTube series on the state of our city, he spends barely 30 seconds addressing the budget deficit.

Newsom’s mid-year budget cut plan is completely out of touch with the fundamental priorities of our city. At a time when residents are feeling the impact of the recession in their daily lives, the mayor’s plan guts our public health safety net by slashing programs that serve seniors on fixed incomes and by reducing frontline healthcare workers.

What’s more, the mayor’s mid year cuts leave untouched his bloated senior staff and protects management-heavy departments around City Hall.

So, in response to the effort to balance the budget by slashing tens of millions in health services for the city’s neediest, a coalition of health workers, health providers, and patients are putting forward alternative ways to address the city’s budget problem that are worth our time and thought.

Among the ideas offered by the Coalition to Save Public Health are the following:

1. Start at the top, not at the bottom. Since the mayor first took office, the number of highly paid managers has skyrocketed while the number of employees providing basic city services has stagnated. It’s time to tighten our belt at the management level and eliminate all but the most essential positions that pay more than $100,000 per year.

2. Practice what you preach. In November 2007, the mayor announced a non-essential hiring freeze to deal with the budget crunch. Newsom then promptly spent hundreds of thousands of dollars hiring new senior staff including highly paid and duplicative special assistants for climate control initiatives, "neighborhood empowerment," and a new greening czar. All new staff hired since November 2007 who are paid more than $100,000 should be cut.

3. Cut duplicative programs. The city spends more than $10 million per year on small business outreach and economic development. The Mayor’s Small Business Assistance Center duplicates those services and costs nearly $800,000 every year.

4. Listen to the voters — cut the Community Justice Court. Proposition L was rejected by more than 57 percent of the San Francisco electorate. It’s time to listen to the voters and preserve revenue by cutting current-year funding for the CJC.

5. Save on spin, spend on substance. A recent controller’s report found that the city spent more than $10 million in salaries for public relations and public information staff, including funding for seven people in the Mayor’s Office of Communications last year. The mayor should cut all unnecessary PR staff and reduce his spin operation to two people.

6. Cut the fat, not the bone. Both police and fire unions are due for 7 percent pay increases. As the city cuts salaries or lays off staff across the board, the mayor should work with the board to reopen fire and police contracts.

7. Eliminate unnecessary drivers. For years, the Fire Department’s battalion chiefs have relied on "chief’s aides" to chauffer them around the city. The estimated cost for these positions is more than $2 million.

7.5 Cut in half the city’s contribution to the opera and symphony. In the current year, the city is contributing close to $4 million in General Fund revenue to the operation of the opera, symphony, and ballet. We can’t afford to subsidize organizations with enormous endowments while we slash services for people in need.

Aaron Peskin is president of the Board of Supervisors.

Kim Gale, the world’s nicest guy, 1941-2008

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A celebration of the life of Jeremy Kimball (Kim) Gale, a colorful Guardian graphic artist who died Nov. 28, in Marin General Hospital of diabetes and renal disease, will be held at 5 p.m., Thursday, Dec. 11 at the Paper Mill Creek Saloon in Forest Knolls in Marin County. He was 67.

It is most fitting that Kim’s memorial service will be held in a saloon. He loved the Paper Mill, he loved saloons, and he loved to attend and put on parties.

Kim was born in Portsmouth, N.H., and graduated from the New England School of Arts in Boston, then headed west and ended up in San Francisco in the mid-1960s. He soon made his way to the Guardian newspaper and our cramped little office at 1070 Bryant. There he found a home, fast friends, a cast of characters, his kind of leftist politics, a rollicking good time, and a perfect place for his free-spirited lifestyle.

He was also a talented graphic artist who could do everything from whipping out illustrations on deadline to designing front pages, to laying out and pasting up pages quickly, to keeping things flowing with professional casualness. Best of all, he could make sense out of and fit nicely into our often chaotic production department.

Through all the pressures of production and bartending, Kim was always the essence of affability and good humor. I never saw him get angry or raise his voice. He was, as we often remarked at the Guardian, "the world’s nicest guy."

Read a full obituary here.

Club hubbub

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› kimberly@sfbg.com

SONIC REDUCER You don’t have to look back very far to find those purple waves of nostalgia lapping at your heels — just take a glance at Beyoncé’s drippy gloss on Etta James in Cadillac Records. Knowles’ star power may have got the Chess Records story made, sorta, but isn’t Oakland homegirl Keyshia Cole better suited to play Fillmore-tough girl-gangster James? Still, sometimes the new is an improvement over the old, such as my fave iPhone toy-app, Brian Eno’s and Peter Chilvers’ music-making "Bloom." So preferable to Eno’s recent studio collabo with David Byrne, the app allows me to generate my own piano-note ambient beauties, which blossom and fade like ephemeral flowers.

And nostalgia was what washed over me when I dropped in on the first of San Francisco’s brave new clubs on a hectic holiday-soiree-strewn weekend — and I mean brave because these nightlife believers have to be to launch a nightspot during this economically rocky era. Oh, the shows and the tales surrounding the old Paradise Lounge! A particularly poignant yarn about Kiss’ Ace Frehley drowning his sorrows solo at the bar in the early ’90s came to mind while I checked out the venue’s latest iteration at 1501 Folsom (www.paradisesf.com). Lo, few were waxing wistful on Friday night as the club’s holiday party went into overdrive in the ex-Above Paradise space. Raucous club-scene working stiffs scooped up Oola nibbles and $1 well drinks to what sounded like favela funk, and a solid lineup of DJs including Omar, Robot Hustle, and Safety Scissors was set to fill the decks serving the two dance floors. If these walls could talk, they’d ramble like the countercultured bastard offspring of Bucky Sinister and Penelope Houston.

The downstairs central bar, one of four throughout the club, has been done up with moodily futuristic LED lights. Outfitted with velvety booths, the mezzanine includes a crow’s-nest-style DJ booth that can move anywhere — all this after about eight months of permitting and remodeling, director of marketing Erik Lillquist told me. Since then the venue — subtly changed yet comfortingly the same with a certain scuffed, been-there-done-that quality — seems to be starting to establish its DJ-dominated identity: Honey Soundsystem holds down Sundays with special soirees planned a là the Dec. 20 date with Legowelt. "We’re taking the economy into consideration," said Lillquist, citing the club’s drink specials and discounted entries. "We’re just trying to create a good vibe and fit into the neighborhood, not be a velvet rope club."

That velvet rope, however, was in full effect — with nary a nostalgic wrinkle in the house — at ultra-lounge Infusion (www.infusionlounge.com), attached to Hotel Fusion at 140 Ellis and set for a grand opening New Year’s Eve. I got a sneak peek at the 6,000-square-foot, quasi-Chinese-themed crimson, ebony, amber, and ivory decor, dreamed up by Hong Kong designer Kinney Chan, with its tasteful but dramatic sectional lounge area beside a downlow DJ booth and elevated meditation pool. Columns dappled in scarlet light were swathed by electrical-volt-like geometric screens. A 2,000-square-foot lounge deeper within the club was lined with low couches and frosted glass columns — ready for a private party or fashion show. A fusion, true, of Pacific Rim exoticism and sleek contemporary design — and ultra with a capital "u": NYE VIP bottle service with a reserved couch, a bottle of Veuve bubbly and Ciroc vodka, and four tickets goes for, whoa, $950. Here’s hoping the life-sized animated interactive hologram is cooler than CNN’s election-day Will.i.am. Obi-Wan Kenobi, you’re my only hope.

On to Atmosphere (www.a3atmosphere.com) at 447 Broadway, where I’m feeling no throwback pangs for the Amusement Center that once filled the now weathered-wood-brick-faux-grass lofty space. The Salon, a lady-pulling party with makeup demos and complimentary champagne, is on, and though Atmosphere appears to be ironing out a few kinks — the masseuse who was supposed to give gratis rubdowns was absent — the relatively new nightspot was popping with a diverse Asian, white, black, and brown crowd while DJ Solomon mashed up techno and New Order. As I inhaled a bubble or two, a clutch of women attempted to shake it on the dance floor as a growing cadre of guys looked on, seemingly terrified to leave their spot beside the glowing bar decorated with waterfall sculpture-paintings. Nostalgia? I felt like I was at a high school dance — c’mon, people, dance together. Still, the crowd outside — looking for fun amid the onetime Barbary rollercoaster of North Beach — and the flood of new faces pouring into Atmosphere made me give the space a double-take. Just when you relinquished the neighborhood to the tourists …

STEEELLL-A!

How to describe the comedy magic these men called Stella — Michael Showalter, Michael Ian Black, and David Wain — make together? "It’s the nature of three friends who’ve been working together for 20 years now and our own slightly weird chemistry," Wain, 39, told me from Chicago, where the comedians, who met at NYU and found renown thanks to their online shorts, were readying to perform to a sold-out crowd. The sweet-tempered Wain recently gathered raves as the director-writer of Role Models, but now he was "kind of beyond belief," having driven late into the night in the freezing cold from Minneapolis. The payoff has been the shows, which include "silliness, laughing, some singing and dancing, a slide show, and audience participation," in addition to a new short about Showalter’s birthday. It seems like Stella is successfully persevering years after Comedy Central brought its series to a quick end. "On one hand I can’t blame them [for canceling the show] because it was really low-rated," said Wain. "But on the other hand I do blame them because it clearly had a vocal and obsessed following. Only after 10 episodes did we get a chance to figure out how it worked."

STELLA Fri/12, 8 p.m., $29.50. Wheeler Auditorium, Zellerbach Hall, UC Berkeley, Berk.

www.apeconcerts.com

Superblastered

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› superego@sfbg.com

SUPER EGO Blue! Red! Yellow! Green! Indigo Girls! (Ew.) This column is on a serious ’90s flashback trip lately — as is the city’s nightlife: witness delightfully grungeful monthly Debaser’s climb to the top of the club charts (www.myspace.com/debaser90s) — dipping its toes into the perilous VH-1 waves of Clintonia. But hardly that icky! My last installment caught up with primal ravers Tribal Funk, and this time around I’m jumping with joy in my silk-tasseled plaid bolero jacket for the 13th anniversary celebration of protean party promoters Blasthaus at Mighty, with techno heartthrob headliners Matthew Dear and Ryan Elliot, a supporting cast of stellar local talent including my DJ crush of the mo’ Nikola Baytala (call me!) a bouncy castle, a sushi bar, and a foot-washer.

Yep, foot-washer.

"His name’s Shrine, and he likes to wash feet. So why not?" breathy Blasthaus Supreme Commander — actual title — Monika Bernstein told me over the phone. That’s a little burner for Blasthaus, whose parties tend to focus more on a dedicated dance vibes than sideshow shenanigans, but no one said they ain’t got dirty sole.

When I think of Blasthaus, I feel the swirly suck of 1998 and its raucous PoP all-nighter at the San Francisco Museum of Modern Art, inaugurating the neon-sprawling Keith Haring retrospective there. I popped three shitty e’s too many and somehow got locked upstairs in the darkened galleries while thousands raged in the atrium below. I don’t remember much beyond that, but Keith says "hi." Also the Watchmen are real.

Blasthaus is anything but stuck in the era of dial-up modems, though, staying true to founder William Linn’s forward-thinking production intent when he named the nascent collective after Weimar-era German fine-art factory Bauhaus, with a hands-in-the-air wink. The company now employs 30 staffers — "We’re like a buzzing virtual hive of little party elves," Bernstein said, laughing — and not a week’s gone by this past year without a Blasthaus shindig bringing in big underground and not-so-underground names. Glitch Mob, Modeselektor, Ellen Allien, Sascha Funke, and Richie Hawtin have all brought sparkly star-fire to its gigs, as well as longtime party partners — break out the Internet boom bubbly — Thievery Corporation, who’ll be headlining the Haus’ New Year’s Eve blast at the Concourse.

"We bring in who we listen to," Bernstein said, "so we’re just as excited about our parties as the people attending them. And a big part of our aesthetic is the art aspect" — Blasthaus has run several galleries, from Joypad to Rx to BoCA, and there’s something arty on the horizon for 2k9 — "so we think of our parties as forms of expression, not just bottom lines. Otherwise, why bother?" They could just bring in DJ Tiësto and retire.

BLASTHAUS 13TH ANNIVERSARY BLOWOUT

Fri/12, 9 p.m., $15 advance

Mighty

119 Utah, SF

(415) 762-0151

www.partyeffects.biz

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CLASH AND CARRY ON

Holy crap, dubstep’s still happening. In fact, it’s getting bigger, like a blimp on laughing gas, but with polka-dotted clown feet. Which is surely how anyone who’s heard Coki’s 2007 low-frequency smash "Spongebob" has felt, me included. Coki and Mala, a.k.a. Digital Mystikz, will be melting the woofers at Dubclash Volume II, the excellent all-star dubstep clusterfuck (in a very good way) with "US Ambassador of Dubstep" Joe Nice, Sgt. Pokes, and other up-to-the-nanosecond bass purveyors. This is a heart-pounding chance to get a West Coast taste of Brixton, UK’s much-buzzed positivity-centric DMZ party by way of our very own Surefire dubstep crew. Volume II at Mezzanine is an upgrade on this year’s capacity Dubclash parties at Jelly’s, with much more bounce to the ounce.

Sat/13, 9 p.m., $15–$25. Mezzanine, 444 Jessie, SF. (415) 625-8880, www.mezzaninesf.com, www.sfdubstep.com

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POKE ‘EM IF YOU GOT ‘EM

I write so much about gay stuff that you’d think my keyboard’s made of fuschia Spandex, and yet the big queer story of 2008 was all the vibrant lesbian nightlife. In particular, the Diamond Daggers, an all-queer-women troupe of vaudevillians, has been putting on spectacularly entertaining offbeat affairs. Grab your golden lasso and get ho-ho happy at their Holiday Roundup, which invites all "Calamity Janes, ranch hands, bronco busters, and rodeo queens" to a Wild West-themed hoedown, with DJ Fairy Butch, live ruckus from the Whoreshoes, and more kooky cowpoke drag and cabaret performers than you can spur on without messing your spangles.

Sat/20, 9 p.m., $12–$20 sliding scale. Fat City, 314 11th St., SF. (415) 525-4676, www.diamonddaggers.com

Making the Transbay Terminal work

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EDITORIAL The Transbay Terminal project is way too important to get bogged down in a pointless political fight. But that’s what’s going on — and it’s the responsibility of the terminal project director, Maria Ayerdi-Kaplan, to put an end to it.

Ten years from now, the terminal is supposed to be a centerpiece in the city’s transportation infrastructure. Buses from around the Bay Area will pick up and unload passengers upstairs, while Caltrain and the new high-speed trains from Los Angeles stop below ground. Shops, restaurants, and other services should make it a grand San Francisco landmark, like the great urban train stations of years past.

As Steven T. Jones reports in this issue, the project is breaking ground this week. But there’s currently not nearly enough funding secured for the rail component.

It’s going to be expensive to bring trains into the new terminal. The Caltrain line now ends at Fourth and King streets; extending it a mile or so (and boring the necessary tunnels) will cost more than $2 billion. The full build-out, including the platforms, will run close to $3 billion. As of today, the terminal authority has only shaky commitments for about $600 million of that.

The project plans mandate a multiuse terminal for trains and buses. And Ayerdi-Kaplan promised us, repeatedly, that there’s no way the project will end up getting built without the facilities for rail in the basement.

But Quentin Kopp, a retired judge who heads the state’s high-speed rail agency, has nothing but harsh words for Ayerdi-Kaplan and her operation. He insists that she hasn’t been working with him and that none of the $10 billion in bond money approved in November for the project will go to extend the tracks beyond the existing Caltrain terminal at Fourth and King. In fact, Kopp is making noises about keeping the end of the line exactly where it is today.

That would be a mistake — building an adequate terminal for high-speed rail at its present location would cost at least $750 million, money that would be better spent funding the downtown extension. But Kopp has some legitimate gripes. Ayerdi-Kaplan, who is supposed to be building the station that will serve as the northern anchor for high-speed rail, has met with Kopp only once. She’s going ahead with the project before she has any guarantees that even the framework for the underground station will be funded. And frankly, it’s not going to work for the head of the Transbay Terminal project to remain at odds with the head of the high-speed rail authority.

Ayerdi-Kaplan has managed to secure money for the first part of this project, which is an accomplishment (even if the city is going to have to accept a giant, hideous skyscraper as part of the deal). But building the Transbay Terminal with no rail connection would be a disastrous waste of money — and waiting and hoping for more money later isn’t a very good financing plan.

At this point, the project is also as much a political challenge as a fiscal and management problem. Ayerdi-Kaplan needs to demonstrate, and quickly, that she can mend fences with Kopp and get the two agencies working together — or the Transbay Joint Powers Authority, which oversees Ayerdi-Kaplan’s work, needs to step in.

Editor’s Notes

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› Tredmond@sfbg.com

Muni is heading for a hiring freeze and delaying system improvements at the same time that Mayor Gavin Newsom says this is "not a time to raise fees and taxes on business." The head of the California High-Speed Rail Authority is fighting with the head of the Transbay Terminal project over money to extend train tracks downtown. The United States of America is bailing out car companies that have been fighting for years against tougher emissions standards and still can’t seem to make fuel-efficient vehicles. And we’re all worried about global warming and a deepening recession.

I’m not getting this.

Historians and economists can argue forever about the causes of the Great Depression, but most people agree about what brought it to an end: massive, over-the-top levels of public spending. Huge investments in infrastructure. Huge investments in employment programs.

Tax cuts didn’t end the Depression. Government layoffs and belt-tightening didn’t end the Depression. Under President Roosevelt, the government taxed and spent, borrowed and spent — and spent and spent and spent — starting with the New Deal and continuing through the gigantic reindustrialization of America known as World War II. And money went into things that actually created jobs — in many cases, public-sector jobs.

So now we’re in a period where San Francisco, California, and the nation desperately need new infrastructure . We need to shift, fairly radically, away from a car-based transportation system to one based on energy-efficient transit, particularly trains. We need to profoundly shift the electricity grid, away from nuclear and fossil fuels (and away from private control). All these things create jobs. It’s kind of a no-brainer.

California just approved $9.9 billion in bonds for a high-speed rail system between San Francisco and Los Angeles. But even that money isn’t going to be enough, and progress is going to be slow. Take 1/10th of the $800 billion the federal government is putting into propping up big banks and spend it on an emergency plan to build high-speed rail all the way from Seattle to San Diego, and imagine how many jobs that would produce. Jobs for planners, engineers, accountants, office-support people, steel fabrication, construction work, heavy equipment operators … jobs for college grads, jobs for high school grads, union jobs, steady jobs, jobs that train people for other jobs –tens of thousands of them.

Take another 10 percent of that and spend it building solar panels on every public building on the West Coast. Again: jobs of every sort, at every level. Mandate that all the work gets done in America, and you’ll develop an entire new industry or two (we don’t build trains in this country much, but we could, and we already have auto workers and factories that are about to be idled).

I hear some talk about this from the Obama administration, but I also hear some caution and some discussion about budget deficits and keeping the financial sector happy. Fact: the financial sector will be happy when a few million more people are working and spending money. That’s where the economy starts.

I just watched all 34 minutes of the economic segment of Newsom’s state-of-the-city YouTube extravaganza. In and around the rhetoric, he devoted a few moments to the city’s budget deficit and how he was going to institute a hiring freeze, lay off workers and consolidate departments. All wrong.

In fact, this is an excellent time to raise taxes and fees — on the rich, the well-off commuters, the big businesses, the billionaires … Shifting wealth from the top to the bottom, creating public sector jobs in the process, is an fine recipe for economic stimulus. At every level of government.

Tap dreams

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› amanda@sfbg.com

On Dec. 2 two water conferences were held in San Francisco, attended by very different groups of people.

Downtown, in a room deep within the Hyatt Regency hotel, executives from PepsiCo, Dean Foods, GE, ConAgra, and other major companies gathered for the Corporate Water Footprinting Conference. The agenda that the conference made public included a presentation by Nestlé on assessing water-related risks in communities, Coca-Cola’s aggressive environmental water-neutrality goal, and MillerCoors plan to use less water to make more beer.

But what these giant corporations, which are seeking to control more and more of the world’s water, really discussed the public will never know. Only four media representatives were permitted to attend — all from obscure trade journals not trafficked by the typical reader — and both the Guardian and the San Francisco Chronicle were denied media passes.

The event was sponsored by IBM, and tickets were $1,500 — out of reach for many citizens and environmentalists who might have liked to attend.

And why might people take such a keen interest in the kind of corporate conference that probably occurs routinely in cities throughout the world?

Because there’s almost universal agreement that the world is in a water crisis — and that big businesses see a huge opportunity in the privatization of water.

Only one half of 1 percent of all the water in the world is freshwater. Of that, about half is already polluted. Although water is a $425 billion industry worldwide — ranking just behind electricity and oil — one in six people still don’t have access to a clean, safe glass of it. If the pace of use and abuse remains, the 1.2 billion people living in water-stressed areas will balloon to more than 3 billion by 2030.

That includes California. On June 4, Gov. Arnold Schwarzenegger declared a statewide drought after two lackluster seasons of Sierra snowfall. Scientists are predicting the same this winter. You can see how the state is mishandling the issue by looking at some recent legislation. Schwarzenegger and Sen. Dianne Feinstein have proposed a $9.3 billion bond to build more dams, canals, and infrastructure. At the same time, the governor vetoed a bill that would have required bottled water companies to report how much water they’re actually drawing out of the ground.

In that context, while the big privatizers were hobnobbing at the Hyatt, activists were attending a very different event, the "Anti-Corporate Water Conference," held at the Mission Cultural Center. It was free and open to the public and the media. More than 100 people gathered to hear a cadre of international organizations share information on how to keep this basic human right — water — in the hands of people.

Speakers included Wenonah Hauter, director of Washington, DC-based Food and Water Watch; Amit Srivastava of Global Resistance, a group that works to expose international injustices by Coca-Cola; Mark Franco, head of the Winnemem Wintu Tribe, which lives among water bottling plants near Mount Shasta; and Mateo Nube, a native of La Paz, Bolivia, and the director of Movement Generation Justice and Ecology Project.

Nube spoke about water as a commons, requiring stewardship, justice, and democracy. "We’re literally running out of water. Unless we change the way we manage, distribute, and consume water, we’re going to have a real crisis on our hands," he said. Nube’s remarks tied together the tensions of control and revolt, democracy and privatization, ecological balance and human need — all enormous issues, all related to water and water scarcity, which the Worldwatch Institute has called "the most under-appreciated global environmental challenge of our time."

BASIC NEED, INFINITE MARKET


Water is a basic human need, perhaps even more important than clean air, food, and shelter. People will never strike against water and stop drinking.

And that means, from a capitalistic point of view, it’s a perfect, nearly infinite market. "As water analysts note, water is hot not only because of the growing need for clean water but because demand is never affected by inflation, recession, interest rates or changing tastes," wrote Maude Barlow in her 2007 book Blue Covenant.

If scarcity drives price, anyone with a stake in the water industry stands to gain from an increasingly water-stressed world. As Barlow also reported, "In 1990, about 51 million people got their water from private companies, according to water analysts. That figure is now more than 300 million." By controlling the resource and choosing when and if they engage with the public it allows some of the biggest water abusers to set the terms of a critical ongoing debate.

The fact that humans need water raises important questions: should water be classified as a basic human right available to everyone? Is water part of the commons? If so, should corporations be allowed to control the taps or bottle it, mark up the price, and sell it for profit?

Not much polling has been done on people’s opinions of water, but during 35 informal on-the-street interviews conducted by the Guardian, 31 people said it is a basic human right. The other four said it was subject to the laws of supply and demand.

This week marks the 60th anniversary of the United Nations Universal Declaration on Human Rights, and Barlow, who has been appointed special advisor on water to the UN, will be addressing the General Assembly on the fact that water is still missing from the original 30 Articles.

"The reason that water was not included in the original 30 Articles in the Universal Declaration of Human Rights is that no one at that time could conceive there would be a problem with water," Barlow told the Guardian. "It’s only in the last 10 years that the concept of water as a human right has come to the fore."

The problem has its roots in the inherent conflict between conservation and profit. Saving water is relatively cheap, but there’s no money to be made by eliminating waste. Developing expensive new water sources, though, is a potential private gold mine.

As Barlow points out in her book, technology is becoming an integrated part of the solution to the water crisis. Desalination plants, water recycling facilities, and nanotechnology are all being thrown at the problem — in some cases before a full assessment of use and abuse has occurred.

While technological solutions may be warranted in some places, Barlow worries that relying on them bypasses any true attempts at efficiency and conservation. "I’m not going to say there’s no place for water cleanup," she told the Guardian. "What I’m concerned about is we’re going to put all the eggs in the cleanup basket and not nearly enough in the conservation and source protection basket. What I’m concerned about is the idea that technology will fix it. Meanwhile, don’t stop polluting, don’t stop the over-extraction, allow the commercial abuse of water, allow the agricultural abuse of water because what the heck, there’s tons of money to be made cleaning it up. I think that’s the wrong way of coming at it."

The technological fix is one way the state’s water crisis may slowly seep into private sector control, and a couple of examples show what can happen when private companies don’t play nice with the public, how citizens constantly battle with state agencies to enforce regulations, and how the public process could and should be honored.

GET THE SALT OUT


In theory, California has plenty of water — its 700 miles of coastline border the giant reservoir known as the Pacific Ocean. But humans can’t drink salt water — and some companies see a nice industrial niche in that dilemma. Build a plant that takes out the salt, and suddenly there’s plenty for all.

Several small desalination facilities already exist throughout the state, mostly cleaning water reservoirs brined by agriculture. But another 30 desalination plants have been proposed for the coast as a way to deal with future water shortages.

One is in Carlsbad, near San Diego, where Poseidon Resources is constructing the only large-scale desalination plant that the state has permitted to date. It’s a 10-year-old project that, so far, doesn’t even have a pipe in the ground.

Despite Poseidon’s ability to grease the wheels with local officials, the facility is controversial. It sits next to a fossil-fuel burning peaker power plant, and will be desalinating the power plant’s discharge water, thus shielding its negative environmental impacts by claiming its the power plant that’s sucking up seawater and damaging marine life — the desalination plant is just making use of the wasted water.

That argument doesn’t sit well with Joe Geever of the Surfrider Foundation, who pointed out that part of the power plant is scheduled for a retrofit to air-cooling, and talk is of a potential state ban on using water for this type of cooling system. There are other more environmentally benign seawater extractions, he said, like drilling and capturing subsurface sources, that the desalination plant could have used.

Mostly, he contends, the plant subverts conservation. "Per capita consumption of water in San Diego is much higher than other places," he said. "In southern California we waste an enormous amount of water on growing grass. There’s a lot to be saved."

Poseidon, a private company, is footing the bill for the plant’s construction, but the financing scheme is predicated on a future increase in the cost of water. As Poseidon’s Scott Maloni explained to the Guardian, the contract with the San Diego Water Authority states that the cost of desalinated water can never be more than the cost of imported water. It can, however, walk in lock-step with it — and by all accounts the price to pipe water to sunny southern California is going to increase. Maloni said his company was taking an initial loss but would start paying itself back as imported water costs increase. Eventually rates will be set halfway between the real cost of desalinated water and the higher cost of imported water.

What kinds of guarantees are there that this will happen? Nobody knows. "They’ll say anything, but when it comes to showing you a contract, we’ve never seen anything," said Adam Scow of Food and Water Watch. "There’s a lack of regulation with a private company controlling the water."

The plant now has no less than three lawsuits hanging over it, all filed with state agencies in charge of permitting and oversight — the Coastal Commission, the State Lands Commission, and the San Diego Regional Water Quality Control Board. All basically contend that the state didn’t do enough to require Poseidon to implement the most environmentally sound technology that’s least harmful to marine organisms, as required by state law.

Geever stresses that desalination is an energy-intensive way to get water. "Every gallon of water you conserve is energy conserved," he said. "Not only could San Diego do more conservation, but they don’t recycle any wastewater to potable water standards. That’s much less energy intensive."

Poseidon counters by saying that it invested $60 million in energy efficiency measures for the plant and will be installing solar panels on the roof. Perhaps most telling is that the company sees itself as vending reliability. "It’s not the current cost of water the San Diego Water Authority is concerned about, but the future cost for an acre-foot," Maloni said. "There’s a dollar figure you can put on reliability. Public agencies are willing to pay us a little more for that."

Which gets back to a comment Barlow made about capitalizing on crisis. "We are frightened half to death and everyone who looks at it, right-wing or left-wing, sees that. … They use the crisis to say we have no alternative except to go into massive desalination plants."

And, as Peter Gleick, president of the Pacific Institute pointed out, San Diego wasn’t calling for proposals to bring it more water. "Poseidon wanted to build a desalination plant and it came to San Diego. That’s one way to do it. The other way is for a municipality to say we want a desalination plant, we’re opening it up to bids, let’s have a competition. That didn’t happen, and instead we have one contractor."

Geever added, "Poseidon has been really successful at lobbying politicians and convincing regulators to give them permits."

Which points to one of the chronic ills of managing water systems, particularly in California where water has always been political. "In the 20th century decisions about water were made by white males in back rooms," said Gleick. "It solved a lot of problems, but it led to a lot of environmental problems. The days when water decisions made in back rooms should be over. And they aren’t over, and that’s part of the problem."

DELTA BLUES


Nowhere is that more obvious than the delta, where the state’s two most prominent rivers — the Sacramento and the San Joaquin — meet the Pacific Ocean just north of San Francisco. It’s ground zero for one of the most charged political fights in the state.

Two-thirds of California’s water comes from the delta. About 80 percent of it goes to cropland, watering about half of the state’s $35 billion agricultural industry, much of it through historic water rights that have been granted to a small lobby of powerful growers who sell their surplus rights for profit. Another 18 percent goes to urban water needs, and — in spite of the fact that this is the largest estuary on the west coast of North and South America — only 2 percent of the water remains for natural environmental flows.

Delta issues are legion and begin at the headwaters of the Sacramento River, near Mount Shasta, a land Mark Franco describes as an Eden. "The deer, salmon, and acorns that we eat — everything that we need is there," Franco told the Guardian. "It’s such a beautiful place. Now they’re drying it, that Eden."

Franco is head of the Winnemem Wintu, or "little water people" tribe, and is fighting the first phase of water diversions from the Sacramento River, 200 miles north of the capitol where companies like Coca-Cola, Crystal Geyser, and now, potentially, Nestlé, pump millions of gallons a year into small plastic bottles and ship it around the country to sell in groceries and convenience stores.

"Here in the US, people have become soft. They’ve become so used to just having things directly handed to them that they no longer understand where their water comes from," he said at the anti-corporate water conference. "Realize this: those springs on Mount Shasta are not an infinite supply of water."

After the Sacramento feeds the bottled-water companies, what remains wends its way south, with more diverted directly to farmers and into the State Water Project, which pipes it to drier southern regions. What’s left empties into the delta.

A lack of fresh water, flagging environmental preservation, increasing agricultural needs, and leveed island communities that are seismically unsafe and sinking, all mean the delta is failing as an ecosystem, and has been for some time. Chinook salmon and delta smelt populations are collapsing to such an extent that court orders have halted a percentage of water diversions and salmon fisherman were forced to dock their boats this year. Levees are crumbling, causing islands to flood and raising ire among landowners. Farmers with historic water rights are fiercely protective of them, while environmentalists are lobbying them to use more conservation and efficiency.

Nearly all stakeholders agree that the status quo won’t hold.

The challenge is finding a solution. Ending exports seems impossible, limiting them means massive investments in other resources. No one agrees on what will really save the endangered salmon and smelt or improve conditions for the 700 other native plants and animals.

In 2006, the governor convened a seven-member Delta Vision Blue Ribbon Task Force, which released a strategic plan in October calling for balancing co-equal goals of ecological restoration and water reliability.

The plan also specifically recommended a dual conveyance system similar to what was proposed in a study by the Public Policy Institute of California. It combines some through-delta pumping with a peripheral canal around the delta. PPIC crunched the numbers and determined that the canal was economically better than any of the four options they had weighed.

The peripheral canal idea isn’t new, but it’s been controversial since it was first proposed almost three decades ago. The plan was ushered by then-Gov. Jerry Brown, but defeated by voters in 1982 after a major organizing effort by environmentalists. (Whether voters will cast ballots on it this time remains to be seen, though the Attorney General’s Office, now headed by Brown, has counseled the Department of Water Resources, which is charged with implementing whatever plan is decided upon, that a vote of the people isn’t required.)

Shortly after its release in July, the PPIC report was criticized by five elected Congressional Democrats — Reps. George Miller, Ellen Tauscher, Doris Matsui, Mike Thompson, and Jerry McNerney. "The PPIC report should not be used to ignore the many things that can be done today to restore Delta health, including providing necessary fish flows, undertaking critical ecosystem restoration projects, and making major investments in water recycling and improved conservation measures," Miller said.

Numbers used by the PPIC report have also been criticized by Jeffrey Michael, a business professor at the University of the Pacific in Stockton. In an analysis of PPIC’s work, Michael said the group had used inflated population figures, as well as high costs for desalinated and recycled water, therefore resulting in a report that made it look like it was too expensive to end delta exports altogether and replace them with other water sources.

The PPIC said the state’s population would be 65 million by 2050, that desalinated water costs $2,072 per acre-foot, and recycled water goes for $1,480 per acre-foot — numbers that were scaled to 2008 dollars from 1995 figures. Michael contends that if the numbers were adjusted to reflect actual costs, the peripheral canal wouldn’t look like such a sweet deal.

Maloni, of Poseidon Resources, said the desalinated water cost would be $950 per acre-foot for San Diego, including a $250 subsidy. A similar plant the company is hoping to construct in Huntington Beach will be about $50 more per acre foot.

When asked if $2,100 per acre-foot was a reasonable figure for desalinated water in California, Maloni said, "That’s nuts."

What does all this illustrate? That even among a small cast of purported experts there’s little consensus on several fundamental issues.

Adding more fuel to the fires of public skepticism is that a third of the funding for the PPIC report came from Stephen D. Bechtel Jr. — heir to the Bechtel Corp., which has come under tremendous criticism for its moves to privatize water around the world.

"That is very upsetting to us. They would stand to gain a lot with a contract to build a peripheral canal," said Barbara Barrigan-Parrilla of Restore the Delta.

PPIC’s Ellen Hanak said the funding didn’t affect their findings. "It’s really much more linked to the fact that the foundation is really interested in the environment and water is a part of that."

Linda Strean, the PPIC’s public affairs officer, told the Guardian that it was Bechtel himself who wrote the check, not the foundation. It’s the first time Bechtel has given to PPIC.

But considering Bechtel’s past performance managing water, it doesn’t inspire much confidence.

BECHTEL’S BIG ADVENTURES


In April, Cesar Cardenas Ramirez and César Augusto Parada, traveled from Guayaquil, Ecuador, to San Francisco. The two men were on a fact-finding mission: they wanted to know more about the company that owns Interagua, the company that is supposed to deliver the drinking water that only occasionally comes out of the taps in their homes.

One of the first things they discovered is that 50 Beale St. doesn’t necessarily advertise itself as the home of Bechtel — one of the world’s largest private corporations, with global construction and infrastructure contracts amounting to billions of dollars annually.

In Guayaquil, water service has been problematic for decades. During the 1990s the country received a loan from the Inter-American Development Bank to improve basic infrastructure. The money was given directly to the government, but like many World Bank and International Monetary Fund loans granted throughout Latin America at the time, it was predicated on an eventual privatization of the water service contract.

The money helped — water conditions improved, and the city seemed to be on track to bring service to outlying areas. But in 2000, the city, abiding by the loan conditions, requested bids to run the water and sewage systems. No bids were received. Leaders scaled back provisions that kept some control in the hands of the government, and they got one response. In 2001, Interagua, a company owned by Bechtel, took over water service.

"Since the contract, nobody has been able to drink the tap water," Cardenas, who represents the Citizen’s Observatory for Public Services, a watchdog group formed in Guayaquil to monitor the water contract between the government and Interagua, told the Guardian. "Prior to the contract you could drink the tap water, although there were some sections of the city where the plumbing was old and inadequate."

Even though Interagua is managing a public service, because it’s a private company, information about its exact responsibilities have been elusive. The Observatory does know that Interagua pays nothing for the water it draws from the local river, is guaranteed a 17 percent rate of return, and that it has a minimum mandate to expand service. What’s also known is its citizens’ experience — during the first six months of the contract, some rates were increased 180 percent.

Bechtel’s SF office refused to meet with the two men or answer their phone calls, e-mails, and letters, which highlights the inherent problem with corporate control of water — a lack of accountability. Bechtel didn’t answer any of the Guardian‘s detailed questions regarding the Interagua contract, and only provided a three-page letter originally drafted to the World Bank in December 2007, that paints a rosy scene of productivity and accomplishment in Guayaquil.

"At present, over 2.1 million residents of Guayaquil (84 percent of the population) are connected to the municipal potable water system, and more than 90 percent of the customers have 24-hour per day, uninterrupted service." The letter goes on to state that coverage is expanding with new connections, water quality meets public health standards, prices have decreased, and procedures are in place to help customers who have higher than average bills.

"There are things that have improved, yes," said Emily Joiner, who spent last summer in Ecuador and is author of the book Murky Waters, a history of water issues in Guayaquil published by the Observatory in 2007. But the bottom line is that citizens pay for the service, but they can’t drink the water.

"You still don’t drink the water anywhere in the city at any time," said Joiner. People buy bottled water or boil it. "Bottled water is expensive, as a percentage of income," she said.

Whereas water service was previously priced more like a progressive income tax, with the lowest consumers paying the lowest rates, Interagua has flattened out the rate structure and now big water consuming businesses are paying the same as residents. "It’s pricing some families out of the market," Joiner said. "It’s great for business. It’s not great for people who don’t have enough water to bathe or wash their clothes."

The Observatory would like the water system turned back over to the government. The local authority, which once ran the water service and is now charged with overseeing Interagua, fined the company $1.5 million for not meeting goals for expanding service. According to Joiner, there’s been no follow-up on whether the company is meeting those goals now.

The Observatory also filed complaints with the World Bank, which attempted a settlement, but, according to Joiner, representatives from Interagua refused to sit down at the same table as Cardenas. "The process stalled," Joiner said. "Interagua said the issue had become too politicized. César [Cardenas] has a reputation for rabble-rousing, and at the time he was lobbying for constitutional amendments outlawing privatization. Interagua considered it negotiating with a hostile party."

A new constitution was passed in September that does, in fact, outlaw privatization, but still allows existing contracts to be honored if they pass a government audit.

In the meantime, the local rumor is that Bechtel is arranging to sell Interagua to another company. Bechtel wouldn’t confirm this, and no one could say more beyond what was reported in speculative articles in Guayaquil’s local newspapers.

It wouldn’t be the first time Bechtel bailed on an international water contract. In what was part of a massive privatization of a variety of Bolivia’s national services, in 1996 the World Bank granted the city of Cochabamba a $14 million loan to improve water service for its 600,000 citizens. Like Ecuador, there were strings attached: a future privatization of the city’s water service. It was sold to Aguas del Tunari, the sole bidder — also a subsidiary of Bechtel. Almost immediately rates increased by nearly 200 percent for some families. In January 2000, people stopped paying, started rallying, and the water war began.

Led by La Coordinadora for the Defense of Water and Life, organizers shut down the city, physically blockading roads and demanding the regional governor review the contract. The battle went on into February, resulting in injuries to 175 people and the death of one. Originally the government announced a rate rollback for six months, but the Bechtel contract remained. "The [Bechtel] contract was very hard to get a hold of," Omar Fernandez of the Coordinadora told Jim Schulz of the Democracy Center. "It was like a state secret." Once they did examine a copy of it, Bechtel’s sweetheart deal for a guaranteed 16 percent profit was exposed and people demanded a full repeal.

Eventually, the residents got it, and though decent water service in Cochabamba is still elusive, the water war has become the poster child for successful grassroots activism.

"One of the most inspiring struggles around community control of water happened in Cochabamba, Bolivia, in the year 2000, when international corporation Bechtel — based here in San Francisco — privatized the municipal water system and hiked the water rates for citizens by 30 to 40 percent. Thankfully, there was a popular upsurge. It was a very bitter struggle and people succeeded in turning control back to public hands.

"This success changed the public debate in Bolivia," said Mateo Nube, a native of La Paz, Bolivia, who spoke at the anti-corporate water conference. "People said ‘enough’ to privatization, enough to corporate control. We need to seize control of our government."

You don’t have to go to Bolivia to find water-privatization battles. In 2002, catching wind that the city of Stockton was on the brink of privatizing its water services, the Concerned Citizens Coalition rallied signatures for a ballot measure against the idea. Weeks before the vote, the Stockton City Council narrowly approved one of the west’s largest water privatization deals — a 20-year, $600 million contract with OMI-Thames. The ballot measure still received 60 percent approval, and activists took the issue to court arguing there hadn’t been a proper CEQA process. In January 2004, according to the Concerned Citizens Coalition Web site, "San Joaquin County Superior Court Judge Bob McNatt ruled in our favor — we won on all points. The judge ruled that privatizing, in and of itself, needed environmental review." The city appealed, but eventually dropped the suit and OMI walked away in March 2008.

PUBLIC AGENCY, PUBLIC PROCESS


Bechtel also failed to hold on to a more local contract, a $45 million deal with the SFPUC to manage the first phase of its multibillion dollar Water System Improvement Project. After a 2001 story by the Guardian exposed Bechtel’s exorbitant billing for services that resulted in few gains (see "Bechtel’s $45 million screw job," 9/12/01), the contract was revoked by the Board of Supervisors and granted to Parsons, which runs it now.

Years later, in 2007, when the SFPUC released a draft of the Environmental Impact Report for the $4.4 billion project, massive public outcry arose against it. The plan outlined major seismic upgrades for miles of aging water infrastructure between San Francisco and Yosemite National Park, where the headwaters of the Tuolumne River are captured by a giant dam in Hetch Hetchy Valley and gravity-fed to the city. While the EIR projected little additional water use for San Franciscans, it called for diverting an additional 25 million gallons of water per day from the Tuolumne to meet the needs of 23 wholesale customers in San Mateo, Santa Clara, and Alameda counties.

The Pacific Institute and Tuolumne River Trust collaborated on a study showing that 100 percent of the anticipated water increases were for those wholesale customers — most of it for outdoor water use. The SFPUC hadn’t factored in any increased conservation, efficiency, or recycling measures, nor had it independently questioned the growth numbers.

The EIR received upwards of 1,000 public comments, more than any other document ever generated by the SFPUC. Environmental groups rallied, writing editorials, flooding public meetings, and asserting a different vision of the Bay Area’s water future and stewardship of its primary, pristine water resource.

And it worked. "We got about 95 percent of everything we wanted out of the WSIP process," said Jessie Raeder of the Tuolumne River Trust. "We do consider the WSIP a huge win for the environmental community … because we were able to organize and get a seat at the table and discuss this with the PUC." She said the Bay Area Water Stewards, a coalition of environmental groups, met with the PUC nearly every month and slowly the initial additional river diversions were pared down to a possible 2 million gallons. Also, a cap has been placed on any diversions until 2018, which gives agencies time to implement conservation and efficiency measures.

The SFPUC feels positive about it, too. "We are really thrilled that the program EIR was approved by the Planning Commission, approved by the PUC, and not appealed," said spokesperson Tony Winnicker. He said there were really controversial elements and the trick was balancing the competing interests of wholesale customers and environmental groups. "It took a really hard-nosed look at our demand projections and what we could really do for conservation." He concedes there are still controversies, in particular over the Calaveras Dam, which the Alameda Creek Alliance opposes. "It would be hubris for us to say it’s been a complete success."

"This is a process that would only occur through a public agency," Winnicker added.

"What we saw with the WSIP was a solution where everything was fully transparent," Raider added. "It was all a public process, and there was plenty of opportunity for public input."

Which is really what a public water utility should be doing. "When you’re talking about public water, it isn’t them, it’s us," said Wenonah Hauter, director of Food and Water Watch. "A public water system is only as good as the people involved with it."

DRINK LOCALLY


"This conference isn’t a public event," organizer Andrew Slavin told the Guardian when we tried to gain admittance to the Corporate Water Footprinting Conference. While water activists rallied outside deriding the corporations inside for greenwashing their images, Slavin said that the fact that the conference wasn’t open to the public proved that the corporations weren’t trying to do environmental PR. "If they’re trying to do greenwashing this isn’t the place to do it. The aim is to try to share information."

Slavin pointed to representatives speaking from the Environmental Protection Agency, the SFPUC, and NGOs like the World Wildlife Fund. From an environmental perspective, if these companies are going to be using water, isn’t it worth working with them to reduce their impacts?

"There are companies I call water hunters," explained Maude Barlow. "They destroy water to make their products and profit. Unfortunately, some of the companies that are leading this conference are bottled water companies. I don’t know how you can become ‘water neutral’ if your life’s work is draining aquifers."

Many water activists consider bottled water the low-hanging fruit as far as getting people to change behaviors. San Francisco banned the use of tax dollars to buy it, and the SFPUC has been promoting its pristine Hetch Hetchy tap water, gravity-fed from Yosemite National Park. "Bottled water companies are basically engaged in a multiyear campaign. Their marketing approach is you can’t trust the tap, your public water isn’t safe," Winnicker said.

Slavin said he thought it was weird to protest the conference, because the corporations are genuinely trying to avoid conflicts. He pointed to a company called Future 500 that has created a business out of mediating between corporations and communities. "It’s hard for companies to speak to people so they use other companies to do it," Slavin said.

In fact, representatives from Future 500 appeared to be the only conference attendees who stepped outside to watch the protest.

"I think it’s great," Erik Wohlgemuth of Future 500, said of the protest. "I think press should have been there. I think more of these voices should have been there. My personal view is they need to come up with some sort of reduced rate to allow these nonprofits to attend these kinds of conferences."

Jeremy Shute, a representative from global infrastructure company AECOM who was standing with Wohlgemuth, said, "There’s a tremendous amount of research and thought going into these questions and it would be great if that knowledge could be shared."

But is that going to happen when private companies cite "proprietary interest" as a reason for not sharing more information about their businesses? Or when they don’t have to abide by public records laws, leaving their contracts shielded from public scrutiny? Or when they refuse to answer calls from their constituencies and the media? In which case, should those advocates be in the same room as some of the biggest water users in the world? When pressed with the question, Slavin seemed stumped. "Why didn’t we invite them?" he asked. Then, after a long, thoughtful pause, he said, "I don’t know."

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WATER, BY THE NUMBERS

One-half of 1 percent of the world’s water is fresh. [1]

Of that .5 percent, about 50 percent is polluted. [2]

One in 6 people don’t have access to clean, safe water. [3]

Five food and beverage giants — Nestlé, Unilever, Coca-Cola, Anheuser Busch, and Groupe Danone — consume almost 575 billion liters of water per year, enough to satisfy the daily water needs of every person on the planet. [4]

The average human needs about 13 gallons of water each day for drinking, cooking, and sanitation. [5]

An average North American uses about 150 gallons of water each day. [6]

An average African: 1.5 gallons. [7]

An average San Franciscan: 72 gallons. [8]

The average Los Angeles resident: 122 gallons. [9]

About half the water used by a typical home goes for lawns, gardens, and pools. [10]

50 percent of US water comes from non-renewable groundwater. [11]

86 percent of Americans get their water from public water systems. [12]

80 percent of California’s homes get water from public systems. [13]

The 20 percent of CA households receiving water from privately-owned systems pay an average of 20 percent more for it. [14]

Of the 4.5 billion people with access to clean drinking water worldwide, 15 percent are buying it from private water companies. [15]

It takes 3 liters of water to produce 1 liter of bottled water. [16]

Tests of 1,000 bottles of water spanning 103 brands revealed that about one-third contained some level of contamination. [17]

The bottled water industry is worth $60 billion a year. [18]

Water is the third biggest industry in the world, worth $425 billion, ranking just behind electricity and oil. [19]

About 70 percent of CA’s water lies north of Sacramento, but 80 percent of the demand is from the southern two-thirds of the state. [20]

[1] www.gwb.com.au/gwb/news/mai/water12.htm

[2] Maude Barlow, interview with SFBG

[3] foodandwaterwatch.org/world/utf8-america/water-privatization/ecuador/bechtel-in-guayaquil-ecuador

[4] The Economist magazine

[5] www.ens-newswire.com/ens/mar2002/2002-03-22-01.asp

[6] www.canadians.org/water/publications/water%20commons/section4.html; environment.about.com/od/greenlivinginyourhome/a/laundry_soaps.htm

[7] montessori-amman-imman-project.blogspot.com/2008/01/in-news-interview-with-ariane-kirtley.html; answers.yahoo.com/question/index?qid=20080304195801AAnrv4Y

[8] sfwater.org/mto_main.cfm/MC_ID/13/MSC_ID/168/MTO_ID/355

[9] www.nwf.org/nationalwildlife/article.cfm?articleId=928&issueId=68

[10] American Water Works Association

[11] www.canadians.org/integratethis/water/2008/May-28.html

[12] www.foodandwaterwatch.org/water/private-vs-public

[13] California Public Utilities Commission

[14] Black and Veatch’s 2006 California Water Rate Survey

[15] www.canadians.org/water/publications/water%20commons/section2.html

[16] www.pacinst.org/topics/water_and_sustainability/bottled_water/bottled_water_and_energy.html

[17] Natural Resources Defense Council study, "Pure water or pure hype?" (1999)

[18] www.bottlemania.net/excerpt.html

[19] www.timesonline.co.uk/tol/money/article4086457.ece; thegreenblog.leedphilly.com

[20] www.energy.ca.gov/2005publications/CEC-700-2005-011/CEC-700-2005-011-SF.PDF

Ricky Angel and Katie Baker assisted with research.

Cinematic repression

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REVIEW Falling ill from scarlet fever on a mid-1950s Berlin street, strapping 15-year-old schoolboy Michael Berg (David Kross) experiences kindness from passerby Hanna Schmitz (Kate Winslet) that he seeks to repay when he recovers some months later. The brusque, moody woman more than twice his age brushes him off, initially. But then they commence an affair in which she proves a very astute erotic tutor, though she resists the emotional connection he feels. A decade later, as a law student, he discovers Hanna’s secret while spectating a Nazi war crimes trial. Decades later still, grown-up Michael (Ralph Fiennes) recollects these events as they’ve weighed on his subsequent life. David Hare’s very sharp screenplay takes some liberties adapting Bernhard Schlink’s novel. But in general, the screenplay and director Stephen Daldry (2002’s The Hours, 2000’s Billy Elliot) do an exemplary job transutf8g a primarily interior-voice tome into cinematic terms. Like other recent successful films about emotional repression (2005’s Brokeback Mountain and the forthcoming Revolutionary Road, for instance), The Reader is most moving precisely in its rigorous restraint, directorial and performance-wise.

THE READER opens Fri/12 in San Francisco.

“incidental films for an accidental audience”

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PREVIEW The Bay Area is no stranger to outdoor projection: the past few years alone have brought Melinda Stone and Liz Keim’s "A Trip Down Market Street" program; a series of "Illuminated Corridor" get-togethers in Oakland; and of course, numerous installments of Film Night in the Park. But Michael Damm’s "incidental films for an accidental audience" is something new — a more ephemeral, relatively (in the artist’s words) "unannounced" projection event taking place in various transit spaces or zones. "I’m interested in the anonymity of people seeing [the projections] in passing," Damm explains, during a recent phone conversation. "It presents a different way of thinking about how people see things. A glimpse can be an interstice — a glimpse in passing can leave a question hanging."

Though "incidental films" is an extension of an ongoing project with Portland, Ore., curator Stephanie Snyder, Damm happened upon the idea of projections shortly after moving from SF to the East Bay. "Oakland is a lot more about driving, and about the freeway," he says. "I became curious about those transit corridors." Damm found himself drawing ideas from the German architect and urban planning theorist Thomas Sieverts, in particular Sieverts’ idea of the Zwischenstadt, or "in-between city." Though Damm is guarded about the specific visuals he’s projecting, expect to see views of life-in-motion as you speed past his sights or sites.

INCIDENTAL FILMS FOR AN ACCIDENTAL AUDIENCE Through Dec. 21. Evening commute hours. In Oakland: viewable from the westbound platform of the West Oakland BART Station, and from passing trains northwest of the station. In San Francisco: viewable on Folsom (between 15th and 16th streets) and intermittently on the 80, 880, and 101 freeway corridors.

www.davidcunninghamprojects.com, www.invisiblevenue.com, www.suddenly.org

Cut half the general fund?

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by Tim Redmond

I’m not kidding. That’s what the numbers right now suggest. San Francisco over the next year could face a budget deficit of $576 million — almost half of the entire discretionary money that the city has to spend.

Mayor Gavin Newsom, frankly, is entirely missing in action on this one. He’s been hiding out, doing his budget discussions in secret, playing Where’s Waldo (even showing up that the board meeting without a budget plan) and leaving City Hall and thousands of city workers, nonprofits and activists wondering what the hell is going on. The lack of leadership is mind boggling.

In the vacuum, the Coalition to Save Public Health has proposed a series of alternative cuts, and Sup. Aaron Peskin, writing in tomorrow’s Bay Guardian, suggests that the board consider them. The proposals include eliminating unnecessary jobs that pay more than $100,000 a year, cutting back the mayor’s seven-person PR staff, cutting the money the city gives to the Opera and Symphony and re-opening the police and fire contracts. These are all good ideas — and they might, in the best of all circumstances, add up to ten or 20 percent of the deficit.

The reality is that the mayor is going to be making some brutal cuts now — and it will be much worse in a few months, when the supervisors have to deal with the next fiscal year’s budget. You can’t cut half a billion dollars out of San Francisco city government without eliminating a lot of essential programs. Public health? Decimated. Parks and Rec? A wreck. Muni? Service will get way worse, fares may go up, and the city’s commitment to public transit will be at risk. What’s the city do for you? Get ready to give it up.

And you think the job market is bad now and the recession starting to hit the city hard? Imagine when a few thousand city employees join the unemployment lines.

So what are we supposed to do? Let me make a suggestion.

The worst thing a government agency can do in a recession is cut spending. The feds can borrow money and keep spending, but the city can’t. So we simply need to face the fact that this is an emergency, a crisis, the worst situation since the 1930s – and we need to look for new revenue.

We can’t mess around with half steps, either. We need big money, right now – and the best, most fair and progressive way to get that is with an income tax.

Now, the city can’t just impose an income tax on residents, the way New York City and Philadelphia do. The California Constitution pre-empts that. But the city CAN levy a tax on all income earned within the city. So the commuters pay, too (although residents who live here and work somewhere else don’t; it’s an imperfect world). Oakland passed a tax on income earned in the city in the 1970s, and the issue went all the way to the state Supreme Court, which ruled in Weekes v. City of Oakland that the tax was perfectly legal (the City Council dropped the tax anyway). Here’s an opinion on it.

The nice thing about income taxes is that they hit the rich harder than the poor. In fact, San Francisco could exempt, say, the first $100.000 of income, then use a progressive scale to make sure that only well-off people paid anything, and the richest paid the most. Even in a recession, there are rich people in this town, people who have done very well under the Bush tax cuts – and shifting money from the rich to the poor during a recession is excellent economics.

And an income tax could actually bring in enough cash to make a real difference.

Of course, the rich people who pay it can deduct the local tax from their state and federal returns – so a lot of the money actually comes to SF from Washington and Sacramento.

Passing something like this would be a huge political challenge – it would have to go on the ballot, and nobody wants new taxes, and the Chamber of Commerce types would howl and raise huge sums to defeat it. It could only work if the entire City Hall establishment, starting with the mayor, was willing to go out and campaign, hard, for the measure. Make it temporary – the tax would expire in two years. Make it progressive – nobody who is hurting financially would pay a heavy burden. And tell the voters: We tax the rich, or we close libraries, and eliminate Muni lines, and take cops off the streets, and close fire stations, and let sick people die because they can’t see doctors – and watch the local economy fall even deeper into recession as city spending plummets.

Because that’s what we’re talking about here. These are the choices.

There’s a good chance the state will have a special election in the spring – a tax measure could go on the ballot then. Or the city could hold its own special election. And if the city income tax doesn’t fly, I’m open to something – anything – else. But is has to be big, and we have to move on it now.

Any takers?

Ammiano, O.J. Simpson, and the mayor

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Ammiano is back: Today’s Ammianoliner:

O.J. Simpson finally has enough time to watch Mayor Newsom’s seven and a half hour speech.

(From the home answering machine of Sup. Tom Ammiano (whoops, Assemblyman Tom Ammiano) on Dec. 8, 2008.)

And so the pressing question of the day remains: Will Sacramento change Tom Ammiano and his San Francisco sense of humor? B3
Let us watch closely. B3

Blue Angel kills thousands in SF crash

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By Tim Redmond

That’s the headline we’d be reading if one of the Navy stunt pilots had the same misfortune as the FA/18 pilot just did in San Diego.

We don’t know yet if it was pilot error or an equipment failure, but we know this: Same airplane. Coulda happened here. The only difference is that the Marines probably need to fly training missions in and out of that base (although they could conceivably move to a less-populated area). The Blue Angels don’t need to fly over San Francisco.

Something to think about for next year’s Fleet Week program. If the supervisors decided not to invite the Navy precision flying team, they wouldn’t come.

Kim Gale, the world’s nicest guy, 1941-2008

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Kim Gale.jpg

Kim Gale

1941-2008

By Bruce B. Brugmann

A celebration of the life of Jeremy Kimball (Kim) Gale, a colorful Guardian graphic artist who died on Friday, Nov. 28th, in Marin General Hospital of diabetes and renal disease, will be held at 5 p.m. on Thursday, Dec. 11th, at the Paper Mill Creek Saloon in Forest Knolls in Marin County. He was 67.

It is most fitting that Kim’s memorial service will be held in a saloon. He loved the Paper Mill and he loved saloons and he loved to attend and put on parties.

Kim was born in Portsmouth, New Hampshire, and graduated from the New England School of Arts in Boston, then headed west and ended up in San Francisco in the mid-1960s. He soon made his way to the Bay Guardian newspaper and our cramped little office at 1070 Bryant Street. There he found a home, fast friends, a cast of characters, his kind of muckraking left politics, a rollicking good time, and a perfect place for his free-spirited lifestyle.

He was also a talented graphic artist who could do everything from whipping out illustrations on deadline, to designing front pages, to laying out and pasting up pages quickly, to keeping things flowing with professional casualness. Best of all, he could make sense out of and fit nicely into our often chaotic production department.

He was a big guy, with the build of a high school football tackle on a winning team, and he had enormous stamina and energy. I remember him standing at his drawing board, hour after hour, grinding through the piles of ad and editorial copy, and getting the page flats to the printer on time. Then he would head out to the old Ribeltad Vorden bar near Precita Park for his second job of the day as a bartender. Some of us would follow him to the Ribeltad, where Kim would again be standing, this time behind the bar pouring us drinks until closing time.

Through all the pressures of production and bartending, Kim was always the essence of affability and good humor. I never saw him angry or raise his voice. He was, as we often remarked at the Guardian, “the world’s nicest guy.”

Kim loved our Guardian parties and could outlast anybody at the bar or on the dance floor. “He could organize a party like few others,” according to his brother Jon. “He put together a full day of fun for nearly 200 people for his 40th birthday. There were two nationally known bands and other musicians who performed. Children of all ages, their parents and grandparents danced, ate grilled ribs, and barbecued oysters and the wine flowed freely.

“When he was 17, he put together an ice-skating party that included half of Portsmouth High School and college students home on Christmas break. That party was talked about for years. When I attended my 40th high school reunion, it seemed my classmates asked about my brother before they asked me what I’d been doing over the years. Everybody loved Kim. He was a load of fun.”

His favorite job, after leaving the Guardian, was working as a public relations man for the Golden Gate Fisherman’s Association. Executive Editor Tim Redmond remembers Kim calling him one day and asking if he wanted to go fishing. “Sure,” Tim said, quite startled, “but why do you want me to go fishing?” Kim replied, “Because that’s my job, to take reporters out fishing.”

It was the perfect job for Kim – beer, fishing, and a chance to talk with interesting people. He loved every minute and often seemed to marvel at the fact that he was actually getting paid to do it.
Tim and then Reporter Martin Espinoza spent a day with Kim drinking beer and fishing out on the Farallone Islands. With Kim’s guidance, they caught lots of fish and Kim would give the name and nature of each fish.

Kim transformed his fishing expertise into a fishing report and website. Kim had a host of sources out on the lakes and rivers and he would call them and find out where the fish were biting and how to catch them. He put the information up on his website and fisherman would pay to visit the site.

Kim lived for many years in Forest Knolls where, according to daughter Natasha Pemberton, “he enjoyed visiting and dancing with friends at the Pepper Mill. He also loved fishing, telling stories, and being surrounded by family and food. We will remember him for his sense of humor, love of life, and his gentle, good heartedness.”

Kim was preceded in death by his parents Arline and Edwin and son Christopher. He is survived by his brother Jon Gale of Waterboro, Maine, daughters Justine Huntsman of Twist, Montana, and Natasha Pemberton, of Lagunitas, and partner Zoila Berardi, of Grass Valley, and the entire “Berardi” clan, as Natasha puts it. Condolences may be sent to Tashapemberton@hotmail.com.

Street Threads: What the heck are you wearing?

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Guardian photographer Ariel Soto continues her quest to capture the chilly San Francisco streetwear moment.

Kat_2_Dolores Park.jpg
Kat, Dolores Park

Najine and Sori_24th St. and Noe.jpg
Najine and Sori, 24th St. and Noe

Lucifer_Castro and Market.jpg
Lucifer, Castro and Market

The Morning Benders ditch tin cans, talk live

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By Chloe Schildhause

The Morning Benders, a collection of groovy kids from Berkeley, have been working hard to make a name for themselves in the music world. After the release of their first record, Talking Through Tin Cans (+1), they’ve been busying touring, but for their last show of the year, the Cal alums are returning to the Bay Area for a performance at the Rickshaw Stop tonight, Dec. 5. Their poppy love grooves are yummy, and their image is as enchanting as their music. Seriously, they dress well, and I am digging lead vocalist Chris Chu’s pastel pink Ray-Bans. I spoke with Chris Chu on a sunny East Bay day to discuss the band and life.

morningbenders1208a.jpg
Srsly bent. Photo by Timothy Norris

SFBG: I saw you guys at Treasure Island this summer. There was a lot of blood involved in that show. Do you guys bleed at every show – what’s with that?

Chris Chu: Joe bleeds a lot, yeah. I don’t know why – it’s just his style. He just hits the strings hard, and he kind of keeps going after the first time, and so he just keeps bursting it open.

SFBG: Does this happen at every show?

CC: It happens a lot, yes. We’re trying to figure out how to get it to work better. At that show I burst my finger, too, so I was bleeding. But that doesn’t usually happen. I’m pretty healthy.

SFBG: You have Britney Spears stickers on your guitars. Why?

CC: Joe’s actually distant relatives with Britney Spears.

SFBG: What’s the connection?

CC: I don’t know what it is – second cousins or something. But the stickers were just sort of a fluke, we just got them. Someone was handing them out on the street – some crazy person. That was on tour in the East Coast, and since there was a little connection there, that’s why we put them on.

Morning Benders, “Dammit Anna”

SFBG: Was it intentional to have your last concert of the year be in your neck of the woods?

CC: Definitely yeah. It’s actually weird – we’ve been touring, and we ended up playing a lot of places more often than we get to play here. It’s been a fluke that when the record came out we didn’t have stops in San Francisco.

SFBG: When you first came to Berkeley, what was your intention in life? Was it to become a member in a band?

Hank Plante busts the mayor!

3

Why did Mayor Newsom buy a $51,000 Chevy car in Colma when the only Chevy dealership in San Francisco is going out of business? Scroll down for the KPIX video showing how Hank Plante busts the mayor.

By Bruce B. Brugmann

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Photo by Paula Connelly

Newsom’s driver and new Chevy Hybrid Tahoe SUV vehicle, parked in front of the Ark toy store on 24th Street, during a press conference launching the Shop Local–Get More campaign. The city bought the car from a dealership in Colma for $51,000.

It was marvelous. Simply marvelous. Hank Plante busts the mayor.

Let me set the scene: The reporters and small business leaders on Wednesday (Dec. 5) were packed in the Ark, a toyshop on 24th Street, for a press conference to launch formally the “Shop Local–Get More” campaign aimed at getting San Franciscans and everyone else to shop local in San Francisco this holiday season.

Steve Falk, president of the San Francisco Chamber of Commerce, laid out the chamber’s extensive program for its members to give substantial discounts to customers. Gerald Johnson, owner of the Ark, explained how his store would give 10 per cent off your next purchase with a purchase of more than $100. Mayor Newsom, who rolled in late in his city car, gave a zippy little talk about the values of shopping local and helping out the merchants and business community during tough times.

Newsom is at his best at these informal occasions, a little pep talk here, a genial smile and gesture there, lots of jutting jaw, no tough questions please. Then came time for questions and Newsom visibly relaxed for what he hoped would be some Noe Valley soft balls.

Hank Plante, the savvy political editor of KPIX Television (Channel 5), was positioned in the front of the crowd with his television cameraman and his camera was whirring away. He led off with a timely question.

“Mr. Mayor, you want people to shop in San Francisco. You know the car dealerships are in trouble. Can you tell us why you didn’t buy your new official city car here in the city?”

Newsom replied testily, “Uh, I have no idea. Thanks for the Gotcha question and I don’t have a clue. I didn’t have anything to do with the purchase of that car.” He said he would find out what happened and get back with the answer.

Plante reported the exchange in the KPIX newscast that night. He said, “We’re losing our last Chevy dealership” in San Francisco. He said that the new car was a Chevy Tahoe Hybrid SUV that cost $51,000 at a dealership in Colma. He pointed out that the Chevy was one of the “most visible purchases the mayor made this year.” Marie Brooks, from Ellis Brooks Chevy dealership on Van Ness Avenue, told Plante, “I think it’s wrong for one of our city officials to buy anything outside the city.” Ellis Brooks is a family-owned car dealership and one of the oldest and most famous local names in selling cars in Northern California.

Plante reported that Newsom kept ducking the question and later refused to allow the press corps to take a picture of him leaving the press conference in his gleaming black hybrid car parked in front of the toy store (see pic above.) KPIX showed video footage of Newsom not getting into the car and walking down 24th street.

Plante had nailed a point that has been agitating the small (and big) business community for years. Scott Hauge, a prominent small business leader and founder and president of Small Business California, was at the press conference and picked up on the point immediately. In his followup email to small business people in the city, Hauge noted he had attended the press conference “where the mayor was promoting a shop SF campaign.

“I applaud the mayor and others like the SF Chamber, Bay Guardian, Small Business Commission and Hotel Council for their efforts. What I didn’t hear was anything the city will do to require SF City agencies to buy from SF companies located in SF.”

Then Hauge zeroed in. “SF government does not have a very good track record in this area. In fact the mayor was asked why he did not purchase his hybrid vehicle in SF and he said he didn’t know why. Now is the time to push this issue. SF businesses have a higher cost of doing business because of mandates imposed on us. It seems to me that the least the city can do is buy from SF businesses.” I think he’s spot on.

And so Plante, Hauge, the Guardian, and small (and big) business in San Francisco are waiting anxiously for Newsom’s explanation why he bought a $51,000 city Chevy vehicle in Colma and not in San Francisco where our last Chevy dealership is on hard times and going out of business. And we are all waiting even more anxiously to hear what the mayor plans to do to correct this Shop- outside -San Francisco-syndrome and get the city working to spend its tens of millions of dollars of city tax dollars on businesses and services in San Francisco.

P.S. Full disclosure: the Guardian is a sponsor of the Shop Local campaign. And we sent a delegation to the press conference: Sales and Marketing Director Jennifer Lachman, Vice President of Operations Daniel B. Brugmann, Online and Print Advertising Coordinator Rebecca Frank, Assistant to the Publisher Paula Connelly who took the press conference photos, and myself. We are happy to pitch in on this critical and timely endeavor to put as much instant cash as possible into our local businesses and our community.

Our contribution, as a locally owned, independent newsweekly, is our own Shop Local campaign featuring a key marketing line derived from an analysis provided by the Business Alliance of Local Living Economies (BALLE), using a formula created by the consulting firm Civic Economics. This data is dramatic. It shows that if our 600,000 or so Guardian readers would spend $l00 with locally owned, independent businesses in San Francisco during the holiday season, that would inject $99 million into the San Francisco economy. Immediately.

That’s nearly $15 million more dollars than the city would see if that money were spent on chain stores that send their revenues back to headquarters. That’s because money spent at local businesses tends to stay and circulate in the community and create more local jobs and economic activity and of course more tax dollars for the city. The Guardian is also leading a national Shop Local campaign among alternative papers that would put several billion dollars in total into local economies all over the country. As Guardian Executive editor Tim Redmond puts it, “A sustainable community needs a sustainable economy, and that starts with locally owned, independent businesses.”

Unsolicited advice for the mayor and anybody else at City Hall who keeps sending our money outside of town: check the policy of the San Francisco International Airport that mandates locally owned small businesses get most of the juicy airport franchises. That policy works and works well. When I go through the airport, I always stop to get something to eat at Klein’s Deli. Klein’s was named after Deborah Klein, a Guardian circulation manager in the mid- 1970s who became a restaurant entrepreneur in San Francisco. For many years, she ran Klein’s Deli on 20th Street atop Potrero Hill. B3

Click here to watch yesterday’s KPIX newscast.

Click here to see Guardian photo coverage of the press conference.

Hear ye: Global Headphone Fest happens Saturday

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A very-last-minute dispatch from the deletist, “deleting elitists since 2003”:

San Francisco’s Fourth Annual Global Headphone Festival
Sat/6, 4 p.m.- 4 a.m., free and all ages and BYOH (bring your own headphones) and 1/4-inch headphone adapters will be available for a small returnable deposit
5lowershop
992 Peralta, SF
(415) 762-3616
More info and live stream at www.deletist.info/plug4.html

Performances by
MICHAEL MANTRA [dronecore]
STRANGELET [noise/improv/buffonery]
MOSB [square recovery]
SONDERKOMMANDO [glitchy industrial noise]
ROGER MILLS [trumpet drones : streaming from AUSTRALIA]
FILTHMILK [cavernous electronics]
SABRETEETH [tesla death ray]
CORVETTE SUMMER [antidoom]
MNEMOTH [deconstructivism]
SKULLCASTER [blackened folk]
MR. CLUCK [circuit bent toys]
SHARKIFACE [hex breaker]
CATSYNTH [ambient]
RUIDOBELLO [processed field recordings]
VSLS [antisonique]
CONFIGURATION AND FUNDAMENTAL GROWTH [experimental]
OZMADAWN [noise and drones]
DANCIN BABY [soundtrack from hell]
MIXILE [ambient/field recordings : streaming from IRELAND]
MOISTURE [electronics]
DESPICABLE ALIEN [electroacoustic duo]
DUBTAIL [electronics]
WELTSCHMERZ [cellos of doom]
JOHN M. BENNETT [sound poetry : streaming from FRANCE]
FOREST ZOMBIE [textured computer noise]
PEREID [electro carnage]
NICOLAS CARRAS [sound art/concret music : streaming from FRANCE]
DELETIST [cover songs gone wrong]
CEREBRAL ROIL [industrial grindcore]
DARPH/NADER [villainy]
A FASHIONABLE DISEASE [noise ass jazz glitch fuck metal]
MOISTURE FARMER [sitar fx]
HORAFLORA [psychoacoustics]
DJ CRACKHOUSE [noisehop]
HEARTWORM [mechanically separated]

Sheehan’s strange coporate media crusade

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By Steven T. Jones

Anti-war activist Cindy Sheehan got a respectable 44,804 votes (16.2 percent of the total) against Speaker of the House Nancy Pelosi. But Sheehan honestly thought she could win the race and blamed her loss on the media, writing to supporters last month that she going to run again in 2010 with the help of a new radio show on Green 960 AM, “right after Corporate Democrat Gavin Newsom,” who has a Saturday morning show.

“The reason we are undertaking this show in that the corporate media (locally and nationally) wrote me off and put a blockade on coverage even before we began our campaign,” Sheehan wrote Nov. 14 in an e-mail entitled “The Revolution Will not be Reported!”

Now, I love to bash the corporate media as much as the next alt-weekly editor; we endorsed Sheehan; and I personally voted for her and thought her supporters gave Pelosi a good challenge. But Sheehan’s rhetoric has gotten ridiculous. For one thing, Sheehan simply wasn’t going to dethrone the Speaker of the House, no matter what the media said or how out-of-touch with San Francisco values Pelosi may be. For another, the station on which Sheehan is going to launch her revolution is owned by Clear Channel, the biggest corporate media villain on the dial. And honestly, if it weren’t for the corporate media promoting Sheehan’s Camp Casey a couple years ago, would we have any idea who she is?

I wrote Cindy back to ask about the contradiction and got no response. But today, I got another mass e-mail from her asking for money to fund her new show (which she said begins Jan. 4 and for which she says she needs $1200 per week). For a donation of $500 or more, Sheehan will even do a 30-second PSA plugging “any event you are doing” or organization you wish. So much for integrity.

Rather than selflessly pushing for progressive revolution, it often seems that Sheehan just loves the spotlight.

Waxing fried

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› le.chicken.farmer@gmail.com

CHEAP EATS I got a Brazilian. I play on a Brazilian soccer team. I pass for Brazilian. I pass to Brazilians. I figured, what the fuck, I’ll get a Brazilian.

My Canadian likes it like that. I happened to know this, and did it for him. That way, in case we become a couple and have a fight some day and he says, "What did you ever do for me?" I’ll say, "I got my ass waxed in the middle of winter," and, argument over, we’ll live happily ever after.

Why I don’t write restaurant reviews is illustrated by the following little story:

I ate at my always favorite restaurant, Just For You, three times in 10 days, and two of those times I ordered the hangtown fry. If you don’t know what a hangtown fry is … I feel so sorry for you that my eyes are watering.

My mouth is watering too, because what it is, see, is eggs with onions, oysters, and bacon. Or: everything that makes life lovable, give or take butter. And there’s always plenty of that on the table at my always favorite restaurant.

Just to be clear: this is not a review of Just For You. I already reviewed it eight or nine times. It’s my last-standing always favorite restaurant. This is just a story (true) that has a moral (iffy), and happens to be set at a particular place. In Dogpatch. San Francisco. California.

The hangtown fry’s creation myths center around Placerville, which used to be called Hangtown, and/or San Francisco, which used to be called San Francisco, during the gold rush. Miner walks into a bar, says, no joke, he struck it rich, what’s the most expensive meal they can make him? Cook invents the hangtown fry ($6) on the spot.

Six dollars!!! In the middle of the 19th century!! Do you see my point? Inflation be damned, 160 years later you can get the same damn thing for breakfast at Just For You for just four dollars more!

But that’s not my point. My point is that, if you ask me, the oysters should be breaded and fried — not because that’s the more authentic way to make the dish (although it might be, for all I know), but because it tastes better this way. Trust me. That’s how they made it on Friday. And if I were a restaurant reviewer I would have written, Ohmigod! Ohmigod! Ohmigod! I mean what else can you say about fried oysters and bacon on the same plate? With eggs and onions.

Cornbread …

And then when I went back on Wednesday, with Earl Butter, and ordered the hangtown fry again, the oysters were not at all breaded or fried and the dish was, like, yeah, whatever.

Don’t get me wrong, I love raw oysters. There is no oyster better than a raw oyster. But these wasn’t raw oysters. They were knocked out of a jar (I’m guessing) and cooked into some eggs. And there’s a world of difference between a not-raw jar-knocked oyster breaded and fried, and a not-raw jar-knocked oyster just knocked and notted and cooked into eggs, bacon notwithstanding.

Tell you what, I have never been madder at my always favorite restaurant than I was that Wednesday morning, Earl Butter as my witness. I was madder at them than they used to be at me 10 years ago for trying to keep the place a secret.

Which goes to show you that, in the words of Shakespeare, you never can tell, and therefore shouldn’t write restaurant reviews. You should get a Brazilian.

And a Canadian who appreciates Brazilians.

On exotic-bodied chicken farmers.

If you’re me.

My new favorite restaurant is Bombay. Indian. Only I’m madder at them than at Just For You. It was classic: small white girl orders something hot hot hot, and a knows-better waiterperson goes, "Oh, no no no, that’s already the spiciest dish on our menu." He talks her into medium, and the spiciest dish on their menu turns out to be as spicy as a bowl of corn flakes. Been in a bad mood ever since.

BOMBAY INDIAN RESTAURANT

Daily: Lunch, 11:30 a.m.–3 p.m.; Dinner, 5 p.m.–10:30 p.m.

2217 Market, SF

(415) 861-6655

Beer & wine

AE/DISC/MC/V

L.E. Leone’s new book is Big Bend (Sparkle Street Books), a collection of short fiction.

Shop Local, get more

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By Paula Connelly

Today Mayor Newsom held a press conference to announce the ‘Shop SF. Get More’, an economic promotion campaign for December / January. This promotion is a collaboration between SF Economic & Workforce Development, SF Office of Small Business, SF Convention and Visitor Bureau, SF Chamber of Commerce, Hotel Council, MTA, MUNI, DPT, BART, Chronicle, Examiner, Business Times and Bay Guardian to encourage people throughout the nine county Bay Area to shop in San Francisco. The Bay Guardian has been promoting small business and sustainable economic programs for years and this holiday season is urging its readers to spend $100 of their holiday money at locally owned, independent businesses – a move that would pump nearly $100 million into the city’s recession-plagued economy.

The press conference was held Wednesday, December 3, 11:45am, at the Ark Toy Store, which is located at 3845 24th St (near Sanchez), in Noe Valley San Francisco.

Visit the San Francisco Visitor and Conventions Bureau’s website: www.onlyinsanfrancisco.com to lean about Shop Local offers from participating businesses or visit www.sfbg.com/local to find out how to win $500 in the Guardian’s Shop Local Reader’s Contest.

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Ark Toy Storefront in Noe Valley

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Gavin Newsom kicks off the Shop Local campaign
http://cbs5.com/video/?id=42754@kpix.dayport.com

Streetlight serenade

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› kimberly@sfbg.com

SONIC REDUCER ‘Tis the season to max out with shopping merriment, and San Francisco still being a record-picking spot of worldwide renown, it’s bittersweet to flip through this year’s handsome UK gifty-paperback, Old Rare New: The Independent Record Shop (Black Dog), and spy the "hi-de-ho"-ing Cab Calloway logo of the late, lamented Village Music in Mill Valley. Such an overflowing vinyl goldmine till it shuttered last year — another victim of high rents and a wildly fluctuating music marketplace. The book is far from perfect: was Amoeba Music ever called Amoeba Records, and why isn’t Grooves listed in the US store directory?

But Old Rare New has its heart in the right place in its offhand celebration of brick ‘n’ mortar music trolling, filled out with short Q&As with collector-head artists like Chan Marshall, Quiet Village’s Joel Martin, and Cherrystones’ Gareth Goddard. It’s refreshing to get an eyeball of Byron Coley’s contrarian ‘tude: if independent music stores are going bye-bye, he writes, "Don’t blame me or my record scum buddies. We’re still as idiotically interested in fetishizing vinyl product as we ever were, but we’re all getting goddamned old, and we’re not being replaced in a fast and timely manner."

Nonetheless, it’s sad to see Open Mind Music in the US store directory, still listed at 342 Divisadero even though owner Henry Wimmer closed that locale long ago, reopened at 2150 Market, and then — argh! — closed that storefront at the end of October to concentrate on online sales (a small Open Mind record enclave, however, remains within the collective-run Other Shop II at 327 Divisadero). Also not listed — and why not with such reissue jewels as Brigitte Fontaine and Areski Belkacem’s L’Incendie (Byg, 1974) and Humble Pie’s Town and Country (Immediate, 1969)? — is Streetlight Records in Noe Valley, set to close on Jan. 31.

Codgers in the know will recall the days when Aquarius sat a few doors down from Streetlight, making the spot a twofer destination for serious LP trawling. Streetlight took up the indie and avant slack in the area when Aquarius moved to Valencia Street: amid its substantial vinyl selection, you can dig up Les Georges Leningrad’s Deux Hot Dogs Moutarde Chou (Les Records Coco Cognac, 2002) on red vinyl and TITS’ and Leopard Leg’s estrogen-athon split-LP Throughout the Ages (Upset the Rhythm, 2006). Deals can be had with the 10 percent-off-everything sale that kicked off on Black Friday.

The ever-increasing gentrification of the street — the mob in front of Starbucks was nutty on a recent Sunday morn — has definitely had an impact on the shop, according to manager Sunlight Weismehl, who has worked at the 32-year-old flagship store for more than two decades. "I believe over the years the area has become a destination for high-end houses," he says, "and the artists and working class have been pushed aside as they have in many neighborhoods. Because of that we don’t get as many people coming in during the day." The San Jose and Santa Cruz Streetlights are doing fine, and the Streetlight at Market and Castro reaps the benefit of better foot traffic.

One twist concerning the 24th Street store’s demise: Streetlight isn’t getting kicked out by greedy out-of-town landlords — they’re closing themselves down. Streetlight owner Robert Fallon owns the Noe Valley shop’s building. "I believe he feels that the rent in the neighborhood is higher than what we’re paying," explains Weismehl.

In an effort to stay afloat and pay its way, the manager says the store tried to "touch on everything. We certainly tried to have strong international, jazz, and roots sections and to try to serve the neighborhood as much as possible. Half crazy obscure things and half whatever the neighborhood is looking for."

And Noe Valley music mavens have reacted in kind. "We’ve been getting a lot of responses ranging from writing letters to the owner to just saying they’ll be sad when we’re gone. Some say it’s the last thing they came down to the street for," Weismehl says, adding that with Real Foods gone and the neighboring video store closed, "it’s a question of how much [the remaining] shops serve the neighborhood." Not to mention the fact that there’s one less accommodating spot that will keep on a touring musician: Weismehl recalls such staffers as Rova’s Bruce Ackley, Comets on Fire’s Noel Harmonson, Sebadoh’s and Everest’s Russ Pollard, and Unwritten Law’s Pat Kim. And after Jan. 31? I’m going to have borrow a baby stroller to feel even remotely at home in the hood.

LET THE GAMES BEGIN

NO AGE AND TITUS ANDRONICUS


ShockHound music site parties up its launch with a free show by the LA noise duo and the Glen Rock, N.J., rock five-piece, now signed to XL. Thurs/4, 7 p.m., free with RSVP at www.shockhound.com. Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com

A FOGGY HOLIDAY 2008


SF indies give it up for this Talking House CD of carols. With the Trophy Fire, the Heavenly States, and more. Fri/5, 8:30 p.m., $10. Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com

MURS


Expect a jammed club for the prescient Murs for President MC. Fri/5, 10 p.m., $15–<\d>$20. Shattuck Down Low, 2284 Shattuck, Berk. www.shattuckdownlow.com

SOULFUL HOLIDAY PARTY


The now-NorCal-dwelling soul-OG Darondo is spreading the deep magic. With Wallpaper and Nino Moschella. Fri/5, 9 p.m., $16–<\d>$21. Slim’s, 333 11th St., SF. www.slims-sf.com

ENERGY ANNIVERSARY BLAST


Energy 92.7’s takes off for the fourth year with Cyndi Lauper, Michelle Williams, Lady GaGa, Morgan Page, and others. Sat/6, 8 p.m., $36–<\d>$46. Grand Ballroom at Regency Center, 1300 Van Ness, SF. www.ticketmaster.com

HANK IV AND MAYYORS


The SF garage-punk scrappers return from their luminary-littered East Coast tour and join the souped-up Sacto rock unit. With Traditional Fools. Sat/6, 9 p.m., $7. El Rio, 3158 Mission, SF. www.elriosf.com

RAILCARS


Xiu Xiu’s Jamie Stewart produced the SF band’s Cities vs. Submarines EP (Gold Robot) in his kitchen. With Religious Girls and Halcyonaire. Tues/9, 9 p.m., $8. Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com

Boys to men

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› a&eletters@sfbg.com

Longevity in rap is the exception, not the rule, but those exceptions are glorious: witness E-40, who dates his career from his 1988 self-released 12-inch as a member of MVP. After 11 years with Jive Records, 40 signed to Lil Jon’s Warner Bros.-distributed BME for his 2006 Gold-certified album, My Ghetto Report Card. Now the 41-year-old Vallejo veteran has returned with The Ball Street Journal, which dropped Nov. 24, a Monday, to increase first week sales.

The same day, San Francisco independent SMC released From a Boy to a Man, the long-awaited seventh solo album by Fillmore legend San Quinn, who began recording in 1991 at age 14. "My competition was Kriss Kross," he told me in a phone interview several days earlier, neatly putting his endurance in perspective.

Though Quinn, now 31, released a handful of discs in his late teens on JT the Bigga Figga’s then-Priority-distributed Get Low Records, his success has always depended on his loyal local fanbase. Fueled by his regional radio hit, "Hell Yeah," his last disc, The Rock (SMC, 2005), is his biggest seller yet, moving more than 20,000 copies.

Yet despite good independent numbers and 17 years in the game, the powerfully deep-voiced Quinn is still hungry. "I’ve yet to blow all the way up," he said. "I want to be known worldwide, and I’m still slowly climbing that mountain."

THE BALLITICS OF RAPPIN’


Quinn makes a good point: if your audience keeps expanding, you can’t be said to have fallen off. A major label rapper like Yung Joc may have debuted with a triple-putf8um single — "It’s Goin Down" — in 2006, but where is he now, let alone 17 years from now? The overinflated major label economy of scale means Joc could sell 200,000 and still be a failure, whereas Quinn’s independent grinding has kept him viable with only a tenth of that figure. I somehow suspect Joc’s artistic legacy won’t compare with Quinn’s in terms of length or depth, regardless of sales.

"Lotta these new dudes is ringtone rappers," E-40 remarks on BSJ‘s "Tell It Like It Is." After 15 years of major-label activity, 40 knows whereof he speaks. He pioneered the "rapper as independent label head" model with his Sick Wid It Records, forcing the industry to take notice when his 1993 EP, The Mailman (Sick Wid It), debuted at no. 13 on Billboard‘s R&B chart with no major-label distribution deal.

While signed to Jive, 40 frequently complained the imprint never gave him that superstar push. He knew he could be bigger, and in an era of shrinking album sales, the fact that the well-promoted Ghetto Report Card scored 40 his first Gold since 1998’s The Element of Surprise (Sick Wid It/Jive) proved him right. (His 1995 Gold album for Jive, In a Major Way, went Putf8um in 2002, showing more artistic longevity than many an instant Putf8um disc.)

The push is not without its price, however. Don’t get me wrong: BSJ, to me, is clearly the best major-label rap disc of the year. Like every such recording, it’s too longand where Jive gave 40 free rein, the corporate hand of Warner Bros. is evident. For example, the Akon collection, "Wake It Up," is an admittedly catchy pop single though it sounds more like an Akon song showcasing 40. Similarly, the marquee power of Snoop Dogg can’t disguise the fact that his verse on "Pain No More" sucks, which is a shame, since 40’s verse rocks.

But overall, BSJ is a more distinctively E-40 disc than Ghetto, inasmuch as its tempo and feel varies more than the hyphy-fueled onslaught of its predecessor. (BSJ had 12 producers, where Ghetto had five.) "Earl," an atypical slice of moody mob music from Lil Jon, is the most classic-sounding E-40 track in years, while the more spiritual "Pray for Me," produced by longtime 40-collaborator Bosko, is a close second.

"It’s got an old-school, 1989/1990-kinda feel," said 40 by phone a month ago. "But I mixed it all up for the new generation." The new generation, to be sure, is much in evidence: in the strong contributions from 40’s producer/son Droop-E and rapper/protégé Turf Talk, especially the hyphied-out mob banger "Got Rich Twice." Rick Rock’s three spacious, sample-laden beats are, as usual, way ahead of their time. The rapper’s collaboration with Too $hort, "Sliding Down the Pole," might sound like old times, but the whistling Willy Will beat is as fresh a post-hyphy groove as anything on BSJ.

GROWING PAINS


Where BSJ is like a big-budget cinematic thriller, Quinn’s From a Boy is more like an autobiographical novel, with an emphasis on storytelling and a socially responsible undercurrent.

"If you want to know how a young black man feels in San Francisco, you can tap into this record," said Quinn. Yet his disc belies this everyman characterization. It’s saturated with Quinn’s personal history, from his mother’s struggles as a single parent on the title track, to his relationship with his sibling, Fillmore rapper Bailey, on "My Brother," to his advice to his 11-year-old son, Lil’ Quinn, who raps alongside his dad on "Billionaire." "Billionaire" displays a very different conception of the uses of wealth than most street rap: "College education for your children," Quinn raps. "That’s what we call livin’."

The extraordinary thing about From a Boy is how Quinn holds its various themes together, sounding neither preachy nor hypocritical. While nominally a gangsta rapper, Quinn is much more a "kill you if you fuck with me" than a "kill you because I enjoy it" MC. His crack-dealing persona is there — as on the infectious single "Rockin’ Up Work" — but the overwhelming impression the full-length leaves is cautionary. Opening with actual KTVU sound clips about a deadly Fillmore shooting, "They’re All Waitin’ on Me" reminds me of Paris in its depiction of the urban war zone and is much more typical of the album’s vibe.

Quinn admits he’s not the best beat-picker, and given how incendiary the Traxamillion-produced bonus track, "Do Ya Thizzle," is, I wish there were a couple of more A-list collaborations. Quinn’s protégé, Filipino producer Dexbeats, is a great find, and the songs are so well-written, they render such second-guessing moot.

All told, both 40 and Quinn have reaffirmed their OG status in Bay Area rap. It’ll be interesting to see whether BSJ will equal the success of 40’s first Warner Bros. disc and whether the increasingly national visibility of SMC will get Quinn any extra regional play.