San Francisco

New Years Eve Parties 2008

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Here’s some rockin’ bottle-pops for your 2k9 hello — followed by some all night dance affairs ….

BUTTHOLE SURFERS


One of the best parts of reading Michael Azerrad’s Our Band Could Be Your Life (Little, Brown, 2001) is learning how psychotic the Butthole Surfers actually were. Whether filling an upside-down cymbal with lighter fluid and igniting and playing it or projecting scary-ass surgery footage onto huge smoke machine-generated clouds to terrorize the audience, the Buttholes clearly intended to have everyone walk away from shows with physical or mental wounds congruent to their own self-inflicted ones. By the time Electric Larryland (Capitol, 1996) gave them access to post-Nevermind commercial radio, the Butthole Surfers had transformed into a run-of-the-mill heavy rock unit, saving their perverseness for their lyrics.

But all’s you need to do is backtrack to Locust Abortion Technician (Touch and Go, 1987) to find the group’s secret reverence for classic rock juxtaposed with a not-so-secret love of tripping balls on tracks like the genuinely disturbing "22 Going on 23" and imagine that there was a time when the Butthole Surfers toured with a naked dancer named Ta-Da the Shit Lady but managed to devote enough energy to the whole "music" side of being a band to write something as enduring as the proto-grunge of "Human Cannonball." The group’s more recent output isn’t good, and it goes without saying that the ‘Urfers will never be able to equal the antics of their past. This one is a mixed bag, but I’m guessing that, while Gibby Haynes won’t be regaling us with tales of Chinese men with worms in their urethras, he won’t pull any cutesy "you are loved" Flaming Lips bullshit, either. (Brandon Bussolini)

With Negativland. Dec. 31, 9 p.m., $55. (Also with Fuckemos, Tues/30, 8 p.m., $35). Fillmore, 1805 Geary, SF. (415) 346-6000, www.livenation.com

GEORGE CLINTON AND PARLIAMENT FUNKADELIC


"Bow-wow-wow-yippee-yo-yippee-yeh." That was the "Atomic Dog" mantra back in the day when I worked at a mega-music store for minimum wage: it kept us tame, it soothed our frayed nerves, and it never failed to remind all concerned that there was a little dog in me, you, and everybody. Hell, if "Atomic Dog" mastermind George Clinton stopped with just Funkadelic’s Free Your Mind … and Your Ass Will Follow and Maggot Brain (both Westbound, 1970, 1971) many a fan boy and babe would have been satisfied to sing his praises forever more, but nooo, the musical groundbreaker and funk-rock-R&B OG of a dogfather has had more creative lives than a nuclear feline — a good and bad thing, I suppose, in terms of quality control.

Later, I would come to associate Clinton with a tale divulged by a colleague who was once allowed into the icon’s smokin’ sanctum sanctorum — namely a venue bathroom — to, ah, do an interview. This time, however, when the man brings Parliament-Funkadelic to the Warfield for New Year’s Eve, I’ll expect candidate Clinton — settling into his golden years, it appears, with the recent release of his covers album, George Clinton and His Gangsters of Love (Shanachie) — to tear the roof off with a super-stupid rendition of his prescient par-tay anthem "Paint the White House Black." (Kimberly Chun)

With the Greyboy Allstars. Dec. 31, 9 p.m., $79–$89. Warfield, 982 Market, SF. (415) 421-TIXS, www.goldenvoice.com

FANTÔMAS


For all those who don’t want to spend their New Year’s Eves puttin’ the lime in the coconut and twistin’ it all up, General Patton has got you covered. Patton and the melodicidal miscreants of avant-garde metal quartet Fantômas invade the Great American Music Hall on a mission to decimate eardrums and bring aural beasts to life. The San Francisco supergroup — which includes Buzz Osborne of the Melvins, Trevor Dunn, formerly of Mr. Bungle, and Dave Lomabardo of Slayer — formed in 1988, and is Patton’s longest-running project. The resume of the king of musical ADHD reads like an major-indie label discography, but the workaholic always finds time to confound and bludgeon with Fantômas.

The group’s beauty lies in its ravenous experimentation and intensity — and in Osborne’s Don King hair. Over the course of their four LPs, they’ve mix electronic glitches; nonsensical and horrifying utterings; Lombardo’s mind-boggling drum dexterity, which roves from blastbeats to technical jazz; and King Buzzo’s gigantic sludge riffs to create controlled chaos in its most primitive, powerful form. They’ve covered The Godfather (1972), worked with free-jazz sicko John Zorn, and, most of all, done whatever they fucking wanted to. As long as they keep doing that, we’ll keep listening. (Daniel N. Alvarez)

Fantômas’ "The Director’s Cut" with Tipsy and Zach Hill. Dec. 31, 8 p.m., $45. Great American Music Hall, 859 O’Farrell, SF. (415) 885-0750, www.gamh.com

Here’s a very select blast of bubbly, DJ-driven New Years Eve parties. (Check the Guardian for more as the date approaches.) All events take place Wednesday, Dec. 31 — and those marked "late" go afterhours for your party-hopping pleasure.

Afrolicious


Feel a warm, wet vibe of the new with DJ Sabo of Sol Selectas, residents Pleasuremaker and Señor Oz, live percussionists, and hundreds of gyrating lovelies.

10 p.m., $20. Elbo Room, 647 Valencia, SF. www.elbo.com

Bootie Pirate Party


Arrrr — it’s 2k9! Swing from the mashup club’s mizzenmast with Smash-Up Derby live and DJs Adrian and Mysterious D, Party Ben, Dada, and Earworm.

9 p.m.–late, $25 advance. DNA Lounge, 375 11th St., SF. www.bootiesf.com

Booty Call NYE


Drag mother Juanita More, playboy Joshua J., DJ Initials P.B., performer Hoku Mama Swamp, and star photographer Brandon — look smart! — bring all the hot boys together to pop a few corks.

8:30 p.m., Check Web site for price. The Bar, 456 Castro, SF. www.juanitamore.com

Eclectic Fever Masquerade


Shake your feathers and bhangra in the new with the NonStop Bhangra dance troupe, and then get global with Sila and the Afrofunk Experience, Daronda, and DJ Felina.

9 p.m.–late, $55. Gift Center Pavilion, 888 Brannan, SF. www.eclecticfever.com

Imagine


Spundae and Mixed Elements explode with local house heroes Kaskade, Trevor Simpson, and baLi — plus, a jungle room and "shiny confetti rain."

8 p.m., $60 advance. Ruby Skye, 420 Mason, SF. www.rubyskye.com

Love Unlimited


Almost every fab disco crew — Gemini Disco, DJ Bus Station John, Honey Soundsystem, Ferrari, Beat Electric — comes together for this all-night beat blast with DJ Cosmo Vitelli.

9 p.m., $15 advance. Paradise Lounge, 308 11th St., SF. www.myspace.com/honeysoundsystem

Midnight


Dancehall, reggae, and classic hip-hop go boom with Ali Shaheed Muhammad of A Tribe Called Quest, Amp Live of Zion I live band Native Elements, Trackademicks, and Jah Warrior Shelter.

9 p.m.–late, $25 advance. Club Six, 60 Sixth St., SF. www.clubsix1.com

New Years’ Revolution


Banger, turbocrunk, and electro freaks unite under the sheer speaker-blowing awesomeness of Diplo, Jesse Rose, Ghislain Poirier, Plastician, and hundreds more.

9 p.m.–late, $55 advance. 1015 Folsom, SF. www.1015.com

Opel: Fire and Light


Wacky, burner-flavored breaks and bass from special guest DJs Lee Coombs and Blende, plus Mephisto Odyssey, Syd Gris + Aaron Jae, Jive, and more from the Opel crew.

9 p.m.–late, $25–<\d>$55. Mighty, 119 Utah, SF. www.opelproductions.com

Reveal


"Reveal your inner light" is the dress code at this glamorous Supperclub affair, with DJ love from Ellen Ferato, Liam Shy, and Michael Anthony — and tons of performers.

8 p.m.–late, $120. Supperclub, 657 Harrison, SF. www.supperclub.com

Sea of Dreams


The immense extravaganza is back, with a full live show by Thievery Corporation, beats whiz Bassnectar, circus stars The Mutaytor, and Brazilian soulsters Boca Do Rio.

9 p.m.–late, $79 advance. Concourse, 635 Eighth St., SF. www.blasthaus.com

Second Sunday NYE


The summer favorite lights up in winter with this special blowout, featuring Chi-Town house god DJ Derrick Carter, local legend DJ Dan, Jay Tripwire, and Sen-Sei.

8 p.m., $40 advance. Mission Rock Cafe, 817 Terry Francois Blvd., SF. www.2ndsunday.com

Temple NYE


Cryogenic fog! Whirling lasers! Sonic Enlightenment! "Optix stimuli!" Oh, and a host of rockin’ techno DJs like Paul Hemming, IQ!, and Ben Tom bring the party knowledge to Temple.

9 p.m., $80. Temple, 540 Howard, SF. www.templesf.com

Storyville NYE


Poleng Lounge shoots back to its past incarnation with a jazzy house and hip-hop extravaganza. DJs Lady Alma, Mark De Clive Lowe, and Daz-I-Kue take you there.

9 p.m., $25 advance. Poleng Lounge, 1751 Fulton, SF. www.polenglounge.com

Scene: Bersa Discos hits the bueno

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Here’s an interview with new-cumbia whizzes Bersa Discos — on the eve of their party Tormenta Tropical’s first anniversary this Friday at the The Elbo Room — as published in this week’s Scene: The Guardian Guide to Nightlife and Glamour magazine, on stands inside the Guardian…

“The reception to our sound has been amazing here,” says new-style cumbia pioneer DJ Oro11 — who, along with partner DJ Disco Shawn, heads the Bersa Discos label (www.myspace.com/bersadiscos) and puts on the packed Tormenta Tropical monthlies at Elbo Room. “A place like the Bay Area is a perfect spot for new cumbia sounds to take hold. People here are always looking for new music, plus there’s obviously a huge Latino population. A lot of younger Latinos who grew up hearing cumbia also listened to hip-hop and electronic music. They’re really into what we’re doing.”

Cumbia, the irresistible traditional accordion-driven dance music of Latin America (originally from Colombia), has undergone a mutation of sorts, opening up to include electronic augmentation, hip-hop beats, and even punk styles. The new iteration has taken hold in clubs like the cutting-edge Zizek, in Buenos Aires, where Oro11 was living and performing when Disco Shawn sought him out in 2006 for a taste of the electro-cumbia sound. The two returned to San Francisco, their home base, to form the Bersa Discos label as a kind of sonic nexus. “DJs and producers were selling burned CDs and swapping MP3s, but nothing was very organized at the time,” says Disco Shawn. “We just wanted to get some of these amazing tracks pressed up on vinyl and circulated a little more officially.”

Bersa Discos is now on its fourth release, titled, appropriately, Bersa #4 and featuring Afro-Colombian-tinged tracks by Brooklyn’s Uproot Andy and deeper sounds from the Netherlands’ Sonido del Principe. And the Tormenta Tropical party has seen legends like DJ/Rupture, South Rakkas Crew, Buraka Som Sistema, Toy Selectah, and even the Zizek folks burn up the stage. Shawn says to keep a 2k9 ear out for DJ Panik’s Texan “crunk cumbia.” Meanwhile, UK “bashment” crew the Heatwave hop in Dec. 19 to enliven the party’s first anniversary.

SFBG What originally attracted you to the new cumbia style?

ORO11 I first got into cumbia in 2001 while I was in Buenos Aires — the same time that the Argentine economy was collapsing. Kids were still heading to the clubs all night, but as a whole the music was pretty unimpressive. Lots of ’80s, trance, Ramones, and Rolling Stones — seriously, whole subcultures based on those last two. But one day I caught a Sunday TV variety show called Pasion Tropical that had the group Pibes Chorros on. Those dudes were repping heavy keyboard-guitars, long hair, and skull tees. They had a different sound that grabbed me, meaner than most cumbia I had heard. So I started tracking down their mixes, chopping up their samples, and making cumbia remixes with dancehall and hip-hop thrown in. Guys like Marcelo Fabian, Villa Diamante, Sonido Martines, and Daleduro were messing with cumbia too. So we started linking up, throwing parties together. Shawn and I met not too long after and started throwing the idea of Bersa Discos around.

SFBG What are some of your most memorable Tormenta Tropical experiences?

DISCO SHAWN It’s all been amazing. But the best thing has been getting to play with artists whose music I was already a fan of. The crowd has also been great. It’s totally mixed — Latino cumbia diehards, hipsters, dancehall heads, etc. Even better, people are really into dancing. Most of the time we’re playing songs that people don’t know — most of the songs are in Spanish, so a good portion of the crowd may not even understand the language — yet everyone goes crazy on the dance floor. It’s really nice because we’re not slaves to playing any sort of “hits.”

SFBG Drop a new cumbia top five on us.

ORO11 How about these?

Petrona Martinez, “La Vida Vale la Pena (Uproot Andy Remix)”
Los Rakas, “Esa Mulata”
El Guincho, “Kalise (Frikstailers Remix)”
DJ Panik, “Gettin’ Some Head”
BananaClipz featuring MC TIDAL, “Bluetooth Riddim”

TORMENTA TROPICAL ONE-YEAR ANNIVERSARY PARTY
With the Heatwave and Paul Devro
Fri/19, 10 p.m., $10
Elbo Room
647 Valencia, SF
(415) 552-7788
www.elbo.com

Editorial: Beyond the bloody cuts

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Editorial for Wednesday’s Guardian (12/17/08):

Beyond the budget cuts

The crisis is an opportunity–a chance to examine how the city’s current revenue sources are unfair, unstable, and unwieldy

Click here to read EDITORIAL.

EDITOR’S NOTES

By Tim Redmond

San Francisco’s not ready to make $118 million in budget cuts.

Click here for full editor’s notes.

Youthquake

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Wooo! Wooooo! No, I’m not a giant faggotty owl. I’m the ghost of recent San Francisco underground dance floors past — equally faggotty — and I controool you. Or at least I did, until that brazen neon bitch from American Apparel showed up on the 2k8 guest list, with his matte lamé leggings, Adderall diet, Marvel comics mask, baile funk BFF, and Ableton plug-ins.

Gurl, I got caught with my ZOMGs down, and it was total fap fap fap.

For more than a decade, I fierce ruled the insular world of club tunes, dividing them up into techno, house, and hip-hop, with some occasional ’80s nostalgia on the side. I froze all dance genres in the booty-phat ’90s with my snap-hand, casting off up-and-comers with a haughty high-hat spray of laughs. Breakbeats? Electroclash? IDM? Nu-rave? Trance? Specter, please. Passing fancies, they all got swallowed up with ghostly ease. Despite my aging denizens — no more backflips at the breakdowns, no more weekend trips to Body and Soul in NYC, a lazy wash of Rihanna remixes and Mary J. mash-ups — I held all the club cards, and it felt mighty real.

I just never thought the children would use my own tools to destroy me.

Sure, I peeped those Misshapen mid-aughts electro youngsters at the fringes, flashing their disabled glasses and pajama-like outerwear on Lastnightsparty, snapping up Justice remixes on BIGSTEREO, laughing along with Hipster Runoff. And, yeah, I knew that high-school crunkers fetishized "da club"; that feisty programmers refreshed techno; that global styles stewed together in dubstep; that iDJs resurrected ancient categories like grunge and hair metal, irony slowly melting into earnestness.

But all that was old news, relying on even older genres — I mean, electro’s like from what, 1972? — and most of those darned kids, I figured, would end up directly beamed into MySpace, never setting a single fluorescent Nike onto me. The few who found their way to the "real" underground — my underground, with my same five goddamned DJs — would still have to bow down before me.

Oh, how wrong I was. I never opened up to any of the newer energies — I was afraid, I got petrified — despite their thrilling old-school affinity, preferring to keep my exhausted thralls lockstep in an endless search for purity, the enslaving chimera of "authenticity."

"Fuck that," said the children, and exploded. This year, especially, the local scene saw an infusion of youth like it hasn’t seen since rave. And like rave, there’s just no stopping the march of the Smurfs — with more to come, if the wide-eyed, underage flood at LoveFest was any indication. Everything’s escaping my control! Lazer bass! Bloody Beetroots remixes! Banger freaks! Electro-cumbia! Disco perversion!

I’d blame the hipsters, except I helped create them, d’oh. And even if, in this onslaught of danceable enthusiasm, some of that old underground feeling seems to be lost — the yearning for an inverted hierarchy to escape the real world, the notion of a special dance floor family — it’s still kind of thrilling. Maybe I, the ghostess with the mostest, should float down from my high horse and show the new gen how to dance properly.

MARKE B.’S TOP 10 EARWORMS OF 2008

Frankmusik, "3 Little Words" (Island Music)

Ane Brun, "Headphone Silence (Henrik Schwarz Remix — Dixon Edit)" (Objektivity)

Clubfeet, "Die Yuppie Scum" and Gold on Gold (both Plant Music)

Mark E., "Slave 1" (Running Back)

Foals, "Olympic Airways," Antidotes (Sub Pop)

SIS, "Nesrib" (Cecille)

Buraka Som Sistema, "Sound of Kuduro" (Modular)

The Golden Filter, "Hide Me" (Dummy)

The Very Best, "Sister Betina," Esau Mwamwaya and Radioclit are the Very Best mixtape

The Notwist, "Boneless," The Devil, You + Me (Domino)

>>MORE YEAR IN MUSIC 2008

You heard it here first

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› a&eletters@sfbg.com

The first time I noticed that my city of art and innovation was getting short shrift was when The New York Times started going on about "freak folk," Joanna Newsom, and Devendra Banhart and really, you know, getting rhapsodic about these baroquely retro space-folk flavors.

And somehow it never quite came up that these people are San Francisco people, and that their music is San Francisco music. I mean, yes, Banhart has a rep as being a bit of a drifter. Yes, Newsom is really from, you know, Nevada City … and yet, where else could they have first truly taken root, where else could they have first broken through the topsoil, drunk of the dew, and soaked up the dappled sunlight, except in the rich, loamy cultural compost heap that is San Francisco, the Bay Area, and its wooly NorCal surround?

This germination of culture, color, sound, and flavor is, in the most organic sense of it, completely cyclical. Ken Kesey’s garden parties put out roots and rhizomes and threw up spores that took hold almost immediately among music lovers in the region. The result was a distinctly American growth medium for the archetypes of Dionysus, Pan, and Astarte; for the mystic and mythic yearnings of the Victorians; and for the willful, self-starting proto-anarchism of the English Diggers. Cross-pollinate that with the intellectual and aesthetic rebellion of situationism and free jazz, borne in with the gusting, blowsy Beat generation, and you have yourself a rather fecund and folkloric little bramble — one that got even more biodiverse with all the punk rock springing up like weeds in the 1970s.

This polyglot epoch of musical discovery gave us so much. Not just the Dead’s first three records, the Airplane, or even David Crosby’s If I Could Only Remember My Name (Atlantic, 1971) — what about Blue Cheer, Moby Grape, Fifty Foot Hose, the Flamin’ Groovies, the Avengers, and the DKs? Rather a multifaceted mix, but relevant, because Bay Area bands like these set the pattern for divergent waves of underground music-making during the next three or four decades.

The last 15 years in particular have seen these retro sounds made new in the Bay Area and then breaking into the critical, and sometimes commercial, mainstream somewhere else. Usually New York is quickest to take all the credit. Like with that whole garage rock revival. Yeah, yeah, the Strokes, blah, blah, the latest in NYC retro-cool. It’s not that we were first, here in SF. It’s just that we’ve been playing that stuff on KUSF-FM for years, and fabulous local bands have been cranking out that sound for years, and suddenly the Big Apple is basking in the hipniz.

Or in the glorification of Williamsburg, which totally followed the Mission District in terms of exuberantly youthful, excruciatingly hip, oft-naïve, and fearlessly spasmodic creative gusto. Dang, before there was a TV on the Radio, Kyp Malone was working at the One World Cafe on McAllister and Baker streets, making music with Rocket Science and the Nigger-Loving Faggots and handing out fresh-pressed records to the community-radio DJ down the street. OK, so that’s not the Mission, but it sort of was a suburb of the Mission.

Or with the whole freak-folk thing. Back in 2004 or thereabouts The New York Times started noticing there were hairy kids playing spacey and folkoric acoustic sounds. They quickly championed the term "freak folk," and in 2006 even ran a big, lushly illustrated, front-page article in the "Sunday Arts & Leisure" section, Will Hermes’ "Summer of Love Redux," that curiously never once mentions San Francisco, despite bolting the whole thesis down with repeated references to Banhart, Newsom, Vetiver, Comets of Fire, the Six Organs of Admittance, and Jolie Holland.

Now we see, from the foggy depths, a new rising of fuzz and hair, the shambling and very organic children of Blue Cheer. Parchman Farm was an early bloomer, as was Comets on Fire, and now the Bay Area is throbbing with shaggy combos exploring the idiom. Assemble Head in Sunburst Sound, Sleepy Sun, and so many of those Frisco Freakout acts — how will these vibrations resonate across the nation over the next five years? And will New York City somehow take credit for that, too? I think not. They’re just too damn cool to grow out their bangs past the uncomfortable midlength stage.

Philly, though, which gave us Bardo Pond, Brother JT, Siltbreeze Records — there’s a hairy, done-it-all scene stealer I can live with.

JOSH WILSON’S TOP FIVE

1. Godwaffle Noise Pancakes closing show at the former ArtSF, Nov. 8

2. William Hooker, Hemlock Tavern, July 24

3. Heavy Metal (1981) and Conan the Barbarian (1982, with James Earl Jones and some other guy) at the Castro Theater’s "Analog Adventures" showcase

4. All Tomorrow’s Parties, Monticello, NY, Sept. 19-21

5. Expo for Independent Arts moves to Dolores Park and triples in size, Sept.

>>MORE YEAR IN MUSIC 2008

Budget funeral

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› amanda@sfbg.com

Hundreds of people gathered for a funeral among makeshift gravestones buried in the lawn of City Hall on Dec. 11. The tombstones marked some of the essential public health and community services laid to rest by mid-year budget cuts: health care for jail inmates, day services for the homeless, the SRO Collaborative, and the Laguna Honda adult day care center.

Collectively they amount to a $36 million thinning of an already stretched social safety net that is designed to catch the most vulnerable populations in San Francisco. Of the city’s $118 million projected deficit, about 30 percent will be recovered from the Department of Public Health, with cuts to care and counseling for the mentally ill, services for the elderly, and closing some medical respite housing. All these services — and more — have been suggested by the DPH in response to Mayor Gavin Newsom’s request for deep budget cuts.

But advocates and front-line workers say these cuts will only create a greater cost to the city over time, as people with acute illnesses and mental health and substance abuse problems lose their primary care and end up in the emergency room, potentially in worse condition, receiving more costly care.

"The cuts in services are going to cost," Marykate Connor, director of Caduceus Outreach Services, said at the rally. Cuts to nonprofit organizations that handle much of the city’s drop-in health services mean more ill people will end up at SF General.

But the city’s premier — and only — public hospital is already crunched. "It’s sort of crazy right now. Six to eight months from now if these cuts go through, it will get a lot crazier," said Ed Kinchley, an emergency room social worker.

In a memo to the Health Commission, DPH director Mitch Katz pointed to a higher-than-budgeted census at SF General, which provided a short-term boost in revenue but also stretched resources at the busy hospital and exacerbated its budget situation.

Kinchley, who’s been at General for 24 years (12 of them as a social worker), said part of his job is getting substance abusers and people with mental health out of the ER and into care programs. "It’s already hard for me to get someone in detox in a day," he said.

On a typical Friday afternoon, he’s successful with one in five people. Unfortunately, when someone comes in asking for detox is the time when it can do the most good, if it’s available. "It’s really crucial in that situation to seize the time," Kinchley said. Though they try to keep in touch with clients and get them in as beds become available, there’s high attrition on the waiting list. "They don’t have a hell of a lot of choices except to start drinking again that day."

Martha Hawthorne has spent 23 years as a public health nurse for DPH, working out of the Castro Mission clinic. She does targeted case management for high-risk mothers and their newborn babies — essentially making sure they’re connected with other health care workers who specialize in chronic problems such as diabetes, hypertension, and substance abuse. "I’m one of the people that sees the system from the patient’s point of view," she said.

She’s also able to illuminate how certain cuts can have spillover effects on a newborn baby. "There are five to six specialized, highly skilled RNs being eliminated. One is an expert in diabetes care for pregnant women," Hawthorne explained. If that nurse is cut, "the clinic will still exist, the patient will have five to 10 minutes with the doctor and receive instructions, but there will be very few people to teach her how to use insulin, to follow the instructions, to change her diet…. A woman without this care can have very sick babies. This is one little, little example of a staff cutback that has a direct effect on care."

Furthermore, the way the cuts are being exacted carves deeper into the social safety net than ever before. For example, Progress Foundation contracts with the city to do acute diversion and transitional housing and services for mentally ill people coming out of General’s emergency room. Its annual budget is roughly $14.8 million, mostly funded by Medi-Cal with matching state monies. A smaller amount of city money fills the gaps.

DPH has asked Progress, as well as many other nonprofit providers, for a 5 percent cut — but the cut is based on the entire foundation’s funding, not just what the city gives them. Executive director Steve Fields said that means closing two out of three acute diversion programs or four out of six transitional residential treatment programs.

"It ends up closing about $3 million in programs to save $700,000 [of city money] over the next 12 months," Fields said. "I’m sympathetic to the problem, but it just doesn’t make sense to give up that much [state and federal] money." He pointed out this represents 40 to 50 transitional beds or 20 acute diversion beds in facilities that have been licensed, permitted, received neighborhood approval, and have been functioning at 90 to 95 percent capacity. "Once you lose these beds, you don’t get them back."

And, he said, the real effects are felt on their clients. "However you look at it, the need will be there. They don’t leave town. We end up seeing them somewhere. They’re going to be in a hospital bed or they’re going to be in jail or they’re going to be in a longer-term skilled nursing facility" — all more expensive solutions to a chronic problem. "We may be making decisions that we may regret down the road because we’ve had to react so immediately to the crisis," Fields said.

"This is happening at a time when there’s all this increased need," said Jennifer Friedenbach, executive director of the Coalition on Homelessness.

The numbers for families, provided by Compass Community Services, are grim: between 2007 and 2008, the number of families seeking shelter jumped from 75 to 148. At the same time, the city has reduced family shelter beds by 20 percent, and the waiting list is now more than four months long — meaning families are waiting for shelter longer than they can actually stay in it.

"It’s a really brutal time to cut health and human services," said Friedenbach, whose group is advocating for an alternative list of cuts that incorporate some of the suggestions posed by SEIU and the Coalition to Save Public Health. They call for capping city salaries at $150,000 and letting go of all management staff brought in since a 2007 hiring freeze.

Hawthorne pointed out that while these cuts hit the neediest hardest, public health for everyone will suffer, pointing out that the city will be less prepared for a large-scale emergency or epidemic.

"SF General is a trauma center, and anybody who needs top-level trauma care is going to end up there. If it’s crowded with people who don’t need that level of trauma care, their response will be slower," said Hawthorne, adding that all emergency rooms in public and private hospitals are ultimately affected by cuts to clinics and nonprofit services.

"On a hopeful note, there’s huge potential as people realize the depth of these cuts," Hawthorne said. "The public needs to demand the human right to health care."

An open letter to the archbishop

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Dear Archbishop George Niederauer:

On Dec. 3, in the face of a national outcry against the passage of Proposition 8, you defended the role you played in its passage, which included giving a video interview to the pandering Web site marriagematterstokids.com, in which you intoned that "the successful, millennia-long model of marriage is between a man and a woman…. And the introduction of another model seems to us to go against the success of that model."

But beyond just words, you directly persuaded the Mormon Church to join the fight, which that church said it would not have done absent your encouragement. As San Francisco’s highest Catholic prelate, what you say and do matters, not only to the loving members of your flock whose lives you have disrupted, but to voters throughout the state. Now, adding insult to injury, you are crying "victim."

Please do not pretend that your own right to free expression is at stake because we are protesting your actions. No one denies that you have a constitutional right to speak out on issues of public policy, just as we have the right to protest your hurtful conduct. Your statement that we should just agree to disagree over gay marriage, and stop hurling obloquies like "bigot" and "pervert" at one another, is the very essence of sanctimony. You did not agree to disagree before you acted to invade the bedrooms of consenting adults whose partnerships in no way impinge on your own rights. Your entreaty now for respectful discourse is simply a crusader’s demand for surrender and conversion.

You stated in your interview to marriagematterstokids.com: "Societies, nations, states do not create marriage; marriage is antecedent to that … The society, the government comes along later, and is not meant to revise or redesign marriage."

What sanctimony. You have designed marriage politically in exactly the manner you pretend to eschew. If you don’t like gay marriage, don’t have one. Teach against it until your voice runs out. But have the ecumenical restraint not to legislate your morality. And please do not profane the sacrifices of abolitionists and civil rights activists by falsely equating their efforts to expand people’s rights with your efforts to restrict them.

You may bridle at the term "bigot," but there is no better term to describe the prejudice you tapped to help repeal the hard-fought gains of same-sex couples. Assuring yourself that you are "tolerant" does not make it so. The Catholic Church behaved ignobly in failing, until 1967, to take a firm stand in support of interracial marriage. You have advanced no argument against gay marriage that people did not also advance against interracial marriage. It pains us to have to call you — our homophobic friends, family members, neighbors, fellow parishioners, and clergy — bigots. But let the term fester in your ear until you are delivered from your bigotry — or we are.

This is not a polite debate. Nor is it a mere culture war. It is a war for fundamental rights and human dignity. We will fight until we win. And you will be left to explain once again why you were on the wrong side of history.

Ben Rosenfeld

Ben Rosenfeld is a civil rights lawyer in San Francisco.

Conservatism’s last stand?

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As Tom Ammiano moved from the San Francisco Board of Supervisors to the California Assembly at the start of the month, he went from the budgetary frying pan right into fiscal fire, a place where the Republican Party’s "no new taxes" pledge has finally turned the political heat up to an unbearable level.

"I think the state’s road is very, very difficult, and the city’s road is very difficult," Ammiano told the Guardian. "There is a failure of leadership on [Gov.] Arnold [Schwarzenegger’s] part. I’m not giving [Mayor Gavin] Newsom an A+, but he at least came to the board."

The difference lies with the anti-tax pledge by the influential right-wing group Americans for Tax Reform that all Republican legislators have signed. Combined with the requirement for two-thirds of the Legislature to approve state budgets, the pledge has made it impossible to close a state budget deficit pegged at $40 billion over the next 18 months, a gap that could shut down state government by March.

"No matter how nice the Republican next to me is, or how gay friendly, they’re doctrinaire and they have everyone by the cojones," Ammiano said.

Senator Mark Leno says now is the time for Democrats to aggressively fight back against an inflexible anti-tax stand that has eroded critical government services for a generation and has now finally reached a crisis point. The conservative crusade has been led largely by ATR head Grover Norquist, who once famously said he wants to shrink government to the level where he can drown it in the bathtub.

"Every Republican has signed a pledge to someone who wants to drown government in a bathtub — Grover Norquist. So nothing will happen until we rip up those pledges," Leno told me, noting that the two-thirds vote margin is just three Republicans each in the Assembly and Senate. "Six human beings are bringing us to our knees."

Even the conservative editorial page writers of the San Francisco Examiner (who endorsed John McCain for president) on Dec. 15 wrote, "the deficit has become so overpowering that — hate it all we want — California cannot continue functioning in 2009 without at least temporary tax raises."

Yet Norquist and the Republican legislators in his thrall haven’t softened their position one bit and instead hope to win deep cuts with this game of brinksmanship. "Now it’s up to the governor to come up with a budget that doesn’t borrow money and doesn’t raise taxes," Norquist told the Guardian.

He said the problem is that California hasn’t adopted a system of making a searchable, detailed list of all government expenditures available to the public, as they have in states like Texas, Missouri, Kansas, Oklahoma, and Alaska.

"Ralph Nader and I have joined in sending three letters to your governor asking them to go transparent," he told us. "To say you’ve cut the budget as much as possible without having 30 million Californians help look at what makes sense and how to cut the budget is not serious. There’s not been a serious effort in California to scrub the budget, period."

Norquist did not return Guardian calls with follow-up questions about the fact that few credible government watchers think the budget gap can be closed with cuts alone or whether the current standoff — which even Schwarzenegger blamed on legislative Republicans — could hasten the demise of conservatism. But for now, conservatives are standing firm.

Senate Republican leader Dave Cogdill put out a statement saying, "Raising taxes doesn’t solve the underlying problem of California’s budget, which is the state spends more than it takes in." His statement may not be true — after all, raising taxes does indeed address that problem — but his caucus is sticking to it for now.

"Republicans remain strong against tax increases and that’s particularly important now when the nation is facing a recession," Sabrina Demayo Lockhart, press secretary for the Senate Republican Caucus, told the Guardian.

Leno called the tax pledge "childish and irresponsible," and akin to Democrats saying they won’t consider any spending cuts. "What kind of honest negotiations can there be when they’ve signed that pledge?" Leno said.

Lockhart countered that, "we’re bargaining in good faith for California taxpayers." Asked about the potentially devastating impact to the economy of shutting down all state spending and projects, Lockhart denied the Republicans were being irresponsible: "The responsible thing to do is project California taxpayers and jobs."

The Legislative Analyst’s Office last year put out a report entitled California’s Tax System: A Primer in which it wrote "California’s tax burden is about average," and in fact less than the industrial states’ average of under $12 for every $100 of personal income. And US tax rates are about 15 percent less than those in the European Union.

Leno has reached out to business leaders to have them try to talk some sense into the Republicans. Ironically, despite the Republicans rationalizing their pledge in the name of not wanting to hurt economic growth, the collapse of the bond market combined with the budget impasse threatens to cut off all state spending and send the already weakened economy into a nose dive.

"I wouldn’t think that anyone with a business mind or business concerns would in any way support the status quo right now," Leno said.

Leno said that even the Chambers of Commerce in San Francisco and Los Angeles are advocating for a reinstatement of the vehicle license fee, something that Schwarzenegger has voiced openness to even though his crusade against it helped sweep him into office five years ago. LAO figures show the lack of a VLF, by the end of the current fiscal year, will have cost the state $43.3 billion since it was repealed.

Leno said the Democrats are planning ballot measures for next year to raise revenue and repeal the two-thirds budget vote requirement, which only California, Rhode Island, and Arkansas have. As the state’s budget crisis devastates state services as well as those at county and city levels, Leno hopes this will be Norquist’s final stand.

"No one expects we can make $40 billion in cuts," said Leno, who hopes that the situation illustrates the intellectual bankruptcy of the right-wing stance.

"We do know there’s opportunity in crisis," Leno said. "It’s getting really ugly now and everybody knows it."

Changing climate

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› news@sfbg.com

GREEN CITY In its final full month in power, the George W. Bush administration has managed to screw up one last chance to take action on the increasingly desperate climate crisis, the latest in a string of diplomatic failures being inherited by the incoming Barack Obama administration.

The UN Climate Change Conferences in Poznan, Poland concluded Dec. 12 after nearly two weeks of negotiations, presentations, and demonstrations. Greenpeace pushed hard for strong action at the conference, even using San Francisco as a staging ground for its message.

Yet what Greenpeace officials initially viewed as a great chance to show a new face of American leadership on global warming instead turned out to be what group spokesperson Daniel Kessler called "a profound disappointment."

Kessler and other representatives from Greenpeace told the Guardian that members of the American delegation refused to agree to any international agreements because they didn’t want to constrain the incoming administration. The indecisive US stance then spread to other industrialized nations and no substantial agreement was reached.

"In Poznan, it seemed like everyone was in a holding pattern waiting for the Obama administration. But it’s just another excuse when what we really need is action," Kessler said.

For Ben Smith, Greenpeace’s global warming national organizer, this is just the most recent strategic move that the administration has made over the past eight years to obstruct any meaningful progress on the environment.

"The reality is, of course, that they’re catering to industry and don’t want to come to an agreement," Smith said. "They’re continuing their efforts to stall any progress."

Much of Greenpeace’s work at the conference has been to work around the US delegation, attempting to show the international community that the Bush administration is in its death throes and out of touch with the country when it comes to dealing with global warming.

On Dec. 6, Greenpeace organized "A Global Day of Action" to send the message that the American people are ready to help save the planet. It staged demonstrations in 25 cities around the country and dozens more around the world. In San Francisco, the organization brought more than 300 volunteers, activists, and community members to Crissy Field to hold a 30-by-50-foot green postcard reading: "Dear World Leaders, We are ready to save the climate — San Francisco. P.S. Yes We Can!"

A helicopter buzzed overhead to capture the image with the Golden Gate Bridge towering in the background. The images and others like it were sent to the Greenpeace delegates in Poland.

During the San Francisco event, Lauren Thorpe, a field organizer with Greenpeace, stood on the back of the flatbed truck that served as the stage and summed up the day’s message. "We really want strong action on global warming and we’re ready for America to take a leadership role on that again," she said.

The atmosphere at the event was hopeful and enthusiastic. Sup. Ross Mirkarimi even stopped by midway through his morning jog, apparently unaware he was scheduled to speak until 20 minutes before. He stood above the crowd in gray sweats and, after catching his breath, delivered a stirring impromptu speech encouraging the audience to hold officials at all levels of government accountable.

"Our federal government is moving at a very glacial pace in order to address the global warming crisis," he said. "And I’m not seeing any evidence that that’s going to turn around soon enough so that we can relax here from a local or municipal perspective."

Though the negotiations in Poland may have fizzled, the outpouring of support from San Francisco and elsewhere has encouraged Greenpeace during this important transition period. Kessler says that Greenpeace will continue to pursue its direct action strategy while working with the Obama administration’s new team.

"There is a lot of hope that he’s going to do the right thing," Smith said.

Lucy Pearce, a campaign leader from the British organization Stop Climate Chaos, urged the Crissy Field crowd to push for bold action on the climate change in the coming year: "We have to keep the pressure on and make sure that we don’t just rest on hope. We’ve actually got to deliver on climate change."

It’s never too late

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culture@sfbg.com

My dad was a fan of last-minute shopping. As in: he’d go to the mall on Christmas Eve an hour before closing and park in the red zone. Though it drove my mom crazy, it seemed to work for dad — thanks in equal parts to his ability to manage anxiety (he didn’t seem to have any) and the one-stop-shop-iness of the mall experience.

But what if you’ve slacked on your shopping this year and you want to shop locally? Whether your idea of "last-minute" is a week before Santa comes or Christmas morning before the kids wake up, here are some shopping ideas that’ll help make your last-minute mad dash less, well, maddening.

COLLAGE GALLERY


Delisa Sage is as much curator as owner of this charming Potrero Hill shop, which features a mix of vintage and locally-made items with a focus on female designers and hand-made objects. From clocks to cameras and jewelry to housewares, you just might find something for everyone here.

1345 18th, SF. (415) 282-4401, www.collage-gallery.com

LAVISH AND FIDDLESTICKS


These sister stores are an ideal stop when shopping for kids and their parents. Owner Elizabeth Leu carefully chooses toys, clothing, stationery, and books that are stylish, environmentally friendly, and often made by local designers. Both stores have extended holiday hours, and if you sign up for the mailing list, you’ll get a coupon for 20 percent off.

540 and 508 Hayes, SF. (415) 565-0508, www.shoplavish.com and www.shopfiddlesticks.com

DELIRIOUS SHOES


Focusing on unusual styles from small-production shoe companies, Delirious is an ideal stop for your shoe-loving friends and family. Plus, owner Amy Boe has stocked up on socks, tights, bags, and slippers for holiday gifts and stocking stuffers.

317 Connecticut, SF. (415) 641-4086, www.getdelirious.com

SPRING HOME


Come for eco-consciousness, stay for style and selection. Spring always has a variety of gorgeously designed tableware, candles, bath and body products, linens, and often children’s dolls, all sustainable and non-toxic. Think hippie values with Dwell aesthetics.

2162 Polk, SF. (415) 673-2065, www.springhome.com

THERAPY


If there are any holes in your gift list, you can surely fill ’em here. Cards, hats, gloves, jewelry, tchotchkes, home décor, joke gifts … you name it, Therapy carries it — and the Mission District favorite is open Christmas Eve.

541 Valencia, SF. (415) 621-5902, www.shopattherapy.com

CURIOSITY SHOPPE


Fun, funky, and oh-so-cute, this tiny store is chock-full of winsome delights, from wooden mustaches to Russian doll–style stackable bowls. Though usually closed on Mondays, they’ll stay open Dec. 23 for last-minute shoppers.

855 Valencia, SF. (415) 671-5384, www.curiosityshoppeonline.com

PAXTON GATE


An easy hop, skip, and a jaywalk across from Curiosity Shoppe is this weird and wacky favorite where rare stones and plants are as easy to find as taxidermied animals. Plus, they’re open Christmas Eve!

824 Valencia, SF. (415) 824-1872, www.paxtongate.com

CITY BEER STORE


Sure, beer is a niche gift. But there’s no better place to find a unique, imported, hard-to-find brew than this delightful basement shop. Plus, you can drink while you shop.

1168 Folsom, SF. (415) 503-1033, www.citybeerstore.com

BRANCH


Stuck at home with the kids? In bed with the flu? Sometimes shopping online is your only option. But if you’re going to do it, why not shop an SF-based business? The Branch warehouse on Van Ness Street is stuffed floor-to-ceiling with sustainable, adorable gifts, including toys, furniture, housewares, and clothing. Order by Dec. 19 to send gifts by Christmas. Or, if you’re later, simply send a card with a photo of what you’re buying so your giftee knows you weren’t that late.

(415) 626-1012, www.branchhome.com

PHOENIX RISING BODYWORK


What could be easier than a gift certificate, or more welcome than a massage? Purchase an affordable session ($65–$130) with Potrero Hill-based Jennifer Bryce ahead of tiem and let your giftee make an appointment. Bryce is trained in Swedish, shiatsu, hot stone, deep tissue, and many more massage styles, so everybody (and every body) should benefit from her touch.

(415) 215-6205, www.phoenixrisingbodywork.com

THE GIFT OF GIVING


When it’s the idea of a gift that’s more important to you than the object itself, why not donate to your favorite cause — or that of your loved one — in your giftee’s name?

DonorsChoose.org is an interesting option for those who want to know exactly where their money is going. On this site, teachers ask for classroom materials and donors choose which projects to support. Check out the main site at www.donorschoose.org or City Editor Steven T. Jones’ personal choices at www.donorschoose.org/donors/viewChallenge. Support two-wheeled travel by giving to the Bike Kitchen (www.bikekitchen.org), a do-it-yourself resource run by volunteers, or the San Francisco Bicycle Coalition (www.sfbike.org), an alliance promoting the bike for everyday transportation. Other organizations we like are Western Regional Advocacy Project (www.wraphome.org), which seeks to expose and eliminate root causes of civil and human rights abuses; Coalition on Homelessness (www.cohsf.org), which initiates program and policy changes to promote social justice and create exits from poverty; and Nature in the City (www.natureinthecity.org), which seeks to restore wildlife and connect urbanites with the nature where they live. And perhaps the cause closest to our hearts this season is overturning Proposition 8. There’s been some controversy over which of the big marriage equality organizations or smaller grassroots efforts have the tools and resources to affect change, so choose carefully when donating. We like the 10-year-old Equality California (www.eqca.org). Other organizations we trust to support equal marriage rights, as well as other issues of importance to the LGBT community, are the National Center for Lesbian Rights (www.nclrights.org) and Horizons Foundation (www.horizonsfoundation.org).

Need even more ideas? Check out the special deals on the SF Convention and Visitors Bureau site, www.onlyinsanfrancisco.com/shopsf. Also see our staff gift lists on our Pixel Vision blog and our 2008 Holiday Guide. And don’t forget to let us know how you spent your money locally this year at sfbg.com/local, where you’ll enter to win $500 in gift certificates to local businesses.

Editor’s Notes

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› tredmond@sfbg.com

San Francisco’s not ready to make $118 million in budget cuts.

I realize the city can’t operate at a deficit, and if payment due exceeds accounts received, something has to be done. But it can wait a few weeks. In fact, the final decisions ought to wait for the new Board of Supervisors to take office in January. The city won’t go broke in the meantime.

But Mayor Gavin Newsom is rushing his cuts through, demanding 400 layoffs and taking a hatchet to the Department of Public Health. There are all sorts of alternatives — our editorial in this issue looks at how the city can bring in more revenue. There’s also a lot more sanity needed as the board and the mayor look at what could be devastating reductions in essential public services.

For example: I like the 311 program. It’s convenient. But I’d rather wait longer for my non-emergency call to be answered than to have public health workers lose their jobs. And the 311 budget hasn’t been touched.

Police and fire are, of course, essential — but it’s insane to give the cops and firefighters, who are among the best-paid city workers, a 7.5 percent pay hike this year while social service workers are getting laid off.

It’s lovely to have more fire stations per square mile than any other big city in California, but there are nowhere near as many fires as there were when the system was designed, and closing some down would save millions.

How come the mayor still has seven people in his press office, most of whom are paid to keep the press from finding out what’s going on?

Why are we talking about cutting the $800,000 Small Business Assistance Center, which actually helps the most important sector of the economy, when there’s $10 million, much of it redundant, in the mayor’s Office of Economic Development?

Why is Dean Macris, the former city planning director, still hanging around and getting paid?

Wouldn’t an across-the-board wage freeze be better than layoffs? What about capping the pay for city employees at $150,000 a year? What about capping police overtime?

What about having all these discussions in public, before the mayor sends out pink slips?

Or would that just make too much sense?

Beyond the bloody cuts

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EDITORIAL There’s actually a bright side to the brutally depressing budget struggles in San Francisco and Sacramento. This could be the year Californians finally start to recognize that they can’t have a functioning state, with the services everyone wants, without paying taxes. It could be the end of the Republican lie that the budget problem is only on the spending side, the end of the famous no-new-taxes pledge — and the end to the requirement that two-thirds of the Legislature pass any budget, an archaic rule that is crippling California.

And with a little leadership from the new supervisors at City Hall, this could be the year San Francisco takes a serious look at how local government is financed.

This is no time for modest, cautious proposals. The budget situation is alarming. California is looking at $40 billion in cuts over the next 18 months — more than a third of the entire state budget. San Francisco is looking at $500 million in red ink — roughly half the discretionary spending from the general fund. Filling those holes with cuts alone would be devastating.

This isn’t your average budget battle, where everyone fights to save a few hundred thousand dollars here and a million there for a crucial program. This is, by all accounts, something of an order that the state and local government haven’t seen since the 1930s.

So small-time, piecemeal fixes aren’t going to work. Here’s what the state and the city need to be talking about.

AT THE STATE LEGISLATURE


The first thing that has to go is the two-thirds rule. It’s become almost a farce — a handful of Republicans, who have sworn never to raise taxes under any circumstances, are holding the world’s sixth-largest economy and a state of more than 37 million people hostage to their failed ideology. Enough talk: the Democrats need to mount a massive signature drive for a special election this summer to repeal that requirement.

There are many fair ways to raise taxes to bring in enough revenue to stave off devastating cuts. Raising the income tax levels on the highest wage earners makes the most sense. Gas prices are way down; raising the state gas tax by a few cents a gallon won’t bring prices even close to last summer’s level. We’re nervous about taxing services (medical care, for example, is a "service"), but a carefully crafted tax that exempts essentials ought to be on the table. California is the only oil-producing state that doesn’t tax oil at the wellhead; that’s a no-brainer. So is restoring the vehicle license fee; Gov. Schwarzenegger’s decision to eliminate that fee has cost the state $40 billion over the past five years.

AT CITY HALL


Step one: the mayor has to recognize that there’s no way to solve a half-billion dollar shortfall with cuts alone. Step two: the mayor needs to back off from the layoffs and cuts for a few weeks until the supervisors and the community stakeholders have a chance to meet, talk, and look at all the options. Step three: some far-reaching changes have to be on the agenda, right now.

We like the idea of a city income tax. Technically, under state law, all the city can do is tax income earned within local borders, meaning that commuters would pay (good) and San Franciscans who work out of town would escape payment (bad). But overall, the concept is better than anything else out there. A local income tax that exempts, say, the first $50,000 (assuring that lower-income people pay nothing) with progressive rates skewed toward charging very high wage-earners the most could bring in significant revenue in the fairest way possible.

We’d like to see a progressive business tax — raise the rates on the biggest companies. We could live with a short-term hike in the local sales tax; frankly, we could live with most short-term revenue increases. The supervisors need to look at what new taxes make the most sense and prepare for a special election in the spring to put a revenue package before the voters. And everyone — including the mayor — needs to campaign hard for it.

The city also needs to look at the rainy-day fund, money set aside for bad economic times. Only a small amount of the close to $100 million now in that fund is available in any one year, but that rule might have to be changed.

This crisis is an opportunity — a chance to examine how the city’s current revenue sources are unfair, unstable, and unwieldy. Why are business taxes flat (big corporations and small businesses pay the same rate)? Why does San Francisco rely so much on property and transfer taxes, which shift radically with economic ups and downs? And of course, a public power system would generate enough money to cover a huge part of the deficit. The supervisors need to find an immediate revenue-based solution, but should also start creating a serious task force to overhaul the entire revenue side of the budget. Today.

Sharing the pain

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› sarah@sfbg.com

When Mayor Gavin Newsom walked across City Hall to the Board of Supervisors Chambers last week to announce that the city is facing a $576 million budget deficit, it looked as if he was putting political differences aside and genuinely inviting the board to "share the challenge" of bridging the 2008-09 budget chasm.

For years, voters and supervisors have urged Newsom to appear before the board for monthly policy discussions. And for as many years, Newsom has refused, claiming such invites were "political theater." Now that he’s finally made the trek, critics say the context makes the gesture more theatrical than substantive.

Within minutes of Newsom’s unannounced Dec. 9 visit to the board, City Hall insiders began to fear that the Newsom was only pretending to walk the unity talk: details of his $118 million in proposed mid-year solutions were not made available before the appearance, giving the two sides little to discuss and raising questions of due process.

"If the mayor was interested in real collaboration with the board, he would introduce his mid-year proposal to the board for our deliberation, just like the annual budget," Sup. Chris Daly told the Guardian. "But after we asked in three different ways, we found that he will be making over $70 million in cuts unilaterally — without the board’s approval. Now we have to figure out how to get the public a seat at the budget table."

Unlike during the normal budget process, the mayor has tremendous power to make cuts mid-year. But with details slow to emerge, the legislators weren’t the only ones left in the dark about the proposal, which includes slashing the Department of Public Health’s budget by 25 percent, cuts that DPH director Mitch Katz told the supervisors is going to require fundamentally changing how government runs.

Several City Hall workers told the Guardian how, in the days after Newsom made his budget deficit announcement, Controller Ben Rosenfield was seen running from department to department, trying to track down the program-level details.

Supervisor-elect John Avalos, who has a deep understanding of the budgetary process from his years as a legislative aide to former Budget Committee chair Daly, confirmed that the mayor’s $118 Million proposal "doesn’t tell you much."

"There is $47 million in increased revenue that has come in that offsets the shortfall, and there’s a higher-than-expected census at San Francisco General Hospital that allows us to recoup some money. But although there are all kinds of service/non-service cuts in Newsom’s proposal, we have no details to work with," Avalos told the Guardian.

Two days after his board appearance, Newsom penned an op-ed for the San Francisco Chronicle in which he again appeared to be holding out his hand to the board. But Avalos, a candidate for president of the board, observed that Newsom continues to protect his own pet projects, which include the 311 Call Center, the Community Justice Center, and the Small Business Assistance Center.

"The pain needs to be shared and minimized all round," Avalos warned. "The mayor needs to come forward and help us, not simply cut all the programs that the Republicans want to see cut. There is this huge backlash from folks saying, ‘Why do we spend $1 billion on our public health system? Maybe we don’t need public health.’ But our services are there for a reason."

Avalos said he worries that if we cut all these programs now, it will be very hard to get them back down the line. "When revenue is back, the focus will be on things that are important, but not on services that help the most vulnerable folks," Avalos predicted.

Within three days of Newsom’s appearance before the board, Peskin had figured out a mechanism whereby the public could weigh in on Newsom’s cuts: he introduced legislation that combines the mayor’s $118.5 million proposal with an alternative $8.5 million in cuts that Peskin has proposed.

"So, now there’s a de facto collaboration," Peskin told the Guardian. Peskin’s package of alternative cuts — which has since been pared back to $5.5 million because duplication with the mayor’s list was found — includes budget reductions in the Mayor’s Office of Economic and Workforce Development, Emergency Management Department, Fire Department, Police Department, Mayor’s Office of Criminal Justice, the 311 call center, and city grants to the opera, ballet, and symphony. Peskin is also proposed wage freezes that could save another $35 million.

Peskin’s counter-move allows the public to weigh in on the combined proposals. It requires department heads to publicly defend cuts to programs, services, and personnel — cuts that were developed, per Newsom’s request, behind closed doors. Or as Daly put it: "The mayor’s and the board’s proposals need to be deliberated not through a staff member to the mayor, but in full view of the public."

The board also wants to publicly discuss the layoffs, which Newsom said would total 399, a number that rose to 409 when the list was actually released. Peskin’s legislation also provides an avenue for fired workers or their representatives to publicly air discontent. A list of eliminated positions obtained by the Guardian shortly before press time shows that most of the positions were service providers making less than $70,000. Although union officials have complained that the ranks of highly paid managers has grown sharply since Newsom became mayor (visit sfbg.com for the complete list and more analysis).

SEIU’s Robert Haaland estimates that 75 percent of layoffs targeted line workers in service jobs. "As far as we can tell, the pain is all at the bottom," Haaland told the Guardian.

And while Haaland didn’t openly support Peskin’s counter-proposal — a citywide sliding scale of pay cuts in which the highest earners take a bigger hit and an across-the-board union wage freeze — he acknowledged that at least the proposal targets the powerful Police Officers Association and the Municipal Executives Association, and not just SEIU workers.

Haaland claims that under Newsom’s behind-closed-doors method, "the institutional bias of department heads tends to come into play" in making layoff decisions.

"It’s human nature. No one talks about it, and I don’t know that there’s a grand conspiracy," Haaland said, expressing his belief that it’s easier for managers to cut people they don’t work with than those around them or people at the top. "They also tend to target the union activists, the members who are a pain in the butt, and who they don’t like."

Newsom told the Chronicle in a Dec. 15 article that "labor is going to be a principal part of the solution." Tim Paulson, executive director of the San Francisco Labor Council, told the Guardian that "the SFLC is listening to its affiliates to see if there are any collective strategies." But Haaland observed that the city is "contractually obligated to the unions," which may further complicate ongoing negotiations.

With Sup. Bevan Dufty advocating to restore more than $500,000 in HIV/AIDS funding cuts and Sup. Sophie Maxwell is trying to avoid cuts at the Small Business Center, newly sworn-in Sup. David Campos stressed the need for a meaningful vetting process.

"It’s important for us to have a process that sheds light on the human impacts of the proposed cuts so we have a better sense of what it means to citizens of San Francisco," Campos said at a Dec. 12 board committee hearing.

Campos also made it clear that he is not afraid to target the arts, arguing that deep-pocketed patrons can help ease their pain, even as advocates countered that attacking entertainment will further deplete the city’s coffers by potentially hurting tourism. "As much as we appreciate the need to support the arts, we’re going to have to look at other avenues some of those folks can turn to, to get the funding that is needed," Campos warned. "People who have the greatest needs don’t have those options. "

With repeated rounds of painful cuts predicted in the next six months, Peskin told a Dec. 12 Government Audits and Oversight Committee hearing that it’s critical for the board to express its priorities. "These include keeping Rec and Park facilities open, providing basic mental health services, and preserving public sector jobs," Peskin said. "It’s also important that everyone share the pain, but not necessary that everyone share the pain equally."

Outside the meeting, laid-off worker Allanda Turner described her pain and the devastation she feels at being let go in the midst of a recession. "I’m a parent. I just purchased a home. I’m feeling almost no hope at all," said Turner, who fears she will be applying for the medical services, unemployment, and food stamps that she refers clients to as part of her job with the city’s Human Services Agency.

"The mayor always says he advocates for the poor, but we are the most underpaid," she said. Meanwhile, while her colleagues claim that their department "gave Newsom what he wanted" by adding layoffs to an original list of cuts that included fewer jobs.

"These are unit clerks, employment specialists, eligibility workers, and line workers," said Sin Yee Poon, a DHS contract manager. "Eight of them are child-protection workers."

There will be one last meeting of the current Board of Supervisors in January, and both incoming and outgoing members are already specuutf8g that unless Peskin’s legislation passes with a veto-proof majority, the mayor will veto it and this period of symbolic unity will come to an abrupt end.

"We have the capacity, the ingenuity, and the spirit to solve this," Newsom told the board. "It’s going to take all of us working together. It’s in that spirit that I am here. The mid-year solution — difficult and painful as it is — it’s the easy part. The difficult part comes in the next four months."

But as legislators explore the possibility of adding to their budget tools in the future through charter amendments and special elections, one aide stressed the importance of taking an active role now.

"It’s important for the board to set the stage now for the budget discussions in the spring."

The Year in Music 2008

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What is this crazy little thing called canon creation in ’08, and what are the new classics and essential listens? SF vs. NYC, drone, pop, the state of hip-hop in the Bay and away — all are up for grabs in 2008 as our writers chime in with their musical must-hears.

Make a list and check it twice: do you have a top 10? Send it to Kimberly Chun at kimberly@sfbg.com by Dec. 26 — we’ll run the most intriguing lists in an upcoming issue of the Guardian.

>>Loose canon
A new set of touchstones for rocky times
By Kimberly Chun

>>Ask a musician
How to cope with musical canon formation in an ever-morphing, anti-matter era
By Johnny Ray Huston


>>Purple canon
Bay hip-hop received an infusion of new blood and fresh inspiration
By Garrett Caples

>>Tops in 2008
Writers and musicians give up their faves and beyond from 2k8
Lists, lists, lists

>>Youthquake
There’s just no stopping the march of the SF nightlife Smurfs
By Marke B.

>>Hungry for Lee Hazlewood
You didn’t have to dig deep to find the canonical figure this year
By Todd Lavoie

>>Hater aid
I Hate New Music, but does new music suck?
By Will York

>>Barf manifesto
Pop ate and re-ate itself, then regressed and regurgitated
By Billy Jam

>>You heard it here first
New York steals San Francisco’s thunder — but who cares?
By Josh Wilson

>>Daughters of a drone
Celebrating a different kind of singer-songwriter
By Max Goldberg

>>Moving forward
Smaller meant better in 2008, in myriad little ways
By Brandon Bussolini

>>A better tomorrow
Hip-hop pins its hopes on the future, despite the buzz
By Mosi Reeves

Street Threads by night: What are you wearing?

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Guardian photog Ariel Soto continues her quest for San Francisco’s best street togs — this time with an spotlit eye on eveningwear.

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Hanna and Alison, Dolores Park

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Josh, Noe and Elizabeth

Say Ariel: “It was time to venture into the dark and see what stylish San Franciscans wear when they go out on the town. I was quite impressed, especially with some of the long coats and the assortment of unique boots. Even though it is winter, I was able to find great looks, despite the need for a few extra warm layers.”

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Fancy Lady, 23rd St. and San Jose

Pics: SantaCon ho-ho-hos through the city

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By Ariel Soto

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Tis the season to be jolly and this past weekend Santa popped up all over San Francisco to celebrate all that is red, white and green. There were three groups of Santas who gathered in different spots throughout the City. I met up with the group coined Mastrobation in the Mission, where everyone seemed happy to drink beer at 11am and celebrate in their matching velvet outfits. It’s like Bay to Breakers in December. Happy holidays San Francisco!

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The layoff list

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By Sarah Phelan

Mayor Gavin Newsom’s 409 mid-year layoffs mostly target front line staff, who make under $70,000 a year. And that almost 70 percent of these lay-offs (285 positions) are in the Department of Health.

You can read the list here.

(Reader beware! The list is, in itself, fairly impenetrable. So it helps to go online to the City’s compensation manual. Here, you can enter the “class” of job, plus job “class title” to decipher each annual salary. For instance, a 923 Manager 11 makes between $91,000 and $116,000 a year, and we could only find a couple laid off. By contrast, a 1428 unit clerk makes between $45,000 and $55,000 a year–and 49 such clerks got pink slips last week.)

What’s worrisome about the Mayor’s lay-off decisions—aside from the obvious human pain and cost of losing one’s job in the middle of a nationwide recession—is that those left on the job are going to come under increasing physical, mental and employment pressure, as unemployment lines lengthen next year.

That at least was one of the primary concerns that San Francisco General Hospital worker Mike Dingle shared with me last week, outside the first public hearing into the Mayor’s proposed cuts–a hearing only made possible thanks to Board President Aaron Peskin, who folded the Mayor’s $118 million proposal (which up until then had been negotiated exclusively behind closed doors) and his own package of cuts into brand new legislation, so that all the proposed cuts can now be publicly reviewed

Dingle handles bodies, “both the living and dead” as he put it, as part of SFGH’s patient lift team. And from his position in the front line trenches, Dingle is predicting that one of the impacts of Newsom’s layoffs—scheduled to kick in on February 12, 2009– will be increased injuries all around.

SFJAZZ announces the lineup of its 10th Anniversary Spring Season

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This in from SFJAZZ’s people (a total aside: I’m looking forward to Brad Mehldau, Jenny Scheinman, pictured below, as well as Seun Kuti, pictured above. And you know Allen Toussaint and Tinariwen are going to be awesome):

“Randall Kline, the Executive Artistic Director of SFJAZZ – the leading non-profit jazz organization on the West Coast and the presenter of the San Francisco Jazz Festival today announced the complete artist lineup for the 10th Anniversary SFJAZZ Spring Season. The unique and spectacular four-month-long concert series begins on March 6 and continues through June 21. The season will present some of the most illustrious names in jazz, world, and related music including McCoy Tyner, Branford Marsalis, Madeleine Peyroux, Bill Frisell’s Disfarmer Project, Ahmad Jamal, Jenny Scheinman, John Scofield and the Piety Street Band, Kayhan Kalhor and Brooklyn Rider, Tinariwen, Chris Potter Underground, Will Bernard, Mariza, CéU, Mingus Dynasty with John Handy, Allen Toussaint, Karrin Allyson, Idan Raichel, Michael Feinstein: the Sinatra Project, Brad Mehldau, Richard Bona and Lionel Loueke, Roy Hargrove, James Carter, Kenny Burrell, Michael Wolff, Hiromi’s Sonicbloom, and many others.

“’For 26 years, SFJAZZ has been guided by a simple principle: we absolutely love music—and we want to present it in the best possible context for all those who share our passion,’ said Kline. ‘In 2000, we took a huge step forward in that mission by launching the SFJAZZ Spring Season, marking our expansion into a year-round concert presenting organization. Over the last 10 years, the Spring Season has grown exponentially. This year we will present nearly 40 concerts over four months, purposefully matching each artist with the ideal venue for a high-quality listening experience. Our aim is to reflect the tighter, more culturally close-knit nature of today’s world, and the positively open-minded, “multi-culti” city that we call home – San Francisco.’

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Save the Small Business Assistance Center

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As hard times get harder, the small business community is ever more essential to San Francisco

By Bruce B. Brugmann

(Scroll down for this week’s editorials, after the jump)

As the mayor’s drastic package of cuts fall on the Supervisors at their Tuesday meeting,
the questions abound: Why so fast? Why not more discussion and more hearings? Why make the cuts as several supervisors leave the board? Why not wait until the new board is sworn in in January? Why let Mayor Newsom drive the cuts, the agenda, and the timing almost unilaterally?

And there is a key question our editorial points out for Wednesday’s edition:

“Why are we talking about cutting the $800,000 Small Business Assistance Center, which actually helps the most important sector of the economy, when there’s $10 million, much of it redundant, in the mayor’s Office of Economic Development?”

As hard times get harder, the small business community is ever more essential as the city’s economic engine. Small businesses create the most net new jobs in the city, according to major Guardian studies. According to a 2006 study by Economist Kent Sims, Former Mayor Frank Jordan’s economic chieftan, small businesses helped moderate the 2000 to 2004 recession’s negative employment and earnings impact on San Francisco households.

Sims also found that small businesses released less than l0 per cent of their employees during the recession while large businesses released more than 20 per cent of their employees, despite the fact that the two groups of businesses had similar shares of pre-recession private employment. Further, he found that small business layoffs generated about 2l per cent of the negative employment and earnings impacts on San Francisco households in 2003, compared with 79 per cent for large businesses. And of course we all know that it is the small businesses that keep our neighborhoods friendly, vibrant, and economically productive. For example, on the economic point, the Guardian’s Shop Local campaign may put $l00 million into the local economy, immediately. (We are asking our 600,000 or so readers to spend at least $l00 in a locally owned business.)

You get the point. Now more than ever, small business ought to be nourished and protected, not put to the slashers once again at City Hall. The supervisors need to keep the Small Business Assistance Center in the budget and, if necessary, slash the mayor’s $10 million Office of Economic Development. And then the supervisors should take a deep breath, postpone the final vote until the new board comes in, and start considering the realistic progressive agenda advanced in the editorial and stories in the Guardian. B3

Peter Scheer

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Click here to read Peter Scheer’s Monday, January 12 op-ed in the San Francisco Chronicle,
Obama should keep his BlackBerry.

Mustaches (for Kids) abound in San Francisco

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By Steven T. Jones

Does it seem there are more mustaches than usual in San Francisco? There are. It’s partly a fashion trend among the hipster set, but my ‘stache and many others are actually being grown for the Mustaches For Kids program that culminates this Wednesday in the Stache Bash at the Rickshaw Stop. This slightly strange benefit with the pervy name has raised more than $40,000 over the last month, all going to small-bore educational programs through the Donors Choose network.
There’s also a bit of civic pride involved: Mustaches For Kids is a nationwide program that pits city against city, and San Francisco now trails New York City and Charlotte, NC (and we’re just ahead of Chicago, Baltimore and Los Angeles). So step up, SF, and donate if you can. In addition, last month was deemed Movember by another mustache drive benefits prostate cancer. So now you know why the streets suddenly seem to be filled with so many off-duty cops and ’70s porn stars.
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Shopping: Where to get the goods tonight

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By Chloe Schildhause

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Bubble baubles from CC Rider

Everyone should be extremely stressed at the moment. You only have 14 more shopping days until Christmas, a mere 10 until Chanukah, and 20 more until my birthday. You’re running out of time! San Francisco merchants and local designers understand this and are here to help you.

TONIGHT: The Divisadero Art Walk starts at 6:00 and technically goes until 9:00, with select businesses open a bit on the later side. Walk between Geary and Haight and check out stores for the thrift lover in your life. CC Rider features vintage goods as well as local designers. I went there the other day and picked up some used books- Stardust: The David Bowie Story as a gift to myself, and The Lani People’s The Daring Science-Fiction Novel of a Race of Beautiful Females That Were Called Non-Human for my science fiction-loving sister (good thing she doesn’t read my blogs.)

Then there’s Still Life, a fabulous treasure chest of a store. The Divisadero boutique, which opened within the year, is a place where one can ogle over the vintage threads and hand made jewelry made from various local designers. I ended up buying a high-waisted brown leather skirt on my last visit, and a gorgeous rose ring for my friend Rosie, but it’s the badass switchblade gun necklace that’s on my wish list.

Gift List #5: Where to shop for the holidays

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To help with the holiday hullaballoo, the SFBG staff is revealing — at last! — its secret shopping secrets, to perhaps give you some gift inspiration. In this installment: Culture Editor Molly Freedenberg’s gift-giving delights. Previously, Amanda Witherell, Kimberly Chun, Dulcinea Gonzalez and Marke B. shared their faves.

Check out more suggestions in our ginormous 2008 Holiday Guide — and enter our contest to win $500 in gift certificates if you spend $100 locally. Wowza.

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RAG: Curator Blakely Bass outside the Hayes Valley store

Residents Apparel Gallery (RAG)
When I was a kid, my uncle lived in Eugene, Oregon, a place known to be significantly more artsy, creative, and hip than my suburban hometown. Therefore we always got – and expected – appropriately cool, unique, can’t-get-‘em-at-the-mall gifts from him. Now that I live in SF, I feel it’s my duty to represent what my city has to offer the same way my uncle used to do for Eugene. RAG is one of my favorite places for this kind of shopping. The showcases unique and imaginative clothing and accessories made only by local designers. So from screen-printed T-shirts (for men and women) to whimsical caps, and from hand-crocheted gloves to hand-stitched skirts, I can always find something delightful, one-of-a-kind, and sooo San Francisco.
541 Octavia. (415) 621-7718, www.ragsf.com

Hustle in hard times

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› a&eletters@sfbg.com

U Don’t Hustle U Don’t Eat, the appropriate title of the March 2009 album by up-and-coming Menlo Park-East Palo Alto rapper A.G. Cubano, pretty much sums up the state of the once vibrantly lucrative local rap music economy. Profit-wise, it has steadily slid and deteriorated during the past decade amid an extremely tough and competitive environment, forcing artists into creative ways of generating cash.

"It’s ugly out there," said Walter Zelnick of City Hall Records in San Rafael, which has distributed independent local hip-hop since its beginnings in the 1980s. "Numbers are down all around. The numbers of stores out there are down. I don’t think kids even buy CDs anymore." San Francisco’s Open Mind Music, which closed on Halloween, and Streetlight Records in Noe Valley, which closes Jan. 31, are just two of latest retail victims.

"Just getting in the stores is hard as fuck nowadays. I didn’t realize it had gotten so bad," said Dave Paul, whose prolific long-time local indie label just released the Bay Area artists-filled Bomb Hip-Hop Compilation, Vol. 2, a sequel to the 1994 premier volume, which sold way more than the "maybe 600 or 700 CDs" he expects to move of the new disc.

Zelnick also fondly recalls the golden 1990s when local rap compilations like D-Shot’s Boss Ballin’ (Shot, 1995) and Master P’s West Coast Bad Boyz: Anotha Level of the Game (No Limit, 1995) would sell in numbers that now often qualify as No. 1 on Billboard‘s national pop albums chart. "When [E-40’s group] the Click first came out, they were selling over a 100,000. But then sales for artists went down to 50,000 or 40,000," Zelnick said. Now "average CD sales are more like 2,000. And many people are lucky to sell that."

"It’s not as nearly as easy as it once was out here when we could fuck around and sell 50-, 60-, 70,000 copies independently," said longtime Fillmore rapper San Quinn who just released From a Boy to a Man (SMC) and will soon follow up with the collaborative Welcome to Scokland (Ehust1.com) with Keak da Sneak. "I literally grew up in this Bay Area independent rap scene."

Known for his affiliation with JT the Bigga Figga’s Get Low Playaz and more recently for his ongoing feud with his cousin rapper Messy Marv, the 30-year-old rapper is a well-established artist. But even a high-profile performer like Quinn accepts that he will be lucky if he sells the 22,000 that his last solo CD, The Rock: Pressure Makes Diamonds (SMC) tracked on SoundScan. That was in 2006, two long digital years ago. As with many veteran rappers, downloaded music has hurt San Quinn. "The majority of my fans are white boys and Latinos and Asians that have that shit mastered," he said. "And it’s even harder for someone like me who is based out of the capitol of technology here in the Bay Area, home of Silicon Valley."

"Since the selling of CDs in stores has gone down, way down, everyone has had to step up their game," Cubano said. Two months before the release of U Don’t Hustle U Don’t Eat, the shrewd rapper will pave the way with the Feet to the Street mixtape in collaboration with Oakland’s Demolition Men, the accurately self-described "Bay Area mixtape kings," whose trusted brand has helped further fuel the careers of such local rap faves as J-Stalin, the Jacka, and Shady Nate. San Quinn and the Jacka, as well as C-BO and Matt Blaque, are among the names the ever-resourceful Cubano has enlisted for his upcoming releases.

"But then there are so many different ways to make money nowadays," Cubano added. "You can get money out of ringtones. You can sell your songs one at a time for $1 a piece on iTunes or from your MySpace even now. I love MySpace. It is great in so many ways, like connecting with artists straight away and not beat around the bush, waiting for a phone call, or waiting for a nightclub to see someone."

MySpace is also San Quinn’s lifeline where, the rapper said, his music’s daily plays are in the thousands. San Quinn generates money beyond CD and digital music sales. "I do ringtones. I do shows. I have a San Quinn skateboard that I put out through FTC," the rapper said. "On our first pressing we just had, I sold a thousand skateboards at $50 a piece and I get $25 off every skateboard."

He also makes a tidy income doing guest appearances or "features" on other artists releases ("They pay me for a verse"). "I’ve done over 3,000 features," he said of the feat that earned him an inclusion in Guinness World Records for the most collaborations with other artists. Landing on television or video game soundtracks can be highly profitable but also highly competitive.

But for an up-and-coming Bay Area hip-hop artist, it is even more challenging to make a buck. On one recent evening on the Pittsburg/Bay Point-to-San Francisco BART train, Macsen Apollo of Oakland’s V.E.R.A. Clique was putting a new spin on the "dirt hustlin’" sales approach pioneered in the 1990s by Hobo Junction and Mystik Journeymen by walking from car to car hawking copies of his hip-hop group’s CD, keeping a watchful eye out for BART police, in an effort to make some money from his music.

Meanwhile back at the City Hall Records offices and warehouse, where Zelnick works on orders for new releases from local rap cats Balance and Thizz artist Duna, things have changed a lot in a decade. "We’re really at a turning point here," he said. "We’re still here and someone is buying music, but I don’t know how much longer." Last week in the UK, with just a few weeks till Christmas, Britain’s key indie label distribution company Pinnacle Entertainment declared bankruptcy, leaving 400 imprints with no way to get their music into the diminishing number of music retail stores.

"Next year I ‘m going to put out Return of the DJ, Vol. 6 and that will be the final physical release I will ever do," said Bomb’s Paul, who believes the only way for rap artists to make money is to be increasingly innovative and to constantly tour and sell merchandise, including music, along the way. "In the very near future I think the only place left to buy a CD is to go a show. Artists have to come up with new ways to generate cash. I heard of some artists who will sell backstage passes for $300 — or whatever they can get."

Cubano concurs. "If you’re sitting around waiting for that call, it ain’t gonna come," he quipped. "You have to get out there. You gotta be in traffic. People have to expand their hustle. Otherwise you don’t eat."