San Francisco

Appetite: She-Crab Soup, hot Pican, a Dogpatch Kitchenette, Cosmpolitan special, and more

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By Virginia Miller

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The Cosmopolitan on Spear Street. See “Deals” below.

As long-time San Francisco resident and writer, I’m passionate about this city and obsessed with exploring its best food-and-drink spots, deals, events and news, in every neighborhood and cuisine type. I have my own personalized itinerary service and monthly food/drink/travel newsletter, The Perfect Spot, and am thrilled to share up-to-the minute news with you from the endless goings-on in our fair city each week on SFBG. View the last Appetite installment here.

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NEW RESTAURANT and BAR OPENINGS

Awesome sandwiches out of a Dogpatch garage at Kitchenette
Debuting less than two weeks ago out of warehouse in Dogpatch is Kitchenette, a project from chefs who’ve worked at places of such high caliber as Incanto, Chez Panisse and Foreign Cinema, creating daily offerings that are, you guessed it: fresh and seasonal. Check the website for the changing menu which usually consists of a meat and vegetarian sandwiches (occasionally pizza), a salad, fresh juice and cookie. Last week I was converted by the fabulous Bahn Mi-like sandwich of beer & tangerine roasted Berkshire pork ($8) with cilantro, jalapeno, cabbage plus a side of macaroni salad. Washed down with a tart Meyer lemon, tangerine, blood orange juice ($2), I was already planning my next visit. Bring your cash (no other option) and come early because once their daily creations of lunchtime goodness are gone, well… they’re gone.
Monday-Friday, 11:30am-1:30pm or until food runs out
958 Illinois Street (in the American Industrial Center)
www.kitchenettesf.com

Fine dining made more affordable at La Folie’s Lounge
San Fran’s 21-year old French fine dining mecca, La Folie, may not be cheap even in lounge form, but if I don’t have to pay $70 to $105 for the only option of tasting menus in the dining room, I can still make a night of it ordering a la carte in the next door lounge, opening March 31 during their 21st birthday party. You can now eat as little or as much as you wish of the Michelin-starred food given a lounge-twist (think Lobster Croque Monsieurs), cocktail in hand (note: the bar is helmed by Casper Rice of Michael Mina and Rubicon).
2316 Polk Street
415-776-5577
www.lafolie.com

Cafe Altano, a casual, new restaurant in Hayes Valley
Hayes (Valley, that is) is home to a regular foodie row with primo sushi, German food, coffee and chocolate within a couple blocks. Cafe Altano is a humble entry into to the ‘hood, a corner Med-Italian eatery taking over the Modern Tea space (R.I.P.) With pizzas, pastas, mussels, paninis and beers, it sounds like a relaxing late afternoon spot to chill, sitting at the copper bar, communal or sidewalk tables.
602 Hayes Street
415-252-1200

The BART police committee mess

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By Tim Redmond

In the wake of the shooting of Oscar Grant, which was captured on videotape and inflamed the community, and 17 years after the shooting of Jerrold Hall, which was reported only by me and roundly ignored by BART’s establishment, the BART Board finally agreed to set up a subcommittee to look at police oversight and procedures. But if you haven’t heard much from that panel, it’s not surprising — Sweet Melissa reported last week that the police oversight committee hadn’t yet held any public meetings.

But wait — it gets even better.

I called Linton Johnson, the BART spokesperson, and asked him if Melissa had it right. “No, not at all,” he said. “The committee meets in public all the time.” When would that be? “At the regular BART Board meetings, every other Tuesday and Thursday.” Huh? I admit, I haven’t been to a BART Board meeting in a while, but it turns out, according to Johnson, that the committess all meet simultaneously with the full board. “The board goes into recess then reconvenes to hear reports from the various committees,” he explained.

That’s odd, I told him — no other agency I know of does that. Why BART? Well, he explained, the board members only get paid “their miserable $1,000” when they attend full meetings, and most of them didn’t want to take the time to come to an additional meeting on a different day.

Jesus, that’s lame. The San Francisco School Board members go to weekly meetings AND committee meetings AND spend about 30 hours a week working on school stuff, and they get $500 a MONTH. The BART Board members make four times as much and are too lazy to get to more than two meetings?

Wait — there’s more. Melissa told me that Linton’s story “was completely different from what he told me. He said he didn’t even know when the next meeting was.” And more: Quintin Mecke, who works for Assemblymember Tom Ammiano, was actually at the last BART Board meeting, and he told me that the police oversight committee reported that they had, in fact, been meeting on their own, with various community leaders and experts on police oversight — but they hadn’t given any public notice of those meetings and the sessions had been private.

I called BART Board member Tom Radulovich, who is on the committee, and he told me that “we will start having public meetings soon.” But he said he worried that public sessions might not be as productive — “I’ve been to a lot of public hearings at CIty Hall, and people say things differently in public than they do in private. We want to have conversations, and public hearings are not always conversations.”

Sure — but private meetings aren’t good, either. That’s why the state’s Brown Act requires most public agencies to do most of their work in public. How is BART getting away with this? Well, Johnson says, the folks at BART HQ have conveniently decided that the police oversight committee is actually just a subcommitee, and since it has four members, and there are nine BART Board members, a meeting of the subcommittee doesn’t include a quorum of BART Board members and thus doens’t require public notice.

Give me a fucking break.

I like Tom Radulovich, and he’s one of the very few decent members of a generally miserable board, but he’s missing the point here. Legal or not, it looks terrible for this committee to be holding secret meetings. This nonsense has to end.

Interview part two: author and actor Amber Benson

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By Louis Peitzman

Editor’s note: See below or click here for part one!

San Francisco Bay Guardian: When you were writing Death’s Daughter, did you think about casting any of the characters?

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Benson as Tara on Buffy the Vampire Slayer.

Amber Benson: It’s funny — somebody asked me about that recently, and I was like, I’d love to play [Calliope] myself. But I don’t know, I try not to give actors to the characters when I’m writing, because then, all of a sudden, they’re talking in that person’s voice, and it gets a little muted and weird. So I try to keep them separate, and give them their own sort of — like, I have an idea of what they look like in my head. Like, I always thought Calliope looked like Zooey Deschanel, but less hip. But definitely that elfin sort of look. Also, the character of Jarvis, I did cast, only because I worked with this guy named Ashley Artus on this film called Gryphon, and I’m like, that’s what Jarvis looks like. Jarvis looks like Ashley and sounds like Ashley and is kind of just like Ashley.

SFBG: This was your first solo novel. How was it different writing by yourself instead of with a collaborator?

Interview: author and actor Amber Benson

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By Louis Peitzman

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Though she’s probably best known for playing Tara on Buffy the Vampire Slayer, Amber Benson has kept busy since her three-season stint on the series. A screenwriter, director, and author, she recently released her first solo novel. The first in a trilogy, Death’s Daughter follows Calliope Reaper-Jones as she’s forced to take over for her father (that would be Death) while trying to locate his whereabouts. I spoke to Amber about the origins of the story, her mythologist ambitions, and the future of the series.

San Francisco Bay Guardian:
My first question is sort of the obvious one — where did these ideas come from?

Amber Benson: You know, I hadn’t really read a lot of paranormal romance, and then I read Charlaine Harris’ Sookie Stackhouse series, and I was like, this is an awesome genre. I really like it, the paranormal romance-slash-urban fantasy world. And I thought I’d like to try something in that vein. Until then, I’d written mostly horror with a Victorian slant to it, so I started just trying to come up with ideas for something in that genre. And then I was like, well, I love mythology, I love American Gods by Neil Gaiman. Maybe there’s a way to incorporate this mythological sort of context to the paranormal romance. That’s when I came up with the idea of Death’s Daughter. What would happen if death was run like a corporation, and the daughter of Death had to come and take it over because her dad was missing, and she didn’t want any part of it? I guess that’s where the idea came from: working all these things that I liked into a genre I was curious about.

SFBG: So did you end up doing any research, or was this all mythology you were already familiar with?

Sorry, Nate, but you’re wrong

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It’s too bad that Mayor Gavin Newsom’s communications director Nathan Ballard doesn’t seem to understand due process. At least not from an immigrant’s perspective.

I don’t say this lightly.

Ballard’s biography states that he is a former deputy city attorney, with a law degree from the University of California, Hastings. Whereas I’m just a lowly immigrant, who is under the impression that, in the United States, folks are assumed innocent until proven guilty.

But then along comes Ballard and tells me, yesterday, that I’m “wrong” in claiming that referring juveniles to federal Immigration Custom and Enforcement (ICE)—which is happening in San Francisco to youths are merely suspected of committing a felony and of being undocumented—raises due process questions.

If you don’t believe me–and I don’t blame you if you don’t, because it is hard to believe that this is happening in San Francisco with its huge immigrant communities–read the transcript of our exchange, which took place following the DCCC’s March 25 passage of a resolution that commits San Francisco to due process for all.

Phelan: “Nathan, following up on last night’s DCCC resolution in support of a Sanctuary City ordinance: Does the policy direction that Newsom ordered in 2008 guarantee due process for all?”

Ballard: “Yes. It was thoroughly vetted by the city attorney.”

Phelan: “I know the policy was vetted by the city attorney. But, as I understand it, juveniles are being referred to ICE without a hearing of any kind, which means, does it not, that due process is being denied?”

Ballard: “You’re wrong. Referral to ICE alone does not give rise to due process issues.”

If that’s not enough, check out the Examiner’s Ken Garcia, whose only source appears to be Ballard, framing the DCCC’s resolution as “one that demonized Mayor Gavin Newsom” and the more watered-down version as “one that said legal protections should not extend to people who commit violent felonies.”

But—and this really is the crux of the matter, folks—the problem with Newsom’s current policy is that it does not target folks who have been proven of committing a felony.

Instead, it targets folks suspected of, or charged with a felony.

Meister: Let’s truly honor Cesar Chavez

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By Dick Meister

Dick Meister, a veteran San Francisco journalist, is co-author of “A Long
Time Coming: The Struggle to Unionize America’s Farm Workers.”

It’s way past time that Congress declared the March 31 birthdate of Cesar
Chavez a national holiday. President Obama agrees. So do the millions of
people who are expected to sign petitions being circulated by the United
Farm Workers, the union founded by Chavez.

California, seven other states and dozens of cities already observe Chavez’
birthdate as an official holiday – and for very good reason. As the UFW
notes, “He inspired farm workers and millions of people who never worked on
a farm to commit themselves to social, economic and civil rights activism.
Cesar’s legacy continues to educate, inspire and empower people from all
walks of life.”

80 Chronicle workers apply for voluntary termination

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The California Media Workers Guild is reporting that more than 80 workers applied for voluntary termination at the San Francisco Chronicle. THe Guild is also warning that because if the large numbers of volunteers, 60-day notices of involuntary layoffs may not be triggered–meaning workers won’t get an extra two months of pay.

Newsom officials dodge budget questions

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By Melody Parker and Steven T. Jones

The Board of Supervisors Budget and Finance Committee yesterday held a hearing on deep budget cuts proposed for city health and welfare programs and tried unsuccessfully to get straight answers to why the Newsom Administration isn’t planning to use federal stimulus money to offset those cuts.
Congress and President Barack Obama specifically offered economic stimulus money to prevent cuts in things like housing, homeless, and social services that are most needed during hard economic times. San Francisco’s share is more than $50 milllion. As Obama said, “This plan will also help ensure that you don’t need to make cuts to essential services Americans rely on now more than ever.”
But Sups. Ross Mirkarimi and David Campos expressed frustration that the Mayor’s Office has said it doesn’t want to use these one-time funding to cover ongoing expenses and that they’ve refused to engage in a dialogue about that stand. At a press conference before the hearing, Mirkarimi said dealing with the administration has been like pulling teeth: “The Board had received zero word from Mayor Newsom.”
So they pressed Newsom’s Public Health Director Mitch Katz at the hearing, but still made little progress on getting a straight answer. As a lawyer, Campos said he was “familiar with nuanced language” and told Katz that he didn’t feel the administration is being responsive.

DCCC supports sanctuary & due process for all

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The Democratic County Central Committee voted last night by an overwhelming majority (20 ayes, 5 abstains, I no) to support Debra Walker’s strong resolution, recommitting “support of the Constitution and our city’s Sanctuary Ordinance for all,” and rejecting Scott Wiener’s watered-down version (19 noes, 3 abstained, 5 ayes).

Walker, who plans to run for District 6 supervisor, when incumbent Chris Daly is termed out next year, says DCCC’s vote made her, “ feel good about the party.”

“It’s been way too long that this has been happening and we have done nothing substantive, on the part of the party,” said Walker, noting that a companion resolution asking President Barack Obama to stop the ICE raids will be introduced next month.

Last night’s vote came after several dozen immigrant residents attended the DCCC hearing and testified about the impact of San Francisco’s new policies toward immigrants.

As Angela Chan, staff attorney for the Asian Law Caucus told the Guardian, “One teenage girl bravely stood before the DCCC and said that as a result of the change in climate in San Francisco toward immigrants, she lived in fear each day that she would come home to find that her parents had been taken away by ICE. Another immigrant resident said that if the DCCC takes a stand to support immigrants, he would raise his children to become proud Democrats. Another immigrant resident, who was a mother and a child care provider for many families in SF, said it is difficult to know that the image of criminality is being projected onto her and her community, when most members of the community are hardworking, law-abiding, and family-oriented people.”

Chan says she appreciated the supportive comments she heard from Sups. David Campos, Daly, Robert Haaland, Michael Bornstein, and resolution co-sponsors Walker and Peskin.

“They demonstrated a strong commitment to upholding immigrant rights and a deep understanding of the contributions of immigrant residents to San Francisco,” Chan said. “I hope Mayor Newsom will take the cue from his own party (and his own residents), and swiftly move to rescind his undocumented youth policy and work with the immigrant community to develop a more thought-out and balanced policy that respects the due process rights of youth and the goals to the juvenile justice system.”

That vote confirms that Mayor Gavin Newsom’s decision to do an about face last summer on San Francisco’s long standing sanctuary city ordinance is coming back to haunt him, as the gubernatorial race heats up.

Asked if the policy direction that Newsom ordered in 2008 guarantees due process for all, Newsom’s communications director Nathan Ballard did a classic obfuscation, telling the Guardian, “Yes. It was thoroughly vetted by the city attorney.”

But according to the City Attorney’s office, the original ordinance never did assure due process, “ if an individual was arrested for felony crimes.”

As for the revised policy direction, it directs police officers to report any juvenile “suspected of being present in the United States in violation of immigration laws,” and “booked” for commission of a felony” to federal immigration authorities,

The language, which is contained in the juvenile probation department’s policies and procedures section, directs officers to take into consideration, amongst other things, prior criminal history and “presence of undocumented persons in the same area where arrested or involved in illegal activity.”

To Walker’s mind, such direction amounts to a, “slippery slope.”

“It puts a lot of discretion in the hands of the police on the streets, and can end up with juveniles being referred to ICE and taken back to their country of origin, without any representation,” Walker said.

Pics: Chocolate love overwhelms Fort Mason

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By Ariel Soto. For more chocolate love (tis the season?) on Pixel Vision, click here.

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Chocoholics swarmed Herbst Pavilion March 21st for the 3rd Annual San Francisco International Chocolate Salon at Fort Mason. One had to have sharp elbows and quick maneuvering tactics to get to the tables piled high with samples with everything for durian fruit truffles to, my favorite, locally made chocolate covered Brazilian Honey Cakes by Kika’s Treats. There were also chocolate flavored liquors and Omnivore Books, a bookstore specifically dedicated to books on food and drink. Something for everyone — and I left shaking from so much caffeine and chocolate goodness running through my veins, my fingers sticky and stained a rich, luscious color.

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Event fee policy threatens How Weird and other festivals

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The How Weird Street Faire has become a popular event, particularly with the Guardian staff, including (from left) Associate Art Director Ben Hopfer, Culture Editor Molly Freedenberg, City Editor Steven T. Jones, and Art Director Mirissa Neff.

By Steven T. Jones

The city’s budget crunch and stricter policies on making special events pay up front for all city services that they’re required to use are once again threatening the How Weird Street Faire, a popular dance festival now in its 10th year that seems to battle city bureaucracy every year. Now, the grassroots organizers are challenging policies that could leave San Francisco with only events sponsored by deep-pocketed corporations.

Organizers say they can’t come up with the almost $10,000 that the San Francisco Police Department is requiring them to pay up front, a tab needed to pay for cops that do little except stand around at an event that would rather be allowed to police itself. The May 10 event is scheduled to take place around Howard and 2nd streets after city officials made them move from their previous spot 10 blocks away.

“The SFPD is demanding we pay them nearly $10K up front for police services, which was not discussed at the ISCOTT [the city body that issues street closure permits] hearing and is twice the amount of 2007. We simply do not have the money for this and they are threatening now to not plan for our police services. I have a bad feeling they will not sign off on our ABC license [needed for beer sales],” lead organizer Brad Olsen recently wrote in an appeal to City Hall for help.

Guild corrects SFBG, invites freelancers to join union

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Carl Hall, the Chronicle’s California Media Workers Guild representative, just emailed me, regarding my article in today’s newspaper about the future of journalism

Hall wrote to point out that I had inaccurately reported that the Guild has “voted to accept 150 layoffs and accept seniority considerations” at the Chronicle.

But as Hall notes, “Our contract like most guild contracts does not contain any prohibition against layoffs, and there’s not been any requirement that the employer obtain our agreement before laying anyone off. We voted to lift seniority protection against layoff in exchange for severance – that’s the new part. We also voted a number of other changes to reduce costs one way or another.”

“One other detail you might not realize,” Hall continued, “is that the Guild contract already had a provision allowing the management to protect up to 25% of low-seniority employees in a layoff round, meaning they could keep those individuals because of their importance in the operation and lay off more senior employees instead.”

Hall said he was saying all this because he continues to see, “everybody claiming that we voted to accept layoffs, when in fact we did not.”

“The company told us they were prepared to implement layoffs of about 225 of our members, with no severance, or close the paper or sell it, in which case all 500 of us would risk being laid off, with no severance,” Hall explained. “Maybe we could have chosen some suicidal path of bluff-calling or whatever, but our members chose the path we are on — a selfless choice for the senior people who nearly all voted to open themselves up to more individual layoff risk for a mere one year’s pay.”

“As a union however we did not vote to accept 150 layoffs,” Hall stated. “ We expect that number will be laid off because of this management’s short-sighted, destructive business plan and failure to make the Chronicle thrive as a top-quality paper, in print and online. I don’t hold any particular ill will toward the Hearst Corp., and credit them for the patience they have shown over these past few years when they’ve tolerated purported losses far exceeding those being reported elsewhere.”

Hall ended by saying that he was, “encouraging our members and the entire community to focus on what truly matters — quality jobs and quality journalism, and yes we do see a quality connection between the jobs and the journalism. (i.e., no reliance on “volunteers” or low-paid exploited at-will news workers, such as may be the case at the anti-union outfits such as — cheap shot alert! — the SFBG.)

“In a word, here’s the plan,” Hall stated. ” Organize! If you want to start, we will show you how.”

The Guild is holding its first meeting of its newly formed freelancers unit at Noon, Friday April 3. Third-floor conference room, California Media Workers. 433 Natoma Street, San Francisco.

For more information, or to R.S.V.P., check out the Guild’s site here, where you can also watch the video of the Society of Professional Journalists’ March 17 “Conversation about the Chronicle<" in which 15 panelists brainstormed about the crisis currently affecting the newspaper industry,

Recoverysf.org still under construction

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I got voice mail from Ron Vinson, chief administrative officer of the SanFrancisco Department of Technology, today, advising me that the City’s website to track Obama’s stimpack dollars is still under construction.

When I checked the link, which is where I downloaded the piechart (shown above) yesterday, as part of my quest to find out just who is being stimulated in San Francisco by these anxiously anticipated federal dollars, sure enough I got that frustrating “the requested URL was not found on this server” message.

Calls to Vinson to find out just when the website might be functional have yet to be returned. So, stay tuned.

In the meantime, you could visit the WhiteHouse’s site, and amuse yourself by clicking on their map of the United States, which claims that 396,000 jobs will be created/saved in California the next two years. I wonder how many of those will be in San Francisco and just who will benefit?

SCENE: RedLine shakes the bass up

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Taken from SCENE: The Guardian Guide to Nightlife and Glamour — on stands in the Guardian now. Interview by Marke B. Photo by Pat Mazzera. Art Direction by Mirissa Neff. Mens room courtesy of Matador.

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Ultraviolet, Kozee, Roommate, Rob Cannon, and Blackheart

To say that the woofer-rumbling, ragga-ripping dubstep sound has exploded on the club scene in the past few years is an understatement almost as low as the genre’s freakiest frequencies. Dubstep seems perfect for our hyper-multicultural, urban-nomadic age, blending street rhythms with the most intricate laptop sonic technology available. It’s especially perfect for the Bay, with its shimmering blend of moody menace and artistic bombast, and has duly been embraced by a number of DJs here, many with roots that stretch back to the early days of 2-step, drum ‘n bass, and even rave.

DJ Ultraviolet (pictured in red, at left), heads up the fab two-year-old RedLine dubstep collective, and has been bringing her immaculate technique and overflowing energy to the decks in San Francisco since 1997. She was a seminal player in the drum ‘n bass and breakbeat scene, as part of the Sleeveless collective with the Femmes Fatales, and was associated with the legendarily raucous Sister DJ crew. As a true vinyl fetishist, she was being booked at the tender age of 19 to play jungle at underground ’90s raves and played a part in the Future Breaks FM (miss you!) juggernaut of the early aughts.

Now, along with the wonderfully gifted DJ Kozee, her "second in command," Ultraviolet reps the burgeoning female dubstep explosion, producing tracks and bringing a touch of grimy glamour to the scene with the MakeOut Sessions, RedLine’s regular blowout at Matador. The upcoming installment of MakeOut features Matty G of Santa Cruz (www.myspace.com/mattygbeatz) pumping tracks from his new album, Take You Back.

MAKEOUT SESSIONS
Fri/27, 9pm, free
Matador
10 Sixth Street, SF.
www.myspace.com/redlinedjs

SFBG Who’s all involved in RedLine?

ULTRAVIOLET Kozee and I, who do a lot of the event planning and are working on a big project together; Babylon System (www.myspace.com/thebabylonsystem), a.k.a Roomate and No Thing, is one of the top production crews in dubstep, currently on tour in Europe; the three DJs of Blackheart (www.myspace.com/lordsofblackheart) from Oakland are our newest addition; DJ Rob Cannon (www.myspace.com/djrobcannon), our youngest member; our L.A. residents Emu and Pawn, who are also a part of the SMOG crew down there, and on our business end, Cyn, Bruxxy, and Dymphna.

SFBG Do you think the dubstep sound is reaching a critical mass? Is the scene in danger of getting stale?

Shout-out to 50 hot local fashion designers

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By Juliette Tang and Laura Peach

San Francisco’s fashion scene is vibrantly alive. In our city, you can find almost any garment you want, whether it be a new pair of yoga pants or some crushed velvet medieval slippers, straight out of the studio of a local designer. We love supporting local culture, and we love that there are so many talented designers out there contributing to the melting pot that is San Francisco style.

Besides those we featured in this week’s Spring Fashion Issue, we want to give some shout outs to 50 designers who’ve been on our radar lately. These individuals each have a unique approach to fashion, but together, they contribute to the vast diversity and uniqueness of our distinctly San Franciscan fashion culture.


Distilled Clothing

MEN
1. Printed playful hoodies: Gama-Go
2. Fashionable urban dandywear: Nice Collective
3. Hip-hop flavored urban streetwear: Upper Playground
4. Sexy undies for men: Diane Kirkland of DMK
5. Clothes for art/fashion rockstars: Shotwell
6. Loud and colorful nu rave hoods: Official Tourist
7. Casual daytime menswear: Artificial Flavor
8. Tongue-in-cheek geek chic: Distilled

SCENE: Kalri$$ian comes on to your sister

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Taken from SCENE: The Guardian Guide to Nightlife and Glamour — on stands in the Guardian now. Interview by Marke B. Photo by Matthew Reamer. Art Direction by Mirissa Neff. Crotch-buffing by Kalri$$ian. Location: Shattuck Downlow

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In these trying economic times, does the Bay really need a motor-mouthed, drug-snorting, pussy-obsessed playboy hip-hop collective — one that shouts out Eric Estrada, acid house, and Optimus Prime while bragging about using paper bags for condoms and instructing someone to "juggle balls in your mouth like a circus act"? Well, yes, actually. Hilariously quick-witted San Francisco-based beastly boys Kalri$$ian certainly bring the sparkling regression to match the recession — by channeling naughty spirits from rap’s past like Kool Keith, Shock G, and Prince Paul, and literally melting themselves to audio gaga as they "lick Cool Whip off your flatmate." The bouncy braggadocio of Kalri$$ian’s new album, Tales from the Velvet Pocket (Psychokinetics) and over-the-top flashback image somehow seem perfectly refreshing right now.

Experienced Bay nightlifers will recognize some long-time scenesters among the Kal’s colorful cast. No need to fret over missing all the in-jokes, though — Kalri$$ian’s got a million of ’em, and most involve doing lines off your girlfriends’ ass. Check them out live at the release party for Daly City cool kid Mochipet’s new Bunnies & Muffins platter:

KALRI$$IAN

April 4, 9 p.m.– 5 a.m., all ages
The Ranch
1433 Van Dyke, SF
www.kalrissianbaby.com

SFBG You sure got a lot of people — it’s like you’re a super group or something. Tell me about who’s all involved …

"UNCLE" TONY HIGHRISE (producer) You’re goddamn right this group is super! I’ll tell you what — I wouldn’t have left Miami unless it was for something really, really super. I came up on the scene in Delaware back in the day. I was a freelance hype man for a while with my cousin Wicked Awesome J, rest his soul. After the accident, I drifted south and started wearing polyester. It just seemed like the thing to do. Polyester was tough in Miami — it’s not that breathable, you know. But I was committed.

KEYLO VENEZUELA (producer) We ARE super group. We make fantastic sound music and tell our stories to everybody. The music is the passion that covers the world.

SMOOTH RICK CHOSEN (vocalist) I’m an ex-Barbazon School of Modeling student who got hooked on pills and realized he had a gift, in his pants.

Cat’s cradle

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› a&eletters@sfbg.com

Independent, slyly defiant, and given to zigzags, the cat is the spirit animal for a certain breed of cinematic gleaners. The films of Warren Sonbert and Chris Marker are packed with the feline kind. A kitty or two shows through the lucid abstractions of Nathaniel Dorsky’s recent work, and Agnès Varda’s La Pointe-Courte (1954) uses the animal as a structural device. Accordingly, Ben Rivers’ This is My Land (2006) opens with a lithe creature snapping its head to face the camera. There are several other such mysterious cameos across the 14-minute film, one of several bricolage studies Rivers has composed of off-the-grid settlers who are themselves catlike in both appearance (the whiskers and quick smile) and manner (gentle wildness).

Rivers must appreciate the cat’s association with the gothic, given his propensity to label his shorts as either horrors or portraits. The London-based filmmaker and programmer comes to town this week for two rare programs split along these lines, though it isn’t as stark a divide as it might first sound. The films are all exquisite documents of overgrown spaces, the kind in which the past is made palimpsest, audible in the creak of floorboards and everywhere apparent in the makeshift and ajar.

There are traces of Murnau, Dreyer, and Herzog in Rivers’ work; the films are welcome demonstrations that Expressionism is nothing so much as a feeling for how the physical world relates to the spiritual one, though musical references are equally revealing. The beards, spirits, and foliage evoke the deep English folk of the Incredible String Band and Roy Harper. In addition, the field recording quilt-work done by Lucky Dragons and the Books provides a useful analogue to Rivers non-sync style. Shot with a wind-up Bolex, Rivers processes the film stock himself, leaving grain and light flecks unpolished, with sound and image each representing an autonomous, well-portioned montage. The films open the same rich interstices of avant-garde, documentary, and ethnography as Apichatpong Weerasethakul’s work, but with an intense intimacy that makes them seem like home movies of the highest order.

The old dark house imagery of Rivers’ gothic curios strike a particularly English chord, but the back-to-the-land portraiture has a special resonance in California. We too know these beards, this tumble of wilderness, this particular migration. If these figures seem to age differently, it’s because their living choices represent a decisive approach to both space and time, something Rivers represents with great cinematic adroitness. The specter of global warming and natural disaster thickens these reclusive reliefs. Rivers has admitted his fondness for ’70s postapocalypse moves, a ripe genre rearticulated in the lunar landscapes and scrapyard play of Ah, Liberty! (2008). Horror, in this context, is a kind of awe. It is inseparable from nature — it is, in fact, nature reclaiming civilization.

"[There are] all kind of wild animals [here], and it’s only because I let it get wild. And that’s my point, but nobody will get it," the central figure of Astrika (2006) explains. Rivers, of course, does get it. The homesteaders’ scattered debris suggests Rivers’ own secondhand materials, improvised objects like a birdfeeder made from a milk container reflect his films construction, and the ethos of self-sufficiency is admired and enacted. The human warmth of his filmmaking emanates from these affinities, which go beyond sympathy to touch the elusive nerve of experience. Rivers’ wind-up camera means that no single shot can exceed 30 seconds. But when the pitter-patter of his images settles on something strange and moving, like a distant view of a horse rolling in the snow, it reminds us that beauty is often a humbling drama of the glimpse.

"THE POETIC HORROR OF BEN RIVERS"

Sat/28, 8:30 p.m., $6

Other Cinema at Artists’ Television Access

992 Valencia, SF

(415) 824-3890, www.atasite.org

"THIS IS MY LAND: BEN RIVERS’ PORTRAITS AND LANDSCAPES"

Sun/29, 7:30 p.m., $10

San Francisco Cinematheque at Yerba Buena Center for the Arts

701 Mission, SF

(415) 978-2787, www.ybca.org

Bar Johnny

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› paulr@sfbg.com

Until quite recently, you did not often see the word "bar" associated with food-serving establishments in this part of the world. Hungry people slipping into Bar X for a bite were most likely in Europe, or the pages of a Somerset Maugham novel, not on the streets of San Francisco. But in the past few years, "bar" has become a consequential rival to "bistro" and "café" as a restaurant signifier, and we have seen a profusion of Bars: Jules, Bambino, Tartine, and let’s not forget Johnny, which opened about a year and a half ago on the swank flank of Russian Hill.

Unlike a number of its Bar-designated siblings, Bar Johnny really does seem to have some flavor as a bar in the American sense. The space (previously home to Tablespoon) is narrow, deep, and rather dimly lit, and its front half is dominated by a big, mirror-backed bar, complete with a flat-screen television showing sports events. The crowd tends to be young and boisterous, although (given the endless stream of ESPN) surprisingly mixed in gender. I have never seen San Francisco as being a city of blondes, but there are pockets, and Bar Johnny appears to be near the center of one of them. A certain Marina-ish haze hovers.

I also caught a whiff of urinal cakes one fine evening. The scent, at the rear of the public space and quite near the flapping double doors that lead to the kitchen, added to the bar spell while implying a degree of tidiness, but did not quite whet the appetite. This might be thought a daring strategy in an establishment that makes money by serving food to people. Are they so confident in their food that they can afford to run this risk? I wondered. Or is everyone here just supposed to get blotto and not notice much of anything? Bar Johnny does bear a subtitle — drink kitchen — and "drink" could be listed first for alphabetical reasons or ideological ones.

Bar Johnny’s nearest conceptual relative might be the Alembic on upper Haight, by which I mean: if you want to treat it as an ordinary bar, with drinks and interesting nibbles, you can. Chef Roland Robles’ menu opens with what are called "bites"; these range from a bowl of smoked habañero potato chips ($3) — fabulous if slightly under-salted — or warm mixed nuts ($5) to a grilled pizza ($13) bearing actual grill marks on the bottom of the nicely blistered crust. Pie toppings vary but do include entrants from the bianca ("white," i.e. no tomato sauce) family, such as bacon and mushroom. We found this to be a smoky, richly autumnal combination, subtly amplified by the grill char. The nuts, mostly peanuts and pistachios, with a few almonds and dried currants thrown in, were less fragrant but nonetheless both gobbleable and shareable. And while I don’t see any Cheers-type crowd hankering after kale — ever, under any circumstances — I do think Bar Johnny’s garlic-braised kale ($8) is as appealing as any of the other bites, despite its shocking virtuousness. The greens are tender, tasty, and a beautiful deep green — what more can we ask of any kale?

Bar Johnny does part ways with the Alembic and other tapas or small-plates menus by offering bigger plates under the aegis "more … " More food doesn’t necessarily mean more money. For the most part, these main courses cost in the mid- to upper teens and, considering how good they are, offer a pretty strong value. We did have a mild difference of opinion about the seared tuna loin ($17), which had been rubbed with five-spice powder — which for me tends to taste predominantly of cinnamon — before hitting the pan, from which it emerged a beautiful, deep-purple rare inside. A hint of bitterness in the seasoning was detected by a set of lips across the gorgeously burnished gray marble of the tabletop. But the accompanying Thai salad, a mound of finely shredded green cabbage accented with mint and basil, won general acclaim.

Also roundly applauded was a flatiron steak ($17), cooked to the rare side of medium-rare, sliced, and arranged atop a cauliflower purée napped with jus. The flatiron steak is taken from the shoulder and is a near relation of the chuck roast, from which hamburger is typically ground. If our chief concern is tenderness, we would probably be looking elsewhere, beginning with filet mignon. But Bar Johnny’s flatiron, while not exactly buttery, was tender enough and — the usual compensation for a hint of toughness in meat — very tasty.

At a lot of bars, the vegetarian option would be vodka. But Bar Johnny offers a real one, and it’s a full plate of food, not a bite, nibble, or nosh. It’s called "beans and rice" ($13) and includes some combination of legumes and rice — chickpeas, say, plump and glistening and colored up like a bit of Christmas with diced red pepper and slivers of pistachio. It’s flavorful and satisfying while leaving room for dessert, which — again, atypically for a bar — Bar Johnny offers with some panache.

It’s hard to go wrong with a basket of chocolate-chip cookies ($9) warm from the oven. One small hitch is that, as with a soufflé, there’s a wait of 15 minutes; another is that the cookies can stick together. Still. Another worthy possibility is the fruit cobbler ($7), which late in the winter might take the form of a boldly spiced apple crisp, topped with several globs of vanilla gelato and served in a shallow cast-iron pail complete with a handle. Perfect for your next visit to your favorite sand bar!

BAR JOHNNY

Dinner: 6–11 p.m.

2209 Polk, SF

(415) 268-0140

www.barjohnny.com

Full bar

AE/DS/MC/V

Can get noisy

Wheelchair accessible

Off the wall

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› johnny@sfbg.com

It’s Saturday morning, and Michael Rosenthal Gallery is crowded — because it’s playing host to a baby shower. The current show of paintings by Terry Hoff is partly obscured by the small celebration. In one corner, Rosenthal sits on a couch. Aside from the dark circles around his eyes, you wouldn’t know that he’s caught up in perhaps the strangest of a string of recent art thefts at SF galleries.

At 3 a.m. on Friday, March 20, police notified Rosenthal that his Valencia Street space had been vandalized. Arriving at the site, he was surprised to discover that while a pair of computers, an expensive printer and scanner, and a bag of Nikon cameras were still there, four paintings from the current show by Hoff were amiss. "The first two cops [to arrive] were totally uninterested," Rosenthal says, adding that when he gave the missing works an estimated value of $40,000, the answer he received was blunt: "They said, ‘Too bad — if the paintings were valued at $50,000, everyone would be here’" (SFPD didn’t return calls for comment.)

The theft of the Hoff paintings marks the third time in the past six months that a street-level San Francisco gallery was the target of a robbery. On Oct. 15 last year, two paintings by the late Margaret Kilgallen were stolen from the SoMa space Gallery 16, which was putting on a 15-year retrospective. (Unlike the majority of the exhibition, neither Kilgallen piece was for sale.) Less than a month later, someone walked into the Mission District gallery Triple Base and took a painting by Jay Nelson from the wall.

"It’s horrible," Gallery 16 owner Griff Williams says, when asked about the Kilgallen theft. "The whole experience continues to be horrible because we haven’t settled any of this. There’s a personal sadness — Margaret wasn’t interested in the art market, and didn’t sell her work by choice in the shows we did with her. It also points to the ugly side of the way things are valued, and how insurance companies want to undervalue the work."

"People don’t know that if they steal artwork or buy stolen artwork, it has no value in the market," says Triple Base codirector Dina Pugh. "It doesn’t have value unless you have the title to the work, and the gallery is always looking for stolen pieces."

The three recent thefts, while not necessarily related, share some commonalities beyond the street-level position of the galleries. Kilgallen, Nelson, and Hoff all knew or know the San Francisco artist Barry McGee, the sole focus of a lengthy April 2008 Artforum article on the proliferation and market value of stolen artworks. (In fact, Hoff owns work by both Kilgallen and McGee.) In a 2006 issue of ANP Quarterly, Darryl Smith from the Market Street gallery the Luggage Store recounts an experience buying a piece by McGee on the street.

"[The thefts] point to all these issues that the art world deals with in terms of valuation," says Williams, whose space has been vandalized more than once without any art being stolen. "As an art project, you could take someone’s work and see what you can get for it on the street. With Barry’s [McGee’s] work, there’s a street cred to stealing it."

The theft of the Terry Hoff paintings differs from the Gallery 16 and Triple Base robberies in one crucial way: the artworks were recovered. At press time, both the San Francisco police and the individual who returned the paintings were unavailable for comment. However, at 2 a.m. March 21, Rosenthal was awakened by a call from police informing him that the Hoff paintings were recovered, albeit with some scratches and damage. "It was a whirlwind of emotions," Hoff says of the experience.

In the current market, art might not seem to have strong value. "You’re gonna sell Terry Hoff paintings on Market Street?" Williams asks, only somewhat rhetorically. Pugh has a pragmatic view of the situation. "With the economy going down the tubes, there are so many things that come along with it — violence, robbery. People are desperate, and I expect more [thefts] to happen. It’s making galleries be more cautious and vigilant."

When protesters become ‘terrorists’

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› rebeccab@sfbg.com

When does passionate protest become a terrorist threat? Is it when activists choose to target someone’s house, or when the subject of the protest feels scared? Why single out animal rights activists for special treatment? And if the definition of terrorism is expanded for them, what group is next in these turbulent times?

These are the questions being raised by the federal prosecution of four local animal rights activists. Joseph Buddenberg, Maryam Khajavi, Nathan Pope, and Adriana Stumpo pleaded not guilty March 19 to charges of using threats and violence to interfere with University of California animal researchers, in violation of the Animal Enterprise Terrorism Act (AETA).

A coalition of civil liberties defense groups have come to their defense, arguing that the law is unconstitutional and that the activists were merely exercising their freedoms of speech and assembly.

AETA specifically protects research institutions, pharmaceutical companies, and other businesses that use animals from individuals who "interfere with" their operations. Anyone using threats, vandalism, property damage, trespassing, harassment, or intimidation to cause someone connected with an animal enterprise to have "reasonable fear of death or bodily injury" can be tried under the law. But critics say the statute is over-broad, arguing that legal activity like boycotts can be construed as a form of interfering with a business’ operations.

"In its abstract form, and now with these arrests, the AETA is a full frontal assault by the U.S. government on the First Amendment," says San Francisco-based attorney Ben Rosenfeld, a member of the National Lawyers Guild. "Everybody, whether they identify with animal rights causes or not, ought to be very alarmed."

According to an FBI affidavit filed by special agent Lisa Shaffer, the activists took part in actions targeting UC researchers who conduct experiments on animals. They didn’t free caged animals, torch laboratories, or slash tires. Instead the defendants were caught picketing, chanting, and creating flyers. And while the complaint cites an alleged assault, it never states that any of the four defendants was responsible. Yet they each face up to five years in prison.

In October 2007, the complaint alleges, the defendants joined a group of protesters outside a UC researcher’s home in El Cerrito where they marched, chanted things like "vivisectors go to hell!" and rang the doorbell. The second incident took place in January 2008, when a group of about a dozen people "wearing bandanas over their nose and mouth" allegedly drove to a number of researchers’ homes in the East Bay. They "marched, chanted, and chalked defamatory comments on the public sidewalks in front of the residences."

The complaint says UC researchers felt harassed, intimidated, and terrified. Heidi Boghosian, executive director of the National Lawyers Guild in New York City, says AETA is flawed in that prosecutions are based on the targets’ reactions, not the protesters’ intent. "Basing prosecutions on the subjective feelings of individuals to whom no harm was inflicted undermines the foundation of criminal law, which punishes those who commit crimes with the intent to do so," Boghosian told us. "Demonstrating — even noisy, angry demonstrating that may be uncomfortable to others — is still protected under the First Amendment."

During the third incident, six bandana-clad protesters allegedly approached the home of a UC Santa Cruz researcher. Her husband heard banging on the glass pane of the door, opened it, and then "struggled with one individual and was hit with a dark, firm object," according to the complaint. The protesters dispersed, and one allegedly yelled, "We’re gonna get you!" Santa Cruz police later seized a vehicle belonging to one of the activists. Bandanas found inside the car were later sampled for DNA, linking them with three of the defendants.

The complaint doesn’t indicate whether any of the four defendants struck the researcher’s husband or yelled a threat. But that hardly matters. "Another flaw of the AETA is its ‘course of conduct’ language," Boghosian said. "If one protester commits a single unlawful act at a protest … but five others were present, all may be charged with engaging in a course of conduct that interferes or attempts to interfere with the operations of an animal enterprise."

Finally, the FBI charges that in July 2008, a stack of flyers listing the home addresses of two UC professors under the headline "murderers and torturers" was discovered at a Santa Cruz cafe. The FBI tapped security camera footage and Internet use logs to link three of the defendants to the stack of flyers.

Several days after the flyers were discovered, a firebombing took place at one of those researchers’ homes — but the federal complaint doesn’t mention it. When asked if there might be a connection, FBI special agent Joseph Shadler told the Guardian that the complaint speaks for itself.

Several civil liberties groups have been wary of AETA since it was enacted. "The law is so overly broad and so vague that no one knows what’s legal and illegal," Odette Wilkins, who is pushing for a repeal of the bill through her organization, the Maryland-based Equal Justice Alliance, told us. "The USA Patriot Act makes it very, very clear what terrorism is. It’s anything that causes mass destruction … or places the entire civilian population in fear. I don’t see how people exercising their First Amendment rights … rises to the level of terrorism. It’s ludicrous."

FBI special agent Schadler sees it differently. "As far as the distinction between free speech protected by the Constitution and what we would consider terrorism, whenever somebody’s purpose is to cause fear to get their point across, that’s terrorism," he told the Guardian. "The definition of terrorism is using threat of violence, or violence, to accomplish a political means. And the threat of violence — when you are actually going out and threatening to hurt people, or causing people to believe that they’re going to be hurt, or actually hurting them to get your movement or your political voice heard — then you are committing terrorism."

Lauren Regan, executive director of the Eugene, Ore.-based Civil Liberties Defense Center, helped create Coalition to Abolish the AETA. "We were working on putting together a civil lawsuit simply challenging the constitutionality of the law when the criminal indictments happened," she explained.

Regan has been on the case since a previous law, the Animal Enterprise Protection Act, was in place. That statute was upgraded to the AETA in 2006 in the wake of aggressive tactics employed by a radical animal rights group, Stop Huntingdon Animal Cruelty (SHAC). "Many felt [the AEPA] was also unnecessary," she told us. "Because there are already statutes for burglary, theft, vandalism, arson [etc]. Any of the crimes that could have fallen within the AEPA were already federal and state crimes."

Sen. Dianne Feinstein cosponsored AETA along with Sen. James Inhofe (R-Okla.), saying it would "ensure that eco-terrorists do not impede important medical progress in California." Before the bill passed, Rep. Dennis Kucinich (D-Ohio) voiced the lone complaint against it. "I am not for anyone … damaging another person’s property or person. But I am for protecting the First Amendment and not creating a special class of violations for a specific type of protest."

No one else was persuaded. The bill was bundled with other legislation deemed to be noncontroversial then passed by voice vote. The American Civil Liberties Union didn’t oppose it after an amendment was added guaranteeing that it wouldn’t restrict First Amendment rights. The ACLU declined to comment for this story.

Regan says broadening the definition of terrorism can stifle important campaigns. She points to the example of a widely publicized video released by the Humane Society last year that showed disturbing footage of downed cows at a beef processing facility. Though it spurred one of the largest beef recalls in history (and saved school kids from consuming an unsafe meat product), the cameraperson could be tried as a terrorist under the AETA, Regan says, because it was necessary to trespass to shoot the film.

She also criticizes the FBI’s excessive use of paid informants. "This has happened across the country — if someone posts a vegan potluck, the FBI is showing up to see who’s there and what they’re doing," she says. Between 1993 and 2003, the FBI’s counterterrorism division increased 224 percent, according to its Web site.

While advocates are quick to point out that there are no documented deaths associated with animal rights activism, the movement has a history of employing firebombs, threatening phone calls, and other creepy tactics in pressing to end animal cruelty — a trend that led to the passage of the domestic terrorism bill.

"The AETA has backfired, causing an increase in underground activism," says Los Angeles-based activist Jerry Vlasak, whose inflammatory language against animal researchers was quoted extensively during the 2006 Congressional hearing on AETA. Vlasak is a media contact for the North American Animal Liberation Press Office, which operates a Web site featuring anonymous "communiqués" sent in by clandestine activists. In a posting dated March 6, a group called the Animal Liberation Brigade takes credit for burning the car of a Los Angeles primate researcher. "We will come for you when you least expect it and do a lot more damanage [sic] than to your property," the message reads. "Where ever you go and what ever you do we’ll be watching you as long as you continue to do your disgusting experiments on monkeys. And a special message for the FBI, the more legit activists you fuck with the more it inspires us since wer’re [sic] the people whom you least suspect and when we hit we hit hard."

Will Potter, a Washington, D.C.journalist who runs a Web site called Green Is The New Red, testified before Congress prior to the passage of the AETA, arguing that the law would not deter underground activists. Instead he predicts it will have a chilling effect on protests staged in broad daylight. "This legislation will … risk painting legal activity and nonviolent civil disobedience with the same broad brush as illegal activists," he said.

That, says Rosenfeld, is precisely what’s happened. "The whole underpinning of a democratic society is that it’s rights-based, and government power is limited and checked by law," he says. "Here we have a complete perversion of that process. The government gives itself this over-broad, sweeping power to go after anyone it wants and then seeks to reassure people that it will only use those laws against the real bad guys."

Monopoly money

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sarah@sfbg.com

Employees at the San Francisco Chronicle are anxiously awaiting the March 31 deadline that its owner the Hearst Corp. has set for accepting buyout offers, after which the ax could fall on any employee at any time. The California Media Workers Guild has voted to accept 150 layoffs and to end seniority considerations at the city’s major daily.

Hearst claims that amendments to the union’s contract are essential to avoid closing or selling the 144-year-old paper, although the company refuses to open its books, making it impossible to verify claims that the Chronicle is losing $1 million a week. Rather than challenging that corporate prerogative, Speaker of the House Nancy Pelosi wants to explore allowing a local monopoly like MediaNews to buy the Chronicle, the last major Bay Area newspaper MediaNews doesn’t already own through its Bay Area News Group subsidiary.

In a March 16 letter to U.S. Attorney General Eric Holder, Pelosi wrote: "I am confident that the antitrust division, in assessing any concerns that any proposed mergers or other arrangements in the San Francisco area might reduce competition, will take into appropriate account, as relevant, not only the number of daily and weekly newspapers in the Bay Area, but also the other sources of news and advertising outlets available in the electronic and digital age, so that conclusions reached reflect current market realities."

Holder responded March 18, telling reporters, "It’s important for this nation to maintain a healthy newspaper industry. So to the extent that we have to look at our enforcement policies and conform them to the reality that the industry faces, that’s something I’m going to be willing to do."

Sara Steffens, chair of the Guild’s Bay Area News Group East Bay unit, recently raised her concerns about that strategy. "Consolidating some or all Bay Area News Group operations with the Chronicle could prove the financial salvation for our struggling newspapers, potentially guarding against bankruptcies or outright shutdown," she wrote on the union’s Web site. "But it could also pave the way for further job loss and erosion of standards."

Justice department lawyers have in the past ruled against mergers that created newspaper monopolies, but media analyst Alan Mutter believes times have changed. "It’s just a question of who is going to qualify," Mutter told the Guardian.

Retired UC Berkeley journalism professor Ben Bagdikian, author of books critical of media monopolies, said the Chronicle‘s "surprising announcement" that it might have to shut down could be a scam. He notes that this news comes "not long after Hearst and [MediaNews owner Dean} Singleton, who owns all the East Bay dailies, formed a partnership to buy media in other parts of the country.

"Hearst a few years ago — granted, in boom times — gifted the Examiner to the Fang family along with a stunning gift of $56 million to the Fangs to take it and make it into a daily," Bagdikian said. "I think it has never before happened in the news business or any other business to pay someone else to compete with them. It was clearly part of a larger plan to get rid of this operating agreement for exemption from antitrust [laws]."

Other critics believe that large newspapers, which are tied to huge printing presses and gas-guzzling delivery trucks, could become extinct, and that nimbler prototypes that deliver news by mobile phone and integrate social networking on their Web sites could assume the old media’s traditional role as public watchdogs.

Jeff Elder, who is studying the newspaper industry as a Knight fellow at Stanford University, told the Guardian, "You either see a daily newspaper as an old railroad station, a really cool part of the city’s history that you maybe can’t afford to save, or an at-risk public school whose continuance is fundamental to democracy."

Elder, a columnist for the Charlotte Observer, was one of a wide variety of media professionals (including Guardian publisher Bruce B. Brugmann), who gathered March 17 in the San Francisco Public Library to discuss the Chronicle‘s future.

"There is no minimizing that it’s a real sad situation for the people being laid off," Elder said. "But there is a real danger in propping up print products by strengthening monopolies. You’re draining off resources while propping up a business model that is becoming increasingly irrelevant."

Appetite: Hookahs on Mission, gnocchi deals, Midi in FiDi, and more

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midi0309.jpg
A delicious-looking dish at Midi. See “Openings” below.

As long-time San Francisco resident and writer, I’m passionate about this city and obsessed with exploring its best food-and-drink spots, deals, events and news, in every neighborhood and cuisine type. I have my own personalized itinerary service and monthly food/drink/travel newsletter, The Perfect Spot, and am thrilled to share up-to-the minute news with you from the endless goings-on in our fair city each week on SFBG. View the last Appetite installment here.

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NEW RESTAURANT AND BAR OPENINGS

Whew! There are a slew of openings this week. Here’s a rundown of four and stay tuned for many more …

Missionites’ new all-day cafe-wine bar-resto combo: The Corner
Weird Fish, the Mission’s quirky, sustainable seafood joint, debuted a sister spot next door last week, The Corner, which should begin all day hours this week. Seeking to be all things to all people, it’s a cafe with wifi and Four Barrel coffee in the am, BLT Paninis at lunch, and at night, DJs, unique wines by the glass and dishes like duck and medjool dates or fennel-crusted pork chops.
2199 Mission, SF.
415-932-6939

Mission take two: Morak Lounge, a new Moroccan hookah bar
Sixteenth and Valencia has no lack of global eating options, all within a couple block radius. What it hasn’t had up till now is a chic, Marrakech-style lounge where you can smoke a double-apple flavored hookah while sampling Middle Eastern bites (the usual: hummus, baba ghanoush, skewers) or Cardamom-infused martinis. Enter Morak Lounge. Behind bronze doors, bright curtains and comfy cushions equal a sultry space to linger and puff away long into the night (open until big city hours of 3am on weekends).
3126 16th St., SF
415-626-5523

Midi: FiDi’s new French Asian restaurant
Joie de Vivre luxury hotels debuted a new restaurant this past weekend, open for lunch and dinner with a downstairs bar open all day for the Financial District set. Midi, with Chef Michelle Mah of Ponzu at the helm, has been in the works for two years but is finally open in the former Perry’s space. The French Asian fare reinvents classics like duck leg confit with a ginger-rhubarb jus, with Euro-Asian offerings from Hawaiian kampachi crudo to pork rillettes with Dijon mustard. It all goes down nicely post-work (or during a lunch break) with a Lavender French 75 cocktail or with one of seven craft beers or 15 wines by the glass.
185 Sutter Street
415-835-6400
www.midisanfrancisco.com

Barlata, tapas bar from B44 chef, debuts Oakland
Chef Daniel Olivella has helmed Belden Lane’s mainstay, B44, for years… and still will. But he’s branching out with an anticipated East Bay locale, Barlata. Experience Spain from the mile-long list of tapas, bite-sized pinchos and paellas to share. Don’t forget Spanish wines, sherries or (non-Spanish) beers as you join friends at the marble bar or communal table to dine on boquerones, garlic soup, grilled sardines or oxtail in red wine sauce.
4901 Telegraph Ave, Oakl.
510-450-0678
www.barlata.com

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EVENTS

March 26: Wine Enthusiast magazine’s Toast of the Town
Another pricey deal, this one’s your chance to pretend that you’re the elite, sipping wine for a local charity at the classy War Memorial Opera House for Wine Enthusiast mag’s Toast of the Town gala. Dress up and splurge for the VIP gig at 5pm or buy slightly more reasonable 7pm tix to sip wines from over 70 producers and taste bites from 30 restaurants like Ana Mandara, Campton Place, Millennium, Rivoli, Shanghai 1930 and Slanted Door, to name a few. A charity auction for SF Food Bank gives some meaning to your decadent imbibement.
7pm
$75 Early Bird Online/$95 at the door
War Memorial Opera House
401 Van Ness Avenue
415-829-7530
www.wineenthusiast.com/toast

whisk0309.jpg

March 28: Whiskies of the World is back as part of Artisanal Spirits Fest
How can you not love that San Fran has been the setting for the unique Whiskies of the World celebration for 10 years now? Not only are there classes on Cigar Making or Mixology (using, what else? Whiskies), but the setting is downright idyllic. As the sun sets from aboard the San Francisco Belle, smoke your cigar (BYO or buy there) as you roam the deck while Celtic pipe and drum music plays, and sipping whiskies is the collective activity. Sampling booths cover three floors of the boat, staffed by spirits experts from distillers to blenders, while a dinner buffet shores up the stomach for all that imbibing. On top of whiskies, the Indpendent Spirits Fest portion means there’s also local vendors of other types of spirits like St. George Spirits, Charbay, Anchor Steam, Square One, and Osocalis. It’s pricey, yes, but I can think of fewer more enjoyable ways to go…
Sat/28, 6pm, $115-$120; additional classes: $15-20
San Francisco Belle, Pier 3
610-326-8151
celticmalts.com/events.asp

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DEALS

FREE Monday morning coffee at Four Barrel
I didn’t want to have to mention this and make the waits for a capp at Four Barrel longer than they already are, but as the word is leaking out everywhere this week, I thought I’d mention this generous turn from owner, Jeremy Tooker. Playfully calling it an “F.U. Recession” giveaway, get an 8oz. cup of French Press coffee, brewed just right… don’t say I didn’t warn you about looong waits for it, though!
Mondays through April 20th, 8-10am
375 Valencia, SF.
415-282-0800

Weeknight prix fixe and Gnocchi Tuesdays at Bar Bambino
Every time I go to Bar Bambino, I walk away feeling like I was just in my favorite enoteca in an Italian town, sipping Italian wines, robust coffees from both North and South Italy, eating housemade charcuterie and cheeses Bambino’s been making before everyone in town was. Like many lately, they’re offering special menus like an early evening three-course prix fixe for $30. Primi (first course) could be soup, salad, or pasta. Main course is a meat or eggplant polpette, with gelato or signature Citrus Polenta Cake for dessert. Another fun element (for gnocchi fiends like myself) is their Gnocchi Tuesdays, playfully mirroring the tradition of Roman trattorias serving gnocchi dishes on Thursdays. Chef Christian Hermsdorf makes them from scratch, of course, different each week, with past gnocchi made of red kuri squash with sage cream sauce or a Venetian-inspired pumpkin gnocchi in cinnamon and brown butter. Yum…
Sundays-Thursdays, 5-7pm, $30
2931 16th St., SF
415-701-8466
www.barbambino.com

Jovino’s Saturday night Spaghetti Feed
Spaghetti with Niman Ranch meatballs sound good to you? What if you throw in a glass of house wine all for the price of the wine: $9? Now you have a deal. A low-key Cow Hollow cafe, Jovino is a good place to drop in and unwind — and fill up for less than $10.
Saturdays 6-9pm
2184 Union, SF
415-563-1853

Pricing women out of health care

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OPINION While California faces some of the most challenging economic times in recent history, many residents are losing their jobs — and as a result, their health insurance. And businesses of all sizes are struggling to make ends meet, which often means slicing employee benefits.

As more people are forced to turn to the individual market for their health insurance, women in California are at a distinct disadvantage. Under a practice known as gender rating, health insurers are allowed to charge higher premiums based on a person’s gender. Consequently, many women pay higher premiums than men for identical coverage. This unfair and discriminatory practice affects more than 1 million California women who currently purchase their health plans on the individual market — and undoubtedly prices many more women out of health coverage altogether.

A recent survey by the National Women’s Law Center showed huge variations in premiums charged to women and men for the same health care coverage. In some cases, women paid premiums that were slightly higher than what men paid for the same policy. But in other cases, women were charged more than 50 percent more — and as much as 140 percent more — for identical health plans.

Gender rating violates the California Constitution’s equal protection guarantees and goes against the state’s good public policies that favor preventive health care and affordable health coverage for all Californians.

While insurers argue their insurance rate differentials are based on the actual cost of providing health care to women (even for plans that do not include maternity care), gender rating is a relatively new phenomenon. Gender rating was not significantly used by the state’s top insurers until mid-2007, according to a preliminary analysis from the California HealthCare Foundation. Surely the cost of caring for women has not increased exponentially in the past two years, while medical expenses for men have remained stagnant.

In pricing women out of affordable health care coverage in the individual market, we set in motion a series of events that harm women, children, families, and entire communities. Uninsured women are less likely to receive preventive care. They’re most likely to discover, and seek treatment for, serious disease in the later stages of an illness. One serious disease or illness could potentially bankrupt an entire family and pose a health risk to the community. In addition, the costs of caring for uninsured women ultimately fall to either the local or state government, draining already strained public resources.

More than 40 years ago the insurance industry voluntarily abandoned the practice of using race as a rating factor for setting health insurance premiums, despite their arguments that those premiums were also based on actual health care costs. Ten states across the country have already outlawed gender rating, with no negative consequences to the rest of the insured in those states. Without a doubt, it’s time to do the same in California. *


Sen. Mark Leno represents the third Senate District, which includes Marin and parts of San Francisco and Sonoma counties. He is the author of Senate Bill 54, which would prohibit the practice of gender rating in California.

Saving SF’s human services

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EDITORIAL San Francisco stands to get more than $50 million in federal stimulus money designed to prevent cuts to health and human services. That could be a huge help to the city’s efforts to close a half-billion dollar budget gap. And the Department of Public Health is counting on its $27 million share to prevent layoffs and program closures.

But the city’s Human Services Agency, which ought to be able to spend some $25 million in federal money to keep alive programs for the homeless and the needy, is refusing to include that revenue as part of its budget for next year. That’s a terrible mistake that will literally cost lives.

The money comes under the Federal Medical Assistance Percentage program, known as FMAP. When President Obama announced that the additional funding would be available to cities and states Feb. 23, he specifically stated that the cash should prevent a loss of services: "This plan will also help ensure that you don’t need to make cuts to essential services Americans rely on now more than ever," he told the nation’s governors at a press event.

Somehow, though, Mayor Gavin Newsom doesn’t see it that way. The Newsom administration seems to believe that since the money is a one-time grant, it shouldn’t be used to pay salaries and keep ongoing operations afloat. That has infuriated critics, like Sup. John Avalos, who chairs the Budget Committee. "I’d like to see us use the money to prevent cuts to human services," he told the Guardian. "I think maybe the Newsom people want to make cuts and eliminate service programs anyway, and this doesn’t fit their plan."

We’re talking about employment services, homeless supportive housing, the Tenderloin drop-in scenter, job training for homeless people, and more essential services. Obviously, the city is facing a spike in unemployment and homelessness — the last thing that makes financial or policy sense is to cut the programs that unemployed and homeless people rely on.

We understand the problems with one-time federal grants. Money like that is typically put toward one-time uses — setting up a new program that will have to find its own funding later, or building something, or funding a temporary position. Use one-year grants for regular operating expenses and you run into trouble when the money is gone.

But this is an emergency situation, and the money that Washington is handing out is designed specifically to prevent cuts to health and human services. The stimulus money is supposed to be spent, now — and saving jobs, programs, and lives by preventing further budget cuts is exactly the sort of thing Obama intended when he made the money available.

But this is the best Newsom’s press flak, Nathan Ballard, can offer: "The mayor has not decided yet how this additional revenue will be used to solve the city’s $575 million budget shortfall," Ballard wrote us, "and he and his staff will be working with the directors of the DPH and HSA throughout the course of this decision-making process."

Mayor Newsom ought to be doing two basic things right now: Looking for every dollar that’s on the table or can be grabbed from somewhere to prevent the worst of this year’s budget cuts, and convening meetings and putting together a proposal to fix the city’s long-term revenue problems. We suggested holding a special election this spring or summer to put some new tax measures before the voters, but Newsom opposed that idea — and it’s looking less and likely to happen. But there’s no way to pass a credible budget in this city without planning for, and counting on, some significant revenue package in November.

Newsom’s still acting as if this budget crisis is nothing much to worry about. It’s time he took it seriously.