Pot

Supervisors consider Western SoMa Plan, lots of new condos, and “the purple building”

Sasha Cuttler
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Supervisors consider Western SoMa Plan, lots of new condos, and “the purple building”

The fate of the “purple building” – which has become caught up in the clash between nightlife and residential interests on the clubgoer-saturated 300-block of 11th Street – remains undecided as the Western SoMa Community Plan heads into its first hearing before the Board of Supervisors Land Use and Economic Development Committee on Monday.

As we reported in this week’s paper, a unique citizen-based task force has spent the last eight years developing the plan, which will allow thousands of units of new housing – most of it along Folsom Street – to move forward once the plan gets final approval from the board. But the California Music & Culture Association and other nightlife advocates successfully amended the plan to ban new housing on that 11th Street block as the Planning Commission approved it in December.

Yet the commission also decided to grandfather in a 24-home project at 340 11th Street, the so-called purple building, which nightlife advocates say would put those new residents on a collision course with Slim’s, DNA Lounge, and other big nightclubs on that busy block. As we went to press, both sides and District 6 Sup. Jane Kim were all hopeful that a compromise was imminent, likely involving switching from residential to office.

But with just days to go before that hearing, building owner Tony Lo still hasn’t decided whether to make the change or fight it out in front of the supervisors. His architect John Goldman – whose residential design for the site was placed on hold by the city since shortly after he submitted it in 2005 – had hoped to hear by now but he’s still waiting for Lo to make the call.

“Based on my analysis, it looks feasible to change to offices if you want to do it, and I mean feasible financially and architecturally and planning-wise,” Goldman today told the Guardian, referring to what he told Lo.

Meanwhile, Western SoMa Task Force Chair Jim Meko – who has not been supportive of tweaking the plan after all the work he oversaw – yesterday sent out an email blast to stakeholders and supporters urging them to attend Monday’s hearing and show support for the plan.

“You don’t often get a chance to participate in making decisions about your own neighborhood from start to finish. Some special interest groups are expected to come out of the woodwork to take pot shots at the Plan so the hundreds of participants in this process need to make their voices heard. Your testimony at the hearing next week will make all the difference,” Meko wrote.

The hearing starts at 10am in board chambers in City Hall. This item might have been heard later in the day considering the agenda opens with a continuation of the controversial condo lottery bypass legislation, on which Board President David Chiu and others have been trying to forge a compromise between tenant advocates and homeowner groups. But committee Chair Scott Wiener just told us that item “will be continued. No compromise yet.”

On the Cheap Listings

Andrew Lam
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Submit items for the listings at listings@sfbg.com. For further information on how to submit items for listings, see Picks.

WEDNESDAY 13

“Art, Money Politics: Making it as an Artist” Pro Arts, 150 Frank H. Ogawa Plaza, Oakl. www.proartsgallery.org. 6pm, free. Supporting yourself as an artist can be hard. Head over to this panel discussion and get some advice from digital artist Camille Utterback, multimedia artist and designer Favianna Rodriguez, and muralist Eduardo Pineda. They’ll share tips on how to make a living in a creative field, bring your hope, dreams, and of course, questions.

“Waypost: Unconventional Travel Stories” Stanza Coffee Bar, 3126 16th St., SF. www.meetup.com/traveltalks. 7-8:30pm, free. A blacked-out Vegas weekend can be a good time but if you’re looking to go somewhere that stimulates a… different side of your spirit on your next vacation you might find the inspiration you’ve been looking for at this series of storytellers reflecting on the meaningful swirls of journeys they’ve taken. If you can’t make it to the event in person, no sweat — you can still participate via Google Hangout.

THURSDAY 14

One Billion Rising performance ritual Presbyterian Church, 2619 Broadway, Oakl. www.bayarearising.org. 7-8:30pm, $10-100 donation suggested. Free for youth under 17. Dedicate your Valentine’s Day to a good cause this year at this fundraiser for International Development Exchange (IDEX), an organization working to empower impoverished women across the globe. The evening will be a mix of spirituality, politics, and performances (flash mob, anyone?) from local groups such as Youth Speaks and Mission Dance Brigade.

Dogpatch Wine Works date night Dogpatch Wine Works, 2455 Third St., SF. www.dogpatchwineworks.com. 6-8pm, $40. Few things spell out romance quite like wine and chocolate. Stroll around Dogpatch Wine Works’ tasting room sipping on some vino and snacking on locally-crafted Recchiuti chocolate. After your palette is satisfied you can tour the 15,000-square foot working winery.

“Returning Cupid’s Fire” Cartoon Art Museum, 655 Mission, SF. www.cartoonart.org. 7-9pm, $10. Valentine-less and planning on having a night in with Ben and Jerry? Change of plans. San Francisco comedians Ivan Hernandez, Colleen Watson, and Mike Capozzola feel your pain and will be performing anti-Valentine’s Day themed stand-up routines tonight. Refreshments will be served.

Tout Sweet Pâtisserie tasting Tout Sweet Pâtisserie in Macy’s Union Square, 170 O’Farrell, third floor, SF. (415) 385-1679, www.toutsweetsf.com. 7-8:30pm, $55 per person. Reservations recommended. Yigit Pura, chef and owner of this sweet shop, is celebrating V-Day with a three-course dessert menu featuring a rotating selection of seasonal offerings, each paired with local artisanal wine and beer. If you already have some sweet Valentine’s Day plans don’t fret, Pura has more tastings scheduled for March 14 and April 11.

Hella Vegan Eats V-Day pop-up dinner Dear Mom, 2700 16th St., SF. www.dearmomsf.com. 5pm-midnight, free. The Oakland–based traveling food vendor will be in the city to once again take over Mission bar Dear Mom. We are hoping their doughnut burger with secret sauce will be on tonight’s menu <3 <3

Valentine’s Day at the Armory The Armory, 1800 Mission, SF. tickets.armorystudios.com. 7:30 and 9:30, $55. Start the evening off on the upper floor of the Kink.com porn palace, then head to a workshop led by porn starlet Rain DeGrey that focuses on teaching couples how to make fantasies reality. Afterward, enjoy specialty cocktails and aphrodisiac-themed appetizers at the luxe Armory Club across the street.

FRIDAY 15

SFIndieFest Roller Disco Party Women’s Building, 3543 18th St., SF. www.sfindie.com. 8pm-midnight, $10. Grab your striped socks and short-shorts because the ’70s are back tonight at this fundraiser for film festival organization SF IndieFest. If your skating skills are rusty, don’t sweat. Prizes will be awarded for best costumes, not for slickest moves.

46th California International Antiquarian Book Fair Concourse Exhibition Center, 635 Eighth St., SF. www.sfbookfair.com. Through February 17. 3-8pm, $25 for a weekend pass, $15 for a Saturday and Sunday pass. The world’s largest rare book fair returns to San Francisco this weekend. You will find one-of-a-kind pieces such as sketches by John Lennon, the first edition of the Federalist Papers, and a Mark Twain autographed manuscript. Before you try to snatch up a John Lennon original, be warned — treasures as fine as these can cost you a pretty penny (up to $362,000 to be exact).

SATURDAY 16

“Opera on Tap” Café Royale, 800 Post, SF. www.caferoyale-sf.com. 8pm, free. Nonprofit organization Opera on Tap wants to prove that opera can be awesome — and not just for those who can afford the cushiony box seats. In Café Royale’s intimate and relaxed space, this group will bust out some popular and some more esoteric pieces for an all-new kind of operatic experience.

Family Lunar New Year Celebration San Francisco Botanical Garden, SF. www.sfbotanicalgarden.org. 9-11:30am, free. In celebration of the Year of the Snake and the abundance of magnolias blooming in the gardens, lion and folk dancers will be performing today. While watching the SF Sunset Recreation Center Dance Troupe bust some moves you can pot a plant or make lanterns using magnolia petals.

SUNDAY 17

Urban bicycling workshop San Francisco Jewish Community Center, 3200 California, SF. www.sfbike.org. 10am-2pm, free. RSVP required. The San Francisco Bike Collation wants you to bike and bike safe — which is why it offers a range of course on everything from urban cycling to how to bike safely with your family. Today’s topic: traffic 101. Beginners welcome, and participants don’t need to bring a bike (though one may be helpful after the class when it comes to putting your newfound knowledge into action.)

TUESDAY 19

Literary salon with Rosie Schaap and Robin Ekiss Tosca Café, 242 Columbus, SF. www.toscacafesf.com. 7-8pm, $5-10 donation suggested. In Rosie Schaap’s memoir Drinking with Men she shares her unending quest for the perfect local haunt, which took her everywhere from LA to Dublin to Manhattan. Robin Ekiss writes the “Drink” column for the NY Times, and is the founder of the Ladies Liquor Union, the first fully female intemperance league for ladies who love books and booze. If you too consider yourself a cocktail connoisseur with a literary edge, head over Tosca Café to hear what the two have to say at this Litquake event.

 

Pot hearing cancelled — but why?

Zelda Bronstein
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Pot hearing cancelled — but why?

The state Senate Business, Professions, and Economic Development Committee was slated to hold a hearing Feb. 11 on Assemblymember Tom Ammiano’s efforts to create a regulatory framework for medical marijuana. That’s a fairly common practice when a new set of professional regulations is proposed; it’s called a “sunrise” hearing, and the idea is to get all the players in the room and see what kinds of concerns they have. A bill Ammiano introduced last year, AB 2312, would have put the authority to set state regs under the Department of Consumer Affairs; it died in the state Senate, but it will come back in some form or another.

So the committee chair, Sen. Curren D. Price, a Los Angeles Democrat, set the hearing, and committee staff went about rounding up witnesses — and then five days before the gavel dropped, the whole thing was called off.

What happened? Couple of things.

For starters, the office of Gov. Jerry Brown officially doesn’t like marijuana. And the DCA is part of the governor’s office. And the attorney general, Kamala Harris, has been awfully careful about getting into the medical marijuana fray. And the feds — or at least, the US attorney for Northern California — officially hates anything to do with the devil weed.

And all of those people should have been part of the regulatory discussion, except that somehow, they couldn’t quite make it to the hearing. “We had difficulty getting representatives of the administration and the attorney general to come,” Committee Consultant G. V. Ayers told me.

Then there’s the fact that Price is running for Los Angeles City Council (funny — in San Francisco, the supervisors want to be in the state Legislature. In LA, the state legislators want to be on the City Council. Possibly because there are no term limits, and there’s a huge city budget). And the election is in March. And anything Price (who has supported medical marijuana in the past) said or did that suggested he loves loco weed might get slung at him in the waning days of a long, expensive campaign.

So in 2013, everyone’s still afraid of pot. “What’s up with marijuana?” Ammiano asked me. “You can’t even have a hearing?”

Apparently not.

Feds continue war on California’s medical marijuana industry

Sasha Cuttler
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Feds continue war on California’s medical marijuana industry

San Francisco medical marijuana dispensaries may be bouncing back from last year’s crackdown by the federal government, but the industry statewide continues to be besieged by the federal authorities, winning some battles but losing others.

Oakland-based Harborside Health Center, the nation’s largest not-for-profit model medical cannabis dispensary, experienced a big victory last month when a judge refused a federal motion for injunctive relief that would have shut down the club and enforce a forfeiture action and a 30-day notice to evacuate that the feds filed in July 2012.  

The City of Oakland decided to file its own motion against the U.S. attorneys, banks, and landlords that were all trying to evict Harborside, one of the top two tax-payers in Oakland, a first for city to officially back one of its clubs against the feds. But the judge also denied a city motion to dismiss the case, so it continues to work its way toward trial.

Hopes that the November votes in Washington and Colorado to legalize even recreational weed smoking would cause the feds to back off in California haven’t materialized. Aaron Sandusky, a dispensary operator from Southern California, was sentenced to 10 years of federal prison last month for conspiracy and possession with the intent to distribute marijuana. The feds claim the charges were so high because he had upwards of 1,000 plants.

Stockton resident Matthew Davies owned various dispensaries (keepmattfree.org), but they were shuttered after the feds, which charged him with two counts of manufacturing marijuana. U.S. Attorney Benjamin Wagner is offering Davies a plea bargain for a minimum of five years, and threatening 10 years in prison if he doesn’t comply. A recent Politco article makes the point that this case probably won’t be the one to turn over federal law, as it is unclear whether Davies was in compliance with California state law on marijuana.

These harsh examples are just a couple of dozens of dispensaries being shut down across the state. Just last month, in a case filed by Americans for Safe Access, the U.S. Court of Appeals in Washington DC ruled that marijuana has no proven medical value and should still classified as a Schedule I substance. ASA plans to appeal the ruling, hoping the US Supreme Court will take up the issue.

People across the country are signing online petitions and vocalizing their opposition to the contradictory stance on the legality of pot. Joining in on this public debate, Morgan Spurlock, director and star of Supersize Me, is the host of a new CNN documentary series, “Inside Man”, in which Spurlock investigates various issues in American life. In one episode, Spurlock focuses on the state of medical marijuana in California, and the ongoing struggle between federal and state lawmakers. He will feature both the Harborside and the Davies case.

For now, marijuana advocates are waiting on the court decisions on these various cases and if they will affect changes regarding the federal law. The City of Oakland had a hearing last week but no ruling was made. Harborside will continue to remain open and serving patients until its case goes to trial, a date that is uncertain at the moment.

 

A shot of warmth

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A shot of warmth

virginia@sfbg.com

APPETITE Let’s be clear: the Bon Vivants crew’s newly opened Trick Dog in the Mission — featuring a cocktail menu modeled after a Pantone swatch book — is the hot food and drink destination of the moment (see my early review on the Pixel Vision blog at SFBG.com). But slipping at the bar at these three restaurants, ranging from elegant to festive, offers some of SF’s best cocktails with incredible bites on a long winter’s eve.

 

RICH TABLE

It’s impossible to get a reservation at Rich Table, one of the most buzzed about restaurants in the country right now, but I find seats at the bar open up often on a Monday, and arriving when they open at 5:30pm is ideal.

With new bar manager Jason “Buffalo” LoGrasso (from Quince and Cotogna), already lovely cocktails expand from four-five offerings to seven on the regular and four on the dessert menu. After tasting every LoGrasso cocktail ($10), I’m in love with the Carnegie Martini. Inspiration is genius — a pastrami sandwich from Carnegie Deli, where my Dad took me for my first reuben as a teenager. LoGrasso combines elements of the ultimate sandwich into a clean, refreshing whole. Wisely using St. George’s Dry Rye Gin as a base, caraway comes in the form of Combier’s Doppelt Kummel Extra liqueur, an aromatic caraway liqueur redolent of cumin. LoGrasso adds drops of mustard oil and a pickle.

Other heights include a lively Shivered Timbers, red with pomegranate touched by ginger and cinnamon, evoking rhum agricole but using Smith & Cross Pot Still Rum. Top aperitif? Figaro Chain — bright, stimulating Swan’s Neck vodka, Averna, lemon, and ginger. Dessert cocktails shine, too. Rich Coffee is a harmonious blend of Fernet, Sightglass coffee, and pistachio cream. Carthusian Hot Cocoa sings with chocolate, Green Chartreuse, mint, and pineapple marshmallow.

Eat with: doughy, savory doughnuts ($7) topped with shaved dried porcini, the clincher being thick raclette dipping sauce. Amuse bouche “Dirty Hippie” elevates granola to gourmet with cool buttermilk panna cotta doused in pumpkin seeds, sprouts, and spices. Divine tajarin ($27) egg noodles (a Piedmont pasta style) in house cultured butter under shaved Perigord black truffles dissolve in the mouth. Sigh.

199 Gough, SF. (415) 355-9085, www.richtablesf.com

 

MICHAEL MINA

Carlo Splendorini has crafted some of the most elegant, balanced cocktails anywhere. In my travels sampling cocktails the world over, it’s rare to experience the precision and finesse Splendorini brings to drinks ($11-14). Prime example: the way barrel-aged Bols Genever and Beefeater Gin seamlessly weave with pine-y notes of Clear Creek Douglas Fir eau de vie, the earthiness of sencha green tea, brightened by tart yuzu, lemon, and grapefruit foam. This combination could easily go wrong, but it’s exquisitely layered. Similarly, Yamazaki 12-year Japanese whiskey, chamomile tea, and a spoonful of Yellow Chartreuse over a shiso leaf dramatically cast against a giant ice cube in a wine glass make a striking sipper.

Eat with: oysters brilliantly accented by drink sauces (Pimm’s Cup, Elderflower Fizz, Bloody Mary) instead of the usual mignonette, or a meaty Monterey bay abalone ($21) grilled over shiitakes, tokyo turnips, mirin-scented rice in a miso broth. A more affordable bar bite: Mina’s signature ahi tuna tartare starter ($19) doused in ancho chile, sesame oil, and mint is $10 during happy hour.

252 California St., SF. (415) 397-9222, www.michaelmina.net

 

HOG & ROCKS

With new chef Robin Song (formerly of Haven and Plum) on board, there are elevated touches to Hog & Rocks’ ever-approachable food, like a special of perch crudo ($14), delicate with nasturtium, puffed rice, minced Manila clams, and blood orange. This suits bar manager Michael Lazar’s robust yet refined cocktails just fine. Chef Song’s amuse bouche of buckwheat gougeres topped with warm, salty lardo is divine with Lazar’s Miller’s Meyer ($11), a vivid winter cocktail of Martin Miller’s Gin, Meyer lemon syrup, and herbaceous Elisir M.P. Roux liqueur lending whispers of anise, verbena, and lavender. My drink of choice is house Willett bourbon, a bracing 130 proof but cut with water. Rye spice and sweet corn notes meld perfectly in Lazar’s Old Fashioned with orange and Angostura bitters.

A refreshing Cider Press Buck ($11) showcases one of the most edible garnishes around: a spiced Arkansas black apple (preserved via Cryovac). This delicious garnish evolves with the seasons, atop Old Fitzgerald bourbon, lime, ginger, and Wandering Aengus dry pear cider, confirming the current cider craze. The Buck pairs with H&R’s always pleasurable ham platters ($16), now with Monte Nevado Jamon Serrano from Spain, Greci and Foizani Proscuitto from Italy, and a stunningly smoky ham exemplifying all I love best in Southern hams, Edwards Surryano from Virginia.

3431 19th St., SF. (415) 550-8627, www.hogandrocks.com

Subscribe to Virgina’s twice-monthly newsletter The Perfect Spot, www.theperfectspotsf.com

 

Appetite: New year sips

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Appetite: New year sips

Ringing in the new year is all about celebratory imbibing, but the sometimes dreary days of January likewise call for a cheering pour. It’s a month of planning towards a new year, reaching out for fresh horizons… good reasons to have something quality in the glass, whatever the category. Here are a few worthy bottles, from sake, wine, whisky, even cocktail bitters.

BITTERS

Medicinal and mixable, the glut of bitters released the last few years has all but assured oversaturation. But Brooklyn Hemispherical Bitters ($21 per bottle) stands out. Made in Brooklyn, the focus is on seasonal flavors like popular Meyer lemon, rhubarb or Sriracha. Heat radiates from their savory-sweet blackberry mole or spicy charred pineapple bitters, or a brisk, bitter chill from Icelandic bitters. These are some of the more inventive, elegant bitters on the market. 

A couple additional stand-out bitter flavors: The Bitter End’s vibrant curry bitters ($24) made in Sante Fe and put to perfect use by  Mike Ryan at Sable Kitchen and Bar in Chicago in his Short Circuit cocktail with cachaca, manzanilla sherry and Kalani coconut liqueur. From Canada, Bittered Sling’s plum root beer evokes a sweet sarsaparilla.

WHISKEY

Nikka Whiskey is blessedly and finally distributed in the US through San Francisco’s Anchor Distilling, just releasing two new Nikka imports – hopefully many more to come. My favorite of the two, Yoichi Single Malt ($129), is a splurge-worthy, 15 year old whisky distilled on the island of Hokkaido from pot stills heated with finely powdered natural coal, a rare traditional method. Though more akin to a Highland-style Scotch, it nods to Islay with a hint of peat alongside a balanced brightness. On the more affordable side is Taketsuru Pure Malt ($69.99): a 12 year pure malt whisky blended in vats from Yoichi and Miyagikyo distilleries. The mountain air and river water humidity of the northern Honshu region where Miyagikyo is produced adds silky, ripe pear dimensions.

This November’s Single Malt and Scotch Whisky Extravaganza in San Francisco (held in 13 major markets), offered tastings of expected Scotches. A few special drams were the fabulous Scotch Malt Whisky Society‘s 8 year Ardbeg Cask No. 33.113, a salty, smoky Scotch young with exotic fruit. The Single Malts’ Auchriosk 20 year Scotch exhibits tropical vividness, though a classic beauty. It was a joy to taste The Balvenie Tun 1401/Batch #6, the youngest whisky in its blend being over 20 yrs old. This rarity expresses layers of fruit, vanilla and spice, lively despite age.

SAKE

Sake produced in a town outside Portland? SakeOne is a range of affordable sakes (those mentioned below $13-15)  made from rice grown nearby in Sacramento, CA. There’s Momokawa organic sakes, like a clean Junmai Ginjo or creamy Pearl Sake redolent of banana and coconut, or the smooth, balanced G Joy Sake.

SANGRIA

Despite low quality bottled sangria you may have tried before, Eppa (found at Bay Area Whole Foods and numerous shops across the country, $12 a bottle) is a refreshing mix of pomegranate, acai, blueberry and blood orange juices with Mendocino Cabernet and Syrah. Trying it chilled over fresh cut fruit this holiday season with family, it tastes homemade,  lush and dark, not too sweet, but just right.

INDY SPIRITS

It was the best year yet at the San Francisco Indy Spirits Expo http://www.indyspiritsexpo.com/ this November. A number of newcomers merely await West Coast distribution but are available online. With a slew of “craft” tonics released lately, each using real cinchona bark (quinine) without the natural color removed, Tomr’s Tonic is one of the better I’ve tasted. 100% organic and made in New Jersey, Tom Richter’s lively tonic combines citrus, herbs, cane sugar, with cinchona. The tonic mixes beautifully with a number of gins I sampled it with at home.

Fabrizia Limoncello is produced in New Hampshire with California and South American citrus by two Italian-American brothers. Balanced, fresh, tart (unlike their sweet Blood Orange liqueur), this limoncello is a step up from most. SW4 London Dry Gin, produced in the Clapham neighborhood of London and imported through Luxe Vintages in Florida, is a smooth, solid gin made from 12 botanicals, including lemon peel and cassia.

WINE

Craving the sparkling especially at this time of year? Two great value bottles ($15 each) are Nino Franco’s Rustico Prosecco, dry yet lively, clean and tight, and Coppo’s Moscato d’Asti  from Piedmont, Italy, its vivd effervescence cutting through intense sweetness, vibrant with brunch or spicy food. For after-dinner dessert wine, Donnafugata’s “Ben Rye” ($45 for half bottle) from Sicily, gives off a rich, raisin-like hue in the glass, made of Zibibbo grapes from the island of Pantelleria. To taste it’s lushly elegant, with a balanced sweetness and nuttiness.

At an industry tasting this fall with Sommelier David Lynch at his restaurant St. Vincent, we explored wines of the fascinating, warm-weather Consorzio Tutela Morellino Di Scansano region of southernmost Tuscany (established as a D.O.C.G. in 2007). I learned the region requires its wines be made with a minimum of 85% Sangiovese grapes. A 2010 Tenuta Pietramora di Collefagiano stood out, unusual at 100% Sangiovese. Its pleasantly funky nose gave way to cherry, even chocolate/earthy notes, balanced by soft acidity.
 
Subscribe to Virgina’s twice-monthly newsletter, The Perfect Spot, www.theperfectspotsf.com

 

Going down

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le.chicken.farmer@gmail.com

CHEAP EATS As we were walking to the car we decided: it was not only the best pozole, it was the best thing either of us had ever ate. I should have gone back and told her so, but when we’d left Sal the Pork Chop’s penthouse sweet it was almost midnight and she was in her pajamas. She’d already fallen asleep in the middle of the season premier of “Downton Abbey,” and we’d had to clear our throats and knock on her head after, just to say goodbye. It was a knockout pozole, really and truly.

I love my Secret Agent Lady for a lot of reasons, and now this: We were halfway down the hall when she called us back. “I forgot to give you the leftovers,” she said.

I pinched myself. Hedgehog swooned.

“Steady,” I whispered, hooking her arm and holding on while our hostess and best friend ever was filling up a yogurt container. “We don’t need two faller-overs in the fambly.”

Sal the Pork Chop, everybody . . . New. Favorite. Person. Ever. And (not entirely coincidentally) maker of the pozole that changes everything.

True, she is not technically a restaurant. But then, I am not exactly all-the-way not on strike, either. I mean, agreement was reached, I am thrilled to say, over salt-and-pepper prawns and clay pot chicken at my new favorite restaurant in Chinatown.

Agreement = check’s in the mail. It is not, however, in my hands. So let’s just say that relatively real restaurant reviews are in the mail . . . and keep talking about Sal the Pork Chop’s pozole.

Or let’s hear from Hedgehog first: Dear Sir or Madam or etc. etc.:

Youse’re going to miss me when I’m gone. Like, by the time you read this, you will already be missing me. The long strike of twelve dash thirteen will be over! And right on time, too. I just contacted the accountant, in preparation for the annual clenching of the jaw and wrenching of the wallet and found out that, due to our domesticational partnership status, and additionally due to our residing in the state of happy cows, I get half of what Chicken Farmer doesn’t make, whether I write half of her column or not. It’s called “community property.”

Meaning, conversely, that she communally appropriates half of what I make, as well. I’m trying to train her to become an Emmy-winning sound editor, but I suspect she won’t be kicking in as much labor on my job as I have been on her’s when the time comes so … so long, suckas. It’s been swell, but the swelling’s gone down now.

Most sincerely, etc. etc.,

Hedgehog

P.S. VIVA LA EL CHEAPO SPORTOS!

Yeah but mine has not! Swelling, that is, and gone down, that is, respectively. We decided we liked my face better like this, and I did not let the nose doctor “set” my nose. He showed me how to rub it so the swelling would go down, but I don’t.

I just …

So the pozole: she made it mostly in a blender, she said. The saucy part, which had about eighty cloves of garlic in it and I forget what she said else. This she then fried in a pan, as I understand it, and that she poured into some chicken broth and other things, in which were then simmered legs and thighs until heaven happened, and was garnished at the table with cilantro, radish, cabbage, avocado, and a squeeze of lime.

There. Now you know how to make, more or less, the best thing I ever ate. But I forgot to mention she roasted some poblanos in her broiler and then threw them in at the end. Christ, I wish I’d been paying better attention.

It was my first meal back from the three-day dead I was in. My second was the melty juicy crunchy salt-and-pepper prawns I savored with jalapeno slices in the company of my favorite living Bee Gee, at a big round table in the small, square second-floor Chinatown Cheap Eats gem:

HONG KONG CLAY POT CITY RESTAURANT

Lunch: Thu-Tue 11am-3pm; Dinner: Thu-Sun 5-9pm; Closed Wed

960 Grant Ave., SF

(415) 989-2638

MC/V

Beer & wine

Banchan, ramen, and squid innards

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Banchan, ramen, and squid innards

virginia@sfbg.com

APPETITE Authentic Asian cuisine of every category is one of California and the Bay Area’s strengths, with constant new openings, including Richmond’s mellow Daigo Sushi (www.daigosushi.com) and Szechuan outpost Chili House (www.chilihousesf.com). These three spots stand out for one (or a few) reasons.

 

MUGUBOKA

Passing Muguboka many a time over the years, I meant to visit but never did until recently. What I found: a humble, all-day respite serving an impressive array of free and abundant banchan (mini-dishes accompanying a Korean meal), like myeolchi bokkeum (crispy mini-anchovies), and bottomless tea — making even upper teens-priced entrees a deal. Dining alone, I attempted to finish the banchan… and fail.

There’s a plentiful selection of soups and stews featuring tofu or Korean sausage, and dishes like go dung uh gui (broiled salted mackerel), or hae-mool pajeon, those ever-fabulous seafood and green onion Korean pancakes. I finished with a complimentary, cool pour of sujeonggwa, a sweet Korean punch alive with cinnamon, ginger, peppercorns, and dried persimmon.

Best dish: Muguboka serves a mean hae-mool (seafood) dolsot (stone pot) bibimbop ($16.95), the scorching stone pot arrives with sizzling rice, egg, squid, shrimp, mussels, and veggies, with nori on top. Best suited for: A mellow setting with copious amounts of Korean food. Expect two meals for the price of one.

401 Balboa, (415) 668-6007

 

RAMEN SHOP

Here’s my early word on Rockridge hotspot Ramen Shop, opened at the beginning of the year and packed since day one with long waits (no reservations). A short, ever-changing menu offers three types of ramen, one dessert, and a handful of appetizers so it’s possible to try the entire menu in one visit.

Chez Panisse alums Sam White, Jerry Jaksich and Rayneil De Guzman already have a hit on their hands, if crowds are any indication. Although early online comments have been trending towards the “frustrated to spend $16 on a bowl of ramen” kind, this is quality ramen — house-made noodles, salt-cured eggs, ultra-fresh ingredients. Meyer lemon infuses shoyu ramen ($15) with bright dimension, while spit-roasted chashu (literally pork roast, often known as char siu) adds heft to particularly flavorful spicy miso ramen ($15).

But my favorites aren’t of the ramen variety. Meyer lemon shows up again in a unique kimchi of house-pickled Napa cabbage ($5) to winning effect, a spirited contrast to chili. Then, wild nettle fried rice steals the show (see “best dish” below). Another surprising winner? Liquor. It’s a rarity to see cocktails with ramen. Straightforward, refreshing mezcal, and rye-based punches ($10) make fine ramen companions, as does a classic hi-ball ($12) of Hibiki 12-year Japanese whiskey with soda. A nutty-tasting black sesame ice cream sandwich ($5) with brown sugar cookies is the right finish.

Best dish: Easy… wild nettle fried rice ($9) interlaced with Monterey Bay squid and Llano Seco pork is as comforting as it is gourmet. Best suited for: The joyous convergence of ramen and Japanese whiskey — and for those with time on their hands.

5812 College Ave., Oakl. (510) 788-6370, www.ramenshop.com

 

ROKU

Since JapaCurry’s Jay Hamada opened Roku in October at the busy Market and Octavia intersection, it’s been imilarly bustling inside. Groups of friends down Japanese beer and fried chicken in the form of karaage ($7) or chicken nan ban ($8), the latter a specialty of Kyushu, Hamada’s Southern Japanese hometown island. Unframed vintage Japanese posters hanging on wood walls impart a warm atmosphere, as do hearty house-made noodles and dishes like mochi bacon yakitori.

During opening weeks, I went straight for dishes I’ve never tried, including shio-kara ($4): room temperature, fermented squid swimming in its own innards. Salty and gummy, it is, as the menu states,”an acquired taste.” Likewise, hotate butter ($12) topped with vivid orange tobiko (fish roe) is unexpected. Scallops are sautéed in butter, but unlike most of our Westernized experiences with the succulent bivalve, the stomach and membrane skirt are left around the scallop flesh. Call it umami, call it funky, the taste is more accurately both. Look elsewhere for better well-known izakaya favorites — Roku’s rare dishes with bold flavor make it interesting.

Best dish: a surprisingly good seafood salad ($13) in an izakaya, laden with red king crab and smoked salmon, tobiko, boiled eggs, yellow bell pepper, and tomatoes over romaine, bright in a yuzu wasabi dressing. Best suited for: The hardcore who want authentic dishes they won’t find on typical menus. Also for groups of friends.

1819 Market, SF. (415) 861-6500, www.rokusf.com

Subscribe to Virgina’s twice-monthly newsletter, The Perfect Spot, www.theperfectspotsf.com

 

Music Listings

Andrew Lam
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Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 16

ROCK/BLUES/HIP-HOP

Blues Organ Party with Big Bones and Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Gunshy Johnny Foley’s. 9pm, free.

Lee Huff vs Nathan Temby Johnny Foley’s Dueling Pianos. 9pm, free.

Michael Hurley, Cass McCombs, Jessica Pratt Great American Music Hall. 8pm, $15.

Jerry Joseph, Shelley Doty, Fred Torphy, Marc Friedman Brick and Mortar Music Hall. 8pm, free.

Keith Crossan Blues Showcase with Terry Hanck Biscuits and Blues. 11:30pm, $15.

Parquet Courts Hemlock Tavern. 8:30pm, $8.

Paulie Rhyme, Sweet Hayah, Aisha Fukushima, Bottom Hammer Elbo Room. 9pm, $7.

Todd Sickafoose’s Tiny Resistors, Erik Deutsch Band, Adam Levy Cafe Du Nord. 8pm, $10-$12.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Latin Jazz All-Stars feat. Steve Turre, Chembo Corniel, Arturo O’Farrill, Nestor Torres Yoshi’s SF. 8pm, $25.

Reuben Rye Rite Spot. 9pm, free.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Timba Dance Party Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 10pm, $5. Timba and salsa cubana with DJ Walt Diggz.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free. With Vinyl Ambassador, DJ Silverback, DJs Green B and Daneekah.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm. With DJ Mark Divita.

THURSDAY 17

ROCK/BLUES/HIP-HOP.

Adios Amigo, City Tribe, Ghost Tiger Cafe Du Nord. 9pm, $10.

Big Tree, Strange Vine, Bonnie and the Bang Bang, Owl Paws Bottom of the Hill. 8:30pm, $10. "Songs for Sandy: Hurricane Relief Show."

Broadway Calls, Silver Snakes, Civil War Rust Thee Parkside. 9pm, $10.

Eskmo Independent. 9pm, $20.

Hammond Organ Soulful Blues Party with Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

John Lawton Trio Johnny Foley’s. 9pm, free.

Knocks, Gemini Club, popscene DJs Rickshaw Stop. 9:30pm, $13-$15.

Mark Matos and Os Beaches, Van Allen Belt, Sasha Bell, Crushed Out, DJ Neil Martinson Brick and Mortar Music Hall. 9pm, $6-$10.

Run Amok, Parae, Scarlet Stoic Sub-Mission. 8:15pm, $8.

Eric Sardinas Biscuits and Blues. 8 and 10pm, $20.

Nathan Temby vs Lee Huff Johnny Foley’s Dueling Pianos. 9pm, free.

Trampled By Turtles Fillmore. 8pm, $25.

JAZZ/NEW MUSIC

Latin Jazz All-Stars feat. Steve Turre, Chembo Corniel, Arturo O’Farrill, Nestor Torres Yoshi’s SF. 8pm, $25.

Midnight Flyte Rite Spot. 9pm, free.

SF Jazz Hotplate Series Amnesia. 9pm.

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Get Down Boys Atlas Cafe, 3049 20 St, SF; www.atlascafe.net. 8-10pm.

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-$7. With DJ-host Pleasuremaker and Senor Oz spin Afrobeat, Tropicália, electro, samba, and funk.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Base: Pan-Pot, Alex Sibley Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $10.

Ritual Dubstep Temple. 10pm-3am, $5. Trap and bass.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 18

ROCK/BLUES/HIP-HOP

Asesino, Verbal Abuse, Embryonic Devourment, Psychosomatic DNA Lounge. 7pm, $16.

Back Pages Johnny Foley’s. 9pm, free.

"Bands4Bands Showcase" Slim’s. 8pm, $13. With Kaos, Potential Threat, Mystic Rage, Star Destroyer.

Black Cobra, Glitter Wizard, Lecherous Gaze Brick and Mortar Music Hall. 9pm, $10-$13.

Jake Bugg, Valerie June, popscene DJs Rickshaw Stop. 9pm, $15-$17.

Commissure, Let Fall the Sprarrow, Skyscraper Mori Hemlock Tavern. 9:30pm, $7.

Fidlar Amoeba Music, 1855 Haight, SF; www.amoeba.com. 6pm, free.

Fidlar, Pangea, Meat Market Bottom of the Hill. 9pm, $10.

Hammond Organ Soul Blues Party Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Lee Huff, Jeff V., Rags Tuttle Johnny Foley’s Dueling Pianos. 9pm, free.

Native Elements, Jah Yzer Elbo Room. 10pm, $10.

Johnny Rawls Biscuits and Blues. 8 and 10pm, $20.

Ty Segall Fillmore. 9pm, $22.50.

Tell River, Anju’s Pale Blue Eyes, Hang Jones, Gayle Lynn and the Hired Hands Cafe Du Nord. 9pm, $8.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9Pm, $10.

George Duke Yoshi’s SF. 8pm, $32; 10pm, $24.

Lee Vilenski Rite Spot. 9pm, free.

FOLK/WORLD/COUNTRY

Alex Pinto Trio Red Poppy Art House. 8pm, $8.

Queer Cumbia Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 8pm, $3-$7. Musica tropical, cumbia, merengue.

DANCE CLUBS

DJ What’s His Fuck Riptide Tavern. 9pm, free.

Hella Tight Amnesia. 10pm, $5.

Sebastien Drums, Justin Milla Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

"Save KUSF Benefit" Bender’s, 806 S. Van Ness, SF; www.bendersbar.com. 9pm, $5. With KUSF in Exile DJs Zoe, Stoo Odom, Brian Springer.

SATURDAY 19

ROCK/BLUES/HIP-HOP

Chris A., Jeff V., Lee Huff Johnny Foley’s Dueling Pianos. 9pm, free.

Bay Area Heat Johnny Foley’s. 9pm, free.

Buttercream Gang, Youth of the Beast, Apopka, Darkroom Thee Parkside. 9pm, $7.

Hammond Organ Soul Blues Party Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Kowloon Walled City Hemlock Tavern. 9:30pm, $7.

Femi Kuti and the Positive Force Fillmore. 9pm, $35.

London Souls, Major Powers and the Lo-Fi Symphony, Wake Up Lucid Bottom of the Hill. 9:30pm, $12.

Maria Muldaur Biscuits and Blues. 8 and 10pm, $20.

Mustache Harbor Slim’s. 9pm, $20.

Paperplanes Riptide Tavern. 9:30pm, free.

Pinback, Judgement Day Bimbo’s. 9pm, $25.

Trails and Ways, Tremor Low, My Satellite Cafe Du Nord. 9pm, $10.

Turtle Rising Thee Parkside. 3pm, free.

Wayne Wonder, Joshua, Selecta Dans-One, DJ Rob Roots Brick and Mortar Music Hall. 9pm, $20-$25.

Yo La Tengo Amoeba Music, 1855 Haight, SF; www.amoeba.com. 3pm, free.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

George Duke Yoshi’s SF. 8 and 10pm, $32.

Project Pimento Rite Spot. 9pm, free.

FOLK/WORLD/COUNTRY

Steph Macpherson Brainwash Cafe. 8pm.

Razteria a.k.a Renee Asteria Neck of the Woods. 9pm, $10-$15.

Craig Ventresco and Meredith Axelrod Atlas Cafe, 3049 20 St, SF; www.atlascafe.net. 4-6pm.

DANCE CLUBS

Bootie SF: SF vs LA vs NYC DNA Lounge. 9pm, $10-$15. With Mykill, Faroff, Billy Jam, and more.

Fringe Madrone Art Bar. 9pm, $5. Indie music video dance party with DJ Blondie K and subOctave.

Oakland Faders dance party Rickshaw Stop. 9pm, $5.

OK Hole Amnesia. 9pm.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Radio Franco Bissap, 3372 19th St, SF; (415) 826 9287. 6 pm. Rock, Chanson Francaise, Blues. Senegalese food and live music.

Scotty Boy Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Saturday Night Soul Party Elbo Room. 10pm, $5-$10. With DJs Lucky, Paul Paul, Phengren Oswald.

Smiths Party Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, $5. Sounds of the Smiths, Morrissey, the Cure, and New Order.

Wild Nights Kok BarSF, 1225 Folsom, SF; www.kokbarsf.com. 9pm, $3. With DJ Frank Wild.

SUNDAY 20

ROCK/BLUES/HIP-HOP

Beso Negro, Sage, Steakhouse Cafe Du Nord. 8:30pm, $10.

Down, Warbeast Regency Ballroom. 8pm, $25.

Easway, King Pin, Ellie Cope Slim’s. 8pm, $15.

Giggle Party, Bella Novela, Spider Heart Bottom of the Hill. 9pm, $8.

Hammond Organ Blues Party with Lavay Smith and Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

John Lawton Trio Johnny Foley’s. 9pm, free.

Harvey Mandel and the Snake Crew Biscuits and Blues. 7 and 9pm, $20.

Mike Giant and DJ Dougernaut Hemlock Tavern. 10pm, free.

JAZZ/NEW MUSIC

Collaboration feat. Dee Lucas, Joel Del Rosario, Sure Will Yoshi’s SF. 8pm, $32; 10pm, $24.

Linda Kosut, Benn Bacot Bliss Bar, 4026 24 St. SF; www.blissbarsf.com. 7pm, $22.

FOLK/WORLD/COUNTRY

Brazil and Beyond with Sandy Cressman Trio Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 6:30pm, free.

Paula Frazer, Rusty Miller, New Family Band Rite Spot. 9pm, free.

Hillbilly Swing with B Stars Amnesia. 9pm, $7.

Twang Sunday Thee Parkside. 4pm, free. With Nobody From Nashville.

DANCE CLUBS

Beats for Brunch Thee Parkside. 11am, free. With Chef Josie and DJ Motion Potion.

Dub Mission Elbo Room. 9pm, $8-$11. With Nickodemus, Spy from Cairo, DJ Sep.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 21

ROCK/BLUES/HIP-HOP

Damir Johnny Foley’s. 9pm, free.

White Cloud, Tears Club, Spectre, Grill Cloth Elbo Room. 9pm, $5.

Quicksand, Title Fight Regency Ballroom. 8pm, $28.

JAZZ/NEW MUSIC

Craig and Meredith Rite Spot. 8:30pm, free.

Mike Olmos Jazz Biscuits and Blues. 7:30pm, $12.

DANCE CLUBS

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $3-$5. With Decay, Joe Radion, Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 22

ROCK/BLUES/HIP-HOP

Dubious Ranger, Sunrunners, Grahame Lesh, Midnight Snackers Elbo Room. 9pm, $8.

Fat Tuesday Band Biscuits and Blues. 8 and 10pm, $15.

God Module, Mordacious, Flesh Industry DNA Lounge. 9pm, $12.

Hot Fog, Buffalo Tooth, Wild Eyes, DJ D’Sasster Riptide Tavern. 9:30pm, $6.

Li Xi, Former Friends of Young Americans, Ash Reiter Amnesia. 9pm, $7.

Stan Erhart Band Johnny Foley’s. 9pm, free.

JAZZ/NEW MUSIC

Muriel Anderson with Tierra Negra Yoshi’s SF. 8pm, $20.

FOLK/WORLD/COUNTRY

Brazilian Zouk Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 8:30pm, $5.

DANCE CLUBS

KPT F8, 1192 Folsom, SF; www.feightsf.com. 9pm, $5.

Stylus John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. Hip-hop, dancehall, and Bay slaps with DJ Left Lane.

Takin’ Back Tuesdays Double Dutch, 3192 16th St,SF; www.thedoubledutch.com. 10pm. Hip-hop from the 1990s.

The damage done

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The damage done

arts@sfbg.com

FILM Robert Carlyle is the kind of actor who usually elicits a slow-dawning response in realm of “Oh, right … that guy. What was he in again?” Well, a lot, but if you’re not British (let alone Scottish), his visibility has probably been erratic and infrequent — plus he does that exasperating English thing of taking TV assignments like they’re perfectly OK, as opposed to the US approach of doing series work only when your big-screen career is in the toilet.

His persona, to simplify a bit, is usually that of the aging boy-man sad sack whose self-deprecation and pleading eyes are attractive until you realize he’s as likely to slide out of any commitment with a muttered excuse as easily as he’ll slide off that bar stool. In other words, a long-odds but redeemable loser. In that vein his quintessential role was as the main guy trying not to disappointment everyone yet again in The Full Monty (1997), an unusually bleak and satisfying “feel good” movie that spawned umpteen softer ones. He’s played variants on that part enough times that you might forget just one year earlier he was the terrifyingly vivid psychotic Begbie in Trainspotting.

Indeed, he’s played a Bond villain (albeit in 1999’s The World Is Not Enough), a cannibal (in 1999’s Ravenous), an evil wizard (2006’s Eragon), even Hitler (in a little-seen 2003 TV film), and if you get BBC America you might well think he’s the most versatile actor on the planet. But the projects in which he most frequently surfaces here — discounting American broadcast money gigs like SGU Stargate Universe — are little UK art house dramas. Often directed by people such as Ken Loach or Shane McMeadows, they customarily find him as protagonists who’d have been Angry Young Men a generation or two earlier. But now they’re not even angry; defeat has been bred in since the cradle, and there’s likely to be a good deal of pathos in any attempts to buck the odds.

http://www.youtube.com/watch?v=mSiiqp5J30w

Bruised losers going down — albeit not without one last noble act or effort — can be a beautiful line for an actor to make his own, from Jean Gabin to Liam Neeson (before he abruptly turned geriatric action hero). If the shabby shoe fits, might as well wear it. So Carlyle is a producer on California Solo, the kind of movie that often prompts critics to evoke ones from an earlier era (1972’s Fat City, 1981’s Cutter’s Way, 1975’s Rafferty and the Gold Dust Twins, etc.) No one went to those, either. But they were good, small, “personal” films with a genuine fondness for gritty characters and milieus.

Writer-director Marshall Lewy’s drama revolves around Lachlan MacAldonich, a lanky fortysomething Scotsman who’s somehow found himself managing an organic farm for its cranky but loyal owner (A Martinez) in that deep SoCal nowhere rendered agricultural only by the contortions of water-rights trafficking politicians.

He lives alone, he drinks alone; whatever past he’s got is one he’s cut himself off from. He does have an interesting “hobby” that might provide a clue: boozily hosting a weekly podcast from his kitchen table called Flameouts, “the show where we discuss the tragic and sometimes spectacular deaths of the world’s greatest musicians.” If anybody actually listens, we aren’t told, and he probably doesn’t care.

But Lachlan’s genial not caring much about anything, it seems, when he’s stopped careening home down the highway after bar-time. The resulting DUI charge, even its four-month drivers’ license suspension, wouldn’t be such a big deal if it didn’t turn out that a long-prior pot conviction makes him eligible for deportation despite his green card. And Lachlan really, really does not want to go back to the UK He’s buried himself here precisely to avoid the massive fuckup that no one there would be likely to have forgotten — that he was once the guitarist in “Britain’s biggest band” (at least for one NME minute), and that the major casualty of his stupid rock-star antics was the “British Kurt Cobain,” his brother Jed. When he crawls to the Beverly Hills manse of erstwhile music biz associate Wendell (Michael Des Barres, disturbingly well cast as an oily industry survivor) to beg for immigration lawyer money, the latter snaps “I was never your manager. I was never your friend. Jed was the band.”

Cue further self-destructive impulses, not at all eased by the pleading cow eyes Lachlan makes at sympathetic Beau (Alexia Rasmussen), a much younger customer he chats up at the farmer’s market each Sunday. (It’s even more embarrassing when Danny Masterson as her age-appropriate DJ boyfriend realizes “who he is,” and pours on the hero worship.) Even more painful are Lachlan’s attempts to re-establish some relationship with the bitter mother (Kathleen Wilhoite) of his now-teenaged daughter (Savannah Lathern) so he can claim his deportation would be a hardship to them.

Those last sequences are truly squirm-inducing, because the gap between Lachlan’s desire to do something right for a change and his haplessness at actually doing it is so palpable — we know it’s unfair he’s looking like a “reet eedyut,” but we also know he’s entirely brought it on himself. This is where an actor like Caryle knows how to go for the throat without seeming to reach for effect at all. He makes the depth of Lachlan’s self-loathing so palpable you want to hug him. After you’ve slapped him … but still.

Lewy also wrote and directed the very astute indie drama Blue State (2007), and if he didn’t craft Solo specifically for its Carlyle’s floppy-haired, ever-apologetic charm — well, didn’t he? This is the kind of very good movie that surprises when it actually turns up in theaters, however few. No matter that whoever actually sees the undeniably depressing-sounding California Solo will likely find it — and its star — endearing, poignant, ultimately upbeat. It’s even sort of a perfect early-date movie, softening up the emotions with male fragility redeemable by female generosity and forgiveness.

 

CALIFORNIA SOLO opens Fri/11 in Bay Area theaters.

Wait!

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le.chicken.farmer@gmail.com

CHEAP EATS Anna Yamo has been trying to catch me for it seems like a year now. When she calls it says Restricted Number and that’s how I know it is her, but I am always in New Orleans or Seattle or the bathroom.

“Restricted Number,” it said.

I was sitting on my couch. San Francisco!

“Hello?” I said. This time.

“Danielle!” she said, with her characteristically loaded laugh, which tells me I’m a hard person to catch hold of. And in her characteristic accent, which is, of course, Thai: “When we have lunch?”

“Sunday?”

“Where you want to eat?” she said, then (also characteristically) she told me where: at this crepe place on Valencia, across from City College. News to me.

“It’s a date,” I said, thinking that — who knows — maybe there’d be a check for $3,300 in my mailbox, and I’d be going back to work. Stranger things have happened, although admittedly they usually involve badgers.

Anna and I hadn’t seen each other in over a year and there were so many things I wanted to talk to her about: her son’s restaurant and did she think we could shoot a short movie there … would she teach me how to make duck noodle soup … and why doesn’t she move to Youngstown, Ohio, the town of my birth and the last US city of any size to not have a Thai restaurant in it.

Let the record also show: I love crepes, and these ones were very very very

 

CHEAP SPORTS

by Hedgehog

The rain. That’s all I have to say about sports this week. Jesus H. Christ is in a mother fucking raft, as my mother always proclaimed He would be. And even He is standing in line for Tartine. Or floating. I know what you’re thinking: He doesn’t need the raft, for He can walk on water, but even our Lord and savior likes a good sit-down now and again (see the Book of Mark, 16:19. Also, the Book of Eames, 12:34).

Neverminding the weather, I’m sick of the line at Tartine. I never go in because I refuse to stand in it. I stood in it once. (Once!)

And not for the stupid goddamn morning rolls (which have too much orange zest in them), but for a sandwich. This was back when I ate things like sandwiches, so you know; it was awhile ago.

Anyway, Chicken Farmer had introduced me to the Tartine pastrami sandwich without making me stand in that god-awful line and I wanted to repay the favor by going and getting them the next time. So I “queued up” (as they would say on Downton Abbey) and 30 minutes later, it was finally my turn to exchange money for goods. But the peopleperson behind the counter cut me off, mid-order, to inform me that they don’t take sandwich orders until 11:30.

It was 11:17.

It was a Five Easy Pieces moment if ever I’ve had one, and I’m all for making a scene, but the 30 minutes of anticipation and herd-member-like treatment backfired and the rage shut down my brain. We got takeout from Pakwan instead.

So when I say “I’m sick of the line at Tartine” (like I just did, up there somewhere), what I mean is, “I’m sick of looking at the line at Tartine.”

We have big windows. And a lovely window seat. Overlooking the line at Tartine.

On Christmas day, after we blew the candles out on the pot roast and dished up the traditional Brussels sprouts, our rag-tag group of holiday orphans were entertained for hours by the comings and nose-pressings and then forlorn goings of a steady stream of Tartinian acolytes. Behold: even Thine Holier Than Thou Bakery is closed on this day.

But the day after, it was busy-ness, as usual. Can you see us in the windows, looking down judgmentically at you from our ellipticating albatross?

Well, enough about what’s-their-faces. We got a Christmas tree! And it nearly caused us to divorce before we could even marry. But that’s neither eats nor sports, so…

R.A. Dickey is now a Toronto Blue Jay.

 

CHEAP EATS CONTINUED

Wait a minute! I like Tartine, and — being a people peopleperson, love looking at the line. Though I agree their morning buns are overrated. 

DOWNTON ABBEY

www.pbs.org

Last-minute gifts

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Last-minute gifts

culture@sfbg.com

SHOPPING Dearest Christian and Christian-adjacent reader: it’s too late for the Internet. Unless you want to shell out Santa-sized bucks for overnight delivery, you’re gonna have to fill those loved-ones’ stocking IRL, with a good ol’ fashioned brick-and-mortar dash through the metaphorical snow.

We mean you’re going to have to go shopping, duh. And your flight leaves on Saturday, or their flight lands on Friday, or you’re actually on your way to a holiday house party tonight! You can do better than a gift card. Yet even though you seem surrounded by retail options every moment of your life, when you’re forced to suddenly think about what to get tea party maven Aunt Tilly or your nine-year-old second cousin who you think is named Erica (Caitlin? Amy? Danica?) or your drunk sort-of-friends, the mind blanks and the plan nogs.

So some of the options below may seem obvious any other time of year, but here they are to help kickstart your Christmas consumer creativity motors. get ready to fill your sack with goodies! (Don’t forget to bring your own sack.)

 

GREEN APPLE BOOKS AND MUSIC

Calendars, calendars, calendars! No gift crisis cannot be solved by a glossy 2013 calendar featuring soft-focus lighthouses of Nova Scotia, baby baboons smearing ice cream in their hair, or various memes of yesteryear, repackaged helpfully for the Web-tardy. Oh, by the way, Green Apple is the largest bookstore in California, so there are books — and extremely helpful staff recommendations! — for everyone on your listicle.

506 Clement, SF. (415) 387-2272, www.greenapplebooks.com

 

HEARTFELT

Heartfelt is the very definition of a last-minute gift emporium, a place filled with low-cost creative items for all ages. Italian cookware, spandex log pillows, a hanging mobile you can customize with your own art … it’s an affordable world of creativity at your fingertips in Bernal Heights! Joke gifts (really creative ones), retro gifts, classic gifts, cool stuff you won’t see anywhere else .. you can cover almost everyone on your list in one heartfelt stop.

436 Cortland, SF. (415) 648-1380, www.heartfeltsf.com

 

22ND ANNUAL TELEGRAPH AVENUE HOLIDAY STREET FAIR

OK, more than 200 artists are showing off their goods all weekend in Berkeley — pottery, jewelry, t-shirts, hats, wall art, candles, leatherwork — surely you can find something for your dad while enjoying all the colorful characters, groovy tunes, and interesting eats that Berkeley can bring? It’s a bargain bonanza.

Dec 22-24, 11am-6pm, free. Between Dwight Way and Bancroft Way, Berk. www.telegraphfair.com

 

THE CANDY STORE

There are handmade smores. There are marshmallows made of vanilla and Maker’s Mark. Adorable candy-filled Christmas tree ornaments? Yes ma’am. A cornucopia of season-perfect foil-wrapped chocolates; pre-wrapped “round of four” gift packs featuring four kinds of house made candy; large jars of gianduja, chocolate-hazelnut spread that puts Nutella to shame? What were we talking about again?

1507 Vallejo, SF. (415) 921-8000, www.thecandystoresf.com

 

RARE DEVICE

Put a bird on them! Everyone needs a little twee under the tree, and this store — recently relocated to Divisadero in the place of our former butcher store — has lovely trinkets for all, in that naïve-sophisticate hipster style so popular with the kids these days. Everyone’s koo-koo for Rare’s impeccable jewelry collection and neato home decor and kitchenware collections — there are actually coffee mugs with birds on them, yasss. Unique kaleidoscopic printed blocks by Lisa Congdon will brighten anyone’s season, while festive Leah Duncan pillows add punch to every couch.

600 Divisadero, SF. (415) 863-3969, www.raredevice.net

 

POT AND PANTRY

What says love more than an exquisite aluminum egg timer, or cheer more than a fanciful cutting board shaped like a chicken? You’ll be ladling out the love (ladles available) and satisfying every cook and non-cook’s desire for kitchen accessories at this supercute Mission cupboard of culinary delights. This year, stick a whisk in their stocking and whip up some fun! (Sorry.) Or simply gift a unique recipe zine from P+P’s neat library. Great for everyone? Sparq stones — soapstone cubes you can use in hot or cold drinks to maintain temperature — and kicky colored salt cellars.

593 Guerrero, SF. (415) 206-1134, www.potandpantry.com

 

SUCCULENCE

The venerable and much-loved Four Star Video rental shop in Bernal Heights found that its business model had run its course, so it morphed into Succulence, a yummy boutique plant store that features (of course) succulents but also a wide range of gardening supplies and cute classes for kids of all ages. Creative and artsy plants and planters, terrariums, hanging plants — plenty here for anyone who likes to fill their home with greenery. Plus: Really cool hand-carved ballpoint pens, which, in the $50 range, are cheap for one-of-a-kind writing instruments.

402 Cortland, SF. (415) 282-2212, www.thesucculence.com

 

GREEN ARCADE

We’ll take any gift you’d like to gift us from this liberal bastion of bookery on Market Street. A wonderfully curated selection of tomes focuses on history and social and environmental issues, with a generous sprinkling of poetry, theory, and California-centric items. (While researching for this article, we were compelled by joy to snag a set of dish towels with old-time maps of the Golden State printed on them.) You’ll find great stuff for out-of-towners, armchair prophets, and new San Francisco arrivals here, or anyone who loves this kooky-beautiful land of ours.

1680 Market, SF. (415) 431-6800. www.thegreenarcade.com

 

UPPER PLAYGROUND

We have teenage boys in our life! Possibly you do in yours. They like to dress cool. Upper Playground has so many uniquely SF cool and boyish t-shirts, hats, hoodies, and related items that shopping for our cool teenage friends was so easy we began to suspect the whole enterprise. Is this reality? (There are also tasty items for women and walls as well.)

220 Fillmore, SF. (415) 861-1960, www.upperplayground.com

 

CHOCOLATE COVERED

This Noe Valley treasure is billed as “San Francisco’s Original Chocolate Boutique” — but we call it Dr Coacoa-nassus’ Chocolatarium of Head-Explosion and Wonderment. There is every kind of fantasy chocolate bar combination to be found within its charming bounds — maple-coconut chocolate, blueberry chocolate, gingerbread chocolate, luscious vegan chocolate truffles, tiny bon bons with the face of Mrs. Claus sculpted upon them! People, they had Obama chocolates here during the election. The walls are lined with mystery cabinets labeled with street signs indicating the theme of the candy within, making for an adventurous shopping experience as well.

4069 24th St., SF. (415) 641-8123, www.chocolatecoveredsf.com

 

ALL OF JAPANTOWN CENTER

Seriously, there is so much of interest here you can’t go wrong. Insanely detailed, completely untranslatable magazines devoted to singular cats and manga insanity at Kinokuniya Books; novelty fruit and animal eraser sets at Mai Do Fine Stationery so full of squee you want to eat them; scary-good replica samurai swords at Katachi; exquisitely wrapped boxes of chocolate strawberry mochi at Nippon Ya … spend a couple hours wandering this mall and you’ll come out with some really unique presents. Plus you’ll be full of delicious sushi and hot tea.

www.sfjapantown.com

 

YEAR IN MUSIC 2012: Top 10s Galore

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YEAR IN MUSIC 2012: Top 10s Galore

YEAR IN MUSIC Local musicians, rappers, producers, and music writers sound off on the year’s best songs, album releases, shows, personal triumphs, and local acts.

 

 

HANNAH LEW, GRASS WIDOW

 

TOP 10 OF 2012

1. Starting our own label HLR and releasing our own record (Internal Logic)

2. Total Control’s LP

3. Touring with the Raincoats and singing “Lola” with them every night

4. Getting obsessed with Silver Apples

5. Hollywood Nails

6. Wymond Miles LP

7. Scrapers (band)

8. Sacred Paws (band)

9. Making eight music videos and losing my mind

10. Wet Hair’s LP

 

ANTWON, RAPPER

 

TOP 10 2012 RAP JAMZ

1. DJ Nate, “Gucci Gogglez” 2. Chief Keef, “Ballin” 3. French Montana, “Shot Coller” 4. Chippy Nonstop, “Money Dance” DJ Two Stacks remix 5. Cash Out, “Cashin’ Out” 6. Future, “Turn on the Lights” 7. Gucci Mane, “Bussin Juggs” 8. Juicy J, “Drugged Out” 9. Lil Mouse, “Don’t Get Smoked” 10. Lil Reese, “Traffic” feat. Chief Keef

 

MICHAEL KRIMPER, GUARDIAN

 

THE ENDLESS DESIRE LIST

 

(IN NO PARTICULAR ORDER, OR, OUT OF ORDER)

1. Les Sins/”Fetch”/12″ (Jiaolong)

Run, fall, catch your desire.

2. The Soft Moon/”Want”/Zeros (Captured Tracks)

Infinite want, can’t have it. O, ye of bad faith.

3. Frank Ocean/”Pyramids”/channel ORANGE (Def Jam)

Pimping Cleopatra, whoring the pyramids.

4. Daphni aka Caribou/”Ye ye”/Jiaolong (Jiaolong)

Affirmation on repeat.

5. Grimes/”Genesis”/Visions (4AD)

Whatever, you know you like it.

6. Todd Terje/”Inspector Norse”/It’s the Arps (Olsen/Smalltown Supersound)

Inspecting never felt so good.

7. Burial/”Kindred”/Kindred (Hyperdub)

Kindred outcasts, jealously desiring their solitude.

8.John Talabot/”Estiu”/Fin (Permanent Vacation)

If a permanent vacation wasn’t hell, this might be its soundtrack.

9. Purity Ring/”Obedear”/Shrines (4AD)

Nothing pure in this abject need.

10. Kendrick Lamar/”A.D.H.D.”/good kid m.A.A.d city (Interscope)

Crack babies: she says, distracted, endless desire.

 

TYCHO, AKA SCOTT HANSEN

 

FAVORITE BAY AREA AND BAY AREA-AFFILIATED MUSIC ACTS

1. Toro Y Moi 2. Christopher Willits 3. Blackbird Blackbird 4. Jessica Pratt 5. Sam Flax 6. Ty Segall 7. Yalls 8. Doombird 9. Little Foxes 10. Dusty Brown

 

BEN RICHARDSON, GUARDIAN

 

BEST METAL ALBUMS OF 2012

1. Dawnbringer, Into the Lair of the Sun God (Profound Lore)

2. Asphyx, Deathhammer (Century Media)

3. Woods of Ypres, V: Grey Skies & Electric Light (Earache)

4. Uncle Acid and The Deadbeats, Blood Lust (Metal Blade)

5. Pallbearer, Sorrow And Extinction (Profound Lore)

6. Windhand, Windhand (Forcefield Records)

7. Omens EP

8. Hour of 13, 333 (Earache)

9. Gojira, L’enfant Sauvage (Roadrunner)

10. Lord Dying, Demo

 

CALEB NICHOLS, CHURCHES

 

TOP 10 VINYL PURCHASED IN 2012, AND WHERE I PURCHASED THEM

1. The Shins, Port Of Morrow (Amazon — forgive me, I had a gift card.)

2. The Walkmen, Heaven (Urban Outfitters clearance — yeah, I know, but you can’t beat brand-new vinyl for $10.)

3. Various Artists, Death Might Be Your Santa Claus (Boo Boo Records, San Luis Obispo. My hometown record store.)

4. Ella Fitzgerald, Live at Montreaux (Boo Boo Records, San Luis Obispo)

5. Mahalia Jackson, Christmas With Mahalia (Abbot’s Thrift, Felton, CA — Great thrift store in the Santa Cruz Mountains.)

6. Benjamin Britten/Copenhagen Boys Choir, A Ceremony Of Carols (Abbot’s Thrift, Felton, Calif.)

7. Thurston Moore, Demolished Thoughts (Urban Outfitters clearance)

8. The Hunches, Exit Dreams (1234Go! Records, Oakland)

9. Various Artists/Angelo Badalamenti, Wild At Heart OST (Streetlight Records, Santa Cruz)

10. Tijuana Panthers, “Crew Cut” seven-inch (Picked up at show — Brick and Mortar Music Hall, San Francisco)

 

KACEY JOHANSING, SINGER-SONGERWRITER

 

TOP 10 FAVORITE SONGWRITERS IN THE BAY AREA

1. Sleepy Todd

2. Tommy McDonald of The Range of Light Wilderness

3. Emily Ritz of Yesway and DRMS (biased opinion, I know)

4. Kyle Field of Little Wings

5. Alexi Glickman of Sandy’s

6. Michael Musika

7. Bart Davenport

8. Indianna Hale

9. Jeffrey Manson

10. Sonya Cotton

 

HALEY ZAREMBA, GUARDIAN

 

TOP TEN CONCERTS OF 2012

1. El Ten Eleven at the New Parish

2. Good Old War at Slim’s

3. Girls at Bimbo’s

4. St Vincent and Tune-Yards at The Fox

5. Bomb the Music Industry! at Bottom of the Hill

6. Fucked Up at Slim’s

7. Amanda Palmer and the Grand Theft Orchestra at the Fillmore

8. Ariel Pink at Bimbo’s

9. Conor Oberst at the Fillmore

10. Titus Andronicus at the Great American Music Hall

 

CARLETTA SUE KAY, SINGER-SONGWRITER

 

BEST OF 2012

1. “See All Knows All,” A Thing By Sonny Smith at The Lost Church.

2. “Silent Music” music ephemera show at Vacation (651 Larkin) curated by Lee Reymore, opening party set by the Fresh and Onlys, after -party pot cookie monsters invade the Gangway.

3. Dusty Stax & The Bold Italic Present: “Summer Soul Friday Night”.

4. Wax Idol’s Hether Fortune fronting the Birthday Party cover band at Vacation.

5. Jessica Pratt’s debut LP (Birth Records).

6. Bambi Lake at the Museum of Living Art.

7. Pruno Truman, aka Heidi Alexander from the Sandwitches “Sleeping with the TV on” b/w Carletta Sue Kay “No, no” (Weird World).

8. Opening for Baby Dee at Brick & Mortar Music Hall.

9. Kelley Stoltz’s cover of “Sunday Morning” on Velvet Underground and Nico by Castle Face & Friends (Castle Face).

10. Christopher Owens premiers Lysandre live at the Lodge.

11. Mark Eitzel’s Don’t Be A Stranger (Merge) and its accompanying promo video series. Featuring Grace Zabriskie, Neil Hamburger, Parker Gibbs et al.

 

EMILY JANE WHITE, MUSICIAN

 

TOP 10 SONGS OF 2012 BY FEMALE ARTISTS

1. “Spinning Centers” Chelsea Wolfe: Unknown Rooms

2. “Who Needs Who” Dark Dark Dark: Who Needs Who

3. “Oblivion,” Grimes: Visions

4. “Old Magic” Mariee Sioux: Gift for the End

5. “Apostle” Marissa Nadler: The Sister

6. “In Your Nature” Zola Jesus: seven-inch (w/ David Lynch Re-Mix)

7. “Silent Machine” Cat Power: Sun

8. “Moon in My Mind,” Frankie Rose: Interstellar

9. “Serpents,” Sharon Van Etten: Tramp

10. “Video Games,” Lana Del Rey: Born to Die

 

MORNIN’ OLD SPORT

 

FAVORITE ARTISTS/ALBUMS

1.Moons, Bloody Mouth

2.Patti Smith, Banga

3.Mykki Blanco, Cosmic Angel: The Illuminati Prince/ss Mixtape

4.ABADABAD, The Wild EP

5.Kendrick Lamar, Good Kid m.A.A.d city

6.Shady Hawkins, Dead to Me

7.Howth, Newkirk

8. Bikini Kill EP (reissue)

9. Sharky Coast, Pizza Dreamz demo

10. FIDLAR, No Waves/No Ass seven-inch

 

ROSS PEACOCK AND NATHAN TILTON, MWAHAHA

 

ALMOST TOP 10 ALBUMS (IN NO PARTICULAR ORDER)

1. Air, Le voyage dans la lune

2. Naytronix, Dirty Glow

3. I Come To Shanghai, Eternal Life Vol. 2

4. Beak, >>

5. Steve Moore and Majeure, Brainstorm

6. Clipd Beaks, Wake

7. Brian Eno, LUX

8. Neurosis, Honor Found in Decay

ALMOST TOP 10 SHOW (IN NO PARTICULAR ORDER)

1. Pulp at the Warfield: Think that was this year. Cocker sings sexy

2. Red Red Red: just saw this guy play at a warehouse in Oakland…live house music made with actual hardware!

3. Flying Lotus at the Fox was pretty epic….. insane visuals.

5. Lumerians at the Uptown

6. Neurosis at the Fox: Fuck!

7. Deerhoof at SXSW ….. maybe the best live band in the universe

8. Indian Jewelry at the Terminal …. strobe light universe

 

EMILY SAVAGE, GUARDIAN

 

LIVE SHOWS THAT CREATED THE MOST POSI MEMORIES IN 2012

1. Feb. 14: Black Cobra, Walken, Yob at New Parish

2. Feb. 23: Budos Band and Allah-Lahs at the Independent

3. March 30: Hot Snakes at Bottom of the Hill

4. April 10: Jeff Mangum at the Fox Theater,

5. July 21: Fresh and Onlys and La Sera at Phono Del Sol Music Fest

6. July 28: Total Trash BBQ Weekend at the Continental Club

7. Aug. 11: Metallica at Outside Lands

8. Aug. 31: Eyehategod at Oakland Metro

9. Oct. 9: Saint Vitus at the Independent

10. Oct. 27: Coachwhips and Traditional Fools at Verdi Club

 

NEW ALBUMS I LISTENED TO ENDLESSLY IN 2012

1. Grass Widow, Internal Logic (HLR)

2. Cloud Nothings, Attack on Memory (Carpark)

3. Ty Segall, Slaughterhouse (In the Red)

4. Dum Dum Girls, End of Daze EP (Sub Pop)

5. Frankie Rose, Interstellar (Slumberland)

6. Godspeed You! Black Emperor, Alleluja! Don’t Bend! Ascend! (Constellation)

7. The Fresh and Onlys, Long Slow Dance (Mexican Summer)

8. THEESatisfaction, awE naturalE (Sub Pop)

9. Terry Malts, Killing Time (Slumberland)

10. Guantanamo Baywatch, Chest Crawl (Dirtnap Records)

 

TAYLOR KAPLAN, GUARDIAN

 

TOP 10 ALBUMS OF 2012

1. Hiatus Kaiyote: Tawk Tomahawk (self-released) I could tell you that a bunch of white Australians somehow merged the sound-worlds of Erykah Badu, J Dilla, and Thundercat into a 30-minute, self-released debut LP that rivals the best work of any of those musicians, but you just might have to hear for yourself: hiatuskaiyote.bandcamp.com.

2. Lone: Galaxy Garden (R&S) This is the Lone album we’ve been waiting for. The British laptop producer’s past efforts, while exquisitely lush, were inhibited by a sense of hollow simplicity; Galaxy Garden, his danciest effort yet, shows improvement on nearly every front, from generously layered percussion, to a nuanced, bittersweet take on melody and harmony. A gorgeous fulfillment of Lone’s hedonistic vision.

3. Scott Walker: Bish Bosch (4AD) Difficult as it is to proclaim Bish Bosch 2012’s best album, (its hulking weight and unyielding grimness renders casual listening a difficult proposition) no LP this year has matched its gutsiness and sonic adventurousness, or consolidated so many ideas into a singular space. An array of musical possibilities as dense, thorny, and encyclopedic as a Pynchon novel, with Walker’s quivering, operatic baritone as its sole, anchoring force.

4. Zammuto: s/t (Temporary Residence) Former Books member Nick Zammuto’s solo debut impresses with its vitality and strength of purpose. Despite the heightened emphasis on conventional songwriting this time around, Zammuto strikes that divine balance between bewildering sound-collage and pop approachability that made the Books such an endearing project in the first place.

5. Tame Impala: Lonerism (Modular) Kevin Parker’s first LP as a lone, multitracking solo artist under the Tame Impala moniker, is a bubbly, golden pop album, despite its pervasive theme of existential dread. Its hooks achieve a weird form of transcendence, befitting the Beatles and Britney Spears in equal measure.

6. Laurel Halo: Quarantine (Hyperdub) Much like Oneohtrix Point Never’s Replica (2011), Quarantine is ideal soundtrack material for those late-night, marathon web-surfing sessions that seem to transcend time and space. Halo’s cold, glassy electronics are anchored by dry, straightforward vocals on an album that occupies a mysterious void between vocal pop and ambient electronica.

7. Field Music: Plumb (Memphis Industries) Less a song-cycle than a series of hooks, Field Music’s latest is the work of a band with a hundred wonderful ideas up its sleeve, and only 35 minutes to communicate them. Channeling the impulsive energy of Abbey Road‘s second half with proggy dexterity, Plumb cements this vastly underrated British outfit as one of the most visionary songwriting duos around.

8. THEESatisfaction: awE naturalE (Sub Pop) Splitting the difference between progressive hip-hop and neo-soul, this Seattle duo’s breakthrough record zips through its 30-minute run-time with remarkable tenacity and economy. Bearing the exhilarating energy of J Dilla’s rip-roaring beat-tapes, and shrewd lyricism that effortlessly balances the political, the personal, and the cosmic, awE naturalE feels urgently, confrontationally NOW.

9. Nik Bärtsch’s Ronin: Live (ECM) Not quite nu-jazz, math-rock, or classical minimalism, Swiss ensemble Nik Bärtsch’s Ronin is as compelling, and innovative, as any live band around, tackling Reichian time signatures with the borderline robotic technical ability of Juilliard grads, and the undeniable groove of an airtight funk band.

10. d’Eon: LP (Hippos In Tanks) Approaching the tongue-in-cheek meta-pop of James Ferraro’s Far Side Virtual with a twisted mythology of Christianity and Islam vs. iPhones and the Internet, and a bizarrely heavy dose of Phil Collins’ influence, d’Eon’s LP‘s totally dubious backstory is redeemed by solid songwriting, lush synths, killer keyboard solos, and a ’70s big-time art-rock sensibility. The most convoluted release to date from the prankish Hippos In Tanks imprint.

Honorable mention: Farrah Abraham: My Teenage Dream Ended (self-released) You can’t make this shit up: the year’s weirdest, most haunted and terrifying album wasn’t brought to us by Swans or Scott Walker, but the star of MTV’s Teen Mom. Trapped between the real world, and a web-based alter-reality, it’s the sound of an All American girl, brought up on The Notebook and Titanic, finding herself imprisoned in a Lynchian nightmare.

 

Appetite: 10 best spirits launched in 2012

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Appetite: 10 best spirits launched in 2012

Each year holds a range of interesting spirits released from around the globe. As the craft spirit industry continues to explode, there were many exciting newcomers this year. Here are some of the best of what’s crossed my desk in 2012.

FORD’s GIN ($27) –  The 86 Company is a new venture from spirits and cocktail world stars Simon Ford (former International Brand Ambassador for Plymouth Gin), Jason Kosmas and Dushan Zaric (owners of New York’s Employees Only bar, authors of Speakeasy). Just last month, they released Caña Brava Rum (a Panama rum, aged 3 years), Aylesbury Duck Vodka, and Ford’s Gin. It’s the gin I’ve been mixing with at home in every kind of cocktail from a basic gin and tonic to complex Ramos Gin Fizz.

The gin’s bright citrus-juniper properties shine in each – and the price is right. Master Distiller Charles Maxwell, of Thames Distillers, worked with Ford to develop Ford’s Gin, made with nine botanicals, including juniper, coriander, cassia, jasmine, bitter orange, grapefruit peel. A nice, local connection (and environmental plus): distilled gin is shipped in bulk to and bottled by our own Charbay in Napa, cut with fresh Mendocino County water.

HIGH WEST CAMPIRE WHISKEY ($54) – Though I’ve been partial to Balcones Brimstone when it comes to a wild and wooly American smoked whiskey (in Balcones’ case, a corn whiskey smoked with Texas scrub oak), High West’s new Campfire continues in that rugged vein,  smoky with Old West charm. Bourbon, rye and smoky single malt are blended together in a spicy, woody, sweet, floral whole that makes me crave BBQ.

IMBUE PETAL & THORN Vermouth ($27) – From Portland and the creators of bittersweet vermouth Imbue (Derek Einberger, Neil Kopplin, and Jennifer Kilfoil), Imbue’s Petal & Thorn is a gorgeously bitter gentian liqueur using homegrown beets for color, alongside cinnamon and menthol – a truly unique elixir that’s lovely with soda on the rocks, in twists on classic cocktails like the Negroni, and on its own.

TEMPUS FUGIT KINA L’AVION D’OR ($35) – Fresh off the heels of its unparalleled Crème de Menthe and Crème de Cacao last year, Tempus Fugit does it again with Kina L’Avion D’or. Reminiscent of Lillet and Cocchi Americano but with a more intense flavor punch and elegant bitter quotient, it’s made from a hundred year old recipe from a Swiss distillery… a shining beauty in the quinquina family of aperitifs, distinct with quinine bite. http://www.tempusfugitspirits.com

1512 SPIRITS Poitín ($39) – Poitín is a rare Irish spirit made in this case from potatoes and barley (the word poteen refers to small pot stills in which the liquor is historically made). Clear, bold and light, it evokes cucumber and summer, with the spirit of an eau de vie and robustness of a white whiskey. There’s nothing quite like it.

WAHAKA MADRE CUISHE MEZCAL ($80) – New to the US this year, Wahaka Mezcals are solid across the line, from an affordable Espadin Joven ($30) to an award winning Tobala ($80). I especially appreciate the earthier Madre Cuishe ($80), made from the wild agave plant of the same name, evoking fresh earth, cigar ash, citrus even fresh, green vegetables. If you get a taste of their Real Matlatl Tobala Mezcal ($125), it’s blissfully like sucking on a stone, intensely earthy, fascinating – for the mezcal aficionado.

CHATEAU de LAUBADE BLANCE ARMAGNAC ($55) – From a Gascon, family-run Armagnac house established in 1870, this clear, refined Armagnac has more in common with an elegant grappa or pisco than beautifully rough and ready Armagnacs. Airy yet substantial with pear and floral notes, the lack of color is due to it being an unaged Armagnac. The purity of the base, made from 100% Folle Blanche grapes, shines. Consider it the cleaner, lighter side of brandy.

LEOPOLD BROTHERS FERNET ($35) – First tasting Leopold Brothers’ Fernet straight from the vat as it was fermenting when I visited their family-run Denver distillery in Sept. 2011, its release this year yielded a lighter, layered fernet-style amaro, where ginger, mint, cacao and floral notes peek out alongside the menthol bitterness Fernet is known for – the brothers (Todd and Scott) added sarsparilla root and molasses for a distinctly American touch.

GLENFIDDICH MASTER MALT Edition ($90) – This limited-edition whisky was released in September from the classic distillery, one of only four in Scotland still owned and run by the same family since the 1800′s. At 18,000 bottles, it’s small production for Glenfiddich, celebrating their 125th anniversary. Malt Master Brian Kinsman crafted this double-matured whisky, which spent roughly 6 to 8 years in used Bourbon barrels, then 4 to 6 years in sherry casks. Sherry characteristics hit first but don’t overpower, with accompanying brine and spice.

FOUR ROSES 2012 Limited Edition SINGLE BARREL BOURBON ($90)  – A bracing bourbon at 100-114 proof, depending on the barrel, with only 3600 bottles released, Master Distiller Jim Rutledge has personally selected these uncut, unfiltered 12 year bourbon barrels for special release this year, among the more noteworthy whiskey tastes of 2012.
 
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Comfort, au courant

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virginia@bayguardian.com

APPETITE San Francisco doesn’t lack for comfort food. The last decade’s wave of twists on hearty, familiar fare has insured most neighborhoods aren’t without elevated burgers and grown-up childhood favorites. Two new restaurants, opened in September, continue and update the trend.

 

COMPANY

Guerrero and 22nd Street has long been one of my favorite corners. Whether enjoying a pint at the Liberties, a cocktail at retro fabulous bar Lone Palm, or house charcuterie at Beast and the Hare, at this intersection I feel transported, encouraged to linger and take in my surroundings, as if in Europe. In Company’s big picture windows, vintage red chairs and retro lamps make the space even more welcoming than it was before, as Tao Cafe. Lunch is idyllic: a book, a sandwich, and a bowl of soup becomes a way of spoiling myself.

Dinner is likewise mellow, families and couples confirming a local vibe. It’s clear in early months that while Company may not be revolutionary destination dining, chef-owners Karen Hoffman (from Four Seasons Newport Beach and Jardiniere) and Jason Poindexter (Four Seasons Chicago and San Francisco) offer tranquil surroundings and well-executed food. The ubiquitous upscale burger is there: “Breadand Butter” burger ($14), a patty of ground chuck and oxtail, topped with Madeira-glazed pioppini mushrooms and decadent triple creme brie. At lunch, vegetarian stands up to burger and pork offerings: grilled eggplant and house ricotta panini ($11) is layered with rapini/broccoli rabé and romesco sauce. Smoky eggplant and ricotta are in harmony: warm, luxurious, almost healthy. A bowl of squash soup, savory with duck confit, brightened by citrus reduction, is $8 but as an add-on cup to a lunch entree is merely $3.

At dinner, salads are vivid, unlisted vegetables one night in a “crisp vegetable salad” ($9) being beets, cucumber, and avocado over sweet gem lettuce, tossed with feta and toasted pine nuts in a basil mint vinaigrette. House-cured salmon salad ($11) is likewise fresh and silky, with cucumber and beets in yogurt dill dressing. Crispy confit chicken wings ($9) are especially tender, accented with heat (and color) from red jalapenos and fried mint leaves. Syrah-braised short ribs ($23) are cooked in harissa, evoking Middle Eastern intrigue over whipped garnet yams and charred rapini.

With four beers on draft, like intense peach notes of Widmer Bros. BRRR Seasonal Red Ale from Portland ($6), and a shorter wine list (heavy on France, Italy, California), there are cocktails sans hard liquor from Assistant General Manager Russell Morton. While I don’t get excited about soju and wine cocktails, preferring robust spirits to mild soju, Morton elevates an amaretto sour into an almond cherry sour ($6), keeping house amaretto tart rather than too sweet, with lemon, cherry bitters, and brandied cherries.

1000 Guerrero, SF. (415) 374-7479, www.companysf.com

 

JAMBER

Midwestern brother-sister duo Jess and Matt Voss opened Jamber, serving gourmet pub food from Chef Peter Baker with California-only wines and beers, all on tap. The siblings’ care shows in hand-assembled tables, chairs made from wine barrels, wines selected from wineries they personally visited, a hip, industrial vibe warmed by woods and graffiti art in the loft-like space with a walled front patio.

Wines (happily, there are options: 2.5 oz. and 5 oz. glasses, 1/2 or full jugs), like Darcie Kent Gruner Veltliner from Monterey or a Margerum Grenache Blanc from Santa Barbara, flow easily from taps, with beers such as Almanac’s Farmhouse Ale or a hibiscus saison, Pacific Brewing Lab’s Nautulis. In my visits, there’s a relaxed welcome from staff best experienced sitting at the rustic wood bar. Jess’ bacon jam recipe is a highlight: a savory, textured pleasure of a spread, no matter what it’s served with. Mr. Meatloaf ($15) is the star, a hefty, tender slab of buffalo meatloaf wrapped in bacon, accompanied by mashed potatoes and roasted carrots. I often find myself bored by big hunks of ground meat. Not so here. Jamber’s meatloaf is about as good as meatloaf gets.

Two more standouts: PB & Jam ($11) is a hunk of pork belly layered in a sandwich with peanut butter and that Jamber bacon jam. Most starters, like pretzels and fried mozzarella, are on the heavy side; the top one is easily Parmesan rosemary mashed potater tots ($8) — warm mashed potatoes oozing out of lightly fried breading — with, yes, Jamber bacon jam. After a decent mac ‘n cheese ($10) or freshly generous salads ($7–$9), a pot pie ($12–$14), namely ratatouille, sounded brilliant but was a soggy, funky mash of vegetables in flavorless crust. Likewise, the beet Jamburger ($10, there is a veal-beef burger for $12) made me sorry I took the vegetarian path. Despite fresh bread, it tasted like slices of beet on a bun rather than the creative beet-veggie patties I’ve had that never replace a “real” burger but can be a worthy sandwich on their own.

Despite a couple difficult dishes, there’s enough here to love at this all-day SoMa spot for a drink and a filling bite.

858 Folsom, SF. (415) 273-9192, www.jambersf.com

Subscribe to Virgina’s twice-monthly newsletter, The Perfect Spot, www.theperfectspotsf.com

Music Listings

Andrew Lam
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Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 21

ROCK/BLUES/HIP-HOP

Be Grateful, Eleven Boom Boom Room. 8pm, $8.

Gold Fields, Electric Youth (DJ set), popscene DJs Rickshaw Stop. 9:30pm, $13-$15.

Jackie Greene Fillmore. 8pm, $28.50.

Hopie, DJ Ry Toast, DJ Cutso Brick and Mortar Music Hall. 9pm, $5-$8.

J. Boog, Hot Rain, Bayonics Mezzanine. 9pm, $30.

Jeremy Jones Band, Chris James and the Showdowns, Jeff Campbell Bottom of the Hill. 9pm, $8.

John Lawton Trio Johnny Foley’s. 9pm, free.

"Rockin Reggae Thanksgiving" DNA Lounge. 5:30pm, $12, all ages. With Clear Conscience, Dewey and the Peoples, Thanks For Leaving, and more.

Solwave, Major Powers and the Lo-Fi Symphony, Resurrection Men Cafe Du Nord. 8pm, $12.

Todd vs Charles Johnny Foley’s Dueling Pianos. 9:30pm, free.

UFO, Points North Independent. 8pm, $25.

White Panda, 2AM Club Slim’s. 9pm, $16-$19.

Witchburn, All Hail the Yeti Hemlock Tavern. 8:30pm, $7.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

DANCE CLUBS

Sweater Funk Elbo Room. 9pm, $5-$10. Steppers night with two step soul on vinyl.

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free. With Vinyl Ambassador, DJ Silverback, DJs Green B and Daneekah.

Eats Everything, Ryan Crosson, Bill Patrick Public Works. 10pm, $10.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

THURSDAY 22

ROCK/BLUES/HIP-HOP.

Dark Sparkle Cafe Du Nord. 9pm, $5.

Todd Dunnigan Johnny Foley’s. 9pm, free.

JAZZ/NEW MUSIC

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $7. Thanksgiving edition with DJ-hosts Pleasuremaker and Senor Oz, DJ Small Change.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

FRIDAY 23

ROCK/BLUES/HIP-HOP

As I Lay Dying, Asking Alexandria, Suicide Silence, Memphis Mayfire, Attila Regency Ballroom. 6:30pm, $30.

Body and Soul Johnny Foley’s. 9pm, free.

Charles, Rome Balestrieri, Todd Johnny Foley’s Dueling Pianos. 9pm, free.

Delicate Steve, Dana Buoy, Raleigh Moncrief Rickshaw Stop. 8pm, $10-$12.

Quinn Deveaux and the Blue Beat Review, Brass Menazeri Independent. 9pm, $15.

English Beat, Impalers Bimbo’s. 9pm, $25.

Golden Void, Joel Robinow Band, Phil Manley Hemlock Tavern. 9:30pm, $7.

Jackie Greene Fillmore. 9pm, $28.50.

Katdelic, DJ Fillmore Wax Boom Boom Room. 8pm, $10.

Macarthur, R.O.D., Rossisings, Halley Washington, Skye Green Brick and Mortar Music Hall. 9pm, $10.

Pi Hotel Utah. 9pm, $10.

RNDM feat. Jeff Ament, Joseph Arthur, Richard Stuverud, Line and Circle Great American Music Hall. 9pm, $22.

Wallpaper, Neon Hitch Slim’s. 9pm, $16.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9pm, $10.

FOLK/WORLD/COUNTRY

Baxtalo Drom Amnesia. 9pm, $7-$10. Live music, gypsy punk, belly dancing.

Colonel Jimmy and the Blackfish, Misisipi Mike and the Midnight Gamblers, Blank Tapes Cafe Du Nord. 8pm, $13-$15. "Turkey Trot 2012."

Sebastien Giniaux Red Poppy Art House. 8pm, $10-$15.

DANCE CLUBS

Biscuits and Gravy Elbo Room. 10pm, free. With DJs Vinnie Esparza, Asti Spumanti, Johnny Deeper.

Distance, Tunnidge, District, Trap City Mighty. 10pm, $15.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

NO-ID Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Taboo DNA Lounge. 9pm, $20-$25, 18+. With Larry Tee, Brooke Candy, Manics.

SATURDAY 24

ROCK/BLUES/HIP-HOP

American Professionals, Bobbleheads Thee Parkside. 3pm, free.

B-Side Players, LoCura Brick and Mortar Music Hall. 9pm, $9-$15.

"Complete Last Waltz" Warfield. 8pm, $32.50-$55. With members of Dr. Dog, Ween, Gomez, Nada Surf, and more.

Jackie Greene Fillmore. 9pm, $28.50.

Petty Theft, Stung Cafe Du Nord. 9pm, $15.

Richard Cheese and Lounge Against the Machine, Project: Pimento Bimbo’s. 9pm, $45-$65.

New Riders of the Purple Sage, Moonalice Great American Music Hall. 9pm, $25.

Tamaryn, Tropic of Cancer, She’s Independent. 9pm, $15.

Top Secret Band Johnny Foley’s. 9pm, free.

Todd, Charles, Rome Balestrieri, Johnny Foley’s Dueling Pianos. 9pm, free.

Via Coma, Beta State, PK Bottom of the Hill. 9pm, $10.

Vitamin X, Strung Up, Side Effects, Zero Progress Thee Parkside. 9pm, $8.

White Barons, Tiger Honey Pot, Winter Teeth Hemlock Tavern. 9:30pm, $7.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

FOLK/WORLD/COUNTRY

Alexander Abreu and Havana D’Primera Yoshi’s SF. 8 and 10pm, $30.

DANCE CLUBS

Bootie SF: Post-Thanksgiving Madness DNA Lounge. 9pm, $10-$15. With Smash-Up Derby, Lucio K, DJ A Plus D, and more.

Church Rickshaw Stop. 9:30pm, $10. With Rusty Lazer (DJ set), DaveO of Double Duchess (DJ set), Trixxie Carr, Dulce De Leche, Honey Mahogany.

Chris Garcia Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

120 Minutes Elbo Room. 10pm.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Tiefschwarz, Roos and Bo Public Works. 10pm, $20.

SUNDAY 25

ROCK/BLUES/HIP-HOP

Action Bronson Independent. 9pm, $20.

Enrique Bunbury Fillmore. 8pm, $45.

Killswitch Engage, Shadows Fall, Acaro Slim’s. 8pm, $20-$25

Aaron Leese and the Panhandlers Boom Boom Room. 8pm, $5.

Cass McCombs Amnesia. 9pm, $5.

Nasty Christmas, Black Sparrow Press Hemlock Tavern. 6pm, $6.

JAZZ/NEW MUSIC

Donald Arquilla with Tom Shaw Trio Martuni’s. 7pm, $7.

FOLK/WORLD/COUNTRY

"Twang Sunday" Thee Parkside. 4pm, free. With Rocketship, Rocketship.

DANCE CLUBS

Dub Mission Elbo Room. 9pm, free before 9:30pm; $6 after. With DJs Sep, Vinnie Esparza and DJ Mundi.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 26

ROCK/BLUES/HIP-HOP

Creepers, Commissure, Loomers, Permanent Collection Elbo Room. 9pm, $5.

Earl Brothers, Kendl and Joe from Blackbetter Bushes Amnesia. 9pm.

FOLK/WORLD/COUNTRY

Uni and Her Ukelele Rite Spot Cafe. 8:30pm, free.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-$5, 18+.

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 27

ROCK/BLUES/HIP-HOP

BAUS, Pleasure Gallows, Life Stinks Hemlock Tavern. 8:30pm, $6.

Alice Cooper, Kill Devil Hill Warfield. 8pm, $37.50-$57.50.

Deep Sea Diver, Wild Belle, Showrunners Bottom of the Hill. 9pm, $12.

Sufis Amnesia. 9:30pm.

JAZZ/NEW MUSIC

Jacob Armen Yoshi’s SF. 8pm, $22.

FOLK/WORLD/COUNTRY

Toshio Hirano Rite Spot Cafe. 8:30pm, free.

DANCE CLUBS

Stylus John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. Hip-hop, dancehall, and Bay slaps with DJ Left Lane.

Takin’ Back Tuesdays Double Dutch, 3192 16th St,SF; www.thedoubledutch.com. 10pm. Hip-hop from the 1990s.

Under $10 gift guide: Under the mistletoe

Andrew Lam
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Swagger Cosmetic’s founder Blake Karamazov is your holiday girlfriend. See her vegan makeup line at www.swaggercosmetics.com

>>CHECK OUT THE REST OF OUR HOLIDAY GUIDE FOR MORE CHEAP GIFTS, THINGS TO DO, ALTERNATIVE CHEER

BRACELETS, PRICES VARY

You can find vendor Elden Diaz on most weekdays in Civic Center Plaza, with his racks full of friendship bracelets. Get a personalized one for your babe with that nickname you call them that they love to hate.

Civic Center Plaza, SF

LAVENDAR HONEY, $9.99 FOR NINE OUNCES

They just couldn’t get sweeter? Yeah they can – with this little pot of herb-inflected bee juice.

Village Market, One Ferry Building, No. 29, SF. www.villagemarketsf.com

BOOB BOMBS/INFLATING SWAN HEAD PENIS, $1.50

Among the superlative selection of compartmentalized lunch boxes and impressive wall of fake eyelashes, this Japanese dollar store also stocks gag private part prosthetics. Wear them yourself? Strap them on your sweetheart? Insert some levity into December with these goofy gifts.

Daiso, 570 Market and 22 Japantown Peace Plaza No. 400, SF. www.daisojapan.com

DANDELION CHOCOLATE BAR, $8-9

No, it’s not just chocolate. Tell your boo that not only is this the trendiest cocoa in SF right now (its makers just opened a brick and mortar location in the Mission), but also the most holistic. Dandelion makes its bars from the beans themselves, where many other producer create their confections from pre-made chocolate.

Dandelion Chocolate, 826 Valencia, SF. www.dandelionchocolate.com (Also available at Chocolate Covered, 4069 24th St., SF. www.chocolatecoveredsf.com)

BOUND TO PLEASE DUCT TAPE, $8

Truly, there is nothing for which you cannot use duct tape — even jumpstarting your kinkery, which you can do easily with a roll of this skin-safe erotic adhesive.

Good Vibrations, various Bay Area locations. www.goodvibes.com

ROCK CLIMBING ROPE KEYCHAIN, $10

Love watching that ass high in the air? This keychain is perfect for the one who belays your world, and it’s made here in the city by a civil engineer-climber who sells rock-ready accessories to pay off her grad school debt.

AllBeta, www.etsy.com/shop/allbeta

 

Hi-fidelity weather

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Hi-fidelity weather

emilysavage@sfbg.com

MUSIC Shellacked gummy worms, cherubic Ebay’d figurines, one of those ships in a glass bottle usually reserved for nautical-themed offices, a red bike reflector, a holarctic blue copper butterfly, a vintage stenograph. The physical items sit on separate pedestals as part of the release for Michael Zapruder’s newest album, Pink Thunder (www.michaelzapruder.com).

You have through Nov. 18 to visit the Curiosity Shoppe on Valencia in the Mission, stick some headphones on your ears, and press a small red button on a bubblegum-pink square circuit board affixed with a kitschy sculpture of a bear holding an empty pot attached, or that bowl of shellacked gummy worms, or that holarctic blue copper butterfly, and hear the single track encased within. Zapruder dubbed the structures “portmanteaus” after the linguistic term meaning two blended words.

These particular portmanteus are blends of vision and sound, sculpture and music. The objects, and the individual songs that pump out of them — Zapruder’s free-form pop built from poetry — force you, the listener, to think beyond your lazy current manner of music absorption.

“Just generally, I love the idea of a totally unconnected song. This is a song. That feels like an object that’s somewhere closer to the stature of the music, as opposed to a CD. This celebrates music. It dresses it up,” Oakland’s Zapruder says, smiling in the center of his portmanteaus.

Plus, it’s fun to touch the art.

“Imagine if you went into a record store and there weren’t that many things but each thing was really cool, you wanted to pick it up and play with it, and there was only one copy of each thing. Don’t you think that’d be cool?” He laughs after he says it. Could this be the future of the now-shuttered mega record stores? Could downsizing have saved the behemoths?

Of course, it all goes a bit deeper than that, the vision behind this multifaceted, six-year-long project.

“I think it’s good when people listen to stuff in an uncertain state. So many listening experiences are so familiar. You’re working on your computer and you’re listening, or you’re in a club. And it can be amazing. But you know what you’re going to get, you know the structure. [Pink Thunder] songs are all experimental, all free-composed. Hopefully they’re very listenable, but they’re odd, and I thought it’d be good for people to be in a ‘what is this?’ state.”

Though the songs are also being released through a few more traditional venues. Pink Thunder as a whole is the portmanteaus, each with one of 22 songs that are also compiled into CD form and 12-inch vinyl on The Kora Records (known for releasing records such as Philip Glass’ recent Reworked), seven-inches released by Howells Transmitter, which Zapruder helps run, and a bright pink poetry book, put out by Black Ocean.

The whole process took half a decade to create, completed with the Oct. 16 release on The Kora and the installation at Curiosity Shoppe, which opened in mid-October. Though clearly, the wider range of this project, beyond the physical objects, is the relationship between poetry and music.

It all began with a poetry tour organized by Seattle’s Wave Books; Zapruder’s renowned poet brother Matthew helps run the small publishing house. Zapruder jumped on the Green Tortoise poetry bus for a week of the 50-city tour and after a few false starts, he came up with the idea: “I wanted to see if songs could communicate those same kinds of things that these poets’ poems do.”

He gathered up poems by the likes of the Silver Jews’ David Berman, Carrie St. George Comer, Gillian Conoley, Noelle Kocot, Sierra Nelson, Hoa Nguyen, D. A. Powell, Mary Ruefle, James Tate, Joe Wenderoth, and his brother, and turned them into lyrics.

“The poets are such badasses,” Zapruder says, when asked if he sees the project as a way to deliver poetry to the masses. “Most of them are better known than me. The idea that I could give something to them, introduce people to their work, that’s incredible.”

As musician-writer Scott Pinkmountain says in the book’s introduction, “these are poets who understand that the big grabs — Love, Family, Confession, Death — can no longer be approached directly in a convincing way. Today’s audience is too savvy, too wary of manipulation and sentimentality. These poems instead stake their foundation on the minutia of accidental revelation, trusting the details of life to point out the bigger picture.”

We, as the music listener, hear this in the subtlety of a track like “Book of Life,” created from Noelle Kocot’s story about a monk and a phoenix meeting in the woods. At one point, the monk gives the phoenix a squirming worm — hence the shellacked bowl of gummy worms portmanteau at Curiosity Shoppe.

There are slightly more literal interpretations in songs such as the deceptively upbeat string-heavy “Storm Window,” based on the poem by Mary Ruefle, which tells a story of a sedentary couple — “She sat writing little poems of mist/he in his armchair/reading blood-red leather novels/their three-legged white cat wandering between them/24 champagne glasses sparkle on a shelf/never a one to be broken.” It’s about empty domestic harmony, so Zapruder created the portmanteau with that cheery Ebay bear holding an empty bowl. The found object is eerily revealing.

The project’s title came from Zapruder’s brother’s poem “Opera,” which ends with the line,”still riding your bike under pink hi-fidelity thunder.” (The object represented here is a red bicycle reflector.)

One of the more arresting combinations is for the song “John Lomax: I Work With Negroes.” The object is an old voltage meter. The poem, written by award-winning African-American author Tyehimba Jess, and subsequently the song, are about John Lomax, who “discovered” fabled blues musician Lead Belly in the 1930s.

The theme throughout is of the racism of exoticism, the way Lomax exoticized Lead Belly. “Racism that’s couched in admiration, this condescending accolade,” as Zapruder describes it. “So the idea [for the voltage meter] was that he’s constantly measuring and evaluating — but also, Lomax brought all this stuff in his car on tour, hundreds of pounds of equipment, so I thought maybe he had one of those.”

The piano-driven song is brief, just a minute and 35 seconds, but shifts from quiet plea to deep gravelly question mark, and back again, using multiple vocal backing tracks.

The songs often deviate, in tone, and in tempo. As a whole, it’s an impressive, if difficult listen. There are so many layers, so many twists and turns. They don’t have expected pop hooks, there isn’t a whole lot of repetition. Zapruder lets the songs wander, as if he’s creating a melodic new method of storytelling, occasionally dipping into child-like wonder. He builds songs in a Jon Brian-esque style, with Elliot Smith-like sensitivity and raw ache in his vocals, treading ever-so-lightly over tracks of electric guitar, drums, synthesizers, and in some cases, marimba or brass horns.

The actual songwriting process was quick. He wrote half of the them during a solo 10-day residency in a Napa cabin. The recording of said tracks took considerably longer — nearly three years, beginning in December of 2008. The Oakland resident hopped around with the songs in mind, recording some vocals in his own studio, some instruments at Closer Studios in San Francisco, and New, Improved in Oakland (where tUnE-yArDs and her ilk record), and mixed at Tiny Telephone.

He sang and played many of the instruments, but got backup musical help from dozens of fellow musicians, including Nate Brenner (aka Natronix) of tUnE-yArDs, bassist Mark Allen-Piccolo, and multi-instrumentalist Marc Capelle. An aside: Allen-Piccolo and his father are the ones who designed the music player circuit in all the wooden bases of the portmanteaus, as they have a circuit design business.

So Zapruder pieced together recordings from different studios and time periods in a situation he describes as a “free for all.”

“It took years,” Zapruder says with a shrug, “That’s what it’s like when you do something you’ve never done before. You make a lot of mistakes.”

And it is a relatively unique idea — there isn’t much to compare this project with. Zapruder mentions Tristan Perich’s 1-Bit Symphony on Bang on a Can Records, an electronic composition in five movements on a microchip in the jewel case. Also, a release from German ambient-experimental label tomlab that featured an album with an object (though the music wasn’t inside the object as with Pink Thunder).

In his own career, Zapruder’s recorded three well-received albums; Spin Magazine once called his work prolific, and described his compositions as “in the mold of Sufjan Stevens or Andrew Bird,” a pretty weighty and favorable comparison in the indie music world. But so far, he’s never done anything quite like Pink Thunder. The stunt for which he’s perhaps most well known is 1999’s 52 Songs, in which he wrote, recorded, and posted one new song a week for a full year; and this was back before the ease of the modern web with ubiquitous sites like Youtube, Bandcamp, or Soundcloud.

So while he’s dabbled in the avant garde, this was certainly the first time he Ebay’d and thrift-shopped physical items (he went to Urban Ore in Berkeley) to display and interlock with his music.

And now he’s back to his other undertakings. The married father of two also works part-time at Pandora (where he was the curator of the music collection for seven years), is in graduate school for music composition at California State University East Bay, and is making another record. He’s a third of the way through recording, and hopes to put it out next year. “I have a lot of songs that didn’t come out because I’ve been working on this,” he explains. He plans to release that in object form as well.

And he’ll be taking Pink Thunder on the road in the next year as well, stopping by the Mission Creek Festival in Iowa City, lecturing at New York University, and making an appearance with Wave Books and Black Ocean at the AWP (Association of Writers and Writing Programs) in Boston, which is “the SXSW for writers.” AWP is also where he first premiered Pink Thunder.

As he describes all this, he wonders aloud if he has dark circles around his eyes, worn from the general life trajectory, and perhaps from explaining his vision for the last hour plus while standing in the diminutive Mission store. He doesn’t have raccoon eyes today, munching on a health bar as he first describes the portmanteaus, but I can see why he’d be tired.

On the same day the Curiosity Shoppe installation closes — Nov. 18 — Zapruder will also perform Pink Thunder live at Amnesia. Earlier in the day, there will be a closing party at the store; that will be followed by the live performance down the street.

At Amnesia, it’ll be a duo with backing tracks and audience participation. “Honestly, I think it can be hard to listen to these one after another if you’ve never heard them before,” he explains. “It’s a lot of new information. Without the help of familiar forms, you’re dealing with new sounds but also like, ‘where is this thing going?'” To help with that, there will be samples and audience members will likely be invited to come up and trigger different sounds during the show. A mad scientist approach to live music.

“Even with everything that’s going on, the main thing is that I’m a musician, and that’s why I did this,” says Zapruder. “It’s to clear the way for these songs to get through to people. The music is the center. I want people to hear it and be affected by it. But that probably goes without saying.”

PINK THUNDER

Through Nov. 18

Curiosity Shoppe

855 Valencia, SF

www.michaelzapruder.com

MICHAEL ZAPRUDER CLOSING NIGHT SHOW

Nov. 18, 8pm

Amnesia

853 Valencia, SF

www.amnesiathebar.com

 

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