
By Steven T. Jones
Mayor Gavin Newsom — or at least his reelection campaign — appears to have finally woken up from two years of relative disengagement with city business to come out swinging at his favorite target, Sup. Chris Daly, who chairs the Budget Committee. The awakening began last week when Newsom responded to Daly’s proposal to tinker with his budget by tartly labeling the move the “worst kind of election-year politics and terrible public policy.” That opening salvo was ramped up today by calls to arms by the Newsom campaign and his favorite press minion. At issue is a legitimate, significant difference in policy priorities: should the city be putting more resources into the Police Department and street cleaning and repair, as Newsom proposed, or programs to create more affordable housing and stave off health care cuts, as Daly wants.

Budget hearings are designed to sort through these very choices, but the atmosphere has now been poisoned by election year politics and the nasty deceptions that can bring out.
Police
Newsom goes to war
And now Matt Smith and the SF Weekly/New Times/Village Voice Media claim the progressives were soft on AIDS. Where in the world do they get this stuff?
By Bruce B. Brugmann
I always read Matt Smith, the star columnist of the SF Weekly/New Times/Village Voice Media, with interest. But he often puzzles me. For example, in his column of May 30, he was banging away at his favorite target, those dread progressives, (“Lacking (Progressive) Definition, Lefty factions and a phony convention do not an effective political party make”). And he dropped this puzzling nugget:
“For more than a generation (liberals have been) opposing growth, while snubbing traditional liberal causes such as uplifting gays or African-Americans.
“When San Franciscans, for example, were dying en masse from AIDS during the l980s, progressives’ minds were more preoccupied with opposing ‘Manhattanization,’ the term they coined for new office buildings. Today, when African-Americans in the Bayview District are losing their sons, nephews, friends, and neighbors to drug-related
street violence, progressives’ official political pamphlet is concerned primarily with enacting a moratorium on construction of market-rate apartments.”
The truth, as anyone who was here and had friends and loved ones dying of AIDS knows, the progressives in San Francisco put together a world-renowned system for caring for people with AIDS and pressing for prevention and research funding. The ‘San Francisco Model’ did not come from Washington or Sacramento or Dianne Feinstein. The progressives, led by people like Harry Britt and Cleve Jones and leaders of the Harvey Milk Democratic Club etc., did it themselves. Progressives did, indeed, oppose Manhattanization (and fight for rent control and police oversight and a lot of other good causes) in that era, but AIDS was very much a centerpiece of the progressive agenda.
Gunning for Boots
› kimberly@sfbg.com
SONIC REDUCER Where have all the outlaws gone? Now that Paris Hilton seems like the highest-profile sorta-one-hit wonder to run afoul of the law, it’s easy to believe that pop’s rep for rebellion is seriously in question. (And with Warner Bros. jettisoning the overexposed jet-setter, who knows if she should even make the tally?) Yet just how disturbing or subversive is it to glom on to corporate punks like Good Charlotte or hitch your fortunes to soaking-in-it onetime gangstas like Snoop "Soul Gravy Train" Dogg? How revolutionary is it to play music your parents might approve of, à la white-bread soul poppers Maroon 5?
But those petty pop-crit worries wane on hearing about the Coup mastermind Boots (né Raymond) Riley’s Memorial Day misfortune. In the early-morning hours, long before most locals were firing up the grill and chugging microbrews, Riley was looking down the wrong end of a San Francisco Police Department gun barrel while innocently attending a get-together at a friend’s warehouse in SF’s Dogpatch-Waterfront zone. Why? Likely for nothing more than driving while black.
Riley had just parked his car near the warehouse when he was blinded by flashlights, and he realized that he was surrounded by cops. "They were saying, ‘Don’t fucking move, don’t fucking move,’ and came straight at me," Riley told me from his Oakland home, where he had just fed his kids their Sunday breakfast. "They put my hands above my head, searched me, and searched my car, even though they were looking for someone who was stealing tires. You know, if they had a description of a light-skinned black man with a big Afro and sideburns, maybe they should have taken me in. But they were yelling, ‘Are you on probation? Do you have a warrant?’ And every time I said no, they said, ‘Don’t lie to us. Don’t fucking lie to us.’"
Neighbor Hoss Ward had been walking his dog by the warehouse when he spied officers with flashlights lurking between parked cars amid the trash on the street. "I thought that was weird. They didn’t question me, but I’m a white man," he said later, verifying that Boots parked, got thrown against his car, and had guns pulled on him. "It’s not unusual for someone to pull up in a beater car," Ward said. Yet this incident smelled like racial profiling: "That’s what the vibe felt like."
"I walked over there and said, ‘What the hell is going on?’" recounted Riley’s friend Marci Bravo, who lives at the warehouse. Eventually Riley was released, but, Bravo continued, "It was really messed up. We fire off fireworks, burn things in the street, and there’s been no problems with cops. They’ve actually come and hung out before.
"It’s just a nasty case of police profiling."
In the end, Riley said, the officers didn’t even check his ID. At press time, police representatives had not responded to inquiries about the incident, and Riley was planning on filing a grievance with the city watchdog agency the Office of Citizens Complaints, a process that the longtime activist is, unfortunately, familiar with. After a 1995 Riverside performance with Method Man, Riley and kindred local hip-hoppers Raz Caz, E-Roc, and Saafir were pulled over and pepper-sprayed in their car seats following a yelling argument at a club. Then there was the incident during the Coup’s 2006 tour around, ironically, their Epitaph album Pick a Bigger Weapon. Shortly after the tour manager urinated next to a semi at a Vermont rest stop, the tour vehicles were stopped by plainclothes officers who claimed to be surveilling a cocaine deal in the truck. "Half the band woke up with guns in their faces," the Coup leader recalled.
Riley’s experiences in and out of our enlightened for some city bring home the ugly, everyday reality behind the entertaining anecdote with which the Arcade Fire’s Win Butler regaled the Greek Theatre crowd June 2: he was almost arrested for the first time that day when Berkeley police dragged him out of a rec facility for arguing over the use of a public basketball court. "They called for backup and everything," Butler marveled onstage.
"There are stories all the time," Riley offered matter-of-factly. "Everyone knows you used to get fucked with in San Francisco and Berkeley."
"Usually it’s not anything with me specifically being a rapper," he continued. "I might have even more protection because of that. Like at this get-together, somebody came up and said, ‘Don’t you know who this is? This is Boots Riley.’ They might not have known who I am, but they realize this isn’t the regular case where they can do whatever they want." *
ALIGN YOUR CHAKRAS, CAMPERS
Talk to underground trance DJs, and they’ll point to the Harmony Festival as the hot spot forest ravers will be orbiting. Indeed, one of the main organizers, Howard "Bo" Sapper who, along with Sean Ahearn, Scott McKeown, and Jeff Kaus, is putting on the 29th music and camping fest agrees that a healthy, fire-breathing portion of the expected 40,000 at the three-day event will be die-hard burners drawn to the seven-year-old techno tribal night. Sapper also points proudly to the diversity of the musical lineup, including Brian Wilson, Erykah Badu, Rickie Lee Jones, the Roots, Common, moe., and Umphrey’s McGee. "I’m not sure if we’re going mainstream or the mainstream is coming to us," Sapper said, listing the green exhibits and this year’s theme, Promoting Global Cooling. "It’s part of the paradigm shift going on in America."
OVERNIGHT MUST-HAVES
•Earplugs
•Air mattress
•Plenty of water
•Patience
HARMONY FESTIVAL
Fri/8Sun/10, $20$500
Sonoma County Fairgrounds
1350 Bennett Valley Road, Santa Rosa
Oh Mickey, you’re so lame
In 1938, 13 years before a cinematic Alice visited Wonderland, Porky Pig flew to Wackyland, a Salvador Dalí painting come to life. Determined to find the last dodo bird on earth, he wandered through this surrealist landscape to the rhythm of the marijuana ditty "Feeling High and Happy." In 1931’s One More Time, Mickey Mouse’s ears grew bigger and his tail bushier as he transformed into Foxy, a police officer who then chased the Prohibition-era villains who had kidnapped his girlfriend. In 1943’s A Corny Concerto, Elmer Fudd tried his luck as an orchestra conductor, only to be defeated by his tuxedo, which left him practically naked while he tried to introduce two Johann Strauss Jr. waltzes.
If all this sounds good to you and you’re tired of Walt Disney’s plethora of unimaginative, didactic, and patronizing cartoons, then you’re in for a treat. For more than 25 years, Portland, Ore., film archivist, historian, professor, and writer Dennis Nyback has been searching for rare films in the catalog The Big Reel as well as in thrift stores and flea markets. "F@ck Mickey Mouse" is the title of a 16mm film program Nyback has assembled to showcase, as he puts it, "rare cartoon precursors that beat Disney to the punch, imitators that ripped him off, and parodies that made vicious fun of some of Disney’s greatest animation shorts."
Nyback’s program reveals a world that is funny, bold, and completely out of control. A world that isn’t afraid to turn Little Red Riding Hood into Red, a hot dancer, or Snow White into Coal Black, a maid in 1940s Harlem. It also includes perhaps the most daunting example of Disney’s God-bless-America approach, Der Fuehrer’s Face (1942), in which Donald Duck dreams that he is a Nazi. I don’t want to give away the cartoon’s disturbing ending, so I will just quote Nyback: "It does suggest mindless jingoism."
F@CK MICKEY MOUSE
Sat/9, 8 p.m., $10 (limited seating; RSVPs preferred)
Oddball Film and Video
275 Capp, SF
(415) 558-8117
A chance to end police secrecy
EDITORIAL There’s still a chance to restore sunshine to police disciplinary records, but it’s going to take strong and visible support from public officials around the Bay Area.
A bill authored by Sen. Gloria Romero (DLos Angeles), SB 1019, would allow the public limited access to hearings and reports on police misconduct. That’s nothing new; the San Francisco Police Commission has held disciplinary hearings in public for years. But a 2006 state Supreme Court decision, Copley v. Superior Court, barred that practice, giving peace officers a stunning and unprecedented level of protection from public oversight.
All the Romero bill would do is restore the law to where it was pre-Copley. It makes perfect sense: cops have immense authority and power, and when they abuse it, the public loses faith in the law enforcement process. As San Francisco sheriff Mike Hennessey points out in a letter supporting SB 1019, shedding some light on the system and ensuring that officers who are suspended or terminated for misconduct can’t avoid public scrutiny "will help law enforcement by allowing it to inform the public that internal discipline within public safety agencies is a serious matter and that steps are being taken to maintain that discipline."
Assemblymember Mark Leno (DSan Francisco) tried earlier this year to overturn the Copley decision, but his bill was bottled up in the Assembly Committee on Public Safety. Even his San Francisco colleague, Fiona Ma, wouldn’t vote in favor of the bill. Romero, the Senate majority leader, has done a bit better: SB 1019 squeaked through the Public Safety Committee on a 32 vote and is now headed for the Senate floor.
The vote there will be close too: the police secrecy lobby has pulled out all the stops to fight this, and even Democrats in Sacramento are afraid of offending police organizations. That’s why it’s important that community leaders around the Bay stand up and make clear that this is a bill with broad-based support.
The San Francisco Police Commission has endorsed it, as have the San Francisco supervisors. The city councils of Oakland and Berkeley are on record as supporting it. But we haven’t heard from Mayor Gavin Newsom or Oakland mayor Ron Dellums; both need to speak out in favor of the bill and let Romero know that she has their support.
Sen. Leland Yee told us he fully supports the bill; so does Sen. Carole Migden. So far, though, Don Perata, the State Senate president pro tem who represents Berkeley and Oakland cities that have long-established police oversight agencies hasn’t take a position. He needs to not only endorse the bill but use the considerable power of his office to push for its passage. Every vote will count on this one, and Perata’s constituents should let him know that they’re watching. *
Candidates and non-candidates
By Tim Redmond
So much going on right now in the local political world — and some of it so ephemeral.
Chris Daly’s progressive convention is June 2, coming right up, and we still don’t have a candidate for mayor. Matt Gonzalez gives an interview to BeyondChron and says he’s not ruling out a run, but won’t be making any announcement in time for the June 2 event. Will anyone? Or is this going to be a convention without a candidate?
The 08 supes races, on the other hand, are heating up and full of candidates. Cecilia Chung just announced she’s running in district 11, creating the possibility for a fascinating bit of history: As Chung just told me, It will be 30 years next fall since the assissination of Harvey Milk, and his killer, Dan White, represented what is now D-11. Electing a transgender woman from that district would make big national news.
Chung won’t be the only candidate: I’m told John Avalos, aide to Sup. Chris Daly, is also planning to run, as is Community College Board member Julio Ramos.
And in District Nine, Police Commission member David Campos is clearly running to replace Tom Ammiano, as is housing activist Eric Quezada, who will have a kick-off event at Galleria de la Raza June 1.
No Fun faboo!
Guardian contributor George Chen made it to the No Fun Fest at the Hook in Brooklyn, May 17-20. Here are a few pics and thoughts from the brain behind Chen Santamaria.

This was John Wiese, Jesse Jackson (I am assuming that is his real name), and Corydon Ronnau (Obstacle Corpse). Jackson destroyed his already partial guitar, and some crazed fan walked off with the neck and guts. By the way, he would like them back – no questions asked.

Rat Bastard has done time in To Live and Shave in LA and Laundry Room Squelchers – he also has the lowdown on how Miami changed New York noise. Carlos Giffoni organizes the No Fun Festival and the No Fun label and he performed.

Trevor Tremaine and Robert Beatty (also of festival headliners Hair Police) accompany Burning Star Core founder Spencer Yeh and Zaimph’s Marcia Bassett (Hototogisu, Double Leopards, Zaika).

Gerritt Wittmer and Ryan Jencks have been touring across country with their respective solo acts (Gerritt and SIXES) and piling together as Deathroes. East Village Radio personality, AMillionKeys blogger and former SF ingenue Ceci Moss was in the house as well.

Leslie Keffer invited a bunch of women onstage, cranked a Madonna party song, and basically turned No Fun into “Girls Just Wanna Have Fun.” Partner-in-crime Rodger Stella glared menacingly and dropped his pants in the hip-hop fashion of the day. The ladies, including Tarantism’s Angie Edwards, smacked him with a stuffed dolphin. Thank you, Freud.

Raionbashi and Kutzkelina were the highlight of my Friday evening. Female yodeling, processed and delayed. Raionbashi did push-ups as well. “We’re here to pump you up!”

Twig Harper represents for the Nautical Almanac Sound System. That Brite Spots record looks dope. The DJ booth is like a cage.

Aaron Dilloway, a.k.a., Killoway, a.k.a., Hanson Records’ fearless leader, nails it home on the last night of No Fun. One of the highlights.
Why we’re with Mark Leno
OPINION The choice confronting voters in the State Senate District 3 primary in June 2008 is about electing the best candidate who personifies the direction, tone, and future of the progressive movement. Voters want positive changes, unequivocal vision, tangible accomplishments, and a leader who drives the movement forward.
Mark Leno represents the best progressive choice for that type of change. He is an articulate, innovative, and effective assemblymember who always makes a concerted effort to reach out to the people he serves with boundless energy; he will work equally hard as a senator.
As a legislator, Leno ensures that the voices of his constituents are well represented. His issues are driven by the communities he serves. He focuses on advancing controversial issues despite opposition in Sacramento, and he continues to achieve impressive political, cultural, and social milestones.
While serving on the San Francisco Board of Supervisors, Leno created the nation’s first medical cannabis identification program, which has become a model for similar programs across California.
On environmental issues, Leno has also won nationwide acclaim for his efforts to promote the use of renewable energy sources such as solar power in San Francisco and across the state.
When it comes to tenant rights, Leno’s legislative record speaks for itself. After many suffered the negative impact of Ellis Act evictions, he authored Assembly Bill 1217 to protect the disabled, elderly, and disadvantaged single-room-occupancy tenants from becoming homeless.
Leno has earned his reputation as a champion and visionary by introducing legislation that prohibits discrimination based on gender identity in housing and employment. Much like the transgender medical benefit legislation that he introduced as a member of the Board of Supervisors in San Francisco, his AB 196 is arguably one of California’s most significant nondiscrimination laws ever enacted to protect transgender people.
In 2005, Leno’s groundbreaking LGBT civil rights legislation to support marriage equality was the first in the nation to win approval by both houses of a state legislature. Although Governor Arnold Schwarzenegger vetoed the bill, Leno has reintroduced it and will not quit until it becomes law.
Leno is running for the District 3 State Senate seat because he believes that elective offices belong to the people. He will bring to the office his integrity, experience, and accomplishments in protecting marginalized and underserved communities, promoting environmental protection, and developing alternative sources of energy, and he’ll still remain independent of special interests. He introduces innovative solutions to difficult problems and represents the values of the people of Northern California.
For all these reasons, Mark Leno is our best choice for change. *
Theresa Sparks is president-elect of the San Francisco Police Commission. Cecilia Chung is deputy director of the Transgender Law Center.
We can be heroes
› annalee@techsploitation.com
TECHSPLOITATION Imagine a world where your genome isn’t just the result of long-term natural selection and random mutation. Instead, its composition and expression actually mean something not just about you, but also about the fate of the world.
No, I’m not talking about a genetic engineer’s utopia with humans made by design. I’m talking about the driving fantasy behind hit TV show Heroes, now heading into the homestretch of its first season on NBC. I was a doubter when I first started watching this X-Men homage, which is full of ordinary people who suddenly start manifesting mutant powers (flying, telekinesis, superhearing, time travel) due to some genetic whatsit. Created by Tim Kring, best known for the medical melodrama Crossing Jordan, the show was uneven and slow for the first handful of episodes. We got the boring origin story of each hero and learned that they all have a genetic destiny via an irritating voice-over from the nonsuperpowered (so far) Dr. Suresh, who studies these "special" people to find out what makes them tick.
But then things got interesting. Unlike the mutants of X-Men, none of the special people in Heroes has a visible mutation that makes him or her look strange there are no giant blue cat professors or women made of pure diamond. Instead, there are, among others, a flying politician, a superhealing cheerleader, a time-traveling Japanese comic book otaku, a comic book artist who can paint the future, a psychic police officer, and a villain who absorbs mutant powers by extracting and possibly eating the brains of heroes. The plot is typical comic book fare: our future-painting artist has predicted that New York will be blown up by one of the heroes, eventually resulting in the election of the corrupt flying politician as president. Somehow, these events will destroy the world. The time-traveling otaku‘s future self warns his past self that the fate of the cheerleader is bound up with all this by using the show’s cult tagline, "Save the cheerleader, save the world."
I’ve gone from being a skeptical watcher to a rabid fan of this show for two reasons: one, the hero team that forms around the wacky time travel plot manages to capture what’s so seductive about comic books generally; and two, I think the TV show is an interesting fantasy about terrorism.
So: the seductions of the comic book. One of the benefits of comic books over, say, movies is that they last for decades and thus have plenty of time to evolve complicated relationships between characters whose powers are foils for their personal vulnerabilities. A superhero team is like a cast of characters in a speculative soap opera they have bang-pow adventures, but the best writers and artists in the medium force them to grapple with the human cost of being a hero. The Hulk is a good example: over the years Bruce Banner and his green alter ego have fought, gone to therapy to reconcile their warring impulses, joined and then been expelled from superhero teams that couldn’t trust the Hulk, and generally played out the drama of what it means to be a high-functioning manic-depressive.
Heroes offers us the bizarro soap opera pleasures of comic books and at the same time sets up the collective power of the heroes as a foil for the problems of the world. There are no terrorists in Heroes only heroes whose powers go wrong and destroy New York in the process. In other words, the only menace to the United States is its own citizens. In the show’s fantasy reenactment of 9/11, the al-Qaeda bombers are recast as misunderstood heroes who are hunted by shady pseudogovernment agencies and go mad, or as power-hungry politicians who see destruction as the best route to power. I’m intrigued by the implication, in this season’s plot arc, that the destruction of New York is a deliberate effort to ruin the world on the part of US politicians and businessmen. There’s a strong dose of social criticism in that simple idea. Our heroes aren’t trying to stop terrorists from outside the country they’re trying to stop forces working on the inside.
Sure, you can watch Heroes just for the bang-pow, and I definitely recommend it for that. At its best the show is action packed and edge-of-your-seat thrilling. But it’s also, like great comic books, about the real world. Best of all, it’s about fixing the real world and making it safe for geeks, cheerleaders, and regular people. *
Annalee Newitz is a surly media nerd who thinks the Planet Hulk story line should be the basis for the next Hulk movie.
Marginalizing Theresa Sparks
By Tim Redmond
The Chronicle was a day late with the news of what went on at the Police Commission Wednesday night, and its story today was stunning in how it missed the point. Is it not at all worthy of mention that, for the first time in the history of the United States, a transgender person became president of a big-city police commission?
No, apparently not for the Chron, which instead refered to new president Theresa Sparks as “chief executive officer of sex-toy retailer Good Vibrations.” The person who she defeated for the top job, Joe Marshall, was referred to as “a nationwide expert on juvenile justice.”
No mention in this story of Sparks rather remarkable life and her qualifications for the job. (That info couldn’t have been too hard to find; it was right in the Chron’s own archives.)
My opinion? Outgoing president Louise Renne has been trying to marginalize Sparks and undermine her authority before she can even get started. Robert Haaland has a nice analysis in Leftinsf.
Full disclosure: My domestic partner is acting director of the Office of Citizen Complaints, which means she works for the Police Commission.
THERESA SPARKS TAKES OVER LEAD CHAIR OF POLICE COMMISSION; LOUISE RENNE GETS PISSED AND RESIGNS
By G.W. Schulz
Remember how when Nancy Pelosi ascended to the speakership of the House, you were all proud because it happened in your lifetime? “A woman has come mightily close to the presidency,” you told yourself. “Slowly but surely, we’ll get over this whole ‘women in positions of power scare the living shit out of us, but we’re afraid to admit it’ thing.’”
But remember, too, how that cynical voice inside of you also said “Yeah, sure, it happened in my lifetime, but Pelosi is as cold and calculating as every other creep inside the beltway. How much of this should I be proud of?”
You have something else to be proud of now with a little less cynicism, and Washington is a long way from achieving what your city has.
A transgendered woman with a strong head for reform has taken over the top seat at the San Francisco Police Commission. Her name is Theresa Sparks. You may know her as CEO of Good Vibrations, the sex shop. Hell yeah.
Not Coachillin’
SONIC REDUCER “I can’t believe you slept through the police helicopter above the tent at 3 a.m. and the megaphone going, ‘Disperse immediately or you’ll all be arrested,'” tentmate Fluffy marveled the day after another ear-busting night of the Coachella Valley Music and Arts Festival’s unofficial after-party scene in the campgrounds. It was only 8 a.m., though the sun was already beating down relentlessly like our heedless neighborhood drum circle.
I’ve snoozed through my share of lousy plays, bad bands, and crappy circuses, but I never thought I’d slumber through the 24-7 thrills at the Empire Polo Fields. And the chopper was just the chaser to April 28 trance headliner Tiesto, who began his loud set, pompously booming out over our not-so-fair tent city of spring breakers and Euro tourists, with “In the beginning there was the earth….”
We’re gonna have to sleep through the history of the planet, was my last thought as I drifted off.
O Coachella, don’t you cry for me, ’cause I’ve come from Alabama Street with a heat rash on my knee — and doubts about making the scene at the festival despite the fact that about 160,000 brave music fans were expected to face down the desert swelter as the event swelled to three days.
At this juncture, Coachella might be described as a music festival on steroids: it’s a carnival for 18 and overs with rides, art installations, dancers, and completely insane people wearing full-body chicken costumes in the 110-degree heat, though still boasting a comprehensive bill of today’s so-called hot bands. It’s your one-stop smorgasbord for music lovers, who will happily chat you up about the performer they deemed the most mind-blowing the previous night or the last Rage Against the Machine show they caught.
And they got what they came for: the Björk shroom headdress; the crazed buzz rising from such festival circuiteers as Amy Winehouse and Klaxons; solid pop from Jarvis Cocker and Peter Bjorn and John; show-stopping performances by DJ Shadow, CSS, Arcade Fire, and Konono No. 1; and the rattle of reunion bones by an amped and antic Rage Against the Machine, glowering and balding Jesus and Mary Chain, and, er, Crowded House. You couldn’t go amiss if you stuck to the desert to-do’s rave roots and entrenched yourself beneath the mirror ball, video screens, and pink and blue lights of the Sahara tent: the performances there by Justice and LCD Soundsystem connected with the crowd with a screw-it-all exuberance.
But the untold story lay far away from the press tent and Palm Springs love nests — in the crowded, brutal heat of the campgrounds next to the performance area. Is it possible to review a camping trip? In what seemed like a dusty, straw-strewn football field with thousands of other wake ‘n’ bakers? I spent far too much time taking refuge from the nonstop heat at the campground’s cybercafé, where hundreds of shirtless boys and bikinied girls would miserably crouch, recharging their cells at a bank of outlets, sit stunned watching the Coachella film on a loop, or lie on the ground like clammy, comatose dead fish, waiting out the morning before the acts began in early afternoon.
The southerly discomfort led most campers on a lengthy hike from the tent city, past the obscenely grassy country clubs surrounding the polo grounds, to find refrigerated refuge and 40s at Ralph’s, the nearest supermarket, where people were literally chillin’ on store lawn furniture. Coachella: the fest that inspired global warming — and a post–<\d>Earth Day longing for air-con.
Organizers Golden Voice had a clue: they gave away free water sporadically and provided campers with free Internet use and showers. But there were too few laptops, the wi-fi was too erratic, and the showers were locked down too early — and you knew there was too little shade in general when audience members broiled in the sparse shadows of lemonade stands.
The crowd — weighted with Rage Against the Machine fans eager to see the band’s first concert in more than five years — was also heavy on the testosterone. But maybe that’s just the state of Rage love: the band never really seemed too underground to me but has historically worked to surface activist subversion via modern rock radio. And their audience was still boiling — and amazingly good-natured despite the sleepless nights. As for myself, I finally woke up hours after the helicopter early April 29 to the sound of a random dude shouting, “Whoo!” and yammering loudly in Portuguese to the tentizens the next flap over. Later I was tempted to put my own spin on Zack de la Rocha’s onstage suggestion that Bush and Cheney be “tried for war crimes and shot.” I know the 12-hour roller coaster ride of quality hallucinogens can be a bitch — but then, so can I: is it so wrong to want the early morning shouters and the dude with the air horn to be tried for crimes against humanity’s sleep schedule and shot? I’d settle for finding out where they were dozing it off and delivering a special whoo-gram of my own.
BOB DYLAN STUDIED HERE That’s the rumor, anyway, at the Blue Bear School of Music, which has seen Tracy Chapman and more than 20,000 other musicians come through its doors in the past 36 years. Executive director Kevin Marlatt told me the nonprofit’s second annual fundraiser — showcasing 2007 Grammy Lifetime Achievement winner Booker T. Jones as well as Blue Bear staffer Bonnie Hayes and Sista Monica — will include an appearance by the James Lick Middle School Band, the result of the organization’s efforts in the last year to get more involved in public school music education. Since it took over the James Lick music program and brought in 30 guitars, he says, more than a dozen bands have popped up at just that school. So Stax around for a good cause. *
BOOKER T. JONES
Sat/12, 8 p.m., $45–$125
Great American Music Hall
859 O’Farrell, SF
May day
› a&eletters@sfbg.com
The May Day rampage of the Los Angeles Police Department over peaceful protesters and journalists at an immigrants’ rights march lends an undeniable immediacy to America Tropical, a new and at times poignant chamber opera by composer David Conte and librettist Oliver Mayer that addresses the legacy of racial and class exploitation built into the very fabric of the City of Angels.
The compact 60-minute work, which premiered April 27 at the Thick House under the auspices of San Francisco’s Thick Description, takes its cue from América Tropical, a 1932 Olvera Street mural painted by the great Mexican social realist artist David Alfaro Siqueiros (sung with appropriately formidable presence by a swaggering, tempestuous Mark Hernandez). Meant as a mirror held up to the past and future of Los Angeles, Siqueiros’s wall pointed back to the city’s 18th-century Mexican founders in a group of pobladores (played here by six capable singers led by an impressive Antoine Garth) and ahead to the grim strife of an ethnically and racially stratified class system.
That strife culminates in America Tropical as the conflagration of the 1992 riots sparked by the police beating of Rodney King (played by Garth), famously witnessed and transmitted to the world by private citizen George Holliday (Chad Runyon), whose videotape thus becomes something of the equivalent of Siqueiros’s politically charged mural.
In an apt, indeed concrete metaphor for an increasingly divided and dividing age, walls as sites of division, reclamation, toil, and creative resistance pervade the poetic libretto provided by playwright Mayer (Blade to the Heat, Joe Louis Blues), which effectively brings Sisqueiros’s social realist language into 3-D relief. "Tell me what a wall can do," Siqueiros sings. "I’ll show you what a wall can be."
Meanwhile, Conte (whose beautiful, ghostly desert opera Firebird Motel was commissioned and produced by Thick Description) has fashioned a score featuring serrated melody lines and lush choral harmonies to augment the work’s three centuries, succinctly blended in Mayer’s libretto. The music moves determinedly forward through alternately agitated, wistful, angelic, and angry passages provided by an excellent sextet of piano, strings, and woodwinds conducted by John Kendall Bailey.
At the same time, Siqueiros’s emotionally powerful and provocative visual allegory can translate awkwardly to the stage. Those walking in cold without any knowledge of the opera’s deeply rooted relationship to Siqueiros’s mural may find some of the mise-en-scène (such as the crucifixion) a trifle hokey, despite graceful staging by director Tony Kelly, not to mention the excellent singing, generally decent performances, and arresting music. Some preparation for the audience a description of the mural on a lobby poster or somewhere in the program might have been in order.
Siqueiros’s Olvera Street mural was one of the earliest examples of the Mexican urban art movement that publicly portrays the local narratives of ethnic and indigenous people. But in 1932 the police arm of the ruling class had a brush of its own, and soon after the mural’s unveiling the LAPD whitewashed it into what turned out to be temporary oblivion. (It was partially uncovered and rediscovered in the 1960s and has recently been undergoing restoration.)
It’s more than merely ironic that the mural’s images of workers and an indigenous American woman, named the India (sung by Sepideh Moafi), crucified on a double cross of American imperialism, were staging a second return in Conte and Mayer’s America Tropical even as LAPD clubs and rubber bullets rained down on workers and families at MacArthur Park. The redemptive force of the opera’s historical ghosts rises on a wave of events that gives distressing currency to the libretto’s emphatic assertion, "There is no present / There is no future / Only the past, happening over and over again." *
AMERICA TROPICAL
Through May 20
Thurs.Sun., 8 p.m., $15$25
Thick House
1695 18th St., SF
Disorientation
› le_chicken_farmer@yahoo.com
CHEAP EATS The closest chicken fried steak to my shack is at the Route 1 Diner in Valley Ford. You probably know it, if you’ve ever been to Bodega Bay. And if not, what the fuck? The Sonoma coast has the prettiest beaches in the world. Surfers don’t like it because they get eaten by sharks, but, other than that …
Anyway, I’m not a beach reviewer.
Two chickens, like I said. That’s all the chickens I have left is two chickens. One lays eggs, and the other one eats them. Or: tough times for a chicken farmer. Oldest trick in the book is to suck the egg out of an egg, then fill it up with Tabasco sauce and put it back in the nest.
But I treat my chickens with a little more respect, I like to think, than most backyard farmers. Instead of Tabasco sauce, I’m whipping up a little roux butter and flour then adding onions, fresh jalapeños, tomatoes, and hot sausage. Season to taste, and this way if the oldest trick in the book doesn’t trick her out of the nasty habit, she’ll practically already be jambalaya.
One way or another, I’ll be eating lunch again in no time, by my calculations. But right now I’m still eating breakfast because it’s only 10:30. And I’m all-the-way out of money, so I have to put it on the card, but there’s a $10 minimum, so I have to have coffee too, even though I’m already overcaffeinated, and therefore I can’t stop writing on napkins.
Guess what. Now that I ain’t getting any at home, I can order eggs in restaurants again! Chicken fried steak and eggs ($8.75). Route 1 Diner, Valley Ford, on the way to Bodega Bay for you. For me, it’s on the way to the city and back.
The eggs are not as fresh or as free-rangy as I’m accustomed to, but the chicken fried is great. Big, thick slab of cubed steak in a nice, crispy breading, draped over a mound of hash browns and just drowned in gravy.
Speaking of which (gravy), Satchel Paige the pitcher was here with his little Thai fambly, and his big American fambly threw a little picnic party for him recently. In Sacramento! So even though I didn’t get to ground out weakly to second against him, or eat no all-you-can-eat sushi with him, or laugh at his little tiny daughter for almost choking to death on cantaloupe instead of chicken bones, I did get to see my old big old friend, and hug him and stuff. And talk about how good the chicken wings were, just like in the good old days.
Except this time I was in Sacramento, which can be very disorienting. Warmth. Mosquitoes. Fireworks. A keg. And when I got back to the Bay Area, you’re not going to believe this, but I swear to you there was a small, compact car on fire at the MacArthur Maze, on the ramp from West 80 to South 880. Couple fire trucks, police, flares, one lane open, and traffic slowed some but not too bad because it was one in the morning, or at any rate after midnight.
Went to sleep in West Oakland, and by the time I woke up, in West Oakland, the media had blown the whole thing entirely out of proportion. Other people had to have seen this. Right? I swear, it was an old Pinto, slapped on the ass, or something. No big deal, a little campfire fire, they were roasting hot dogs and marshmallows.
And by four in the morning it wasn’t a Pinto anymore, it was an oil tanker, spun out and exploded. And the freeway had melted and collapsed and the MacArthur Maze as we know it was no more, snarling traffic all day, affecting the travel plans of generations to come and just generally ruining everything.
You’da thunk I’d have heard something like that right outside my window. Big rig goes boom, couple football fields of freeway crashing down, sirens, states of emergency, and so on. Yeah, right.
My point being: damn, those were some damn good chicken wings! Eh, Satch? To knock me out that hard. I must of ate about a bucket of them myself. And if I knew the name of the Sacto deli that battered and fried and buttered and hot-sauced them, I’d review it.
But I don’t, so … *
ROUTE 1 DINER
Mon. and Wed., 6:30 a.m.7 p.m.; Thurs.Sat., 6:30 a.m.7 p.m.; Sun., 6:30 a.m.5 p.m.
14450 Route 1, Valley Ford
(707) 876-9600
Takeout available
No alcohol
MC/V
Wheelchair accessible
Police commission politics

By Tim Redmond
Theresa Sparks, a transgender activist who was honored as Woman of the Year by the state Assembly, called today to tell me she’s going to run for president of the Police Commission, challenging former City Attorney Louise Renne, who currently holds the job and shows no signs of wanting to step down.
I suspect Sparks will get at least a couple of votes from the more progressive side of the panel, including David Campos and maybe Petra DeJesus. That would leave Joe Vernonese, who is about to announce he’s running for state Senate, as the swing vote.
Should be a fascinating meeting May 9th.
Mass response
By Steven T. Jones
Last night’s Critical Mass was big — a population that was also swelled by way too many cops — but other than that, it was pretty normal. As usual, there weren’t any major incidents. As usual, the atmosphere was festive. As usual, the only aggressive behavior that I saw came from overentitled car drivers. These basic, predictable facts seemed to surprise the writers at the Chronicle, who apparently actually believed their own bicyclists-gone-wild bullshit. So once they finally went on a ride, we were rewarded with the headline “Critical Mass pedals politely through S.F.”

Yet the real problem remained, the one the Chron still hasn’t been able to comprehend. My friend Tim got his bike run over by a car last night simply because it was in the path of an impatient motorist who was trying to drive into a crowd of bikes. And as usual, despite the 40 cops on the ride, the police refused to take a report or get involved. Critical Mass is many things to many people, but one of those things is an assertion of our rights to the road, which we’re legally entitled to whether or not we have the blessing of the Chron, the SFPD, and the rest of this city’s power structure.
Time to ride
By Steven T. Jones
Despite the article’s deeply flawed premise, it was nice to see the Chron’s Matier and Ross promote this Friday’s Critical Mass ride.
After the duo whipped drivers into an ill-informed frenzy earlier this month and caused the SFPD to double the promised police presence, we bicyclists will need big numbers on our side to keep the mass moving and show that we won’t be shamed or threatened into abandoning this important social protest event. And from what I’m hearing, people are more committed than ever to Critical Mass, creating the possibility that this Friday’s event will be huge and fun. Personally, I can’t wait.
Time to ride
By Steven T. Jones
Despite the article’s deeply flawed premise, it was nice to see the Chron’s Matier and Ross promote this Friday’s Critical Mass ride.
After the duo whipped drivers into an ill-informed frenzy earlier this month and caused the SFPD to double the promised police presence, we bicyclists will need big numbers on our side to keep the mass moving and show that we won’t be shamed or threatened into abandoning this important social protest event. And from what I’m hearing, people are more committed than ever to Critical Mass, creating the possibility that this Friday’s event will be huge and fun. Personally, I can’t wait.
Yet it’s too bad the M&R keep getting things so wrong, such as when they say Mayor Gavin Newsom “has a lot riding on this event…the basic question being whether he can control the city’s streets come Friday night..” That’s bullshit. On this issue, Newsom has been wise enough to avoid taking the Chron’s bait and calling for a Critical Mass crackdown. He never promised to “control” Critical Mass and therefore has nothing riding on this Friday’s outcome, unless the police get aggressive and cause problems. The only test we’ll see this Friday is of M&R’s mass-gone-mad fable, which are like to be shown for the one-sided, self-serving sensationalism that it was.
