Music

Music listings

David Talbot
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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 12

ROCK/BLUES/HIP-HOP

Barrel Riders, Fusebox, Tentacle Hemlock Tavern. 9pm, $5.

Beehive Spirit, Common Loon, Alright Elbo Room. 9pm, $6.

Tia Carroll and Hard Work Bimbo’s 365 Club. 8 and 10pm, $15.

Jakob Dylan and Three Legs featuring Neko Case and Helly Hogan, Felice Brothers, Honeyhoney Regency Ballroom. 8pm, $28.

Fuck Buttons Great American Music Hall. 9pm, $16.

Lime Colony, Passenger and Pilot, Blood and Sunshine Bottom of the Hill. 9pm, $8.

Man/Miracle, Yellow Dress, Quite Polite Rickshaw Stop. 8pm, $10.

*MDC, Restarts, La Plebe, Dopecharge Thee Parkside. 8:30pm, $10.

Tender Few, Spidermeow, Rabbles Hotel Utah. 8:30pm, $6.

FOLK/WORLD/COUNTRY

Sang Matiz Red Devil Lounge. 8:30pm, $8.

Somerville and Keehan Plough and Stars. 9pm.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Machine Sloane, 1525 Mission, SF; (415) 621-7007. 10pm, free. Warm beats for happy feet with DJs Sergio, Conor, and André Lucero.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

Open Mic Night 330 Ritch. 9pm, $7.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

Yoruba Dance Sessions Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJ Carlos Mena and guests spinning afro-deep-global-soulful-broken-techhouse.

THURSDAY 13

ROCK/BLUES/HIP-HOP

Acorn Project, Sourgrass Boom Boom Room. 9:30pm, $7.

Altars Knockout. 9:30pm, $4. With guest DJs Primo, Kat, Bertie, and Melanie Ann Berlin.

Roger Clyne and PH Naffah, Jason Boots Great American Music Hall. 8pm, $16.

Meklit Hadero, Quinn Deveaux and the Blue Beat Review Bimbo’s 365 Club. 8pm, $18.

Hydrophonic, Gas Mask Colony, Murkins Bottom of the Hill. 9pm, $8.

Jugtown Pirates, Tell-Tale Heartbreakers, Project Pimento, Franco Nero, Swamees Paradise Lounge. 9pm, $7. Proceeds benefit the Haight-Ashbury Street Fair.

Bill Ortiz Biscuits and Blues. 8 and 10pm, $15.

Roy G. Biv, Billy Schafer, Chi McClean, Alex Karweit Hotel Utah. 8:30pm, $10.

Whitechapel, Son of Aurelius, I Declare War, Fallujah Thee Parkside. 9:30pm, $15.

Zoo, Entropy Density, Didimao Hemlock Tavern. 9pm, $6.

FOLK/WORLD/COUNTRY

Big Possum Atlas Café. 8pm, free.

John Calloway, Loco Bloco with Claudinho Smile Roccapulco Supper Club, 3140 Mission, SF; www.locobloco.org. 8pm, $15.

Shannon Céilí Band Plough and Stars. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $8-10. DJs Pleasuremaker and Señor Oz spin Afro-tropical, samba, and funk.

CakeMIX SF Wish, 1539 Folsom, SF; www.wishsf.com. 10pm, free. DJ Carey Kopp spinning funk, soul, and hip hop.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Good Foot Yoruba Dance Sessions Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. A James Brown tribute with resident DJs Haylow, A-Ron, and Prince Aries spinning R&B, Hip hop, funk, and soul.

Gymnasium Matador, 10 Sixth St, SF; (415) 863-4629. 9pm, free. With DJ Violent Vickie and guests spinning electro, hip hop, and disco.

Kissing Booth Make-Out Room. 9pm, free. DJs Jory, Commodore 69, and more spinning indie dance, disco, 80’s, and electro.

Koko Puffs Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Motion Sickness Vertigo, 1160 Polk, SF; (415) 674-1278. 10pm, free. Genre-bending dance party with DJs Sneaky P, Public Frenemy, and D_Ro Cyclist.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Solid Thursdays Club Six. 9pm, free. With DJs Daddy Rolo and Tesfa spinning roots, reggae, dancehall, soca, and mashups.

FRIDAY 14

ROCK/BLUES/HIP-HOP

Annuals, Most Serene Republic, What Laura Says Bottom of the Hill. 10pm, $12.

Apache, Wrong Words, Midnight Snaxx, Off Campus Knockout. 9pm, $7.

Café R&B Biscuits and Blues. 8 and 10pm, $22.

Disastroid, Famous, Gentlemen Hemlock Tavern. 9:30pm, $7.

Front Street featuring Stu Allen, Jugtown Pirates Independent. 9pm, $15.

Fun., Audrye Sessions, Heartsounds Slim’s. 8:30pm, $16.

Johan Johannsson Great American Music Hall. 9pm, $21.

Michael McIntosh Rite Spot, 2099 Folsom, SF; www.myspace.com/ritespot. 9pm, free.

Freedy Johnston Café du Nord. 7:30pm, $15.

Starfucker, Butterfly Bones, Silver Swans, Fake Drugs Rickshaw Stop. 8pm, $12.

*Trombone Shorty and Orleans Avenue with Zigaboo Modeliste and Ivan Neville Bimbo’s 365 Club. 8pm, $75-150. Proceeds benefit Blue Bear’s youth music education programs.

Michael Zapruder, Grand Lake Dark Room, 2263 Mission, SF; http://snobtheater.tumblr.com. 10pm, $10. With comedians Bill Coladonato, Kelly McCarron, Kevin Munroe, and Brandon Lynch.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Bruno P.B. Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Revolution All-Stars Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Scott Amendola Band Red Poppy Art House. 8 and 9pm, $12-20.

Stanley Clarke Band with Hiromi Yoshi’s San Francisco. 8 and 10pm, $26-32.

Terry Disley Experience Trio Vin Club, 515 Broadway, SF; (415) 277-7228. 7:30pm, free.

FOLK/WORLD/COUNTRY

Brother Lekas Plough and Stars. 9pm.

Lucha Vavoom Fillmore. 9pm, $32.50.

"That Night in Rio: A Samba Party" Café du Nord. 9pm, $15. With Grupo Samba Rio and DJ Fausto Sousa.

Wunmi Coda. 10pm, $15.

DANCE CLUBS

Activate! Lookout, 3600 16th St, SF; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Beat Market Mighty. 7pm, $10. With DJs Gravity, Jonathan W, Spirit Catcher, eug, and Al Veilla.

Blow Up Rickshaw Stop. 10pm, $10. With rotating DJs.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Fo’ Sho! Fridays Madrone Art Bar. 10pm, $5. DJs Kung Fu Chris, Makossa, and Quickie Mart spin rare grooves, soul, funk, and hip-hop classics.

Fort Knox Five, Breakestra Mezzanine. 9pm, $15.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Gymnasium Stud. 10pm, $5. With DJs Violent Vickie and guests spinning electro, disco, rap, and 90s dance and featuring performers, gymnastics, jump rope, drink specials, and more.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Lawnchair Generals DNA Lounge. 9pm, $10. House, downtempo, and dub.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa "Samoa Boy" spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Strictly Video 111 Minna. 9pm, $10. With VDJs Shortkut, Swift Rock, GoldenChyld, and Satva spinning rap, 80s, R&B, and Dancehall.

Treat Em Right Elbo Room. 10pm, $5. Hip-hop, fun, Latin, and more with DJs Vinnie Esparza, B. Cause, and guest DJs Mr. E and Relly Rels.

SATURDAY 15

ROCK/BLUES/HIP-HOP

*Converge, Coalesce, Lewd Acts, Black Breath Slim’s. 8pm, $18.

Gil Mantera’s Party Dream, Triple Cobra, Go-Going-Gone Girls Bottom of the Hill. 9pm, $12.

Kali$$ian Coda. 10pm, $10.

Billy McLaughlin Marriott, Fisherman’s Wharf, 1250 Columbus, SF; www.billymacmusic.com. 7:30pm, $20.

1995 Forever, Aerosols, Ryan Pettigrew and the Ladyboys Hemlock Tavern. 9:30pm, $7. Also with comedians Brent Weinbach and Louis Katz.

Octomutt Rite Spot, 2099 Folsom, SF; www.myspace.com/ritespot. 9pm, free.

Pins of Light, Moses, Boar Hunter El Rio. 10pm, $7.

Portal, Morbosidad, Sanguis Imperem, Dispirit Thee Parkside. 9:30pm, $12.

Reaction Thee Parkside. 3pm, free.

Ruse, Honor By August, Johnny Hi-Fi Hotel Utah. 9pm, $8.

Lavay Smith and Her Red Hot Skillet Lickers Biscuits and Blues. 8 and 10pm, $20.

Vienna Teng and Alex Wong Yoshi’s San Francisco. 8 and 10pm, $28.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Kathy Sanborn Borders Westfield Center, 845 Market, SF; (415) 243-4108. 2-4pm.

Sexmob with DJ Olive Yerba Buena Center for the Arts, 701 Mission, SF; www.sfjazz.org. 8pm, $25.

Tin Cup Serenade Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

FOLK/WORLD/COUNTRY

Courtney Andrews and friends Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm, free.

Bernal Hill Players Red Poppy Art House. 8pm, $10-$15.

Gas Men Plough and Stars. 9pm.

Sierra Leone’s Refugee All Stars, Black Nature, DJ Jeremiah Independent. 9pm, $20.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Bassnectar, Jef and Odd Nosdam Mezzanine. 9pm, $30.

Bootie DNA Lounge. 9pm, $6-12. Mash-ups plus the Hubba Hubba Revue.

Booty Bassment Knockout. 10pm, $5. Hip-hop with DJs Ryan Poulsen and Dimitri Dickenson.

Club 1994 Paradise Lounge. 10pm, $10. With DJs Jeffrey Paradise and Richie Panic spinning like it’s 1994.

Cock Fight Underground SF. 9pm, $7. Locker room antics galore with electro-spinning DJs Earworm and Matt Hite.

Dead After Dark Knockout. 6-9pm, free. With DJ Touchy Feely.

Fire Corner Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests.

Fringe Madrone Art Bar. 9pm, $5. With DJs Blondie K and subOctave spinning indie music videos.

Full House Gravity, 3505 Scott, SF; (415) 776-1928. 9pm, $10. With DJs Roost Uno and Pony P spinning dirty hip hop.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Non Stop Bhangra Rickshaw Stop. 9pm, $20. With Dholrythms and DJ Jimmy Love.

Prince vs. Michael Madrone Art Bar. 8pm, $5. With DJs Dave Paul and Jeff Harris battling it out on the turntables with album cuts, remixes, rare tracks, and classics.

Puma’s World House Music Tour Vessel, 85 Campton, SF; (415) 433-8585. 9:30pm, $10. With DJs Sultan and Jasonn.

Saturday Night Soul Party Elbo Room. 10pm, $10. Sixties soul with DJs Lucky, Phengren Oswald, and Paul Paul.

Social Club Lookout, 3600 16th St, SF; (415) 431-0306. 9pm. Shake your money maker with DJs Lee Decker and Luke Fry.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Xeno and Oaklander, Epee Du Bois, Soft Moon Milk. 10pm. With DJs Omar, Justin, and Josh.

SUNDAY 16

ROCK/BLUES/HIP-HOP

Bullet for My Valentine, Chiodos, Airborne, Arcanium Regency Ballroom. 6:30pm, $27.

Clipd Beaks, Vampire Hands, Shattered by the Sun Hemlock Tavern. 9pm, $6.

Crash Kings Independent. 8pm, $12.

Faun Fables, Charming Hostess, Siamese Sirens Café du Nord. 8pm, $12.

Ben Folds and a Piano, Kate Miller-Heidke Warfield. 8pm, $38.

*Hypocrisy, Scar Symmetry, Hate, Blackguard, Swashbuckle DNA Lounge. 6pm, $18.

Set Your Goals, Comeback Kid, Title Fight, Story So Far Slim’s. 7pm, $16.

*Shattered Faith, Harrington Saints, Stagger and Fall, Psychology of Genocide Thee Parkside. 8pm, $8.

Sippy Cups Yoshi’s San Francisco. 2pm, $5-16.

Vienna Teng and Alex Wong Yoshi’s San Francisco. 5 and 7pm, $5-28.

JAZZ/NEW MUSIC

Sheila Jordan with Steve Kuhn Yerba Buena Center for the Arts, 701 Mission, SF; www.sfjazz.org. 7pm, $25-40.

SF Jazz High School All-Stars Yerba Buena Center for the Arts, 701 Mission, SF; www.sfjazz.org. 2pm, $5-15.

Wayne Wallace Latin Jazz Quintet Coda. 8pm, $10.

FOLK/WORLD/COUNTRY

El Deora, Rich McCully Thee Parkside. 4pm, free.

Marla Fibish, Erin Shrader, Richard Mandel and friends Plough and Stars. 9pm.

DANCE CLUBS

Bay to Breakers Breather Madrone Art Bar. 2pm, free. With DJs Kap10 Harris and Shane King spinning electro, bootybass, crunk, hyphy, rap, and more.

Call In Sick Skylark. 9pm, free. DJs Animal and I Will spin danceable hip-hop.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with J Boogie and Vinnie Esparza.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th St, SF; (415) 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Lowbrow Sunday Delirium. 1pm, free. DJ Roost Uno and guests spinning club hip hop, indie, and top 40s.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 17

ROCK/BLUES/HIP-HOP

Michael Burns Rite Spot, 2099 Folsom, SF; www.myspace.com/ritespot. 9pm, free.

Meta, Stirling Says, Burnt Thumbs Bottom of the Hill. 9pm, $8.

*Nashville Pussy, Dave Rude Band, Butlers Independent. 8pm, $15.

Unnatural Helpers, E-Zee Tiger Hemlock Tavern. 7pm, $5.

DANCE CLUBS

Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJs El Kool Kyle and Santero spinning Latin music.

Black Gold Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 18

ROCK/BLUES/HIP-HOP

Flood, Razorhoof, Asada Messiah Bottom of the Hill. 9pm, $8.

Groundation, Orgone, DJ Jeremiah Independent. 9pm, $27.

Inca Ore, Norman Conquest, Cartoon Justice, Strippers Amnesia. 9pm, $5.

Jackstraw, TV Mike and the Scarecrows, Forest Fire Café du Nord. 8:30pm, $14.

Shout Out Louds, Freelance Whales, Franks Great American Music Hall. 8pm, $17.

Terry Malts, Dirty Cupcakes, Sydney Ducks Hemlock Tavern. 9pm, $6.

*Toots and the Maytals, Rey Fresco Regency Ballroom. 8pm, $32.
FOLK/WORLD/COUNTRY
Brazilian Wax, DJs Carioca and Fausto Sousa Elbo Room. 9pm, $7.
Seisiún Plough and Stars. 9pm.
DANCE CLUBS
Alcoholocaust Presents Argus Lounge. 9pm, free. With DJ What’s His Fuck and DJ Chrome Dome.
Ceremony Presents "ICB" Knockout. 9pm, $5. Tribute to Ian Curtis and Factory Records with DJs Deadbeat, Yule Be Sorry, and Melanie Ann Berlin, with a live performance by Jealousy.
Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.
La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.
Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.
Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.
Womanizer Bar on Church. 9pm. With DJ Nuxx.

John Ross: To stop is to die

Zelda Bronstein
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John Ross: To stop is to die

Editors note: John Ross is finishing up a book tour across the United States, and sending us his impressions of Obamalandia. You can read some of his previous posts here, here and here.

  

I. Baltimore/Washington

 

The Amtrak rumbles into the back end of Baltimore past block after block of abandoned, boarded-up row houses ripe for burning. This city of such magnificent renegades as Edgar Allen Poe, John Wilkes Booth, and Billie Holliday is mapped by grimy pocket ghettoes that made Baltimore a perfect stage-set for “The Wire.” When contrasted against the gleaming, refurbished downtown, these crime-scene neighborhoods incubate urban uprising.  Red Emma’s is one of a skein of anarcho bookstores with names like Sedition, Monkeywrench, and Bluestockings that have welcomed me on this grueling odyssey across the underbelly of Obamalandia. I’m enlivened by the energies these oases exude. Contemporary anarchists seem to have little time for the crippling ideological jousting that drained the lifeblood of my generation. Those bad old days of Marxist Leninist Maoist Trotskyist Stalinesque backbiting seem an absurd nightmare on the barricades of change these days.  

Tiffany, a tenor saxophonist who day gigs at OSHA over in D.C. and puts in after hours at the bookstore-cafe, and I pitch in to unload a busload of Bread & Puppet props for a zany, Zen show at a cavernous performance space Red Emma’s maintains in a vacated church. I get to trundle in the head of Ben Franklin, the villain in B&P’s latest mini-extravaganza in which $100 bills are the most pertinent puppets. A half century after its founding even before Vietnam caught fire, the puppeteers are still serving bread and aoeli to grateful audiences.

In D.C., I speak at the Institute for Policy Studies, a perennial leftist sounding board four blocks north of the White House and a billion light years from power, about how Washington has hooked Mexico on drug war. It is my first visit to the nation’s capitol with a black president in residence in the house that slaves once built. The Capo de Tutti Capos of the most grotesque criminal conspiracy on earth is too overwhelmed by swelling catastrophe offshore in the Gulf that will make Katrina look like a summer squall, impending car bombs in Times Square, and an economy that continues in freefall, to take time out for a chitchat.

On the day I speak in Washington, Teabaggers and their ilk are massing across the Potomac in an open-carry anti-Obama rally — newspaper photos depict white American males with what look like rocket launchers slung over their shoulders. The threats of this nativist scum are not idle ones. The economic collapse has stoked the bumfires that burn fiercely in the dormant craters of the American volcano.

 

 

II. New York
My roots on the North American landmass snake under the lower east side of Manhattan. The Ross (nee Grossinsky) DNA is imprinted everywhere on these mean streets. My grandma Mamie Zief (Ellis Islandese for “Jew”) relocated from Poland to a Rivington Street tenement at the turn of the 20th Century. Although I grew up in the West Village, I went east at an early age; after fleeing the family nest I squatted in the Shastone Monument building on Essex and Houston before escaping to Mexico in the late 1950s. Two of my kids grew up on Second Street and Avenue A, and my son the hiphop mogul still lives 500 yards away from the old homestead (Dante and I are working on a book that bounces off our mutual addictions to black music.)  

My presentations in the Big Apple fit neatly into this geographical schema. I lecture at NYU’s King Juan Carlos Center, once the site of concrete basketball courts where I expanded oodles of adolescent energies. I talk to the Friends of Brad Will at the Sixth Street Community Center where the slain Indymedia journalist, a lower east side rabble-rouser during the darkest days of the Giuliani dictatorship, regularly practiced yoga. Justice for Brad Will remains undone.
And I am lured into Amy Goodman’s state-of-the-art lair for 20 minutes of fame. Democracy Now even sends a car to fetch me up to Chelsea and I induce the stern goddess of left radio to smile — but perhaps it was merely a grimace.  

New York is chockablock with “I Love/Hate New York” minutes. One morning I descend from Dante’s sixth story inferno for a double espresso and the Lowisaida is infested with cops. I approach one of New York’s Finest, an amiable Caucasian, and inquire about the blue plague: “it’s the Will Smith show,” he smiles mischievously. Just then a motorcade of 50 bullet-proofed black vehicles swings off Houston with their lights flashing and sirens screaming and heads down the Bowery to Cooper Union where our commander-in-chief is to make a major speech addressing financial “reform” (in Mexico, we call this “plugging up the hole after the baby has drowned.”)

Goldman Sachs vultures in dark suits and furrowed brows listen intently but go mum to the press when they deadhead downtown back to Wall Street to continue fleecing the public’s pocket.

I step around the corner onto Houston, where a large enigmatic Shepard Fairey montage that references climate change has just been tagged (Dante who is well-versed in such iconography, speculates that the culprit is a tagger named “Nah” who is dedicated to dissing the public art of the stars of this genre.) Gallery slaves have been bussed in to erase the offending stains.  I am wearing my Mexican Electricity Workers tee-shirt, whose black and red colors and clenched fist logo match Fairey’s throw-up, and I am suddenly surrounded by a bevy of documenterians, at least one of whom is just off the boat from Andalusia. They pose me against Fairey’s wall for a thousand-click fashion shoot. New York New York!

Ironically (a word that doesn’t have much scratch here in Gotham), the Banksy flick “Exit Through The Gift Shop” is playing at a grind house across Houston, a cheese ball mockumentary that destroys this world-famous outlaw’s once-pristine reputation for thumbing his nose at power. Indeed, the best thing about the movie is that it is playing right next door to the Yonah Schimmil knishery. I order a kasha knish and sign the guest book with Subcomandante Marcos’s rubric.  

Also a mandatory dining stop in the old neighborhood: the immortal Katz’s (“Send a salami to your boy in the Army”) where pushy New Yorkers of the Hebraic persuasion scuffle to be next in line at the counter of this now 100% Puerto Rican-run deli. The brisket is still to die for.

New York City and environs is now home to a half million Mexicans, mostly from Puebla state, whose slow country drawls are a foil for the tropical machine-gun accents of Puerto Ricans and Dominicans. The Poblanos work in the kitchens of yupped-up food palaces (16 Oaxaquenos were burnt to a crisp walloping pots up in “Windows On The World” on the 108th floor of the Twin Towers on 9/11 day) or slave in 24-hour grocery stores run by Arabs and Hindus and Koreans.  

Mexican elites who have fled here from their imploding fatherland do not much rub elbows with their impoverished compatriots, except when they employ them as maids and babysitters One of the few upsides of the new Arizona Breathing While Brown law is that former pundit and Foreign Minister Jorge Castaneda might be jailed by Sheriff Joe Arpaio and his storm troopers and forced to don pink underwear if he were to be stopped without papers in Maricopa County.

III. BOSTON

The new Boston Tea Party that catapulted Scott Brown into the suddenly Kennedy-less Senate is not an anomaly in a city where the name of Charles Stuart (Google him up) still rings a bell.  

I speak at the Harvard Coop to a handful of bedraggled Harvard Square denizens who have found sanctuary from a driving rainstorm in this hallowed readery. I am invited to the David Rockefeller Center for Latin American Studies to rant at the future leaders of Latin America — but none show up. I spend an engaging evening with Jack Womack, whose “Zapata & The Mexican Revolution” is still the definitive text on the struggle of the incorruptible revolutionary. Jack, now emeritus in Harvard Yard, recently rebuked the Mexican government by turning down a literary prize because of President Felipe Calderon’s role in the firing of 43,000 workers in an undisguised ploy to privatize electricity generation in Mexico, and is currently chipping away at his life work, a history of working class struggle in the state of Veracruz. Jack and I converse in an argot stippled with so many arcane references to social upheaval south of the border that FBI eavesdroppers could surmise we are planning a new Mexican revolution — which, 100 years to the date of the last one, is not such a bad idea.    

I warm up for May 1st rallies by urging attendees at community meetings at the UNITE building in Chinatown and a U-U church in Jamaica Plains to join the protests. There are two marches and rallies set for International Workers Day in Beantown, the bitter fruit of a split in the movement the seeds of which I could not divine.  

On the Boston Commons, I spiel about the first May 1st back in 1886 when 80,000 immigrant workers stomped through Chicago to demand the eight-hour day, a day of solidarity and struggle around the world everywhere except in the country where it was birthed. The Haymarket Martyrs join us for a stroll through the streets of downtown Boston, held aloft by the ubiquitous Bread & Puppet comrades.  

All across Amerikkka, immigrant workers, incensed by the enactment of a law that makes inhaling the air of Arizona a jailable crime if you are a person the color of the earth, were on the march, perhaps a half million (high end estimates) strong — as many as 200,000 in Los Angeles and another 100,000 in Chicago; 25,000 more in Dallas and significant turnouts in New York and Washington but only 6,000 or so in Boston to which Mexicans have migrated in smaller numbers.  

This year’s surge, which was dwarfed by the gargantuan outpourings of 2006, featured a marked absence of Mexican flags as undocumented workers chose to cloak themselves in the Stars and Stripes in response to the feeding frenzy of the Fox News lynch mob.  

Although the condemnation of Arizona Goddamn was vibrant, it must be noted that there have been as many ICE raids under the Obaminators as under Bush and the crackdown on employers is targeting union-organized janitors. David Bacon, whose reportage remains a light in this darkness, recently noted that 175 SEIU janitors are about to be fired in San Francisco, once a sanctuary city for labor.

The People the Color of the Earth rolled through the streets of east Boston with gusto. “No One Is Illegal!” Sandra, my displaced Chilanga guardian angel, and I yodeled in unison with the compas.  “Do I Look Illegal?” read the homemade banner draped around the shoulders of a skinny pre-teener. Many high schoolers wore caps and gowns to highlight the prohibitions on financial aid that doom their college educations to MacDonald’s Hamburger U.

Speaker after speaker in a park down by the harbor  — where, indeed a few hundred years back down the pike the original Boston Tea Party was staged — raged against a system that still consigns immigrant workers to the lowest step on the American food chain. “Justicia! Justicia!” they clamored and their cries were no less relevant than those uttered by the “Martires de Chicago,” as the Haymarket martyrs are known throughout Latin America. By the time I took the mic, all the words had already been spoken but I finished up with the chant of the pensioners’ movement in Mexico City in whose ranks I am enrolled: “Parar Es Morir!” — To Stop Is To Die!

Me and the Monstruo have come to the end of our three month 66 performance journey through Obamalandia but there’s one thing you can count on: “Parar Es Morir.”  I’m not planning on stopping (or dying) any time soon.
  
John Ross will be returning to Mexico in mid- May to begin work on a new book, “From Bebop To HipHop – Fathers & Sons.”  You can consult him on particulars at johnross@igc.org  
        

Live Shots: How Weird Street Faire, 05/09/10

Jesse Hawthorne Ficks
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0

When it comes down to it, we’re all a bit weird. At the back of every person’s drawer there’s at least one pair of sparkle-farkle leggings and a purple wig. (Weird!) After a long winter, the annual, music-filled How Weird Street Faire came at just the right time for everyone to go wacko and let loose for some spring silliness. Check out some of the looks.

SF nightclubs fight back with new organization

Sasha Cuttler
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8
SF nightclubs fight back with new organization

In the ongoing War on Fun in San Francisco, a new combatant officially entered the battlefield last night with the launch of the California Music And Culture Association (which strangely goes by the acronym CMAC rather than CMCA). It aims to be a political advocacy organization and to provide members with services such as neighbor relations advice, group insurance, and discounted legal services.

“We’re here to celebrate a new era of nightlife and entertainment in San Francisco,” CMAC President Sean Manchester, owner of Mighty and Wish, told a crowd at Mezzanine that included club owners, lawyers, promoters, performers, and politicians ranging from supervisorial candidates Scott Wiener from D8 to Debra Walker in D6. California Sen. Mark Leno also sent a formal resolution of support for CMAC.

A video prepared for the event included an even wider array of local figures extolling the importance of nightlife to San Francisco, including SF Convention & Visitors Bureau chief Joe D’Alessandro and San Francisco Planning and Urban Research Association (SPUR) director Gabriel Metcalf, who said, “I think it’s great that the nightlife industry is getting organized.”

That organization was prompted by threats and harassment from the San Francisco Police Department, the California Department of Alcoholic Beverage Control, neighbors of some clubs, and Mayor Gavin Newsom and others who have been on a campaign to demonize the industry and its regulation by the Entertainment Commission.

It’s a trend that the Guardian has been writing about for years, and one that I’ll be discussing this Tuesday as part of a panel assembled by SPUR that includes representatives from the SFPD and Entertainment Commission, as well as Sup. Bevan Dufty, who spearheaded the cancellation of Halloween in the Castro.

Benefits: May 5-May 11

David Talbot
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Benefits: May 5-May 11

Ways to have fun while giving back this week

Thursday, May 6

Art Changes Lives 2010: Celebrating Color
Attend this benefit auction for Creativity Explored programs, that positively impact the lives of artists with developmental disabilities and the community that is connected to them. Featuring mistress of ceremonies Peaches Christ, cuisine by Foreign Cinema, cocktails, live music, and more. Auction features original art by Creativity Explored artists. Guests are encouraged to wear chromatic attire.
6:30 p.m., $125
Foreign Cinema
2534 Mission, SF
www.creativityexplored.org

Hysteria
Attend this benefit for the Women’s Community Clinic, a non-profit health care provider for women in San Francisco, featuring a silent auction and a comedy performance by Maria Bamford.
6 p.m., $100
Jewish Community Center
3200 California, SF
hysteria.womenscommunityclinic.org

Kestral Sound Review
Enjoy this benefit project from a local collaborative of music lovers, where curators will showcase up and coming talent through a series of mini festivals they call “Volumes.” Proceeds from the first installment will go to help fight breast cancer. The festival to feature live performances by Bye Bye Blackbirds, Grand Lake, Misirlou, and more, art by Ted Folstand and KC Skinner, photography by Christine Zona, and more.
8 p.m., $5 donation
The Tempest
431 Natoma, SF
www.kestral.org

SF AIDS Foundation Leadership Recognition Dinner
Join other community members and allies in commending vanguards in the community’s efforts to end HIV and AIDS by honoring Dr. Grant Colfax, Director of the HIV Prevention and Research Section in the SF Department of Public Health AIDS Office, Lonnie Payne-Clark, California AIDS Hotline volunteer, fundraiser, and former board member of San Francisco AIDS Foundation and Pangaea Global AIDS Foundation, and Sports Basement, a sponsor and community partner of AIDS/LifeCycle and the Greater Than One training program.
6 p.m., $200
InterContinental Hotel
Grand Ballroom, 888 Howard, SF
(415) 487-3013

Friday, May 7

First Graduate
Attend this Cap and Gown celebration and help support First Graduate, an organization that helps local youth finish high school and become the first in their families to graduate from college. Featuring live jazz, food, dancing, and dessert.
6 p.m., $175
San Francisco City Hall
1 Dr. Carlton B. Goodlett Place, SF
www.firstgraduate.org

Saturday, May 8

National Kidney Walk
Take part in this fundraising walk to help provide resources and raise awareness for the 20 million people with kidney disease in the U.S.
9 a.m.; free to walk, walkers encouraged to raise $200
One Maritime Plaza
300 Clay, SF
www.kidneywalk.org

Peralta Elementary School Community Festival
Help support Peralta Elementary, an Oakland public school for kindergarten through fifth grades, at this spring festival featuring carnival games, sing a song and pot a plant, climbing wall, music, and edible carnival treats.
Noon – 4 p.m., free
Peralta Elementary School
460 63rd St., Oak.
(510) 658-8161

Sunday, May 9

Space Odyssey
Attend Southern Exposure’s annual fundraiser and art auction featuring live and silent art auction, creative projects, food and drink, and music. Proceeds help SoEx continue to be an independent local hub for the Bay Area visual arts community.
7:30 p.m., $35-$65
Southern Exposure
3030 20th St., SF
www.soex.org

Walk to Empower
Join over 1, 000 walkers participating in this Mother’s Day Breast Cancer Walk with a goal of raising $190,000 for those affected by breast cancer.
9 a.m., minimum group purchase of $50.00
Justin Herman Plaza
Market at Embarcadero, SF
www.networkofstrength.org

Pigs in Oakland

David Talbot
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Pigs in Oakland

arts@sfbg.com

LIT/NCIBA One gets the sense that Novella Carpenter can do anything. A girl from rural Idaho, she knows how to hack it in "scruffy, loud, and unkempt" Oakland, the murder capital of the United States, amid the drug deals, gun fights, and open prostitution on the urban fringe. She also maintains a healthy, active relationship with her auto mechanic boyfriend (described as "a love sponge"), her many friends, and her local community.

On top of these already impressive competencies, she probably knows as much as Laura Ingalls Wilder about farming: she can grow more types of vegetables than most of us have eaten or even heard of; harvest rainwater; keep bee colonies; make honey; and raise and slaughter chickens, geese, ducks, turkeys, rabbits, goats, and — Jesus Christ! — pigs. You learn all this and more in Carpenter’s urban farming memoir, Farm City: The Education of an Urban Farmer (Penguin, 288 pages, $16), winner in the Food Writing category of this year’s Northern California Independent Bookseller Awards. Unlike many others who’ve published books on their stellar accomplishments, Carpenter is bitingly funny, an immensely gifted storyteller, and likeable throughout.

Carpenter always knew that farming made her happy. But recalling the solitude she felt as a child growing up on a farm in Idaho, "a place of isolation, full of beauty — maybe — but mostly loneliness," she "chose to live in the city." At first she couldn’t decide which city she wanted to live in, despite the dearth of progressive cities to choose from. Portland was out of the question for being "too perfect." Austin was "too in the middle of Texas," and in Brooklyn there was "too little recycling." San Francisco was "filled with successful, polished people." So she chose to move to Oakland, which was "just right." In Farm City, Carpenter points to Oakland’s "down-and-out qualities" — the music scene, the scruffy citizenry "who drove cars as old and beat-up as ours" — that made it feel most like home.

Moving to Oakland was the first leg of Carpenter’s journey. The next was to turn her small part of the city into a "modified, farm animal-populated version." Indeed, it is Carpenter’s relationship with her fellow animals that provides the biggest, most startling revelations in Farm City. If you’re an animal lover at heart, as Carpenter is, it seems nothing short of barbaric to raise your own animals, grow to love them, and then stoically kill them one day. But Carpenter thinks the matter through in philosopher’s terms, describing animal husbandry as "a dialogue with life." Raising her animals to be eaten is not a matter Carpenter takes lightly — she recalls the many hours spent Dumpster diving for enough food to feed her ravenous pigs — and, part and parcel, she assumes their slaughter as her responsibility. To render the experience is one of her duties as a writer.

But turning her Oakland habitat into a farm was not an easy process. Farm City, which begins with a cheeky nod to Isak Dinesen’s Out of Africa ("I have a farm on a dead-end street in the ghetto"), chronicles the obstacles, frustrations, fumbles, and profound satisfactions of achieving a major accomplishment through innumerable and successive trials and errors. Carpenter may have a clucking henhouse today, but at one point she had to use Q-Tips and, when they failed, her own fingers to remove backed-up fecal matter from the "blocked buttholes" of her baby chicks (when you have them shipped, they tend to develop digestion problems). In her learning process, Carpenter leaves no stone unturned and no detail — not even baby chicken butts — unexamined.

Slightly off-key

David Talbot
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Slightly off-key

superego@sfbg.com

SUPER EGO "I was just in the bathroom splashing water on my knob," my excitable amigo Scottish Andy breathlessly dished at a mid-Market bathhouse-disco club last Saturday night. (You have to imagine this entire anecdote related in a hyper Scottish-Californian brogue. Like Highlander on poppers.) "And I heard someone majorly tooting in the stall. Snort. Snoooort. Like that. I thought, ‘someone is really sniffing the fuck out of their baggie in there.’ But then my friend came in and swung open the stall door and no one was in the stall.

"Marke! There’s a ghost doing coke in the bathroom!"

Perhaps that’s a metaphor for what dance floors around the world have sounded like for the past three years? Not just the whole disco-house-electro-wave-whatever revivalism thing, but a kind of ectoplasmic Hoovering of all of dance music’s past into a digital flush of half-heard echoes?

I drifted, boozily, from that club up to Triple Crown to check out Boston’s Soul Clap (www.soulclap.us), for my trick money the most rewarding DJ-production duo on the planet. The pair perfectly embody the now sound — ranging in reference from Motown to French electro, early blues to micro-house (with a special emphasis on late-’80s R&B) they smoothly discombobulate retro-fetishism to the point where you suddenly realize you’re throwing down hardcore to Chris Issak. Or are you? Soul Clap’s mid-tempo, ahistorical edits are cheeky sleight-of-ear. "There’s that wobbly brass blast from that early Heaven 17 12-inch floating over that Boyz II Men bass line," you think. But when you finally track it all down, you realize your self-satisfied trainspotting was slightly off. Soul Clap is making sounds that only sound like those sounds. Simulacrum disco. They have that now, on computers.

BONER FIESTA

Look, there are gonna be a lot of Cinco de Mayo parties — right now the thought of a shit-ton of drunk Americans celebrating Mexico seems, frankly, a relief. But only one party takes a sequin-sombreroed Alf as a mascot. That is electro-rock god Richie Panic’s weekly Wednesday Boner Party, and it will truly squeeze your lime and pop your piñata.

Wednesdays, 10 p.m., free. Beauty Bar, 2299 Mission, SF. www.beautybar.com

AYBEE

DJ Said’s soulful afro-house We & the Music monthly was off-the-chain at its April premiere (get there early) and shows no sign of stopping, this time around bringing in the fantastic Aybee of Deepblak Recordings. If you’re in the mood for dancing with a grin, I can’t recommend this enough.

Fri/7, 9 p.m., $7. 222 Hyde, SF. www.222hyde.com

SHOWNUFF

"I wanted to provide a remedy for music lovers who don’t usually catch live music late at night, a location that suits them, and prices that are easy on the pocket book," says promoter Conrad Schuman of his new Friday live-music happy hour, this week pumping with 11-piece funk explosion Stymie and the Pimp Jones Luv Orchestra, DJ Chris Orr, and Phleck. Don’t argue!

Fri/7, 5 p.m.-9 p.m., free. 111 Minna, SF. www.111minnagallery.com

THE TWELVES

Another intriguing duo, this time focusing on new electro from Brazil. I’m sweetly humming their new poppy-cowbell redo of Two Door Cinema Club’s "Something Good Can Work," which shows their range extends quite a bit beyond the "Rio de Janeiro’s answer to Daft Punk" descriptor they’ve been tagged with.

Fri/7, 10 p.m., $15. Mighty, 119 Utah, SF. www.mighty119.com

CHROME

The boys behind queer punk-rock extravaganzas Trans Am and Sissy Fit have revived their monthly nightlife ode to fixed-gear hotties (or whatever that new thing all the bike kids are into, I forget its name, I walk). DJs Pickle Surprise and Le Perv pump the rock and roll disco faggotry, while live electronic whiz SamuelRoy tunes the tranny.

Sat/8, 10 p.m., $5. Club 93, 93 Ninth St., SF.

Secrecy and criminality in the SFPD

Sasha Cuttler
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Secrecy and criminality in the SFPD

Today’s Chronicle unveils more problems at the scandal-plagued San Francisco Police Department, as well as the District Attorney’s Office, raising new questions about their commitment to public accountability and protecting civil liberties at a time when the SFPD is seeking more authority and asking for the public’s trust.

At issue are police officers with criminal histories and disciplinary records serious enough to warrant disclosure to the criminal defendants that they testify against in court, which the story indicates is more than 80 officers. Such disclosures have been a standard requirement for almost 40 years, but neither police nor prosecutors in San Francisco have been making them, a revelation that could overturn hundreds of felony convictions because of this official misconduct, the Chron reports.

That bombshell comes in the wake the SFPD’s crime lab scandal, in which lab technician Deborah Madden – herself a court witness with a criminal history that should have been disclosed to defense attorneys – is suspected of regularly stealing from the seized narcotics that she tested.

The SFPD and its undercover party-busting cop Larry Bertrand are also accused of harassing nightclub owners and patrons, busting private parties using excessive force and warrantless raids, and illegally seizing computers and other personal items – all while publicly seeking to discredit the Entertainment Commission and seize its power to shut down nightlife in the city, as well as seeking greater authority to roust and threaten vagrants by proposing a law to ban sitting or lying on city sidewalks.

SFPD officials have repeatedly claimed the agency can be trusted not to abuse these new authorities, but the latest revelations about criminal cops highlights how difficult it is for the public or the press to keep tabs on the agency.

The Guardian today sent the SFPD a Sunshine Ordinance request for the names and violations of the officers in question, but if the past is a predicator, it’s likely to be denied with the claim that such records are exempt under the Peace Officers Bill of Rights, a state law with strict privacy protections for cops.

Even defense attorneys who have well-established rights to examine an arresting officer’s criminal and disciplinary histories through what’s known at Pitchess motions are routinely stonewalled by the SFPD, say defense attorneys. For example, attorneys for Arash Ghandan, an alleged victim of Bertrand’s brutality and retaliation, are now having a hard time getting information on the officer’s history. “We are in a battle for Bertrand’s personnel file,” Ghanadan’s attorney, Steve Sommers, told the Guardian. “The city of San Francisco just does not hand over documents without a fight.”

In 2006, former SDPD attorney Reno Rapagnani and his wife, former SFPD Sgt. Leanna Dawydiak, raised the issue of SFPD secrecy, its pattern of routinely shielding problem officers from discipline and public scrutiny, and retaliating against whistleblowers – and were then subjected to a witch hunt that forced them out of the department.

More recently, SFPD and its powerful Police Officers Association succeeded in watering down an early warning system for violence-prone officers, removing a number of triggers – such as resisting arrest and assault on a police officer charges that often accompany cases of abusive police conduct – that had been recommended by a police practices expert and which are currently used in San Jose and other cities. 

Meanwhile, District Attorney Kamala Harris, a candidate for California Attorney General, is also being criticized for the latest scandal. Under the Penal Code, she bears the responsibility for ensuring that her prosecutors are doing background checks on all witnesses and sharing that information with defense attorneys.

“Ultimately, the district attorney has to answer for this. It is the prosecution’s duty to check the criminal backgrounds of officers called to testify. That never happened, and as a result, people have been denied fair trials,” Public Defender Jeff Adachi said in a press conference on the issue this morning.

The tough-on-crime era of the 1990s — when politicians, police, and prosecutors did all they could to create new laws and enforcement powers – is over, and we have a severely overcrowded prison system to show for its short-sightedness. But that mentality continues to guide the SFPD.

Since the arrival of Police Chief George Gascon from Arizona last August, SFPD has undertaken a series of crackdowns, including hundreds of drug arrests in the Tenderloin, raids on marijuana-growing operations in the Sunset and parties in SoMa, citing Dolores Park-goers for drinking, and, on Friday, giving at least two Critical Mass bicyclists tickets for amplified music. He’s also said he wants more power to discipline problem officers, but he has yet to show that’s anything more than just talk.

Perhaps now it’s time for the pendulum to swing back in favor of restoring damaged civil rights and raising our expectations of the agencies that have such power over our daily lives and freedom. The SFPD should adequately police itself before it looks for new ways to police the rest of us.   

Our 2010 Small Business Awards

Jesse Hawthorne Ficks
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0
Our 2010 Small Business Awards

culture@sfbg.com

The mallification of America continues apace, with faceless conglomerates training new generations of shoppers to look for the cheapest deals at bland big box outlets, regardless of what “cheap” might actually mean in terms of pollution, transportation, labor, and the local economy. (For starters, out of every $100 dollars spent at a big box, only $43 remains in the local economy, compared to $68 if you buy local.) But in San Francisco at least, the little guys keep on swinging, maintaining unique shops and service companies with a vibrant local feel and contributing to the patchwork of optimism, individuality, and community effort that make the city great. Each year, we honor several of them for sticking to their guns and pursuing their visions.

 

WOMEN IN BUSINESS AWARD

DEENA DAVENPORT, GLAMA-RAMA SALON

“The higher the hair, the closer to God,” a wise Southern drag queen once said. Here in San Francisco, one of our own heavenly salons, Glama-Rama, is about to get a whole lot more divine, expanding from its homey kitsch digs in SoMa to a new 2500 square foot space on Valencia Corridor, creating 16 new jobs. The driving force behind that expansion is owner Deena Davenport, who combined her hairdressing talent, natural business acumen, and deep connection to the local arts scene into a formula for sheer success when she opened Glama-Rama 11 years ago.

“My dream was not to have a business, but a community space,” Davenport told me. “I wanted a place for all my gifted friends to express themselves. Not just our excellent stylists, but artists, designers, musicians, event producers — we all came together to make this happen. I think that’s the key to our success. We work with all kinds of styles and we don’t price ourselves out of the nonprofit sector. That allows a great mix of clientele, and an element of comfort for everyone.”

Davenport, a creative blur, plans to kickstart a Valencia Corridor merchants association once she gets settled in, and dreams of a future in politics. (She currently hosts a show on Pirate Cat Radio and appears onstage in local productions.) “I’m fortunate to have always had great friends and great landlords — and to be in a business the Internet can’t compete with,” she says.

“By the way, the new space will be two shades of cream with gold accents,” Davenport adds, ever the stylish professional. “We’re taking off our Doc Martens and putting on some heels.” (Marke B.)

GLAMA-RAMA

304 Valencia, SF

415-861-4526

www.glamarama.com

 

GOLDEN SURVIVOR AWARD

CAFÉ DU NORD

It’s no secret that nightlife in San Francisco has taken a big hit lately. A combination of economic woes and persistent crackdowns by the Department of Alcoholic Beverage Control and local police, a.k.a. the War on Fun, has taken its toll — even on 100-year-old live-venue mainstays like Café Du Nord.

“It’s been tough for us and for everyone out there,” says Guy Carson, who took over the space with Kerry LaBelle in 2003. “They don’t call it ‘hard times’ for nothing. But we love what we do, and we know how to run a quality business. I’ve been promoting live shows since I was nine years old, so you know it’s what I love. You have to be willing to weather the storms.”

The intimate basement space retains its speakeasy vibe and velvet-curtained, cabaret-like setting, while playing host to mighty big names and burgeoning local upstarts. As a “venue with a menu” that serves food and puts on all ages and 18+ shows, Café Du Nord has been specifically targeted by the city and ABC for what Carson calls “differing interpretations of the law.” He looks forward to the upcoming launch of the new California Music and Culture Association, which will bring together several local venues and nightlife activists to fight the tide of local nightlife repression. “When we all work together, we can return the city’s nightlife to its former glory,” Carson says. (Marke B.)

CAFÉ DU NORD

3174 Market, SF

(415) 861-5016

www.cafedunord.com

 

GOOD NEIGHBOR AWARD

OPPORTUNITY FUND

Eric Weaver put his first nonprofit loan package together in 1995. His small startup, called Opportunity Fund, helped brothers who wanted to expand their pet shop borrow $17,000 for aquariums and fish. The deal worked out well; the pet store prospered, the money got repaid, and Opportunity Fund was on its way to becoming one of the most successful microlending outfits in California.

Weaver, a Stanford MBA and the fund’s CEO, now oversees a staff of 35 that makes loans to small businesses, most of them minority owned, that might have trouble getting financing from a traditional bank. And the nonprofit continues to grow by helping entrepreneurs in the Bay Area get the financing they need to create jobs and build community businesses. “We just made our 1,000th loan,” he told me. “We’re on target to make 200 loans this year, more than ever.”

Unlike most banks, Opportunity Fund sees its clients almost as partners. The staff takes time to help borrowers work up a successful business plan and learn how to manage their finances. “We do one-on-one business counseling with almost all of our clients,” Weaver said.

The group also helps finance affordable housing developments and offers individual development accounts (IDAs)— special savings accounts that come with financial training and grants — for everything from education to home purchases to putting aside the cash it now takes to become a U.S. citizen.

A recent study showed that Opportunity Fund has created or retained 1,200 in the Bay Area. “With a median loan size of $7,000, and a focus on making loans to people who have historically been underserved by banks, Opportunity Fund has been a particularly valuable resource for women, minority, and low-income entrepreneurs,” Weaver noted. He added that 73 percent of Opportunity Fund borrowers are members of an ethnic minority, and 90 percent of borrowers have incomes at or below 80 percent of area median income.

Imagine a traditional bank making a statement like that. (Tim Redmond)

OPPORTUNITY FUND

785 Market Street, Suite 1700, SF

408-297-0204

opportuityfund.org

 

CHAIN ALTERNATIVE AWARD

NORTHERN CALIFORNIA INDEPENDENT BOOKSELLERS ASSOCIATION

Independent booksellers are a wonder. Up against giant chains like Wal-Mart, facing technological changes like Kindle and online behemoths like Amazon.com (which doesn’t even have to pay state sales taxes), it’s hard to believe they can even survive. Yet they do — in fact, the Northern California Independent Booksellers Association keeps growing.

“The mainstream press wants to write about bookstores closing,” Calvin Crosby, NCIBA’s vice president, told me. “But actually, stores are opening. We have two new members this year.”

The booksellers group keeps the small, community-based stores in the public eye, with promotions, events like the annual NCIBA awards (see page 28) and political lobbying (NCIBA is a big supporter of a bill by Assembly Member Nancy Skinner, D-Berkeley, that would force Amazon to pay sales tax).

One of the group’s biggest tasks is education — reminding the public that local bookstores serve a critical function. “I was at a book-signing recently with a major author, and a bunch of people showed up with books they bought on Amazon and they wanted to trade them for signed copies,” Crosby, who is community relations director at Books Inc., recalled. “I had to explain to all of them that Amazon doesn’t pay taxes and hurts the locals.”

And with 300 bookseller members, NCIBA is helping preserve the notion that buying a book from someone who actually cares about books is an idea whose time will never pass. (Redmond)

NCIBA

1007 General Kennedy, SF.

415-561-7686

www.nciba.com

 

SMALL BUSINESS ADVOCATE AWARD

KEITH GOLDSTEIN

“Money spent in a small business — far, far more of it stays here in the neighborhood than with a chain store,” says Keith Goldstein, president of the Potrero Hill Association of Merchants and Businesses. A Potrero Hill resident since 1974, and owner of Everest Waterproofing and Restoration, Inc., Goldstein has spent the last six years with the merchant’s association promoting a sense of community in the inclined blocks of Potrero.

He’s overseen the growth of the Potrero Hill Festival from what he calls “a small affair” to a yearly event that’s “great for residents and businesses,” and also serves on the Eastern Neighborhood Advisory Committee, where he works on issues, like new transit plans, that affect local businesses.

Somehow he has found the time to start SEEDS (www.nepalseeds.org), a group that provides infrastructure and health support to underserved Tibetan villages, and is involved in Food Runners (www.foodrunners.org), an organization that links homeless shelters to food sources.

The superlative community member incorporates the ‘buy local’ mentality into every aspect of his life, even placing the administration of the health care plan for his 50 employees into the hands of a fellow Potrero Hill Merchant’s Association member. “It’s all richly rewarding,” Goldstein says of his hands-on role in his neighborhood’s economic viability. “I like to walk around the hill and be able to chat with my neighbors about quality of life issues.” (Caitlin Donohue)

KEITH GOLDSTEIN

Potrero Hill Association of Merchants and Businesses

1459 18th St., SF.

(415) 341-8949

www.potrerohill.biz

 

EMPLOYEE-OWNED BUSINESS AWARD

RED VIC MOVIE HOUSE

“Once it got going, it was like a perpetual-motion machine. And I have to say, I think it was the collective nature of the thing that’s kept the Red Vic going this long,” says Jack Rix, long time worker and cofounder of the Red Vic Movie House, which celebrates its 30th anniversary this year.

The Red Vic’s employees put a lot into the neighborhood theater’s showings of unique and classic flicks. Each worker-owner does a little of everything, from sweeping the lobby floor to washing dishes. “We’re all utility players here, this is very much a labor of love,” Rix says. Launched in 1980 by community organizers, the theater’s focus has not only been on providing great movies but doing it sustainably, installing solar paneling on the roof and eschewing paper products. “Back then I don’t think the phrase ‘green’ existed,” Rix recalls. “We were trying to be ‘green’ and we didn’t even know it!”

The Red Vic’s workers aren’t the only ones with a certain affection for the theater’s bench seating, environmentally friendly ceramic coffee mugs, and wooden popcorn bowls. Rix says some Upper Haight residents will wait for blockbusters to make their way out of “corporate” movie cinemas to the Red Vic’s second-run screen. “We’re very much a community theater,” he says proudly. (Donohue)

RED VIC MOVIE HOUSE

1727 Haight, SF

(415) 668-3994

www.redvicmoviehouse.com

 

CHAIN ALTERNATIVE AWARD

OTHER AVENUES

Nestled in a part of the city best known for its tiny pastel homes and bracing sea breezes, Ocean Beach’s Other Avenues is everything you could desire in a neighborhood grocery store: Warm atmosphere, vast swaths of bulk food bins, and a well-edited health food selection, including vitamins, medicines, and cheery shelves of produce. Plus health insurance for all its knowledgeable employees.

Trader who? No need for big box stores near Other Avenues, which has earned a loyal clientele in the 36 years since it first opened its doors. “Since we’re a co-op, I like to think of us as a giant organism,” says Other Avenues worker Ryan Bieber. “Occasionally we lose parts and regrow them. A lot of customers have been coming here for 10, 20 years.” Their loyalty might be in response to Other Avenues’ commitment to keeping its beachside clientele healthy and well. “The aim is to make sure that people have access to things like this,” says Bieber.

Asked what he thinks would happen if one of the chain grocery behemoths encroaches on the shop’s territory, Bieber is unconcerned. “I think people will come here regardless. [We] have been doing this forever and we take pretty good care of ourselves. I think our customers really respond to that. We wouldn’t want a world where there was only Whole Foods — that’d be too boring!” (Donohue)

OTHER AVENUES

3930 Judah, SF

(415) 661-7475

www.otheravenues.coop

 


ARTHUR JACKSON DIVERSITY IN SMALL BUSINESS AWARD

RAYMOND OW-YANG

Raymond Ow-Yang tends to downplay the impact he’s had on the North Beach-Chinatown artistic landscape. The owner of New Sun Hong Kong restaurant, Ow-Yang put up the funds to have the iconic Jazz Mural painted on the Columbus and Broadway walls of his Chinese restaurant. The artist Bill Weber approached him in 1988 — securing an approximately $70,000 aesthetic gift to the community that Ow-Yang has never sought public recognition for.

“Back then you’re young, you have no brain. I thought, this is nice — it’s something you do because you feel like it,” Ow-Yang recalls dismissively.

“Nice”is an understatement. The mural, which depicts famous San Francisco figures and scenes, has become one of the neighborhood’s visual joys, stopping tourists in their photo-snapping tracks. The gift reflects Ow-Yang’s commitment to the streets he grew up on

He immigrated to Chinatown from Canton in 1962, at age 13. A lifelong entrepreneur, Ow-Yang owned a photo studio, a floral shop, and a restaurant in Oakland’s Chinatown (the original Sun Hong Kong) before opening at 606 Broadway in 1989. The restaurant is open until 3 a.m. every day — a timetable residents can appreciate for more reasons than just Ow-Yang’s post-bar won ton soup. “Before, people were afraid to walk through this area,” says the businessman. “Now there’s a lot more foot traffic — the city even put up traffic lights. With the bright lights [from New Sun Hong Kong], it’s a lot safer in this area.” (Donohue)

RAYMOND OW-YANG

New Sun Hong Kong

606 Broadway, SF

(415) 956-3338

 

A roar from underground

David Talbot
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0
A roar from underground

arts@sfbg.com

MUSIC When asked if it’s a good time in history to be in a sludgy, uncompromising heavy metal band, High on Fire’s Matt Pike stifles a chuckle: “It is for me, man!” Reached by phone in Los Angeles as he prepares for a show at the El Rey Theatre, Pike is far from loquacious, but clearly enjoying the arrival of hard-earned, well-deserved success. His band, a thunderous, heavily-distorted power trio, bastard son of St. Vitus and Slayer, just signed on for a string of European dates opening for Metallica.

Before they set off across the Atlantic, High on Fire will appear at Oakland’s Fox Theater to play a concert called the Missing Link, a weighty omnibus of a heavy metal bill that brings together two potent touring packages, their itineraries cleverly fused into one mammoth night of music. Pike’s band is joined by tour-mates Priestess, Bison B.C., and Black Cobra. Headliners Mastodon deploys its own retinue of support: Between the Buried and Me, Baroness, and Valient Thorr.

The bands at the top of the bill are living proof of this epoch’s friendly attitude toward challenging, underground heavy metal. Mastodon charted at No. 11 with 2009’s Crack the Skye (Warner Bros.) and Between the Buried and Me hit No. 36 with The Great Misdirect (Victory). Oakland native sons High on Fire stormed into the limelight in February 2010; Snakes for the Divine (E1 Music) debuted at No. 62. Baroness’ Blue Record (Relapse) was the critical darling of 2009 — Decibel magazine named it album of the year — and it peaked at No. 117.

Those still working their way up from the bottom are no less optimistic. Speaking on the phone while peregrinating around L.A., Jason Landrian, singer/guitarist for crushing S.F. duo Black Cobra, is loving life. “I think it’s a great time to be in a heavy band. There are a lot more people paying attention and taking the music a lot more seriously.” Black Cobra, which was recently signed by legendary label Southern Lord Records, has ample experience with and appreciation for the bands it will share the stage with at the Fox. “For us,” Landrian says, “it’s a thrill to be involved with what seems like a cross-section of what’s going on right now in the underground scene.”

Superficially, the bands on the bill are easy to circumscribe within geographical boxes. Mastodon and Baroness both hail from Georgia, a state that is quickly becoming one of the nation’s most fertile breeding grounds for independent metal. Between the Buried and Me and Valient Thorr are also from Dixie, storming out of North Carolina university towns Greensboro and Chapel Hill, respectively. Priestess was founded in Montreal, and Bison B.C. in Vancouver (in the eyes of American rock critics, everything Canadian seems related). Black Cobra and High on Fire represent the Bay Area.

Yet this sort of convenient compartmentalization is redolent of a scene-based musical analysis that is rapidly becoming obsolete. A generation that came of age during the sodden triumph of the “Seattle sound” has matured into an army of bands that defy physical space. The insidious tentacles of social networking and the exponentially expanding capacity of cheap bandwidth have enabled independent musicians to bridge vast distances, to identify kindred spirits and isolated fans. Early Black Cobra material was written while the band’s two members resided on different coasts, swapped back and forth methodically with the click of a mouse. The Internet has been a boon to concert bookers and promoters as well, allowing them to ferret out undeserved markets and spread the digitized word.

Looking back through lists of past tour dates, the connections and inter-pollinations among this underground army of heavily distorted road warriors are practically infinite. It seems as if every band has toured with every other band on the Missing Link roster at least once. “We’ve known those guys forever,” Pike says when asked about Mastodon, and it’s only partly hyperbole — the members of Mastodon met at an Atlanta High on Fire show in 1999.

Though today’s metal vanguard takes advantage of technological innovations, it’s the relentless touring that reaps rewards. And while life on the road has its costs, the new century’s burgeoning crop of itinerant headbangers can depend on a tight-knit nomadic community — bearded and unwashed — that grows stronger by the day. “It’ll be a reunion with friends, which is a cool thing,” says Landrian. “You end up meeting all these people, touring around, and when you get a show like Missing Link happening, everybody knows each other.”

Armed with vans, smart phones, and arsenals of crushing riffs, the bands of Missing Link have the entire continent at their disposal. It’s a far cry from the specter of the 1980s, poisoned by feuding thrash titans and the internecine, hair-sprayed fist-fight for scraps from the Sunset Strip table. “That’s the thing about this underground metal scene,” Landrian says beatifically. “Everyone’s working together. There’s not a lot of ‘Oh, we’re competing with these bands to be in a position of honor.’ There’s a lot of camaraderie. Everybody sees each other in the same light.”

THE MISSING LINK

Mastodon, Between the Buried and Me, High on Fire

with Baroness, Priestess, Valient Thorr, Black Cobra, Bison BC

Sat/8, 4 p.m., $35

The Fox Theater

1807 Telegraph, Oakl.

(510) 302-2277

www.thefoxoakland.com

 

The voice of fun

David Talbot
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0
The voice of fun

steve@sfbg.com

In the midst of a crackdown on San Francisco nightlife, club operators, promoters, entertainers, and supporters of a vibrant urban scene have formed a new lobbying group that seeks to offer a united voice in favor of fun.

The California Music And Culture Association (CMAC), a nonprofit advocacy and education group, launches its first chapter in San Francisco this week.

Discussions about the need to organize have been going on for years among the owners of local nightclubs such as Bottom of the Hill, Mighty, DNA Lounge, and Café Du Nord. They were initially triggered by arbitrary enforcement actions by the California Alcoholic Beverage Control (ABC) and persistent noise complaints by a handful of NIMBY neighbors (see “Death of fun,” 5/24/06 and “Death of fun, the sequel,” 4/24/07).

But in recent months, conflicts between the culture-creators and enforcement agencies have come to head, driven by an aggressive crackdown on parties and clubs led by ABC agent Michelle Ott and San Francisco cop Larry Bertrand (see “The new war on fun,” March 23) and efforts by Mayor Gavin Newsom and other officials to blame youth violence on the entertainment industry.

“This is certainly as bad as it’s ever been,” said Guy Carson, owner of Café Du Nord and a CMAC board member who has run San Francisco nightclubs for 26 years. “We needed an organization that can speak for us.”

So dozens of nightlife advocates have pooled their resources to create CMAC. The organization is supported by membership dues and aims to follow a model similar to the San Francisco Bicycle Coalition, which has more than 11,000 members and has been effective at advocating for their interests.

What’s at stake, Carson said, is San Francisco’s reputation as a vibrant, world-class city that nurtures its artists and welcomes those who come into town for parties and events.

“Do we want to look like Walnut Creek?” Carson asked rhetorically. “I came here because I like a vibrant arts scene, and that requires an infrastructure. It doesn’t happen in a void.”

He said City Hall and the enforcement agencies have lost sight of the important role nightlife plays in creating the city’s culture, and how aggressive enforcement efforts can push club owners — many who are “struggling to survive,” Carson said — over the edge.

“There is a void in the political and public perception of nightlife,” said Frieda Edgette, an employee of the politically connected firm Barbary Coast Consulting, which helped launch CMAC. Edgette added that the group’s goal is “to empower and provide a voice for a constituency that hasn’t had a voice.”

Beyond advocating for the interests of members at city and state levels, CMAC will serve as an information clearinghouse on best practices for maintaining good neighborhood relations and research into the importance of the industry to the economy.

“I’m not sure club owners do all they can to foster good relationship with their neighbors,” said Tim Benetti, owner of Bottom of the Hill, a former deputy city attorney, and current CMAC board member. “So we can play a big role in educating our members.”

Yet he said that a far bigger problem has been the polarization between the nightlife community and entities that try to demonize and scapegoat it for problems ranging from noise to drugs to violence. “There is an antagonism that has developed between nightclubs and enforcement agencies, and we want to end that antagonism,” Benetti said. “Right now, there’s no dialogue.”

Or as Edgette said, “We want to bring all the parties to the table to have a holistic discussion about nightlife.”

So far, efforts to open up that dialogue have gone nowhere. Attorney Mark Webb, who represents some of the victims of harassment and brutality by Bertrand and Ott, publicly called on Newsom to mediate the dispute in March. But he was rebuffed, so last month he filed a racketeering case against the city, arguing that police shakedowns of legal activities amount to a criminal enterprise.

“I was quite disappointed at the reaction to this case,” Webb said. “It’s fallen on deaf ears in terms of trying to get Newsom or others in power to deal with it. Now it’s just in the pile of lawsuits.”

Last week the City Attorney’s Office had the case bumped up to federal court, and Webb said he has subpoenaed police records and sought depositions from Bertrand and his supervisors. Another lawsuit, brought by promoter Arash Ghanadan after he was arrested and, he charges, brutalized by Bertrand in retaliation for filing an earlier complaint, is also being contested by the city.

“We are in a battle for Bertrand’s personnel file,” said Ghanadan’s attorney, Steve Sommers, who is also seeking to depose Police Chief George Gascón about the matter.

State Sen. Mark Leno has helped to mediate the disputes and has been in touch with ABC chief Steve Hardy. “I think we’re going to see some improvement,” Leno said. “I don’t know how aware he was of the activities at the local level.”

Those activities include citing nightclubs for not serving enough food, repeatedly harassing customers at certain disfavored clubs, pursuing noise complaints on behalf of particularly sensitive neighbors, and announcing a crackdown on bars serving infused liquors.

Leno welcomed the creation of CMAC and said that it will be an important voice for a vital and under-appreciated industry, both in San Francisco and in Sacramento, where Leno unsuccessfully pushed legislation to extend the operating hours of nightclubs a few years ago.

“I applaud this effort,” Leno said of CMAC. “There is great wisdom to advocating for this on a statewide basis.” 

CMAC LAUNCH PARTY

With DJs J Boogie, Motion Potion, and more

Thu/May 6

7–11 p.m., $10

Mezzanine

444 Jessie, SF

Lydia Pense & Cold Blood shake the Biscuits and roll the Blues

Jesse Hawthorne Ficks
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1

By Lilan Kane

After 41 years together, local blues-funk outfit Cold Blood still sounds exactly like I imagine they would have when they were fresh to the scene back in the Bill Graham days. I never had the chance to see them before, so the evening I finally caught them, on April 23, was a particular treat for me, an avid Lydia lover. Of course I’m talking about lead singer Lydia Pense. It is near unbelievable how such a big a voice comes out of her pint-sized frame. Time has not faded her soulfulness by any means — she still holds it down like a female James Brown.

On this night, Cold Blood served up a bucket of soul at the popular SF live music venue Biscuits & Blues.  The band consisted of a multi-faceted trumpet-flugelhorn-congas-percussionist, a keyboardist, guitar, bass, and drums.  Opening the night with a cult classic, they performed the popular Willie Dixon tune “I Just Wanna Make Love To You.” This song segued into several cuts from their album, Transfusion, and other hits. The first set also offered a sneak peak into some of the new material that will be released this fall on their first record in years. Fans will not be disappointed from what I heard.

http://www.youtube.com/watch?v=Z8WAW-7FAXA

But it was their second set that really got me hummin’. They pulled out several hits off their most popular record, Sisyphus, including “I’m A Good Woman,” “Funky On My Back,” and for the first time in twenty years, “Too Many People.”  Their cover of “Kissing My Love” was tasty and would have made Mr. Withers proud.  The mélange of macaroni & cheese croquets and original Fillmore soul was the perfect fit for a Friday night in the city.  Their horn section is still on point, the guitar is funky, the keyboards are fresh, the bass and drums are locked in the pocket, and Lydia is on fire.  If you haven’t heard of them or haven’t seen them live, imagine this: Janis Joplin & Big Brother meets Tower of Power meets James Brown.  Be on the lookout for their album set to release this fall.

Event Listings

David Talbot
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0

Event Listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

WEDNESDAY 5

California Nights: Cinco de Mayo California Historical Society and Museum, 678 Mission, SF; (415) 357-1848. 6pm, free. Celebrate Mexico’s victory over invading French troops in 1862 and the continuous changes and developments in Latino communities throughout California since that time. Featuring complimentary Cinco de Mayo refreshments, DJ music, and admission to the museum’s Think California exhibit.

BAY AREA

Arctic Images David Brower Center, 2150 Allston, Berk.; (510) 550-6700. 6pm; free, RSVP at www.earthjustice.org/arctic. See the beauty of the Arctic along with the impending threats to this iconic region at this photo presentation with acclaimed wildlife photographer Florian Schulz.

THURSDAY 6

Fair Trade Wine Night Participating bars around the city, SF; www.fairtradewinenight.com. 7pm, free admission. Drink wine that tastes good and does good, where $1 from every glass you order will go to TransFair USA, a non profit dedicated to ensuring fair wages, safe working conditions, education for workers’ kids, and health care access for all workers.

Letters from the Other Side ATA, 992 Valencia, SF; (415) 821-6545. 7:30 p.m., $6 suggested donation. Watch this film that documents the realities of immigration and the families left behind through video letters carried across the U.S.-Mexico border, putting a human context onto the immigration debate. Sponsored by the A.N.S.W.E.R. Coalition.

FRIDAY 7

BAY AREA

Oakland Art Murmur Centered around 23rd St. and Telegraph, Oak.; oaklandartmurmur.com. 7pm, free. Wander between 19 Oakland galleries enjoying local art, free wine and snacks, occasional outdoor movies and other surprises. Participating galleries include Front Gallery, Mercury 20, Chandra Cerrito, Rock Paper Scissors Collective, and more. For a full list of participating galleries and for a map visit, oaklandartmurmur.com/map.

SATURDAY 8

Aorta Magazine Million Fishes Arts Collective, 2501 Bryant, SF; www.aortamagazine.com. 8pm, $5-10 sliding scale. Enjoy radical readings of poetry and prose, visuals, live music, and a dance party with DJ Puppet at the release party for the new issue of Aorta Magazine, Cardiac Unrest. Aorta is a self-produced, collectively-created publication that features emerging and established female, queer and transgender artists.

Art, Om, and Fortune Cookies Meet at sculpture on Patricia’s Green, Octavia at Hayes, SF; www.sfbike.org. 11am, $5 donation. Join local artists Erin Augustine and Colleen Mauer for a biking tour of the best outdoor sculptures in SF, followed by a mini-tour of the Golden Gate Fortune Cookie Factory and some light yoga. Bring a sketch book, camera, and thermos of tea.

Bacon Camp Chez Poulet, 3359 Cesar Chavez, SF; baconcamp.org. Noon, free. Share and learn about bacon in an event filled with discussions, demos and participant interaction centered around the uniting theme…bacon. Everyone is encouraged to participate by presenting food, art, demonstrations, judging contests, or volunteering.

Family Art Workshop The Imagine Bus Project, 342 9th St., SF; (415) 252-9125. 1pm, free. Explore an art exhibition from students who participate in the Imagine Bus Project’s after school programs, join in an art workshop led by Marcela Florez, and help create a short illustrated story about "The River of Things I Dream About," that will be included with the exhibit for its duration.

Meet the Animals Randall Museum, 199 Museum Way, SF; (415) 554-9600. 11am, free. Meet a variety of interesting creatures, from rodents to reptiles to birds of prey, that the Randall Museum provides a home to because they can no longer survive in the wild, and learn about California’s diverse and disappearing wildlife. This event is happening every Saturday in May.

BAY AREA

Pagan Festival Martin Luther King Jr. Civic Center Park, Berk.; thepaganalliance.org. 10am, free. Noon parade through Berkeley. Enjoy a procession, interfaith ritual, traditional dance, music, poetry, crafts, authors circle, vendors, food, altars, and more. This year’s theme is "Spiral of Life," which focuses on the turning of the wheel through the seasons and the stages of our lives.

Sweet and Savory Festival Jack London Square, 20th St. at Webster, Oak.; www.sweetshoppefests.com. Sat. 11am-10pm, Sun. 11am -6pm; $12. Celebrate all that is sweet at this two-day confectionary festival featuring goodies from SF Bay Area pastry chefs, confectioners, cupcake fairies, local restaurants, cheese makers, and more including a Champagne Bubble Bar.

SUNDAY 9

How Weird Street Faire Centered at Howard and 2nd St, 37° 47′ 12.4? N x 122° 23′ 53.7? W
San Francisco, Earth; howweird.org. Noon – 8pm; $10 suggested donation, $5 in costume. Enjoy ten blocks of art and celebration, and ten stages of music playing electronica, downtempo, dubstep, breaks, drum and bass, and more. Also featuring performances, colorful costumes, vendors, food and drinks, and a chance to take part in the setting of a new world record at 7:40pm, when all the stages broadcast a special peace song and revelers are invited to join in on the World’s Largest Bollywood Dance.

Walk the Tenderloin Meet at Powell, Eddy, and Market Streets, SF; www.sfcityguides.org. 9am, free. Explore the Tenderloin that evolved from an isolated rural village to it’s crucial role in the start of the California movie industry. Learn about famous madams, see where Billie Holiday was busted for opium, and discover the neighborhood poker clubs.

MONDAY 10

"Leaders at the Lab" Margaret Jenkins Dance Lab, Suite 200, 301 8th St., SF; (415) 861-3940. 7pm, free. Choreographers, dancers, dance-makers, and enthusiast are invited to take part in an intimate conversation with choreographer Simone Forti, where she will discuss the innovative career choices she made in order to flourish in the ever-changing climate of dance-making.

Music listings

David Talbot
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0

Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 5

ROCK/BLUES/HIP-HOP

Bane, Alpha and Omega, Wolves and Thieves, Streetwalkers Thee Parkside. 8pm, $12.

*Cannibal Corpse, 1349, Skeletonwitch, Lecherous Nocturne Slim’s. 7:30pm, $28.

Coheed and Cambria, Circa Survive, Torche Warfield. 7pm, $32.

Ferocious Few, Mississipi Man, Sermon, DJ Ted Café du Nord. 9:30pm, $5.

Flobots, Trouble Andrew, Champagne Champagne Bottom of the Hill. 8pm, $15.

Guella, Soda Pop Junkies, DudeHouse Hotel Utah. 8pm, $6.

Lambs, Splinters, Honey Knockout. 9pm, $5.

Michael McIntosh Rite Spot, 2099 Folsom, SF; www.myspace.com/ritespot. 9pm, free.

Ronaldo Morales Biscuits and Blues. 8 and 10pm, $15.

Owen Pallett, Snowblink Independent. 8pm, $16.

Street Pyramids, Watchdawg, Purrs, Symbolick Jews Kimo’s. 9pm.

FOLK/WORLD/COUNTRY

Bluegrass Country Jam Plough and Stars. 9pm.

Nathan Hamilton McTeague’s Saloon, 1237 Polk, SF; (415) 776-1237. 9pm.

La Colectiva featuring Toqueson Elbo Room. 9pm, $8. With DJs Soniada Diablo, Laonzo, and Rabeat.

Sang Matiz, Trio Paz, Gema de los Deseos El Rio. 8pm, $7.

DANCE CLUBS

Afreaka! Attic, 3336 24th St, SF; (415) 643-3376. 10pm, free. Psychedelic beats from Brazil, Turkey, India, Africa, and across the globe with DJs MAKossa and Om.

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Machine Sloane, 1525 Mission, SF; (415) 621-7007. 10pm, free. Warm beats for happy feet with DJs Sergio, Conor, and André Lucero.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

Q-Burns Abstract Message Triple Crown. 11:30pm, $5. Spinning house.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Slump Night Coda. 10pm, free. Hip-hop with L.I. Aspect and DJ Centipede.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

Yoruba Dance Sessions Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJ Carlos Mena and guests spinning afro-deep-global-soulful-broken-techhouse.

THURSDAY 6

ROCK/BLUES/HIP-HOP

Josh Clarke, Naysayers Knockout. 9:30pm, $6.

Dosh, White Hinterland, Baths Bottom of the Hill. 9pm, $12.

Hold Steady Fillmore. 8pm, $25.

Denise Perrier Biscuits and Blues. 8 and 10pm, $20.

Paulie Rhyme Rock-It Room. 8pm, $5.

Reckless Kelly, Brothers Comatose Slim’s. 9pm, $16.

Reuben Rye Rite Spot, 2099 Folsom, SF; www.myspace.com/ritespot. 9pm, free.

Shondes, Ex-Boyfriends, Excuses for Skipping, Bruises Café du Nord. 9pm, $10.

Mariee Sioux, Dead Western, Aaron Ross Hemlock Tavern. 9pm, $8.

Tussle, Javelin, Bronze Rickshaw Stop. 8pm, $12.

Yung Mars, Mugpush, Karmo, Double Take Coda. 9pm, $10.

FOLK/WORLD/COUNTRY

Heather Combs, Elliott Randall, Alden Schell, Jeff Campbell Hotel Utah. 8pm, $8.

Savannah Blu Atlas Café. 8pm, free.

Shannon Céilí Band Plough and Stars. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $8-10. DJs Pleasuremaker and Señor Oz spin Afro-tropical, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Electric Feel Lookout, 3600 16th St, SF; (415) 431-0306. 9pm, $2. With DJs subOctave and Blondie K spinning indie music videos.

Good Foot Yoruba Dance Sessions Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. A James Brown tribute with resident DJs Haylow, A-Ron, and Prince Aries spinning R&B, Hip hop, funk, and soul.

Holy Thursday Underground SF. 10pm, $5. Bay Area electronic hip hop producers showcase their cutting edge styles monthly.

Koko Puffs Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Lacquer Beauty Bar. 10pm-2am, free. DJs Mario Muse and Miss Margo bring the electro.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Rock Candy Stud. 9pm-2am, $5. Luscious Lucy Lipps hosts this electro-punk-pop party with music by ReXick.

Solid Thursdays Club Six. 9pm, free. With DJs Daddy Rolo and Tesfa spinning roots, reggae, dancehall, soca, and mashups.

Studio SF Triple Crown. 9pm, $5. Keeping the Disco vibe alive with authentic 70’s, 80’s, and current disco with DJs White Girl Lust, Ken Vulsion, and Sergio.

FRIDAY 7

ROCK/BLUES/HIP-HOP

"Battle of the Bands" DNA Lounge. 5:30pm, $12. With High Volume Dealer, Baysic Wonder, Apothesary, and more.

Trevor Childs and the Beholders, American Professionals, Headslide Hotel Utah. 9pm, $8.

Los Campesinos!, Signals Regency Ballroom. 9pm, $22.

"Devil-Ettes a Go Go" Rickshaw Stop. 8:30pm, $10. Dance troupe with live music by the Royal Deuces, Ron Silva and the Monarchs, and Riff Ditties Orchestra.

Fast Times Maggie McGarry’s, 1353 Grant, SF; (415) 399-9020. 9pm, free.

Here Come the Saviours, Victory and Associates, Control-R Hemlock Tavern. 9:30pm, $6.

Mark Hummel and Rusty Zinn 8 and 10pm, $20.

Impalers, Inciters, Titan-Ups, Revival Sound System Café du Nord. 9:30pm, $10.

J-Billion, Odd Future Wolf Gang, DJs Mally Jesus and Roost Uno Thee Parkside. 9pm, $5.

Menew, Lilofee, Frail Mezzanine. 9pm, $7.

Kally Price Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Red Sparowes, Fang Island, Oxbow Great American Music Hall. 9pm, $14. Acoustic show.

Martin Sexton Fillmore. 9pm, $26.50.

Wallpaper, Oona, DJ Morale Independent. 9pm, $15.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Conscious Contact Rite Spot, 2099 Folsom, SF; www.myspace.com/ritespot. 9pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Rachelle Ferrell Yoshi’s San Francisco. 8 and 10pm, $25-32.

Shotgun Wedding Symphony Coda. 10pm, $10.

George Winston Grace Cathedral, 1100 California, SF; www.gracecathedral.org. 8pm, $36.

FOLK/WORLD/COUNTRY

JimBo Trout and the Fishpeople Plough and Stars. 9pm.

Left Coast Special Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm, free.

DANCE CLUBS

Activate! Lookout, 3600 16th St, SF; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Braza! Som., 2925 16th St., SF; (415) 558-8521.10pm, $10.

Deeper 222 Hyde, 222 Hyde, SF; (415) 345-8222. 9pm, $10. With rotating DJs spinning dubstep and techno.

Dirty Rotten Dance Party Madrone Art Bar. 9pm, $5. With DJs Morale, Kap10 Harris, and Shane King spinning electro, bootybass, crunk, swampy breaks, hyphy, rap, and party classics.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Freqo de Mayo Mighty. 10pm, $25. With DJs Tipper, Motion Potion, Absurge, Mycho Cocoa, Victor Vega, Tim Dietz, Big$Bill, and Digital Rust.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Mochipet vs. Polish Ambassador and Deceptikon Elbo Room. 10pm, $10-12. Electro.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa "Samoa Boy" spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Strangelove: Vinyl Night Cat Club, 1190 Folsom, SF; (415) 703-8965. 9:30pm, $6. With DJs Tomas Diablo, Mitch, Lowlife, Andy T, and more spinning goth and industrial.

SATURDAY 8

ROCK/BLUES/HIP-HOP

Damn Near Dead Ireland’s 32. 9pm, free.

Aram Danesh and the Superhuman Crew Coda. 10pm, $10.

Drive By Truckers Fillmore. 9pm, $25.

Flakes, Tropical Sleep, Only Sons Hemlock Tavern. 9:30pm, $6.

Hurricane Bells Hotel Utah. 9pm, $10.

Illness, No Captains, Wasteland Saints Kimo’s. 9pm, $7.

*Ludicra, Kowloon Walled City, Fell Voices Café du Nord. 9pm, $12.

Mono, Twilight Sad Slim’s. 9pm, $16.

Kate Nash Amoeba, 1855 Haight, SF; www.amoeba.com. 2pm, free.

Old and In the Way, Ten Mile Tide Great American Music Hall. 9pm, $18.

Ash Reiter, Dead Westerns, Ian Fays Thee Parkside. 9pm, $6.

Eric Sardinas Biscuits and Blues. 8 and 10pm, $20.

Sioux City Kid and the Revolutionary Rambler, Fool Proof Four, High Winds Red Devil Lounge. 8pm, $10.

Stanton Moore Trio, Good Band Independent. 9pm, $18.

Tied to the Branches, Aan, Upward House of Shields. 9pm, $6.

Young Offenders, La Urss, N/N, Ruleta Rusa Bender’s, 806 S. Van Ness, SF; www.bendersbar.com. 10pm, $5.

JAZZ/NEW MUSIC

Aca Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Emily Anne Rite Spot, 2099 Folsom, SF; www.myspace.com/ritespot. 9pm, free.

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Beth Custer Ensemble Noe Valley Ministry, 1021 Sanchez, SF; (415) 454-5238. 8:15pm, $18.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Rachelle Ferrell Yoshi’s San Francisco. 8 and 10pm, $32.

FOLK/WORLD/COUNTRY

Celina Reyes Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm, free.

Mars Arizona, Ken Will Morton Plough and Stars. 9pm.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Bootie DNA Lounge. 9pm, $6-12. Mash-ups with Loo and Placido.

Cockblock Rickshaw Stop. 10pm, $7. DJ Nuxx and guests spin for queers and their friends.

Dead After Dark Knockout. 6-9pm, free. With DJ Touchy Feely.

Electricity Knockout. 10pm, $4. Eighties jams with DJs Omar, Deadbeat, Yule B. Sorry, and guest Aidan.

Frolic Stud. 9pm, $3-7. DJs Dragn’Fly, NeonBunny, and Ikkuma spin at this celebration of anthropomorphic costume and dance. Animal outfits encouraged.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Mini Non-Stop Bhangra Rickshaw Stop. Noon-3pm, $5-10. Family-friendly dance party.

Same Sex Salsa and Swing Magnet, 4122 18th St, SF; (415) 305-8242. 7pm, free.

Social Club Lookout, 3600 16th St, SF; (415) 431-0306. 9pm. Shake your money maker with DJs Lee Decker and Luke Fry.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Spotlight Siberia, 314 11th St, SF; (415) 552-2100. 10pm. With DJs Slowpoke, Double Impact, and Moe1.

Tormenta Tropical Elbo Room. 10pm, $4-10. Electro cumbia with DJs Orion, Disco Shawn, and Oro 11.

SUNDAY 9

ROCK/BLUES/HIP-HOP

Analog Rebellion, Mansions, Poema Café du Nord. 8pm, $12.

Cloud Archive, Atomic Bomb Audition, Sleepy Eyes of Death Hemlock Tavern. 9pm, $6.

Karina Denike Rite Spot, 2099 Folsom, SF; www.myspace.com/ritespot. 9pm, free.

Fucked Up Rickshaw Stop. 7:30pm, $14.

Lloyd Gregory Biscuits and Blues. 7:30 and 9:30pm, $15.

Sara Haze Hotel Utah. 9pm, $10.

Tallest Man on Earth, Nurses Independent. 8pm, $14.

JAZZ/NEW MUSIC

Rachelle Ferrell Yoshi’s San Francisco. 5 and 7pm, $5-32.

FOLK/WORLD/COUNTRY

Jack Gilder, Kevin Bemhagen, Richard Mandel and friends Plough and Stars. 9pm.

Kat Parra and the Sephardic Experience Coda. 8pm, $10.

Pa Sevilla Bollyhood Café. 7pm, $15. With DJ Sandrella spinning flamenco rock, rumba, and salsa.

DANCE CLUBS

Autobahn Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 9pm, free.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with Maneesh the Twister and Vinnie Esparza.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th St, SF; (415) 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Lonely Teardrops Rock n’ Roll Night Knockout. 9pm, $4. Doo-wop, R&B, jivers, and more with DJs dX the Funky Granpaw and Sergio Iglesias.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 10

ROCK/BLUES/HIP-HOP

Alexisonfire, Trash Talk, Therefore I Am, La Dispute Slim’s. 7:30pm, $16.

Besnard Lakes, Happy Hollows, New Slave Independent. 8pm, $14.

"Felonious Presents Live City Revue" Coda. 9pm, $7.

Ed Jones Rite Spot, 2099 Folsom, SF; www.myspace.com/ritespot. 9pm, free.

Rattlesnakes, Cellar Doors, Atom Age Elbo Room. 9pm, $5.

*Red Fang, Hot Fog, Hazzard’s Cure Bottom of the Hill. 9pm, $10.

DANCE CLUBS

Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJs El Kool Kyle and Santero spinning Latin music.

Black Gold Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with DJs Joe Radio, Decay, and Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 11

ROCK/BLUES/HIP-HOP

*Embers, Ninth Moon Black, Blackwaves, Nero Order Thee Parkside. 8:30pm, $8.

Fromagique featuring Bombshell Betty Elbo Room. 9pm, $8. Live music and burlesque.

Tom Goss, Dudley Saunders, Daniel Owens, Jeremiah Clark Metropolitan Community Church, 110 Gough, SF; www.tomgossmusic.com/tickets. 7:30pm, $15.

Hamilton Loomis Biscuits and Blues. 8 and 10pm, $15.

MC Meathook and the Vital Organs, Hammer Horror Classics, Trashkannon Knockout. 9:30pm, free.

Midnite Independent. 9pm, $28.

Minks, Bang, She’s Bottom of the Hill. 9pm, $8.

Phantom Kicks, Skeletal Systems, Sunbeam Road Hemlock Tavern. 9pm, $6.
*Wiz Khalifa, Fashawn, Jasmine Solano Slim’s. 9pm, $15.
FOLK/WORLD/COUNTRY
Barry O’Connell, Vinnie Cronin and friends Plough and Stars. 9pm.
DANCE CLUBS
Alcoholocaust Presents Argus Lounge. 9pm, free. With DJ What’s His Fuck, H-Bomb, and Big Dwayne.
Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.
La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.
Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.
Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.
Womanizer Bar on Church. 9pm. With DJ Nuxx.

Stage listings

David Talbot
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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Abigail: The Salem Witch Trials, A Rock Opera Temple SF, 540 Howard; www.templesf.com. $10. Opens Thurs/6, 9pm. Starting June 3, runs Thurs, 9pm. Through Sept 23. Buzz, Skycastle, and Lunar Eclipse present this original rock opera.

Fishing Shotwell Studios, 3252 19th St; www.fishingtheplay.com. $25. Opens Fri/7, 8pm. Runs Fri-Sat, 8pm. Through May 29. David Duman’s new play satirizes foodie culture.

Speed the Plow Royce Gallery, 2910 Mariposa; 1-866-811-4111, www.speedtheplowsf.com. $28. Opens Thurs/8, 8pm. Runs Thurs-Sat, 8pm. Through June 19. Expression Productions performs David Mamet’s black comedy.

Very Warm for May Eureka Theatre, 215 Jackson; 255-8207. $38-44. Previews Wed/5, 7pm; Thurs/6-Fri/7, 8pm. Opens Sat/8, 6pm. Runs Wed, 7pm; Thurs-Fri, 8pm; Sat, 6pm; Sun, 3pm. Through May 24. 42nd Street Moon kicks off their Jerome Kern Celebration with this Oscar Hammerstein II script that features Kern’s final Broadway score.

BAY AREA

Twelfth Night La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Previews Thurs/6-Fri/7, 8pm. Opens Sat/8, 8pm. Runs Thurs-Sat, 8pm. Through June 12. Impact Theatre sets Shakespeare’s romance in Hollywood.

What Just Happened? Cabaret at the Marsh Berkeley, 2120 Allston Wy, Berk; 1-800-838-3006, www.themarsh.org. $20-50. Opens Fri/7, 9pm. Runs Fri, 9pm; Sat, 8pm (Sat/8 show at 9pm). Through May 27. Nina Wise’s show, an improvised work based on personal and political recent events, extends and re-opens at a new venue.

ONGOING

An Accident Magic Theatre, Bldg D, Fort Mason Center, Marina at Laguna; 441-8822, www.magictheatre.org. $25-55. Wed/5-Sat/8, 8pm (also Sat/8, 2:30pm); Sun/9, 2:30pm. Magic Theatre closes their season with Lydia Stryk’s world premiere drama.

Andy Warhol: Good For the Jews? Jewish Theatre, 470 Florida; 292-1233, www.tjt-sf.org. $15-45. Thurs-Sat, 8pm; Sun, 2 and 7pm. Through June 20. Renowned monologist Josh Kornbluth is ready to admit his niche is a narrow one: he talks about himself, and more than that, he talks about his relationship to his beloved late father, the larger-than-life old-guard communist of Kornbluth’s breakthrough Red Diaper Baby. So it will not be surprising that in his current (and still evolving) work, created with director David Dower, the performer-playwright’s attempt to "enter" Warhol’s controversial ten portraits of famous 20th-century Jews (neatly illuminated at the back of the stage) stirs up memories of his father, along with a close family friend — an erudite bachelor and closeted homosexual who impressed the boyhood Josh with bedtime stories culled from his dissertation. The scenes in which Kornbluth recreates these childhood memories are among the show’s most effective, although throughout the narrative Kornbluth, never more confident in his capacities, remains a knowing charmer. But the story’s central conceit, concerning his ambivalence over presenting a showing of "Warhol’s Jews" at San Francisco’s Contemporary Jewish Museum, feels somehow artificial. It’s almost a stylized rendition of the secular-Jewish moral quandary and neurotic obsession driving Kornbluth works of the past — or in other words, all surface, not unlike the work of another shock-haired artist, but less meaningfully so. (Avila)

The Diary of Anne Frank Next Stage, 1620 Gough; 1-800-838-3006, www.custommade.org. $10-28. Thurs-Sat, 8pm; Sun, 7pm. Through May 15. Custom Made performs Wendy Kesselman’s modern take on the classic.
Eat, Pray, Laugh! Off-Market Theaters, 965 Mission; www.brownpapertickets.com. $20. Wed, 8pm. Through May 26. Off-Market Theaters presents stand up comic and solo artist Alicia Dattner in her award-winning solo show.

Echo’s Reach Brava Theater Center, 2781 24th St; 665-2275, www.citycircus.org. $14-35. Fri-Sat, 8pm (also Sat, 4pm); Sun, 4pm. Through May 30. City Circus premieres an urban fairytale by Tim Barsky.

Geezer Marsh MainStage, 1062 Valencia; 1-800-838-3006, www.themarsh.org. $20-50. Fri, 8pm; Sat, 8:30pm; Sun, 7pm (Sun/9 show at 8pm). Through May 23. Geoff Hoyle presents a workshop performance of his new solo show about aging.

Hot Greeks Hypnodrome Theatre, 575 Tenth St; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Thurs, 8pm; Sun, 7pm. Through June 27. Thrillpeddlers work their revival magic on the Cockettes’ 1972 musical extravaganza.

*Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Fri-Sat, 8pm, through June 26; starting July 10, runs Sat, 8pm and Sun, 7pm. Extended through August 1. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

Peter Pan Threesixty Theater, Ferry Park (on Embarcadero across from the Ferry Bldg); www.peterpantheshow.com. $30-125. Previews Wed/5, 2pm. Opens Sat/8, 7:30pm. Runs Tues and Thurs, 7pm; Fri-Sat, 7:30pm (also Sat, 2pm); Wed, 2pm; Sun, 1 and 5pm. Through August 29. JM Barrie’s tale is performed in a specially-built 360-degree CGI theater.

The Real Americans The Marsh, 1062 Valencia; 826-5750, www.themarsh.org. $18-50. Wed-Thurs and May 28, 8pm; Sat, 5pm; Sun, 3pm. Through May 30. Starting July 8, runs Thurs-Fri, 8pm; Sat, 5pm; Sun, 3pm, through Aug 8. The Marsh presents the world premiere of Dan Hoyle’s new solo show.

Sandy Hackett’s Rat Pack Show Marines’ Memorial Theater, 609 Sutter; 771-6900. $30-89. Thurs-Sat, 8pm (also Sat, 2pm); Sun, 2pm. Through May 23. From somewhere before the Beatles and after Broadway "Beatlemania" comes this big band cigarettes-and-high-ball nightclub act, recreating the storied Vegas stage shenanigans of iconic actor-crooners Frank Sinatra (David DeCosta), Dean Martin (Tony Basile), and Sammy Davis Jr. (Doug Starks), and sidekick comedian Joey Bishop (Sandy Hackett). The excuse, if one were needed, is that god (voiced in mealy nasal slang by Buddy Hackett, appropriately enough) has deemed a Rat Pack encore of supreme importance to the continued unfurling of his inscrutable plan, and thus unto us a floorshow is given. The band is all-pro and the songs sound great — DeCosta’s singing as Sinatra is uncanny, but all do very presentable renditions of signature songs and standards. Meanwhile, a lot of mincing about the stage and the drink cart meets with more mixed success, and I don’t just mean scotch and soda. The Rat Pack is pre-PC, of course, but the off-color humor, while no doubt historically sound, can be dully moronic — and the time-warp didn’t prevent someone in opening night’s audience from laying into Hackett’s opening monologue for a glib reference to suicide. Though talk about killing: thanks to the heckler, the actor — son to Buddy and the show’s co-producer (alongside chanteuse Lisa Dawn Miller, who sings a cameo as Frank’s "One Love") — got more life out of that joke over the rest of the evening than any other bit. (Avila)

Shopping! The Musical Shelton Theater, 533 Sutter; 1-800-838-3006, www.brownpapertickets.com. $27-29. Fri-Sat, 8pm. Ongoing. The musical is now in its fifth year at Shelton Theater.

Tartuffe Studio 205 at Off-Market Theater, 965 Mission; 377-5882, http://generationtheatre.com. $20-25. Fri-Sat, 8pm; Sun, 3pm. Through May 16. Generation Theatre performs a new English translation of Molière’s classic, in Alexandrine verse.

Tell It Slant Southside Theater, Fort Mason Center, Bldg D, Marina at Laguna; www.tixbayarea.com. $20-40. Fri-Sun, 8pm (also Sun, 2pm; no 8pm show May 16). Through May 16. BootStrap Foundation presents Sharmon J. Hilfinger and Joan McMillen’s musical about Emily Dickinson.

"Wanton Darkness: Two Plays By Harold Pinter and Conor McPherson" Phoenix Theatre, 414 Mason; 335-6087. $24-28. Thurs/6-Sat/8, 8pm. Second Wind and Project 9 Productions co-present a double-bill of twisted and mysterious little-big plays under the umbrella title, "Wanton Darkness." The evening begins with Harold Pinter’s Ashes to Ashes, a pas de deux between a fortysomething couple, Rebecca (Lisa-Marie Newton) and Devlin (Lol Levy), wherein Devlin closely questions Rebecca about a certain sadomasochistic relationship and accompanying dreams, in vaguely menacing tones. The scenic design (by Fred Sharkey) suggests a psychiatrist’s office as much as "a New York penthouse apartment," which speaks to the ambiguity in the dialogue but also to the slightly heavy-handed approach taken here by the actors under Ian Walker’s direction. The touch is far more apt overall in the second play, St. Nicholas, also directed by Walker. An early effort by Irish playwright Conor McPherson (Shining City; The Seafarer), the play unfolds as a two-part monologue by a cynical drink-sodden theater critic (tell it, brother) who follows a spiral of self-loathing right down into the company of a set of fetching young vampires. With something like the quality of a gothic-styled AA testimonial, it proves a somewhat roving but intriguing yarn, nicely delivered by the capable Fred Sharkey. (Avila)

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-25. Thurs-Sun, 8pm. Through July 30. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

BAY AREA

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-35. Fri/7, 9pm; Sat/8, 8pm. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

Girlfriend Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $27-71. Wed, 7pm; Thurs-Sat and Tues, 2pm (also Sat, 2pm); Sun, 2 and 7pm. Through May 16. If you like Matthew Sweet’s songs you’ll probably like the spirited renditions in this new boy-meets-boy musical, which borrows its title from Sweet’s famous 1991 album. The songs, backed by a solid band in a recessed fake-wood-paneled den at the back of the stage, underscore the fraught but exhilarating emotional bond between two Nebraska teens at the end of their high school careers and the cusp of an anxious, ambiguous independence. The performances and chemistry generated by actors Ryder Bach and Jason Hite under Les Waters’ sharp direction are marvelous, delivering perfectly the inherent honesty and feeling in Todd Almond’s book, while Joe Goode’s beautifully understated choreography adds a fresh, youthful insouciance to the staging. But the story is a small one, not just a small town story, and its short, predictable arc makes for a slackness not altogether compensated for by the evocative tension between the lovers. (Avila)

John Gabriel Borkman Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, www.auroratheatre.org. $34-55. Wed/5-Sat/8, 8pm; Sun/9, 2 and 7pm. A former bank manager (James Carpenter) who did time for illegally speculating with customer accounts to the ruin of all now paces like a lone wolf (in the operative metaphor) in his upstairs study, planning a return to respectability, as his estranged wife (Karen Grassle) occupies the rooms below along with a testy housekeeper (Lizzie Calogero), where her sister (Karen Lewis) competes for the love and loyalty of the patriarch’s grown son (Aaron Wilton), who contrary to the designs of all his elders is determined to marry a charming widow (Pamela Gaye Walker) and "live," as he is compelled to reiterate. Ibsen’s play has an enduring topicality that is hard to miss of course, but Aurora’s production, directed by veteran hand Barbara Oliver, also inadvertently suggests why this leaden, slightly ridiculous work is so rarely produced, despite some solid acting, especially from an imposing yet slyly comical Carpenter in the title role. (Avila)

Oliver! Julia Morgan Center for the Arts, 2640 College, Berk; www.berkeleyplayhouse.org. $24-33. Fri, 7:30pm; Sat, 2 and 7pm; Sun, 1 and 6pm. Through May 16. Berkeley Playhouse performs the Dickens-based musical.

Terroristka Berkeley City Club, 2315 Durant, Berk; (415) 891-7235, www.brownpapertickets.com. $12-20. Thurs-Sat, 8pm; Sun, 5pm. Through May 16. Threshold: Theatre on the Verge performs Rebecca Bella’s drama, based on the true story of a Chechen woman trained as a suicide bomber.

To Kill a Mockingbird Mountain View Center for the Performing Arts, 500 Castro, Mtn View; (650) 463-1960, www.theatreworks.org. $27-62. Wed/5, 7:30pm; Thurs/6-Sat/8, 8pm (also Sat/8, 2pm); Sun/9, 2 and 7pm. TheatreWorks performs Christopher Sergel’s adaptation of Harper Lee’s literary masterpiece.

The World’s Funniest Bubble Show Marsh Berkeley, 2120 Allston Wy, Berk; (415) 826-5750, www.themarsh.org. $10-50. Sun, 11am. Through June 27. The Amazing Bubble Man, a.k.a. Louis Pearl, performs his family-friendly show.

PERFORMANCE/DANCE

"Bare Bones Butoh Presents: Showcase 17" Studio 210, 3435 Cesar Chavez; bobwebb20@hotmail.com. $5-20. Fri-Sat, 8pm. Butoh by Bad Unkl Sister, Ronnie Baker, Liz Saari-Filippone, Vangeline, Bob Webb, and more. Workshops (same location, Sat-Sun, noon-4pm, $50-90) will also be held.

"Bijou" Martuni’s, Four Valencia; www.dragatmartunis.com. Sun, 7pm. $5. Trauma Flintstone hosts the fifth anniversary of this eclectic cabaret.

Rozelle Polido Garage, 975 Howard; www.brownpapertickets.com. Sun-Mon, 8pm, $10-20. The choregrapher presents breathe;ing blue in shades of three, two, and one: tomorrow with guest choregrapher Kelly Bowker.

"See Mon, I Didn’t Forget!" Shelton Theater, 533 Sutter; www.brownpapertickets.com. Sun, 2 and 7pm. $20-30. Celebrate Mother’s Day with solo performers Julia Jackson, Thao P. Nguyen, Zahra Noorbakhsh, Martha Rynberg, and Paolo Sambrano.

Smuin Ballet Yerba Buena Center for the Arts, 700 Howard; 978-ARTS, www.smuinballet.org. Fri-Sat, and May 11-14, 8pm (also Sat, 2pm); Sun, 2pm (also Sun/9, 7pm). Through May 16. $18-56. The company performs Petite Mort, the world premiere French Twist, and Songs of Mahler.

"13th Annual United States of Asian America Festival" Various venues; www.apiculturalcenter.org. May 1-June 14. Festival events include art shows, book and poetry readings, dance performances, comedy, music, and more.

"Tender Stone" CounterPULSE, 1310 Mission; 1-800-838-3006, www.counterpulse.org. Thurs-Sun, 8pm. Through May 16. $20. Artship Ensemble performs a new work about women in ancient Persia.

Alerts

David Talbot
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0

alert@sfbg.com

FRIDAY, MAY 7

Sacco and Vanzetti


In the wake of May Day, the international working class holiday, watch a screening of this documentary about two Italian immigrant anarchists who were executed in 1927 during a federal crackdown on political dissent. Featuring interviews with Howard Zinn, Studs Terkel, and Arlo Guthrie. Discussion to follow.

7:30 p.m., $2 donation

New Valencia Hall

625 Larkin, Suite 202, SF

(415) 864-1278

SATURDAY, MAY 8

Remember the WPA


Join the Bail Out the People Movement in remembering the Work Projects Administration (WPA), created in the 1930s as part of the New Deal to employ millions of people to carry out public works projects. Demand a real jobs program now, when joblessness levels are the highest they’ve been since the Great Depression.

Noon, free

New Federal Building

Seventh St. at Mission, SF

(415) 738-4739

Tear Down the Walls


Attend this fundraiser for the Prison Activist Resource Center, an all-volunteer, grassroots prison abolitionist collective. Featuring live music, dance performances, spoken word, a silent auction of art by Death Row artists Kevin Cooper and James Anderson, and more.

7 p.m., $10+ suggested donation

Uptown Body and Fender Shop

401 26th St., Oakl.

(510) 893-4648

SUNDAY, MAY 9

Reclaim Mother’s Day


Join other mothers for this march across the Golden Gate Bridge to answer the call Julia Ward made 140 years ago "to feel tender towards women of other nations and not allow our sons to injure their sons." Mother’s Day is not just a day to take your mother to brunch!

11:45 a.m., free

Golden Gate Bridge

Gather in either north or south parking lots along Highway 101, SF

(510) 540-7007

MONDAY, MAY 10

No Drones Bus Caravan


Hop on the bus for two days of action against war profiteers. The bus goes from the Bay Area to Indian Springs, Nev., stopping along the way at the headquarters of at least seven major corporations that profit from war by making mass-killing devices.

7 a.m., $100

Call for meet up location

(510) 540-7007

bayareacodepink.org

Spring clothing drive


Clean your closet for a good cause — donate to St. Anthony’s Free Clothing Program and help provide dignity and essentials to low-income families. St. Anthony’s offers free clothing in a store-like environment to help those in need move toward self-sufficiency.

Mon.–Fri., 8 a.m.–4:15 p.m.; free

St. Anthony’s Foundation

1179 Mission, SF

(415) 241-2600

www.stanthonysf.org

TUESDAY, MAY 11

"A Right to Home"


Find out how people in the Bay Area and in Africa, Asia, and Latin America are organizing to confront the injustice, inequality, and discrimination that create conditions for homelessness, forced migration, and displacement. Featuring panelists from Priority Africa Network, National Network on Immigrant and Refugee Rights, International Accountability Project, and Just Cause.

5:30 p.m., $10 suggested donation

World Affairs Council

312 Sutter, SF

(415) 824-8384

Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 255-8762; or e-mail alert@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

The Daily Blurgh: The prenup claws

Jesse Hawthorne Ficks
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0
The Daily Blurgh: The prenup claws

Curiosities, quirks, oddites, and items (plus a lot about kitties) from around the Bay and beyond

Make all the catty jokes you want about Uwe Mitzscherlich, the German man who married his asthmatic cat Cecilia to honor their decade of companionship. Seriously, though, if you’ve ever bonded with a pet, the whole thing is just heartbreaking. In happier animal news, the Bay Area’s baby peregrine falcons got tagged today.

*****

Totally un-cool headline of the day: “San Francisco may cut funding to transgender job center”

*****

Totally cool headline of the day: “Looking For Burritos in All the Wrong Places”

*****

“A group of Second Life users is suing Second Life’s creator over a virtual land dispute. They say their contractual property ownership rights have been changed and that this alteration of the terms of service constitutes fraud and violates California consumer protection laws.”

*****

1984-meets-Avatar: Berkeley computing professor’s vision of Earth sprinkled with “countless tiny sensors” becoming a reality thanks to tech juggernaut.

*****

This week is Scopitone week on the Daily Blurgh. “What’s a Scopitone?” you ask. The Scopitone was a type of jukebox popular in the ’60s that synced 16mm short films (also known as “Scopitones”) to magnetic soundtracks, effectively creating music videos long before MTV was around. To learn more, check out Robin Edgerton’s excellent history of the device, as well as the bountiful blog Scopitones.com. To start us off, here is handsome rogue Serge Gainsbourg singing “Le Poinçonneur Des Lilas” in one of the earliest Scopitones made in France (the clip is from 1958 and was shot in the Porte des Lilas Métro station):

http://www.youtube.com/watch?v=A7LVx-HeW10

Friday electronic triple dip: Lemonade, Active Child and Solid Gold

Jesse Hawthorne Ficks
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0
Friday electronic triple dip: Lemonade, Active Child and Solid Gold

TGIF, right? Tonight’s (Fri/30) dance-dance lineup at the Rickshaw is hotter than Topanga in a crop top. Ambient synth, sharp electronics, disguised sadness, choral talents and acid-friendly bangers promise to make the evening wet and wild– but only if that’s your drug of choice.Tonight’s PopScene event features three bands with stellar mentalities; uber chill, you can dance if you wanna and spun out bliss is key. Sometimes the grooves make my toes tap or inspire a head nod and sometimes I wanna sway and shake all over the place. Mostly I just feel a sense of amazingness in my veins whenever I hear one of the evening’s bands. Even without actually taking drugs, the music is sure to put your bones at ease and produce a similarly awesome sensation for your senses.

Lemonade

From SF to Brooklyn, the guys of Lemonade have an aggressive coast to coast approach to dance music, connecting polar opposite sounds with beautifully organic bridges. The electronics flirt and grind with bubbling sensations, plenty of chimes, cranks, whistles and drips for a dreamy yacht party on the ocean.

Active Child

The layers of L.A.-based songwriter Pat Grossi’s keyboards diffuse any sense of body and allow your little head to float far, far away from cluttered, hoarded emotions. It’s a bit creepy and haunting, but oh so necessary, and a few tracks later you find yourself in an echoing cave, critters and characters cooing you with hums and moans.

Solid Gold

Minneapolis gods with an impeccable way at making the most depressing lyrics danceable and downright sexy. Video installations back in MPLS always included visions of pouring pills, a rainstorm of delusion and confusion. The laid-back, summer cool melodies make for good accompaniment to any high.

 

Lemonade, Active Child and Solid Gold

Fri/20, 9pm, $12

The Rickshaw Stop

155 Fell, SF

www.RickshawStop.com

Hot sexy events: April 28 – May 4

Andrew Lam
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0

It’s time to take control, cats and kittens. And no, I don’t mean you’ve gotta throw away all those naughty thoughts of ropes and handcuffs — rather, it’s time to lay claim to your own sex life. This week’s sexy events give you ample room to play with this concept, be it Cleo Dubois (2008 leather Marshall of the Pride parade)’s weekend long intensive on mastering the whip for female dominants, or Julian Wolf’s class at Good Vibes on reaffirming the divine in your S&M. For a different take, head to Wicked Grounds’ Festish Munch, where you can calmly meet and greet potential playmates with as much discretion as you have over your extra foamy latte… or was that a mocha with whip? Regardless, get out there and make it how you want to.

S&M: Spirit & Meaning
Julian Wolf shows the way to BDSM scenes that inspire spiritual awakening, making it possible to be a sexy person, and a spiritual person, all in the same moment.
Wed/28 8-10 p.m., $25-30
Good Vibrations
603 Valencia, SF
(415) 552-5460
www.goodvibes.com

Fetish Munch
Do you like fetish play, dress up, BDSM fun, and “dark and sexy” music — but find it hard to really get to know your partners in the thick of the party? Take time to come discuss your passions over a cup of coffee at SF’s sexiest cafe, Wicked Grounds.
Wed/28 8-9:30 p.m., free
Wicked Grounds
289 8th St., SF
(415) 503-0405
www.wickedgrounds.org

Amazing Grace
The first movie to touch on AIDS issues in Israel, Amazing Grace witnesses the relationship between upstairs and downstairs neighbors. The film screens as part of the SF Jewish Film Festival and the “Out in Israel” LBGT Culture Festival.
Thur/29 9 p.m., free
Roxie Cinema
3125 16th St., SF
(415) 863-1087
www.sfjff.org

Cleo Dubois’ Women’s Erotic Dominance Weekend
A full weekend of women learning how to maximize their power in the dungeon. Feedback from previous attendees: “the course gave me more than I had anticipated or hoped for and I had hoped for quite a lot.” Time to get some more confidence in your life, starting with your sexual dynamics.
Starts Fri/30 7 p.m. @ private SOMA residence
Day long courses Sat/1 & Sun/2 @ SF Citadel
1277 Mission, SF
(650) 326-3269
cleodubois@sm-arts.com

Burlesque ‘N Brass
Blue Bone Express provides the jazz melodies to which lovely ladies will shake their spangles. Raise a glass (I hear they have good grapefruit juice cocktails, just a thought), and watch out for dangerous curves.
Sat/1 8:30 p.m.-12:30 a.m., $10
Café Van Kleef
1621 Telegraph, Oakland
(510) 763-7711
www.cafevankleef.com

SF Citadel Play Party
Romp amongst the slings and arrows, outrageous fortune pretty much guaranteed at this frisky get together for the leather community! The event is only open to members, but unaffiliated pervs, you’re in luck — you can buy in for a full year at the Citadel for just $10. They’re also open to work/play exchanges, if you’d like to volunteer for a shift.
Sat/1 8 p.m.-1 a.m., $25 for members
SF Citadel
1277 Mission, SF
(415) 626-1746
www.sfcitadel.org

Thrillpeddlers Present: “Hot Greeks”
The Thrillpeddlars follow up the wild success of “Pearls Over Shanghai” with this sassy little stage number, which tells the story of the Tri Thigh sorority girls’ quest to find the Oracle of Delphi (otherwise known as the Hot Twat of Tangier). The pricey tickets are a partner price for the special “shock box” seating. Oooo…
Sun/2 7 p.m., $30-69
Hypnodrome Theater
575 10th St., SF
(415) 377-4402
www.thrillpeddlers.com

Mommy’s Playdate
Madres only at this mingle fest for those with little ones. Leave the kiddies at home, and instead pick up “mommy-tini,” and get a one on one consultation from the Good Vibes staff sexologist. And a makeover… of what you’ll have to attend to find out.
Tues/4 7-9 p.m., free
Good Vibrations
1620 Polk, SF
(415) 345-0400
www.goodvibes.com

Benefits: April 28-May 4

David Talbot
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0
Benefits: April 28-May 4

Ways to have fun while giving back this week


Wednesday, April 28

Save the Waves
Attend this benefit for Chile, where donations will go to directly aid small coastal areas that were hit hardest by the Feb. 27th earthquake and following tsunamis, featuring free food, surf flicks, raffles, and DJs Paul McNitt and Paul Hobi spinning soul, funk, house, breaks, and reggae.
8 p.m., free
Riptide
3639 Taraval, SF
www.savethewaves.org

Thursday, April 29

Hospitality House Art Auction
Help support Hospitality House’s Community Arts Program (CAP), a free fine arts studio and gallery space that provides professional instruction, materials, and sales and exhibition support for poor and homeless Tenderloin artists. This 25th anniversary auction will feature more than 150 unique pieces of art from a diverse collection of regional artists.
6 p.m., $30
Andrea Schwartz Gallery
525 2nd St., SF
www.hospitalityhouse.org

Toe to Toe
Attend this benefit for ODC Dance Commons and Cal Athletics featuring a live competition between ODC/Dance’s contemporary dance company and top student athletes from UC Berkeley to see who’s the better athlete: dancers or sports stars. Judges to include San Francisco 49ers Ronnie Lott, Harris Barton, Nate Clements, MC Hammer, and more. Hosted by Warren Hellman.
6:30 p.m., $125
Herbst Pavilion
Fort Mason Center, SF
www.slimstickets.com

Friday, April 30

Blue Ribbon Luncheon
Help support the San Francisco Child Abuse Prevention Center, an organization dedicated to the prevention of child abuse and neglect, at this luncheon featuring three-time Super Bowl champion and former 49er Riki Ellison, and Emmy-award winning co-anchor of ABC 7/KGO TV Cheryl Jennings as master of ceremonies.
Noon, $250
Westin St. Francis Hotel
335 Powell, SF
www.sfcapc.org

Hold the Light for Haiti and Chile
Join Bay Area poets as they gather in support of efforts to assist the men, women, and children in Haiti and Chile who have been devastated by the recent earthquakes. Poets to include Diane di Prima, Al Young, Devorah Major, Mary Rudge, Deborah Grossman, and many more. Proceeds will be donated to Doctors Without Borders.
6 p.m., $5-10 suggested donation
Islamic Cultural Center
1433 Madison, Oak.
www.penoakland.org

Noe Valley Uncorked
Learn about and sample Argentinean wine at this wine event featuring on-hand experts and hors d’ oeuvres. Door proceeds benefit the Noe Valley Ministry.
6 p.m., $35
Noe Valley Ministry
1021 Sanchez, SF
www.noevalleyministry.org

Saturday, May 1

Bay Area Brain Tumor Walk
Attend this inspirational, all-ages fundraising walk to support the fight against brain tumors, featuring food, music, prizes, and more.
9 a.m.; raise a minimum amount of $350 or donate what you can
Speedway Meadow
Golden Gate Park
299 Tansverse, SF
www.bayareawalk.org

Sunday, May 2

Bliss 2010
Help support Maitri, the only AIDS-specific residential care facility left in the Bay Area, at this gala and auction featuring stand-up comedian Sandra Bernhard and designer Carmen Marc Valvo and food from top SF restaurants, drinks, live music, and more.
6 p.m., $150
Golden Gate Club
Presidio, Fisher Loop, SF
www.maitrisf.org

Mother’s Day Diaper Drive
Bring your kids to this fundraiser family day to benefit Help a Mother Out (HAMO), a grassroots advocacy campaign dedicated to improving the lives of mothers, children, and families, featuring games, crafts, pizza, cupcakes, and complimentary kiddie photo sessions. Proceeds will be used to purchase diapers for HAMO’s Bay Area partners. 
3 p.m., $40 per family
Peekadoodle Kidsclub
900 North Point, suite F100, SF
www.helpamotherout.org

Wanderlust at the Fillmore
In the spirit of the Wanderlust festival in North Lake Tahoe, this yoga and music festival will offer yoga classes during the day courtesy of Yoga Tree and live music performances featuring Rupa and the April Fishes at night. A portion of the proceeds benefit
Off the Mat, Into the World.
4 p.m. yoga, 7 p.m. concert; $25-$55
Fillmore
1805 Geary, SF
www.yogatreesf.com

Monday, May 3

“Aurora Borealis”
Wine and dine for a cause at this fundraiser for the Aurora Theater Company’s live performances, education program, and the Global Age Project, featuring specialty wines, silent auction, three-course meal, live entertainment, and more.
6 p.m., $200
Hotel Shattuck Plaza
Crystal Ballroom
2086 Allston, Berk.
(510) 843-4042, ext. 312

Pump you up!

Jesse Hawthorne Ficks
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0
Pump you up!

kimberly@sfbg.com

MUSIC Follow the heavily pitch-shifted, layered vocals woozily intoning “I love drugs” on “Mind Eraser” from Growing’s new Pumps (Vice). You’ll end up deep in the thicket of the group’s hallucinatory haze, levitating on a cockeyed cloud of bird calls, darting beats, and cries of “It’s my brain!” Welcome to the Brooklyn band’s bristly, growling hoedown, one emulating the sound of the hive mind in a crowded nightclub and pulsing with swooping, strobe-light electronics — though those familiar, whooping party horns refuse to cooperate with any potential dance trance, rarely continuing longer than a few bars.

It’s the sound of a band evolving into some creature poised between an art group that inspires its audience to sit on the floor, cross-legged and spaced-out, and a shadowy outfit toiling behind gear as the crowd grinds and undulates in the foreground. Neither fish nor fowl, neither entirely noise nor dance-pop, those dichotomies, false or no, seem to have dissolved with the entry a year and a half ago of new member Sadie Laska of IUD and Extreme Violence. Laska joined Growing’s seemingly tight two-man collaboration — Joe DeNardo and Kevin Doria have been making music together since 1999 — after playing with the duo during a Growing-IUD tour. And Pumps is the first album the threesome has made together, working amid piles of effect boxes, synths, drum machines, Optigans, and guitars at Brooklyn’s Ocropolis studio.

“It was kind of scary at first for me,” Laska says, from the trio’s car, while in Seattle. “I didn’t know what was going to happen — they didn’t seem to have any strict way of doing anything. Instead they were kind of in this place where they wanted a new perspective, new ideas, so they were like, ‘Do whatever you want.'<0x2009>”

Laska went ahead and added the new vocal elements and samples, amplifying the subtle humor of tracks like the jittery, antically polyrhythmic “Highlight,” which almost suggests a spastic, giggly cousin of the Residents. The wit extends to the title and artwork of the disc, with its 1980s-esque pink lipstick gloss and its pinup girl ready to grotesquely eyeball the viewer.

“The title is supposed to be kind of funny,” Laska explains, “and I think the whole record is really light-hearted, which I don’t think people get at first.” The name directly refers to an instance when Doria’s girlfriend was packing a lot of shoes in a box labeled “Pumps.” “He was like, ‘I hate pumps,'<0x2009>” recalls Laska. “We joked about this being a feminine record, with a girl in the band and this music. After all, we have these beats — we’d say, ‘It’s pumpin’!'<0x2009>”

That’s what happens when you introduce a drum machine into the mix, although that doesn’t mean Growing intends to infiltrate clubland. “I think of it as almost a dance record, but not quite,” observes Laska. “It’s still off-kilter, and maybe you can’t dance to it. [Doria and DeNardo] came from a guitar-driven band, and we all come from these punk roots, so none of us grew up going to dance clubs and listening to dance music — that’s not what we were trying to make.”

Growing is, well, growing — not only in number, but in playful, new elastic directions as the group flips Laska’s vocals and fuses them with the beat. “We’re maybe more light-hearted,” Laska says. “Not that they were super-serious before. But I think now we really want people to have a good time and move around a little bit to it. In some ways we still play a sustained, long set. But now we do have these samples, and it’s kind of like … party music.” She chuckles at the absurdity of it. “Like the end-of-the-night kind of party.” 

GROWING

With Eric Copeland and Birds and Batteries

Wed/28, 8 p.m., $10–>$12

New Parish

579 18th St., Oakl.

(510) 444-7474

www.thenewparish.com

 

Murder, he filmed

Jesse Hawthorne Ficks
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0
Murder, he filmed

arts@sfbg.com

Get your shit peeled/ Check the murder rate, the shit’s real. —Eddi Projex, "Straight from Oakland"

MUSIC/FILM I first met Pretty Black, a member of Yukmouth’s Regime crew, in 2005 at the Mekanix’ studio in Oakland. He arrived with Husalah of the Mob Figaz to record. Goofing off, Hus urged me to get on the song, so I recorded an intro in mangled French, dubbing the pair "les hommes mobs." Black loved the pronunciation (moeb) and thus began one of my least likely rap-world friendships.

For even by rap standards, Black was a live wire. The 25-year-old always had a pistol on him, was always ready to fight, and, with his Range Rover and Lamborghini, clearly made his money off the street, though I didn’t inquire how. He was an angry young man, not someone to piss off. Yet according to Husalah, he had another side.

"Outside the circle, he seemed like the coldest dude on earth," Hus says. "But inside, you knew he was real compassionate. He provided for his niggas. And if you needed something, he was very resourceful."

"Plus," he adds, "if someone tried to fuck with you, he already knocked ’em out before you could even react."

Born in Chicago, Black was christened Ayoola Matthew Odumuyiwa by his Nigerian immigrant parents. When he first came to the Bay, he was known as Verstyle, but soon adopted the more in your face Pretty Black, a pun on the pimp sense of "pretty" (a "gorgeous" man) and his very dark skin. Like albino Jamaican rapper Yellowman, Black transformed a perceived negative — his color placing him on the lowest rung of our country’s caste system — into a defiant positive.

In 2008, on my birthday, May 25 (not, as sometimes reported, on May 30), Black was shot to death at an apartment complex where his relatives lived, a planned assassination. In other words, not random violence or robbery. Except for the killers, no one knows why. I was shocked because, while I could imagine someone wanting to kill him, I’d never known a murder victim. It’s like a candle flame being blown out: one second, fully here; the next, gone. I recalled, too, the last time I’d seen him, at a show featuring the Jacka. As we were catching up, he said, apropos of nothing, "Remember when we met and recorded that song? That was cool. Le moeb!" While ordinary at the time, this circling back to the night we met took on a retrospective uncanniness, as did one of his last songs, also recorded with the Mekanix, on which Black, playing both parts of a phone call, tells himself, "Don’t go outside, nigga. They’re trying to kill you."

BACK TO BLACK


I’ve been thinking about Black lately, in large part due to Land of the Homicide: The Murders in Oakland, CA (HookerBoyFilmz/HBO), a documentary DVD by Oakland filmmaker Dame Hooker. Brought into the game by veteran director Kevin Epps and multimedia journalist JR, Hooker has manned the cameras since 2001, releasing his first DVD, an overview of the local rap scene called The Bay Got Game (HookerBoy), in 2006. He’s also notched artist-oriented flicks like Mistah FAB’s Prince of the Bay (HookerBoy/InYoFace, 2007), among numerous other projects. Camera on shoulder, he’s a ubiquitous presence at any significant function, constantly accumulating footage of anything from a performance to a sideshow to an ass-whupping in high definition.

"I had a camera, but I was just shooting around the hood," Hooker recalls. "I didn’t know how to edit or anything. But FAB, Stalin, Shady Nate — I watched those dudes grow up. I started going to all their shows and they wanted the footage, so I learned how to edit just by watching TV or watching somebody else. Current TV on HBO showed me a lot about how to put it in a format."

Indeed, he nailed the format so well that Current TV licensed some of his footage and hired him and Epps to make content for the program’s Web site, which proved to be the genesis of the Land of the Homicide project.

"We did a pod, a little five-minute segment for Current TV," Hooker says. "It was called Popped in Oakland. I went around to my friends and was like, tell me how you got shot, and they was showing their wounds. HBO wanted me to extend it, and I was doing that already."

Some of the wounds are pretty grisly. One man pulls up a sleeve to display an arm that got sprayed with an AK. The arm is functional but it looks like a tree root, all twisted and gnarled, a permanent symbol of the gun problem in Oakland — which frequently leads the nation in homicides — not to say the entire country. Hooker himself hasn’t been immune to the violence. He shows me some of his own wounds.

"You got to know how to maneuver around here," he says grimly. "You can get shot just by looking at someone wrong. I got shot five times. Somebody thought I looked at them funny. I didn’t have no money on me or nothing."

RANDOM TARGETS


As Hooker’s own story suggests, Oakland’s gun violence often has a random quality to it. People get shot, sometimes killed, by mistake, in addition to intended victims like Pretty Black. One of the more notorious accidental murders was Jesse "Plan Bee" Hall, founder of the classic 1990s crew Hobo Junction, who was shot in 1992 while sitting next to the intended target. Among the interviewees are Plan Bee’s parents, his sister, and his younger brother, Bobby "Blu-Nose" Hall, as Hooker provides an unflinching look at the family’s devastation and grief. Before the end of the film, however, he winds up returning to the Hall residence as Blu-Nose himself is murdered, seemingly, like his brother, a random target.

"I got a large family. None of my family members have passed away like that," Hooker says. "Except my first cousin — we was real close — and my uncle, [and] two uncles, on my mother’s side. All the rest have been friends, but my friends be like my family."

Ordinarily, Blu-Nose’s death would raise a question like what are the odds of someone speaking on camera about gun violence being killed by gun violence shortly afterward? But this being Oakland, the question is: what are the odds of this occurring three times in quick succession? Because this is exactly what happens with Land of the Homicide, separating it from similarly-themed hood documentaries. Another of the main interviewees, a rapper from the East Oakland’s 70s named Hennessey who had many previous wounds to display, is also murdered. Though I hadn’t heard his music, I’d already begun to hear Hennessey’s name here and there; he’d just signed to Thizz for his first major project shortly before his death, and the contrast between his on-camera gregariousness and the extremely dapper corpse we see at his funeral makes a more emphatic argument against the legality of guns than any commentary could.

Pretty Black is the third victim. Although he didn’t have prior wounds himself, Black bumped into Hooker during the filming and agreed to lend his perspective as someone who knew the street life all too well.

"I was going around getting their opinion about the stuff," Hooker recalls. "Most of them was trying to help people, trying to get their hood right. I don’t know if it was a curse doing the DVD or what, but they all died back to back. It was supposed to be about the lives taken in Oakland, but it turned out to be the people that was interviewed."

I don’t think there’s a word for Hooker’s experience here. Obviously the tragic series of murders gives his DVD an authority and authenticity most documentaries couldn’t buy. But the price is not something he would have willingly paid.

"Land of the Homicide, that’s based on really good friends," he said. "DVDs, those don’t matter when it’s someone you know."

The residue

Jesse Hawthorne Ficks
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0
The residue

arts@sfbg.com

MUSIC “Drug boys steady shooting. The streets don’t give a damn. They’re filled with such pollution,” sings B.o.B on “Kids,” an interpolation of the coda from Vampire Weekend’s self-titled indie-pop gem. “The kids don’t stand a chance.”

But does B.o.B stand a chance? The Adventures of Bobby Ray (Atlantic) is pop, pop and more pop, embracing the current electro-pop-with-a-hip-hop-attitude zeitgeist with a smothering squeeze. If Kid Cudi took notes from Kanye’s 808 and Heartbreak on his intermittently fascinating Man on the Moon: End of Day; then B.o.B seems to channel Lupe Fiasco’s The Cool, with a dollop of Gym Class Heroes and Fall Out Boy thrown in.

B.o.B’s hip-pop excursion flies right into a raging debate over presence in hip-hop music, and whether there’s any left. The mainstream vanguard belongs to those willing to embrace rock and R&B clichés, whether it’s Lil Wayne fake-strumming a guitar on “Prom Queen” or, more nobly, Phonte Coleman crooning on Foreign Exchange’s “Daykeeper.” The hardcore underground belongs to growlers who can spit “16 hot bars” for days over “hit” beats lifted like Just Blaze’s “Exhibit C.” (For the uninitiated: a “bar” is a stanza in a verse.) Each camp seems to disappear into its chosen musical backdrop, driving the beat with narratives and themes, yet rarely emerging with an MC’s distinctly authoritative voice.

The recent death of Keith “Guru” Elam, who passed away April 20 after years spent battling cancer-related illnesses, underscores the stakes. On his work with Gang Starr, Guru not only excelled at storytelling, but at delivering classic lines that burned in your memory. Everyone knows “DWYCK” and “Lemonade is a popular drink and it still is/ I get more props and stunts than Bruce Willis.” Or how about this one (my personal favorite) from “The ? Remains”: “As the world revolves, wack crews lick my balls.”

Peace to one of the best to ever do it. And to be fair, Lil Wayne, DOOM, Mos Def, and a handful of others still deliver those prized “hip-hop quotables.” As for B.o.B? This may seem like a heavy burden for a 21 year-old kid who just released his first official album after years spent hyping himself with mixtapes like The Future and Hi! My Name is B.o.B. Once a hip-hop artist makes a best-seller, he becomes fodder for cruelly dismissive rap addicts clogging up chat boards, snarky rock critics penning capsule reviews for magazine slicks, and old-head journalists who slum down the media mountain to judge the latest craze against their idealized B-boy childhood. Each side will argue noisily and violently whether The Adventures of Bobby Ray spells the death or rebirth of hip-hop.

The turning point is “Nothin’ on You,” a shaggy-dog ballad that reached the summit of the Billboard singles chart. B.o.B leaves the hook to cowriter Bruno Mars, whose production crew the Smeezingtons (Flo Rida’s “Right Round,” K’naan’s “Wavin’ Flag”) aims to be the new-school version of the Neptunes. “Beautiful girls, all over the world/ I could be chasin’ but my time would be wasted/ They got nothin’ on you, baby,” sings Mars in a creamily soft voice.

In conversation, B.o.B is a likeable guy who doesn’t have much to say about the artistic process. Some musicians are erudite Questloves who can philosophize on any and every studio session, while others are Ghostface Killahs who just do it and let the historians sort out the details. B.o.B acknowledges that The Adventures of Bobby Ray is a sharp departure from his early mixtape material.

“I treated the early mixtapes like albums, but I was always holding back. I was holding back the alternative side,” he says, adding that rock bands like Coldplay are an influence. “I don’t want to be in one genre because doing that would be limiting me as an artist, if I was only being exposed to the pop crowd, or just to the urban crowd.”

Growing up Bobby Ray Simmons in Decatur, Ga., he was first discovered at 16 while performing at Club Crucial, a nightclub in Atlanta’s rough Bankhead neighborhood. As he subsequently signed deals with producer Jim Jonsin (Cypress Hill’s “Armada Latina”) and his Rebel Rock imprint, and then T.I.’s Grand Hustle camp, B.o.B toyed with idioms. His breakthrough single, the regional hit “Haterz Everywhere,” matched ATL bravado with a memorable hook. On The Future, he playfully riffed over a loop of Sam Cooke’s “Only Sixteen.” During appearances on the 2008 Rock the Bells tour, he interrupted his brief sets by bringing out a guitar and strumming an acoustic version of his marijuana ode, “Cloud 9.”

By B.o.B vs. Bobby Ray, he graduated to writing full-fledged pop songs, though none were as good as those found on The Adventures of Bobby Ray. Throughout his mixtapes, which were kind of a woodshedding process, B.o.B presented himself as an alien, a prodigal kid who doesn’t quite fit in with the teacher’s pets or the playground thugs. He frequently noted skipping high school to smoke weed and hang out on the streets. On “My Story,” he rapped, “Rebellion is just a side effect. Homicidal? Maybe. Suicidal? Yes.”

Today, B.o.B says, “It’s not as dark as it was. There’s still the residue there; the residue is on all my memories. It makes me who I am. It’s the strikes and blows that carve me as a person.” Finding success with a passion he nurtured since the third grade has undoubtedly helped. And career demands keep him out of trouble. “As I become more successful, it requires me to work more. I’ve got to be on my p’s and q’s. I gotta go to bed earlier. I can’t stay up as late as I used to. Sometimes I do party, but I’m like, alright, I gotta wake up in the morning.”

B.o.B may have grown out of his depression, but the ADD-manic energy remains. On The Adventures of Bobby Ray, the mixtape hiss and “down South” hood raps have been buffed away, leaving charismatic emotion and arena-ready entreaties like “Ghost in the Machine,” “Fame,” and “Airplanes.” A chorus line of high-profile guests, from Rivers Cuomo of Weezer and Hayley Williams of Paramore to Eminem and Lupe Fiasco, appear to ease the transition.

“Everyone listens to everything. Whatever’s going on in the hip-hop community, the pop people can see, and vice versa,” B.o.B says. When everything’s mixed up and genre lines blur, he adds, “Change is inevitable.” *

B.O.B

with Lupe Fiasco

Tues/4, 8 p.m. $34.50

Warfield

982 Market, SF

(415) 345-0900

www.ticketmaster.com

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