Mid-Market

Police foot patrols help with crime drop in SF

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The Mayor’s Office and San Francisco Police Department this morning sent out a press release announcing a decrease in violent crime in 2011, citing a number of factors for the drop but failing to mention an important and once-controversial one: increased police foot patrols.

But Police Chief Greg Suhr told us that foot patrols are a big part of the community policing techniques – and “community policing” was indeed mentioned in the release – responsible for the drop.

“They’re big. When we talk about increasing community involvement, that definitely includes foot patrols,” Suhr told the Guardian, explaining his policy of having a visible police presence in high-crime corridors like mid-Market, 3rd and Palou streets, and parts of the Mission District. “People should always see a cop on foot or on a bike in some places.”

For a long time, the SFPD resisted getting cops out of their cars and onto the streets – even in the first couple years of then-Mayor Gavin Newsom’s tenure, when the city had almost twice the 50 murders it experienced each of the last two years — until it became a pitched political battle in the city.

Sup. Ross Mirkarimi and other progressives on the Board of Supervisors and the Police Commission locked horns with Newsom and then-Police Chief Heather Fong over the issue in 2010. After Newsom vetoed legislation to require foot patrols, Mirkarimi and Sup. David Campos co-authored a ballot measure requiring them, Measure M, which was narrowly defeated after SFPD began to implement them on its own.

“I believe that any analysis will eventually show – and they should really do this study – that community policing and foot patrols have a lot to do with this drop,” Campos, a former Police Commissioner, told us. “Community policing and foot patrols are the most pro-active way to reduce crime in any given neighborhood.”

Suhr agrees, something that Campos recognizes and praises the new chief for, saying he’s much better than his predecessors on the issue. “Chief Suhr has been very supportive of community policing,” Campos said. “He’s been very good about working with us to make it happen.”

Suhr said that the department needs to have enough personnel in the stations to take calls, do investigations, and otherwise process information. “Everyone else should be on the street trying to get in front of this stuff,” he told us.

He does still defend the department’s opposition to Prop. M, noting that it would have micromanaged SFPD in a way that he didn’t think was appropriate. But he’s also a true believer in foot beats and other community policing techniques, and he said things are better today than “years ago, when there wasn’t as much open communication as there is now.”

As for the Mayor’s Office and its failure to give credit directly to foot patrols, Press Secretary Christine Falvey told us, “Foot Patrols, the Ambassador Program and other efforts are all critical pieces of Community Policing, which is referenced as part of the success we have seen in getting the crime rate down in San Francisco.”

Her office’s press release follows:

MAYOR LEE & CHIEF SUHR ANNOUNCE SAN FRANCISCO’S CONTINUED HISTORIC CRIME RATE DROP
Year End Statistics Show Continued Historic Lows for Homicides & Violent Crime Rates Overall Since 1960s

San Francisco, CA— Today Mayor Edwin M. Lee and Police Chief Greg Suhr released the year end crime statistics showing continued historic low crime trends for the City. Mayor Lee and Chief Suhr announced that 2011 violent crime rates in San Francisco are down 6 percent from last year.

“Violent crime in San Francisco remains at historic lows because of stronger community partnerships, targeted approaches to violent crime and aggressive crime prevention strategies,” said Mayor Lee. “Despite some tough economic times, Chief Suhr and the San Francisco Police Department are working to make our City the safest big city in the United States through the best use of 21st century technology, strategic deployment of police resources, the use of innovative crime fighting strategies and successful partnerships with our diverse communities and neighborhoods.”

Homicides were at their second lowest annual rate of any year in San Francisco since the 1960s again in 2011.

In 2011, total violent crime in San Francisco was down six percent from 2010 and shows a reduction of 18 percent compared to 2008:
·        Homicide showed no statistical change; there were 50 homicides in both 2011 and 2010;
·        Aggravated Assault is down nine percent in 2011 from 2010;
·        Robbery is down two percent in 2011 from 2010;
·        Rape is down 12 percent in 2011 from 2010; and
·        Burglary is down five percent in 2011 from 2010.

In 2011, total property crime in San Francisco was up three percent from 2010.

The SFPD continues to pursue innovative crime reduction strategies including a “task force style” response to all crimes of violence. Increased community policing efforts, improved approach in assisting those suffering from mental illness and those with limited English proficiency, town hall community meetings and the decentralization of traffic officers and Beach/Park Patrols for safer streets and neighborhoods are also critical to the reduction of crime in San Francisco. In addition, the formation of the new Special Victims Unit allows our City’s most vulnerable populations the compassion and consideration they deserve.

“The year end crime statistics are an indication to the people of San Francisco of how well the men and women of the San Francisco Police Department are serving this City,” said Chief Suhr. “Our goal is for San Francisco to be the safest big city in America, and the men and women of the SFPD in partnership with our communities are committed to this end. We will achieve this goal by reducing crime and the perception of crime through the use of innovative crime fighting strategies, accessing the best technology available, predictive policing, strategic planning, and working collaboratively with all those concerned. There is nothing we cannot achieve when we all work together for the common good.”

Burning Man attendees anxious over new ticketing system

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Burning Man attendees are feeling anxious over a new lottery-based ticketing system set up this year to address the growing popularity of the event, so much so that an unprecedented number of them are now registering for pre-sale tickets – which were originally intended as holiday gifts – that are being sold at the top-tier price of $420.

Black Rock City LLC, the San Francisco-based company that stages the annual late-summer event in Nevada’s Black Rock Desert, announced the new system last month, setting off a cascade of online denunciations and expressions of anxiety over whether burners will be able to secure enough tickets for their friends, family, and project partners.

“There’s been a strong reaction for all the reasons we thought would happen,” said Marian Goodell, one of six LLC board members responsible for the decision, who said they searched in vain for a better label for the new system. “The word ‘lottery’ is highly charged and unfortunately people equate a lottery with one in a million odds to win a fortune.”

But she said they needed to try something new after last year’s problems, when strong demand for tickets on the first day of sales repeatedly crashed the online ticketing system, and when the event sold out in late July for the first time in its 25-year history, causing scalpers to sell tickets for double-face-value in many cases.

The first round of ticket sales aren’t likely to ease people’s concerns – it could make them more nervous. As in previous years, the LLC is selling 3,000 tickets in December, and their high prices have previously kept demand at around that level. But not this year, as several thousand people have already registered for a lottery-based sale whose registration period ends Dec. 11.

“If 10,000 people apply for 3,000 tickets, I’ve got more unhappy people than I want,” Goodell said.

Those who don’t get tickets will automatically be registered for the main ticket sale in January, when everyone else will register at either the $240, $320, and/or $390 tiered pricing levels to buy up to two tickets from the 40,000 being sold then (10,000 at the lowest tier and 15,000 each at the next two). Notifications will go out on Feb. 1.

Then, in March, about 10,000 more tickets will be sold on a first come, first served basis. Goodell said the exact number of tickets sold then will depend on the permit that is issued by the U.S. Bureau of Land Management for next year’s Burning Man. The LLC has been seeking the negotiate a five-year permit that will allow the event to gradually grow up to 70,000 people.

“We’re looking at a five-year permit and the five-year permit has the potential to grow bigger. What that looks like in the first year isn’t clear yet,” Goodell said.

There are mixed views in the Burning Man community to growing Black Rock City far beyond its current size of just over 50,000 people. It would open the event to more people, but that presents challenges to acculturation and the logistics of getting people to and from a far-flung locale accessed only by a narrow highway with one lane in each direction.

Earlier this year, the LLC moved into a more high-profile headquarters space on mid-Market and set up a nonprofit called the Burning Man Project, which will eventually supplant the LLC in running the event and which is intended to pursue more projects off the playa.

“We’re all for Burning Man culture continuing to grow, and fortunately we have other avenues to grow, including the nonprofit and the regional events,” Goodell said. “The city has all kinds of other constraints.”

Critics last year complained about scalpers reselling Burning Man tickets at high prices, something frowned on in the community and discouraged by the LLC, although it did little to address the problem. An analysis done by the online ticket site Seat Geek found that the average resale price of $350 before the sellout increased to almost $700 afterward, with the highest price ticket going for $1,120.

Goodell said that the only way to minimize the scalping of Burning Man tickets would have been to create a system in which all buyers were identified by name and after-market ticket sales were regulated by the organization, “and that’s more than we were willing to do.” Instead, the LLC will be creating an online system for reselling tickets and guarding against counterfeits, with details to be announced later.

But she predicted the new system will work better than the old one and that most people’s anxieties are unfounded.

“Most people who think ahead are going to get a ticket,” Goodell said, later adding, “It’s a lot less scary than people think.”

 

Bay Guardian City Editor Steven T. Jones is the author of The Tribes of Burning Man: How an Experimental City in the Desert is Shaping the New American Counterculture (2011, CCC Publishing)

The selling of Ed Lee

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steve@sfbg.com

Ed Lee has gone through a remarkable makeover in the last year, transformed from the mild-mannered city bureaucrat who reluctantly became interim mayor to a political powerhouse backed by wealthy special interests waging one of the best-funded and least transparent mayoral campaigns in modern San Francisco history.

The affable anti-politician who opened Room 200 up to a variety of groups and individuals that his predecessor had shut out — a trait that won Lee some progressive accolades, particularly during the budget season — has become an elusive mayoral candidate who skipped most of the debates, ducked his Guardian endorsement interview, and speaks mostly through prepared public statements peppered with contradictions that he won’t address.

The old Ed Lee is still in there somewhere, with his folksy charm and unshakable belief that there’s compromise and consensus possible on even the most divisive issues. But the Ed Lee that is running for mayor is largely a creation of the political operatives who pushed him to break his word and run, from brazen power brokers Willie Brown and Rose Pak to political consultants David Ho and Enrique Pearce to the wealthy backers who seek to maintain their control over the city.

So we thought it might be educational to retrace the steps that brought us to this moment, as they were covered at the time by the Guardian and other local media outlets.

Caretaker mayor

The story begins quite suddenly on Jan. 4, when the Board of Supervisors convened to consider a replacement for Gavin Newsom, who had been elected lieutenant governor but delayed his swearing-in to prevent the board from choosing a progressive interim mayor who might then have an advantage in the fall elections. Newsom and other political centrists insisted on a “caretaker mayor” who pledged to vacate the office after serving the final year of the current term.

It was the final regular meeting of the old board, four days before the four newly elected supervisors would take office. What had been a bare majority of progressive supervisors openly talked about naming former mayor Art Agnos, or Sheriff Michael Hennessey, or maybe Democratic Party Chair Aaron Peskin as a caretaker mayor.

When then-Sup. Bevan Dufty said he would support Hennessey, someone Newsom had already said was acceptable, the progressive supervisors decided to coalesce around Hennessey. That was mostly because the moderates on the board had suddenly united behind a rival candidate who had consistently said didn’t want the job: City Administrator Ed Lee.

Board President David Chiu was the first in the progressive bloc to breaks ranks and back Lee, saying that had long been his first choice. Dufty became the swing vote, and he abstained from voting as the marathon meeting passed the 10 p.m. mark, at which point he asked for a recess and walked down to Room 200 to consult with Newsom.

At the time, Dufty said no deals had been cut and that he was just looking for assurances that Lee wouldn’t run for a full term (Dufty was already running for mayor) and that he would defend the sanctuary city law. But during his endorsement interview with the Guardian last month, he confessed to another reason: Newsom told him that Hennessey had pledged to get rid of Chief-of-Staff Steve Kawa, a pro-downtown political fixer from the Brown era who was despised by progressive groups but liked by Dufty.

Chiu and others stressed Lee’s roots as a progressive tenants rights attorney, the importance of having a non-political technocrat close the ideological gap at City Hall and get things done, particularly on the budget. So everyone just hoped for the best.

“Run, Ed, Run”

The drumbeat began within just a couple months, with downtown-oriented politicos and Lee supporters urging him to run for mayor in the wake of a successful if controversial legislative push by Lee, Chiu, and Sup. Jane Kim to give million of dollars in tax breaks to Twitter and other businesses in the mid-Market and Tenderloin areas.

In mid-May, Pak and her allies created Progress for All, registering it as a “general civic education and public affairs” committee even though its sole purpose was to use large donations from corporations with city contracts or who had worked with Pak before to fund a high-profile “Run, Ed, Run” campaign, which plastered the city with posters featuring a likeness of Lee.

Initially, that campaign and its promotional materials were created by Pak (who refuses to speak to the Guardian) and political consultant Enrique Pearce (who did not return calls for this article) of Left Coast Communications, which had just run Kim’s successful D6 victory over progressive opponent Debra Walker, along with Pak protégé David Ho.

During that campaign, the Guardian and Bay Citizen discovered Pearce running an independent expenditure campaign called New Day for SF, funded mostly by Willie Brown, out of his office, despite bans of IEs coordinating with official campaigns. That tactic would repeat itself over the coming months, drawing criticism but never any sanctions from the toothless Ethics Commission. Pearce was hired by two more pro-Lee IEs: Committee for Effective City Management and SF Neighbor Alliance, for which he wrote the book The Ed Lee Story, a supposedly “unauthorized biography” filled with photos and personal details about Lee.

Publicly, the campaign was fronted by noted Brown allies such as his former planning commissioner Shelly Bradford-Bell, Pak allies including Chinatown Community Development Center director Gordon Chin, and a more surprising political figure, Christina Olague, a progressive board appointee to the Planning Commission. She had already surprised and disappointed some of her progressive allies on Feb. 28 when she endorsed Chiu for mayor during his campaign kickoff, and even more when she got behind Lee.

Olague recently told us the moves did indeed elicit scorn from some longtime allies, but she defends the latter decision as being based on Lee’s experience and willingness to dialogue with progressives who had been shut out by Newsom, noting that she had been asked to join the campaign by Chin. Olague also said the decision was partially strategic: “If we get progressives to support him early on, maybe we’ll have a seat at the table.”

Right up until the end, Lee told reporters that he planned to honor his word and not run. During a Guardian interview in July when we pressed him on the point, Lee said he would only run if every member of the Board of Supervisors asked him to, although about half the board publicly said that he shouldn’t, including Sup. Sean Elsbernd, who nominated him for interim mayor.

And then, just before the filing deadline in early August, Lee announced that he had changed his mind and was running for mayor, the powers of incumbency instant catapulting him into the frontrunner position where he remains today, according to the most recent poll by the Bay Citizen and University of San Francisco.

Lee the politician

With his late entry into the race and decision to forgo public financing and its attendant spending limits, one might think that Lee would have to campaign aggressively to keep his job. But most of the heavy lifting has so far been done by his taxpayer-financed Office of Communications (which issues press releases at least daily) and by corporate-funded surrogates in a series of coordinated “independent” groups (see Rebecca Bowe’s story, “The billionaires’ mayor”).

That has left Lee to simply act as mayor, where he’s made a series of decisions that favor the business community and complement the “jobs” mantra cited relentlessly by centrist politicians playing on people’s economic insecurities.

Yet Lee has been elusive on the campaign trail and to reporters who seek more detailed explanations about his stands on issue or contradictions in his positions, and his spokespersons sometimes offer only misleading doublespeak.

For example, Lee’s office announced plans to veto legislation by Sup. David Campos that would prevent businesses from meeting their city obligation to provide a minimum level of employee health benefits through health savings accounts that these businesses would then pocket at the end of the year, taking $50 million last year even though some of that money had been put in by restaurant customer’s paying 5 percent surcharges on their bills.

Although Campos, the five other supervisors who voted for the measure, four other mayoral candidates, and its many supporters in the labor and consumer rights movements maintained the money belonged to workers who desperately needed it to afford expensive health care, the San Francisco Chamber of Commerce said it was about “jobs” that would be protected only if businesses could keep that money.

Lee parroted the position but tried to push the political damage until after the election, issuing a statement entitled “Mayor Lee Convenes Group to Improve Health Care Access & Protect Jobs,” saying that he would seek to “develop a consensus strategy” on the divisive issue — one in which Campos said “we have a fundamental disagreement” — that would take weeks to play out.

After a frustrating back-and-forth with Lee Press Secretary Christine Falvey by email, it’s still unclear how to resolve the contradiction between whether businesses could seize these funds or whether they belonged to employees, with her latest statement being, “The Mayor absolutely wants these funds spent on providing access to quality primary and preventative health care because this is the business’s obligation under HCSO. Making sure that these funds go to pay for health care is the most important objective.”

Similarly, when police raided the OccupySF encampment on Oct. 5, Lee’s office issued a statement that was a classic case of politicians trying to have it both ways, expressing support for the movement and its goal to “occupy” public space, but also supporting the need to police to clear the encampment of those same occupiers.

But now, in the wake of a repeat raid on Oct. 16 that has inflamed passions on the issue, the question is whether Lee can run out the clock and retain the office he gained on the promise of being someone more than a typical politician.

Live Shots: Odd Future at the Warfield, 9/30/11

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Hello, and welcome to the worst concert photography post ever! Let me explain. Odd Future’s sold-out show at the Warfield on Friday was not a hip-hop show. Or it was – the group’s wordplay and Shaolin-esque mythological persona is pretty unimpeachable – but it was mainly a grimy, sweaty, hopped-up-on-youth punk show.

Odd Future presents the conscientious music conundrum: can one like a band whose lyrics are reprehensible? The crew from Compton is way more attractive than the Insane Clown Posse, but the milieu that they’ve conjured, complete with darkly nonsensical terminology and sheer, bounding disregard for niceties, strike similar notes.

The stage’s backdrop was a massive image the Golf Wang tour’s kitty mascot, introduced by the group as Sharkcat. 

“Look at Sharkcat’s eyes! Aren’t you scared?” The audience roared back, completely not scared by whatever the group had to offer. 

Odd Future’s songs focus on the going insane, violence, and getting head. The meat of the masses was young men dressed in the same sneaker, tee, and cutoffs look of the men onstage, but a large portion of the crowd at the Warfield was in fact, young women. They screamed along to every lyric and when Tyler the Creator, the group’s brave young leader, surged to their side of the stage, they rushed forward with elbows just as pointed as the ones their masculine counterparts were flinging side-to-side and backwards in the frenzied mosh pit that would usually resolve with a security guard roughly shoving a key instigator out the theater to sure doom and no-reentry on the twinkling mid-Market strip. 

“We really cater to the ladies,” Tyler snarked at one point, thanking the XX-chromosoned for braving the rough-and-tumble front rows. Or maybe he was serious – his washboard abs, unveiled midway through the show, winked knowingly at this being the case. 

And because of that, I’m real sorry that my photos suck. Consider them rather a homage to the general feeling of the show rather than literal documentation. They’re worth a look though, because the set kicked ass. Odd Future is real, real good. The group’s appeal to the skaters, the hip-hop kids, and the yelping R&B babies is the kind of connection that didn’t need that Late Night with Jimmy Fallon Show performance to cement itself — the artists are really artists, they’re deranged-sexy, and they’re bringing through a kind of hip-hop that has little to do with the consumerist posturing we see most of the time.

“I am not a fucking role role model!” one of the group members bellowed. Well, yeah. We didn’t think you were.

By the time the show ended (at 11 p.m.?! One wonders if the Warfield got nervous about the would-be stage climber the band flung the 15 feet back down into the crowd, spine first, just as he had ascended to the level of his beloved rap crew) one of Odd Future’s emcees was leading the crowd in their customary chant: “KILL PEOPLE BURN SHIT FUCK SCHOOL.” It’s all real ignorant, but looking at the kids around me I couldn’t help but be glad that they were here and not at an ICP show. 

And that conundrum? Consider it tabled for the moment. I think I was singing along. 

 

Chiu and Kim are making a quick trip to Burning Man

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Board of Supervisors President David Chiu will take a day off from his busy mayoral campaign next week to attend Burning Man, which he’ll fly into on a small private airplane along with Sup. Jane Kim and spend less than 24 hours on the ground.

“For several years, I’ve wanted to visit the Black Rock Desert to learn about how Burning Man is building 21st Century community, creating art, and fostering sustainability,” Chiu told the Guardian after we learned about the trip from several sources.

Black Rock City LLC, the company that stages Burning Man – an arts and cultural extravaganza that began in 1986 on San Francisco’s Baker Beach and now takes place in Nevada’s Black Rock Desert – has long sought to woo influential city officials to the event, offering free tickets to elected officials and some board aides. With this year’s move into a new Mid-Market headquarters space and creation of the new Burning Man Project nonprofit, both the LLC and City Hall have more reason than ever to seek stronger ties.

Sup. Eric Mar, who attended his first Burning Man last year, will be returning this year on his own to spent most of the week on the playa. By contrast, Chiu and Kim will fly into an airport set up at the event on the morning of Sept. 1 – accompanied by activists Sunny Angulo and Dan Nguyen-Tan, who will essentially staff them during their visit – stay in accommodations set up by supporters and the LLC, and fly out the next morning.

“It’ll be a super quick trip,” Chiu said, but he says that he’s excited to experience the event because, “Burning Man is an extension of our San Francisco community.”

Neither Kim nor Angulo returned calls for comment. Sources who helped set up the trip say they are trying to keep the value of the contributions to each supervisor under California’s $420 limit on gifts to public officials, and that if the value of the tickets, flight, and accommodations exceed that, Kim and Chiu will pay for the difference.

Organizers of the trip were also trying to woo another mayoral candidate, Sup. John Avalos, who considered it but ultimately decided against it. “Can’t pull away, what with being from a working family and with the kids and campaign and all,” he told us.

Tickets to Burning Man, which runs from Aug. 29-Sept. 5, sold out for the first time in its history this year, setting off a mad scramble for tickets that belied the event’s focus on a decommodified gift economy. To deal with that escalating demand, the event is expected to grow from a population of around 52,000 this year up to 70,000 within five years.

To learn more about the event and the culture is has spawned, check out our recent guide; read my book, The Tribes of Burning Man: How an Experimental City in the Desert is Shaping the New American Counterculture; or listen to the podcast of KQED’s Forum that I was on last week with event founder Larry Harvey and celebrated artist Karen Cusolito.

Best of the Bay 2011: BEST PROGRESSIVE CLUBHOUSE

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Since early January, when Chris Daly stepped down from the Board of Supervisors and took ownership of the Buck Tavern, a political realignment has made City Hall a far less welcoming place for progressives. So they’ve followed Daly over to his new digs (nicknamed Daly’s Dive) instantly transforming the Mid-Market bar into the seat of power for the progressive local government-in-exile: a place where revolutions are plotted and frustrations are soothed with strong drinks and juicy burgers. With SFGTV on the tube, Daly slinging classic cocktails and brewskis, and malcontents lining the bar, the Buck has become a refuge for leftist political junkies. And for those looking for shockingly clean bar bathrooms.

1655 Market, SF.(415) 874-9183

Burning Man tickets sell out for the first time

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For the first time in the event’s 25-year history, tickets to Burning Man have sold out. With more than a month left to go before the gates to Black Rock City open at midnight on Aug. 28, burners have already started a mad scramble for spare tickets through various message boards and online networks.

Shortly after tickets started selling at the fastest pace ever on Jan. 20, officials with Black Rock City LLC, the SF-based company that staged Burning Man in Nevada’s Black Rock Desert, privately warned that they may sell out this year. The event, which last year peaked at almost 52,000 attendees, is limited by its permits with the US Bureau of Land Management and BRC’s own desire to control its ever-growing size.

A couple months ago, the company announced that tickets would not be available at the gate (which had happened only once before, in 2008) and urged burners to get their tickets because it could sell out. Then, over the weekend, that’s what happened. “This is new territory,” BRC board member Marian Goodell told the Guardian, noting that its BLM permit (which is up for renegotiation after this year’s event) calls for capping the population at last year’s level. “If we didn’t have the BLM permit restrictions, we could manage an increased population.”

BRC, nicknamed the Borg, had privately been trying to dampen public speculation that the event would sell out, worried that scalpers would make a run on tickets. It’s illegal in California to sell tickets for more than their face value, and it has traditionally been a strong part of the burner ethos not to profit off reselling of the tiered-pricing tickets (which ranged from $210-360 this year). But that will be tested this year by the laws of supply and demand. There have also been counterfeit ticket scams exposed recently, and that will be an even greater concern now that legitimate ticket outlets are no longer an option, although the Burning Man website lists ways to check whether a ticket is legitimate.

Meanwhile, BRC has been settling into its new headquarters in Mid-Market Street area, and it has recently announced an Aug. 5 launch date for The Burning Man Project, the new nonprofit organization that will slowly began taking over control of the event over the next several years, with a kickoff party in United Nations Plaza starting at 5 pm.

For more on Burning Man during this important transitional year, look for the Guardian’s special Playa Prep issue hitting the streets on Aug. 3; grab a copy of my new book, The Tribes of Burning Man; or attend one of my upcoming book-related events. And, if you can manage to get a ticket, I’ll see you on the playa.

One Hundred Days of Spring: As Mid-Market talks, two organizers do

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All photos by Stephen Heraldo

Just beyond the scope of the perpetual debate of revitalizing Mid-Market — defined as the stretch from Fifth Street to Van Ness Avenue — an extraordinary project is quietly closing its doors on an oblique, no-man’s-land corner of Market near Franklin. There, for one hundred days and nights, an empty glass storefront opened up to spill a swath of light and music onto the cigarette-studded sidewalk — without funding, a business model, or (as founders Will Greene and Sam Haynor are the first to say) much of anything else.

“Ask us our mission statement,” One Hundred Days of Spring organizer Haynor challenges.

“We don’t have one,” Greene, his creative partner, cuts in.

“Well, yes we do,” says Haynor.

“Yeah, that not doing it seemed like a cop-out,” the pair concludes.

“It” was creating more than three months of free and donation-based events, classes, and recorded stories representing a variegated slice of the local population: hipster kids in art collectives, professionals on their Market Street commutes, and low income neighborhood residents, including many who bed down each night on the block.

As part of Central Market Partnership’s ongoing efforts to inject arts and culture into revitalization plans for mid-Market, the San Francisco Office of Economic and Workforce Development is joining with the Arts Commission to hold a series of focus groups exploring ways to engage artists, small businesses and cultural organizations in the making of a thriving creative district.

Five focus groups have already met, according to OEWD’s Jordan Klein, and over the coming weeks, more gatherings — of community residents, transportation advocates, historical preservation advocates, and nonprofit leaders — will provide insight for the Central Market Economic Strategy, to be released in the late summer or early fall.

One Hundred Days of Spring wasn’t on the agenda of any of these meetings. A former boutique clothing store sandwiched between SROs and auto body shops on a strip shadowed by the sheer, block-long face of a Honda dealership, the space’s previous tenants didn’t last long. But transformed into a gypsy-tent-circus-wagon-theater-gallery-cum-classroom, the storefront, reborn as the Schoolhouse, rooted itself in the neighborhood in just a few months.

The hundred days are now over. But if the packed closing ceremony was any indication, Haynor and Greene’s model is one that the community is keen to reproduce. Mark Singer, a research librarian and freelance writer who found the project in what the two founders call the “analog way” — by stumbling across the threshold — told supporters, “I challenge everyone in this room to replicate what we’ve seen here, seen in the last hundred days.”

“The ultimate goal,” Haynor said, “is not only to share and to educate, but at the end of one hundred days, to have created one hundred new ideas for people to carry out into the world.”

 

Nothing to it

One Hundred Days of Spring was an experiment in community-supported programming. Rather than relying on or waiting for grant money, Haynor and Greene hoped to show that a community space can be self-sustaining — for the benefit of those who can contribute more and those who must contribute less.

“San Francisco is grant rich,” Haynor explains, “but it’s also full of people waiting for grants. They have a bunch of awesome ideas, but by the time the grant cycle comes around, the initial spark is gone. For us, going after a grant would just eat up time, and we wouldn’t end up doing what we wanted.”

Instead, the two 25-year-olds pooled their savings and paid $2,000 a month for rent from March to June, $200 for utilities, plus a few hundred extra for renovations and insurance. Within three weeks of the initial idea, they had moved into the space and populated a calendar of events through friends, friends of friends, and tools like SF Chalkboard. They were running full tilt by day six. 

In just over three months, the team offered more than 250 classes, shows, and tutorials — sometimes five in a day — covering everything from truffle-making and fermentation to bike repairs, aerial silks, and open mics. By collecting donations on a pay-what-you-can basis, Haynor and Greene were able to recover a large portion of their initial output, and also garner an extra $4,000 to reinvest into the project.

Greene on the value of 100 days of events: “If you try to put a value on what we have now, that we didn’t have then, you couldn’t buy it for $4,000.”

Though the Schoolhouse founders ended up $4,000 short, Greene says they “could have broken even” if they had focused more on the project’s revenue-generating components, like filming videos for musicians who performed in the space.

Even so, for Greene the worth of One Hundred Days of Spring was indisputable. “If you try to put a value on what we have now, that we didn’t have then, you couldn’t buy it for $4,000,” he says.

When Judy Nemzoff, community arts and education program director for the Arts Commission, stopped by the Schoolhouse and asked how Haynor and Greene did what they did, the two replied, “Well, we just signed a lease.”

 

It takes two

Inside the Schoolhouse, the laid-back attitude seemed to likewise shrug “nothing to it but to do it.” But the warm, easy atmosphere belied the late nights and hard work it took to get ‘er done.

Understanding how One Hundred Days of Spring came to be — and why it worked so well — means understanding a bit about its creators

Greene and Haynor, hanging at the Schoolhouse

Haynor and Greene have the kind of friendship people make movies about. Besides the sort-of charming things like finishing each other’s sentences and bragging about accomplishments each knows the other would never mention for himself, there’s the sense that somehow, these two unassuming fellows are going to change the world.

“We’re a good balance,” Greene says. With the air of someone showing how two-plus-two equals four, he explains, “Sam’s a bit spastic, and I can plunge a toilet.”

“We have different skill sets, but we share goals,” he continues. “We keep each other in check. We’re both very often wrong, but we’re rarely both wrong at the same time.”

Coco Spencer, who joined One Hundred Days of Spring as an intern partway through and become an indispensible team member, says she was willing to dedicate so many hours to the Schoolhouse because, “Basically, Sam and Will are the most inspiring people I’ve ever met.”

Haynor and Greene were campers and later counselors together at the Bar 717 Ranch in Trinity County. There, they found each other, and also a passion for teaching — or, as they put it, “helping people to be good versions of themselves.”

Though each has traveled and embarked on sundry individual projects — Greene as a musician and videographer, Haynor as a chess champion and conflict-area journalist — they continue to connect over their drive to educate in unique new ways.

 

Bathroom, beats, and big ideas

At the Schoolhouse, that meant engaging community members through a service-based approach. “Our main goal is to provide resources to people who need resources,” Greene says. “We’re not interested in providing resources to people who have resources.”

Given the diversity of The Schoolhouse’s participants, “resources” could mean different things.

Haynor explains, “For some people, we’re a bathroom. For some we’re a place to stop in and say ‘hi.’ For some, we’re a place to do events.”

“We’re successful because we’re always doing something fun, and everyone feels invited,” Greene says. “It’s the loose nature of our project. There’s no doorman, no guy with a cash box.”

There were challenges (“Sam’s been trying to put together homeless poetry readings, but he’s scheduled them for the first of the month. That’s when everyone gets their checks, so everyone gets drunk,” Greene says at one point), but there were also many moments — like when a woman from the block walked up and started giving Haynor a massage, or when Greene calmly negotiated with a rowdy, intoxicated visitor, encouraging her to pipe down and eventually leave — that pointed to a deft interface with the surrounding community.

“They respect our storefront more than they do the others,” Greene says. Some locals worked shifts at the Schoolhouse in return for resources. Others stopped in for music, for food and nutrition classes, or to look at the art. Some simply came by to talk about living in the area.

During an “Un-Talent Show”, a performer named SofT humorously described a street-dweller’s perpetual problem: carrying belongings. He showed an in-stitches audience how to bundle objects in an old sweater — a wholly relatable rap on wrapping. Another visit came from Benny, one of SF’s famous itinerant tamale sellers, who lives in an SRO across the street and makes what partakers described as “possibly the world’s best tamales” across town in his girlfriend’s kitchen.

Haynor describes a woman who walked into a sewing workshop — run by SF Social Fabric, a volunteer-staffed bike maintenance and sewing skills collective — with “some trepidation.”

“She was in a room with a bunch of people who were nothing like her,” he says, “but we got to know each other over the fact that we all wear clothes. And they all fall apart.”

Neighborhood connections at the Schoolhouse

“There’s a duality to this corner,” Haynor says. “From doctors to the people who live on the block to all the people in the middle who travel Market Street. Before us, some wouldn’t even cross the street.”

“At our best,” he continues, “we’re a place people from another demographic can discover the old-fashioned way — with their eyes and their feet. They cross the threshold, ask what we’re doing, decide to stay, and learn something. Now, I can’t go five minutes without seeing someone I know, or someone who I recognize, or someone who just popped in.”

Singer, a perfect example of the phenomenon, started stopping by between two and five times a week after his initial discovery. He framed the project’s importance in simpler terms: “This is where we need these things to happen. Where it smells like urine on a hot day.”


Let’s put on a show!

Singer believes that projects like the Schoolhouse can “transform parts of San Francisco” by providing services that are more than “just artists and gallery-talk.” The Schoolhouse, he says, “was something visceral.”

“One Hundred Days of Spring created an infinite possibility for community that can’t be replicated on a screen or keyboard. We’re not talking Internet cafés with white earbuds, but humans breathing in the same space — collaborating, communicating in one room, and that room changing every darn day.”

Indeed, the walls of the Schoolhouse were repainted so many times over the course of the hundred days — with layers of murals, street art, installations, white space for projecting films — that Spencer, who took charge of many of the events’ logistics, joked she was hoping to reduce the interior square footage, and thus, the rent.

The zealous energy required to transform the space again and again was reminiscent — Singer pointed out — of Babes-in-Arms-era Mickey Rooney and Judy Garland exclaiming Hey, kids! Let’s put on a show in this old barn! That down-home, DIY energy may be just what efforts like the Mid-Market revitalization require.

Greene, who attended one of the Central Market Partnership’s focus groups, says the consensus was that knowledge about and access to space were the biggest obstacles to creating and executing programs of any kind.

“People are looking for answers,” he says, “looking for some larger entity to hand them space, or looking tax breaks. There’s the feeling that you can’t just do what you want to do.”

“Rather than saying ‘if you give us space, we’ll fill it with beautiful things,’ you can say ‘I’m just going to do it.’ If you’re willing to make it happen, if you work really hard, if you work with the people you’re trying to reach, then you don’t have to worry about anything else.”

Despite the waiting, wanting, hoping attitudes Greene says he encountered, he points out that plenty of others are “just doing it.” The Schoolhouse helped along a few such visionaries by sponsoring two “Grant Prix Dinners.” During the informal roundtables, entrepreneurs presented project ideas between courses. Participants paid a fee for dinner and a ballot on which to elect their favorite projects – to whom the entry frees were turned over as seed money at the end of the night. 

 

Bringing together the neighborhood

At times, especially in San Francisco and other urban areas where real estate is costly, amping up a neighborhood’s arts and cultural amenities has acted as a roundabout measure to invite the type of gentrification that sweeps streets clean. That kind of programming is not intended to serve current residents so much as to usher in new ones. 

By contrast, the Schoolhouse made a conscious decision to serve the neighborhood’s existing population — with safer-feeling streets resulting, and much more quickly, at that. 

One Hundred Days of Spring was a bold, direct move to engage the local community. As such, it was highly effective not only at providing needed resources, but at tempering the less-desirable qualities of the neighborhood by creating a sense of community and responsibility among residents and passers-through.

“Coming out of Muni, walking home on Market Street,” Singer had said, “can frankly be pretty scary. There’s substance abuse, drug deals, and people who may or may not be harmless.” The Schoolhouse, he said, helped diffuse that lack of ownership and feeling of “anything goes.” For Singer – and Schoolhouse denizens of all backgrounds — the space managed to help tie a few new knots. 

“The Schoolhouse brought me closer to a world that’s very marginal,” Singer said. “the homeless world.”

Whether or not Mid-Market planners will look to the Schoolhouse for a lesson in effective community building, the project’s two masterminds have undoubtedly developed a model they can draw on in the future.

Haynor and Greene plan to continue working together on community education projects. With One Hundred Days of Spring under their belts, they will be able to approach supporters “not just with an idea, but with a proven concept.”

“We are both in this together to see what we’re both capable of,” Haynor said. “To see if we’re any good at this thing.”

In the style of banter so typical of the pair, Greene added, “So we can figure out the rest of what we’re going to do with our whole darn lives.”

 

Sing out, sister

1

culture@sfbg.com

BAR CRAWLER Until last week, I’d never set foot in a karaoke lounge. It wasn’t exactly on purpose; it was just something — like using dryer sheets and eating those little lathed carrots prepackaged with swimming pools of ranch dressing — that never occurred to me.

This is not a story where, by the end, I uncover a newfound talent and become an instant rock star. Turns out, karaoke is hard — and commands a hardcore following of seriously legit singers. But after one whirlwind karaoke tour of the city, I found that it can be tons of fun for the rest of us too.

 

ENCORE KARAOKE LOUNGE

A friend enlisted for guidance and moral support assured me the first stop on our Friday night list would be mellow. So mellow, in fact, that when we entered from the still-light evening, about six people were watching a surprisingly spot-on rendition of “I Dreamed a Dream” from Les Miz. Next, a potbellied beer-in-hander stepped up for some Led Zeppelin. The patrons were singles and couples, none of the giggly groups of girls I expected. The lights, however, were just what I expected: over-the-top and outdated all at once. The tables were sticky and the drinks were predictably terrible (but cheap). The overall experience seemed like a cozily trashy movie-scene karaoke pastiche.

1150 California, SF. (415) 775-0442. www.encorekaraokesf.com

 

(Click here for larger Google map.)

THE MINT

Though this be-spangled Mid-Market spot reprised Encore’s small, watery drinks, there was nothing cozy about it. The Mint is on the tip of everyone’s karaoke tongue, so it was packed almost beyond maneuverability with fratty types and hipsters galore, who were too busy huddling in little beanie-topped clusters to pay attention to the stage: no fun for veteran singers of big booming anthems, but potentially good for first-timers.

I hadn’t yet worked up the courage to sing, but my friend joked that if nothing else, I could do “Bicycle Built for Two.” Well, no shit: 40,000 songs to pick from, and someone with mismatched thigh-highs and a fuzzy panda hat beat me to it. Galvanized, I submitted a slip for “American Pie,” which I figured might arouse the passion — or, at least, compassion — of even the most blasé in attendance. When I wasn’t called in 30 minutes, I took it as a signal to duck out with my dignity intact.

1942 Market, SF. (415) 626-4726. www.themint.net

 

FESTA WINE AND KARAOKE LOUNGE

Next, we headed to Japantown for a more authentic experience. Festa fit that bill, according to our one companion with bona fide Tokyo chops. It’s a surprise to walk into Festa — with its twinkling LED stars, cityscape wall motif, and lustrous dark décor — from the deserted second floor of Japantown’s mall-like Japan Center. With five bartenders for an intimate 30 seats, Festa definitely has an upscale vibe. Most of the women wore heels and cocktail dresses, and the cocktails were likewise elevated, both in price and quality. It took a Bellini, lychee martini, and sake-tini to precondition my vocal chords.

The song list was extensive but lacked my planned-on Don McLean classic — which seemed out-of-place anyway amid such a demure crowd. Billy Joel’s “Entertainer” popped into my head because it’s light and mercifully fast. With hardly a wait, I was twanging, left leg trembling, a good half-octave below where my voice stops sounding like a woman’s and starts sounding like the Marlboro Man’s. I got a rush of mercy applause and swept my friends out the door.

1825A Post, SF. (415) 567-5866. www.festalounge.com

 

500 CLUB

More than a week passed, and I was ready to go it alone. For a low-key bar with a neighborhood vibe, 500 Club is perfect. Karaoke Sundays start when the afternoon light is still streaming through large windows and a Tecate on the crowded benches feels just right. Audience participation — including some friendly heckling — is big here, and the singers heckle right back. Be warned: the front row, which is nearly every seat in the joint, is something akin to Sea World’s splash zone. You may be personally serenaded, implored to sing backup, or even humped a bit — all in good fun.

500 Guerrero, SF. (415) 861-2500. www.500clubsf.com

 

PANDORA

Pandora begs a reference to the overstuffed box, and it’s appropriate: this bar has it all — in a good way. Bins brim with cymbals, tambourines, silly hats, and other props. Candy Land and Jenga top a stack of board games. Flat-screen TVs flash the night’s basketball scores. A disco ball sprinkles light over sleek silver couches, low coffee tables, and a posh lit-up bar.

No cuts-only pension deal

5

EDITORIAL Mayor Ed Lee has released a draft set of proposals for pension reform, and union leaders continue to meet with financier Warren Hellman to try to craft an alternative. Meanwhile, Public Defender Jeff Adachi is narrowing his options and appears ready to move forward to put his own plan on the ballot.

Everyone involved claims to be interested in a compromise, in some proposal that would reduce the city’s burden of paying $350 million this year (and potentially as much as $790 million in five years) into the employee pension fund. We support that idea, too — there are plenty of necessary, progressive moves to fix the city’s pension system and free up more cash for local programs.

But so far, none of the proposals on the table include any new revenue sources — which means, in effect, that the mayor, Hellman, and Adachi all want city workers to bear the entire brunt of the impact of a Wall Street-driven recession. The message: only city employees should share the pain; the wealthiest San Franciscans and biggest, richest businesses don’t have to contribute at all.

It’s a dangerous part of the tax mythology that Pulitzer Prize-winning reporter David Cay Johnston discusses in his article in the Guardian this week. He notes that the argument in favor of tax cuts for the rich — that lower taxes will lead to more investment and thus more jobs — has been tested in this country for 30 years. And it hasn’t worked.

Most San Franciscans probably realize that. Most city officials vote for Democrats, opposed the Bush-era tax cuts on the rich, and argue for more federal aid to cities. This is a progressive town.

But when it comes to something as fundamental as local economic policy — who pays for city services and who gets the benefits — the story becomes completely different.

The mayor and eight of the 11 supervisors are celebrating a broad-based tax cut as a way to create jobs in the Tenderloin and mid-Market (although the evidence that tax cuts don’t create jobs is overwhelming). The mayor is looking at the equivalent of a cuts-only budget (although everyone at City Hall opposes the notion of a cuts-only budget in Sacramento). And while it’s almost certain that some sort of pension reform will be on the November ballot, none of the players involved in the negotiations have openly taken what seems to us to be the only logical position:

Pension reform has to be linked to tax reform — a commercial rent tax, a progressive gross receipts tax, a city income tax, an increase in the Pacific Gas and Electric Co. franchise fee or something else that hits those who can afford to pay. Otherwise, we can’t support it.

Even the city employee unions are being awfully quiet about the need for a deal that includes new taxes. They ought to be leading the charge here, telling everyone that a cuts-only pension deal isn’t going to be acceptable. (The tax measures could hold until the November 2012 budget, when they’ll be easier to pass — if there’s a firm assurance that the mayor, Hellman, Adachi, the supervisors, and all the other players will support them.)

City employees are being asked to take what amount to pay cuts — which will reduce their purchasing power and have a depressing impact on the local economy. Taxing the wealthy (who spend a much smaller percentage of their income) has no such depressing impact. Those are hard, cold facts. They need to be part of the discussion.

Robert Reich, the former labor secretary who now teaches at the University of California, Berkeley, has an interesting essay on his blog April 9 that discusses Obama’s budget capitulations. The president, he notes, “is losing the war of ideas because he won’t tell the American public the truth: that we need more government spending now — not less — in order to get out of the gravitational pull of the Great Recession. That we got into the Great Recession because Wall Street went bonkers and government failed to do its job at regulating financial markets … That the only ways to deal with the long-term budget problem is to demand that the rich pay their fair share of taxes.

“And that, at a deeper level, the increasingly lopsided distribution of income and wealth has robbed the vast working middle class of the purchasing power they need to keep the economy going at full capacity.”

That’s as true here as it is in Washington. And if city officials want progressive support for pension reform, they need to acknowledge it.

 

Editorial: Link pension reform to tax reform (Second in a series on pension reform)

14

Mayor Ed Lee has released a draft set of proposals for pension reform, and union leaders continue to meet with financier Warren Hellman to try to craft an alternative. Meanwhile, Public Defender Jeff Adachi is narrowing his options and appears ready to move forward to put his own plan on the ballot.

Everyone involved claims to be interested in a compromise, in some proposal that would reduce the city’s burden of paying $350 million this year (and potentially as much as $790 million in five years) into the employee pension fund. We support that idea, too — there are plenty of necessary, progressive moves to fix the city’s pension system and free up more cash for local programs.

But so far, none of the proposals on the table include any new revenue sources — which means, in effect, that the mayor, Hellman, and Adachi all want city workers to bear the entire brunt of the impact of a Wall Street-driven recession. The message: only city employees should share the pain; the wealthiest San Franciscans and biggest, richest businesses don’t have to contribute at all.

It’s a dangerous part of the tax mythology that Pulitzer Prize-winning reporter David Cay Johnston discusses on page 10. He notes that the argument in favor of tax cuts for the rich — that lower taxes will lead to more investment and thus more jobs — has been tested in this country for 30 years. And it hasn’t worked.

Most San Franciscans probably realize that. Most city officials vote for Democrats, opposed the Bush-era tax cuts on the rich, and argue for more federal aid to cities. This is a progressive town.

But when it comes to something as fundamental as local economic policy — who pays for city services and who gets the benefits — the story becomes completely different.

The mayor and eight of the 11 supervisors are celebrating a broad-based tax cut as a way to create jobs in the Tenderloin and mid-Market (although the evidence that tax cuts don’t create jobs is overwhelming). The mayor is looking at the equivalent of a cuts-only budget (although everyone at City Hall opposes the notion of a cuts-only budget in Sacramento). And while it’s almost certain that some sort of pension reform will be on the November ballot, none of the players involved in the negotiations have openly taken what seems to us to be the only logical position:

Pension reform has to be linked to tax reform — a commercial rent tax, a progressive gross receipts tax, a city income tax, an increase in the Pacific Gas and Electric Co. franchise fee or something else that hits those who can afford to pay. Otherwise, we can’t support it.

Even the city employee unions are being awfully quiet about the need for a deal that includes new taxes. They ought to be leading the charge here, telling everyone that a cuts-only pension deal isn’t going to be acceptable. (The tax measures could hold until the November 2012 budget, when they’ll be easier to pass — if there’s a firm assurance that the mayor, Hellman, Adachi, the supervisors, and all the other players will support them.)

City employees are being asked to take what amount to pay cuts — which will reduce their purchasing power and have a depressing impact on the local economy. Taxing the wealthy (who spend a much smaller percentage of their income) has no such depressing impact. Those are hard, cold facts. They need to be part of the discussion.

Robert Reich, the former labor secretary who now teaches at the University of California, Berkeley, has an interesting essay on his blog April 9 that discusses Obama’s budget capitulations. The president, he notes, “is losing the war of ideas because he won’t tell the American public the truth: that we need more government spending now — not less — in order to get out of the gravitational pull of the Great Recession. That we got into the Great Recession because Wall Street went bonkers and government failed to do its job at regulating financial markets … That the only ways to deal with the long-term budget problem is to demand that the rich pay their fair share of taxes.

“And that, at a deeper level, the increasingly lopsided distribution of income and wealth has robbed the vast working middle class of the purchasing power they need to keep the economy going at full capacity.”

That’s as true here as it is in Washington. And if city officials want progressive support for pension reform, they need to acknowledge it.

Man on the move

1

steve@sfbg.com

As the homegrown Burning Man festival and culture marks its 25th anniversary, Black Rock City LLC, the company that stages the annual event, is about to take a couple of big steps. Next month, organizers say it will move into a high-profile new headquarters on mid-Market Street and form a new nonprofit group to take over Burning Man.

Tickets to the weeklong festival, which takes place Aug. 28-Sept. 5 in Nevada’s Black Rock Desert, have been selling at their fastest pace ever and the city is likely to exceed a population of 50,000. Symbolizing perhaps the biggest transitional year since 1996, when the LLC was formed and a more formal civic infrastructure was created, the eponymous Man will be in a new pose for the first time: striding across a chasm rather than standing still.

While the transitions have been in the works for years, event founder Larry Harvey publicly laid out the details for the first time on April 1, when he addressed a gathering of Burning Man regional representatives from around the world.

“I’m here tonight to talk to you about the next step for Burning Man,” Harvey told the crowd of about 150 regional representatives and another couple hundred burners, including Sup. Eric Mar, who attended the event last year for the first time. Sup. Jane Kim, who is sponsoring a controversial mid-Market tax exclusion zone that would benefit BRC and many other companies (see “Selling the Tenderloin,” March 30), appeared at the event briefly but didn’t stay for the whole speech.

Harvey then proceeded to talk for more than an hour, revealing often personal details about the bitter infighting among BRC’s six board members that followed lawsuits filed in 2006 by board member Michael Mikel and in early 2007 by John Law, an estranged founder of the modern event, over control of Burning Man’s trademarks and future (see “Burning Brand,” 1/6/07).

“It triggered a series of cascading events, and those began a rite of passage,” Harvey said, echoing this year’s Burning Man art theme, Rites of Passage.

With Mikel and Law forcing the question of what would become of the event, BRC realized it needed a new operating agreement, but the board members couldn’t agree on the fundamentals and ended up in mediation. “It began to look like everybody would lawyer up,” Harvey said. “It felt like the band was breaking up.”

They brought in corporate appraisers to “think about what the pie will fetch, then divide by six,” an idea that was as abhorrent to Harvey as it would certainly have been to the vast community of burners who have helped give the event its value over decades now.

“It was against everything we stood for, everything we had practiced,” he said. “How could we sell our life’s work like a commodity?”

Eventually, working with a committee of BRC senior employees that formed after relations on the board devolved, they decided to turn control of the event and its assets over to a new nonprofit group called The Burning Man Project.

“Why not act to change the world, a world that you won’t be in? And that’s what we want to do,” Harvey said, eliciting applause from the room. “We want to get out of running Burning Man. We want to move on.”

But it’s going to be a slow process. In May, he said the LLC will file papers to create the nonprofit, which will initially be run by the current board members and at least seven more directors selected by that board. In about three years, depending on how the new nonprofit forms up, the LLC will turn over management of Burning Man, while holding onto control of the logos and trademarks for another three years after that, Harvey said. And that’s when the six board members will officially cash out.

“We will liquidate our ownership interests and it will be for more than $20,000,” Harvey said, alluding to the sum promised to departing board member under the LLC’s original operating agreement, an amount he dismissed as “laughable.”

The slow, conditional transition and big potential payout were criticized by longtime burner and former mayoral candidate Chicken John Rinaldi, who led a 2004 rebellion against the board’s control over an event that is created mostly by its participants.

“We’ve gotta pay for their retirement for something they stole from us in the first place?” Rinaldi said. “They’re turning Burning Man into a commodity. They’re selling the event.”

Harvey, Mikel, and board member Marian Goodell say they are simply trying to safeguard Burning Man and ensure its longevity. “Nonprofits can go bad so the real challenge is creating a rugged framework,” Mikel said. “This thing needs to run beyond us.”

But even Rinaldi agreed with the move to Mid-Market, which Goodell said is good timing as BRC begins to create and shape the Burning Man Project. “We need to be in an urban environment to get a handle on what we need,” she said, noting how isolated their last two offices along Third Street have been. “We want to have a public face to the world.”

Guardian City Editor Steven T. Jones is the author of The Tribes of Burning Man: How an Experimental City in the Desert is Shaping the New American Counterculture.

 

Jane Kim’s credibility problem

96

(UPDATED AND CLARIFIED ON 4/7 BELOW) Two weeks ago, when Sup. Jane Kim voted to move the Twitter/mid-Market/Tenderloin tax exclusion zone forward before Twitter had agreed to a community benefits agreement (CBA), over the objections of Sup. Ross Mirkarimi and other opponents of the legislation who wanted a chance to review the CBA, she announced at the Budget & Finance Subcommittee meeting that she would delay the vote if the CBA wasn’t approved by the day before the hearing.

Today, the full board is scheduled to consider approving the legislation and Twitter has not yet agreed to a CBA, which is the only thing the city gets in return for giving the company a $57 million tax break. So, during a rally this morning at City Hall against the CPMC project, I asked Kim whether she would keep her word and delay the legislation.

No, she said, they will be voting today to approve it and then they’ll approve the CBA later as trailing legislation. When I pointed out that she was going back on her word and reminded her of the comments she made publicly two weeks ago, she said, “Well, the community understands and wants us to move this forward.”

What community, I asked, noting that much of the community opposes the legislation. She said, “SOMCAN is OK with this,” referring to the South of Market Community Action Network, whose members were perhaps the most vociferous opponents of the legislation at that March 23 committee hearing, their members uniformly asking that the legislation be delayed until after a CBA is approved by Twitter and subjected to community input.

After that conversation, a SOMCAN member who overheard the exchange confirmed that the organization continues to oppose the legislation, although City Hall sources tell us that Kim’s office has assured the group that it will get money out of the final CBA. It is illegal for supervisors to direct funding to specific groups in such agreements, which are negotiated by the Office of Economic and Workforce Development, as Deputy City Attorney Cheryl Adams testified at the March 23 hearing.

UPDATE AND CLARIFICATION: Kim legisiative aide Matias Mormino and SOMCAN organizational director Angelica Cabande strongly deny the organization was promised financial compensation from the Twitter CBA, saying the only assurance the organization was given was Kim’s pledge to create legislation designed to prevent the displacement that SOMCAN fears this legislation will create. Cabande also told us, ” The CBA will keep the corporation accountable to our neighborhood and residents’ concerns by specifically defining how Twitter’s presence will benefit the surrounding low-income communities.” 

Kim has made several statements about this legislation that weren’t true or were contradicted by the testimony of City Economist Ted Egan, as we’ve reported. Previously, she has also lied to others about statements I’ve made in conversations with her and about whether she’s ever met privately with Willie Brown, who supported her supervisorial campaign with an independent expenditure mailer that was illegally created in her campaign manager’s office.

Kim’s sponsorship of this tax break legislation comes despite the fact that she’s said she generally opposes such supply-side economic schemes. In his economic analysis of the legislation, Egan recommended doing a parcel tax on vacant commercial property as a better way to address vacant storefronts in mid-Market, the problem that Kim and others have claimed that this legislation is about.

I asked her about that recommendation during the March 16 committee hearing and she said that she strongly supports the proposal and that she has directed her staff to work on it. Is she going to keep her word and follow through on that pledge? I’ll believe it when I see it.