Media

Why did Rev. Wright do this?

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By Bruce B. Brugmann

Bob Herbert, the Afro-American op ed columnist for the New York Times, had the most sensible answer I’ve seen in his Monday (April 29) column.

He waded right in with his lead:

“The Rev. Jeremiah Wright went to Washington on Monday not to praise Barack Obama, but to bury him.

“Smiling, cracking corny jokes, mugging it up for the big time news media,–this reverend is never going away. He’s found himself a national platform, and he’s loving it.”

Then: “So there he was lecturing an audience at the National Press Club about everything from the black slave experience to the differences in sentencing for possession of crack and powdered cocaine.

“All but swooning over the wonderfulness of himself, the reverend acts like he is the first person to come with the idea that blacks too often get the short end of the stick in America, that the malignant influences of slavery and the long dark night of racial discrimination are still being felt today, that in many ways this is a profoundly inequitable society.”

Herbert then gets to the question. “This is hardly new ground. The question that cries out for an answer from Mr. Wright is why–if he is passionately committed to liberating and empowering blacks–does he seem so insistent
on wrecking the campaign of the only Afican-American ever to have had a legitimate shot at the presidency.”

Herbert says that “my guess is that Mr. Wright felt he’d been thrown under a bus by an ungrateful congregant
who had benefited mightily from his association with the church and who should have rallied to the former pastor’s defense. What we’re witnessing now is Rev. Wright’s “I’ll show you!” tour.”

Obama rightly and firmly rejected Wright and his attacks. Now he should change the subject, get back to the real campaign and the real issues, and let his Afro-American and white surrogates carry on the dialog if necessary. Wright will be a killer swift boat issue only if Obama and his campaign allow it to become one.

I think he should take Clinton on in a Lincoln and Douglas style debate. I think he would win, given his oratorical skills, and it would help change the subject. But most important, Obama needs to reenergize his campaign
by injecting a strong populist appeal to his campaign theme of unifying and transformation. He needs to present the case that he has the grit and the intellect to beat the Republicans on foreclosures, the economy, the war, Iran, universal health care, the rising inequality in American life, and everything else that our despised president and his sucking up successor represents. He must offer leadership and offer real solutions and programs with passion and stick to the issues that really matter to the growing tide of Americans who are desperately angry and frustrated with Bush. That is the best way for Obama to deal with Wright and the Wright attacks to come. B3

Click here to read today’s Bob Herbert column, The Pastor Casts a Shadow.

The nightmare pastors

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I’m sorry to see Barack Obama’s campaign in so much trouble over the latest comments of Rev. Wright, but you have to admit: This is a great argument for the separation of church and state.

Religious figures say all kinds of strange things — and frankly, while I (obviously) don’t agree with Wright that AIDS is a government plot, it’s pretty well established that the Reagan administration’s failure to respond to the epidemic in the crucial early years was, if not a government plot to kill anyone, certainly a government plot not to save the lives of gay men.

But here’s the question: Why so much media attention on Obama’s religious albatross — and so little on John McCain’s? McCain, lest we forget, is pals with Paston John Hagee, who believes, among other things, that the Catholic Church is a “great whore,” that “all Muslims have a mandate to kill Christians and Jews,” that God wants us to bomb Iran — and that God damns the United States because of gays, Catholics and Muslims.

Me, I’d rather have a guy who rails against the U.S. for racism and imperialism than a guy who says God hates gays. But then, I don’t go to church.

Clinton needs to drop out

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Finally, the mainstream media is starting to do the math. As the Examiner reports today, Clinton would have to win something like 80 percent of the delegates after North Carolina and Indiana to go to the convention ahead of Barack Obama. It’s over — and all that Bill and Hillary are doing is damaging the Democratic Party’s prospects in November by trashing the almost certain nominee.

This is nothing new to the blogosphere — Paul Hogarth explained it nicely way back in March.

I’m not among the Hillary bashers who just can’t stand her; I think she’d be a fine president. But she has adopted her husband’s win-at-all-costs, scorched-earth attitude and I’m starting to think that she would rather see John McCain in the White House than Barack Obama. Because that’s where her behavior is leading. She needs to drop out.

Pentagon pundits: media facilitate Iraq propaganda

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By Bruce B. Brugmann

Every year, the Guardian runs a major front page story from Project Censored at Sonoma State University, listing the 20 major stories that have been “censored” or underreported during the previous year by the mainstream media.

Since 2003, when the U.S. invaded Iraq with “Shock and Awe,” the project’s stories have criticized the runup to the war, the lies of the Bush administration, the mendacity of the neocons promoting the war, the lousy media coverage, on and on. Neither the project nor most of the stories were published by the mainstream media. And the New York Times, and its sister paper the Santa Rosa Press Democrat near Sonoma State, refused to run the Censored story nor to explain why. (Last year, to its credit, the Press Democrat did a story on Censored.)

Now, the media reform organization Fairness & Accuracy in Reporting (FAIR) has raised anew an important point involving a major New York Times story on April 20 that exposed the Pentagon’s program of feeding talking points to military pundits featured on TV newscasts. (Fair pointed out rightly that the military analysts’ ties with military contractors and advocacy groups had been documented as far back as 2003 with a report in the Nation (4/21).

FAIR’s point: “While the Times article focused on the role of the Pentagon, the parties that arguable have most to answer for are the media organizations that relied on these Pentagon analysts and failed to disclose blatant conflicts of interest posed by their ties with defense contractors…Of course, the Pentagon’s propaganda plan would have little effect if not for the enthusiastic participation of the corporate media.”

My question: when will the mainstream media start interviewing such prominent war critics as Noam Chomsky, Howard Zinn, and others of this caliber? Meanwhile, keep an eye out for our Project Censored package later this year.

Here’s the FAIR article and its call to action to hassle the five major networks:

Let’s stop Murdoch

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By Bruce B. Brugmann

More on the kind of media news the mainstream media conglomerates censor as a matter of policy: news involving the conglomerates and how they seek major concessions from the government:

This morning, the Senate Commerce unanimously approved a “resolution of disapproval” as the first major step toward an official congressional “veto” of the Federal Communication’s new rules that gut media limits.

Here’s the call to action from the freepress action fund, a national non partisan organization working to reform the media.

Big Senate Win Today: Let’s Stop Murdoch

Mercury Interactive CFO indicted

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In January of 2007, we brought you the story of a Silicone Valley company called Mercury Interactive, which was trying to bar media access to a detailed civil court complaint filed by shareholders against the company.

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Mercury Interactive for months has been waste deep in the stock options backdating scandal, defined in the simplest terms possible as a version of card counting in which corporate executives can maximize their personal compensation by finding a date on the calender at which their stock was valued the lowest. That way, they can both buy the stock from the company at a fire sale price and then sell it when the company’s performing well, which results in a huge windfall profit. Another comparison might be knowing winning lottery numbers in advance.

Details of the scheme allegedly perpetrated by Mercury Interactive execs appeared in the civil complaint and it named names, so defense attorneys tried to keep them sealed off from the press. But local and national news outlets — including the Chronicle, a San Francisco legal newspaper and other business news services — sued to open them up. The Wall Street Journal ended up getting a hold of the documents before the drama could really play out in court.

A year-and-a-half later, Mercury Interactive CFO Sharlene Abrams has been indicted by federal prosecutors for tax evasion and aiding in the preparation of false tax returns. She’s looking at 11 years in prison and $750,000 in fines if proved guilty. It’s the first case in Northern California where someone’s been charged with criminal tax violations from the backdating scandal. Hewlett-Packard bought Mercury in July 2006. More details after the jump.

Gray Area Gallery 2.0

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By Vanessa Carr

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Aaron Koblin’s Ten Thousand Cents

It’s hard to believe that San Francisco, the very birthplace of Web 2.0, has lacked a gallery space dedicated to new interactive media arts – until now.

Tomorrow, Gray Area Gallery, whose space closed last year, celebrates the launch of what is, in effect, its 2.0 rebirth – Gray Area Beacon (GAB) – which claims to be the first San Francisco gallery space to focus exclusively on the intersection of art and technology.

“This is the moment in time for the Bay Area to celebrate and appreciate technology-based art,” said GAB co-founder Josette Melchor. “[GAB] is trying to provide a home for exhibits, ideas, and interaction.”

GAB’s launch party on Tuesday, 4/22, coincides with the first day of the Web 2.0 Expo and features four pieces by local artist Aaron Koblin in his first ever San Francisco show.

Aaron Koblin - New York Talk Exchange.jpg
Aaron Kiblin’s New York Talk Exchange

Recently featured in Wired Magazine and the New York MoMA, Koblin’s work creates visualizations of large datasets and human systems that explore some very Web 2.0 themes:digital labor marketplaces, online collaborations, and global communications.

“I thought [Koblin] was perfect because of [his] Sheep Market and Ten Thousand Cents pieces,” Melchor told the Guardian. “He’s used online means to get people to collaborate to create a large scale installation.”

Koblin’s Sheep Market features 10,000 sheep drawn by online “workers” from around world, each of whom were paid two cents to draw “a sheep facing left” using the Amazon Mechanical Turk marketplace.

Similarly, Ten Thousand Cents, Koblin’s collaboration with artist Takashi Kawashima, is a digital representation of a one-hundred dollar bill made up of one thousand tiny squares reproduced by anonymous online laborers who worked without knowledge of the overall picture. Each worker was paid one penny for his or her work, which amounted to $100 in total.

Sports: Tim Lincecum, super freak

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By A.J. Hayes

With his shaggy blue-black hair, boyish good looks and slight frame, the Giants pitcher Tim Lincecum looks as if he stepped out of an audition for American Idol. He could also pass as a record store clerk, a college student or a wine steward.

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The point is, Lincecum (he’s listed at 5-foot-11, 170 pounds, but appears to be smaller) looks as if he could do anything for a living except play major league baseball.

But not only does the Bellevue, Washington native draw a nice check every two weeks from the Giants, the 23-year-old has quickly become the ace of San Francisco’s staff and arguably most exciting hurler to matriculate through the orange & black’s farm system since John “The Count” Monetfusco back in 1975.

Some in the media have nicknamed Lincecum, “The Franchise.” We prefer (with apologies to Rick James) “Super Freak.”

How else would you describe an average-sized dude expelling hardballs as if there’s a howitzer attached to his right side? Whether it’s from the torque generated from his “windmill” delivery or just unexplainable natural ability, Lincecum (lin-suh-COME) brings his pitches with markedly abnormal velocity.

That power pitching led to 150 strikeouts in 2007 over just 90 innings – tops among all rookies. Two seasons after he was selected as the 10th overall selection in the 2006 amateur draft, Lincecum has already lapped every player selected ahead of him, including No. 1 pick Luke Hochevar of Kansas City, who was bombed last weekend in Oakland, a day after Lincecum tossed seven shutout frames in a 3-0 Giants win at St. Louis.

With the victory, Lincecum solidified his position as the Giants “stopper,” i.e. the pitcher you turn when you absolutely need a win or to halt a losing streak.

Lincecum has become even more of a complete pitcher this season. In 2007, the righty authored a 7-5 record and 4.00 ERA with basically a dazzling fastball and an overhand curve. This season he’s introduced a darting slider and criminal change-up to his repertoire.

All that makes the recent news that the Giants brain-trust is seriously contemplating a move to an unheard of six-man starting rotation all that more disheartening.

I’m back

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me at waynapicchu.jpg
After an epic five-week trip to Bolivia and Peru, I’m back manning the news desk here at the Guardian and trying to catch up on what’s happening. And it seems the biggest things that have changed in my absence are my perspective and energy levels.
The Republicans in Sacramento and Mayor Gavin Newsom here in San Francisco are continuing to push draconian cuts to government services rather than having the courage to challenge the mindless “no new taxes” mantra and have the wealthy pay their fair share. And neither the Democrats in Sacramento or Washington D.C., nor the Board of Supervisors here, seem to be doing much to challenge this race to the bottom. It’s not that they don’t understand. In the last two days, we’ve had Supervisor Ross Mirkarimi and Assembly member Loni Hancock in for endorsement interviews, and they powerfully sound the message that something needs to change and they’re willing to work for it. But with the labor unions distracted by infighting, Democratic politicians battling one another (such as Carole Migden and Mark Leno, who we have the unfortunate task of deciding between for our endorsements that come out April 30), the mainstream media both smaller and more trivial, and many other factors stacked against our species finally getting wise to the problems we face, it looks like an uphill battle.
Does all this make me want to flee back to South America? No, it makes me want to renew the fight for truth and justice. How about you?

Guide to greener living

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Click here for even more green businesses and services, including Green Citizen, Green Zebra, PLANTSF and more!

ERECYCLE CAMPAIGN


Want to obey the bumper stickers and kill your television? That’s OK. But be careful where you bury it. TVs, as well as computers, DVD players, and all kinds of electronics, have no business in landfills. They’re made of plenty of metal which can be recycled, along with plenty of chemicals that are hazardous to the public. The eRecycle campaign, sponsored by the California Integrated Waste Management Board, maintains a Web site of local pickup and drop-off services for your e-waste — and thankfully, just in time for the high-def TV changeover in 2009.

www.erecycle.org

ECO HOME IMPROVEMENT


Want a greener home from the ground up? This is your one-stop shop. From flooring and cabinets to decor and lighting, everything here is natural, sustainable, and eco-friendly.

2617-2619 San Pablo, Berk. (510) 644-3500, www.ecohomeimprovement.com

DR. NAMRATA PATEL


Finding the right dentist is tough. But Dr. Namrata Patel makes your decision easier with her new LEED-certified (that’s Leadership in Energy Efficiency and Design) office. Patel uses nontoxic products — keeping PVC, formaldehyde, and chlorine out of everything from floors to cabinetry. She’s careful about reducing waste. She uses minimal radiation and a special filtration system for dealing with mercury fillings. Even her office furnishings are made with recycled materials. And yes, she accepts insurance!

360 Post, Suite 704, SF. (415) 433-0119, www.sfgreendentist.com

SAN FRANCISCO GREEN BUSINESS PROJECT


Want to make sure your favorite restaurant or preferred electrician uses green practices? This online resource will point you toward businesses in SF, from bars to baby clothes retailers, who are committed to the environment.

www.sfenvironment.com/greenbiz

LUSCIOUS GARAGE


The actual act of driving isn’t the only reason having a car is hard on the environment. Maintaining it is too. But Luscious Garage is trying to help on both accounts. This woman-owned and operated facility specializes in hybrids, and runs the whole business as sustainably as possible, from the machine shop to the office. And for these luscious ladies, sustainably goes beyond chemicals and objects — they also sustain their community by hosting classes and a hybrid car club in their beautiful facility.

459 Clementina, SF. (415) 875-9030, www.lusciousgarage.com

PAT’S GARAGE


Like Luscious Garage’s brother, Pat’s also focuses on environmentally friendly business practices. Bring your Honda, Acura, or Subaru for services you can feel good about. Or, if you have a hybrid, you can work with Pat’s partners, Green Gears, to upgrade your hybrid with plug-in capabilities. Bonus? They offer free car classes for women.

1090 26th St., SF. (415) 647-4500, www.patsgarage.com, www.greengears.com

KEETSA


This SF-based business wants you to rest easy with their eco-friendly mattresses. With recycled steel in the coils, bamboo and unbleached natural cotton for fabrics, nonchemical odor-controlling and antibacterial treatments, and ingenious use of scrap memory foam bits, every mattress is as kind to the earth as it is to your body. Keetsa further reduces its carbon footprint with its innovative mattress compression technique, allowing for easier and more efficient transport. But are they good mattresses? They must be. After less than a year in business, they’re already opening a store in Fairfield.

271 Ninth St., SF. (415) 252-1575, www.keetsa.com

ECOHAUL


Just bought a new Keetsa and want to get rid of your tired old Sealy? Don’t just throw it in the trash. If you don’t live on one of those SF streets where a stranger will pick up your stuff from the sidewalk within an hour, call San Rafael–based Ecohaul. This nationwide service will pick up your furniture, appliances, yard waste, and just about anything else you can think of. Then they’ll reuse, recycle, and repurpose everything they can, diverting as much from the landfill as possible.

1-800-ecohaul, www.ecohaul.com

THE ORCHARD GARDEN HOTEL


You’ve greened up your home, so why not find an eco-friendly home away from home? The Orchard Garden was the third hotel in the United States to be given LEED certification for its key card energy control system (SF’s first — it’s based on the European model), organic bath products, natural materials, and general commitment to sustainability. Also check out its sister hotel, the Orchard, on Union.

466 Bush, SF. (415) 399-9807, www.theorchardgardenhotel.com

EPI CENTER MEDSPA


Ten years ago, Epi Center was the first spa in the country to combine traditional spa treatments and medical procedures. Now it celebrates its anniversary with a new innovation: the ecomedspa. This LEED-certified arm of the original spa combines regular procedures with organic treatments in a healthy environment, all according to the principles of William McDonough’s "Cradle to Cradle."

450 Sutter, SF. (415) 362-4754, www.skinrejuv.com

NEPALESE PAPER


Based in Penngrove, this company imports handmade Nepali paper made from bark of a white shrub called lokta, which regrows after pruning. Not only does this mean no trees are cut down, it also means employment for many women in Kathmandu Valley and financial support for village regions of Nepal. Plus, the paper’s gorgeous. Order online, or find it at Stylo, Autumn Express, Kinokuniya Stationery and Gifts, or San Francisco State University.

(707) 665-9055, www.nepalesepaper.com

MORE DIRT


Make a fashion statement with these simple, 100-percent organic T-shirts by Heidi Quante. The shirts, which are brown with white lettering saying "More Dirt" on the front are meant to capture attention and send people to Quante’s Web site, which shows people how to combat global warming through planting trees, establishing community gardens, and using permaculture techniques. Inks are made without PVC or phthalates, and shirts come in sizes for men, women, and babies.

www.moredirt.org

A. MACIEL PRINTING


Family owned and operated since 1984, A. Maciel specializes in recycled and tree-free papers as well as soy-based inks. What’s even better? The shop is completely wind-powered. Though the print shop is capable of doing corporate jobs, A. Maciel caters to nonprofits and community groups like the American Land Conservancy, Forest Ethics, and Greenpeace. They’re also part of Northern California Media Workers/Typographical Union. Sure beats Kinko’s.

50 Mendell, Unit #5, SF. (415) 648-3553, www.amacielprinting

TRANSPORTEDSF


All aboard the ecobus! This organization takes Das Frachtgut, the veggie oil–fueled bus Jens-Peter Jungclaussen uses as a mobile classroom, on an ecofriendly party tour. Movie nights are all about watching modern classics and then doing some kind of relevant outdoor activity (e.g., see The Big Lebowski, then bowl outside). Dance nights turn the bus into a mobile DJ booth and an instant, impromptu club. It’s fun, safe (no drunk driving, kids!), and above all, Earth friendly.

www.transportedsf.com

Microhoo!

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› annalee@techsploitation.com

TECHSPLOITATION For weeks now, analysts and armchair financial nerds have been mulling over what it will mean if software megacorp Microsoft buys Web monkey farm Yahoo! Would Microsoft-Yahoo! (known forevermore as Microhoo!) challenge Google to some kind of Web domination duel and win? Probably not. As much as I would love to see Bill Gates, Sergey Brin, and Jerry Yang in some kind of unholy three-way Jell-O wrestling match, I know it will never come to pass.

Microhoo! won’t ever have what Google has right now. Sure, Microhoo! will have some solid assets: control of most PC desktops with the Windows OS, Microsoft Office crap, and the Internet Explorer browser. After chomping up Yahoo!, Microhoo! will have a second-rate search engine used by a forlorn 22 percent of Web searchers, followed by a very confused 10 percent who use Microsoft search — I bet you didn’t know Microsoft even had a search engine, did you? It would also have a giant mess of users on free Yahoo! mail, as well as Yahoo! instant messenger. Plus it would acquire a host of Yahoo! things you also didn’t know existed, like Yahoo! Buzz and Yahoo! Answers. Along with about 8 percent of the Web advertising market.

What does Google have? Sure, it has a million things like Android and Orkut and Gmail and Reader and Blogger and Scoop and Zanyblob. But what it really has is Search. Fifty-nine percent of online searches go through Google servers. And if it can sell ads to 59 percent of the billions online? It owns the attention of the majority of the market. Google wins. That’s why the company isn’t worrying so much about Microhoo! and instead is doing things like investing in alternative energy research and letting its employees make psychotically long, company-wide e-mail arguments about whether it’s Earth-friendly to provide plastic bottles of water in the lunchrooms.

I shouldn’t be so glib. Google is making a halfhearted attempt to prevent Microhoo! from being born. The company offered Yahoo! an ad-sharing partnership where the two could pool their networks, put more ads in front of more eyes, and come out as an even more giant advertising machine. They’re doing a very limited test of the ad partnership over the next couple of weeks. Maybe we’ll see a Goohoo! after all.

I don’t think so. Most business pundits think the Goohoo! deal is just Yahoo!’s last-ditch effort to get a bigger offer from Microsoft. Apparently Yahoo! wants about $50 billion to become Microhoo!, and Microsoft is currently offering a little more than $40 billion. No matter what the price tag, my bet is that we’re going to see Microhoo! by this time next year. Microsoft is even contemputf8g a hostile takeover — that’s how serious the situation is.

So what does Microhoo! mean for us, the little guys, who just want a nice search engine that helps us find "hot XXX pussy" or "free MP3" on the Web? For one thing, it means we’ll have fewer options when it comes to online searches, using Web mail, and just plain goofing around online. Microsoft actually considered bringing News Corp, owners of MySpace, in on the Microhoo! deal. That would mean MySpace, Hotmail, Yahoo! mail, and your PC software would all come from a merged corporate entity.

Let’s say we did get a Micronewshoo! It’s online offerings, combined, would be very much a version of Google’s online offerings: mail, social networking, search, Web fun. There would be no cool new thing, no sudden breakthrough application that would transform our relationship to the Web the way Search did. It would be more of the same stuff, but from fewer players — and therefore blander and bigger, like Hollywood blockbusters. New applications and content creators on the Web will be incredibly hard to find unless they have a deal with Microhoo! or Google.

Then in 20 years, a woman in a physics graduate program in China will come up with an idea for the next cool communications network. At last, we’ll say, we finally have a network free from advertising! A place where we can share information without Big Business intruding! Not like the Web, which is all corporate content and has no place for the little guy.

Annalee Newitz (annalee@techsploitation.com) is a surly media nerd who thinks Google should start recycling dinosaur bones.

Bumping and thriving

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› a&eletters@sfbg.com

"Crazy be the knowledge of self." If you’re into conscious hip-hop, you might expect such an interpersonal refrain as this intro to Black Spade’s "Good Crazy" on his intricately self-produced debut, To Serve with Love, out last month on Om Hip Hop, an imprint of San Francisco’s Om Records. Still, there’s something new going on here, something hot that snags your mind and your kicks and refuses to let go.

Maybe it’s Spade’s technique. The rapper otherwise known as Veto Money easily shifts between samples from every genre imaginable, funked-out click tracks, alien blips reminiscent of delightfully geeky hip-hop producers such as Styrofoam, and choruses that sound like he’s singing to you personally. His tight flows simulate a head bobbing up and down and grinning by pushing syllables into full beats, with rhymes and emphases hitting on downbeats instead of more typical upbeat syncopation.

Or maybe it’s just a simple sense of freedom. Remember when freedom was fun? Om Hip Hop is doing for the experimental hip-hop community what they’ve become known for worldwide in the electronic music world: finding talented musicians who could be superstars but are more interested in the music than in superficial fame, connecting them with other mavericks, and giving them free reign to rock the house. It’s the hip-hop version of what the Los Angeles CityBeat has dubbed Om’s effective "anti-superstar-DJ music policy."

"I’ve never worked on a project I didn’t believe in 100 percent," said Jonathan McDonald, speaking in Om’s SoMa headquarters, surrounded by countless promo discs and magazines. McDonald, who started out as an intern at Om while he was working as the hip-hop buyer at Amoeba Music, is now in charge of A&R and publicity for Om Hip Hop. He was psyched two years ago when Om founder Chris Smith decided to create and devote resources to the new imprint. Hip-hop was integral to Smith’s original vision for Om in 1995, said McDonald. "But when dance culture really took off in the city, Om followed," he said. The phenomenal success of Mark Farina’s Mushroom Jazz Vol. 1 (1996)still Om’s bestselling record — outplayed early hip-hop projects such as People Under the Stairs.

With a stage name that plays on race, death, and the name of a ’70s New York street gang, Black Spade easily shifts between social critique ("Head Busters fightin’ security at the Mono / Should I sell dope or slave at McDonald’s?") and romanticism ("Excuse me miss, I know we’re fighting / But what is that smell? It’s so exciting"). Yet another Om Hip Hop artist, Crown City Rockers’ Raashan Ahmad, who now resides in Oakland, expands this sense of storytelling on The Push, which will be out in May. Considering everything from his mother’s battle with cancer to the birth of his son, Ahmad’s liquid lyricism takes us on a striking emotional ride, with stops for inspiration ("The linguist synonymous with soul power") and praise ("Hip-hop saved my life"). "I wanted to show all sides of hip-hop — and all sides of me," said Ahmad, on the phone from Los Angeles. By offering unprecedented support, Om let him create an album that even shows his "insecurities," he said. "Everything they said they’d do, they’ve done. They gave me complete creative freedom."

In June, Om will release the One’s Superpsychosexy. McDonald hopes that the Spade and Ahmad discs will help prep listeners for the Charlotte, N.C., artist’s "left field" sound, which includes hypnotic production and elastic, naughty-and-nice soul vocals. The One, né Geoffrey Edwards, would probably think of this pre-exposure as foreplay. "Superpsychosexy is music to make babies to. No, scratch that — it’s music to practice making babies to!" he said with a laugh, on the phone from his home. The One’s father is a minister. From a young age, his family was encouraged to create on multiple instruments, and on tracks such as "Drippin," and "Milkshake Thick," he summons some very hot demons.

The mixture of local and global artists has played a major role in Om Records’ success. Their Bay Area talent includes Zeph and Azeem; Zion I and the Grouch; and J Boogie’s Dubtronic Science, which has a new full-length coming later this year. Om has also formed a partnership with imeem, a San Francisco social networking site based around music, which McDonald believes will be a "driving force in new media."

It’s a perfect match. Om Hip Hop is all about community and shows no signs of slowing down. Colossus’s West Oaktown (2005), the first Om Hip Hop release, presented original funky tracks alongside hip-hop remixes, so you could feel the DJ at work. Om’s "Spring Sessions" show at the Mezzanine is bound to see some healthy human remixing, live and in the house. *

BLACK SPADE

With Supreme Beings of Leisure, Turntables on the Hudson, Samantha James, and J Boogie’s Dubtronic Science

Fri/18, 10 p.m., $15

Mezzanine

444 Jessie, SF

www.mezzaninesf.com

Watch what she makes

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> a&eletters@sfbg.com

Feminist art has reemerged in the past few years as the focus of major exhibitions including "WACK! Art and the Feminist Revolution" at the Museum of Contemporary Art, Los Angeles, and "Global Feminisms" at the Brooklyn Museum, which coincided with the unveiling of the museum’s permanent home for Judy Chicago’s iconic The Dinner Party (1974–79). On one hand, it’s inspiring to see such work resurface, especially at this political moment, when it becomes increasingly important to recall dissident factions in our country’s history. On the other hand, exhibitions such as "WACK!" can feel like regurgitations of the same old feminist art show with the same discourse, participants, and audience. It’s not enough to dust off these works and lump them under the vague and often misunderstood descriptor "feminist." To engage today’s audiences, it’s necessary to pull apart the threads, identifying what was and is at stake for these artists.

"The Way That We Rhyme: Women, Art & Politics," curated by Berin Golonu and on view at Yerba Buena Center for the Arts, unites a new generation of women artists who honor their feminist predecessors while embracing new and more sly and subversive tactics. I increasingly hear women of my generation and younger vehemently disavow feminism, despite the current curatorial interest, as if there’s a stigma attached to the word. But "Way" takes feminist art out of the past and into the present.

In The Counterfeit Crochet Project (Critique of a Political Economy), Stephanie Syjuco takes aim at the luxury goods industry: the beautiful and coveted couture accoutrements that promise to make women equally beautiful and coveted, for a price. Seeking to reconcile the desire to possess such items with not wanting to invest in multinational corporations or sweatshops, Syjuco posted instructions on her Web site on how to crochet one’s own Fendi or Prada bag. Many women heeded the instructions, and their finished products are on display. The project also alludes to crochet as a traditionally devalued variety of "women’s craft." Similar knitted works appear throughout "Way," such as Lisa Anne Auerbach’s 2007 wool sweater and skirt sets, inscribed with political slogans.

Aleksandra Mir captures an unprecedented landmark in First Woman on the Moon, a 1999 video work that might be described as a "small step for a woman, a giant leap for the history of womankind." Playing off some people’s belief that Neil Armstrong’s moon landing was a hoax, Mir creates her own version of the event, wielding her camera — the instrument of news media — to insert women into history. After all, if Armstrong’s landing was — at the very least — plausible, then so is this landing. Filmed on a Dutch beach, Mir doesn’t try too hard to make the setting look authentic; in her version, the moon landing is less a colonization of outer space and more a celebration of life on Earth.

In a more somber piece, Portrait of Silvia-Elena, street artist SWOON and documentarian Tennessee Jane Watson collaborate to bring visibility to the horrifically high numbers of young women disappearing and turning up dead in Juárez, Mexico, and throughout the Americas. Some 400 women’s bodies have been recovered in Juarez, and an additional 1,000 are still recorded missing; in Guatemala, 2,000 women have been murdered. At the entrance to the installation — made to look like a dilapidated brick wall — is SWOON’s beautiful, angelic relief-print portrait of a 15-year-old victim in her quinceañera dress. The installation is also made up of photos of missing girls, as they are found plastered in Juarez, and an audiotrack of Watson’s interviews with the mothers of the disappeared.

One of the more challenging works is Beg for Your Life (2006) by Laurel Nakadate. A video artist accustomed to being looked at by men, Nakadate collapses her experience as subject and object, placing herself in front of her own camera to enact scenes with various older men — all strangers whose gaze she met on the street. In one scene, Nakadate’s back is to the camera as she seductively poses for her admirer. The man thinks he is in the subject seat, dictating his fantasies to the object of his desire, but really the camera is on him. Nakadate scores the video with 1980s pop songs, yet the content is not always amusing: some of the men’s fantasies are violent, and you wonder if the artist didn’t put herself at real risk.

The interplay between female and male subjects and objects in Nakadate’s work brings to mind one thing I might add to "Way": male artists. While I understand the rationale for creating a dedicated space for women’s art, I think in some ways it only further marginalizes women. Let’s integrate women’s political art into the larger context and invite men to participate, reminding them that feminism is — and has always been — about men too.

THE WAY THAT WE RHYME: WOMEN, ART & POLITICS

Through June 29

Tues.–Wed., Fri.–Sun., noon–5 p.m.; Thurs., noon–8 p.m.

Yerba Buena Center for the Arts

701 Mission, SF

$6, $3 seniors, students, and youths; free for members (free first Tues.)

(415) 978-ARTS

www.ybca.org

Man hating: the new U.S. birth control

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By Paula Connelly

A highly effective birth control shot, made specifically for men, has been developed in Australia! It has been proven to be as effective as a vasectomy but without long-term effects. Unfortunately, pharmaceutical companies are not funding efforts to make this revolutionary mode of contraception available to the public. They don’t think men will buy it, even though it has demonstrated a fraction of the side effects associated with the female birth control pill. Unsurprising considering that politics, pricing and culture have been limiting access to contraceptives in the U.S. for years, resulting in inflated teenage and unwanted pregnancy rates, according to the Male Contraception Information Project. It is insulting to all the women who have suffered the insane mood swings, nausea, weight gain, diminished sex drive, increased risk of heart attack and breast cancer to hear men being quoted in the media saying, ‘”I would rather rely on a solution that doesn’t involving medicating myself and the problems women have had with hormone therapy doesn’t make me anxious to want to sign on to taking a hormone-type therapy,” says Hardin, 40, who is single and a college administrator.’

But this is just what’s being reported.

The reality is that plenty of men will use this option, and this trend would only increase over time as male birth control methods broke through the negative, emasculating stigma. I personally know many men who would love to try a non-barrier male birth control option and I know even more women poised to convince their partners to try it. Hell, I’ll even support the ‘girl’s secretly trying to get pregnant’ argument if that gets more guys thinking outside the (ahem) box.

Clubs: Bootyful action at Full Figure Friday

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Party with me, plus. All photos by Joshua Rotter.

By Joshua Rotter

Going out dancing can be a confidence-buster for peeps of all sizes. But the extreme shame imposed on plus-size women often outweighs their desire to hit da club. Full-figured party promoter Lady Tigress was no different. “I was never a clubber in my twenties because I didn’t feel like I would be comfortable in a nightclub setting,” Tigress said. “I bought into what I saw on TV and thought everyone in bars or dance clubs looked like Beyonce or Britney.”

In a world where the Barbie doll reigns supreme, these notions are only reinforced by a media that has little love for big girls. Rarely on the covers of magazines, large women remain the laughing stock of hip-hop videos, the early eliminations on reality showmances, and stand-up fodder for late night television: think Jay Leno’s Jonah and the whale jokes about Lewinskygate. And Lady Tigress knows that clubland is no kinder.

“There are gorgeous plus-size women in all types of clubs all over the Bay,” Tigress said. “But even if they are confident, there is snickering that sometimes happens when a crew of big girls shows up at a mainstream club, or they are sometimes ignored because a lot of people don’t want to admit that they are attracted to women who live outside of the super-skinny American beauty standard.”

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After Tigress started going out to Bay Area BBW parties such as Big Boogie Nights, Sexy at Any Size, and Heavy Rotation in her thirties, she realized that if the event was fat-friendly, these women would come out and party. So Tigress was inspired to create an even larger night, a hip-hop party for plus-size women and their fans called Full Figure Friday, and decided to host her evening, unlike similar hotel-based events across the Bay, at the stylish San Francisco club Bambuddha Lounge.

Mike Lacey = Marge Schott?

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We don’t want to drag all this us vs. them stuff up again — especially since, like, we won — but something uncanny has occurred. Village Voice Media honcho/bully Mike Lacey has been in some mighty hot water since he chose to use the “n-word” in a speech to a roomful of journalists on the anniversary of Martin Luther King’s assassination. (Watch the video!).

Perhaps worst of all, he was trying to be cool.

That immediately put us in mind of a similar gaffe by former Cincinnati Reds owner Marge Schott, one which lead to her eventual downfall. So, like the Internet-savvy alt.weekly we are, we dialed up the Intertubez — and look!

MUG SHOT
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MARGE SCHOTT
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Like we said, uncanny.

The new zoo blues

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› gwschulz@sfbg.com

Ten years ago, the San Francisco Zoo asked voters for $48 million in bonds to overhaul its decaying animal enclosures, rebuild its entrance, expand educational facilities for children, and make a host of other improvements.

Every major figure in San Francisco with even an ounce of political ambition made sure his or her name was attached to the voter information pamphlet that went out to residents in 1997 urging passage of the bonds.

The list included Willie Brown, Dianne Feinstein, and Nancy Pelosi; members of the community college and school boards; the district attorney and city attorney then in office; Republican judges and local chambers of commerce; and countless grade school teachers.

The entire board of supervisors signed on, declaring that the improvements would "include new habitats where many of the animals will experience grass under their feet for the first time."

Prop. C passed, and the private San Francisco Zoological Society, which had taken control of the zoo from the city five years before, was on its way to introducing real live sod to exotic animal species. Just like a sanctuary, or even the wild itself.

But it hasn’t quite turned out like the pretty pictures suggested.

On March 18, the San Francisco Animal Control and Welfare Commission quietly released a report that made it clear many of the promises of that bond campaign were never kept. The private zoo didn’t spend the money the way all of those giddy city officials had told the voters it would.

The report was largely overlooked because on the same day the Association of Zoos and Aquariums, which inspects San Francisco’s zoo for accreditation, released its own long-anticipated investigation of what happened at Christmastime when a hulking Siberian tiger named Tatiana mauled three people, killing one.

That attack, as we all know now from the relentless headlines, is the sexier story. But the commission, in a document with much greater long-term implications, said that only two significant new exhibits were built using the bond money — the African Savannah and the Lemur Forest, completed in 2004 and 2002 respectively.

A scheduled $13.4 million Great Ape Forest was deferred from the list of projects. The zoo promised that project would "remain a fundraising goal for the SF Zoological Society," according to an update on the bond expenditures presented to the public in 2005. Orangutan and chimpanzee exhibits scheduled for improvement with the bond money were cancelled, the commission said, and the lone hippo was moved to an "arguably worse exhibit."

NICE RESTAURANT


Besides a new exhibit for grizzlies, habitations for the other bears "have not undergone any meaningful renovation," according to the commission.

And while the zoo spent the last decade downgrading projects promised to voters from the construction of new exhibits to the mere renovation of existing ones, others targeting the feel-good sensibilities of patrons that had little to do with actually caring for animals were completed as swiftly as possible.

The zoo’s miniature train system, "Little Puffer," was fully restored with $700,000 worth of private funds in 1998. A $4 million education center, which doesn’t actively house animals, was completed in 2001 using the bond money. A new entryway, improved streetscapes, parking, and a restaurant costing $20 million, which came largely from the zoo bonds, were completed two years late and $10 million over budget in 2002.

The renovation of an amusement ride for kids — the historic Dentzel Carousel — was also finished that year at a cost of more than $1 million. (Restorers spent almost 1,000 hours on each fake animal, according to the zoo’s Web site.)

"It’s evident that capital improvements from the bond measure focused on visitor amenities, not improvements for the animals," the report states. "The Joint Zoo Committee and Recreation and Park Commission did not provide adequate oversight to ensure capital improvements made with bond money focused on animal enclosures and exhibits."

The report also points in part to a 1999 performance audit of the zoo conducted by San Francisco’s respected budget analyst, Harvey Rose. The audit at that time argued that improving animal exhibits should come before building new gift shops and dining facilities, but that this recommendation was "not heeded," according to the commission.

"It was clear that none of that had been addressed," Mara Weiss, an animal welfare commissioner and veterinarian in the city, said of the 1999 audit.

Zoo officials received repeated invitations to attend recent commission meetings on the zoo, but they were mostly ignored. Weiss, however, acknowledged that the zoo was distracted by the tiger attack and resulting media circus.

‘UTTERLY IMPOVERISHED’


Early this year, three zoo experts from abroad visited the San Francisco Zoo at the request of the group In Defense of Animals. Each sent a letter to the supervisors that decried the conditions in San Francisco. Robert Atkinson, a former Oxford University conservation, welfare researcher and one-time curator at the Woburn Safari Park in the United Kingdom, noted a failure "to adopt modern approaches to animal husbandry." Peter Stroud, a former zoo director from Australia, described the Black Rhinoceros exhibit as "utterly impoverished."

"It is in fact completely barren…. This exhibit conveys the general impression of a stock yard in which the interests of the animals are of no concern whatsoever," Stroud wrote.

The crown jewel of the zoo’s animal habitations constructed using bond money, the African Savanna, was completed in 2004. It features giraffes, zebras, kudus — a species of antelope — and a bird aviary. But even that exhibit, the welfare commission argues, has problems.

"The new African Savanna exhibit was located in the most weather-exposed part of the zoo, and constructed without shelter or windbreaks for the warm-weather animals displayed there," the report states. "In fact, the most sheltered part of the African Savanna exhibit was designed for the human visitors, leaving the animals who live there exposed to the cold wind and fog off the ocean just across the street."

We tried to reach the zoo for comment, but an administrative assistant told us that spokesperson Paul Garcia recently left his job there and a replacement wasn’t available for questions. Another spokesperson was out of town. We were told that Bob Jenkins, the zoo’s director of animal care, might return our call but he never did.

Jim Lazarus, a former zoo executive and current rec and park commissioner, said the zoo had to devote significant funds to its entrance to comply with the Americans with Disabilities Act. In addition, he said, the cost of construction materials globally has ballooned since 1997.

"None of this money goes as far as originally thought with the worldwide demand for steel and concrete…. We need a multiyear plan, both in terms of priority construction and a capital campaign funding strategy, to complete the half of the zoo that hasn’t been renovated and that should be our goal," Lazarus said. "It’s a wonderful facility."

But future projects planned for the zoo appear to continue the emphasis on visitors. A wish list of projects from the zoo’s 2007 master plan update includes adding new conference spaces and retail, improving areas for family activities, creating a 1,000-seat amphitheater, installing yet another new café, and possibly a full-service restaurant called Windows on the Pacific.

The commission, however, has proposed that the zoo become a haven for saving animals rather than simply exhibiting them for the enjoyment of people. A rescue zoo, as they describe it, would provide a new home for exotic animals once held by private owners in inhumane conditions. Zoo veterinarians and other staff already possessing experience treating sick animals would naturally fit into the new concept, and the zoo’s past conservation efforts, like programs for eagles and wild cats, could be grandfathered in.

Deniz Bolbol, a co-coordinator of the Bay Area–based Citizens for Cruelty-Free Entertainment and supporter of the rescue zoo idea, describes the joint committee that oversees the zoo as a rubber stamp and says, "everything the zoo proposes is approved; everything is unanimous."

"The Board of Supervisors really needs to reform the zoo at its base," Bolbol said.

Lazarus opposes the idea of a rescue concept because he believes it won’t generate enough revenue to keep the zoo self-sufficient. Sup. Sean Elsbernd, whose district includes the zoo, was also cool to the idea, saying no one has an idea of how much it might actually cost. Discussions at the board about how the $48 million in bond money was spent, in the meantime, would likely take a back seat to the lingering citywide $338 million budget deficit.

Besides, he said, the zoo’s new Grizzly Gulch, where two bears that were close to being euthanized by Montana wildlife officials live, represents what the commission is asking for.

"In concept, it’s a great idea," Elsbernd said. "In concept, I also support every street being repaved every year. But there’s reality. There was no realism in their report that showed us how to achieve [a rescue zoo] in the means that we have."

The operating agreement between the Zoological Society and the city comes up for renewal in June.

Pregnant men

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› annalee@techsploitation.com

TECHSPLOITATION Thomas Beattie is actually not the first man to get pregnant. Almost a decade ago, a San Francisco transgendered man named Matt Rice got pregnant and had a cute son. Several years after that, I met another pregnant transman in San Francisco. He was telling his story, with his wife, at a feminist open mic. So why is Beattie getting all the credit, and why now?

Beattie is the first pregnant man most people will ever meet. He’s the guy in People magazine right now looking preggers and hunky, and the guy who was on The Oprah Winfrey Show last week. And it makes sense that he’s the first wonder of tranny obstetrics medical science to hit the spotlight. He’s a nice, small-town Oregon boy, married for five years to a nice, small-town lady, and his full beard and muscles make it quite obvious that he’s a dude. In other words: he’s not a freak from a freaky city like San Francisco. He is, as they say in the mainstream media, relatable.

And he’s playing his poster boy role perfectly. On Oprah, you could tell he was a friendly, shy person (albeit with a black belt in karate). Visibly nervous, obviously proud as hell of his wife and soon-to-be-born daughter, he didn’t try to make a political statement or lecture anybody about gender binaries being stupid. He had a hard time explaining why he had become a man, too. Often when Oprah asked pointed questions he would shrug and say, "It’s hard to explain." Exactly like a dude to be sort of inarticulate about his own dudeness. So another part of his appeal to the mainstream media is that he fits gender stereotypes.

Plus, he’s the guy every woman wants to marry. Not only is he cute and happy to build things around the house, he’s willing to have your baby for you too. As Beattie’s wife said to Oprah with a grin, "What woman wouldn’t want her husband to get pregnant?"

So we know the answers to the "Why Beattie?" part. Every new minority needs a friendly, relatable poster child: lesbians have Ellen, and I suppose you could say mixed-race people have Barack Obama. The real question is: why now? Or even: can it happen now?

In some ways, those are the same questions people are asking about a possible Obama presidency. Can the majority of people in the United States accept a mixed-race guy in a role previously reserved for white dudes? To return to the issue of Beattie, can the majority accept a man taking on a role (pregnant dad) they’d never contemplated before, except when watching a bad Arnold Schwarzenegger sci-fi comedy called Junior?

I think they can, but not for the same reasons they might accept Obama. Beattie is not a political creation like Obama — he’s the creation of medical technology, pure and simple. Hormones and surgery made him male. Artificial insemination made him pregnant. There would have been no way to accept Beattie 10 years ago because he literally could not have existed. But contemporary medical technology has given us a chance.

Considering Beattie in that context — as the release version of a new kind of biotech-enabled man — makes it clear why this is happening now.

Of course, social changes have a lot to do with his emergence into the public spotlight. Gender roles are shifting, and it’s often hard to say what it means anymore to be a "real man" or a "real woman." The vast majority of people may have a common-sense definition of masculine and feminine, but even those definitions have changed a lot over the past 50 years.

So maybe medical technology is just now catching up with cultural shifts, or maybe cultural shifts are pushing us to use technologies we’ve had for a while in new gender-blurring ways. All I know is that biotechnology is making theories of gender fluidity concrete, making ideas into flesh. And we’re seeing a pattern that always emerges when we’re right on the edge of accepting a big social change. First, the ideas turn into something real that people can touch — or, in the case of Beattie, talk to. And then comes the next phase. Whatever that may be.

Annalee Newitz (annalee@techsploitation.com) is a surly media nerd who has been a trannychaser since the second grade.

Torch Songs: A report from the ground

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Ed Note: I was on my way from a press conference at the federal building at around 1:30 today when I saw the anti-Torch demonstrators, at least a couple hundred of them, surge out of Civic Center Plaza, across the street, and up the steps of City Hall. It was a pretty dramatic moment, with all their brightly colored flags whipping in the stiff wind and their chants echoing against the marble facade.

I stuck around for a few minutes, flanking a phalanx of bored media types and a line of motorcycle cops contendedly contemplating the overtime they were racking up, to see if anything else went down. I listened to more chanting and and watched more flag waving until a cameraman from one of the networks leaned over and said, “Maybe something will happen when Richard Gere speaks later.”

Guardian Intern Emma Lierley had a lot more stamina than I did. She followed the proceedings all day and filed the following report. – JB Powell

With the Beijing Olympic torch set to be received Wednesday, pro-Tibetan protestors ran their own torch through the streets of San Francisco Tuesday. The rally was held in multiple locations, including the UN Plaza, the steps of City Hall, and the section of Geary Street that boarders the Chinese Consulate. Hundreds of participants loudly denounced the “genocide torch” and called for a free Tibet.

The protest began Tuesday morning in the UN Plaza, as Tibetan flags snapped in the wind and a group of monks from the Gyuto Vajrayana Center in San Jose chanted a blessing over the crowd. The Buddhist monk Thupten Donyo, manager of the Gyuto Vajrayana Center, was very excited about the day’s events, and told the Guardian that never before had Tibet been given such a chance to speak to the world.

“We lost our country fifty years ago,” he said, “and we are struggling to keep our culture alive.”

Protesting the torch

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You have to wonder what Beijing and the International Olympic Committee were thinking.

A country with real human rights problems, involving not only the horrors in Darfur but the immensely popular, mediagenic Dalai Lama and Tibet, hosts the Olympics. The torch goes through several countries where political protests are common and there’s a large population ready to scream about China’s repressive regime. Then it stops in San Francisco, where there’s a large Chinese population and an equally large population of political activists ….

What, you didn’t think there’d be protests?

Now the IOC is actually talking about scrapping the rest of the torch tour, which would be silly. There will still be protests around the Olympics — and there should be.

If China wants the PR boost of hosting the Olympics, it will have to deal with the fact that the news media will also focus on human rights and other issues Bejing would rather ignore. The Olympics are too much of a spectacle these days; there will be too many reporters looking for stories, and protesters around the world ready to offer them.

The protests have been immensely successful so far. They’ve done exactly what they’re designed to do: Focus press attention on China, Tibet and Darfur. Nobody needs to disrupt the Olympic torch in San Francisco; in fact, it’s great that the torch is here. The torch brings media, and the more the better. Mayor Newsom needs to make public the final route in plenty of time for the activists to show up; the protesters need to be peaceful — and visible, and loud.

I love this. It’s the best tradition of this city.

The blind feeding the blind

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During my three decades of life, I’ve had the chance to do quite a few things wearing a blindfold — play pin-the-tail-on-the-donkey, whack a piñata, wait for a lover to find my clitoris – but eating has never been one of them. Until now.

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“Waiter, I don’t know what’s in my soup.” AP photo.

I’m sure you’ve heard of this phenomenon: fancy restaurants blindfolding their patrons so they can fully focus on the subtle, complex, upper-middle-class flavors of haute cuisine. Or perhaps you’ve heard of it from dieting gurus, who profess you’ll enjoy your food more, and eat less of it, if you aren’t distracted by stimuli like television, books, or, you know, sight.

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Chef Craig Patzer prepares our meals – and probably tries not to laugh at our blindfolded shenanigans.AP Photo.

What I experienced was a version of this phenomenon crossed with the PR machine: a joint event between Jardiniere and Tazo teas where media types were blindfolded to taste entrees and alcohol pairings made with, or inspired by, Tazo blends. And it was rad.

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“The rest of you are blindfolded too, right? This isn’t some kind of April Fool’s joke?”

Does the climate need more PR?

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Al Gore is spending $300 million on ads to tell us some more about climate change and what we can do. It’s called “we.” Doesn’t that sound like fun?

Actually, does anyone else find this a little insulting and/or disturbing? Who hasn’t gotten the message? Wasn’t An Inconvenient Truth a big, giant ad for how fucked we are?

We get it! Why spend three years and $300 million to tell us some more about global warming? The mainstream media appears to have stopped calling the climate change nay-sayers. Global warming is now an acceptable dinner party topic, not something your partner rants at you for ranting about in public. It’s even transcended traditional party lines, but Al Gore’s group, Alliance for Climate Protection, is still pulling together a huge chunk of change to inundate us with advertising.

Three hundred million bucks could buy solar panels for 3,000 buildings the size of the Guardian’s, or 15,000 average homes. For $300 million Al Gore could identify the 13,200 longest commuters in the country and buy them all Honda Civic hybrids. He could set up a microloan-style fund for lower and middle-income people who really want to change their ways but just can’t afford it. They could apply for financing for solar panels, better insulation for their homes, new cars, more efficient water heaters, whatever it is they’ve identified in their lives that they could change if they could just friggin’ afford it.

The Washington Post runs down more details of the program, which seems aimed at riling the masses and asking them to harass their elected officials. According to the Post: “This climate crisis is so interwoven with habits and patterns that are so entrenched, the elected officials in both parties are going to be timid about enacting the bold changes that are needed until there is a change in the public’s sense of urgency in addressing this crisis,” Gore said. “I’ve tried everything else I know to try. The way to solve this crisis is to change the way the public thinks about it.”

BTW, for anyone who can’t wait for the ads, or hasn’t seen the movie it’s screening at the San Francisco Public Library as part of their Environmental Film Festival.

The deets:

Thursday, April 24, Noon
An Inconvenient Truth (2006, 96 min.)
Koret Auditorium, Lower Level
Main Library, 100 Larkin Street (at Grove)

All films are shown with captions when possible to assist our deaf
and hard of hearing.
All programs at the Library are free.