Media

Bringing CCA to life

0

EDITORIAL Community Choice Aggregation, a new system of developing and selling electric power, has the potential to put San Francisco on the cutting edge of renewable energy nationwide. It could offer lower rates to consumers. It could be an important first step on the road to a full public power system.

When the notion first came up a few years ago, everyone — from Mayor Gavin Newsom to the supervisors to the San Francisco Public Utilities Commission to Pacific Gas and Electric Co. — claimed to be supportive. Now Supervisors Ross Mirkarimi and Tom Ammiano have put forward a plan that would ensure that half the city’s electricity come from solar, wind, and increased efficiency (along with the power we currently get from the dam at Hetch Hetchy). The plan would put San Francisco in the business of developing, promoting, and using solar energy on a huge scale. And suddenly, PG&E is spending millions on ad campaigns and has launched a quiet letter-writing effort to sabotage CCA — and the mayor is nowhere to be found.

It’s no coincidence that the giant private utility’s ads began appearing all over the city, including on the front page of the San Francisco Chronicle, in the same month that Ammiano and Mirkarimi were preparing to introduce their CCA bill. The company is trying to lay the groundwork to counter the city’s arguments that public power, or CCA, is an environmentally sound alternative to PG&E. As Amanda Witherell reported ("Green Isn’t PG&E," 4/18/07), the whole image of PG&E as a green company is a lie: its current power profile is 44 percent fossil fuels and 24 percent nuclear — which means two-thirds of the electricity the company sells is creating either greenhouse gases or nuclear waste.

The CCA plan, on the other hand, calls for 360 megawatts of fully renewable energy in San Francisco. The way the system would work, the city would use money that voters have already approved to develop solar generators and would contract with electricity providers that offer renewable energy. The city would buy the power in bulk, at comparatively low rates, then resell it to residents and businesses. And since the city won’t be making a profit, the cost to consumers will be less than what they currently pay PG&E.

It sounds simple, but the actual implementation is going to be a bit tricky — and will require constant monitoring. That’s why Ammiano and Mirkarimi want to create a new panel, made of several supervisors and representatives from the Mayor’s Office and the SFPUC, to manage the transition. It makes perfect sense: the supervisors need to play a role in the new agency and ought to sign off on any contract. If they don’t, the whole thing could be underfunded, delayed, and packed off to a bureaucratic back room.

But Newsom doesn’t want to give up control, and City Attorney Dennis Herrera hasn’t signed off on the deal. Herrera no doubt has legal arguments against creating a joint control agency, but we can’t believe there’s no legal way to pull this off. Herrera needs to help the board come up with a creative solution.

Meanwhile, Newsom needs to stop ducking this issue. He seems to have plenty of time to attend PG&E’s faux-green media events — but even after CCA supporters rescheduled a press conference twice at the request of Newsom’s office and set it for a time the mayor was available, he didn’t show up.

CCA is a key part of the city’s energy future. The supervisors should pass the plan, including an oversight panel, and the mayor should not only sign it but actively push for rapid implementation. If not, his kowtowing to PG&E should be a central issue for a challenger in the fall campaign. *

PS State law bars PG&E from actively campaigning against aggregation, yet there are signs that the utility is doing just that. Herrera and District Attorney Kamala Harris should immediately open an investigation.

The Guardian Iraq War casualty report (5/7/07)

0

The Guardian Iraq War casualty report (5/7/07): 8 U.S. soldiers killed yesterday. 42 Iraqi civilians killed yesterday.

Compiled by Paula Connelly

Casualties in Iraq

U.S. military:

8 U.S. soldiers were killed in a roadside bomb attack in Iraq yesterday, according to the Washington Post.

3,618: Killed since the U.S. invasion of Iraq 3/20/03

Source: http://www.icasualties.org/

For the Department of Defense statistics go to: http://www.defenselink.mil/

For a more detailed list of U.S. Military killed in the War in Iraq go to:
http://www.cnn.com/SPECIALS/2003/iraq/forces/casualties/2007.04.html

Iraqi civilians:

At least 42 Iraqi civilians were killed yesterday when a car bomb exploded in a busy market in Bayaa, according to the Washington Post.

98,000
: Killed since 3/03

Source: www.thelancet.com

62,841 – 68,868: Killed since 1/03

For a week by week assessment of significant incidents and trends in Iraqi civilian casualties, go to A Week in Iraq by Lily Hamourtziadou. She is a member of the Iraq Body Count project, which maintains and updates the world’s only independent and comprehensive public database of media-reported civilian deaths in Iraq.

Source: http://www.iraqbodycount.net

A Week in Iraq: Week ending 6 May 2007:
http://www.iraqbodycount.org/editorial/weekiniraq/43/

For first hand accounts of the grave situation in Iraq, visit some of these blogs:
www.ejectiraqikkk.blogspot.com
www.healingiraq.blogspot.com
www.afamilyinbaghdad.blogspot.com

Iraq Military:

30,000: Killed since 2003

Source: http://www.infoshout.com

Journalists:

153 journalists have been killed in Iraq since the start of the war four years ago, making Iraq the world’s most dangerous country for the press, according to Reporters without borders.

156: Killed since 3/03

Source: http://www.infoshout.com/

Refugees:

The Bush administration plans to increase quota of Iraqi refugees allowed into the U.S. from 500 to 7,000 next year in response to the growing refugee crisis, according to the Guardian Unlimited.

Border policies are tightening because one million Iraqi refugees have already fled to Jordan and another one million to Syria. Iraqi refugees who manage to make it out of Iraq still can’t work, have difficulty attending school and are not eligible for health care. Many still need to return to Iraq to escape poverty, according to BBC news.


1.6 million:
Iraqis displaced internally

1.8 million: Iraqis displaced to neighboring states

Many refugees were displaced prior to 2003, but an increasing number are fleeing now, according to United Nations High Commissioner for Refugees’ estimates.

U.S. Military Wounded:

50,502: Wounded since 3/19/03 to 1/6/07

Source: http://www.icasualties.org/

The Guardian cost of Iraq war report (5/7/07): So far, $423 billion for the U.S., $53 billion for California and $1 billion for San Francisco.

Compiled by Paula Connelly

Here is a running total of the cost of the Iraq War to the U.S. taxpayer, provided by the National Priorities Project located in Northampton, Massachusetts. The number is based on Congressional appropriations. Niko Matsakis of Boston, MA and Elias Vlanton of Takoma Park, MD originally created the count in 2003 on costofwar.com. After maintaining it on their own for the first year, they gave it to the National Priorities Project to contribute to their ongoing educational efforts.

To bring the cost of the war home, please note that California has already lost $46 billion and San Francisco has lost $1 billion to the Bush war and his mistakes. In San Francisco alone, the funds used for the war in Iraq could have hired 21,264 additional public school teachers for one year, we could have built 11,048 additional housing units or we could have provided 59,482 students four-year scholarships at public universities. For a further breakdown of the cost of the war to your community, see the NPP website aptly titled “turning data into action.”

What’s the difference between the Wall Street Journal and the Hearst and Singleton papers? For starters, the Journal played the Murdoch bid to buy the paper on its front page

0

By Bruce B. Brugmann

Yesterday, when I was going back and forth with my source in Contra Costa County on how Singleton papers covered the Reilly settlement story in the East Bay, he mentioned that Murdoch had made an unsolicited bid to buy the Wall Street Journal. My source, a natural born news junkie, monitors breaking news during the day. I leafed through my copy of the Journal and couldn’t find any such story and promptly forgot about it.

This morning, opening up the Journal, I found that the paper played the story as its lead on the front page, under a two column headline, “Murdoch’s Surprise Bid: $5 Billion for Dow Jones, High-Premium Offer Spotlights the Family That Controls Publisher.” Unlike the Hearst and Singleton press, which used the bury and mangle approach to its big media stories involving their own monopoly deal, the Journal played the story as the big story it was.

The front page story jumped to a full page inside the first section. And a front page box titled “In the Headlines” listed three inside stories: “Murdoch sees digital future” and “Bancroft family holds control through dual-class stock” and
“Offer reflects lofty premium for a strategic property.” There was also a chronology box, “From Handwritten to Online: l25 Years of Journalism,” on the front page of the “Money and Investing section” along with two major stories.

MCMAF: Renaissance man

0

> johnny@sfbg.com

If Vincent Gallo turned himself into pure music, what would it sound like? For now, I know how the Gallo I’m talking with sounds: enthusiastic, upbeat – occasionally letting loose an endearing rascally cackle – and extremely alive. Over the course of a great couple hours, he’s raved rather than ranted, giving himself over to rapture while rapping about everyone from Joe Spinell (star of 1980’s gory Maniac and bit-part actor extraordinaire) to Michael Jackson. Vibe, connection, beautiful, and phenomenal are key words in the current Gallo lexicon, and his passion reaches its peak when he discusses RRIICCEE, his new group with Corey Lee Granet and Eric Erlandson, which will be premiering at this year’s Mission Creek Music and Arts Festival.

"I’m in love," Gallo says. "I’m so proud when we’re playing together. Not proud because I think we’re better, but proud I was able to make myself open in this way."

Openness has been key to Gallo’s music to date, as the snaky, at times Moondog-like press-record-and-play charms of his 2002 collection, Recordings of Music for Film (Warp), prove. While Gallo refers to those songs as "documents of creation," he’s still in the discovery process with his new band. To prioritize recording is to "be part of the problem of music," he says, paraphrasing what Erlandson told him during an encounter at a health food store that led to the group’s formation.

"Someone said today, ‘It sounds like a jam band,’ and that was the most gross comment I’ve ever heard in my life," Gallo goes on to clarify, lest anyone mistake his current activities for hoary hippy shtick. "A jam is a disorganized version of the most ordinary cliche habits – that’s the furthest thing from what we’re doing." While he’s quick to distinguish his current project from what he calls the "cabaret" mentality of big-name acts, the man also known as a cinematic lightning rod is out to divine something, perhaps something kindred to the current free-jazz renaissance: "Improv is not a good word [for what we’re doing]. It’s more a gesture of composing and performing at the same time."

The main difference between the Gallo I’m talking with and the one I briefly met during his 2004 road tour for The Brown Bunny is that this guy isn’t as road weary and battle scarred. Understandably so – it’s hard to think of a little movie that sparked such a big furor, not to mention so many misunderstandings. "To hear people say, ‘Oh brilliant, you made a film just so you could get blown,’ in a world where it’s so hard not to get blown," he says, with some exasperation.

I mention that long before he made The Brown Bunny, Gallo once compared its portrait of an unredeemable man to the one within Michael Powell’s 1960 Peeping Tom. "I guess it had a similar effect on that filmmaker’s career," he agrees. "People have a hard time swallowing a person like me. I evoke, I irritate in general. I wish that people liked me. I’m just not willing to become anything different to get that [approval]."

A little later, while discussing the way the media can directly distort some talented people’s sense of their own gifts, he utters a telling aside. "Maybe secretly I’m smart enough to know that even in what appear to be self-destructive gestures I have to solve the problem again."

The name Vincent Gallo might not fly to mind when the term likable is invoked, but in fact he’s a charming interview subject, as quip-flaired as Morrissey was once upon a time and genuinely humane in an old-school manner that differs from today’s era of abbreviated cell phone chats. Most of all, he’s in love, and not just with his new group. Tuxedo Moon, the collage artist Jess, the "high" beauty of Taj Mahal guitarist Jesse Ed Davis III, the 1970 movie The Only Game in Town, and the encyclopedic movie knowledge of Sage Stallone (Sly’s son) receive verbal bouquets over the course of our conversation. At one point he plays Jackson’s "I Can’t Help It" (from 1978’s Off the Wall) for me over the phone and says that he often cries when he listens to it.

"My creativity is always motivated by what’s missing, the same way it comes from what’s broken, what needs to be cleaned, what needs to be prepared because I don’t have it," he says, falling into an incantation. "It always comes from loss or from the seed of something that needs to be protected and grown."

Though still lodged in California, the man who made a point of emphasizing his total solo control over The Brown Bunny has moved on in spirit from that East Coast-to-West Coast journey. "If what I do is 50 billion times better than me, then it’s pure crap, because I’m just a jerk," he says. "When you get together with people and transcend yourself, it’s really an exciting moment, and that happened right away with this band." *

RRIICCEE

May 19, call for time and price

Q&A WITH VINCENT GALLO

May 20, call for time and price

Swedish American Music Hall

2174 Market, SF

(415) 861-5016

www.cafedunord.com

www.mcmf.com

MCMAF: Collective hip noises

0

> a&eletters@sfbg.com

Should you take this life seriously enough to listen to it, I would suggest you head to local electro-organic thinkers I Am Spoonbender’s Web site right now, before you read this story, and download the trailer for their latest self-released album, Buy Hidden Persuaders (IAS, 2006), another three-sided disc (their gorgeous Teletwin 12-inch had concurrent grooves on one side, allowing for a randomly asserted listening experience) from the wizards of esoteric musical realism. Sure, the aesthetically thorough trailer’s bricolage of images and texts deals with everything from hypnosis to Illuminati-style dollar-bill machinations and just happens to act as a manifesto, art show, music preview, and persuasive cinematic display all at once.

But don’t fret. Dutifully check the "I Agree" button when the site lets you know that "IASBHP [I Am Spoonbender’s Buy Hidden Persuaders] is a subliminal advertisement for itself … produced by control, and is an album of ‘engineered outcomes.’ " Grin and download, watch and get ready to strangely rock, because you will surely make use of the free album download in WAV format and proceed to share these pulsing soundscapes with everyone you encounter, whether you intend to or not. William S. Burroughs’s notion that language is a virus was tied to his ideas about time as a sort of viral petri dish, and that makes sense here, in reverse. Persuaders is a soundtrack to its own propagation.

"I firmly believe that after spending three and a half years working on this album, there’s no way to hear it all in less than that time," Dustin Donaldson said recently on the phone from his San Francisco home. The mastermind behind IAS’s infectious, rhythmic stylings knows sound inside and out. "It’s designed to be encountered repeatedly and to reveal itself over time," he continued. "The longer you listen to it, the more you’re going to hear recurring musical themes, say, in different registers on different sounds, lyrical themes reflecting on themselves."

The entire Persuaders project – which includes the album, their first performance in three years, the succulent Web site, the Shown Actual Size EP (Gold Standard Laboratories), the book that will soon accompany the new album, and even the band’s dreams as they go to bed at dawn in San Francisco after nights of channeling and creating – is aimed at balancing out and exposing as a fraud the harm done by advertising and the like to our very beings. If we envision corruption and mind control as diseases, then Persuaders is an equally potent and uniquely celebratory vaccine – a careful dosage bordering the illuminating and the lethal. It’s celebratory because it co-opts subliminal and similar techniques in order to start a conversation, rather than to sell or speak about any one thing in particular. It’s potent because it refuses to double back on itself without adding more meaning. The three sides, or collages – "You Have Been Suggested," "Penetrate to Deeper Levels," and "Slowly Replaced in Mirrors" – seldom ring the same bells twice. And yes, there are hidden messages: don’t be afraid to slow things down, speed them up, listen from afar …

The thing is, you’ve already heard Persuaders, sizzling through your mind just before or after media stimulation. When Cup, the other core half of IAS, sings, "We all need mirrors to know / Who we are now," over surprisingly guttural organ sounds, her expressive vocals and multi-instrumental prowess, here as throughout, lend a sense of flight to Donaldson’s Middle Earthy rhythms and organic mechanics. Imagine Laurie Anderson playing tag with Robert Ashley.

The material for Persuaders came from everywhere and nowhere. After years watching "thousands of films" but no television, Donaldson was shocked when a friend moved in and they got cable. "I just was absolutely unprepared for … the aggression in marketing tactics," he said. "Drug company television ads became a big source of, well, I guess it’s inspiration in some sense, something to create a mirror-state protest record around. We attempt, through this record, to send the same amount of energy back toward these sources. For every action there’s a reaction, and at some level there’s a neutralization, hopefully – in audio terms, phase cancellation.

"For me, specifically, there was about a year of experiments in sensory deprivation," Donaldson continued. "Sleep deprivation … also, going into the studio often late at night and turning off all the lights and turning on huge, 750-watt strobes … setting them at different tempos and playing drums to that and just getting out – open to receive." There was even a resulting side project, yet to be released, where nothing could be recorded until the entire group had been up for 30 hours. Of course, the results were carefully edited for clarity.

Excited, you should now flock to the Mezzanine prepared to buy whatever IAS chooses to sell. If you print your own money, make sure the paper sparkles, and don’t forget to record the sounds the bills make when they leap, calmly, into flames. *

I AM SPOONBENDER

With Steven Stapleton, Ariel Pink, and Phase Chancellor

May 11, 9 p.m., $15 advance

Mezzanine

444 Jessie, SF

(415) 625-8880

Stop getting things done

0

> annalee@techsploitation.com

TECHSPLOITATION Among business-oriented tech nerds, there is an acronym that is a cult: GTD. It stands for "getting things done," and it comes from the title of a popular time-management book by productivity coach David Allen. Not only has Allen turned GTD into a multimillion-dollar consulting and advice business, but he’s also infected the hearts and minds of an entire generation trying to work as fast as the processors in their computers do. At its heart, the GTD philosophy is simple: list your tasks ahead of time, and complete them as systematically as possible. In the end, you’ll work more quickly, zooming through your life the way you zoom through your e-mail in-box.

But for those of us who confront bulging e-mail boxes and multiple, multistage projects every morning, GTD can become a freaky addiction. We’re never fast enough. That’s why some GTD solutions go beyond the friendly kind you’ll see on productivity blogs such as Lifehacker and 43 Folders, which are devoted to finding ingenious, technical solutions to get around work-blocking procrastination.

Possibly the weirdest example of extreme GTD can be found in a recent book, The 4-Hour Workweek: Escape the 9-5, Live Anywhere, and Join the New Rich, by a guy named Tim Ferriss. The book combines two biz-geek obsessions, saving time and getting rich, which is probably why his Web site lists endorsements from tons of people, including "Lazer Tag consultant" Stephen Key and Firefox cofounder Blake Ross.

I met Ferriss, an affable if slightly overenthusiastic fellow, at the South by Southwest Interactive conference. His book hadn’t come out yet, but he was already trying to convert the masses to his "lifestyle design" solution. Unlike a typical GTD plan, his book is also about glamor: he preaches the art of taking "mini-retirements," trips to different countries where you can have fun while still working occasionally (this is after you’ve somehow convinced your bosses to let you work remotely).

At various points while reading Ferriss’s book I was reminded of Steve Martin’s old routine "How to Make a Million Dollars and Not Pay Taxes." His solution? First make a million dollars. And then when the tax people come around, just tell them you forgot to pay. It sounds good, but the problem is implementation. In a chapter called "Outsourcing Your Life," Ferriss tips you off to his best time-saving solution: hire cheap labor in the developing world to save yourself time and money. In fact, this is eerily like all of his solutions, such as living in Thailand while working for a US company to give yourself a mini-retirement and grow richer.

Ferriss’s GTD plan is so extreme that it winds up revealing the dark side of productivity mania. Many of his time-saving techniques depend on making other people work more. For example, Ferriss interviews a guy for his book who saves time by hiring staffers at a company in Bangalore who do all his research for him, answer his e-mails, and even send his wife an apology when the two of them have a fight. Suddenly, this guy has a lot more time and feels more productive. I’m not sure that when GTD guru Allen writes about delegating tasks he means that you assign your work to other people. Ferriss’s GTD fiends may be getting four-hour workweeks, but it’s only because three women in Bangalore are working 70 hours a week.

My fantasy, on considering the extreme end of GTD culture, is that more and more people will begin following Ferriss’s advice. Get things done by outsourcing all your work to the developing world, so that soon women in Bangalore and China have access to all your personal correspondence, financial data, and work-related activities. This could possibly create the conditions for the first-ever bloodless but violent revolution. One day, people in the United States and Europe will discover that all their data is in the hands of angry workers who want to do the GTD thing their own way. They want their own four-hour workweeks, and they’re going to use all your data to get them.

It would be the perfect demise for a data-obsessed, time-obsessed culture. Deprived of our data, we’ll have all the time in the world. But of course, if we want to live, we’ll have to start working again. And this time we’ll have to work the old-fashioned way: by doing it ourselves. *

Annalee Newitz is a surly media nerd who saves time by talking and sticking her feet in her mouth at the same time.

Beyond the Reilly settlement

0

> gwschulz@sfbg.com

Click here to read the Guardian editorial on the Reilly victory

Shortly before Clint Reilly began a press conference April 25 announcing that he’d settled his federal antitrust suit against the Bay Area’s two largest newspaper companies, Cheryl Hurd of NBC affiliate KNTV, channel 11, loudly complained to the pack of reporters that she just didn’t quite get the story.

"Why does anybody care about this?" she asked, sounding annoyed as she waved the press release listing the terms of the settlement in the air. "I don’t even understand any of this. What’s this mean?"

She wasn’t the only confused reporter. In the week since the settlement was announced, the local media have downplayed or mangled what is actually a huge story: Reilly, acting on his own, with no support from federal or state regulators, managed to scuttle a deal that would have ended all newspaper competition in the Bay Area.

"Would I have liked to see it go further? Yeah," said Bruce Cain, director of UC Berkeley’s Institute of Governmental Studies, who penned a declaration supporting Reilly’s case. "But at least he was able to stop more collaboration between those two companies, and he was able to establish the legal point that this has more than just economic consequences. It has consequences for the vitality of political news coverage in the Bay Area."

The settlement involved a lot of peripheral terms, but the essence was this: the Hearst Corp., which owns the San Francisco Chronicle, can no longer consider combining printing, distribution, and ad sales with MediaNews Group, which owns almost every other major local daily in the Bay Area.

Reilly announced that the deal prevents the supposed competitors from unfairly or illegally negotiating any major joint operating arrangement in the near future. The trial was scheduled to begin just days after the agreement was reached.

"Newspapers are the intellectual bridge between citizens and their government," Reilly told reporters. "To me, one Bay Area newspaper company owning every paid circulation daily newspaper would be a very bad thing for Bay Area newspaper readers and for public discourse."

The deal nixes a plan outlined in a letter unearthed during an early phase of the trial. The letter showed that Hearst and MediaNews wanted to consolidate distribution and advertising operations among their local papers to create additional revenue and save on expenses.

Hearst enabled MediaNews to complete the purchase of several major local dailies last year by investing $300 million in the company’s stock. To survive antitrust scrutiny, the deal was crafted to make the stock’s value hinge entirely on non-Bay Area assets. But documents revealed during the suit clearly show that Hearst had planned to convert the stock so that it included MediaNews papers here as well. The settlement also prevents that from happening.

According to the terms, Reilly will recommend private citizens for appointment to the editorial boards of every California Newspapers Partnership publication in the region, including the San Jose Mercury News, the Contra Costa Times, and the Oakland Tribune.

He will also get access to advertising space in the pages of the papers for a regular column.

Reilly had originally sought to force MediaNews to divest itself of the San Jose Mercury News and other papers, but that was a long shot at best. What’s remarkable is that he accomplished as much as he did when no government agency was willing to help.

"I see in a lot of places what’s happening is owners are trying to make as much money as possible," Cain told us. "I see this in local TV, I see this in print media. I’m sure there’s an element of survival sometimes, but I think a lot of it is just trying to get profit margins up."

The US Justice Department never made a serious effort to stop the deal. The Guardian recently confirmed that the state Attorney General’s Office under the newly elected Jerry Brown has dropped its probe into the transactions. Spokesperson David Kravets refused to explain why.

The state’s treasurer and former AG, Bill Lockyer, began the investigation, and when we asked for a comment on Brown’s decision, he declined, saying he had "moved on."

Gina Talamona, spokesperson for the federal Justice Department, said its examination of Hearst’s substantial investment in MediaNews continues. But MediaNews CEO Dean Singleton told us that he expects it will not only close soon but will also clear the companies to move ahead.

Singleton said his meetings with Reilly, a Bay Area native and former mayoral candidate, were civil and there were no terms of the settlement he was displeased with. But he still doesn’t believe Reilly had grounds to bring the suit.

"A lot of wild statements have been thrown out that are simply not true," Singleton said. "There’s no evidence whatsoever that we had any discussions with Hearst about doing anything with the Chronicle that would have been improper. In fact, we’ve had few discussions about anything with the Chronicle."

Perhaps there was nothing "improper" as far as justice officials were concerned. But a March 2006 letter from Hearst vice president James Asher to MediaNews president Joseph Lodovic that surfaced during the case shows Hearst required an agreement on consolidated distribution networks with MediaNews before the company would proceed with its side of the transaction.

So let’s go back to Hurd’s question: why should anyone care about newspaper mergers in an era when there are so many other sources of information?

John McManus is a part-time journalism professor at San Jose State University and director of GradeTheNews.org, a consumer Web site on Bay Area news quality. He was hired as a consultant by Clint Reilly’s legal team to provide analysis of how consolidated or noncompetitive media outlets might fail to provide the best, most valuable news stories possible to local consumers.

His answer is simple. "Everyone is affected by the quality of newspapers because they form the bottom of the food chain for news," McManus told us. "Probably about 85 percent of the original news reporting in the Bay Area comes from newspapers, because they have much larger staffs than television stations or radio stations or Web-only operations."

McManus did his Stanford PhD dissertation in 1987 on four television news stations scattered around California, spending a month at each of them. At one of the stations, he said, what appeared in the local newspaper was so important, a station producer would clip stories directly from it and attach them to the assignments reporters were expected to have prepared by that evening’s newscast.

"The situation has gotten worse since then," McManus told us, "because local TV news staffs have shrunk."

The settlement also did not include an agreement on what would happen to the mountain of records produced in the case leading up to the trial.

Hundreds of pages previously sealed by the newspaper companies were opened to the public after the Guardian and the East Bay nonprofit Media Alliance intervened in the case. Reilly’s lawyer, Joe Alioto, recently insisted that he would petition the judge to unveil more documents, such as full depositions of company executives and additional memos and e-mails.

The settlement comes with some caveats for critics of consolidation. McManus believes that Reilly ultimately "got a quarter of the loaf." Reilly, he said, may have protected the independence of the Chronicle, but MediaNews isn’t being forced to unload any of its Bay Area properties to balance the field.

"Without [Reilly] having liberated the Mercury News and the Contra Costa Times and the smaller papers from the grip of MediaNews," McManus said, "the Chronicle‘s fate may be sealed." *

Editors note: The daily papers in the Bay Area treated the news of the settlement as a one-day story, and not a terribly big one. The San Francisco Chronicle ran it below the fold in the business section with a one-column head. But over the next few days, there were a lot of development and arguments over the deal; the trade journal Editor and Publisher was all over it. But none of that made it into the supposedly competitive local daily press.

A lot of the back and forth appeared on chainlinks.org, a Web site run by the Newspaper Guild. A selection:

Hearst-MediaNews deal scuttled: Former Chronicle City Editor Alan Mutter on the Reilly settlement

Editor and Publisher on the disagreement over the settlement

Jerry Ceppos, former executive editor of the San Jose Mercury News, whines about the deal

Romanseko links to some of the first-day stories

Reilly’s victory

0

EDITORIAL In the days following the historic settlement of Clint Reilly’s lawsuit against the Bay Area’s newspaper barons, the local dailies, the media blogs, and the trade publications such as Editor and Publisher were buzzing with debate and speculation over a few of the agreement’s terms.

Would Reilly actually get space in the local papers to make his political points every month? Where would that space go? Would it be paid ad space, or would he get it free? Would he be able to appoint a citizen member to the editorial boards of Dean Singleton’s dailies (including the San Jose Mercury News and the Contra Costa Times)? Or could the papers’ managers reject his nominations?

Back and forth, back and forth. And all of it entirely missed the point.

This was the fine print of the deal, the stuff that, a few months from now, nobody will remember or care about. You could get the real news from the headline in a blog post by former Chronicle city editor Alan Mutter: "Hearst-MediaNews deal scuttled."

That’s what happened here: Reilly, acting with his own money, with no support from the federal or state regulators, broke up a deal that would have put the owners of the Chronicle directly in business with Singleton’s MediaNews Group, the owner of almost every other major daily in the region. It would have been the end of daily newspaper competition in the Bay Area.

The Hearst Corp., documents that came out during the suit showed, wanted to combine some printing, distribution, and sales efforts with MediaNews Group. And Hearst wanted to convert an investment in MediaNews into direct stock in the company’s local papers. That would have, in effect, made one of the last non-MediaNews papers in the area part of the same business group.

As G.W. Schulz reports in "Beyond the Reilly Settlement," on page 11, if Reilly hadn’t intervened, nobody would have known about it until it was over and too late to stop. That’s the point here, and that’s what journalists, political scientists, and critics ought to be talking about.

Instead, we’ve heard outrage from some editors over the fact that Reilly might get some space in the papers. It’s really a nonissue; he could have bought ad space for his opinions anyway, and all that the settlement did was give him that space free. And a lot of papers ask citizens to serve on advisory boards; Reilly’s nominees are very unlikely to change anyone’s editorial policies.

Meanwhile, where is the outrage over the original Hearst-MediaNews deal, which would have ended editorial competition the same way the 1965 joint operating agreement between the Chronicle and San Francisco Examiner did? Where is the outrage, for that matter, over the fact that the Chronicle is now putting ads not from Clint Reilly but from Pacific Gas and Electric Co. – greenwashing ads that are demonstrable lies – on the front page of the paper, without even a tagline that says "paid advertisement"? Where is the outrage over the fact that Democrats Bill Lockyer (the former attorney general) and Jerry Brown (who now holds the job) were ready to stand back and let all this happen?

And where is the concern among all these civic-minded types about the fact that despite Reilly’s best efforts, it’s entirely possible Hearst will wind up trying to sell the Chron to Singleton anyway – and none of the federal or state authorities seem to care?

Remember, if Reilly hadn’t sued, one of the most dangerous, rotten tricks in newspaper history might have gone unchallenged.

As it is, the full information only came to light because the Guardian and Media Alliance went into court to force it open – and now Reilly and his attorney, Joe Alioto, have the right under the settlement to seek federal Judge Susan Illston’s permission to make the remainder of the key records – including the settlement agreement – public. They should do so, immediately, and Illston should grant their request. The public interest in the newspaper barons’ schemes couldn’t possibly be greater. *

How can you trust newspaper chains that can’t cover the big story: their secret moves to end daily competition in the Bay area?

0

By Bruce B. Brugmann

Click here for the Guardian editorial Reilly’s Victory

Click here for the Guardian story Beyond the Reilly settlement

I was glad that I went to the Clint Reilly press conference April 23 and saw for myself what Reilly and his attorney Joe Alioto won in their historic settlement with Hearst and Singleton and just how the two monopolizing newspaper chains would cover the story about their own monopolizing moves. This was a crucial litmus test for them and their pleas that this was all their way of staying alive and “competitive.”

In a phrase, the coverage of the chains (and their Gannett and Stephens chain partners) was lousy and confirmed the essential Reilly point: that they weren’t competitive chains and that they couldn’t be trusted to cover such a big local story about themselves or each other.

When I was asked by a reporter for my opinion of the settlement, I sat down and battled out my comment quickly:
“I think Reilly again performed a major journalistic and public service by taking on a tough and expensive antitrust case that neither the Bill Lockyer/Jerrry Brown AG’s office or the George Bush/Alberto Gonzales U.S. Department of Justice wouldn’t touch. I think it was a major feat that he accomplished what he did: (a) expose the Hearst/Singleton documents of collaboration and secrecy; (b) force a public and journalistic debate on the issue of regional monopoly, and (c) force Hearst and Singleton to rescind their secret collaboration and investment agreements and force them to compete for the duration.

“Wouldn’t it have been simply awful if no one had come forward to blow the whistle on the secret moves of the nation’s biggest chains, headed by conservative publishers from Denver and New York, to kill daily competition and impose regional monopoly on one of the most liberal and civilized regions in the world? Wouldn’t it have been simply awful if someone, like the Guardian, Media Alliance, and the First Amendment Project, hadn’t come forward to sue and blow the whistle on the monopolizers working secretly to lock up the Bay Area and then suppress the documents of collaboration in the federal antitrust case?”

The Guardian Iraq War casualty report (4/30/07)

0

The Guardian Iraq War casualty report (4/30/07): At least 98 Iraqi civilians were killed today. 14 U.S. Soldiers were killed in Iraq in the past 72 hours.

Compiled by Paula Connelly

Casualties in Iraq

Iraqi civilians:

At least 98 Iraqi civilians were killed today in violence across the country, according to the Associated Press:
32 civilian mourners killed today in a bombing of a Shiite funeral in Diyala.
5 civilians killed today in a car bombing in Baghdad.
4 civilians killed today in checkpoint bombing in Baghdad
4 cilvilians killed today when a tanker truck exploded near a restaurant in Ramadi.

98,000: Killed since 3/03

Source: www.thelancet.com

62,570 – 68,593: Killed since 1/03

For a week by week assessment of significant incidents and trends in Iraqi civilian casualties, go to A Week in Iraq by Lily Hamourtziadou. She is a member of the Iraq Body Count project, which maintains and updates the world’s only independent and comprehensive public database of media-reported civilian deaths in Iraq.

Source: http://www.iraqbodycount.net

A Week in Iraq: Week ending 29 April 2007:
http://www.iraqbodycount.org/editorial/weekiniraq/42/

For first hand accounts of the grave situation in Iraq, visit some of these blogs:
www.ejectiraqikkk.blogspot.com
www.healingiraq.blogspot.com
www.afamilyinbaghdad.blogspot.com

U.S. military:
Fourteen U.S. soldiers and Marines were killed in Iraq during the past 72 hours, making April the sixth deadliest month of the Iraq war, according to CNN.

3,590
: Killed since the U.S. invasion of Iraq 3/20/03

Source: http://www.icasualties.org/

For the Department of Defense statistics go to: http://www.defenselink.mil/

For a more detailed list of U.S. Military killed in the War in Iraq go to:
http://www.cnn.com/SPECIALS/2003/iraq/forces/casualties/2007.04.html

Iraq Military:

30,000: Killed since 2003

Source: http://www.infoshout.com

Journalists:

153 journalists have been killed in Iraq since the start of the war four years ago, making Iraq the world’s most dangerous country for the press, according to Reporters without borders.

156: Killed since 3/03

Source: http://www.infoshout.com/

Refugees:

The Bush administration plans to increase quota of Iraqi refugees allowed into the U.S. from 500 to 7,000 next year in response to the growing refugee crisis, according to the Guardian Unlimited.

Border policies are tightening because one million Iraqi refugees have already fled to Jordan and another one million to Syria. Iraqi refugees who manage to make it out of Iraq still can’t work, have difficulty attending school and are not eligible for health care. Many still need to return to Iraq to escape poverty, according to BBC news.

1.6 million: Iraqis displaced internally

1.8 million
: Iraqis displaced to neighboring states

Many refugees were displaced prior to 2003, but an increasing number are fleeing now, according to United Nations High Commissioner for Refugees’ estimates.

U.S. Military Wounded:

50,502: Wounded since 3/19/03 to 1/6/07

Source: http://www.icasualties.org/


The Guardian cost of Iraq war report (4/30/07): So far, $421 billion for the U.S., $53 billion for California and $1 billion for San Francisco.

Compiled by Paula Connelly

Here is a running total of the cost of the Iraq War to the U.S. taxpayer, provided by the National Priorities Project located in Northampton, Massachusetts. The number is based on Congressional appropriations. Niko Matsakis of Boston, MA and Elias Vlanton of Takoma Park, MD originally created the count in 2003 on costofwar.com. After maintaining it on their own for the first year, they gave it to the National Priorities Project to contribute to their ongoing educational efforts.

To bring the cost of the war home, please note that California has already lost $46 billion and San Francisco has lost $1 billion to the Bush war and his mistakes. In San Francisco alone, the funds used for the war in Iraq could have hired 21,264 additional public school teachers for one year, we could have built 11,048 additional housing units or we could have provided 59,482 students four-year scholarships at public universities. For a further breakdown of the cost of the war to your community, see the NPP website aptly titled “turning data into action.”

Lockyer on the media merger

0

By Tim Redmond

I run into Bill Lockyer, the former state Attorney General (now treasurer) waiting his chance to get on stage. I explain to him that his successor, Jerry Brown, has formally closed any investigation in to the merger that gave Dean Singleton control over almost every daily newspaper in the Bay Area. “Any thoughts on that?” I ask.

His response:

“No. He’s elected, and I’ve moved on.”

Good to know your heart was in it, Bill.

Dem Con, Saturday noon: Hillary’s speech

0

By Tim Redmond

Shortly before Hillary Clinton takes the stage this morning, perhaps 200 cheering supporters are lined up just inside one of the side doors that lead into the cavernous convention center. The rest of the press folks are mostly hanging out on the raised press platform or in the media section, watching state party chair Art Torres vamp on the main stage, so I wander over to the Hillary crowd see what’s going on. Bob Mulholland, the veteran political director of the CA Democratic Party, wanders over, too. “What are you all waiting for?” he asks. “Hillary!” they shout. “Well, I don’t know why you’re waiting here,” he says, “She’s already backstage.”

But no: For once, big Bob is wrong. I can overhear a Clinton operative on her cell phone saying “one minute, folks, she’s walking down the corridor.” And then the door opens and out comes the senator, smiling and waving as she walks through the center of the packed main floor and makes her way to the stage. It’s a great media stunt, and when she takes the podium, she shows what a pro she’s become. She seems relaxed and at ease with the crowd, and her speech is lively. She talks about universal health care (“people tell me you’ve tried that before, and I say I’m proud I did”), makes a veiled reference to the insurance and drug industries, then shifts into energy independence and “doing education right.”

It’s all a nice stump speech that contains absolutely no new or substantive policy proposals — and then she comes to Iraq.

Shows!

0

Holy F**k at The Independent the next two nights, 27th & 28th, previewing material off of their sophomore full-length, due in September.  As well, thanks for the !!! preview.  Should you care to attend their performance at the Fillmore  Monday night.  Love to have you out.

In addition, sent you a copy of Land of Talk’s debut ep, Applause Cheer Boo Hiss, prior to its March 19th release here in the U.S.  Already critically acclaimed in their home nation of Canada, the Montreal trio have been building momentum here in the U.S. since early last year, performing regularly in New York, before hitting SXSW and taking to the road with Menomena and Field Music.  Paste Magazine was quick on the ball, already calling Applause, “The most perfect debut of 2006”, before running a feature in their current issue, and KEXP’s John Richards, put it quite simply, “Holy crap, this is great!”.   Land of Talk will take to the road with The Rosebuds in June, making their San Francisco debut, June 12th at the Great American.  

Pull it out of your stacks and give a listen.

Thanks,

Brendan
 
Tag Team Media – 45 Main St. – Ste. 604 – Brooklyn, NY 11201
ph. 718-797-4211 fx. 718-797-4524 e: brendan@tagteammedia.com
www.tagteammedia.com


Hit me up about:
!!! * Amandine * Apostle of Hustle * Born Ruffians * Clinic * Dappled Cities * Division Day * Earlimart * Feist * Gonzales * Holy F–K *

Tonight!
THE BLOOD BROTHERS 
Celebration, Triumph of Lethargy Skinned Alive To Death 
Wednesday, April 25 
$14 – Doors 7, Show 8
The Blood Brothers combine experimental, punk, hardcore, and post-hardcore, among many other styles… In small circle discussions, the band related that they have influences from the No Wave punk scene of the 1980’s. The band has cited Botch, Drive Like Jehu, Gang of Four, Angel Hair, Highway 61, True North, and Bootsy Collins as influences. 
More Info & Tickets

THE AVETT BROTHERS 
Kemo Sabe 
Thursday, April 26 
$15 – Doors 8, Show 9
The Avett’s brand new album to be released May 15 entitled “Emotionalism”. The album, like The Avett Brothers, is a mixture of old-time country, bluegrass, pop melodies, folk, rock n’ roll, honky-tonk and ragtime. The songs are honest: just chords with real voices singing real melodies. But, the heart and the energy with which they are sung, is really why people are talking, and why so many sing along. 
More Info & Tickets

KFJC Presents
MONO
World’s End Girlfriend, The Drift 
Friday, April 27
$13 adv/$15 door – Doors 8, Show 9
Despite their albums’ masterful subtleties and majestic walls of noise, the consensus has remained that their transcendent live show is simply incomparable. Tix moving fast, get them now!

Barons back off newspaper trial

0

See bottom of story for full Web package of Guardian newspaper-transaction coverage and documents related to the Reilly suit

Click here for the Reilly press conference documents.

Click here for the famous April 26, 2006 letter.

Well, it’s over before it ever truly began.

Clint Reilly’s federal civil suit against the Hearst Corp. and MediaNews Group, filed last year in an attempt to block the would-be competitors from sharing monopoly control of the Bay Area’s daily newspaper establishment, ended today in a settlement that left Reilly claiming victory.

The deal blocks any future business deals between Hearst, owner of the San Francisco Chronicle, and MediaNews, which now owns almost every other daily in the region.

The settlement saved some of the nation’s biggest newspaper barons from the prospect of a long and embarrassing trial that could have produced alarming revelations about the way the big publishers do business.

The case was set to go before a judge and jury April 30.

But in exchange, Reilly says he got most of what he was asking for – in particular, an end to the prospect of a Hearst-Media News business deal.

At a morning press conference April 25, Reilly announced that the settlement puts the Chronicle back into competition with local MediaNews properties.

“The purpose of my lawsuit,” Reilly told reporters, “was to ensure we will not have one company or one partnership owning every single paid subscription daily newspaper in the Bay Area … I strongly believe in newspaper competition. Newspapers create the record of our civic life.”

The local real-estate investor and former mayoral candidate forced the two companies, along with minority business partners the Stephens Group and Gannett Co., to promise they wouldn’t carry out the terms of a now-famous letter dated April 26, 2006 that outlined how Hearst and MediaNews could consolidate distribution and advertising operations among their local papers to create revenue.

That was just one of many proposed plans Reilly’s suit called a violation of federal antitrust laws. Also according to the settlement, Hearst’s $300 million stock investment in MediaNews, which CEO William Dean Singleton relied upon to complete his takeovers last spring of the San Jose Mercury News, the Contra Costa Times, the Monterey County Herald, and eventually, the Torrance Daily Breeze near Los Angeles, would rise and fall in value based only on the performance of MediaNews assets outside of the Bay Area.

The “tracking stock” scheme, as it’s known, was initially conceived this way to clear Hearst and MediaNews of immediate antitrust scrutiny by justice-department officials, but Hearst hoped it would later be converted into general MediaNews stock that included its Bay Area papers, a fact confirmed by records unearthed in an earlier phase of Reilly’s suit. Hearst, it turned out, much preferred that its huge investment include the totality of MediaNews.

But today’s settlement would keep that from happening, according to terms laid out between the parties, some of which they’ve agreed not to disclose.

Any talk of conjoined operations during the next three years between the companies would have to first be divulged to Reilly and his legal team.

Singleton has also agreed to turn over all executive meeting minutes of the California Newspapers Partnership, formed originally with Gannett and Stephens in 1999, that detail any negotiations with the Chronicle or other major media companies looking to do business with MediaNews in the Bay Area for the next three years.

In addition, Reilly will be permitted to recommend a citizen for appointment to the editorial boards of CNP’s Bay Area newspapers and will himself serve on the editorial board of at least one of them.

“The ten-month-long legal battle gave us a chance to see confidential documents between Hearst and MediaNews, Stephens and Gannett,” Reilly said. “Numerous documents show these newspaper companies and their executives are capable of the very cover-ups they so vigorously prosecute in politicians, executives and celebrities. I believe that their primary motivation for settling this case was their fear of exposing questionable competitive practices to public scrutiny.

“This is the second time Reilly has done this,” his attorney, Joe Alioto, told the reporters, referring to a 2000 suit Reilly filed to stop Hearst from shutting down the San Francisco Examiner. “And he does it because the government won’t do it. He does it all at his own cost and risk.”

—————————–

Reilly’s first antitrust assault on Hearst produced some sensational revelations – including the fact that the Examiner publisher sought to trade favorable editorial coverage of then-Mayor Willie Brown in exchange for Brown’s support of Hearst’s business deals.

With the settlement in place, Reilly’s second suit won’t produce that sort of high drama. But he has forced the release of records showing that Hearst and MediaNews wanted to develop close business ties – and there are more potentially explosive documents that may become public.

After the Guardian and Media Alliance intervened to have records previously sealed by the newspaper companies opened to public access, we learned for the first time that Hearst had considered selling the San Francisco Chronicle to Singleton in 2005. But the latter’s offer was chump change, coming just a few short years after Hearst had plowed through three quarters-of-a-billion dollars in its bid to take over the Chronicle and dump the San Francisco Examiner, which it had owned for more than a century. The terms were “totally unacceptable,” Hearst executive James Asher would tell the justice department in a September deposition that turned out to be among the most interesting and candid documents to surface from the intervention.

We learned that Hearst had spent more than 10 years gnashing at the bit for an opportunity to invest in the MediaNews business model, best described as a series of “clusters,” in which Singleton consolidates the operations of several regional newspapers, hacks madly at the payroll with a broadsword, and sends ill-fated staffers packing, from veteran editors with Pulitzers on their résumés to longtime press operators.

We learned that Hearst’s inspiration for its major stock investment in MediaNews began after the two became fast friends in Texas, Singleton’s home state. MediaNews in 1995 sold the assets of the Houston Post for $120 million to Hearst, which owned the Houston Chronicle, enabling Hearst to rid itself of a major-market competitor.

We learned that from day one, Hearst wanted its $300 million investment to directly hinge on Bay Area MediaNews properties as well, presumably meaning they believed it would make the investment more valuable, and also meaning Hearst would then have less of an incentive to compete directly with MediaNews. Would you if your competitor was holding $300 million of your money?

We also learned that an anticompetitive agreement to join advertising and distribution networks with MediaNews was required by Hearst “in order to proceed with the transaction,” according to a memo Hearst exec Asher sent to MediaNews president Joseph J. Lodovic IV in early 2006. In other words, a quid pro quo by its very definition.

We learned that contradictory legal strategies are far from off limits. The Hearst Corp. argued first in Reilly’s 2000 suit that the Bay Area is brimming with aggressive newspaper competition, and for that reason, he had no grounds to denounce the closure of the Examiner planned at the time. The papers argued in 2006, however, that newspaper competition in the Bay Area is actually all but non-existent because the markets are subdivided, so Clint Reilly doesn’t have anything to complain about.

Some of the most interesting material is still under court seal, including the depositions of senior publishing executives. But the settlement specifically allows Reilly to go back into court seeking an order to open those records, and he and Alioto vowed to do that very shortly.

—————————

Overall, it’s been a monumental year for newspapers, replete with massive waves of unfortunate irony. Banner headlines at dailies across the country have prophesied the death of newspapers, a trend story that Hearst and MediaNews tried to use in court to convince judge Illston that the industry was wilting under a consolidate-or-die atmosphere. A better analysis, of course, might conclude simply that shareholders aren’t getting the enormous returns they once did, with the exception of the Chronicle, which, we learned from Reilly’s suit, has been losing $1 million a week for Hearst — if not more.

A shareholder revolt broke to pieces one of the nation’s largest newspaper chains, Knight-Ridder, respected by many in the industry for its commitment to investigations, bold enterprise reporting and funding for national and international bureaus. The company was forced to sell after investors grew restless, and Singleton swept in to takeover the chain’s gem, the Merc, as well as the Times in Contra Costa County.

Layoffs ensued and MediaNews immediately began consolidating business-side functions in a single San Ramon office where operations for several papers could be managed at once. And MediaNews recently spiced up the company’s Web site, an emblem of its new dominant position. But like the old site, there’s very little information about the company’s journalism awards, and no bios of its editors, profiles of its reporters or portraits of anyone driving the company’s papers from the bottom up. Like the old site, there’s information for investors and photos of the company’s top executives, including one of Singleton smiling alongside company president Lodovic, who earned a $1 million bonus just as MediaNews consummated its marriage with Hearst last year.

At MediaNews papers in the Bay Area, single stories began appearing in several papers under one byline during Reilly’s suit meaning fewer perspectives for major Bay Area issues. Again with a touch of irony, one of the regular bylines on stories covering Reilly’s suit has been from veteran Merc reporter Pete Carey, who under the paper’s old owners helped win two Pulitzers, first for its joint 1985 coverage of the downfall of Filipino despot Ferdinand Marcos and second for stories explaining how red tape blocked needed retrofits at some California highways leading to greater infrastructure damage during the 1989 Loma Prieta earthquake.

In Minnesota, a Ridder family heir hung on as publisher of the St. Paul Pioneer Press after Singleton took it over last year with Hearst’s help before he left just recently for a job at the competing Minneapolis Star Tribune. The move has devolved into a bitter court dispute with Singleton, according to the Twin Cities alt weekly, City Pages. The Ridder family’s involvement with the Pi Press lasted more than 70 years.

Even Singleton’s beloved flagship paper, the Denver Post, couldn’t escape “industry changes” – that is, layoffs. The paper reported buyout offers to more than a third of its staff April 24.

But we have received a recent ominous sign of what’s to come just as Reilly inked his settlement with Hearst and MediaNews.

In an election for board directors at the April 24 annual meeting of the New York Times Co., 42 percent of the shareholders withheld their votes to protest the company’s stock structure, which keeps a controlling ownership stake in the hands of the Sulzberger family, the members of which have owned the Times for generations.

The Times – like the Washington Post – has staved off shareholder raids like the one that tanked Knight-Ridder by maintaining their own separate class of stock. The Sulzbergers have reiterated that the strategy enabled them to keep quality reporting at the paper’s forefront and short-term obsessions with profit at bay.

“Mr. Sulzberger dismissed the calls to separate his two titles,” a Times story on the meeting noted, “saying that holding both roles [of publisher and chairman] allows him to ‘balance the financial and journalistic needs of this institution.'”

But Wall Street’s war on newspapers, in the meantime, is likely not over.

“At the beginning of my case, I said that 25 years involvement in politics and government had taught me how important newspapers are to our democratic society,” Reilly said at the press conference. “I hope this lawsuit in 2007 will guarantee competition among newspapers for another generation in our city and the Bay Area.”

THE PAPER TRAIL
Several of the documents stemming from Clint Reilly’s antitrust claim against Hearst, MediaNews and other business collaborators in the California Newspapers Partnership

THE UNFOLDING STORY
Major Guardian stories and editorials published since last spring following the recent major Bay Area newspaper transactions and Clint Reilly’s resulting lawsuit

THE NEW-MEDIA SCOOP
Posts to the Politics Blog about the Clint Reilly suit

THE BRUCE BLOG ON MONOPOLY MEDIA
Keeping tabs on the Galloping Conglomerati via blog reports and impertinent questions

The Bruce Blog on monopoly media

0

Still censored: the story and debate on the impacts of media consolidation in the Bay Area
Posted in Bruce (B3) on April 16, 2007 05:03 PM

Shocked! Shocked! And shocked again!

Posted in Bruce (B3) on April 13, 2007 05:44 PM

Stop the presses! Here come the documents of secrecy, stonewalling, and collaboration from the nation’s biggest chains (Hearst, Singleton, Gannett, Stephens) Why people get mad at the media (l4)
Posted in Bruce (B3) on April 11, 2007 03:53 PM

Singleton buys another daily paper and further locks up the Bay Area market .Where’s the U.S. Attorney General and the California Attorney General?
Posted in Bruce (B3) on February 5, 2007 05:11 PM

Why people get mad at the media (part 9). the Chronicle and Associated Press blow the big media story and refuse to make corrections
Posted in Bruce (B3) on January 30, 2007 01:48 PM

Eureka! More on how monopoly papers cover monopoly news

Posted in Bruce (B3) on December 20, 2006 04:35 PM

Clint Reilly wins a big one against Hearst and Singleton. Fighting to keep one newspaper towns from becoming a one newspaper region.
Posted in Bruce (B3) on November 28, 2006 03:04 PM

Memo to the city desks of the Chronicle/Hearst and Media News Group/Singleton papers and the Associated Press: the Hearst/Reilly antitrust suit is scheduled for a hearing tomorrow (Wednesday) morning before Federal Judge Susan Illston. Will you cover it?
Posted in Bruce (B3) on November 21, 2006 05:57 PM

SF Chronicle to Outsource All of Its Printing, reports Editor and Publisher Magazine. Will those “competitive” Hearst and Singleton papers cover the monopoly story and its impact on San Francisco and the Bay Area?
Posted in Bruce (B3) on November 17, 2006 12:29 PM

The Santa Rosa Press Democrat/New York Times “censors” the annual Project Censored story. Why? Some impertinent questions for the Press Democrat
Posted in Bruce (B3) on November 13, 2006 01:55 PM

More Impertinent Questions on Hearst shenanigans on the drug pricing scandal (part 5) Why did Hearst censor an AP story on McKesson profits?
Posted in Bruce (B3) on November 2, 2006 02:33 PM

Let us lift a Potrero Hill martini for Thomas Peele of the Contra Costa Times/Singleton papers. He criticized Singleton by name for sealing court records in the Hearst/Singleton antitrust case.
Posted in Bruce (B3) on October 30, 2006 03:37 PM

Dear Jerry Brown: more impertinent questions on the Hearst shenanigans (part 4)
Posted in Bruce (B3) on October 20, 2006 04:55 PM

Impertinent questions on the new Hearst shenanigans (part 2, see previous blog)
Posted in Bruce (B3) on October 18, 2006 03:52 PM

The Guardian turns 40: some things never change
Posted in Bruce (B3) on October 17, 2006 04:01 PM

Judge seals file in MediaNews trial

Posted in Bruce (B3) on September 15, 2006 02:51 PM

Eureka! Finally, Hearst covers the censored story and admits it is partnering with Singleton
Posted in Bruce (B3) on September 14, 2006 01:48 PM

Finally, the Conglomerati do a bit of reporting (actually only a little bit)
Posted in Bruce (B3) on September 8, 2006 04:22 PM

Eureka! Here comes even more Eurekaism! (part 3)
Posted in Bruce (B3) on September 5, 2006 05:35 PM

Eureka! There’s more Eurekaism!
Posted in Bruce (B3) on August 25, 2006 04:39 PM

Where are Hearst and the Chronicle? The conglomerate cometh
Posted in Bruce (B3) on August 11, 2006 05:00 PM

More on the Case of the Uncovered Bay Area Newspaper Monopoly

Posted in Bruce (B3) on August 2, 2006 12:03 PM

The press censors the press
Posted in Bruce (B3) on August 1, 2006 04:53 PM

Stop the presses
Posted in Bruce (B3) on July 31, 2006 05:40 PM

Monopolies are forever
Posted in Bruce (B3) on July 28, 2006 04:24 PM

Ponder or ignore? Enjoy

0

> johnny@sfbg.com

The oldest film festival in the United States and Canada, the San Francisco International Film Festival reaches its golden anniversary this year. That’s half a century of bringing movies from all over the world to one area of America that doesn’t assume America is the world.

At this moment a solo videomaker has to kill at least a few dozen people to storm the multinational media palace. Yeah, this thought crashes the SFIFF’s party. But it adds context to the fest’s contents. One Guardian contributor recently forwarded me a news story that drew specious links between the Virginia Tech tragedy and Park Chan-wook’s 2003 movie Old Boy. The presence of The Bridge (a documentary that uses images of death in a problematic manner) at last year’s SFIFF proves that film festivals also face ethical dilemmas about what they present. Does increasingly pervasive digital imagery correspond with a decrease, rather than an increase, in imagination? Does it prompt a lazy way of seeing and corrupt the meaning of an image?

The SFIFF offers a chance to enjoy – not just ponder or ignore – such questions. As a major progenitor of the festival model that has come to dominate cinema outside of Hollywood, this event often celebrates and represents the establishment, as Sam Green and Christian Bruno’s 2000 short film Pie Fight ’69 makes clear. But unlike many younger festivals, the SFIFF’s programming favors substance over sensation.

George Lucas, Robin Williams, and Spike Lee will be feted this year, but the Guardian‘s SFIFF 50 coverage has an eye for diamonds in the rough: great, quiet films such as Heddy Honigmann’s Forever; a definitely maddening but possibly classic work of art, Pedro Costa’s Colossal Youth; and digital animator Kelly Sears’s hilarious short works – in step with hallucinatory digital mind-blowers and eye-blinders such as Paper Rad – which feature in the type of one-time-only SFIFF collaborative event that can yield a memorable night.

I’d like to draw attention to the SFIFF’s two entries from the New Crowned Hope series recently curated by Peter Sellars (Mahamat-Saleh Haroun’s Daratt and Garin Nugroho’s dazzling Opera Jawa) and to close by freestyling the praises of Veronica Chen’s gorgeous Agua. In its regard of two generations of men, of male physicality and psychology, it is a pleasurable, less-austere improvement on Claire Denis’s highly acclaimed Beau Travail and part of a possible new wave of cinema – led by Douglas Gordon and Philippe Parreno’s Zidane – that trailblazes the cinematic potential of contemporary sports performance and its portraiture. Dive into it and SFIFF 50. *

Magic stoned

0

> kimberly@sfbg.com

Dream catchers and rainbows. Stately dragons that soar the starry skies as majestically as a space station and more Marshall stacks than you can shake a pewter warlock wand at. Lone wolves and lynx meeting under snowy boughs in untamed, magical communion. Daggers with serpentine handles morphing gently into stalactites and snowflakes. Wizards solemnly lifting crystal balls aloft in triumph, taking a Festival Viking cruise past jagged pink quartz reefs. Look out for a metal band with feathered hair and quasi-KISS face paint rising over the mountain of gold coins.

No, it’s not an old Heart music video but the cheese-coated language of so-called crystal power – and the kitsch iconography that video artist Kelly Sears works with in her 2004 animated short, Crucial Crystal, one of three she will show as part of "Notes to a Toon Underground." Xiu Xiu, Grandaddy’s Jason Lytle, William Winant, Tommy Guerrero, Marc Capelle, and Guardian contributor Devin Hoff are among those providing the live musical accompaniment and original scores to 15 animated works by Sears, Jim Trainor, Wladyslaw Starewicz, David Russo, and Emily and Georgia Hubley.

The pieces originate from anywhere between 1912 and 2005, though some such as Crucial Crystal mine a high-low quarry that’s both timeless (power chords are forever) and already dated in rapid-cycling retro-hipster circles (truck stop lone-wolf imagery naturally begat those interminable wolf band names). It’s done to comic effect, propping up and sending up its subject simultaneously. "When you take a sampling of crystals, black metal, Marshall stacks in the snow, dream catchers, and New Age and nu metal imagery like that and collect them into one big fantasyscape in some impossible universe, it reads as superdated," Sears says over the phone from Pitzer College in Claremont, where she works as the director of production in intercollegiate media studies. "If it was made now, it would have a whole new crop of contemporary pop images that would go in it: a lot of ’70s recycled stuff and a lot of hair."

Hard-rocked and rainbow-hued, Crucial Crystal broke off from a band project, Sexy MIDI, that found Sears making videos to accompany her orchestra pit-style re-creations of MIDI covers gathered online. She culled her crystal fantasia from similar free-source locales: "It was about getting really democratic, finding those images," the 29-year-old animator says, laughing brightly. "The philosophy was, if Google image search doesn’t have it, I don’t want it!"

That hunting-gathering impulse also informs the other Sears works in "Notes": Devil’s Canyon (2005), a wryly surreal and unexpectedly poetic ode to America’s cowboy romance with expansionism and industry, which Sears describes as a "completely fantastical, dystopic manifest-destiny story of the West," and The Joy of Sex (2003), a hilariously solemn animation of the sex manual’s 1991 update.

She found the tossed tome while she was working on her MFA at UC San Diego and liked the idea of animating the book’s images of a conservatively coiffed post-Reagan-era couple in the throes of damped-down passion, using restrained, minute motions accompanied by a flattened MIDI cover of "I Want to Know What Love Is" (it will be given a new score at "Notes"). "I’m really about saving things that got thrown away," she says. "That’s why I look for imagery in thrift stores and garage sales. I really like the idea that the story told by this imagery isn’t functioning anymore and has been cast aside. It’s ready to be picked up and transformed into some sort of new story that could possibly be more relevant now."

Sears’s aesthetic may radically shape-shift from video to video, but her skill at juggling pop wit with postmodern smarts remains the same. "Kelly comes out of nowhere, but you are reminded of a specific ‘somewhere’ because her signifiers seem universal: appropriated pop and illustrations, a cult following-in-the-making," e-mails Darin Klein, who recently curated a show at the Hammer Museum in Los Angeles that included a collaboration between Sears and choreographer Ryan Heffington. "Her sincerity, her technicality, and the thoroughness of her execution hint at a woman who tunes in and never turns off or drops out."

Sears’s fascination with found images emerged from her distaste for the look of digital video and her sensory appreciation of the texture and beauty of old books, National Geographics, and encyclopedias from the ’60s and ’70s. Currently, working on narratives about orgone boxes and men who modify their bodies into machines, she describes her process as "completely time-consuming": it involves scanning hundreds of images, digitally cutting each out, breaking each still into planes that will eventually move, and then working on the images in After Effects and Final Cut. Still, the time and toil appear to be worth it. "It just seems like a really great way to open up some form of culture or history that’s been produced," she says, "and get your two cents in by rearranging the signifiers in a different way." *

NOTES TO A TOON UNDERGROUND May 5, 8:30 p.m., Castro

Bubblegum bandits

0

> cheryl@sfbg.com

I’m only a little bit ashamed to admit that I loved Making the Band. No, not the acceptably addictive, Diddy-produced Danity Kane version. I’m talking about the one that birthed O-Town, baby – the quintet of preppy dudes united by boy-band Svengali Lou Pearlmen for three seasons of semi-emotive crooning, thrusting choreography, manufactured drama, and all the *NSYNC coattail riding instant fame could buy. But in the long run, O-Town wasn’t meant to be – how can anyone walk away from a song called "Liquid Dreams" with dignity intact?

The boy-band phenomenon of the early millennium has thankfully faded, but there’s still parody meat enough for Hong Kong heartthrob (and San Francisco native) Daniel Wu, who makes his writing and directing debut with Heavenly Kings. A mock doc that takes itself a bit more seriously than Christopher Guest’s oeuvre (which is to say, there are fewer laughs), Heavenly Kings follows Wu and fellow HK actors Conroy Chan Chi-Chung, Andrew Lin, and Terence Yin as they spontaneously form Alive, a Backstreet Boys-ish singing group. There’s plenty of comedy in the film’s first half, including encounters with a knob-twiddling studio whiz charged with correcting off-key vocals ("I realized they were fucking shit," he says) and Alive’s sneaky strategy of putting their first (and apparently only) single online – then drumming up media attention by pretending to be mystified and outraged by the leak.

How much of Heavenly Kings is real, and how much is fake? Like the 2004 doc Czech Dream, which followed a pair of prankster filmmakers who launched a huge ad campaign for the opening of a supermarket that didn’t actually exist, the members of Alive are pulling the wool over certain eyes (the actors’ fans who attend Alive concerts) but not others (there’s a scene with a tacky, maybe-too-fey clothing designer that’s clearly a scripted affair). Reality is further blurred by interviews with real HK recording stars, who voice concerns about their industry’s lack of integrity. There is, they explain, a discouraging emphasis on superficiality over legitimate art and talent. (Sounds just like America’s idols, don’t it?)

So while there’s a dose of O-Town-style schadenfreude at work in Heavenly Kings – especially when the friendships between the guys break down amid power struggles, malaise, and boozing – the film is also trying to make a salient point about the music biz. Whether or not there’s room for serious commentary in a film top-loaded with goofy montages, animated sequences, and the band’s oft-repeated frothy ditty ("Adam’s Choice" – coming to a karaoke bar near you!) is never really resolved. But Wu and his cohorts get props for sending up their dreamy images in a film that’ll prove most entertaining to folks who’re in on the joke.

THE HEAVENLY KINGS (Daniel Wu, Hong Kong, 2006). Fri/27, 9:45 p.m., Castro. Also Sun/29, 6 p.m., Kabuki; May 4, 5 p.m., Kabuki

How to control my body

0

> annalee@techsploitation.com

TECHSPLOITATION The biological functioning of my body is all over the news right now. Lawmakers and federal regulatory agencies are asking themselves whether I should be allowed to have abortions, and whether I should be allowed to take a drug that prevents me from menstruating. You probably know about the brouhaha over abortion, spurred by the recent Supreme Court decision, but you may not have realized that decision came as the Food and Drug Administration decides the fate of Lybrel, a birth control pill that could liberate millions of women from paying Tampax for "wings" every month. But these two issues are not unrelated. They are both symptoms of how much the government loves to regulate the basic functioning of my body. Still, there are some key differences.

Most arguments over abortion boil down to whether you think a woman’s right to control her future is more or less important than the much-debated rights of a potential human. Because the legal status of a fetus has become part of the abortion debate, it’s hard to cast abortion purely as a female reproductive rights issue (as much as I’d like to do that). These days the abortion debate is also about how we define human life and whether a fetus constitutes a being that deserves legal protection.

However, the issue of controlling menstrual cycles is unequivocally about the female reproductive cycle, untainted by questions of embryo civil rights. Why should there be any controversy over pharmaceutical company Wyeth marketing Lybrel, which is exactly like a birth control pill without the seven-day placebo cycle that creates a fake period? (In case you aren’t a Pill geek, the period women have while taking contraceptive pills is caused only by hormone fluctuation and not a biological need to flush out unused eggs – the Pill works by preventing the ripening of said eggs. So it’s purely a cosmetic menstrual cycle.)

There are good reasons to test Lybrel, since nobody is completely sure what might happen in the long term to women who stop menstruating. But now that Wyeth has demonstrated the safety of this pill, what’s the big deal? The New York Times recently published a much-discussed article about negative reactions to Lybrel and other drugs like it. Canadian psychologist Christine Hitchcock told the paper she didn’t like "the idea that you can turn your body on and off like a tap." Giovanna Chesler, who just made a documentary about "the end of menstruation," objects to the idea that taking a daily pill makes women appear defective. "Women are not sick," she said. "They don’t need to control their periods for 30 or 40 years."

It’s interesting that Chesler uses the word "control" in her comment. Why are women eager to relinquish control over their periods, arguably one of the most annoying parts of being a biological female? After all, we take calcium pills to control bone density; we take showers to control odor; and take ibuprofen to control pain. None of these things are necessary. We don’t do them because we are sick, and not doing them won’t kill us. So why shouldn’t we take control of our bodies and stop having periods if we want to? There are no fetuses being harmed here. Why should we reject Lybrel, if not for the dogma that it’s unnatural for women to control their reproductive functions?

Yes, Wyeth stands to make money on Lybrel, and I’m no fan of pharmaceutical companies, but women already pay to deal with their periods. We pump billions of collars into feminine hygiene products so Kotex can sell us more wings and soft applicators and superabsorbent crap. I say if we can take pills that free us from having to deal with the monthly goo and bother, then let’s do it. Nobody is saying periods are sick or wrong here. It’s just that they’re annoying and uncomfortable – and if women don’t want to deal with them, they shouldn’t have to.

The social rejection of drugs such as Lybrel – which the FDA has already turned down for approval once – is based on the idea that there is something about women’s bodies that women themselves should not be allowed to control. Even in the absence of the fetus debates, we’re still seeing women who are afraid to control their reproductive systems. As long as we are in thrall to this fear, we will never triumph in the struggle for abortion rights and effective birth control. *

Annalee Newitz is a surly media nerd who gets horrible migraines from birth control pills, so she (alas) will remain trapped in a prehistoric female body.

The unfolding story

0

Media trial to proceed — in public
Reilly anti-monopoly case goes forward
BY G.W. SCHULZ

Reilly’s right to sue
The “standing” argument keeps activists out in the cold — and monopolies flush
EDITORIAL

What we know now
New court documents show the big local dailies couldn’t handle competition — but never talked much about improving their papers
BY G.W. SCHULZ

Brown must fight the media monopoly
Now that this is all out in public, will California’s new attorney general, Jerry Brown, put a stop to it?
EDITORIAL

Barons of monopoly
Exclusive: Newspaper barons have history of anticompetitive talks, court records show
BY G.W. SCHULZ

Between the sheets
Are the Bay Area’s two big newspaper barons planning to carve up the region and end competition? We’re about to find out.
BY G.W. SCHULZ

Judge opens secret media merger files
Victory! Federal judge orders newspaper barons to open secret merger documents
BY TIM REDMOND

Off the record
Billion-dollar software company Mercury Interactive wants to keep details of a backdating scandal under seal
BY G.W. SCHULZ


Collusion blocked

EDITORIAL

Opening the secret files
Guardian, Media Alliance file legal motion to open key Hearst-Singleton newspaper-merger records
EDITORIAL

Unseal the court files
The lawsuit that seeks to stop the monopolization of daily newspapers in the Bay Area isn’t just a business dispute.
BY TIM REDMOND

Media moguls get cozier
Hearst and Dean Singleton say there’s no illegal deal — but just look at the evidence
BY G.W. SCHULZ

Judge slams daily-paper monopoly
Those lying newspaper barons — Hearst, Singleton — are nailed trying to wipe out competition.
EDITORIAL

The morning after
While drunk on big newspaper purchases, Dean Singleton promised competitive papers and no layoffs. Now he’s swinging the ax, cutting deals with Hearst, and decimating local news coverage
BY G.W. SCHULZ

Journalists need to fight back
EDITORIAL

The silent scandal
How does media concentration affect the news we read? Just check out the coverage of the latest newspaper merger
BY G.W. SCHULZ

Media blues
BY G.W. SCHULZ

Feds let Singleton off the hook
Justice Department refuses to block media mega-merger
BY TIM REDMOND

The judge misses the point
EDITORIAL

Hidden in the Chron
Story buried on page B9 explains the latest in the Singleton merger case
BY TIM REDMOND

The case against the media grab
EDITORIAL

Byorn’s legacy

0

When the mayor’s former press secretary, Peter Ragone, got busted posting vindictive comments on local blogs under an assumed name (Byorn was one of them), Board of Supervisors president Aaron Peskin had a pretty reasonable take on the matter: spokespeople paid with city money and charged with informing the public about the mayor’s activities should probably not be launching political barbs at perceived detractors of Gavin Newsom (see "The Ethics of Flacks, 3/7/07).

So Peskin drafted a code of conduct for the city’s public information officers to follow. His resolution passed the Rules Committee on April 19 and is now on its way to the full board. Among other things, it asks flacks to "strive to disclose accurate information, not hide it from the public" and to "respond in a timely and professional manner to all inquiries by the press and public." It also directs them to adhere to the code of ethics maintained by the National Association of Government Communicators.

"Public Information Officers are the primary liaisons between the City, its citizens and the media," the resolution states.

Newsom ally Sup. Sean Elsbernd added even stronger language instructing flacks to "make every immediate effort to retract false and misleading statements made by other members of the Public Information Officer’s department," so there’s no confusion about how Byorn and anyone else with a duty to give the public reliable information is supposed to behave.

While addressing the item, Sup. Tom Ammiano couldn’t resist a jab at Byorn, who has since been removed from City Hall and works on the mayor’s reelection team.

"Is there any public comment on this matter? Mr. Ragone? Oh, I guess he’s not here." (Schulz)

The Guardian Iraq War casualty report (4/24/07)

0

The Guardian Iraq War casualty report (4/24/07): 9 U.S. soldiers killed. 25 Iraqi civilians killed.

Compiled by Paula Connelly

Today the House Committee on Oversight and Government Reform heard testimony from U.S. military personnel and their family members as part of the Democratically-controlled Congress’s effort to hold the Bush Administration accountable for its conduct of the wars in Iraq and Afghanistan, according to the New York Times. The hearings were intended to determine the “sources and motivations” for the erroneous accounts of the events that lead to the injury and death of specific U.S. soldiers.

Casualties in Iraq

U.S. military:

9 U.S. soldiers were killed in a car bomb attack that an insurgent group that includes al-Qaida claims responsibility for, according to the Associated Press.
http://sfgate.com/cgi-bin/article.cgi?f=/n/a/2007/04/24/international/i042336D17.DTL

3,570
: Killed since the U.S. invasion of Iraq 3/20/03

Source: http://www.icasualties.org/

For the Department of Defense statistics go to: http://www.defenselink.mil/

For a more detailed list of U.S. Military killed in the War in Iraq go to:
http://www.cnn.com/SPECIALS/2003/iraq/forces/casualties/2007.04.html

Iraqi civilians:

25 Iraqi civilians were killed today when a suicide bomber attacked a makeshift football field and market in the Albufarraj area east of Ramadi, according to the Brisbane Times.

98,000
: Killed since 3/03

Source: www.thelancet.com

62,281 – 68,289
: Killed since 1/03

For a week by week assessment of significant incidents and trends in Iraqi civilian casualties, go to A Week in Iraq by Lily Hamourtziadou. She is a member of the Iraq Body Count project, which maintains and updates the world’s only independent and comprehensive public database of media-reported civilian deaths in Iraq.

Source: http://www.iraqbodycount.net

A Week in Iraq: Week ending 15 April 2007:
http://www.iraqbodycount.org/editorial/weekiniraq/41/

For first hand accounts of the grave situation in Iraq, visit some of these blogs:
www.ejectiraqikkk.blogspot.com
www.healingiraq.blogspot.com
www.afamilyinbaghdad.blogspot.com

Iraq Military:

30,000: Killed since 2003

Source:http://www.infoshout.com

Journalists:

153 journalists have been killed in Iraq since the start of the war four years ago, making Iraq the world’s most dangerous country for the press, according to Reporters without borders.

156: Killed since 3/03

Source: http://www.infoshout.com/

Refugees:

The Bush administration plans to increase quota of Iraqi refugees allowed into the U.S. from 500 to 7,000 next year in response to the growing refugee crisis, according to the Guardian Unlimited.

Border policies are tightening because one million Iraqi refugees have already fled to Jordan and another one million to Syria. Iraqi refugees who manage to make it out of Iraq still can’t work, have difficulty attending school and are not eligible for health care. Many still need to return to Iraq to escape poverty, according to BBC news.

1.6 million: Iraqis displaced internally

1.8 million: Iraqis displaced to neighboring states

Many refugees were displaced prior to 2003, but an increasing number are fleeing now, according to United Nations High Commissioner for Refugees’ estimates.

U.S. Military Wounded:

50,502: Wounded since 3/19/03 to 1/6/07

Source: http://www.icasualties.org/

The Guardian cost of Iraq war report (4/24/07): So far, $419 billion for the U.S., $53 billion for California and $1 billion for San Francisco.

Compiled by Paula Connelly

Here is a running total of the cost of the Iraq War to the U.S. taxpayer, provided by the National Priorities Project located in Northampton, Massachusetts. The number is based on Congressional appropriations. Niko Matsakis of Boston, MA and Elias Vlanton of Takoma Park, MD originally created the count in 2003 on costofwar.com. After maintaining it on their own for the first year, they gave it to the National Priorities Project to contribute to their ongoing educational efforts.

To bring the cost of the war home, please note that California has already lost $46 billion and San Francisco has lost $1 billion to the Bush war and his mistakes. In San Francisco alone, the funds used for the war in Iraq could have hired 21,264 additional public school teachers for one year, we could have built 11,048 additional housing units or we could have provided 59,482 students four-year scholarships at public universities. For a further breakdown of the cost of the war to your community, see the NPP website aptly titled “turning data into action.”

The paper trail

0

Below is a list of documents, in PDF format, that the Guardian obtained reutf8g to the Reilly case:

November 2006 memo from Reilly’s attorneys supporting motion for temporary restraining order against newspaper defendants. Originally filed under seal, this document contains a litany of internal memos and e-mails outlining distribution and advertising collaborations MediaNews and Hearst were discussing early last year. Famous April 26 letter appears on page six of this PDF, but plenty of other remarkable material is contained in this document as well.

November 2006 memo from Reilly’s attorneys supporting motion for temporary restraining order. Originally filed under seal.

November 2006 order from judge Illston granting Reilly’s request for a temporary restraining order related specifically to agreements between Hearst and MediaNews mentioned in the April 26 letter. On page 11, Illston notes that “increased efficiencies do not necessarily justify otherwise anti-competitive behavior.”

December 2006 memo from Reilly’s attorneys supporting motion for preliminary injunction. Originally filed under seal, this document showed that Hearst had once considered investing as much as a half-billion dollars in MediaNews stock. The temporary restraining order from November merely blocked the defendants from negotiating certain collaborations until Illston could decide whether to extend the ban until the time trial was scheduled, April 30, 2007, which Reilly’s attorneys succeeded in convincing her to do.

December 2006 memo from Reilly’s attorneys supporting motion for preliminary injunction. Originally filed under seal.

December 2006 memo from Reilly’s attorneys supporting motion for preliminary injunction. Originally filed under seal, this document contains the detailed September 2006 deposition of Hearst executive James M. Asher taken by the U.S. Justice Department during their probe of last summer’s major Bay Area newspaper transactions. The interview shows how Hearst had once breifly discussed selling the San Francisco Chronicle to MediaNews, and how for 10 years the two companies were pondering some sort of major investment opportunity.

December 2006 order from Illston granting Reilly’s request for a preliminary injunction against the newspaper defendants.

December 2006 motion by the Guardian and Media Alliance to intervene and unseal documents in Reailly’s suit against the newspapers.

April 2007 declaration from MediaNews president Joseph J. Lodovic IV asking Illston to keep under seal certain records tied to the defendants’ motion for summary judgment.

April 2007 motion from Gannet Co. also asking that records from the motion for summary judment remain sealed.

April 2007 proposed order from Gannet Co. and Stephens Group asking that certain financial documents in case be kept under seal.

April 2007 filing from MediaNews asking that records tied to the motion for summary judgment remain sealed.

April 2007 order denying the newspaper defendants’ motion for summary judgment and disputing their claim that Reilly had no standing to sue on antitrust grounds as a consumer.

April 2007 letter from attorneys of Media Alliance and the Guardian following up with Illston on open-records intervention.

April 2007 order from Illston proclaiming that key documents submitted as evidence at trial would largely be open to the public.