Local

Voters are pissed

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By Guardian News Staff

news@sfbg.com

After spending more than $70 million, two big corporations failed to convince Californians to vote their way. After spending nearly $70 million, the former head of a big corporation easily convinced Californians to vote her way. And that outcome is not as schizophrenic as it sounds.

On one level, the outcome of the June 8 election was a sign of the anti-corporate anger seething through the California electorate. “BP, Goldman Sachs, PG&E — anything that seems connected to a big corporation is in serious trouble right now,” one political insider, who asked not to be named, told us.

Yet two candidates who were very much corporate icons — Meg Whitman and Carly Fiorina — won handily in the Republican primaries and now have a real chance to become the state’s next governor and junior senator. What’s happening? It’s fascinating. The voters in the nation’s most populous state are pissed off — at big business, at government, at the oil spill, at 10 percent unemployment, at Washington, at Sacramento, at Wall Street. It’s an unsettled electorate, uncertain about its future and looking for something new, and definitely despising power.

There’s a populist fervor out there, and it’s going to define this fall’s expensive, dirty, and high-stakes battle for California’s future.

 

THE MAYOR GOES STATEWIDE

Addressing a crowd of supporters gathered at Yoshi’s San Francisco on election night, San Francisco Mayor Gavin Newsom — who easily beat opponent Janice Hahn to claim the Democratic nomination for lieutenant governor — said he was excited to be part of a crucial political year for the Golden State.

“We’re very proud to be in a position to be the Democratic nominee and to work with the other Democratic nominees,” Newsom told supporters. He lavished praise on the Democratic nominee for governor, Jerry Brown — the man who just last year he was trying to beat in a primary — telling stories about his father’s long relationship with the former governor and expressing his admiration. “I couldn’t be more proud to quasi- be on a ticket with Jerry Brown,” he said.

The race for lieutenant governor may prove one of the most interesting this election season — and not just because a victory for Newsom would transform San Francisco politics. Newsom’s opponent is Abel Maldonado, a moderate Republican who enjoys popularity among the growing, influential Latino community, and who Newsom’s team said will be a formidable challenge.

The campaign could revolve around an intriguing question. At a time when the Republican Party has been taken over by virulent anti-immigrant politicians — Whitman and Fiorina have both made harsh statements about illegal immigrants and vowed never to support “amnesty” (that is, immigration reform) — will Latino voters go for a white Democrat over a Latino Republican?

“You talk to them about all the same issues you talk to all voters about: jobs, education, and health care,” Newsom political strategist Dan Newman said when asked whether Newsom could win over Latino voters. “Latinos, like all voters, will appreciate someone with a proven record of success.”

Pollster Ben Tulchin also downplayed the trouble Newsom could encounter in winning the Latino vote. “With what’s going on in Arizona, they are very wary of Republicans,” Tulchin said, but then added: “We don’t want to underestimate the challenge we have. There’s never been a moderate Latino on the statewide ballot.”

Newsom sounded another alarm. If Whitman decides to help Maldonado, the race will get even tougher. “We’re running against Meg Whitman’s checkbook,” the mayor said.

“Expect to see Meg and Abel together a whole lot in the next few months,” one consultant predicted.

If Newsom wins, San Francisco will get a new mayor a year early — and the district-elected Board of Supervisors will choose the person to fill out the last year of Newsom’s term. Technically, the current board will still be in office then, but the task may well fall to the next board — which makes the local November elections even more important.

“Everyone is gaming this out and trying to figure out what happens,” political consultant Alex Clemens said during a post-election wrap-up at the San Francisco Planning and Urban Research Association office. “There will be a lot of dominoes to fall and deals to be cut.”

Meanwhile, Newsom’s nomination for lieutenant governor places many San Franciscans in an uncomfortable position, one that was illustrated well by Newsom’s victory speech, in which he proudly rejected taxes. Although most San Francisco progressives are disenchanted with their fiscally conservative mayor, few would rather vote for Maldonado.

Tim Paulson, the SF Labor Council president, was at the Newsom event gritting his teeth as he talked about the opportunity progressives now have to work with “a mayor of San Francisco we have issues with.” Now, he noted, “There is going to be a real campaign around this man. It could establish a narrative for what California is about.”

 

POWERFUL WOMEN

At Delancey Street on election night, San Francisco District Attorney Kamala Harris talked about getting “tough and smart on crime,” addressing gang-related criminal activity but also focusing on corporate criminals. She talked about cracking down on predatory lenders, supporting health care reform, and protecting California’s environment. And she made a point of dragging in BP.

“It must be the work of the next attorney general to ensure that the disaster and tragedy that happened in the Gulf of Mexico never happens in California,” she said, warning of attacks on AB 32, which set California’s 2020 greenhouse gas emissions reduction goal into law in 2006.

Of course, Harris now has to take on her southern counterpart, Los Angeles DA Steve Cooley, who is a moderate but comes in with much stronger law enforcement support. If Harris wins, it will go a long way to prove that opposition to the death penalty isn’t fatal in California politics, and that voters are finally ready for a women of color as the top law enforcement official — a first in state history.

But she and Newsom will both have to overcome likely attacks for the San Francisco’s crime lab scandal, one of many hits to be magnified by the size of Whitman’s war chest.

Whitman, who trounced opponent Steve Poizner in the primary, is riding the crest of a new wave of Republican-style “feminism,” starring her, Fiorina, and Fox news pundit Sarah Palin as female champions of the right-wing agenda. A few short months ago, it looked as if Brown was in serious trouble. But that was before Whitman and Insurance Commissioner Steve Poizner got into an $85 million bloodbath that left the winner of the GOP primary badly wounded. Whitman wants to play off the populist uprising by portraying herself as an outsider running against a career politician; Poizner gave her a huge scare by hammering her ties to Goldman Sachs.

That Wall Street narrative is one Democrats will push against Whitman and Fiorina. “I think it is stunningly politically tone deaf to nominate two Wall Street CEOs to the top of the ticket,” Newman said. Voters will decide whether they are fresh voices with new ideas or corporate hacks who laid off Californians and made fortunes with dubious stock market deals.

Brown leads in the polls — narrowly — but he’s vulnerable. He’s taken so many stands over so many years and Whitman’s fortune will hammer any openings they see. Brown is only slowly getting into campaign mode, but it’s no secret what he has to do. If the campaign is about Jerry Brown, unconventional politician, against Meg Whitman, Wall Street darling, then he wins.

But to take advantage of that, Brown has to offer some concrete solutions to the state’s problems — and he has to start acting like the progressive he once was. “If I were him, I’d run hard to the left,” a consultant who isn’t involved in any of the gubernatorial campaigns said.

The conventional wisdom had Barbara Boxer in trouble, too — but she’s a savvy campaigner who has beaten the odds before. And while the senator appears ripe for attack — almost 30 years in Washington, a voting record perhaps a bit more liberal than the state as a whole — her opponent, Fiorina, has baggage too.

For starters, Fiorina’s entire pitch is that she — like Whitman — would bring business-world savvy to politics. But as CEO of HP, “she was about perks and pink slips,” Newman said. “She laid off Californians and shipped those jobs overseas while enriching herself.”

Her own primary pushed her far to the right (at one point, in an embarrassing sop to the National Rifle Association, she actually argued that suspected terrorists on the federal no-fly list should be able to buy handguns). And speaking of feminist values, her anti-abortion positions won’t help her in a decidedly pro-choice state.

 

PROP. 16 GOES DOWN

The defeat of Proposition 16 will go down in history as one of the most remarkable campaigns ever. It was, Sup. Ross Mirkarimi noted, “a righteous win:” The No on 16 campaign spent less than $100,000 and still captured 52 percent of the vote. Another narrow corporate-interest measure, Mercury Insurance’s Prop. 17, faced a similar fate.

One reason: PG&E’s $50 million campaign backfired, making voters suspicious of the company’s propaganda. Another: it lost overwhelmingly in its own service area, the company rejected by those who know it best.

Now PG&E CEO Peter Darbee, who pushed to mount the expensive campaign, must return to his shareholders empty-handed — and that’s going to cause problems. “I assume the leadership of PG&E will be called to task,” Clemens said. “They truly rolled the dice.”

The day after the election, PG&E shares dropped 2.2 percent, a possible sign of shaken investor confidence. Mindy Spatt of the Utility Reform Network (TURN), a nonprofit that worked on the No on 16 effort, described the situation succinctly. “Peter Darbee’s got egg on his face,” she said. “Big-time.”

Mirkarimi has witnessed other battles with PG&E, and said this probably wouldn’t be the last. “PG&E, every time we want to have a seat at the table, tries to take us out, like assassins,” he said. “If they were smart, they would take us up on what we asked many years ago, and that is to abide by peaceful coexistence.”

On the statewide level, the bold and expensive deceptions pushed by PG&E and Mercury Insurance were countered by only a handful of super-committed activists and a broad cross-section of newspaper editorials, a reminder that newspapers — battered by the economy and technological changes — are neither dead nor irrelevant.

One of the wild cards of the election was Prop. 14, which will eliminate party primaries for state offices — and potentially shake up the state’s entire political structure. “This is a big deal even if we don’t know how it’s going to play out,” consultant David Latterman said at the SPUR event.

Interestingly, the only two counties that voted No on 14 were the most progressive — San Francisco — and the most conservative, Orange.

Progressives did well in San Francisco, expanding their majority on the Democratic County Central Committee. “In an environment where it was about hundreds of millions of dollars from PG&E and Meg Whitman and Chris Kelly outspending us, we showed that San Francisco is San Francisco and we support San Francisco values,” DCCC chair Aaron Peskin told us.

Money used to define the debates in San Francisco, but the dominant narratives are now being written by the coalition of tenants, environmentalists, workers, social justice advocates, and others who backed a progressive slate of DCCC candidates, which took 18 of the 24 seats on a body that makes policy and funding decisions for the local Democratic Party.

“This time it was the coalition that really made the difference,” DCCC winner Michael Bornstein said on election night. “Frankly, our people worked harder.”

Board of Supervisors President David Chiu agreed, telling us, “For the Central Committee, the message is people power wins.”

The lesson from this election is that people are starting to get wise to corporate deceptions. And they’re realizing that with hard work and smart coalition-building, the people can still prevail.

Steven T. Jones, Rebecca Bowe, Sarah Phelan, and Tim Redmond contributed to this report.

 

Festival front lines: Harmony 2010

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Aerial photo by DJ Guacamole

Santa Rosa got a little more groovy this weekend for the estimated 30,000 to 35,000 that attended the 32nd annual Harmony Festival, three days that were so epic my ability to narrate them cohesively has been called into question. Assembled here are some bits and pieces from the scene.

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Best year ever?

The longest running West Coast music and lifestyle festival seems to have resolved many of the problems it’s had with turning a profit in years past. “We tightened our ship, we did less with more, and we sold more tickets,” says festival CEO, Bo Sapper. Sapper cited the Eco Rally skate contest as a particular success – Harmony teamed up with eight local skate shops, and a passel of pros to put on an amateur mini ramp competition. They had 1,000 skaters sign up to ride, mainly from the local area. The festival also sold out it’s Saturday night shows, a rare occurrence for past years of Harmony.

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Vendor madness

Call me monetarily minded (you’d be the first), but I said it before, and I’ll say it again; the stuff that’s selling can encapsulate the event itself. So what kind of hawkers of wares greeted you upon arrival a the front gates? Amongst the psychics and Mayan chocolate was a woman selling personal sized, portable saunas (she said she was having trouble getting people to experiment with it, temperatures topping out in the nineties and all), some berries from Ghana whose claim to fame were that they could effectively mess your sense of taste up (suggested to buyers as possible cocktail garnishes), and my favorite; Asturias, the sonic didgeridoo man who charms lions and tigers (and for $200/two hours, you too!) with his big, hollow, vibrating stick. 

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Swami sanity

Don’t mourn last night’s loss of those fairy wings! “Everything is set, but the people are upset,” said Swami Chidanandji from his comfy pillow at the Wisdom Speakers Stage. Take it from a man who spent ages nine to 17 practicing solitude and yoga in the Himalaya; no matter how much festival flair you’ve stuffed into your backpack, happiness lies within. 

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Seeding the future

The basket of striped fava beans were what brought me to the West County Community Seed Bank‘s booth, but hearing about their mission to provide Sonoma County with GMO-free seeds for sproutin’ kept me fingering favas for awhile. At the moment, they’re meeting at St. Stephen’s Episcopal Church in Sebastopol every last Saturday of the month, and the seeds are stored in their founder’s basement. Harmony Fest gave them their vendor booth for free; the same price they charge their seed buyers.

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Yoga for the party kids

“Well, I got two hours of sleep last night. I’m not sure how, but we’ll make it through this,” said Yogaworks instructor Eric Monkhouse. Monkhouse took us through a few moderately paced asanas at the Eco-Wellness Sanctuary at 10:15 a.m. on Saturday morning — part of a full slate of yoga classes I thought I’d make it to, but obviously didn’t.

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Goddess Grove

One of the festival’s most rockingest scenes was this shady little side stage, where crowd pleasers Delhi to Dublin and Diego’s Umbrella rolled about gleefully onstage and off (Diego’s guitarist at one point plunged into the crowd to squirm about in the grass). At night, laser lights tickled the tree leaves above the concerts, setting an entirely different stage for the late night lovin’ that any good festie inspires.

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Festival babies: cooler than I am

Where do these little rascals come from? Big ups to the munchkin who was walking around performing courtesy sprays with his bubble gun, but my favorites were the pretty little girl and her buddies perched on the back of a truck that was making its slow way past the Goddess Stage. Next to her were two boys on skateboards, holding onto the fender for dear life. I attempted to make contact with the little thing,  but she shushed me through her ice cream cone, and pointed urgently, soundlessly to the truck’s cab. Festivating stowaways. Love it.

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Crime! 

Of course, it wasn’t all ice cream cones and good vibrations. There’s the matter of the Saturday night theft of a borrowed moped, which Sapper cited as the weekend’s sole unpleasant incident (if you don’t count beer prices).

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Lauryn Hill: ragingly good

So what if she spent a large portion of her first US concert in three years harassing the sound guys – the woman’s a legend, and if she wants to get a little surly, she’s entitled. “We’re all big fans of Lauryn Hill,” Sapper says. “We were aware she was quite reclusive, but she’s ready to come out of that now. Her agency was looking for a safe place for her [to restart her US performing career], and they thought Harmony Festival would be that place –and they were right.” Sapper recalls waiting with his wife and daughter backstage for Ms. Hill to emerge as one of the festival’s more magical moments.

Hill’s heavily remixed versions of such classics as “Turn Your Lights Down Low,” and “Ready or Not” struck a fine balance between crowd pleasing and innovative — and her red, white, and blue jumpsuit she wore struck an equally fine balance between Southern belle and Soul Train. Well worthy of a headliner. Thanks for coming out to play, Miss Hill. Now that she’s played a California hippie fest, can we finally quit with those stupid racism rumors?

 

The Daily Blurgh: Stakeout on 6th Street, Twilight tribute bands, tipsy artists

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Curiosities, quirks, oddites, and items from around the Bay

Thomas Kinkade: “painter of light,” shameless boozehound. (Also: Doesn’t the mugshot totally make him look like a champion poker player or a washed up bookie? I always thought he would be more Bob Ross than Hunter S. Thompson).

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Ozzy Osbourne has donated his body to science. Will Keith Richards follow suit?

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The Bold Italic spends 24 hours on 6th Street.

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Drinking game: Do a shot for every one of the local watering holes that made Esquire‘s Best Bars in America list that you’ve been to.

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Save the date – The Cullens, the best Twlight tribute band you’ve never heard of, are set to play at the SF Public Library’s Richmond branch this Sunday. Twihardcore for life!

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Bigfoot lives, loves old-timey candy bars.

 

Reading the June election tea leaves

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Everyone’s reading the tea leaves after the local election. The November supes races will be a huge deal, and it’s really tempting to try to figure out what the DCCC results mean for the fall. Paul Hogarth at BeyondChron takes it on here. Chris Daly (no surprise) disagrees.


Let me see if I can sort some of this out.


Hogarth’s basic argument is that the progressives didn’t really do so well in the election:


“In District 8, moderate Scott Wiener finished 1,400 votes ahead of progressive Rafael Mandelman – as the two face the same electorate in November. The renters’ financial hardship measure, Proposition F, lost badly citywide – and finished far worse in neighborhoods that are usually pro-tenant. Debra Walker fared well in her run for DCCC, but most of her votes were not in District 6 – and results there suggest that another candidate for Supervisor could make such a race highly competitive.”


Hogarth is completely upfront and honest about disclosing that he’s a supporter of one of Walker’s opponents, Jane Kim — a former Green who is now a Democrat (and is very much a progressive), but wasn’t in the DCCC race. Theresa Sparks wasn’t in the DCCC race either. Nor was Jim Meko. There are several strong candidates in that race, and they don’t break down along easy political lines. So looking at how many votes Walker got in D6 seems a little off point; there’s nobody to compare her to.


Back to D8. Hogarth:


“Now we know [the D8 breakdown], and the numbers are even worse for Mandelman. Scott Wiener finished approximately 1,400 votes ahead in District 8 (my vote count shows him at 5,954 to Mandelman’s 4,561.) As a comparison, in December 2002 – the last time District 8 saw a hotly contested race on “moderate v. progressive” lines – Bevan Dufty got 11,000 votes, Eileen Hansen 10,000.”


That would seem to make Wiener the much stronger candidate going into the fall.


But there’s another key factor here: turnout. Low-turnout races are mostly (not always, but mostly) better for the more conservative candidate, and in this case, the turnout was really low. Just 32 percent of the voters went to the polls.


Let’s take a look at the 2002 election, the last time we had an open seat in D 8 with a progressive and a moderate running. In the general election in November, progressive Eileen Hansen came in first, with 9,820 votes to Bevan Dufty’s 8,795. But another progressive, Tom Radulovich was also in the race, and this was before ranked-choice voting. Radulovich got 5,221 votes, the majority of which probably would have gone to Hansen.


Turnout was a little over 50 percent.


In the runoff, in December, turnout dropped to 38.8 percent. Dufty got 11,096 votes, and Hansen 9,995. You could argue that most of the Radulovich votes went to Dufty — possible — but more likely, in the runoff, the more liberal voters who had come out in November to vote for Gray Davis for governor and also voted for Hansen just stayed home in December.


And this fall, Wiener will be more in the position that Hansen was in: There’s a third candidate in the race, Rebecca Prozan, and she’s more likely to take votes from Wiener than from Mandelman. And, of course, there’s RCV this time around — and with two gay men and a lesbian in the race, nobody really knows how the second-choice votes will play out.


Daly plays with the turnout numbers:


For the sake of argument, let’s concede that Mandelman starts out 1000-1400 votes behind Wiener among the 11,000 or so District 8 Democrats who voted for DCCC last week. Given that over 31,000 District 8 residents voted in the 2006 Supervisor race (in a contest that was not the most competitive,) we can assume that at least 20,000 additional people will vote this November. In a 2-person contest, Mandelman would need to win 53.5% of these votes in order to win. Given that less frequent voters trend significantly more progressive, and with the addition of Democratic Party branding and the weight of its mail program, 53.5% is almost assured.


Well, I dunno — in 2002, with a contested governor’s race and a contested D8 race, only 26,600 people voted, but it’s safe to say the numbers will be well above 11,000. And it’s not a two-person contest. But I think it’s also safe to say that those higher-turnout voters are the votes most likely to swing toward Mandelman.  


Jim Stearns, a political consultant with long experience in San Francisco (and no candidate in the D8 race), has another interesting analysis he sent over to me:


“Mandelman’s strategy was to spend his limited resources as part of a team effort to maintain progressive leadership on the DCCC. In so doing, he focused more heavily on slate cards that went district-wide than on mailers in District 8 promoting his own candidacy.


 Wiener, on the other hand, abandoned his fellow moderates and spent his money mostly on his own candidacy. This shortsighted strategic blunder will be extremely costly for Wiener in November.


 The result? Wiener got more votes in District 8, but lost his bid to regain his position as chair of the DCCC. Mandelman got fewer votes, but has significantly increased his chances of winning the Democratic Party endorsement this November. That endorsement is worth far more than the mere 1,000 vote difference between Wiener and Mandelman today.”


 


None of this means Walker will beat Kim and Sparks in November, or that Mandelman will beat Wiener and Prozan. It just means that I suspect the DCCC results don’t really say much about the relative strengths of any of the candidates when it comes to a focused, district-centered race in a high-turnout fall election.


I emailed Hogarth and ran the turnout argument by him. His response:


I tried to caution in my piece that there’s only so much you can see in the numbers — and that you’re right; voter turnout in November will be a lot higher.  Maybe I should have made this a bigger point.  But progressives are deluding themselves if they think turnout will be as high as it was in November 2008.  And if I were Rafael, I would have reason to worry that Scott did so much better than me in D8.  Also keep in mind that, despite the drop-off of DCCC voters, 48% of people in D8 who participated in this election cast a ballot for Scott Wiener.


Correct — turnout won’t be as high as it was in the presidential race. But it might very well be as high as it was in 2002, when there was a contested race for governor, as there will be this fall. Lots of Democratic candidates — particularly Gavin Newsom and Kamala Harris — will be doing GOTV operations in the city, and while Newsom and Harris won’t be supporting Mandelman, I don’t think either of them will limit their turnout efforts to precincts that run toward Wiener. The more liberal dems who vote in November, the better Harris and Newsom do against Republicans; that’s what they care about.


There’s no question that Scott Wiener will be a formidable contender in November. He’s got money, he’s got Mark Leno, and he’s running in a district that has elected moderate gay men since the return of district elections. But it’s remarkable how well the progressives have done in swing districts of late (see: Eric Mar, John Avalos), and Mandelman will, as Daly says, be the consensus candidate of every progressive group in town. He’ll almost certainly have the Democratic Party — which matters even more when Democrats at the top of the ticket are driving turnout. And he’ll have the same sort of boots on the ground that gave Mar a victory in a very tight race.


At this point, I think Mandelman and Wiener both have a shot at finishing first; it will probably be very close. And Rebecca Prozan runs third.


Oh, and the tenant measure? It lost because there wasn’t an effective campaign behind it. Tenant measures don’t automatically win in tenant-heavy San Francisco; time and again over the years we’ve seen that when there’s a measure that pushes the edge (and face it, I strongly supported Prop. F, but it was pushing the edge) and there’s landlord money against it, you need a full-scale concerted campaign for it. Progressives were paying a lot of attention to the DCCC, and to defeating Props. 16 and 17. Prop. F got lost. I’m not happy about that, but I’m not terribly surprised, either — and I don’t think it means much in the long run.


Chris Daly went a bit too far attacking Hogarth for his connections to Mark Leno, who is a Wiener supporter, and suggesting that the folks at BeyondChron — who are, after all, first and foremost tenant lawyers — are going to be backing Scott Wiener in the fall. I don’t see that happening; I can’t imagine it happening. I just think they read a little too much into the DCCC results.

Rep Clock

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Schedules are for Wed/16–Tues/22 except where noted. Director and year are given when available. Double and triple features are marked with a •. All times are p.m. unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $5-6. “OpenScreening,” Thurs, 8. For participation information, email ataopenscreening@atasite.org. Top of the Food Chain (Paisz), Fri, 8.

CAFÉ OF THE DEAD 3208 Grand, Oakl; (510) 931-7945. Free. “Independent Filmmakers Screening Nite,” Wed, 6:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8-13. Sex and the City 2 (King, 2010), Wed, call for times. San Francisco International LGBT Film Festival, June 17-27. See film listings.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-10.25. Babies (Balmès, 2010), call for dates and times. The Girl With the Dragon Tattoo (Oplev, 2009), call for dates and times. Looking for Eric (Loach, 2010), call for dates and times. Micmacs (Jeunet, 2010), call for dates and times. Touching Home (Miller and Miller, 2009), call for dates and times.

CONTEMPORARY JEWISH MUSEUM 736 Mission, SF; (415) 655-7800, info@thecjm.org. Free with museum admission ($8-10). Sixty Six (Weiland, 2006), Sun, 2.

DE YOUNG MUSEUM Piazzoni Mural Room, 50 Hagiwara Tea Garden Dr, Golden Gate Park, SF; (415) 488-1211, www.marinmindscapes.com. Free. Marin Mind/Scapes (2010), Sat, 2.

DECO LOUNGE 510 Larkin, SF; (415) 346-2025, www.decosf.com. Free. “Queer Cinema 101,” Mon, 10. Holly DeVille hosts this weekly show highlighting films that have had an impact on queer culture.

EXPLORATORIUM McBean Theater, 3601 Lyon, SF; http://asifa.net. Free. “A Tribute to the International Festival of Animation and to Prescott Wright: The Early Years,” Fri, 7:30.

FILM NIGHT IN THE PARK This week: Old Mill Park, 300 block of Throckmorton, Mill Valley; (415) 272-2756, www.filmnight.org. Donations accepted. Star Trek (Abrams, 2009), Fri, 8. Dolores Park, Dolores and 19th St, SF; same contact info and price. Grease (Kleiser, 1978), Sat, 8.

FORBIDDEN ISLAND TIKI LOUNGE 1304 Lincoln, Alameda; www.forbiddenislandalameda.com. Free. “Forbidden Thrills: Freaky Filipino Flix!”: •Mad Doctor of Blood Island (de Leon and Romero, 1968), Mon, 7:30, and For Your Height Only (Nicart, 1981), Mon, 9:15.

HUMANIST HALL 390 27th St, Oakl; www.humanisthall.org. $5. Processed People (Nelson and Nelson), Wed, 7:30.

JACK LONDON SQUARE PAVILION THEATER 98 Broadway, Oakl; www.oakuff.org. Free. “Oakland Underground Film Festival: Leading Local Talent Local Shorts Showcase,” Fri, 7:30.

ODDBALL FILMS 275 Capp, SF; (415) 558-8117, info@oddballfilms.com (RSVP required as space is limited). $5-10. “Oddball Wants Children: A Matinee of Accidental Edutainment for Kids and their Adults,” Sat, 3 (kid-friendly matinee), 8.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. Gravity Was Everywhere Back Then (Green, 2010), Wed, 7:30. “Akira Kurosawa Centennial:” The Lower Depths (1957), Thurs, 7; The Bad Sleep Well (1960), Sat, 6:30; Ikiru (1952), Sun, 7:15. “Tales from the Golden Age: Recent Romanian Cinema:” Police, Adjective (Porumboiu, 2009), Fri, 7 and Sun, 5. “Brought to Light: Recent Acquisitions to the PFA Collection:” The Host (Bong, 2006), Fri, 9:15; Payday (Duke, 1972), Sat, 9:15.

RED POPPY ART HOUSE 2698 Folsom, SF; www.redpoppyarthouse.org. $10-15. “Mission Ear and Eye,” live film music by Lisa Mezzacappa and Nightshade, plus music by Katy Stephan, Adam Shulman, and the Holly Martins, and live film projection by Alfonso Alvarez, Fri, 9.

RED VIC 1727 Haight, SF; (415) 668-3994. $6-10. Mother (Bong, 2010), Wed-Thurs, 7, 9:35 (also Wed, 2). The Runaways (Sigismondi, 2010), Fri-Sat, 7:15, 9:30 (also Sat, 2). Smoked (The Movie), Sat, 4:20. Oceans (Perrin and Cluzand, 2010), Sun-Mon, 7:15, 9:25 (also Sun, 2). No One Knows About Persian Cats (Ghobadi, 2009), June 22-23, 7:15, 9:25 (also June 23, 2).

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. Free-$10.75. The Full Picture (Bowden, 2008), Wed-Thurs, 7, 8:45. “San Francisco United Film Festival,” narrative and documentary films, Wed-Thurs.

“TEMESCAL STREET CINEMA” 49th St at Telegraph, Oakl; www.temescalstreetcinema.com. Free. Pelada (Fergusson, Boughen, Oxenham, and White, 2010), Thurs, 8. With free popcorn and live music.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. Bluebeard (Breillat, 2009), Thurs-Sat, 7:30; Sun, 2.

Editorial: PG&E’s greed backfires

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The defeat of Prop. 16 showed that unlimited corporate spending on a ballot initiative doesn’t guarantee victory.

EDITORIAL The single most important number to come out of San Francisco on election night was this: 67.49 percent. That’s how many people in this city voted against Pacific Gas and Electric Co.’s monopoly measure, Proposition 16. It’s a statistic that ought to be posted somewhere on a wall at City Hall to remind everyone in local government that the voters sided overwhelmingly against PG&E and in favor of a public option for local electricity.

It’s a landmark victory. On the state level, the defeat of Prop. 16 showed that unlimited corporate spending on a ballot initiative doesn’t guarantee victory, that an underfunded coalition can defeat a giant utility — and that a majority of those in PG&E’s own service area are unhappy with their electricity provider. Public power activists all over the state should take this as a signal that PG&E, and its once-formidable political clout, are on the wane.

In San Francisco — the only city in the nation with a legal mandate for public power — the vote was the most lopsided of any California county. It was the strongest local mandate for public power since the passage of the Raker Act in 1913.

That should be a huge boost for the city’s community choice aggregation (CCA) program. Sup. Ross Mirkarimi, who has been leading the fight for CCA, was pushing hard to get a contract signed before the June 8 vote; like a lot of observers, he feared that PG&E’s vast war chest would overwhelm the opposition. But now that Prop. 16 is dead — and nothing like it will be back in the near future, if at all — the city has a bit of a breather.

That doesn’t mean all work on the contract should slow down. The San Francisco PUC has been mucking around with this deal for more than a year, and needs to bring it to a close. And the city needs to start preparing to answer PG&E’s propaganda campaign with a concerted effort — from the mayor’s office on down — to remind San Franciscans that CCA power will be greener, safer, and in the long run, cheaper than the energy we’re now forced to buy from PG&E.

Any San Francisco politician who stands with PG&E and opposes CCA will do so at his or her peril.

And while San Francisco is moving to implement a modest public power program, state Sen. Mark Leno is moving in Sacramento to limit PG&E’s ability to try another Prop. 16 move — or to spend tens of millions of dollars trying to block local power initiatives. Leno has introduced a bill that would limit the utility’s ability to use ratepayer money on political or public relations campaigns.

The measure doesn’t have a number yet, but the language is brilliant. It directs the California Public Utilities Commission to disallow any political spending that PG&E tries to add into its regulated rates. And since the company has no source of income other that the money it gets from ratepayers, the impact would be to deny PG&E the ability to spend money working against the interests of ratepayers and the public.

"Over the past 10 years, PG&E has probably spent $150 million on political campaigns — and that’s money that came from the ratepayers," Leno said. "This bill is to protect ratepayers."

PG&E will howl about its First Amendment rights — and, indeed, the Supreme Court has of late given corporations who want to influence political campaigns and legislative issues a good bit of leeway. But the fact remains that PG&E is a regulated utility in California, and the state has every right to determine how much the company can charge its customers and to limit how that money is used.

Leno’s bill, of course, could radically change local politics. If PG&E couldn’t spend millions to defeat public power measures, the city would have far more options — and activists should be thinking about how a future campaign to take over the company’s infrastructure might work.

The Board of Supervisors should pass a resolution endorsing Leno’s bill, and the coalition that worked to defeat Prop. 16 should be working to get other cities and counties around the state to sign on.

PG&E’s greed in putting Prop. 16 on the ballot is starting to backfire — and it can’t happen too soon.

PG&E’s greed backfires

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EDITORIAL The single most important number to come out of San Francisco on election night was this: 67.49 percent. That’s how many people in this city voted against Pacific Gas and Electric Co.’s monopoly measure, Proposition 16. It’s a statistic that ought to be posted somewhere on a wall at City Hall to remind everyone in local government that the voters sided overwhelmingly against PG&E and in favor of a public option for local electricity.

It’s a landmark victory. On the state level, the defeat of Prop. 16 showed that unlimited corporate spending on a ballot initiative doesn’t guarantee victory, that an underfunded coalition can defeat a giant utility — and that a majority of those in PG&E’s own service area are unhappy with their electricity provider. Public power activists all over the state should take this as a signal that PG&E, and its once-formidable political clout, are on the wane.

In San Francisco — the only city in the nation with a legal mandate for public power — the vote was the most lopsided of any California county. It was the strongest local mandate for public power since the passage of the Raker Act in 1913.

That should be a huge boost for the city’s community choice aggregation (CCA) program. Sup. Ross Mirkarimi, who has been leading the fight for CCA, was pushing hard to get a contract signed before the June 8 vote; like a lot of observers, he feared that PG&E’s vast war chest would overwhelm the opposition. But now that Prop. 16 is dead — and nothing like it will be back in the near future, if at all — the city has a bit of a breather.

That doesn’t mean all work on the contract should slow down. The San Francisco PUC has been mucking around with this deal for more than a year, and needs to bring it to a close. And the city needs to start preparing to answer PG&E’s propaganda campaign with a concerted effort — from the mayor’s office on down — to remind San Franciscans that CCA power will be greener, safer, and in the long run, cheaper than the energy we’re now forced to buy from PG&E.

Any San Francisco politician who stands with PG&E and opposes CCA will do so at his or her peril.

And while San Francisco is moving to implement a modest public power program, state Sen. Mark Leno is moving in Sacramento to limit PG&E’s ability to try another Prop. 16 move — or to spend tens of millions of dollars trying to block local power initiatives. Leno has introduced a bill that would limit the utility’s ability to use ratepayer money on political or public relations campaigns.

The measure doesn’t have a number yet, but the language is brilliant. It directs the California Public Utilities Commission to disallow any political spending that PG&E tries to add into its regulated rates. And since the company has no source of income other that the money it gets from ratepayers, the impact would be to deny PG&E the ability to spend money working against the interests of ratepayers and the public.

"Over the past 10 years, PG&E has probably spent $150 million on political campaigns — and that’s money that came from the ratepayers," Leno said. "This bill is to protect ratepayers."

PG&E will howl about its First Amendment rights — and, indeed, the Supreme Court has of late given corporations who want to influence political campaigns and legislative issues a good bit of leeway. But the fact remains that PG&E is a regulated utility in California, and the state has every right to determine how much the company can charge its customers and to limit how that money is used.

Leno’s bill, of course, could radically change local politics. If PG&E couldn’t spend millions to defeat public power measures, the city would have far more options — and activists should be thinking about how a future campaign to take over the company’s infrastructure might work.

The Board of Supervisors should pass a resolution endorsing Leno’s bill, and the coalition that worked to defeat Prop. 16 should be working to get other cities and counties around the state to sign on.

PG&E’s greed in putting Prop. 16 on the ballot is starting to backfire — and it can’t happen too soon.

The Daily Blurgh: Poisoned fruit cocktails, tipsy crafts

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Curiosities, quirks, oddites, and items from around the Bay and beyond

The moral imperative of the BP oil spill: Drive 20 percent less.

*****

Former gourmet chocolatier goes vegan.

*****

The crafting potential of the mini bar is limited only by your imagination/liver.

*****

Local punks clean up on Broadway’s big night

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What makes that children’s juice drink so delicious? Lead!

*****

Apple isn’t into (male) cartoon nudity or gay sexiness. What prudes.

*****

Wanna be the Greyson Chance of the art world? Then get to work! The Guggenheim is scouting Youtube for the next Ryan Trecartin. How democratic.

Leno bill would limit PG&E political spending

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State Senator Mark Leno is introducing a bill that could stop Pacific Gas and Electric Company from spending ratepayer money on political campaigns.


The bill, which doesn’t yet have a number, would put a serious crimp in the private utility’s ability to launch another effort like Prop. 16 — the $50 million campaign to block public power in California.


The bill wouldn’t stop PG&E from spending money on politics — that might fly in the face of the Supreme Court’s rulings on corporations and campaign finance. It just says that no ratepayer money can be spent — and since PG&E gets the vast majority of its money from ratepayers, the measure would at the very least significantly limit the company’s political efforts.


And since PG&E is a regulated utility, the state of California has every right to control how much money PG&E collects from its customers — and where that money goes.


Not only would the bill ban PG&E from running its own Prop. 16-style statewide campaign, it could block the company from spending tens of millions of dollars to oppose public-power efforts. The bill states that any gas and electric utility with more than three million customers in California (and there’s only one such company)


“shall not spend funds received from ratepayers as authorized revenues on political and public affairs related to state or local governments. For purposes of this section, political and public affairs spending includes any activities involving, directly or indirectly, advocacy of the election or defeat of political candidates and of the adoption or defeat of ballot measures, through the actions of the corporation or through a third party.”


A few years ago, a bill like this would have had little chance in the state Legislature, where PG&E spent lavishly and was relatively popular. But under CEO Peter Darbee, the company has done nothing but piss off legislators. Not one state lawmaker endorsed Prop. 16. It’s safe to say that today, PG&E doesn’t have many friends.


More details to come as I get them.


UPDATE: Here’s Leno’s comment, from a press release I just got:


“PG&E launched a dangerous and misleading political campaign – with ratepayer funds – that had only one goal, to preserve the corporation’s monopoly. The state’s largest electrical and gas company should not be able to use ratepayer-generated profits to write special rules into the state constitution protecting it from competition. This measure ensures that local communities across the state have the ability to launch their own municipal power agencies, which will in turn encourage competition and help keep our rates low.”


UPDATE TWO: I just spoke with Leno, and he noted that the bill has a decent chance, since PG&E at this point “would be hard pressed” to find any friends in Sacramento. “The bill is to protect ratepayers,” Leno said. “It requires the California Public Utilities Commission, when it hears PG&E’s rate cases, to disallow any spending on political campaigns.”


 

SEIU wants a hearing on unseemly Ethics ouster

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A day before Oliver Luby’s last day at the Ethics Commission, his union has called for a hearing into why his boss removed a special condition from the job that allowed him to be bumped and whether it was retaliation for Luby’s history of blowing the whistle on problems within the troubled agency.

“Special conditions are rare, specific to the position not the incumbent, and are put into place to promote the policy goal that specialists who are qualified serve in positions that require specific talents,” Gabrial Haaland of SEIU Local 1021 wrote to members of the Ethics Commission and Board of Supervisors. “Removing a special condition is more unusual than placing one on in the first place.  It is likely that an inexperienced Fines Officer would not be able to accurately interpret the necessary and complicated web of statute, local code, case law and FPPC opinions.”

Ethics Commission Director John St. Croix has refused to comment of the controversy, citing the confidentiality associated with personnel matters, but Haaland requested the Board of Supervisors Budget and Finance Committee hold a hearing on it as part their review of the commission’s budget. And Haaland told the Guardian that his union generally doesn’t like special conditions to be placed on positions, but he’s concerned about St. Croix’s motives in removing it: “It seems like retaliation based on his past actions.”

Meanwhile, Luby’s last day is Friday (6/11) and he will gather with friends and supporters after work at Temple on Polk Street. Luby told us he appreciates SEIU’s efforts and supports the idea of a hearing into what happened, but he said he has accepted his fate: “I’m still a goner.”

Hyatt workers completing three-day strike

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By Brittany Baguio
About 400 hotel workers are wrapping up a three-day strike at the Hyatt Regency that began Tuesday morning to protest increasing workloads and efforts to increase their health care costs. This was the fifth strike UNITE-HERE Local 2, a union comprised of hotel workers in San Francisco and San Mateo Counties, has called during nearly a year of negotiations since the last contract expired for 9,000 San Francisco hotel employees.

UNITE-HERE Local 2 initiated the walkout as a way of putting pressure on Hyatt management to offer a fair contract. Although the economy is still lagging, the hospitality industry has remained profitable. Union leaders say that with the cost of living going up, low income wages have made it harder to afford expenses.

The Hyatt Regency released a statement on Tuesday, stating, “Today’s action by Local 2 Leadership is a continuation of the harm they are committing to our associates, the tourism industry, and the city of San Francisco. It has been six months since Local 2 has agreed to return to negotiations. The union should refrain from activities aimed at jeopardizing business in San Francisco during this unprecedented economic downturn and instead expend this energy at the bargaining table, where it belongs.”

Yet union leaders blame management for the continuing labor impasse and they say the Hyatt and other national hotel chains have used the faltering economy as an excuse to justify increasing workloads on hotel employees. According to PKF Hospitality Research, revenue is estimated to grow to 3 percent for the next six months, 12 percent in 2011, and 14 percent in 2012. According to UNITE-HERE financial reports, when the Hyatt became a publicly traded corporation on November 2009, Hyatt owners netted more than $1 billion.

Unite-Here Local 2 representative Riddhi Mehta rejected Hyatt’s claim that the city of San Francisco was hurting in any way. “We’re not launching a boycott of San Francisco, but we’re asking folks to boycott eight specific hotels,” Mehta told the Guardian, “We’ve moved $7 million out of boycotted hotels and the majority of the money has stayed in San Francisco.”
The Grand Hyatt, Westin St. Francis, Palace Hotel, W Hotel, Hilton Union Square, and Hyatt Regency are all on the boycott list. Le Meridien Hotel and Hyatt Fisherman’s Wharf are also on Local 2’s boycott list, but for a different reason. Workers from these two hotels have been fighting for 2 years to obtain the right to choose whether or not to form a union without any intimidation from management.

The SF strike was one of several used as part of UNITE-HERE’s strategy to create a national campaign against Hyatt. Other notable strikes included one that was organized by Local 2 workers from the Grand Hyatt on Union Square and took place the same day Hyatt became a publicly-traded company.

On May 26, 400 hotel workers from the Hyatt Regency in Chicago protested against increasing workloads. Tuesday’s strike occurred a day before Hyatt’s first shareholder meeting in Chicago that was held on Wednesday. The meeting was exclusive to shareholders and banned all media outlets from attending.

Hotel workers and community supporters protested on Wednesday in the cities of San Francisco, Chicago, Vancouver, Honolulu, and Los Angeles. In solidarity, these workers hoped to persuade Hyatt majority owners to consider hospitality working conditions.

Mehta said the union’s experience in dealing with hotel management from 2004 to 2006, after the last contract impasse, has taught workers that they need to keep the pressure on in order to get a fair contract. “We’re happy to go back to the negotiating table but it’s not worth the time when Hyatt is saying that they don’t have the money. If you look at their financial statements, they have $1.3 billion in cash, but they’re spending money renovating hotels and improving their portfolios.” [Editor’s Note: This paragraph was changed from it original version to correct information].
Hyatt Regency workers from the walkout plan to go back to work on Friday.

Arizona getting you down? Here’s some activist inspiration.

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Two things I learned about Rosario Dawson last night:

  1. When she was little, she spent time living in a San Francisco squat with her “free spirited” mother.

  2. She’s heading up one of the most important non partisan political organizations in the country.

Dawson was honored with a Redford Center “Art of Activism” award at the Sundance Kabuki Theaters last night — and definitely not (should I feel bad saying this?) because she is the kind of natural beauty that made the host of the program and other honorees stutter through their on stage exchanges with her.

Voto Latino is an organization that was co founded by Dawson, Maria Teresa Kumar, and Brandon Hernandez as a way to encourage Latino participation in democracy. Which, given all this insanity in the aftermath of Arizona’s Senate Bill 1070, strikes me as what’s been missing in the back and forth vitrol; what it means to the people that it explicitly denegrates.

Dawson told the Art in Activism audience last night that her group’s mission is to take back the immigration issue from the divide and separate tactics of conservatives. Voto Latino’s anti 1070 ad campaign, which is slated to debut on national televisions shortly, is “about us together,” says the actress-activist. Privileged or not, she emphasived, we’ve all gotten to where we are today based on the labor of our community, even gorgeous movie stars.

The organization has been a pioneer in young Latino involvement in politics. They put together one of the first text message based political campaign in 2006, sent Latino youth to report on the 2008 party conventions that the young people identified as important to them, and have produced a tongue in cheek telenovela series, La Pasión de la Desición, that interjects talk of voter registration into the florid embraces of the popular genre. To combat the negative messaging of Arizona’s legislation, Dawson says they’ll be assembling an online map of the country where Latinos can publish their stories, becoming visible in a debate that often leaves out their voice.

Rosario Dawson and Wilmer Valdarama star in an episode of Voto Latino’s La Pasión de la Desición

So yay, Rosario’s awesome. We’re all awesome.

Although I must say, some of us may be extra-super awesome. Dawson was definitely upstaged last night by another one of the evening’s honorees; East Oakland’s Mandela Food Co-op worker-owner (and last week’s SFBG interviewee), the inspirational James Berk.

Berk, wearing a crisp suit and glasses, took a no-nonsense approach to a ceremony that at times ran dangerously close to hyperbole. It was immensely refreshing, especially when the 19 year old cautioned the audience not to regard him as an anomaly in the social activism field on account of his youth (Dawson took the moment to compare his struggle to hers with the media’s insistence that celebrities are different from us in some way, evoking about zero sympathy on my part. Still love you, Rosario!).

In all the labored modesty of the evening, Berk came across as a man who knows the worth of what he and his team have been able to accomplish. This is a guy who has gone from a malnourished teen whose neighborhood’s sole food sources were the corner store’s nutritional garbage, to the co owner of a place that sells low cost, fresh local food to his neighbors.

When asked what he wanted the people sitting out in the audience to take away from the night of awe inspiring activist stories, he took a moment to fully gauge what he was about to say. When he spoke, his message was clear. “Don’t forget. And don’t forget my name,” he said. Unsure about what to do to make change in this country? Look to our true leaders, people; Berk’s not.

P.S. Definitely not trying to forget the night’s other honoree, Martha Ryan. Ryan, a nurse who had never headed up her own program, started the Homeless Prenatal Program for at risk women and their families. Half of her staff is comprised of women that were once in the program.

Felonious gets back into it (and lays it all out) with the smashing “Live City”

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By Lilan Kane

A capella, beatbox, theater, vaudeville, live band, and everything in between — that’s Felonious (playing tonite, Thu/10, at the Independent). Originally an a cappella hip-hop duo, Felonious has morphed into a hip-hop theater production receiving rave reviews in The Source magazine, Chronicle and Examiner, and have produced sold-out shows in SF, New York, Germany and Oakland. They have shared the stage with The Roots, De La Soul, Big Daddy Kane, DJ Premier, Black Eyed Peas, Zion I, Living Legends, Radioactive, and Crown City Rockers. Their shows capture different elements of entertainment creating something old school in principal but very innovative and contemporary.

Sharing the stage with notable SF musicians from the Jazz Mafia, Felonious has established themselves not only in the theater arts industry but also as respected musicians in the live circuit. They talked to us a bit about the whats and wherefores as they prepared to celebrate Live City‘s release.

Thu/10, 8:30pm, $15
The Independent
628 Divisadero, SF
415.771.1421
www.theindependentsf.com
www.feloniouslive.com

SFBG: What’s the story behind the title of your new album Live City?

MC/Beatboxer Carlos Aguirre aka Infinite: I think the name Live City represents the history of the city and how we are the next generation of artists to try and replicate that kind of energy that has made San Francisco a staple in live music for several decades..Plus we know all kinds of dope artists in the city and the bay in general that we got a real Live thing happening over here and if we try to consider ourselves more of a musical family then everyone would reap the benefits..we’re pushin for that vision…it’s not just a name…we believe in our city and the talent here is world class so we’re trying to push a movement…

MC Dan Wolf aka d.wolf: On the surface, we’re talking about San Francisco, the Bay Area, a geographic place that has a history of shaping underground culture (hip hop, rock music, street visual arts, culinary arts, circus arts, etc).  On another level I look at it as very idealized place where live performance is cherished, where the city is a living breathing representation of all the creative energy pouring from the artists and culture makers who live there and shape the landscape.  We are a live hip hop band who come from theater, you cant get any more live than that.  We wanna take you to a place where taking risks is normal.  

MC/Beatboxer/Drummer Tommy Shepherd aka Soulati: Well, the album was originally called Str8 No P@per, which is a word play of Thelonious Monks album Straight, No Chaser and the truth, we’re broke like everybody else.  However not many of the songs supported that theme.  This album is recorded all live so there’s part of the title right there.  Felonious, at the beginning of the year, hosted and co-presented a weekly at Coda lounge in SF Called “Live City Revue” which was a night of showcase/cabaret talent.  Basically, any Bay Area act that was working on anything and wanted to test it out with a crowd, or you just want to come through and build on a piece of text or music.  We discussed the name of the show and how it was a statement that the Bay Area is STILL alive and always has been.  So, if the event was the revue, this album is the soundtrack.

MC/Keyboardist Keith Pinto aka KP: We were gonna call it $tr8.n0.p@per after the thelonious monk album straight no chaser… and also living in an ever increasing digital world. plus having limited funds to produce a project. but then we started doing Live City Revue @coda lounge and it just seemed like a natural fit for the title of the new record. Live City is way more optimistic.

http://vimeo.com/12166935

SFBG: What was the recording process for the new album?

Bassist Dylan Mills aka Illin Ills: To record the band in the best rooms possible (Coast, Record Plant, Different Fur…), getting the drums sounding huge.  We worked with producer Ben Yonas to capture the highest quality recordings possible and mixer Hernan Santiago to make the tracks shine.   The group was adamant about making sure everything on the record really belonged there before letting it go out.

Infinite: Amazing…We haven’t truly represented what we do live in shows on an album since The List which was a few albums back so to be able to work in some of the premiere studios in the bay area that carry a lot of history and with an amazing mix team to round out the process, it was a dream come true.

d.wolf: Musically this was the best process we have been a part of.  Recording live hip-hop is very challenging to do well. You have to retain the voice and power of the instruments while creating a sonic world that has booming drums and melodies that feel chopped and sampled yet fully fleshed out.  We never have been able to capture the raw energy of Felonious on record until this one.  Lyrically it allowed us to focus on our own personal styles and continue to try to mesh them together in the studio.  Our last album (2007’s Up To Something) was totally lyrically driven.  We recorded it in Hamburg, Germany over some of the hottest beats produced by Hamburg’s dopest producers.  We lived together in the studio for three weeks and recorded 18 tracks in 22 days.  The process for Live City was spread out over a few years with no real idea what the songs would become.  First we built the beats and freestyled over them as we recorded the tracks and then spent the time writing and crafting the songs.  It taught us how to craft songs based on the strongest verses in the best order.

Guitarist Jon Monahan: Live City was recorded over a span of about a year and a half at 5 Bay Area studios, including The Plant in Sausalito and Coast in SF.  It would have been finished much sooner but so much else was going on in our lives- three members of the band became fathers, our producer got married, one of the people we were working with very closely developed some serious health problems.  It forced us to take our time and allowed us to truly experiment with sounds and ideas that weren’t there when we started.

Soulati: The recording process was a lot of work, one, because it wasn’t recorded in four different studios, and two, because of budget.  The treasure of the experience was we got record in the same room as many music legends such as Stevie wonder and Metallica.  All in all it was a great experience and a very long process but when you’re birthing perfection, you take your time.

http://vimeo.com/12160357

SFBG: Tell me about your new play “Stateless.”

d.wolf: Stateless is a hip hop vaudeville that takes what Felonious is doing in the present and mashes it with what my ancestors were doing 100 years ago in Hamburg Germany.  The Wolf Brothers, my great grand father and his brother, were vaudevillians and singers who took popular melodies and changed the lyrics to reflect social and political issues of their time but in a very comical way.  They wrote over 600 songs that were so popular that in 1938 the Nazis said the songs were ‘too German for Jews to sing”.  Stateless is remixed folk songs written by the Brothers Wolf, re-imagined by Felonious and Brooklyn’s One Ring Zero and placed in a loose narrative that touches on brotherhood, performance and performers, history and lineage.  It’s also an excuse for us to just get on stage and act stupid.  Since they were known as the Hamburg Marx Brothers it gives us permission to be the Bay Area Marx Bros.

KP: On a basic level it’s a mash up of genres… hip hop and vaudeville. seemingly different… but the similarities are actually quite strong. most hip hop albums have a patched together mix tape quality to them… just like a variety show… which is vaudeville. hip hop artists often have funny (sometimes random) little skits on their albums… this is also like the comedic skits of vaudeville. plus visually hip hop/r’n’b videos are known to have b-boys/girls and line dances… which is just like the acrobats and dancers (usually tap) that you would have found at a vaudeville performance. not to mention the evolution of hip hop dance itself. as it incorporates many styles, including remnants of tap and swing dancing. look at the “kid n play” also known as the “funky charleston” (yes, the kid n play may be old but 90’s dances are coming back). as the choreographer of Stateless… those similarities give me more to work with than i could ever fit into one show.

Soulati: Stateless is live music, dance, beatbox, singin’, rappin’ with a twist of vaudeville.  It takes you through a journey of past present and future, leaving you with a mind to want to go out and search your own history, if you’re not aware of it already.  Super energetic and moving to boot, Stateless is the play to be looking out for cause it’s coming to you!!!

SFBG: How do you feel Felonious as a group, and the album Live City represent San Francisco?

Illin Ills: We’ve been making this music in the bay for over a decade now and we’ve seen the upturns an downturns and we put our experiences into our songs.  The album Live City is fitting because throughout all that time there has always been a vibrant music and art scene in the city.  Venues move and change, styles come and go, but people always appreciate live music so we try to keep putting on better shows and building up the scene here.

d.wolf: We’ve been working in San Francisco since 1998 so at this point we’re pretty much the OG’s on the scene.  Everything has changed so much since we started.  I am blown away when I think that during our 2000 – 2003 weekly New Roots to Hip Hop series at the Last Day Saloon we created this whole scene before MySpace was even around.  Now there are so many tools to utilize and build a community.  San Francisco needs to reclaim its place among the great cities of the world.  I mean we have so much great food and great arts here but we’re there is such a lack of industry that even the artists have a hard time thinking strategically about how to have a sustainable career.  Live City is our call to action to reclaim the power that was here in the 60s, 70s and 80s.  We think that with all our angles – music, theater and arts ed – Felonious is ready to lead the charge.  

Jon Monahan: “The album itself features Bay Area luminaries like Jazz Mafia horn players and DJs, and singers like Kimiko Joy and Cait La Dee,  They’ve been a part of the SF scene as long as we have, a decade or more.  And our band feels right at home in the counterculture tradition of San Francisco bands- from Sly to Dead Kennedys to Mike Patton… We’re not necessarily heirs to that throne, but if you came out to Live City Revue, the weekly we ran from Jan – April 2010, you saw some guests and collaborations that could only take place in San Francisco… live hip-hop with West African kora and balafon players, a 20 piece men’s choir singing the Leonard Cohen songbook, book readings from local MCs, some seriously bizarre shit.”

Soulati: Felonious as a group came to the Bay at a pinnacle moment of the music scene.  Of course there were your track acts but live Jazz/Hip Hop was thriving.  Alphabet soup was runnin thangs along with Brown Fellinis and other crews that were holding it down.Us, Crown City, Psycho Kinnetics, Most chill Slack mob among others were new to the scene and fit right into the mix.  All these mentioned groups are still hittin to this day and representing SF like ganbusters.  We keep pushing the scene to feel it push back.  The album naturally speaks directly of the San Francisco scene.  It IZZ live.

KP: Felonious has been a part of the SF music scene for over 10 years… sf has a rich history of musicians and hip hop artists working together from the acid jazz days to now. Felonious is a continuation of that. we are multicultural and multidisciplinary.   in this time of ipod dj’s (and i mean… instead of a dj… just an ipod) we feel it’s important to keep the city’s music scene all the way live! 

SFBG: What would you consider the group’s most notable accomplishments have been since Felonious started?

Infinite: Winning best of the bay two years in a row was super dope and opening for The Roots two nights in a row at The Justice League (now The Independent) and working with all the amazing artists we’ve been bless to collaborate with over the years.

Illin Ills: Playing the Fillmore, Maritime Hall, Berlin, Hamburg.  Opening for the Roots, De La, LL, BEP.  Taking Beatbox: A Raparetta to NYC.

Soulati: Since Felonious started we have become a household name in San Francisco/Bay Area.  Among winning Bammy’s and Wammy’s and critics choice shwoompties, we are also published playwrights and educators.  Staying relevant is, I think, our most notable accomplishment.

d.wolf: Survival is our most notable accomplishment.  Along the way we’ve been blessed to travel together, play with some the hottest hip hop acts, produce and publish plays, and build some real deep, lasting personal and professional relationships.

SFBG: How important is it for you personally to put on a captivating live show?

Infinite: It’s absolutely fundamental to both the group and the art form of hip hop..and musical performance in general..i mean there are no rules really but there’s a code and decor and history behind being an emcee and you gotta respect that legacy by paying homage to the meaning behind the emcee..to be master of ceremonies..to control the crowd…to lead the crowd and to ultimately pass on an experience…that’s what playing live is all about for me…”so you remember the name, when you walk out the door.

d.wolf: Coming from the world of theater the live show is actually more important to me than the studio.  That being said we’ve been killing live shows for years and have had a real hard time capturing that energy on our albums.  Hip-hop is a studio art form but you have to kill on stage especially if there isn’t a capacity crowd chanting every word.   You gotta give people a reason to remember you in this oversaturated world.

Soulati: Personally, Why come out to see someone stand there and sing songs? That, you can do at home.  A live show should be just that, LIVE.  And because more than half of Felonious are trained actors, theatrics is our tactic and we better come with a theatrical extravaganza you know?  Cats gotta be their “super human” selves on the stage.  Them times 10.  That’s what makes me as an audience member want to pay 13 in advance or 15 at the door, right?

SFBG: What can people expect to see at your CD Release show at the Independent June 10th?

Infinite: Felonious playing banging beats with live string and horn orchestration ,courtesy of The Jazz Mafia, through out the set…we’re gonna play a whole range of material but alot off the new album ..most of the new album in fact..plus special guest singers Caitladee and Kamiko Joy..and really expect to see ONE OF THE BEST LIVE SHOWS OF 2010… guaranteed!

Illin Ills: The whole shebang.  There will be horns, strings, singers, and more rocking with the Felonious Crew, playing songs from the new record, beatboxing, and generally carrying on.  Shotgun Wedding is another great group from the bay who will be rocking the middle spot.  The amazing Rondo Brothers will be there celebrating the release of their latest record.

Jon Monahan: We’ll premiere at least one brand new song, and play most of the new album reworked and fleshed out with a string section and horn section.  Some top-shelf beatboxing as always.  We’re putting together an all-star freestyle session as part of the set, plus I hear talk of some comedy/ dance routine by some friends of ours that sounds epic and possibly really creepy.  AND sets by Shotgun Wedding Quintet and the Rondo Brothers!

Soulati: A full live band, a string trio, a horn duo, beatboxing, freestyling and some special guests coming to spit vocals.  You’ll get a night of great music and fresh collaboration.  There will be B-boyz and B-girlz, hot ladies if you be boyz and kept gentlemen if you be girlz.  The night, from top to bottom, is gonna smash!!!!

Goodbye, 49ers — and do we really care?

4

Tony Winnicker, the mayor’s press secretary, was chatting with a group of folks at the Newsom victory party on election night, and Steven T. Jones, the Guardian city editor, asked how the stadium vote was going down in Santa Clara. “Oh, it’s winning, but it’s never going to get built,” Winnicker said. “Cities building stadiums is an economic loser.”


He’s right, of course — although it’s an odd comment coming from a press staffer for a mayor who is still dead set on building a stadium for the 49ers at Candlestick Point. I agree with Randy Shaw: The loss of the 49ers would be a good thing for San Francisco — particularly if the alternative is to pour public money into another expensive boondoggle like Candlestick Park.


Here’s the thing: You can argue that urban baseball stadiums bring economic benefits to the community. You can argue that the (mostly) privately financed Giants stadium has spruced up that neighborhood, spurred the creation of new bars and restaurants, brought in new tax dollars and created jobs. (It also displaced some blue-collar jobs and some poor people, but that’s a different argument.)


In fact, with limited parking and good transit access, the Giants ballpark encourages foot traffic, which encourages people to patronize local businesses before and after the game.


Football stadiums are traditionally very different. Football fans are tailgaters — they drive cars, bring their food and drinks to the parking lot, set up grills and picnic tables, go to the game — and then go right home. Almost nobody who attends a 49ers game at Candlestick stays around in the neighborhood afterward; the people who live nearby get virtually zero economic benefits.


Even as part of a shiny new development package, that won’t change much. The plans for a 49ers stadium in the new redevelopment area include a new roadway and bridge to make it easier to drive in and out, and a parking garage with room for tailgating; the fan base is largely from the Peninsula anyway. And in nearly every city that’s put up public money for a football stadium, the taxpayers have gotten screwed.


I love football, I love the 49ers, but I never go to the games, anyway — way too expensive. The TV feed from Santa Clara will be just fine.


 

Live Shots: Air Guitar Championships, Fillmore, 06/05/2010

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I’ve been to plenty of concerts in my life, and I’ve seen some pretty wild shows in various states of consciousness. That being said, nothing could have prepared me for this year’s Air Guitar Regional Championships at the Fillmore.

For those who don’t know, the Air Guitar championships are where bunch of costumed Air virtuosos compete for this title of the Best Air Guitarist and a chance to compete in the National finals in New York, and a chance to represent the good ol’ US of A in the world championship in Finland. With official rules and judging criteria, serious air performers have to do more than just wave their arms around to their favorite guitar based rock.

Serious competitors require some (if not all) the following: A guitar driven song that will resonate with the crowd/judges, a name that exudes rock, a ridiculous outfit, a collection of props, costumed assistants, dance moves, and the ability to rock the crowd. That’s not to say having all of the above will lead to success, as this years judges were especially tough (and tougher the more drinks they had). A high concept presentation may make the crowd excited, but a bring a weak performance and be ready to dodge a beer bottles.

http://www.youtube.com/watch?v=iyyng2ictZE

This year’s crop of competitors ranged from last years regional champion simply named “Awesome” to more surreal characters such as Singar the Goat Demon (with goat legs and horns), Crusher (a mashup of everything KISS), Captain Nowhere (a 70’s glam rock throwback complete with cape), and Snake Riffskin (complete with eyepatch and arrow in his leg) among others.

While the performances varied from rocktackular to downright painful, the overall showcase was a pretty wild experience complete with an abundance of surprises. Stage dives were performed (both intentional and not), drinks were thrown with abandon, clothes were torn off, bouncy balls rained down from the sky, and the crowd yelled louder than most “real” concerts. And after the dust settled we were given a new regional champion in Cold Steel Renegade.

That’s what I think makes this event so much fun. We’ve all been to the concert where the band doesn’t seem like they want to be there and perform accordingly. The Air Guitar Championships are the complete opposite, All the performers WANT to be on that stage. They WANT to rock you (if only for their 60 seconds). However the best part of the night was the close out song, in which all the performers and anyone who wanted to jump on stage got to perform together in an explosion of air guitar greatness. Try doing that at the next concert you attend.

The Daily Blurgh: Satanic real estate, erotic math, breast milk

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Curiosities, quirks, oddites, and items from around the Bay and beyond

Education/Sex/Film/Art: UC Berkeley math prof produces and stars in Matthew Barney-like cinematic tribute to Yukio Mishima, has sex on screen to Wagner.

*****

LGBT/Crime: SF Appeal investigates “hook-up violence” against LGBT folks. Part two is here. Peeps, be safe out there this Pride season!

*****

Brains/Jobs: SF ranked “smartest” city in the US. Maybe the critical mass of advance degree holders is why it’s still hard to get a job.

*****

TV/Econ: “The fictional high school chorus at the center of Fox’s Glee has a huge problem — nearly a million dollars in potential legal liability. For a show that regularly tackles thorny issues like teen pregnancy and alcohol abuse, it’s surprising that a million dollars worth of lawbreaking would go unmentioned. But it does, and week after week, those zany Glee kids rack up the potential to pay higher and higher fines.”

*****

Local Media: The Bay Area can expect to welcome another local media start-up, The Berkeley Times, come this fall.

*****

Art/Food/Sex: “We had this idea – someone wanted to take our portrait – and I thought it would be funny if we did Riccardo drinking milk from my breasts. Because that’s really what it is, we feed each other. We’re family.”

*****

Satan/Real Estate: The Richmond District’s Satanic past!

*****

Transit/Life: Take a ride in the front seat:

http://www.youtube.com/watch?v=xZ0gBsR9w74&feature=player_embedded

Passionate progressive people prevail

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At risk of being overly alliterative, this primary election was about the power of progressive principles pushed by passionate people, as several politicos told me last night. That was evident in the success of the progressive slate for the Democratic County Central Committee and in the defeat of Propositions 16 and 17 despite about $70 million in corporate spending.

Money used to define the debates in San Francisco and throughout California, but the dominant narratives are now being written by the coalition of tenants, environmentalists, workers, social justice advocates, and others who backed the Bay Guardian’s slate of DCCC candidates, which took 18 of the 24 seats on a body that makes policy and funding decisions for the local Democratic Party.

“This time, it was the coalition that really made the difference,” DCCC winner Michael Bornstein told me last night. “Frankly, our people worked harder.”

Board of Supervisor President David Chiu agreed, telling me, “For the Central Committee, the message is people power wins.”

Despite the post-election punditry by the Chron’s CW Nevius that “moderates” just didn’t rise up like he had hoped, the most obvious reality is this election demonstrated the power of progressives who embrace San Francisco values – from valuing diversity and the environment to believing in economic justice – and the potential for success when we really stand up for them. One reason why even our would-be exports, Gavin Newsom and Kamala Harris, prevailed last night could be that liberal San Francisco just isn’t widely viewed with the same scorn felt by Nevius and the so-called “moderates,” who want to “take back” the city from progressives.

“In an environment where it was about hundreds of millions of dollars from PG&E and Meg Whitman and Chris Kelly outspending us, we showed that San Francisco is San Francisco and we support San Francisco values,” DCCC chair Aaron Peskin told me last night.

On the statewide level, the bold and expensive deceptions pushed by PG&E and Mercury Insurance were countered only by a handful of super committed activists and a broad cross-section of newspaper editorials, yet because the basically progressive message was so consistent – don’t let powerful corporations fool you into giving up your rights and protections – the Proposition 16 and 17 campaigns turned into epic failures that will feed distrust of corporations.

“California voters proved once again that they can’t be fooled by tens of millions of dollars in deceptive advertising by insurance companies,” Harvey Rosenfield of Consumer Watchdog said today of Prop. 17.

And that failure could feed and empower an ascendant progressive movement. The local Sierra Club’s John Rizzo told me at the DCCC slate party last night that PG&E will be hurt by its overreaching: “The $50 million they spent on this is totally backfiring. Whatever environmental reputation they had has now been totally trashed.”

As it should be. The lesson from last night is that people are starting to get wise to corporate deceptions, and they’re realizing that with hard work and smart coalition-building, the people can still prevail.

Hot sexy events June 9-15

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Ohhhh baby yeah, stroke that compound tubuloalveolar exocrine gland! That’s right, transmit my sperm from the ductus deferens into my urethra! Yeah, yeah… I love it when you understand my anatomy. Science = so hot right now. Well, especially when scientifical edumacation can school you on how to make you partner come harder, better, faster. With that in mind, I give you Good Vibrations’ Ask Our Doc series, a weekly meet and great with a legitimate, PhD holding medical professional that knows dirty, dirty things about what you’ve got going on down there. This week’s smarty pants; Dr. Charles Glickman, who can tell you all about the prostate gland, that underutilized hot spot. Oh, doctor…

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Prostate Play and Pleasure

You would think that something the size of a chesnut nestled at the base of your penis would little need an instruction manual, but you know what? The human body is a complex and multi-layered entity. Sometimes you need a doctor to tell you how to get off. Charles Glickman is happy to oblige – the doc will be advising on how to facilitate that happy little gland, and the toys and tricks that can take your prostate productions up a notch.

Wed/9 6-7 p.m., free

Good Vibrations

603 Valencia, SF

(415) 522-5460

www.goodvibes.com

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Effective Flogging Playshop

Does your wrist flick not get quite the whip crack you’re looking for? Are your lashings lacking luster? Not a worry, my sweet, sweet dominatrix. Come on down to the Citadel for Edukink’s monthly Paideia munch/class/play time, which focuses on 12 basic skill flogging techniques for the month of June.

Thurs/10 7:30-10:30 p.m., $15-25

SF Citadel

1277 Mission, SF

(415) 626-1746

www.edukink.org

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thread | bare

Hot models strutting down the runway in flash local indie fashion. Hot, yes – but is it sexy? It is when the clothes on their backs are available for you to grab in your sweaty little hands — like, right now. The show is a benefit for the Lab, and those involved are fairly star studded. Comedian Philip Huang, and vocalist Lily Taylor are among the soon to be naked, and hair will be done by 2010 SFBG Small Business Award winner, Glam-A-Rama.

Fri/11 7-10 p.m., $10-20

The Lab

2948 16th St., SF

(415) 864-8855

www.thelab.org

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Hot Tears of Shame

Those Japanese, they’re naughty, aren’t they? They’ve pretty much cornered the market when it comes to absolutely unique ways to make filth (tentacle porn, anyone?). Tonight, film experts from the Land of the Rising Sun talk trash, showing films from the schools of “Roman Porno,” and “Pinky Violence,” as well as those ever popular short skirted schoolgirls.

Fri/11 7 p.m., $10

Viz Cinema at New People

1746 Post, SF

(415) 525-8631

www.newpeopleworld.com

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Robert Philipson

Ah, the gay Internet personal ad. The married man who wants to “keep it simple,” the single guy who self describes as “public property,” that ever elusive “VGL” – if it means “very good looking” then where, oh where darling, is that photo? Poet Philipson has read them all, and channeled the Interweb romantical rondelay into a new book of verse, Very Good Looking Seeks Same: Gay Profiles in Search of Love, which he’ll be reading today at A Different Light.

Sat/12 4 p.m., free

A Different Light bookstore

489 Castro, SF

(415) 431-0891

www.adlbooks.com

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Beginning Pole 101

I just went into detail about how awesome stripping is for the ego, but apparently it’s good for the love handles, as well. This particular class pitches itself as poleside workout. And with only four to nine budding exotic dancers per class, you’re getting lots of hands-on attention from the instructor.

Sat/12 and Sun/13 2-4 p.m., $126

Center for Sex and Culture

1519 Mission, SF

(415) 552-7399

www.sexandculture.org

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Tease

Kick off Pride with one of its official parties; Trigger’s post brunch, dance off that eggs benedict, moveathon. Djs Calalo and Motive keep you dancing right into Saturday club night with hip hop, electro… and if their website sets any precedent, Ke$ha. Oh, Ke$sha.

Sat/12 5-10 p.m., $5-8

Trigger

2344 Market, SF

(415)

www.movementinthebay.com

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Show Me Mine, Show Me Yours: Modern Porn and Pinup Photography

Local queer porn icon Courtney Trouble tells you how to take a pretty picture. She’ll demo porn/pinup photography with a special surprise guest, then set you on your own personal road to pixelated glory. Pose yourself up with props, costumes, partners, and special lighting – all of which will be available, even though you’re more than welcome to bring ’em if you’ve got ’em.

Sun/13 5 p.m., $25

Femina Potens

2199 Market, SF

(415) 864-1558

www.feminapotens.org

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Our Lady of Burning Dreams

Penny Slinger first emerged in the London art scene of the 1960s, but her career didn’t hit its screaming, sheet clawing climax until her emergence as a force in erotic art in the early ’80s. Nowadays, she makes florid digital kalidescopes of sensual human form and goddess imagery. Good Vibes is teaming her up with Carol Queen and Bobby Morgan, two more who use the wonders of technology to express physical ecstasy.

Closing reception Tues/15 5:30-7:30 p.m., free

Good Vibrations

1620 Polk, SF

(415) 345-0400

www.goodvibes.com

Everyone hates PG&E

5

Well, maybe not everyone, but the results from last night’s election are fascinating. A $50 million campaign, with the opposition struggling to come up with $100,000 — and PG&E still lost. Calitics has a fun comparison that makes one of the key points: The company lost most heavily in its own service areas. People who have to deal with PG&E — and its high rates, poor service, blackouts, botched smart-meter program and financial greed — voted strongly against allowing the company to further entrench its monopoly power. In essence, PG&E lost at home.


A couple of other interesting factors: The results show, I think, that whatever you say about the decline of newspapers, their endorsements still matter. Every major newspaper in the state opposed Prop. 16, and that clearly had an impact. The No on 16 campaign didn’t have the money for any media buys; the press coverage and strong anti-PG&E endorsements had to carry the message.


TURN, Ross Mirkarmi, Mark Leno, Tom Ammiano and consultant Gail Kaufman deserve credit for raising what little money they could and leveraging it into a stunning statewide victory. Considering that the turnout skewed heavily Republican, the defeat of Prop. 16 will go down as one of the great progressive victories in California history.


The local numbers were astounding: In San Francisco, Prop. 16 went down 2-1, with 67 percent of the voters rejecting PG&E’s ploy. That’s the strongest mandate for public power I’ve ever seen. Same for the rest of the Bay Area: Alameda County, 64 percent No. San Mateo County, 60 percent No. Marin County, 61 percent No. Mayor Gavin Newsom ought to take a look at the map on the Secretary of State’s website; it shows that the voters he needs to get elected lieutenant governor have rejected PG&E and want a public-power option.


The collapse of PG&E’s attempt to buy democracy in California gives San Francisco some breathing room on its community choice aggregation contract, which is excellent news. The supervisors can now take some time to go over the details — and prepare for the next major battle, the marketing campaign to education local residents about the value of community-controlled green energy.


PG&E is clearly on the run — CEO Peter Darbee has driven the company to a point where it has no friends left. Could be a great era for public power efforts.

Benefits: June 9-June 15

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Ways to have fun while giving back this week


Wednesday, June 9

Friends of Saint Francis Childcare
Explore the local food and drink movement while helping to raise funds for Saint Francis Childcare Center at this Center for Urban Education about Sustainable Agriculture (CUESA) cocktail party featuring local wine and microbrews, local food, music, and a silent auction. Proceeds to benefit the Friends of Saint Francis Childcare Center, a non-profit preschool.
6:30 p.m., $50-$100
CUESA a
One Ferry Building, SF
(415) 861-1818

www.fosfchildcare.org

From the Ground Up
Celebrate grassroots action with IDEX as they recognize local partners in Africa, Asia, and Latin America for building sustainable community solutions to poverty and developing livelihoods. With guest speakers, Rajasvini Bhansali, IDEX’s new Executive Director, and Prativa Subedi, Founder and President of IDEX’s Partner Women’s Awareness Center, Nepal and featuring a silent auction, appetizers, wine and beer, and music.
6:30 p.m., $60
The Solarium
55 2nd St., SF
(415) 824-8384
http://idexfromthegroundup.eventbrite.com

Got Kidney?
Hip Hop(e) for Healing kicks off their U.S. southwest tour for RasCue and Organ Donor Registration Awareness featuring an all star line up of underground hip hop artists, including Rasco, Big Pooh, Kam Moye aka Supastition, and local MCs Otayo Dubb and 7 Daize.
9 p.m., $12
Mighty
119 Utah, SF
http://donatelife.net/

Friday, June 11

Hawaiian Luau Fundraiser
Hula for a good cause at this fundraiser for Connecting Point, Tenderloin Child Care Center, Positive Parenthood Project, Compass Family Center, and Clara House featuring live music, DJs, dancing, island food, and prizes for best Hawaiian costume and shirt, including 2010 tickets to Burning Man.
8 p.m., $25
Kelly’s Mission Rock
817 Terry Francois, SF
http://tikitodd.com/

Saturday, June 12

Bikers for Barkers
Join the motorcycle and pet communities as they come together to help rescue dogs that are in danger of being euthanized at this fundraising party where proceeds will go to Rocket Dog Rescue and Hearts for Hounds. Bid on one of the many local items and services, including Teatro Zinzanni, Kabuki Hot Springs, tattoo time from several local artists, gift baskets, and more, while enjoying live entertainment, DJ music, refreshments, and vegan delights. Please leave your pets at home.
6:30 p.m.; $20 donation, includes one raffle ticket
Dainese D-Store
131 South Van Ness, SF
www.bikersforbarkers.com

Hopalong Picnic and Bark-B-Que
Enjoy a fun-filled afternoon at this picnic lunch featuring a silent auction, music, and more to help raise funds for Hopalong and Second Chance Animal Rescue.
1 p.m.; $25 adult, $10 children
Miller Knox Regional Park
900 Dornan Dr., Point Richmond
www.hopalong.org

Intersection for the Arts Anniversary Gala
Celebrate Intersection’s 45th anniversary and the launch of their new art space in partnership with the Hub Bay Area with the exhibition, “Let’s Talk of a System.” Featuring live art auction, live entertainment, wine and food, and an awards ceremony to honor artists and organizations that impact the world.
7 p.m., $60-$250
Intersection at 5M
The San Francisco Chronicle Building
901 Mission, SF
(415) 626-2787 ext. 110
www.theintersection.org

Sunday, June 13

Radical History Bike Ride
Learn about the radical history of San Francisco from the 1800s through today on this bike ride and benefit for the National Lawyers Guild, San Francisco chapter. Tour led by Rai Sue Sussman will visit sites of protest and dissent relating to workers’ rights, immigrant rights, civil rights, women’s rights, environmental struggles, and more.
10:45 p.m., $15-$50 sliding scale donation
Meet at Harry Bridges Plaza
Front of Ferry Building along Embarcadero, SF
RSVP to raul@nlgsf.org
www.nlgsf.org

Quick Lit: June 9-June 15

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Literary readings, book tours, and talks this week

Rosario Dawson, Writers with Drinks, Adam Savage, David Breashears, Gail Sheehy, and more.

Wednesday, June 9

Art of Activism with Rosario Dawson
The Redford Center will celebrate actress, activist, and Voto Latino co-founder Rosario Dawson. The program will also honor our Art of Activism award winners James Berk and Martha Ryan, two Bay Area leaders nominated by their communities for their outstanding work.
7 p.m., $20
Sundance Kabuki Cinemas
1881 Post, SF
www.redfordcenter.org

The Artist in the Office
Author Summer Pierre discusses her new book, The Artist in the Office: How to creatively survive and thrive seven days a week.
7:30 p.m., free
Books Inc. Marina
2251 Chestnut, SF
(415) 931-3633

David Breashears
Hear Breashears discuss mountain climbing and filmmaking, as well as pay tribute to the spirit of the late photographers and adventurers Galen and Barbara Rowell. Wilderness explorer and writer Craig Childs will be presented with the 2009 Rowell Award for the Art of Adventure.
7:30 p.m., $35
Mark Hopkins Intercontinental Hotel
Peacock Court
1 Nob Hill Circle, SF
www.commonwealthclub.org

Killing Time
Author John Hollway recounts an 18-year odyssey to prove the innocence of John Thompson, a man who is convicted and sentenced to death for the murder of a prominent white man in New Orleans.
7 p.m., free
Books Inc. Laurel Village
3515 California, SF
(415) 221-3666

Second Nature: The inner lives of animals
Animal behaviorist and author Jonathan Balcombe draws on his latest research, observational studies, and personal anecdotes to reveal the animal experience, including emotions, problem solving, and moral judgment.
7 p.m., free
Green Arcade
1680 Market, SF
(415) 431-6800

Thursday, June 10

The Confessions of Catherine de Medici
C.W. Gortner will read from his new novel about the dramatic, tragic, and misunderstood life of one of history’s most powerful and controversial women.
7 p.m., free
BookShop West Portal
80 West Portal, SF
(415) 564-8080

The First Tycoon
Author T.J. Stiles presents, The First Tycoon: The epic life of Cornelius Vanderbilt, the first authoritative look at Vanderbilt’s life.
7 p.m., free
Books Inc. Berkeley
1760 4th St., Berkeley
(510) 525-7777

Forbidden Creatures
Author Peter Laufer shares his newest nonfiction book titled, Forbidden Creatures: Inside the world of animal smuggling and exotic pets.
7:30 p.m., free
Books Inc. Castro
2275 Market, SF
(415) 864-6777

Seaworthy
Author Linda Greenlaw talks about her new book which offers a compelling narrative about a person setting her own terms and finding her true self between land and water.
7:30 p.m., free
Books Inc. Marina
2251 Chestnut, SF
(415) 931-3633

“Why There Are Words” Reading Series
Hear authors read from their work on the theme of “heat” at this informal art gallery literary salon featuring Cara Black, Catherine Brady, Elizabeth Eslami, Joe Quirk, Prartho Sereno, and Todd Zuniga.
7 p.m., $5
Studio 333
333 Caledonia, Sausalito
http://whytherearewords.wordpress.com

Friday, June 11

The Devil’s Punchbowl
Hear contemporary writers living in California reflect on aspects of the state’s natural and man-made geography at this release of The Devil’s Punchbowl: A cultural and geographic map of California.
7 p.m., free
Modern Times Bookstore
888 Valencia, SF
www.mtbs.com

Saturday, June 12

Very Good Looking Seeks Same
Author Robert Philipson will read and sign copies of his new book where he presents an entertaining and honest collection of original poetry depicting gay men in search of love.
4 p.m., free
A Different Light Bookstore
489 Castro, SF
(415) 431-0891

Writers with Drinks
This literary variety show combines poetry, stand-up, comedy, science fiction, romance, mystery, literary fiction, erotica, memoir, zines, and  blogs with drinks to raise money for local, worthy causes. This installment to feature Tobias Wolff, Lev Grossman, Taylor Mali, Andrew Lam, Corrina Bain, and Bill Carter with host Charlie Jane Anders. All proceeds benefit the Center for Sex and Culture.
7:30 p.m., $5-$10 sliding scale
Make Out Room
3225 22nd St., SF
www.writerswithdrinks.com

Sunday, June 13


Scent of the Missing
Susannah Charleston details her training and experiences with Dallas’ elite Metro Area Rescue K9 unit, which carries over into her training her own search-and-rescue dog, Puzzle.
2 p.m., free
BookShop West Portal
80 West Portal, SF
(415) 564-8080


Monday, June 14

“Make It: How to DIY”
Hear Mark Frauenfelder, editor of Make magazine, in conversation with the host of Mythbusters Adam Savage about how to create useful gadgets from everyday objects.
6:30 p.m., $20
Commonwealth Club
2nd floor
595 Market, SF
(415) 597-6700


Tuesday, June 15

Bonobo Handshake
In 2005, author Vanessa Woods accepted a marriage proposal from a man she barely knew and agreed to join him on a research trip to the Democratic Republic of the Congo. After settling in a bonobo sanctuary, Woods realized that both the human and ape inhabitants were refugees from unspeakable violence.
7 p.m., free
BookShop West Portal
80 West Portal, SF
(415) 564-8080

Kicking In
See author Richard Wirick discuss his latest story collection, a compilation of dark, edgy, tales chronicling the outer limits of drug culture.
7:30 p.m., free
Books Inc. Marina
2251 Chestnut, SF
(415) 931-5158

Passages in Caregiving
Best-selling author Gail Sheehy will discuss her new book which recounts her journey as a caregiver for her husband, media pioneer Clay Felker, and offers stories about other Americans who find ways to outwit our broken health care system and ways to keep the caregiver healthy.
7:30 p.m., $25
Jewish Community Center
3200 California, SF
(415) 292-1233
www.jccsf.org/arts

Private Life
Pulitzer Prize winning author Jane Smiley discusses her new novel that traverses the intimate landscape of one woman’s life from the 1880’s to World War II.
7 p.m., free
Books Inc. Opera Plaza
601 Van Ness, SF
(415) 776-1111

She Looks Just Like You
Amie Miller presents a much needed cultural road map to what it means to become a parent, even when the usual categories don’t fit.
7:30 p.m., free
Books Inc. Castro
2275 Market, SF
(415) 864-6777

Music listings

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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 9

ROCK/BLUES/HIP-HOP

*Amber Asylum, Bloody Panda, Trees, Barn Owl Elbo Room. 9pm, $7.

Basia Bimbo’s 365 Club. 8pm, $32.

Crusaders of Love Pissed-Off Pete’s, 4528 Mission, SF; www.pissedoffpetes.com. 9pm.

Dashing Sons, Tokyo Raid, Meta Hemlock Tavern. 9pm, $7.

Delta Spirit, Ezra Furman and the Harpoons, Romany Rye Independent. 8pm, $15.

Ferocious Few, Eugene and the 1914, Generals Bottom of the Hill. 9pm, $8.

“Got Kidney? and Hip-Hop(e) for Healing Tour” Mighty. 9pm. Organ donor-awarness event with Rasco of the Cali Agents, Big Pooh of Little Brother, Kam Moye aka Supastition, Otayo Dubb, and 7 Daize.

Health, Indian Jewelry, Gold Panda Slim’s. 8pm, $15.

Jesse Malin and the St. Marks School Café du Nord. 9:30pm, $15.

Harvey Mandel and Snake Crew Biscuits and Blues. 8 and 10pm, $18.

Sadies, Loons, East Bay Grease Great American Music Hall. 8pm, $15.

Steppin’ featuring Oscar Myer Coda. 7pm, $5.

Yellow Dress, Birds Fled From Me, Quite Polite Rickshaw Stop. 8pm, $10.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

4OneFunk Coda. 10pm, free. Turntablism DJs.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Machine Sloane, 1525 Mission, SF; (415) 621-7007. 10pm, free. Warm beats for happy feet with DJs Sergio, Conor, and André Lucero.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

Nacht Musik Knockout. 10:30pm, $5. Dark, minimal, and electronic with DJs Omar, Josh, and Justin.

Open Mic Night 330 Ritch. 9pm, $7.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

Yoruba Dance Sessions Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJ Carlos Mena and guests spinning afro-deep-global-soulful-broken-techhouse.

THURSDAY 10

ROCK/BLUES/HIP-HOP

Pryor Baird and the Deacons Biscuits and Blues. 8 and 10pm, $15.

Curtis Bumpy Coda. 9pm, $10.

*Felonious, Shotgun Wedding Quintet, Rondo Brothers Independent. 9pm, $15.

Good Life, Parson Red Heads, Contrall Bottom of the Hill. 9pm, $12.

Hundred Days, Scissors for Lefty, Voxhaul Broadcast Rickshaw Stop. 8pm, $10.

Greg Laswell, Jimmy Gnecco, Brian Wright Café du Nord. 9pm, $15.

Mewithoutyou, David Bazan, Rubik Regency Ballroom. 8pm, $17.

*Radio Moscow, Hollow Mirrors, Red Light Mind, Smokestacks Thee Parkside. 9pm, $10.

Brittany Shane, Revolver Hard Rock Café, Pier 39, SF; www.hardrock.com. 9pm, donations. Benefit for Breast Cancer Action.

Sleepy Sun, Fresh and Onlys, Moon Duo Great American Music Hall. 9pm, $16.

Slippery People, Baby Seal Club, Exit Wonderland El Rio. 8pm, $5.

*Stiff Little Fingers, Culann’s Hounds Slim’s. 9pm, $20.

Ugly Winners, Glass Train, Ian Fays Knockout. 10pm, $5.

FOLK/WORLD/COUNTRY

Æ Red Poppy Art House. 8pm, $12-$15. Interpretations of world vocal traditions.

Alhambra Valley Band Atlas Café. 8pm, free.

Chris Ayer, Skyler Stonestreet, Matt Simons, Morgan Holland Hotel Utah. 8pm, $10.

Shannon Céilí Band Plough and Stars. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-7. DJs Pleasuremaker and Señor Oz and special guest Kento Tanaka spin Afro-tropical, samba, and funk.

CakeMIX SF Wish, 1539 Folsom, SF; www.wishsf.com. 10pm, free. DJ Carey Kopp spinning funk, soul, and hip hop.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Good Foot Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. With DJs spinning R&B, Hip hop, classics, and soul.

Gymnasium Matador, 10 Sixth St, SF; (415) 863-4629. 9pm, free. With DJ Violent Vickie and guests spinning electro, hip hop, and disco.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Kissing Booth Make-Out Room. 9pm, free. DJs Jory, Commodore 69, and more spinning indie dance, disco, 80’s, and electro.

Koko Puffs Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Steve Lawler Vessel, 85 Campton, SF; (415) 515-4091. 9:30pm, $20. Spinning electronic.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Motion Sickness Vertigo, 1160 Polk, SF; (415) 674-1278. 10pm, free. Genre-bending dance party with DJs Sneaky P, Public Frenemy, and D_Ro Cyclist.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Solid Thursdays Club Six. 9pm, free. With DJs Daddy Rolo and Tesfa spinning roots, reggae, dancehall, soca, and mashups.

FRIDAY 11

ROCK/BLUES/HIP-HOP

*Angry Samoans, Bum City Saints, Fabulous Disaster, Headslide Bottom of the Hill. 9pm, $10.

Holy Shit, Brian Glaze and the Nightshift, Facts on File, Soft Bombs Knockout. 9pm, $7.

John Lee Hooker Jr. Biscuits and Blues. 8 and 10pm, $22.

Howdy! Connecticut Yankee, 100 Connecticut, SF; www.theyankee.com. 9pm, $5.

Or, the Whale, AB and the Sea, Get Back Loretta Rickshaw Stop. 8:30pm, $10.

Personal and the Pizzas, Wrong Words, Part Time, Spurts Pissed-Off Pete’s, 4528 Mission, SF; www.pissedoffpetes.com. 9pm.

Radiators, DJ Harry Duncan Independent. 9pm, $25.

Robert Randolph and the Family Band Fillmore. 9pm, $25.

Mariee Sioux, Foxtails Brigade, Judgement Day acoustic with friends Swedish American Hall (upstairs from Café du Nord). 8pm, $12.

Sonny and the Sunsets, Wounded Lion, John Wesley Coleman Hemlock Tavern. 9:30pm, $8.

*Tortoise, Das Boton Great American Music Hall. 9pm, $21.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Broun Fellinis Coda. 10pm, $10.

Chris Braun Group Savanna Jazz. 7:30pm, $5.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Jack Curtis Dubrowsky Ensemble African American Arts and Culture Complex, 762 Fulton, SF; (415) 762-2071. 7:30pm, $12-20.

Lowrider Band Yoshi’s San Francisco. 8 and 10pm, $16-24.

Marcus Miller feat. Christian Scott Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 8pm, $25-75.

FOLK/WORLD/COUNTRY

Forro Brazuca, DJ Fausto Sousa Café du Nord. 9pm, $15.

Freebadge Serenaders, Blair St. Mugwumps Plough and Stars. 9pm.

White Buffalo, Sarah Nicole Wallace Hemlock Tavern. 9pm, $12.

*Woods, Kurt Vile, Art Museums, Mantles Slim’s. 8pm, $16.

DANCE CLUBS

Activate! Lookout, 3600 16th St, SF; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Blow Up Rickshaw Stop. 10pm, $10. With rotating DJs.

Death Rock Sock Hop DNA Lounge. 7:30pm, $20. Swing Goth’s third anniversary, with performances by Lee Press-On and the Nails, Fromagique, Barry Syska and the Fantasy Orchestra, and DJS Shatter and Skip.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Fo’ Sho! Fridays Madrone Art Bar. 10pm, $5. DJs Kung Fu Chris and Makossa spin rare grooves, soul, funk, and hip-hop classics. With special guests DJ Sureshot and E Da Boss.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Gymnasium Stud. 10pm, $5. With DJs Violent Vickie and guests spinning electro, disco, rap, and 90s dance and featuring performers, gymnastics, jump rope, drink specials, and more.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa “Samoa Boy” spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Strictly Video 111 Minna. 9pm, $10. With VDJs Shortkut, Swift Rock, GoldenChyld, and Satva spinning rap, 80s, R&B, and Dancehall.

Treat Em Right Elbo Room. 10pm, $5. Hip-hop, funk, reggae, and more with DJs Vinnie Esparza, B. Cause, and guest DJ Day.

SATURDAY 12

ROCK/BLUES/HIP-HOP

Alabama Mike and Third Degree Biscuits and Blues. 8 and 10pm, $20.

Blue Dream Pissed-Off Pete’s, 4528 Mission, SF; www.pissedoffpetes.com. 9pm.

Forrest Day, Battlehooch, 7 Orange, ABC Great American Music Hall. 9pm, $14.

*Exodus, Heathen, Anvil Chorus, Passive Aggressive Slim’s. 8pm, $21.

Glitch Mob Fillmore. 9pm, $25.

Tony Lindsey Coda. 10pm.

Nightbringer, Nazxul, Ravnajuv, Beyond Thee Parkside. 9pm, $12.

Prids, Soft Tags, Burrows Hemlock Tavern. 9:30pm, $7.

Radiators, DJ Harry Duncan Independent. 9pm, $25.

*Subhumans, A-Heads, Cross Stitched Eyes, Sin Orden Bottom of the Hill. 8pm, $12.

Super Adventure Club, As a People, Monsters Are Not Myths Hemlock Tavern. 9pm, $8.

*Austin Willacy, Kate Isenberg, Annie Bacon, Society Rocks Red Devil Lounge. 8:30pm, $10.

“Witches Brew” Thee Parkside. 2pm, $5. With WC Von Der Berk’s Gothic Cabaret, Slow Poisoner, Ol’ Cheeky Bastards, and more.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Dave Rocha Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 8pm.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Salif Keita Bimbo’s 365 Club. 8 and 10:30pm, $35.

Lowrider Band Yoshi’s San Francisco. 8 and 10pm, $24.

Carol Luckenbach Savanna Jazz. 7:30pm, $8.

Rova Saxophone Quartet ODC Dance Commons, 351 Shotwell, SF; www.odcdance.org. 8pm.

FOLK/WORLD/COUNTRY

Brass Menazeri, Janam Café du Nord. 9:30pm, $15.

Gayle Lynn and the Hired Hands, Misisipi Rider Plough and Stars. 9pm.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Bootie DNA Lounge. 9pm, $6-12. Mash-ups.

Cockblock Rickshaw Stop. 10pm, $7. Queer dance party for homos and friends with DJs Nuxx and Jax.

Dead After Dark Knockout. 6-9pm, free. With DJ Touchy Feely.

Electricity Knockout. 10pm, $4. A decade of 80s with Omar, Deadbeat, and Yule Be Sorry.

Frolic Stud. 9pm, $3-7. DJs Dragn’Fly, NeonBunny, and Ikkuma spin at this celebration of anthropomorphic costume and dance. Animal outfits encouraged.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Rock City Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5 after 10pm. With DJs spinning party rock.

Same Sex Salsa and Swing Magnet, 4122 18th St, SF; (415) 305-8242. 7pm, free.

Social Club Lookout, 3600 16th St, SF; (415) 431-0306. 9pm. Shake your money maker with DJs Lee Decker and Luke Fry.

Soul Slam SF V: Prince and Michael Mezzanine. 9pm, $25. With DJs Spinna, Marky, Hakobo, and King Most spinning non-stop soul from two of music’s biggest icons.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Spotlight Siberia, 314 11th St, SF; (415) 552-2100. 10pm. With DJs Slowpoke, Double Impact, and Moe1.

Tormenta Tropical DNA Lounge. 10pm, $5-10. Cumbia-electro DJs.

White Party Ruby Skye. 10pm, $60. Featuring Hernan Cattaneo and DJs Helicopter and Bali.

SUNDAY 13

ROCK/BLUES/HIP-HOP

“Battle of the Bands” DNA Lounge. 5:30pm, $12. With Pistols for Jesus, Gates of Light, Jordan and the Hashemites, and more.

Bob Log III, Devil’s Own, Bordertown Saints Bottom of the Hill. 9pm, $12.

Charity and the Jamband Park Chalet, 1000 Great Hwy, SF; www.beachchalet.com. 3pm, free.

Justin Curry, Jaymes Reunion Café du Nord. 8pm, $22.

Janiva Magness Biscuits and Blues. 8 and 10pm, $18.

Rademacher, Fake Your Own Death, My Education Hemlock Tavern. 8pm, $7.

Real Estate, All Saints Day, Young Prisms Independent. 8pm, $14.

Theresa Perez Band El Rio. 8pm, $15.

Sam Vicari Pissed-Off Pete’s, 4528 Mission, SF; www.pissedoffpetes.com. 9pm.

“Wavy Gravy’s All-Star Jam” Great American Music Hall. 8pm, $40. Benefit for Seva Foundation.

*Western Family Orchestra, Jeffrey Luck Lucas Make-Out Room. 8pm, $7.

Wonder Girls Fillmore. 3pm, $50.

FOLK/WORLD/COUNTRY

Marla Fibish, Erin Shrader, Richard Mandel and friends Plough and Stars. 9pm.

Huun Huur Tu Swedish American Hall (upstairs from Café du Nord). 8pm, $25.

Rumbache El Rio. 4pm, $8.

Sophis and Kalbass Kreyol Coda. 7pm, $10.

DANCE CLUBS

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $8-11. Dub, roots, and classic dancehall with J Boogie and Vinnie Esparza.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?

Jock! Lookout, 3600 16th St, SF; (415) 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Lonely Teardrops Rock N’ Roll Night Knockout. 9pm, $4. With Hi Rhythm Hustlers, Glass Key, and DJs dX the Funky Granpaw and Sergio Iglesias.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 14

ROCK/BLUES/HIP-HOP

Gregory Alan Isakov Café du Nord. 8pm, $10-12.

Local H, Left Brain Heart Independent. 8pm, $15.

Piles, Death Sentence: Panda!, Awesomes, Telepathic Liberation Army Knockout. 9pm, $6.

Rooftop Vigilantes, Murkins, Dirty Cupcakes Elbo Room. 9pm, $5.

Spectre Folk, Blissed Out, Run DMT Hemlock Tavern. 6pm, $5.

2AM Club, Cambo and the Life, Young Murph Rickshaw Stop. 7pm, $12.

Jenny Owen Youngs, April Smith and the Great Picture Show, William Tell Bottom of the Hill. 9pm, $12.

DANCE CLUBS

Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJs El Kool Kyle and Santero spinning Latin music.

Black Gold Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Musik for Your Teeth Revolution Café, 3248 22nd St., SF; (415) 642-0474. 5pm, free. Soul cookin’ happy hour tunes with DJ Antonino Musco.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Represent Makeout Room. 9pm, free. With DJs Xraydusa and Noey G spinning soul, funk, and beats.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 15

ROCK/BLUES/HIP-HOP

Denouement, Ms. Mister, TrainFace El Rio. 7pm, free.

Foreign Cinema, Past and Future, Sunbeam Rd Hemlock Tavern. 9pm, $6.

Freight Train, Gemini Six, Concrete Marshmallow Bottom of the Hill. 9pm, $8.

Matt Pond PA, Wintersleep, Lonely Forest Independent. 8pm, $14.

Miyavi Fillmore. 9pm, $35.

Paranoids, Pagan Blonde, Heavy Hills Knockout. 9pm, $5.

Matt Schofield Biscuits and Blues. 8:30 and 10:30pm, $16.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJ What’s His Fuck and Johnny Repo.

Brazilian Wax Elbo Room. 9pm, $7. Samba.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Swing Goth El Rio. 7pm, $10. With Pink Noise.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

On the Cheap listings

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On the Cheap listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

THURSDAY 10

"We Were There" African American Art and Culture Complex, 762 Fulton, SF; (415) 922-2049. 6pm, $5. Attend this film screening of "We Were There," about the lesbian response to AIDS among gay men in the 1980’s, followed by a discussion moderated by Andrea Shorter of Equality California. Part of the National Queer Arts Festival.

BAY AREA

Weapons of Mass Seduction Good Vibrations, 2504 San Pablo, Berk.; (510) 841-8987?. 6:30pm, free. At this interactive workshop, hosted by Emmy award-winning writer Lori Bryant-Woolridge, learn how you can find the sensual side to your feminine confidence with tips on how to embrace your inner flirt, excel in the art of seduction, and make your life a more passionate experience.

FRIDAY 11

Accordion Day San Francisco City Hall, 1 Dr. Carlton B. Goodlett Place, SF; www.ladyofspain.com. 11:30am, free. Celebrate the 20th anniversary of the accordion being San Francisco’s official musical instrument at this mini concert featuring the Blazing Bellows Accordion Ensemble, a presentation of the Accordion Day proclamation, and free accordion-shaped cookies.

Art in Storefronts: Chinatown Launch party at Chinese Culture Center, 3rd floor, 750 Kearny, SF; www.sfartscommission.org. 5pm, free. Art on storefronts and walls on blocks bordered by Grant, Sacramento, Kearny, and Jackson streets. Check out art that has been temporarily placed in vacant storefront windows and walls in order to engage local artists and reinvigorate neighborhoods that have suffered in the economic downturn. Launch celebration to feature an art walk, live music, refreshments, tea tastings, and more.

BAY AREA

Enigma FLOAT, Floatation Center and Art Gallery, Unit # 116, 1091 Calcot, Oak.; (510) 535-1702. 6pm, free. Hear artists Dave Meeker and J.B. MacKinnon discuss their work at this artist mixer featuring free libations, music by DJ fflood. To get even more in touch with your inner muse, take advantage of FLOAT spa, which specializes in floatation therapy.

SATURDAY 12

Cartoon Story-Telling Cartoon Art Museum, 655 Mission, SF; (415) CAR-TOON. 12:30pm, free with $7 museum entry. Watch drawings come to life as Joe Wos presents his blend of storytelling and live cartoon illustration to tell original tales and to also re-tell some of the classics.

Crystal Fair Fort Mason Center, Building A, Marina at Buchannan, SF; (415) 383-7837. Sat. 10am-6pm, Sun. 10am-4pm; $6. Browse through a magical mix of crystals, minerals, beads, and jewelry while also learning more about the healing arts at this fair featuring over 40 vendors selling affordable wares, including massage, psychic readings, singing bowls, and more.

Modern Eden Modern Eden, 403 Powell, SF; (415) 420-2898. 7pm, free. Toast North Beach’s newest art destination at this gallery grand opening showcasing work from over a dozen local artists, including painting, sculpture, and hand-crafted jewelry.

San Francisco Free Folk Festival Presidio Middle School, 450 30th Ave., SF; www.sffolkfest.org. Sat.-Sun. Noon-11pm, free. Check out more than 50 concert performers, dance workshops, family activities, and more at this free two day folk festival for the whole family.

Succulent and Cactus Sale County Fair Building, 9th Ave. at Lincoln, Golden Gate Park, SF; (415) 789-0703. Sat.-Sun. 9am-5pm, free. Find your much needed water thrifty garden additions at this annual sale of hundreds of affordable succulents and cacti also featuring pottery, garden supplies, books, and an "ask an expert" information table where an expert will help you find the best plant for your garden.

BAY AREA

Live Oak Park Fair Live Oak Park, 1301 Shattuck, Berk.; (510) 227-7110. 10am-6pm, free. Support local artisans and craftspeople while finding great values on hand-made treasures at this family festival in the trees featuring contemporary art, crafts, jewelry, clothing, handmade quilts, festive food, live music, a kidzone, and more.

Rhythmix Anniversary Jam Rhythmix Cultural Works, 2513 Blanding, Alameda; www.rhythmix.org. 10am, free. Rhythmix Cultural Works, which opened in 2007 as a community arts center providing affordable gallery and classroom space, is offering free performances and demonstrations all day for people of all ages. Learn about belly dance, Capoeira, Circus Arts, Taiko, take hands-on workshops, check out art exhibits, and much more.

For Lit, Talks, and Benefits listings, visit the Pixel Vision blog at

Film listings

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Film listings are edited by Cheryl Eddy. Reviewers are Kimberly Chun, Michelle Devereaux, Max Goldberg, Dennis Harvey, Johnny Ray Huston, Erik Morse, Louis Peitzman, Lynn Rapoport, Ben Richardson, and Matt Sussman. For rep house showtimes, see Rep Clock. For first-run showtimes, see Movie Guide.

OPENING

The A-Team Is nothing sacred? (1:57) Presidio.

The Full Picture See "Mama Drama." (1:20) Roxie.

Holy Rollers Holy Rollers isn’t a movie — it’s a headline stretched out to 90 minutes. Yes, the set-up is worthy of adaptation: Hassidic Jewish kid begins importing ecstasy from Amsterdam. And it’s based on a true story! But the film is far too matter-of-fact, never delving into the important questions that might elevate it past a glorified reenactment. That’s not to say the performances aren’t good. Jesse Eisenberg continues to prove he can do well in leading roles, while supporting actors Justin Bartha and Ari Graynor are both charming, in their own ways. The problem is the material. What is Holy Rollers saying about the war on drugs, or organized religion, or the desire to live above one’s means? Nothing, really. The tone is equally problematic, as it repeatedly fails to find the right blend of comedy and drama. The movie’s major selling point is that it will make you want to visit Amsterdam — you know, if you didn’t already. (1:29) Contemporary Jewish Museum, Lumiere, Shattuck. (Peitzman)

*Joan Rivers: A Piece of Work Whether you’re a fan of its subject or not, Ricki Stern and Annie Sundberg’s documentary is an absorbing look at the business of entertainment, a demanding treadmill that fame doesn’t really make any easier. At 75, comedian Rivers has four decades in the spotlight behind her. Yet despite a high Q rating she finds it difficult to get the top-ranked gigs, no matter that as a workaholic who’ll take anything she could scarcely be more available. Funny onstage (and a lot ruder than on TV), she’s very, very focused off-, dismissive of being called a "trailblazer" when she’s still actively competing with those whose women comics trail she blazed for today’s hot TV guest spot or whatever. Anyone seeking a thorough career overview will have to look elsewhere; this vérité year-in-the-life portrait is, like the lady herself, entertainingly and quite fiercely focused on the here-and-now. (1:24) Embarcadero. (Harvey)

The Karate Kid Is nothing sacred? (2:20)

Kinatay See Trash. (1:45) Yerba Buena Center for the Arts.

9500 Liberty 9500 Liberty spins off co-directors Eric Byler and Annabel Park’s YouTube series of "interactive documentary" footage surrounding a recent immigration policy struggle in Prince William County, Virginia. The Board of County Supervisors passed a resolution in 2007 mandating that police perform an immigration status check on any individual they had "probable cause" to believe was an illegal alien. The filmmakers emphasize the significance of new media in this local battle, as both sides mobilize through aggressive blogging. And you heard the part about how this movie is based on YouTube videos, right? The filmmakers’ sympathies are clear, as they reveal the hateful rhetoric of the anti-illegal immigration forces, but their emotional appeal hardly seems irresponsible — it serves to highlight the humanity often obscured by reductive xenophobia. The film apparently predates the recent Arizona immigration strife, but as the story unfolds, the parallels are both eerie and hopeful. (1:21) Lumiere. (Sam Stander)

*Ondine You want to believe in mermaids, leprechauns, tooth fairies, and Father Christmas — and director Neil Jordan plays with those hopes, and fears, in this unabashedly romantic fable set in a Irish fishing village. Mullet-ed fisherman Syracuse (Colin Farrell), dubbed "Circus," thanks to his days as a drinking fool, is the butt of everyone’s jokes till he happens to catch a mysterious girl (Alicja Bachleda) in his net. She calls herself Ondine, shies away from people, and sings in an unknown tongue to the sea, drawing salmon, lobster, and fortune to the fisherman otherwise down on his luck. His precocious daughter, Annie (Alison Barry), is in need of a kidney transplant — and a measure of hope — and she grows convinced that her father’s hidden-away water baby is a selkie, a mythical Celtic sea creature that can shed its seal skin, bond with humans, and make wishes come true. Unfortunately believing in magic doesn’t always make it so, though Ondine gracefully limns that space between belief and reality, squeezing small moments of pleasure and humor from its rough, albeit attractive, characters and absolutely stunning landscapes in scenes beautifully lensed by onetime Wong Kar Wai cinematographer Christopher Doyle. (1:43) Albany, Clay, Piedmont. (Chun)

*Perrier’s Bounty Not about sparkling water, director Ian Fitzgibbon and writer Mark O’Rowe’s giddy Irish crime tale is this year’s In Bruges (2008): a crass, self-consciously clever, amusingly characterful, and twisty take on Brit gangster tropes, with double-plus good actors and very scenic widescreen photography. Cillian Murphy — convincingly scruffy now that he’s aging out of excessive prettiness — plays a Dublin reprobate whose debt to some shady types is overdue. His attempts to neutralize that situation rapidly envelope the best-friend neighbor he’s secretly sweet on (Jodie Whittaker, Peter O’Toole’s protégée in 2006’s Venus) and the coke addict father (Jim Broadbent) he’s generally estranged from. Perrier’s Bounty
remains crafty and jaunty even as foretold "brutal and tragic events" unfold. Of course it’s contrived — but well contrived, with performances (including Brendan Gleeson as the titular crime boss) and piled-up incidents alike quite enjoyable. (1:28) Opera Plaza. (Harvey)

ONGOING

*Babies Thomas Balmes’ camera records the first year in the lives of four infants in vastly different circumstances. They’re respectively born to hip young couple in Tokyo’s high-tech clutter; familiar moderately alterna-types (the father is director Frazer Bradshaw of last year’s excellent indie drama Everything Strange and New) in SF’s Mission District; a yurt-dwelling family isolated in the vast Mongolian tundra; and a Namibian village so maternally focused that adult menfolk seem to have been banished. Yes, on one level this is the cutest li’l documentary you ever saw. But if you were planning to avoid thinking that is all (or most) of what Babies would be like, you will miss out big time. Void of explanatory titles, voice-over narration, or subtitle translations, this is a purely observatory piece that reveals just how fascinating the business of being a baby is. There’s very little predictable pooping, wailing, or coddling. Instead, Balmes’ wonderful eye captures absorbing moments of sussing things out, decision-making, and skill learning. While the First World tykes firstborns both — are hauled off to (way) pre-school classes, the much less day planned Third Worlders have more complex, unmediated dealings with community. Those range from fending off devilish older siblings to Mongol Bayarjargal’s startlingly casual consorting with large furry livestock. (Imagine the horror of parents you know were their baby found surrounded by massive cows — a situation that here causes no concern whatsoever for adults, children, or bovines.) So accustomed to the camera that it doesn’t influence their behavior, the subjects here are viewed with an intimacy that continually surprises. Babies is getting a wider-than-usual release for a documentary, one cannily timed to coincide with Mother’s Day. But don’t be fooled: this movie is actually very cool. (1:19) Piedmont, Presidio, Shattuck, Smith Rafael, Sundance Kabuki. (Harvey)

*City Island The Rizzo family of City Island, N.Y. — a tiny atoll associated historically with fishing and jurisdictionally with the Bronx — have reached a state where their primary interactions consist of sniping, yelling, and storming out of rooms. These storm clouds operate as cover for the secrets they’re all busy keeping from one another. Correctional officer Vince (Andy Garcia) pretends he’s got frequent poker nights so he can skulk off to his true shameful indulgence: a Manhattan acting class. Perpetually fuming spouse Joyce (Julianna Margulies) assumes he’s having an affair. Daughter Vivian (Dominik García-Lorido) has dropped out of school to work at a strip joint, while the world class-sarcasms of teenager Vinnie (Ezra Miller) deflect attention from his own hidden life as an aspiring chubby chaser. All this (plus everyone’s sneaky cigarette habit) is nothing, however, compared to Vince’s really big secret: he conceived and abandoned a "love child" before marrying, and said guilty issue has just turned up as a 24-year-old car thief on his cell block. Writer-director Raymond De Felitta made a couple other features in the last 15 years, none widely seen; if this latest is typical, we need more of him, more often. Perfectly cast, City Island is farcical without being cartoonish, howl-inducing without lowering your brain-cell count. It’s arguably a better, less self-conscious slice of dysfunctional family absurdism than Little Miss Sunshine (2006) — complete with an Alan Arkin more inspired in his one big scene here than in all of that film’s Oscar-winning performance. (1:40) Opera Plaza, Shattuck. (Harvey)

*Exit Through the Gift Shop Exit Through the Gift Shop is not a film about the elusive graffiti-cum-conceptual artist and merry prankster known as Banksy, even though he takes up a good chunk of this sly and by-no-means impartial documentary and is listed as its director. Rather, as he informs us — voice electronically altered, face hidden in shadow — in the film’s opening minutes, the film’s real subject is one Thierry Guetta, a French expat living in LA whose hangdog eyes, squat stature, and propensity for mutton chops and polyester could pass him off as Ron Jeremy’s long lost twin. Unlike Jeremy, Guetta is not blessed with any prodigious natural talent to propel him to stardom, save for a compulsion to videotape every waking minute of his life (roughly 80 percent of the footage in Exit is Guetta’s) and a knack for being in the right place at the right time. When Guetta is introduced by his tagger cousin to a pre-Obamatized Shepard Fairey in 2007, he realizes his true calling: to make a documentary about the street art scene that was then only starting to get mainstream attention. Enter Banksy, who, at first, is Guetta’s ultimate quarry. Eventually, the two become chummy, with Guetta acting as lookout and documenter for the artist just as the art market starts clambering for its piece of, "the Scarlet Pimpernel of street art," as one headline dubs him. When, at about three quarters of the way in, Guetta, following Banksy’s casual suggestion, drops his camcorder and tries his hand at making street art, Exit becomes a very different beast. Guetta’s flashy debut as Mr. Brainwash is as obscenely successful as his "art" is terribly unimaginative — much to the chagrin of his former documentary subjects. But Guetta is no Eve Harrington and Banksy, who has the last laugh here, gives him plenty of rope with which to truss himself. Is Mr. Brainwash really the ridiculous and inevitable terminus of street art’s runaway mainstream success (which, it must be said, Banksy has handsomely profited from)? That question begs another: with friends like Banksy, who needs enemies? (1:27) Embarcadero, Sundance Kabuki. (Sussman)

*The Father of My Children Grégoire Canvel (Louis-Do de Lencquesaing) is a perpetual motion machine: a Paris-based veteran film producer of complicated multinational whose every waking moment is spent pleading, finessing, reassuring, and generally putting out fires of the artistic, logistic, or financial kind. But lately the strain has begun to surpass even his Herculean coping abilities. Debtors are closing in; funding might collapse for a brilliant but uncommercial director’s already half-finished latest. After surviving any number of prior crises, Gregoire’s whole production company might finally dissolve into a puddle of red ink and lawsuits. He barely has time to enjoy his perfect family, with Italian wife Sylvia (Chiara Caselli) and three young daughters happily ensconced in a charming country house. Something’s got to give — and when it does, writer-director Mia Hansen-Love’s drama (very loosely based on the life of a late European film producer) drastically shifts its focus midway. Her film’s first half is so arresting — with its whirlwind glimpse at a job so few of us know much about, yet which couldn’t be more important in keeping cinema afloat — that the second half inevitably seems less interesting by comparison. Still, for about 55 minutes The Father of My Children offers something you haven’t quite seen before, an experience well worthwhile even if the subsequent 55 are less memorable. (1:50) Embarcadero. (Harvey)

Get Him to the Greek At this point movie execs can throw producer Judd Apatow’s name on the marquee of a film and it’s a guaranteed blockbuster. It’s hard to say whether this Forgetting Sarah Marshall (2008) spin-off benefits from the Apatow sign of approval or if it would be better off standing on its own, but it definitely doesn’t benefit from comparisons to its predecessor. Russell Brand returns as the British rock star Aldous Snow, and Jonah Hill, playing a different character this time, is given the task of chaperoning the uncooperative Snow from London to LA in 48 hours. Despite a great cast, including a surprisingly animated P. Diddy, the story is pretty bland and can’t match the blend of drama and comedy that Marshall achieved. Of course, none of that matters because the movie execs are right: if you like Apatow’s brand of humor, you’re going to have a good time anyway. (1:49) Empire, Four Star, 1000 Van Ness, Presidio, SF Center, Shattuck. (Peter Galvin)

*The Girl With the Dragon Tattoo By the time the first of Stieg Larsson’s so-called "Millennium" books had been published anywhere, the series already had an unhappy ending: he died (in 2004). The following year, The Girl With the Dragon Tattoo became a Swedish, then eventually international sensation, its sequels following suit. The books are addicting, to say the least; despite their essential crime-mystery-thriller nature, they don’t require putting your ear for writing of some literary value on sleep mode. Now the first of three adaptive features shot back-to-back has reached U.S. screens. (Sorry to say, yes, a Hollywood remake is already in the works — but let’s hope that’s years away.) Even at two-and-a-half hours, this Girl With the Dragon Tattoo by necessity must do some major truncating to pack in the essentials of a very long, very plotty novel. Still, all but the nitpickingest fans will be fairly satisfied, while virgins will have the benefit of not knowing what’s going to happen and getting scared accordingly. Soon facing jail after losing a libel suit brought against him by a shady corporate tycoon, leftie journalist Mikael Blomkvist (Michael Nyqvist) gets a curious private offer to probe the disappearance 40 years earlier of a teenage girl. This entangles him with an eccentric wealthy family and their many closet skeletons (including Nazi sympathies) — as well as dragon-tattooed Lisbeth Salander (Noomi Rapace), androgynous loner, 24-year-old court ward, investigative researcher, and skillful hacker. Director Niels Arden Oplev and his scenarists do a workmanlike job — one more organizational than interpretive, a faithful transcription without much style or personality all its own. Nonetheless, Larsson’s narrative engine kicks in early and hauls you right along to the depot. (2:32) Bridge, Piedmont, Shattuck, Smith Rafael. (Harvey)

Harry Brown Shades of Dirty Harry (1971) for the tea cozy and tweed set: elegantly rendered and very nicely played, Harry Brown might be the dark, late-in-the-day elder brother to 1971’s Get Carter, in the hands of eponymous lead Michael Caine. He’s a pensioner mourning the passing of his beloved wife, his mysterious life as a Marine stationed in Northern Ireland firmly behind him. Then his chess-playing pal Leonard (David Bradley) is terrorized and killed by the unsavory gang of heroin dealing hoodlums who lurk near their projects in a tunnel walkway like gun-toting, foul-mouthed, sociopathic trolls. Harry Brown is, er, forced to forsake a vow of peace and go commando on the culprits’ asses, triggering some moments of ultraviolence that are unsettling in their whole-hearted embrace of vigilante justice. Like predecessors similarly fixated on vengeance in their respective urban hells, a la Hardcore (1979) and Taxi Driver (1976) (Harry Brown echoes key moments in the latter, in particular — see, for instance, its keenly tense, eerily humorous gun shopping scene), Harry Brown is essentially an arch-conservative film, if good looking and even likable with Caine meting out the punishment. The overall denouement just might make some seniors feel very, very good about the coiled potential for hurt embedded in their aging frames. (1:42) Four Star. (Chun)

*Iron Man 2 Tony Stark (Robert Downey Jr.) returns, just as rich and self-involved as before, though his ego his inflated to unimaginable heights due to his superheroic fame. Pretty much, he’s put the whole "with great power comes great responsibility" thing on the back burner, exasperating everyone from Girl Friday Pepper Potts (Gwyneth Paltrow); to BFF military man Rhodey (Don Cheadle, replacing the first installment’s Terrence Howard); to certain mysterious Marvels played by Samuel L. Jackson and Scarlett Johansson; to a doofus-y rival defense contractor (Sam Rockwell); to a sanctimonius Senator (Garry Shandling). Frankly, the fact that a vengeful Russian scientist (Mickey Rourke) is plotting Tony’s imminent death is a secondary threat here — for much of the film, Tony’s biggest enemy is himself. Fortunately, this is conveyed with enjoyable action (props to director Jon Favreau, who also has a small role), a witty script (actor Justin Theroux — who knew? He also co-wrote 2008’s Tropic Thunder, by the way), and gusto-going performances by everyone, from Downey on down. Stay for the whole credits or miss out on the geek-gasm. (2:05) California, 1000 Van Ness, Sundance Kabuki. (Eddy)

Killers (1:40) Empire, Marina, 1000 Van Ness.

Letters to Juliet If you can stomach the inevitable Barbara Cartland/Harlequin-romance-style clichés — and believe that Amanda Seyfried as a New Yorker fact-checker — then Letters to Juliet might be the ideal Tuscan-sunlit valentine for you. Seyfried’s Sophie is on a pre-honeymoon trip to Verona with her preoccupied chef-restaurateur intended, Victor (Gael Garcia Bernal), who’s more interested in sampling cheese and purchasing vino than taking in the romantic attractions of Verona with his fiancée. Luckily she finds the perfect diversion for a wannabe scribe: a small clutch of diehard romantics enlisted by the city of Verona to answer the letters to Juliet posted by lovelorn ladies. They’re Juliet’s secretaries — never mind that Juliet never managed to maintain a successful or long-term relationship herself. When Sophie finds a lost, unanswered letter from the ’50s, she sets off sequence of unlikely events, as the letter’s English writer, Claire (Vanessa Redgrave), returns to Verona with her grandson Charlie (Christopher Egan), in search of her missed-connection, Lorenzo. Alas, Lorenzo’s long gone, and the fact-checker decides to help the warm-hearted, hopeful Claire find her lost lover. Unfortunately Sophie’s chemistry with both her matches isn’t as powerful as Redgrave’s with real-life husband Franco Nero — after all he was Lancelot to her Guenevere in 1967’s Camelot and the father of her son. Still, Redgrave’s power as an actress — and her relationship with Nero — adds a resonance that takes this otherwise by-the-numbers romance to another level. (1:46) SF Center. (Chun)

Living in Emergency Filmmakers follow four volunteers of Médecins Sans Frontiéres (MSF) in Liberia and the Congo, from the initial shock of a first-timer to the overwhelming exhaustion of a veteran. Morally ambiguous decisions have left many of them arrogant and bitter and it’s apparent that these people are not the inflated heroes that we might wish, but normal people who were drawn to test themselves in circumstances of little hope. Some fail. Living in Emergency is an interesting glimpse into a provocative world, and the morally icky stuff is sometimes worse than the blood and death on screen. But a glimpse is all it is. The filmmakers clearly have an agenda that doesn’t include time for exploring the lives of any of the doctors, patients or procedures, and they leave the audience wondering whether there might be more lurking beneath the surface. (1:33) Opera Plaza. (Galvin)

*Looking for Eric Eric Bishop (Steve Everts) is a single dad, frustrated at his inability to bond with his teenage sons and heartbroken over his failed marriage to Lily (Stephanie Bishop), the woman he walked out on 20 years ago but never managed to get over. Just when things are looking dire, Eric is delivered in surprising, magical fashion by hallucinatory visitations from Eric Cantona, his favorite soccer player, a philosophical Frenchman who was as renowned for his inscrutable press conferences as he was for his scintillating goals. Cantona plays himself, and passes pensive joints with Bishop as they slowly piece his shattered life back together. American viewers might be have trouble deciphering the intricacies of soccer culture or the molasses-thick Mancunian accents, but at its heart the movie (by Brit director Ken Loach) is an amusing, tautly crafted fable of middle-aged alienation giving way to hope and gumption. (1:57) Smith Rafael. (Richardson)

Marmaduke (1:27) 1000 Van Ness.

Micmacs An urge to baby-talk at the screen underlines what is wrong with Jean-Pierre Jeunet’s new film: it is like a precocious child all too aware how to work a room, reprising adorable past behaviors with pushy determination and no remaining spontaneity whatsoever. There will be cooing. There will be clucking. But there will also a few viewers rolling their eyes, thinking "This kid rides my last nerve." It’s easy to understand why Jeunet’s movies (including 2001’s Amélie) are so beloved, doubtless by many previously allergic to subtitles. (Of course, few filmmakers need dialogue less.) They are eye-candy, and brain-candy too: fantastical, hyper, exotic, appealing to the child within but with dark streaks, byzantine of plot yet requiring no close narrative attention at all. The artistry and craftsmanship are unmissable, no ingenious design or whimsical detail left unemphasized. In Micmacs, hero Bazil (Dany Boon) is a lovable misfit who lost his father to an Algerian landmine, then loses his own job and home when he’s brain-injured by a stray bullet. He falls in with a crazy coterie of lovable misfits who live underground, make wacky contraptions from junk, and each have their own special, not-quite-super "power." They help him wreak elaborate, fanciful revenge on the greedy arms manufacturers (André Dussollier, Nicolas Marié) behind his misfortunes, as well as various human rights-y global ones. So there’s a message here, couched in fun. But the effect is rather like a birthday clown begging funds for Darfur — or Robert Benigni’s dreaded Life is Beautiful (1997), good intentions coming off a bit hubristic, even distasteful. (1:44) Embarcadero, Shattuck, Smith Rafael. (Harvey)

La Mission A veteran S.F. vato turned responsible — if still muy macho — widower, father, and Muni driver, fortysomething Che (Benjamin Bratt) isn’t the type for mushy displays of sentiment. But it’s clear his pride and joy is son Jess (Jeremy Ray Valdez), a straight-A high school grad bound for UCLA. That filial bond, however, sustains some serious damage when Che discovers Jes has a secret life — with a boyfriend, in the Castro, just a few blocks away from their Mission walkup but might as well be light-years away as far as old-school dad is concerned. This Bratt family project (Benjamin’s brother Peter writes-directs, his wife Talisa Soto Bratt has a supporting role) has a bit of a predictable TV-movie feel, but its warm heart is very much in the right place. (1:57) Shattuck. (Harvey)

*Please Give Manhattan couple Kate (Catherine Keener) and Alex (Oliver Platt) are the proprietors of an up-market vintage furniture store — they troll the apartments of the recently deceased, redistributing the contents at an astonishing markup — and they’ve purchased the entire apartment of their elderly next-door neighbor (Ann Guilbert). As they wait for her to expire so they can knock down a wall, they try not to loom in anticipation in front of her granddaughters, the softly melancholic Rebecca (Rebecca Hall) and the brittle pragmatist Mary (Amanda Peet). Filmmaker Nicole Holofcener has entered this territory before, examining the interpersonal pressures that a sizable income gap can exert in 2006’s Friends with Money. Here she turns to the pangs and blunderings of the liberal existence burdened with the discomforts of being comfortable and the desire to do some good in the world. The film capably explores the unexamined impulses of liberal guilt, though the conclusion it reaches is unsatisfying. Like Holofcener’s other work, Please Give is constructed from the episodic material of mundane, intimate encounters between characters whose complexity forces us to take them seriously, whether or not we like them. Here, though, it offers these private connections as the best one can hope for, a sort of domestic grace accrued by doing right, authentically, instinctively, by the people in your immediate orbit, leaving the larger world to muddle along on its axis as best it can. (1:30) Lumiere, Piedmont, Shattuck. (Rapoport)

Prince of Persia: The Sands of Time It takes serious effort to make a movie with a story dumber than the video game it’s based on. Director Mike Newell somehow accomplishes this feat with Prince of Persia: The Sands of Time, a Disneyfied flop that flails clumsily in the PG-13 demilitarized zone, delivering sanitized violence, chaste romance, and dreary drama. Jake Gyllenhaal plays Dastan, an urchin boy — one jump, ahead of the bread line — adopted by the king and raised to be the wise-cracking black sheep in a family of feuding princes. He’s got Middle East ninja skills — one swing, ahead of the sword — and his infiltration of a sacred city nets him the magical Dagger of Time, a gilded rewind button coveted by his evil uncle Nizam (Ben Kingsley), who wants to use it for, well, evil, and Princess Tamina (Gemma Arterton), who’s sworn to protect it. Pressing a button on the dagger’s hilt allows its wielder to undo past events. If you have the misfortune of seeing this movie, you’ll want one for yourself. (2:10) California, 1000 Van Ness, Sundance Kabuki. (Richardson)

Robin Hood Like it or not, we live in the age of the origin story. Ridley Scott’s Robin Hood introduces us to the outlaw while he’s still in France, wending his way back to Albion in the service of King Richard III. The Lionheart soon takes an arrow in the neck in order to demonstrate the film’s historical bona fides, and yeoman archer Robin Longstride (Russell Crowe) — surrounded by a nascent band of merry men — accidentally embroils himself in a conspiracy to wrest control of England. The complications of this intrigue hie Robin to Nottingham, where he is thrown together with Maid Marion (Cate Blanchett), a plucky rural aristocrat who likes getting her hands dirty almost as much as she likes a bit of smoldering Crowe seduction. A lot of hollow medieval verisimilitude ensues, along with a good bit of slow-mo swordplay, but the cumulative effect is tepid and rote. (2:20) 1000 Van Ness. (Richardson)

The Secret in Their Eyes (2:07) Albany, Embarcadero.

Sex and the City 2 Sex and the City 2 couldn’t be anymore brazenly shameless, dizzyingly shallow, or patently offensive if it tried. This is aspiration porn, pure and simple, kitted out in the Orientalist trappings of a Vogue spread and with all the emotional intelligence of a 12 year-old brat. As the first SATC film nearly made short work of any shred of nuance or humanity that Carrie, Samantha, Charlotte, and Miranda carried over from their televised selves, SATC 2 fully embraces the bad pun-spewing, couture-clad clichés the girls have hardened into. Sure they have kids, husbands, career changes, and menopause to deal with, but who cares about those tired signposts of middle age when there is more shit to buy, more champagne to swill, private airlines to fly on, $22,000-a-night luxury suites to inhabit, Helen Reddy songs to butcher, and whole other peoples — specifically, the people of Abu Dhabi, who speak funny, dress funnier, and have craaazy notions about what it means to be "one of the girls" — to alternately boss around, offend, and pity? (Fun SATC2 fact: did you know that in the "new Middle East" women secretly wear designer duds underneath their abayas?) Oh, that one tiny pang of sympathy you feel during the tipsy confessional between Charlotte and Miranda in which they bond over how being a mother and giving up one’s life ambition is difficult? A mirage. Because really, the greater concern is flying back to JFK first class or bust. And let’s not even get into the few bones the film tosses to the homos, such as the opening set piece: a gay wedding only a straight man could’ve thought up, replete with a shopworn Liza Minnelli having her Gene Kelly-in-Xanadu moment. But seriously, Michael Patrick King, don’t get it twisted: Stanford may call it such, but it’s not "cheating" if you’re already in an open relationship. Then again, if being a foil for your straight BFF’s insecurities about the luxe confines of monogamy gets you a gift registry at Bergdorf’s, why not? The laughs are cheaper this time around, but SATC 2‘s fuckery is strictly price-upon-request. (2:24) Castro, Empire, Marina, 1000 Van Ness, Presidio, SF Center, Shattuck, Sundance Kabuki. (Sussman)

Shrek Forever After 3D It’s easy to give Dreamworks a hard time for pumping out a fourth sequel to a film that never really needed a sequel in the first place. But Shrek Forever After isn’t all that bad — it’s mostly just irrelevant. The film does begin on an interesting note, with Shrek discovering the consequences of settling down with a wife and kids: serious ennui. It’s refreshing to see a fairy tale in which "happily ever after" is revealed to be rather mundane. But soon there are wacky magical hijinks that spawn an alternate universe, a cheap way to inject new life into tired old characters. (You like Puss in Boots? Well, he’s fat now.) Luckily, the voice actors are still game and the animation remains top-notch. The 3D effects are well used for once, fleshing out Shrek’s world rather than providing an unnecessary distraction. The end result is a mildly entertaining addition to the franchise, but like the alternate universe in which Shrek finds himself stranded, there’s no real reason it should exist. (1:33) 1000 Van Ness, Sundance Kabuki. (Peitzman)

Solitary Man Consider this another chapter in a larger recession-era cinematic narrative: a kind of corollary to Up in the Air and another dispatch from the flip side of the American dream — namely, American failure. Wheeling, dealing, disgusting, and charming in turns, Michael Douglas manages the dubious achievement of making a hungry and lecherous BMW dealership honcho compelling, even as we roll our eyeballs in disgust. His Ben Kalmen was once at the top of the world, a fairy-tale self-made star whose luxury auto commercials were all over TV, a sharp-tongued wife (Susan Sarandon) and tenderly tolerant daughter (Jenna Fischer) by his side. After his career lands in the crapper, Ben begins a long climb up, trading favors with his girlfriend Jordan (Mary-Louise Parker) and taking her daughter Allyson (Imogen Poots) to his alma mater for her college interview. During this trip down memory lane he renews his ties with old pal Jimmy (Danny DeVito) and befriends budding schlub Daniel (Jesse Eisenberg), all while making some very bad, reflexively womanizing choices. If you can stomach its morally bereft, perpetually backsliding yet endearingly honest protagonist, you’ll be rewarded with on-point dialogue and a clear-eyed yet empathetic character study concerning the free fall of a self-sabotaging, old-enough-to-know-better prick, individualistic to the core and even more. Is Ben as worthy of a bailout, or a second chance, as the American auto industry? The answer remains up in the air. (1:30) Shattuck, Sundance Kabuki. (Chun)

*Splice "If we don’t use human DNA now, someone else will," declares Elsa (Sarah Polley), the brash young genetic scientist bent on defying the orders of her benign corporate benefactors in Vincenzo Natali’s pseudo-cautionary hybrid love child, Splice. From that moment on, it’s pretty clear that any ethical conundrums the movie raises aren’t really worthy of debate: what Elsa wants to do in the name of scientific progress — splice human DNA into gooey muscle masses to provide said corporation with proteins for gene therapy — is, you know, deranged. Elsa bucks both corporate policy and sound moral judgment and does it anyway, much to the horror of her husband and fellow hotshot research scientist, Clive (Adrien Brody). Her genetic tinkering soon results in the dramatic birth of something akin to a homicidal fetal chick crossed with a skinned bunny. It grows at an alarming rate, and when human characteristics become apparent, Elsa clings to it with the instinctual vigor of a tigress protecting her cub. When Elsa and Clive are forced to hide their creation at Elsa’s abandoned family farmhouse to escape detection from prying corporate eyes, Splice evolves into another kind of hybrid: a genetically engineered Scenes from a Marriage (1973) crossed with the DNA of The Omen (1976) and grafted onto the most very special My So-Called Life episode ever. Not that there’s anything wrong with that. Splice may be a ludicrous, cut-rate exercise in Brood-era David Cronenberg — but it’s a damned entertaining one. (1:45) California, 1000 Van Ness, Sundance Kabuki. (Devereaux)

Touching Home Hometown boys (Logan and Noah Miller) make good in this based-on-a-true-story tale of identical twins who must divide their time at home between training for major league baseball and looking after their alcoholic father. The brothers, who also wrote and directed the film, aim for David Gordon Green by way of Marin, but fall short of mastering that director’s knack for natural dialogue. Ed Harris is, unsurprisingly, compelling as the alcoholic father, but the actors in the film who are not named Ed Harris tend to contribute to the script’s distracting histrionics. Touching Home has some amazing NorCal cinematography, and I could see how family audiences might enjoy its "feel bad, then feel good" style of melodrama. But while it’s awkward to say that someone’s real-life experiences come off as trite, there are moments here that feel as clichéd as a Lifetime movie. (1:48) Smith Rafael. (Galvin)

Women Without Men Potent imagery has always been at the forefront of photographer and installation artist Shirin Neshat’s explorations of gender in Islamic society, and her debut feature Women Without Men certainly has its share. Loosely based on Shahrnush Parsipur’s novel of the same name, the film follows four Iranian women (down from the novel’s original five) — Fakhri, an upper-class military wife who longs to reconnect with an old lover; Zarin, a traumatized prostitute who escapes captivity; Munis, a housebound young woman reborn as a political dissident; and her friend, Faezeh, who longs to marry Munis’ domineering brother — in the days leading up to the 1953 coup d’etat that overturned democracy and restored the Shah to power. From the suicidal leap — filmed so as to suggest flight as much as falling — which opens the film, to the mist-shrouded groves of a rural orchard that becomes a refuge for the women, each shot is as striking for its beauty as it is uneven in conveying the allegorical significance behind all the lushness. The casts’ largely stilted performances don’t help much in this regard either. "All that we wanted to was to find a new form, a new way," says Munis in voiceover. As a creative act of mourning for Iran’s short-lived experiment in democracy — a moment, Neshat acknowledges in the film’s postscript, that clearly resonated with last year’s Green revolution — Women Without Men ambitiously attempts, albeit with mixed success, to envision just that. (1:35) Opera Plaza. (Sussman)<\!s>