Live Music

Our Weekly Picks: September 21-27

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WEDNESDAY 21

Veronica Falls CANCELLED

Apparently, this UK indie rock band found its relaxed retro pop sound right from the get-go. Singles “Found Love in a Graveyard” and “Beachy Head” combined jangly, propulsive rhythms with light, morbid lyrics for a result that could easily find an anachronistic home in the recent remake of Brighton Rock (and not just because every video for the band looks like it was ran through a Hipstamatic app.) Now with a self-titled debut album on Slumberland Records, Veronica Falls is scheduled to tour in support of the Drums and Dum Dum Girls next month. This will be their West Coast record release show. (Ryan Prendiville)

With The Mantles, Brilliant Colors

9 p.m., $13

Brick and Mortar Music Hall

1710 Mission, SF

(415) 800-8782

www.brickandmortarmusic.com

 

THURSDAY 22

Teengirl Fantasy at Icee Hot

They put something in the water over at Oberlin. Beach House, Blondes, Teengirl Fantasy. Now at work in the real world, which includes opening for Crystal Castles, Teengirl Fantasy has found a style that’s just as likely to draw from the pop charts as it is from their academic pedigree. A little Lil Jon on one track, a little Raymond Scott on the next. With cooled, slo-mo beats and hyped up MCs turned down, the result is an aural muscle relaxant, allowing you to focus on making bedroom eyes across the dance floor. Teengirl Fantasy comes our way to play monthly party Icee Hot. (Prendiville)

With Total Freedom, Magic Touch (Damon Palermo), Shawn Reynaldo, and Rollie Fingers

10 p.m., $5-10

Public Works

161 Erie, SF

(415) 932-0955

www.publicsf.com

 

FRIDAY 23

Smuin Ballet

The late Michael Smuin was not one of my favorite choreographers. But he left behind a substantial inheritance that had gained him respectable audiences. Smuin choreographed one his most serious pieces, “Stabat Mater” — Dvorak’s response to the death of his infant daughter — in the aftermath of 9/11. He also loved to play with pop eroticism; “The Eternal Idol” — you can see its inspiration at the Legion of Honor — and “Tango Palace” showcase that propensity. Amy Seiwert premieres what she calls her “most “Smuinesque” piece yet — to Patsy Cline. Not the least of the company’s attractions these days is the quality of its dancers. Parking around the Palace — because of the Doyle Drive reconstruction — is somewhat restricted, so plan for extra time. Muni 43 goes there as well. (Rita Felciano)

9/23-Oct.1

$25-62

Palace of Fine Arts, San Francisco

(415) 556-5000

www.smuinballet.org

 

FRIDAY 23

“Hong Kong Cinema”

Though this is the San Francisco Film Society’s first-ever Hong Kong Cinema mini-fest, there’s no shortage of HK film fanatics in this town, what with the SF International Asian American Film Festival, the programming at Frank Lee’s Four Star Theatre, and even the occasional HK flick that arrives via Hollywood. If you dug Benny Chan’s now-at-the-Four-Star Shaolin, you won’t want to miss his City Under Siege, about bank-robbing, superpowered circus performers. Also on tap: another superhero action comedy, Vincent Kok’s (Pixar-inspired?) Mr. and Mrs. Incredible; Clement Chan and Yan Yan Mak’s multigenerational drama Merry-Go-Round; All About Love, from Ann Hui (her latest, A Simple Life, has been tearing up the international fest circuit); Law Wing-cheong’s kidnap thriller Punished (starring Anthony Wong, always full of win); Alex Law’s coming-of-age drama Echoes of the Rainbow; and rom-com Don’t Go Breaking My Heart, a genre departure for action man Johnnie To. (Cheryl Eddy)

Through Sun/25, $13–$20

San Francisco Film Society New People Cinema

1746 Post, SF

www.sffs.org


FRIDAY 23

SF Cocktail Week: Barbary Coast Bazaar

San Franciscans have long enjoyed a romance with alcohol — from the debauchery of the Barbary Coast era, to the modern renaissance of the artisan cocktail, the city knows how to knock ’em back. Celebrate this high-proof history with SF Cocktail Week, which features a variety of tastings, dinners, seminars, and parties, including “Barbary Coast Bazaar,” a huge fete inside the Old Mint. Expect a roaring 1920s themed party, with vintage circus acts such as stilt walkers, jugglers, contortionists, magicians, and carnival games, along with food, and of course, a wide variety of tasty cocktails. (Sean McCourt)

SF Cocktail Week events run through 9/25, pricing varies

Barbary Coast Bazaar, 9/23

8-11 p.m., $85–$95

The Old Mint

88 5th St., SF

www.sfcocktailweek.com


SATURDAY 24

Moving Planet Worldwide Rally Day

You can make yourself sick thinking about it: what are you going to tell your kids (or — hey sexy single! — the neighbor’s kids) when they ask you what you did to stop climate change back when we still had a chance and the Bayview-Sunset commute didn’t call for a rowboat? Are we creeping you out? Then let us recommend Moving Planet Day. A worldwide rally for sustainability, it’s sponsored by 350.org and will include Sept. 24 actions from Buenos Aires to Nairobi. In SF, a march of self-propelled peoples on foot, bike, and skate will trek from Justin Herman Plaza to the Civic Center, where an afternoon of speakers, music, and other events awaits. (Caitlin Donohue)

10-a.m.-6 p.m., free

March starts at Justin Herman Plaza, SF

Afternoon activities at Civic Center Plaza, SF

www.moving-planet.org


Hank 3

The grandson of country music royalty, Hank Williams III, or as he’s now known, Hank 3, continues to hone his own brand of diverse music, releasing not one, but four brand new albums this month: Ghost to a Ghost/Guttertown, a double record in a country vein, Attention Deficient Domination, with more of a “hellbilly” feeling, and Cattle Callin, which is more on the metal side of things. The modern torch bearer of outlaw country is promising that this tour will touch on all of them, which he released through his own label, Hank 3 Records, and that fans can expect a two-and-a-half to thee-hour set at each barn burning show. (McCourt)

8:30 p.m., $26

The Regency Ballroom

1290 Sutter, SF

www.theregencyballroom.com


SATURDAY 24

Celsius 7

The superchill but often splendidly goofy Bay rapper, a former member of the Psychokinetics crew, hails from one of the golden ages of local hip-hop — that late ’90s-early ’00s period when earnest showmanship and a healthy dose of good humor trumped aggro attention-seeking, niche genre overload, and crass product placement. Cel’s kept himself busy through Bay rap’s recent twists and turns, though, traveling the world and dropping some ace tracks, all the while staying true to his roots. This release party for his poppin’ second solo album, Life Well Spent (which features a nice roster of collaborators including Dirt Nasty, iLL MEDiA, and Baby Jaymes) will showcase his grin-inducing verbal dexterity, be loaded with special guest appearances, and serve as a convention of true school heads. (Marke B.)

9 p.m., $10 (includes copy of album)

Shattuck Downlow

2284 Shattuck, Berk.

(415) 455-4735

www.shattuckdownlow.com


SUNDAY 25

Chinatown Music Festival

The Yerba Buena Center for the Arts has an exhibit going on called “Daily Lives,” a group showing by local Asian American artists that takes prosaic trinkets and uses them to express the psychic winds that ruffle our insides. This weekend, “Daily Lives” is taking this exploration of the private, public. Put on your dark glasses and check out the sidewalk art exhibit in Chinatown — where your ambling will be soundtracked by a day of rad live music; traditional tunes from the SF Guzheng Society and pianist Jon Jang (who will be sharing his recently-penned homage to the Xinhai Revolution of 1911), plus more modern grooves by the grown-up local kids in Jest Jammin’ and the SF Latin Jazz Youth Ensemble. (Donohue)

1-7 p.m., free

Portsmouth Square Kearny between Clay and Washington, SF

www.apiculturalcenter.org


SUNDAY 25

Ladytron

Given the harder direction that Ladytron has gone in over the last few albums — even touring with Nine Inch Nails — I was not expecting what I heard on Gravity the Seducer: ABBA. Whether or not they were invoking the Swedish gods of pop on purpose, the opener “White Elephant” sets a tone for a lighter album. Not simply a step backwards to the sounds of Ladytron’s early albums, it’s its most synthetically dreamy, spaced out record yet. Of course, harder and softer are relative terms with the band, which has generally stuck to a distinctive sound, becoming electronic pop mainstays and developing a cult following in the process. (Prendiville)

With SONOIO, Polaris at Noon, and DJ Omar

8 p.m., $25

The Regency Ballroom

1300 Van Ness, SF

(800) 745-3000

www.theregencyballroom.com

 

MONDAY 26

Dr Ruth

We all fondly recall Dr. Ruth Westheimer as the funny, entertaining, and educational “sexpert” that hit the mainstream media in the 1980s and 90s, but did you know her amazing background before she was a household name? Born in 1928 in Germany, she lost her parents in the Holocaust, and actually fought (and was wounded) as a sniper during Israel’s war of independence. The icon will be touching on all these subjects, along with her new book, Heavenly Sex: Sexuality in the Jewish Tradition, at tonight’s special event. (McCourt)

7 p.m., $20–$35

Jewish Community Center of San Francisco

3200 California St., SF

(415) 292-1200

www.jccsf.org


TUESDAY 27

Tony Bennett Night

As San Francisco Giants fans know, whenever the team wins a game here at home, the crowd exits the ballpark to the sounds of the legendary crooner Tony Bennett’s signature song “I Left My Heart In San Francisco.” The 85-year-old icon performed the song live at last year’s World Series, and the team is honoring him with this special event where he will be celebrated in a pre-game ceremony. He also will perform a short set, and fans will receive a “Tony Bennett” bobblehead that has a sound chip that plays his beloved ode to our city by the bay. (McCourt)

Game starts at 7:15 p.m.; arrive early for pre-game events. Pricing varies; see website for current availability.

AT&T Park

24 Willie Mays Plaza, SF

(415) 972-2000

www.sfgiants.com/specialevents


TUESDAY 27

Nurses

If you listened to Nurses’ earliest album, you might not recognize the groovy melodic rock trio that stands before you today, presenting 2011’s Dracula (Dead Oceans). In the past five years, the harmonic freak-folk band — with a penchant for toy instruments and pianos — has gone through lineup changes, sound modifications, and location shifts. The two Nurses mainstays, singer-guitarist Aaron Chapman and singer-keyboardist John Bowers, have lived in the sweet sunshine of San Diego, close quarters during cold winters — the tour van in Chicago — and finally, settled in the dewy DIY spirit of Portland, Oreg., where they gained drummer James Mitchell, and further developed their technique. But that’s the test of a true musician, isn’t it? The ability to roll with the punches, to grow, to evolve. (Emily Savage)

With Dominant Legs

9 p.m., $12

Cafe Du Nord

2170 Market, SF

(415) 861-5016

www.cafedunord.com

 

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Appetite: What not to miss during SF Cocktail Week 2011

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For those of you who attended last year’s San Francisco Cocktail Week, you know it was jam-packed with some downright magical events, celebrating our city’s rich cocktail heritage, bar talent and innovation. Monday begins the fifth annual Cocktail Week, bigger than ever, with numerous national and local brands represented, an extensive schedule of seminars, parties, events, and the first ever Legends Awards honoring key contributors in the field.

I’d recommend Cocktail Week certainly for aficionados (cocktail/spirits geeks), but equally for the curious or those who just plain love classy, transporting events.

To name a few, the enchanting Cocktail Carnival Gala and St. George’s Cocktail Cookout last year were unforgettable for all of us lucky enough to attend. We basked in the glow of camaraderie and unparalleled settings like the historic Old Mint (where this year’s Barbary Coast Bazaar will be held) or along the Bay in Alameda. I’m anticipating more memorable events this year.

MAIN EVENTS  include the first ever Legends Awards Gala, showcasing some of our best talent in a multi-course dinner from chef Jen Biesty (of Top Chef fame), cocktails prepared by some of our best bartenders at stations throughout the room, awards announced, with live music and performance interspersed. The list of 5 award winners (including Lifetime Achievement and Renegade awards), along with the all-star bartender line-up, is here.

This is also the first year for an event like Best of the West, where top talent from cities of the West (LA, Victoria, San Diego, Portland, Seattle, Sacramento, Las Vegas) compete with local bartenders, showing off drink style in each of their cities.

SEMINARS are a new addition this year. The line-up is rich with around 15 seminars. Learn how to stock your own home bar, about the science of taste, or the history of cocktails in San Francisco. Seminars are all held at the Boothby Center for the Beverage Arts (1161 Mission St., Suite 120, San Francisco), the non-profit behind Cocktail Week.

DINING EVENTS are being thrown all week by restaurants and bars, with special cocktail guests and multi-course menus, at bar-star restaurants like Bar Agricole, Heaven’s Dog, and Jasper’s Corner Tap.

AFTERPARTIES include the big shindig at the newly revamped Starlight Room atop the Sir Francis Drake hotel following the Legends Awards Gala (afterparty included in Legends Award ticket price).

Tickets and schedule here www.sfcocktailweek.com. See you there!

— Subscribe to Virgina’s twice monthly newsletter, The Perfect Spot

Live Shots: Ke$ha, Fox Theater, 9/14/11

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Neon lights, glitter, and balloon drops certainly made for a bedazzled set, as Ke$ha took the stage, wearing the most glitz of all.

She worked her infamous bad-girl ‘tude and got as raunchy as possible for her very own “Get $leazy Tour.” Add in her troupe of zoombie-fied dancers and the whole vibe was gritty pop, circa the end of the world. (Did you know that she co-wrote that jam for Britney? Word.).

You can tell that Ke$ha thrives in the spotlight, but she’s a new pop princess and her voice needs some time to develop and mature. But the whole “stage drama plus musical mash-up” works together to create that perfect concert concoction. And if Ke$ha is reading this … she’s probably saying “Oh please! Blah, blah blah!”

Bay artists look down — on history!

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Your kicky little shoes walk (or perhaps prance) over it every day. No, not fossilized dog poop — but myriad and fascinating street-level relics of San Francisco history. A huge amount of our provenance can be gleaned by a closer look at manhole covers, pavement stamps, and other utility markings of ages past and current. It’s actually pretty dang cool what’s down there.

Designer Christopher Reynolds of Reynolds-Sebastiani Design put together a kick-ass photo feature for us earlier this year of some of those markers. Now he’ll be leading a virtual tour tonight, Wed/14, of the city’s past as part of walk SF’s “Underfoot: Bay Area Artists Look Down,” an awesome-looking minifestival of street history for buffs and casual glancers alike. Did someone say “sewer ride”? Oh yes, someone did! Full schedule after the jump.

“Underfoot: Bay Area Artists Look Down”

Wednesday Sept 14 – Saturday Sept 17
Workspace Gallery, 2150 Folsom
Free; donations benefit Walk SF

Wednesday Sept 14: Opening night
Drinks, popcorn, and aesthetic appreciation of a whole new realm:

7:00 pm – Art Opening: Workspace Gallery presents 14 Bay Area artists responding to the land below our feet. What do we see and feel about this ground we walk over, tunnel under, drink and eat from, dig up, and bury our dead in?

8:00 pm – “Exploring the Lost Marks of San Francisco’s Unseen Tradesmen,” by Christopher Reynolds of Reynolds-Sebastiani Design. Enjoy a virtual photographic tour of street utility covers and what they reveal about San Francisco history.

Saturday Sept 17: Bike tour and art party
Follow the unseen waterways of the city, then celebrate:

3:00 pm – The Sewer Ride: Join us for an aboveground bike tour of San Francisco’s sewer-stormwater system, with a focus on the Mission District and Mission Creek. The tour will be approximately three hours with stops; it starts and ends at Workspace.

7:00 pm – Gallery Party! Come together on the show’s final night to raise a glass to artists, streets, and waterways as we close out this marvelous show. Special bonus: Live music from delightful Blues/Americana musician Deborah Crooks.

Bring your friends and support local art and advocacy! All events are free. Donations requested to support Walk San Francisco’s work to make city streets better for you and your feet.

Tucson terrors Bob Log III and Mr. Free and the Satellite Freakout play the Hemlock Tavern

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In a land farther away in attitude than in miles (Tucson, Ariz.), there resides a surprisingly large cadre of talented music-makers with a collective sensibility perhaps best described as skewed. The Pork Torta, Al Foul, Al Perry, Giant Sand, the list goes on and on.

Who knows what it is about Tucson that makes it a breeding ground for guitar-toting contrarians with a penchant for the outré; something tells me that arid desert climate might be partially to blame. In any event, they don’t get much more skewed than Bob Log III or Mr. Free and the Satellite Freakout – and the prospect of seeing both in the intimate confines of the Hemlock Tavern tonight is an appealing one.

Whether you go for the Frank Zappa-esque yawp of the eponymous Mr. Free or the sensory-overload experience of watching Bob Log III play all his own instruments (and the crowd) with all the frenetic energy of both Blues Brothers combined, enhanced with the solid slide guitar skills of a heavy-hitting Delta Blues axman, the evening’s entertainment will be anything but boring.

The loopy ensemble known as Mr. Free and the Satellite Freakout embraces a sound that borders on the psychedelic, yet manages to eschew the more obnoxious, jam-band-y aspects. And the crowd-mingling, costumed stunts of Mr. Free pointedly deconstruct the habitual segregation of performer and audience.

Bob Log III, the alter-ego of Robert Reynolds III, is a veritable juggernaut of natural showmanship and unnatural charms. Clad in a jumpsuit and a customized helmet rigged with a microphone, Log sits behind a kickdrum, slide guitar in hand. His absurdist, mammary-fixated lyrics, lady “bouncing,” and wicked licks combine to make the Bob Log III experience one of those indie-rock pilgrimages that all true music-lovers must make at least once in their lives — like a trip to a holy land, but a whole lot less holy. Sort of like Tucson.

Wed/14
9 p.m., $12-$15
Hemlock Tavern
1131 Polk, SF
www.hemlocktavern.com

Live Shots: Religious Girls, Part Time, and Born Gold

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Last night at the Knockout, Religious Girls killed it. It was a homecoming show of sorts for the local band after its late summer tour, and the feeling was all warm and fuzzy — minus a drunken birthday boy fight in the crowd. The Knockout itself was crowded, but not that unbearable, sweat-running-down-the-walls packed it has been known to incur. The boys of Religious Girls, who we profiled earlier this week, played hard and tight; especially the drummer, who we’re giving MVP for the night.

After opening the show, Religious Girls were followed by another recent birthday boy, San Francisco’s 80s synth dreampopper Part Time, backed by a full band, then Canadian trio Born Gold (formerly Gobble Gobble).

All photos by Chris Stevens.

Our Weekly Picks: September 7-13

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WEDNESDAY 7

MUSIC

The Jim Jones Revue

On its new album, Burning Your House Down, the Jim Jones Revue has seemingly perfected its rowdy mix of 1950s rock ‘n’ roll and MC5-esque blues-punk. The London five-piece debuted in 2004 with a ramshackle garage rock style and a series of blistering live sets that won over the likes of Liam Gallagher and Jim Sclavunos (Nick Cave & The Bad Seeds, Grinderman) — Sclavunos produced the group’s new LP. The band’s relentless Jerry Lee Lewis-style piano twinkling, punk rock guitars, and rockabilly drumming, coupled with Jones’ intense vocal delivery (an endearing mix of Little Richard yelps and Motorhead gravitas) has earned it a reputation as one of the UK’s can’t miss live acts. (Landon Moblad)

With the Sandwitches

8 p.m., $13–$15 The Independent

628 Divisadero, SF (415) 771-1421

www.theindependentsf.com


THURSDAY 8

MUSIC

SF Symphony Free 100th Birthday Celebration

Ghirardelli chocolate squares, an afternoon party outside City Hall, and Michael Tilson Thomas conducting the SF Symphony with superstar Chinese pianist Lang Lang — all free? Yep, it’s the centennial celebration of our own musical starship, with two can’t fail crowd-pleasers, Franz Liszt’s Piano Concerto No. 1 in E-flat major and Benjamin Britten’s The Young Person’s Guide to the Orchestra, on the menu. The engaging Lang Lang has a way with Liszt’s Concerto No. 1 — his twinkling flourishes on both its silent-movie villain and John-and-Mary romantic passages can call to mind another flashy Liszt lover, Liberace, but Lang Lang’s technical enthusiasm is all his own. (Marke B.)

11:30 a.m., free

San Francisco City Hall

1 Dr. Carlton B. Goodlett Place, SF

(415) 864-6000

www.sfsymphony.org


FRIDAY 9

MUSIC

Christian Marclay

The mad genius-artist-composer-filmmaker who recently unleashed The Clock, an astonishingly well made 24-hour-long film collage on Los Angeles, is one of the highlights of an already awesome San Francisco Electronic Music Festival this year. Marclay, who was actually born just outside of San Francisco in San Rafael, before emigrating to Switzerland as a child, is a master of mezmerization. The sonic tapestries he creates with records were the precursors to turntablism, albeit a more avant-garde version than what has been popularized by DJs in the past several decades, and continue to transgress the boundaries of music and performance. The collage of sounds rendered by Marclay may seem cacophonous, but a hypnotizing rhythm always lurks just below the surface, ready to suck you in if you only let it. (Cooper Berkmoyer)

With Shelley Hirsch, Zachary Watkins, and Jessica Rylan

8 p.m., $16

Brava Theater

2781 24th St., SF

(415) 641-7657

www.sfemf.org


MUSIC

Iris DeMent

Sweet is the voice of Iris DeMent, whose Pentecostal parents kept her singing gospel even after they moved from Arkansas to Orange County. DeMent rolled her complex feelings towards the old time religion into one of the finest opening shots of any debut album: “Let the Mystery Be,” a Marilynne Robinson novel in the shape of a country song. She’s only recorded three albums since that first Infamous Angel (1992), but her songs still radiate hard-won wisdom and calm in concert. She kept the Hardly Strictly Bluegrass hillside hushed a few years ago, and one imagines tonight’s show at the Great American will be far more intimate. (Max Goldberg)

With Kiyoshi Foster

8 p.m., $35

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.gamh.com


MUSIC

Down

When Hurricane Katrina hit New Orleans in 2005, the devastation was near total. In the wake of the storm, different people coped in different ways. Down used the harrowing experience as inspiration for its most recent album, III: Over the Under, soulful slab of stoner metal that helped excise some of the emotional pain. Drawing on the talents of NOLA metal stalwarts Kirk Weinstein, Phil Anselmo, Pepper Keenan, and Jimmy Bower, the super-group has stayed on tour, shouting out its heavy, Southern Rock-influenced sound in defiance of disaster. (Ben Richardson)

With In Solitude, Ponykiller

8 p.m., $25

The Regency Ballroom

1300 Van Ness, SF

www.theregencyballroom.com

(415) 673-5716


SATURDAY 10

EVENT

Ghirardelli Chocolate Festival

With a name that is among the most synonymous in the world for delicious chocolate, Ghirardelli has been making tasty treats in San Francisco since 1852 — a long standing tradition that has been joined in recent years by the annual Ghirardelli Square Chocolate Festival, a two-day fete where visitors can sample a wide variety of scrumptious confections from both the famous host company, along with more than 30 other vendors and producers. A variety of cooking demonstrations and live entertainment are also on tap for this sweet event that benefits Project Open Hand. (Sean McCourt)

Through Sun/11, noon-5 p.m., $20 for 15 tastings

Ghirardelli Square

900 North Point St., SF

(415) 775-5500

www.ghirardellisq.com


MUSIC

Rancid

Now twenty years into an impressively steady career, Rancid continues to make a uniquely identifiable version of punk rock that sounds entirely uninterested in modern spins on the genre. The East Bay-born group flirted with the mainstream with hits like “Ruby Soho” and “Time Bomb,” but its catalog goes far deeper than those pop-punk radio gems. From the early skate punk of Let’s Go, to the late period Clash-aping Life Won’t Wait, to the fiery hardcore influences of its self-titled release in 2000, Rancid has cemented itself over the years as one of the essential bands to emerge from the punk revival of the 1990s.(Landon Moblad)

With H20 and DJ J & Nicki Bonner

8 p.m., $24 The Warfield 982 Market, SF (415) 354-0900 www.thewarfieldtheatre.com

 

MUSIC

Balkans

The swallow-hard, pleading vocals of Balkans — which invoke the Strokes’ Julian Casablancas — occasionally sounds slurred, like perhaps the singer who owns those pipes knocked back a few. And who know, maybe he did. The band is after all said to be influenced by its Atlanta-hometown compatriots the Black Lips — known for destructive antics at live shows. And in a recent interview with video platform Noisey (curated by VICE), Balkans and fans did claim the band has set off fireworks, thrown raw meat, and bled on guitars during shows. Regardless of such stories, it doesn’t get in the way of the music. The fresh-faced 20-somethings, buddies since childhood, spin fuzzy ’60s pop-infused garage rock with jangly guitars — gaining comparisons to both the Walkmen and Television. Those equivalences alone are enough to want to grab a beer. (Emily Savage)

With PS I Love You

9:30 p.m., $10

Hemlock Tavern

1131 Polk, SF

(415) 923-0923

www.hemlocktavern.com

 

MUSIC

Totimoshi

Totimoshi has always defied categorization. The band, led by the baleful singing and scrabbling guitar of Antonio Aguilar, relies on a rock-solid rhythm section comprised by bassist Meg Castellanos and drummer Chris Fugitt to round out its idiosyncratic hard-rock sound. New album Avenger includes guest spots by Mastodon’s Brent Hinds, the Melvin’s Dale Crover, and Neurosis’ Scott Kelly, which should give you some idea of what’s in store. Catching them in El Rio’s intimate back room will be a great opportunity to see the band putting it’s best foot forward for a hometown crowd. (Richardson)

With Hot Fog, Belligerator

9 p.m., $8

El Rio

3158 Mission, SF

415-282-3325

www.elriosf.com


SUNDAY 11

MUSIC

Slim Cessna’s Auto Club

After a week-long, whiskey-fueled bender that leaves you half dead and nearly broke in a seedy motel room just outside of New Orleans, a sudden concern for your spiritual well being drives you into the dusky sunlight in search of salvation. Bleary eyed and still drunk, you stumble across a small Pentecostal church on an empty street populated by shuttered storefronts and a lone dog. A sign outside reads: “DIVINE HEALING. LIVE MUSIC. SNAKES.” Figuring you’ve got nothing to loose, really, you open the door. The healing is neat, you guess, and hey, who doesn’t love snakes, but the music is like nothing you’ve ever heard before. It’s like Johnny Cash performing an exorcism on Spencer Moody: Slim Cessna’s Auto Club (that’s who played, you later find out) put on one of the best damn shows you’ve ever seen and leaves you grinning . . . but still damned. (Berkmoyer)

With the Ferocious Few and Tiny Televisions

9 p.m., $12

Bottom of the Hill

1233 17th Street

San Francisco, CA

(415) 621-4455

www.bottomofthehill.com

 

TUESDAY 13

MUSIC

Teen Daze

Ambient pop can go one of two ways; this one goes the right way. True to its name, Teen Daze, sounds as if it he creates music under the lush and youthful haze of teenage emotion. Stretched out in bed, it’s music for you to toss and turn to, giant headphones attached to your head, wrapped in heady thoughts of loves gone by, slight trickles of keyboard optimism bursting over pillowy ambient clouds and pangs of sorrow. Presented by Epicsauce.com and Yours Truly, the show marks the release of the Vancouver, British Columbia-based synth musician’s newest record, A Silent Planet on Waaga Records. Throw on an oversized sweatshirt and let your thoughts get the better of you. (Savage)

With Yalls, Speculator

8 p.m. $6

Public Works

161 Erie, SF

(415) 932-0955

www.publicsf.com

 

MUSIC

The Vibrators

It’s the Vibrators! The 16-year-old with a safety pin though his cheek and Clorox in his hair that lives at the center of all that is still good in your heart demands that you go see them! Formed in London in 1976, the Vibrators was one of Britain’s first punk bands and 35 years later it’s also one of the longest lasting. Although numerous line-up changes have reduced the band to only one original member, drummer John ‘Eddie’ Edwards, the current three-piece line up can still tear through classics like “Baby, Baby” and “Whips and Furs” with the energy of the good ol’ days of punk and the precision that comes with three odd decades of practice. (Berkmoyer)

With the Meat Sluts, Sassy!!! and Elected Officials

9 p.m., $8

The Knockout

3223 Mission, SF

(415) 550-6994

www.theknockoutsf.com

 

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

On the Cheap Listings

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WEDNESDAY 7

Grant application seminar Independent Film Center, 145 Ninth St., SF. (415) 402-2794, www.creativeworkfund.org. 6-7:30pm, free. The Creative Work Fund is giving out up to $810,000 to local artists — and it’s hosting a series of workshops that will guide potential applicants through the process of submitting their proposal. The program is focusing on media (computer, audio, digital, and film) and performing artists this time around — if you fit the bill, you might want to look at letting this organization fit out your bills.

THURSDAY 8

Captive Genders: Trans Embodiment and the Prison Industrial Complex reading Modern Times Bookstore, 2919 24th St., SF. 7-9pm, free. A ground-breaking new book examines the relationship of queer, trans, and gender non-conforming people and the prison industrial complex. Contributors to the book — a group that includes past and present prisoners, academics, and activists — will speak at this reading. The event could be a call to action on an under-reported conflict.

Back to school dog and kid party Wag Hotel, 25 14th St., SF. (415) 876-0700, www.waghotels.com. 5-7pm, $5 suggested donation. The SF SPCA is bringing adoptable woofs to this meet-and-greet (don’t bring Junior if you’re not trying to walk away with a new best friend?). Kids will also be able to participate in the shelter’s Puppy Dog Tales Reading Room program.

FRIDAY 9

Rally in the Alley 100-199 Ames, SF. www.alleyproject.ning.com. 5:30-8pm, free. Ames Alley (between 22nd and 23rd streets and Dolores and Guerrero) has recently been renovated — the new alleyway features solar lighting, vertical gardens… whoa, water-permeable pavement!? This calls for a celebration, and a celebration is what you’ve got coming to you. Today, join food vendors, an art exhibit, live music, and more to welcome the newly spruced-up walkway to the neighborhood.

SATURDAY 10

Babylon Salon Cantina, 580 Sutter, SF. www.babylonsalon.com. 7pm, free. ZYZZYVA’s longtime editor Howard Junker is a free agent now, so he’s got the time to focus on his own projects — share in their glory at this event, where Junker will be reading from his “proto-memoir-ish blog novel of ideas” tentatively titled An Old Junker. Other readers for the night include authors Nick Krieger, Laura Goode, and magician Robert Strong.

Haight Street Hop Milk, 1840 Haight, SF. www.milksf.com. 9pm, $5 before 10pm, $10 afterwards. Bingo, boobies, DJs, dancing: such is the multi-faceted entertainment that awaits you at this something-for-everyone ho-down. Burlesque bingo? Free hairdos from professional stylists? What is going on here really, this is just getting too crazy.

Ghirardelli Square Chocolate Festival Ghirardelli Square, SF. www.ghirardellisq.com. Noon-5pm, free. Sure, you’ve got shell out some dough to sample the goods at this fest in the heart of tourist town, but monkeys come free! Paul Frank — the company of that iconic Julian monkey face, and all your adolescent nieces favorite cartoon-cute T-shirts — is coming to town. Representatives from the brand will be holding a contest for “king and queen of puppy prom,” and while we hesitate to qualify what the hell that means, it seems safe to say you should bring your dog.

SUNDAY 11

Drum for Peace gathering Numi Tea Garden, 2230 Livingston, Oakl. (877) 686-4832, www.numiteagarden.com. 3-6pm, free. A fundraiser for Altitudinal Healing Connection’s ArtEsteem youth arts education program, this gathering is sure to be very “Kumbaya” — which given this day’s recent history, probably isn’t the worst thing ever. Love your neighbor and all that, people. 

 

Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

Refusing to be hotboxed

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HERBWISE Karen Cue, CEO of this weekend’s International Cannabis and Hemp Expo is taking me to school. “It’s insulting to switch up those terms,” she tells me.

The terms I switched up? I just asked her why it was important to have legal-for-cannabis-consumption “215 areas” at her upcoming event, which will draw a projected 30,000 marijuana patients and cannabis-curious folk, turning a full mile’s worth of streets into an exhibition area in middle of downtown Oakland.

I’m standing by the validity of the question — but apparently I shouldn’t have phrased it “why is it important for people to be able to smoke weed?”

“That’s the terminology for recreational use,” Cue says. The expo is not, she says, about getting blazed and blunted. Medical marijuana users pay $20 million a year to the California state government in what are called taxable donations. That should buy them some civil rights — and many advocates see having places to legally consume cannabis as a big deal. “95 percent” of the people that her expo is marketed to, Cue says, are medical marijuana patients.

The event has been growing larger every year. This is the first year it will be held in downtown Oakland, having outgrown 2010 and 2009’s site, Candlestick Park. Cue calls the expo’s old digs “kind of old, kind of rustic — it’s got its good qualities about it, but we’re looking at advancement.” An Oakland local herself, she saw the possibility of holding the expo in a more accessible location — an outdoors area with a shady park, no less — a way to improve everyone’s enjoyment of the weekend.

And after years of dealing with Candlestick (a state-owned facility), holding the event in the heart of Oaksterdam was a breeze. City government had rejected two cannabis expo event applications in the past, but Cue says the reputation of her group coupled with positive media reviews it has earned made the city’s process relatively easy to work through.

“They did not ask anything of us out of the norm. But it definitely did raise the attention of the Oakland police” — a security concern that she hopes will be unfounded.

But this is no simple smoke-out (which I say in the most medicine-respecting way possible). Cue says the exhibition is also meant as an important learning opportunity about the parts of the marijuana plant you consume — and the parts you wear.

Hemp, as any good stoner should know, was once used by the US military to make uniforms, ropes, and parachutes. The government even released a short movie entitled Hemp For Victory during World War II promoting the material’s importance to the American war machine. Drafts of the Declaration of Independence was written on the stuff, for chrissakes. It’s more durable than cotton, hemp oil is a prime source of essential fatty acids — the list of reasons for its full legalization goes on.

For a crash course in hemp’s utilitarian glory, Cue recommends checking out David (“Doctor”) Bronner’s talk at the expo. Bronner is a member of Canada’s International Hemp Association, a hemp advocacy group that has no equivalent here in the United States. Learnin’ will also be on tap at the expo’s three stages of speakers, at vendor booths, and at Grow Op’s portable marijuana-growing trailer.

Have fun, learn stuff — and don’t call it weed. 

INTERNATIONAL CANNABIS AND HEMP EXPO

Sat/3-Sun/4 noon- 8 p.m., $18-300

Frank Ogawa Plaza, Oakl.

www.intcheevents.com

WEST COAST CANNABIS AND MUSIC FESTIVAL

For even more cannabis celebration, check out next month’s tune-and-toke fest — three days of live music powered by Rock The Bike’s generator bicycles.

Oct. 7-9. Fri., 3-9 p.m.; Sat., 11 a.m.-9 p.m.; Sun., 11 a.m.-7 p.m., $18 one day pass/$45 three day pass

Cow Palace

Daly City

www.westcoastcannabisexpo.com

 

Rep Clock

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Schedules are for Wed/31-Tues/6 except where noted. Director and year are given when available. Double features are marked with a •. All times are p.m. unless otherwise noted.

BALBOA 3620 Balboa, SF; www.balboamovies.com. $17.50-20. Nabucco, from Teatro Antico, Taormina, Wed, 7:30.

“BERNAL HEIGHTS OUTDOOR CINEMA” Old Clam House, 299 Bayshore, SF; (415) 641-0324, www.bhoutdoorcine.org. Suggested donation $15 (includes two drink tickets; benefits Bernal History Project). “Opening Night Party and Preview,” films and live music by Stoo Odom and the Odom Poles, Wed, 6:30. Tiffany and 29th St, SF; same contact. Free. Block party with films and live music by the Patsy Chords, Thurs, 6:30. Red Hill Books, 401 Cortland, SF; same contact. Free. “Film Crawl on Cortland Ave,” Sat, 6:30. Precita Park, Folsom at Precita, SF; same contact. Free. “Outdoor Cinema Under the Stars,” Sat, 6:30. El Rio, 3158 Mission, SF; same contact. Suggested donation $10. “Closing Night and Season Finale,” Sun, 7:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-13. “Cary Grant: Definitive Star” •The Philadelphia Story (Cukor, 1940), Wed, 2:50, 7, and Holiday (Cukor, 1938), Wed, 5, 9:05; •Arsenic and Old Lace (Capra, 1944), Thurs, 3, 7, and The Awful Truth (McCarey, 1937), Thurs, 5:10, 9:15; •North By Northwest (Hitchcock, 1959), Fri, 2:20, 7, and Charade (Donen, 1963), Fri, 4:45, 9:25; •Bringing Up Baby (Hawks, 1938), Sat, 3, 7, and Monkey Business (Hawks, 1952), Sat, 4:55, 8:55; •Bringing Up Baby (Hawks, 1938), Sun, 7, and I Was a Male War Bride (Hawks, 1949), Sun, 8:55; •His Girl Friday (Hawks, 1940), Mon, 2:50, 7, and Only Angels Have Wings (Hawks, 1939), Mon, 4:35, 8:45; •Notorious (Hitchcock, 1946), Tues, 3, 7, and Suspicion (Hitchcock, 1941), Tues, 4:55, 8:55.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $10.25. The Hedgehog (Achache, 2010), call for dates and times. The Names of Love (Leclerc, 2010), call for dates and times. Senna (Kapadia, 2011), call for dates and times. The Whistleblower (Kondracki, 2010), call for dates and times. Third Star (Dalton, 2010), Thurs and Sun, 7.

“CONVERGENCE MMXI FILM SERIES” Artists’ Television Access, 992 Valencia, SF; www.convergencefest.com. $7. Naco es Chido (Arau, 2010), Wed, 7. SF Film Society-New People Cinema, 1746 Post, SF; same contact. $12. The Holy Mountain (Jodorowsky, 1973), Thurs, 8. Mission Cultural Center for Latino Arts, 2868 Mission, SF; same contact. $8-10. Everybody’s Dying Here (Gardoki, 2002), Fri, 7:30.

“FILM NIGHT IN THE PARK” This week: Creek Park, 451 Sir Francis Drake, San Anselmo; (415) 272-2756, www.filmnight.org. Donations accepted. Young Frankenstein (Brooks, 1974), Fri, 8; Harry Potter and the Deathly Hallows: Part One (Yates, 2010), Sat, 8; North By Northwest (Hitchcock, 1959), Sun, 8.

JACK LONDON SQUARE 66 Franklin, Oakl; www.jacklondonsquare.com. Free. “Waterfront Flicks:” Who Is Killing the Great Chefs of Europe? (Kotcheff, 1978), Thurs, sunset.

MANDELA VILLAGE ARTS CENTER 1357 Fifth St, Oakl; www.brainwashm.com. $10. “17th Annual Brainwash Drive-In/Bike-In/Walk-In Movie Festival,” unique independent movies from around the world, Sat/3, 8pm; Sept 9-10, 9pm.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. “The Timeless Cinema of Marcel Pagnol:” The Well-Digger’s Daughter (1940), Wed, 7. “UCLA Festival of Preservation:” The Crusades (DeMille, 1935), Thurs, 7. “The Outsiders: New Hollywood Cinema in the Seventies:” The Heartbreak Kid (May, 1972), Fri, 7; Wanda (Loden, 1970), Sat, 8:50. The Landlord (Ashby, 1970), Fri, 9:10; “Sounding Off: Portraits of Unusual Music:” The Reach of Resonance (Elkins, 2010), Sat, 6. ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $5-9.75. Shut Up Little Man! An Audio Misadventure (Bate, 2011), Wed-Thurs, 7, 9. Love Exposure (Sono, 2008), Sept 2-8, 7:30 (also Sat-Sun, 2:30)

Our weekly picks: Aug. 31-Sept. 6

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WEDNESDAY 31

FILM

“Bernal Heights Outdoor Cinema”

Don’t let all those school supplies in Walgreens fool you — summer in San Francisco is still going strong. Hope for one (or more!) of those rare fog-free nights during Bernal Heights Outdoor Cinema, a showcase of over 70 shorts made by residents of the ‘hood and points beyond. Tonight’s way-out-east opening party previews the whole shebang with live music by Stoo Odom and the Odom Poles; other events include a block party on Tiffany Avenue (runs parallel to Mission; access it from 29th St.), a “film crawl” down Cortland Avenue (get drunk on HD videos!), a screening in Precita Park, and a finale party at El Rio. The kick-off has a suggested donation to benefit Bernal History Project, but the rest of the fest is free. (Cheryl Eddy)

6:30 p.m., suggested donation $15

Old Clam House

299 Bayshore, SF

(415) 641-0324

www.bhoutdoorcine.org

 

FILM

“Cary Grant: Definitive Star”

Cary Grant was the prototypical total-package leading man: suave and dapper, gruff yet dreamy, totally manly (could kick ass atop Mount Rushmore) yet sensitive (could sweep a starlet off her feet without rumpling his hairdo). George Clooney wishes he could measure up. Show your appreciation for one of cinema’s all-time greats — and hey, the films themselves are pretty special, too — during this weeklong appreciation of the Divine Mr. Grant. Selections hew toward his 1930s-40s output of rapid-fire Howard Hawks comedies (1938’s Bringing Up Baby, which screens in a brand-new 35mm print; 1940’s His Girl Friday), but his Hitchcock turns (including 1959’s North By Northwest and, drool, 1946’s Notorious) and 1940’s classic The Philadelphia Story are also represented. (Eddy)

Through Tues/6, $7.50–$10

Castro Theatre

429 Castro, SF

(415) 621-6120

www.castrotheatre.com

 

THURSDAY 1

MUSIC

Uzi Rash

If your friendly neighborhood punk house grew arms and legs, developed vocal chords, and started a band, said band would probably sound a lot like Uzi Rash. A mad jangle, barely held together by grit and charm, Uzi Rash flourishes on the edge of collapse. No two songs sound the same, and band membership constantly mutates, but the appeal remains. Uzi Rash is Oakland’s answer to the Urinals, bolstered by the avant-garde weirdness of bands like Chrome or Pere Ubu, a combination that has earned a dedicated following in the bay and beyond. Lest you be surprised, an Uzi Rash show is hardly predictable; the energy is organic and the ride is free. Or six bucks. Or something like that. (Cooper Berkmoyer)

With King Lollipop, Buffalo Tooth, and Cool Ghouls

9 p.m., $6

Thee Parkside

1600 17th St., SF

(415) 252-1330

www.theeparkside.com

 

MUSIC

Peaches

What can you learn from the teaches of Peaches? That sex is good, all types of body hair should be adored not shorn, and if you don’t like her style, you can get the fuck out of the club. Berlin-based artist Peaches (not be confused with our own priestess, Peaches Christ) rose from the ranks during electroclash’s heyday in the early 2000s with a far more distinctive style than others that claimed the genre. She was fierce with taboo lyrics, confusing sexuality, and throbbing beats — and is still nails-tough with followup albums such as 2009’s I Feel Cream. And of that now-rubble of electrocrash, she proudly still remains, standing atop it with arms akimbo, gleaming in shiny gold spandex hotpants, the gender-bending mistress of futuristic trash pop. (Emily Savage)

With Maluca

9 p.m., $20

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com

 

FRIDAY 2

FILM

“Love Exposure”

Sion Sono, the groundbreaking, prolific, and perhaps mad writer/director/poet who notably brought the world Suicide Circle (2001) — a movie that after having watched twice I still can’t really tell you what it’s about — has once again dropped jaws across the globe with his most ambitious feature to date. Love Exposure is a nearly four-hour-long epic about a love smitten devoutly Catholic teenager named Yu Honda as he masters the art of upskirt photography, chases the object of his obsessive desire, and eludes a violent cultist. Released in Japan over three years ago to widespread acclaim, it has only recently made its way to our shores; Sept. 2 will be your first chance to catch this beast of a film in San Francisco but hopefully not your last. (Berkmoyer)

Fri/2 — 9/8

$10

Roxie Theater

3117 16th St., SF

(415) 863-1087

www.roxie.com

 

MUSIC

Chelsea Wolfe

It’s been one full year since the beginning of based goth club night 120 minutes. As the club puts it: “a year of darkness and based goth… lasers and fog… thizzed out thugz in black throwin’ up occult signs and goth kids sippin’ sizzurp and screamin’ along to waka flocka flame.” To celebrate the anniversary of such mayhem, Los Angeles-based musician Chelsea Wolfe is coming in for a live set, arriving on the heels of her exquisitely haunting new release, Ἀποκάλυψις (pronounced “apokalypsis”). It touches both darkness and light, pain and ecstasy. From the opening beastly howl to the more subdued ethereal end, the album plays out like a black veil-laced journey on-foot through punishing natural elements. Which should fit nicely with the 120 Minutes crowd. (Savage)

120 Minutes anniversary

With DJ Todd Pendu, DJs Nako, and Whitch

10 p.m., $10

Elbo Room

647 Valencia, SF

(415) 552-7788.

www.elbo.com

 

SATURDAY 3

MUSIC

Dreamdate

What’s your dream date? Perhaps the night would start off with beers, then move on to pizza . . . then more beers? You and your date could take a stroll and talk about life. “You know what I hate?” . . . “Me too!” Maybe you would broach the subject of early-to-mid 90s indie pop. What d’ya know, you both like Cub and Go Sailor! The Popguns too! A match made in heaven. “Hey, have you heard of Dreamdate?” “Who?” “It’s new. It’s a three piece from the bay. It’s sweet and catchy without making you feel like you’re choking on a cube of sugar that’s boring its way into your brain.” “I hate that.” “Me too. But I love Dreamdate.” (Berkmoyer)

With Lilac, the Ian Fays and Wild Assumptions

6 p.m., $6

423 40th St., Oak.

(510) 985-0325

www.1234gorecords.com

 

DANCE

RawDance Concept Series 9 Why overpay for a 3D movie when you can get live action art with free popcorn to boot? Dance artists Wendy Rein and Ryan Smith of RawDance host Concept Series 9, an intimate salon featuring works-in-progress and dance repertory by Bay Area dance artists. In addition to pieces by RawDance, this installment includes a new solo by former Martha Graham Dance Company performer David Martinez who has crowdsourced content to fold into his choreography, the darkly humorous 13th Floor Dance Theater directed by Jenny McAllister, Tanya Bello’s project.b, Gretchen Garnett and Dancers and punkkiCo, led by Finnish import Raisa Punkki. (Julie Potter)

Sat/3, 8 p.m. and Sun/4, 3 and 8 p.m.9 p.m., $8

66 Sanchez, SF

(415) 686-0728

www.rawdance.org

 

MUSIC

RTX

With the demise of ’90s indie rock heavyweights Royal Trux in 2001, longtime creative partners Neil Hagerty and Jennifer Herrema parted ways with Hagerty founding Howling Hex and Herrema adopting the name RTX for her own project. Since then, RTX has released scores of records, solidifying Herrema’s reputation as a songwriter and badass of renown while reaching out to a legion of fans, young and old(er) alike, with a lurching amalgam of everything that rocks, from skate punk to old school psychedelia and everything in between; it’s a mystical trip in the desert with nothing but torn jeans, cowboy boots, and a stick-n-poke Camero on your bicep. It makes you want to drink whiskey and say “fuck.” I miss my long hair. (Berkmoyer)

With White Fence, Heavy Cream and Burnt Ones

9 p.m., $8

Thee Parkside

1600 17th St., SF

(415) 252-1330

www.theeparkside.com

 

SUNDAY 4

EVENT

Star Wars Day

Having won their first World Series title since moving to San Francisco last season, the Giants seemed, as Master Yoda would say, “at one with the Force.” In a fitting tribute to their victory, the team is hosting “Star Wars Day” at the ballpark, complete with a pre-game costume contest and party, a post-game screening of The Empire Strikes Back, and a special “Brian Wilson in Carbonite” giveaway. With his awesome, Jedi-like command of the ball when pitching, Wilson is a most appropriate pick — not to mention the fact that with his epic beard, he’s starting to look a little bit like Obi-Wan Kenobi! (Sean McCourt)

11 a.m.; Pricing varies; see website for current availability

AT&T Park

24 Willie Mays Plaza, SF

(415) 972-2000

www.sfgiants.com/specialevents

 

MUSIC

Twin Sister Twin Sister makes funky pink frosted cake-making, pinata-swinging, casual party music. Just check out the Brooklyn-via-Long Island band’s video for “Bad Street” off its forthcoming album In Heaven. Shot on location at breathy, sweet-voiced singer Andrea Estella’s family home, the video captures a pretty epic celebratory affair, replete with balloons and metallic streamers. Estrella’s family is made up of Salvadorians and Puerto Ricans, and she says the the video and the lyrics of the song are about Latin American life in New York. While other Twin Sister tunes expose a dreamy ’80s pop bent, this particular track sounds like a funked out ’70s block party. Just pray you get the invite.(Savage)

With Devon Williams, Library Voices

8 p.m., $12 Rickshaw Stop

155 Fell, SF

(510) 861-2011

www.rickshawstop.com

 

TUESDAY 6

MUSIC

The Mummies

There will only be 40 tickets sold at the door to this notably awesome, already pre-sold out show at the Knockout — I mean, these are the godparents of San Francisco surf punk we’re talking about here. Beginning in 1988, the gauzy white-cloth-wrapped band mixed 1960s-style surf rock riffs with the more modern sounds of clattering garage punk. All the Mummies have since joined other acts, but the band still occasionally regroups for live SF shows. Of course, Russell Quan is most often seen these days behind the DJ booth at twist-crazy club night Teenage Dance Craze at the Knockout, so what better place to host the show? And it should be a good one. The flier teases “Wear white shoes for a special surprise treat. Things will get out of hand.” (Savage)

With the Hondettes, DJ Russell Quan

10 p.m., $15 Knockout

3223 Mission, SF

(415) 550-6994

www.theknockoutsf.com 

 

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Appetite: 3 to watch — new restaurants, noteworthy bites

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Open for a matter of weeks or months, these new spots show promise with dishes I’m still thinking about…

LE BORDEAUX – French sausage
The new Le Bordeaux, tucked away in North Beach, holds some subtle surprises. General description: ultra-traditional French bistro fare in a Euro cafe with woodsy, rustic country lodge feel. It’s a blessedly mellow respite for lunch or dinner. The winning dish thus far is Boudin blanc ($18), that light, gentle white pork sausage I love so, common in France as well as in New Orleans cuisine.

It sits atop a mound of caramelized apples and crumbled speculoos, a graham cracker-reminiscent cookie/biscuit. Savory and sweet, the plump sausage dribbles its juices over pastry crumbs. Just like dessert… but with sausage.

524 Union Street
(415) 529-1674

RENDEZVOUS TAPAS LOUNGE – orange blossom beignets
The new Rendezvous Tapas Lounge may be roomy to the point of stark, but shared plates at the hands of executive chef Mattin Noblia’s (who many know from Top Chef fame or at his previous restaurant, Iluna Basque) are made with care. Paper-thin, citrus-radiant octopus carpaccio ($12) and warm, stuffed piquillo peppers ($7) oozing with soft goat cheese, stand out. Orange blossom beignets ($7) truly do dissolve in the mouth. Yes, we’ve seen plenty of beignets on dessert menus in recent years, but orange blossom is an inspired accent, while these eggy-light beignets evoke my favorite Chinese baked goods by way of France. Not too sweet, they are fluffy and comforting.

Of note, the weekend brunch (savory or sweet crepes, crawfish bisque, mimosas, Bloody Marys, etc…) intrigues with a DJ spinning old school hip hop and bar manager Anthony Baker serving off-menu cereal cocktails. Golden Grahams are shaken with Jameson, milk and honey simple syrup (or Honey Nut Cheerios with Amaretto, Fruit Loops with berry vodka) for that finish one gets when nearing the milky bottom of a cereal bowl.

2080 Van Ness Avenue
(415) 409-0660

CANA – Cuban pastries
Oakland’s new Cuban cafe, Cana, is a welcome addition in a region sparse on Cuban treats. Pretty much a walk-up counter with one table inside plus patio seating, Cana scratches the Cuban itch with eats like a hefty Cubano ($8.50) loaded with pork, ham and Swiss cheese, crunchy with pickle, contrasted by hot mustard. But I go for the pastries, like a chocolate ancho chile cookie, or a flan-like guava tart (Pastry de Guayaba), silky subtle with guava. Sip a custom-ground Cafe Cubano or other espresso drink for a robustly sweet accompaniment. Watch for their soon-to-open, next door bar/lounge focused on rum & agricole cocktails, with an in-house cane press (!), cigars, their cafe menu, and live music.

530 Lake Park Avenue, Oakland
(510) 832-1515


— Subscribe to Virgina’s twice monthly newsletter, The Perfect Spot

Bestivals

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caitlin@sfbg.com

FALL ARTS Now that even the quaintest neighborhood block parties publish music lineups in advance and big beat fests give as much shine to snack vendors as secondary stages, it’s becoming clear that the events on our fall fair and festival listings are all just part of one big movement. Leading to what, you might ask? Leading to you having a celebrate-good-times kind of autumn in the Bay Area. Seize the day, pack your sunscreen, bring cash: from film to activism to chocolate, here comes the sun.

 

NOW-SEPT. 25

Shakespeare in the Park Presidio’s Main Post Parade Ground Lawn, between Graham and Keyes, SF. (415) 558-0888, www.sfshakes.org. Times vary, free. Whilst thou be satisfied with the Bard’s hits in the open air, free for you and the clan? The line-up, from Cymbeline to Macbeth, suggests that it won’t be so hard.

 

AUG. 27

J Pop Summit Japantown Peace Plaza, SF. www.newpeopleworld.com. 11 a.m.-6 p.m., free. Enter the kaleidoscope of anime, manga, Lolita, androgynously cute boys in tuxedo jackets, keyboard theatrics, and Vocaloid (a computer program that creates complete songs, vocals and all) contests at this unique festival marathon of Japanese pop culture.

Rock The Bells Shoreline Amphitheatre, Mountain View. www.rockthebells.net. 10:55 a.m.-10:25 p.m., $55.50-281.00. Lauryn Hill, Nas, GZA, Common, Black Star — the country’s biggest hip-hop festival hits the Bay, bigger than ever.

 

SEPT. 3

International Cannabis and Hemp Expo Telegraph from 16th to 20th sts. and Frank Ogawa Plaza, Oakl. intche.eventbrite.com. Noon-8 p.m., $18-300. 120 different strains of Mary Jane should be enough to get you through eight hours of festival — if not, there will be three stages of music and educational speakers for pot pals to trip on.

 

SEPT. 3-4

Zine Fest SF County Fair Building, 1199 Ninth Ave., SF. www.sfzinefest.org. 11 a.m.- 6 p.m., free. If arbiter of Bay indie comic cute Lark Pien’s original kitty cat Zine Fest 2011 poster doesn’t hook you (how?), you’re sure to find something that tickles your cut-and-paste among the aisles at this assemblage of DIY publishers and comic heads.

Millbrae Art and Wine Festival Broadway between Victoria and Meadow Glen, Millbrae. (650) 697-7324, www.miramarevents.com. 10 a.m.- 5 p.m., free. Celebrate Labor Day at this multi-faceted celebration of artisan comestibles, classic cars, live tunes, and hundreds of crafters — it even has a kids talent show.

 

SEPT. 4

EcoFair Marin Marin County Fairgrounds, San Rafael. www.ecofairmarin.org. 10 a.m.-7 p.m., $5. The keynote speaker at this expo of all things green and cutting-edge is Temple Grandin, Ph.D., one of the world’s leading autism advocates.

 

SEPT. 7-18

Fringe Festival Various locations, times, prices. www.sffringe.org. This festival’s egalitarian method of stage assignments mean that there’s no better time of year in the city to check out first-time playwrights and original (yes, sometimes wonky) scripts.

 

SEPT. 8-11

Electronic Music Festival Brava Theater Center, 2789 24th St., SF. www.sfemf.org. The Bay’s new music artists pop off together for this long weekend of exploration of the sonic spectrum.

 

SEPT. 10

Brews on the Bay Pier 45, SF. www.sfbrewersguild.org. Noon-5 p.m., $45. The city’s biggest brewers: Magnolia, Beach Chalet, Anchor, and Speakeasy among others, pour out endless tastes at this Bay-side swigfest

 

SEPT.10-11

Ghirardelli Square Chocolate Festival Ghriradelli Square, North Point and Larkin sts., SF. (415) 775-5500, www.ghirardellisq.com. Noon-5 p.m., $20 for 15 samples. A benefit for chronically ill and housebound elderly folks, chocolatier demonstrations and ice cream sandwich-eating contests sprinkle over this day of chocolate tasting par excellence.

 

SEPT. 14-18

Berkeley Old Time Music Convention Times, locations, and prices vary. www.berkeleyoldtimemusic.org. Loosen up them joints — it’s time to get goofy and gangly to some banjos and flat-footin’ at this multi-day Americana celebration of film screenings, concerts, open jams, and more.

Power and Sailboat Expo Jack London Square, Broadway and First St., Oakl. (510) 536-6000, www.ncma.com. Wed.-Fri., noon — 6 p.m.; Sat.-Sun., 10 a.m.-6 p.m., $10. In the market for a rubber inflatable raft? Wanna scope haute yachts? Sail away to this family-friendly event on the Bay.

 

SEPT. 15 — DEC. 18

SF Jazz Fest Times, locations, and prices vary. (866) 920-5299, www.sfjazz.org. Esperanza Spalding, Booker T., Aaron Neville, and performances by SF’s most talented high school jazz players mark this season of innovative concerts and jazz appreciation events.

 

SEPT. 23-25

Eat Real Jack London Square, Broadway and First St., Oakl. (510) 250-7811, www.eatrealfest.com. Fri, 1-8 p.m.; Sat, 11 a.m.-8 p.m.; Sun, 11 a.m.-7 p.m., free. A celebration of all foods local and sustainable, you can enter your prize pickles in a contest at this burgeoning fest, learn how to be a backyard farmer, and of course, eat good food til you burst.

 

SEPT. 23 — OCT. 16

24 Days of Central Market Arts www.centralmarketarts.org. Most events are free. The heart of the city organizes this smorgasboard of art events — from world class dance to circus to quirky theater pieces. Take your brown bag (lunch? something else?) down to Civic Center for one of the free performances.

 

SEPT. 24

Lovevolution Oakland Coliseum, 7000 Coliseum Way, Oakl. www.sflovevolution.org. Noon- 8 p.m., $25. The days of prancing neon-ly down Market Street are over but hey, Oakland’s got better weather! This year’s massive outdoor rave stages its traditional parade around the circumference of the coliseum’s parking lot.

 

SEPT. 25

Folsom Street Fair Folsom between Seventh and 12th sts., SF. www.folsomstreetfair.org. 11 a.m.- 6 p.m., $10 suggested donation. Sure, it’s touristy, but this kink community mega-event has its heart in the right place (between its legs). The premier place to get whipped in public, hands down.

 

SEPT. 30 — OCT. 2

Hardly Strictly Bluegrass Speedway Meadows, Golden Gate Park, SF. www.strictlybluegrass.com. Sure this homegrown free twangfest gets more crowded by the year — but attendance numbers are directly tied to the ever-more-badass lineup of multi-genre legends. This year: Emmylou Harris, Bright Eyes, Broken Social Scene, Robert Plant — and yes, MC Hammer.

Oktoberfest By the Bay Pier 48, SF. 1-888-746-7522, www.oktoberfestbythebay.com. Fri, 5 p.m.-midnight; Sat, 11 a.m.-5 p.m. and 6 p.m.-midnight; Sun, 11 a.m.-6 p.m., $25-65. Oompah, it’s time for some bratwurst! Raise your stein to this boozy celebration of German culture.

 

OCT. 1

Wildlife Conservation Expo Mission Bay Conference Center, 1675 Owens, SF. www.wildnet.org. 10 a.m.- 6 p.m., $30-60. Save the Botswanan cheetahs and okapis! Learn from leading conservationists about innovative environmental projects around the world.

 

OCT. 1-2

World Vegetarian Day County Fair Building, 9th Ave. and Lincoln, SF. (415) 273-5481, www.worldvegfestival.com. 10 a.m.-6 p.m., $10 suggested donation, free before 10:30 a.m. The 40-year old SF Vegetarian Society sponsors this expo of veggie livin’ — expert speakers talk science and advocacy, and there’ll even be a round of vegan speed dating for those hoping to share their quinoa with a like-minded meatless mama.

Alternative Press Expo (APE) Concourse Exhibition Center, 635 Eighth St., SF. (619) 491-1029, www.comic-con.org/ape. Check website for times and prices. The indie version of Comic-Con offers a weekend designed to give budding comics a leg up: workshops, keynote talks by slammin’ scribblers, issue-based panel discussions, and tons of comics for sale.

 

OCT. 2

Castro Street Fair Castro and Market, SF. (415) 841-1824, www.castrostreetfair.org. 11 a.m.- 6 p.m., free. This is no standard block party — big name acts take the stage at our historic homo ‘hood’s neighborhood get down, and along the curbs, crafters and chefs park alike.

 

OCT. 7-15

Litquake Times, locations, and prices vary. www.litquake.org. Our very own literary festival has grown a lot — the Valencia Street LitCrawl tradition has even spread to Austin and New York — check out its schedule for a chance to see one of your favorite scribes live and reading.

 

OCT. 9

Italian Heritage Day Parade Begins at Jefferson and Stockton sts., SF. (415) 703-9888, www.sfcolumbusday.org. 12:30 p.m., free. Peroni floats and courts of teenaged “Isabellas” reign supreme at this long-running North Beach cultural day.

Decompression Indiana outside Cafe Cocomo, SF. www.burningman.com. Check website for times prices. The Burning Man after-after-after party will be slammin’ this year, what with all the playa peeps that couldn’t score a ticket in the sell-out.

 

OCT. 15

Potrero Hill Festival 20th St. between Missouri and Arkansas, SF. potrerohillfestival.eventbrite.com. 9 a.m.- 4:30 p.m., free. $12 for brunch. A New Orleans-style mimosa brunch with live music kicks off this neighborhood gathering, also featuring a petting zoo and traditional Chinese dancers.

Noe Valley Harvest Festival 24th St. between Sanchez and Castro, SF. www.noevalleyharvestfestival.com. 10 a.m.- 5 p.m., free. Your little pumpkins can get their faces painted at this neighborhood fest, while you cruise the farmer’s market and meet the neighbors.

 

OCT. 15-16

Treasure Island Music Festival Treasure Island, SF. www.treasureislandfestival.com. $69.50-219.50. Indie fever takes a hold of the island this weekend, with a varied lineup this year featuring Aloe Blacc, Death Cab for Cutie, Empire of the Sun, and Dizzee Rascal.

 

OCT. 22

CUESA Harvest Festival In front of the Ferry Building, Embarcadero and Market, SF. www.cuesa.org. 10 a.m.-1 p.m., free. Butter churning, cider pressing, weaving demonstrations, and a chance to pick the mind of Bi-Rite Market founder Sam Morgannam.

 

NOV. 12-13

Green Festival SF Concourse Exhibition Center, 635 Eighth St., SF. www.greenfestivals.org. Sat, 10 a.m.- 7 p.m.; Sun, 11 a.m.- 6 p.m. Check website for prices. What would the sustainability movement be without endless halls of hemp backpacks and urban farming lectures? Keep up with the (Van) Joneses at this marquee environmental event.

Our Weekly Picks: August 24-30

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WEDNESDAY 24

MUSIC

Tim Cohen’s Magic Trick

Tim Cohen may just be the hardest working man in rock ‘n’ roll. He pours time and energy into singer-songwriting the Fresh & Onlys, guest musicianing friends’ bands, and masterminding his own side project, Magic Trick. He released a Magic Trick album in February and he recently released another, just half a year later. The LP, The Glad Birth of Love, is a piece of musical achievement: four lengthy rock ballads and guest spots from members of Thee Oh Sees, the Sandwitches, and Citay. It saw a limited release on July 19 (Cohen’s birthday) but was wide-released yesterday, Aug. 23. Tonight, Cohen will be feted with an album release show at the Rickshaw Stop that includes the last show ever for fellow SF rockers Magic Bullets. (Emily Savage)

With Magic Bullets, PreTeen, and Tambo Rays

8 p.m., $8

Rickshaw Stop

155 Fell, SF

(510) 861-2011

www.rickshawstop.com

 

MUSIC

Vaz

It’s been described as “scum-pop,” “cock rock,” and “creep-rock,” but all you really need to know is this: Vaz is loud as fuck. The hard-hitting Brooklyn trio rose from the ashes of ’90s band Hammerhead in the early aughts and somehow managed to make an even noisier sound in the years that followed. Vaz has also label-jumped in said years, putting out albums, tapes, and splits on Gold Standard Laboratories, Damage Rituals, Narnack, and Load Records, among others. Wherever the band’s outputs land, vocalist-guitarist Paul Erickson continues to wail on post-metal, rapid-paced cuts and drummer Jeff Moordian looks and sounds as though he’s having a convulsive, orgasmic meltdown behind the set (a good thing). (Savage)

With Pygmy Shrews, Unstoppable Death Machine, and Dead

9 p.m., $8.

Hemlock Tavern

1131 Polk, SF

(415) 923-0923

www.hemlocktavern.com

 

THURSDAY 25

EVENT

“Dinosaur Nightlife”

Though they died out 65 million years ago, Dinosaurs continue to fascinate us, stoking our imaginations, piquing our curiosities, and sometimes even stalking through our nightmares. If you’re yearning to unleash your inner 8-year-old pretend paleontologist and celebrate your love of these “terrible lizards,” then head over to the California Academy of Sciences for tonight’s Dinosaurs! Nightlife event, part of a weekly series of after-hours science-themed parties for the 21 and over portion of visitors. Tonight’s prehistoric party will feature a fossil show and tell, a special planetarium show, live music, drinks, and even a “Dino Burlesque” show. (Sean McCourt)

6-10 p.m., $10–$12

California Academy of Sciences

55 Music Concourse, SF

(415) 379-8000

www.calacademy.org

 

MUSIC

The Soft Moon

The Soft Moon is back! After touring America in support of its debut album, San Francisco’s most promising new band has finally returned. The band plays the coldest cold wave to come out of the bay in . . . forever? Seriously, it’s like 70 degrees outside and I feel like I have to put on a sweater every time I listen to a song. It’s unsettling. Frenchmen with angular haircuts and vows of silence make this kind of music, not Californians. The Soft Moon isn’t just playing at being the most ice cool band in the bay, though. The music is terse and cinematic; sparse vocals and guitar hover delicately above driving rhythm as lights and images dance across the stage completing the performance. Brrr. (Cooper Berkmoyer)

With Craft Spells

9 p.m., $10

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

 

MUSIC

Sallie Ford & the Sound Outside

It’s easy to see how Sallie Ford & the Sound Outside has so quickly risen the ranks of the Portland music scene. The band’s breezy blend of rockabilly, jumpy jazz, and 1950s rock ‘n’ roll is contagiously effective, punctuated with walking stand-up bass lines, lively percussion, and just the right amount of rebellious energy. But it’s Ford herself that steals the show and lends the group its most compelling element. Channeling the yelping spirit of 1920s and 1930s-era blues singers such as Bessie Smith and Ida Cox, the wildly unhinged and raw passion in her voice has quickly won the band scores of fans, including the Avett Brothers, which the band accompanied for several shows throughout the West Coast and Colorado in 2009. (Landon Moblad)

With il gato

9 p.m., $12 Cafe Du Nord

2170 Market, SF

(415) 861-5016

www.cafedunord.com

 

MUSIC

White Mystery

Goddamn can Alex White sing. On guitar and vocals, Alex is half of Chicago, Ill. brother-sister duo White Mystery. Her brother Francis White, on drums, is the other half of this stripped down rock ‘n’ roll combo. The Bikini Kill comparisons are perhaps inescapable thanks to her powerful pipes and punchy riffs, but White Mystery is a different beast, one with two full heads of red hair that fly back and forth with each drum strike. The songs are simple and energetic: even as a two-piece, White Mystery sounds full with attitude that demands your attention. “I have an idea,” says Alex at the beginning of its song “Party:” “let’s have a party!” Yes, let’s. (Berkmoyer)

With Burnt Ones

9 p.m., $7

Hemlock Tavern

1131 Polk, SF

(415) 923-0923

www.hemlocktavern.com

 

FRIDAY 26

FILM

Edgar Wright

Gaining American mainstream exposure with 2004’s zombie smash hit Shaun Of The Dead, continuing with the 2007 action farce Hot Fuzz, and most recently with last year’s comic adaptation Scott Pilgrim vs. The World, writer and director Edgar Wright has brought us some of the most darkly hilarious and entertaining movies in recent memory. The British filmmaker visits the Castro Theatre tonight for a special “Midnights For Maniacs” event that will feature screenings of all three previously mentioned films, an assortment of shorts including the Grindhouse faux trailer Don’t, plus a live onstage interview in conversation with host Jesse Hawthorne Ficks. (McCourt)

7 p.m., $15

Castro Theatre

429 Castro, SF.

(415) 621-6120

www.castrotheatre.com

 

MUSIC

Traditional Fools

Snotty, sloppy and drunken, the Traditional Fools is everything garage rock should be. Notes crash into each other and vocals are kind of slurred over the consequent blur of fuzz, but something holds it all together for a few minutes until one song ends and another starts. “1-2-3-4!” It’s a party in three pieces: Andrew, David, and Ty (of eponymous Ty Segall fame) are heir to the Mummies’ budget rock sound with a twist of their own. If John Waters ever made a skate video (don’t ask me, I don’t know why he would, but if he did) the Traditional Fools would play in every scene. Does that make any sense? I’m not sure it does. (Berkmoyer)

With Outdoorsmen, Uzi Rash, and Shrouds

9 p.m., $10

Thee Parkside

1600 17th St., SF

(415) 252-1330

www.theeparkside.com


SATURDAY 27

MUSIC

J-Pop Summit Festival

Any day of the year you can stop by New People — that glowing white box/contemporary mall in the heart of Japantown — for a brief, colorful dose of j-pop. But if you really want to do it right, and get maximum exposure to the current pop culture trends of Japan, the yearly J-Pop Summit Festival is your best bet. The festival, which is hosted by New People this year, takes place on Post Street from Webster to Laguna, encompassing both the mall and the Peace Plaza of Japantown. There will be live music by Danceroid, Layla Lane, K-ON!, SpacEKrafT, the Patsychords, and teen duo the Bayonettes (which formed at the Bay Area Girls Rock Camp) along with DJs spinning modern j-pop. The fest also includes film screenings and avant-garde Elegant Gothic Lolita-style fashion by h. Naoto, so you can dress the part as well. (Savage)

Through Sun/28

11 a.m.-6 p.m., free

New People

1746 Post, SF

(415) 525-8630

www.newpeopleworld.com

 

FILM

“Showgirls: The Peaches Christ Experience”

It’s hard to believe anyone (ahem, director Paul Verhoeven and writer Joe Eszterhas) thought for two seconds that 1995’s Showgirls would be received as anything other than extreme high camp to the zillionth power. Faster than you can say “I like your nails,” however, Showgirls’ true destiny — as audience participation classic — was embraced, and one of its fiercest champions has been our very own Peaches Christ. Surely San Francisco’s hunger for the on-screen antics of Nomi Malone and Peaches’ accompanying hijinks (including a “Volcanic Goddess” pre-show and an army of 100 lap dancers) can barely be contained by any four walls, but among all possible venues, the Castro Theatre seems equipped for the challenge. Thrust it! (Cheryl Eddy)

8 p.m., $25–$45

Castro Theatre

429 Castro, SF

www.peacheschrist.com

 

SUNDAY 28

MUSIC

Sway Machinery

For those not of the Jewish faith, cantorial music is basically synagogue tunage. If Brooklyn-based, edged-out cantorial-meets-blues music isn’t your thing, try it tangled up with West African drumming and Malian vocals. At some point, Sway Machinery will get your attention. The band went to Mali, recorded two full albums with musicians there including local superstar Khaira Arby, then tread a bumpy road back to the States. Dynamic singer-songwriter-guitarist Jeremiah Lockwood often leads the Sway Machinery in Hebrew, though on the group’s most recent, inextricably Mali-influenced records, he takes two steps away from the traditional, and experiments with different vocal stylings. It’s true that the bloggers have made it clear they’re sick of indie-afro-pop, but this is an exception to that rule, it’s an old-world away from appropriation. (Savage)

8 p.m., $12

Beatbox

314 11th St., SF

www.beatboxsf.com

 

TUESDAY 30

MUSIC

Butthole Surfers

Boasting one of the most infamous monikers in music history and a harried reputation for wild antics that more than matched, the Butthole Surfers have been attacking stages and ear drums for the past 30 years. Still led by the core trio of Gibby Haynes, Paul Leary, and King Koffey, the band may have flirted with some mainstream success back in the 90s with tunes such as “Who Was In My Room Last Night?” and “Pepper,” but they still continue to mix a crazy concoction of underground punk, psychedelic rock, and noise that may confound the casual listener, while the hardcore fans go rabid at its shows. (McCourt)

With 400 Blows.

8 p.m., $30

Regency Ballroom

1290 Sutter, SF

www.theregencyballroom.com 

 

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Scribe’s Guide to Playa Prep

32

steve@sfbg.com

PLAYA PREP This is a crazy time of year for burners, when they begin to realize just how overly ambitious their art projects actually are, when the August calendar seems to shrink as to-do lists grow, and when procrastination morphs into panic — all of it laced with a giddy, distracting excitement about the dusty adventures to come.

Don’t worry, fellow burners, Scribe is here to help. I’m way too busy right now to actually come help weld your art car or hot glue your costume (unless you’ve got stuff or skills that I may need, in which case we can maybe work something out) but after years of deep immersion in this culture, I do have a few tips and resources for you.

 

ATTITUDE

The most important thing to bring to the playa with you is the right attitude. It’s right up there with your ticket at the very top of the list. As I worked on this guide, I posed the question “What’s the most important thing you bring to the playa?” to online burner hives, and most of the answers I got back had something to do with attitude.

Whether you’re a nervous newbie or salty veteran, it’s important to leave your expectations at home and just be open to whatever experiences await you. Intention is everything out there, and if you try to always maintain an open mind, a loving heart, and a sense of humor, everything you need will just flow your way.

It isn’t always easy. When your project breaks, or the dust won’t stop blowing, or your lover squashes your heart, or some yahoo behaves in a way that strikes you as somehow un-Burning Man, it’s natural to let your anxieties creep up. But you’ve got to let it go, because it’s all going to be OK, it really is. When all else fails, just breathe.

It is the breaking through those difficult moments and coming out the other side — enduring through things that feel like they may break you — that makes Burning Man feel so transformative. It is a cauldron, and you may not come out in the same form you went it, but that’s part of why you go.

 

GETTING AROUND

You’ll need a motorized vehicle to get to Burning Man — and art cars can be a fun way to get around when you’re there, a sort of surreal public transit system — but if you don’t have a good bicycle then you’re at a decided disadvantage in fully experiencing Black Rock City, the most bike-friendly city on the planet while it exists. And that’s never been more true than this year, when early reports indicate that the wet winter has left the playa packed solid and perfect for pedaling.

Form and function are equally important when it comes to your bike. It needs to be in good mechanical condition (and with enough tools and patch kits to keep it that way) and correctly sized to your body, ideally with a comfortable, upright position and basket for your stuff. And you also need to decorate it and make it unique, both because making art is the essence of Burning Man and so you can easily find it amid a sea of bikes. Form and function, they’re like two wheels rolling together.

Although the Borg, a.k.a. Black Rock City LLC, recommends that you bring a bike lock, I’ve personally never used one and never had a problem. Sure, bike thefts happen, but I believe they’re almost always crimes of opportunity or drunken mistakes involving nondescript bikes, not unique rides like mine that I could spot 100 yards away.

I’m convinced that half the people who think their bikes got stolen actually just lost them. The playa can be a very disorienting place, with art cars and other visible markers moving around — and even one’s own brain conspiring against locating one’s bike. So illuminate your bike well, ideally with something that sticks up high the air, and leave your lights on as you explore on foot.

Speaking of which: wear good, comfy shoes. Most costumes should stop at the ankle at Burning Man, particularly if you’re prowling the playa

 

SNEAKING IN

In honor of the mad scramble for tickets after Burning Man sold out more than a month before the event for the first time in its 25-year history, I’m offering some thoughts on sneaking into the event. Given how many people could find themselves stuck with counterfeit tickets or otherwise unable to get in this year, it seems like something that any thorough guide should cover.

Now, before everyone jumps all over me, telling me that I’m endangering lives and undermining the spirit and the stability of the event, let me make clear the spirit in which I’m offering this advice. Just think of it like a hacker publicizing the security vulnerabilities of a beloved institution — hopefully the Borg will read this too and do what it can to either plug the holes or somehow take pity on the desperate souls stuck outside the city’s gates.

First of all, you gotta know what you’re getting yourself into. Gate crew takes this shit very seriously, thoroughly searching every car and trailer, and looking into hiding spots that you probably haven’t even thought of. Many of them take real pride in this, some thoroughly stomping on rolls of carpet that might contain a stowaway, potentially adding injury to your insult.

Here’s the worst part: It is official Burning Man policy that when stowaways are found, everyone in that vehicle gets his or her tickets torn up. And burner brass says it will beef up security this year, including more people at the gate and more people scanning the open playa with night-vision goggles and fast interceptor cars.

Every year, they catch about 30 people trying to sneak it. “We’re very confident that we catch all the stowaways,” Borg member Marian Goodell tells us. But we all know that can’t possibly be true, right? There are playa legends of a contortionist who puts herself in a packing bin and gets in every year, and I’ve met people who claim to have snuck in both at the gate and over the open playa.

So, if you gotta do it, my best advice is to find a confederate on the inside, such as someone on Gate crew who owes you or will take pity on you or a bribe from you. That’s how many coyotes do it at the US-Mexico border, and it could work here too. There aren’t any wristbands at Burning Man, so once you can weasel your way in amid the confusion at the gate, you’re in.

Skydivers also have a pretty good shot at getting in, even though they’re likely to be greeted on the ground by someone asking for their tickets. But, it’s a big city, and if you’ve got some skydiving expertise and you’re able to rapidly change directions during the final phase of your descent, you might just make it.

There are also ways to take advantage of human oversights, particularly during the early arrival period before the event begins. There are often openings in the gate briefly left unguarded in the early days, as we discovered last year after a trip to the reservoir. Or sometimes, after thoroughly searching the car, the person at the gate will forget to tear your ticket. And believe it or not, sometimes people on the inside end up with spare tickets for friends who couldn’t make it. Any untorn tickets can be spirited out by people making runs into nearby Gerlach for supplies.

But in closing, let me just reiterate that buying a ticket is part of the “radical self-reliance” principle that is central to the burner ethos, so do yourself and your community a favor and find a ticket, or accept that you may just have to sit this year out. Don’t worry, we’ll make more.

 

FOOD AND SHELTER

In preparing for Burning Man, it’s always helpful to remember Maslow’s Hierarchy of Needs, which instructs us that we need to see to our basic needs at the bottom of the pyramid before we can even think about approaching the enlightenment at its pinnacle. And that begins with food and shelter.

Contrary to common misconceptions, you don’t need an RV or trailer on the playa — and it’s too late to get one at this point anyway. Frankly, you’ll be fine in a cheap pup tent as long as you place it under a sturdy shade structure, such as the 10-by-20-foot steel carports that are ubiquitous on the playa, or a cheaper shade structure with poles reinforced by PVC or something to help it from being flattened.

You may need to make adjustments during the course of the week, but jerry-rigging your shit is just part of the fun. Or if that’s not your cup of tea, more and more burners in recent years have been building their own yurts or turning to custom-made designs like the Playa Dome Shelters from Shelter Systems (www.shelter-systems.com/playadomes.html).

For food, just try to keep it simple, nutritious, and free of unnecessary waste. That means lots of simple snacks and easy meals, such as those you make ahead of time and reheat. There are also some good entrepreneurs out there that have perfected this approach, such as Gastronaut SF (www.gastronautsf.com/playa-provisions), which makes meals that you boil in the bag, which even allows you to reuse that water.

And don’t forget to take your vitamins because playa life can really take it out of you. Dr. Cory’s Playa Packs (www.drcory.com) are one of many good companies that understand what nutrients you’ll need and try to provide them.

 

SHOPPING

Let’s face it, for all the talk about decommodification and intentional communities and all that hippie crap, you’re going to need stuff at Burning Man. Lots and lots of stuff. Luckily, San Francisco is a great place to get it, and here are some of my personal favorite spots to shop for my playa gear.

Mendels This art supply store has everything you need for your costumes and other Burning Man projects, and many things you didn’t know you needed. For example, when I was looking for a cool covering for my bike years ago, I found tubes of thick acrylic paint that dries hard (now known as 3-D Paint), which has lasted for years and drawn compliments the whole time.

1556 Haight, SF. (415) 621-1287, www.mendels.com

Fabric Outlet Fake fun fur has become a staple item for Burning Man costumes and art projects, particularly as the styles and varieties of it have gotten better. And this place has the coolest fake furs in town, as well as a huge selection of other fabrics, patterns, and sewing kits.

2109 Mission, SF. (415) 552-4525, www.fabricoutletsf.com

Multikulti This is the best place in town to find a great selection of groovy sunglasses for just $6 each — and you’ll want a good selection of shades out there to go with your costumes — as well as a variety of other accessories and costumey geegaws to accent your Burning Man ensemble.

539 Valencia, SF. (415) 437-1718

Five and Diamond If there is a store that grew directly out of the feather-and-leather fashion aesthetic that has come to take center stage on the playa, this is it. From groovy utility belts (important when your costumes lack pockets) to elaborate leather outer wear to some of the coolest custom goggles that I’ve found (mine has a built-in light and both clear and shaded lenses), this place has great — if slightly pricey — stuff.

510 Valencia, SF. (415) 255-9747, www.fiveanddiamond.com

Held Over My favorite second-hand clothing store creates special racks of Burning Man clothes this time of year, but I always prefer to assemble my own outfits from their great selection of unique vintage and specialty clothes, including an entire room of tuxedos and other retro formal wear.

1543 Haight, SF. (415) 864-0818

Distractions The oldest walk-up Burning Man ticket outlet, Distractions knows just what burners need, offering a wide variety of playa-oriented clothing and accessories that you’ll need, from goggles to EL wire strips to pipes and other smoking paraphernalia.

1552 Haight, SF. (415) 252-8751

Cool Neon This Oakland-based company specializes in electro luminescent wire, the staple item for illumination on the playa (and whether you’re walking or on a bike, you will need to be lit-up out there). Cool Neon makes the rounds at many of the fairs and trunk shows, but you can also place orders for shipment or arrange pickups at its office at 1433 Mandela Parkway in Oakland.

www.coolneon.com

Discount Builders Supply Rather than spending your hard-earned money at Home Depot or some other chain store in the burbs, this locally owned business has everything you need to construct and decorate your project, or see to your sundry personal needs. They’re also used to burners with strange requests, so they give good advice.

1695 Mission, SF. (415) 621-8511, www.discoutbuilderssupplysf.com

 

WORKSPACES

The project. It is the essence of Burning Man, whether it’s the fun fur and EL wire you’re putting on your bike, the bar or showers your camp is building, or some ridiculously ambitious artwork that you’re creating with a crew of hundreds. Black Rock City is a series of thousands of these individual projects, all of which are coming together right now. And if you’re looking for some help finishing (or starting) yours, here are some resources you can tap.

The Crucible The Crucible is a venerable nonprofit institution that offers a wide variety of arts and crafts classes and resources in a state-of-the-art facility in West Oakland, with many burners among its staff and clients. As the longtime host of the Fire Arts Festival, this place knows its stuff.

1270 17th St., Oakl. www.thecrucible.org

CELLspace The Flaming Lotus Girls and many other key burner art collectives were born here, and his facility continues to provide the expertise and tools to bring Burning Man to life, year after year.

2050 Bryant, SF. www.cellspace.org

Techshop The new kid on the block, but one of the most technologically advanced, Techshop is a DIY workshop with amazing tools and experts on staff. Join its Aug. 15 EL wire workshop or other upcoming classes catering to burners.

926 Howard, SF. www.techshop.ws

American Steel Also known as Big Art Studios, this massive warehouse houses many of these biggest projects now bound for Burning Man. It may not have the structural support of places like the Crucible, but if you’re looking for knowledgeable burners to work through some problem, American Steel is brimming over with them.

1960 Mandela Parkway, Oakl. www.americansteelstudios.com

Burning Man costume creations If it’s sewing or other costuming help that you need, there are lots of local designers who might lend a hand (see “What not to M.O.O.P.” in this guide). Or you can stop by these Aug. 11 or Aug. 25 sewing circle meetups listed at www.meetup.com/Burning-Man-Costume-Creations

 

ART

Here are a few of the major installation artworks with Bay Area connections that I’m excited to see on the playa this year:

Charon by Peter Hudson Peter Hudson and his large volunteer crews have created some of the most dynamic art pieces in Burning Man history, zoetropes that use motion and strobe lights to animate the characters they create: the swimmers of Sisyphish, the divers of Deeper, the snake and monkeys of Homouroboros, and the man reaching for the golden apple of Tantalus. This year, Charon the boatman crosses the river Styx into Hades and, well, you just really gotta see what could be his best piece yet. As the artist says, “Charon asks them to reflect on their own mortality and ponder how to give and get the most from their brief time here on earth.”

Tympani Lambada by the Flaming Lotus Girls Combining fire, steel, light, and sound on the massive scale that we’ve come to expect from the Flaming Lotus Girls, Tympani Lambada simulates the structure of our inner ears, which control not just hearing but balance and perception. As always with this crew, this project promises to be space as occupy and interact with (usually with an unbelievable sense of awe) rather just a structure to see. And as they’ve been doing for many years (see “Angels of the Apocalypse,” 8/20/05), the dynamic crew built this creation right out at the Box Shop on Hunters Point (with an assist for American Steel, where some of its longest sections are being built).

Truth and Beauty by Marco Cochrane Following up last year’s amazing Blissdance, which is now on display on Treasure Island, this crew hoped to make an even larger female nude sculpture of the same model (55 feet this time), but their fundraising fell a little short so they couldn’t complete it. But even in the abbreviated form they’re bringing to the playa this year — just the torso from knee to shoulder, but well-anchored that it’s climbable — it should still be something to see.

Temple of Transition, by International Art Megacrew The Temple is always a special place at Burning Man (see “Burners in flux,” 8/31/10), and this year promises to be as spectacular as it is spiritual. The project is headed by a pair of builders known by their nationalities, Kiwi and Irish, and built mostly in Reno by a crew of committed volunteers from more than 20 countries. It’s centerpiece tower, Gratitude, is a towering 120-feet tall, surrounded by and connected to five smaller towers: Birth, Growth, Union, Death, and Decay.

Otic Oasis Lightning (Burning Man’s attorney) and friends (including named artists Gregg Fleishman and Melissa Barron) wanted the quietest spot on the playa for this 35-foot wooden pyramid of comfy lounging compartments, a remote spot where even the music from art cars couldn’t reach. Their answer: at the very back of the walk-in camping area, a spot only reachable on foot by people intending to go there. Finally, a quiet spot to chill out.

 

 

PLAYA EVENTS

OK, I know that many of these events are music-related, and there are an untold number of quirky, weird things to do on the playa besides just rocking out to a DJ. But exploring what the hundreds of theme camps offer each year is part of the fun, and it’s too Herculean a task to sort through the voluminous information and offer you sound predictions.

But every year the music lovers among us compile their recommendations of the stops to hit that will be going off and filled with dancing fools, so I know those lists are valuable. And mine does include some other stuff as well, so just deal with it.

The future of Burning Man The 17 board members of The Burning Man Project, the new nonprofit entity being created to take over operations of Burning Man in coming years (see “State of the burn” in this guide), will be available to discuss the future of this culture. This is your chance to weigh in on what’s important to you and how the event should be governed into the future.

Everyday, 1 p.m.-2:30 p.m. at Everywhere Lane (near Center Camp)

Lee Coombs This British-born DJ has long been a great supporter of Burning Man art projects — and he always plays fun sets — so come check him as the playa’s best daytime dance party camp starts to work it out.

Tuesday, 5 p.m.-6 p.m., Distrikt (9&F)

Unicorn Stampede

The perverts from Kinky Salon love getting horny on the playa, and this time they’re getting literal as they dress as unicorns and stampede across the playa, spreading their joy and juices onto unsuspecting burners and ending up at the Walkout Woods art piece. What does all that mean? Bring a horn, leave your inhibitions, and come find out.

Wednesday, 7-9:30 p.m., gather at The Man

Shpongle OT’s regular Wednesday night White Party — which has included many epic performances over the years, and this year include big draws EOTO, Infected Mushroom (both doing live sets on two stages OT is setting up for live music this year) and Christopher Lawrence, at midnight, 1:30 am and 3 am respectively — welcomes the dawn with pysbient music innovators Shpongle, which is already generating lots of excitement.

Thursday, 5:45 am (sunrise set), Opulent Temple (10&B)

Deep End reunion It’s like family day at Distrikt as the core San Francisco-based DJs that helped launch the original Deep End day parties play successive one-hour sets, with Syd Gris followed by Tamo, Kramer, and then Clarkie. Buckle up, everyone, because this could get ugly.

Thursday, 2-6 p.m., Distrikt (9&F)

Cuddle Ocean Upping the ante on the stereotype of ravers heaped into cuddle puddles at Burning Man, some instigators from last year’s Temple of Flux crew are seeking to create a Cuddle Ocean of thousands of burners heaped all over each other in the deep playa. Come feel the love.

Thursday, 6-8 p.m., between the Man and the Temple

Bootie BRC Adrian, Mysterious D, and the rest of the popular Bootie SF music mashup crew will be throwing a dance party specially mixed for your on-playa pleasure — with actual words!

Thusday, 8 pm-???, Fandango (Esplanade&4)

Circle of Regional Effigies burn Regional events have become an important part of the Burning Man culture, and this year 23 of them will build wooden effigies in circle around The Man. And then, as tends to happen to our effigies, they will all burn — simultaneously!

Thursday, 9 p.m., around The Man

Critical Tits This women-only topless bike ride has been a playa tradition for many years, so cruise by to cheer them on and offer your encouragement for what is a very freeing experience for many of the participants. Besides, who doesn’t like tits?

Friday, 4-5 p.m., The Man

Space Cowboys Hoedown Legendary SF-based sound collective the Space Cowboys has a tradition of driving its mobile music vehicle the Unimog out to the “biggest, baddest art piece” on the playa for a big dance party every year, which art cars with speakers and radio receivers can also relay, create a fun circle of sound. And this year, the winner is…The Flaming Lotus Girls’ Tympani Lambada.

Friday night at Tympani Lambada

Distrikt Come ride the daytime dance party train to the end of the line with DJ Kramer spinning until someone drags him off the stage to get ready for the burn.

Saturday, 4-??? at Distrikt Camp (9&F)

Scumfrog Dutch-born DJ Scumfrog has been rocking the playa every year since he first camped with us at Opulent Temple in 2004, and as readers of my book know, he’s a Burning Man true believer who just loves this culture, so he always brings his A-game. This is the place to be as the sun rises on final full day of Black Rock City.

Sunday, 4 am-sunrise, Disorient (2&Esplanade)

Tribes of Burning Man signing Yours truly, Scribe, will be on stage leading a discussion of issues raised in my book, The Tribes of Burning Man: How an Experimental City in the Desert is Shaping the New American Counterculture. Study up by ordering a signed copy now from www.steventjones.com and join in the debate, or just come heckle me for this shameless plug.

Sunday 4 p.m., Center Camp Stage

Steven T. Jones, a.k.a. Scribe, is the Guardian’s city editor and the author of The Tribes of Burning Man: How an Experimental City in the Desert is Shaping the New American Counterculture, which grew out of a series of stories in the Guardian that ran from 2004 through 2010.

 

 

 

 


The foodie crackdown

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news@sfbg.com

Yet another blow was dealt to the San Francisco’s free-thinking food scene on June 11 when the final Underground Market was staged by ForageSF, at least for the time being. The market was shut down by the San Francisco Department of Public Health (SFDPH) in a clash between small-time food businesses and city officials over permitting and regulatory issues.

“I was ready for this for a while,” ForageSF founder Iso Rabins told us. “I thought someone would show up eventually to say something about this, and now they have.”

Rabins began the Underground Market in 2009 as a monthly venue for food entrepreneurs to share their goods without financial and bureaucratic red tape. It’s basically a farmers market without the permits, fees, and commercial kitchen requirements that add thousands of dollars to the cost of staging an event. Throw in live music, drinks, a little subversive thrill, and you’ve got a gathering that has proven enormously popular.

Until now, the market has operated as a private event. It is held in a private space and attendees are required to sign a membership form and pay a $5 entrance fee. It’s become a huge draw for foodies, with 1,500 to 3,200 patrons per event, according to Rabins, so the state government got wind of its largely unregulated operations.

Alicia Saam, the temporary events coordinator with SFDPH, says her department was asked by state officials to observe the market. It’s now too big to be considered private, she says, so it must adhere to health code and public safety regulations just like any other public event.

“One of the things that differentiate private versus public events is how much advertisement goes out there,” Saam said. “Something that is advertised and has grown big enough to have a following, that becomes a concern for us as a public event.”

Without official oversight, rules are bound to be broken. As with any novice venture, mistakes are made. When officials came to the Underground Market, they saw some vendors acting more like friends at a house party than professional food vendors, which is the complicated line that the market tries to toe.

“We observed operators and vendors eating and then handling the food, and that’s a huge contamination hazard for us,” Saam said. “They weren’t washing their hands before continuing food service, nor did they have a hand-washing set-up right there at their booth. There looked to be temperature issues as far as some of the food that was being stored, such as protein foods, sausages, and dairy. Some foods were not protected but were displayed on the table uncovered. People come up and they’re excited and curious, there’s a lot of creativity there, so they’re hovering over the food and possibly contaminating it with all sorts of things. The source of food, such as the kitchen where the food is coming from, needs to be an approved space where there are no animals, or cats like in some homes. It needs to be a commercial space that is properly cleaned and sanitized.”

According to the U.S. Center for Disease Control, one in six Americans get sick each year from eating contaminated food. Salmonella infection is of particular concern because food can be contaminated anywhere from the fields to kitchen surfaces.

The SFDPH has already allowed the Underground Market to operate unregulated for more than a year without any reported food illnesses, but Rabins is quick to agree that these health concerns are real.

“I do believe that these issues of health are important, and although I feel that all the vendors at the market are very careful about what they make, we do want to institute some Serve-Safe classes, basic food safety,” Rabins says.

He says that on the whole, people cooking small batches pay much more attention to their ingredients and processes than industrial food companies do. Rabin said that while the country’s food safety system works pretty well, it doesn’t allow for much locally based innovation in new models for making and sharing food.

“The Health Department’s position makes sense because this is the system that has existed, this is the system that they know and that their jobs support, and it’s a system that works in a lot of ways. But it’s also a system that was really created for industrial processes,” Rabins says. “Unfortunately the way regulations work, top-down is one-size-fits-all, but that’s just not the way it is.”

That gets to the meat of the issue: whether and how much the city should get involved in people’s food habits. Where is the line between public restaurants and private homes — and are there ways of creating hybrids of the two? It’s an ongoing battle in San Francisco between regulating restaurants (and netting taxes) while still promoting an innovative food industry that attracts locals and tourists alike.

In the past few years, the mobile food truck craze has hit San Francisco with little bits of foodie culture from all over the world. Entrepreneurs say it’s too difficult and expensive to start a successful restaurant in SF, so they’re trying small-time pop-ups instead.

At first they went unregulated, but now laws define what they can sell, the permits they need, and limit their mobility. Permits are expensive too, starting at $1660 for initial basic coverage, which is why Rabins says the Underground Market provides an additional support for motivated locals. As city officials have closed big budget deficits year after year without any substantial increases in general tax revenue, fees and permit costs have risen substantially in recent years.

According to Rabins, getting the Underground Market up to code means, “getting all the vendors commercial kitchen space, making them get catering licenses, which is around $600, making them pay for vendor event permits, which is $140 per event, and then I would have to buy a sponsor permit which is another $1200 per event plus event insurance plus, plus, plus all these things that would essentially destroy the spirit of the event. It would make the bar way too high.”

Tightening the membership rules is another option, such as making people sign up weeks in advance or requiring member cards. Richard Lee, the director of environmental health regulatory programs at SFPHD, says that regardless of the vendor’s complaints, the regulations must be met.

“We think that these are reasonable options,” Lee said. “Anyone who is going to sell to the public needs to meet certain requirements, and unfortunately some of those requirements are going to be costly. They have to pay for permits and whatever those permits cost they’re going to have to pay.”

Until some agreement can be reached, the Underground Market won’t be operating, and San Franciscans will have to find their fix at the numerous above ground markets and restaurants. Lee says that he hopes that the market meets city demands, and soon, as this kind of entrepreneurial innovation is essential to a thriving food economy.

“We do encourage the micro-enterprises, and there are possible ways to have that started in San Francisco,” Lee said. “It is possible that there may be legislation in the future that might be supported by the Board [of Supervisors] to make it easier for them to get permitted, so there are things that can be done. For us, though, it is food safety and public health that are the most important things.”

But Rabins is already looking far beyond just the small market model.

“They just want to make it another farmers market,” Rabins said. “I’m not interested in running another farmers market. There are plenty of farmers markets around and people who have been doing them for years and know how to do them.”

He also isn’t interested in conforming to the pre-set expectations and sees the motivation behind the market taking it to new heights. In addition to reopening, he says that ForageSF has secured a kitchen space for helping entrepreneurs launch their small businesses and host public classes.

“We are going to hopefully have a rooftop garden with a movie screen, a retail space in front that sells products being made in the kitchen by vendors, and possibly a small-scale brewery in back,” Rabins said.

He is also reaching out to other similar market organizers, such as some in Los Angeles, to brainstorm ways to make this business model more acceptable across the country. He says they are in the initial phases of creating a model that is reproducible for others who want to start their own markets.

Once again, in the place where the organic food movement first bloomed, people are coming together to create new interactions between producers, consumers, and their food.

Tango at the symphony? Take a whirl

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Feeling some half-priced symphony and live tango dancing? It’s a mash-up of culture this Thursday, July 28 at Davies Symphony Hall. The San Francisco Symphony will performs Antonio Vivaldi’s classic Four Seasons along with a punchier, more colorful take on the four seasons by Astor Piazzolla, Estaciones Porteñas (also known as The Four Seasons of Buenos Aires), beginning at 8 p.m.


The Four Seasons is Vivaldi’s most widely recognized work, with each of the four concertos including sounds and evoking the moods of winter, spring, summer and fall. Piazzolla’s Estaciones Porteñas is a set of four tango compositions that were originally conceived as separate pieces, not meant to be played in once cycle as Vivaldi’s. During the SF Symphony performance, Lara St. John will play The Four Seasons with interweaving movements from  Estaciones Porteñas.

In addition to the symphony, there will be pre-concert and intermission tango demonstrations in the upstairs lobby, backed by the live music of Tango Revolution Orchestra. The orchestra is made up of young musicians: students and graduates from conservatories, universities, and community music schools.

Known as a “milonga,” it’s an informal social dance gathering for tango dancers. And audience members will have the opportunity to get in on the tango; Argentine tango teacher Sonja Riket will be on hand to lead informal instruction.

It’s a momentous occasion too: Riket says the event marks the first collaboration between the symphony and Tango Revolution Orchestra.

The Four Seasons
and “Milonga de Symphonia”
Thurs/28, 7 p.m., $15-$70 (half off with promo code “July50off”)
Davies Symphony Hall
(415) 864-6000
www.sfsymphony.org

Our Weekly Picks: July 27-August 2, 2011

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THURSDAY 28

FILM

“Marker XC: Three Times Thirty”

Chris Marker is a little older than his nouvelle vague contemporaries, though you wouldn’t know it from his fugitive art. His work is not a career but a universe, one that continues to expand like our own cosmos; at 90, the cat is still grinning. A few minutes of homework on the Internet turns up some of his latest illuminations, but this special birthday tribute focuses on three short films made in years sandwiching 1968, a revolutionary epoch Marker has spent a lifetime observing in quicksilver pasts and futures. Following Marker’s lead, the screening is free. (Max Goldberg)

7:30 p.m., free

McBean Theatre

Exploratorium

3601 Lyon, SF

415-561-0360

www.exploratorium.edu

 

MUSIC

Fresh Greens

They don’t play Equipto and Mike Marshall’s new booze banger “I Drink Fernet” in SF bars enough. C’mon city — the hook’s stuck in our gray matter all day and when we’re ready to order a beer and a shot of the herbal stuff, we wanna hear our jam. This is not going to be a problem at this week’s installation of Fresh Greens, Showdown’s hip-hop and bass night with DJs Mr. Lucky and Doc Fu. The duo has invited DJ Pause, progenitor of said Fernet anthem, to spin that night — and they’ve coordinated with Fernet Branca to the end that there will be drink giveaways galore. (Caitlin Donohue)

10 p.m.–2 a.m., free

Showdown

10 Sixth St., SF

(415) 503-0684

www.showdownsf.com

 

FRIDAY 29

MUSIC

Steve Arrington

In one of those head-scratching retro confluences that have been popping up on dance floors lately, two quite different soul-stomping records featuring Steve Arrington — his Wonder-full 1985 “Dancing in the Key of Life” solo release and the 1979 “Just a Touch of Love,” recorded with his classic disco-funk outfit Slave — have become local club hits again. Arrington’s in the air: the smooth-voiced Ohioan is working on a new album with steamy L.A. squelch-funk revivalist Dâm-Funk. And now here he comes live, helping to celebrate the third anniversary of retro-fun and “contemporary boogie” party Sweaterfunk. Sweat or funk? You’ll do both. (Marke B.)

9 p.m.–3 a.m., $15

Som.

2925 16th St., SF

www.stevearringtonsf.eventbrite.com

 

MUSIC

“Playback: AudioBus”

Every few years, the Soundwave festival inundates the Bay Area with adventurous sonic experiences, like watching tiny solar-powered speakers bloom like flowers on Civic Center trees, or hearing a concrete bunker in Marin reverberate with waves of bass. Missed last year’s Soundwave? The Playback series is giving your experiment-hungry ears another chance. This week, hop aboard the double-decker AudioBus (equipped with state-of-the-art Sennheiser headphones) and explore live music scores “routed to the scenery around you.” Music plus motion equals magic. Bay Area scratch guitarist the Genie guides you audibly through the Mission on Friday; Christopher Willets, who creates “patterns of vibrations with sound and light” takes over Saturday with a trip through Golden Gate Park. (Marke B.)

Fri/29–Sat/30, 7 p.m., $20–$200

Various locations, SF

www.me-di-ate.net

 

MUSIC

Mean Jeans

“This song is about the economy. It’s called: what the fuck is a 401(k)?!?!” The members of Mean Jeans wax philosophical about lots of things, but mostly they stick to partying and its many and varied intricacies. If you think punk has gotten too cerebral over the years and/or are able to argue with authority and aplomb the ups and downs of the different beers you can buy with pocket change, then Mean Jeans is the band for you. They’re the Ramones on speed, a raging house party manifest as a three piece from Portland, Ore. Pogo to your hearts content, just don’t tell them or the crowd to chill out and take it easy. It’s a punk show, you wimp — have some fun. (Cooper Berkmoyer)

With Black Jaspers, Guantanamo Baywatch, and Teutonics

9 p.m., $10

Thee Parkside

1600 17th St., SF

(415) 252-1330

www.theeparkside.com

 

PERFORMANCE

“Work MORE!”

Eleven drag queens, 165 costume changes, 60 minutes: put it all together and what do you get? One hell of a rendition of “Bohemian Rhapsody.” Kidding! (Kinda.) You get one of the most ambitious hours of deconstructed gender illusionism you’re likely to see in a while. “Work MORE!,” the brainchild of local firebrand VivvyAnne ForeverMORE!, has been a thrilling series of performances that dramatizes the art of drag by blending performance, storytelling, set design, music, and various challenges reminiscent of It’s a Mad, Mad, Mad, Drag World. This installment, running for two nights, calls on 11 performers to direct each other in interchangeable performance numbers — a kaleidoscope of queens engendering an evening-long mosaic of mimicry. And it might go on tour! (Marke B.)

Fri/29–Sat/30, 8 p.m., $20

CounterPULSE

1319 Mission, SF

(415) 626-2060

www.counterpulse.org

 

SATURDAY 30

MUSIC

MK at Icee Hot

One of the most astonishing production runs in dance music — or any music, really — occurred when young Detroit producer Marc Kinchen discovered he had a flair for combining cyber-melancholic Detroit techno beats with a soulful New York City garage house vibe. On the strength of his early, driving records, MK soon became one of techno’s first big-time remixers: his genius for chopping up a song’s vocals into completely different, in most cases more appealing, melodies filled floors from 1991-95. Since then, he’s moved on to producing Pitbull and Willow Smith, but he’s back to reap underground propers in the retro-1990’s house craze, DJing with equally famous brother Scott and fellow virtuoso vocal-hacker Todd Edwards at the monthly Icee Hot party. (Marke B.)

With Scottie Deep and Todd Edwards

10 p.m., $10

Public Works

161 Erie, SF

www.publicsf.com

 

EVENT

“Livin’ La Vida Lambada”

When I first started writing about Burning Man for the Guardian in 2004 — a process that this year culminated in the release of my book The Tribes of Burning Man — the two crews that I most deeply embedded myself with were Opulent Temple and the Flaming Lotus Girls. They each work out of the Box Shop on Hunters Point and were just beginning their meteoric rises to become the event’s premier fire arts collective (FLG) and more enduring large sound camp (OT). Now, as the FLGs work toward completion of its latest ridiculously ambitious project — Tympani Lambada, a representation of the inner ear translated into a massive sculpture of sound, fire, and light — the OT DJs, the burner artists of NIMBY, and others are pitching in to help their hermanas del fuego reach their goal. So come shake your asses and help bring an amazing artwork to life on the playa next month. (Steven T. Jones)

8 p.m.–2 a.m., $20

NIMBY Warehouse

8410 Amelia, Oakl.

www.flaminglotus.com/brownpapertickets

 

EVENT

Treasure Island Flea Market

Hey, you in the horn-rimmed glasses. You can’t really consider yourself a Bay Area vintage freak without making pilgrimages to all the area’s flea markets — Candlestick, Alameda, Alemany all rev up our barter skills — and as of Memorial Day this year there’s a new kid on the clothing rack-covered asphalt block: the Treasure Island Flea Market, where somewhere among the grassy aisle and hundreds of vendor booths, you are virtually assured of finding something with history and pizzazz. Gadabout spectator shoes, barely-used vintage road bicycles, rusty old bird cages for making garden lanterns — just make sure you can schlep it on the 108 Treasure Island Muni going home. (Donohue)

Through Sun/31

9 a.m.–4 p.m., free

(415) 898-0245

www.treasureislandflea.com

 

SUNDAY 30

MUSIC

Mattachine Dance Party

Around 2004, when celebrating gay history became all the rage in dance clubs, DJs naturally turned to previously buried disco sounds to accompany the onrush of post-AIDS-era curiosity. But of course gays existed before the 1970s — as recently discovered fossilized size-14 stripper heels and catty hieroglyphics about Top Chef judge selection have proved. Young, queer parties have noticed: our own Hard French reaches back to the 1950s for soul inspiration, while New York City’s Mattachine Dance Party adds 1960s rock and other queer-eared genres to the mix. Now filmmaker and sexual provocateur John Cameron Mitchell is bringing his buoyant Mattachine affair, named for the U.S.’s first gay rights organization, to El Rio for a special daytime installment that will resurrect the hot-pink spirits of yesteryear. (Marke B.)

3–8 p.m., $5

El Rio

3158 Mission, SF

(415) 282-3325

www.elriosf.com

 

MONDAY 1

COMEDY

Maria Bamford

One-quarter of the dream team Comedians of Comedy tour in 2004 (alongside Patton Oswalt, Zach Galifianakis, and Brian Posehn), Maria Bamford is about as unique a comedic personality as they come. She subscribes to the darker, more surrealist side of stand-up, forgoing traditional punch lines to put all her anxieties and neuroses on full-display through self-deprecation, twisted inner monologues, and a ton of barbed vocal impressions that send up her Minnesota-based family and friends. Yet for all her eccentricities, Bamford never delves into novelty or shtick. Her material is always smart, perfectly nuanced, and balanced with enough of her natural Midwest charm to make even the strangest moments relatable. (Landon Moblad)

With Robert Mac and Nato Green

Through Aug. 3

8 p.m., $22.50

Punch Line Comedy Club

444 Battery, SF

(415) 397-7573

www.punchlinecomedyclub.com

 

TUESDAY 2

MUSIC

Real Estate

The un-Google-able band name. Is it creative combativeness or audacity in the face of technology’s encroaching hand that led four like-minded musicians from New Jersey to name themselves Real Estate? Search engines aside, Real Estate isn’t an easy band to pin down. Reverb-heavy surf guitar with some folk mixed in begin to paint the picture, but it isn’t simply the sum of its parts. It sounds the way a drive to the beach looks: the stucco strip malls race past in a beige blur and soon recede as the scenery grows increasingly lush. Everyone else in the car is talking, but you’re too busy staring out the open window to notice. Real Estate is surf rock for city folks. (Berkmoyer)

With Dominant Legs and Melted Toys

8 p.m., $15

Independent

628 Divisadero, SF (415) 771-1421 www.theindependentsf.com 

 

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Best of the Bay 2011: BEST ALL PEDAL EVERYTHING

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This year, in the interest of a more sustainable diet, Mark Zuckerberg started only eating animals he personally killed. Sure, Zuck can afford to slay a steer or 20, but he raises interesting questions about our individual consumption patterns. The expanding Bicycle Music Festival has been experimenting in this very concept as it relates to the live music fest. This year a free all-day, all-night outdoors affair featuring more than 12 bands and performing groups took place in two different city locations — with a three-piece band and opera singers performing while the entire festival biked from one site to the other. Powered by volunteers on generator-bikes — which occasionally lost their charge — attendees learned a lot about party-time energy costs.

www.bicyclemusicfestival.com