Fillmore

Live Shots: Yonder Mountain String Band at the Fillmore, 4/10

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Text and photos by Ariel Soto

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Yonder Mountain String Band has serious groupies. I mean really hardcore groupies. I talked to several String Band fans in the audience before the show. For one person it was his 36th time seeing Yonder Mountain and he has plans to follow the band through California and then up to Oregon for their tour. There was another woman in the audience who said she saw them at least 70 times … how is that even possible? By then I was excited for the show to get started — who were these string strummers? Once the band made its way to the stage the Fillmore was thoroughly saturated with sweet smelling smoke, feet were stomping, and hippy skirts were twirling as the folksy, bluegrass notes weaved their way between the band’s eager, dare I say, obsessed, devotees.

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Appetite: Free pancakes, Lower Haight French, Little Skillet, twice the Woodhouse, and more

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By Virginia Miller

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Farmerbrown’s leaps from the frying pan into Little Skillet

As long-time San Francisco resident and writer, I’m passionate about this city and obsessed with exploring its best food-and-drink spots, events and news, in every neighborhood and cuisine type. I have my own personalized itinerary service and monthly food/drink/travel newsletter, The Perfect Spot, and am thrilled to share up-to-the minute news with you from the endless goings-on in our fair city.

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NEW RESTAURANT OPENINGS

Little Skillet: Chicken & Waffles from a walk-up alley window in SoMa
Farmerbrown’s
is about to open Little Skillet in a SoMa alley at 330 Ritch. It’s a walk-up window offering morning pleasures like biscuit sandwiches loaded with cheese, egg, housemade sausage or bacon, plus Oyster Po’Boys, and one of my favorites in comfort food: Chicken and waffles (from Petaluma Poultry chickens) for breakfast and lunch. Lucky, those who work nearby! Cento, neighboring alley Blue Bottle coffee-source, also sells box lunches of Little Skillet’s food. Initial hours are supposed to be Monday–Friday, 8am–3pm, open later as baseball season progresses. No strikes here!
330 Ritch
415-777-2777

www.littleskilletsf.com

Woodhouse Fish Co… Part Deux
When I want a Crab Salad (aka mountain of fresh crabmeat) with fresh lemons, Anchor Steam-battered Fish & Chips or a buttery Lobster Roll without waiting in line at the great Swan Oyster or paying Waterbar prices, Woodhouse Fish Co. fits the bill perfectly. Old seafaring movies on the wall, like 1935’s “Mutiny on the Bounty”, pair nicely with hanging squids and tackle. Up till now, it’s been the Castro locale but with a brand new, larger space on Fillmore, there’s more than one way to assuage New England seafood hankerings.
1914 Fillmore Street
415-437-2722

www.woodhousefish.com

Bistro Saint Germain delivers French flair to Lower Haight
Le P’tit Laurent owner, Laurent Legendre, with chef Eliseo Soto Dimos, debuted Parisian bistro fare to Lower Haight this weekend with Bistro Saint Germain. If you want a change of pace from Lower Haight’s curry houses and sandwich shops, here you can dine on French classics like bistro-style mussels, salads, escargots and boeuf bourguignon. Legendre makes quick friends in the ‘hood by offering Le P’tit’s popular steal of a prix-fixe: 3-courses for $19.95, Sunday through Thursday.
518 Haight Street
415-626-6262

Cohen koan

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a&eletters@sfbg.com

SONIC REDUCER What becomes a pop legend? Mink, knighthood, screaming nubiles, Rock ‘n’ Roll Hall of Fame induction, or the Companionship of the Order of Canada? Nay, Lancelot Bass, to a biz looking for its next buck, it’s chart success at the beyond-ripe age of 74.

The curious case of Leonard Cohen: more than 40 years after his classic-crammed debut, Songs of Leonard Cohen (Columbia, 1967), this songwriting genius saw the rocket-boost of mainstream pop acceptance last year, as Jeff Buckley’s version of Cohen’s "Hallelujah" shot to the top of the iTunes charts after Jason Castro interpreted it on American Idol. One Tree Hill starlet Kate Voegele took another stab at the tune — already a TV and film staple covered by everyone from John Cale and Rufus Wainwright to Sheryl Crow and Willie Nelson. The final shoe dropped last December, when a rendition by Alexandra Burke, winner of UK TV’s X Factor, occupied the top of the UK singles charts, with Buckley’s take at #2, and Cohen’s original at #36. Cohen’s current North American tour — his first in 15 years — seems like a natural next step, especially since even the supremely gifted need to eat. (His ex-manager Kelley Lynch misappropriated millions while he was secluded as a Zen Buddhist monk in the late 1990s.)

While it’s no surprise that a relatively recent Cohen creation such as 1984’s "Hallelujah" should become a contemporary standard, working its way into Shrek (2001) and the ambivalent superhero sex scene in Watchmen, the song is still an unlikely commercial success, given its spiritual yearning and hard-boiled smarts. As Bryan Appleyard wrote in the U.K.’s Sunday Times in 2005, "it sounds like a pop song, but it isn’t …. It is a tuneful but ironic mask worn to conceal bitter atonal failure." Cohen’s "Hallelujah" is a gently meta-maniacal song rumination on songwriting and faith, clad in biblical allusions, that finds hope in submission to an uncaring muse.

However hard to picture, there are through lines between Cohen’s original, synth-driven "Hallelujah" and what some call his worst LP, Death of a Ladies’ Man (Columbia, 1977), an overwhelmingly orchestrated collaboration with Phil Spector that imploded as the producer barred Cohen from the final mix, allegedly threatening him with a crossbow.

"I’ve put my trust/And all my faith to see … /Her naked body! Oooh-oooh, oh my baby, can you see her naked body?"

Cohen never sounds as unbridled as he does on Death‘s "Memories," as youthful trysts take the fall with this mocking jack-off, the album’s centerpiece. I like to imagine his vocals were loosey-goosey placeholders. Anyone with a well-blackened punk sense of humor can appreciate the larky, screw-you ethos of this overwrought artifact, decorated with an image of the songwriter flanked by his morose then-wife Suzanne Elrod. Was this Cohen’s jokey fare-thee-well to horndog profligacy?

A cranky attack on youth and "Sound of Young America" pop, "Memories" is also the sound of Spector doffing his aviator shades and jabbing at his own mirrored eyeball and "Be My Baby" legacy. This Sha Nyah Nyah take on the same intermingling of faith and sexuality that underlies "Hallelujah" is constructed as a wall of soup, ready to splash down on Cohen’s fragile voice, sometimes subsumed by an ever-present anima: his female backup vocalists, a beloved counterpart to Spector’s highly controlled girl groups.

But "Memories" should perhaps remain in the past. For a strong hit of current Cohen go to the new Live in London DVD, which is infinitely preferable to 2005’s name-checking doc Leonard Cohen: I’m Your Man. Released along with a CD set, this straightforward, two-hour-plus document of a June 2008 arena show in London beats all that grainy Glastonbury footage on YouTube with its graceful shots of Cohen lost in the center of "Everybody Knows," eyes squeezed closed and mic cord clenched in a fist.

The greatest pleasures come from hearing later Cohen recordings reworked by a full band and witnessing the warmth and graciousness of a songwriter humbled by his audience. "It’s wonderful to be gathered here on just the other side of intimacy," he says wryly at one point, soon segueing seamlessly into the chorus of "Anthem": "Ring the bells that still can ring /Forget your perfect offering /There is a crack in everything /That’s how the light gets in." And perhaps that’s how — and why — Cohen has gone from haunting the rooms of heartsick "Memories" to becoming the go-to guy for a shot of lyrical intelligence: he recognizes our battered souls and sings those elegant, oft-unspoken truths still lingering in the sad café of the pop unconscious.

LEONARD COHEN

Mon/13-April 15, 8 p.m., $69.50–$251

Paramount Theatre

2025 Broadway, Oakl.

www.goldenvoice.com

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DANCE ME TO THE END OF THE WEEK:

RICHARD SWIFT

Shades of Harry Nilsson: the tunesmith makes artful inroads with his soulful new The Atlantic Ocean (Secretly Canadian). With Vetiver and Adam Stephens. Wed/8, 9 p.m., $16. Great American Music Hall, 859 O’Farrell, SF. www.gamh.com

CHANGO SPASIUK

Astor Piazzolla is grinning somewhere when this Argentinean accordion master blends the blues, fado, and chamame. Thurs/9, 8 p.m., $18. Yoshi’s, 1330 Fillmore, SF. www.yoshis.com

BEAUSOLEIL

Cajun music would be swallowed up by the swamp if not for the sprightly efforts of Michael Doucet and crew. With David Lindley. Fri/10, 8 p.m., $25. Great American Music Hall, 859 O’Farrell, SF. www.gamh.com

FRIENDLY FIRES, WHITE LIES, AND SOFT PACK

The moody, broody U.K. dance-pop rockers match beats alongside the spunky post-punk San Diegans. Sat/11, 9 p.m., $15. Slim’s, 333 11th St., SF. www.slims-sf.com

Appetite: Czech in FiDi, Easter meals, Bushi-Tei bistro, Front Porch bones, and more

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Cityhouse0309a.jpg
The new cityhouse: apres-shopping bacon-wrapped swordfish

As long-time San Francisco resident and writer, I’m passionate about this city and obsessed with exploring its best food-and-drink spots, deals, events and news, in every neighborhood and cuisine type. I have my own personalized itinerary service and monthly food/drink/travel newsletter, The Perfect Spot, and am thrilled to share up-to-the minute news with you from the endless goings-on in our fair city each week on SFBG. View the last Appetite installment here.

———-

NEW RESTAURANT and BAR OPENINGS
A double-dose of Bushi-Tei in Japantown with a new bistro
I love you, Bushi-Tei. Though a Michelin-star winner with rave reviews, I often wonder why few seem to have been to this upscale Asian restaurant with a French cuisine ethos? Chef Wakabayashi is a genius, as far as I’m concerned, and the experience, from wine list to savory dishes to desserts, have always been a creative-fresh thrill for me over the years. I dig the dark woods of the modern dining room, the seamless service, and most of all, the glorious food. So I’m delighted to see the unveiling of Bushi-Tei Bistro this week, with a $6-15 price range and dishes like housemade udon, Japanese curry and sushi. Conveniently close to key Japantown/Lower Fillmore landmarks, I’d guess this could be the new gourmet-but-affordable-Asian-eats stop before or after a movie at Sundance Kabuki, a visit to the Kabuki Spring spa or a concert at the Fillmore.
1581 Webster Street
415-409-4959
www.bushi-tei.com

Cityhouse debuts in the Parc 55 Hotel
It appears to be another Union Square hotel restaurant (i.e. expensive), but Parc 55 Hotel‘s $30 million makeover (scheduled to be done in June) includes this steakhouse restaurant, cityhouse, helmed by Chef Brian Healy of the former Terrace at the Ritz-Carlton San Francisco. Open for breakfast, lunch and dinner with an all-day bar oferring swank cocktails and bar bites, it’s a downtown shopping respite or meet-up spot with visiting friends craving steak, bacon-wrapped swordfish, oysters and strawberry rhubarb crisp.
55 Cyril Magnin Street
415-392-8000
http://dev.tigglobal.com/RenaissanceParc55/restaurants/cityhouse.cfm

Cafe Prague is bringin’ Czech back to FiDi… and soon, the Mission
It’s nice to have a little Czech back in town, though I’ll miss the old Cafe Prague space (which closed last Fall), tucked away on Pacific Ave. Hopefully the boho-Euro atmos transfers to their newly-opened Financial District locale. I see the menu consists mainly of salads and sandwiches for the FiDi lunch set, but thankfully a couple Eastern European specialties remain (which I appreciate given that there’s not much of it around), like Hungarian goulash and sauerbraten with dumplings. A second site is soon to open on Mission Street between 17th and 18th, so there’ll be more Prague lovin’ to go around.
424 Merchant Street
415-627-7464

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APRIL 12th EASTER MEALS
1300 on Fillmore’s Gospel Brunch for Easter

Since 1300 on Fillmore opened, it’s been my preferred stop for upscale Southern Soul food with a twist, and it’s jazzy, cool lounge giving tribute to the Fillmore District’s jazz glory days. Though I’ve eagerly been wanting to check out their Gospel Brunch the first Sunday of every month (which has been so popular, they plan on adding a second Sunday), I suspect Easter might be the time to catch the Spirit over cornbread and shrimp ‘n creamy grits. The three-course brunch is $39, including all food, coffee and tea, special drink of choice (mimosa, bellini, juices), and, naturally, some rousing, live gospel music. Hallelujah! P.S. Don’t forget their Fried Chicken Mondays (5:30-11pm) where $28 gets you soup or salad, Black Skillet Fried Chicken and dessert.
$39
1300 Fillmore Street
415-771-7100
www.1300fillmore.com

Indian-style Easter at Dosa on Fillmore
Doing Easter out of the norm means Dosa on Fillmore’s Indian Easter brunch might be your speed, especially when the menu includes a Strawberry-Banana Uttapam (large, pancake-style version of a dosa for $12) or an Egg Poriyal Dosa, filled with a South Indian scramble of organic eggs, chilies, tomatoes and onions ($10). Wash it down with a Bloody Mary Curry ($8.50) or Elderflower Mimosa ($9) and you’ve got yourself a brunch.
11:30am-3:30pm
1700 Fillmore Street
415-441-3672
www.dosasf.com

The antithesis to "Easter brunch" lunch at Bloodhound bar
It’s Bunny BBQ at Bloodhound all Easter afternoon with a glut of meats from Taylor’s smoked ham to rabbit (in sausage form or grilled), plus a slew of down-home sides like chicharrones, beans, and yes, bacon peanut butter brownies. It’s all you can eat and drink of seasonal beer (draft and bottle), with Bloodhound’s excellent classic cocktails still available at regular price. Fatted Calf and 4505 Meats host the event but space is limited to so make sure you RSVP if you want to eat the bunny rather than admire its cuteness.
$30
2pm–7pm
RSVP: info@bloodhoundsf.com
1145 Folsom Street
www.bloodhoundsf.com

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DEALS
Bones and Blues every Tuesday at The Front Porch
The Outer Mission’s Front Porch is one of those places (with rocking chairs on the little front patio) that’s invitingly warm as soon as you walk in. The red booths, pressed-tin ceiling and dim lighting create an overall glow. As of last week, Fats Domino Tuesdays is the night to linger over, yep… dominoes. A game of dominoes with discounted drinks and appetizers and blues music to set the mood. You can bring a partner or there’s sure to be others to play a friendly game with if you come alone. With new chef, Michael Law, aboard, it’s an ideal time to re-visit the heartwarming Southern/New Orleans menu.
Tuesdays 5-7pm
65-A 29th Street
415-282-9043
www.thefrontporchsf.com

Live blues Gumbo Jam at Miss Pearl’s Jam House every second Friday
Miss Pearl’s Jam House is one of those idyllic waterside settings that feels like a party just being there. I find the food and drinks can be hit or miss, but I still love the setting in the continually reviving Jack London Square. What better way to hit Miss Pearl’s than for a second Friday Gumbo Jam (or live music nights all month long, like "Dancin’ Island Sounds")? Chef Joey Altman (of TV and cookbook fame) actually rocks out with blues band, The Back Burners, while serving up a huge pot of gumbo. Way to start your weekend, Nawlins’-style.
2nd Fridays 8pm-12am
One Broadway, Oakland
510-444-7171
www.misspearlsjamhouse.com

Appetite: Czech in FiDi, Easter meals, Bushi-Tei bistro, Front Porch bones, and more

1

By Virginia Miller

Cityhouse0309a.jpg
The new cityhouse: apres-shopping bacon-wrapped swordfish

As long-time San Francisco resident and writer, I’m passionate about this city and obsessed with exploring its best food-and-drink spots, deals, events and news, in every neighborhood and cuisine type. I have my own personalized itinerary service and monthly food/drink/travel newsletter, The Perfect Spot, and am thrilled to share up-to-the minute news with you from the endless goings-on in our fair city each week on SFBG. View the last Appetite installment here.

———-

NEW RESTAURANT and BAR OPENINGS
A double-dose of Bushi-Tei in Japantown with a new bistro
I love you, Bushi-Tei. Though a Michelin-star winner with rave reviews, I often wonder why few seem to have been to this upscale Asian restaurant with a French cuisine ethos? Chef Wakabayashi is a genius, as far as I’m concerned, and the experience, from wine list to savory dishes to desserts, have always been a creative-fresh thrill for me over the years. I dig the dark woods of the modern dining room, the seamless service, and most of all, the glorious food. So I’m delighted to see the unveiling of Bushi-Tei Bistro this week, with a $6-15 price range and dishes like housemade udon, Japanese curry and sushi. Conveniently close to key Japantown/Lower Fillmore landmarks, I’d guess this could be the new gourmet-but-affordable-Asian-eats stop before or after a movie at Sundance Kabuki, a visit to the Kabuki Spring spa or a concert at the Fillmore.
1581 Webster Street
415-409-4959
www.bushi-tei.com

Cityhouse debuts in the Parc 55 Hotel
It appears to be another Union Square hotel restaurant (i.e. expensive), but Parc 55 Hotel‘s $30 million makeover (scheduled to be done in June) includes this steakhouse restaurant, cityhouse, helmed by Chef Brian Healy of the former Terrace at the Ritz-Carlton San Francisco. Open for breakfast, lunch and dinner with an all-day bar oferring swank cocktails and bar bites, it’s a downtown shopping respite or meet-up spot with visiting friends craving steak, bacon-wrapped swordfish, oysters and strawberry rhubarb crisp.
55 Cyril Magnin Street
415-392-8000
http://dev.tigglobal.com/RenaissanceParc55/restaurants/cityhouse.cfm

Agit-aggregator

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› a&eletters@sfbg.com

SONIC REDUCER Due to April 1 budget cuts, the original content in this space has been replaced by a selection of music news items from the wire.

MADONNA ADOPTING COUNTRY OF MALAWI


LILONGWE (Rutters) — Madonna announced her plans to adopt the entire southern African nation today after local friends told her that her adopted Malawian children, David and Mercy James, were lonely and needed companionship. In 2006 some Malawian activists attempted to block David’s adoption, but this time many are endorsing the idea of a high-flying life attached to a parent with a global pop brand. "We had no idea she would take her name so literally," opined a High Court clerk. "Nevertheless, I’m looking forward to meeting my nanny and hanging with the backstage crew at mom’s next arena show."

MICHAEL JACKSON STARRING IN LATEST TWILIGHT INSTALLMENT


LOS ANGELES (APE) — In a surprise move, Twilight heartthrob Robert Pattinson has been dropped from the lead role of vampire hottie Edward Cullen. His replacement: the King of Pop. Producers believe that despite his age and HIStory, Michael Jackson has the tween idol beat in the unnatural skin pallor department. "He’s much more believable as a vampire," said one source.

CHRIS BROWN PICKED LAST FOR DANCING WITH THE STARS


LOS ANGELES (FuxNews) — Just weeks after Chris Brown was charged with felony assault, commercial endorsements were suspended, and his music withdrawn from radio stations, the Putf8um recording artist took another backhand blow to his ego: he was snubbed by the entire cast of the popular TV show and picked last in a very special dancer’s-choice episode. "Sure, the guy can cut a rug," said an unnamed contestant. "But everyone saw those unauthorized TMZ pics of his last cut-up partner. Performers always say, ‘Break a leg.’ I don’t want to take that chance."

KANYE WEST: ‘YEAH, I HAVE AN AUTO-TUNE IMPLANT — SO WHAT?’


NEW YORK CITY (Eek! Online) — "It’s just another tool in the studio," hip-hop artist Kanye West said. "Now I don’t even need to touch a computer to get my sound." Emboldened by the success of the operation, West’s surgeons plan to remove a part of the G.O.O.D. Music founder’s brain and install an entire suite of Pro Tools plug-ins.

JONAS BROTHERS BUSTED IN HUMAN ANTI-GROWTH HORMONE STING


WYCKOFF, N.J. — (EmptyV.com) In an effort not to become Hanson or New Kids on the Block, Kevin, Nick, and Joe Jonas have been taking massive amounts of HAH in an effort to retain their tween demographic, allege Wyckoff police after a 4 a.m. raid on the Jonas family McMansion. "Our management told us we were taking flaxseed oil," Kevin said. "They claimed it was pixie dust," added Joe.

ALL-GIRL INDIE ROCK GROUP TAKE HAIR BAND EFFORT TO NEW LEVEL: WITH BEARDS


PORTLAND, Ore. (Ditchfork) — As one of the most pervasive trends in indie rock, beards have stood the test of time and triple-blade, pivoting shavers. One all-girl combo, however, is proving that they can play that game too: this week the Portland-based Her Suit obtained beard transplants at the O’Hare Baldness Clinic outside Chicago. The number of friends on the band’s MySpace page has risen tenfold, particularly among the follically challenged.

MP3S FOUND TO CAUSE CANCER, NEW VINYL FORMAT CONSIDERED ‘ANTI-CARCINOGEN’


SAGINAW, Mich. (AFPEE) — Scientists have determined a link between heavy use of iPods and other MP3 players and increased risk of cochlear cancer. The same team of scientists also determined a simple preventive measure: a protective vinyl coating applied to the actual MP3 players. "Vinyl is not only better," said one researcher. "It makes everything better."

NO JOKE

BRUCE SPRINGSTEEN AND THE E STREET BAND


How prescient is Working on a Dream (Columbia), when employment seems like a figment of the imagination for so many? Wed/1, 7:30 p.m., $38–$95. HP Pavilion, 525 W. Santa Clara, San Jose. www.livenation.com

GREAT LAKE SWIMMERS AND KATE MAKI


Still, sweet waters run deep: GLS drifts softly and drowsily, with nods to country music’s storytelling tradition, whereas ex-neuroscience student Maki teamed with Howe Gelb for On High (OW OM, 2008) and gently noggin-rattling arrangements that go beyond the solo acoustic guitar. Fri/3, 9 p.m., $12. Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com

LILA DOWNS


The Oaxaca native sifts together Fleetwood Mac and Lucinda Williams covers with an original, "Shake Away" — and a bared bellybutton — that seem like a Mesoamerican bid for Shakira’s Latin-crossover crown. Sat/4, 9 p.m., $30. Fillmore, 1805 Geary, SF. www.livenation.com

LILY ALLEN


It’s her, it’s us: one of the first pint-sized, powerhouse MySpace stars chips away at detractors with the "darker, faster" It’s Not Me, It’s You (Capitol). Sat/4, 9 p.m., $30–$32. Warfield, 982 Market, SF. www.goldenvoice.com

AHMAD JAMAL


"Darn that Dream" seems so far away, yet the 78-year-old mastermind with the keys keeps working for the ineffable, last with It’s Magic (Dreyfus, 2008). Sat/4, 8 p.m., $20–$75. Herbst Theatre, 401 Van Ness, SF. www.sfjazz.com

BURMESE


According to member Weasel Walter, Mike, Mark, Mike, and Tissue have come out of hiding, not to play blistering noise from their new 10-inch, but to cover the Circle Jerks’ Group Sex (Frontier, 1980), fore to aft, instead. With the Human Quena Orchestra and Geronimo. Sun/5, 9 p.m., $7. Hemlock Tavern, 1131 Polk, SF. www.hemlocktavern.com

San Francisco style

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› culture@sfbg.com

When it comes to fashion, San Francisco is an interesting paradox. Bay Area designers and consumers are notoriously innovative, politically conscious, and stylishly playful. Many who grow up or study here go on to make waves on a national or international scale. And yet this city still is not considered a global style center in the way that New York, Paris, or Milan are. In recent years, even L.A. seems to be getting more attention as a legitimate fashion capital than San Francisco.

With spring (and spring fashion lines) afoot, we decided to profile some of our favorite local designers — those who, regardless of their popularity outside city limits, have decided to stay put or move here to contribute to the San Francisco fashion design dialogue. We predict it won’t be long before the fashion establishment is singing their praises — and wearing their designs. 269-fashioncover.jpg On Lawrence Cuevas and Marivel Mendoza, from left to right: 1) Denim double pocket shirt, avocado tee and twill shorts by Turk+Taylor; 2) Leather jacket and sheer top by Mi, leather hotpants by Shaye, jewelry by Muscovie Design; 3) Raindrop dress by Sara Shepherd, kit leather button shoes by Al’s Attire, jewelry by Muscovie Design; 4) Leather jacket and jeans by Mi, dot tee by Turk+Taylor, white tie by Indie Industries, wing-tip shoes by Al’s Attire; 5) White tee by Mi, corset skirt by Shaye, jewelry by Joy O, polka-dot hat by Al’s Attire. (All Photos by Jeffery Cross. Photo illustration by Mirissa Neff. Styling by Lauren Cohen, Laura Peach, and Juliette Tang. Hair and makeup by Shamika Baker)

 

SOCIALIST STYLE

With delicate features, a smattering of transparent freckles and dark blonde hair that hangs in messy curls to her elbows, Shaye McKenney could be a model. But her approach to fashion is more altruism than narcissism. After returning from an extended sojourn that took her to India, tribal Amazon, and on many nomadic adventures in between, the Oakland native and daughter of a designer opened La Library on Guerrero Street a borrow-or-buy boutique whose purpose is to make stylish clothing available to all.

“The sense of ownership we have is not sustainable,” says McKenney, whose business model was inspired by the designer handbag rental concept seen in Sex and the City. Which is why she doesn’t just sell outright the airy white dresses, embroidered linen jumpsuits, and leather hot pants she makes from her mother’s fabric remnants. It’s passion for social change — as well as for a good pattern and great fit — that drives her. The whole point is being able to share. “We should not have to sacrifice glamour and art because of money and a bad economy.”

 

OLD-FASHIONED, FASHION FORWARD

Tucked away in a former North Beach butcher shop among towers of vintage hatboxes and fabric bolts stacked to the ceiling, custom clothier Al Ribaya is king of the cutting board. His old world tailor shop Al’s Attire makes every imaginable piece of clothing to order, paying more attention to detail than profit. “It’s a difficult thing to make money at,” he admits. “People don’t know what it takes to build something one stitch at a time.”

The other distinguishing factor about Ribaya’s shop is that he outfits people from head to toe. Using the same effort, energy, and remarkable focus, he makes everything from shoes crafted with soles of repurposed tire treads or turn-of-the-century buttons to suits, shirts, pants, jackets, skirts, and dresses. He even makes hats from suit fabric remnants. Every garment is custom labeled with the wearer’s name (alongside Al’s, of course). But despite all this retro hard work (and handiwork), Ribaya’s styles are remarkably fresh and modern. 269-fashiondoll1.jpg On Lawrence, clockwise from top: 1) Striped hat by Al’s Attire; 2) Double-pocket zippered denim shirt by Turk+Taylor; 3) Chambray golf jacket by Al’s Attire; 4) Dark denim jeans by Mi, 5) Silver wing-tip shoes by Al’s Attire; 6) Seersucker shorts by Turk+Taylor, 7) Brown leather jacket by Mi; 8) Avocado tee by Turk+Taylor. Underwear and socks by American Apparel.

 

FORM AND FUNCTION

What if one piece of clothing could be worn seven different ways? What would happen if you took a jacket and turned it upside-down? Or backward? These are the questions that the innovative, boundary-breaking creative minds at Harputs Collective have been asking. Their answer— called the swacket —hangs beside an oversized mirror in the airy industrial Harputs Own shop. The collective members are waiting for curious customers to come and play with the architectural sweater/jacket outerwear—putting it on backward, changing the swooping collar into a hood, then flipping it upside-down and adding a belt, until the most flattering fit is found.

The studio was started in September, a serendipitous confluence of a few thoughtful designers, a retiring tailor who stocked the store with fabrics and machinery, and an established high-end retailer with such a sense of play he will dye garments from New York lines when they are past season just to see if they will sell better in indigo than white. Our favorite part? A garment that fits well and can be worn several ways is less likely to go out of style — and therefore inspires us to consume less. (Our least favorite? They declined to participate in our fashion shoot. But we love ’em anyway.)

 

FASHION PHILOSOPHY

Mi Concept‘s visionary pieces are offered as a bespoke capsule collection for people who appreciate fashion-forward, cutting-edge design — and who aren’t afraid to look like time travelers from some distant utopian future.

Before designing any piece of clothing, Dean Hutchinson, creative director of the Mi Concept, asks himself, “How do I stimulate conversation?” The purpose, Hutchinson, says, is to challenge people to think beyond fashion. It must be working: ever since Mi Concept emerged at 808 Sutter last December, conversation and buzz have followed.

Peek inside the unmarked store and you’ll find an eerie modernist sarcophagus illuminated by fluorescent tubes, where dauntingly expensive-looking clothes cling to hangers as if worn by invisible ghosts. Together the space and the clothing create a synthesis of progressive, modern design.

Hutchinson eschews classic forms in favor of postmodernist distortion, working with asymmetrical lines and deconstructed shapes, often incorporating multiple silhouettes in a single garment to create an effect that evades easy labeling in any genre. “The other day someone said it was like a marriage between Rick Owens and Jil Sander,” Hutchinson said. “That was sort of flattering. But I don’t think about fashion like that. I have an initial idea, and then it just takes on it’s own life. It’s art.” 269-fashiondoll2.jpg On Mari, clockwise from top: 1) Bias-cut raindrop dress by Sara Shepherd; 2) Rouched front dress with pockets by Jules Elin; 3) Bell sleeve wrap jacket by Jules Elin; 4) Corset skirt with teal detail by Shaye; 5) Kit leather button boots by Al’s Attire; 6) Brown leather hotpants by Shaye; 7) Black leather jacket with sleeve zippers by Mi; 8) Polka dot hat by Al’s Attire; 9) Zipper-front dress by Turk+Taylor. Underwear and socks by American Apparel.

 

ECO-FRIENDLY FOR EVERYDAY

Jules Elin’s designs for women are simple and casual, without sacrificing style. The ideal wearer seems to be someone who is practical and comfortable but can appreciate the occasional coquettish detail — like a bell sleeve or a floral lining — on an otherwise unembellished piece.

While Elin is conscious of seasonal trends, there is nothing overtly “fashion-y” about her classic silhouettes: a swing coat is spruced up with extra-large buttons, a zippered jacket is adorned with a ruffled Peter Pan collar, and both are stylish without coming across as self-consciously en vogue. Elin’s pieces are made with organic cotton and get bonus points for not having to be dry-cleaned. On being called an eco-designer, Elin reflects, “I never really thought of it as being progress; I thought it was the right thing to do.”

When it comes to the designs themselves, San Francisco is always an inspiration. “There’s a lot of movement and architecture to the pieces,” she says. “But they’re also really sweet in a way that matches the demographic of this city.” And it’s Bay Area weather that determines the length of Elin’s sleeves: always long enough to be worn over the hands when it’s cold. San Franciscans are responding positively in turn, and even the dire economy hasn’t slowed the growth of her brand. “It’s just made me realize I can always work harder.”

 

CLASSIC SF DAYWEAR

When examining Turk+Taylor‘s well-edited collections of sustainable, nouveau-preppy clothes, the aesthetic appears so cohesive you could never tell that they nearly always result from a disagreement between the designers, Andrew Soernsen and Mark Lee Morris. “We fight all the time,” Soernsen proclaims. “We end up yelling.” During our interview, Soernsen and Morris often contradicted one another while answering the same questions — even the straightforward ones. “But somehow,” says Morris, “it all comes together.”

Soernsen and Morris don’t have fashion degrees. “We can’t sew. We aren’t pattern-makers.” The two designers run their business out of Soernsen’s apartment in NoPa, where boxes of samples are stacked on the floor, racks of clothes clutter every room, and eco-friendly fabrics perilously overflow from shelves and surfaces. Somehow, amid the jumble, they’ve managed to create beautiful collections of casual daywear year after year.

This year was the brand’s fifth, but neither Soernsen nor Morris has quit their day-jobs. “I don’t know how we have time to do this,” Soernsen admits. “We’re so unorganized.” The self-deprecating posturing belies the fact that they’ve grown into an influential label synonymous with San Francisco style. A perfect example? Pop into the SFMOMA store, and you’ll notice the museum tees are all by Turk+Taylor.

 

ACROSS THE POND AND INTO THE BAY

Sara Shepherd is, at heart, a contradiction: edgy London meets cuddly San Francisco. Originally from England, Shepherd moved to San Francisco to attend the Academy of Art University and stayed on to teach at the academy and create a fashion line out of her SOMA studio.

Shepherd’s Victorian menswear-inspired clothing evokes images of urban dandies and Byronic heroes, but her work is consciously feminine and innately modern. With tailoring that emphasizes shape over ornament, Shepherd draws her inspiration from classic British icons, whether fictional, like Alice in Wonderland, or real, like Elizabeth I. Despite the distant historical comparisons, her vision remains practical and wearable for San Francisco women who “know their own mind, who feel strong and confident in what they wear and who they are.” Like Elin, she’s also careful to consider San Francisco weather when designing. “There needs to be the opportunity to layer the clothes. There’s always, always a layer to them.” More local design! See our Pixel Vision blog for 50 more of SF’s hot designers and an exclusive guide to reconstructing a boring button-down into something better, with designer Miranda Caroligne.

WHERE TO BUY

Al’s Attire

1314 Grant, SF; 415-693-9900. www.alsattire.com

Harputs Own

1525 Fillmore, SF; 415-923-9300. www.harputsown.com

Indie Industries and Joy O.

www.indieindustries.com and www.joyodesigns.com

Available at Studio 3579, 3579 17th St., SF; 415-626-2533

Jules Elin

www.juleselin.com

Available at Ladita, 827 Cortland, SF; 415-648-4397

Muscovie Design

www.muscovie.com

Available at Collage Gallery, 1345 18th St., SF; 415-282-4401

Mi

808 Sutter, SF; 415-567-8080. www.themiconcept.com

Sara Shepherd

www.sarashepherd.com

Available at M.A.C. 387 Grove, SF; 415-863-3011

Shaye

La Library, 380 Guerrero, SF; 415-558-9841

Turk+Taylor

www.turkandtaylor.com

Available at ABfits 1519 Grant, SF; 415-982-5726

Swedish fetish

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Americans have always been lured by the siren call of those blindingly blonde babes and bewitching blue-eyed boys, but what exactly is "it" about Sweden that keeps us wanting more? The country is known for being progressive, well educated, sexually liberal, and neutral in wartime. A Swede even holds the Guinness World Record for spinning the most yo-yos simultaneously (nine).

Sweden has infiltrated American style; I don’t know anyone who doesn’t own at least one thing from Ikea, H&M, or Cheap Monday. These companies convey a sleek, stackable, skinny image. This impression is debunked slightly by the current Yerba Buena Center for the Arts exhibition "Irreverent: Contemporary Nordic Craft Art," a showcase for clothes you can’t wear and furniture you can’t use, such as Frida Fjellman’s chandeliers populated by glass owls and frosted squirrels.

There are also the images Bergmania has left us: stunning and haunting images of long coastlines, 18 hours of daylight in June, and splendid mountain ranges shrouded in December darkness. The snow-white vampires of Tomas Alfredson’s Let the Right One In (2008) proliferate our nightmares. The comic glum chums of Roy Andersson’s You the Living (2007) will soon come calling.

For a country with a landscape that’s roughly equivalent to California and a population of about 9 million, Sweden is an impressive exporter of music — the third largest in the world, bested only by the U.S. and U.K. The boom began in the 1970s with those pop perfectionists, ABBA, who crossed the Atlantic to bliss us out with the melancholy euphoria of 1976’s "Dancing Queen" (their sole U.S. chart-topper, although they were the most commercially successful band of the decade).

Following ABBA’s footsteps and to some degree formula, lesser and at times laughable groups emerged from Sweden in the 1980s to reinforce the bright blonde stereotype. Europe advised us to "Open Your Heart" and Roxette counseled to "Listen to Your Heart." Although these acts managed to break into the mainstream, none attained the same timeless staying power of Agnetha, Benny, Björn, and Anna-Frid, with their teen anthems about sneaking out under mama’s nose and "having the time of your life," and their darker, more adult post-Arrival (Polar, 1976) material.

The 1990s only solidified Sweden’s reputation as a pop paradise. It brought some ludicrous acts, such as Rednex with 1994’s "Cotton Eye Joe." But Ace of Base gave us "The Sign" in 1993, and the Cardigans crafted powerful, lasting songs and even albums. Perhaps most notably, Max Martin made Britney Spears famous by writing and producing her 1998 debut single "… Baby One More Time" and creating many more hits for her and the Backstreet Boys. He also collaborated with Robyn, who has achieved cult and critical success at home and more recently in the U.S. with her own songs.

In the 21st century, Sweden’s international music presence has grown more multifaceted. The Hives brought rock to the American charts in 2000 with "Hate To Say I Told You So," and American indie kids and Kanye West went bananas in 2006 for the whistling jam "Young Folks" by Peter, Björn, and John, whose fifth and newest album Living Thing is set for release this month. The female vocalist on "Young Folks," ex-Concretes member Victoria Bergsman, is now focusing on a solo project, Taken By Trees. Psych-folk-jazz rockers Dungen put out their fourth proper album, helpfully titled 4, last fall. The group’s U.S. label is Kemado, while its sound is increasingly Komeda — as in Roman Polanski’s early film composer Krzysztof Komeda.

The Swedish acts, if not hits, keep coming: last month brought femme foursome Sahara Hotnights’ album of cover versions Sparks (Universal); January delivered delicate folkster Loney Dear’s Dear John (Polyvinyl); and charming, Björk-influenced Maia Hirasawa puts out her second album next week. The beautiful Lykke Li recently played the Fillmore, where her opening act, the Västra Götalands Iän duo Wildbirds and Peacedrums, was to die for. Indie-pop trio the Bell recently played the Independent, and the Dylan-inspired Tallest Man On Earth (a.k.a. Kristian Matsson) breaks free from touring with Bon Iver to headline shows in support of the acclaimed Shallow Grave (Gravitation).

Sweden’s second largest city, Gothenberg, plays host to lovelorn troubador Jens Lekman, Madchester-influenced boy duo the Tough Alliance, and doo-wop dolly El Perro del Mar. Another Gothenberg resident, acoustic singer/songwriter José González, gained popularity in 2003 when his cover of Swedish electro duo the Knife’s "Heartbeats" was set to a Sony commercial in which 250,000 colored balls bounced down the steepest streets of San Francisco.

González’s version of "Heartbeat" resparked interest in the Knife’s original, and brother and sister duo Olaf Dreijer and Karin Dreijer Andersson built on that audience with 2006’s critical fave Silent Shout (Mute). This week, sister Karin introduces her solo recording project, Fever Ray. Like her work with the Knife, the 10 songs on Fever Ray (Mute) couple icy electronic atmospheres with quite literal lyrics — one song even refers to dishwasher tablets.

Whatever the "it" is that has captured the hearts of so many Americans and sent all these acts across the ocean to us, it continues to grow and assume new forms. If you ever make the trek to pop paradise, remember: they refer to Swedish Fish as "winegum candy" in Sweden. It’s kinda like how the French don’t use the term "french fries."

THE TALLEST MAN ON EARTH

with Herman Dune

March 25, 7:30 p.m., $12–$14

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

Objects of Obsession: Branch out

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SFBG’s Laura Peach rounds up local items and experiences to die for. See her last installment here.

As a girl, I would spend summers wandering through island woods at my grandparent’s house. I always loved the birch tree bark, and would peel pieces off the trees to make little dresses of white and pale pink for my dolls, always wishing that there was a big enough section of bark to create a skirt my size.

Although I was never able to wear the wood of my childhood, recently I’ve been on the lookout for ways to bring the forest alive in my everyday urban home life. Here are a few of my favorite finds, wooden through and through. They just may bring out a different type of tree hugger in you.

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1. Wooden Wallet

Evergreen_0309.jpg

A real slab of wood is not the best thing to have in your pocket. No one wants slivers in their behind. But the thoughtful, science geek designers at San Francisco’s Hlaska were enamored by the beauty and grace of wood grain. They reproduced the patterns found in a real pine tree onto Italian leather for their Evergreen wallet ($125).

Hlaska, 2033 Fillmore, SF. (415) 440-1999, www.hlaska.com

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2. Log Life

waterloggedcan_0309.jpg

This watering can ($16) is the sweetest stump I’ve ever seen. Hydrate thirsty plants using the log pitcher and they may be inspired to grow grander and greener. Made from recycled plastic, so no trees were harmed and you can hold the branch handle guilt free. Oh, it also makes for a nifty vase.

Doe SF, 629 A Haight, SF. (415) 558-8588, www.doe-sf.com

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3. Pink Poison

tucker_branch_tee_0309.jpg

The bright, bold berries bursting off the black branch on this t-shirt ($28) are supposedly poisonous. But such a pretty pink color makes them hard to resist. I might be tempted to pop one in my mouth.
Designed by San Francisco contemporary art golden boyTucker Nichols exclusively for Richmond’s hippest object/art/book shop Park Life, this berried branch shirt is a catchy closet addition for sure.

Park Life, 220 Clement, SF. (415) 386-7275, www.parklifestore.com

Think globally, shop locally

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› culture@sfbg.com

GREEN CITY When we say a product is "eco-friendly," what we really mean is "eco-friendlier," as in "less ecologically damaging to the environment than available alternatives." The manufacturing process always has some negative effect on the environment, and while products may be labeled organic, biodegradable, recycled, acid free, ecospun, fair-trade, unbleached, vegetable-based, cruelty-free, or all-natural — they all require land, unclean energy, and unrenewable resources to produce.

The easiest way to start thinking eco-friendliest is to take into account the enormous amount of energy used in distribution. Sure, it’s unrealistic to expect all of our products to come from California, because certain things, like lifesaving medicine or Belgian ale, don’t have homegrown substitutes. But some items do have nearby equivalents. Here’s a guide to some of our favorite stylish eco-stops for locally manufactured gems.

For eco-friendly home goods, make sure you stop by Russian Hill’s Spring (2162 Polk, SF. 415-673-2065, www.springhome.com), where you can get your Coyuchi organic cotton sheets, Method home care products, Sara Paloma vases, International Orange spa goodies, Erbaviva homeopathic baby products, Naya bath salts, Nectar Essence aromatherapy sprays, and EO bath and body things, all in one trip. Did I mention that all these companies are California-based?

Another favorite on the spendy eco-boutique front is Eco Citizen (1488 Vallejo, SF. 415-614-0100, www.ecocitizenonline.com), which carries sustainable high-end clothing and showcases several talented local designers, including Sara Shepherd, the San Francisco clothier who creates conceptual, modern styles in black and white. While you’re there, be sure to ask about Jules Elin, a designer from Novato who works solely with organic and recycled fabric, and whose feminine, whimsical jackets are perfect for life in a perpetually spring-like city.

If you’re shopping for tomorrow’s green warriors, try Mabuhay‘s (1195 Church, SF. 415-970-0369, www.mabuhaykids.com) eco-friendly children’s clothing, featuring San Franciscan lines like Smallville by Jimin Mannick, who hand-sews lovely little garments for boys and girls. Jasper Hearts Wren play clothes for toddlers are decorated with charming details like rocket ships and birds crafted from felt made entirely from postconsumer recycled plastic bottles, and are made by Oakland’s Heather Jennings and Lisa Schwartz.

And speaking of kids, Ladita‘s (827 Cortland, SF. 415-648-4397, www.shopladita.com) owner, Christine Kay, has been wanting to open a boutique since she was a kid herself. At the sweet little boutique, whose storefront reads "Eco-friendly of course," check out Kim White’s handbags created with vintage fabrics pulled from automobile upholstery, like a clutch made from a 1980s Camaro. Also keep an eye out for regenerated cotton socks by Love & Socks, made here.

Other places to keep on your radar? Eco Boutique (4035 18th St., SF. 415-252-0898, www.shopecoboutique.com) offers glass products by Dharma, a Fort Bragg company — think wonderful little glass straws you can use instead of plastic disposable ones. EcoLogiQue (141 Gough, SF. 415-621-2431, www.ecologiquesf.com) offers 100 percent made-in-California T-shirts by Naked Cotton using organic cotton grown in the San Joaquin Valley. If you want to commission your own messenger bag, contact Rickshaw Bagworks (904 22nd St., SF. 415-904-8368, www.rickshawbags.com) and have a designer make one out of your own material, or choose from the on-hand selection of 100-percent postconsumer waste fabric. Rickshaw Bagworks makes each bag to order, so no unused bags sit around a showroom. Clary Sage Organics (2241 Fillmore, SF. 415-673-7300, www.clarysageorganics.com) offers a staff-designed, locally made line of yoga gear fashioned from ecologically sustainable materials. SF-based online retailer Branch (245 South Van Ness, SF. 415-626-1012, www.branchhome.com) offers plenty of eco-friendly furniture designed and produced in the city, including bamboo lamps by Schmidtt Design, recycled rubber coasters and placemats by JoshJakus, and recycled cork trays by Urbana Designs.

Cut Copy

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PREVIEW Cut Copy can’t help being so likable. They’re here to dance, they’re damn happy about it, and they want you to know it — and jump in. The happy-go-lucky aesthetic worked: last year’s In Ghost Colours (Modular Interscope) debuted at the top of the Australian charts and topped scads of year-end best-of lists. The trio — a skinny bunch with swishy haircuts, delectable Australian accents, and a pathological addition to plaid — put out that luminous trove of swirly synths, Day-Glo pop, and irrepressible dance-rock groove to near-unanimous critical acclaim.

And about time, too. Downright disco raver "Lights and Music," an ecstatic summer anthem with a veritable shirt-grabber of a hook, spawned about a trillion remixes and lit up transcontinental dance floors across the globe. Vocalist Dan Whitford, who started out as a DJ and has released comps under the Fabriclive mix series, formed the band in 2001, collecting guitarist Tim Hoey and drummer Mitchell Scott along the way to the band’s 2004 debut, Bright Like Neon Love (Modular Interscope). Maybe it’s Whitford’s DJ impulses that account for In Ghost Colours‘ chimerical meldings of disparate rock and electronic elements that give the group’s music its diverse, pastiche-y textures — and, for determined music taxonomists, a certain elusive quality. Nu rave, disco-punk, synth rock? Whichever and whatever, it just sounds like a good time.

CUT COPY With Matt and Kim, and Knightlife. Thurs/12, 8 p.m. $25. Fillmore, 1805 Geary, SF. (415) 346-6000, www.livenation.com. Cut Copy DJs a Popscene after-party. Thurs/12, 10 p.m., $10. 330 Ritch, SF. (415) 541-9574, www.popscene-sf.com

The big throwdown

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For someone notoriously press-shy, composer and band leader John Zorn is really a friendly, chatty mensch. The modern-music icon brings five of his working bands to Yoshi’s next week for a remarkable residency showing off the breadth and depth of his musical interests — and he didn’t mind at all talking about it.

"I’ve been doing these kind of residencies for the past couple of years in Europe because I got pretty tired of shlepping around on airplanes, as you could well imagine," Zorn said from his home in New York City.

Touring schedules dictating performances in 12 cities over 14 days had Zorn’s body rebelling, so he decided, instead of bringing one band to many places, he would bring many bands to one place and only take two planes to do it.

"I present a wide variety of my passions to the audience, and right now that’s where my commitment is," Zorn explained. "For people to know not just one aspect of what I do, but many aspects."

The alto saxophonist has often been labeled a jazz artist, but the tag has never truly fit. "It’s completely erroneous. Jazz is one of many musics I’ve referenced and studied and paid tribute to." Though his musical influences include jazz artists as varied as avant-garde saxophonist Ornette Coleman and bluesy hard-bopping pianist Sonny Clark, Zorn’s Jewish heritage has had a strong impact on his work as well.

More than anything, though, a defiant, unencumbered personal aesthetic defines the composer — a quality cultivated amid the community of kindred musicians who grew up in New York City’s Knitting Factory scene, playing new genre-less music. Both composed and improvised, his music is sourced and referenced through world culture and structural devices alternately meticulous and random. "It’s music that falls in the gaps," he said. "It’s exciting that it’s been misunderstood, but it’s frustrating."

Once an aspiring filmmaker, Zorn relates most to experiences that are both aural and visual. "There has always been a connection to what I hear and what I see — between film and music," he said. It’s not surprising that Zorn’s most essential record, The Big Gundown (Nonesuch, 1986), comprises music by Ennio Morricone written for films by Sergio Leone and Gillo Pontecorvo. "There’s always a dramatic narrative in the work that I try to do — a kind of extra, musical layer that is very important in all my music."

For his five nights at Yoshi’s, Zorn brings his definitive original Masada quartet with bassist Greg Cohen, drummer Joey Barron, and trumpeter Dave Douglas, along with two offshoots of that ensemble, the Masada String Trio and the electric Masada ensemble. His Bar Kokhba group, which he calls a "Sephardic surf band," and his group the Dreamers, which includes keyboards and electronics, also perform. The stunning array of musicians in those lineups include guitarist Marc Ribot, violinist Mark Feldman, cellist Erik Friedlander, and percussionist Cyro Baptista.

JOHN ZORN RESIDENCY

Tues/10–March 14, 8 and 10 p.m.; March 15, 7 and 9 p.m., $20–$50

Yoshi’s SF

1330 Fillmore, SF

(415) 655-5600

www.yoshis.com

Maus trapped

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› kimberly@sfbg.com

SONIC REDUCER San Francisco street rats, go play some other day. House heads, scamper beneath some disco ball far away. And, kraut rock kidz, don’t you dare mistake Maus Haus for just another tinned Can tribute band — German spelling or nein — though the Bay Area ensemble has been known to rock the occasional Faust track behind closed doors.

Instead Joseph Genden, Tom Hurlbut, Jason Kick, Sean Mabry, Josh Rampage, and Aaron Weiss — all real birth names, folks — make some of the most original music to scuttle along the edges of aural indefinability, right here in the Bay. Just don those giant Mickey ears and take in the boom-bleat orchestral art-rock bounce, chugging motor-iffic rhythms, and squealing theremin-like shrieks of "Rigid Breakfast," the opening track of Maus Haus’ latest, Lark Marvels (Pretty Blue Presents, 2008). Fractured psych patients, bent-but-not-broken folk-funksters, soft-acid bluesmen, Silver Apples acolytes, and Captain Beefheart praise-sayers — all these descriptors touch on, yet don’t quite capture, the inviting, inventive sonic nest Maus Haus has built.

"It’s a project that started out as a guideline of concepts that we wanted to fulfill but we had no actual idea of what the music would sound like," explains drummer-keyboardist-multi-instrumentalist Mabry by speaker phone alongside Kick.

"We definitely like a lot of late ’60s psychedelia — that’s something we all agree on," vocalist-keyboardist Kick adds. "But we didn’t intend to do anything with a retro sheen necessarily." Rather, Maus Haus chose to simply identify with the pioneering spirit of early psych. "Our heart is kind of in the same place," he says.

Hard to believe this gang of friends — some assembled via Craigslist, a clutch relocated from the Midwest (Wisconsin, Michigan, and Indiana), two hailing from Sacramento and Half Moon Bay, and all involved in bands as varied as Social Studies, Battlehooch, and Pope of Yes — started working on music together just two years ago, and at the encouragement of friends, they played live together for the first time a year ago. "It felt like there needed to be a band to represent the songs," Kick says, "instead of it just being an esoteric recording project.

Enter the crazy quilt of onstage instrumentation, in full pack-rat effect when Maus Haus played Bottom of the Hill not long ago. "We have so much stuff onstage it’s kind of ridiculous," says Kick. He counts off a Rhodes keyboard, Omnichord, drum set, assorted floor toms, an electronic drum pad, two MicroKorgs, the theremin-emuutf8g Chaos Pad, trombone, sax, trumpets, bass guitar, MIDI controller, and laptop, though he says, "We might stop using the laptop because computers shut down at the worst times." Sounds like the song "We Used Technology (But Technology Let Us Down)" was written from experience.

So what are these brain baths that Maus Haus recommends as one of several "special things to do" on their MySpace site? That suggestion, along with the rest of the list, emerged from a series of surrealist word games undertaken to generate lyrics. "Nerdy but true," says Kick. Still, one imagines a good saline solution dousing — accompanied by Maus Haus’ bubbling score — might set the imagination reeling. "You can do it clothed," Kick offers, "or naked."

MAUS HAUS

Fri/27, 5 p.m., free

Benders

806 So. Van Ness, SF

www.bendersbar.com

Also March 4, 8 p.m., $8

Rickshaw Stop

155 Fell, SF

www.rickshawstop.com

SIDEBAR ONE

MUSHROOM MUSHES … TO THE LIGHTHOUSE

Who’s brave enough to tackle a 1971 rock opus its very creator could never conjure live? Bay Area rock brainiacs Mushroom — that’s who. And here they go again — reprising their Feb. 21 Make-Out Room reprise of Pete Townshend’s Lifehouse, which was scuttled by the Who and ended up in pieces on Who’s Next (MCA, 1971). "The main thing," e-mails Mushroom maven Pat Thomas, "is that there have been a lot of ‘tribute’ shows and even ‘tributes’ to specific albums, but in this case, Mushroom is performing a ‘rock opera’ that the band themselves (the Who) never got around to performing." This time around, Naked Barbies’ Patty Spiglanin will fill in as Roger Daltry, Citay’s Josh Pollock will shoulder Pete Townshend duties, Brightblack Morning Light’s Matt Cunitz will be Nicky Hopkins, and Thomas will ape Keith Moon. Townshend was never able to talk the rest of the Who into realizing his Matrix-ish, Web-prophesying sci-fi followup to Tommy, but, according to Thomas, "It’s PT’s intensity and conviction that led me to explore the possibility of performing Lifehouse, music that I’ve been obsessed with for 34 years." Mike Therieau will open with a tribute to Ronnie Lane and the Faces.

March 6, 10 p.m., $10. Starry Plough, 3101 Shattuck, Berk. www.starryploughpub.com

SIDEBAR 2

SHELLING IN THE PEANUT GALLERY

TWO SHEDS AND AN HORSE


Soulful indie emanates from the former SF/Sacto twosome; skirt-swirling pop from the latter Brisbane, Australia pair. With Matt Costa and Robert Francis. Wed/25, 8 p.m., $25. Slim’s, 333 11th St., SF. www.slims-sf.com

ONE HUNDRED SUNS


Stately black metal growl from the SF/Brooklyn combo, which celebrates its new self-released CD, Beneath the Hooves of Time. With Grayceon, Nero Order, and Wanteds. Sun/1, 8 p.m., $8. Parkside, 1600 17th St., SF. www.theeparkside.com

RAPHAEL SAADIQ


Oakland’s own takes out his classic throwback R&B once again, after a series of dates opening for Columbia labelmate John Legend. Tues/3, 8 p.m., $32.50. Fillmore, 1805 Geary, SF. www.livenation.com

Appetite: Steak, pork, Victoria Lamb and an El Carajo cocktail or two

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Welcome to Appetite, a new column on food and drink. A long-time San Francisco resident and writer, Virginia Miller is passionate about this incomparable city, obsessed with finding and exploring its best spots, deals, events and news. She started with her own service and monthly food/drink/travel newsletter, The Perfect Spot , and plans to pass along up-to-the minute news to us. View her last installment here.

New openings

FiDi’s A5 Steak Lounge for the urban-chic carnivore

Frisson was one of the coolest restaurant spaces I’ve seen: a modern-day-chic meets the ’60’s vibe with orange couches, a round room and striking dotted-lighting ceiling. Though closed awhile, the space is now reincarnated. The same round, dome ceiling remains, though this time the room is redone in softer, sleeker hues with faux-alligator chairs and cream-colored booths. Steve Chen and Albert Chen (not related), are the new owners, creating a current-day steakhouse for the urban carnivore, A5 Steak Lounge. A5 refers to the highest grade of Japanese Wagyu beef, which, yes, will be served along with some choice US Prime beef. Chef Marc Vogel helms the menu, which refreshingly offers a range of sizes and prices in steak cuts – even those who just want a taste can order, let’s say a 4 oz. rib-eye (around $12), an 8 oz. slab (low $20’s), on upwards. You can have your steak and eat it (all), too.

A5 is in the middle of a soft opening until the official launch date of March 10. Be the first to try it out (with reduced prices) during the limited, four-nights reservations, with the caveat that you provide feedback as the staff hones the menu and service prior to opening.

244 Jackson Street
415-989-2539
Email for reservations: rsvp@a5steakhouse.com

Tipsy Pig gastrotavern debuts in the Marina on Feb. 24

The Marina restaurant take-over of Nate Valentine, Sam Josi and Stryker Scales (behind Mamacita, Umami and Blue Barn Gourmet) continues with The Tipsy Pig, opening today in the former Bistro Yoffi space. The Tipsy Pig will start out only with dinner, but will eventually serve brunch and lunch as well, and the bar will be open till 2 a.m. I hear it’s a rustic, wood space separated comfortably into a Living Room (with bar, leather booths, wood tables), the Library, and an inviting back patio pleasantly aromatic with citrus trees, seating up to 50 people at communal picnic tables. Produce will, by-and-large, be sourced from Sonoma’s Oak Hill Farm for a locavore nod, while over 50 artisanal beers are available on tap or by the bottle along with — what else? — classic american cocktails. Menu items include a Spinach Salad with kabocha squash, plenty of pig dishes and a Brussel Sprout/Apple Hash. Whether or not we need another gastropub, the Marina doesn’t have one and I think all things combined (patio, beers, yummy-sounding menu, open all day…), it sounds well worth checking out.

2231 Chestnut Street
415-292-2300
www.thetipsypigsf.com

Special events

Tuesday, 2/24: South Fundraiser for Australia’s bushfire victims

Dine for a cause tonight at our local Australian/New Zealand gem, South. Aussie chef Luke Mangan wanted to help his homeland and is doing so with a special, four-course dinner benefiting victims of the Victorian bushfires. For $125, there’s dinner, wine pairings (from South sommelier Gerard O’Bryan) and a live auction with proceeds donated to the Australian Red Cross Bushfire Relief Fund. The menu is listed on the website with Down Under-influenced dishes like Victorian Lamb with rhubarb, nettles and parsley puree, or for dessert, Creme Fraiche Panna Cotta with kumquats and caraway. Seating is limited, so RSVP — and note a credit card is needed to hold your place.

7pm

330 Townsend Street, Suite 101
415-974-5599
RSVP to: info@southfwb.com

Dungeness Crab Week runs through March 1st

So it’s been a lackluster crab season, but what’s there is sweet and succulent as ever… and 44 SF chefs from 54 restaurants (do the math?) are featuring signature crab dishes on their menus this week. Visa is a sponsor, so if you pay with a Visa Signature card, you’ll get a complimentary cookbook featuring a slew of crab recipes from some of the chefs and restaurants involved. Some of my faves are participating (like Incanto, 1300 on Fillmore, Bix, Jardiniere, Pesce, Shanghai 1930, etc… and there’s no meat I’m more crazy about than crab, particularly our West Coast Dungeness.

For added fun, there’s the annual Crab Cracking Contest in Union Square on Saturday, 2/28, from noon-3pm. It’s free, though you’ll need to purchase tickets for food, beer and wine tastings. There’ll be Union Square chefs (like Jen Biesty of Scala’s and Adam Carpenter of Ponzu) and San Francisco 49ers (yeah, you heard right) crackin’ crabs together, with live music from Diego’s Umbrella, who myspace lists as Experimental-Flamenco-Rock, booths for kids, and plenty to drink.

Details and list of participating restaurants here.

Make reservations here.

Bar news

Get sultry with Brazilian Wednesday Nights at Pisco Latin Lounge

In these rainy days, one of the best ways to warm things up is a well-crafted drink and lively music. Pisco Latin Lounge offers you both in weekly Brazilian-themed Wednesdays. I recently enjoyed an ideal end to a long day here, sipping the El Carajo cocktail ($12, made of Veev Acai Liquor, St. Germain and Aji amarillo pepper), while watching spicy Brazilian music videos on the flat screens. DJ Anjo Avesso spins while you sip a specially-priced $7 Caramelized Caiparinha and chow down on Latin small plates. This Wednesday, 2/25, bring your business card or email address to possibly win a magnum (double-sized) bottle of Cachaca. Lindo maravilhoso!

Wednesdays, 7-11:45pm
1817 Market Street
415-874-9551
www.piscosf.com

Deals

Foreign Cinema’s three-course prix-fixe honors 10th anniversary

Foreign Cinema may not be the latest hotspot anymore, but it still packs ’em in with the mystique of being located on a dodgy Mission block, down a candlelit hallway, into an oasis of foreign film, a roaring fireplace and quite tasty food (I’ve long been partial to the pot de cremes for dessert). In honor of the restaurant’s 10th anniversary, a special prix-fixe menu is available every night of 2009 (!) for $36 per person ($55 with wine pairings, including a dessert wine pour), though menu items and wine flights change daily (I hear so far the Pot de Creme has been seen on the prix fixe menu, along with dishes like Fried Oysters with spinach, smoked bacon and preserved lemon).

2534 Mission Street
415-648-7600
www.foreigncinema.com

Mission Beach Cafe ushers in Pot Pie Sundays and Let Them Eat Cake!

One of my favorite cafes for its eclectic decor, friendly service, and, best of all, Blue Bottle coffee and amazing house-made pastries, Mission Beach Cafe further sweetens the ‘hood with two new specials. Pastry chef Alan Carter is already known at MBC for his flakey pot pies – that’s what baking and living in Paris did for him. Lucky us, he’s sharing his pot pie magic skills every Sunday night creating pies filled with rabbit, beef, duck or veggies. Sounds like a perfect winter dinner to me. On Sunday, Tuesday, Wednesday and Thursday nights, you can further rack up the calories (happily so) with a Let Them Eat Cake offer from 5:30–6:30 pm: a free slice of cake with each entrée ordered. Knowing how decadent the pastries and pies are, I’ve no doubt the cakes will give you sweet dreams, too.

198 Guerrero Street
415-861-0198

Appetite: Steak, pork, Victoria Lamb and an El Carajo cocktail or two

0

Welcome to Appetite, a new column on food and drink. A long-time San Francisco resident and writer, Virginia Miller is passionate about this incomparable city, obsessed with finding and exploring its best spots, deals, events and news. Miller started with her own service and monthly food/drink/travel newsletter, The Perfect Spot, and will continue to pass along up-to-the minute news to us. View her last installment here.

By Virginia Miller

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Luke Magnan of South is raising money for Down Under

New openings

FiDi’s A5 Steak Lounge for the urban-chic carnivore

Frisson was one of the coolest restaurant spaces I’ve seen: a modern-day-chic meets the ’60’s vibe with orange couches, a round room and striking dotted-lighting ceiling. Though closed awhile, the space is now reincarnated. The same round, dome ceiling remains, though this time the room is redone in softer, sleeker hues with faux-alligator chairs and cream-colored booths. Steve Chen and Albert Chen (not related), are the new owners, creating a current-day steakhouse for the urban carnivore, A5 Steak Lounge. A5 refers to the highest grade of Japanese Wagyu beef, which, yes, will be served along with some choice US Prime beef. Chef Marc Vogel helms the menu, which refreshingly offers a range of sizes and prices in steak cuts – even those who just want a taste can order, let’s say a 4 oz. rib-eye (around $12), an 8 oz. slab (low $20’s), on upwards. You can have your steak and eat it (all), too.
A5 is in the middle of a soft opening until the official launch date of March 10. Be the first to try it out (with reduced prices) during the limited, four-nights reservations, with the caveat that you provide feedback as the staff hones the menu and service prior to opening.

244 Jackson Street
415-989-2539
Email for reservations: rsvp@a5steakhouse.com

Tipsy Pig gastrotavern debuts in the Marina on Feb. 24

The Marina restaurant take-over of Nate Valentine, Sam Josi and Stryker Scales (behind Mamacita, Umami and Blue Barn Gourmet) continues with The Tipsy Pig , opening today in the former Bistro Yoffi space. The Tipsy Pig will start out only with dinner, but will eventually serve brunch and lunch as well, and the bar will be open till 2 a.m. I hear it’s a rustic, wood space separated comfortably into a Living Room (with bar, leather booths, wood tables), the Library, and an inviting back patio pleasantly aromatic with citrus trees, seating up to 50 people at communal picnic tables. Produce will, by-and-large, be sourced from Sonoma’s Oak Hill Farm for a locavore nod, while over 50 artisanal beers are available on tap or by the bottle along with — what else? — classic american cocktails. Menu items include a Spinach Salad with kabocha squash, plenty of pig dishes and a Brussel Sprout/Apple Hash. Whether or not we need another gastropub, the Marina doesn’t have one and I think all things combined (patio, beers, yummy-sounding menu, open all day…), it sounds well worth checking out.

2231 Chestnut Street
415-292-2300
www.thetipsypigsf.com

Special events

Tuesday, 2/24: South Fundraiser for Australia’s bushfire victims

Dine for a cause tonight at our local Australian/New Zealand gem, South. Aussie chef Luke Mangan wanted to help his homeland and is doing so with a special, four-course dinner benefiting victims of the Victorian bushfires. For $125, there’s dinner, wine pairings (from South sommelier Gerard O’Bryan) and a live auction with proceeds donated to the Australian Red Cross Bushfire Relief Fund . The menu is listed on the website with Down Under-influenced dishes like Victorian Lamb with rhubarb, nettles and parsley puree, or for dessert, Creme Fraiche Panna Cotta with kumquats and caraway. Seating is limited, so RSVP — and note a credit card is needed to hold your place.

7pm

330 Townsend Street, Suite 101
415-974-5599
RSVP to: info@southfwb.com

Dungeness Crab Week runs through March 1st
So it’s been a lackluster crab season, but what’s there is sweet and succulent as ever… and 44 SF chefs from 54 restaurants (do the math?) are featuring signature crab dishes on their menus this week. Visa is a sponsor, so if you pay with a Visa Signature card, you’ll get a complimentary cookbook featuring a slew of crab recipes from some of the chefs and restaurants involved. Some of my faves are participating (like Incanto, 1300 on Fillmore, Bix, Jardiniere, Pesce, Shanghai 1930, etc… and there’s no meat I’m more crazy about than crab, particularly our West Coast Dungeness.

For added fun, there’s the annual Crab Cracking Contest in Union Square on Saturday, 2/28, from noon-3pm. It’s free, though you’ll need to purchase tickets for food, beer and wine tastings. There’ll be Union Square chefs (like Jen Biesty of Scala’s and Adam Carpenter of Ponzu) and San Francisco 49ers (yeah, you heard right) crackin’ crabs together, with live music from Diego’s Umbrella, who myspace lists as Experimental-Flamenco-Rock, booths for kids, and plenty to drink.

Details and list of participating restaurants here:

Make reservations here

Bar news

22309pisco.jpg
Cocktails and small plates at Pisco

Get sultry with Brazilian Wednesday Nights at Pisco Latin Lounge

In these rainy days, one of the best ways to warm things up is a well-crafted drink and lively music. Pisco Latin Lounge offers you both in weekly Brazilian-themed Wednesdays. I recently enjoyed an ideal end to a long day here, sipping the El Carajo cocktail ($12, made of Veev Acai Liquor, St. Germain and Aji amarillo pepper), while watching spicy Brazilian music videos on the flat screens. DJ Anjo Avesso spins while you sip a specially-priced $7 Caramelized Caiparinha and chow down on Latin small plates. This Wednesday, 2/25, bring your business card or email address to possibly win a magnum (double-sized) bottle of Cachaca. Lindo maravilhoso!

Wednesdays, 7-11:45pm
1817 Market Street
415-874-9551
www.piscosf.com

Deals

Foreign Cinema’s three-course prix-fixe honors 10th anniversary
Foreign Cinema may not be the latest hotspot anymore, but it still packs ’em in with the mystique of being located on a dodgy Mission block, down a candlelit hallway, into an oasis of foreign film, a roaring fireplace and quite tasty food (I’ve long been partial to the pot de cremes for dessert). In honor of the restaurant’s 10th anniversary, a special prix-fixe menu is available every night of 2009 (!) for $36 per person ($55 with wine pairings, including a dessert wine pour), though menu items and wine flights change daily (I hear so far the Pot de Creme has been seen on the prix fixe menu, along with dishes like Fried Oysters with spinach, smoked bacon and preserved lemon).

2534 Mission Street
415-648-7600
www.foreigncinema.com

Mission Beach Cafe ushers in Pot Pie Sundays and Let Them Eat Cake!

One of my favorite cafes for its eclectic decor, friendly service, and, best of all, Blue Bottle coffee and amazing house-made pastries, Mission Beach Cafe further sweetens the ‘hood with two new specials. Pastry chef Alan Carter is already known at MBC for his flakey pot pies – that’s what baking and living in Paris did for him. Lucky us, he’s sharing his pot pie magic skills every Sunday night creating pies filled with rabbit, beef, duck or veggies. Sounds like a perfect winter dinner to me. On Sunday, Tuesday, Wednesday and Thursday nights, you can further rack up the calories (happily so) with a Let Them Eat Cake offer from 5:30–6:30 pm: a free slice of cake with each entrée ordered. Knowing how decadent the pastries and pies are, I’ve no doubt the cakes will give you sweet dreams, too.

198 Guerrero Street
415-861-0198

Fiddling around: Andrew Bird and Loney, Dear at Fillmore

2

andrew_bird_8.jpg

Surfin’ bird: Andrew Bird. All photos by Ariel Soto.

By Ariel Soto

Last night, Feb. 19, the Fillmore turned itself into a fantasy fairyland filled with gentle creatures as the sweet, whistling Andrew Bird and endearing Loney, Dear took the stage. Loney, Dear, a band from Scandinavia, was able to get the crowd to sing along and even harmonize, as they strummed their guitars and tapped the piano keys, creating an incredibly lovely and mellow sound. Headliner Andrew Bird removed his shoes as soon as he got onstage, fiddled like a mad man, and kept the audience wistfully engaged for every song. If only I had known to wear my snow white dress…

ANDREW BIRD
With Loney, Dear
Fri/20, 9 p.m., $32.50
Fillmore
1805 Geary, SF
(415) 346-6000

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Hear, here

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› johnny@sfbg.com

As I walk into City Hall, I hear a horn from the street — not a car horn, but a single trumpet. Further inside, what might be a few notes from a harpsichord hover in the air, followed by the twitters and chirps of swooping birds. A man sits on the steps at the foot of the rotunda stairs, looking up in slight bewilderment, wondering where in the hell the trees and small jungle might be. The source of these sounds is above him, by the rotunda’s dome — eight transducers installed by sound artist Bill Fontana that employ echolocation as part of a site-specific sound sculpture titled Spiraling Echoes.

A few days later, I step out of the rain and onto a wet 22 Fillmore bus, with a persistent hum, drone, or whine in my ears. I’m wearing headphones and listening to Jacob Kirkegaard’s latest recording, Labyrinthitis (Touch Music/Fonik). I hear hearing: Kirkegaard produced the piece by inserting tiny microphones into his ears to record the frequencies — otoacoustic emissions — produced by hairs within the cochlea. Labyrinthitis is both a recording and a live performance, and the live version, during which the audience’s ears are transformed into an orchestra conducted by Kirkegaard, might be even more radical and inventive.

While one work might seem vast and exterior and the other almost infinitely interior in nature, these two sound projects have more than a few things in common. The CD version of Kirkegaard’s Labyrinthitis includes a short piece by the composer Anthony Moore, who conducted an extended interview with Fontana in 2005 that surveyed Fontana’s projects. Labyrinthitis comes with a more extensive essay written in San Francisco by Douglas Kahn. A deeper resonance, however, stems from audio and visual correlations between City Hall’s rotunda and the human ear. Photos of the rotunda’s dome visibly echo the images of the spiraling interior roof of the Medical Museion in Copenhagen, where Kirkegaard created Labyrinthitis, a roof that plays a central role in the recording’s material packaging. Both structures evoke the interior of an ear.

Spiraling Echoes is a more playful work. It’s in keeping with some of Fontana’s other pieces in iconic sites — through sound, he’s taken apart Big Ben’s timekeeping, replaced the traffic noise around the Arc de Triomphe with sea ambience, and brought Niagara Falls to New York City’s Whitney Museum. For more than thirty years, Fontana has made a practice of bringing the "natural" into man-made realms — there is a potent current of environmentalism within his aesthetic. This is true of Spiraling Echoes‘ quicksilver collage of bird chatter, trickling water, and streetcar and church bells, which darts up and down four public-access floors of City Hall in a manner that magnifies the beauty of the architecture and plays with historical markers, such as the smile on a statue of Harvey Milk. (One can imagine Milk enjoying this piece and, eventually, being driven batty by it.) The infusion of nature is a subtle hint to not trash monuments, and in turn the environment, in order to create newer architecture. It’s tempting to suggest prankish unauthorized versions of Fontana’s project in commercial sites such as downtown malls.

Another characteristic that Spiraling Echoes and Labyrinthitis share is the ability to produce disorientation. Fontana’s piece brought out the Scotty Ferguson in me through its combination of surprising sound and potentially dizzying height. Kirkegaard incites a similar lack of balance no matter where one is standing — the title of Labyrinthitis refers to a balance disorder that can be related to tinnitus. It’s easy to imagine a Pekingese ripping out its owner’s jugular upon encountering the recording’s relentless low-key yet high-pitched intensity, what musicologists might refer to as "Tartini tone." With Labyrinthitis, Kirkegaard has given new and revelatory meaning to the idea of a cochlear implant. I hope he performs his piece in San Francisco one day. Recombinant Media Labs, for one, would be an ideal setting.

SPIRALING ECHOES

Through May 8, free

City Hall

www.sfacgallery.org

Iran here

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› kimberly@sfbg.com

SONIC REDUCER One can tumble into the disconnect between the reactionary brouhaha last year regarding then-candidate Barack Obama’s proposed engagement with Iran, and the reality, as Iranian-born, Indian-raised vocalist Azam Ali knows it.

"I always tell my American friends, ‘People love America so much in Iran, you wouldn’t be able to pay for a meal — they love Americans that much,’" says the Niyaz frontperson by phone from Los Angeles, where she lives with her husband and bandmate Loga Ramin Torkian and their year-old son Iman Ali. We talk days before Vice President Joe Biden proffers an olive branch to Tehran during the Munich Security Conference. "The one thing that the majority of Americans should realize is that the only country where people are pro-U.S.A. in the Middle East is Iran. The government, of course, is something very different."

"I hope this administration will start some kind of dialogue with the government of Iran," she adds. "It’s really unfortunate that my country is where it is. I’d like to see it flourish and become a part of the world."

Springing from the ashes of Ali’s old band Vas and Torkian’s former ensemble Axiom of Choice, Niyaz is doing its part in bringing together a few seemingly divergent communities: fans of electronica awash with Eastern beats, trance heads, and listeners of traditional Persian, Indian, and Turkish sounds. Their most recent double album, Nine Heavens (Six Degrees, 2008) is the ideal musical unifier for all those parties. One disc unfurls nine electronic originals ornamented with Sufi poetry in Farsi, Urdu, and Turkish, including several by 13th-century mystic and poet Amir Khosrau Dehlavi — who’s credited with inventing the Qawwali and, like Ali, was born in Persia and raised in India — and renditions of Persian and Turkish folk songs. The second, my favorite, delivers acoustic versions of the first disc’s tracks — eons away from the ecstatic pop of Googoosh, but as lush and appealing as the recordings by influential ’80s world-music crossover stars like Najma.

For her part, Ali clearly opens the emotional floodgates on numbers like "Tamana" — something to anticipate when she performs with her multi-instrumentalist husband, oud virtuoso Naser Musa and tabla player Salar Nader at Palace of Fine Arts Feb. 13.

It’s a talent she may not have been able to offer to her native country — "women are not allowed to perform there," she demurs — though Niyaz has played in Dubai and Turkey, where Ali and Torkian plan to relocate soon, and it’s made her popular with soundtrack composers looking for a sonic dose of the so-called Orient. Ali has sung on scores for films like The Matrix: Revolutions (2003) and TV shows such as Alias — all of which was accomplished without an agent.

"You really can’t support yourself doing the music we do," she confesses. "You don’t do world music for money. I’ve been fortunate. I’m not proud of all the projects I’ve worked on, but it has worked for me, though I don’t get to express myself doing that work. For the most part [clients] want the flavor — they don’t want something that is culturally specific. What a lot of Eastern music brings is just that kind of emotional intensity, that depth, they’re looking for."

Instead she looks to Niyaz for that artistic fulfillment. "We work totally backwards from people who do most electronic records," she explains. They record all their acoustic elements, then deliver the tracks to producer-collaborator Carmen Rizzo (Coldplay). "Sometimes we’re not able to incorporate all the acoustic elements because there’s not enough sonic space for them." The group realized halfway through the making of Nine Heavens that they had a rich acoustic album as well an electronic one. "A lot of times when you add electronics it seems like you’re trying to mask something that’s not there," says Ali. "But this reveals us."

NIYAZ

Fri/13, 8 p.m., $27–$53

Palace of Fine Arts Theatre

3301 Lyon, SF.

——-

MASTER MUSICIANS OF JAJOUKA


Brian Jones imbued the maestros with rock ‘n’ roll glamour, but it was the mesmerizing music that made an impact on figures like Ornette Coleman and William S. Burroughs. Live Volume 1 (Jajouka) ushers in the forthcoming films The Hand of Fatima and Boujeloud on the music, the musicians, and their influence. Wed/11–Thurs/12, 8 and 10 p.m., $30–$35. Yoshi’s, 1330 Fillmore, SF. www.yoshis.com. Also Sat/14, 2 p.m., free. Amoeba Music, 1855 Haight, SF. www.amoeba.com

NOFX


Party with them, punkers, in honor of the SF band’s 25th anniversary. The problem: getting into these sold-out blowouts. Wed/11, 8 p.m., $23. Great American Music Hall, 859 O’Farrell, SF. www.gamh.com; Fri/13, 8 p.m., $22.50. Fillmore, 1805 Geary, SF. www.livenation.com; Sat/14, 8 p.m., $22. Parkside, 1600 17th St., SF. www.theeparkside.com; Sun/15, 8 p.m., $23. Slim’s, 333 11th St., SF. www.slims-sf.com

THE WHORESHOES


The Bay’s honky-tonk and old-time honeys bring out the uke and spoons for the SF Bluegrass and Old-Time Festival. Thurs/12, 9 p.m., $12–$14. Café Du Nord, 170 Market, SF. www.cafedunord.com

YO MAJESTY


"Kryptonite Pussy," anyone? Giving that electro a good hard God-fearing, out, and feminist twist, Shunda K and Jwl B will accept your tributes now. Fri/13, 10 p.m., see Web site for price. 103 Harriet, SF. www.hacksawent.com

THE MUSIC TAPES


A haunted symphony comprising singing saw, old-time banjo, magic tape organ, euphonium, and an NBA-size metronome materializes on Music Tapes for Clouds and Tornadoes (Merge). Tues/17, 9 p.m., $12. Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com

Master Musicians of Jajouka

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PREVIEW Drone, baby, drone. The riveting Sufi trance sounds of the Master Musicians of Jajouka with Bachir Attar first reached many Western ears in 1971, thanks to late Rolling Stones member Brian Jones’ enthusiastic endorsement, the classic recording Brian Jones Presents the Pipes of Pan at Joujouka (Rolling Stone/ATCO/Point), and praise from such cultural explorers and beat icons as Timothy Leary and Brion Gysin. The ensemble’s new Live Volume 1 (Jajouka) is their first in eight years and was recorded in Lisbon on the last night of a weeklong tribute to Paul Bowles, one of the group’s many ardent admirers.

MASTER MUSICIANS OF JAJOUKA Wed/11–Thurs/12, 8 and 10 p.m., $30–$35. Yoshi’s, 1330 Fillmore, SF. www.yoshis.com. Also Sat/14, 2 p.m., free. Amoeba Music, 1855 Haight, SF. www.amoeba.com

Chris Hillman and Herb Pedersen and John McEuen

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PREVIEW Country-rock pioneer and original Byrds bassist Chris Hillman prepares to throw down some bluegrass with longtime friend, banjo player Herb Pedersen, at Yoshi’s SF this week.

As a founding member of the Byrds and later the Flying Burrito Brothers, Hillman was a staple of California’s fabled Laurel Canyon music scene during the late 1960s. Although the musician’s roots are steeped in bluegrass, it wasn’t until meeting his eventual Byrds bandmate Gram Parsons in 1968 that the group took on a significantly unique direction. The Byrds’ critically acclaimed Sweetheart of the Rodeo (Columbia, 1968) was a product of the outfit’s expansion into country even if it failed to chart. Hillman’s full-fledged emergence into the genre has inspired a spectrum of artists, including collaborators such as Emmylou Harris and fans like Beck. I don’t think the pedal steel sound heard on Beck’s "Rowboat" was even possible without the Burrito Brothers paving the way.

Throw into the mix multi-instrumentalist and Nitty Gritty Dirt Band veteran John McEuen, a.k.a. "America’s instrumental poet," and expect Pedersen, who played with Hillman in the Desert Rose Band and paid his dues picking five-string banjo with the likes of Jerry Garcia, to do just that: play some banjo. After all, this is bluegrass we’re talking about. Just remember, it’s all about the twang.

CHRIS HILLMAN AND HERB PEDERSEN AND JOHN MCEUEN Mon/2–Tues/3, 8 p.m., $30. Yoshi’s SF, 1330 Fillmore, SF. (415) 655-5600, www.yoshis.com

10 years of yummy walrus — at 50% off

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By Juliette Tang

Just in time for these hard times

Happy 10-Year Anniversary to Upper Playground! Of all the stores with cute little walrus mascots in the Lower Haight that sell printed t-shirts, Upper Playground is my favorite. They’ve been dressing San Franciscans in urban streetwear for a decade, and to thank us for our support, they’ve taken 50% off everything they have in stock until January 25 (except the gallery art, unfortunately). The sale is only available on the online store, but it’s definitely worth the shipping and handling. Items we’ve got our eye on include the I heart SF t-shirt and David Cho hairdo pillows. But get your shop on before January 25, because this is recession friendly for only 4 more days.

Locations:
220 Fillmore Street, SF, CA 94117
2509 Telegraph Avenue, Berkeley, CA 94704

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Mo Biggie

0

› kimberly@sfbg.com

SONIC REDUCER Wait for it, wait for it: the moment when Jamal Woolard as Notorious B.I.G., a.k.a. Biggie Smalls, a.k.a. Big Poppa, utters, with admirable understatement, "Mo money, mo problems." The woman he married three days after he met her, vocalist Faith Evans (a sad-eyed Antonique Smith), is pregnant but estranged; his spunky protégé Lil’ Kim (Naturi Naughton) is hopping mad that her lover-protector-mentor has dropped her and is instead bossing her in the studio; his original baby mama is miffed that his daughter gets zero Big Poppa time, and his ex-BFF Tupac Shakur (Anthony Mackie) thinks Biggie is out to get him, and the East Coast vs. West Coast beef is now fully fired up. ‘Nuff said.

"Mo Money Mo Problems" is the obvious alternate title for Notorious, which has the ring of a men’s cologne by Sean "I Am King" Combs, aka Puff Daddy, aka P. Diddy, aka Diddy, the film’s executive producer. It’s certainly more glammy — and feeds into the mythmaking that Combs has been so adept at when it comes to his Bad Boy artists — than Unbelievable: The Life, Death, and Afterlife of the Notorious B.I.G. (Three Rivers, 2004), the title of the book by Cheo Hodari Coker that this biopic is based on.

The drive-by shooters who killed the legendary rapper, born Christopher Wallace, at the far-too-young age of 24, remain cloaked in mystery, despite the attention given the MC’s murder in Randall Sullivan’s 2002 book, LAbyrinth (Grove/Atlantic) and Nick Broomfield’s ’02 doc Biggie and Tupac, and his death is still embroiled in knotty intrigue, having triggered multiple wrongful-death claims against the Los Angeles Police Department. But of course, history is written by the winners — and those happen to be Combs and Notorious‘ producers, Biggie’s mother Voletta Wallace and Biggie managers Wayne Barrow and Mark Pitts — and in the end, they prefer to skip the speculation and allegations of conspiracy surrounding the rapper’s unsolved murder and focus on the love.

So much like recent musicmaker biopics à la 2007’s Control, which privileged the perspective of Joy Division frontperson Ian Curtis’ wife over his bandmates’, there’s an element of noticeably selective memory-picking to Notorious — even as it tries to play fair with those outside the equation, such as Shakur and Lil’ Kim. The latter has slammed the movie, according to MTV: she believes it hews to the version of history as written by Biggie’s mother and wife and portrays her inaccurately.

Still, director George Tillman Jr. (Men of Honor, Barbershop) seems to have thrived on the tension between a mother who adored Biggie but disapproved of his criminal activities, and label heads and managers aware that the dope-dealing, dues-paying gangsta grind girding Notorious B.I.G.’s lyrics must be shown to authenticate the first-person experiential honesty the rapper was known for. Thus we get a multidimensional Biggie — the big-kid vulnerability he showed to his moms and his "Faith-Faith," as well as the tough, rock-slinging-to-pregnant-crackheads, money-making front. Plenty of respect is also given to the MC’s art, which this rags-to-riches/gats-to-bitches tale (with much due given to a kind of golden-age of hip-hop label patronage in the form of Puffy [Derek Luke] and Biggie’s friendship) reverently visualizes on the street, in the basement, in the studio, and on the arena stage.

Putting his interest in street-level soul, characters less than well-represented in mainstream Hollywood, and his touch with rappers to work, Tillman subtly injects more cinematic interest into his already-dramatic material than it might have had on the page. Biggie’s childhood is washed with glowy, golden hues, while his time dealing on the street is leached of hues and clad in corroded grays, blacks, whites, and browns, until the MC battles another rapper on the sidewalk and color begins to enter the picture.

And unlike 2008’s Cadillac Records, which bought into the overt displays of bling that talent can bring, Tillman and company give adequate shrift to the musicmaking that built Biggie’s renown: the mic is shot as if it’s a grail, swathed in a silvery aura. The symbols of power — such as the Big Daddy Kane–like throne Biggie mounts — speak louder than his kicks, cribs, or cars. And the scenes in which Woolard actually raps — particularly in a basement scene after he emerges from prison and a bout of lyric writing and soul searching — are believable and compelling: flecks of his spit shimmer in the harsh light. Woolard, who grew up blocks from Biggie’s original hood and had a promising career until a shooting in front of NYC’s Hot 97, is the perfect choice to portray the man.

Notorious‘ melodramatic, overly amped conclusion may ring a bit artificial with its drawn-out return to the opening scenes: as "Hypnotize"’s "Rise" sample ripples through the dancers, Notorious B.I.G. says, in flashback, that he’s finally found peace, he’s become a man, and, well, he’s Ready to Die (Bad Boy, 1994), to crib the title of his classic debut. But I dare anyone to not get choked up by Notorious‘ coda, as Voletta Wallace, portrayed with grand-dame grit by Angela Bassett, looks out on the crowd surrounding her son’s NYC funeral procession, playing his music and flinging their arms, and realizes that, though she never quite trusted the easy money and fast friends surrounding her son, Biggie will always be remembered for his way with words.

NOTORIOUS opens Fri/16 in the Bay Area

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JUST PLAYING

BRIGHTBLACK MORNING LIGHT


It’s not a hologram: the roving musicmakers return to the region they once called home. Wed/14, 8 p.m., $15. Independent, 628 Divisadero, SF. www.theindependentsf.com

LOS YEUX NOIR


They’re dark-eyed and infatuated with gypsy, Yiddish, and Manouche jazz. Wed/14, 8 and 10 p.m., $20–<\d>$25. Yoshi’s SF, 1330 Fillmore, SF. sf.yoshis.com

LENKA


Cutie-pie pop oozes from the Aussie charmer who once studied acting with Cate Blanchett. Thurs/15, 8 p.m., $13–<\d>$15. Independent, 628 Divisadero, SF. www.theindependentsf.com

WILD WEEKEND


We’re lost in an all-girl punk rock wilderness. Sat/17, 9:30 p.m., $6. Hemlock Tavern, 1131 Polk, SF. www.hemlocktavern.com

FOUNTAINS OF WAYNE


The popsters go acoustic with tunes from an album-in-progress. Sun/18–Mon/19, 8 p.m., $25. Café Du Nord, 2170 Market, SF. www.cafedunord.com.

BARRINGTON LEVY


The acclaimed live performer taps Obama samples for his new single, "No War." Tues/20, 9 p.m., $28. Independent, 628 Divisadero, SF. www.theindependentsf.com

Hang on, Ramsey

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Venerable jazz pianist Ramsey Lewis will be 74 in May, but you’d hardly know it from his packed tour schedule and mounting awards. The Chicago native and 2007 NEA Jazz Master honoree hosts a nationally syndicated radio show, has recorded nearly an album a year since 1956 plus tours with his trio, does regular duets with Dave Brubeck, and moonlights as a member of smooth jazz supergroup Urban Knights. But perhaps Lewis’ greatest accomplishment was bringing jazz and pop together in soulful harmony.

Sample libraries and hip-hop production would be diminished were it not for Lewis’ funky covers ("Dear Prudence," "Soul Man," "People Make the World Go Round," "Slipping into Darkness"). Likewise Lewis, whose been playing since age four, has a sense of history: he studied Bach, Beethoven, Hayden, Duke Ellington, and Art Tatum before forming the Cleffs with Eldee Young on bass and Redd Holt on drums, his first of many trio configurations.

As the Ramsey Lewis Trio he scored hits in the mid-1960s on Chess-Cadet label releases like "Wade in the Water," "The In Crowd," and Motown cover "Hang on Sloopy." Lewis did for the piano what Stevie Wonder did for the harmonica, made the instrument swing. He also managed to evolve with the times, switching to Fender electric piano and writing originals like "Uhuru" and "Bold and Black" on 1969’s Another Voyage (Cadet) produced by studio great Charles Stepney. Sun Goddess (Columbia, 1974), which showcases enduring Lewis collaborator Maurice White of Earth, Wind and Fire on drums and vocals, was rediscovered by DJs decades later and ushered in the early-’90s acid jazz movement.

His most recent recording, 2005’s With One Voice (Narada) includes gospel standard "Oh Happy Day," redone with a house groove, and soulful reggae number "Keep the Spirit." These days bassist Larry Gray and drummer Leon Joyce fill out the trio, and the group makes an extended stop at Yoshi’s SF, a great prelude to the Martin Luther King Jr. holiday and Barack Obama’s inauguration.

In 1967 Columbia Records president Clive J. Davis said: "In the next century or so, we may very well no longer draw distinctions between what is ‘jazz,’ what is ‘classical,’ what is ‘progressive,’ ‘rock,’ or ‘soul.’ It may all just be called music, and let it go at that. For it’s all here, in the music that Ramsey makes." Davis’ hope for an end to genre distinctions may not have come to pass yet, but he was right about Lewis, it is all in him.

RAMSEY LEWIS TRIO

Thurs/15–Fri/16, 8 p.m., Sat/17, 8 and 10 p.m., Sun/18, 7 p.m.; $65

Yoshi’s SF

1330 Fillmore, SF

(415) 655-5600

sf.yoshis.com

The Hard Times Handbook

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We all have high hopes for the new administration. We’d all like to believe that the recession will end soon, that jobs will be plentiful, health care available to all, and affordable housing built in abundance.

But the grim reality is that hard times are probably around for a while longer, and it may get worse before it gets better.

Don’t despair: the city is full of fun things to do on the cheap. There are ways to save money and enjoy life at the same time. If you’re in trouble — out of work, out of food, facing eviction — there are resources around to help you. What follows is a collection of tips, techniques, and ideas for surviving the ongoing depression that’s the last bitter legacy of George W. Bush.

BELOW YOU’LL FIND OUR TIPS ON SCORING FREE, CHEAP, AND LOW-COST WONDERS. (Click here for the full page version with jumps, if you can’t see it.)

MUSIC AND MOVIES

CLOTHING

FOOD

CONCERTS

WHEELS

HEALTH CARE

SHELTER

MEALS

COCKTAILS

DATE NIGHTS

YOGA

PLUS:

HOW TO KEEP YOUR APARTMENT

HOW TO GET UNEMPLOYMENT

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FREE MUSIC AND MOVIES

For a little extra routine effort, I’ve managed to make San Francisco’s library system my Netflix/GreenCine, rotating CD turntable, and bookstore, all rolled into one. And it’s all free.

If you’re a books-music-film whore like me, you find your home maxed out with piles of the stuff … and not enough extra cash to feed your habits. So I’ve decided to only buy my favorites and to borrow the rest. We San Franciscans have quite a library system at our fingertips. You just have to learn how to use it.

Almost everyone thinks of a library as a place for books. And that’s not wrong: you can read the latest fiction and nonfiction bestsellers, and I’ve checked out a slew of great mixology/cocktail recipe books when I want to try new drinks at home. I’ve hit up bios on my favorite musicians, or brought home stacks of travel books before a trip (they usually have the current year’s edition of at least one travel series for a given place, whether it be Fodor’s, Lonely Planet, or Frommer’s).

But there’s much more. For DVDs, I regularly check Rotten Tomatoes’ New Releases page (www.rottentomatoes.com/dvd/new_releases.php) for new DVD releases. Anything I want to see, I keep on a list and search www.sfpl.org for those titles every week. About 90 percent of my list eventually comes to the library, and most within a few weeks of the release date.

And such a range! I recently checked out the Oscar-nominated animated foreign film, Persepolis, the entire first season of Mad Men, tons of documentaries, classics (like a Cyd Charisse musical or Katherine Hepburn and Spencer Tracy’s catalog), even Baby Mama (sure, it sucked, but I can’t resist Tina Fey).

A music fanatic can find virtually every style, and even dig into the history of a genre. I’ve found CDs of jazz and blues greats, including Jelly Roll Morton, John Lee Hooker, Bessie Smith, Muddy Waters, kitschy lounge like Martin Denny and singer Julie London, and have satiated rap cravings with the latest Talib Kwali, Lyrics Born, Missy Elliott, T.I. or Kanye (I won’t tell if you won’t).

Warning: there can be a long "holds" list for popular new releases (e.g., Iron Man just came out and has about 175). When this happens, Just get in the queue — you can request as many as 15 items simultaneously online (you do have a library card, right?) You’ll get an e-mail when your item comes in and you can check the status of your list any time you log in. Keep DVDs a full seven days (three weeks for books and CDs) and return ’em to any branch you like.

I’ve deepened my music knowledge, read a broader range of books, and canceled GreenCine. Instead, I enjoy a steady flow of free shit coming my way each week. And if I get bored or the novelty of Baby Mama wears off, I return it and free up space in my mind (and on my shelf) for more. (Virginia Miller)

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STYLE FOR A SONG

Shhh. The first rule about thrifting, to paraphrase mobsters and hardcore thrift-store shoppers, is don’t talk about thrifting — and that means the sites of your finest thrift scores. Diehard thrifters guard their favorite shops with jealous zeal: they know exactly what it’s like to wade through scores of stained T-shirts, dress-for-success suits, and plastic purses and come up with zilcherooni. They also know what it’s like to ascend to thrifter nirvana, an increasingly rarified plane where vintage Chanel party shoes and cool dead-stock Western wear are sold for a song.

Friendships have been trashed and shopping carts upended in the revelation of these much-cherished thrift stores, where the quest for that ’50s lamb’s fur jacket or ’80s acid-washed zipper jeans — whatever floats your low-budg boat — has come to a rapturous conclusion. It’s a war zone, shopping on the cheap, out there — and though word has it that the thrifting is excellent in Vallejo and Fresno, our battle begins at home. When the sample sales, designer runoff outlets, resale dives, and consignment boutiques dry up, here’s where you’ll find just what you weren’t looking for — but love, love, love all the same.

Community Thrift, 623 Valencia, SF. (415) 861-4910, www.communitythrift.bravehost.com. Come for the writer’s own giveaways (you can bequeath the funds raised to any number of local nonprofits), and leave with the rattan couches, deco bureaus, records, books and magazines, and an eccentric assortment of clothing and housewares. I’m still amazed at the array of intriguing junk that zips through this spot, but act fast or you’ll miss snagging that Victorian armoire.

Goodwill As-Is Store, 86 11th St., SF. (415) 575-2197, www.sfgoodwill.org. This is the archetype and endgamer of grab-and-tumble thrifting. We’re talking bins, people — bins of dirt cheap and often downright dirty garb that the massive Goodwill around the corner has designated unsuitable, for whatever reason. Dive into said bins, rolled out by your, ahem, gracious Goodwill hosts throughout the day, along with your competition: professional pickers for vintage shops, grabby vintage people, and ironclad bargain hunters. They may not sell items by the pound anymore — now its $2.25 for a piece of adult clothing, 50 cents to $1 for babies’ and children’s garb, $4 for leather jackets, etc. — but the sense of triumph you’ll feel when you discover a tattered 1930s Atonement-style poison-ivy green gown, or a Dr. Pimp-enstein rabbit-fur patchwork coat, or cheery 1950s tablecloths with negligible stainage, is indescribable.

Goodwill Industries, 3801 Third St., SF. (415) 641-4470, www.sfgoodwill.org Alas, not all Goodwills are created equal: some eke out nothing but stale mom jeans and stretched-out polo shirts. But others, like this Hunter’s Point Goodwill, abound with on-trend goodies. At least until all of you thrift-hungry hordes grab my junk first. Tucked into the corner of a little strip mall, this Goodwill has all those extremely fashionable hipster goods that have been leached from more populated thrift pastures or plucked by your favorite street-savvy designer to "repurpose" as their latest collection: buffalo check shirts, wolf-embellished T-shirts, Gunne Sax fairy-princess gowns, basketball jerseys, and ’80s-era, multicolored zany-print tops that Paper Rad would give their beards for.

Salvation Army, 1500 Valencia, SF. (415) 643-8040, www.salvationarmyusa.org. The OG of Mission District thrifting, this Salv has been the site of many an awesome discovery. Find out when the Army puts out the new goods. The Salvation soldiers may have cordoned off the "vintage" — read: higher priced — items in the store within the store, but there are still plenty of old books, men’s clothing, and at times hep housewares and Formica kitchen tables to be had: I adore the rainbow Mork and Mindy parka vest I scored in the boys’ department, as well as my mid-century-mod mustard-colored rocker.

Savers, 875 Main, Redwood City. (650) 364-5545, www.savers.com When the ladies of Hillsborough, Burlingame, and the surrounding ‘burbs shed their oldest, most elegant offerings, the pickings can’t be beat at this Savers. You’ll find everything from I. Magnin cashmere toppers, vintage Gucci tweed, and high-camp ’80s feather-and-leather sweaters to collectible dishware, antique ribbons, and kitsch-cute Holly Hobbie plaques. Strangest, oddly covetable missed-score: a psychiatrist’s couch.

Thrift Town, 2101 Mission, SF. (415) 861-1132, www.thrifttown.com. When all else fails, fall back on this department store-sized megalith. Back in the day, thrift-oldsters tell me, they’d dig out collectible paintings and ’50s-era bikes. Now you’ll have to grind deeply to land those finds, though they’re here: cute, mismatched, mid-century chairs; the occasional designer handbag; and ’60s knit suits. Hint: venture into less picked-over departments like bedding. (Kimberly Chun)

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FREE FOOD

San Francisco will not let you starve. Even if you’re completely out of money, there are plenty of places and ways to fill your belly. Many soup kitchens operate out of churches and community centers, and lists can be downloaded and printed from freeprintshop.org and sfhomeless.net (which is also a great clearinghouse of information on social services in San Francisco.)Here’s a list of some of our favorites.

Free hot meals

Curry without Worry Healthy, soul pleasing Nepalese food to hungry people in San Francisco. Every Tues. 5:45–7 p.m. on the square at Hyde and Market streets.

Glide, 330 Ellis. Breakfast 8-9 a.m., lunch noon-1:30 p.m. everyday. Dinner 4-5:30 p.m., M-F.

St. Anthony Dining Room, 45 Jones, Lunch everyday 11:30 a.m.–1:30 p.m.

St Martin de Porres Hospitality House, 225 Potrero Ave. Best bowl of oatmeal in the city. Tues.-Sat. breakfast from 6:30-7:30 a.m., lunch from noon-2 pm.. Sun. brunch 9-10:30 a.m. Often vegetarian options.

Vegetarian

Food not Bombs Vegetarian soup and bread, but bring your own bowl. At the UN Plaza, Mon., 6 p.m.; Wed., 5:30 p.m. Also at 16th and Mission streets. Thurs. at 7:30 p.m.

Mother’s Kitchen, 7 Octavia, Fri., 2:30-3:30. Vegan options.

Iglesia Latina Americana de Las Adventistas Seventh Dia, 3024 24th St. Breakfast 9:30-11 a.m., third Sun. of the month.

Grab and go sandwiches

Glide, bag meals to go after breakfast ends at 9 a.m.

St. Peter and Paul Catholic Church, 666 Filbert. 4-5 p.m. every day.

Seniors

Curry Senior Center, 333 Turk. For the 60+ set. Breakfast 8-9 a.m., lunch 11:30 to noon every day.

Kimochi, 1840 Sutter St. Japanese-style hot lunch served 11:45 am (M-F). $1.50 donation per meal is requested. 60+ only with no one to assist with meals. Home deliveries available. 415-931-2287

St. Anthony Dining Room, 10:30-11:30 a.m., 59+, families, and people who can’t carry a tray.

Free groceries

San Francisco Food Bank A wealth of resources, from pantries with emergency food boxes to supplemental food programs. 415-282-1900. sffoodbank.org/programs

211 Dial this magic number and United Way will connect you with free food resources in your neighborhood — 24/7.

Low-cost groceries

Maybe you don’t qualify for food assistance programs or you just want to be a little thriftier — in which case the old adage that the early bird gets the metaphorical worm is apropos. When it comes to good food deals, timing can be everything. Here are a couple of handy tips for those of us who like to eat local, organic, and cheap. Go to Rainbow Grocery early and hit the farmers markets late. Rainbow has cheap and half-price bins in the bread and produce sections — but you wouldn’t know it if you’re a late-riser. Get there shortly after doors open at 9 a.m. for the best deals.

By the end of the day, many vendors at farmers markets are looking to unload produce rather than pack it up, so it’s possible to score great deals if you’re wandering around during the last half hour of the market. CAFF has a comprehensive list of Bay Area markets that you can download: guide.buylocalca.org/localguides.

Then there’s the Grocery Outlet (2001 Fourth St., Berkeley and 2900 Broadway, Oakland, www.groceryoutlets.com), which puts Wal-Mart to shame. This is truly the home of low-cost living. Grocery Outlet began in 1946 in San Francisco when Jim Read purchased surplus government goods and started selling them. Now Grocery Outlets are the West Coast’s version of those dented-can stores that sell discounted food that wasn’t ready for prime-time, or perhaps spent a little too long in the limelight.

Be prepared to eat what you find — options range from name brands with trashed labels to foodstuffs you’ve never seen before — but there are often good deals on local breads and cheeses, and their wine section will deeply expand you Two-Buck Chuck cellar. Don’t be afraid of an occasional corked bottle that you can turn into salad dressing, and be sure to check the dates on anything perishable. The Grocery Outlet Web site (which has the pimpest intro music ever) lists locations and ways to sign up for coupons and download a brochure on how to feed your family for $3 a day. (Amanda Witherell)

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LIVE MUSIC FOR NOTHING — AND KICKS FOR FREE

Music should be free. Everyone who has downloaded music they haven’t been given or paid for obviously believes this, though we haven’t quite made it to that ideal world where all professional musicians are subsidized — and given health care — by the government or other entities. But live, Clive? Where do can you catch fresh, live sounds during a hard-hitting, heavy-hanging economic downturn? Intrepid, impecunious sonic seekers know that with a sharp eye and zero dough, great sounds can be found in the oddest crannies of the city. You just need to know where to look, then lend an ear. Here are a few reliables — occasional BART station busks and impromptu Ocean Beach shows aside.

Some of the best deals — read: free — on world-class performers happen seasonally: in addition to freebie fests like Hardly Strictly Bluegrass every October and the street fairs that accompanying in fair weather, there’s each summer’s Stern Grove Festival. Beat back the Sunset fog with a picnic of bread, cheese, and cheap vino, though you gotta move fast to claim primo viewing turf to eyeball acts like Bettye Lavette, Seun Kuti and Egypt 80, and Allen Toussaint. Look for the 2009 schedule to be posted at www.sterngrove.org May 1.

Another great spot to catch particularly local luminaries is the Yerba Buena Gardens Festival, which runs from May to October. Rupa and the April Fishes, Brass Menazeri, Marcus Shelby Trio, Bayonics, and Omar Sosa’s Afreecanos Quintet all took their turn in the sun during the Thursday lunchtime concerts. Find out who’s slated for ’09 in early spring at www.ybgf.org.

All year around, shopkeeps support sounds further off the beaten path — music fans already know about the free, albeit usually shorter, shows, DJ sets, and acoustic performances at aural emporiums like Amoeba Music (www.amoeba.com) and Aquarius Records (www.aquariusrecords.org). Many a mind has been blown by a free blast of new sonics from MIA or Boris amid the stacks at Amoeba, the big daddy in this field, while Aquarius in-stores define coziness: witness last year’s intimate acoustic hootenanny by Deerhoof’s Satomi and Tenniscoats’ Saya as Oneone. Less regular but still an excellent time if you happen upon one: Adobe Books Backroom Gallery art openings (adobebooksbackroomgallery.blogspot.com), where you can get a nice, low-key dose of the Mission District’s art and music scenes converging. Recent exhibition unveilings have been topped off by performances by the Oh Sees, Boner Ha-chachacha, and the Quails.

Still further afield, check into the free-for-all, quality curatorial efforts at the Rite Spot (www.ritespotcafe.net), where most shows at this dimly lit, atmospheric slice of old-school cabaret bohemia are as free as the breeze and as fun as the collection of napkin art in back: Axton Kincaid, Brandy Shearer, Kitten on the Keys, Toshio Hirano, and Yard Sale have popped up in the past. Also worth a looky-loo are Thee Parkside‘s (www.theeparkside.com) free Twang Sunday and Happy Hour Shows: a rad time to check out bands you’ve never heard of but nonetheless pique your curiosity: Hukaholix, hell’s yeah! And don’t forget: every cover effort sounds better with a pint — all the better to check into the cover bands at Johnny Foley’s (www.johnnyfoleys.com), groove artists at Beckett’s Irish Pub in Berkeley (www.beckettsirishpub.com), and piano man Rod Dibble and his rousing sing-alongs at the Alley in Oakland (510-444-8505). All free of charge. Charge! (Kimberly Chun}

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THE CHEAPEST WAY TO GET AROUND TOWN

Our complex world often defies simple solutions. But there is one easy way to save money, get healthy, become more self-sufficient, free up public resources, and reduce your contribution to air pollution and global warming: get around town on a bicycle.

It’s no coincidence that the number of cyclists on San Francisco streets has increased dramatically over the last few years, a period of volatile gasoline prices, heightened awareness of climate change, poor Muni performance, and economic stagnation.

On Bike to Work Day last year, traffic counts during the morning commute tallied more bicycles than cars on Market Street for the first time. Surveys commissioned by the San Francisco Bicycle Coalition show that the number of regular bike commuters has more than doubled in recent years. And that increase came even as a court injunction barred new bike projects in the city (see "Stationary biking," 5/16/07), a ban that likely will be lifted later this year, triggering key improvements in the city’s bicycle network that will greatly improve safety.

Still not convinced? Then do the math.

Drive a car and you’ll probably spend a few hundred dollars every month on insurance, gas, tolls, parking, and fines, and that’s even if you already own your car outright. If you ride the bus, you’ll pay $45 per month for a Fast Pass while government will pay millions more to subsidize the difference. Riding a bike is basically free.

Free? Surely there are costs associated with bicycling, right? Yeah, sure, occasionally. But in a bike-friendly city like San Francisco, there are all kinds of opportunities to keep those costs very low, certainly lower than any other transportation alternative except walking (which is also a fine option for short trips).

There are lots of inexpensive used bicycles out there. I bought three of my four bicycles at the Bike Hut at Pier 40 (www.thebikehut.com) for an average of $100 each and they’ve worked great for several years (my fourth bike, a suspension mountain bike, I also bought used for a few hundred bucks).

Local shops that sell used bikes include Fresh Air Bicycles, (1943 Divisidero, www.fabsf.com) Refried Cycles (3804 17th St., www.refriedcycles,com/bicycles.htm), Karim Cycle (2800 Telegraph., Berkeley, www.teamkarim.com/bikes/used/) and Re-Cycles Bicycles (3120 Sacramento, Berkeley, www.recyclesbicycles.com). Blazing Saddles (1095 Columbus, www.blazingsaddles.com) sells used rental bikes for reasonable prices. Craigslist always has listings for dozens of used bikes of all styles and prices. And these days, you can even buy a new bike for a few hundred bucks. Sure, they’re often made in China with cheap parts, but they’ll work just fine.

Bikes are simple yet effective machines with a limited number of moving parts, so it’s easy to learn to fix them yourself and cut out even the minimal maintenance costs associated with cycling. I spent $100 for two four-hour classes at Freewheel Bike Shop (1920 Hayes and 914 Valencia, www.thefreewheel.com) that taught me everything I need to know about bike maintenance and includes a six-month membership that lets me use its facilities, tools, and the expertise of its mechanics. My bikes are all running smoother than ever on new ball bearings that cost me two bucks per wheel, but they were plenty functional even before.

There are also ways to get bike skills for free. Sports Basement (www.sportsbasement.com) offers free bicycle maintenance classes at both its San Francisco locations the first Tuesday of every month from 6:30-7:30 p.m. Or you can turn to the Internet, where YouTube has a variety of bike repair videos and Web sites such as www.howtofixbikes.com can lead you through repairs.

The nonprofit The Bike Kitchen (1256 Mission, www.thebikekitchen.org) on Mission Street offers great deals to people who spend $40 per year for a membership. Volunteer your time through the Earn-a-Bike program and they’ll give you the frame, parts, and skills to build your own bike for free.

But even in these hard economic times, there is one purchase I wouldn’t skimp on: spend the $30 — $45 for a good U-lock, preferably with a cable for securing the wheels. Then you’re all set, ready to sell your car, ditch the bus, and learn how easy, cheap, fast, efficient, and fun it is to bicycle in this 49-square-mile city. (Steven T. Jones)

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LOW-COST HEALTH CARE

When money’s tight, healthcare tends to be one of the first costs we cut. But that can be a bad idea, because skimping on preventive care and treatment for minor issues can lead to much more expensive and serious (and painful) health issues later. Here is our guide to Bay Area institutions, programs, and clinics that serve the under- and uninsured.

One of our favorite places is the Women’s Community Clinic (2166 Hayes, 415-379-7800, www.womenscommunityclinic.org), a women-operated provider open to anyone female, female-identified, or female-bodied transgender. This awesome 10-year-old clinic offers sexual and reproductive health services — from Pap smears and PMS treatment to menopause and infertility support — to any SF, San Mateo, Alameda, or Marin County resident, and all on a generous sliding scale based on income and insurance (or lack thereof). Call for an appointment, or drop in on Friday mornings (but show up at 9:30 a.m. because spots fill up fast).

A broader option (in terms of both gender and service) is Mission Neighborhood Center (main clinic at 240 Shotwell. 415-552-3870, www.mnhc.org, see Web site for specialty clinics). This one-stop health shop provides primary, HIV/AIDS, preventive, podiatry, women’s, children’s, and homeless care to all, though its primary focus is on the Latino/Hispanic Spanish-speaking community. Insurance and patient payment is accepted, including a sliding scale for the uninsured (no one is denied based on inability to pay). This clinic is also a designated Medical Home (or primary care facility) for those involved in the Healthy San Francisco program.

Contrary to popular belief, Healthy San Francisco (www.healthysanfrancisco.org) is not insurance. Rather, it’s a network of hospitals and clinics that provide free or nearly free healthcare to uninsured SF residents who earn at or below 300 percent of the federal poverty level (which, at about $2,600 per month, includes many of us). Participants choose a Medical Home, which serves as a first point-of-contact. The good news? HSF is blind to immigration status, employment status, and preexisting medical conditions. The catch? The program’s so new and there are so many eligible residents that the application process is backlogged — you may have a long wait before you reap the rewards. Plus, HSF only applies within San Francisco.

Some might consider mental health less important than that of the corporeal body, but anyone who’s suffered from depression, addiction, or PTSD knows otherwise. Problem is, psychotherapy tends to be expensive — and therefore considered superfluous. Not so at Golden Gate Integral Counseling Center (507 Polk. 415-561-0230, www.goldengatecounseling.org), where individuals, couples, families, and groups can get long- and short-term counseling for issues from stress and relationships to gender identity, all billed on a sliding scale.

Other good options

American College of Traditional Chinese Medicine (450 Connecticut, 415-282-9603, actcm.edu). This well-regarded school provides a range of treatments, including acupuncture, cupping, tui ma/shiatsu massage, and herbal therapy, at its on-site clinics — all priced according to a sliding scale and with discounts for students and seniors. The college also sends interns to specialty clinics around the Bay, including the Women’s Community Clinic, Haight Ashbury Free Medical Clinic, and St. James Infirmary.

St. James Infirmary (1372 Mission. 415-554-8494, www.stjamesinfirmary.org). Created for sex-workers and their partners, this Mission District clinic offers a range of services from primary care to massage and self-defense classes, for free. Bad ass.

Free Print Shop (www.freeprintshop.org): This fantabulous Webs site has charts showing access to free healthcare across the city, as well as free food, shelter, and help with neighborhood problems. If we haven’t listed ’em, Free Print Shop has. Tell a friend.

Native American Health Center (160 Capp, 415-621-8051, www.nativehealth.org). Though geared towards Native Americans, this multifaceted clinic (dental! an Oakland locale, and an Alameda satellite!) turns no one away. Services are offered to the under-insured on a sliding scale as well as to those with insurance.

SF Free Clinic (4900 California, 415-750-9894, www.sffc.org). Those without any health insurance can get vaccinations, diabetes care, family planning assistance, STD diagnosis and treatment, well child care, and monitoring of acute and chronic medical problems.

Haight Ashbury Free Clinics (558 Clayton. 415-746-1950, www.hafci.org): Though available to all, these clinics are geared towards the uninsured, underinsured "working poor," the homeless, youth, and those with substance abuse and/or mental health issues. We love this organization not only for its day-to-day service, but for its low-income residential substance abuse recovery programs and its creation of RockMed, which provides free medical care at concerts and events. (Molly Freedenberg)

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THE BEST HOMELESS SHELTERS

There’s no reason to be ashamed to stay in the city’s homeless shelters — but proceed with awareness. Although most shelters take safety precautions and men and women sleep in separate areas, they’re high-traffic places that house a true cross-section of the city’s population.

The city shelters won’t take you if you just show up — you have to make a reservation. In any case, a reservation center should be your first stop anyway because they’ll likely have other services available for you. If you’re a first-timer, they’ll want to enter you into the system and take your photograph. (You can turn down the photo-op.) Reservations can be made for up to seven days, after which you’ll need to connect with a case manager to reserve a more permanent 30- or 60-day bed.

The best time to show up is first thing in the morning when beds are opening up, or late at night when beds have opened up because of no-show reservations. First thing in the morning means break of dawn — people often start lining up between 4 a.m. and 6 a.m. for the few open beds. Many people are turned away throughout the day, although your chances are better if you’re a woman.

You can reserve a bed at one of several reservation stations: 150 Otis, Mission Neighborhood Resource Center (165 Capp St.), Tenderloin Resource Center (187 Golden Gate), Glide (330 Ellis), United Council (2111 Jennings), and the shelters at MSC South (525 Fifth St.) and Hospitality House (146 Leavenworth). If it’s late at night, they may have a van available to give you a ride to the shelter. Otherwise, bus tokens are sometimes available if you ask for one — especially if you’re staying at Providence shelter in the Bayview-Hunters Point District.

They’ll ask if you have a shelter preference — they’re all a little different and come with good and bad recommendations depending on whom you talk to. By all accounts, Hospitality House is one of the best — it’s small, clean, and well run. But it’s for men only, as are the Dolores Street Community Services shelters (1050 S. Van Ness and 1200 Florida), which primarily cater to Spanish-speaking clients.

Women can try Oshun (211 13th St.) and A Woman’s Place (1049 Howard) if they want a men-free space. If kids are in tow, Compass Family Services will set you up with shelter and put you on a waiting list for housing. (A recent crush of families means a waiting list for shelters also exists.) People between 18 and 24 can go to Lark Inn (869 Ellis). The Asian Woman’s Shelter specializes in services for Asian-speaking women and domestic violence victims (call the crisis line 877-751-0880). (Amanda Witherell)

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MEALS FOR $5: TOP FIVE CHEAP EATS

Nothing fancy about these places — but the food is good, and the price is right, and they’re perfect for depression dining.

Betty’s Cafeteria Probably the easiest place in town to eat for under five bucks, breakfast or lunch, American or Chinese. 167 11th St., SF. (415) 431-2525

Susie’s Café You can get four pancakes or a bacon burger for under $5 at this truly grungy and divine dive, right next to Ed’s Auto — and you get the sense the grease intermingles. , 603 Seventh St., SF (415) 431-2177

Lawrence Bakery Café Burger and fries, $3.75, and a slice of pie for a buck. 2290 Mission., SF. (415) 864-3119

Wo’s Restaurant Plenty of under-$5 Cantonese and Vietnamese dishes, and, though the place itself is cold and unatmospheric, the food is actually great. 4005 Judah, SF. (415) 681-2433

Glenn’s Hot Dogs A cozy, friendly, cheap, delicious hole-in-the-wall and probably my favorite counter to sit at in the whole Bay Area. 3506 MacArthur Blvd., Oakl. (510) 530-5175 (L.E. Leone)

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CHEAP DRINKS

When it comes to free drinks I’m a liar, a whore, and a cheat, duh.

I’m a liar because of course I find your designer replica stink-cloud irresistible and your popped collar oh so intriguing — and no, you sexy lug, I’ve never tried one of those delicious-looking orange-juice-and-vodka concoctions you’re holding. Perhaps you could order me one so I could try it out while we spend some time?

I’m a whore because I’ll still do you anyway — after the fifth round, natch. That’s why they call me the liquor quicker picker-upper.

And I’m a cheat because here I am supposed to give you the scoop on where to score some highball on the lowdown, when in fact there’s a couple of awesome Web sites just aching to help you slurp down the freebies. Research gives me wrinkles, darling. So before I get into some of my fave inexpensive inebriation stations, take a designated-driver test drive of www.funcheapsf.com and www.sf.myopenbar.com.

FuncheapSF’s run by the loquacious Johnny Funcheap, and has the dirty deets on a fab array of free and cheap city events — with gallery openings, wine and spirits tastings, and excellent shindigs for the nightlife-inclined included. MyOpenBar.com is a national operation that’s geared toward the hard stuff, and its local branch offers way too much clarity about happy hours, concerts, drink specials, and service nights. Both have led me into inglorious perdition, with dignity, when my chips were down.

Beyond all that, and if you have a couple bucks in your shucks, here’s a few get-happies of note:

Godzuki Sushi Happy Hour at the Knockout. Super-yummy affordable fish rolls and $2 Kirin on tap in a rockin’ atmosphere. Wednesdays, 6–9:30 p.m. 3223 Mission, SF. (415) 550-6994, www.knockoutsf.com

All-Night Happy Hour at The Attic. Drown your recession tears — and the start of your work week — in $3 cosmos and martinis at this hipster hideaway. Sundays and Mondays, 5 p.m.–2 a.m. 3336 24th St., (415) 722-7986

The Stork Club. Enough live punk to bleed your earworm out and $2 Pabsts every night to boot? Fly me there toute suite. 2330 Telegraph, Oakl. (510) 444-6174, www.storkcluboakland.com

House of Shields. Dive into $2 PBR on tap and great music every night except Sundays at the beautiful winner of our 2008 Best of the Bay "Best Monumental Urinal" award. (We meant in the men’s room, not the place as a whole!) 39 New Montgomery, SF. (415) 975-8651, www.houseofshields.com

The Bitter End. $3 drafts Monday through Friday are just the beginning at this Richmond pub: the Thursday night Jager shot plus Pabst for five bucks (plus an ’80s dance party) is worth a look-see. 441 Clement, SF. (415) 221-9538

Thee Parkside Fast becoming the edge-seekers bar of choice, this Potrero Hill joint has some awesome live nights with cheap brews going for it, but the those in the know misplace their Saturday afternoons with $3 well drinks from 3 to 8 p.m.1600 17th St., SF. (415) 252-1330, www.theeparkside.com

Infatuation. One of the best free club nights in the city brings in stellar electro-oriented talent and also offers two-for-one well drinks, so what the hey. Wednesdays, 9 p.m.–2 a.m. Vessel, 85 Campton Place, SF. (415) 433-8585, www.vesselsf.com

Honey Sundays. Another free club night, this one on the gay tip, that offers more great local and international DJ names and some truly fetching specials at Paradise Lounge’s swank upstairs bar. Sundays, 8 p.m.–2 a.m. Paradise Lounge, 1501 Folsom, SF. (415) 252-5018, www.paradisesf.com (Marke B.)

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IMPRESS A DATE WITH DINNER UNDER $50

You’ve got a date this weekend, which you’re feeling pretty good about, but only $50 to spend, which feels … not so good. Where should you go?

You’ll appear in-the-know at the underrated Sheba Piano Lounge (1419 Fillmore, www.shebalounge.com) on lower Fillmore Street, right in the middle of the burgeoning jazz revival district. Sheba was around long before Yoshi’s, offering live jazz (usually piano, sometimes a vocalist) and some of the best Ethiopian food in the city in a refined, relaxed lounge setting. Sure, they’ve got Americanized dishes, but skip those for the traditional Ethiopian menu. Sample multiple items by ordering the vegetarian platter ($13) or ask for a mixed meat platter, which is not on the menu ($16 last time I ordered it). One platter is more than enough for two, and you can still afford a couple of cocktails, glasses of wine or beer, or even some Ethiopian honey wine (all well under $10). Like any authentic Ethiopian place I’ve eaten in, the staff operates on Africa time, so be prepared to linger and relax.

It’s a little hipster-ish with slick light fixtures, a narrow dining room/bar, and the increasingly common "communal table" up front, but the Mission District’s Bar Bambino (2931 16th St., www.barbambino.com) offers an Italian enoteca experience that says "I’ve got some sophistication, but I like to keep it casual." Reserve ahead for tables because there aren’t many, or come early and sit at the bar or in the enclosed back patio and enjoy an impressive selection of Italian wines by the glass ($8–$12.50). For added savings with a touch of glam, don’t forget their free sparkling water on tap. It’s another small plates/antipasti-style menu, so share a pasta ($10.50–$15.50), panini ($11.50–$12.50), and some of their great house-cured salumi or artisan cheese. Bar Bambino was just named one of the best wine bars in the country by Bon Apetit, but don’t let that deter you from one of the city’s real gems.

Nothing says romance (of the first date kind) like a classic French bistro, especially one with a charming (heated) back patio. Bistro Aix (3340 Steiner, www.bistroaix.com) is one of those rare places in the Marina District where you can skip the pretension and go for old school French comfort food (think duck confit, top sirloin steak and frites, and a goat cheese salad — although the menu does stray a little outside the French zone with some pasta and "cracker crust pizza." Bistro Aix has been around for years, offering one of the cheapest (and latest — most end by 6 or 7 p.m.) French prix fixe menus in town (Sunday through Thursday, 6–8 p.m.) at $18 for two courses. This pushes it to $40 for two, but still makes it possible to add a glass of wine, which is reasonably priced on the lower end of their Euro-focused wine list ($6.25–$15 a glass).

Who knew seduction could be so surprisingly affordable? (Virginia Miller)

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FREE YOGA

You may be broke, but you can still stay limber. San Francisco is home to scores of studios and karmically-blessed souls looking to do a good turn by making yoga affordable for everyone.

One of the more prolific teachers and donation-based yoga enthusiasts is Tony Eason, who trained in the Iyengar tradition. His classes, as well as links to other donation-based teachers, can be found at ynottony.com. Another great teacher in the Anusara tradition is Skeeter Barker, who teaches classes for all levels Mondays and Wednesdays from 7:45 to 9:15 p.m. at Yoga Kula, 3030a 16th St. (recommended $8–$10 donation).

Sports Basement also hosts free classes every Sunday at three stores: Bryant Street from 1 to 2 p.m., the Presidio from 11a.m. to noon, and Walnut Creek 11 a.m. to noon. Bring your own mat.

But remember: even yoga teachers need to make a living — so be fair and give what you can. (Amanda Witherell)

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HOW TO KEEP YOUR APARTMENT

So the building you live in was foreclosed. Or you missed a few rent payments. Suddenly there’s a three-day eviction notice in your mailbox. What now?

Don’t panic. That’s the advice from Ted Gullicksen, executive director of the San Francisco Tenants Union. Tenants have rights, and evictions can take a long time. And while you may have to deal with some complications and legal issues, you don’t need to pack your bags yet.

Instead, pick up the phone and call the Tenants Union (282-6622, www.sftu.org) or get some professional advice from a lawyer.

The three-day notice doesn’t mean you have to be out in three days. "But it does mean you will have to respond to and communicate with the landlord/lady within that time," Gullicksen told us.

It’s also important to keep paying your rent, Gullicksen warned, unless you can’t pay the full amount and have little hope of doing so any time soon.

"Nonpayment of rent is the easiest way for a landlord to evict a tenant," Gullicksen explained. "Don’t make life easier for the landlady who was perhaps trying to use the fact that your relatives have been staying with you for a month as grounds to evict you so she can convert your apartment into a pricey condominium."

There are, however, caveats to Gullicksen’s "always pay the rent" rule: if you don’t have the money or you don’t have all the money.

"Say you owe $1,000 but only have $750 when you get the eviction notice," Gullicksen explained. "In that case, you may want to not pay your landlord $750, in case he sits on it but still continues on with the eviction. Instead, you might want to put the money to finding another place or hiring an attorney."

A good lawyer can often delay an eviction — even if it’s over nonpayment or rent — and give you time to work out a deal. Many landlords, when faced with the prospect of a long legal fight, will come to the table. Gullicksen noted that the vast majority of eviction cases end in a settlement. "We encourage all tenants to fight evictions," he said. The Tenants Union can refer you to qualified tenant lawyers.

These days some tenants who live in buildings that have been foreclosed on are getting eviction notices. But in San Francisco, city officials are quick to point out, foreclosure is not a legal ground for eviction.

Another useful tip: if your landlord is cutting back on the services you get — whether it’s a loss of laundry facilities, parking, or storage space, or the owner has failed to do repairs or is preventing you from preventing you from "the quiet enjoyment of your apartment" — you may be able to get a rent reduction. With the passage of Proposition M in November 2008 tenants who have been subjected to harassment by their landlords are also eligible for rent reductions. That involves a petition to the San Francisco Rent Stabilization and Arbitration Board (www.sfgov.org/site/rentboard_index.asp).

Gullicksen also recommends that people who have lost their jobs check out the Eviction Defense Collaborative (www.evictiondefense.org).

"They are mostly limited to helping people who have temporary shortfalls," Gullicksen cautioned. But if you’ve lost your job and are about to start a new one and are a month short, they can help. (Sarah Phelan)

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OUT OF WORK? HERE’S STEP ONE

How do you get your unemployment check?

"Just apply for it."

That’s the advice of California’s Employment Development Department spokesperson Patrick Joyce.

You may think you aren’t eligible because you may have been fired or were only working part-time, but it’s still worth a try. "Sometimes people are ineligible, but sometimes they’re not," Joyce said, explaining that a lot of factors come into play, including your work history and how much you were making during the year before you became unemployed.

"So, simply apply for it — if you don’t qualify we’ll tell you," he said. "And if you think you are eligible and we don’t, you can appeal to the Unemployment Insurance Appeals Board."

Don’t wait, either. "No one gets unemployment benefits insurance payments for the first week they are unemployed," Joyce explained, referring to the one-week waiting period the EDD imposes before qualified applicants can start collecting. "So you should apply immediately."

Folks can apply by filling out the unemployment insurance benefits form online or over the phone. But the phone number is frequently busy, so online is the best bet.

Even if you apply by phone, visit www.edd.ca.gov/unemployment beforehand to view the EDD’s extensive unemployment insurance instructions and explanations. To file an online claim, visit eapply4ui.edd.ca.gov. For a phone number for your local office, visit www.edd.ca.gov/unemployment/telephone_numbers.

(Sarah Phelan)

We’ll be doing regular updates and running tips for hard times in future issues. Send your ideas to tips@sfbg.com.