Development

Held underwater

1

sarah@sfbg.com

Since the recession began four years ago, 2,000 homes have been lost to foreclosure in San Francisco. These numbers sound insignificant compared to other counties in the Bay Area, but they primarily have hit communities of color already struggling to remain in this expensive city.

As panelists at a recent seminar on foreclosures noted, the first wave hit the Bayview and the Excelsior, while the second hit the Richmond and the Sunset. And as the recession drags on and more borrowers go underwater, another 2,000 foreclosures are on the local horizon.

Although foreclosures continue to destabilize communities and drain resources from local governments, the banking lobby continues to oppose legislative reforms that would allow more people to remain in their homes. And this deep-pocketed resistance has labor, religious, and educational organizations forming the New Bottom Line coalition in an effort to find grassroots solutions to the crisis.

“Foreclosures are the new f-word,” said Regina Davis, CEO of Bayview’s San Francisco Housing Development Corporation, at SFHDC’s April 29 foreclosure seminar.

Sups. John Avalos and Malia Cohen illustrated that there is no shortage of horror stories about predatory lending and dual tracking, in which borrowers apply for loan modifications while the bank continues to pursue foreclosure. Representatives for Sup. Ross Mirkarimi and Assessor-Recorder Phil Ting noted that the banking lobby has blocked even the most modest reforms, even as uncertainty continues to devastate the housing market.

Avalos said his family underwent a housing crisis in 2009, when his wife left her job to home school their special-needs daughter. “We tried to get a loan modification and were told we could only get it by going into default,” he said, recalling how Mission Economic Development Agency (MEDA) helped them navigate the process. “If this could happen to an elected official, it could happen to anyone.”

Cohen, who lost her condo in the Bayview to foreclosure earlier this year, described foreclosure as “an incredible beast that has ravaged and wrecked the finances of many Latino, African American, and Asian communities who were sold the American dream of homeownership but then had the rug pulled away.”

Mirkarimi aide Robert Selna, a former San Francisco Chronicle reporter, said the banking industry spent $70 million last year to kill legislation by state Sen. Mark Leno (D-SF) and Senate President Darrell Steinberg (D-Sacramento) to end dual tracking. This year, the industry has been opposing SB729, Leno and Steinberg’s latest attempt to require banks to give people a definitive answer on loan modification, identify who owns the loan, and give borrowers legal recourse if banks don’t take these steps.

“SB729 gets to the heart of helping to keep people in their homes, but it’s difficult to combat the spending power of the banking industry,” Selna said.

Ben Weber, an analyst in the Assessor-Recorder’s Office, said approximately 277,000 homes in California are going through the foreclosure process; an estimated 1.8 million California residents are underwater on their mortgage; and California is sixth in “negative equity” nationwide. “Negative equity is one of the best indicators of foreclosures — so can we expect another 1.5 million to 1.6 million foreclosures statewide?” he asked.

Weber noted that Ting is supporting AB 1321 by Assemblymember Bob Wieckowski (D-Fremont), which would require that all mortgage assignments be recorded within 30 days of their execution; prevent notices of default from being recorded until 45 days after any deed of trust has been recorded; and provide consumers with better transparency about who owns their debt. Yet Ting’s office reports that the banking industry has lobbied against this and other foreclosure-related legislation

Weber said the legislation is a response to problems with the industry’s Mortgage Electronic Registration System (MERS), which was introduced 15 years ago. “The mortgage industry wanted to expedite the transfer of mortgages between entities so that they could be sold and resold on Wall Street,” Weber said, noting that the system also allowed the industry to avoid paying recording fees to counties.

MERS records an average of 6,700 deeds of trust annually in San Francisco, and MERS deeds of trust are usually transferred two to four times, Weber observed. “So MERS members avoided — conservatively — $134,000 per year in fees.”

Grace Martinez of Alliance of Californians for Community Empowerment noted that the banking lobby already killed AB935 by Assemblymember Bob Blumenfield (D-Northridge), which sought to charge a $20,000 fee to compensate for the estimated cost of a foreclosure to local government. “That money would have gone back to the city,” she said.

In an April 14 letter, the banking lobby claimed Blumenfield’s bill was a tax that increases the costs of homeownership for new borrowers. “It also serves to discourage the importation of capital into California at a time when the federal government is winding down their involvement in mortgage finance and protracts and complicates California’s economic recovery,” stated the letter, which the California Bankers Association, the California Chamber of Commerce, and other business groups signed.

But Dan Byrd, research director at Berkeley’s Greenlining Institute, reminded the mostly black and brown crowd at SFHDC’s foreclosure seminar that declining property values due to foreclosures have drained $193 billion from African American and $180 billion from Latino communities nationwide. “Folks from these communities who had credit good enough to qualify for a prime loan were given subprime loans with adjustable mortgage rates,” he said

Byrd stressed that homeowners facing foreclosures need to be more financially literate. “A lot of loan documents are written in language that people can’t understand, and they don’t have the money to hire a lawyer,” Byrd said, as he urged politicians to fund organizations that provide financial counseling and education. “Our elected federal officials just cut the budget that supports SFHDC and similar groups.”

SFHDC housing counselor Ed Donaldson said appraisal values make it hard to sell the below-market-rate units that are coming online. “So if we don’t do something about the foreclosure problem, the housing market will continue to unwind,” he said, urging people to protests banks and show up at City Hall and in Sacramento to support reform.

The Rev. Arnold Townsend, vice president of the local branch of the National Association for the Advancement of Colored People, said San Francisco likes to pretend that the foreclosure crisis didn’t really affect the city. “But it did,” he said. “It badly hit people of color that the city, by its policies, doesn’t seem to care if they leave.”

Attorney Henri Norris noted that bankruptcy can be an alternative to foreclosure. “A bankruptcy can stop a foreclosure, at least temporarily,” Norris said. He recommends that people make their loans current and try to get a loan modification approved. “But it’s going to take running a marathon.”

Avalos, who is running for mayor, noted that the city does not fund enough affordable housing and he proposed an affordable housing bond that would include assistance for mortgage assistance, ownership downpayment, seismic retrofitting, and energy efficiency. “I understand that voters see no personal benefit, but it would raise wealth in property values,” he said.

Cohen observed that the federal Homeowners Affordable Modification Program (HAMP), which President Obama unveiled in March 2009, “hasn’t worked” and that most of the important reform proposals are “happening at the state level.” She encouraged people to show support for SB729, but wasn’t ready to declare support for Avalos’ housing bond.

“I want to make sure the climate is ripe, that Sups. Carmen Chu and Eric Mar are included, because their districts will be impacted by foreclosures, and that the support is broad-based,” she said. “But folks can divest from banks that have not treated us right.”

Noting that divestment was the most effective way to end apartheid in South Africa, SFHDC’s Davis invited seminar participants to a free screening of Charles Ferguson’s documentary Inside Job, which shows how subprime loans, dual tracking, and mortgage bundling triggered the 2008 financial meltdown — and how many of the main players are still calling the shots.

But despite SFHDC’s informative seminar and the New Bottom Line campaign’s May 3 protest at Wells Fargo’s annual shareholder meetings in San Francisco, SB729 failed to make it out of committee May 4, when Sen. Alex Padilla (D-Van Nuys) announced he would introduce an alternative dual tracking bill. In addition, Wieckowski turned his MERS reform into a two-year bill, suggesting the votes weren’t there to approve it.

Paul Leonard, California director of the Center for Responsible Lending, observed that SB729 supporters include a broad array of consumer, civil rights, labor, faith-based groups, and homeowners, but the only groups in opposition were the California Bankers Association, the Mortgage Bankers Association, and the Chamber of Commerce.

“I find it remarkable that after the exposure of deep-seeded scandals about robo-signing and the systematic shortcomings of mortgage loan service operators, none of the bills intended to address these issues got out of their first committee hearing,” Leonard said.

In an April 20 letter, the banking lobby claimed that SB729 was “unnecessarily complex,” could overlap and contradict actions by federal regulators and state attorneys general, and promote strategic defaults that would negatively affect communities and cloud title for a year following a foreclosure, leaving properties vacant.

Dustin Hobbs of the California Mortgage Bankers Association claims the average time for a foreclosure is more than 300 days. “This would have dragged it out further, and the last thing we need is more vacant homes and more homes in foreclosure,” he said.

Ting noted that Wieckowski made the call to turn AB1321 into a two-year bill. “But you would have thought we were offering the end of home ownership,” Ting said, noting that the banking industry was shocked when advocates produced a MERS memo that encourages banks to record documents and pay fees. “It basically recommended our legislation,” Ting observed.

“Assignments out of MERS name should be recorded in the county land records, even if the state law does not require such a recording,” a Feb. 16 MERS memo said.

Ting describes MERS as “a Wall Street set-up, the ultimate in smoke and mirrors.”

“We did a little poking around in MERS and found that it would help if the name of the loan owner was recorded,” Ting said, noting that the confusion MERS created is bad for consumers, the real estate industry, and homeowners.

“Part of the problem is computer systems doing what banks used to do,” Ting said. “It ended up with robo-signing and foreclosures being sent to the wrong people. I thought AB1321 was a no-brainer, but we had to take it to five or six legislators before anyone would pick it up. This is a prime example of how a particular industry has made a huge amount of money and is unwilling to bend any rules to give consumers any recourse.”

But CMBA’s Hobbs described AB1321 as “part of a broader attack on MERS.” And an April 21 opposition letter from the banking industry describes it as “creating impediments for attracting capital to California’s mortgage marketplace and imposing significant new workloads on county recorders and clerks.”

Ting says he has heard lobbyists make that argument. “But my assessor recorders organization supported it — and they are mostly not elected officials,” he said, noting the group usually doesn’t get involved in promoting legislation.

Ting admits that it’s hard to get the national reforms that are needed. “San Francisco still has a big part to play. And our legislators are still very powerful, so we have no excuse not to be fighting in Sacramento where the Democrats have a supermajority. I mean, how could these bills not get out of committee? It’s not like we didn’t take amendments, but no level of amendments would have made anything happen.”

“Foreclosures typify this financial and political era,” he continued. “They are about all the things we should have seen coming — and some of us did. But even then, and now, there is political amnesia. For all the families that lost their homes, shouldn’t we do something to make sure this doesn’t happen again? Wall Street was bailed out two years ago, but Main Street is still waiting.”

Civil Grand Jury report rips Parkmerced plan

One week before the massive Parkmerced redevelopment project is slated to go before the Board of Supervisors for a second shot at approval, the San Francisco Civil Grand Jury has issued a scathing critique of the plan in a report titled “The Parkmerced Vision: Government-by-Developer.” The assessment charges that the project’s development agreement fails to guarantee adequate rent-control protections for current tenants whose homes will be razed and replaced with new units as part of the ambitious, 20-to-30 year overhaul.

The Civil Grand Jury report charges that the development agreement “is fundamentally unable to deliver such assurances because of overarching state laws that are changeable and subject to court interpretation. Through its call for demolition of existing units, the agreement eliminates existing statutory rights of tenants, replaces them with a contractual agreement from the owner/developer, and bypasses due process in the face of eviction.”

The report appears to reject the claim that the tenant protections are “ironclad,” an assurance that was repeated often in public hearings by representatives of the developer and the city’s Office of Economic and Workforce Development. “As it is stated, the agreement claims it can cause newly constructed units to be protected under the same rent stabilization ordinance previously applied to the demolished dwellings,” the report notes. “In reality, current laws appear to contravene this claim.”

When a discussion about Parkmerced was continued several weeks ago at a Board of Supervisors meeting, several members of the board voiced concerns that they did not have enough clarity on the question of whether renter protections could be guaranteed for tenants who reside in the complex’s 3,221 rent-controlled units, some of whom have lived there for decades.

“Never before has a redevelopment project of this size and length been undertaken in San Francisco in an existing community where more than 9,000 people live,” the report notes. It acknowledges the enormous tax revenues that the city stands to gain from the development, but cautions that “this windfall, no matter how promising, should not come at the expense of citizens’ legal rights.”

To remedy the flawed agreement, the Civil Grand Jury recommends that the city “enact legislation prior to signing the Development Agreement that adequately assures the statutory rights of existing tenants to remain at Parkmerced and enjoy undisturbed continued tenancy,” and goes onto suggest language providing that “If a landlord demolishes residential property currently protected under the City’s Rent Stabilization and Arbitration Ordinance, and builds new residential rental units on the same property within five (5) years, the newly constructed units are subject to the San Francisco Rent Stabilization Ordinance.”

Meanwhile, Parkmerced spokesperson P.J. Johnston has already issued a response the hot-off-the-presses report, sending out a press release calling it “flawed,” and charging that the Civil Grand Jury is “calling for a solution to a problem San Francisco has already solved.”

Johnston contends that San Francisco already has a provision in the local municipal code that would do exactly what the Civil Grand Jury is asking city government to enact as a remedy for the shortcomings of the development agreement. Is Johnston’s interpretation of the local ordinance an accurate assessment? Not being lawyers ourselves, the Guardian phoned the office of the City Attorney to find out. We’ll post a response as soon as we receive one.

Johnston criticized the Civil Grand Jury report as “a highly political stink bomb,” saying, “I believe we’ve been able to address those concerns over the past several weeks, and I hope our leaders are able to see past this kind of last-minute distraction.” Johnston, who previously served as former Mayor Willie Brown’s press secretary, added, “This reeks of the nasty side of San Francisco politics.”

**UPDATE** The Guardian just received a call from an official from the City Attorney’s office, who said they did not want to be quoted because Parkmerced is a highly politicized issue. This person confirmed that the existing code Johnston pointed to does in fact do just what the Civil Grand Jury was asking for, and added that the local law had been referenced in a Parkmerced board file from last week. Seems the Civil Grand Jury didn’t have that information when it issued the report.

Hot sexy events: May 11-17

2

On the website for Kink Studios – Kink.com‘s foray into the world of arthouse porn cinema – one scrolls down a quote from, of all people, that strapping hunk of man meat Roger Ebert. It’s about The Last Tango in Paris

The movie frightened off imitators, and instead of being the first of many X-rated films dealing honestly with sexuality, it became almost the last. Hollywood made a quick U-turn into movies about teenagers, technology, action heroes and special effects. And with the exception of a few isolated films like The Unbearable Lightness of Being (1988) and In the Realm of the Senses (1976), the serious use of graphic sexuality all but disappeared from the screen.

But being the innovators, perverts, and getting-things-done Type A’s that they are, the minds behind Kink.com decided to do something about this dearth of sexy, smart art. To wit, they made a film, Indietro, that combines all the flogging and excited screams that you’ve come to expect from the website’s more conventional BDSM flicks, with haunting piano trills and – gasp! – character development. They stocked the film with acting turns by Madison Young, Aurora Snow, and William Van Toland, and is written and directed by Vivian Darkbloom. 

It’s playing at Mission Control (via Femina Potens‘ programming) on Thurs/12, along with a Q&A with cast and crew. See it to believe it – and bring Mr. Ebert, won’t you?

 

Virgie Tovar presents “Burlesque Basics for the Shy and Awkward”

Amazing alert: the fantabulously fat burlesque star Dulce de Lecherous (Miss Tovar if you’re nasty) is doing this course on Burly Q gratis for the wonky and discombobulated set. I bet you never thought you’d be able to shimmy in stilettos, or twirl tassels with tact – but this here Virgie is ready to ease all comers – boys, girls, bois, “girls” – into stageside sexiness. Or, at least get you on the right path. We’re only talking about an hour-long class here, people. 

Thurs/12 6:30-7:30 p.m., free

Good Vibrations

1620 Polk, SF

(415) 345-0500

www.goodvibes.com


First Full of Kink: Indietro

Watch Kink Studios’ first foray into art porn, ask all your perverted wonderings of its cast and crew, then enjoy black and white porn and live burlesque performances. Afterwards, you can stay for the play party – if you’re a member of Femina Potens. Keep it classy, art freaks. 

Thurs/12 8 p.m.-1 a.m., $15

Mission Control

www.feminapotens.org


“Saburau: The Warrior’s Path of Service”

A educational run-down of positive power exchange practices in the Japanese samauri tradition. Sure, it’s not your run-of-the-mill Exiles class (they tend to focus on more explicitly S&M teachings), but that’s why this course sounds so cool. Ground your play time in a background of service-oriented community. 

Fri/13 8-10 p.m., $4 members/$10 non-members

The Women’s Building

3543 18th St., SF

www.theexiles.org


Dungeon monitor training

This training is not about loving control – or maybe it is, but don’t walk into it whip in hand. Being a dungeon monitor is a big deal, a crucial role in the pursuit of a healthy S&M scene. This orientation is open to everyone, and features interactive scenes showing problematic dungeon happenings in which you’re asked to practice your better judgement to mediate. Not into becoming a monitor, per se? You’re still welcome to learn and hone your skills as a member of a smart and safe community. 

Sat/14 4:30-7:30 p.m., $5-10 suggested donation

SF Citadel

1277 Mission, SF

(415) 626-2746

www.sfcitadel.org 


Naked Girls Reading: Burlesque legends

SF’s regularily-occurring lit night is famous for letting it all hang out. Really — the women on stage are naked as jaybirds. And though once again local luminaries like Lili St. Cyr, Lady Monster, and Cherry Galette will be orating from honored texts, this time around at least part of the show will be occuring offstage. Burlesque legends from Holiday O’Hara to Satan’s Angel will be in attendance – and you can sit next to one of the lovelies, if you’re down to shell out another five bucks. Deal! 

Sun/15 8:30-10 p.m., $15-20

Center for Sex and Culture

1349 Mission, SF

(415) 552-7399

www.sexandculture.org

 

 

Cycling race

2

caitlin@sfbg.com

In contrast to the alley cat fixie fiends and placid Venice Beach cruisers, some of Los Angeles’ most ardent bicyclists were going unnoticed and underserved by bike advocacy groups. Working class Latinos are often the only ones on two wheels in several of the city’s most disadvantaged communities — but you weren’t going to catch them at Critical Mass or grabbing a seat at L.A. County Bike Coalition meetings.

The organizers of the community group Ciudad de Luces recognized that these riders, often stuck commuting on the L.A.’s most dangerous roads with substandard safety gear and rickety bikes, needed a voice in the development of the city’s biking infrastructure, and were being missed by the biking movement’s traditional outreach tactics.

The organization started distributing bike lights and Day-Glo visibility vests at day laborer centers; started a weekly bike repair workshop at one of the sites in response to popular demand from workers; and, in 2010, convinced the city to install 73 much-needed bike racks throughout the low income Pico-Union neighborhood. Ciudad de Luces coined a term to describe the community it works with: the invisible riders.

Biking is not a white middle class privilege, but many times the popular face of bike activism is perceived as such. In the case of Ciudad de Luce’s struggle for recognition, that meant the minority communities that do ride aren’t given necessary resources to keep them safe and secure. And according to Jenna Burton of the Oakland community bike group Red, Bike and Green, it also harms cycling’s popularity among some prospective riders.

“If you see something that is predominantly white, it’s automatically not going to be as appealing to the black community,” she said in a phone interview with the Guardian. Burton moved to the Bay Area from the East Coast, and was taken by the strong biking culture. Looking for community, she assumed there had to be some kind of African American bicycle meet-up. (“The Bay Area has everything, right?”) She was surprised to find that one didn’t exist.

Burton realized that blacks were underrepresented in the biking community. When she asked acquaintances about their reluctance to pedal through their daily lives, she found that many were intimidated by the ubiquity of bikes in the area. “It can be really intimidating to get out there for the first time. The culture is so strong here, it seems hardcore to people who are curious about biking.”

“There needed to be a targeted effort toward the black community.” Burton’s solution: create an organization that spoke directly to African Americans about why they should bike. She developed a Black Panthers-style three-point plan to break it down. Black people on average make less money and biking is cheap; black people are subject to chronic health problems and biking makes people stronger; black people are often the subjects of environmental racism and biking is a way to speak out against carcinogenic injustice. To spread the word, the group would hold social rides so riders could see that black bike riders really did exist.

Nick James didn’t own a bike, but when Burton told him about Red, Bike and Green, he was compelled to buy one. Already an activist for HIV/AIDS, education, youth, and health causes, James said in an e-mail interview with the Guardian that he believed Burton had hit upon a way to pull all those social issues together — through an experience that would not only be positive, but fun. Now he uses his bike to get to work and run everyday errands.

“Any space where African Americans can get out stress, laugh, communicate, or heal, I’m there,” he said. “Red, Bike and Green is a space where exercise, socializing, and activism flows seamlessly.”

Core volunteers publicized early rides through word of mouth, often handing out flyers to other black bicyclists that they passed in the streets. They found partners in the East Bay’s burgeoning minority biking advocacy network: Cycles of Change, an umbrella organization that includes the LGBT and minority-run Bikery and Changing Gears Bicycle Shop, and P.O.K.E.R. (People of Kolor Everyday Ridin’).

On Saturday, April 23, Red, Bike and Green held its first ride of 2011. Seventy people rode a route that took them through many of Oakland’s black residential neighborhoods — a tactic that organizers employ, as Burton puts it, to make other black people aware that they can rock some handlebars “to build community in our community.”

Since last year, the rides have attracted cyclists from age seven to 65, families, and strangers who can spend the ride connecting and networking. People have used the rides to announce impending garden harvest surpluses, Oscar Grant protests, and job openings.

As Bay Area bike lanes grow smarter and more numerous, and as gas prices soar and environmental issues become more troublesome, it’s pretty much a done deal that more people are going to be riding bikes. And yes, bike movement, that’s something to ring those bells over. But we have to turn the gears democratically: to really improve access to cycling, the needs of all communities have to be taken into account — and that means getting creative with outreach strategies.

Red, Bike and Green uses bikes to carve out a space for its riders — not only in the velo advocacy movement, but in the social fabric of the Bay Area. Burton is confident that the sight of so many black people rolling by will introduce a thought into the heads of spectators — a thought that really shouldn’t need to be introduced but does anyway: “This is our community, there needs to be space made for us too.”

 

Preserving preservation

0

EDITORIAL San Francisco has a terrible record preserving its past. In the past 50 years, so many parts of the city’s history have been demolished, bulldozed, flattened, or destroyed in the name of development. The number of landmarks that are gone vastly exceeds the number of buildings or landscape features saved by historic preservation laws.

So when Sup. Scott Wiener called a hearing May 2 to discuss possible changes in the city’s historic preservation policies, it got a lot of neighborhood activists nervous. And for good reason. In a city where developers always seem to call the shots, where blocking a bad project is a difficult and expensive process, anything that removes a weapon from the quivers of the neighborhoods is potentially dangerous.

And coming in the wake of a 6-5 February vote at the board to appoint an unqualified, pro-development candidate to the Historic Preservation Commission, there’s a disturbing trend here. And the supervisors should be careful not to dismantle the protections that the 2008 ballot measure, Proposition J, put in place to protect the city’s history.

Wiener assures us he’s not out to gut preservation — he supported Prop. J and doesn’t think that the preservation movement has gone too far. “I just want to make sure that we are taking into account other policy priorities,” he said.

Wiener pointed to a few potential situations where historic preservation could get in the way of improvements to transportation and streetscapes. The street lights along Van Ness Avenue might have to be removed to make a bus rapid transit lane work — and some people might consider them historic structures. Pedestrian safety improvements along Dolores Street might require minor changes in the tree-lined median, which is not a landmark but potentially could be. He’s looking at changes in the City Planning Code provisions dealing with historic preservation — and potentially, with the way the Planning Department applies the California Environmental Quality Act.

There are always times when preservation conflicts with progress, and there will always be dubious uses of preservation law. But overall, in the course of many, many years, the pendulum has swung far in the other direction: historic preservation has been trumped again and again by the greed and political power of developers and the construction industry. And even well-meaning attempts to adjust city law will almost certainly become loopholes for more destruction.

Almost everything good in this city, from the cable cars to the Presidio, has been threatened with extinction at some point. Battling to save the city’s treasures is a full-time occupation.

There are ways to balance preservation against valid public policies like the need for affordable housing (almost never blocked by preservationists) and street improvements (one anti-bicycle character delayed new bike lanes for years, but not on the grounds of historic preservation). But there has to be a clear line: no changes or loopholes aimed at helping private, for-profit developers. Nothing that limits the ability of neighborhood groups to stop the destruction of city history.

The problem in San Francisco is not too much historic preservation, it’s that we allow too much to get lost. That’s why Wiener needs to tread lightly on this ground — and his colleagues have to make sure he doesn’t go too far. 

 

Editorial: Preserving preservation in San Francisco

0

 San Francisco has a terrible record preserving its past. In the past 50 years, so many parts of the city’s history have been demolished, bulldozed, flattened, or destroyed in the name of development. The number of landmarks that are gone vastly exceeds the number of buildings or landscape features saved by historic preservation laws.

So when Sup. Scott Wiener called a hearing May 2 to discuss possible changes in the city’s historic preservation policies, it got a lot of neighborhood activists nervous. And for good reason. In a city where developers always seem to call the shots, where blocking a bad project is a difficult and expensive process, anything that removes a weapon from the quivers of the neighborhoods is potentially dangerous.

And coming in the wake of a 6-5 February vote at the board to appoint an unqualified, pro-development candidate to the Historic Preservation Commission, there’s a disturbing trend here. And the supervisors should be careful not to dismantle the protections that the 2008 ballot measure, Proposition J, put in place to protect the city’s history.

Wiener assures us he’s not out to gut preservation he supported Prop. J and doesn’t think that the preservation movement has gone too far. “I just want to make sure that we are taking into account other policy priorities,” he said.

Wiener pointed to a few potential situations where historic preservation could get in the way of improvements to transportation and streetscapes. The street lights along Van Ness Avenue might have to be removed to make a bus rapid transit lane work and some people might consider them historic structures. Pedestrian safety improvements along Dolores Street might require minor changes in the tree-lined median, which is not a landmark but potentially could be. He’s looking at changes in the City Planning Code provisions dealing with historic preservation and potentially, with the way the Planning Department applies the California Environmental Quality Act.

There are always times when preservation conflicts with progress, and there will always be dubious uses of preservation law. But overall, in the course of many, many years, the pendulum has swung far in the other direction: historic preservation has been trumped again and again by the greed and political power of developers and the construction industry. And even well-meaning attempts to adjust city law will almost certainly become loopholes for more destruction.

Almost everything good in this city, from the cable cars to the Presidio, has been threatened with extinction at some point. Battling to save the city’s treasures is a full-time occupation.

There are ways to balance preservation against valid public policies like the need for affordable housing (almost never blocked by preservationists) and street improvements (one anti-bicycle character delayed new bike lanes for years, but not on the grounds of historic preservation). But there has to be a clear line: no changes or loopholes aimed at helping private, for-profit developers. Nothing that limits the ability of neighborhood groups to stop the destruction of city history.

The problem in San Francisco is not too much historic preservation, it’s that we allow too much to get lost. That’s why Wiener needs to tread lightly on this ground and his colleagues have to make sure he doesn’t go too far. 

Tourk’s clients sully Herrera’s mayoral campaign

22

Does anyone really believe that lobbyist and campaign consultant Alex Tourk isn’t talking to City Attorney Dennis Herrera, whose mayoral campaign Tourk is running, about the biggest clients and issues that Tourk is representing? Honestly, do they believe the public is that stupid?


Apparently so, because that’s the story they were feeding to the Chronicle and its readers today, denying that the two men had ever talked about the Stow Lake Boathouse vendor contract or California Pacific Medical Center and its controversial plan to build a new hospital and housing project on Cathedral Hill.


I mean, c’mon, Tourk even filed documents with the Ethics Commission stating that they had talked about those issues and clients, only to now deny it after realizing that it’s actually illegal to lobby one of your campaign clients. Luckily, Herrera had the good judgment to refer the matter to the Oakland City Attorney’s Office to investigate, considering that this city’s hopelessly corrupt and ineffectual Ethics Commission has abdicated its watchdog responsibilities in favor of repeatedly rubber-stamping every ethics waiver that comes before it, making a mockery of itself and contributing mightily to culture of political corruption that has been on the rise in San Francisco.


This is a problem that runs far deeper that just the Recreation and Parks Department steering the Oretega family vendor to Tourk, who then used his insider connection to get them the contract, which is unseemly enough. No, that’s just the tip of the iceberg with a consultant who has deep connections to monied interests and who has been hired by a mayoral candidate who actually hopes to gain some progressive support.


Consider Tourk’s client list. CPMC is perhaps the most controversial project facing city approval this year, one in which a powerful corporation is making big demands that are being strenuously opposed by a wide swath of working class San Franciscans. Whether Herrera would support this project as mayor and what modifications he would make are important litmus tests to determine what kind of mayor he would be. Yet his campaign consultant is simultaneously advocating for CPMC.


How would Herrera be on police issues, ranging from officer accountability to pension reform to whether to retain new Police Chief Greg Suhr? And can we really have faith that whatever stands Herrera takes weren’t influenced by the fact that the San Francisco Police Officers Association is another Tourk client?


Other Tourk clients include Civil Sidewalks, which advocated for the sit-lie ordinance that police are now struggling with how to legally implement; CH2MHill, the Lennar subcontractor who exposed Hunters Point residents to carcinogenic construction dust; Medjool Restaurant, whose politically connected owner has pushed projects that clash with local planning codes; Prado Group, which has a number of development proposals in SF; Target Corp., which is doing a controversial remodel of the Metreon; and many others.


Is Tourk touting his inside access to man who may be the next mayor? Will Herrera’s campaign benefit from that cross-pollination? I’ve left messages with Tourk and Herrera to ask these questions and others, and I’ll update this post when the call back, but what do you think they’re going to say? And, based on their credibility-stretching comments to the Chron today, will anyone believe them?


UPDATE: Herrera called back, but he wouldn’t discuss these issues on-the-record, instead just giving me a quote similar to the one he gave the Chron: “I was surprised to read that Alex Tourk listed me on his lobbying disclosure forms because he never lobbied me on any of those clients and issues.”

Hundreds Protest Wells Fargo Shareholder Meeting in SF

6

The New Bottom Line, a national campaign to hold banks accountable for foreclosures, kicked off in San Francisco this week, as hundredsmarched through the Financial District to demand that Wells Fargo change corporate policies that bankrupt families, dismantle neighborhoods, and empty public coffers.
During the bank’s annual May 3 shareholder meeting, a group of homeowners and clergy addressed Wells Fargo CEO John Stumpf to demand a foreclosure moratorium.
According to protest organizers, which include Contra Costa Interfaith, ACCE (Alliance of Californians for Community Empowerment) and other members of the New Bottom Line Campaign, unlike other national banks, Wells Fargo has not changed its foreclosure procedures despite reports of “robo-signing” and other foreclosure irregulalities.
“Since 2005, I have been fighting Wells for wrongful foreclosure,” San Leandro resident Donna Vieira said in a press statement. “But through this process, I have learned that I am not alone. A quarter of foreclosures in this country happen right here in California and 700,000 families are in foreclosure right now. We need these banks to have a new bottom line that includes investing in our communities.”
The New Bottom Line Campaign notes that, according to the U.S. Departments of Treasury and Housing and Urban Development, 350,169 Wells Fargo homeowners were eligible for the Home Affordable Modification Program (HAMP) by the end of 2009. But as of Feb 2011, only 77,402 homeowners have received permanent modifications.
Protestors note this only amounts to a 22 percent modification rate, more than two years after the HAMP program began. They also charge that Wells Fargo has canceled 118,697 trial modifications and denied 175,336 homeowners from accessing HAMP.But during this same two-year period, Wells Fargo received nearly $43.7 billion in federal bailout funds, according to a study by the nonpartisan think tank, Nomi Prins of Demos.And in 2010, Wells Fargo reported to the Securities and Exchange Commission that it paid its CEO John Stumpf more than $17 million, including a $14 million bonus.
Protestors also claimed that, over the last ten years, Wells Fargo has paid the lowest worldwide tax rate of the top five biggest banks and did not pay federal taxes in 2009.
Protestors said the May 3 action was supported by a coalition of community organizations, congregations, labor unions, and individuals working to challenge established big bank interests on behalf of struggling and middle-class communities.
“Together, we work to restructure Wall Street to help American families build wealth, close the country’s growing income inequality gap and advance a vision for how our economy can better serve the many rather than the few,” campaign organizers stated.
The New Bottom Line campaign, whic includes National People’s Action, PICO National Network, Alliance for a Just Society, ACCE, and Industrial Areas Foundation of the Southeast (IAF-SE), is making five main demands of Wells Fargo.


1.KEEP FAMILIES IN THEIR HOMES:
“We are demanding that Wells Fargo establish a moratorium on all foreclosures until it negotiates with our coalition to establish comprehensive reforms to their loan modification practices, including offering principal reduction; affordable, fixed interest rates; and provide proof of ownership of the loan,” NBL said in a press release. “We are also calling on Wells Fargo to cease all illegal evictions of tenants in foreclosed properties and commit to working with real estate companies and servicers who follow local and state tenant protection laws.”


2. STOP PREDATORY LENDING:
“We are demanding that Wells Fargo stop financing predatory payday lending companies and stop providing predatory payday loans to their own customers,” NBL stated.


3. REBUILD OUR NEIGHBORHOODS:
“Cities and counties estimate that it costs approximately $34,000 per each foreclosed home that becomes vacant and a potential blight on our communities,” NBL continued. “We are demanding you maintain and PAY the fines on your blighted properties and help share in the cost to our cities and counties starting with Cities and Counties throughout California with Foreclosure Blight and Building Registration Ordinances.”


4. PAY YOUR FAIR SHARE:
“Wells Fargo needs to stop exploiting loop‐holes in property tax laws and federal tax shelters to avoid paying its fair share of local, state and federal taxes,” NBL stated.


5. RESPECT HUMAN RIGHTS:
“We are calling on Wells Fargo to stop investing in the GEO Group and other corporations that are profiting off of immigrant detention centers and private prisons that detain immigrants and separate families,” NBL concluded.


During the May 3 action, eight protestors were reportedly arrested for civil disobedience.

USF hosts mayoral forum focused on service

2

The University of San Francisco’s Leo T. McCarthy Center for Public Service will host the political season’s first major mayoral candidate forum – this one focused on public service and staged in partnership with the nonprofit group buildOn – on Thursday, May 5, at 6 pm.

Candidates Michela Alioto-Pier, John Avalos, David Chiu, Bevan Dufty, Tony Hall, Dennis Herrera, Joanna Rees, Phil Ting, and Leland Yee are expected to attend. Admission is free and the public is encouraged to attend this event held at USF’s McLaren Conference Center, 2130 Fulton Street.

“The intent of the forum is to help frame the mayoral campaign and also encourage candidates to talk about what drove them to service and how people can get involved in San Francisco, especially the youth,” Corey Cook, assistant professor in the USF Department of Politics, told us. Cook will moderate the event, which will include questions from high school students participating in buildOn and McCarthy Center service programs.

Carrie Pena, buildOn’s communications director, told us, “Students from public high school will ask questions based on bare thoughts on public service and what it means to be a good public servant.”

BuildOn provides programs for students to break the cycle of poverty and illiteracy. About 90 percent of buildOn students go to college. There are 19 schools in the Bay Area working with buildOn and in the previous year, the students contributed more than 24,000 hours to the Bay Area community.

At USF, service learning is a core class part of the graduation requirement where each student dedicates at least 20-25 hours of service per 15-week semester. “Co-hosting a mayoral forum is a fitting project for USF and buildOn because it will engage high school and college students, as well as the greater community, into the process of local politics,” Cook said on the USF website.

Catarina Schwab, buildOn’s vice president of development, said the partnership is a good match: “We aligned with USF because they focus a lot on service. Both were interested in a forum on service. We are even going to have a buildOn chapter at USF.”

Stage Listings

0

Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks. For complete listings, see www.sfbg.com.

THEATER

OPENING

Silk Stockings Eureka Theatre, 215 Jackson; 255-8207, www.42ndstmoon.org. $24-44. Previews Wed/4, 7pm; Thurs/5-Fri/6, 8pm. Opens Sat/7, 6pm. Runs Wed, 7pm; Thurs-Fri, 8pm; Sat, 6pm; Sun, 3pm. Through May 22. 42nd Street Moon presents a Cole Porter production.

ONGOING

Absolutely San Francisco Alcove Theater, 414 Mason; 992-8168, www.absolutelysanfrancisco.com. $32-50. Check for dates and times. Open-ended. Not Quite Opera Productions presents a musical.

*Caliente Pier 29, The Embarcadero; 438-2668, www.love.zinzanni.org. $117-145. Wed-Sat, 6pm; Sun, 5pm. Open-ended. Ricardo Salinas, cofounder of famed Mission-born radical Latino comedy trio Culture Clash, penetrates the velvet enclave of Teatro ZinZanni, taking the helm for its latest Euro-style dinner-cirque cabaret show. Under Salinas’ inspired direction, the evening plays as a revolt by brown-hued kitchen and wait staff against a ruthless takeover by, what else, a Chinese conglomerate. Multiculti clashes ensue, with the underdogs led by a brother-sister team played charmingly by ZinZanni regulars Christine Deaver and Robert Lopez, and with much expert repartee and physical humor neatly enveloping characteristically stunning feats of acrobatics and circus arts that leave forkfuls of grub hovering before slack-jawed mouths. I don’t know how many actual kitchen staffers out there can afford the ticket price (though it does come with a tasty five-course meal in addition to a first-class show), but the blend of Salinas and company’s shrewd if subdued social commentary and big-heated Latin-fueled humor—not to mention the exquisite musical numbers featuring guest star Rebekah Del Rio—lead to something altogether harmonious. (Avila)

Cancer Cells The Garage, 975 Howard; 518-1517, www.975howard.com. $15. Fri-Sat, 8pm; Sun, 2pm. Through May 22. Performers Under Stress and directors Geoff Bangs and Scott Baker offer this well-conceived program of late Pinter works, a total of nine plays and poems intelligently arranged and unevenly but in some cases vibrantly performed (especially in the case of One for the Road) in a fleet 90-minute evening. With the titular poem, written as the esteemed playwright was undergoing chemo (and recited here with somewhat unnecessary emotion by Valerie Fachman), a telling definition of cancer cells arises: “They have forgotten how to die/ And so extend their killing life.” Given the unbridled political nature of the work that follows—including the devastatingly stark (yet ever articulate to the point of being unexpected) dramatic vocabulary of Mountain Language, a compact depiction and rumination on state-sponsored genocide—those cancer cells grow out of their literal referent into a literary metaphor for the warping, perverting, and devastating consequences of supreme, unchecked power and its Olympian delusions. Pinter’s late works, written with a pronounced urgency in the face of ever-widening war and genocide, advance his shrewd and potent ability for exposing the obscenity beneath the shell games of language as deployed by power in pursuit of its imperial and totalitarian aims. (Avila)

Collected Stories Stage Werx, 533 Sutter; Z(800) 838-3006, www.brownpapertickets.com. $20-25. Fri-Sat, 8pm. Through Sat/ 7. Stage Werx presents David Margulies’ drama about art, ethics, and betrayal.

Cordelia NOHspace, 2840 Mariposa; (800) 838-3006, www.brownpapertickets.com. $18-20. Wed-Thurs, 7pm; Fri-Sat, 8pm. Through Sat/7. Theatre of Yugen presents world premiere of an abstraction of Shakespeare’s King Lear.

Devil/Fish 2781 24th St; www.cirquenoveau.com. $26. Fri-Sat, 7pm; Sun, 6pm. Through May 22. Cirque Noveau presents a story involving aerial performance, acrobatics, and more.

*Geezer Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $20-50. Thurs, 8pm; Sat, 5pm; Sun, 3pm. Through July 10. The Marsh presents a new solo show about aging and mortality by Geoff Hoyle.

*Killer Queen: The Story of Paco the Pink Pounder Michael the Boxer Gym and Barbershop, 96 Lafayette; (800) 838-3006, www.brownpapertickets.com. $20. Thurs-Sat, 8pm; Sun, 7pm. Through Sun/8. The boxing ring is no metaphor in Killer Queen, a vital and walloping new solo play by Peter Griggs set in a small, real-life boxing gym in SoMa (before moving to another in Los Angeles later in the run). And yet the ring—around which a privileged audience is excitingly pressed—encompasses so much of the queer American experience since the 1970s and ’80s that every punch, literary or otherwise, reverberates with wider significance and poetical precision. Griggs, as a gay youth of color who grows up to be the first openly gay title holder in his class, occupies that ring and that life with a rare and utterly persuasive intensity as he alternately cajoles, flirts with, dismisses, and even menaces his audience between a captivating narrative and highly credible boxing choreography (including a tense training scene with the gym’s Michael Onello). An effeminate boy growing up in a violently homophobic society, “Paco” (as he’s nicknamed despite not being Latino) discovers boxing—and Queen—in time to save his life, thanks to two crucial surrogate fathers. Set to the music of the seminal rock band (sometimes using original recordings, sometimes interpretations by nearby piano accompanist Stephen Mello), the music is, like the ring, anything but arbitrary, and beautifully deployed overall. There are some rough or abrupt transitions and some muddiness in the underscoring of dialogue, but these are minor and passing and hardly take away from a unique, enthralling work directed with incisive attention to emotional as well as social truths by Wolfgang Wachalovsky (cofounder of queer performance incubator THEOFFCENTER, which co-produced with Burning Monk Collective). Indeed, it’s the very rawness around the edges of this studiously developed piece—including a passionate digression concerning the current “It Gets Better” campaign pitched at queer youth—that gives it an immediate and politically-charged quality above and beyond the electricity of the setting and the pulsating athletic movement it foregrounds. Beyond the stage-ring, moreover, the play remains as serious as its site-specific setting: its development has led to the founding in LA of an Empowerment Center for disadvantaged queer youth as well as the first Gay Boxing League. (Avila)

Loveland The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $20-35. Fri, 8pm; Sat, 8:30pm (also Sun/8, 7pm). Through Sun/8. Ann Rudolph’s one-woman show continues its successful run.

Party of 2 — The New Mating Musical Shelton Theater, 533 Sutter; 1-800-838-3006, www.partyof2themusical.com. $27-29. Fri, 9pm. Open-ended. A musical about relationships by Shopping! The Musical author Morris Bobrow.

Secret Identity Crisis SF Playhouse, Stage 2, 533 Sutter; 869-5384, www.un-scripted.com. $10-20. Thurs-Sat, 8pm (no show Sat/7). Through May 14. Un-Scripted Theater Company presents a story about unmasked heroes.

Shopping! The Musical Shelton Theater, 533 Sutter; (800) 838-3006, www.shoppingthemusical.com. $27-29. Sat, 8pm. Open-ended. A musical comedy revue about shopping by Morris Bobrow.

A Streetcar Named Desire Actors Theatre, 855 Bush; 345-1287, www.actorstheatresf.org. $26-38. Wed-Sat, 8pm. Through June 4. Actors Theatre of San Francisco presents the Tennessee Williams tale.

Talking With Angels Royce Gallery, 2901 Mariposa; (800) 838-3006, www.brownpapertickets.com. $21-35. Thurs-Sat, 8pm. Through May 21. A play by Shelley Mitchell set in Nazi-occupied Hungary.

Vice Palace: The Last Cockettes Musical Thrillpeddlers’ Hypnodrome, 575 10th St; (800) 838-3006, www.brownpapertickets.com. $30-35. Fri-Sat, 8pm; Sun, 7pm. Through July 31. Thrillpeddlers presents composer Scrumbly Koldewyn’s revival of the 1972 musical revue.

BAY AREA

East 14th – True Tale of a Reluctant Player The Marsh Berkeley, 2120 Allston Way, Berk; (800) 838-3006, www.themarsh.org. $20-50. Sat, 8pm; Sun, 7pm. Through Sun/8. Don Reed’s one-man show continues.

*Eccentricities of a Nightingale Aurora Theatre, 2081 Addison; (510) 843-4822, www.auroratheatre.org. $10-55. Tues, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Through Sun/8. Bracketed literally from beginning to end by fireworks, Aurora Theatre’s production of Tennessee Williams’ The Eccentricities of a Nightingale offers some serious bang. On the surface, a tragic-comic tale of unrequited love in small-town Mississippi, Eccentricities plunges into deeper waters, exploring the ever-waged war between societal norms and its misfits — and the struggle to remain true to oneself — with a subtly layered approach. Protagonist Alma (Beth Wilmurt), the titular Nightingale, isolated by her complicated family circumstances and her own mild eccentricities, carries a long-burning torch for the boy-next-door, a rather callow young doctor (Thomas Gorrebeeck) with a terrifyingly overprotective mother (Marcia Pizzo). But Alma’s yearning, as much habit as attraction, has less to do with a dream of settling down with a nice doctor husband, but rather of freeing herself from the conventions that threaten to crush her spirit. Alma’s nervous artistic temperament hides a solidly pragmatic core, and when she has her young doctor alone in a hotel room at last, her plea for him to “give me an hour and I’ll make a lifetime of it,” rings not of desperation but of the adventure she craves. Director Tom Ross deftly brings out the gentle humor and bittersweet victory in the text via a strong cast and stellar design team. (Gluckstern)

Lady With All the Answers Center REPertory Company, Lesher Center for the Arts, Knight Stage 3 Theatre, 1601 Civic Center, Walnut Creek; (925) 943-SHOW, www.centerrep.org. $45. Thurs-Sat, 8:15pm; Sun, 2:15pm. Through May 15. Center REPpresents Kerri Shawn’s one-woman play about Ann Landers.

Not a Genuine Black Man The Marsh Berkeley, TheaterStage, 2120 Allston Way, Berk; (800) 838-3006, www.themarsh.org. $20-50. Thurs, 7:30pm. Through Thurs/5. Brian Copeland’s one-man show continues.

Out of Sight The Marsh Berkeley, Theaterstage, 2120 Allston Way, Berk; (800) 838-3006, www.themarsh.org. $20-50. Sat, 5pm (no show Sat/9); Sun, 3pm. Through May 8. Sara Felder’s one-woman show returns.

Passion Play Live Oak Theatre, 1301 Shattuck, Berk; (510) 649-5999, www.aeofberkeley.org. $10-15. Fri-Sat, 7pm (also Sun/8, and may 15, 2pm). Through May 21. Actors Ensemble of Berkeley presents the West Coast premiere of a time-travel play by Sarah Ruhl.

Three Sisters Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $29-73. Dates and times vary. Through May 22. Berkeley Rep presents a new version of Chekhov’s 1901 play by Sarah Ruhl (In the Next Room, Eurydice), directed by Les Waters. The language sounds generally and pleasingly modern in the mouths of the titular Prozorov sisters—Olga (Wendy Rich Stetson), Masha (Natalia Payne), and Irina (Heather Wood)—although the production is rather traditional in staging (period set by Annie Smart, and corresponding costumes by Ilona Somogyi). We follow the restless siblings and their flock of soldier-admirers through a handful of years in their provincial town, where their late father was an elite military officer. In this period, the dashing officer Vershinin (Bruce McKenzie) brings a spark of new life—especially to the unhappily married Masha—and stokes the sisters’ ultimately unanswered desire to return to their beloved Moscow. The production breathes a good deal of life into the play, whose half-foolish and heartbreakingly funny characters so palpably exude a complex set of longings and misplaced desires, but it labors under an initial stiffness and a somewhat jagged set of performances. (Payne’s twitchy Masha, for instance, whose features maintain throughout a look of unwelcome surprise, feels incongruent at times). Some of the more moving turns concentrate here in the supporting characters, including James Carpenter as Chebutykin, the fawning old doctor who has forgotten all he used to know; Thomas Jay Ryan as Tuzenbach, the self-conscious Russian of German descent desperately smitten with Irina; and Alex Moggridge as the sisters’ much put-upon, feckless, alternately gentle and petulant brother, Andrei. (Avila)

The World’s Funniest Bubble Show The Marsh Berkeley, Cabaret, 2120 Allston Way, Berk; (800) 838-3006, www.themarsh.org. $8-50. Through July 10. The Amazing Bubble Man performs.

PERFORMANCE

DIVAfest EXIT Theatre, 156 Eddy; 673-3847, www.theexit.org. Check for times and prices. Through May 28. Plays and performances by women artists, including Maggie Cronin, Christina Augello, Margery Fairchild, Cheryl Smith, and Diane di Prima. 

Historic preservation debate raises a slew of questions

The Board of Supervisors Land Use Committee spent several hours yesterday hearing from city officials and members of the public on the hot-button issue of historic preservation. The informational hearing was called by Sup. Scott Wiener, who framed it as a discussion about “the impact of historic preservation policies on other major public policy goals and the need to adopt legislation to ensure that the policies are achieved” — a statement that raised alarm bells among historic preservationists and sent members of that community out in droves to defend preservationist efforts and to urge Wiener not to weaken any of the city’s existing policies.

Wiener raised concerns about the time and expense associated with environmental impact reviews (EIR) that could be triggered if a property falls within an historic district, saying, “there’s a sense that the cost is rather high, and the time it takes is rather high,” and added, “a lot of times we order an EIR, and that’s the end of the project.” He also raised questions about whether historic preservation efforts placed too many constraints on upgrading transit-oriented neighborhoods, parks, and libraries.

While Wiener had opened the debate in order to highlight problems associated with historic preservation policies, preservationists packed the room to defend their efforts. “I am dismayed that the importance of historic preservation is being challenged,” June Osterberg noted during public comment. She charged that San Francisco had gone from being “a paradise for residents to a developers’ paradise, to my despair. Please do not diminish the importance of what’s left in San Francisco.”

Arthur Levy noted, “If you go back to 1967 [when policies were first created] you will see that preservation has not thwarted or trumped development” in the decades since. “There’s nothing the matter systematically,” he added.

Wiener seemed surprised by some of the strong reactions. “They thought I was going to start knocking down the Golden Gate Bridge and the painted ladies,” he told the Guardian. He insisted that while he supported historic preservation, he wanted to have a conversation about balancing it with other policy goals, since “it’s an issue that has a lot of pent-up demand.”

The Historic Preservation Commission (HPC), created in 2008 with voter approval of Proposition J, has drawn criticism from members of the development community who’ve suggested that the panel would “shrink wrap” the city, stifling new building projects at a time when unemployment is particularly high in the construction sector. Yet Mike Buhler, executive director of San Francisco Architectural Heritage, noted that the city’s Historic Preservation Commission had given the green light to all but one project proposal that came before the it, suggesting that fears of the HPC freezing out potential development were unfounded.

Asked after the hearing how he reacted to those sending the message that everything was fine, Wiener noted, “In some respects, things are not fine,” citing the lengthy historic review process and lack of clarity on certain requirements.

Meanwhile, Sup. Malia Cohen took a different tack in her line of questioning on this issue. She wanted to know if teams of surveyors who conduct neighborhood assessments for designating historic districts reflected the ethnic diversity of the city, and whether historic context statements generated by those surveys took into account the myriad cultural and ethnic histories in a given neighborhood.

Planning officials assured Cohen that the surveyors were ethnically diverse, and community outreach was done in multiple languages. But one man who spoke during public comment charged that the planning department was “tone deaf” when it came to responding to concerns raised by the African American community, and that efforts to designate certain properties as historic, such as Sam Jordan’s Bar on Third Street in the Bayveiw, had “hit roadblocks.”

Speaking to the Guardian after the hearing, Cohen said she’d been hoping to highlight the omission of certain cultural perspectives when it came to decision-making about which properties are deemed historic. Cohen spoke about the contributions of Filipino, Chinese, Japanese, and African-American communities to the city’s historic landscape.

“And the Native Americans — they’re never included in the conversation,” she said, referencing a Shellmound on Bayview Hill leftover from an era when the Ohlone resided on the San Francisco peninsula. She said she was concerned that cultural contributions may not be reflected in the neighborhood surveys, or in which buildings are ultimately designated. “It’s systemic,” she noted.

Homeowner defense groups to target Wells Fargo shareholders

8

“Foreclosures are the new F-Word.” So said Regina Davis, executive director of the San Francisco Housing Development Corporation, at an April 29 seminar at SFHDC’s office on Third Street that explored ways to prevent more foreclosures in San Francisco, California and beyond.

Since the economic meltdown in 2008, there have been 2,000 foreclosures in San Francisco. And the majority have impacted low-income folks and communities of color, who were sold more predatory loans than other groups, Davis and a panel of foreclosure experts warned
And as the recession drags on, another 2,000 foreclosures could be in the works, further destabilizing communities and draining more resources from the city, in terms of lost property values and related tax revenues.

And while deep-pocketed lobbyists have been making it hard to pass laws that would offer at-risk homeowners more protections, homeowner defender groups have decided to target, and now protest against, the group they believe stand directly in the way of equitable reforms: the banks.
 “Wells-Fargo CEO John Stumpf took home $21 million in 2009 while his bank received $25 billion in TARP funds,” stated a flier that ACCE (formerly ACORN) and the Home Defenders League are distributing to urge folks to meet at Justin Herman Plaza at 11: 30 a.m., May 3 and march to the Wells Fargo shareholder meeting where protesters plan to personally deliver a list of their demands to WF CEO Stumpf.

“He and his cronies fought tooth and nail to kill consumer protection bills in California and around the country and are currently trying to gut a 50-state Attorneys General settlement with homeowners that have been defrauded,” the flier concluded.
It noted that ACCE and the Home Defenders League sponsored this event, in partnership with the California State Labor Federation, the California Nurses Association, Contra Costa Interfaith Supporting Community Organizing, Causa Justa: Just Cause, ENLACE, Jobs for Justice, National Education Association, Oakland Education Association PICO California, PICO National Network, SEIU United Service Workers West and Local 1021 and Tenants Together.

“We are also part of The New Bottom Line, a national campaign focused on creating an economy that works for the many, and not the few,” the flier stated.

You, too, can run the Rec-Park department

1

At least, this Craigslist ad suggests you can. It doesn’t sound like Mayor Ed Lee wrote it himself:


For the past several years the Department of Recreation and Parks has been recognized as leader in the development of innovative programs to prevent the public from enjoying either recreation or parks. However, in a time of increasing budget shortfalls and political uncertainty, new directions must be found to preserve our civic treasures from our civic body.

Several recent initiatives, including privatization of parks, closing recreation centers, and placing advertising on every available public surface, have failed to keep people from going outdoors for free. We need bold ideas.

The qualified candidate will:

· Own a stun gun
· Possess strong ties to the business community
· Exhibit rudimentary math skills


And I can’t imagine who would have posted an ad like that. Certainly not some guy who threatened to barf in Dolores Park.


 

Earth Day in City Hall … on Wells Fargo’s dime

Who was lucky enough to get treated to Mayor Ed Lee’s Earth Day Breakfast in City Hall, with the city’s top politicos and a smattering of high-profile San Franciscans? After noticing that the Board of Supervisors had approved a grant of $12,000 from Wells Fargo a few weeks ago to sponsor the event, the Guardian contacted the Mayor’s Office to ask for the guest list. The response came from the city’s Department of the Environment, which accepted the donation and organized the affair.

The 472-person invite list (we don’t know how many actually attended) included prominent figures such as Sens. Barbara Boxer and Dianne Feinstein, Rep. Nancy Pelosi, billionaire investor Warren Hellman, and former San Francisco Mayor Willie Brown. All 11 members of the Board of Supervisors were invited, too, as were mayoral hopefuls City Attorney Dennis Herrera, Assessor-Recorder Phil Ting, and state Sen. Leland Yee.
 
Invitations were extended to some truly green organizations, too, such as Green for All, Save the Bay, Rainforest Action Network, the Ella Baker Center for Human Rights, the Sierra Club, the Apollo Alliance, Greenaction, and others.

And many seats were reserved for the corporate sector. A total of nine representatives of Pacific Gas & Electric Co. were on the list. There were seven from Cisco, several from consulting and design firm CH2MHill, and a couple representatives from Skidmore, Owings & Merrill — the firm that’s doing the Parkmerced overhaul and which was tapped to envision waterfront venues for the America’s Cup. 

Seven representatives — including the CEO — were invited from Recology, which is in the midst of a debate over its high-stakes, $275 million no-bid garbage contract with the city.

According to Mark Westlund of the Department of the Environment, only half of the Wells Fargo grant went toward the mayor’s Earth Day Breakfast, “the remainder to a series of community events held in the Department’s EcoCenter lobby.” The other sponsors included Blue Shield of California ($2,000); CH2MHill; Skidmore, Owings & Merrill; United Airlines; Environmental Science Associates ($4,000); Levi Strauss & Co.; Cisco ($6,000) and Starbucks — which provided BPA-free travel mugs (double green points!).

It’s nice that San Francisco taxpayers didn’t have to shell out the $18,000 for all these people to celebrate Earth Day together. But at an event such as this, with so many millions of dollars in city contracts and major development projects flying around (not to mention the half a dozen or so people in need of campaign contributions), you can bet they weren’t all talking to one another about saving the planet.

FEAST: 10 contemporary kitchen essentials

0

By now, you (hopefully) know the basic building blocks of good eating: fresh, in-season vegetables and fruits, whole grains, and — for the carnivorous set — lean, unprocessed meat and fish. Awesome. But unless you’re an adherent of the new Paleo diet fad, which mimics the eating habits of our hunter-gatherer ancestors, it’s going to take a bit more to transform this no-frills foundation into something you’d want to sit down to. Here are a few kitchen essentials that can quickly shift your cooking from serviceable to superb. (Emily Appelbaum)

 

SESAME OIL

Ancient Assyrian legend holds that when the gods assembled to create the universe, their drink of choice was sesame seed wine. And when Ali Baba needed to unseal a magic cave stocked with treasure, it was Sesamum indicum, which bursts open at maturity, that he invoked with the famous phrase “Open, Sesame!” If you’re looking to introduce some similar magic into your cooking, sesame oil is a good place to start. The cold-pressed oil has a light flavor and high smoke point, making it ideal for fast, high-temperature stir fries and wok cooking. When toasted, the oil becomes rich, smoky, and deep. A few drops make salads and noodle dishes sinfully savory and create the perfect base for dipping sauces. For a decadent indulgence, try the following: spread hot toast with miso (fermented soybean paste), top with a slice of avocado, and a drizzle of toasted sesame oil, then close your eyes and float a bit.

Available at Ming Lee Trading Inc. 759 Jackson, SF. (415) 217-0088

 

TAHINI

Speaking of sesames, Bay Area veggies, vegans, and carnivores alike have been blending tahini, a paste made from hulled sesame seeds, into homemade hummus for years. When mixed with a little fresh garlic, lemon, and salt, tahini will make quick work of a can of garbanzos — but there are tons of other uses for this simple spread. Try branching out with bean dips. Include white cannellini beans, black beans, or even kidney beans, which are super-high in antioxidants. Ditch expensive bottled salad dressing in favor of tahini mixed with soy sauce, lemon juice, or cider vinegar, and any fresh herbs you like. Toss soba noodles with steamed veggies and tahini for a fast, healthy dish served hot or cold. Or, for a whole array of desserts, start by kneading tahini and honey into flour for a tender, pliable pastry.

Available at Semiramis Imports, 2990 Mission, SF. (415) 824-6555

 

QUINOA

If you haven’t tried this indigenous staple from the Andes, you’re missing out. Stocked with the full set of essential amino acids, these unassuming seeds may be the most complete protein source the plant kingdom can provide. Quinoa even made NASA’s short list for crops to be included in ecological life support systems for long-duration manned spaceflights. It cooks in minutes and — with its mild, nutty taste and light texture — it’s an ideal base for curries, stews, and cold salads mixed tabouleh-style. Unfortunately, the quinoa craze in wealthy countries has left the crop unaffordable in some traditional regions such as the Bolivian salt flats, where most cultivated quinoa is now grown for export. Be sure to look for quinoa from companies like La Yapa Organic that pay a fair price to farmers.

Available at Rainbow Grocery, 1745 Folsom, SF. (415) 863-0620, www.rainbow.coop

 

COCONUT MILK

If you’re the kind of good San Francisco citizen who duly visits the local farmers market every week, gets carried away by the textures and colors and aromas of nature’s bounty, and then balks at everything you’ve brought home when it comes time to stuff it in the fridge — fear not. Coconut milk is the thing for you. Nothing else can so quickly transform a mountain of disparate vegetables into a rich, harmonious meal. Nearly any food in any season (potatoes regular and sweet, carrots, sweet and spicy peppers, pineapple, green beans, onions, garlic, eggplant, zucchini, tomatoes, pumpkin, spinach, kale) can feel at home in a coconut milk bath, spiced with a pinch of curry powder or garam masala and perfumed with handful of fresh herbs.

Available at Khanh Phong Supermarket, 429 Ninth St., Oakl., (510) 839-9094

 

FRESH-GROUND BLACK PEPPER

My list of Things for Which There Is No Excuse is short, and most of the items on it — like tube tops and being mean — are negotiable under certain circumstances. But one entry that cannot be compromised on is the use of pre-ground black pepper. It is simply never, ever OK. The difference between the freshly cracked pepper and the plebian, tasteless grey powder that sifts from a can is like the difference between a jam band CD and a live show. Invest in a good-quality peppermill and you’ll end up putting pepper in all kinds of places you never imagined: after experiencing pepper’s pungency in soups and bisques, on roasted root vegetables, and over tomatoes served sliced and sprinkled with kosher salt, you’ll find yourself shaking it onto strawberries marinated in balsamic vinegar and pondering the possibilities of peppercorn ice-cream. A few turns of your grinder set to coarse can quite possibly make the world go ’round.

To browse more varieties of pepper than you crank a mill at, visit San Francisco Herb Co. 250 14th St., SF. (415) 861-3018, www.sfherb.com

 

FRESH-GROUND NUTMEG

Everything said on the subject of black pepper applies — with perhaps a smidge less fervor — to nutmeg. That sickly stuff stuck with humidity to the inside of a glass shaker at Starbucks does not even remotely resemble the delicately perfumed flakes that you scrape from a whole nutmeg seed, the hard, egg-shaped center of the nutmeg tree’s fruit). Once you stop shaking the horrid pre-ground granules over your coffee, you’re likely to realize the nutmeg is not just a sweet spice. It goes particularly well with cheese and cream sauces, enriches egg and pasta dishes, and enhances all types of savory cookery with that little something-something that makes diners go “hmmm.” But if you want to relegate it to the dessert realm, no one’s going to stop you from grating a little bit over your midnight dish of chocolate ice-cream.

Fremont-based organic spice company Spicely distributes to a bevy of Bay Area retailers, but their products are also available in bulk on its website, www.spicely.com

 

FRESH GINGER

Like nutmeg, the edible rhizome of Zingiber officinale is often relegated to the subsidiary role of sweet spice — at least in American cooking. But travel nearly anywhere else in the world, from Morocco to Malaysia, Venezuela to Vietnam, and ginger plays the snappy star in soups, roasts, stews, and salads. Grate fresh ginger and garlic into peanut oil as the base for a superlative stir-fry. Stir into soups for a revitalizing broth. For a crisp, peppery salad, shred cabbage, carrots, and green beans and toss with ginger, vinegar, or lime juice, and maybe a dollop of peanut butter (or use your newly purchased tahini). Pulse ginger, chiles, and garlic in your food processor for a quick crust to sear onto meats or tofu. Ginger is a versatile gal, so don’t be afraid to experiment.

Available at New May Wah Market, 707-719 Clement, SF. (415) 668-2583

 

FRESH LEMONS AND LIMES

Nothing wakes up heavy, sleepy flavors like a bright squeeze of acid, but don’t even bother with the bottled stuff here. Before you juice, take a second to zest the thin colored rind — which contains tons of essential oils — from the outside of the fruit, being careful to stay away from the white pith. Then cut in half through the equator and squeeze. Older fruits can be coaxed to spill their juice by rolling back and forth between the palm and the cutting board. Or zap in the microwave for just a few seconds. Lemons add zip to Italian and French dishes, limes to Asian, Indian and Latin. The brave and adventurous might even try whole lemons or limes — rind, pith, pulp, and all — chopped very finely in salsas; crusts for veggies, fish or tofu; and marinades. An old-timey recipe for something called Funeral Pie uses whole lemons, thrown in a blender with some sugar, eggs, and a little flour. The result is poured in a pie crust and “Viola!” A super-quick desert ready in a flash, in case of Great Aunt Millie’s untimely demise.

Bi-Rite Market stocks organic, biodynamic lemons and limes from Becks Grove whenever possible. 3639 18th St., SF. (415) 241-9760

 

BLACK BEAN SAUCE

Hot Chinese sriracha sauce might be manufactured right here in Northern California, but that’s no excuse for indiscriminately squirting that sticky red rooster bottle over everything — from eggs to escargot — that stands still long enough. If it’s spice you’re craving, aim for a subtler, deeper flavor. Chinese-style black bean sauces, garlic or chili, provide plenty of heat without the cloying, vinegary sweetness of sriracha. Instead, their fire is mellow and a bit smoky, and develops on the tongue. Try over steamed veggies such as asparagus, broccoli, or bok choy. Use to marinate tofu or chicken, and serve over everything from tempeh to tacos. If you like the taste, try going a step further and purchasing some fermented black beans — a salty, spicy condiment something like a cross between miso and Marmite.

Available at Pang Kee Bargain Market, 1308 Stockton, SF., (415) 982-1959

 

REAL MUSTARD

All mustards are essentially a combination of whole or ground mustard seeds suspended in vinegar and spices. But subtle variations in the type of grind and proportions of ingredients can make all the difference. If you inhabit the realm of ballpark-yellow, your culinary development has been sorely stunted. All mustards work as emulsifiers, making them ideal mix-ins for dressings, marinades, and notoriously finicky Hollandaise sauces. Whole grain mustards combined with miso, maple syrup, horseradish, or Parmesan cheese (not all at once!) make a crunchy coating for salmon, chicken, pork chops, or baked squash. Finely-ground mustards like German Hangstenberg are superhot and go well with preserved meats and blander veggies like cabbage. Some mustards are made with imported vinegars or champagnes, and are best paired with simple breads and cheeses so their unique flavors come through. And for something a little closer to home, try Mendocino Mustards, made in Fort Bragg.

Available at Canyon Market, 2815 Diamond, SF. (415) 586-9999

 

This place

0

arts@sfbg.com

LIT Begun in part as a series of maps accompanying public lectures, Rebecca Solnit’s Infinite City: A San Francisco Atlas (University of California Press, 167 pages, $24.95) is a remarkable act of gathering, one that presents myriad versions and visions of San Francisco and its surrounding areas that can inform a reader’s experience.

Infinite City was recently selected by the Northern California Independent Booksellers as one of its 2011 winners. Duality is a fundamental aspect of the book’s breadth and depth and sense of sharply critical appreciation — structurally, Solnit pairs distinct maps with corresponding chapter-length essays. In keeping with that characteristic, and also with the book’s group spirit (though admittedly on a much smaller and less intensive scale), I asked different Guardian contributors to share appraisals of one, or in most cases two, of the 22 sections. The result provides just a hint of what can be found within Infinite City. (Johnny Ray Huston)

MAP 3. “Cinema City: Muybridge Inventing Movies, Hitchcock Making Vertigo

The map for this chapter tracks the San Francisco life of Eadweard (sic) Muybridge, alongside landmarks from Alfred Hitchcock’s Bay Area masterpiece Vertigo. In “The Eyes of the Gods,” Solnit, who won the National Book Critics Circle award for her 2003 Muybridge bio River of Shadows, writes of the 19th century artist’s breakthrough high-speed photography, “It was as though the ice of frozen photographic time had broken free into a river of images.”

Many such rivers flowed all over this fair city when Vertigo premiered at the Stage Door Theatre at 420 Mason St. on May 9, 1958. Alas, only 10 of the more than 60 single-screen venues extant that year, all demarcated on Shizue Seigel’s fine map, are still functioning. Solnit rightly describes the shift to watching films on various digital delivery mechanisms as leaving contemporary culture with a “curious imagistic poverty.” As she concisely describes watching Milk and Once Upon a Time in the West on the Castro Theatre’s giant screen, we’re reminded that there is no comparison between enjoying cinema in such a grand setting and staring at a laptop. The great 20th century memoirist and observer Quentin Crisp wrote, “We ought to visit a cinema as we would go to a church. Those of us who wait for films to be made available for television are as deeply suspicious as lost souls who claim to be religious but who boast that they never go to church.”

That applies to you too, Netflix subscribers! The Roxie, Castro, Red Vic, Clay, and a small number of other houses of worship are still in business, so what are you waiting for? (Ben Terrall)

MAP 4. “Right Wing of the Dove: The Bay Area as Conservative/Military Brain Trust”

In “The Sinews of War are Boundless Money and the Brains of War Are in the Bay Area,” Solnit argues that antiwar, green, and left Bay Area hotspots are well known and don’t need to be charted again — unlike military contractors and assorted other forces of reaction in the region.

Solnit notes that many military bases that used to operate in the Bay Area are closed, “but the research, development, and profiteering continue as a dense tangle of civilian and military work, technological innovation, economic muscle, and political maneuvering for both economic and ideological purposes.”

Among the hard-right compounds providing counterevidence for that demonstration chestnut “the people united will never be defeated”: Lawrence Livermore National Labs (birthplace of Star Wars — the Reagan era money pit, not the George Lucas movie); Lockheed Martin, world’s largest “defense” contractor; the Hoover Institution, Stanford’s reactionary think tank; and Northrop Grumman, missile component designer. It’s useful to have so many of them in one place, if queasy-making.

On the lower left of the map sits Sandow Birk’s beautifully warped code of arms, which features the Cicero quote (Nervi belli pecunia infinita) that Solnit cites in her chapter title, under a half eagle/half dove, a rifle-toting soldier, and a scythe-clutching skeleton. It should be on the door of every U.S. military recruiting center. (Terrall)

MAP 6. “Monarchs and Queens: Butterfly Habits and Queer Public Spaces”

“How thoroughly the lexical landscape of gay history is invested with [a] paradigm of emergence,” notes poet Aaron Shurin in “Full Spectrum,” the chapter accompanying Infinite City‘s sixth map. Like one of the dazzlingly-named butterfly species rendered by Mona Caron on the map, Shurin flits gracefully between memoir and historiography as he tracks San Francisco’s ongoing evolution as a locus for queer emergence.

From North Beach to Polk Gulch, from Folsom to Castro, LGBT folk — be they American painted ladies, Satyr angel wings, or Mission blues — have continually migrated to and within the city to shed their cocoons and show their true colors. Local faux-queen Fauxnique traced this metamorphosis at the 2003 Miss Trannyshack Pageant when she climatically emerged as a regal butterfly to Elton John’s “Someone Saved My Life Tonight” (apropos to Shurin’s royalty motif, she won the crown). So too did the late Age of Aquarius painter Chuck Arnett, who often nestled butterfly imagery into his portraits of SoMa’s leather demimonde, and whose murals once adorned some of the many now-extinct bars also denoted by Ben Pease’s cartography. Only more than half a dozen of these “wildlife sanctuaries,” in Shurin’s parlance, have survived, with the Eagle Tavern’s announced closure marking another loss of habitat. Queers, though, are if anything adaptive, and my hope is that the future fluttering tribes of San Francisco will keep alighting on new ground to unfurl their wings. (Matt Sussman)

MAP 7. “Poison/Palate: The Bay Area in Your Body”

“Food is part of the Bay Area you hear about nowadays, exquisite upscale food at famous restaurants and gourmet markets. But it’s so boring we couldn’t stay focused on it in this map.” These refreshing, if rarely uttered words come two-thirds of the way through the chapter that accompanies the “Poison/Palate” map, Rebecca Solnit’s “What Doesn’t Kill You Makes You Gourmet.”

The phony Tuscany of Napa and the once-orchard-filled, now-EPA-Superfund-site-speckled Silicon Valley are wisely singled out for derision, a convenient duality in both geography and culture and the perfect framework on which to hang a critique of the local culinary community’s smug, myopic self-indulgence, by raising the not-so-elite-specters in Bay Area food history (the It’s It, the Popsicle, the Hangtown Fry, the Rice-a-Roni), and reintroducing the politics of food into the conversation, in the form of the chemical tonnage used to produce wine grapes, food giveaways at community gardens, Diet for a Small Planet, and Black Panther breakfast programs for school-kids. The sprawling topic is almost given too short a shrift, threatening to leap its mutant-mermaid-bedecked map.

Better is the 18th chapter, “How to Get From Ethiopia to Ocean Beach.” Solnit begins by loosely charting the ingredients that go into your cuppa joe: the water from Hetch Hetchy, the milk from West Marin, the coffee that courses through the port of Oakland, and, impishly, the leavings that flow toward the Southeast Water Pollution Control Plant. All that’s missing from the equation is the sugar that I need to make the darkest, brandy-and-cherry-tinged brew palatable. SF’s cafe culture is also deservedly lionized — though some might want to hurl china due to the exclusions on the accompanying map: why, for instance, call out Blue Danube Coffee House and not the grungier, more Chinese-populated Java Source? (Kimberly Chun)

MAP 8. “Shipyards and Sounds: The Black Bay Area since World War II”

Though author Joshua Jelly-Schapiro opens this chapter, subtitled “High Tide, Low Ebb,” with an eloquent invocation of Otis Redding’s “(Sittin’ on) The Dock of the Bay” — penned in Sausalito, by the way — it was the slight mention of Lowell Fulson’s “San Francisco Blues” that most resonated with me. “Ohh, San Francisco,” the lyric goes, “Please make room for me.” The facts presented in “Shipyards and Sounds” record The City’s answer as a genteel and progressive “No nigger.”

Beginning at the start of WWII, when Southern blacks migrated to the Bay Area to build ships in Hunters Point, Jelly-Schapiro points out that the main areas of wartime shipbuilding (Richmond, Hunters Point, Marin City) are “places that today remain centers of black population and of black poverty.” Indicating, to me, that little has changed since the 1940s in some significant ways. Don’t get mad at me, I didn’t say it. Jelly-Schapiro did.

Jelly-Schapiro also shows how terms like “redevelopment” displaced black Fillmore District residents to housing projects they’d been banned from during the war and land-grab euphemisms like “urban renewal” decimated black neighborhoods such as West Oakland. Electoral laws mandating that the SF Board of Supervisors be elected by citywide contests and not by district allowed a city that desegregated its schools and transit system in the 1860s to remain progressive and very, very white.

Jelly-Schapiro’s conclusion contains a critique of Bay Area celebrations when “Negro president” Barack Obama was elected in 2008. What he won’t say is covered in Shizue Seigel’s map. A sidebar shows the dwindling soul of a city, while the headers cover the founding of the Black Panthers and Sylvester’s solo debut at Bimbo’s. (D. Scot Miller)

MAP 9. “Fillmore: Promenading the Boulevard of Gone”

After the damned disheartening facts presented in the previous chapter, it’s both merciful and hopeful that “Little Pieces of Many Wars” — though just as rage-inducing — establishes some kind of equilibrium.

Gent Sturgeon’s incredible Rorschach-inspired artwork opens a thoroughly-researched piece on Fillmore Street and its many incarnations. Mary Ellen Pleasant’s abolitionist work and her eucalyptus trees — which still stand on the corners of Bush and Octavia streets — are a starting point for a leisurely stroll with Solnit, who runs the voodoo down, “The war between the states left its traces here,” she says, “as did the Second World War, and the war on poverty, the war on drugs, the stale and ancient war of racism, and the various forms of freelance violence.”

She remembers San Francisco as an abolitionist headquarters, and Fillmore Street as the first place Allen Ginsberg read “Howl.” Recalling the Fillmore’s rich heritage of jazz, poetry, and art, Solnit takes it even further, adding, “The wealthy sometimes claim to bring civilization to rough neighborhoods, but the Upper Fillmore neighborhood that was so culturally rich when it was the property of poor people in the 1950s is smoothed over in significance now.”

The tragedy of Japanese internment, and the cross-cultural exchange that was demolished by it and redevelopment loom like white sheets over the city to this day. But Solnit closes with an optimistic sense of resurgence, even though Nickie’s has gone Irish.

Ben Pease’s cartography shows the cross-currents of culture of yesterday’s Fillmore Street, but not much else. That’s not a complaint, really. (Miller)

 MAP 13. “The Mission: North of Home, South of Safe”

Two 2009 shootings on 24th Street pop out, in blood red, on the map accompanying Adriana Camarena’s “The Geography of the Unseen,” in much the same way that the spate of shooting deaths the previous year marked my brief time spent living in the Mission. In ’08, I lived in a Victorian flat at Treat and 23rd, distinguished by the fact that it was a favorite hang for the teenaged homies — its steps were slightly tucked back off the street, ideal when it came to hiding out, smoking dope, and snacking out — until my landlords installed a fence, ostensibly to keep the steps free of spit.

We were on the same block as an appliance-loaded junkyard; the last stop of an ancient Mission industrial railroad; and the Parque Niños Unidos, with its swampy, grassy corner, so often cordoned off to keep the tots from wading in the mud, its circling ice cream carts and its de facto refreshment stand, El Gallo Giro taco truck; and the community garden, where the feral kittens tumbled and hid and fresh produce was given away free every Sunday afternoon.

The Parque likely was the last thing 18-year-old poet Jorge Hurtado saw when he was shot and killed on our corner at 1 a.m. that year. I remember waking up that night to what sounded like a cannon boom, only the first of a slew that sweltering, ominous summer — Mark Guardado, president of the SF chapter of the Hells Angels, was killed a little over a week later, down Treat, in front of Dirty Thieves. The tension was thick and gooey in the air — who was next? The beauty of Shizue Seigel’s Mission map lies in how intimate it is, how it’s threaded around the shaggy-dog snatches of yarns Camarena catches among the day laborers waiting at Cesar Chavez and Bayshore, from the long litany of splintered families, time spent in the refuge of gangs at 24th and Shotwell, and then, in Frank Pena’s case, lives cut sadly short farther up 24th at Potrero. The included stories, rarely straying beyond the tellers’ voices and the facts they choose to reveal, stay with you — even if her sources’ internal lives remain, as the chapter’s subtitle goes, “the Geography of the Unseen.” (Chun)


NORTHERN CALIFORNIA INDEPENDENT BOOKSELLERS 2011 BOOK OF THE YEAR AWARDS

 

FICTION

 

Gold Boy, Emerald Girl, stories, Yiyun Li (Random House, 240 pages, $25)

Nonfiction

Packing for Mars: The Curious Science of Life in the Void, Mary Roach (W.W. Norton and Company, 336 pages, $15.95)

Honorable Mention: Autobiography of Mark Twain, Vol. 1, (University of California, 760 pages, $34.95)

 

POETRY

Come On All You Ghosts, Matthew Zapruder (Copper Canyon, 96 pages, $16)

Food Writing

My Calabria: Rustic Family Cooking from Italy’s Undiscovered South, Rosetta Costantino, Janet Fletcher, and Shelley Lindgren (W.W. Norton and Company, 416 pages, $35)

Children’s Picture Book

The Quiet Book, Deborah Underwood and Renata Liwska (Houghton Mifflin Books for Children, 32 pages, $12.95)

Honorable mention: Zero, Kathryn Otoshi (KO Kids, 32 pages, $17.95)

 

TEEN LIT

The Sky is Everywhere, Jandy Nelson (Dial, 288 pages, $17.99)

Honorable mention: The Mockingbirds, Daisy Whitney (Little, Brown Books for Young Readers, 352 pages, $16.99)

 

REGIONAL TITLE

Infinite City: A San Francisco Atlas, Rebecca Solnit (University of California, 167 pages, $24.95)

Honorable mention: A State of Change: Forgotten Landscapes of California, Laura Cunningham (Heyday, 352 pages, $50)

 

La vida vegan

5

caitlin@sfbg.com

DINE It’s a wild, woolly world when you won’t eat its cheeseburgers. Or so I discovered last autumn when I read Jonathan Safran Foer’s Eating Animals and found that my inner logician could no longer justify consuming products from the loins (and udders, and uteri) of animals that spent their lives experiencing the systematic abuse of factory farms.

But the most shocking tiding from Foer? A University of Chicago study, he writes, found that omnivores contribute seven times the volume of greenhouse gas of vegans. My bicycle eyed me from its perch on the storage hook in our apartment’s foyer. Environmentalists, are we?

So we traipse along the hippie-liberal continuum — just one more step to independence from fossil fuels, I suppose. But though I’ve been riding the pescatarian train for years, going animal product-free was harder than a piquant wedge of manchego (Jesus, even my metaphors have dairy products in them).

I was surprised how many places I would go — even here, in the befigged plate of the Bay Area! — where wearing my vegan hat meant going underfed and, by extension, becoming a whiny envelope-full of social anthrax addressed to my dining companions. Some restaurants even ghettoize our kind with separate menus, as if vegan food holds no interest for the general dining public.

Surely, though, this is nothing compared to the brave, ice cream-rejecting, pizza cheese-peeling pioneers of the vegan world! Even if it’s still hard to break society’s “five food groups” programming, as a whole our country is well out of the “what’s a vegan?” stage of cultural development.

It was high time for a pulse check. So one rainy spring day, I met with some of the Bay’s best and brightest vegans for a potluck and chat on where living animal-free is at these days. Food activists, chefs, moms, a boyfriend, a blogger. We ate like kings and bitched about steaks. We called it the Summit of the Vegans. I’ll tell you more — but first, a word on our vegans …

 

TAMEARRA DYSON

Vegan cred: Owner of Souley Vegan and self-taught chef

Comes natural: “When someone asks me what I use instead of milk or butter, I don’t even know how to answer that. What do you use? You just don’t use it!”

 

MARK BENEDETTO AND CARMEN VAZQUEZ

Vegan cred: Chefs. Started the now-defunct vegan Brassica Supperclub. Now the manager of Frog Hollow Farm’s Ferry Building store and kitchen supervisor at Gracias Madre, with a restaurant of their own on the horizon.

Vegans on the lam: The couple’s underground supper club was shut down by the fuzz in 2009 for lacking required permits.

A love that knows no animal products: “There are a ton of factions, splinter cells,” Benedetto says, “but all vegans secretly, quietly love other vegans.”

 

NANCY LOEWEN

Vegan cred: Nurse and vice president of the SF Vegetarian Society

Don’t even try to win that argument: “The Vegetarian Society has been around for 40 years. We continue to be a small group, but the number of vegetarians continue to grow. I love animals; I don’t like to go to the doctor; there are the environmental reasons; and I love the food. You just can’t win that argument!”

 

BILL EVANS

Vegan cred: Guardian production manager. Has been animal product-free for years. Our Joe Vegan.

Breaking down the meat lines: “The things that crack me up and annoy me at the same time: my girlfriend is the opposite of vegan and she’ll order a steak and invariably the waiter will come back and give me the steak and her my salad. There are some societal expectations about what’s a manly food.”

 

LAURA BECK

Vegan cred: Founding blogger of vegansaurus.com

Loves her job because: “The vast majority of my commenter are so rad. They’re smart, awesome activists, not preachy dicks, which is what a lot of people think vegans are.”

When’s she’s not blogging: Beck’s favorite Bay Area vegan eats include Encuentro, Golden Era, the flan at Gracias Madre, schwarmas from Herbivore, Saha, Jay’s Cheesesteaks, and Souley Vegan.

Note: Beck was sick for our summit but I hollered at her afterward so she could still join the conversation.

Elbow-deep as we were in the toothsome culinary contributions my summit attendees had whipped up for the occasion, it was perhaps no surprise to learn that food cravings were the least of the challenges to their vegan lifestyles. Indeed, to a (wo)man, our panel participants — many of whom had been vegans for the better part of a decade — found their eats superior to more omnivorous spreads.

“There are only five or six animals that people eat for meat,” said Loewen, who works at a senior citizen center by day and spends her free time organizing events like the Vegetarian Society’s annual Meat Out. “But we’ve got so many options in terms of grains and vegetables.”

One of the upsides to being vegan — in addition to the animal treatment and health and well-being issues that panelists cited as their salient motivations to make their lifestyle switch — is that it compels a certain amount of creativity in the kitchen. When you’re operating largely outside the parameters of what your family considers a standard meal, you tend to think outside the prepackaged box.

Dyson runs my favorite reason to cross the Bay Bridge — Souley Vegan’s crispy tofu burger and mac ‘n’ cheese have magical properties. She came to veganism when she had a visceral reaction as a teenager to a chicken bone, and now can’t imagine life any other way. She started her cooking career at a farmers market booth and now brings Souley Vegan’s cuisine to African American expos and public schools, where it teaches people about life, post-pork flavoring.

We talked about living vegan in the Bay Area, where my panelists agreed the vegan community had yet to come together the way in has in places like Austin. They pinned this lack of cohesion on the dearth of a central cultural hub, and Beck affirmed that a need for just such a meeting space was one of her motivations behind Vegansaurus.

Evans bemoaned the “ideological chasm” that separates omnivores and vegans and makes it difficult to share information and understanding between the two. The group debated over whether the “vegan movement” could truly be said to exist — and yeah, we talked shit too.

“I think it’s bullshit!” Loewen opined suddenly when I asked the group how they felt about Michael Pollan’s assertion that eating sustainably is more important than eating animal-product-free. “[That view] takes out the ethical aspect. That animal is going to die — free range animals want to live even more than other animals.”

Benedetto and Vazquez attended the California Culinary Academy (where they met and Vazquez became vegan) and were the summit’s official “vegans on the front lines” because of it. The school, they said, accommodated their desire not to work with meat — to a point. They still had to cook a steak for a final exam and take a two-week butchery course. “It smelled like death,” grimaced Benedetto. “Postgrad, I decided I would rather work retail than have to cook meat.”

Bottom line? There are challenges to being a Bay Area vegan. But there are victories as well: feeling “lighter,” minimizing your impact on the environment, being your own person, and delicious meals, to name a few. After hearing everyone’s stories, I realized that becoming a vegan in the Bay is a lot like being a human in the Bay: endlessly frustrating, completely crazy, but also a chance to be a part of an earnest try for a more sustainable world.

 

Pete Petrakis, PG&E fighter, dies at 82

1

bruce@sfbg.com

Peter L. “Pete” Petrakis, the Guardian investigative reporter who developed the stories in the mid 1970s that became known to Guardian readers as the PG&E/Raker Act scandal, died Feb. 28 in Everett, Wash.

In story after story, Pete laid out the scandal that the local media had buried for generations: how Pacific Gas and Electric Co. had in effect stolen San Francisco’s electrical power supply from the Hetch Hetchy dam in violation of the public power mandate of the federal Raker Act of 1913.

The act allowed the city an unprecedented concession, to build a dam in a national park (Yosemite) on the condition that the city have a public water and public power system. Pete detailed how PG&E used its corporate and political muscle to keep the cheap, green, hydropower from city residents and businesses and instead forced them to buy PG&E’s expensive private power, at a cost of billions of dollars through the years.

Pete learned of the scandal in the mid-1960s as a student of J. B. Neilands, a biochemistry professor and citizen activist at UC Berkeley.

Neilands had in the late 1950s started the campaign in his living room in the Berkeley Hills that ended up stopping PG&E from building a nuclear power plant upwind of San Francisco at Bodega Bay.

In the process of researching the Bodega Bay story, Neilands came upon an even bigger scandal: the PG&E/Raker Act scandal. After winning at Bodega Bay, Neilands did the research into the scandal and then brought it to me shortly after the Guardian began publication in 1966.

This was a huge story and I remember saying, “Joe, why are you bringing a big story like this to me?” He replied, “Nobody else will print it because of PG&E. You’re my only hope. If you don’t print the story, nobody will.”

But the story needed much more research and development on several levels.

A few weeks after Neilands’ story appeared, Pete came to me at the Guardian with the big new angle. He had figured out that the city’s charter revision committee was about to quietly gut the provision in the 1932 charter that updated the Raker Act and mandated the city to “gradually acquire” and “ultimately own” its own power system. Pete swung into action with a three-page story on Sept. 30, 1969 that detailed the capitulation to PG&E under the headline: “The Charter Board — afraid to enforce the Raker Act and bring cheap public power to San Francisco.”

He added a timeline: “How to Hetch Hetchy the City Charter.” And he explained that “to Hetch Hetchy” meant to “confuse and confound the public by adroit acts and deceptive words in order to turn to private corporate profit a trust set up for the people”

In short, Pete dug into the scandal with gusto and research skill and wicked wit. He produced several major stories over a five-year period with shocking new information on how PG&E was systematically screwing the city by stealing its Hetch Hetchy power. Each year, we would turn Pete’s stories over to the civil grand jury, with his documentation, and formally ask the grand jury to investigate the Hetch Hetchy scandal and make a report and recommendation.

Finally, in 1974, the grand jury, to our great surprise, came out with a report that corroborated Pete’s reporting. As our editorial put it in our Jan. 17, 1974 edition: “In short, the grand jury has corroborated almost everything the Guardian has been saying about the Hetch Hetchy scandal for the past five years.”

At Pete’s request, a Celebration of Life service was held privately at the family home on March 13. Pete requested that memorial contributions be made to the American Red Cross. Condolences can be sent to Julia Petrakis at petrakisjw@yahoo.com.

So long, Pete, you left the Guardian and San Francisco with one helluva story.

 

Last stand against Lennar

2

news@sfbg.com

Hunters Point, the last major swath of usable land in San Francisco, appears at first glance to be a developer’s dream — a prime piece of real estate with sweeping views of the bay, ample space, and a city government eager to capitalize on its potential.

But community groups have filed lawsuits challenging the project’s many uncertainties, such as the fate of the toxic stew beneath the former U.S. Navy base in the heart of the project area, and both sides are now awaiting a court ruling on whether more studies are needed.

As an EPA-designated Superfund site, the 500-acre plot is home to an abundance of buried chemical contaminants, radioactive waste, and other unknown toxins, and the Navy has been slow to clean it up. Concerned that development plans have been premature in the face of this lingering mess, opponents filed lawsuits against developer Lennar Corp. and the city last year.

The project, approved July 2010 by the Board of Supervisors, includes plans for a new stadium for the 49ers, 10,500 housing units, parks, and commercial retail space. It has received praise from city and state government agencies as an economic and cultural boon to the community. But activist groups say the cleanup should happen before development occurs.

The Sierra Club settled its lawsuit over the project after the developer made some design changes (see “Uncertain developments,” Jan. 18), so the lawsuit filed by People Organized to Win Employment Rights (POWER) and Greenaction is the last piece of litigation holding up the project. At the core of the legal challenge is whether the environmental impact report (EIR) properly analyzed the health impacts from toxic contamination at the site. After an April 18 hearing on the case, both sides are awaiting a ruling on whether the claims have merit and should be the subject of further study.

Activists claim the EIR violates California Environmental Quality Act protocols because it contains too much uncertainty, including the unknown fate of a large parcel of land slated for a stadium that is contingent on whether the 49ers decide to stay in San Francisco. POWER wants more details about the possible threats to human health before the 20-year project gets the final green light. But since the Navy is responsible for the cleanup, Lennar and the city have repeatedly countered that a full analysis is not their responsibility.

“The main issue that Greenaction and POWER have been concerned about throughout lawsuit is that it’s very unclear from the EIR what exactly is going to happen and what level of contamination will be left,” said attorney George Torgun with EarthJustice, which is representing the community groups. “What are the impacts of building on a federal Superfund site? There is a real lack of knowledge in the EIR.”

April 18 was the second of two recent hearings held on the case. On March 24, Judge Ernest H. Goldsmith listened to a full day of testimony before a packed courtroom. Subsequent settlement discussions weren’t successful, so both sides returned to court to seek a ruling that is expected sometime in the next two months.

Lennar attorneys offered to relinquish the possibility of a pre-cleanup early transfer of the property, which has been a major concern for POWER. Under this proposal, no development on any of the six parcels slated for transfer from the Navy could proceed until the federally mandated cleanup process was finished and certified. However, POWER does not believe this offer reduces the scope of the issues because final approval would still ultimately award control of the land to the developer based on what they believe is a flawed EIR.

“Severing any discussion of early transfer from this EIR would only serve to worsen the defects that petitioners have identified and would be contrary to the requirements of CEQA,” Torgun wrote in the April 13 letter to the court.

POWER’s counterproposal would allow large portions of the project to go through — rebuilding the Alice Griffith housing project and development on Candlestick Point — but Lennar considers it economically unfeasible. These portions of the project are not located on the shipyard but are included in overall plan.

“We want to see the project move forward with Alice Griffith and Candlestick Point,” said POWER organizer Jaron Browne. “They’ve rebuilt housing projects at Cesar Chavez and other areas in the city — why can they only rebuild this one if they can redevelop the shipyard? It’s a political game that Lennar has tied the rebuilding of it to this mammoth 770-acre development.”

Lennar representatives wouldn’t comment for this story. Community members have clashed with the megadeveloper over health issues in recent years. In 2008, Lennar was fined more than $500,000 by the Bay Area Air Quality Management District for allowing dust containing asbestos to settle on the surrounding neighborhoods. Then, in March, community organizations released a report showing e-mails from 2006 to 2009 between the EPA, the San Francisco Department of Public Health, and Lennar revealing a possible cover-up of the asbestos exposure.

“They underestimated our understanding of what is happening here,” Browne said. “The whole heart of this issue is that this is a Superfund site. Even if you remove the possibility of early transfer, they are still planning on doing work while remediation is still years to go on other parcels.”

Longtime Bayview resident and Greenaction member Marie Harrison said that not only is the EIR too fraught with uncertainty, it’s incomplete. “There are over 600 blank pages in that document,” she said. “How can you approve an EIR that is supposed to tell you what is there, what the effects will be, and what the project will be? We kept asking the supervisors: How do you convince the community that they are doing something that is good and safe when the history shows otherwise?

During both court hearings, it was evident no clear definition of the project exists since it contains many variables to account for unknowns. Attorneys for Lennar and the city argue that the EIR effectively addresses each potential use and demonstrates a full knowledge of possible contaminants.

Wilma Subra, an environmental scientist for New Orleans-based Environmental Health Advocates, has worked with POWER and Greenaction to understand the breadth of contamination and the typical process of cleanup of a Superfund site. She pointed out that the Navy’s cleanup plan is completely separate from the EIR submitted for the project.

“Those two documents don’t agree with what development will be,” Subra said. “Usually you wait much longer in the process to really know that the land is safe. In a normal Superfund process, you would first do an implementation of the remediation process, find out if it worked, then — years down the line — you would start thinking about development.”

If the EIR is deemed inadequate, Lennar and the city will be required to further analyze the contaminants, outline cleanup strategies, and resubmit a new EIR. If the judge rules the EIR satisfies CEQA, the project can move forward.

“CEQA is one of the few really democratic processes,” Browne said. “If you just have this one moment in 2011 when people are able to comment and weigh in, and then have 20 years where they are building within that, it’s not really fair.”

Editor’s notes

6

tredmond@sfbg.com

The candidates for mayor of San Francisco are already lining up endorsements — the Sierra Club held its interviews April 23, which seems awfully early to me, since some of the most interesting contenders in this town (Tom Ammiano, Matt Gonzalez) have a tendency to jump in at the last minute. And the filing deadline isn’t until August.

But the sooner the big names and organizations are lined up and the money is locked in, the harder it will be for anyone to pull off an August surprise. So unless the redistricting commission seriously messes with Mark Leno’s state Senate seat or Ed Lee bows to the pressure from Willie Brown, Rose Pak, and their allies and decides to go back on his promise and seek a full term, we’re probably looking at a rough approximation of what the voters will face in November.

With John Avalos in the race, the ballot’s become a lot more attractive to progressives. It’s not as if the other major candidates don’t have a lot to offer, and in some cases, they have a lot to offer to the left. There are smart, experienced, qualified people running.

But let’s be honest here: David Chiu, Dennis Herrera, Phil Ting, Leland Yee, and Bevan Dufty all operate somewhere in the squishy political center, a place where tax breaks for corporations are okay, where “homeownership opportunities” tend to trump the needs of tenants, where deals with big private developers are sculpted around the edges but never rejected outright, and where cuts in services are a larger part of the budget solution than taxes on the rich.

Michela Alioto-Pier is off on the far right of the San Francisco political world, and if she looks at all credible and gets any significant traction (and that’s a big if) she’ll be downtown’s favorite candidate. But until now, there was nobody holding the solid progressive banner.

I don’t think that means Avalos’ appeal is limited to the left; he’s in a swing district, and he’s very popular there, and he can talk about small business and community development and open, honest government. He doesn’t sound like a crazy radical; he’s polite and respectful and listens to people.

But I’m glad we have a candidate who won’t try to argue that 25 percent affordable housing at Treasure Island is something to be proud of, or that the Twitter tax break will create jobs, or that social inequality can’t be addressed through local policy. I’m glad there’s someone who can push the discussion and debate out of the middle, can force some of the others who want progressive support to take strong stands, and can liven things up a bit. Because without him, all of the candidates were sounding a lot alike — and I really don’t want to be bored this fall.

Reject the Treasure Island plan

18

EDITORIAL After a long, long hearing April 21, as the San Francisco Planning Commission prepared to vote on an ambitious development plan for Treasure Island, Commissioner Gwyneth Borden acknowledged that the plan wasn’t perfect. But, she said, on balance it ought to be approved: “Twenty five percent affordable housing is better than zero percent.”

That’s not necessarily true.

Treasure Island is an usual piece of real estate, 403 acres of artificial land created in 1937 by dumping sand and dirt on a shallow part of the bay. It’s less than two miles from downtown San Francisco — but there’s no rail service, no BART station. The only way off the island is by boat — or by driving onto a Bay Bridge that’s already jammed way beyond capacity every morning and afternoon.

The soil is unstable, prone to liquefying in an earthquake — and if sea levels rise as high as some predictions suggest, the whole place could be underwater in a few decades.

A strange hybrid agency called the Treasure Island Development Authority, created by former Mayor Willie Brown, cut a deal with Lennar Urban (the same outfit that has the redevelopment deal for Bayview Hunters Point) and several partners to construct a neighborhood of some 19,000 people on the island. Among the features: a 450-foot condominium tower and 6,000 units of high-end housing. The developers brag that a fleet of new ferries will offer a 13-minute ride to the city and that some streets will be designed for pedestrians and bicycles.

But the fact remains that the developers want to add 19,000 new residents — almost all of whom will work off the island somewhere — to a place that has no credible transportation system. City studies show that even with an extensive (and costly) ferry service, at least half the new residents would drive cars to work (and, presumably, to shop, and go to movies, and eat and drink), joining the mob of vehicles heading east or west on the bridge. That’s almost 10,000 new cars each day trying to jam onto a roadway that can’t handle the existing traffic. The backups would stretch well onto San Francisco surface streets and as far back as Berkeley.

A rail line on the Bay Bridge would solve part of the problem. So would bike lanes. Neither option is even remotely possible in the foreseeable future. Free, or heavily subsidized ferries could, indeed, be a positive alternative — but who is going to pay for that service? Nonsubsidized ferries would be far more expensive than current Muni or BART service, a particular burden on the residents of the below-market housing.) And does anybody really think there’s going to be enough ferry capacity to carry 10,000 people a day to downtown SF, the East Bay, and the Peninsula?

The bottom line: this isn’t a good deal for San Francisco. The affordable housing level is too low. The transportation problems are nightmarish. The last thing Treasure Island needs is a 450-foot tower.

There’s no rush to approve this — and no immediate downside to waiting for a better deal. The supervisors should tell Lennar to come back with a project that has fewer residents, better transit options, and more affordable housing. Because zero is looking a lot better than what’s on the table.

PS: The 4-3 Planning Commission vote demonstrated exactly why it’s important to have key commission appointments split between the mayor and the Board of Supervisors. The mayoral appointees all rolled over — but at least the board-appointed members made strong points, forced real debate, and gave the supervisors plenty of ammunition to demand a better deal.

Editorial: Reject the Treasure Island plan

1

After a long, long hearing April 21, as the San Francisco Planning Commission prepared to vote on an ambitious development plan for Treasure Island, Commissioner Gwyneth Borden acknowledged that the plan wasn’t perfect. But, she said, on balance it ought to be approved: “Twenty five percent affordable housing is better than zero percent.”

That’s not necessarily true.

Treasure Island is an usual piece of real estate, 403 acres of artificial land created in 1937 by dumping sand and dirt on a shallow part of the bay. It’s less than two miles from downtown San Francisco — but there’s no rail service, no BART station. The only way off the island is by boat — or by driving onto a Bay Bridge that’s already jammed way beyond capacity every morning and afternoon.

The soil is unstable, prone to liquefying in an earthquake — and if sea levels rise as high as some predictions suggest, the whole place could be underwater in a few decades.

A strange hybrid agency called the Treasure Island Development Authority, created by former Mayor Willie Brown, cut a deal with Lennar Urban (the same outfit that has the redevelopment deal for Bayview Hunters Point) and several partners to construct a neighborhood of some 19,000 people on the island. Among the features: a 450-foot condominium tower and 6,000 units of high-end housing. The developers brag that a fleet of new ferries will offer a 13-minute ride to the city and that some streets will be designed for pedestrians and bicycles.

But the fact remains that the developers want to add 19,000 new residents — almost all of whom will work off the island somewhere — to a place that has no credible transportation system. City studies show that even with an extensive (and costly) ferry service, at least half the new residents would drive cars to work (and, presumably, to shop, and go to movies, and eat and drink), joining the mob of vehicles heading east or west on the bridge. That’s almost 10,000 new cars each day trying to jam onto a roadway that can’t handle the existing traffic. The backups would stretch well onto San Francisco surface streets and as far back as Berkeley.

A rail line on the Bay Bridge would solve part of the problem. So would bike lanes. Neither option is even remotely possible in the foreseeable future. Free, or heavily subsidized ferries could, indeed, be a positive alternative — but who is going to pay for that service? Nonsubsidized ferries would be far more expensive than current Muni or BART service, a particular burden on the residents of the below-market housing.) And does anybody really think there’s going to be enough ferry capacity to carry 10,000 people a day to downtown SF, the East Bay, and the Peninsula?

The bottom line: this isn’t a good deal for San Francisco. The affordable housing level is too low. The transportation problems are nightmarish. The last thing Treasure Island needs is a 450-foot tower.

There’s no rush to approve this — and no immediate downside to waiting for a better deal. The supervisors should tell Lennar to come back with a project that has fewer residents, better transit options, and more affordable housing. Because zero is looking a lot better than what’s on the table.

PS: The 4-3 Planning Commission vote demonstrated exactly why it’s important to have key commission appointments split between the mayor and the Board of Supervisors. The mayoral appointees all rolled over — but at least the board-appointed members made strong points, forced real debate, and gave the supervisors plenty of ammunition to demand a better deal. *

 

What to watch

0

THURS/21

Beginners (Mike Mills, U.S., 2010) There is nothing conventional about Beginners, a film that starts off with the funeral arrangements for one of its central characters. That man is Hal (Christopher Plummer), who came out to his son Oliver (Ewan McGregor) at the ripe age of 75. Through flashbacks, we see the relationship play out — Oliver’s inability to commit tempered by his father’s tremendous late-stage passion for life. Hal himself is a rare character: an elderly gay man, secure in his sexuality and, by his own admission, horny. He even has a much younger boyfriend, played by the handsome Goran Visnjic. While the father-son bond is the heart of Beginners, we also see the charming development of a relationship between Oliver and French actor Anna (Melanie Laurent). It all comes together beautifully in a film that is bittersweet but ultimately satisfying. Beginners deserves praise not only for telling a story too often left untold, but for doing so with grace and a refreshing sense of whimsy. Thurs/21, 7 p.m., Castro. (Louis Peitzman)

 

FRI/22

The Good Life (Eva Mulvad, Denmark, 2010) Portraits of the formerly wealthy are often guilty of peddling secondhand nostalgia for some ancien regime while simultaneously stoking schadenfreude toward the now-deposed (just ask Vanity Fair). Eva Mulvad’s melancholy character study of 50-something Annemette Beckmann and her aged mother, Mette, avoids both traps even as her subjects — formerly wealthy Danish expats living on the dole in a cramped apartment in a coastal Portuguese town — offer few inroads for sympathy. Narcissistic and petulant, Annemette blames the loss of her family’s wealth on the 1974 nationalization of Portugal’s then-Communist government, and claims that her cosseted upbringing has made it hard to find a job (“Work doesn’t become me,” she gratingly protests at one point). Mette, who is more likeable, is a resigned realist whose sole comfort, aside from the pet dog, seems to be her knowledge that she is not long for this world. Comparisons to Grey Gardens (1975) are inevitable here, but the Beckmanns simply aren’t as interesting or possessed by as idiosyncratic a joie de vivre as the Beales, making The Good Life a tough slog. Fri/22, 3:45 p.m.; April 28, 6:45 p.m.; and May 1, 9:30 p.m., Kabuki. (Matt Sussman)

Hahaha (Hong Sang-soo, South Korea, 2010) Do you remember a time you behaved badly (not horribly, but bad enough that you felt ashamed) but you didn’t really think about it until long after the fact, say, when getting drinks with an old friend? If you can’t, than the latest from South Korean director Hong Sang-soo will probably jog your memory. As with many of Hong’s films, Hahaha’s premise is similar to the above scenario: two 30-something buds get together and reminisce about their recent trips to the same seaside town. Shown in episodic flashbacks, we start to realize that the incidents and players in their separate accounts overlap into one story filled with terrible poetry, domineering mothers, stalker-ish behavior, and poorly made choices. Hong’s films are primers in how not to treat your fellow human beings (straight dudes are usually the culprits), so take notes. Fri/22, 9:15 p.m.; Mon/25, 9 p.m.; and Tues/26, 3:30 p.m., Kabuki. (Sussman)

I’m Glad My Mother is Alive (Claude Miller and Nathan Miller, France, 2009) Codirected with his son Nathan, this latest by veteran French director Claude Miller is an about-face from his acclaimed 2007 period epic A Secret. Viscerally up-to-the-moment in content and handheld-camera style, it’s a small story that builds toward an enormous punch. Thomas (played by Maxime Renard as a child, then Vincent Rottiers) is a lifelong malcontent whose troubles are rooted in his abandonment at age five by an irresponsible mother (Sophie Cattani). Neither the attentions of well-meaning adoptive parents or the influence of his better-adjusted younger brother can quell Thomas’ mix of furious resentment and curiosity toward his mere, whom he finally develops a relationship with as a young adult. As usual, Miller doesn’t “explain” his characters or let them explain themselves, yet everything feels emotionally true — right up to a narrative destination both that feels both shocking and inevitable. Fri/22, 6:45 p.m., and Mon/25, 9:30 p.m., Kabuki. (Dennis Harvey)

Meek’s Cutoff (Kelly Reichardt, U.S., 2010) After three broke down road movies (1994’s River of Grass, 2006’s Old Joy, 2008’s Wendy and Lucy), Kelly Reichardt’s new frontier story tilts decisively toward socially-minded existentialism. It’s 1845 on the choked plains of Oregon, miles from the fertile valley where a wagon train of three families is headed. They’ve hired the rogue guide Meek to show them the way, but he’s got them lost and low on water. When the group captures a Cayeuse Indian, Solomon proposes they keep him on as a compass; Meek thinks it better to hang him and be done with it. The periodic shots of the men deliberating are filmed from a distance — the earshot range of the three women (Michelle Williams, Zoe Kazan, and Shirley Henderson) who set up camp each night. It’s through subtle moves like these that Meek’s Cutoff gives a vivid taste of being subject to fate and, worse still, the likes of Meek. Reichardt winnows away the close-ups, small talk, and music that provided the simple gifts of her earlier work, and the overall effect is suitably austere. Fri/22, 9 p.m., and Mon/25, 4:30 p.m., Kabuki. (Max Goldberg)

Stake Land (Jim Mickle, U.S., 2010) Not gonna lie — the reason I wanted to review this one was because of the film still in the SFIFF catalog. Rotten-faced vampire with a stake through its neck? Yes, please! But while Jim Mickle’s apocalyptic road movie does offer plenty of gore, it’s more introspective than one might expect, following an orphaned teenage boy, Martin (Connor Paolo, Serena’s little bro on Gossip Girl), and his gruff mentor, Mister (Snake Plissken-ish Nick Damici), on their travels through a ravaged America. As books, films, and comics have taught us, whenever a big chunk of the human race is wiped out (thanks to zombies, vampires, an unknown cataclysm, etc.), the remaining population will either be good (heroic, like Mister and Martin, or helpless, like the stragglers they rescue, including a nun played by Kelly McGillis), or evil — cannibals, rapists, religious nuts, militant survivalists, etc. Stake Land doesn’t throw many curveballs into its end-times narrative, but it’s beautifully shot and doesn’t hold back on the brutality. Larry Fessenden (director of 2006’s The Last Winter) produced and has a brief cameo as a helpful bartender. Fri/22, 11:30 p.m., and Mon/25, 9:45 p.m., Kabuki. (Cheryl Eddy)

 

SAT/23

The Autobiography of Nicolae Ceausescu (Andrei Ujica, Romania, 2010) Andrei Ujica’s three-hour documentary uses decades of propagandic footage to let the late Romanian dictator — who was overthrown by popular revolt and executed in 1989 — hang himself with his own grandiose image-making. While the populace suffered (off-screen, you might want to bone up on the facts before seeing this ironical, commentary-free portrait), the “great leader” and his wife Elena were constantly seen holding state dances, playing volleyball, hunting bear, and vacationing hither and yon. (We even see them on the Universal Studios tour.) There’s no surprise in seeing them greeted with enormous pageantry in China; but it’s a little shocking to see this tyrant welcome Nixon (in the first-ever U.S. presidential visit to a Communist nation), lauded by Jimmy Cartner, and hobnobbing with Queen Elizabeth. This grotesque parade of self-glorifying public moments has a happy ending, however. Sat/23, 12:45 p.m., Kabuki; Sun/24, 5:15 p.m., New People; May 1, 1:30 p.m., PFA. (Harvey)

Life, Above All (Oliver Schmitz, South Africa/Germany, 2010) It’s tough enough to simply grow up, let alone care for a parent with AIDS and deal with the suspicions and fears of the no-nothing adults all around you. Rising above easy preaching and hand-wringing didacticism, Life, Above All takes as its blueprint the 2004 best-seller by Allan Stratton, Chandra’s Secrets, and makes compelling work of the story of 12-year-old Chandra (Khomotso Manyaka) and her unfortunate family, unable to get effective help amid the thicket of ignorance regarding AIDS in Africa. After her newborn sister dies, Chandra finds her loyalty torn between her bright-eyed best friend Esther (Keaobaka Makanyane), who’s rumored to hooking among the truck drivers in their dusty, sun-scorched rural South African hometown, and her mother (Lerato Mvelase), who listens far too closely to her bourgie friend Mrs. Tafa (an OTT Harriet Manamela), for her own good. Cape Town native director Oliver Schmitz sticks close to the action playing across his actors’ faces, and he’s rewarded, particularly by the graceful Manyaka, in this life-affirmer about little girls forced to shoulder heart-breaking responsibility far too soon. Sat/23, 4 p.m., and April 28, 6 p.m., Kabuki. (Kimberly Chun)

The Mill and the Cross (Lech Majewski, Poland/Sweden, 2010) One of the clichés often told about art is that it is supposed to speak to us. Polish director Lech Majewski’s gorgeous experiment in bringing Flemish Renaissance painter Peter Bruegel’s sprawling 1564 canvas The Procession to Calvary to life attempts to do just that. Majeswki both re-stages Bruegel’s painting — which draws parallels between its depiction of Christ en route to his crucifixion and the persecution of Flemish citizens by the Spanish inquisition’s militia — in stunning tableaux vivant that combine bluescreen technology and stage backdrops, and gives back stories to a dozen or so of its 500 figures. Periodically, Bruegel himself (Rutger Hauer) addresses the camera mid-sketch to dolefully explain the allegorical nature of his work, but these pedantic asides speak less forcefully than Majeswki’s beautifully lighted vignettes of the small joys and many hardships that comprised everyday life in the 16th century. Beguiling yet wholly absorbing, this portrait of a portrait is like nothing else at the festival. Sat/23, 12:30 p.m., SFMOMA, and April 27, 9 p.m., Kabuki. (Sussman)

Mind the Gap Experimental film fans: come for the big names, but don’t miss out on the newcomers. Locals Jay Rosenblatt (melancholy found-footage bio The D Train), Kerry Laitala (psychedelic 3-D brain-dazzler Chromatastic), and Skye Thorstenson (mannequin-horror music video freak out Tourist Trap, featuring the acting and singing stylings of the Guardian’s Johnny Ray Huston) offer strong entries in an overall excellent program. International bigwigs Peter Tscherkassky (the 25-minute Coming Attractions, a layered study of airplanes, Hollywood, and Hollywood airplanes — not for the crash-phobic) and Jonathan Caouette (“Lynchian” has been used to describe the Chloë Sevigny-starring All Flowers In Time, though it contains a scary-faces contest that’d spook even Frank Booth) are also notable. New names for me were Zachary Drucker, whose Lost Lake introduces a transsexual, pervert-huntin’ vigilante for the ages, and my top pick: Kelly Sears’ Once it started it could not end otherwise, a deliciously sinister hidden-history lesson imagined via 1970s high-school yearbooks. Sat/23, 4:45 p.m., and May 1, 9:45 p.m., Kabuki. (Eddy)

The Troll Hunter (André Ovredal, Norway, 2010) Yes, The Troll Hunter riffs off The Blair Witch Project (1999) with both whimsy and, um, rabidity. Yes, you may gawk at its humongoid, anatomically correct, three-headed trolls, never to be mistaken for grotesquely cute rubber dolls, Orcs, or garden gnomes again. Yes, you may not believe, but you will find this lampoon of reality TV-style journalism, and an affectionate jab at Norway’s favorite mythical creature, very entertaining. Told that a series of strange attacks could be chalked up to marauding bears, three college students (Glenn Erland Tosterud, Tomas Alf Larsen, and Johanna Morck) strap on their gumshoes and choose instead to pursue a mysterious poacher Hans (Otto Jespersen) who repeatedly rebuffs their interview attempts. Little did the young folk realize that their late-night excursions following the hunter into the woods would lead at least one of them to rue his or her christening day. Ornamenting his yarn with beauty shots of majestic mountains, fjords, and waterfalls, Norwegian director-writer André Ovredal takes the viewer beyond horror-fantasy — handheld camera at the ready — and into a semi-goofy wilderness of dark comedy, populated by rock-eating, fart-blowing trolls and overshadowed by a Scandinavian government cover-up sorta-worthy of The Girl with the Dragon Tattoo (2009). Sat/23, 11:30 p.m., Kabuki; Mon/25, 6:15 p.m., New People. (Chun)

World on a Wire (Rainer Werner Fassbinder, Germany, 1973) The words “Rainer Werner Fassbinder” and “science fiction film” are enough to get certain film buffs salivating, but the Euro-trashy interior décor is almost reason enough to see this restored print of the New German Cinema master’s cyber thriller. Originally a two-part TV miniseries, World on a Wire is set in an alternate present (then 1973) in which everything seems to be made of concrete, mirror, Lucite, or orange plastic. When the inventor of a supercomputer responsible for generating an artificial world mysteriously disappears, his handsome predecessor must fight against his corporate bosses to find out what really happened, and in the process, stumbles upon a far more shattering secret about the nature of reality itself. Riffing off the understated cool of Godard’s Alphaville (1965) while beating 1999’s The Matrix to the punch by some 25 years, World on a Wire is a stylistically singular entry in Fassbinder’s prolific filmography. Sat/23, 8:45 p.m., Kabuki, and April 30, 2 p.m., PFA. (Sussman) SUN/24

A Cat in Paris (Alain Gagnol and Jean-Loup Felicioli, France/Belgium/Netherlands/Switzerland, 2010) Save your pocket poodles, please: Paris, as cities go, is most decidedly feline. From 1917’s silent serial Les Vampires to its uber-cool 1990s update Irma Vep, cat burglars and the Parisian skyline have gone together like café and au lait. Add actual cats and jazz to the mix for good measure (even Disney saw fit to set its jazzy 1970 Aristocats in the City of Light). At just over an hour long, the animated A Cat in Paris is an enjoyable little amuse-bouche that employs all the standards of the cats-in-Paris meme: Billie Holiday warbling on the soundtrack, a dashingly heroic antihero who scales the rooftops as if he studied parkour under Spider-Man, and the titular untamable black cat who serves as his partner in crime. Complete with a climatic Hitchcockian set piece on the rooftops of Notre Dame Cathedral, A Cat in Paris has a refreshingly angular and graphic, almost cubist, feel. Directors Alain Gagnol and Jean-Loup Felicioli’s work certainly doesn’t rank among that of countryman Sylvain Chomet (2010’s The Illusionist), but this family film is worth checking out if kitties up to no good in Purr-ree simply make you want to le squee. Sun/24, 12:30 p.m., Kabuki, and May 1, 12:30 p.m., New People. (Michelle Devereaux)

 

MON/25

Cave of Forgotten Dreams (Werner Herzog, U.S., 2010) The latest documentary from Werner Herzog once again goes where no filmmaker — or many human beings, for that matter — has gone before: the Chauvet-Pont-d’Arc Cave, a heavily-guarded cavern in Southern France containing the oldest prehistoric artwork on record. Access is highly restricted, but Herzog’s 3D study is surely the next best thing to an in-person visit. The eerie beauty of the works leads to a typically Herzog-ian quest to learn more about the primitive culture that produced the paintings; as usual, Herzog’s experts have their own quirks (like a circus performer-turned-scientist), and the director’s own wry narration is peppered with random pop culture references and existential ponderings. It’s all interwoven with footage of crude yet beautiful renderings of horses and rhinos, calcified cave-bear skulls, and other time-capsule peeks at life tens of thousands of years ago. The end result is awe-inspiring. Mon/25, 7 p.m., and Tues/26, 9:30 p.m., Kabuki. (Eddy)

 

TUES/26

Nostalgia for the Light (Patricio Guzmán, France/Chile/Germany, 2010) Chile’s Atacama Desert, the setting for Patricio Guzmán’s lyrically haunting and meditative documentary, is supposedly the driest place on earth. As a result, it’s also the most ideal place to study the stars. Here, in this most Mars-like of earthly landscapes, astronomers look to the heavens in an attempt to decode the origins of the universe. Guzmán superimposes images from the world’s most powerful telescopes — effluent, gaseous nebulas, clusters of constellations rendered in 3-D brilliance — over the night sky of Atacama for an even more otherworldly effect, but it’s the film’s terrestrial preoccupations that resonate most. For decades, a small, ever dwindling group of women have scoured the cracked clay of Atacama searching for loved ones who disappeared early in Augusto Pinochet’s regime. They take their tiny, toy-like spades and sift through the dirt, finding a partial jawbone here, an entire mummified corpse there. Guzmán’s attempt through voice-over to make these “architects of memory,” both astronomers and excavators alike, a metaphor for Chile’s reluctance to deal with its past atrocities is only marginally successful. Here, it’s the images that do all the talking — if “memory has a gravitational force,” their emotional weight is as inescapable as a black hole. Tues/26, 6:30 p.m., Kabuki, and April 28, 6:15 p.m., PFA. (Devereaux)

The Sleeping Beauty (Catherine Breillat, France, 2010) Fairytales are endemically Freudian; perhaps it has something to with their use of subconscious fantasy to mourn — and breathlessly anticipate — the looming loss of childhood. French provocateuse Catherine Breillat’s feminist re-imagining of The Sleeping Beauty carries her hyper-sexualized signature, but now she also has free reign to throw in bizarre and beastly metaphors for feminine and masculine desire in the form of boil-covered, dungeon-dwelling ogres, albino teenage princes, and icy-beautiful snow queens. The story follows Anastasia, a poor little aristocrat, who longs to be a boy (she calls herself “Sir Vladimir”). When her hand is pricked with a yew spindle (more of a phallic impalement, really), Anastasia falls into a 100-year adventurous slumber, eventually awakening as a sexually ripe 16-year-old. It all plays like an anchorless, Brothers Grimm version of Sally Potter’s 1992 Orlando. And while it’s definitely not for the kiddies, it’s hard to believe that many adults would find its overt symbolism and plodding narrative any more than a sporadically entertaining exercise in preciousness. Your own dreams will undoubtedly be more interesting — perhaps you can catch a few zzz’s in a theater screening this movie. Tues/26, 6:15 p.m., and April 27, 6:30 p.m., Kabuki. (Devereaux)

THE 54TH ANNUAL SAN FRANCISCO INTERNATIONAL FILM FESTIVAL runs April 21–May 5. Venues are the Sundance Kabuki, 1881 Post, SF; Castro, 429 Castro, SF; New People, 1746 Post, SF; San Francisco Museum of Modern Art, 151 Third, SF; and Pacific Film Archive, 2575 Bancroft, SF. For tickets (most shows $13) and complete schedule visit www.sffs.org>.