City College

Tropic of dancer

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arts@sfbg.com

DANCE Judging from the packed salsa classes he’s been teaching at Dance Mission Theater for 12 years, Ramón Ramos Alayo is correct: the Bay Area is a hotbed for Cuban-Caribbean culture. But even he underestimated its pull. When I spoke to him on a recent balmy spring evening, he was expecting that night’s attendance to drop. “It’s light and warm, so people like to spend their free time outside,” he explained before heading for class. Wrong. If more aficionados had shown up, they would have had to move the furniture.

In addition to being a highly sought-after instructor — he also teaches modern dance at ODC — Ramos Alayo is a dancer, musician, choreographer, and the director of the annual CubaCaribe Festival (this year’s installment takes place at Dance Mission Theater April 16-May 2). Multitasking may be in his blood, but it’s also something he was trained for.

At the Havana National School of Art, where Ramos Alayo enrolled at age 11, every student had to study ballet, folklórico, and modern dance. “If you didn’t pass the grade in each genre on every level, you were out,” he remembered. After getting his master’s, he had the choice of joining either a modern or traditional company: he went with two modern groups. But when he founded his own Alayo Dance Company in San Francisco in 2002, he made its mission inclusive, fusing Afro-Cuban, modern, traditional folkloric, and popular Cuban dance styles. Although for some fusion suggests loss of identity, to Ramos Alayo it indicates creating something new from what exists.

As a choreographer and performer, Ramos Alayo is as at home in dances based on the Yoruban Orisha myths performed at the Ethnic Dance Festival as he is in original works inspired by political history and personal experience. His 10 dancers have to be able to do it all. Blood + Sugar is a raw dancer theater work about slavery; La Madre takes an intimate look at family. One of his earliest pieces, Wrong Way, is an athletic yet poignant duet for two men. He doesn’t recall the details of the recent Grace Notes, a free-flowing improvisation with bass player Jeff Chambers, but he does remember how good it felt to be performing it. “We had never rehearsed. We just looked at the score, and I had some spatial cues.”

Ramos Alayo’s wide-open approach to what it means to be contemporary artist living in the diaspora also shapes his curating of CubaCaribe, now in its sixth year. Under the overall banner of “From Katrina to Port-au-Prince,” this year’s festival honors the survivors of recent catastrophes. The first weekend will present Haitian and Haitian-rooted ensembles. New York’s Adia Whitaker is a modern, Haitian trained dancer-choreograher; Afoutayi recently relocated from Haiti to San Francisco; and Kumbuka is a New Orleans-based Haitian-Carnival ensemble. Afoutayi and Kumbuka make their San Francisco debuts.

The second weekend traditionally showcases local artists. Liberation Dance Theater’s current work is based on modern dance and reggaeton — a mix of Caribbean-based music styles. Alfafia is a collectively-run Haitian group from San Francisco City College. In the past, Paco Gomes has elegantly fused Afro-Brazilian with modern dance.

On first glance, Los Lupenos de San Jose, a group known for its rendition of regional Mexican dances, is not a natural for CubaCaribe. What got them an invitation was Salón Mexico, Susan Cashion’s choreography of social dances like el danzón and the mambo. They originated in Cuba but started their worldwide journey by way of Mexico.

Ramos Alayo’s new hour-long Migrations was inspired by New York subway performers. Joining his own ten dancers for the third weekend will be a hip-hop artist, a tap dancer, and a steel-drum musician.

CUBACARIBE FESTIVAL OF DANCE AND MUSIC

Through May 2, Fri–Sat, 8 p.m.;

Sun, 7 p.m.; April 25, 3 p.m., $12–$22

Dance Mission Theater

3316 24th St., SF

www.cubacaribe.org

Officials accused of destroying public documents on Palin visit

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The lesson of political scandals from Watergate through Monicagate is that the cover-up is often worse than the original crime, and that could once again prove true with the simmering conflict over large speaking fees that CSU-Stanislaus has agreed to pay Sarah Palin, particularly given new revelations that university officials might have destroyed public documents that had been requested by Sen. Leland Yee.

At a press conference convened by Yee this morning, two university students told the story of being informed by fellow students that administrators were shredding and disposing of documents in an administration building on Friday, which was particularly strange because the campus was shut down for a state-mandated furlough day.

So a group of five students started digging into a dumpster adjacent to the building that was being used that day and gathered all the documents in there, some shredded, some intact. And among those documents, they say, were pages four through nine of a contract with the Washington Speakers Bureau, which represents Palin. And although they don’t mention her by name, they reference “air travel for two between Anchorage, Alaska and event city.” (Read the document here) Palin — the former Alaska governor and vice presidential candidate who has become a darling of the Tea Baggers and other right-wing populists — is scheduled to speak at a $500 per plate fundraising on June 25.

That was precisely the kind of document that Yee and attorney Terry Francke of Californians Aware had recently requested of the university through a California Public Records Act request, although their response from the university last week was that it had no documents responsive to their request.

So Yee asked the Attorney General’s Office to look into the matter, which could be what triggered the document destruction session, with officials fearing they might get caught in a lie. The CPRA allows for civil penalties for refusing to disclose public documents, while the Penal Code indicates willful destruction of public records may be considered a criminal act.

“This is an issue of accountability and transparency that is fundamental to our democracy,” Yee told reporters, calling the actions “unconscionable” and “reprehensible.”

Yee has been a strong critic of secrecy in the CSU and UC systems, and has unsuccessfully tried to pass laws requiring college foundations to be bound by open government and public records laws. That’s an issue in this case considering it’s the CSU-Stanislaus foundation that is hosting Palin’s visit, although Yee has pointed out that the university president and other top officials control the foundation, which uses campus facilities and resources.

“What we’re finding is with more and more of these foundations, there’s unethical and illegal stuff going on and nobody knows what’s going on,” Yee said, citing as an example the indictment of former City College of San Francisco chancellor Phillip Day for illegally laundering public funds for private use through the foundation.

But if the students’ story holds up, it now appears that the university itself was in possession of the documents that Yee requested, the first evidence that it wasn’t just the foundation that was involved with the Palin visit. 

Francke told reporters that he plans to file a lawsuit over the matter this week, depending on what the AG’s Office does. “Our purpose is to get a court decision that regards these documents as university documents and not just foundation documents,” he said.

Calls to the CSU-Stanislaus and the AG’s Office have not yet been returned, so check back for more details later.  

Hot for learning

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caitlin@sfbg.com

CAREERS AND ED Quick — what art, sport, language, trade, or superpower would you acquire, given the opportunity? Answer in mind? Sweet! And attainable. In this wild and woolly city of ours, there’s an expert waiting to teach you just the skill you’ve been missing. Here are a few to get you started.

 

HEAVY METAL AEROBICS

Jane Fonda had no idea that one day her neon Spandex would stretch and sweat to strains of Judas Priest and Iron Maiden, but there you have it. Get in shape with Workshop’s cardio/strength-training rock routine.

Sun 1:30-2:30 p.m., Tues 7:45- 8:45 p.m. $10. Workshop, 1798 McAllister, SF.(415) 874-9186.www.workshopsf.org

 

MINI NONSTOP BHANGRA

Your babies will be in the Bollywood mood when they attend this family version of the popular Indian folk dance lessons/club night. Bhangra dancing is take-no-prisoners fun.

April 10, 12 p.m.–3 p.m. $5-$10. Rickshaw Stop, 155 Fell, SF. (415) 694-9080.

www.mininonstopbhangra.com

 

PLEIN AIR LANDSCAPE WORKSHOP

Learn to interpret the urban wonderland around you à la Cézanne, with pencil and watercolors complimenting each other’s touch. This City College Continuing Education class takes you out in the field to get your art on.

April 10–May 15, 9 a.m.–2 p.m. $140-$150. Fort Mason Building B, SF. (415) 561-1860. www.ccsf.edu/Services/Continuing_Education

 

FUNDAMENTALS OF WOODWORKING

Ever want to build a mandolin, learn about electromagnetism, or construct your own steel forge? Nonprofit organization the Crucible has got you covered. Woodworking 101 is a good way to ease in for the hands-on newbie.

April 24–25, 10 a.m.–6 p.m. $235. The Crucible, 1260 Seventh St., Oakl. (510) 444-0918. www.thecrucible.org

 

INTRO TO CLIMBING

Wondering where all the healthy beautiful people hide themselves in SF? Get thee to the climbing gym. Just make sure you take the intro course before scuttling up that nearest wall. Babygirl’s not impressed by unintentional abseiling.

Mon–Fri 12:30, 2:30, 6 and 7 p.m., Sat–Sun 10:30 a.m., 1 and 3 p.m. $28. Mission Cliffs, 2295 Harrison, SF. (415) 550-0515. www.touchstoneclimbing.com

 

BASIC MARIJUANA SEMINAR

Your gateway class into the world of Oaksterdam University’s encyclopedic knowledge of all things ganja related. Its 101 weekend course schools you in weed history, law, horticulture, treat-making, and “budtending,” sure to snag you that sweet gig at the dispensary down the street.

April 10-11 & 17-18, 11 a.m.- 4 p.m., $250. Oaksterdam, 1600 Broadway, Oakl. (510) 251-1544. www.oaksterdamuniversity.com

 

DISCOVERING YOUR LIFE PURPOSE AND CAREER DIRECTION

This class clearly isn’t for you — because you have the rest of your life healthfully, successfully planned and plotted … right? Just in case you don’t, Randi Benator leads a workshop on finding the career path that will help you give your best to your community and yourself.

July 17 10 a.m.– 5 p.m. $150. SF State Downtown Campus, 835 Market, SF (415) 817-4247. www.cel.sfsu.edu

Part of the solution

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Caitlin@sfbg.com

CAREERS AND ED Just a thought. As our country becomes an economic-cultural stew fraught with problems so complex we don’t even know yet what they are, different approaches to education may be necessary for tomorrow’s good guys. Which is why it’s so positive that Bay Area higher ed institutions have developed unique degree programs that anticipate tomorrow’s issues today. From robot wars to social stratification — learn about this stuff and you’ve got the skills you need for the battles to come.

 

PHILIPPINE STUDIES

Rare is the program in our country that offers a concentration in the culture and history of the Philippines. But with 40,072 Filipinos in the Bay Area, that’s an oversight USF was happy to correct with this concentration, which can be paired with any of its undergraduate degrees to create a Filipino context within science, art, nursing, or the humanities.

University of San Francisco, 2130 Fulton, SF. (415) 422-5555, www.usfca.edu

 

LABOR AND COMMUNITY STUDIES

This associate degree program focuses on giving working people the educational background they need to be effective in the world of labor union activism — collective bargaining, labor law, and workplace discrimination issues, among other things. The school also runs not-for-credit programs that link minority students and workers up with job training for careers in the trades. Kicking ass for the working class, and all that.

City College of San Francisco, Evans Campus, 1400 Evans, SF. (415) 550-4459

www.ccsf.edu

 

TRANSFORMATIVE LEADERSHIP

On the slightly less tangible end of the spectrum, the California Institute for Integral Studies offers an online master’s degree program for “personal transformation and creating positive change in the world.” Courses focus on group mediation, identifying one’s own strengths and weaknesses, and effective leadership. Let Your Love Shine 101 (for professionals).

California Institute for Integral Studies, 1453 Mission, SF. (415) 575-6100, www.ciis.edu

 

EQUITY AND SOCIAL JUSTICE IN EDUCATION

There’s no way an equitable educational system wouldn’t improve this crazy old country of ours. To that end, the future teachers and leaders in this concentration of the master’s program in education study historical/political perspectives of injustice in schools, with a mind to changing things about the way Americans learn.

San Francisco State University, 1600 Holloway, SF. (415) 338-1111, www.sfsu.ca

 

DISABILITY STUDIES

A unique minor at Berkeley examines how the concept of disability has been shaped and created by our social constructs over time. Attention is also paid to how the interpretation of disability has been highlighted in law, art, and politics. The Web site on the study features a wheelchair basketball league open to all comers regardless of bodily capabilities.

University of California Berkeley, Berk. (415) 643-7691, www.berkeley.edu

 

COMPUTER GAME DESIGN

Look, not everything in the future’s gonna be heavy! We’re still gonna need people who are real good at making blood look realistic and keeping a step ahead of everyone’s World of Warcraft avatars. The students in this undergraduate major have seen the light: if we don’t master the machines, they master us.

University of California Santa Cruz, 1156 High, Santa Cruz. (831) 459-0111, www.ucsc.edu

Access denied

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rebeccab@sfbg.com

If tuition goes up to $40 per course unit at the community college where Dielly Diaz is working toward her associate of arts degree, she’s not sure she’ll be able to afford it. But Diaz isn’t just worried about her own shot at an education. She also wonders what’s in store for her 19-year-old daughter, a student at Laney Community College in Oakland. For parents scrambling in the face of the economic downturn even as their kids prepare for the future, she said, “it’s like we’re getting hit both ways.”

Diaz, who is 39 and originally from Venezuela, says she decided to enter Berkeley City College’s adult education program to earn her degree because the recession threw her into a precarious position, shaking the stability of her job as a mortgage loan officer. When she started just a year ago, tuition was $20 per course unit. It has since gone up to $26, and now the California Legislative Analyst’s Office is recommending ratcheting it up to $40.

Even as students are being asked to shell out more, California’s community colleges are reeling from the impacts of budget cuts: faculty layoffs, swelling class sizes, fewer available courses, and reductions in student services. For students hoping to transfer to other public institutions in the California State University (CSU) or University of California (UC) systems — or even for those seeking to develop a skill set that can garner a living wage — maneuvering the shredded educational framework can be frustrating. This past year, roughly 250,000 students statewide were denied access to community colleges due to a lack of course availability, according to education advocacy group Against Cuts.

“When you see all that, it’s like OK, I feel like I really need to do something,” Diaz said. “It’s not like we can just sit and wait, letting the cuts happen. I think we can really get organized.”

Between school, work, and being a mom, Diaz started pitching in on community outreach for Against Cuts, a grassroots effort that took shape last fall in the wake of devastating education cutbacks. It was one of hundreds of organizations that collectively launched mass demonstrations decrying funding slashes to education on March 4. The newly energized education movement plans to propel another mass rally to descend on Sacramento in the fall, Diaz noted, in the meantime focusing on awareness-raising efforts like an April 17 teach-in at Berkeley City College.

California’s community colleges are unique among the state’s higher education institutions in that they represent a gateway for nontraditional students to get a foothold for career advancement or a fresh start for people trying to improve their lives. They also offer an affordable option to complete lower-division coursework before transferring, a path that’s starting to become a bottleneck since courses needed to meet transfer requirements have been affected by cuts.

Yet even as fees climb and class sizes balloon, more people are opting to go the community college route, and demand for enrollment is only expected to increase. Some are college-age students whose families have been priced out of other institutions.

“We’re having this flood of people from the CSUs and UCs now trying to do their freshmen and sophomore year with us and then transfer,” notes Berkeley City College faculty member Joan Berezin. Others are individuals who can’t find work in an economic climate marked by 12.5 percent unemployment. “When we get hog-tied and cut and restricted, we close off possibilities to everyone,” Berezin says. “People who’ve just lost their jobs, people whose parents have lost their jobs, they’re all coming to us.”

Of the nearly 3 million students attending community college statewide, women and people of color are in the majority, and 80 percent work while attending school. It’s still a relative bargain for education, but fees are keeping pace with the rising costs of housing, transportation, childcare, and food.

“I have students who are homeless, who are living in their cars,” Berezin notes. “So we can say, oh, $40 a unit, that’s not a big deal. But if you’re taking 12 units and you have no income — and you don’t qualify for financial aid ’cause you don’t have an address … that’s a huge amount of money.”

Financial aid is available, but with narrow eligibility requirements — and even some of that funding may be headed for sacrifice on the budgetary chopping block. Gov. Arnold Schwarzenegger’s budget for the 2010-11 fiscal year proposes suspending new awards for the Competitive Cal Grant Program, for a savings of $45.5 million. About 70 percent of Cal Grant award recipients attend community colleges.

“This award is dispersed according to income and GPA,” explained Theresa Tena, director of fiscal policy at the Community College League of California. “Many of our students have a high GPA and a low income.” Some 22,500 students receiving this financial help would be affected by the proposal — and Tena says more than 150,000 eligible students already compete for the award packages.

Research increasingly shows that students from working-class families are being priced out of college — even community college — and that it’s harder to pay their own way without taking on serious amounts of debt. A California Postsecondary Education Commission (CPEC) report found that in 1975, a community college student would have earned well over the amount needed for a year of school, including housing and other expenses, by working a summer job in retail. Today that same student would only be able to scrape together about two-thirds of the needed amount — and that’s assuming every single penny was saved.

“In the old days, going to community college was a break-even proposition,” notes Adrian Griffin, assistant director of research and policy development for the CPEC. “With stagnating wages at the low end of the job market, it doesn’t work this way anymore.”

The blow to community colleges caused by a loss in state revenue and consequential budget cuts mirrors the damage done to the entire public education system. While the recession has triggered especially hard times, this low point follows a long-term trend of diminishing state funding for education. In 1965, the state general fund provided $15 for every $1 paid in fees by UC or CSU students, according to the CPEC. By 2009–10, that state contribution had declined to $1.40 for every dollar paid in fees. “We’ve gone from a taxpayer-supported system to a semi-privatized system,” Griffin observed.

This point hasn’t been lost on the education advocates at Against Cuts, who are pushing for reform in tax policy as a solution for restoring public education in California. An information packet created by the group highlights a nearly 50 percent decline in the share of corporate income paid in taxes since 1981, even as corporate profits have shot up.

“There is no reason for education to be cut in California, the world’s eighth-largest economy,” Diaz said. “We can’t just continue to accept and accept and accept. Having a population that does not have access to education is dangerous.”

Yee’s two-fer: Bashing Palin while promoting sunshine

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Sen. Leland Yee scored a two-fer yesterday when he blasted a California State University organization for hiding how much it’s playing Sarah Palin for a speaking gig, raising an important sunshine issue and knocking Palin’s populism-for-pay schtick in the process. And at the heart of the issue is how public education institutions increasingly use foundations to avoid accountability.

That issue was recently raised in San Francisco, when City College Foundation sought to keep its financial dealings secret. The Guardian sounded the alarm last month, and City College Trustee John Rizzo, who led the fight for more sunshine, negotiated a more open arrangement that the Board of Trustees unanimously approved last week.

“We got most of what we wanted,” Rizzo told us. “Most of the things are open and they have to give us a quarterly report on donations.”

Yee – who the Society of Professional Journalist-NorCal recently honored with a James Madison Award for his struggles to promote greater government transparency and protections for journalists – has long been fighting for more sunshine in the CSU and UC systems, which is particularly important as they make deep cuts to higher education spending. For example, Yee’s Senate Bill 330 would explicitly require those systems to adhere to the California Public Records Act.    

“These are public institutions that should embrace transparency and accountability,” Yee said yesterday in a press release announcing his request that CSU-Stanislaus’s foundation disclose how much it is paying Palin for a $500 per head speech on June 25. The press release triggered a front-page story in today’s San Francisco Chronicle, with CSU and foundation officials rebuffing Yee’s request.

So now, Yee gets to bash Palin and make an important stand for sunshine, both of which will likely help his nascent campaign to be elected mayor of San Francisco next year.

As Yee wrote in a letter to campus President Hamid Shirvani, who also serves as the chair of the foundation: “The sensational nature of former Governor Palin’s political commentary, coupled with an ongoing book tour, has allowed her to charge top dollar for speaking engagements. As was reported in the media, her speaking appearances typically command $100,000 per event. To that end, I request the foundation to respond to the following issues: 1. Is the former governor being compensated by the CSUS Foundation in any form for her participation in the event on June 25th?  If so, please describe the amount and nature of the compensation being awarded to the former governor.  2. Please disclose any contracts between the former governor and the CSUS Foundation involving the June 25 speaking engagement.”

Later in the press release, he added: “The CSU should immediately disclose how much money is being diverted from students to pay Sarah Palin’s exorbitant speaking fees. At a time when students are struggling to afford an education at CSU, I would hope that spending potentially hundreds of thousands of dollars on a guest speaker for a black-tie gala would be low on the priority list.  Money that is spent on bringing an out-of-touch former politician to campus could be spent on scholarships and other financial assistance during these challenging budget times.”

Win or lose, this is the right fight for Yee, both morally and politically. Go git ‘er!

Let the Eagle Fly!

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The long and dramatic struggle for basic labor and civil rights by the California farmworkers led by Cesar Chavez is wonderfully told in an exceptional new musical, “Let the Eagle Fly,” that’s now playing a limited engagement in San Jose, the city where Chavez began the organizing career that brought him worldwide acclaim.

The musical score is excellent, as are the musicians and the actors – some in their teens or younger, others with broad experience. They tell the story of Chavez and the early struggles of the farm workers union he founded in 1964 and led for three decades – in lively song and dance, often with humor. And for all its artistry, the story they tell is accurate, down to small details. I know first-hand of the events dramatized, since I covered them in detail as the SF Chronicle’s labor editor.

Chavez’ start as an organizer for the Community Services Organization, his unwavering belief in the non-violent tactics of Mohandas Gandhi, his fasts and other personal sacrifices and those of his sometimes reluctant family . . .

The rushed and exhausting motions of vegetable pickers, wielding 18-inch hoes as they scurry over the fields like spiders, bent double, rhythmically bending, stooping and straightening, as they scoop up lettuce, carrots and other produce. Bend and pick. Bend and pick. Endlessly . . .

The fruit pickers, making their way swiftly through vineyards, reaching high to pluck the grapes. Reaching, stretching and picking. Reach, stretch, pick. Endlessly. Fast and endlessly.

The racist growers who fought fiercely to avoid giving their Chicano grape pickers decent pay and working conditions . . . the Kern County sheriff who sided with the growers . . . the dogged determination of Chavez and his followers . . . the nationwide grape boycott that finally won the workers the right to bargain with the growers and, in doing so, finally win union contracts guaranteeing them decent pay and working conditions . . . Chavez’ untimely death in 1993 . . .

The words and music show and tell all that and much more, and the audience can’t help but be drawn into the dramatic finale. We were quickly on our feet, cheering, applauding, clapping rhythmically, singing along with the actors, followed by a standing, cheering, much deserved ovation.

Only four more performances are left in the run of “Let the Eagle Fly” in the San Jose City College Theater – Thursday March 25, at 8 p.m.; Friday March 26, at 8 p.m.; Sunday, March 28, at 2 p.m.; and a final performance Wednesday, March 31, at 7:30 p.m. Details on ticket availability, prices and directions are available at www.lettheeaglefly.com.

Viva la huelga!

San Francisco writer Dick Meister is the co-author of “A Long Time Coming: The Struggle to Unionize America’s Farm Workers (Macmillan).

In the wake of March 4, education battles continue

Two weeks after protests against cuts to education filled Bay Area streets (and one freeway) on March 4, employees in the public-education sector are still engaged in a fight against budgetary rollbacks. But it’s an uphill battle, as was made clear at a briefing organized by United Educators of San Francisco at City College of San Francisco March 18.

At El Dorado Elementary School in the Bayview, 11 of 15 teachers were issued pink slips, according to elementary school teacher Megan Caluza (featured in the video above). While this doesn’t mean all 11 teachers are on their way out the door, it does mean that none of them knows for sure whether there’s a guaranteed job in the school district in the coming year. Since the budget cuts hit, Caluza says she’s been spending just as much time “fighting to teach” as she has in the actual classroom.

Elementary schools aren’t the only places being hit hard. Statewide, more than 23,000 layoff notices were sent to K-12 teachers recently, with no one knowing for sure which recipients will stay or face job losses.

“What is more important to you, corporate tax loopholes, or teachers in your daughter’s classroom?” asked Dennis Kelly, president of United Educators of San Francisco. “A college education for your son to get ahead, or tax breaks for the wealthiest Californians?”

Meanwhile, community colleges throughout the state face fee hikes even as classes are being cancelled, summer programs are being scaled back or eliminated altogether, and staff faces layoffs and furloughs. According to AgainstCuts.org, a group that was instrumental in organizing March 4 activities, the student population at California community colleges is comprised of more than 50 percent women and people of color, with around 80 percent of students working while taking classes. Blows to this educational system impedes opportunities for career advancement for the nearly 3 million community college students, which is bad news not just for students with lifelong dreams and high hopes, but California’s economy as a whole.

On Monday, March 22, more than 3,000 students, faculty members and others from City College of San Francisco plan to hold a march and rally in Sacramento to highlight the impact of cuts to community colleges. Around 62 buses will be leaving SF early in the morning to arrive in Sacramento for a 10 a.m. rally on the steps of the State Capitol Building.

Joining students and teachers at CCSF yesterday was a representative from Californians for Democracy, an organization that is pushing a November ballot initiative, authored by University of California Berkeley Professor George Lakoff, that would change the two-thirds majority vote requirement for the state Legislature to pass a budget or raise taxes to a simple majority vote. While the initiative is still circulating petitions to gather signatures, it seems to have found allies in the growing movement against cuts to education.  

March 4 represented “the first time we’ve ever done an all-education action,” Joan Berezin, a faculty member at Berkeley City College for 20 years, told the Guardian. “We’re trying to build the broadest coalition possible.”

So you think you can choreograph?

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arts@sfbg.com

DANCE On March 11, at the eighth Dance Discourse Project — an ongoing series of artist-driven discussions sponsored by CounterPULSE and Dancers’ Group — the topic was “Dance in Pop Culture.” Reality shows like So You Think You Can Dance? and Dancing With the Stars have raised questions about their effect on theater-based dance. Most participants agreed that these media-driven programs have created at least one beneficial change. For reasons cultural and historic, large sections of the population still think of dance as something unknown and unfamiliar. The popularity of these programs — controversial as they are in terms of artistic quality — have made dance more accessible and democratized the art.

The night after that discussion, democratization of a different type took place in the Mission. It was time for another entry in Dance Mission Theater’s long-running “Choreographer’s Showcase” series. Twice a year a cattle call goes out to dancers in the Bay Area. It’s not for a chance to audition or submit a proposal to be considered by experts. Rather, it’s a wide-open process: you have something you want to show, let ’em know — first come, first served.

The result is a freewheeling two hours of dance, with usually about 12 soloists and groups. They range from the barely competent to the highly professional. The house is packed with family and friends who come to cheer their favorites and are exposed to a wide spectrum of theatrical dance. This latest show was no different.

Three soloists stood out. Herve Kayos Makaya’s La Lutte Continue, performed by the choreographer, showed a superb dancer dragging two heavy burlap bags before bursting into an explosive African and Western vocabulary mix of leaping feet and racing arms. Currently a work in progress, the finished Lutte is something to look forward to at the CubaCaribe Festival in late April. First Creation had choreographer-dancer Alison Hammond scoot around the floor, shaking a tambourine. Kneeling on the floor, flowing hair obscuring her head, she deployed neck muscles the size of a prizefighter into a rollicking earthquake before sending her long legs into crotch-exposing propeller rotations. Surely this was one of the oddest performances seen on that stage. Liz Brent’s masked that person you meet was so short it was over before you noticed it. Though tentative, the idea of using hands as a primary expressive tool warrants further exploration.

I have a soft spot for the large Strong Pulse Crew, Kirstin E. Williams’ hip-hop student group from City College. For some of the dancers, it’s a chance to shine; for others, it’s a chance to try, and there is room here for all. Bringin’ It Back Remix featured a welcome dream section in which the dancers choreographed their own parts. Meanwhile, Kimberly B. Valmore teaches college students using a ballet-based eclectic vocabulary. The imagistic Answer the Call, with a central couple surrounded by an ensemble moved with a pulsating febrile intensity, nicely balanced stasis against full-force propulsion. Some of Valmore’s dancers have professional potential. Silvana Sousa’s samba choreography for Syncope of Brazil highlighted the difference between dancers and performers. Except for the three soloists, these samba dancers were too self-consciously awkward to bring to their performance that all-important ingredient called projection.

Two companies managed to create compelling emotional atmospheres. Lee Parmino and Janey Madamba’s Awakening made good use of a small corps in a piece that suggested disruption and healing of a relationship. There was something vaguely ominous in Hilary Palanza’s bent-over and head-butting duets A Perplexing and Brief Study of My Loss. She was shattered by more the score’s sounds of breaking glass.

Concerns raised about City College-Foundation pact

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By Jobert Poblete

At its meeting yesterday, the City College of San Francisco Board of Trustees discussed a new draft agreement with its fundraising arm, the Foundation of City College of San Francisco. As reported in this week’s Guardian, the foundation is seeking greater autonomy from the college. The CCSF trustees limited their discussion to proposed changes to the draft agreement, but a final decision may be reached as early as next month in advance of the foundation board’s March 16 meeting.

City College trustee John Rizzo, who was part of the task force that drafted the agreement, explained that the new deal would give the foundation control of all funds except for $3 million raised by CCSF departments and faculty. Rizzo also said that the CCSF task force pushed the foundation to shift its focus from scholarships to saving classes and to operate with a level of transparency beyond the minimum required from nonprofit organizations.

Budget deficits have led to the cancellation or elimination of 1500 sections, including all 2010 summer classes, at CCSF. The draft agreement would require the foundation to consider sources and new fundraising that could be used to fund classes and programs, but trustee Steve Ngo called for a stronger commitment from the foundation to tap existing resources, including investment gains and restricted funds.

Hal Huntsman, president of the CCSF Academic Senate, presented the trustees with a resolution from the Senate’s executive council recommending that the new agreement not be approved without shared governance review and approval. Huntsman also raised concerns about changes to the foundation’s bylaws that would give representatives from CCSF’s academic and classified senates seats on the foundation board, but with one-year terms instead of the customary three years.

Trustee Lawrence Wong raised the possibility of asking the foundation for more time to discuss the issues raised at the meeting and to allow the shared governance bodies to weigh in. Chancellor Don Griffin reiterated the need to solicit buy-in from the college’s constituent bodies but called on the board to stay on schedule. “The board has spent a lot of time on these negotiations,” Griffin said. “And I think we’re 99 percent of the way there.”

A committee made up of representatives from the college and the foundation will meet again this month or early March. The CCSF board may then call a special meeting to vote on the agreement in advance of the foundation board’s quarterly meeting on March 16.

Fixing the Foundation

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By Anna Widdowson

news@sfbg.com

The Foundation of City College of San Francisco is seeking to shield its financial dealings from public scrutiny under a new agreement that could limit the college district’s oversight of fundraising done in its name.

The agreement establishes the formal relationship between the foundation and the district, renewing a document that expired last June. But it became controversial when the district sought to make the foundation into an auxiliary organization, which would allow greater oversight by the district and the public, while the foundation sought greater autonomy and secrecy surrounding its fundraising operations.

The two sides have been in strained negotiations for months, but the freshly inked compromise agreement will likely be on the Feb. 25 Board of Trustees’ agenda as a discussion item so that public testimony can be taken and changes can be made before it’s formally considered for approval.

The backdrop of the dispute — and the reason it’s so contentious — is last year’s criminal indictment of former City College Chancellor Philip Day for a money-laundering scheme using foundation accounts. Last July, Day was charged with eight felonies for misappropriating more than $150,000 in college funds, including using the foundation to funnel public money into a political campaign and maintaining an unregulated slush fund. The trial is set to begin later this year.

But the foundation, which controls more than $19 million in scholarships and other assets for the district, says that corruption is precisely why it wants to back away from the college, which managed the foundation’s finances under the previous agreement that expired last June.

Peter Bagatelos, the foundation’s lawyer, said Day’s missteps have cast a shadow on the foundation that has impeded its ability to fundraise. He explained that many donors mistook the district’s actions for those of the foundation and were scared away from donating, which is why the foundation is seeking to be an independent body.

Yet a Guardian investigation (“On shaky ground,” 3/5/08) unearthed documents showing that the foundation helped Day launder $35,000 in public funds into a 2006 political campaign, although an internal audit couldn’t find evidence that foundation directors approved the transfer and, as Bagetelos told us at the time, “It was never done with their consent or knowledge or participation.”

Now the foundation is asserting that it cannot fundraise successfully if it is turned into an auxiliary organization, as some trustees are seeking, which would subject the foundation to public records, open meetings, and other sunshine laws that Bagatelos derided as “a lot of bureaucracy and entanglements.”

“They just want to go out and raise money to help the students,” Bagatelos said. As for why transparency hinders that cause, he said: “There are many donors who don’t want to be made public.”

“The foundation is not a public agency, it’s a private corporation,” he noted.

A rough draft of the agreement, which is still under review, lays out the steps the foundation will take to gain greater autonomy, including hiring and paying its own employees, and adopting a structure comparable to other nonprofit entities to make it more attractive to prospective donors.

But some college trustees, including President Milton Marks and Vice President John Rizzo, believe they should be given greater oversight over the foundation’s finances. “The district [and the foundation are] equally tarnished by the activity because they enabled [Day],” Rizzo said. “I just want to get enough sunshine in there that goes beyond what they have to report by law, so if a future chancellor does something like that, we’ll know about it.”

Bagatelos said the foundation will still be subject to monthly reviews and regular audits as outlined by the laws governing all nonprofit organizations, but the district may not have access to donor and fundraising information.

Hao Huntsman, president of the Academic Senate, which represents the college faculty, said this lack of transparency would hurt the ability of both entities to rebuild their reputations.

“The foundation raises money using the City College name. We have a lot of investment in that name and are very sensitive to how that name is being used and the kinds of places we are soliciting money from,” he said. “We don’t want to be taking money from firearm manufacturers and tobacco companies, for example.”

But Rizzo explained that the college has no control over where the foundation gets its donations. “They could collect money from PG&E or Chevron and give scholarships and the district would have no say,” he said.

This leaves the college wide open to efforts by corporations to make donations that direct the course of research at the college, a phenomenon that has blighted many a public school over the years. “We are concerned that there won’t be the same degree of knowing,” Huntsman said. “If the college doesn’t have a say in the control of that money, it could be used for something other than what it was intended for.”

As it stands, the foundation primarily raises money for scholarships. Rizzo would also like to see the foundation give the college from $3 million to $5 million annually to help cover operational costs and close the budget deficit. “It’s great to have scholarships, but if we don’t have classes the scholarship can’t mean much,” he said.

Rizzo and Huntsman also want the new agreement to require the foundation to turn over upwards of $3 million raised by faculty members independently of the foundation.

Rick Knee, a member of the San Francisco Sunshine Ordinance Task Force who has tried for years to bring City College under its oversight, said the potential agreement raises concerns about the foundation’s ability to wield unprecedented political clout.

“It might enable them to do some arm twisting,” Knee said. “If the foundation wants to make a clean break from the Day era, they should give the current Board of Trustees a chance to make their case and demonstrate that they’re not Phil Day.”

Peter Scheer, executive director of the First Amendment Coalition, said that an agreement in which there was both independence and transparency for the two parties would strike an appropriate balance.

“The irony here is that you have the college and the foundation saying the exact same thing,” he said. “The college is worried that unless they have control the foundation will threaten its integrity, and the foundation is saying that without autonomy the school will tarnish its name and make it harder for them to get donors. They are both right in light of what happened with Day.”

Lawyers on both sides agree that, as a nonprofit, the foundation has the right to control its own assets. But that doesn’t mean they should keep the district in the dark, say the trustees, who want the foundation to open its books to the district, if only to ensure a modicum of public accountability.

Rizzo, who was on the negotiating team, told us that the agreement currently maintains donor secrecy but allows for some financial oversight by the district, including monthly audit reports and notification of instances when district funds enter foundation accounts. “They’ll have to report some things to the Board of Trustees, then the district will make them public,” Rizzo said. “But they do not want to report donor names and that will be an item of discussion.” *

Steven T. Jones contributed to this report.

Notes from the Sierra Club’s gala dinner

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While I focused on Jerry Brown’s disappointing speech to the Sierra Club San Francisco Bay Chapter’s gala dinner on Wednesday night, there are a few more notable nuggets in my notebook worth posting here, starting with what appears to be the collapse of plans for a California Constitutional Convention.

The Guardian recently reported on the difficulties that the campaign was having, but consultant Clint Reilly told me that the effort is basically over, with fundraising shortfalls being the final nail in the coffin. That’s one more reason why “hope” seems to be in such short supply on the political landscape.

The event was held in the Merchant Exchange, a building owned by Reilly, who helped underwrite the gathering. So it was no surprise that the evening was MCed by his wife, Janet Reilly, who is running a strong campaign to replace Michela Alioto-Pier on the Board of Supervisors.

There were lots of political luminaries at the event (list to follow), but there was one particularly notable attendee and particularly notable absence. Los Angeles City Council member Janice Hahn was one of the few politicos from down south, making the rounds in support of her run for lieutenant governor. But Mayor Gavin Newsom, who is considering challenging her, didn’t show up.

Also a no-show was U.S. Sen. Barbara Boxer, who appeared by video to address the gathering and express appreciation for being the recipient of the Sierra Club’s first Phillip Burton Badge of Courage Award for environmental stewardship. Accepting the award on her behalf was California Democratic Party chair John Burton, who was his usual salty self, taking a dig at the San Francisco Chronicle by referring to someone who wrote “for the Chronicle back when that was a newspaper,” and describing the award’s namesake thusly: “My brother was an outstanding environmentalist who didn’t like the outdoors much.”

He also made this funny, self-effacing crack at the start of his speech: “I think a third of the people in this room would like to see the accelerator stuck on the rug of my Prius.” I was not among that third.

There was a strong turnout of local political leaders, but tellingly, only from the left side of the political spectrum. The members of the Board of Supervisors who turned out were David Chiu, Chris Daly, Ross Mirkarimi, Eric Mar, and John Avalos. Other political luminaries on hand included City Attorney Dennis Herrera, Sen. Leland Yee (Yee and Herrera are each running for mayor) City College trustee John Rizzo (who introduced Brown), Senator-turned-Oakland mayoral candidate Don Perata, District Attorney Kamala Harris, Rep. Jerry McNerney, and Sen. Loni Hancock.

Progressives control City College board

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By Anna Widdowson

The reelection of Milton Marks III as President of the City College of San Francisco’s Board of Trustees ruffled some feathers during last week’s board meeting, but it signals a real shift in the balance of power in the governance of this troubled district.

Dissent came primarily from longtime board member Natalie Berg, a fairly conservative and consistent (and crabby) supporter of former City College Chancellor Philip Day, who was indicted last July on eight felony charges for misappropriating public funds. Other longtime board members (and Day enablers) Lawrence Wong and Anita Grier also voted against Marks, who was a fairly isolated public interest advocate until two years ago, when he began to accumulate some allies.

One of those allies, progressive activist John Rizzo, last year replaced Berg as the board’s vice president, a post we was reelected to last week on the same 4-3 vote that Marks got. But while Berg opposes the pair on ideological grounds, she couched her criticism in the “long-standing tradition” of Board presidents’ declining to serve two terms in a row. She called Marks’s reelection “unprecedented” and a blow to the Board’s democracy.

Marks attributed the controversy over his reelection to a shift in the culture and ideology within the board. “(Berg) and other people used to have a real lock on the board and how it was run,” Marks told us. “Now there is a solid four votes on our side and I think they are feeling really unhappy that their time has come and gone.”

Marks noted that last year was the Board’s single most productive year in memory, which is probably a commentary on how abysmally this board has traditionally done its job as much as anything.

Berg has sat on the Board since 1996, and has served as president three times, though not in succession. Despite her quibbling, Berg didn’t offer to take the reigns herself, even after one concerned citizen audibly whispered from the audience, “If you’re so upset, why don’t you run?”

In fact, no one but Marks and Rizzo was nominated for either position. According to Marks, despite attempts to strong-arm the newest board members, Chris Jackson and Steve Ngo, the trio of dissenters knew they couldn’t win the election.

“They kind of scared Chris,” Marks said. “But he is such an honorable guy he never went back on his commitment to me or his ideology. And without his and Ngo’s vote, they knew they would lose the election and they didn’t want to be embarrassed.”

Jackson expressed distaste for the squabbling, and wondered aloud if perhaps students’ needs were a more pressing issue than elections. After all, if Berg keeps hogging air-time at meetings, the Board is likely to be largely stale-mated by petty internal power struggles.

 

Alerts

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alerts@sfbg.com

WEDNESDAY, DEC. 16

SF Carbon Collaborative


Attend this panel discussion on justice, equity, and sufficiency in climate negotiations and the role these values play in national and local climate action. Speakers include Jonah Sachs, cofounder of Free Range Studios and Linda Maepa, from Electron Vault Now.

6 p.m., free

Crocker Galleria

Green Zebra storefront

50 Post, SF

www.carboncollaborative.org

THURSDAY, DEC. 17

City College meeting


Attend this monthly business meeting of City College of San Francisco’s Board of Trustees. A video of the meeting will also be telecast on EaTV Cable Channel 27 at 8:30 p.m. Dec. 23.

6 p.m., free

Auditorium

City College

33 Gough Campus, SF

www.ccsf.edu

Stop the violence


Take part in the International Day to End Violence Against Sex Workers by attending this memorial vigil ritual at Femina Potens Art Gallery, a space dedicated to LGBT visual arts exhibitions, media arts events, public arts projects, performances, and educational programs.

7 p.m., free

Femina Potens Art Gallery

2199 Market, SF

(415) 864-1558

Protest BART’s police chief


Protest at a forum being held by BART to hear the community’s thoughts and opinions on choosing a new BART police chief. Don’t let Chief Gary Gee walk away from his job with no accountability for the Jan. 1 murder of Oscar Grant by a BART police officer.

6 p.m., free

Joseph P. Bort MetroCenter Auditorium

101 Eighth St., Oakl.

www.indybay.org/oscargrant

Traditional Seeds


Join in the dialogue about the value of traditional crop varieties and ecological agriculture in an increasingly unstable world climate at this talk featuring Debal Deb, ecologist and founding director of the Center for Interdisciplinary Studies in West Bengal, India.

7p.m.; free, donations for Dr. Deb’s initiatives accepted

Ecology Center

2530 San Pablo, Berk.

(510) 548-4915

Wine for a cause


Attend this wine tasting event titled "Drink Good Wine, Do Good Works" featuring wines that support access to healthcare for California vineyard workers. Donate canned goods to SF Food Bank for $5 off admission.

6 p.m., $15

Jovino

2184 Union, SF

(650) 796-1607

FRIDAY, DEC. 18

Say no to war


Rally to demand that we bring our troops home now.

2 p.m., free

Acton and University, Berk.

(510) 841-4143

Women in Black vigil


Protest the ongoing occupation of Palestine and attacks on Gazans by attending this vigil for Tristan Anderson, who was critically injured by Israeli forces, and by contacting the Consul General David Akov at the Israeli Consulate to demand an end to the violence at concal.sec@sanfrancisco.mfa.gov.il.

Noon, free

Bancroft and Telegraph, Berk.

(510) 548-6310

SATURDAY, DEC. 19

Single-payer now


Attend this healthcare forum and holiday potluck featuring presentations by Assembly Member Tom Ammiano, principal author of SB 810 California Universal Healthcare Act, and Rep. Eric Massa (D-N.Y.), one of two cosponsors of HR 676 . Single-payer legislation has been passed twice by the California legislature but was vetoed by Gov. Schwarzenegger.

3 p.m., free

St. Mary’s Cathedral

1111 Gough, SF

(415) 695-7891

Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 255-8762; or e-mail alerts@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

Goldies Extra — Cary Cronenwett’s revolution now

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By Cheryl Eddy

maggots.jpg
Still from Maggots and Men

“It was schoolboys sitting in the classroom, having daydreams,” Cary Cronenwett explains, describing Phineas Slipped, his 2003 debut as a director. “The classroom was in video, and the daydreams that the boys had were little Super 8 [films]. It was bullies, and bullies being bullied, and it was sexy and violent and stuff like that.”

Five years in the making — including time spent studying filmmaking at City College of San Francisco with director of photography Ilona Berger — Cronenwett’s follow-up effort Maggots and Men was first seen by Bay Area audiences as a short film (“sort of an overgrown trailer,” as Cronenwett calls it)


trailer for Maggots and Men

Maggots and Men | MySpace Video

“The structure of the film is kind of expandable and contractable. It’s broken up into discrete stories, or segments. More of those could be added, or taken away,” Cronenwett says. “I did the same thing with my first film: the idea was to get three quarters of the way through it, and then see what’s needed. I always wanted to lean towards the side of making it shorter and really dense. But I also thought, we’ll see how it works out and maybe it needs to become longer.”

Cary Cronenwett

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Cary Cronenwett first heard the cinematic call in 1998. He was volunteering at Frameline, the San Francisco International LGBT Film Festival, and caught an experimental film, Dandy Dust, by Austrian director A. Hans Schierl. "That made me think, ‘Wow — I could make a film.’ I think it’s a natural reaction that everybody has after watching a shorts program. I was like, ‘I’ll make something five minutes [long] — it’ll be really cool!’"

As Cronenwett soon realized, nothing is easy when it comes to filmmaking. In 2003, after more than a year of work, Phineas Slipped, a 16-minute short about daydreaming schoolboys, screened at Frameline. One of Phineas Slipped‘s main characters is played by Stormy Henry Knight, who also stars in Cronenwett’s debut feature, Maggots and Men. Earlier this year, Cronenwett described Knight to Guardian writer Matt Sussman as "the transgender Matt Dillon" — and the principle Maggots cast is composed of similarly hunky FTM actors, along with a handful of women and biological men (including a Lenin lookalike). The story is based on the real-life Kronstadt Rebellion of 1921, in which a group of sailors organized an ultimately unsuccessful revolt against the Bolshevik government. The style is reminiscent of Russian director Sergei Eisenstein’s most famous film, a chapter of which gave Maggots its title.

"I hadn’t seen Battleship Potemkin [1925] when I had the idea [for Maggots and Men]," Cronenwett admits. "My interest was making a sailor movie and playing with the masculine icon. I wanted to do something that was really romantic and took place in a different time and place."

Five years in the making — including time spent studying filmmaking at City College of San Francisco — the work was first seen by Bay Area audiences as a short film at Frameline 2008. The final, 53-minute version unspooled at Frameline 2009; Cronenwett credits San Francisco’s vast DIY and artistic networks with helping him get to the finish line: "Different people got excited about the project for different reasons. Some people were drawn because they’re interested in Russian history, [or] Super 8 special effects. And then we had trans guys who were interested in working with other trans guys on an art project, which was exciting."

The film’s revolutionary ideas extend beyond historical reenactment. "The film contextualizes the movement for transgender equality in a larger social justice movement," Cronenwett wrote in a post-interview e-mail. "It’s about hope, a vision. It’s about the corruption of power and a system that crushes its opposition. It’s about wanting more from society."

www.homepage.mac.com/gowithflo/krondweb

>>GOLDIES 2009: The 21st Guardian Outstanding Local Discovery awards, honoring the Bay’s best in arts

Events listings

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Events listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

FRIDAY 30

Bedbugs: Modern Vampires City College of San Francisco, Science Building, room 300, 50 Phelan, SF; (415) 239-3580. Noon, free. Hear Johnson Ojo, Ph.D. from the San Francisco department of health describe the life cycle of bedbugs, our 21st century vampires. Dr. Ojo will discuss the factors that have led to their reemergence and current public health measures to control infestations in San Francisco.

Ghost Walk Palace Hotel, 2 New Montgomery, SF; (415) 557-4266. 6:30pm, free. Learn about the spooky history of the historic Palace hotel, how King Kalakaua, the last king of Hawaii, died there in 1891, how it was rebuilt after burning in the 1906 quake, how President Warren G. Harding died in office there in 1923, and more tragedies and heartbreaks that keep the halls buzzing with spectral visions and mysterious occurrences.

Postmortem Legion of Honor, 100 34th Ave., SF; (415) 750-3548. 8pm, $85. Dance among the undead at this "Ghoulish Gala," combining complimentary potions and witches brews with the current mummy exhibit featuring Irethorrou, a 2,500 year old Egyptian mummy.

BAY AREA

Hallowmas Orinda Masonic Temple, 9 Altarinda, Orinda; (925) 787-9247. 6:30pm, $29. Join other women and girls from the Bay Area to celebrate the Pagan New Year at this annual Womyn’s Ritual and Spiral Dance accompanied by an artisan and craftswomen marketplace.

SATURDAY 31

Classic Ghost Stories North Beach Library, 2000 Mason, SF; (415) 355-5626. 2pm, free. Be a part of the Sitdown Readers’ Theater and help read aloud classic ghost stories like "The Turn of the Screw" by Henry James and "Thrawn Janet" by Robert Louis Stevenson or bring your own favorites.

Costume Walk Yerba Buena Children’s Garden, 4th St. at Howard, SF; (415) 543-1718. Noon, free. Children under 10 and their families are invited to participate in interactive performances and games for kids followed by a costume parade.

Creature Features Exploratorium, 3601 Lyon, SF; (415) 561-0360. 3pm; $10-16, discount in costume. Begin your Halloween festivities with creepy creatures, plants, giant insects, a haunted Victorian house on wheels, and more. Including candy for the kids and a cash bar for adults.

Drop Dead Sexy Block Party Broadway between Montgomery and Columbus, SF; www.megahalloweensf.com. 8pm, $35. Buy a wristband and gain access to multiple clubs for costume contests and DJs spinning hip hop, R&B, mashups, top 40, electro, and more.

End of the Night Justin Herman Plaza, Market at Embarcadero, SF; journey.totheendofthenight.com. 7pm, free. Be a part of this city wide game of tag spanning

San Francisco’s haunted cityscape on Halloween. Players try to make it through six checkpoints on foot or by public transportation, without being caught by chasers. Those caught become chasers themselves.

Freakshow Terra Gallery, 511 Harrison, SF; www.terrasf.com. 9pm, $30. Attend a 1930’s circus big top Halloween party featuring a freakshow with aerialists, jugglers, clowns, DJs spinning indie, pop, and alternative sounds, and more.

Halloween Party Cat Club, 1190 Folsom, SF; (415) 703-8964. 9pm, $15 with costume. In response to years of violence in the Castro, Peaches Christ and Helinka are hosting a fright-night featuring a costume contest, midnight drag show, classic horror films projected on screens, and DJs spinning creepy dance music.

Make Drag, Not War Dance Mission Theater, 3316 24th St., SF; www.againstmilitarism.org. 7:30pm, $20. Join Iraq Veterans Against War (IVAW) for a night of activist drag and dance theater featuring the drag debut of more than a dozen Iraq veterans as a benefit for Dialogues Against Militarism (DAM).

Spider Ball Bently Reserve, 400 Sansome, SF; spiderball.com. 10pm, $55. Dress to impress at this decadent Halloween party and fundraiser for the Black Rock Arts Foundation (BRAF) and enjoy DJs, live acts, and more.

Spiral Dance Ritual Kezar Pavilion, 755 Stanyan, SF; www.reclaiming.org. 7:30pm, $20-100. Honor the dead and celebrate renewal at this spiral dance ritual happening on the day of the year when the veil is thin between the worlds of the living and the dead.

SUNDAY 1

Dia de los Muertos Concert San Francisco Symphony, Davies Symphony Hall, 201 Van Ness, SF; (415) 864-6000. 2pm, $15-65. Celebrate Latino culture at this family concert featuring music, dance, art, and storytelling from the traditions of the Day of the Dead.

MONDAY 2

Dia de los Muertos 24th St. and Bryant, SF; www.dayofthedeadsf.org. 7pm, free. Join thousands of families, community members, artists, and activists for the annual Day of the Dead procession and public altar exhibit. Procession ends at a Festival of Altars in Garfield Park, located at 26th and Harrison.


Selling stuff to educate kids

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By Melanie Ruiz
garage-sale-sign.jpg
This Saturday, Oct. 24, City College of San Francisco (CCSF) is holding a garage sale and flea market to raise money to help offset billions of dollars cut from the state’s public education budget. The district lost $20-25 million this school year under the current state budget, a decision that Milton Marks, president of the CCSF Board of Trustees, says was “made in error and is short-sided.”

Marks admits that it, “really is absurd for the college to be doing this,” but said it illustrates what public agencies are being forced to do to survive in this no-tax climate. The money raised through the sale of donated goods will go to restoring classes and increasing counseling services for the spring semester. In August, Gov. Arnold Schwarzenegger created the “Great California Garage Sale,” in which state property was sold for just over $1.6 million, a drop in the bucket for the education sector’s needs.

With furloughs, class cuts, and tuition increases littering our public education system, schools have to do something to mitigate the situation for both students and faculty, including fostering a sense of community. There has been great support from people, says Marks, as this event, “gives people a sense of community and helps them feel like they are able to do something.”

Events listings

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Events listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

WEDNESDAY 21

Distribution Workshop Artists’ Television Access, 992 Valencia, SF; festival@atasite.org. 7:30pm, free. Gain insight into the world of experimental film exhibition and distribution at this workshop and panel discussion featuring Joel Bachar from Microcinema International, filmmaker Jonathan Marlow from SFcinemateque, filmmaker Maia Carpenter from Canyon Cinema, filmmaker Craig Baldwin from Other Cinema, and associate editor and producer of Wholphin, Emily Doe.

Root Division Auction Root Division, 3175 17th St., SF; (415) 863-7668. 7:30pm, $35. Support artists and arts education at this community auction and benefit for local emerging artists and Root Division’s after school art program for Bay Area youth.

FRIDAY 23

Art in Storefronts 989 Market, SF; www.sfartscommission.org/storefronts. 5pm, free. Enjoy live music and pick up a map at the opening party for the Art in Storefronts program, where participating storefronts along central Market and Taylor streets will display original window installations done by San Francisco artists.

Crush It! The Booksmith, 1644 Haight, SF; (415) 863-8688. 6pm; $22, includes book. Meet Gary Vaynerchuk, host of the popular daily webcast The Thunder Show on tv.winelibrary.com, and get a copy of his new book Crush It! Why now is the time to cash in on your passion, a guide on how to turn your interests into businesses.

Haunted Haight Walking Tour Starts in front of Coffee to the People, 1206 Masonic, SF; (415) 863-1416. Fri., Sat., and Sun throughout October, 7pm; $20 advanced tickets required. Discover neighborhood spirits and hunt ghosts with a real paranormal researcher on this haunted tour which includes chances to win spooky prizes and a guidebook.

Leon Panetta Intercontinental Mark Hopkins, 999 California, SF; (415) 869-5930. 11am, $30. Hear CIA director and California native Leon Panetta discuss the current challenges facing national security. Attendees may be subject to search.

SATURDAY 24

BYOQ Music Concourse, Golden Gate Park, 55 Hagiwara Tea Garden Drive, SF; www.byoq.org. Noon, free. Come dance and play at the Bring Your Own Queer music and arts festival featuring bands, DJs, performances, art, fashion, and more.

Passport 2009 Mission Playground, Valencia between 19th and 20th St., SF; (415) 554-6080. Noon, $25 for booklet. Pick up a map and purchase a "passport" at Mission Playground and begin your adventure to various locations around the Mission to collect artist-made stamps that will personalize your Passport 2009 journey.

Save City College Sale Parking area of the Balboa Reservoir across from the San Francisco City College Ocean Campus Science Hall, 50 Phelan, SF; www.ccsf.edu/saveccsf. 9am-2pm, free. Help restore canceled classes at the City College of San Francisco for the Spring 2010 semester at this Save City College garage sale and flea market.

Opera Costume Sale San Francisco Opera Scene Shop, 800 Indiana, SF; sfopera.com. Sat. 11am-5pm, Sun. 11am-4pm; free. Get a last minute Halloween costume at the San Francisco Opera’s warehouse sale featuring hats, masks, fabrics, shoes, and handmade costumes for women, men, and children.

Potrero Hill History Night International Studies Academy, 655 De Haro, SF; (415) 863-0784. 5:30pm; free program, $6 for BBQ. Enjoy BBQ from Potrero Hill restaurants and music by the Apollo Jazz Group, followed by a performance by the I.S.A. Community Choir, and ending with interviews of unique long-time residents.

Walk for Farm Animals Ferry Market Plaza, meet behind the Vallicourt Fountain in Justin Herman Plaza, SF; 607-583-2225. Noon, $20. Help expand awareness of the unnecessary suffering that farm animals endure and help raise funds for Farm Sanctuary, a farm animal rescue, education, and advocacy organization.

BAY AREA

Exotic Erotic Ball Cow Palace 2600 Geneva, Daly City; (415) 567-BALL. 8pm, $79. Attend the 30th anniversary of the Exotic Erotic Ball, a lingerie, fetish, and masquerade celebration of human sexuality and freedom of expression featuring live music, DJs, and costume contests.

SUNDAY 25

BAY AREA

Sister of Fire Awards Oakland Asian Cultural Center, 388 9th St., Oak; (510) 444-2700. 11am, $50-5,000. Help honor four remarkable women: Civil rights and immigration advocate Banafsheh Akhlaghi, Colombian indigenous rights advocate Ana Maria Murillo of Mujer U’wa, employment and labor rights advocate and author Lora Jo Foo and Tirien Steinbach of the East Bay Community Law Center. Featuring brunch and live music.

MONDAY 26

Ghosts of City Hall SF City Hall, meet at South Light Court, through Polk street entrance, 1 Dr. Carlton B. Goodlett Place, SF; (415) 557-4266. 6:30pm, free. Hear stories of disinterred remains, assassinations, and other ghostly lore, like the little-known fact that a cemetery once covered Civic Center. Allow time for security check.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Mijo, City College, Ocean Campus

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Tell us about your look: “I got this shift from a thrift shop in the Mission.”

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Clarissa, City College, Ocean Campus

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Tell us about your look: “My shoes match my shirt.”

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Erica, City College, Ocean Campus

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Tell us about your look: “I’m sad that it’s foggy.”

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Rebecca, City College, Ocean Campus

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Tell us about your look: “Everything was cheap, from Target or Forever 21. I like to mix colorful and weird pieces with casual and normal ones.”

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Kaida, City College, Ocean Campus

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Tell us about your look: “My hat is from Wondercon Comicon. I got these jeans from my mom and I don’t know where she got them. The jacket is from Hot Topic.”