Once every year, right around Pride time in June, a fantastical fey Imaginarium of uninhibited queer art, dance, theater, ecology, lube-wrestling, puppy piles, porn debuts, and fearlessly naked fabulosity pops up in the old Tower Records building in the Castro. This is the fag-ulous Faetopia festival which, for one delirious week, complements the corporate-sponsored and slickly marketed Pride happenings with a burst of summer solstice fairy dust. The event comes courtesy of the Radical Faeries, those scruffy pan-sexual Pagan sprites whose naturist movement has a long history in the Bay Area, where they spread their gay-gay wings from untamed redwood groves to notorious Burning Man camps. More than 50 artists join forces to create programs — like Gay Hist-Orgy (performer Ian McKinnon’s “cruise of gay historical figures”) and Flaming Queens on Fire! (fire-dancing lessons) — that stuff some good ol’ polymorphous perversity into Pride’s polished corners. And at the very center? Faetopia’s there too, with the hippie-chill Fairy Freedom Village area within the Civic Center festival itself.
Castro
Best of the Bay 2012: BEST FRESH-SQUEEZED FLIGHTS
BEST FRESH-SQUEEZED FLIGHTS
If founders Derek Castro and Luisa Alberto have anything to say about it, the juice bar is the wine bar of the future and, given Castro and Alberto’s Blue Bottle past, it’s not surprising that they feel a fresh-squeezed swig can have all the body and depth of a finely prepared coffee. Pronounced "so," SÔW is their regular pop-up juice bar inside Pause Wine Bar, at which they hope to prove that juices deserve all the attention to nuance and provenance as their more fussed-over beverage cousins. Tastings are served at room temperature so as to not numb flavors, and in garnished glasses much like artful cocktails. Yes, flights are sometimes available, offering the chance to taste (and see) an entire rainbow of fascinating flavors; a recent one even featured Early Girl tomatoes. Currently only open weekends, the SoWers hope to add weekdays with more tastings, an expanded menu, and an even bigger following of nectar connoisseurs.
Every Sat and Sun in Pause Wine Bar, 1666 Market, SF. (415) 637-7343, www.sowsf.com
Best of the Bay 2012 Editors Picks: Arts and Entertainment
Best of the Bay 2011 Editors Picks: Arts and Entertainment
BEST HEAVY METAL STITCH WIZARD

Guardian photo by Brittany M. Powell
He’s the mustachioed maniac who wields a sewing machine and an endless array of heavy metal T-shirts, creating quilts depicting claw-bearing beasties, horned skulls, and other images that wouldn’t be out of place on an Iron Maiden stage backdrop. Ben Venom (née Baumgartner), whose MFA from the San Francisco Art Institute definitely didn’t include quilting, is self-taught when it comes to pieces like his massive quilt, “See You On the Other Side,” featured in Yerba Buena Center for the Arts’ prestigious Bay Area Now 6 exhibition. He also presented work in You Should Be Living, a display of metal-inspired pieces at the Wolverhampton Art Gallery in Birmingham, England (homeland of Black Sabbath, Led Zeppelin, Judas Priest, and Napalm Death). Venom has even whipped up a baby quilt for an infant who’ll grow up with a unique appreciation of Metallica and the Scorpions.
BEST OPEN SOURCE UTOPIA
“We’re giving tax breaks to companies that allow people to meet in a virtual space,” Erick Lyle told the Guardian prior to the opening night of Streetopia, a multidisciplinary, utopian community art festival that he, Kal Spelletich, and Chris Johanson curated. “But this event will really show the vibrancy that is right here.” In the battle to keep the second tech bubble from edging everyone else out of the city, Streetopia was proactive, asking its participants not for dire predictions, but to share images of what their utopian SF would look like. For more than a month, there were classes on civilian investigative reporting taught by working journalists, dance performances in the street, shared meals in the Tenderloin National Forest, art in empty storefronts, and much more — proof positive that a San Francisco which doesn’t require stock options of its inhabitants is still very much thinkable and alive.
BEST REASON TO DOWNLOAD THE WHOLE ALBUM
In the age of downloadable singles and quick-click clips, UnderCover Presents‘ series of one-whole-album-with-one-live-show pairings values the full record experience. The quarterly event is an inspired mashup comprised almost entirely of Bay Area-based musicians, with each band performing just one reinterpreted song off a classic album. Thus far, there have been shows at Coda (now Brick and Mortar Music Hall), Public Works, the Rickshaw Stop, and the Independent; full nights spent luxuriating in every crevice and groove of the Velvet Underground’s Velvet Underground and Nico, the Pixie’s Doolittle, Nick Drake’s Pink Moon, and Black Sabbath’s Paranoid. To complete the sparkling tribute experience, a pre-recorded album of all the covers is doled out at each performance, to be played in its entirety beyond those singular shows.
BEST MOVIE THEATER IN WHICH TO LOSE YOUR MIND
“A place beyond time, beyond space to experience movies, drinks, and cosmic reverberations.” We know this is Best of the Bay, but the Vortex Room is a contender for Best of the Galaxy. A website, a lounge, a retro-flavored rip in the space-time continuum? Yep, it is all of the above. Host with the most Scott Moffett draws from in-house Cosmic Hex Archive, which includes an online library of delicious, nearly-forgotten sleaze and genre gems (just a taste: 1976’s Soul Hustler, a.k.a. The Day the Lord Got Busted). Most films cost $3.95 to download, but are even cheaper if you become a member. For maximum magick, get thee to one of the Vortex Room’s cult-film double-features, which start up again, weekly, in August.
1082 Howard, SF. www.cosmichex.com
BEST DANCE DOMINATION

Photo courtesy of Bhangra Empire
You may not know this, but you are living in the shadows of an empire. An empire with an origin spanning three continents and stretching back to 2006. Its ruling class is composed of fierce athletes and dedicated artists who preserve a lively tradition with the concentration of tigers on the prowl — but who aren’t afraid to dress up in outrageous costumes and re-enact hilarious Bollywood movie sequences. Behold, Bhangra Empire, a dazzling entity of interlocking steps and poised limbs that performs contemporary variations on bhangra, the Punjabi harvest dance that was transformed in underground clubs in 1980s London into a vital global art form. The Bay Area, with its huge Indian population and many fans of all things subcontinental, has embraced bhangra wholeheartedly, and the Bhangra Empire troupe — our hometown representative at national bhangra dance competitions (and even at the White House) — helps keeps us all on our toes.
BEST FEMINIST RECORDING STUDIO
Ladies in the music biz deserve to be heard — weirdly, that still needs to be reiterated in 2012 — and Women’s Audio Mission is helping them get loud. The nonprofit is staunchly dedicated to “the advancement of women in music production and the recording arts.” As it notes, this is a field where women are chronically under-represented. WAM hires teachers for recording classes and has its own in-house studio, which means affordable recording time for budding female artists. Last year, the truly exciting local all-girl teenage rock ‘n’ roll band the She’s recorded their debut album at WAM, and this year the band is gaining some serious traction with radio spots. Ever grateful, the quartet behind the She’s credits WAM with realizing their dream (aww). Other clients include Kronos Quartet, Making Dinner, and Brazil’s Constantina. Here’s to a female future of recorded sound.
1890 Bryant, Suite 312, SF. (415) 558-9200. www.womensaudiomission.org
BEST AMATEUR WRESTLING HOT DAMN

Photo by Gariel Hurley
After a wild first couple of years, Oakland’s premiere way-amateur wrestling night, Hoodslam, is still flexing its muscles once a month — these days at the Oakland Metro Operahouse. Full of soap opera-worthy subplots, grudge matches, awesome costumes, awesome-er characters, a noisy metal house band, burlesque interludes, giant plushy referees, and oh, even some wrestling, Hoodslam’s signature mayhem makes us downright giddy on so many levels. Whether we’re watching a pair of zombie fighters body-slam each other into the ropes, a bondage gear-wearing gimp get tossed over them, a mafia mob throw fedoras into the ring, or a squadron of burly stoners mop it up with whoever their hapless opponents of the moment might be, we’re right there with them, climbing the ladder, and getting higher. Fuck the fans!
Oakland Metro Operahouse, 630 Third St., Oakl. (510) 763-1146, www.birdswillfall.com
BEST YOUNG ADULT HIP-HOP MISCHIEF
It is no small feat to write about suburban kids loving hip-hop without coming across as condescending or a-historic, but somehow a free-styling Minnesota-bred woman managed it. San Francisco-based author Laura Goode triumphed with Sister Mischief (Candlewick, $16.99, 367pp), a young adult novel about a gang of outsider girl friends who take on the powers of conformity at their whitebread, fundamentalist-controlled high school by forming a queer-straight hip-hop alliance (and performing their feminist lyrics for unwitting audiences). The book is hardly preachy, but does include teenage conversations about race, cultural co-optation, and sexuality — along with a scene that pretty well teaches you how to smoke weed — and is flush with curiosity, radicalism, and outright guffaws.
BEST GRAPHIC OCCUPATION
Graphic journalism isn’t really new, though given the reluctance some people have in acknowledging its legitimacy, you’d be forgiven for thinking it’s a more fringe concept than it actually is. Bay Areans are blessed with a wealth of these non-traditional journos, who document everything from a day in the life of a Mission District bartender to the gritty realities of an afternoon on Sixth Street. Susie Cagle‘s in-depth coverage of Occupy, for instance, has kept our eyeballs glued to our computer screens and Twitter feeds pretty much since the movement’s inception. Sharp, savvy, unsentimental, and blessed with an expressive pen and a keen ear, Cagle illustrates her eyewitness accounts of encampments, raids, building occupations, marches, and more with images that cut straight to the human core of the stories she gathers.
BEST GRAND DAME MAKEOVER
Culminating in a grand reopening in 2009 after 43 years of dereliction, the revitalization of Fox Theatre should serve as a model for all of the Bay Area’s beautiful rundown old movie houses. As befitting a building owned by the City of Oakland and listed on the National Registry of Historic Places, the $73 million renovation was done with an eye for detail. Myriad are the Fox’s charms: its grand old marquee; its cross-legged statues flanking the stage, regarding the audience with glowing green eyes; the ornately-molded ceiling, mosaic walls, and exceptional acoustics. The A-list talent on stage can’t help but notice the grandeur of its surroundings, and awestruck shout-outs to the theater between songs, in front of 2,800 rapt audience members, are common. Whoever’s headlining is almost beside the point when one is surrounded by such architectural beauty.
1807 Telegraph, Oakl. (510) 302-2250, www.thefoxoakland.com
BEST EDIBLE PLAYLIST
We’ve heard the phrase “chefs are the new rock stars” enough to make us (s)cream. Turntable Kitchen both embodies this sentiment and finely chops it to pieces. Husband and wife duo Kasey and Matthew put together the website, with occasional help from a drop-by musician or chef. A typical visitor might stop by the Turntable Kitchen to hear “three belly-burning covers of the Clash’s ‘Guns of Brixton'” in the Served Three Ways feature, or to get the ingredients for the perfect asparagus frittata in the recipe index — musically paired to Field Music, thanks to the dishes’ festive and delicate notes. Or maybe they’ll sign up for the popular Pairings Box, which arrives each month with recipes, dry ingredients, and a limited-edition vinyl seven-inch single meant to match the mood of the meal inside.
BEST ART PARKING
On an otherwise nondescript block in SOMA, there is a door painted come-hither red. Don’t be shy, grab that knob! Inside you’ll find God knows what: dance, theater, performance art — it’s something different almost every night. And as bonus, if you come away confused or disgusted from this churning artists’ incubator, you’re only out a few bucks. The Garage has been around since Joe Landini opened shop in a storefront around the corner from his current location. Landini’s mission was to create a safe house for artists, a place to try anything. It has made the venue, with its programming, residencies, and workshop performances, appealing to local art-makers and adventurous audiences alike.
715 Bryant, SF. (415) 518-1517, www.975howard.com
BEST FRESH TROUT
Recent SFSU Theatre Arts grad Megan Trout might be relatively new to the Bay theater scene, but we’ve had our eyes on this rising young star since she burst out with the 11th Hour Ensemble’s first devised-theater piece Alice in 2010. Fearless, versatile, and dynamic, endowed with crack comic timing and equally enviable dramatic chops, Trout has swum in the weird and wonderful waters of the Aurora Theatre’s Metamorphosis, Symmetry Theatre Company’s Patience Worth, Megan Cohen’s A Three Little Dumplings Adventure parts one and two, Boxcar Theatre’s Buried Child, and A Lie of the Mind (to name but a few), while continuing to create new intensely physical theater works with the 11th Hour Ensemble, of which she is a co-founder. We honestly have no idea what play or theater space she’ll turn up in next — but we’re definitely looking forward to it. You should be too.
BEST MARIACHISTAS

Photo courtesy of Mariachi Femenil Orgullo Mexicano
Those of you who are familiar with such things will know one rarely sees a female mariachi musician. Rarely, but not never: introducing Mariachi Feminil Orgullo Mexicano. The 10-person troupe boasts full string, brass, and rhythm sections, and every member is a woman. Feminine force like this — wrapped in electric blue, floor-length skirted uniforms edged in stunning silver trim — isn’t something you see every day at your favorite restaurante. Established in 2007, the education-minded troupe was the first XX-chromosomed group of its kind in the Bay Area. Since then, it’s been winning over audiences with its plaintive, powerful renditions of Mexican classics and new favorites.
BEST USE OF CLASSIC FILM FOOTAGE IN A RAP MUSIC VIDEO
Car chases don’t get much better than the scenes of Steve McQueen speeding through San Francisco in Bullitt (1968). Given the driving, heart-pounding beat and casual-cool flow of San Jose rapper Antwon’s “Helicopter” music video — the track’s off the Fantasy Beds mixtape — it made perfect cinematic sense for director Brandon Tauszik to match the song with quick vintage clips of the classic flick. The resulting three-minute video dips between those intense McQueen thousand-yard stares as cars lunge over notoriously steep hills in a washed out Technicolor haze, spliced with modern next-big-thing Bay Area hip-hop producers (Antwon, MondreMAN, and Squadda B of Main Attrakionz) and their undeniably attractive pals, wandering their neighborhoods, chilling on porches, and pouring spicy Sriracha over hearty breakfasts. “Fuck ’em all/that’s my new motto” Antwon raps as the beat steadies and scenes flash by — a thrilling compliment to the classic footage, given the film’s original jazz score.
BEST PUNK PUSHERS
Shop, record label, small concert purveyor — Oakland’s 1-2-3-4 Go! Records is a multi-use punk haven, selling rare and highly desirable underground vinyl, releasing albums by noisy locals, and hosting roaming growlers in an intimate setting. Like its down-south contemporary, indie-music haven Burger Records, 1-2-3-4 Go! harks back to the days of dusty record shops acting as all-purpose hangouts, and doing it well. The site has hosted all-ages shows by Australia’s Royal Headache, Audacity (a Burger Records favorite), and locals Uzi Rash, Apache, and Street Eaters. The label has released vinyl by East Bay garage messiahs Shannon & the Clams, King Lollipop, and the Sandwitches, among others. And the cozy store has welcomed scads of eager rock ‘n’ roll fans from throughout the Bay, with open denim jacket-clad arms.
423 40th St., Oakl. (510) 985-0325, www.1234gorecords.com
BEST JEDI MASTERS
A long time ago (actually every Sunday, noon-3pm) in a galaxy far, far away (in fact, Studio Gracia in SoMa) … there came a troupe of heroes to teach and uphold a masterful tradition of movement, grace, control, and oneness with a universal force. No, not yoga — think Yoda, and picture Force with a capital F. Then envision a choreography class filled with lightsaber-wielding Jedi aspirants eager to keep the Star Wars legacy alive IRL. Not that there’s any danger of that boundless franchise running out of nerd fuel, but the Golden Gate Knights, organized by Alain Bloch, certainly have a stellar thing going. Who wouldn’t want to learn the “fancy flourishes and spins, including forward and reverse spins, inverted grips, and figure eights” of lightsaber brandishment in an atmosphere so respectful of its Jedi legacy that each class begins with five minutes of meditation? You get a little exercise out of it, too — in no time, it’ll bye-bye Jabba, hello Leia.
BEST DECEPTIVELY EPHEMERAL FILM FEST
Really though, Disposable Film Festival is a misnomer. Founded in 2007, with an inaugural event at Artists’ Television Access in early 2008, DFF has since evolved into a traveling-fest juggernaut with screenings in Paris, Beijing, Brazil, Macedonia, Argentina — basically, anywhere with open-minded audiences hungering for unique short films. Here’s where the “disposable” part comes in: the films are made DIY-style, using technology of the hand-held, pocket-sized, and easily-accessible-to-everyone variety, like cell phones and webcams. And though its festival screenings are a global phenomenon, DFF also hosts workshops, panel discussions, and other events (bike-in movies!) aimed at inspiring artists — especially young folks who are just discovering the wide world of creative filmmaking beyond those 3D superheroes at the multiplex.
BEST FAIRY EXPLOSION
Once every year, right around Pride time in June, a fantastical fey Imaginarium of uninhibited queer art, dance, theater, ecology, lube-wrestling, puppy piles, porn debuts, and fearlessly naked fabulosity pops up in the old Tower Records building in the Castro. This is the fag-ulous Faetopia festival which, for one delirious week, complements the corporate-sponsored and slickly marketed Pride happenings with a burst of summer solstice fairy dust. The event comes courtesy of the Radical Faeries, those scruffy pan-sexual Pagan sprites whose naturist movement has a long history in the Bay Area, where they spread their gay-gay wings from untamed redwood groves to notorious Burning Man camps. More than 50 artists join forces to create programs — like Gay Hist-Orgy (performer Ian McKinnon’s “cruise of gay historical figures”) and Flaming Queens on Fire! (fire-dancing lessons) — that stuff some good ol’ polymorphous perversity into Pride’s polished corners. And at the very center? Faetopia’s there too, with the hippie-chill Fairy Freedom Village area within the Civic Center festival itself.
BEST TECHNO OUR WAY
In response to the onslaught of mass-produced, sugar-rush electronic sounds ruling the pop charts these days, many finer San Francisco dance floors have returned to a more underground aesthetic. This renaissance of sophisticated techno plugs into a global movement — unabashedly intelligent, yet still madly danceable. And while many fantastic local party promoters have emerged, the As You Like It crew has been on a massive tear like no other. In just two years, they have risen from a nomadic underground existence to pack larger legal venues with dozens of parties that feature uncompromising local and international talent, yet never lose that singular, slightly extra-legal vibe and attention to detail. Some of the most exciting names in dance music have passed through the Bay Area thanks to As You Like It’s dedication, helping to make our party scene an essential destination for dance fanatics. To fittingly repurpose one of the crew’s favorite adjectives: quality.
BEST YOU BETTA WORK

Photo by Anastacia Powers
Voguing — that drop-dead fabulous and seriously competitive gay African American dance-battle art form — has recently come back into the spotlight, with a new generation of club kids and art queens taking to the floor to chop, mop, drop, drag, gag, and get “cunty.” San Francisco, of course, has put its own spin on the high-attitude, limb-flinging style that originated in the ’70s in underground ballrooms on the East Coast, transforming the dance into a way to get in shape. You may not have come from the streets, but you’re going to leave Vogue and Tone with amazing thighs, honey. The wiggy workout class — Tuesdays, 7-8:30pm, at Dance Mission Theater and Thursdays, 8:30-9:45pm, at ODC Commons — is led by kicky, spinny showman Sir JoQ, a.k.a. Jocquese Whitfield. The dance has also hit the club circuit, leaping on a recent trend of retro-style dance-floor workout sessions, so be on the lookout and don’t throw shade. If all you know of vogue is that old Madonna track, it’s time to get in-shape and up-to-date.
BEST ESOTERIC GUIDEBOOK
City Notes: San Francisco will never counsel you to try the chowder bowl at Fisherman’s Wharf. Nor will it prove useful in finding the best way to walk between Chinatown and the Ferry Building. It won’t give you directions at all, for that matter. The artful wood-bound guidebook, put together by a team of Wesleyan alumni headed by Jesse Coburn, is comprised of quiet shots and histories behind 25 little-known sites in San Francisco, such as the Columbarium, Molinari-Mana Park, Mount Davidson, and the Swedenborgian Church. City Notes doesn’t spill the address beans, making it the perfect treasure hunt for the urban explorer-wanderer. The book’s covers are hand-bound to the velvety sheets within; its producers had so much fun making the finely crafted object, in fact, that they plan on putting together similar guides for other cities around the world.
BEST SUPPORT SYSTEM FOR CIRCUS FREAKS, ACOUSTIC GEEKS, AND SOLO EXHIBITIONISTS
How does Stagewerx proprietress Ty McKenzie do it? She always finds the way to a “yes” where others might jump to a “no.” In both its old location on Sutter Street and its brand-new digs on Valencia, Stagewerx has created a supportive environment par excellence for performers of every discipline, amateurs and seasoned pros alike. From ongoing performance series such as Solo Sundays and Previously Secret Information to the raucous hi-jinks of Picklewater Clown Cabaret and Circus Finelli; from Tom Sway’s low-key, lo-fi music series Underground Sound to ambitious runs of new works by companies such as PianoFight, Wily West Productions, and Foul Play, Stagewerx’s focus on helping quirky and emerging artists find a “yes” of their own is more than refreshing — it’s essential.
446 Valencia, SF. www.stagewerx.org
BEST ROCK ON SIXTH
For all the underworld grittiness ascribed to the storied block of Sixth Street between Market and Mission, you’d think the guttural yowl of punk — or at least the soothing howl of good ol’ rock and roll — would be an integral part of the roiling Sixth mix. And yet, can you believe it, there was nary a hole-in-the-wall live rock club there (or anywhere else in the mid-Market or downtown area for that matter) until RKRL, our very own CBGB, opened last year. The result of a collaboration between Club Six and the wild LowSF crew, RKRL has already hosted an onslaught of local and extra-local rabble-rousers, including the Devil’s Own, Ruleta Rusa, the Mutilators, and Animal Games. Are we back in a world where down-and-dirty downtown rock clubs still exist? Hell yes.
52 Sixth St., SF. (415) 658-5506, www.facebook.com/RKRLSF
BEST FOGOLYSTICS
Since 1989, when the troupe was founded by community leader Carlos Aceituno, Fogo Na Roupa has been taking to the streets, the stages, and the dance studios with its rhythmic, Latin-African-hip-hop fusion beats. Where might you have seen them perform? Perhaps during its be-feathered, be-dazzled promenades through SF Carnival — with as many as 200 performers in a single appearance, the group is hard to miss. If you’re feeling the fogolystics — the term the troupe has coined to describe its powerful mix of musical genres — you can add your sparkle to the mix. On Tuesdays and Saturdays they hold an open practice at Mission Cultural Center that you can jump in for just $10. Seriously, everyone is invited — the group prides itself on performers ranging from kids to senior citizens.
(510) 286-7926, www.gofogo.com
BEST ALL-AROUND GRRRL POWER
Basic bar moves and halting hip-hop steps may be what stuck with you from the dance classes of your youth, but (thankfully) today there’s a new kind of movement program that’s all about teaching confidence and power, in addition to how to rule a dancefloor. We’re talking about Grrrl Brigade. Dance Mission Theatre hosts this series of classes in hip-hop, jazz, modern, and taiko (that’s Japanese drum dancing) for nine to 18-year-old females. As they rock the courses, their leadership develops along with their dance skills. Grrrl Brigade students roar with self-esteem, thrive on collaboration, and have been known to pound away on gigantic drums, taking the stage each year in a young person’s version of The Nutcracker, and in a springtime show focusing on real-life issues the performers deal with when they’re not in the spotlight.
Dance Mission Theater, 3316 Mission, SF. www.dancemission.com
BEST BAR TO TATTOO ON YOUR BICEP

Guardian photo by Brittany M. Powell
Some may have seen the deserted stretch of Harrison Street as a business liability, but Jay Beaman and Oliver Piazza of Thieves Tavern and Dirty Thieves didn’t let the low walk-up potential dissuade them from opening Dear Mom. We’re glad. Because if they had, we’d be bereft of their expansive boozery (once the salsa club El Rincon) flush with affordable booze, a photobooth, beckoning seating areas, and a kitchen that hosts pop-up eateries hawking sushi, fried green tomato hamburgers, and everything in between. The one thing Mom needs to be an SF standard is cheapo local icon Broke Ass Stuart hawking picklebacks (whiskey shots with pickle juice chaser, duh) on Wednesday nights in his never-ending quest to pay rent. Oh wait, that actually happens.
2700 16th St., SF. (415) 625-3362
BEST ROBOT DUNGEON

Guardian photo by Brittany M. Powell
From the outside, it’s an unassuming Mission District storefront, infrequently open to the public. But inside, Area 2881 reveals a rare glimpse into the private lives of robots. Perched on miniature foot-lit pedestals, two robot slaves dance for roving audiences, their slightly jerky motions belying the complexity of their 41 meticulously designed joints. The slaves appear both vulnerable yet indestructible, humanoid yet alien, and the weird spectacle of their forced entertaining is both unsettling and strangely affecting. The rest of the room is a whirring, spinning, buzzing paroxysm of light and kinetic sculpture, ushered into this world from a parallel plane by the human hands of mild-mannered applications engineer by day, mad scientist by night, Carl Pisaturo.
2881 23rd St., SF. www.carlpisaturo.com
BEST NIGHT IN THE MUSEUM
Afterhours museum parties full of bright young things witnessing cool artistic happenings are anything but a rarity in our forward-thinking area. And really, we wouldn’t have it any other way. May we especially highlight the amazing series that is L@TE: Friday Nights at BAM/PFA? This is — probably — the only such affair at which an “electric orchestra of pickle jars accompanied by abstract lighting machines” and the occasional pop-in by Devendra Banhart are a given. The wonderfully heady and innovative social gatherings fill the Berkeley Art Museum with experiential art and music (construct rainbow prisms, listen to Negativland, deconstruct Scritti Politti records, join an avant-cabaret) and light up the Pacific Film Archives with glorious 16mm and 35mm prints of rare and recently restored films. Also: dancing! If you’ve ever dreamt of meeting a soul mate while watching 3-D animation, participating in interactive dance performances, and peeping the latest emerging local artists, you need to get L@TE.
Occasional Fridays, 5:30-9pm, $7. Berkeley Art Museum, 2626 Bancroft Way, Berk. (510) 642-0808, www.bampfa.berkeley.edu
BEST ARTS HIGH NOTE
Whether it’s the free yoga classes, creative summer art camp, or Saturday afternoon alfresco concerts, the Bayview Opera House‘s offerings are as vibrant and active as they were when the building was built in 1888 (maybe more so? The Guardian wasn’t around back then). The historic landmark community center supports the still-diverse neighborhood of Bayview-Hunters Point, hosting awesome fundraisers like Black Men Can Cook and Mendell Plaza Presents, a 12-week concert series that transforms a little triangle of pavement into a full-on dance floor featuring local neighborhood musicians — not to mention domino tables and BBQ — alongside a community garden filled with vibrant veggies. Kids from the 100% College Prep Club make up much of the musical talent. Here’s to 125 more amazing years.
4705 Third St., SF. (415) 824-0386, www.bvoh.org
Best of the Bay 2012 Editors Picks: Food and Drink
BEST OF THE BAY 2012: EDITORS PICKS
Food and Drink
BEST COOKBOOK CHEFTIVIST
In this era of Paula Deen-Anthony Bourdain warfare and endless glossy spreads of chefs-cum-rockstars-without-the-rock, you are to be excused for not caring about yet-another celebrity chef writeup. But stay your cleaver. Oakland’s own Bryant Terry considers himself an activist who uses comestibles as a medium for social change, not TV dinner promotion. Terry’s beautiful, seasonally sensitive vegan cookbooks — his latest is The Inspired Vegan (Da Capo Lifelong Books, $19, 240pp) — contextualize recipes so that the connection between eating healthy and having healthy communities is clear. He also tours the country educating audiences about vegan lifestyle and cooking, with a focus on minority communities, and makes no bones about the fact that he thinks families could stand to spend more time in the kitchen together.
BEST LOCAL UNION, PINT DIVISION
Visitors to the SF Beer Week opening gala might have been surprised to find that a sizable portion of the Concourse Exhibition Center was dedicated to beer brewed right here in the Bay Area. Our beloved Anchor Steam and 21st Amendment breweries are no longer the only sudsers in town — no, not by a long shot. This expansion in local brew is part of a national trend, but local leaps may be due, in part, to the efforts of the SF Brewers Guild — an association, born in 2004, of 10 of the city’s best-loved new breweries, including Magnolia Pub and Brewery and Thirsty Bear Brewing Company. In addition to Beer Week, the group organizes a “meet the brewers” event every month, an easy entry point for those who want to take their local beer boosting past six-pack status.
BEST LAING IN THE ‘LOIN
Foodies know: if you want sit-down Filipino cuisine, head to Daly City for the densest concentration of deliciousness. Yet there’s an outlier — a humble little Tenderloin hole-in-the-wall steadily serving the real deal. Family-run Kusina Ni Tess dishes out kare-kare, a peanut sauce-based Filipino stew; picadillo, a savory mélange of ground pork, carrot, potato, and green peas; and fish in tangy, sweet-sour broth. For breakfast, savor garlic fried rice with egg and your choice of meat: try Filipino corned beef or daing na bangus (butterflied, skin-on milkfish). The staff will offer tastes to help you choose from the hearty, ultra-cheap menu — all dishes under $9 — but don’t miss the laing: taro leaves cooked in coconut milk and shrimp paste, tinged with subtle chile heat. Finish it all off with egg pie or young coconut pie.
237 Ellis, SF. (415) 351-1169
BEST BABKA, BUBBELEH

Guardian photo by Brittany M. Powell
Have you ever fantasized about eating a chocolate bar for breakfast and totally getting away with it? (Be honest now.) No need to slip a Snickers in your Corn Flakes — or even worry about dessert for a couple weeks — when you’ve got a huge, heavy, delicious babka from Wise Sons in your breadbox. Evan Bloom and Leo Beckerman’s canny tribute to traditional Jewish food made the transition from popular pop-up brunch and Ferry Plaza Farmers Market stand to perhaps too-popular brick-and-mortar deli this year. The charming old-school atmosphere and menu filled with dishes like the mouth-watering chopped liver, the addictive pastrami cheese fries, and the vibrant pickle plate are certainly worth the often considerable wait. But it’s the formidable chocolate babka, made of scrumptious dark chocolate ribboned through dense, cinnamon-flavored, brioche-like dough, that really has us missing Grandma (although perhaps she wouldn’t approve of such indulgence).
3150 24th St., SF. (415) 787-3354, www.wisesonsdeli.com
BEST RIBS IN THE ROUGH
One need only scope the location of Double D BBQ next to the decidedly unlovely International Avenue to grok that the storefront incarnation of this former food truck is as unpretentious as it is under-hyped. Credit this food-first attitude to owner Duane Orr’s blunt (but friendly) personality. Screw décor — his art is barbeque. Our favorite is his brisket sandwich: greasy, fatty, saucy chunks of meat falling out of a soft roll. Double D’s Texas-style red sauce, sold by the bottle, is sweet and tangy with a mild spice. Other menu highlights? Ribs and chicken grilled with a perfect hint of char, and creamy, peppery macaroni and cheese. Fair warning: we’ve begun to have severe Double D brisket cravings. A similar yen might lead you to cavalier disregard for aesthetic niceties.
1240 First Ave., Oakl. (510) 228-7000, www.doubledbbq.net
BEST BREW-NOS AIRES
If you’re looking for the perfect brew to pop into your Dolores Park-prepped picnic basket, look no further than the new-ish Ceveceria de Mateveza, where Mateveza’s signature ales, lagers, and IPAs brewed with that stimulating Argentinean beverage yerba mate await in a park-side brewpub location. There are ready-to-go bottles for the sunshine-inclined, but also perfect blends of stimulating mate and smooth-tasting hops on tap if you prefer to snag a pint — plus one of the joint’s sweet or savory emapanadas — and hang indoors. Just don’t let the décor fool you; the picturesque shelves of Buenos Aires paraphernalia belie the fact that real porteños would never befoul their beloved tea with beer. Thanks goodness we’re in San Francisco, where alternative couplings are a point of pride.
3801 18th St., SF. (415) 273-9295, www.ceveceriasf.com
BEST VALUE-ADDED WAFFLE
Despite regulations handed down by the city’s Medical Cannabis Task Force, which have eschewed food that can’t be stored at room temperature and have made mandatory stringent labeling guidelines to prevent kiddos from getting caught up in too-cute pot food, Bay Area medicated food producers continue to innovate. See: various trail mixes, hard ginger and cinnamon-flavored candies, and high-class chocolate. But our favorite non-traditional cannabis food item isn’t all that non-traditional … in Amsterdam. Canna Organics’ Stroop Waffle packs a punch at four doses per pair of flat waffle cones, stuck together by a chewy, sticky layer of caramel. It’s like carnival food, but meant to take you on a journey to alleviate your aches and pains, neuroses, and various other maladies.
Available at various Bay Area dispensaries
BEST SPICY CRACKER
Noe Valley’s new destination sushi bar Saru does an excellent job of revamping its closet-sized space, making it feel roomier, sleeker, and, thanks to large front windows and an elegant brown color scheme, altogether different from the previous two sushi spots occupying the same space. Any sushi bar serving “the lobster of prawns” — pristine, raw spot amaebi — is already savvy. In addition to the usual salmon and tuna offerings, adventurous eaters can try plenty of playful, unique bites prepared with care, including the wonderful “spicy cracker” — a crispy sheet of seaweed fried in tempura and topped with spicy tuna and avocado. Sushi nachos? Yes, please! Also neat: tasting spoons filled with vivid, raw fish, drizzled in elegant dressings like truffle oil. Snappy rolls satisfy while cheery service welcomes you back.
3856 24th St., SF. (415) 400-4510, www.akaisarusf.com
BEST SEASONAL SUDS
Don’t scoff at fruit beer — at least not until you’ve tried a bottle from Almanac Beer Co. Jesse Friedman and Damian Fagan make but one kind of small-batch beer a season, testing and re-tasting until they’ve hit upon the perfect produce with which to pair their bottlings. But we’re not talking coupling suggestions here. Almanac chooses an agricultural partner for each of its releases, adding to that beer’s standard mash bright harvest flavors from places like Kingsburg’s Hamada Farms, source of enviable citrus fruits, and Heirloom Organic Gardens, whose springtime fennel graces this year’s earthy Bière de Mars. Each release is limited, stamped with an eye-catching label, and let to ferment a third time in the bottle itself, lending each sip a sprightly, effervescent fizz.
BEST ALL-AMERICAN CONFECTIONARY OVERLOAD
What’s more American than apple pie? We’re of the informal opinion that it’s milkshakes, and no, we’re not being paid by the American Dairy Association to say that. Imagine our glee, then, when the quietly unassuming Chile Pies opened up and — in addition to tasty treats such as empanada-like tamale hand pies and green chile pot pies with cheddar cheese crusts — an extravagant decadence known as Chile Pies’ pie milkshake also made it onto the menu. That’s right. It’s pie. And milkshake. Any pie you want and any flavor of Three Twin’s truly superior ice cream, served in a generous glass mug and topped with a billowing drift of whipped cream. Share it with a loved one to prevent instant coronary arrest, or live dangerously and gobble down a whole one yourself. You’ll never look at pie à la mode with quite the same dotage, guaranteed.
601 Baker, SF. (415) 614-9411; 314 Church, SF. (415) 431-9411, www.chilepies.com
BEST GEMÜTLICHKEIT
Mention Speisekammer Restaurant to islanders who know, and you’ll get an instant flash of that gemütlichkeit, or cheery coziness, the spot is renown for. They’ll bend your earbone raving about the dishes served up under the ownership of former Cafe du Nord honcho Cindy Johnson-Kohl: the succulent sauerbraten served with a side of red cabbage and spätzle, the cabbage rolls, the potato pancakes with house-made apple compote — or for the unrepentant carnivores in the fam, the Gegrillte Fleischplatte, a family-style grilled meat platter spilling over with sausages. It’s the lip-smacking stuff of liebling’s dreams — and it’s all begging to be washed down with a selection from the expansive drink list, and accompanied by live music from locals like the Frisky Frolics jazz cats, and Cali country outfit Kit and the Branded Men.
2424 Lincoln, Alameda. (510) 522-1300, www.speisekammer.com
BEST IT’S WHAT’S INSIDE THAT COUNTS
Christine Doerr, the chocoholic force behind Neo Cocoa, makes truffles sans the outer hard chocolate shell. Why bother with an extra layer when you can go straight to the gooey ganache inside, capable of melting perfectly in your mouth? After all, isn’t their filling the reason why we eat truffles in the first place? That was Doerr’s thought, anyway, when she enrolled in La Cocina’s food vendor incubator program. Now she has her own personal chocolate kitchen and her amazing, ridiculously decadent chocolates can be found all over the Bay Area. Warning to all Neo newbies: these truffles are dangerously addictive!
BEST CURD CRUSADER
Cheesemaking: the process sounds intimidating, but no matter how you slice it, it’s all about caring for curds. You, the non-dairy-farming urban-dweller, can learn the mores involved in this delicate relationship via the Milk Maid, a.k.a. Louella Hill. Hill will let you taste some of the mind-blowing blue cheese she concocts in her home kitchen. But she doesn’t really want to make cheese for you, though she could. Instead, she wants to empower you to make your own wedges and wheels. She imparts lessons in classrooms, at farmers markets, even at alt-hip bachelorette party tutorials. Having studied cheese-making from the Hudson Valley to Northern Italy’s Emilia-Romagna region, the woman oozes sharp, smelly, and semi-soft expertise — you could do a lot worse than let her teach you to baby a blue.
BEST OLD SCHOOL PANINI
There are places in North Beach that are parodies of themselves: fake replicas of what someone from North Dakota might think a San Francisco Italian restaurant would look like. Too often, the meals these pretenders serve are a tepid farce. Not so with the grilled mozzarella and tomato panini from Mario’s Bohemian Cigar Store Cafe. The sandwich’s authenticity mirrors that of the small, sometimes crowded restaurant and local hangout itself, which hasn’t changed much in the three decades we’ve been going there. The menu is limited, but the food is excellent, featuring fresh ingredients simply prepared. Take the panini in question: eaten alongside a glass of red or Campari on the rocks, it makes a perfect SF lunch. A nice reminder that everything old and cool hasn’t been priced out of town.
566 Columbus, SF. (415) 362-0536
BEST TOFU SORCERERS

Guardian photo by Ariel Soto-Suver
It’s rare to taste a sliver of tofu fresh from the package that melts in your mouth. Blocks of the standard grocery-store variety are best used in sizzling cooked-up meals, sopping up sauce or marinade to provide any substantial taste. But not so the bricks from Hodo Soy Beanery, crafted in a cheery Oakland factory that offers weekly tours. No, this tofu is good enough to eat raw. Hodo, which opened its doors in 2004, even goes above and beyond its gleaming white cubes of organic, non-GMO protein. The company sells the whole soy cow: soymilk, snack-friendly yuba strips, five-spice tofu nuggets, and lemongrass curry nuggets. Varieties are sold throughout Bay Area specialty food shops and farmers markets, but we highly recommend coming out to Hodo’s factory, where you can couple your shopping with a tour of the factory floor.
2923 Adeline, Oakl. (510) 464-2977, www.hodosoy.com
BEST SATISFYING READ
Directions for preparing seaweed burger, mouth-watering ramen that doesn’t come from a Styrofoam cup, and monkfish tripe have all found their way into the pages of local publisher McSweeney’s sizzling new food quarterly Lucky Peach. Each volume, available in paper only, is comprised of more than 150 pages and contains recipes and writings that stimulate the intellect and taste buds simultaneously. Yummy examples of contributing foodies and writers: David Chang, Peter Meehan, Anthony Bourdain, Ruth Reichl, John T. Edge, Todd Kliman. The magazine’s issues (there have been four so far) are brimming with personal essays, short stories, taste tests, interviews, and heaps of recipes. In a time when most magazines are scaling back, Lucky Peach offers a conspicuously fulfilling read.
BEST A LA CART
State Bird Provisions opened in late 2011, honoring Lower Fillmore’s jazz spirit with inventive plates (a bargain at $5-18 a dish) flowing from the kitchen like high-flying jazz riffs — with one major innovative twist. Most are presented dim sum-style, rolled through the pegboard-walled dining room on carts or offered on trays for your pick-and-choose pleasure. Dynamic husband-wife chef duo Stuart Brioza and Nicole Krasinski, formerly of Rubicon, change the menu constantly, transcending now-typical seasonality restraints to take flight with visionary flavor combinations and presentations. A helpful map of the nation’s state birds adorns the restroom, but there’s only one on the menu: the California quail, of course. Fried and crusted with pumpkin seeds; sided with a couple cart picks like eggplant “fries” with pimenton and charred wax beans with pickled-egg salad; and chased down with dreamy shots of peanut muscovado milk; it’s a real plate-licker.
1529 Fillmore, SF. (415) 795-1273, www.statebirdsf.com
BEST GENERATIONS OF DISTILLATION
It’s a true family affair at Charbay Family Vineyard and Distillery, located in the wilds of Napa’s Spring Mountain district, where father and son Miles and Marko Karakasevic distill together, while wives Susan and Jenni run the business with them. Descended from 13 distilling generations, Grand Master Distiller Miles has a heroic history, having left former Communist Yugoslavia for North America in 1962 and eventually founding Charbay with his family in 1983. Marko has been involved with the business since the ripe-old age of 10, growing up among St. Helena’s vines. Charbray covers distilling, brewing, and winemaking: Miles’ Old World aesthetic and precision partnered with Marko’s forward-thinking vision is apparent in everything from tequila and vodka to rum and port. Cases in point: Miles’ elegant 27-year brandy and Marko’s just-released, one-of-a-kind Bear Republic IPA and stout beer whiskies.
4001 Spring Mountain, St. Helena. (707) 963-9327, www.charbay.com
BEST FRESH-SQUEEZED FLIGHTS
If founders Derek Castro and Luisa Alberto have anything to say about it, the juice bar is the wine bar of the future — and, given Castro and Alberto’s Blue Bottle past, it’s not surprising that they feel a fresh-squeezed swig can have all the body and depth of a finely prepared coffee. Pronounced “so,” SÔW is their regular pop-up juice bar inside Pause Wine Bar, at which they hope to prove that juices deserve all the attention to nuance and provenance as their more fussed-over beverage cousins. Tastings are served at room temperature so as to not numb flavors, and in garnished glasses much like artful cocktails. Yes, flights are sometimes available, offering the chance to taste (and see) an entire rainbow of fascinating flavors; a recent one even featured Early Girl tomatoes. Currently only open weekends, the SoWers hope to add weekdays with more tastings, an expanded menu, and an even bigger following of nectar connoisseurs.
Every Sat and Sun in Pause Wine Bar, 1666 Market, SF. (415) 637-7343, www.sowsf.com
Win ultimate cool points on a night in North Beach by taking your friends to Chubby Noodle, a wee Asian hideaway in the back of the shabby-classy Amante bar. Order at the back kitchen window — illuminated by a neon sign asking, “Hungry?” — then slide into roomy booths for Korean tacos, house kimchi, spicy garlic noodles, and Hawaiian poke. (Cheeky chef Peter Mrabe, also of hip taqueria Don Pisto’s, tosses steaming bowls of buttery grits into the menu mix, too.) The standouts, however, are heartwarming red miso ramen and — especially — organic buttermilk-brined fried chicken in generous five-piece wings or strips. It’s American fried chicken with Asian attitude, dipped in habit-forming, creamy sambal dipping sauce. And everything is under $13. Skip Italian next time you’re in North Beach and opt for something a bit more adventurous and a bit more, er, chubby.
570 Green St., SF. (415) 361-8850, www.thechubbynoodle.com
BEST SIX-WAY STIMULANT
We said it when this hot spot opened in 2010, and we’ll say it again: the coffee preparation at Ma’velous ranks among the best you’ll find anywhere. Coffee geeks are stoked that here you can have your coffee prepared six different ways, via Chemex extraction, Kyoto slow-drip, Siphon machine, French press, Hario V60 drip, or Ma’velous’s own unique espresso machine. Owner Phillip Ma rotates bean selections from around the world: roasters include Verve, Intelligentsia, and Norway’s Tim Wendelboe. Another uniquely Ma’velous feature is the cafe’s artistic eco-design by Adeeni Design Group: retro-modern reclaimed furniture, sophisticated graffiti from street artist Eddie Colla, and pressed tin ceilings. Bonus points for remaining a WiFi-free respite where the menu of supreme espressos — paired with a good book — makes the coffee ritual a luxurious experience rather than a utilitarian necessity.
1408 Market, SF. (415) 626-8884 www.maveloussf.com
BEST BOWLING IN THE GUTTER, BUT EATING WITH THE STARS

Guardian photo by Brittany M. Powell
The new Mission Bowling Club is one badass bowling alley. There’s no funky smell or dated dinginess (charming for some, we know) in this open and industrial space, which boasts a large front patio, a bar area, and two dining areas — both downstairs near its six lanes and upstairs overseeing all the striking action. With its retro-fetish crowd and quirky flourishes, you could dismiss the whole thing as Mission hipster — but never has bowling food been taken to such gourmet heights. The menu was designed by none other than that Mission Chinese Food and Mission Street Food wunderkind, Anthony Myint. Cheer on bowlers from comfy couches while sipping a dreamy cocktail, or pick up that spare accompanied by a plate of ratatouille, some crisp pork belly, a beloved Mission burger — or its worthy vegan kale-and-chickpea alternative.
3176 17th St., SF. (415) 863-2695, www.missionbowlingclub.com
BEST PEANUT BUTTER CLOUDS
Despite our American love for all things soft, saccharine, and somehow edible, vegans and equinophiles alike are saddened by the innocuous-seeming marshmallow, which often includes gelatin derived from horse hooves and other slaughterhouse scraps. But worry not, sweet things, Benkyodo Company has treats that top the standby campfire comfort. Namely, mochi, a Japanese delight made of glutinous rice that is pounded and molded into sweet submission. Soft clouds of heaven — and they come in a variety of flavors like strawberry, green tea, mugwort, adzuki, and, wow, peanut butter. Benkyodo’s mochi has the texture of your favorite childhood sweet, with the flavors — and food justice acumen — of a grown-up gourmand.
1747 Buchanan, SF. (415) 922-1244, www.benkyodocompany.com
BEST VEGAN ROLL CALL
The 100 percent vegan cinnamon rolls at Cinnaholic, the Berkeley sweet tooth haven, are naturally sweetened with beet sugar, endowed with far-out flavors like blueberry pie and Oreo explosion, and custom-ready. Just let the sugary staff know what kind of frosting and toppings — strawberry shortcake roll? Maybe a drizzle of mocha and almonds? — light your oven. And just like that irritatingly talented, socially conscious friend whose Facebook page makes your own video links and witty one-liners look frivolous, owner Shannon Michelle has made Cinnaholic’s blog a community resource. The website is great for updates on local animal rescue events, and its pretty photos of waiting rolls serve as a delicious testament to the fact that eating vegan doesn’t have to mean going home with sub-par pastry.
2132 Oxford, Berk. (510) 647-8684, www.cinnaholic.com
BEST KIND OF STRICT
If things have been rough on your soul lately, forget the prose of that insipid, chicken-related book series and turn your page to Israel’s Strictly Kosher’s matzo ball soup. While other deli’s versions are salty, one-dimensional facsimiles of a real pick-me-up, the version at Israel’s, which also does strictly Kosher catering, is home made by co-owner Faina Avrutina with savory broth to comfort you on windy days and massive matzo balls that’ll fill you up just enough to not get blown sideways by gusts of outrageous fortune (throw in one of the excellent sufganiyots and you’ll be even more ground-bound). And it’s not just the eating that’ll do you good — a genuinely kind staff soothes city-weary troubled minds and will make you feel like you just dipped into your parents’ cozy kitchen.
5621 Geary, SF. (415) 752-3064, www.israelskosher.com
BEST FULL-SCOPE ROAST

Guardian photo by Brittany M. Powell
The smoky dark brew served up by the folks at Sightglass Coffee certainly isn’t indicative of the sibling-owned roastery and cafe’s mission of transparency. Brothers Jerad and Justin Morrison started their SoMa enterprise aiming to treat the cup of coffee less as a product than a democratic sensory experience — an intuition, a smell, a sound, a sight. Thus, the name of their cavernous new shop, which roasts and brews in a single warehouse space that has proven popular among the hip-pretty techies (almost as hip-pretty as the Sightglass staff that serves them) who roost in the area. Using small-production methods to ensure freshness and authenticity, Sightglass provides a unique place that’s simultaneously homey (baristas are quick to introduce themselves) and airily trendy.
270 Seventh St., SF. (415) 861-1313, www.sightglasscoffee.com
BEST REASON TO SCREAM IN DOLORES PARK

Photo by Gene X. Hwang/Orange Photography
Have you ever been reclining in Dolores Park, wiping off the burgundy mustache left by your third bottle of wine, when the thought hits: someone chipper, dressed in a vintage Alpine peasant dress, presenting you with a tray of succulent sweets, would just hit the spot? Question number two: has the dreary gray wallpaper of your office ever begged the same dose of sugary sunshine? Christa Hill’s dessert catering company Hey, Cookie!, then, is the stuff of your dreams. Offering everything from vegan Mexican wedding cookies and oatmeal butterscotch chip cookies to fudge brownies and rice crispy treats, it’s clear that the biggest draw of Hey Cookie! isn’t its dirndls. Unofficially coined the Cookie Girl, Hill epitomizes service with a smile, and her staff follows suit, so feel free to shout them out at your next Dolo hill sit.
(415) 999-0205, www.twitter.com/heycookiesf
BEST GOURGÉRES
We don’t know what makes the clutch of cafes around Church and Market in SF so inviting — OK, we do: great service, good coffee, and a laidback, no-hurries vibe — but we find ourselves drawn here more often than not on those precious early mornings off. French bakery Thorough Bread and Pastry is one of those cafes, and although the punny name evinces a slight groan, the trés magnifique selection of authentic French pastries keeps us coming back for more. There are flaky croissants, of course, and fruit-laden tarts, dense and drenched baba au rhum and mint-kicky grasshopper cakes, wee sugar-dusted chouquettes and almond-brown butter financiers. And could anything be more perfect on a foggy morning than a small bag full of fresh-out-the-oven gougéres? The original cheesy puffs, these savory, bite-sized beauties (four for $1.50) instantly bring out the sunshine. Combine them with a steaming cup of coffee, s’il-vous plaît, and you’ve got breakfast pegged.
248 Church, SF. (415) 558-0690, www.thoroughbreadpastry.com
BEST CAN-ARCHY
When it comes to the latest trends in pickling, canning, jarring, putting up, putting by, or just plain preserving, we’ve got a dirty little secret: everything we know about Mason jar-ology comes from the amazing Punk Domestics. Food and travel blogger Sean Timberlake, with support from his husband Paul Brown and terrier Reese, took inspiration from canning expert and former Guardian writer Karen Solomon — particularly a review of one of her books that mentioned the “punk domesticity of the hipster DIY movement” — to launch a content aggregation site for can-atics of everything dried, cured, or otherwise preserved. It’s jam-packed with links to community-posted articles with helpful hints and innovative techniques from around the Web, plus heads-ups on events, giveaways, recipes, and book releases. Ever wonder about micro-farming, curing meats, making cheese, or pickling duck eggs? No need to keep a lid on it when the Punk Domestics are in the house.
BEST MARMALADY
Who wouldn’t want all the colorful bounty of the Bay Area served up on a nice piece of toast (preferably sourdough, in our case)? Meyer lemon, Santa Rosa plum, pear, apple, mild pepper, lime, nectarine, grape … these fruits (plus pineapple, kiwi, rose petal, lavender, and blueberry) are gathered from backyards and garden plots by the ever-foraging Aunt Kitty, a.k.a. Kitty Myers of San Francisco’s Sunset District, and transformed into the most spectacular jellies imaginable. The secret is not simply organic; it also lies in the unique combination of two or three parts fruit to one part sugar, allowing a lush effulgence of natural flavor. Besides delicious marmalades packaged in distinctive little Mason jars and sold in local cafes and grocery stores, Kitty’s homegrown company, Aunt Kitty’s Kreations, also supplies apple and mango chutney, piccalilli and cranberry-orange relish, and even fudge. According to legend, many of Aunt Kitty’s products were actually developed in her church’s basement — maybe that’s where the wholesome flavor comes from?
BEST PUPUSA PARADISE
If you were to describe Mission establishments by historical eras, El Paraiso Cafe would be decidedly Post-German working class, Pre-Valencia Street $200 cork wedges. Its menu bears the marks of a business whose customer base does not guide its brunch-seeking steps toward outrageously pricey gluten-free breakfast plates. Rather, El Paraiso is perfect for that Mission dream of a neighborhood half-full of families and transplants from all over the world and half-full of broke boho Americans — OK, and those who are a mix of the two — who flock toward piping hot pupusas accompanied by free, generous bowls of curtido (piquant, fresh coleslaw) and thin red salsa. And it’s all parked kitty-corner to the yelping soccer children and sunbathing elders of Parque de los Ninos Unidos. Did that Mission ever exist? Or are we thinking of paradise?
1198 Treat, SF. (415) 824-2535
BEST SECRET WORLD OF CHEESE
Be not fooled by Gourmet & More‘s small size. This long, skinny Hayes Valley specialty shop, owned by French-born longtime Bay Area residents Laurent and Josiane Recollon, is bursting at the shelves with all manner of goodies for the gourmand. Foie gras has flown the coop, but there’s an array of tasty imported meats (prosciutto, salami, chorizo), breads, sweets (no such thing as “too many macarons”), fancy mustards and oils, and made-to-order sandwiches (to-go, or to eat on Gourmet & More’s back patio). But the best part, bien sûr, is the climate-controlled shoplet tucked away at the back, stuffed with more than 300 kinds of cheese. Customers are encouraged to sample before they buy (any wonder that there’s sometimes a line to get in there?). We repeat: cheese room. Who needs Paris?
141 Gough, SF. (415) 874-9133
BEST CLAWS FOR CELEBRATION
It is ridiculous that we are about to register a wee bit of complaint regarding the Bay’s incredible surplus of native seafood — we could happily live on Tomales Bay oysters, Dungeness crab, and all those other tasty species one finds stewing in our hot pots of cioppino. And yet … we do miss a nice fresh lobster to go with our bubbly on special occasions, or some genuine surf to pair with our turf when we’re feeling old-school romantic-fancy. That’s when we head to our secret Maine-line to East Coast crustacean bliss, New England Lobster Company in South San Francisco, which offers not just succulent, flown-in pinchers both live and frozen, but steamers, scallops, mussels, clams, and many other treasures of the briny deep. And hey, what do you know, you can score some good ol’ Dungeness here, too. Don’t miss the super-delish lobster rolls from the lunchtime food truck in the parking lot, either. (Motto: “We’re on a roll!” LOL.) Time to get cracking.
170 Mitchell Ave., (650) 873-9000, www.newenglandlobster.net
BEST POP-UP RIVER OF LIQUOR
The Bon Vivants cocktail crew — Scott Baird, Josh Harris, Jason Henton — is a local treasure, throwing some of the coolest, most innovative parties around. They’ve also created winning cocktail menus, like the one at Berkeley’s new Comal, while working on their long-awaited Mission bar Trick Dog. But till then, tipsy transients can catch them at their more fleeting establishment, the Rio Grande Bar. What started as part of A Temporary Offering — the intriguing rotating pop-up project that inhabits the entire ground floor of the Renoir Hotel — may soon (we hope) become a permanent destination. Or it could morph into roving gypsy bar. Evoking a funky border-town roadhouse as Quentin Tarantino might interpret it, the bar is already a cute-kitschy go-to for cocktailians in the know. There, tequila, mezcal, whiskey, and beer (in cans) flow. No drink menu is needed: talented bar staff create bracing beverages based on your mood. Or simply opt for a Dos Equis while grooving to live bands on the mini stage, beneath shrines to 1970s adult film star Vanessa del Rio and the Virgin of Guadalupe.
1108 Market, SF. www.bonvivants-sf.com
BEST BRIGHT-EYED BREAD GUY

Photo by Rafi Aji
Here’s how Vermont-bred Josey Baker launched Josey Baker Bread: he walked into Mission Pie and asked (sweetly) if he might borrow some oven space. The neighborhood bake shop obliged, and to no one’s surprise (the alluring qualities of handsome men and fresh-baked bread being what they are) Baker’s business took off, delighting subscribers to his poppy, walnut, and black pepper parmesan loaves — delivered weekly to your door! — and walk-in customers alike. On some days he has even given away bread on a by-donation basis; we’ve seen it. Now he’s set to open his own bakery in partnership with Four Barrel on Divisadero. His fans may be excited by swirling rumors of a toast bar, but for us it would be enough to just see that smile again. He may not be oblivious to his own charms; his website recommends that you write him a love letter. Josey, does this count?
736 Divisadero, SF. joseybakerbread.wordpress.com
Best of the Bay 2012 Readers Poll: Arts and Entertainment
BEST OF THE BAY 2012: READERS POLL: ARTS AND ENTERTAINMENT
BEST MOVIE THEATER
CASTRO THEATRE
429 Castro, SF
(415) 621-6120
BEST REP FILM HOUSE
ROXIE THEATER
3117 16th St., SF
(415) 863-1087
BEST THEATER COMPANY
BATS IMPROV
B350 Fort Mason Center, SF
(415) 474-6776
BEST DANCE COMPANY
ODC
3153 17th St., SF
(415) 863-9833
BEST DANCE INSTRUCTOR
MICAYA
BEST PERFORMANCE SPACE
Z SPACE
450 Florida, SF
(415) 626-0453
BEST FILM OR ARTS FESTIVAL
SAN FRANCISCO INTERNATIONAL FILM FESTIVAL
BEST MUSEUM
DE YOUNG MUSEUM
50 Hagiwara Tea Garden Drive, SF
(415) 750-3600
BEST ART GALLERY
SECESSION ART AND DESIGN
3361 Mission, SF
(415) 279-3058
BEST ARTIST OR COLLECTIVE (TIE)
CREATIVITY EXPLORED
3245 16th St., SF
(415) 863-2108
MILLION FISHES
2501 Bryant, SF
BEST FILMMAKER
PEACHES CHRIST
BEST ACTOR
LISA ROWLAND
BEST AUTHOR
DAVID PEREZ
BEST ZINE
SPECIOUS SPECIES
BEST PUBLISHING HOUSE
LAST GASP
BEST ARTS OR MUSIC WEBSITE
THE BAY BRIDGED
BEST RECORD LABEL
FLENSER RECORDS
BEST BAND
MAD NOISE
BEST SINGER-SONGWRITER
MISISIPI MIKE WOLF
BEST DJ
PRINCE ARIES
BEST MUSIC FESTIVAL
OUTSIDE LANDS
BEST OVERALL PARTY VENUE
DNA LOUNGE
375 11th St., SF
(415) 626-1409
BEST OVERALL DANCE PARTY
BOOTIE
Saturdays, 9pm-late, $10 before 10pm, $15 after
DNA Lounge
375 11th St., SF
BEST ROCK CLUB
BOTTOM OF THE HILL
1233 17th St., SF
(415) 626-4455
BEST REGGAE CLUB
PIER 23
Pier 23, SF
(415) 362-5125
BEST HIP-HOP CLUB
CLUB SIX
60 Sixth St., SF
(415) 863-1221
BEST JAZZ CLUB
YOSHI’S
1330 Fillmore, SF
(415) 655-5600;
510 Embarcadero West, Oakl.
(510) 238-9200
BEST SALSA CLUB
CAFÉ COCOMO
650 Indiana, SF
(415) 824-6910
BEST HOUSE/TECHNO CLUB
MIGHTY
119 Utah, SF
(415) 762-0151
BEST AFTER-HOURS CLUB
THE END UP
401 Sixth St., SF
(415) 896-1075
BEST TRIVIA NIGHT
EDINBURGH CASTLE
Tuesdays 8pm, free
950 Geary, SF
(415) 885-4074
BEST JUKEBOX
LUCKY 13
2140 Market, SF
(415) 487-1313
BEST KARAOKE BAR
THE MINT
1942 Market, SF
(415) 626-4726
BEST OVERALL QUEER PARTY
HARD FRENCH
First Saturdays, 2-8pm, $7
El Rio
3158 Mission, SF
BEST GAY BAR OR CLUB
TRUCK
1900 Folsom, SF
(415) 252-0306
BEST LESBIAN BAR OR CLUB
LEXINGTON CLUB
3464 19th St., SF
(415) 863-2052
BEST CLUB FOR TRANSPEOPLE
EL RIO
3158 Mission, SF
(415) 282-3325
BEST DRAG SHOW
TRANNYSHACK
BEST DRAG KING OR QUEEN
PEACHES CHRIST
BEST BURLESQUE ACT OR SHOW
HUBBA HUBBA REVUE
BEST COMEDY SHOW
COBB’S COMEDY CLUB
915 Columbus, SF
(415) 928-4320
BEST COMEDIAN
MARGA GOMEZ
BEST MAGICIAN
ROBERT STRONG
BEST OPEN MIC NIGHT
HOTEL UTAH
Mondays, 7pm, free
500 Fourth St., SF
(415) 546-6300
BEST LITERARY NIGHT
WHY THERE ARE WORDS
Second Thursdays, 7pm, $5
Studio 333
333 Caledonia, Sausalito
BEST STRIP CLUB
THE LUSTY LADY
1033 Kearny, SF
(415) 391-3126
BEST SEX CLUB
EROS
2051 Market, SF
(415) 255-4921
BEST PORN STUDIO
KINK.COM
Rep Clock
Schedules are for Wed/25-Tue/31 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.
ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6. Reconnect: A Film on Cell Phones and Health Effects (Kunze, 2012), Sat, 8.
CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. San Francisco Jewish Film Festival, Wed-Thu. For tickets and more information, visit www.sfjff.org. •Spaceballs (Brooks, 1987), Fri, 7:30, and Blazing Saddles (Brooks, 1974), Fri, 9:25. “The Silence of the Trans:” The Silence of the Lambs (Demme, 1991), with pre-show starring Sharon Needles, Peaches Christ, and the Midnight Mass Players, Sat, 3, 8. Tickets for this event, $25-45; visit www.peacheschrist.com for info. Bearcity 2: The Proposal (Langway, 2012), Sun, 11:30am, 2:00, 4:30, 7:00, 9:25. This event, $10-12; visit bearcity2theproposal.ticketbud.com for info. •Purple Rain (Magnoli, 1984), Tue, 7:30, and Pink Floyd the Wall (Parker, 1982), Tue, 9:40.
CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. Beasts of the Southern Wild (Zeitlin, 2012), call for dates and times. Bernie (Linklater, 2012), call for dates and times. Dark Horse (Solondz, 2011), call for dates and times. Take This Waltz (Polley, 2011), call for dates and times. The Queen of Versailles (Greenfield, 2012), July 27-Aug 2, call for times. Bill W. (Carracino and Hanlon, 2011), Sun, 7.
DAVIES SYMPHONY HALL 201 Van Ness, SF; www.sfsymphony.org. $25-75. The Wizard of Oz (Fleming, 1939), Thu-Fri, 7:30. Screening with live orchestral accompaniment. “Pixar in Concert,” Sat, 7:30; Sun, 2. Songs from Pixar films, with accompanying movie clips.
JACK LONDON SQUARE First Street at Broadway, Oakl; www.jacklondonsquare.com. Free. Ghostbusters (Reitman, 1984), Thu, sundown.
MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100, rsvp@milibrary.org. $10. “CinemaLit Film Series: Fairytale Endings:” Excalibur (Boorman, 1981), Fri, 6.
PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Bellissima: Leading Ladies of the Italian Screen:” Open City (Rossellini, 1945), Wed, 7; Bellissima (Visconti, 1953), Sat, 5:30. “The Eternal Poet: Raj Kapoor and the Golden Age of Indian Cinema:” Boot Polish (Arora and Kapoor, 1954), Thu, 7; Awaara (Kapoor, 1951), Sat, 7:45. “Cool World:” Heathers (Lehmann, 1989), Fri, 7; Thunderbolt and Lightfoot (Cimino, 1974), Fri, 9:05. “Russian Inferno: The Films of Alexei Guerman:” The Seventh Companion (Guerman and Aronov, 1967), Sun, 5. “Always for Pleasure: The Films of Les Blank:” •ry cooder group ’88 santa cruz (1988) and Sworn to the Drum: A Tribute to Francisco Aguabella (1995), Sun, 7.
ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-10. Romantics Anonymous (Ameries, 2011), Wed-Thu, 7, 9. KQED presents: •A Brush With the Tenderloin (Bierma, 2011), and Stage Left: A Story of Theater in San Francisco (Forbord, 2010), Wed, free. Free screening, but RSVP recommended; visit trulyca.eventbrite.com. Kids of Today (De Missolz, 2011), Thu, 7. •Not a Memory (Burdenski, 2012), and Something Personal (Elsaesser, 2012), Thu, 9:15. This event, $5. “This Must Be the Place: Post-Punk Tribes 1978-1982:” La Brune et moi (Puicouyoul, 1979), Fri, 7:30; Rough Cut and Ready Dubbed (Shah and Shaw, 1982), Fri, 8:40; “special secret movie,” Fri, 9:40; The Slog Movie (Markey, 1982), Sat, 7:30; “I Can See It and I’m Part of It: San Francisco Punk Portraits 1978-82” (shorts program), Sat, 9; “Buzz or Howl Under the Influence” (live footage), Sat, 10:20; Debt Begins at 20 (Beroes, 1980), Sun, 7; Downtown 81 (Bertoglio, 1981), Sun, 8:15. Shit Year (Archer, 2010), July 27-Aug 2, 7. “Johnny Legend presents:” The Big TNT Show (Peerce, 1966), Mon, 8; Mondo Teeno: Teenage Rebellion (Herman and Visconti, 1967), Mon, 6:10, 9:45; Teenage Cruisers (Legend, 1977), Tue, 6, 9:45; One Million Years AC/DC (De Prieset, 1969), Tue, 8.
SF FILM SOCIETY CINEMA 1746 Post, SF. $10-11. A Burning Hot Summer (Garrel, 2011), Wed-Thu, 3, 5, 7, 9. Sacrifice (Chen, 2010), July 27-Aug 2, 1, 3:30, 6, 8:30.
TOP OF THE MARK InterContinental Mark Hopkins, One Nob Hill, SF; www.topofthemark.com. Free. “Summer Movie Nights:” It Happened One Night (Capra, 1934), Tue, 7:30. Wine tasting at 5:30.
YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “Documentaries By Ai Weiwei:” One Recluse (2010), Sun, 2.
Music Listings
Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.
WEDNESDAY 25
ROCK/BLUES/HIP-HOP
Alberta Cross, Everest, Aaron Lee Tasjan Independent. 8pm, $15.
"Bay Got Soul" Boom Boom Room. 8pm, $5. With Melismatics, Miss Hicks & the Superhicks.
Carletta Sue Kay, Detective Agency, Bugs in Costumes Hemlock Tavern. 9pm, $7.
Keith Crossan with Daniel Castro Biscuits and Blues. 8 and 10pm, $15.
Crystal Stilts, Mantles Great American Music Hall. 8pm, $15.
Magic Leaves, Lawlands, Grand Lodge Cafe Du Nord. 8pm, $10.
Jason Marion vs Lee Huff Johnny Foley’s Dueling Pianos. 9:30pm.
mewithoutyou, Kevin Devine, Buried Beds Slim’s. 8pm, $16.
Passenger & Pilot, Annie Girl & the Flight, Nora Toomey Rickshaw Stop. 8pm, $10.
Terry Savastano Johnny Foley’s. 9pm, free.
Spoek Mathambo, Duckwrth, Armani Cooper Brick and Mortar Music Hall. 9pm, $10-$13.
Teenage Bottlerocket, Dopamines, Elway Bottom of the Hill. 9pm, $12.
Tiger Honey Pot, Heavy Voodoo, Elegy, Crimson Scarlet Knockout. 9pm, $7.
JAZZ/NEW MUSIC
Jill Burton, Scott Walton, Tim Perkis Meridian Gallery, 535 Powell, SF; www.meridiangallery.org. 8pm, $8-$10.
Cat’s Corner with Nathan Dias Savanna Jazz. 9pm, $10.
Cosmo AlleyCats Le Colonial, 20 Cosmo Place, SF; www.lecolonialsf.com. 7-10pm.
Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.
Andrea Marcovicci Rrazz Room. 7:30pm, $35-$45.
Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.
FOLK/WORLD/COUNTRY
Justin Ancheta Pena Pachamama, 1630 Powell, SF; www.pachamamacenter.org. 8pm, free.
Maria De Barros Yoshi’s SF. 8pm, $20.
Toast Inspectors Plough and Stars. 9pm.
DANCE CLUBS
Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.
Coo-Yah! Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. DJs Daneekah and Green B spin reggae and dancehall with weekly guests.
Full-Step! Tunnel Top. 10pm, free. Hip-hop, reggae, soul, and funk with DJs Kung Fu Chris and Bizzi Wonda.
Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.
Obey the Kitty: Ean Golden, Justin Milla Vessel, 85 Campton, SF; www.vesselsf.com. 10pm, $10.
Shutter Elbo Room. 10pm, $5. With DJs Nako, Omar, and Justin.
THURSDAY 26
ROCK/BLUES/HIP-HOP
Ettes, Nectarine Pie, Warm Pie Thee Parkside. 9pm, $10.
Farewell Drifters , Shants Hotel Utah. 9pm, $10.
Gunshy Johnny Foley’s. 9pm, free.
Harry & the Potters, Potter Puppet Pals Slim’s. 7:30pm, $15.
Lee Huff vs Jason Marion Johnny Foley’s Dueling Pianos. 9:30pm.
"iStandard Producer Showcase: Bay Area Edition" Rockit Room. 9:30pm, $15.
King Tuff, Jaill, Coathangers Bottom of the Hill. 9pm, $12.
Hamilton Loomis Biscuits and Blues. 8 and 10pm, $15.
Pacific Dub, Katastro Cafe Du Nord. 8pm, $10.
Sioux City Kid, Ferocious Few, Mahgeetah Independent. 8pm, $15.
St. Lucia, Do, popscene DJs Rickshaw Stop. 9:30pm, $14-$15.
Sweet Chariot, Cuates, Josh Harmony Hemlock Tavern. 9pm, $7.
Tumbleweed Wanderers, Rin Tin Tiger, Ghost and the City Great American Music Hall. 8pm, $15.
JAZZ/NEW MUSIC
John Pizzarelli Quartet Yoshi’s SF. 8pm, $24; 10pm, $20.
Andrea Marcovicci Rrazz Room. 7:30pm, $35-$45.
Ned Boyton Trio Bottle Cap, 1707 Powell, SF; www.bottlecapsf.com. 7-10pm.
Eddy Ramirez Savanna Jazz. 7:30pm, $5.
Slippery Slope, Allison Lovejoy, Mindi Hadan Amnesia. 8pm, $7-$10.
FOLK/WORLD/COUNTRY
Bluegrass and old-time jam Atlas Cafe, 3049 20 St, SF; www.atlascafe.net. 8-10pm, free.
Set Dancing Plough and Stars. 9pm.
Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music, dancing, and giveaways.
DANCE CLUBS
Afrolicious Elbo Room. 9:30pm, $8. Live acts Luminaries and Afrolicious, and DJ-host Pleasuremaker spins Afrobeat, Tropicália, electro, samba, and funk.
All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with DJ’s Damon, Steve Washington, Dangerous Dan, and guests.
Base: Chaim Vessel, 85 Campton, SF; www.vesselsf.com. 10m, $10.
Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.
FRIDAY 27
ROCK/BLUES/HIP-HOP
Anthem Johnny Foley’s. 9pm, free.
Big K.R.I.T, Casey Veggies, Big Sant, Tito Lopez Slim’s. 9pm, $21.
Bone Awl, Cirrhus, Verglas Elbo Room. 9:30pm, $8.
Bruises, Dirty Ghosts, Sporting Life Bottom of the Hill. 9:30pm, $10.
Future Twin SPARC Dispensary, 1256 Mission, SF; RSVP www.sparcsf.org/gkr. 7-10pm, free.
Lee Huff, Rome Balestrieri, Jason Marion Johnny Foley’s Dueling Pianos. 9pm.
Intelligence, Personal & the Pizzas, Ggreen Hemlock Tavern. 9:30pm, $10
"iStandard Producer Showcase: Bay Area Edition" Rockit Room. 9:30pm, $15.
Malone Brothers, Huckle Great American Music Hall. 9pm, $21-$25.
Memorials, Seshen, Mission Bells Brick and Mortar Music Hall. 9pm, $10-$15.
Sam Chase, Bikini Complex, Debbie Neigher Independent. 9pm, $12.
EC Scott Biscuits and Blues. 8 and 10pm, $20.
Social Studies, Battlehooch, Siddhartha Rickshaw Stop. 9pm, $10.
Tambo Rays, Meat Market, Cogito, Evil Eyes Thee Parkside. 9pm, $6.
JAZZ/NEW MUSIC
Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.
Carol Luckenbach Savanna Jazz. 7:30pm, $8.
Terry Disely Bottle Cap, 1707 Powell, SF; www.bottlecapsf.com. 7-10pm.
Andrea Marcovicci Rrazz Room. 7:30pm, $35-$45.
Meta Bionic Lab. 8pm, $12-$25. Multimedia performances by M+V, Guillermo Galindo, NASSA.
Supplicants Red Poppy Art House. 9pm, $12-$20.
FOLK/WORLD/COUNTRY
Baxtolo Drom Amnesia. 9pm, $7-$10.
Wil Campa y su Gran Union Yoshi’s SF. 8pm, $20; 10:30pm, $20.
Coelho & Ridnell, Antonio Guedes and Chillaquiles Cafe Du Nord. 9:30pm, $12.
Lady Crooners Plough and Stars. 9pm.
Taste Fridays 650 Indiana, SF; www.tastefridays.com. 8pm, $18. Salsa and bachata dance lessons, live music.
Trio Garufa de Young Museum, 50 Hagiwara Tea Garden, SF; deyoung.famsf.org. 6pm.
Vindya Red Poppy Art House. 8pm, $15.
DANCE CLUBS
Crystal Method (DJ set), Opulent Temple resident DJs Public Works. 10pm, $20-$25.
Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.
Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.
Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.
Project Mayhem DNA Lounge. 9pm, $10-$15. Dubstep with Bassex, Rudebrat, DJ Mykill, Liam Shy, Atom One, and more.
Toolroom Knights: Filthy Rich Vessel, 85 Campton, SF; www.vesselsf.com. 10pm, $10-$20.
SATURDAY 28
ROCK/BLUES/HIP-HOP
Rome Balestrieri, Jason Marion, Lee Huff, Johnny Foley’s Dueling Pianos. 9pm.
Big Eagle Riptide. 9:30pm, free.
DRMS, Shotgun Wedding Quintet, St. Tropez Rickshaw Stop. 8:30pm, $12.
4OneFunktion, Jeremy Ellis Elbo Room. 10pm, $10.
Hamsa Lily, Fanna-Fi-Allah Sufi Qawwali Party Great American Music Hall. 9pm, $20-$25.
Kaskade, Dirtyphonics, Fareoh Bill Graham Civic Auditorium, 99 Grove, SF; www.apeconcerts.com. 8pm, $59.50.
Loquat, Young Digerati, Foxtail Somersault, Tzigane Society Slim’s. 8:30pm, $14.
Joyce Manor, Wild Moth, Summer Vacation, Yulia Bottom of the Hill. 9pm, $10.
MC Meathook & the Vital Organs, Butt Problems, Go Time!, Tender El Rio. 9pm, $7.
John Pieplow Red Devil Lounge. 8pm, $10.
Planet Booty, Jaysonik Brick and Mortar Music Hall. 9pm, $7-$10.
Rasio Revolt, Year of the Fist Thee Parkside. 3pm, free.
Sister Sparrow & the Dirty Birds Boom Boom Room. 8pm, $15.
Steel Pulse Independent. 9pm, $35.
Earl Thomas & the Ambassadors Biscuits and Blues. 7 and 9pm, $22.
Top Secret Band Johnny Foley’s. 9pm, free.
Truth & Salvage Co., Oak Creek Band Cafe Du Nord. 9pm, $10-$12.
Urban Blight, Creem, Permanent Ruin, Hunting Party Hemlock Tavern. 9Pm, $7.
Yanni Nob Hill Masonic Center, 1111 California, SF; www.masonicauditorium.com. 8pm, $49.50-$125.
JAZZ/NEW MUSIC
Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.
Wil Campa y su Gran Union Yoshi’s SF. 8pm and 10:30pm, $35.
Andrea Marcovicci Rrazz Room. 7:30pm, $35-$45.
Reedsman Jim Butler Savanna Jazz. 7:30pm.
FOLK/WORLD/COUNTRY
Wil Campa y su Gran Union Yoshi’s. 8 and 10:30pm, $25.
N. Rumba Ramp, 855 Terry Francois, SF; www.theramprestaurant.com. 5-8pm, free.
Sons of Bitches Plough and Stars. 9pm.
DANCE CLUBS
Bootie: Mysterious D’s Birthday DNA Lounge. 9pm, $10-$15. With DJ Mysterious D, Smash-Up Derby, Adrian, John! John!, Dada.
Icee Hot with Jam City Public Works Loft. 10:30pm.
Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.
Scooter and Lavella Vessel, 85 Campton, SF; www.vesselsf.com. 10Pm, $10-$20.
SUNDAY 29
ROCK/BLUES/HIP-HOP
Bordertown Saints, Get Dead, City Bottom of the Hill. 1pm, $8.
Caustic, Everything Goes Cold, Crashfaster, Whormongr DNA Lounge. 8:30pm, $11.
Dangerous Summer, New Empire, From Indian Lakes Cafe Du Nord. 8:30pm, $10.
Extra Classic, Low Flying Owls, Pony VIllage Hemlock Tavern. 9pm, $7.
Iron Maidens Broadway Studios, 435 Broadway, SF; www,broadwaystudios.com. 8pm, $15.
Aaron Leese and the Panhandlers Boom Boom Room. 8pm, $5.
Psychic Paramount, Phil Manley Life Coach, Barn Owl Brick and Mortar Music Hall. 8pm, $9-$12.
Terry Savastano Johnny Foley’s. 9pm, free.
Two Man Gentleman Band Amnesia. 8pm, $10.
Watsky, Dumbfounded & the Breezy Love Joy Band Slim’s. 9pm, $14-$16.
JAZZ/NEW MUSIC
Adrian Areas Latin Jazz Ensemble Savanna Jazz. 7pm, $7.
Anna Maria Flechero Bliss Bar, 4026 24 St, SF; www.blissbarssf.com. 4:30-7:30pm, $10.
Andrea Marcovicci Rrazz Room. 5pm, $35-$45.
Resonance Jazz Old First Concerts, 1751 Sacramento, SF; www.oldfirstconcerts.org. 4pm.
FOLK/WORLD/COUNTRY
Forro Brozuca Ramp, 855 Terry Francois, SF; www.theramprestaurant.com. 5-8pm, free.
John Sherry, Kyle Thayer Plough and Stars. 9pm.
Twang Sunday Thee Parkside. 4pm, free. With Golddiggers, Whiskey Pills Fiasco.
DANCE CLUBS
Dub Mission Elbo Room. 9pm, $6. Dub, dubstep, and dancehall with DJ Sep, and Matt Haze.
Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2. Raise money for LGBT sports teams while enjoying DJs and drink specials.
Domingos Latinos Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.
MONDAY 30
ROCK/BLUES/HIP-HOP
Damir Johnny Foley’s. 9pm, free.
Local Strangers Osteria, 3277 Sacramento, SF; www.osteriasf.com. 7pm, free.
This Century, Austin Gibbs, Panic is Perfect Bottom of the Hill. 7:30pm, $10.
Z-man, Lroneous, Bpos, DJ True Justice Elbo Room. 9pm, $7.
JAZZ/NEW MUSIC
Bossa Nova Tunnel Top, 601 Bush, SF; (415) 722-6620. 8-11:30pm, free. Live acoustic Bossa Nova.
DANCE CLUBS
Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.
Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.
M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.
Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, NeoSoul, Reggae, Dancehall, Reggaeton, Salsa and more with DJ Jerry Ross. Happy hour all night.
Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop from 1960s-early ’90s with DJs Luce Lucy, Vinnie Esparza, and more.
TUESDAY 31
ROCK/BLUES/HIP-HOP
Electric Shepherd, Billions and Billions Hemlock Tavern. 9pm, $6.
Family Folk Explosion Amnesia. 9:15pm, $5.
Gaucho Bottle Cap, 1707 Powell, SF; www.bottlecapsf.com. 7-10pm.
Kissing Party, Bam! Bam!, Party Owl Brick and Mortar Music Hall. 9pm, $5-$7.
La Montagne, Sit Kitty Sit, Fever Charm Bottom of the Hill. 9pm, $10.
Razor Skyline, Drop Black Sky, DJ Kit Elbo Room. 9pm, $7.
Solid Attitude, CCR Headcleaner, Raw Nite, Molestations Thee Parkside. 8pm, $5.
Soulfly, Incite, Lody Kong Slim’s. 8pm, $26.
Stan Erhart Band Johnny Foley’s. 9pm, free.
JAZZ/NEW MUSIC
Crown Syncopators Pier 23, Embarcadero at Filbert, SF; (415) 362-5125. 5-8pm.
Luisa Maita Yoshi’s SF. 8pm, $18.
DANCE CLUBS
Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.
Get FREE tickets to a Castro screening of the Jewish Film Festival!
This year’s San Francisco Jewish Film Festival presents a record-breaking program of over 60 films from 17 countries. Celebrating the very best in independent Jewish cinema and featuring an a-z spectrum of films, this year’s SFJFF includes stimulating in-depth discussions, new special events and additional screenings. Look forward to special guests Y-Love, Judy Blume, Elliot Gould and others, exclusive live Skype interviews with filmmakers, live performances by Bay Area artists Vetiver and La Peche Quintet, and parties that celebrate a 2012 Music Spotlight. The Festival runs July 19-August 6 with venues in San Francisco, Berkeley, Oakland, Palo Alto and San Rafael. The Castro screening is up first with the following show times!
Music Man Murray: Tuesday July 24 at 4:10
Ben Lee: Catch my Disease: Tuesday, July 24th at 9:05
The Other Son: Tuesday, July July 24th at 6:15
Ameer Got His Gun- Wednesday, July 25th at 1:35
My Neighborhood: Wednesday, July 25 at 1:35
Just 45 Minutes from Broadway: Wednesday, July 25th at 8:50pm
Roman Polanski: A Film Memoir: Wednesday, July 25th at 3:45pm
A.K.A Doc Pomus: Thursday, July 26th at 8:15pm with live concert featuring Vetiver, The Fruit Bats, and Sonny and the Sunsets
Harbour of Hope: Thursday, July 26th at 11:10 am
For screening times for all shows, in all locations please click here.
To get a pair of FREE tickets to one of the CASTRO screenings, email sfbgpromos@sfbg.com with the title as “Jewish Film Festival” and include your name in the message along with what movie you would like to attend. This promo is good while supplies lasts.
San Francisco/Castro: July 19-26
Jewish Community Center, San Francisco: July 28-29
Palo Alto: July 28-August 2
Berkeley: July 28-August 4
San Rafael: August 4-6
Oakland: August 3 & 6
Rep Clock
Schedules are for Wed/18-Tue/24 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.
ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6. "Periwinkle Cinema: Something Queer," films by Gary Fembot, Austin Young, and Bruce LaBruce, Wed, 8.
BALBOA 3530 Balboa, SF; www.cinemasf.com/balboa. $15-25. "The Dark Knight Trilogy:" •Batman Begins (Nolan, 2005), Thu, 6; The Dark Knight (Nolan, 2008), Thu, 9; and The Dark Knight Rises (Nolan, 2012), Fri, 12:01am.
CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. Dark Shadows (Burton, 2012), Wed, 2:30, 4:45, 7, 9:15. San Francisco Jewish Film Festival, Thu and July 21-26. For tickets and more information, visit www.sfjff.org. •Zero Hour (Bartlett, 1957), Fri, 7:30, and Airplane! (Abrams and Zucker, 1980), Fri, 9:05.
CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. Beasts of the Southern Wild (Zeitlin, 2012), call for dates and times. Bel Ami (Donnellan and Ormerod, 2012), call for dates and times. Bernie (Linklater, 2012), call for dates and times. Peace, Love and Misunderstanding (Beresford, 2011), call for dates and times. Pink Ribbons, Inc. (Pool, 2011), call for dates and times. Take This Waltz (Polley, 2011), call for dates and times. Dark Horse (Solondz, 2011), July 20-26, call for times. The Sleeping Beauty, performed by the Royal Ballet, London, Tue, 6:30. This event, $15. "El Santo: Superstar," Sat, 11am. Lucha libre film screening and an appearance by wrestler Chicano Flame; presented in conjunction with the Mission Cultural Center for Latino Arts exhibit "La Quebradora: Lucha Libre in Contemporary Mexican Art." This event, free.
"FILM NIGHT IN THE PARK" This week: Creek Park, 451 Sir Francis Drake Blvd, San Anselmo; www.filmnight.org. Donations accepted. "Steve Prefontaine Film Festival:" •Without Limits (Towne, 1998), and Fire on the Track: The Steve Prefontaine Story (Lyttle, 1995), Fri, 8; The Help (Taylor, 2011), Sat, 8.
PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. "Bellissima: Leading Ladies of the Italian Screen:" Sandra (Visconti, 1965), Wed, 7; The Girl with a Suitcase (Zurlini, 1961), Sat, 6. "The Eternal Poet: Raj Kapoor and the Golden Age of Indian Cinema:" Barsaat (1949), Thu, 7; Aag (1948), Sat, 8:15. "Cool World:" My Own Private Idaho (Van Sant, 1991), Fri, 7; Foxy Brown (Hill, 1974), Fri, 9:05; Blue Velvet (Lynch, 1986), Sun, 7. "Always for Pleasure: The Films of Les Blank:" All in This Tea (Blank and Leibrecht, 2007). Sun, 5.
ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-10. Beyond the Black Rainbow (Cosmatos, 2011), Thu, 9. Crazy Wisdom (Demetrakas, 2011), Wed-Thu, 7, 8:45. Fixing the Future, Wed, 7:30. Marina Abramovic: The Artist is Present (Akers, 2011), Thu, 7. Romantics Anonymous (Ameries, 2011), July 20-26, 7, 9 (also Sat-Sun, 2, 4). "The Beauty of the Real: A Celebration of Contemporary French Actresses," July 20-26. Check website for programming details.
SF FILM SOCIETY CINEMA 1746 Post, SF. $10-11. The Story of Film: An Odyssey, Part Eight: Cinema Today and the Future (Cousins, 2011), Sat, noon. British TV series. Ballplayer: Pelotero (Finkel, Martin, and Paley, 2011), Wed, 5, 9; Thu, 1. Bonsái (Jiménez, 2011), Wed-Thu, 3 (also Wed, 7). A Burning Hot Summer (Garrel, 2011), July 20-26, 3, 5, 7, 9. Dark Horse (Solondz, 2011), Thu, 9. With Todd Solondz in person.
VORTEX ROOM 1082 Howard, SF; Facebook: The Vortex Room. $7 donation. "Vortex Beach:" •Beach Ball (Weinrib, 1965), Sun, 7, and The Last House on the Beach (Prosperi, 1978), Sun, 9.
YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. "Documentaries By Ai Weiwei:" •Ordos 100 (2012), and So Sorry (2012), Sun, 2.
Music Listings
Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.
WEDNESDAY 18
ROCK/BLUES/HIP-HOP
Brian Bergeron Johnny Foley’s. 9pm, free.
Bouncing Souls, Menzingers, Luther Slim’s. 8pm, $19-$21.
Charles vs. Rags Tuttle Johnny Foley’s Dueling Pianos. 9:30pm.
Chatham County Line, Easy Leaves Cafe Du Nord. 8pm, $15.
Eddie Money Yoshi’s. 8pm, $35.
Johnny Rawls Biscuits and Blues. 8 and 10pm, $15.
SO, Glass Gavel, Shake Me! Bottom of the Hill. 9pm, $10.
Soul Train Revival Boom Boom Room. 8pm, $5.
Upstairs Downstairs, Origami Ghosts, Myonics Hemlock Tavern. 9pm, $6.
Valient Sailors Hotel Utah. 9pm.
Waters, Chasms, Churches Brick and Mortar Music Hall. 9pm, $10-$12.
Scott Weiland Independent. 8pm, $49.50.
JAZZ/NEW MUSIC
Cat’s Corner with Nathan Dias Savanna Jazz. 9pm, $10.
Cosmo AlleyCats Le Colonial, 20 Cosmo Place, SF; www.lecolonialsf.com. 7-10pm.
Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.
Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.
Sonic Poetry Community Music Center, 544 Capp, SF; www.outsound.org. 7:30pm. $10-$12; $45 festival pass. Outsound New Music Summit.
FOLK/WORLD/COUNTRY
Cumbia Tokeson, Radio La Chusma, DJ Rabeat Elbo Room. 9pm, $8-$10.
DANCE CLUBS
Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.
Coo-Yah! Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. DJs Daneekah and Green B spin reggae and dancehall with weekly guests.
Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3. With Therinds, Dick Wolf, Holy Blowout.
Mary Go Round Lookout, 3600 16th St, SF; www.lookoutsf.com. 10pm, $5. Drag with Suppositori Spelling, Mercedez Munro, and Ginger Snap.
Megatallica Fiddler’s Green, 1333 Columbus, SF; www.megatallica.com. 7pm, free. Heavy metal hangout.
Obey the Kitty: Richie Panic, Justin Milla Vessel, 85 Campton, SF; www.vesselsf.com. 10pm, $10.
THURSDAY 19
ROCK/BLUES/HIP-HOP
Beachwood Sparks, Allah-Las, Sweet Chariots Independent. 8pm, $18.
Boneless Children Foundation, Bonnie & the BANG BANG, Taxes Brick and Mortar Music Hall. 7:30pm, $5-$8.
Fountains of Wayne, Mike Viola Great American Music Hall. 8pm, $26.
Guido vs. Charles Johnny Foley’s Dueling Pianos. 9:30pm.
Handshake, Fierce Creatures, Conveyor, Coast Jumper Bottom of the Hill. 9pm, $10.
“In a Cloud 2” SF compilation release Amnesia.
Jay Trainer Band, Segue & Jeff Zittrain Band Red Devil Lounge. 8pm, $8.
John Lawton Trio Johnny Foley’s. 9pm, free.
Eddie Money Yoshi’s. 8pm, $35; 10pm, $30.
Oliver, popscene DJs Rickshaw Stop. 10pm, $13-15.
Spencey Dude and Doodles record release variety show Hemlock Tavern. 9pm, $5.
Walter Trout Biscuits and Blues. 8pm, $30-$35.
Why I Hate, Shell Corporation, Mighty Fine, Hooray for Everything Thee Parkside. 9pm, $7.
JAZZ/NEW MUSIC
Composers Muse Community Music Center, 544 Capp, SF; www.outsound.org. 7:30pm. $10-$12; $45 festival pass. Outsound New Music Summit with Christina Stanley’s Skadi Quartet, and more.
Jazz Jam with Eddie Ramirez Savanna Jazz. 7:30pm, $5.
FOLK/WORLD/COUNTRY
JimBo Trout and the Fishpeople Atlas Cafe, 3049 20th St, SF; www.atlascafe.net. 8-10pm.
Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music, dancing, and giveaways.
DANCE CLUBS
Afrolicious Elbo Room. 9:30pm, $5. DJ Pleasuremaker spins Afrobeat, Tropicália, electro, samba, and funk, plus Sola Rosa.
Arcade Lookout. 9pm, free. Indie dance party.
Base: Chris Liebing Vessel, 85 Campton, SF; www.vesselsf.com. 10pm, $10.
Get Low Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. Jerry Nice and Ant-1 spin Hip-Hop, ’80s and Soul with weekly guests.
Thursdays at the Cat Club Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with DJ’s Damon, Steve Washington, Dangerous Dan, and guests.
Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.
FRIDAY 20
ROCK/BLUES/HIP-HOP
Back Pages Johnny Foley’s. 9pm, free.
Rome Balestrieri, Charles, Guido Johnny Foley’s Dueling Pianos. 9pm.
Frank Bey Biscuits and Blues. 8 and 10pm, $20.
Sam Bush, Allison Harris & the Barn Owls Great American Music Hall.9pm, $26.
Fast Times Maggie McGarry’s, 1353 Grant, SF; www.maggiemcgarrys.com. 9pm, free.
Glimpse Trio, Points North, S.K.O.P.E Bottom of the Hill. 10pm, $12.
Grass Widow, American Splits, Wax Idols, Worlds Longest Guitar Solo With Breaks Rickshaw Stop. 9pm, $10-$12.
Collin Ludlow-Mattson & Folks, Blank Tapes, Ash Reiter, Pat Hull Amnesia. 9pm, $8-$10.
Melvins Lite Slim’s. 9pm, $21.
Moonbell, Some Embers, Chasms, DJs Kevin Johnson and Nako Thee Parkside. 9pm, $5.
Pow!, Permanent Collection, Future Twin, Al Lover & the Haters Brick and Mortar Music Hall. 9pm, $5-$8.
Strangled Darlings, Ian Fays, Blonde Stranger Hemlock Tavern. 9:30pm, $7.
Tainted Love Bimbo’s. 9pm, $23.
Tosh Meets Marley Elbo Room. 10pm, $15. With Nnuklee Dube, DJ Irie Dole and King of Hearts.
“Vagabond Lovers Club” Cafe Du Nord. 9pm, $12-$15. With Slim Jenkins, Frantic Rockers, Golden West Trio, burlesque, DJs, and more.
JAZZ/NEW MUSIC
Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.
Benn Bacot Savanna Jazz. 7:30pm, $8.
Midnight Sun Jazz Quartet Bubble Lounge, 714 Montgomery, SF; www.bubblelounge.com. 6-9pm, free.
Thwack. Bome. Chime Community Music Center, 544 Capp, SF; www.outsound.org. 7:30pm. $10-$12; $45 festival pass. Outsound New Music Summit.
Markus Wettstein, Betsey Biggs, Dylan Bolles, Edward Schocker Meridian Gallery, 535 Powell, SF; www.meridiangallery.org. 8-10pm.
FOLK/WORLD/COUNTRY
Bluegrass Bonanza Plough and Stars. 9:30pm, $8-$10. With Travers Chandler, Avery County, Woody Hill.
Taste Fridays 650 Indiana, SF; www.tastefridays.com. 8pm, $18. Salsa and bachata dance lessons, live music.
DANCE CLUBS
DJ What’s His Fuck Riptide Tavern, 3639 Taraval, SF; (415) 681-8433. 9pm, free. Spinning old school punk and other gems.
Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.
Night of the Living Deadwardians Cat Club, 1190 Folsom SF; www.dancingghosts.com. 9:30pm. Miz Margo and Sage spin darkwave, synthpop, post-punk, and Xander and Fact.50 spin old world cabaret and steampunk.
Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.
Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.
Pledge: Fraternal Lookout. 9pm, $3-$13. Benefiting LGBT and nonprofit organizations. Bottomless kegger cups and paddling booth with DJ Christopher B and DJ Brian Maier.
Raindance Presents: Reflections with Dubtribe Sound System, Heyoka, and more Public Works. 9pm, $20.
Ron Reeser Vessel, 85 Campton, SF; www.vesselsf.com. 10pm, $10-$20.
SATURDAY 21
ROCK/BLUES/HIP-HOP
Charles, Rome Balestrieri, Guido Johnny Foley’s Dueling Pianos. 9pm.
City Deluxe, Limes, Sir Lord Von Raven Thee Parkside. 9pm, $5.
Cockasterphy, Edge Play Thee Parkside. 3pm, free.
Dig, Happy Body Slow Brain, Time Spent Driving Bottom of the Hill. 10pm, $10.
Fast Times Top of the Mark, One Nob Hill, SF; (415) 392-3434. 8pm, free.
Low Rollers Riptide Tavern, 3639 Taraval, SF; (415) 681-8433. 9:30pm, free.
My Best Fiend, White Cloud Brick and Mortar Music Hall. 9pm, $7-$10.
Owl City, Jayme Dee Slim’s. 8pm, $21-$25.
“Patiopalooza” El Rio. 4-8pm, $8 (includes barbecue). With Chris James & the Showdowns, Mission:Blackout, Finding Stella, Burn River Burn.
“Phono Del Sol Music and Food Festival” Potrero Del Sol Park, San Bruno Avenue and 25th Street, SF; www.phonodelsol.com. 11:30am-6pm. $7-$10. With Fresh & Onlys, Unknown Mortal Orchestra, La Sera, Gardens & Villa, and more.
San Francisco Music Club Biscuits and Blues. 8 and 10pm, $20.
Sonny & the Sunsets, Wet Illustrated, Pink Films, Cool Ghouls Independent. 9pm, $15.
Sole Johnny Foley’s. 9pm, free.
Sydney Ducks, Ruleta Rusa, Between Your Teeth El Rio. 10pm, $7.
Tainted Love Bimbo’s. 9pm, $23.
Thunderbleed AKA Blind Vengeance, Nate’s Denver Neck, DJ Real Hemlock Tavern. 9:30pm, $7.
Too $hort Yoshi’s Lounge. 10:30pm, $30.
JAZZ/NEW MUSIC
Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.
Fire & Energy Community Music Center, 544 Capp, SF; www.outsound.org. 7:30pm. $10-$12; $45 festival pass. Outsound New Music Summit with Jack Wright, Dave Bryant Trio, Vinny Golia Sextet, and more.
Future Bionic Lab, 2948 16 St, SF; www.projectsoundwave.com. 8pm, $12-$25. Soundwave 5 multimedia and interactive performances by Jay Kreimer, Diana Burgoyne, and Cellar Ensemble.
Harmolodics Workshop Community Music Center, 544 Capp, SF; www.outsound.org. 2-4pm, free. Outsound New Music Summit.
Gina Harris & Torbie Philips Savanna Jazz. 7:30pm, $10.
Tiempo Libre with San Francisco Symphony Davies Symphony Hall, 201 Van Ness, SF; www.sfsymphony.org. 7:30pm.
FOLK/WORLD/COUNTRY
Andy y Su Orquesta Callao Ramp, 855 Terry Francois, SF; www.theramprestaurant.com. 5-8pm.
Alfonso Maya Mission Cultural Center, 2868 Mission, SF; www.missionculturalcenter.org. 7:30pm, $15.
Joy Mills, Miss Lonely Hearts Plough and Stars. 9pm.
Will Magid’s World Wide Dance Party: Balkan Extravaganza Cafe Du Nord. 9:30pm, $15.
DANCE CLUBS
Bootie SF: Triple Tribute DNA Lounge. 9pm, $10-$15. Bootie pays tribute to MCA of the Beastie Boys, Donna Summer, and Robin Gibb of the Bee Gees.
DJ Scotty Boy Vessel, 85 Campton, SF; www.vesselsf.com. 10pm, $10-$20.
Fringe Madrone Art Bar. 9pm, $5. Indie music video dance party with DJ Blondie K and subOctave.
Forward with Nitin, Tomas Barfod, Adnan Sharif, Galen Public Works. 9pm, $15-$20.
OK Hole Amnesia. 9pm, $7.
Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.
Reunited Rickshaw Stop. 10pm, $10-15. Presented by Jeffrey Paradise and Ava Berlin.
Saturday Night Soul Party Elbo Room. 10pm, $5-$10. DJs Lucky, Paul Paul, and Phengren Oswald spin ’60s soul 45s.
Ana Sia Mighty. 10pm.
Smiths Night SF Rock-It Room. 9pm, free. Revel in 80s music from the Smiths, Joy Division, New Order, and more.
Radio Franco Bissap, 3372 19th St, SF; (415) 826 9287. 6 pm. Rock, Chanson Francaise, Blues. Senegalese food and live music.
Wild Nights Kok BarSF, 1225 Folsom, SF; www.kokbarsf.com. 9pm, $3. With DJ Frank Wild.
SUNDAY 22
ROCK/BLUES/HIP-HOP
Bekah Barnett Martuni’s, Four Valencia, SF; www.urbanminstrel.com. 7pm.
City of Ships, Young Lions, Abstracer Hemlock Tavern. 6pm, $7.
John Lawton Trio Johnny Foley’s. 9pm, free.
Los Boleros Ramp, 855 Terry Francois, SF; www.theramprestaurant.com. 5-8pm.
Rome DNA Lounge. 8pm, $15.
JAZZ/NEW MUSIC
Next Generation of Jazz Orchestra Yoshi’s. 8pm, $10.
Noertker’s Moxie Quartet Cafe Royale, 800 Post, SF; www.caferoyale-sf.com. 7pm, free.
Savanna Jazz Jam Savanna Jazz. 7pm, $5.
Faith Winthrop Bliss Bar, 4026 24 St, SF; www.blissbarsf.com. 4:30-7:30pm, $10.
FOLK/WORLD/COUNTRY
E Family Sigmund Stern Grove, 19th Avenue and Sloat Boulevard, SF; www.sterngrove.org. 2pm, free. Featuring Pete, Sheila E, Juan and Peter Michael Escovedo.
Jack Gilder, Darcy Noonan, Richard Mandel Plough and Stars. 9pm.
Heel Draggers, Merchants of Moonshine Amnesia. 8pm, $7-$10.
Twang Sunday Thee Parkside. 4pm, free. With Devil’s Own, Grief Counselors.
DANCE CLUBS
Dub Mission Elbo Room. 9pm, $6. Dub, dubstep, roots, and dancehall with DJ Sep, Ludichris, and guest Dub Snakkr.
Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2. Raise money for LGBT sports teams while enjoying DJs and drink specials.
La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.
MONDAY 23
ROCK/BLUES/HIP-HOP
Adventure Playground, Froadz El Rio. 8pm, $5.
Before You Fall, Five Characters In Search of an Exit, Sun Sets Here Brick and Mortar Music Hall. 8pm, $5-$8.
Damir Johnny Foley’s. 9pm, free.
Earl Brothers Amnesia. 6pm.
Reel Big Fish, Big D and the Kids Table, Suburban Legends, Maxies Regency Ballroom. 7pm, $22.
Religious Girls, Young Lions, Hides Bottom of the Hill. 9pm, $8.
JAZZ/NEW MUSIC
Bossa Nova Tunnel Top, 601 Bush, SF; (415) 722-6620. 8-11:30pm, free. Live acoustic Bossa Nova.
DANCE CLUBS
Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.
Krazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.
M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.
Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop from 1960s-early ’90s with DJs Luce Lucy, Vinnie Esparza, and more.
TUESDAY 24
ROCK/BLUES/HIP-HOP
Ava Luna, That Ghost, Youngman Grand Bottom of the Hill. 9pm, $10.
Boca Do Rio Elbo Room. 9pm, $7.
Donna Jean Godchaux Band Brick and Mortar Music Hall. 9pm, $10-$13.
Family Folk Explosion Amnesia. 9:15pm, $5.
Hollow Earth, Heavy Action, Winter Teeth Knockout. 9:30pm, $6.
Seisiun Plough and Stars. 9pm.
Stan Erhart Band Johnny Foley’s. 9pm, free.
System and Station, Brain on Fire, Control-R Hemlock Tavern. 9pm, $7.
“Summer of Love Tour” Slim’s. 8pm, $16. With Allstar Weekend, Honor Society, Namesake.
Two-Tone Steiny & the Cadillacs Biscuits and Blues. 8 and 10pm, $15.
“Wake Up Madagascar” Yoshi’s. 8pm, $20. With Jaojoby, Razia Said, Saramba and Charles Kely.
JAZZ/NEW MUSIC
Marty Eggers Pier 23 Cafe, Embarcadero, SF; (415) 362-5125. 5-8pm.
Andrea Marcovicci Rrazz Room. 7:30pm, $35-$45.
DANCE CLUBS
Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.
Post-Dubstep Tuesdays Som., 2925 16th St, SF; (415) 558-8521.10pm, free. DJs Dnae Beats, Epcot, Footwerks spin UK Funky, Bass Music.
Study Hall John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. Hip-hop, dancehall, and Bay slaps with DJ Left Lane.
SF bragging rights (and ass) galore in Double Duchess’ brand-new “Bucket Betch”
Blatant disregard for traffic safety be damned (really, the bike-riding sparklers past the Castro Theatre shot is magick), the new Double Duchess video for “Bucket Betch” looks like something I’d show to my friends who don’t live in San Francisco to make them jealous. See, New Orleans and Brooklyn aren’t the only place with queer hip-hop anthems right now. See, it is possible to dance in those shoes. See 2:55 for an expert glitter vogue move. Try to count how many flagging club kids you can spot in this tour of ass-cheek-exposed SF summer. You can catch the duo performing with drag-wreck Christeene at Peaches Christ‘s new quarterly party Church on Aug. 10 at Public Works.
Guardian Voices: A harsh city for queer youth
By Mia Tumutch
I moved to San Francisco at 19, having recently escaped small-town Texas because of ignorance and hatred associated with the fact that I am transsexual. I arrived on a Greyhound with a huge purse, a duffle bag, and big dreams for the queer wonderland.
Then life happened. Unable to find a job because I was too visibly trans, I ran out of money and ended up homeless.
Thousands of other young queers have runa way to San Francisco, but they still face daunting statistics once they arrive. Our city by the Bay has long been assumed a safe haven for the gays — however there’s more work to be done. It’s our responsibility, as San Franciscans and decent human beings, to ensure LGBTQ youth don’t face more violence and discrimination once they make it here.
LGBTQ youth face a disproportionate amount of obstacles to success, including bullying in school, family rejection, violence on the street, and job discrimination. After coming out of the closet, 26 percent of LGBTQ youth are kicked out of their homes by their parents. While LGBTQ youth account for only 5-10 percent of the population, we represent 40 percent of the homeless youth in San Francisco. The number of LGBTQ youth coming out and becoming homeless continues to increase, while funding for services to this very vulnerable population is cut back almost every budget season.
There are more than 94,000 LGB people living in San Francisco and approximately 6,000 LGBTQ youth, but there is still not a single queer homeless shelter. There are currently 36,000 vacant housing units in San Francisco, and only 6,000 homeless people; why can’t homeless people live there?
In recent years there have been a number of policy changes that have made life harder for the homeless. In 2010, proposition L, passed making it illegal to sit or lie on a sidewalk between 7am and 11pm. This law further demonizes homeless people who can be hit with $500 fines and even a month in jail for accessing public space.
In 2011, Scott Weiner, an out gay politician representing Harvey Milk’s former district, implemented a harsh new policy even further criminalizing homeless people in the Castro. This law makes sleeping, camping, cooking, creating a shelter, and using a four-wheel shopping cart all illegal at all times in Jane Warner and Harvey Milk plazas. The law goes further to ban the selling or bartering of merchandise without a permit.
In the 1970s, a similar sit-lie law in San Francisco was used to unjustly harass gay men. Harvey Milk crusaded against these laws until he was killed — and now the plaza named after him has the harshest sit-lie law in the city, and it’s driving LGBTQ youth out of the Castro.
“My queer friends are leaving the city because they feel run out of the Castro,” explains a homeless youth and active ally in the LGBTQ community. “We get harassed by cops at least three times a day, when we aren’t harming anyone at all. I was told by a police officer that me sitting on the benches in the Castro community was disrespectful of the hardworking people of the neighborhood. Then she told me to get a job.”
It’s our duty as citizens of a supposed sanctuary city to not turn a blind eye on the plight of homeless people, and especially not LGBTQ homeless youth. Let’s repeal sit-lie laws and stop cutting desperately needed funds for LGBTQ youth. Let’s create a shelter for LGBTQ people, and establish a permanent source of funds to make housing affordable for everyone. The solution to ending homelessness is not to increase criminalization and harassment; we need to expand our consciousness and compassion.
7 ways to revive your sunburned brain this week
Dead set on frying your brain in this sunshine? Fine. Just hit up one of your city’s affordable cultural happenings afterwards and your gray matter will have no choice but to call it a draw.
Epicenter reading series
Sip on some of Cafe Tosca’s famous non-coffee cappuccino (brandy and hot chocolate, what could be better?) and listen to three members of the contemporary literati. Along with San Francisco-native Josh Mohr, the program will include Joe Meno reading from Office Girl, his new fiction work of artistic detachment and big city love, plus Nathan Larson’s The Nervous System, a novel depicting a terrorist-induced dystopia in the walls of the New York Public Library, starring a protagonist dubbed Dewey Decimal.
Thu/12 7pm, free
Cafe Tosca
242 Columbus Ave., SF
True Stories Lounge
Have your mind blown (pardon the pun) with Salon’s sex writer Tracy Clark-Flory at the True Stories Lounge. The reading series offers the unique opportunity to turn out your Friday night pre-game with a winning combination of cocktails and creative non-fiction, featuring writers from various genres recounting poignant childhood memoir, true crime, and sex follies.
Fri/13, 7pm, $10
Make Out Room
3225 22nd, SF
(415) 647-2888
“Myth”
An art reception wrought magical and mystical is this “Myth,” a group art exhibit exploring menaing in various types of folklore — everything from Greek myth to religious icons. Exhibiting artists will be in attendance at the opening reception, so you can ask them for the (assuredly fascinating) tales behind the images over drinks and and DJ.
Sat/14, 6pm, free
Modern Eden Gallery
403 Francisco, SF
(415) 956-3303
“Sin and Redemption”
Have a perfectly sinful Saturday afternoon with what may be the SFMOMA Fort Mason annex’s most tantalizing exhibition yet. Artists will create pieces that play with themes of sin and redemption via pointed sculpture installations, interactive confessionals, and more. It’s sure to be an afternoon of contemplation and question amid the stunning Bay views.
Sat/14, opening reception 1pm-3pm, free
SFMOMA Artists Gallery
Fort Mason, SF.
(415) 441-4777
Chuck Palahniuk
Brave hordes of dark literature lovers to hear none other than this legendary author of trangressional (OK, downright disturbing) fiction. Palahniuk, author of Fight Club and other contemporary literature treasures like “Guts” and Choke will discuss the “remix” of his 1999 novel Invisible Monsters. Already a story of plastic surgery, drugs, tragic hope, and other delights, the book is now equipped with an edgy new design and even edgier new material.
Mon/16, 6pm, $20-$40
Castro Theatre
429 Castro, SF
(415) 621-6120
LitSlam
Competitive literary lunacy takes the stage at Lit Slam on selected Monday nights in the Mission. A variety show by nature that involves spoken word poetry, workshops, and friendly (maybe) competition, the event is also a brilliant move towards guerrilla publication. Audience members (like you) choose the winners of the slam, who will go on to be published in the organization’s annual literary journal. Get there early if you’re gunning to perform. Stage fright? Lit Slam picks four audience members at random to act as judges for the competition, that’s a little more behind the scenes.
Mon/16, 8pm, free
Viracocha
998 Valencia, SF
The man who made 500 movies
arts@sfbg.com
FILM In 1969, a lot of silent films unloaded on the Library of Congress by Paramount Pictures was found to include The Canadian, a little-remembered 1926 drama that proved a major rediscovery when shown to new audiences under the American Film Institute’s banner. Its director, William Beaudine, had never seen it — hustling between assignments at different studios, he’d had no time — and would die at age 78 in March of 1970. But the prior month he managed (just out of the hospital, in a wheelchair) to catch a revival screening. Surprised by both the film and his standing ovation afterward, he admitted “Maybe I wasn’t such a bad director after all.”
That wasn’t just false modesty speaking — over the course of six decades in the business, Beaudine no doubt had been called a bottom-rung director, or worse. This wasn’t due so much to the actual quality of his movies (had anyone bothered to evaluate them as a whole) as the assumption that no one so ludicrously, indiscriminately prolific could possibly be good. Upon retiring a couple years earlier, he’d completed some 500 theatrical films (including shorts) and approximately 350 TV programs. No one even knows the precise numbers, as he occasionally worked under pseudonyms. What could you say about a man credited with such titles as Blonde Dynamite (1950), Tuna Clipper (1949), Billy the Kid vs. Dracula (1966), Voodoo Man (1944), Trick Golf (1934), The Girl from Woolworth’s (1929), and Bela Lugosi Meets A Brooklyn Gorilla (1952)? How could a one-man factory be expected to be an artist, too?
The truth was that Beaudine seldom got the chance to be one, and by being so pliant and efficient at directing low-end commercial product he probably helped ensure those chances would be rare. Still relatively unknown, The Canadian was certainly one such exception. It plays Saturday afternoon as part of the 17th San Francisco Silent Film Festival, on a program that will also see an honorary award go to Telluride Film Festival directors Tom Luddy, Gary Meyer, and Julie Huntsinger for their event’s long-standing efforts at preserving and exhibiting silent cinema.
A working-class Manhattan native infatuated with the movies from childhood — Beaudine and his brother actually acted in a 1900 short for Thomas Edison’s company — he began working in the then-NYC-centered early industry while still a teen, performing nearly every job behind (and a few before) the camera. He apprenticed under pioneers D.W. Griffith and Mack Sennett, graduating to the director’s seat shortly after a second, permanent move to Los Angeles in 1914.
Beaudine quickly acquired a reputation for being fast and funny — comedy was considered his forte, alongside working with child actors. It was the latter talent that won the attention of “America’s Sweetheart,” film industry tycoon Mary Pickford. Grudgingly accepting that the public still only wanted to see her in juvenile roles despite the fact that she was pushing 40, she chose him to direct two “comeback” vehicles after a year’s hiatus. Sentimental 1925 entry Little Annie Rooney was a great hit; the next year’s more Gothic Sparrows is still considered by some her best vehicle.
These prestige assignments and several other box-office successes should have lifted Beaudine to the top tier of Hollywood directors — he was already paid accordingly — yet curiously his self-effacing flexibility and ability to deliver the goods under-budget seemed to work against his acquiring the kind of artistic cred that might have let him choose his projects, or be assigned bigger, A-level ones. Frequently loaned out by whatever studio he was currently contracted to, he invariably did a sound job, even if the material was sub-par.
The Canadian itself was an example of his ability to roll with the punches. Sent east by Paramount to make a football picture, he arrived in New York only to find he was now directing a rural drama instead. Improbably based on a W. Somerset Maugham play, it starred Thomas Meighan as an Alberta farmer who marries his neighbor’s sister — a sort of grudge match, as she (Mona Palma) is a European society snob just recently forced here by dwindling family fortunes, and who proposes marriage herself largely to spite the brother and sister-in-law she’s managed to offend.
Sometimes compared today to Victor Sjöström’s 1928 The Wind with Lillian Gish, The Canadian is much less extreme in its style, melodrama, and emotions. (Its heroine doesn’t nearly go mad, for one thing.) The taming-of the-snoot gist is routine, but played out with charming naturalism and restraint. A somewhat difficult, weather-challenged location shoot near Calgary paid off in admiring reviews and good business, although by then Beaudine was already well into other projects, the most immediate being SF-set Frisco Sally Levy (1927).
Beaudine nimbly transitioned into “talkies,” freelancing rather than tying himself down. Yet perversely his adaptability, and knack for getting the most out of a budget, got him typed as a B-pic director rather than promoted to the front ranks. Wiped out in the 1929 stock market crash, he accepted what turned out to be a very successful stint abroad directing some of the top English comedians (notably Will Hays in 1936’s deliciously titled Windbag the Sailor). But those films weren’t seen in the U.S. When he returned home, Beaudine was — for reasons still murky — shut out at every Hollywood major, despite a long track record and being widely liked by coworkers.
His remaining three decades were a testimony to dogged workaholicism, versatility, and solid craftsmanship under sometimes trying circumstances. He worked for all the low-budget “Poverty Row” studios, as well as companies targeting “Negro-only” cinemas, and Protestant church circuits. He chalked up umpteen bottom-half-of-the-bill features in popular series, including dozens starring those aging adolescent cutups the Bowery Boys. He also directed infamous “sex hygiene” film Mom and Dad (1945), which for years played grindhouses and tent shows while fending off as many legal challenges as Deep Throat (1972) years later. Moving into television, he cranked out episodes of everything from The Mickey Mouse Club and Lassie to The Green Hornet — becoming surely the sole person ever to direct both Mary Pickford and Bruce Lee.
This year’s Silent Film Fest contains many more treasures, from two with the “It Girl” Clara Bow (1926’s Mantrap, 1927’s Wings) to films by Ernst Lubitsch, Josef von Sternberg, Georg Wilhelm Pabst, and Buster Keaton; from China, Russia, and Sweden; and with irrepressible cartoon id Felix the Cat. If you loved The Artist, check out The Mark of Zorro (1920) — its leaping, grinning star Douglas Fairbanks was the unmistakable model for Jean Dujardin’s Oscar-winning turn. *
SAN FRANCISCO SILENT FILM FESTIVAL
Thu/12-Sun/15, free-$42
Castro Theatre
429 Castro, SF
Rep Clock
Schedules are for Wed/11-Tue/17 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.
ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $10. “Orbit (film): A Program of Short Films About Our Solar System,” Sat, 8. “Collaborations: An Evening of Music and Image,” Tue, 8.
CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. •Thief (Mann, 1981), Wed, 7, and Straight Time (Grosbard, 1978), Wed, 9:15. San Francisco Silent Film Festival: Wings (Wellman, 1927), Thu, 7; “Amazing Tales from the Archives: Into the Digital Frontier,” Fri, 10:30am; Little Toys (Sun, 1933), Fri, 1; The Loves of Pharaoh (Lubitsch, 1922), Fri, 4; Mantrap (Fleming, 1926), Fri, 7; The Wonderful Lie of Nina Petrovna (Schwarz, 1929), Fri, 9:15; “The Irrepressible Felix the Cat!”, Sat, 10am; The Spanish Dancer (Brenon, 1923), Sat, noon; The Canadian (Beaudine, 1926), Sat, 2:30; South (Hurley, 1919), Sat, 5; Pandora’s Box (Pabst, 1926), Sat, 7; The Overcoat (Kozintsev and Trauberg, 1926), Sat, 10; The Mark of Zorro (Niblo, 1920), Sun, 10am; The Docks of New York (von Sternberg, 1928), Sun, noon; Erotikon (Stiller, 1920), Sun, 2; Stella Dallas (King, 1925), Sun, 4:30; The Cameraman (Sedgwick and Keaton, 1928), Sun, 7:30. More info and advance tickets (free-$42) at www.silentfilm.org. Inforum Presents: “Chuck Palahniuk: The Monsters Within,” Mon, 7 (this event, $20-40); “Meghan McCain and Michael Ian Black: Two Slices of American Pie,” Tue, 7 (this event, $25-45).
CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. Bel Ami (Donnellan and Ormerod, 2012), call for dates and times. Bernie (Linklater, 2012), call for dates and times. Peace, Love and Misunderstanding (Beresford, 2011), call for dates and times. Pink Ribbons, Inc. (Pool, 2011), call for dates and times. Take This Waltz (Polley, 2011), call for dates and times. Beasts of the Southern Wild (Zeitlin, 2012), July 13-19, call for times.
“FILM NIGHT IN THE PARK” This week: Creek Park, 451 Sir Francis Drake Blvd, San Anselmo; www.filmnight.org. Donations accepted. Across the Universe (Taymor, 2007), Fri, 8. Union Square, Geary at Powell, SF. The Artist (Hazanavicius, 2011), Sat, 8.
JACK LONDON SQUARE First Street at Broadway, Oakl; www.jacklondonsquare.com. Free. We Bought a Zoo (Crowe, 2011), Thu, sundown.
MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100, rsvp@milibrary.org. $10. “CinemaLit Film Series: Music and Nostalgia:” Amélie (Jeunet, 2001), Fri, 6.
MENLO-ATHERTON PERFORMING ARTS CENTER 555 Middlefield, Atherton; www.windriderbayarea.org. $5-15. Windrider Bay Area Third Annual Independent Film Forum, with films from Africa, Australia, and North America, and stars and filmmakers in person, Thu-Sat.
PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Bellissima: Leading Ladies of the Italian Screen:” Nights of Cabiria (Fellini, 1956), Wed, 7; The Leopard (Visconti, 1963), Fri, 7; Juliet of the Spirits (Fellini, 1965), Sat, 6. “Cool World:” The Hustler (Rossen, 1961), Thu, 7; Ed Wood (Burton, 1994), Sat, 8:50. “A Theater Near You:” El velador (Almada, 2011), Sun, 5:30. “Always for Pleasure: The Films of Les Blank:” In Heaven There Is No Beer? (Blank and Gosling, 1984). Sun, 7.
ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-10. “Au Revoir Béla Tarr:” The Man From London (Tarr and Hranitzky, 2007), Wed, 6:30; The Turin Horse (Tarr and Hranitzky, 2011), Wed, 9:15. “Songs Along a Stony Road: Music Movies by Local Luminaries:” Songs Along a Stony Road (Csicsery and Teerink, 2011) with “Sprout Wings and Fly” (Blank, 1983), Thu, 7 and 9. Filmmakers George Csicsery and Les Blank in person. San Francisco Frozen Film Festival, animation, shorts, and documentaries, Fri-Sat. All-day festival pass, $20; more info at www.frozenfilmfestival.com. Crazy Wisdom (Demetrakas, 2011), July 13-19, 7, 8:45 (also Sat-Sun, 3:15, 5).
SF FILM SOCIETY CINEMA 1746 Post, SF. $10-11. The Story of Film: An Odyssey, Part Seven: New Boundaries: World Cinema in Africa, Asia, and Latin America and New American Independents and the Digital Revolution (Cousins, 2011), Sat, noon. British TV series; new episodes weekly through July 21. Ballplayer: Pelotero (Finkel, Martin, and Paley, 2011), Fri-Sat and Tue, 3, 7; Sun-Mon, and July 18, 5, 9; July 19, 1. Bonsái (Jiménez, 2011), Fri-Sat and Tue, 5, 9; Sun-Mon and July 18, 3, 7; July 19, 3. “Family Screening: The Storytellers Show,” Sat, 10am. Marina Abramovic: The Artist is Present (Akers, 2011), Wed-Thu, 2:45, 5, 7:15, 9:30.
VICTORIA 2961 16th St, SF; www.911expertsspeakout.org. $10. 9/11 Explosive Evidence: Experts Speak Out (Gage, 2012), Wed, 7. Filmmaker Richard Gage in person.
YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “Documentaries By Ai Weiwei:” Disturbing the Peace (2009), Sun, 2. *
A Republican feminist
caitlin@sfbg.com
LIT “Do you consider yourself sex-positive?”
If you have a chance to interview John McCain’s daughter, and she identifies as a feminist, and is demonstrably more comfortable in strip clubs than the “liberal comedian” with whom she has embarked on a tour with in promotion of their book America, You Sexy Bitch! (Da Capo Press, $26, 352pp), you have to seize your moment to ask the big questions.
The pause from the other end of the telephone line tells me Meghan McCain, however, does not know what this term refers to. “Do I consider myself sex-positive? I’m not sure what you mean.” See?
She and Michael Ian Black will be in conversation at the Castro Theatre on Tue/17 at an event sponsored by the Commonwealth Club, by the way.
“It’s a term that we use — keep in mind I’m calling from San Francisco,” I say. “To mean not ashamed of sex. Of the opinion that having sex with people is OK. Different kinds of sexualities?” Apparently I don’t know what sex-positive means either, or else I am awkward in explaining the term to Republicans.
McCain, having been raised in the belly of a well-oiled political machine, is wary of potentially loaded questions from reporters. But she has also built her adult career on being a fiscally conservative woman who delights in bucking the social mores of the Republican Party. As such, she is able to compose a categorical response that is still pretty charming to her commieweirdo interviewer.
“I’m a big supporter of the gay community, if that’s what you’re asking me. And when it comes to my personal life, I am not abstinent, if that’s what you’re asking me as well. I am straight, if that’s what you’re asking me. I only date men. But sex and sexuality, I’m not terribly prudish. I think it’s private in nature but as far as I’m concerned, everybody can do whatever they want as long as it’s legal. In the privacy of their own homes, that’s their business, literally. As long as they’re not hurting anybody, I don’t care. Do your thing.”
Despite the many pages McCain and Black spend casting themselves as a “real” conservative and liberal — McCain as a gun-loving war eagle, Black as a snarky priss — the secret-not-secret point made by America, You Sexy Bitch is: politics don’t make the person. To that end, readers are taken on a RV tour of the country with McCain and Black, a trip that threatens to reveal the real America. We learn that McCain is far more comfortable in strip clubs than Black and is happily single at 27, while the Ed veteran has been married since his early 20s, rarely gets drunk, and lives in the suburbs with the wife and kids.
One of my favorite aspects of McCain (and I have many), is the way she speaks out against the treatment of women in the media. Her fervor should come as no surprise: last year, she wrote a scathing open letter to Glenn Beck when he called her fat on his radio show. (“As a person known for his hot body, you must find it easy to judge the weight fluctuations of others, especially young women.”)
“I would have an entirely different career, an entirely different life if I were a man, which I think is just ridiculous,” she tells me. She laments the fact that women politicians have to deal with the “complete BS” that is appearance-driven mainstream media reportage.
She’s great! We’re best friends! Hang out with me, Meghan! But then, this, meant to be completely free of irony: “I hate this idea that the feminist movement has been caught up in the pro-choice movement and somehow the denial of femininity, which is something I don’t understand. For me being a feminist means giving women the choice to do whatever they want.”
Wa-wahhh. Still, I’ll take her over Beck any day.
MEGHAN MCCAIN AND MICHAEL IAN BLACK
Tue/17, 7pm, $15–$45
Castro Theatre
429 Castro, SF
Music Listings
Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.
WEDNESDAY 11
ROCK/BLUES/HIP-HOP
Babies, Pamela, Love Devotion Hemlock Tavern. 9pm, $8.
Roem Baur Underground SF, 424 Haight, SF; www.undergroundsf.com. 10pm, $5.
Before the Brave, Branches, Owl Paws Elbo Room. 9pm, $10.
Billy & Dolly, 21st Century, Morgan Manifacier Rickshaw Stop. 8pm, $10.
Fidlar, Meat Market, Shrills Bottom of the Hill. 9pm, $10.
Jeff vs. JC Rockit Johnny Foley’s Dueling Pianos. 9:30pm.
Keith Crossan Showcase with Laura Price Biscuits and Blues. 8 and 10pm, $15.
One Way Station Boom Boom Room. 8pm, $5.
Panic Is Perfect, Swoon Brick and Mortar Music Hall. 9pm, $5-$8.
Terry Savastano Johnny Foley’s. 9pm, free.
JAZZ/NEW MUSIC
Cat’s Corner with Nathan Dias Savanna Jazz. 9pm, $10.
Cosmo AlleyCats Le Colonial, 20 Cosmo Place, SF; www.lecolonialsf.com. 7-10pm.
Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.
Hot Club of San Francisco Yoshi’s SF. 8pm, $15.
Kim Nalley Rrazz Room. 8pm, $30-$40.
Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.
FOLK/WORLD/COUNTRY
Daniel Seidel Plough and Stars. 9pm.
DANCE CLUBS
Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.
Coo-Yah! Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. DJs Daneekah and Green B spin reggae and dancehall with weekly guests.
KUSF-in-Exile DJ Night: Full Tilt Boogie Vertigo, 1160 Polk, SF; www.savekusf.org. 8pm. With DJs Irwin, Cliff, Nathan, and John.
Mary Go Round Lookout, 3600 16th St, SF; www.lookoutsf.com. 10pm, $5. Drag with Suppositori Spelling, Mercedez Munro, and Ginger Snap. Megatallica Fiddler’s Green, 1333 Columbus, SF; www.megatallica.com. 7pm, free. Heavy metal hangout.
Obey the Kitty Vessel, 85 Campton, SF; www.vesselsf.com. 10pm. $10. With Prince Club, Eric Sharp, Justin Milla.
Recess: Free Lunchtime Dance Party Monarch, 101 Sixth, SF; www.monarchsf.com. Noon, free.
THURSDAY 12
ROCK/BLUES/HIP-HOP
Alvon Biscuits and Blues. 8 and 10pm, $15.
Codeine, Mark Eitzel Great American Music Hall. 9pm, $18.
Emily Bonn & the Vivants, Harkenbacks, Junco Cafe Du Nord. 9pm, $10.
Great White Buffalo, Cosmic Suckerpunch, Soonest Bottom of the Hill. 9pm, $10.
Gunshy Johnny Foley’s. 9pm, free.
“Pairidaeza Video Premiere” Thee Parkside. 9pm. With live music by Matt Rodriguez & the Story Tellers.
Saint Motel, Dirty Ghosts, popscene DJs Rickshaw Stop. 9:30pm, $12-$14.
Simon Joyner, Renderers, Jean Marie Hemlock Tavern. 9pm, $8.
Sprial Electric Brick and Mortar Music Hall. 7pm, $5-$8.
Steel Panther Regency Ballroom. 8pm, $25.
Rags Tuttle vs. Jeff Johnny Foley’s Dueling Pianos. 9:30pm.
JAZZ/NEW MUSIC
Jazz Jam with trumpet master Eddy Ramirez Savanna Jazz. 7:30pm, $5.
Kim Nalley Rrazz Room. 8pm, $30-$40.
FOLK/WORLD/COUNTRY
Shannon Ceili Band Plough and Stars. 9pm.
Triple Chicken Foot Atlas Cafe, 3049 20th St, SF; www.atlascafe.net. 8-10pm, free.
Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music, dancing, and giveaways.
DANCE CLUBS
Afrolicious Elbo Room. 9:30pm, $5-$7. With DJ Pleasuremaker spins Afrobeat, Tropicália, electro, samba, and funk.
Base Vessel, 85 Campton, SF; www.vesselsf.com. 10pm. $10. With Pirupa, Oona Dahlman.
Get Low Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. Jerry Nice and Ant-1 spin Hip-Hop, ’80s and Soul with weekly guests.
Lions, Tigers, and Queers Underground SF. 10pm-2am, $3. Indie, Electro, and House dance party with resident DJ Becky Knox and special guests.
Mods vs Rockers Make Out Room. 8pm. With Chuckleberries and Secret Secretaries.
Thursdays at the Cat Club Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with DJ’s Damon, Steve Washington, Dangerous Dan, and guests.
Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.
FRIDAY 13
ROCK/BLUES/HIP-HOP
Alma Desnuda, Dgiin, Keznamdi Great American Music Hall. 9pm, $15.
Mark Bettencourt & the Aftermath Band Johnny Foley’s. 9pm, free.
Buttercream Gang, Wave Array, Cash Pony Bottom of the Hill. 9pm, $10.
James Hunter, Jesse Dee Bimbo’s. 9pm, $25.
Icky Boyfriends, Wounded Lion, Spray Paint Hemlock Tavern. 9:30pm, $12. SS2 Fest.
Jeff, Jason Marion, Rome Balestrieri Johnny Foley’s Dueling Pianos. 9pm.
Booker T. Jones Yoshi’s SF. 8pm, $30; 10pm, $20.
Nibblers Boom Boom Room. 8pm, $15.
Novalima, Afrolicious Independent. 9pm, $20.
Nux Vomica, Tigon, Embers, Young Lions Thee Parkside. 9pm, $8.
Patrice Pike Amnesia. 8pm, $7.
Lavay Smith & Her Red Hot Skillet Lickers Biscuits and Blues. 8 and 10pm, $20.
Strangelove, Reptile House Cafe Du Nord. 9pm, $12.
Sun Hop Fat, Harry & the Hit Men, On the Spot Trio Slim’s. 9pm, $13-$15.
JAZZ/NEW MUSIC
Kim Nalley Rrazz Room. 8pm, $30-$40.
Savanna Jazz Trio Savanna Jazz. 7:30pm, $5.
FOLK/WORLD/COUNTRY
Sergent Garcia, Bayonics, Bang Data, DJ Stepwise and Julicio Mezzanine. 9pm, $25.
GoldDiggers, Tell River Plough and Stars. 9pm.
Daniella Gordon Red Poppy Art House. 8pm.
Melissa Lyn 50 Mason Social House, SF; www.50masonsocialhouse.com. 8pm, free.
Taste Fridays 650 Indiana, SF; www.tastefridays.com. 8pm, $18. Salsa and bachata dance lessons, live music.
DANCE CLUBS
Bardot A Go Go Pre-Bastille Day Dance Party Rickshaw Stop. 9pm, $10. DJs Brother Grimm and Pink Frankenstein, free ’60s hairstyling.
Bombshell Betty and her Burlesqueteers, Fromagique, Mari the the Moniters Elbo Room. 9pm, $15.
Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.
Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.
Pandemic 2: The Relapse (Darker Dubstep) Mighty. 9pm, $10. With Kahn, TZR, Specters, Porkchop, Nebakaneza, and more.
Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.
Pledge: Fraternal Lookout. 9pm, $3-$13. Benefiting LGBT and nonprofit organizations. Bottomless kegger cups and paddling booth with DJ Christopher B and DJ Brian Maier.
White Ring, Deathface DNA Lounge. 10pm, $13. With S4nta_Mu3rte, Chauncy_CC.
SATURDAY 14
ROCK/BLUES/HIP-HOP
Rome Balestrieri , Jeff, Jason Marion Johnny Foley’s Dueling Pianos. 9pm.
Lurrie Bell & John Primer Chicago Blues Guitar Shootout Biscuits and Blues. 8 and 10pm, $22-$25.
Blisees B, Western Haunts, City Lights Amnesia. 6-9pm, $7-$10.
4 Inch Studs Grant & Green Saloon. 9pm.
Go Van Gogh Revolution, 3248 22 St, SF; www.govangogh.net. 9pm.
Al Green Masonic Center, 111 California, SF; www.masonicauditorium.com. 7:30pm, $45-$79.50.
Sophie B. Hawkins Yoshi’s SF. 8pm, $22; 10pm, $18.
LA Riots Vessel, 85 Campton, SF; www.vesselsf.com. 10pm. $10-$15.
Lazer Wolf, Breaks Thee Parkside. 3pm, free.
Monoshock, Lamps, Musk Hemlock Tavern. 9:30pm, $12. SS2 Fest.
Moto, Meat Sluts, Coloffs, Custom Kicks Thee Parkside. 9pm, $8.
Neurovolactic Orchestra (NVO), U9lift, Slayers Club DJs Boom Boom Room. 8pm, $15.
Phenomenauts, No Alternative, Hooks, Fucking Buckaroos El Rio. 3pm, $8.
Please Do Not Fight, Picture Atlantic, Dogcatcher, Cold Eskimo Bottom of the Hill. 9pm, $10.
Joe Rut, Low Rollers Great American Music Hall. 9pm, $14.
Stomacher, Mister Loveless, Stripmall Architecture, Books on Tape Slim’s. 9pm, $13-$15.
Street Justice, Awesome, Utter Failure Bender’s. 10pm, $5.
Tall Shadows Johnny Foley’s. 9pm, free.
Torches in Trees Make-Out Room. 7:30pm, $8.
Water District, Insufferables Connecticut Yankee, 100 Connecticut, SF; www.theyankee.com. 10pm
Zodiac Death Valley, Old Testament, Ocha La Rocha, Big Drag Brick and Mortar Music Hall. 9pm, $10-$13.
Zoo: Complete U2 Experience Cafe Du Nord. 9pm, $15.
JAZZ/NEW MUSIC
Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.
“Japantown Jazz Festival” Japantown Peace Plaza, Post and Buchanan Streets, SF; www.japancentersf.com. Noon, free. With Asian American Jazz Orchestra, and more.
“John Cage Festival: Variations VII” ODC Dance Commons, 351 Shotwell, SF; www.sfsound.org. 8pm, $8-$15.
Kim Nalley Rrazz Room. 8pm, $30-$40.
Suzanna Smith Savanna Jazz. 7:30pm, $8.
Soundwave: The Human Bionic Lab. 8pm, $12-$25. With interactive performances by Joe Cantrell, Kadet Kuhne, and more.
FOLK/WORLD/COUNTRY
Northern Lights, Jim Parr Plough and Stars. 9pm.
Craig Ventresco & Meredith Axelrod Atlas Cafe, 3049 20th St, SF; www.atlascafe.net. 4-6pm, free.
DANCE CLUBS
Bastille Day: Rebecca & Fiona Ruby Skye. 9pm.
Bootie SF: DJs From Mars DNA Lounge. 9pm, $10-$20. With electro mashup masters from Italy DJs From Mars, A Plus D, Smash-Up Derby, and more.
Club Gossip Cat Club. 9pm, free before 9:30pm, $5-$8 after. With VJs Shon, Low Life, Damon, and more.
Cockblock Rickshaw Stop. 10pm, $5-$10.
Foundation Som., 2925 16th St, SF; (415) 558-8521. 10pm, $5-$10. DJs Shortkut, Apollo, Mr. E, Fran Boogie spin Hip-Hop, Dancehall, Funk, Salsa.
Non Stop Bhangra Public Works. 9pm, $15. Indian/Caribbean Summer with Surya Dub.
Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.
Tormenta Tropical Elbo Room. 10pm, $5-$10. With Lemonade, Kid Fresh, Shawn Reynaldo, Oro11.
2 Men Will Move You Amnesia. 9pm.
SUNDAY 15
ROCK/BLUES/HIP-HOP
Logic and Tayyib Ali Brick and Mortar Music Hall. 8pm, $12.50-$30.
Modern English, Sid Luscious and the Pants Cafe Du Nord. 9pm, $15.
Moncef Genoud Trio Yoshi’s SF. 8pm, $20.
Terry Savastano Johnny Foley’s. 9pm, free.
Nitin Sawhney, Meshell Ndegeocello Sigmund Stern Grove, 19th Avenue and Sloat Boulevard, SF; www.sterngrove.org. 2pm, free.
Young, Uzi Rash, Synthetic ID Hemlock Tavern. 8pm, $8.
JAZZ/NEW MUSIC
Jo Canion Trio Bliss Bar, 4026 24 St, SF; www.blissbarsf.com. 4:30-7:30pm, $10.
Kim Nalley Rrazz Room. 8pm, $30-$40.
“Outsound New Music Summit: Touch the Gear Expo” Community Music Center, 544 Capp, SF; www.outsound.org. 7-10pm, free; $45 festival pass.
Savanna Jazz Vocal Jam with Kelly Park Savanna Jazz. 7pm, $5.
FOLK/WORLD/COUNTRY
Jack Gilder, Kevin Bernhagen, Richard Mandel Plough and Stars. 9pm.
Mokai Red Poppy Art House. 7:30pm, $10-$20.
Orequesta La Clave Ramp, 855 Terry Francois, SF; www.theramprestaurant.com. 5-8pm.
Stompy Jones Castro and Market Street, SF; Facebook: CastroCBD. 1pm, free.
Twang Sunday Thee Parkside. 4pm, free. With Blue Diamond Fillups, Rocketship Rocketship.
DANCE CLUBS
Dub Mission Elbo Room. 9pm, $6. Dub, dubstep, roots, and dancehall with Vinnie Esparza, J. Boogie.
Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2. Raise money for LGBT sports teams while enjoying DJs and drink specials.
La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.
MONDAY 16
ROCK/BLUES/HIP-HOP
Aeges, Silver Snakes, Name Elbo Room. 9pm, $10.
Damir Johnny Foley’s. 9pm, free.
Sharaya Mikael, Dustin Roth, Chris Keeene Brick and Mortar Music Hall. 9pm, free.
Janka Nabay & the Bubu Gang, Sun Araw, Cash Pony Rickshaw Stop. 8pm, $10-$12.
Shearwater, Husky, Gold Leaves Bottom of the Hill. 9pm, $12.
“Tom Carter benefit show” Hemlock Tavern. 6pm. With Common Eider King Eider, John Porras, Meridians, Bill Orcutt.
JAZZ/NEW MUSIC
Bossa Nova Tunnel Top, 601 Bush, SF; (415) 722-6620. 8-11:30pm, free. Live acoustic Bossa Nova.
“Outsound New Music Summit: Composers Symposium” Community Music Center, 544 Capp, SF; www.outsound.org. 7-9pm, free; $45 festival pass.
DANCE CLUBS
Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.
Krazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.
M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.
Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop from 1960s-early ’90s with DJs Luce Lucy, Vinnie Esparza, and more.
TUESDAY 17
ROCK/BLUES/HIP-HOP
Family Folk Explosion Amnesia. 9:15pm, free.
Fat Tuesday Band Biscuits and Blues. 8 and 10pm, $15.
Glitter Wizard, Rock Bottom, Vanishing Breed Knockout. 9:30pm, $6.
Midtown Social, Midnight Raid, Winebirds Hemlock Tavern. 9pm, $7.
Ooze, Mystery School, Electro Sonic Chamber Brick and Mortar Music Hall. 8pm, $5-$7.
Stan Erhart Band Johnny Foley’s. 9pm, free.
Trash Talk, SpaceGhostPurrp Slim’s. 9pm, $16.
Wooster Boom Boom Room. 8pm, $5.
Young Magic, Quilt, Shock Rickshaw Stop. 8pm, $10-$12.
JAZZ/NEW MUSIC
Gaucho Bottle Cap, 1707 Powell, SF; www.bottlecapsf.com. 7-10pm.
DANCE CLUBS
Brazilian Wax Elbo Room. 9pm, $7. With resident DJs Carioca and P-Shot.
Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.
Post-Dubstep Tuesdays Som., 2925 16th St, SF; (415) 558-8521.10pm, free. DJs Dnae Beats, Epcot, Footwerks spin UK Funky, Bass Music.
Study Hall John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. Hip-hop, dancehall, and Bay slaps with DJ Left Lane.
Ejaculation conversation: An interview with Billy Castro
“I watch some straight fisting and some gay male fisting. I guess all types of fisting”
Female ejaculation can be about as mysterious as the Loch Ness Monster. Looking to do a little underwater exploration? Sexy SF transman porn star Billy Castro’s Naughty Squirters is a revealing 60 minutes of hot femmes coming here, there, and everywhere, brought to you by the folks at Good Vibrations.
Castro — sans his infamous silicon dick — and I meet up early one morning to talk about his newest film, which happens to be his directorial debut. He caresses my arms and periodically squeezes my biceps throughout our interview. I’m not complaining — Castro’s chiseled jaw, altar boy face, and jock muscles make him desirable to just about everyone.
But he’s got more going on than just his good looks, this boy’s gone Ivy League. Castro wants to tell me about the seminar on making queer porn that he co-hosted with Jiz Lee — at Stanford University.
San Francisco Bay Guardian: How did Billy Castro get into the porn business?
Billy Castro: Courtney Trouble asked me if I wanted to do a scene with Laurel Ly Lee and I really wanted to fuck her. So I did it. At first I was really shy when being filmed. Then Courtney asked me to do [full-length feature] Billy Castro Does the Mission and then I started to get really comfortable shooting porn.
SFBG: Is it easy to make someone squirt?
BC: It’s not always easy to make someone squirt, especially if they’ve never done it before. There’s this moment where you feel like you have to take a piss, but if you push past that moment then all of a sudden you’re gushing all over the place. I think that nearly everyone has the capacity to ejaculate. I became obsessed with it after Jiz Lee gave me a facial, so I went out and learned as many techniques as I could.
SFBG: What is your favorite scene in Billy Castro’s Naughty Squirters?
BC: I really loved all of them, but I really liked the lighting and the squirting showed up the most in the scene with Chloe Camilla. She hadn’t ejaculated very much before, so we had a lot of fun making it happen together.
SFBG: You’ve acted in several porn films, even have your own feature film. But you’ve never directed before. How did you like it?
BC: I found directing to be simultaneously challenging and exciting. I had very minimal experience directing. So I just sort of fumbled my way through it, and I learned a lot. I’ve always been set in my ways in [terms of] how I want a scene to look, and who I get to perform with. So it was an amazing experience to be able to decide what an entire movie looked like. I would love to do it again and again.
SFBG: What kind of porn does Billy Castro watch on his personal time?
BC: I watch almost all fisting videos. I surf for it on Extremetube. I watch some straight fisting and some gay male fisting. I guess all types of fisting. I love it so much. There is something incredible about having an entire hand inside you. You are stretching a person to their limits. I like the feeling of filling someone up.
I’ve gotten the majority of my girlfriends to get really into fisting. I’m really into ass fucking too. I think it’s my new favorite flavor. I think ass fucking like fisting can be really invasive. And that’s what I find so hot. I mean it also feels really good. And I love putting my hands and dick into someone’s ass.
SFBG: Tell us about your dick.
BC: I love my big dick and my small dick. I love fucking with my big dick. I’ve had the same harness since I was 21. I also love fucking with my hands or sometimes a combo, my big dick in someone’s ass and then my hands inside their other hole.
SFBG: Tell us something most people don’t know about Billy Castro.
BC: Most people don’t realize I’m a switch. I’m an active switch. The reality level is I’m not so comfortable showing my junk on film, and no one’s offered me enough money. There is something about showing my genitals that feels really intimate. I don’t have any dysphoria. I just like to save my genitals for the people I’m dating.
SFBG: Queer porn is still a niche market. How do you think it can become more mainstream?
BC: I think queer porn needs to become more marketable to straight people. We can do that by making higher quality porn and bringing in mainstream porn stars. I brought in Ashley Blue for Billy Castro’s Naughty Squirters. It’s queer rough sex with that mainstream quality. I want to show mainstream people that they too can have queer sex. And hopefully grow the queer sex porn industry, thus making queer porn stars more money.
SFBG: Any final words for our interview?
BC: Yeah, being a queer porn star has made my sex life so much better. Queer porn stars are artist and they are really good at having sex. They have this intellectual component to the way they have sex. Queer porn stars have sex with so many different types of bodies and are very aware of the aesthetics of the porn they do, which makes it quite artistic.
Beasts of the NorCal movie theaters: new flicks!
It’s finally here! And nope, I don’t mean The Amazing Spider-Meh Man, though you can check my unenthused review below the jump. (Seriously, it’s not a bad movie if you can get past the obligatory product placement, but it ain’t amazing, either. New countdown: two weeks ’til The Dark Knight Rises!) Nay, the hotly-anticipated title I’m referring to is Sundance hit with mainstream (and Oscars?) potential, Beasts of the Southern Wild; read Dennis Harvey’s admiring review here.
Another one for indie fans: Sarah Polley’s Take this Waltz, Michelle Williams’ latest why-did-I-get-married-again? weeper. This one has Seth Rogen instead of Ryan Gosling, so proceed accordingly.
Tonight, it’s your civic duty to pack all seats at the Roxie’s kung fu double feature. Seriously, you will have a killer time (what with all the high kicks, insane weaponry, spraying gore, krayzee wigs, and horrific dubbing), and the Roxie will be all, “Hey, kung fu is what the kids want!” and dedicate one of their screens to nightly screenings in Shawscope. DO IT. (But if kung fu isn’t your thing, Midnites for Maniacs is screening a triple-feature of 1995’s Clueless, 2004’s Mean Girls, and my personal favorite, 1994’s Heavenly Creatures, at the Castro. Not a bad alternate.)
http://www.youtube.com/watch?v=50P2mxW0-Tc
And the rest of the n00bs: Spidey (out since Tuesday), two docs about artists, a French neo-noir sleeper with Twin Peaks-esque quirks, and Oliver Stone’s new weed caper.
The Amazing Spider-Man A mere five years after Sam Raimi and Tobey Maguire’s Spider-Man 3 — forgettable on its own, sure, but 2002’s Spider-Man and especially 2004’s Spider-Man 2 still hold up — Marvel’s angsty web-slinger returns to the big screen, hoping to make its box-office mark before The Dark Knight Rises opens in a few weeks. Director Marc Webb (2009’s 500 Days of Summer) and likable stars Andrew Garfield (as the skateboard-toting hero) and Emma Stone (as his high-school squeeze) offer a competent reboot, but there’s no shaking the feeling that we’ve seen this movie before, with its familiar origin story and with-great-power themes. A little creativity, and I don’t mean in the special effects department, might’ve gone a long way to make moviegoers forget this Spidey do-over is, essentially, little more than a soulless cash grab. Not helping matters: the villain (Rhys Ifans as the Lizard) is a snooze. (2:18) (Cheryl Eddy)
Marina Abramović: The Artist is Present Matthew Akers’ sleek and telling doc explores the career and motivations of the legendary Serbian-born, New York-based performance artist on the occasion of 2010’s major retrospective and new work at the New York Museum of Modern Art. Abramović, self-styled the “grandmother of performance art” at an eye-catching 63, steels herself with rare energy — and a determination to gain equal status for performance in the world of fine art — for an incredibly demanding new piece, The Artist Is Present, a quasi-mystical encounter between herself and individual museum patrons that takes the form of a three-month marathon of silent one-on-one gazing. Meanwhile, 30 young artists re-perform pieces from her influential career. Akers gains intimate access throughout, including Abramović’s touching reunion with longtime love and artistic collaborator Ulay, while providing a steady pulse of suspense as the half-grueling, half-ecstatic performance gets underway. A natural charmer, Abramović’s charismatic presence at MoMA is no act but rather a focused state in which audiences are drawn into — and in turn shape — powerful rhythms of consciousness and desire. (1:45) SF Film Society Cinema. (Robert Avila)
Neil Young Journeys Interested in going back further with Neil Young, back beyond 1969’s Everybody Knows This Is Nowhere? With Neil Young: Heart of Gold (2006) and Neil Young Trunk Show (2009) under his belt, Jonathan Demme has clearly earned the trust of the singer-songwriter, who occasionally likes to flex his multi-hyphenate creative muscles as a director himself, working under the name Bernard Shakey. The music-loving filmmaker tails Young as he drives through his hometown of Omemee, Ontario, shares glimpses of his school, named after his newspaper-man father, his small-town streets, and his home, and then takes it back to the stage and performs at Toronto’s Massey Hall. The stories and sights will interest mostly Young fans — you definitely get a feel for Young’s roots, but the place and its tales won’t jump out dramatically; they merely visualize factoids one can cull from sources like James McDonough’s bio Shakey — but performance dominates this concert film. Playing solo on guitar, harmonica, and in at least one memorable instance, pipe organ (for a hammered-home “After the Gold Rush”), the songs range from the still-moving, sprawling “Ohio” to “Love and War” off 2010’s Le Noise. It’s all love here for the Young diehard, though for an insightful, passionate tour doc, one might look to Shakey’s own CSNY/Déjà Vu (2008) or, for the performer’s finest cinematic performances, to Rust Never Sleeps (1979) and The Last Waltz (1978). (1:27) (Kimberly Chun)
http://www.youtube.com/watch?v=h74N3cXZH3s
Nobody Else But You The Marilyn Monroe pop-culture resurgence continues with director and co-writer Gérald Hustache-Mathieu’s appealingly low-key mystery, which pays homage to the iconic blonde while borrowing liberally from a pair of noir Lauras: Vera Caspary’s back-from-the-dead heroine, and Twin Peaks‘ unfortunate Ms. Palmer. Fortunately, Nobody Else But You is original enough to remain both suspenseful and highly entertaining. David (Jean-Paul Rouve), a detective novelist with writer’s block, travels from Paris to a small village where a Monroe-esque local beauty named Candice (Sophie Quinton) has just been found dead in a snowdrift. The official word is suicide, but David suspects something more sinister. With the help of a local cop (Guillaume Gouix), the newly inspired author investigates, urged onward by Candice’s evocative diary entries. Though it tries a little hard at times (drinking game: keep track of how many times the number five appears onscreen), Nobody Else But You is well worth seeking out; it layers European flair (translation: lots of casual nudity) over a plot that wouldn’t be out of place in an American indie — but relocated, memorably, to “the coldest town in France.” (1:42) (Cheryl Eddy)
Savages If it’s true, as some say, that Oliver Stone had lost his way after 9/11 — when seemingly many of his worst fears (and conspiracy theories) came to pass — then perhaps this toothy noir marks his return: it definitely reads as his most emotionally present exercise in years. Not quite as nihilistic as 1994’s Natural Born Killers, yet much juicier than 2010’s Wall Street: Money Never Sleeps, this pulpy effort turns on a cultural clash between pleasure-seeking, honky Cali hedonists, who appear to believe in whatever feels good, and double-dealing Mexican mafia muscle, whose apparently ironclad moral code is also shifting like drifting SoCal sands. All are draped in the Stone’s favored vernacular of manly war games with a light veneer of Buddhistic higher-mindedness and, natch, at least one notable wig. Happy pot-growing nouveau-hippies Ben (Aaron Johnson), Chon (Taylor Kitsch), and O (Blake Lively) are living the good life beachside, cultivating plants coaxed from seeds hand-imported by seething Afghanistan war vet Chon and refined by botanist and business major Ben. Pretty, privileged sex toy O sleeps with both — she’s the key prize targeted by Baja drug mogul Elena (Salma Hayek) and her minions, the scary Lado (Benicio Del Toro) and the more well-heeled Alex (Demian Bichir), who want to get a piece of Ben and Chon’s high-THC product. Folks lose their heads — in classic Mexican drug cartel style — and even zen-goon do-gooder Ben becomes complicit when Chon brings the war home to a decidedly lawless Southland. The twists and turnarounds obviously tickle Stone, though don’t look much deeper than Savages‘ saturated, sun-swathed façade — the script based on Don Winslow’s novel shares the take-no-prisoners hardboiled bent of Jim Thompson while sidestepping the brainy, postmodernish light-hearted detachment of Quentin Tarantino’s “extreme” ‘90s shenanigans. Our only glimpse at weird, wild depths lie in the fathomless eyes of Hayek’s soulful, castrating matriarch and the quotable interludes (“Gimme my money, gimme my money!”) bounding from Del Toro’s psycho-mulleted, striving maniac. (1:57) (Kimberly Chun)
Rep Clock
Schedules are for Wed/4-Tue/10 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.
CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. Grease (Kleiser, 1978), Thu, 5, 7. Presented sing-along style; this event, $10-15. “Midnites for Maniacs: BFFs Triple Bill:” •Clueless (Heckerling, 1995), Fri, 7:30; Mean Girls (Waters, 2004), Fri, 9:45; Heavenly Creatures (Jackson, 1994), Fri, 11:45. This event, one or all three films for $13. “Scary Cow Short Film Festival,” Sat, 3. More info at www.scarycow.com. •The Muppet Movie (Frawley, 1979), Sun, noon, 3:15, 7, and Phantom of the Paradise (De Palma, 1974), Sun, 5:05, 8:50.
CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. Bel Ami (Donnellan and Ormerod, 2012), call for dates and times. Bernie (Linklater, 2012), call for dates and times. Oslo, August 31st (Trier, 2011), call for dates and times. Peace, Love and Misunderstanding (Beresford, 2011), call for dates and times. Pink Ribbons, Inc. (Pool, 2011), call for dates and times. Take This Waltz (Polley, 2011), July 6-12, call for times.
PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Bellissima: Leading Ladies of the Italian Screen:” Le Amiche (Antonioni, 1955), Fri, 7; La strada (Fellini, 1954), Sat, 8:30. “A Theater Near You:” Weekend (Godard, 1967), Fri, 9:05; Gerhard Richter Painting (Belz, 2011), Sat, 6:30; This Is Not a Film (Mirtahmasb and Panahi, 2011), Sun, 5:15. “Always for Pleasure: The Films of Les Blank:” Always for Pleasure (Blank, 1978) with “Dry Wood” (Blank and Gosling, 1973) and “Running Around Like a Chicken With Its Head Cut Off” (Blank, Blank, and Van Deusen, 1960), Sun, 7.
ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-10. Beyond the Black Rainbow (Cosmatos, 2011), Wed-Thu, 7:15. 9:30. The Connection (Clarke, 1962), Wed-Thu, 7, 9:15. “Kung Fu Double Feature:” •Five Element Ninjas (a.k.a. Chinese Super Ninjas) (Chang, 1982), Fri, 7:30, and The Mystery of Chess Boxing (Kuo, 1979), Fri, 9:30. “Au Revoir Béla Tarr:” The Man From London (Tarr and Hranitzky, 2007), July 7-11, 6:30 (also Sat-Sun, 1); The Turin Horse (Tarr and Hranitzky, 2011), July 7-11, 9:15 (also Sat-Sun, 3:45).
SF FILM SOCIETY CINEMA 1746 Post, SF. $10-11. The Story of Film: An Odyssey, Part Six: The Arrival of Multiplexes and Asian Mainstream (1970s); Fight the Power: Protest in Films (1980s), (Cousins, 2011), Sat, noon. British TV series; new episodes weekly through July 21. Corpo Celeste (Rohrwacher, 2011), Wed-Thu, 2:30, 4:30, 6:30. Marina Abramovic: The Artist is Present (Akers, 2011), July 6-12, 2:45, 5, 7:15, 9:30.
SF STATE UNIVERSITY Coppola Theatre, 1600 Holloway, SF; www.legacyfilmfestivalonaging.org. $12. “Legacy Film Festival on Aging,” co-presented by the Osher Lifelong Learning Institute, Fri-Sun.
YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “Documentaries By Ai Weiwei:” Fairytale (2008), Sun, 2.

