Castro

Best of the Bay 2012: BEST FAIRY EXPLOSION

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Once every year, right around Pride time in June, a fantastical fey Imaginarium of uninhibited queer art, dance, theater, ecology, lube-wrestling, puppy piles, porn debuts, and fearlessly naked fabulosity pops up in the old Tower Records building in the Castro. This is the fag-ulous Faetopia festival which, for one delirious week, complements the corporate-sponsored and slickly marketed Pride happenings with a burst of summer solstice fairy dust. The event comes courtesy of the Radical Faeries, those scruffy pan-sexual Pagan sprites whose naturist movement has a long history in the Bay Area, where they spread their gay-gay wings from untamed redwood groves to notorious Burning Man camps. More than 50 artists join forces to create programs — like Gay Hist-Orgy (performer Ian McKinnon’s “cruise of gay historical figures”) and Flaming Queens on Fire! (fire-dancing lessons) — that stuff some good ol’ polymorphous perversity into Pride’s polished corners. And at the very center? Faetopia’s there too, with the hippie-chill Fairy Freedom Village area within the Civic Center festival itself.

www.faetopia.com

Best of the Bay 2012: BEST FRESH-SQUEEZED FLIGHTS

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BEST FRESH-SQUEEZED FLIGHTS


If founders Derek Castro and Luisa Alberto have anything to say about it, the juice bar is the wine bar of the future — and, given Castro and Alberto’s Blue Bottle past, it’s not surprising that they feel a fresh-squeezed swig can have all the body and depth of a finely prepared coffee. Pronounced "so," SÔW is their regular pop-up juice bar inside Pause Wine Bar, at which they hope to prove that juices deserve all the attention to nuance and provenance as their more fussed-over beverage cousins. Tastings are served at room temperature so as to not numb flavors, and in garnished glasses much like artful cocktails. Yes, flights are sometimes available, offering the chance to taste (and see) an entire rainbow of fascinating flavors; a recent one even featured Early Girl tomatoes. Currently only open weekends, the SoWers hope to add weekdays with more tastings, an expanded menu, and an even bigger following of nectar connoisseurs.

Every Sat and Sun in Pause Wine Bar, 1666 Market, SF. (415) 637-7343, www.sowsf.com

Rep Clock

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Schedules are for Wed/25-Tue/31 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6. Reconnect: A Film on Cell Phones and Health Effects (Kunze, 2012), Sat, 8.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. San Francisco Jewish Film Festival, Wed-Thu. For tickets and more information, visit www.sfjff.org. •Spaceballs (Brooks, 1987), Fri, 7:30, and Blazing Saddles (Brooks, 1974), Fri, 9:25. “The Silence of the Trans:” The Silence of the Lambs (Demme, 1991), with pre-show starring Sharon Needles, Peaches Christ, and the Midnight Mass Players, Sat, 3, 8. Tickets for this event, $25-45; visit www.peacheschrist.com for info. Bearcity 2: The Proposal (Langway, 2012), Sun, 11:30am, 2:00, 4:30, 7:00, 9:25. This event, $10-12; visit bearcity2theproposal.ticketbud.com for info. •Purple Rain (Magnoli, 1984), Tue, 7:30, and Pink Floyd the Wall (Parker, 1982), Tue, 9:40.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. Beasts of the Southern Wild (Zeitlin, 2012), call for dates and times. Bernie (Linklater, 2012), call for dates and times. Dark Horse (Solondz, 2011), call for dates and times. Take This Waltz (Polley, 2011), call for dates and times. The Queen of Versailles (Greenfield, 2012), July 27-Aug 2, call for times. Bill W. (Carracino and Hanlon, 2011), Sun, 7.

DAVIES SYMPHONY HALL 201 Van Ness, SF; www.sfsymphony.org. $25-75. The Wizard of Oz (Fleming, 1939), Thu-Fri, 7:30. Screening with live orchestral accompaniment. “Pixar in Concert,” Sat, 7:30; Sun, 2. Songs from Pixar films, with accompanying movie clips.

JACK LONDON SQUARE First Street at Broadway, Oakl; www.jacklondonsquare.com. Free. Ghostbusters (Reitman, 1984), Thu, sundown.

MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100, rsvp@milibrary.org. $10. “CinemaLit Film Series: Fairytale Endings:” Excalibur (Boorman, 1981), Fri, 6.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Bellissima: Leading Ladies of the Italian Screen:” Open City (Rossellini, 1945), Wed, 7; Bellissima (Visconti, 1953), Sat, 5:30. “The Eternal Poet: Raj Kapoor and the Golden Age of Indian Cinema:” Boot Polish (Arora and Kapoor, 1954), Thu, 7; Awaara (Kapoor, 1951), Sat, 7:45. “Cool World:” Heathers (Lehmann, 1989), Fri, 7; Thunderbolt and Lightfoot (Cimino, 1974), Fri, 9:05. “Russian Inferno: The Films of Alexei Guerman:” The Seventh Companion (Guerman and Aronov, 1967), Sun, 5. “Always for Pleasure: The Films of Les Blank:” •ry cooder group ’88 santa cruz (1988) and Sworn to the Drum: A Tribute to Francisco Aguabella (1995), Sun, 7.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-10. Romantics Anonymous (Ameries, 2011), Wed-Thu, 7, 9. KQED presents: •A Brush With the Tenderloin (Bierma, 2011), and Stage Left: A Story of Theater in San Francisco (Forbord, 2010), Wed, free. Free screening, but RSVP recommended; visit trulyca.eventbrite.com. Kids of Today (De Missolz, 2011), Thu, 7. •Not a Memory (Burdenski, 2012), and Something Personal (Elsaesser, 2012), Thu, 9:15. This event, $5. “This Must Be the Place: Post-Punk Tribes 1978-1982:” La Brune et moi (Puicouyoul, 1979), Fri, 7:30; Rough Cut and Ready Dubbed (Shah and Shaw, 1982), Fri, 8:40; “special secret movie,” Fri, 9:40; The Slog Movie (Markey, 1982), Sat, 7:30; “I Can See It and I’m Part of It: San Francisco Punk Portraits 1978-82” (shorts program), Sat, 9; “Buzz or Howl Under the Influence” (live footage), Sat, 10:20; Debt Begins at 20 (Beroes, 1980), Sun, 7; Downtown 81 (Bertoglio, 1981), Sun, 8:15. Shit Year (Archer, 2010), July 27-Aug 2, 7. “Johnny Legend presents:” The Big TNT Show (Peerce, 1966), Mon, 8; Mondo Teeno: Teenage Rebellion (Herman and Visconti, 1967), Mon, 6:10, 9:45; Teenage Cruisers (Legend, 1977), Tue, 6, 9:45; One Million Years AC/DC (De Prieset, 1969), Tue, 8.

SF FILM SOCIETY CINEMA 1746 Post, SF. $10-11. A Burning Hot Summer (Garrel, 2011), Wed-Thu, 3, 5, 7, 9. Sacrifice (Chen, 2010), July 27-Aug 2, 1, 3:30, 6, 8:30.

TOP OF THE MARK InterContinental Mark Hopkins, One Nob Hill, SF; www.topofthemark.com. Free. “Summer Movie Nights:” It Happened One Night (Capra, 1934), Tue, 7:30. Wine tasting at 5:30.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “Documentaries By Ai Weiwei:” One Recluse (2010), Sun, 2.

Music Listings

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Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 25

ROCK/BLUES/HIP-HOP

Alberta Cross, Everest, Aaron Lee Tasjan Independent. 8pm, $15.

"Bay Got Soul" Boom Boom Room. 8pm, $5. With Melismatics, Miss Hicks & the Superhicks.

Carletta Sue Kay, Detective Agency, Bugs in Costumes Hemlock Tavern. 9pm, $7.

Keith Crossan with Daniel Castro Biscuits and Blues. 8 and 10pm, $15.

Crystal Stilts, Mantles Great American Music Hall. 8pm, $15.

Magic Leaves, Lawlands, Grand Lodge Cafe Du Nord. 8pm, $10.

Jason Marion vs Lee Huff Johnny Foley’s Dueling Pianos. 9:30pm.

mewithoutyou, Kevin Devine, Buried Beds Slim’s. 8pm, $16.

Passenger & Pilot, Annie Girl & the Flight, Nora Toomey Rickshaw Stop. 8pm, $10.

Terry Savastano Johnny Foley’s. 9pm, free.

Spoek Mathambo, Duckwrth, Armani Cooper Brick and Mortar Music Hall. 9pm, $10-$13.

Teenage Bottlerocket, Dopamines, Elway Bottom of the Hill. 9pm, $12.

Tiger Honey Pot, Heavy Voodoo, Elegy, Crimson Scarlet Knockout. 9pm, $7.


JAZZ/NEW MUSIC

Jill Burton, Scott Walton, Tim Perkis Meridian Gallery, 535 Powell, SF; www.meridiangallery.org. 8pm, $8-$10.

Cat’s Corner with Nathan Dias Savanna Jazz. 9pm, $10.

Cosmo AlleyCats Le Colonial, 20 Cosmo Place, SF; www.lecolonialsf.com. 7-10pm.

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Andrea Marcovicci Rrazz Room. 7:30pm, $35-$45.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Justin Ancheta Pena Pachamama, 1630 Powell, SF; www.pachamamacenter.org. 8pm, free.

Maria De Barros Yoshi’s SF. 8pm, $20.

Toast Inspectors Plough and Stars. 9pm.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Coo-Yah! Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. DJs Daneekah and Green B spin reggae and dancehall with weekly guests.

Full-Step! Tunnel Top. 10pm, free. Hip-hop, reggae, soul, and funk with DJs Kung Fu Chris and Bizzi Wonda.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Obey the Kitty: Ean Golden, Justin Milla Vessel, 85 Campton, SF; www.vesselsf.com. 10pm, $10.

Shutter Elbo Room. 10pm, $5. With DJs Nako, Omar, and Justin.

THURSDAY 26

ROCK/BLUES/HIP-HOP

Ettes, Nectarine Pie, Warm Pie Thee Parkside. 9pm, $10.

Farewell Drifters , Shants Hotel Utah. 9pm, $10.

Gunshy Johnny Foley’s. 9pm, free.

Harry & the Potters, Potter Puppet Pals Slim’s. 7:30pm, $15.

Lee Huff vs Jason Marion Johnny Foley’s Dueling Pianos. 9:30pm.

"iStandard Producer Showcase: Bay Area Edition" Rockit Room. 9:30pm, $15.

King Tuff, Jaill, Coathangers Bottom of the Hill. 9pm, $12.

Hamilton Loomis Biscuits and Blues. 8 and 10pm, $15.

Pacific Dub, Katastro Cafe Du Nord. 8pm, $10.

Sioux City Kid, Ferocious Few, Mahgeetah Independent. 8pm, $15.

St. Lucia, Do, popscene DJs Rickshaw Stop. 9:30pm, $14-$15.

Sweet Chariot, Cuates, Josh Harmony Hemlock Tavern. 9pm, $7.

Tumbleweed Wanderers, Rin Tin Tiger, Ghost and the City Great American Music Hall. 8pm, $15.

JAZZ/NEW MUSIC

John Pizzarelli Quartet Yoshi’s SF. 8pm, $24; 10pm, $20.

Andrea Marcovicci Rrazz Room. 7:30pm, $35-$45.

Ned Boyton Trio Bottle Cap, 1707 Powell, SF; www.bottlecapsf.com. 7-10pm.

Eddy Ramirez Savanna Jazz. 7:30pm, $5.

Slippery Slope, Allison Lovejoy, Mindi Hadan Amnesia. 8pm, $7-$10.

FOLK/WORLD/COUNTRY

Bluegrass and old-time jam Atlas Cafe, 3049 20 St, SF; www.atlascafe.net. 8-10pm, free.

Set Dancing Plough and Stars. 9pm.

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music, dancing, and giveaways.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $8. Live acts Luminaries and Afrolicious, and DJ-host Pleasuremaker spins Afrobeat, Tropicália, electro, samba, and funk.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with DJ’s Damon, Steve Washington, Dangerous Dan, and guests.

Base: Chaim Vessel, 85 Campton, SF; www.vesselsf.com. 10m, $10.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 27

ROCK/BLUES/HIP-HOP

Anthem Johnny Foley’s. 9pm, free.

Big K.R.I.T, Casey Veggies, Big Sant, Tito Lopez Slim’s. 9pm, $21.

Bone Awl, Cirrhus, Verglas Elbo Room. 9:30pm, $8.

Bruises, Dirty Ghosts, Sporting Life Bottom of the Hill. 9:30pm, $10.

Future Twin SPARC Dispensary, 1256 Mission, SF; RSVP www.sparcsf.org/gkr. 7-10pm, free.

Lee Huff, Rome Balestrieri, Jason Marion Johnny Foley’s Dueling Pianos. 9pm.

Intelligence, Personal & the Pizzas, Ggreen Hemlock Tavern. 9:30pm, $10

"iStandard Producer Showcase: Bay Area Edition" Rockit Room. 9:30pm, $15.

Malone Brothers, Huckle Great American Music Hall. 9pm, $21-$25.

Memorials, Seshen, Mission Bells Brick and Mortar Music Hall. 9pm, $10-$15.

Sam Chase, Bikini Complex, Debbie Neigher Independent. 9pm, $12.

EC Scott Biscuits and Blues. 8 and 10pm, $20.

Social Studies, Battlehooch, Siddhartha Rickshaw Stop. 9pm, $10.

Tambo Rays, Meat Market, Cogito, Evil Eyes Thee Parkside. 9pm, $6.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Carol Luckenbach Savanna Jazz. 7:30pm, $8.

Terry Disely Bottle Cap, 1707 Powell, SF; www.bottlecapsf.com. 7-10pm.

Andrea Marcovicci Rrazz Room. 7:30pm, $35-$45.

Meta Bionic Lab. 8pm, $12-$25. Multimedia performances by M+V, Guillermo Galindo, NASSA.

Supplicants Red Poppy Art House. 9pm, $12-$20.

FOLK/WORLD/COUNTRY

Baxtolo Drom Amnesia. 9pm, $7-$10.

Wil Campa y su Gran Union Yoshi’s SF. 8pm, $20; 10:30pm, $20.

Coelho & Ridnell, Antonio Guedes and Chillaquiles Cafe Du Nord. 9:30pm, $12.

Lady Crooners Plough and Stars. 9pm.

Taste Fridays 650 Indiana, SF; www.tastefridays.com. 8pm, $18. Salsa and bachata dance lessons, live music.

Trio Garufa de Young Museum, 50 Hagiwara Tea Garden, SF; deyoung.famsf.org. 6pm.

Vindya Red Poppy Art House. 8pm, $15.

DANCE CLUBS

Crystal Method (DJ set), Opulent Temple resident DJs Public Works. 10pm, $20-$25.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Project Mayhem DNA Lounge. 9pm, $10-$15. Dubstep with Bassex, Rudebrat, DJ Mykill, Liam Shy, Atom One, and more.

Toolroom Knights: Filthy Rich Vessel, 85 Campton, SF; www.vesselsf.com. 10pm, $10-$20.

SATURDAY 28

ROCK/BLUES/HIP-HOP

Rome Balestrieri, Jason Marion, Lee Huff, Johnny Foley’s Dueling Pianos. 9pm.

Big Eagle Riptide. 9:30pm, free.

DRMS, Shotgun Wedding Quintet, St. Tropez Rickshaw Stop. 8:30pm, $12.

4OneFunktion, Jeremy Ellis Elbo Room. 10pm, $10.

Hamsa Lily, Fanna-Fi-Allah Sufi Qawwali Party Great American Music Hall. 9pm, $20-$25.

Kaskade, Dirtyphonics, Fareoh Bill Graham Civic Auditorium, 99 Grove, SF; www.apeconcerts.com. 8pm, $59.50.

Loquat, Young Digerati, Foxtail Somersault, Tzigane Society Slim’s. 8:30pm, $14.

Joyce Manor, Wild Moth, Summer Vacation, Yulia Bottom of the Hill. 9pm, $10.

MC Meathook & the Vital Organs, Butt Problems, Go Time!, Tender El Rio. 9pm, $7.

John Pieplow Red Devil Lounge. 8pm, $10.

Planet Booty, Jaysonik Brick and Mortar Music Hall. 9pm, $7-$10.

Rasio Revolt, Year of the Fist Thee Parkside. 3pm, free.

Sister Sparrow & the Dirty Birds Boom Boom Room. 8pm, $15.

Steel Pulse Independent. 9pm, $35.

Earl Thomas & the Ambassadors Biscuits and Blues. 7 and 9pm, $22.

Top Secret Band Johnny Foley’s. 9pm, free.

Truth & Salvage Co., Oak Creek Band Cafe Du Nord. 9pm, $10-$12.

Urban Blight, Creem, Permanent Ruin, Hunting Party Hemlock Tavern. 9Pm, $7.

Yanni Nob Hill Masonic Center, 1111 California, SF; www.masonicauditorium.com. 8pm, $49.50-$125.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Wil Campa y su Gran Union Yoshi’s SF. 8pm and 10:30pm, $35.

Andrea Marcovicci Rrazz Room. 7:30pm, $35-$45.

Reedsman Jim Butler Savanna Jazz. 7:30pm.

FOLK/WORLD/COUNTRY

Wil Campa y su Gran Union Yoshi’s. 8 and 10:30pm, $25.

N. Rumba Ramp, 855 Terry Francois, SF; www.theramprestaurant.com. 5-8pm, free.

Sons of Bitches Plough and Stars. 9pm.

DANCE CLUBS

Bootie: Mysterious D’s Birthday DNA Lounge. 9pm, $10-$15. With DJ Mysterious D, Smash-Up Derby, Adrian, John! John!, Dada.

Icee Hot with Jam City Public Works Loft. 10:30pm.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Scooter and Lavella Vessel, 85 Campton, SF; www.vesselsf.com. 10Pm, $10-$20.

SUNDAY 29

ROCK/BLUES/HIP-HOP

Bordertown Saints, Get Dead, City Bottom of the Hill. 1pm, $8.

Caustic, Everything Goes Cold, Crashfaster, Whormongr DNA Lounge. 8:30pm, $11.

Dangerous Summer, New Empire, From Indian Lakes Cafe Du Nord. 8:30pm, $10.

Extra Classic, Low Flying Owls, Pony VIllage Hemlock Tavern. 9pm, $7.

Iron Maidens Broadway Studios, 435 Broadway, SF; www,broadwaystudios.com. 8pm, $15.

Aaron Leese and the Panhandlers Boom Boom Room. 8pm, $5.

Psychic Paramount, Phil Manley Life Coach, Barn Owl Brick and Mortar Music Hall. 8pm, $9-$12.

Terry Savastano Johnny Foley’s. 9pm, free.

Two Man Gentleman Band Amnesia. 8pm, $10.

Watsky, Dumbfounded & the Breezy Love Joy Band Slim’s. 9pm, $14-$16.

JAZZ/NEW MUSIC

Adrian Areas Latin Jazz Ensemble Savanna Jazz. 7pm, $7.

Anna Maria Flechero Bliss Bar, 4026 24 St, SF; www.blissbarssf.com. 4:30-7:30pm, $10.

Andrea Marcovicci Rrazz Room. 5pm, $35-$45.

Resonance Jazz Old First Concerts, 1751 Sacramento, SF; www.oldfirstconcerts.org. 4pm.

FOLK/WORLD/COUNTRY

Forro Brozuca Ramp, 855 Terry Francois, SF; www.theramprestaurant.com. 5-8pm, free.

John Sherry, Kyle Thayer Plough and Stars. 9pm.

Twang Sunday Thee Parkside. 4pm, free. With Golddiggers, Whiskey Pills Fiasco.

DANCE CLUBS

Dub Mission Elbo Room. 9pm, $6. Dub, dubstep, and dancehall with DJ Sep, and Matt Haze.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2. Raise money for LGBT sports teams while enjoying DJs and drink specials.

Domingos Latinos Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

MONDAY 30

ROCK/BLUES/HIP-HOP

Damir Johnny Foley’s. 9pm, free.

Local Strangers Osteria, 3277 Sacramento, SF; www.osteriasf.com. 7pm, free.

This Century, Austin Gibbs, Panic is Perfect Bottom of the Hill. 7:30pm, $10.

Z-man, Lroneous, Bpos, DJ True Justice Elbo Room. 9pm, $7.

JAZZ/NEW MUSIC

Bossa Nova Tunnel Top, 601 Bush, SF; (415) 722-6620. 8-11:30pm, free. Live acoustic Bossa Nova.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, NeoSoul, Reggae, Dancehall, Reggaeton, Salsa and more with DJ Jerry Ross. Happy hour all night.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop from 1960s-early ’90s with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 31

ROCK/BLUES/HIP-HOP

Electric Shepherd, Billions and Billions Hemlock Tavern. 9pm, $6.

Family Folk Explosion Amnesia. 9:15pm, $5.

Gaucho Bottle Cap, 1707 Powell, SF; www.bottlecapsf.com. 7-10pm.

Kissing Party, Bam! Bam!, Party Owl Brick and Mortar Music Hall. 9pm, $5-$7.

La Montagne, Sit Kitty Sit, Fever Charm Bottom of the Hill. 9pm, $10.

Razor Skyline, Drop Black Sky, DJ Kit Elbo Room. 9pm, $7.

Solid Attitude, CCR Headcleaner, Raw Nite, Molestations Thee Parkside. 8pm, $5.

Soulfly, Incite, Lody Kong Slim’s. 8pm, $26.

Stan Erhart Band Johnny Foley’s. 9pm, free.

JAZZ/NEW MUSIC

Crown Syncopators Pier 23, Embarcadero at Filbert, SF; (415) 362-5125. 5-8pm.

Luisa Maita Yoshi’s SF. 8pm, $18.

DANCE CLUBS
Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Get FREE tickets to a Castro screening of the Jewish Film Festival!

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This year’s San Francisco Jewish Film Festival presents a record-breaking program of over 60 films from 17 countries. Celebrating the very best in independent Jewish cinema and featuring an a-z spectrum of films, this year’s SFJFF includes stimulating in-depth discussions, new special events and additional screenings. Look forward to special guests Y-Love, Judy Blume, Elliot Gould and others, exclusive live Skype interviews with filmmakers, live performances by Bay Area artists Vetiver and La Peche Quintet, and parties that celebrate a 2012 Music Spotlight. The Festival runs July 19-August 6 with venues in San Francisco, Berkeley, Oakland, Palo Alto and San Rafael. The Castro screening is up first with the following show times!

Music Man Murray: Tuesday July 24 at 4:10
Ben Lee: Catch my Disease: Tuesday, July 24th at 9:05
The Other Son: Tuesday, July July 24th at 6:15
Ameer Got His Gun- Wednesday, July 25th at 1:35
My Neighborhood: Wednesday, July 25 at 1:35
Just 45 Minutes from Broadway: Wednesday, July 25th at 8:50pm
Roman Polanski: A Film Memoir: Wednesday, July 25th at 3:45pm
A.K.A Doc Pomus: Thursday, July 26th at 8:15pm with live concert featuring Vetiver, The Fruit Bats, and Sonny and the Sunsets
Harbour of Hope: Thursday, July 26th at 11:10 am

For screening times for all shows, in all locations please click here.

To get a pair of FREE tickets to one of the CASTRO screenings, email sfbgpromos@sfbg.com with the title as “Jewish Film Festival” and include your name in the message along with what movie you would like to attend. This promo is good while supplies lasts.

San Francisco/Castro: July 19-26
Jewish Community Center, San Francisco: July 28-29
Palo Alto: July 28-August 2
Berkeley: July 28-August 4
San Rafael: August 4-6
Oakland: August 3 & 6

A surprisingly sentimental evening with Chuck Palahniuk

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“I write so that I don’t forget the fascinating and heartwarming things people tell me,” explained Chuck Palahniuk. He was at the Castro Theatre Mon/16 to chat about his newest book, Invisible Monsters Remix. Some audience members were disappointed that the event didn’t include a book signing — but no one could deny Palahniuk’s earnest nature and his deep connection to his fans.

To those who only know Palahniuk as the author of the cult hit Fight Club, one might think the man behind this contemporary classic of anarchy and disgust at our capitalist society could be a shady character. But the mind that concocted that (and other) twisted fables anchors his outlandish tales with an incredibly human element to his characters. If you look beyond Fight Club‘s bloody mayhem (vividly depicted in its popular film version), you’ll find a story of how a white-collar businessman combats loneliness and isolation, and finds fulfillment in embracing chaos. Palahniuk is certainly not afraid of being politically incorrect in his books, but he is a much more relatable guy than you might think.

He did not disappoint in entertaining the audience with his eccentric ways, but he also told many touching stories, and a few that incited guilty laughter. Palahniuk has been one of my favorite authors since I was 16, and listening to him read his short story “Romance” to the crowd was a complete dream come true. It was like Palahniuk was the coolest dad you’ve ever met, reading the kind of story you were never allowed to get your hands on. His pacing was impeccable, and he sat with his legs crossed and a giant stuffed tiger perched on his lap. (Anyone who asked a question received a tiger of his or her own, sometimes tossed into the audience by the author himself.)

Palahniuk has certainly had ample personal experiences that have shaped his explorations of the dark side of the human psyche — his grandfather murdered his grandmother before killing himself, and his father was killed by a vengeful ex of a woman he met through a personal ad in the newspaper. While completing an endless cycle of interviews and red carpet events with Fight Club stars Brad Pitt, Helena Bonham Carter, and Ed Norton, Palahniuk learned that his father had been killed and had to identify his body and deal with the proceedings.

He explained what a chaotic time it was — he loved the movie version of his novel, but his personal life was just too much to handle. He told us that while driving back home during the press onslaught of Fight Club, he decided he needed to pull over and get out of the car to lie down in the road. The audience at the Castro became incredibly silent as we all hoped this was not Palahniuk’s description of considering suicide.

Instead, he explained that all he wanted was for someone to notice him and call the police. When the policeman would arrive, Palahniuk imagined this figure of authority would carefully hold him and tell him everything was going to be all right.

“That’s all I wanted, for someone with authority to tell me everything was going to be OK, and then I could get up and move on. And so that’s what I did, I laid on the ground in my fancy suit … and I waited. And I waited … and no one came for a very long time. So I started to think, what would be an acceptable way that someone could be given a bit of affection in public, from a stranger. And that’s how I thought of choke: someone who would pretend to choke in public places to have that essential few moments of human connection. So I got up, dusted myself off and went home to begin writing Choke.” (Choke was made into a feature film in 2008.)

Fans were excited to learn that Fight Club was partially inspired by a group Palahniuk himself participated in called the “Cacophony Club,” made up of young professionals who needed a bit of organized chaos that could fit into a planned amount of time each week. (Their various pranks and shenanigans were, of course, to a much less violent degree than those enacted by Tyler Durden and his crew.) Another highlight of the night was the waves of laughter that greeted Palahniuk’s recounting of his struggle to get the book published, especially since it remains his biggest hit and became a ’90s classic.

During the question and answer period, Palahniuk gave this fantastic advice to a young man about becoming a writer: “Take the best part of a story idea you have and bring it to party. Tell all your friends and see what variations they have on it. That’s how most of my best work has grown. Friends can offer really interesting additions to the story, and you can make sure your idea has potential.”

At the end of the Q&A, tigers were distributed to those who could make baby shapes out of balloons. Popping balloons and pandemonium ensued as fans eagerly presented Palahniuk with their balloon children, or tried to snag a signature. Books were sold pre-signed, but Palahniuk graciously tried to sign a few books and agreed to a few photos with fans before being ushered off. He told us that the baby balloons will make sense next year — and with over 15 books so far in his highly successful career, I cannot wait to see what he has in store for us next.

Music Listings

0

Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 18

ROCK/BLUES/HIP-HOP

Brian Bergeron Johnny Foley’s. 9pm, free.

Bouncing Souls, Menzingers, Luther Slim’s. 8pm, $19-$21.

Charles vs. Rags Tuttle Johnny Foley’s Dueling Pianos. 9:30pm.

Chatham County Line, Easy Leaves Cafe Du Nord. 8pm, $15.

Eddie Money Yoshi’s. 8pm, $35.

Johnny Rawls Biscuits and Blues. 8 and 10pm, $15.

SO, Glass Gavel, Shake Me! Bottom of the Hill. 9pm, $10.

Soul Train Revival Boom Boom Room. 8pm, $5.

Upstairs Downstairs, Origami Ghosts, Myonics Hemlock Tavern. 9pm, $6.

Valient Sailors Hotel Utah. 9pm.

Waters, Chasms, Churches Brick and Mortar Music Hall. 9pm, $10-$12.

Scott Weiland Independent. 8pm, $49.50.

JAZZ/NEW MUSIC

Cat’s Corner with Nathan Dias Savanna Jazz. 9pm, $10.

Cosmo AlleyCats Le Colonial, 20 Cosmo Place, SF; www.lecolonialsf.com. 7-10pm.

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

Sonic Poetry Community Music Center, 544 Capp, SF; www.outsound.org. 7:30pm. $10-$12; $45 festival pass. Outsound New Music Summit.

FOLK/WORLD/COUNTRY

Cumbia Tokeson, Radio La Chusma, DJ Rabeat Elbo Room. 9pm, $8-$10.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Coo-Yah! Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. DJs Daneekah and Green B spin reggae and dancehall with weekly guests.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3. With Therinds, Dick Wolf, Holy Blowout.

Mary Go Round Lookout, 3600 16th St, SF; www.lookoutsf.com. 10pm, $5. Drag with Suppositori Spelling, Mercedez Munro, and Ginger Snap.

Megatallica Fiddler’s Green, 1333 Columbus, SF; www.megatallica.com. 7pm, free. Heavy metal hangout.

Obey the Kitty: Richie Panic, Justin Milla Vessel, 85 Campton, SF; www.vesselsf.com. 10pm, $10.

THURSDAY 19

ROCK/BLUES/HIP-HOP

Beachwood Sparks, Allah-Las, Sweet Chariots Independent. 8pm, $18.

Boneless Children Foundation, Bonnie & the BANG BANG, Taxes Brick and Mortar Music Hall. 7:30pm, $5-$8.

Fountains of Wayne, Mike Viola Great American Music Hall. 8pm, $26.

Guido vs. Charles Johnny Foley’s Dueling Pianos. 9:30pm.

Handshake, Fierce Creatures, Conveyor, Coast Jumper Bottom of the Hill. 9pm, $10.

“In a Cloud 2” SF compilation release Amnesia.

Jay Trainer Band, Segue & Jeff Zittrain Band Red Devil Lounge. 8pm, $8.

John Lawton Trio Johnny Foley’s. 9pm, free.

Eddie Money Yoshi’s. 8pm, $35; 10pm, $30.

Oliver, popscene DJs Rickshaw Stop. 10pm, $13-15.

Spencey Dude and Doodles record release variety show Hemlock Tavern. 9pm, $5.

Walter Trout Biscuits and Blues. 8pm, $30-$35.

Why I Hate, Shell Corporation, Mighty Fine, Hooray for Everything Thee Parkside. 9pm, $7.

JAZZ/NEW MUSIC

Composers Muse Community Music Center, 544 Capp, SF; www.outsound.org. 7:30pm. $10-$12; $45 festival pass. Outsound New Music Summit with Christina Stanley’s Skadi Quartet, and more.

Jazz Jam with Eddie Ramirez Savanna Jazz. 7:30pm, $5.

FOLK/WORLD/COUNTRY

JimBo Trout and the Fishpeople Atlas Cafe, 3049 20th St, SF; www.atlascafe.net. 8-10pm.

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music, dancing, and giveaways.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5. DJ Pleasuremaker spins Afrobeat, Tropicália, electro, samba, and funk, plus Sola Rosa.

Arcade Lookout. 9pm, free. Indie dance party.

Base: Chris Liebing Vessel, 85 Campton, SF; www.vesselsf.com. 10pm, $10.

Get Low Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. Jerry Nice and Ant-1 spin Hip-Hop, ’80s and Soul with weekly guests.

Thursdays at the Cat Club Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with DJ’s Damon, Steve Washington, Dangerous Dan, and guests.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 20

ROCK/BLUES/HIP-HOP

Back Pages Johnny Foley’s. 9pm, free.

Rome Balestrieri, Charles, Guido Johnny Foley’s Dueling Pianos. 9pm.

Frank Bey Biscuits and Blues. 8 and 10pm, $20.

Sam Bush, Allison Harris & the Barn Owls Great American Music Hall.9pm, $26.

Fast Times Maggie McGarry’s, 1353 Grant, SF; www.maggiemcgarrys.com. 9pm, free.

Glimpse Trio, Points North, S.K.O.P.E Bottom of the Hill. 10pm, $12.

Grass Widow, American Splits, Wax Idols, Worlds Longest Guitar Solo With Breaks Rickshaw Stop. 9pm, $10-$12.

Collin Ludlow-Mattson & Folks, Blank Tapes, Ash Reiter, Pat Hull Amnesia. 9pm, $8-$10.

Melvins Lite Slim’s. 9pm, $21.

Moonbell, Some Embers, Chasms, DJs Kevin Johnson and Nako Thee Parkside. 9pm, $5.

Pow!, Permanent Collection, Future Twin, Al Lover & the Haters Brick and Mortar Music Hall. 9pm, $5-$8.

Strangled Darlings, Ian Fays, Blonde Stranger Hemlock Tavern. 9:30pm, $7.

Tainted Love Bimbo’s. 9pm, $23.

Tosh Meets Marley Elbo Room. 10pm, $15. With Nnuklee Dube, DJ Irie Dole and King of Hearts.

“Vagabond Lovers Club” Cafe Du Nord. 9pm, $12-$15. With Slim Jenkins, Frantic Rockers, Golden West Trio, burlesque, DJs, and more.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Benn Bacot Savanna Jazz. 7:30pm, $8.

Midnight Sun Jazz Quartet Bubble Lounge, 714 Montgomery, SF; www.bubblelounge.com. 6-9pm, free.

Thwack. Bome. Chime Community Music Center, 544 Capp, SF; www.outsound.org. 7:30pm. $10-$12; $45 festival pass. Outsound New Music Summit.

Markus Wettstein, Betsey Biggs, Dylan Bolles, Edward Schocker Meridian Gallery, 535 Powell, SF; www.meridiangallery.org. 8-10pm.

FOLK/WORLD/COUNTRY

Bluegrass Bonanza Plough and Stars. 9:30pm, $8-$10. With Travers Chandler, Avery County, Woody Hill.

Taste Fridays 650 Indiana, SF; www.tastefridays.com. 8pm, $18. Salsa and bachata dance lessons, live music.

DANCE CLUBS

DJ What’s His Fuck Riptide Tavern, 3639 Taraval, SF; (415) 681-8433. 9pm, free. Spinning old school punk and other gems.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

Night of the Living Deadwardians Cat Club, 1190 Folsom SF; www.dancingghosts.com. 9:30pm. Miz Margo and Sage spin darkwave, synthpop, post-punk, and Xander and Fact.50 spin old world cabaret and steampunk.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Pledge: Fraternal Lookout. 9pm, $3-$13. Benefiting LGBT and nonprofit organizations. Bottomless kegger cups and paddling booth with DJ Christopher B and DJ Brian Maier.

Raindance Presents: Reflections with Dubtribe Sound System, Heyoka, and more Public Works. 9pm, $20.

Ron Reeser Vessel, 85 Campton, SF; www.vesselsf.com. 10pm, $10-$20.

SATURDAY 21

ROCK/BLUES/HIP-HOP

Charles, Rome Balestrieri, Guido Johnny Foley’s Dueling Pianos. 9pm.

City Deluxe, Limes, Sir Lord Von Raven Thee Parkside. 9pm, $5.

Cockasterphy, Edge Play Thee Parkside. 3pm, free.

Dig, Happy Body Slow Brain, Time Spent Driving Bottom of the Hill. 10pm, $10.

Fast Times Top of the Mark, One Nob Hill, SF; (415) 392-3434. 8pm, free.

Low Rollers Riptide Tavern, 3639 Taraval, SF; (415) 681-8433. 9:30pm, free.

My Best Fiend, White Cloud Brick and Mortar Music Hall. 9pm, $7-$10.

Owl City, Jayme Dee Slim’s. 8pm, $21-$25.

“Patiopalooza” El Rio. 4-8pm, $8 (includes barbecue). With Chris James & the Showdowns, Mission:Blackout, Finding Stella, Burn River Burn.

“Phono Del Sol Music and Food Festival” Potrero Del Sol Park, San Bruno Avenue and 25th Street, SF; www.phonodelsol.com. 11:30am-6pm. $7-$10. With Fresh & Onlys, Unknown Mortal Orchestra, La Sera, Gardens & Villa, and more.

San Francisco Music Club Biscuits and Blues. 8 and 10pm, $20.

Sonny & the Sunsets, Wet Illustrated, Pink Films, Cool Ghouls Independent. 9pm, $15.

Sole Johnny Foley’s. 9pm, free.

Sydney Ducks, Ruleta Rusa, Between Your Teeth El Rio. 10pm, $7.

Tainted Love Bimbo’s. 9pm, $23.

Thunderbleed AKA Blind Vengeance, Nate’s Denver Neck, DJ Real Hemlock Tavern. 9:30pm, $7.

Too $hort Yoshi’s Lounge. 10:30pm, $30.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Fire & Energy Community Music Center, 544 Capp, SF; www.outsound.org. 7:30pm. $10-$12; $45 festival pass. Outsound New Music Summit with Jack Wright, Dave Bryant Trio, Vinny Golia Sextet, and more.

Future Bionic Lab, 2948 16 St, SF; www.projectsoundwave.com. 8pm, $12-$25. Soundwave 5 multimedia and interactive performances by Jay Kreimer, Diana Burgoyne, and Cellar Ensemble.

Harmolodics Workshop Community Music Center, 544 Capp, SF; www.outsound.org. 2-4pm, free. Outsound New Music Summit.

Gina Harris & Torbie Philips Savanna Jazz. 7:30pm, $10.

Tiempo Libre with San Francisco Symphony Davies Symphony Hall, 201 Van Ness, SF; www.sfsymphony.org. 7:30pm.

FOLK/WORLD/COUNTRY

Andy y Su Orquesta Callao Ramp, 855 Terry Francois, SF; www.theramprestaurant.com. 5-8pm.

Alfonso Maya Mission Cultural Center, 2868 Mission, SF; www.missionculturalcenter.org. 7:30pm, $15.

Joy Mills, Miss Lonely Hearts Plough and Stars. 9pm.

Will Magid’s World Wide Dance Party: Balkan Extravaganza Cafe Du Nord. 9:30pm, $15.

DANCE CLUBS

Bootie SF: Triple Tribute DNA Lounge. 9pm, $10-$15. Bootie pays tribute to MCA of the Beastie Boys, Donna Summer, and Robin Gibb of the Bee Gees.

DJ Scotty Boy Vessel, 85 Campton, SF; www.vesselsf.com. 10pm, $10-$20.

Fringe Madrone Art Bar. 9pm, $5. Indie music video dance party with DJ Blondie K and subOctave.

Forward with Nitin, Tomas Barfod, Adnan Sharif, Galen Public Works. 9pm, $15-$20.

OK Hole Amnesia. 9pm, $7.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Reunited Rickshaw Stop. 10pm, $10-15. Presented by Jeffrey Paradise and Ava Berlin.

Saturday Night Soul Party Elbo Room. 10pm, $5-$10. DJs Lucky, Paul Paul, and Phengren Oswald spin ’60s soul 45s.

Ana Sia Mighty. 10pm.

Smiths Night SF Rock-It Room. 9pm, free. Revel in 80s music from the Smiths, Joy Division, New Order, and more.

Radio Franco Bissap, 3372 19th St, SF; (415) 826 9287. 6 pm. Rock, Chanson Francaise, Blues. Senegalese food and live music.

Wild Nights Kok BarSF, 1225 Folsom, SF; www.kokbarsf.com. 9pm, $3. With DJ Frank Wild.

SUNDAY 22

ROCK/BLUES/HIP-HOP

Bekah Barnett Martuni’s, Four Valencia, SF; www.urbanminstrel.com. 7pm.

City of Ships, Young Lions, Abstracer Hemlock Tavern. 6pm, $7.

John Lawton Trio Johnny Foley’s. 9pm, free.

Los Boleros Ramp, 855 Terry Francois, SF; www.theramprestaurant.com. 5-8pm.

Rome DNA Lounge. 8pm, $15.

JAZZ/NEW MUSIC

Next Generation of Jazz Orchestra Yoshi’s. 8pm, $10.

Noertker’s Moxie Quartet Cafe Royale, 800 Post, SF; www.caferoyale-sf.com. 7pm, free.

Savanna Jazz Jam Savanna Jazz. 7pm, $5.

Faith Winthrop Bliss Bar, 4026 24 St, SF; www.blissbarsf.com. 4:30-7:30pm, $10.

FOLK/WORLD/COUNTRY

E Family Sigmund Stern Grove, 19th Avenue and Sloat Boulevard, SF; www.sterngrove.org. 2pm, free. Featuring Pete, Sheila E, Juan and Peter Michael Escovedo.

Jack Gilder, Darcy Noonan, Richard Mandel Plough and Stars. 9pm.

Heel Draggers, Merchants of Moonshine Amnesia. 8pm, $7-$10.

Twang Sunday Thee Parkside. 4pm, free. With Devil’s Own, Grief Counselors.

DANCE CLUBS

Dub Mission Elbo Room. 9pm, $6. Dub, dubstep, roots, and dancehall with DJ Sep, Ludichris, and guest Dub Snakkr.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2. Raise money for LGBT sports teams while enjoying DJs and drink specials.

La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

MONDAY 23

ROCK/BLUES/HIP-HOP

Adventure Playground, Froadz El Rio. 8pm, $5.

Before You Fall, Five Characters In Search of an Exit, Sun Sets Here Brick and Mortar Music Hall. 8pm, $5-$8.

Damir Johnny Foley’s. 9pm, free.

Earl Brothers Amnesia. 6pm.

Reel Big Fish, Big D and the Kids Table, Suburban Legends, Maxies Regency Ballroom. 7pm, $22.

Religious Girls, Young Lions, Hides Bottom of the Hill. 9pm, $8.

JAZZ/NEW MUSIC

Bossa Nova Tunnel Top, 601 Bush, SF; (415) 722-6620. 8-11:30pm, free. Live acoustic Bossa Nova.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

Krazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop from 1960s-early ’90s with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 24

ROCK/BLUES/HIP-HOP

Ava Luna, That Ghost, Youngman Grand Bottom of the Hill. 9pm, $10.

Boca Do Rio Elbo Room. 9pm, $7.

Donna Jean Godchaux Band Brick and Mortar Music Hall. 9pm, $10-$13.

Family Folk Explosion Amnesia. 9:15pm, $5.

Hollow Earth, Heavy Action, Winter Teeth Knockout. 9:30pm, $6.

Seisiun Plough and Stars. 9pm.

Stan Erhart Band Johnny Foley’s. 9pm, free.

System and Station, Brain on Fire, Control-R Hemlock Tavern. 9pm, $7.

“Summer of Love Tour” Slim’s. 8pm, $16. With Allstar Weekend, Honor Society, Namesake.

Two-Tone Steiny & the Cadillacs Biscuits and Blues. 8 and 10pm, $15.

“Wake Up Madagascar” Yoshi’s. 8pm, $20. With Jaojoby, Razia Said, Saramba and Charles Kely.

JAZZ/NEW MUSIC

Marty Eggers Pier 23 Cafe, Embarcadero, SF; (415) 362-5125. 5-8pm.

Andrea Marcovicci Rrazz Room. 7:30pm, $35-$45.

DANCE CLUBS

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Post-Dubstep Tuesdays Som., 2925 16th St, SF; (415) 558-8521.10pm, free. DJs Dnae Beats, Epcot, Footwerks spin UK Funky, Bass Music.

Study Hall John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. Hip-hop, dancehall, and Bay slaps with DJ Left Lane.

NUDE BEACHES 2012

7

Editors Note: Below you’ll find our annual update on the state of nude beaches in the Bay Area, along with detailed guides and directions to several of our favorites. For details on dozens more, please see our complete Nude Beaches Guide, which we are in the process of updating. 

NUDE BEACHES Arrests for being naked on the sand, anti-nudity warning signs going up at previously unthreatened spots, outright threats of beach closures, social activists making their mark on San Francisco’s most well-known clothing-optional beach: this is shaping up to be one of Northern California’s busiest nude beach seasons in recent memory.

Faced with a July 1 deadline, on June 28 Governor Jerry Brown’s administration announced it saved or would stall shutting down all but one of 70 state parks and beaches targeted for closure due to budgetary shortfalls. These include three sites in our annual guide: Montara’s Gray Whale Cove, Carmel’s Garrapata State Park, and Zmudowski State Beach in northern Monterey County.

Officials said they would use $13 million in bond money in the budget to keep the properties running at least through summer. Some 40 parks will remain open for an estimated one to five years, due to temporary funding and support agreements being negotiated with nonprofit foundations and other organizations. More than 25 other properties, including Gray Whale Cove, also known as Devil’s Slide, will keep going while deals are completed.

When asked exactly how long Gray Whale Cove, Garrapata, and Zmudowski would stay open, California State Parks spokesman Dennis Weber told me they could keep going for a month, the entire summer, a year, or even longer. “We don’t know how much time we have,” he said.

Paul Keel, the state parks sector superintendent for the area that includes Gray Whale Cove, was more optimistic. He told me he’s keeping the popular beach open through at least the end of July because while “nothing’s been signed or inked, it’s fair to say we are optimistic” an agreement with a private operator or nonprofit will be finalized before then. Until the state took control, the site was run by a private licensee, San Francisco developer Carl Ernst and his company, Gray Whale Cove Enterprises, Inc.

Ruth Coleman, head of the State Parks and Recreation Department, said the bonds would fund solar power systems, as well as automatic pay machines that take credit and debit cards. And visitors arriving at Devil’s Slide or Garrapata are likely to notice signs that urge them to pay for parking instead of parking outside.

The card machines are likely to be particularly handy at Devil’s Slide after a long-awaited tunnel bypassing rockslide-prone Highway 1, which remains the access point to the beach, is expected to open this fall. Keel suspects the Devil’s Slide Tunnel will bring larger crowds to the beach.

But the news wasn’t all good. Maintenance and garbage pick up operations are likely to remain reduced or eliminated. In late June, Brown partly vetoed a larger, $41 million funding bill that had been OKed by the state legislature. State Senator Joe Simitian (D-Palo Alto), who coauthored the bigger funding plan, criticized the veto, calling it “a lost opportunity to take action.” Another lost opportunity: in November 2010, California voters rejected a ballot initiative that would have raised about $500 million for state parks.

Meanwhile, while Sacramento was cutting back beach services, activists were making additions to the section of San Francisco’s Baker Beach used by nudists. Naturists have erected driftwood art sculptures and tent-like structures without walls, called “dunies,” at the north end of the beach. And they’ve vowed to keep the site free of gawkers by staring them down in what organizers call a non-confrontational approach to self-policing. “They usually decide to leave pretty soon,” says Santosh, 46, an artist and street fair producer.

Speaking of policing, in the past year cops have raided Garrapata and put up signs about nudity at Bonny Doon Beach and at least two other beaches north of Santa Cruz.

At Garrapata, rangers and lifeguards cited over a dozen persons for public nudity last summer and began patrolling the beach at least two times a day after receiving what lifeguard Eric Sturm told the Carmel Pine Cone were reports of “sex acts on the beach.”

And at Bonny Doon, Laguna Creek, and Panther Beach, “Nudity In The State Park System Is Prohibited” signs have been posted, although naturists there remain defiant and are still visiting the sites. “A 50-year tradition (of clothing-optional use at Bonny Doon) cannot be extinguished by a simple sign,” said Rich Pasco, coordinator of the Bay Area Naturists, after the signs went up. He urged nudists to “be polite and respectful” of rangers and suit up “if requested,” but to engage them in “intelligent conversations.” After two months, the signs at Bonny Doon, though, were taken down because, according to Joe Connors, public safety superintendent for state beaches in the Santa Cruz area, “we don’t get a big volume of complaints there.”

Want to join others in having fun at a clothing-optional spot this summer? The USA’s only naked “Full Moon Hikes” will take place in Castro Valley in late July, August, and September (see our listings online at SFBG.com for Last Trampas in Contra Costa County for details). Another idea to meet and socialize with fellow naturists: drop by Bonny Doon on September 15, when fans of the site will be gathering to keep it pristine by finding and removing trash.

Finally, you can aid the naturist community by sending me your new beach discoveries, trip reports, and improved directions (especially road milepost numbers), along with your phone number to garhan@aol.com or Gary Hanauer, c/o San Francisco Bay Guardian, 71 Stevenson, 2nd Floor, San Francisco, CA 94105.

Our ratings: [full moon] signifies a beach that is large or well-established and where the crowd is mostly nude; [half moon] indicates places where fewer than half the visitors are nude; and [quarter moon] means small or emerging nude areas.

SAN FRANCISCO

NORTH BAKER BEACH, SAN FRANCISCO

RATING: A

Social activists have begun streaming onto the sand of America’s biggest urban nude beach, creating what visitor Santosh calls “a tone that’s like Burning Man,” with regulars bringing guitars, drums, and Frisbees to the sand, putting up art work best described as eclectic, and occasionally staring down gawkers.” There’s no requirement that you go nude,” says Santosh, an artist, graphic artist, and producer of San Francisco’s How Weird Street Faire, an outdoor street fair held each year in the SoMa neighborhood as a fundraiser for the World Peace Through Technology Organization. “But if a creeper dude plops down next to a (nude) person or if they are staring at someone’s private parts and it’s happening close to where we are, on the far north end (of North Baker), then they will start being the object of ridicule.

Directions: Take the 29 Sunset bus or go north on 25th Avenue to Lincoln Boulevard. Turn right and take the second left onto Bowley Street. Follow Bowley to Gibson Road, turn right, and follow Gibson to the east parking lot. At the beach, head right to the nude area, which starts at the brown and yellow “Hazardous surf, undertow, swim at your own risk” sign. Some motorcycles in the lot have been vandalized, possibly by car owners angered by bikers parking in car spaces; to avoid trouble, motorcyclists should park in the motorcycle area near the cyclone fence.

LAND’S END BEACH

RATING: A

Considered one of the most beautiful places in the Bay Area to doff your togs, Land’s End should really be called Swimsuit’s End. The reason: although it draws more clothed users than nudists, more than a few swim tops and bottoms magically “disappear” on warm spring, summer, and fall days at the little cove off Geary Boulevard. Come early to grab your share of the sand on this semi-rocky shoreline, which is sometimes dotted with rock-lined windbreaks left by previous sunbathers. Bring a light jacket or sweatshirt in case the weather changes.

Directions: Follow Geary Boulevard to the end, then park in the dirt lot up the road from the Cliff House. Take the trail at the far end of the lot. About 100 yards past a bench and some trash cans, the path narrows and bends, then rises and falls, eventually becoming the width of a road. Don’t take the road to the right, which leads to a golf course. Just past another bench, as the trail turns right, go left toward a group of dead trees where you will see a stairway and a “Dogs must be leashed” sign. Descend and head left to another stairway, which leads to a 100-foot walk to the cove. Or, instead, take the service road below the El Camino del Mar parking lot 1/4 mile until you reach a bench, then follow the trail there. It’s eroded in a few places. At the end, you’ll have to scramble over some rocks. Turn left (west) and walk until you find a good place to put down your towel.

GOLDEN GATE BRIDGE BEACH

RATING: A

On the hottest days, Golden Gate Bridge Beach becomes so packed with people that one visitor describes it as a “gay mob scene.” But the rocky shore, which connects three picturesque coves, also gets its share of straight men and women. Prime, non-cruising activities include sunbathing, enjoying breathtaking views of the Bridge, and even taking some dips in the water. “You can sometimes go out over 100 feet during low tide,” a woman tells me.

Directions: from the toll booth area of Highway 101/1, take Lincoln Boulevard west about a half mile to Langdon Court. Turn right (west) on Langdon and look for space in the parking lots, across Lincoln from Fort Winfield Scott. Park and then take the beach trail, starting just west of the end of Langdon, down its more than 200 steps to Golden Gate Bridge Beach, also known as Marshall’s Beach. Despite recent improvements, the trail to the beach can still be slippery, especially in the spring and winter.

FORT FUNSTON BEACH

RATING: C

What’s the only Golden Gate National Recreation Area park where you can walk your dog without a leash, as well as the spot where the world record for the farthest tossed object (a flying ring sent soaring 1,333 feet by Erin Hemmings) was set in 2003? Answer: Fort Funston, which is affectionately called Fort Fun by its fans. Known for its magnetic sand, steady winds (especially in March and October) that make its cliffs popular for hang gliding, and, in particular, its dogs, who appear here with their human escorts by the hundreds, the area even attracts a few naturists from time to time. Mostly hidden away in the sand dunes on the beach, naked sunbathers usually stay away on the weekends, when families swarm the area. To keep the “fun” in Fort Funston, even on weekdays, be sure to use caution before disrobing.

Directions: From San Francisco, go west to Ocean Beach, then south on the Great Highway. After Sloat Boulevard, the road heads uphill. From there, curve right onto Skyline Boulevard, go past one stoplight, and look for signs for Funston on the right. Turn into the public lot and find a space near the west side. At the southwest end, take the sandy steps to the beach, turn right, and walk to the dunes. Find a spot as far as possible from the parking lot.

CONTRA COSTA COUNTY

LAS TRAMPAS REGIONAL WILDERNESS, CASTRO VALLEY

RATING: C

Want to go walking around nude at night outside without being hauled off to jail? Imagine hiking naked guided only by your flashlight in the East Bay Hills, with the trail silhouetted by a full moon and small herds of horses coming up to greet you.

“It’s absolutely surreal,” says Jurek Zarzycki. “The horses come within inches of you, so close you can feel their breath. It’s like being on a moonscape with aliens. You may be a little afraid at first, but the horses are very friendly.”

America’s only nude “Full Moon Hikes” have been taking place on summer full moon nights in Castro Valley for more than seven years. The next ones will be held July 29, August 31 (arrive by 6pm), and September 28 (starting at 5:15pm) “We start early so that we have the full moon already risen by the time the sun sets,” says San Leandro’s Dave Smith, who leads most of the hikes. “Then we hike up the trail around sunset.”

Coordinated by a partnership between the Sequoians Naturist Club and the Bay Area Naturists, based in San Jose, walkers leave the property of the Sequoians fully clothed at dusk and walk through meadows and up hills until the moon rises, before heading back down the slopes completely nude, with their clothes folded neatly into their backpacks.

After the walk, most hikers shower at The Sequoians, and, for a fee of $5, take a dip in the 86-degree pool there and enjoy a plunge in the facility’s hot tub. “It was fabulous,” says Zarzycki about an earlier trek. “I pitched my tent right there at The Sequoians and then slept under the sky.”

Directions: Contact The Sequoians (www.sequoians.com) or the Bay Area Naturists (www.bayareanaturists.org) for details on how to join a walk. Meet at The Sequoians. To get there, take Highway 580 east to the Crow Canyon Road exit. Or follow 580 west to the first Castro Valley off-ramp. Take Crow Canyon road toward San Ramon .75 mile to Cull Canyon road. Then follow Cull canyon road around 6.5 miles to the end of the paved road. take the dirt road on the right until the “Y” in the road and keep left. Shortly after, you’ll see The Sequoians sign. Proceed ahead for about another .75 mile to The Sequoians front gate.

SAN MATEO COUNTY

DEVIL’S SLIDE, MONTARA

RATING: A

Although Devil’s Slide, also known as Gray Whale Cove, was scheduled to be closed this month by the state due to budget shortfalls, officials plan to keep it open while they negotiate with what Paul Keel, San Mateo coast state parks sector superintendent, calls a prospective “donor to keep it in operation for the coming year.” At press time, Keel told us that although “nothing’s been signed or inked, it’s fair to say we are optimistic, so hopefully we will know more in the next month.” Access to the site, though, is changing: after a long-awaited, voter-approved Devil’s Slide tunnel is completed this fall, Keel and others expect a possible increase in traffic to the beach, as more pedestrians and bicyclists use a nearby section of Highway 1 that is being closed. Meanwhile, rangers say they will allow a long-standing tradition of nudity to continue on the sand unless visitors complain.

Directions: Driving from San Francisco, take Highway 1 south through Pacifica. Three miles south of the Denny’s restaurant in Linda Mar, turn left (inland or east) on an unmarked road, which takes you to the beach’s parking lot and to a 146-step staircase that leads to the sand. Coming from the south on Highway 1, look for a road on the right (east), 1.2 miles north of the Chart House restaurant in Montara. Starting this fall, from the north, take Highway 1 through the Devil’s Slide tunnel and then turn left onto the road described above. From the south, continue using the above directions. Most naturists use the north end of the beach, which is separated by rocks from the rest of the shore.

SAN GREGORIO NUDE BEACH, SAN GREGORIO

RATING: A

Still the USA’s longest continually used nude beach, San Gregorio even has its own web site and live web cam at www.freewebs.com/sangregoriobeach. The privately run operation, which is located next to San Gregorio State Beach, recently began its 46th year of serving the clothing-optional community.

The beach often draws a large gay crowd, along with some nude and suited straight couples, singles, and families. “It’s a really romantic spot,” says a single woman. However, first-timers are sometimes annoyed (as I was, years ago) by the driftwood structures on the sandy slope leading down to the beach, which are used by some visitors as “sex condos.” However, fans of the beach savor San Gregorio’s stunning scenery. It has “awesome natural beauty,” says regular visitor Bob Wood. Attractions of the 120-acre site include two miles of soft sand and tide pools to explore, as well as a lagoon, lava tube, and, if you look closely enough on the cliffs, the remains of an old railroad line.

Directions: From San Francisco, drive south on Highway 1, past Half Moon Bay, and, between mileposts 18 and 19, look on the right side of the road for telephone call box number SM 001 0195, at the intersection of Highway 1 and Stage Road, and near an iron gate with trees on either side. From there, expect a drive of 1.1 miles to the entrance. At the Junction 84 highway sign, the beach’s driveway is just .1 mile away. Turn into a gravel driveway, passing through the iron gate mentioned above, which says 119429 on the gatepost. Drive past a grassy field to the parking lot, where you’ll be asked to pay an entrance fee. Take the long path from the lot to the sand; everything north of the trail’s end is clothing-optional (families and swimsuit using visitors tend to stay on the south end of the beach). The beach is also accessible from the San Gregorio State Beach parking area to the south; from there, hike about a half-mile north. Take the dirt road past the big white gate with the Toll Road sign to the parking lot.

SANTA CRUZ COUNTY

GARDEN OF EDEN, FELTON

RATING: C

Tucked away in Henry Cowell Redwoods State Park, between Santa Cruz and Felton, the Garden Of Eden is a much-used skinny-dipping hole on the San Lorenzo River, which is also visited by clothed families. Some hikers are surprised when they see people nude there and either use the spot anyway or keep walking. Watch out for poison oak and slippery sections on the trail. Eden is one of three clothing-optional swimming holes on the river. To find them, look for cars pulled over on Highway 9, next to the state park, which bans nudity but seldom sends ranger patrols to the creek.

Directions: From Santa Cruz, drive north on Highway 9 and look for turnouts on the right side of the road, where cars are pulled over. The first, a wide turnout with a tree in the middle, is just north of Santa Cruz. Rincon Fire Trail starts about where the tree is, according to reader Robert Carlsen, of Sacramento. The many forks in the trail all lead to the river, down toward Big Rock Hole and Frisbee Beach; Carlsen says the best area off this turnout can be reached by bearing left until the end of the trail. Farther up the highway, 1.3 miles south of the park entrance, is the second and bigger pullout, called the Ox Trail Turnout, leading to Garden of Eden. Park in the turnout and follow the dirt fire road downhill and across some railroad tracks. Head south, following the tracks, for around .5 miles. Look for a “Pack Your Trash” sign with park rules and hours and then proceed down the Eden Trail.

Ox Trail, which can be slippery, and Eden Trail both wind down steeply to the creek. “The path continues to the left, where there are several spots for wading and sunbathing,” Carlsen says. The main beach is only 75 feet long and 30 feet wide, but fairly sandy. Carlsen’s favorite hole is accessible from a trail that starts at the third turnout, a small one on the right side of the road, about 4.5 miles from Highway 1 and just before Felton. A gate marks the start of the path. The trail bends left. When you come to the road again, go right. At the railroad tracks, go right. From here, look for the river down the hill on your left; many paths lead to it. Says Mike: “Within 10 yards, you can be in the water.”

BONNY DOON NUDE BEACH, BONNY DOON

RATING: A

Despite the temporary erection of anti-nudity warning signs at longtime nudie fan favorite Bonny Doon Beach, north of Santa Cruz, officials have told us they have no immediate plans to issue citations at the north end of the site, which has traditionally been occupied by naturists. In fact, the signs were taken down after just two months.

In fact, in June, Pam, of San Mateo, even found a nudist at the main public, south side of the beach, which is used by suited visitors. A 15-foot long rock on the sand, along with a sloping cliff with rocks that jut out, separate the two sides of the cove that form Bonny Doon.

“In the short term, things at Bonny Doon are destined to continue the way they are,” says Kirk Lingenfelter, sector superintendent for Bonny Doon and nearby state beaches. Lingenfelter says he likes Bonny Doon just the way it is. “It’s one of our pocket beaches,” he explains. “They can really give you the feeling of rugged, untouched majesty. I like standing on those beaches. You can sometimes forget that there’s a highway in the distance. It’s a very important feeling to maintain. “The clothing-optional section usually attracts more women and couples than most nude beaches. “Minuses” include occasional vehicle burglaries and gawkers on the bluffs or in the bushes.

Directions: From San Francisco, go south on Highway 1 to the Bonny Doon parking lot at milepost 27.6 on the west side of the road, 2.4 miles north of Red, White, and Blue Beach, and some 11 miles north of Santa Cruz. From Santa Cruz, head north on Highway 1 until you see Bonny Doon Road, which veers off sharply to the right just south of Davenport. The beach is just off the intersection. Park in the paved lot to the west of Highway 1; don’t park on Bonny Doon Road or the shoulder of Highway 1. If the lot is full, drive north on Highway 1, park at the next beach lot, and walk back to the first lot. Or take Santa Cruz Metro Transit District bus route 40 to the lot; it leaves the Metro Center three times a day on Saturdays and takes about 20 minutes. To get to the beach, climb the berm next to the railroad tracks adjacent to the Bonny Doon lot, cross the tracks, descend, and take a recently improved, sign-marked trail to the sand. Walk north past most of the beach to the nude cove on the north end. Alternately, Dusty suggests parking as far north as possible, taking the northern entrance, and, with good shoes, following a “rocky and steep” walk down to the sand.

2222 BEACH, SANTA CRUZ

RATING: A

In late May, when my girlfriend and I visited a little cliffside park above it and peered down on the aptly named 2222 — it’s the number of the house across the street — we discovered that the pocket-size cove looked as beautiful as ever. In fact, America’s smallest nude beach is so small it could probably fit in your yard. And that’s what makes it a magical place. You won’t find crowds at 2222, which takes scrambling to reach and isn’t recommended for children or anyone who isn’t a good hiker. However, those who are agile enough to make it down a steep cliff and over some concrete blocks on the way down will probably be rewarded with an oasis of calm and a good spot to catch some sunrays.

Directions: The beach is a few blocks west of Natural Bridges State Beach and about 2.5 miles north of the Santa Cruz Boardwalk. From either north or south of Santa Cruz, take Highway 1 to Swift Street. Drive .8 miles to the sea, then turn right on West Cliff Drive. 2222 is five blocks away. Past Auburn Avenue, look for 2222 West Cliff on the inland side of the street. Park in the nine-car lot next to the cliff. If it’s full, continue straight and park along Chico Avenue. Bay Area Naturists leader Rich Pasco suggests visitors use care and then follow the path on the side of the beach closest to downtown Santa Cruz and the Municipal Wharf.

PRIVATES BEACH, SANTA CRUZ

RATING: A

“Privates is one of my favorite beaches,” says Brittney Barrios, manager-buyer of Freeline Design Surf Shop, which is located nearby and sells keys to unlock the gate leading to the clean, beautiful cove. “It’s always very peaceful.” Visitors include nudists, surfers, families, and local residents. “Everyone gets along,” adds Barrios. “And it’s never crowded.”

Barrios says many of the naturists, who often visit in groups, like to play Paddle Ball on the sand. As for Barrios, she prefers to “lay out,” as she calls it, in the sun.

There’s almost no litter, wind, noise, or troublemakers — security guards plus a locked gate keep the latter out — and world class surfers, such as those who starred in Endless Summer II, regularly put on a free show for the naked people who share the warm, clean sand with surfers.

“It’s really nice,” says Hunter Young, a former worker at Freeline, which sells up to 600 beach passes a year. “Surfers love it because it has good waves. It’s 100 percent standup surfing, with paddling. Anytime I go to Privates, I can expect a long ride on my longboard.”

“The beach is also very family oriented,” explains Barrios. “And it’s OK for dogs too.”

“There are two different coves on the beach,” says Young. “Clothed families who use the beach know which cove is nude and stay away from it. If you want to play naked Frisbee, at the bottom of the beach stairs you just walk to the left.”

Directions: 1) Some visitors walk north from Capitola Pier in low tide (not a good idea since at least four people have needed to be rescued). 2) Others reach it in low tide via the stairs at the end of 41st Avenue, which lead to a surf spot called the Hook at the south end of a rocky shore known as Pleasure Point. 3) Surfers paddle on boards for a few minutes to Privates from Capitola or the Hook. 4) Most visitors buy a key to the beach gate for $100 a year at Freeline (821 41st Ave., Santa Cruz, 831-476-2950) 1.5 blocks west of the beach. Others go with someone with a key or wait outside the gate until a person with a key goes in, provided a security guard is not present (they often are there). “Most people will gladly hold the gate open for someone behind them whose hands are full,” says Bay Area Naturists leader Rich Pasco. The nude area starts to the left of the bottom of the stairs.

MARIN COUNTY

MUIR NUDE BEACH, MUIR BEACH

RATING: A

Mellow times are continuing at one of the Bay Area’s easiest to reach and most enjoyable nude beaches, the clothing-optional north side of Muir Beach. Also known as Little Beach, it’s separated by the main public beach by a line of large rocks that visitors usually walk over. Says Lucas Valley’s Michael Velkoff, who switched from Red Rock to become a regular at Muir: “This season, there’s plenty of sand. It’s also a great place for women because people leave you alone here. Nobody’s hitting on you. And high tide only comes a third of the way up the beach.” Recent additions include a new bridge over a marshy, lagoon-like area near the parking lot, plus about a half dozen Porta-Potties.

Directions: From San Francisco, take Highway 1 north to Muir Beach, to milepost 5.7. Turn left on Pacific Way and park in the Muir lot (to avoid tickets, don’t park on Pacific). Or park on the long street off Highway 1 across from Pacific and about 100 yards north. From the Muir lot, follow a path and boardwalk to the sand. Then walk north to a pile of rocks between the cliffs and the sea. You’ll need good hiking or walking shoes to cross; in very low tide, try to cross closer to the water. The nude area starts north of it.

RED ROCK BEACH, STINSON BEACH

RATING: B

One of the most popular Bay Area nude beaches, Red Rock has struggled with sand erosion that’s left a smaller site the last few seasons, along with a more crowded feel to it and, perhaps in reaction, fewer overall visitations. Except for being a little overgrown with vegetation in early July and some poison oak on the half nearest the highway, the beach trail, however, is reported in good shape this year. “Just wear shoes with socks, go single file in spots, and you should be okay,” advises Stinson Beach attorney-teacher Fred Jaggi. Rock climbing and various kinds of Frisbee continue to be frequent pastimes at Red Rock — Ultimate Frisbee games there can last as long as three hours. Naked Scrabble and Nude Hearts are among the other games played by sunbathers. “It’s very peaceful at the beach,” says Jaggi. “Nobody ever brings down a large boombox.”

Directions: Go north on Highway 1 from Mill Valley, following the signs to Stinson Beach. At the long line of mailboxes next to the Muir Beach cutoff point, start checking your odometer. Look for a dirt lot full of cars to the left (west) of the highway 5.6 miles north of Muir and a smaller one on east side of the road. The lots are at milepost 11.3, one mile south of Stinson Beach. Limited parking is also available 150 yards to the south on the west side of Highway 1. Or from Mill Valley, take the West Marin/Bolinas Stage toward Stinson Beach and Bolinas. Get off at the intersection of Panoramic Highway and Highway 1. Then walk south .6 mile to the Red Rock lots. Follow the long, steep path to the beach that starts near the Dumpster next to the main parking lot.

BOLINAS, BASS LAKE

After Tracey, of San Anselmo, hiked to what she called “beautiful, clean, sunny” Bass Lake, she went onto a message board in June to urge those who are considering trying the Bolinas attraction to “Go. Go. Go now.” “The trail was a little overgrown. But I had fun swimming nude in the lake,” says regular Dave Smith, of San Leandro, about his adventure last year. “If you want to visit an enchanted lake, Bass is it,” agrees Ryan, also of the East Bay. “Tree branches reach over the water, forming a magical canopy, and huge branches of calla lilies bloom on the shore.” Ryan isn’t kidding: even walking (45-60 minutes from the parking area over 2.8 mostly easy miles) to Bass can be an adventure unlike any other. One time, rangers stopped and cited a clad man with an unleashed dog, but let some passing nudists continue. And Smith, who usually walks naked, has come across bobcats and mountain lions early in the morning. “I came around a corner and there was a mountain lion sitting like Egypt’s Great Sphinx of Giza 50 yards down the path,” he says.

Directions: From Stinson Beach, go north on Highway 1. Just north of Bolinas Lagoon, turn left on the often-unmarked exit to Bolinas. Follow the road as it curves along the lagoon and eventually ends at Olema-Bolinas Road. Continue along Olema-Bolinas Road to the stop sign at Mesa Road. Turn right on Mesa and drive four miles until it becomes a dirt road and ends at a parking lot. On hot days the lot fills quickly. A sign at the trailhead next to the lot will guide you down scenic Palomarin Trail to the lake. For directions to Alamere Falls, 1.5 miles past Bass Lake, please see “Elsewhere In Marin” in our online listings.

RCA BEACH, BOLINAS

RATING: A

Want to recharge your life? A trip to RCA can do just that. And a single stopover at the beautiful beach will probably inspire you to keep coming back. “It hasn’t changed much in 20 years,” says regular visitor Michael Velkoff. “A downside is that it’s very exposed to the wind. The good news is that there are lots of nooks that are sheltered from the wind. And there’s so much driftwood on the sand that many people build windbreaks or even whole forts. You could build a village with all that driftwood. The last time I went, somebody built a 30 foot tall dragon out of it.” Suited and unsuited males and females and families visit the shoreline, which seems even bigger than its one mile length because, adds Velkoff, “we’ll see six people on a beautiful day on a Sunday. Picture [please see next listing] Limantour as far as how people are spread out on the sand. Everybody’s like 100 feet apart. It’s great.”

Directions: From Stinson Beach, take Highway 1 (Shoreline Highway) north toward Calle Del Mar for 4.5 miles. Turn left onto Olema Bolinas Road and follow it 1.8 miles to Mesa Road in Bolinas. Turn right and stay on Mesa until you see cars parked past some old transmission towers. Park and walk .25 miles to the end of the pavement. Go left through the gap in the fence. The trail leads to a gravel road. Follow it until you see a path on your right, leading through a gate. Take it along the cliff top until it veers down to the beach. Or continue along Mesa until you come to a grove of eucalyptus trees. Enter through the gate here, then hike .5 miles through a cow pasture on a path that will also bring you through thick brush. The second route is slippery and eroding, but less steep. “It’s shorter, but toward the end there’s a rope for you to hold onto going down the cliff,” tells Velkoff.

LIMANTOUR BEACH, OLEMA

RATING B

At Limantour, in Point Reyes National Seashore, you can walk a mile wearing nothing but your smile. “I just head away from any people and put my towel down in the dunes or against a wall,” says visitor Michael Velkoff. “Nobody bothers you. Of course, I carry a pair of shorts, just in case I need to put them on. I love it at Limantour. Plus it has tons of nice sand.” You may also want to don a pair of binoculars for watching birds, seals, and other wildlife. This May, Velkoff saw a whale from his vantage point on the sand; he’s also seen porpoises frolicking just offshore. The long shoreline is one of America’s most beautiful beaches, yet few visitors realize the narrow spit of sand is clothing-optional. The site is so big — about 2.5 miles in length — you can wander for hours, checking out ducks and other waterfowl, shorebirds such as snowy plovers, gray whales, and playful harbor seals. Dogs are allowed on six-foot leashes on the south end of the beach. To grab the best parking, arrive by 10:30am.

Directions: Follow Highway 101 north to the Sir Francis Drake Boulevard exit, then follow Sir Francis through San Anselmo and Lagunitas to Olema. At the intersection with Highway 1, turn right onto 1. Just north of Olema, go left on Bear Valley Road. A mile after the turnoff for the Bear Valley Visitor Center, turn left (at the Limantour Beach sign) on Limantour Road and follow it 11 miles to the parking lot at the end. Walk north .5 miles until you see some dunes about 50 yards east of the shore. Nudists usually prefer the valleys between the dunes for sunbathing, which may be nearly devoid of or dotted with users, depending on the day.

 

SF bragging rights (and ass) galore in Double Duchess’ brand-new “Bucket Betch”

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Blatant disregard for traffic safety be damned (really, the bike-riding sparklers past the Castro Theatre shot is magick), the new Double Duchess video for “Bucket Betch” looks like something I’d show to my friends who don’t live in San Francisco to make them jealous. See, New Orleans and Brooklyn aren’t the only place with queer hip-hop anthems right now. See, it is possible to dance in those shoes. See 2:55 for an expert glitter vogue move. Try to count how many flagging club kids you can spot in this tour of ass-cheek-exposed SF summer. You can catch the duo performing with drag-wreck Christeene at Peaches Christ‘s new quarterly party Church on Aug. 10 at Public Works.

Guardian Voices: A harsh city for queer youth

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By Mia Tumutch

I moved to San Francisco at 19, having recently escaped small-town Texas because of ignorance and hatred associated with the fact that I am transsexual. I arrived on a Greyhound with a huge purse, a duffle bag, and big dreams for the queer wonderland.

Then life happened. Unable to find a job because I was too visibly trans, I ran out of money and ended up homeless.

Thousands of other young queers have runa way to San Francisco, but they still face daunting statistics once they arrive. Our city by the Bay has long been assumed a safe haven for the gays — however there’s more work to be done. It’s our responsibility, as San Franciscans and decent human beings, to ensure LGBTQ youth don’t face more violence and discrimination once they make it here.

LGBTQ youth face a disproportionate amount of obstacles to success, including bullying in school, family rejection, violence on the street, and job discrimination. After coming out of the closet, 26 percent of LGBTQ youth are kicked out of their homes by their parents. While LGBTQ youth account for only 5-10 percent of the population, we represent 40 percent of the homeless youth in San Francisco. The number of LGBTQ youth coming out and becoming homeless continues to increase, while funding for services to this very vulnerable population is cut back almost every budget season.

There are more than 94,000 LGB people living in San Francisco and approximately 6,000 LGBTQ youth, but there is still not a single queer homeless shelter. There are currently 36,000 vacant housing units in San Francisco, and only 6,000 homeless people; why can’t homeless people live there?

In recent years there have been a number of policy changes that have made life harder for the homeless. In 2010, proposition L, passed making it illegal to sit or lie on a sidewalk between 7am and 11pm. This law further demonizes homeless people who can be hit with $500 fines and even a month in jail for accessing public space.

In 2011, Scott Weiner, an out gay politician representing Harvey Milk’s former district, implemented a harsh new policy even further criminalizing homeless people in the Castro. This law makes sleeping, camping, cooking, creating a shelter, and using a four-wheel shopping cart all illegal at all times in Jane Warner and Harvey Milk plazas. The law goes further to ban the selling or bartering of merchandise without a permit.

In the 1970s, a similar sit-lie law in San Francisco was used to unjustly harass gay men. Harvey Milk crusaded against these laws until he was killed — and now the plaza named after him has the harshest sit-lie law in the city, and it’s driving LGBTQ youth out of the Castro.

“My queer friends are leaving the city because they feel run out of the Castro,” explains a homeless youth and active ally in the LGBTQ community. “We get harassed by cops at least three times a day, when we aren’t harming anyone at all. I was told by a police officer that me sitting on the benches in the Castro community was disrespectful of the hardworking people of the neighborhood. Then she told me to get a job.”

It’s our duty as citizens of a supposed sanctuary city to not turn a blind eye on the plight of homeless people, and especially not LGBTQ homeless youth. Let’s repeal sit-lie laws and stop cutting desperately needed funds for LGBTQ youth. Let’s create a shelter for LGBTQ people, and establish a permanent source of funds to make housing affordable for everyone. The solution to ending homelessness is not to increase criminalization and harassment; we need to expand our consciousness and compassion.

7 ways to revive your sunburned brain this week

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Dead set on frying your brain in this sunshine? Fine. Just hit up one of your city’s affordable cultural happenings afterwards and your gray matter will have no choice but to call it a draw. 

Epicenter reading series 

Sip on some of Cafe Tosca’s famous non-coffee cappuccino (brandy and hot chocolate, what could be better?) and listen to three members of the contemporary literati. Along with San Francisco-native Josh Mohr, the program will include Joe Meno reading from Office Girl, his new fiction work of artistic detachment and big city love, plus Nathan Larson’s The Nervous System, a novel depicting a terrorist-induced dystopia in the walls of the New York Public Library, starring a protagonist dubbed Dewey Decimal.

Thu/12 7pm, free

Cafe Tosca

242 Columbus Ave., SF

www.citylights.com

True Stories Lounge

Have your mind blown (pardon the pun) with Salon’s sex writer Tracy Clark-Flory at the True Stories Lounge. The reading series offers the unique opportunity to turn out your Friday night pre-game with a winning combination of cocktails and creative non-fiction, featuring writers from various genres recounting poignant childhood memoir, true crime, and sex follies.

Fri/13, 7pm, $10

Make Out Room

3225 22nd, SF

(415) 647-2888

www.makeoutroom.com

“Myth” 

An art reception wrought magical and mystical is this “Myth,” a group art exhibit exploring menaing in various types of folklore — everything from Greek myth to religious icons. Exhibiting artists will be in attendance at the opening reception, so you can ask them for the (assuredly fascinating) tales behind the images over drinks and and DJ. 

Sat/14, 6pm, free

Modern Eden Gallery

403 Francisco, SF

(415) 956-3303

www.moderneden.com

“Sin and Redemption” 

Have a perfectly sinful Saturday afternoon with what may be the SFMOMA Fort Mason annex’s most tantalizing exhibition yet. Artists will create pieces that play with themes of sin and redemption via pointed sculpture installations, interactive confessionals, and more. It’s sure to be an afternoon of contemplation and question amid the stunning Bay views.

Sat/14, opening reception 1pm-3pm, free

SFMOMA Artists Gallery 

Fort Mason, SF. 

(415) 441-4777

www.sfmoma.org

Chuck Palahniuk 

Brave hordes of dark literature lovers to hear none other than this legendary author of trangressional (OK, downright disturbing) fiction. Palahniuk, author of Fight Club and other contemporary literature treasures like “Guts” and Choke will discuss the “remix” of his 1999 novel Invisible Monsters. Already a story of plastic surgery, drugs, tragic hope, and other delights, the book is now equipped with an edgy new design and even edgier new material.  

Mon/16, 6pm, $20-$40

Castro Theatre 

429 Castro, SF

(415) 621-6120

www.castrotheatre.com

LitSlam 

Competitive literary lunacy takes the stage at Lit Slam on selected Monday nights in the Mission. A variety show by nature that involves spoken word poetry, workshops, and friendly (maybe) competition, the event is also a brilliant move towards guerrilla publication. Audience members (like you) choose the winners of the slam, who will go on to be published in the organization’s annual literary journal. Get there early if you’re gunning to perform. Stage fright? Lit Slam picks four audience members at random to act as judges for the competition, that’s a little more behind the scenes. 

Mon/16, 8pm, free

Viracocha

998 Valencia, SF

www.viracochasf.com

The man who made 500 movies

0

arts@sfbg.com

FILM In 1969, a lot of silent films unloaded on the Library of Congress by Paramount Pictures was found to include The Canadian, a little-remembered 1926 drama that proved a major rediscovery when shown to new audiences under the American Film Institute’s banner. Its director, William Beaudine, had never seen it — hustling between assignments at different studios, he’d had no time — and would die at age 78 in March of 1970. But the prior month he managed (just out of the hospital, in a wheelchair) to catch a revival screening. Surprised by both the film and his standing ovation afterward, he admitted “Maybe I wasn’t such a bad director after all.”

That wasn’t just false modesty speaking — over the course of six decades in the business, Beaudine no doubt had been called a bottom-rung director, or worse. This wasn’t due so much to the actual quality of his movies (had anyone bothered to evaluate them as a whole) as the assumption that no one so ludicrously, indiscriminately prolific could possibly be good. Upon retiring a couple years earlier, he’d completed some 500 theatrical films (including shorts) and approximately 350 TV programs. No one even knows the precise numbers, as he occasionally worked under pseudonyms. What could you say about a man credited with such titles as Blonde Dynamite (1950), Tuna Clipper (1949), Billy the Kid vs. Dracula (1966), Voodoo Man (1944), Trick Golf (1934), The Girl from Woolworth’s (1929), and Bela Lugosi Meets A Brooklyn Gorilla (1952)? How could a one-man factory be expected to be an artist, too?

The truth was that Beaudine seldom got the chance to be one, and by being so pliant and efficient at directing low-end commercial product he probably helped ensure those chances would be rare. Still relatively unknown, The Canadian was certainly one such exception. It plays Saturday afternoon as part of the 17th San Francisco Silent Film Festival, on a program that will also see an honorary award go to Telluride Film Festival directors Tom Luddy, Gary Meyer, and Julie Huntsinger for their event’s long-standing efforts at preserving and exhibiting silent cinema.

A working-class Manhattan native infatuated with the movies from childhood — Beaudine and his brother actually acted in a 1900 short for Thomas Edison’s company — he began working in the then-NYC-centered early industry while still a teen, performing nearly every job behind (and a few before) the camera. He apprenticed under pioneers D.W. Griffith and Mack Sennett, graduating to the director’s seat shortly after a second, permanent move to Los Angeles in 1914.

Beaudine quickly acquired a reputation for being fast and funny — comedy was considered his forte, alongside working with child actors. It was the latter talent that won the attention of “America’s Sweetheart,” film industry tycoon Mary Pickford. Grudgingly accepting that the public still only wanted to see her in juvenile roles despite the fact that she was pushing 40, she chose him to direct two “comeback” vehicles after a year’s hiatus. Sentimental 1925 entry Little Annie Rooney was a great hit; the next year’s more Gothic Sparrows is still considered by some her best vehicle.

These prestige assignments and several other box-office successes should have lifted Beaudine to the top tier of Hollywood directors — he was already paid accordingly — yet curiously his self-effacing flexibility and ability to deliver the goods under-budget seemed to work against his acquiring the kind of artistic cred that might have let him choose his projects, or be assigned bigger, A-level ones. Frequently loaned out by whatever studio he was currently contracted to, he invariably did a sound job, even if the material was sub-par.

The Canadian itself was an example of his ability to roll with the punches. Sent east by Paramount to make a football picture, he arrived in New York only to find he was now directing a rural drama instead. Improbably based on a W. Somerset Maugham play, it starred Thomas Meighan as an Alberta farmer who marries his neighbor’s sister — a sort of grudge match, as she (Mona Palma) is a European society snob just recently forced here by dwindling family fortunes, and who proposes marriage herself largely to spite the brother and sister-in-law she’s managed to offend.

Sometimes compared today to Victor Sjöström’s 1928 The Wind with Lillian Gish, The Canadian is much less extreme in its style, melodrama, and emotions. (Its heroine doesn’t nearly go mad, for one thing.) The taming-of the-snoot gist is routine, but played out with charming naturalism and restraint. A somewhat difficult, weather-challenged location shoot near Calgary paid off in admiring reviews and good business, although by then Beaudine was already well into other projects, the most immediate being SF-set Frisco Sally Levy (1927).

Beaudine nimbly transitioned into “talkies,” freelancing rather than tying himself down. Yet perversely his adaptability, and knack for getting the most out of a budget, got him typed as a B-pic director rather than promoted to the front ranks. Wiped out in the 1929 stock market crash, he accepted what turned out to be a very successful stint abroad directing some of the top English comedians (notably Will Hays in 1936’s deliciously titled Windbag the Sailor). But those films weren’t seen in the U.S. When he returned home, Beaudine was — for reasons still murky — shut out at every Hollywood major, despite a long track record and being widely liked by coworkers.

His remaining three decades were a testimony to dogged workaholicism, versatility, and solid craftsmanship under sometimes trying circumstances. He worked for all the low-budget “Poverty Row” studios, as well as companies targeting “Negro-only” cinemas, and Protestant church circuits. He chalked up umpteen bottom-half-of-the-bill features in popular series, including dozens starring those aging adolescent cutups the Bowery Boys. He also directed infamous “sex hygiene” film Mom and Dad (1945), which for years played grindhouses and tent shows while fending off as many legal challenges as Deep Throat (1972) years later. Moving into television, he cranked out episodes of everything from The Mickey Mouse Club and Lassie to The Green Hornet — becoming surely the sole person ever to direct both Mary Pickford and Bruce Lee.

This year’s Silent Film Fest contains many more treasures, from two with the “It Girl” Clara Bow (1926’s Mantrap, 1927’s Wings) to films by Ernst Lubitsch, Josef von Sternberg, Georg Wilhelm Pabst, and Buster Keaton; from China, Russia, and Sweden; and with irrepressible cartoon id Felix the Cat. If you loved The Artist, check out The Mark of Zorro (1920) — its leaping, grinning star Douglas Fairbanks was the unmistakable model for Jean Dujardin’s Oscar-winning turn. *

SAN FRANCISCO SILENT FILM FESTIVAL

Thu/12-Sun/15, free-$42

Castro Theatre

429 Castro, SF

www.silentfilm.org

Rep Clock

0

Schedules are for Wed/11-Tue/17 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $10. “Orbit (film): A Program of Short Films About Our Solar System,” Sat, 8. “Collaborations: An Evening of Music and Image,” Tue, 8.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. •Thief (Mann, 1981), Wed, 7, and Straight Time (Grosbard, 1978), Wed, 9:15. San Francisco Silent Film Festival: Wings (Wellman, 1927), Thu, 7; “Amazing Tales from the Archives: Into the Digital Frontier,” Fri, 10:30am; Little Toys (Sun, 1933), Fri, 1; The Loves of Pharaoh (Lubitsch, 1922), Fri, 4; Mantrap (Fleming, 1926), Fri, 7; The Wonderful Lie of Nina Petrovna (Schwarz, 1929), Fri, 9:15; “The Irrepressible Felix the Cat!”, Sat, 10am; The Spanish Dancer (Brenon, 1923), Sat, noon; The Canadian (Beaudine, 1926), Sat, 2:30; South (Hurley, 1919), Sat, 5; Pandora’s Box (Pabst, 1926), Sat, 7; The Overcoat (Kozintsev and Trauberg, 1926), Sat, 10; The Mark of Zorro (Niblo, 1920), Sun, 10am; The Docks of New York (von Sternberg, 1928), Sun, noon; Erotikon (Stiller, 1920), Sun, 2; Stella Dallas (King, 1925), Sun, 4:30; The Cameraman (Sedgwick and Keaton, 1928), Sun, 7:30. More info and advance tickets (free-$42) at www.silentfilm.org. Inforum Presents: “Chuck Palahniuk: The Monsters Within,” Mon, 7 (this event, $20-40); “Meghan McCain and Michael Ian Black: Two Slices of American Pie,” Tue, 7 (this event, $25-45).

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. Bel Ami (Donnellan and Ormerod, 2012), call for dates and times. Bernie (Linklater, 2012), call for dates and times. Peace, Love and Misunderstanding (Beresford, 2011), call for dates and times. Pink Ribbons, Inc. (Pool, 2011), call for dates and times. Take This Waltz (Polley, 2011), call for dates and times. Beasts of the Southern Wild (Zeitlin, 2012), July 13-19, call for times.

“FILM NIGHT IN THE PARK” This week: Creek Park, 451 Sir Francis Drake Blvd, San Anselmo; www.filmnight.org. Donations accepted. Across the Universe (Taymor, 2007), Fri, 8. Union Square, Geary at Powell, SF. The Artist (Hazanavicius, 2011), Sat, 8.

JACK LONDON SQUARE First Street at Broadway, Oakl; www.jacklondonsquare.com. Free. We Bought a Zoo (Crowe, 2011), Thu, sundown.

MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100, rsvp@milibrary.org. $10. “CinemaLit Film Series: Music and Nostalgia:” Amélie (Jeunet, 2001), Fri, 6.

MENLO-ATHERTON PERFORMING ARTS CENTER 555 Middlefield, Atherton; www.windriderbayarea.org. $5-15. Windrider Bay Area Third Annual Independent Film Forum, with films from Africa, Australia, and North America, and stars and filmmakers in person, Thu-Sat.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Bellissima: Leading Ladies of the Italian Screen:” Nights of Cabiria (Fellini, 1956), Wed, 7; The Leopard (Visconti, 1963), Fri, 7; Juliet of the Spirits (Fellini, 1965), Sat, 6. “Cool World:” The Hustler (Rossen, 1961), Thu, 7; Ed Wood (Burton, 1994), Sat, 8:50. “A Theater Near You:” El velador (Almada, 2011), Sun, 5:30. “Always for Pleasure: The Films of Les Blank:” In Heaven There Is No Beer? (Blank and Gosling, 1984). Sun, 7.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-10. “Au Revoir Béla Tarr:” The Man From London (Tarr and Hranitzky, 2007), Wed, 6:30; The Turin Horse (Tarr and Hranitzky, 2011), Wed, 9:15. “Songs Along a Stony Road: Music Movies by Local Luminaries:” Songs Along a Stony Road (Csicsery and Teerink, 2011) with “Sprout Wings and Fly” (Blank, 1983), Thu, 7 and 9. Filmmakers George Csicsery and Les Blank in person. San Francisco Frozen Film Festival, animation, shorts, and documentaries, Fri-Sat. All-day festival pass, $20; more info at www.frozenfilmfestival.com. Crazy Wisdom (Demetrakas, 2011), July 13-19, 7, 8:45 (also Sat-Sun, 3:15, 5).

SF FILM SOCIETY CINEMA 1746 Post, SF. $10-11. The Story of Film: An Odyssey, Part Seven: New Boundaries: World Cinema in Africa, Asia, and Latin America and New American Independents and the Digital Revolution (Cousins, 2011), Sat, noon. British TV series; new episodes weekly through July 21. Ballplayer: Pelotero (Finkel, Martin, and Paley, 2011), Fri-Sat and Tue, 3, 7; Sun-Mon, and July 18, 5, 9; July 19, 1. Bonsái (Jiménez, 2011), Fri-Sat and Tue, 5, 9; Sun-Mon and July 18, 3, 7; July 19, 3. “Family Screening: The Storytellers Show,” Sat, 10am. Marina Abramovic: The Artist is Present (Akers, 2011), Wed-Thu, 2:45, 5, 7:15, 9:30.

VICTORIA 2961 16th St, SF; www.911expertsspeakout.org. $10. 9/11 Explosive Evidence: Experts Speak Out (Gage, 2012), Wed, 7. Filmmaker Richard Gage in person.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “Documentaries By Ai Weiwei:” Disturbing the Peace (2009), Sun, 2. *

 

A Republican feminist

13

caitlin@sfbg.com

LIT “Do you consider yourself sex-positive?”

If you have a chance to interview John McCain’s daughter, and she identifies as a feminist, and is demonstrably more comfortable in strip clubs than the “liberal comedian” with whom she has embarked on a tour with in promotion of their book America, You Sexy Bitch! (Da Capo Press, $26, 352pp), you have to seize your moment to ask the big questions.

The pause from the other end of the telephone line tells me Meghan McCain, however, does not know what this term refers to. “Do I consider myself sex-positive? I’m not sure what you mean.” See?

She and Michael Ian Black will be in conversation at the Castro Theatre on Tue/17 at an event sponsored by the Commonwealth Club, by the way.

“It’s a term that we use — keep in mind I’m calling from San Francisco,” I say. “To mean not ashamed of sex. Of the opinion that having sex with people is OK. Different kinds of sexualities?” Apparently I don’t know what sex-positive means either, or else I am awkward in explaining the term to Republicans.

McCain, having been raised in the belly of a well-oiled political machine, is wary of potentially loaded questions from reporters. But she has also built her adult career on being a fiscally conservative woman who delights in bucking the social mores of the Republican Party. As such, she is able to compose a categorical response that is still pretty charming to her commieweirdo interviewer.

“I’m a big supporter of the gay community, if that’s what you’re asking me. And when it comes to my personal life, I am not abstinent, if that’s what you’re asking me as well. I am straight, if that’s what you’re asking me. I only date men. But sex and sexuality, I’m not terribly prudish. I think it’s private in nature but as far as I’m concerned, everybody can do whatever they want as long as it’s legal. In the privacy of their own homes, that’s their business, literally. As long as they’re not hurting anybody, I don’t care. Do your thing.”

Despite the many pages McCain and Black spend casting themselves as a “real” conservative and liberal — McCain as a gun-loving war eagle, Black as a snarky priss — the secret-not-secret point made by America, You Sexy Bitch is: politics don’t make the person. To that end, readers are taken on a RV tour of the country with McCain and Black, a trip that threatens to reveal the real America. We learn that McCain is far more comfortable in strip clubs than Black and is happily single at 27, while the Ed veteran has been married since his early 20s, rarely gets drunk, and lives in the suburbs with the wife and kids.

One of my favorite aspects of McCain (and I have many), is the way she speaks out against the treatment of women in the media. Her fervor should come as no surprise: last year, she wrote a scathing open letter to Glenn Beck when he called her fat on his radio show. (“As a person known for his hot body, you must find it easy to judge the weight fluctuations of others, especially young women.”)

“I would have an entirely different career, an entirely different life if I were a man, which I think is just ridiculous,” she tells me. She laments the fact that women politicians have to deal with the “complete BS” that is appearance-driven mainstream media reportage.

She’s great! We’re best friends! Hang out with me, Meghan! But then, this, meant to be completely free of irony: “I hate this idea that the feminist movement has been caught up in the pro-choice movement and somehow the denial of femininity, which is something I don’t understand. For me being a feminist means giving women the choice to do whatever they want.”

Wa-wahhh. Still, I’ll take her over Beck any day.

MEGHAN MCCAIN AND MICHAEL IAN BLACK

Tue/17, 7pm, $15–$45

Castro Theatre

429 Castro, SF

www.commonwealthclub.org

 

The malling of San Francisco

110

steve@sfbg.com

Shopping malls filled with national chain stores and restaurants are in many respects the antithesis of San Francisco. They’re the bane of any metropolis that strives to be unique and authentic. And those just happen to be qualities that make tourism this city’s number one industry.

The logic of modern capitalism, and its relentless growth into new markets, has already placed a Target or a Walmart, and a Nordstrom, Macy’s, Ross, or a JCPenney — along with a bevy of Starbucks, Applebee’s, Jamba Juice, and McDonald’s and myriad other formulaic corporate eateries — in just about every town in the country.

Do people really need them here, too? And in a city renowned worldwide for its scenic beauty and temperate (albeit sometimes foggy) climate, do people want to shop in the enclosed, climate-controlled malls popularized in the small or suburban towns that many residents came here to escape?

For me, the answer is no. Frankly, malls have an aura of artificiality that gives me the creeps — but I freely acknowledge that not everyone feels that way. Some San Franciscans may like malls and chain stores while others don’t.

But it doesn’t really matter what any of us think. Left unchecked, it’s the market that matters — and the logic of the market gives chain stores a huge competitive advantage over the mom-and-pops. Their labor and supply costs are lower, their financial resources are more extensive and appealing to commercial landlords, and their business models are based on constantly opening new stores.

All cities have to do is just say yes. And San Francisco has been increasingly saying yes to malls and chain stores.

The economic desperation that set in since the financial crash of 2008 has overcome the trend of resistance to so-called “formula retail establishments” that had been building in San Francisco during the years before the recession.

So now, rather than dying from neglect, the Metreon mall has been brought back to life by a huge Target store set to open this fall, the second Target (the other one at Masonic and Geary) going into a city that had once eschewed such national mega-retailers.

Just down the street, in the heart of the city’s transit-rich commercial center, the CityPlace mall that had been abandoned by its previous owners after winning city approval two years ago is now being built by new owners and set to open next spring with “value-based” national chain stores like JCPenney.

Projects funded with public money aren’t immune either. The new Transbay Terminal transit center now under construction will have its own mini-mall, with 225,000 square feet of retail, much of it expected to house national chains. Even more retail will be built on the ground floor of the dozen other nearby residential and office buildings connected to the project.

And it isn’t just these new malls going in a stone’s throw from the Westerfield Mall, Crocker Galleria, San Francisco Center, and other central city malls. All over town, national chains like the Whole Foods and Fresh & Easy grocery stores are replacing Cala Foods and other homegrown markets, or going into other commercial shells like the S&C Ford building on Market near the Castro.

Just a few years ago, the approval of Home Depot on Bayshore Boulevard (since then sold and opened as Lowe’s, another national chain) was a hugely controversial project approved by the Board of Supervisors on a closely watched 6-5 vote. Now, Lennar is building an entire suburban-style complex of big box stores on Candlestick Point, hundreds of thousands of square feet — without much controversy at all.

Even Walmart — the dreaded poster child for huge corporations that use their market power to drive down wages or force local stores out of business — is reported to be actively looking to open “a couple” of stores in San Francisco (see “Walmart sets sights on San Francisco,” June 24, San Francisco Chronicle).

To Livable City Executive Director Tom Radulovich and others who have long encouraged San Francisco to embrace the kind of urbanism advocated by famed author and activist Jane Jacobs — which emphasizes unique, neighborhood-based development that enhances public spaces and street life — accepting the malls feels like giving up on more dynamic urban models.

“It’s sort of an admission of failure,” Radulovich said. “It’s the failure of urbanism in San Francisco.”

 

 

MID-MARKET SYMBOLISM

Mid-Market Street is a bellwether for the type of city San Francisco may become. Every mayor since at least Dianne Feinstein in the late 1970s has called for the redevelopment of Mid-Market into a more active and inviting commercial and social corridor, and few have done so more fervently than Mayor Ed Lee.

Several city studies have explored a wide variety of ways to accomplish that goal, from eliminating automobiles and transforming Market Street into a lively pedestrian promenade to using redevelopment money, tax breaks, and/or flashy lighted signs to encourage distinctive development projects unique to San Francisco.

“But the city failed, so the market filled the void,” Radulovich said.

It isn’t that all shopping malls or enclosed commercial areas are necessarily bad, Radulovich said, citing the influential work by writer Walter Benjamin on the roles the enclosed “arcades” of Paris played in public life. “They work when they are an extension of public spaces,” Radulovich said.

Yet that isn’t what he sees being built in San Francisco, where what gets approved and who occupies those spaces is largely being dictated by private developers who are more interested in their bottom lines than with the creation of a vibrant urban environment where people are valued as more than mere consumers or workers.

San Francisco isn’t alone in allowing national chains to increasingly dominate commercial spaces. In fact, Stacy Mitchell, a researcher with the Institute for Local Self-Reliance, said that until recently San Francisco was one of the best big US cities in controlling the proliferation of chain stores.

But the city has lost ground since its anti-chain high water mark in 2007, when voters approved Proposition G, which expanded the controls on formula retail outlets — generally requiring them to get a conditional use permit and go through public hearings — that the Board of Supervisors had approved in 2004.

Those controls are only as good as the political will to reject a permit application, and that doesn’t happen very often. A memo prepared last July for the Planning Commission — entitled “Informational Presentation on the Status of Formula Retail Controls” — found that of the 31 formula retails applications the city received since 2007, just three were rejected by the commission, six were withdrawn, and 22 were approved.

It’s gotten even worse since then, as the two Targets and other chains have been courted and embraced by Mayor’s Lee’s administration, whose key representatives didn’t respond to Guardian interview requests by press time.

Mitchell said it’s not nearly as bad in San Francisco as it is in Chicago, New York City, New Orleans, and other iconic US cities whose commercial spaces have been flooded with chains since the recession began.

“It’s nothing compared to the no-holds-barred stuff going on in New York City right now,” Mitchell said. “Walking down Broadway now is like a repeating loop of the stores you just saw further up the street.”

It isn’t that these cities are actively courting the national chains in most cases. It’s just that in the absence of strong local controls, developers and large commercial landlords just prefer to deal with chains, for a variety of reasons.

“If you’re just going with the flow of what developers are doing,” she said, “you always end up with national chains.”

And that’s what San Francisco has started to do.

 

 

MALLS LIKE CHAINS

Stephen Cornell, the owner of Brownie’s Hardware and a board member of the nonprofit advocacy group Small Business California, said chains have a huge competitive advantage over local businesses even before either one opens their doors.

“In general, landlords tend to like chains more,” said Cornell, whose business has struggled against Lowe’s and other corporate competitors. “The landlord always worries: is this guy going to make it and do they have the funds to back it up?”

Big corporate chains have lawyers and accountants on staff, and professional systems established for everything from buying goods to opening new stores, whereas most local entrepreneurs are essentially figuring things out as they go along.

“They’re very good at selling themselves,” Cornell said. “They’re going to manipulate the system perfectly, whether it’s the city and its codes or dealing with neighborhood merchants.”

And for large malls, Cornell said the problem is even worse. Brokers that fill malls have standing relationships with the national chains — most of which are publicly traded corporations seeking to constantly expand and gain market share — and no incentive to seek out or take a chance on local entrepreneurs.

“Chains have a lot of advantages,” Cornell said.

Mitchell said there are two main ways in which malls favor national chains over local businesses. In addition to the relationship between mall brokers and national chains, malls are often built with financing from financial institutions that require certain repayment guarantees.

“What they want to see are credit-worthy clients signed onto those places, and that means national chains with a credit rating from Standard & Poors,” Mitchell said, noting how that “automatically locks out” most local businesses.

Cornell also noted that national chains have already figured out how to maximize their efficiency, which keeps their costs down even though that often comes in the form of fewer employees with lower pay — and less reliance on local suppliers, accountants, attorneys, and other professionals — which ends up hurting the local economy. In fact, big chains suck money out of the city and back to corporate headquarters.

“All those people are making money and spending money here, so you have to look at the full circle,” Cornell said.

Mitchell said there are often simple solutions to the problem. For example, she said that city officials in Austin, Texas recently required the developer of a large shopping mall to set aside a certain percentage of the units for locally owned businesses.

So rather than hiring a national broker to find tenants, the developer hired a local broker to contact successful independent businesses in the area who might be interested in expanding, and the project ended up greatly exceeding the city’s minimum requirements.

Mechanisms like that, or like the formula retail controls pioneered in San Francisco, give her some hope. But she said, “Whether the counter-trends will be enough to counter the dominant trend, I don’t know.”

 

 

PUBLIC SUBSIDIES

The increased malling of San Francisco isn’t simply the result of official neglect. Often, the city’s policies and resources are actively encouraging the influx of chain stores. A prime example is the massive redevelopment project on Hunters Point and Candlestick Point that city voters approved in 2008 after mega-developer Lennar and most San Francisco political officials pushed the project with a well-funded political campaign.

“If you’re selling the land to Lennar for a dollar, and then building all the automobile infrastructure for people to get there, then that’s a massive public subsidy,” Radulovich said of the big-box mall being built on what was city-owned land on Candlestick Point.

That public subsidy creates a cycle that makes San Francisco less intimate and livable. Creating commercial spaces on the city’s edge encourages more people to drive on congested regional roadways. These spaces are filled with national chain stores that have a direct negative impact on small, locally owned stores in neighborhood commercial districts all over the city, causing some of these businesses to fail, meaning local residents will need to travel further for the goods they once bought down the street.

“Those neighborhoods are going to be less walkable as a result,” Radulovich said, noting how the trend contradicts the lip service that just about every local politician gives to supporting local businesses in neighborhood corridors. “There’s a certain schizophrenia to San Francisco’s economic development strategy.”

Sup. Eric Mar has been working with Jobs with Justice San Francisco and other groups to tweak city policies that have allowed the chains to proliferate. Last year, Mar held high-profile hearings in City Hall on how national chains impact local businesses, which pointed to the need for additional protections (see “Battling big box,” Jan. 3).

This year, he’s working on rolling out a series of legislative initiatives designed to level the playing field between local interests and those of Wall Street and the national chains it champions.

Last month, the Board of Supervisors approved Mar’s legislation to add banks to the city’s formula retail controls, a reaction to Chase Bank and other national banks snapping up vacant stores in neighborhood commercial corridors such as Divisadero Street.

Now he’s working on legislation that would mandate minimum labor and community benefit standards for chain stores — including grocery outlets such as Fresh & Easy — and study how chains affect San Francisco’s overall economy.

“There should be good neighbor policies when they come into a neighborhood,” Mar said. “Some neighborhoods are so distressed they may want a big box grocery story coming in, but we need to try to mitigate its negative impacts.”

One of his partners in that effort is his brother, Gordon Mar of Jobs with Justice, who argues the city needs to have a clearer picture of how national chains impact local communities.

“We’ve definitely seen an increase in corporate chain stores coming into San Francisco in the last year, and nobody has really been tracking it,” he said.

While the Planning Department’s quarterly pipeline report shows that applications for retail outlets has held steady at about 3 million square feet on the way in recent years, it doesn’t break out how much of that is national chains — let alone how that impacts the city’s economy and small business sector.

The city’s Legislative Analyst is now studying the matter and scheduled to release a report later this summer, which Gordon Mar said will be helpful in countering the narrow “jobs” rhetoric that now dominates City Hall.

“They are exploiting the economic recession by saying they’re bringing much needed jobs into the city and serving low-income residents,” he said. “But when you bring out the facts about the impact of these low-road retail stores on neighborhoods and small businesses, there is a net loss of jobs and a lowering of labor standards.”

 

 

VALUING MALLS

Yet the fate of those controls is uncertain at best, particularly in a tough economic environment in which the city needs revenue, people are desperate for jobs, and many residents have seen their buying power stagnate, making the cheap goods offered by Target and Walmart more attractive.

“It’s complicated stuff,” Michael O’Connor, a local entrepreneur and former member of the Small Business Commission who favors formula retail controls, told us. “Stores like Target do appeal to lower income families…The progressive agenda needs to understand that working-class families need somewhere to shop.”

O’Connor acknowledges how small businesses like those he owns, including a clothing store, often can’t compete with national chains who buy cheap goods in bulk. So he said he favors protections in some neighborhoods while allowing chains in others, telling us, “I don’t have a problem with the Target going into the Metreon.”

That argument also held sway with city officials when they considered approving the CityPlace project two years ago, which was presented as a mall filled with “value-based” stores that would be affordable to median income San Franciscans.

“At the time, the decision was around whether a value-based retail operation made sense in that location, and the answer was an emphatic ‘yes,'” Barbary Coast Consulting founder Alex Clemens, who represented the project, told us.

On a national or global level, there are good arguments against reliance on national chains selling cheap imported goods, which has created a huge trade deficit between the US and countries such as China that costs American jobs — ironically, the very things that some use as arguments for approving chain stores.

“The recession has created a climate of desperation where cities are more easily swayed by the jobs argument,” Mitchell said, noting the falsity of those arguments by pointing to studies showing that the arrival of chain stores in cities usually creates a net loss in employment. Finally, supporters of chain stores say the cash-strapped city needs the property and sales tax revenue “Because they say they’ll produce a lot sales tax revenue, they’re going to get away with all kinds of shit,” Cornell said, arguing that shouldn’t justify city policies that favor big corporations, such as tax breaks and publicly financed infrastructure. “I certainly don’t think [city officials] should be giving them any advantages.” There are few simple solutions to the complex and interconnected problems that result from the malling of San Francisco and other cities. It’s really a question of balance — and the answer of whether San Francisco can regain its balance has yet to be answered. “Given the mayor’s approach to economic development, it’s inevitable that we’ll have more coming into the city,” Sup. Mar said. “But the ’50s car culture, and the model of malls that came in the ’60s, don’t build communities or strong neighborhoods.”

Ejaculation conversation: An interview with Billy Castro

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“I watch some straight fisting and some gay male fisting. I guess all types of fisting”

Female ejaculation can be about as mysterious as the Loch Ness Monster. Looking to do a little underwater exploration? Sexy SF transman porn star Billy Castro’s Naughty Squirters is a revealing 60 minutes of hot femmes coming here, there, and everywhere, brought to you by the folks at Good Vibrations.

Castro — sans his infamous silicon dick — and I meet up early one morning to talk about his newest film, which happens to be his directorial debut. He caresses my arms and periodically squeezes my biceps throughout our interview. I’m not complaining — Castro’s chiseled jaw, altar boy face, and jock muscles make him desirable to just about everyone.

But he’s got more going on than just his good looks, this boy’s gone Ivy League. Castro wants to tell me about the seminar on making queer porn that he co-hosted with Jiz Lee — at Stanford University.

San Francisco Bay Guardian: How did Billy Castro get into the porn business?

Billy Castro: Courtney Trouble asked me if I wanted to do a scene with Laurel Ly Lee and I really wanted to fuck her. So I did it. At first I was really shy when being filmed. Then Courtney asked me to do [full-length feature] Billy Castro Does the Mission and then I started to get really comfortable shooting porn.

SFBG: Is it easy to make someone squirt?

BC: It’s not always easy to make someone squirt, especially if they’ve never done it before. There’s this moment where you feel like you have to take a piss, but if you push past that moment then all of a sudden you’re gushing all over the place. I think that nearly everyone has the capacity to ejaculate. I became obsessed with it after Jiz Lee gave me a facial, so I went out and learned as many techniques as I could.

SFBG: What is your favorite scene in Billy Castro’s Naughty Squirters?

BC: I really loved all of them, but I really liked the lighting and the squirting showed up the most in the scene with Chloe Camilla. She hadn’t ejaculated very much before, so we had a lot of fun making it happen together.

SFBG: You’ve acted in several porn films, even have your own feature film. But you’ve never directed before. How did you like it?

BC: I found directing to be simultaneously challenging and exciting. I had very minimal experience directing. So I just sort of fumbled my way through it, and I learned a lot. I’ve always been set in my ways in [terms of] how I want a scene to look, and who I get to perform with. So it was an amazing experience to be able to decide what an entire movie looked like. I would love to do it again and again.

SFBG: What kind of porn does Billy Castro watch on his personal time?

BC: I watch almost all fisting videos. I surf for it on Extremetube. I watch some straight fisting and some gay male fisting. I guess all types of fisting. I love it so much. There is something incredible about having an entire hand inside you. You are stretching a person to their limits. I like the feeling of filling someone up.

I’ve gotten the majority of my girlfriends to get really into fisting. I’m really into ass fucking too. I think it’s my new favorite flavor. I think ass fucking like fisting can be really invasive. And that’s what I find so hot. I mean it also feels really good. And I love putting my hands and dick into someone’s ass.

SFBG: Tell us about your dick.

BC: I love my big dick and my small dick. I love fucking with my big dick. I’ve had the same harness since I was 21. I also love fucking with my hands or sometimes a combo, my big dick in someone’s ass and then my hands inside their other hole.

SFBG: Tell us something most people don’t know about Billy Castro.

BC: Most people don’t realize I’m a switch. I’m an active switch. The reality level is I’m not so comfortable showing my junk on film, and no one’s offered me enough money. There is something about showing my genitals that feels really intimate. I don’t have any dysphoria. I just like to save my genitals for the people I’m dating.

SFBG: Queer porn is still a niche market. How do you think it can become more mainstream?

BC: I think queer porn needs to become more marketable to straight people. We can do that by making higher quality porn and bringing in mainstream porn stars. I brought in Ashley Blue for Billy Castro’s Naughty Squirters. It’s queer rough sex with that mainstream quality. I want to show mainstream people that they too can have queer sex. And hopefully grow the queer sex porn industry, thus making queer porn stars more money.

SFBG: Any final words for our interview?

BC: Yeah, being a queer porn star has made my sex life so much better. Queer porn stars are artist and they are really good at having sex. They have this intellectual component to the way they have sex. Queer porn stars have sex with so many different types of bodies and are very aware of the aesthetics of the porn they do, which makes it quite artistic.

 

Beasts of the NorCal movie theaters: new flicks!

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It’s finally here! And nope, I don’t mean The Amazing Spider-Meh Man, though you can check my unenthused review below the jump. (Seriously, it’s not a bad movie if you can get past the obligatory product placement, but it ain’t amazing, either. New countdown: two weeks ’til The Dark Knight Rises!) Nay, the hotly-anticipated title I’m referring to is Sundance hit with mainstream (and Oscars?) potential, Beasts of the Southern Wild; read Dennis Harvey’s admiring review here.

Another one for indie fans: Sarah Polley’s Take this Waltz, Michelle Williams’ latest why-did-I-get-married-again? weeper. This one has Seth Rogen instead of Ryan Gosling, so proceed accordingly.

Tonight, it’s your civic duty to pack all seats at the Roxie’s kung fu double feature. Seriously, you will have a killer time (what with all the high kicks, insane weaponry, spraying gore, krayzee wigs, and horrific dubbing), and the Roxie will be all, “Hey, kung fu is what the kids want!” and dedicate one of their screens to nightly screenings in Shawscope. DO IT. (But if kung fu isn’t your thing, Midnites for Maniacs is screening a triple-feature of 1995’s Clueless, 2004’s Mean Girls, and my personal favorite, 1994’s Heavenly Creatures, at the Castro. Not a bad alternate.)

http://www.youtube.com/watch?v=50P2mxW0-Tc

And the rest of the n00bs: Spidey (out since Tuesday), two docs about artists, a French neo-noir sleeper with Twin Peaks-esque quirks, and Oliver Stone’s new weed caper.

The Amazing Spider-Man A mere five years after Sam Raimi and Tobey Maguire’s Spider-Man 3 — forgettable on its own, sure, but 2002’s Spider-Man and especially 2004’s Spider-Man 2 still hold up — Marvel’s angsty web-slinger returns to the big screen, hoping to make its box-office mark before The Dark Knight Rises opens in a few weeks. Director Marc Webb (2009’s 500 Days of Summer) and likable stars Andrew Garfield (as the skateboard-toting hero) and Emma Stone (as his high-school squeeze) offer a competent reboot, but there’s no shaking the feeling that we’ve seen this movie before, with its familiar origin story and with-great-power themes. A little creativity, and I don’t mean in the special effects department, might’ve gone a long way to make moviegoers forget this Spidey do-over is, essentially, little more than a soulless cash grab. Not helping matters: the villain (Rhys Ifans as the Lizard) is a snooze. (2:18) (Cheryl Eddy)

Marina Abramović: The Artist is Present Matthew Akers’ sleek and telling doc explores the career and motivations of the legendary Serbian-born, New York-based performance artist on the occasion of 2010’s major retrospective and new work at the New York Museum of Modern Art. Abramović, self-styled the “grandmother of performance art” at an eye-catching 63, steels herself with rare energy — and a determination to gain equal status for performance in the world of fine art — for an incredibly demanding new piece, The Artist Is Present, a quasi-mystical encounter between herself and individual museum patrons that takes the form of a three-month marathon of silent one-on-one gazing. Meanwhile, 30 young artists re-perform pieces from her influential career. Akers gains intimate access throughout, including Abramović’s touching reunion with longtime love and artistic collaborator Ulay, while providing a steady pulse of suspense as the half-grueling, half-ecstatic performance gets underway. A natural charmer, Abramović’s charismatic presence at MoMA is no act but rather a focused state in which audiences are drawn into — and in turn shape — powerful rhythms of consciousness and desire. (1:45) SF Film Society Cinema. (Robert Avila)

Neil Young Journeys Interested in going back further with Neil Young, back beyond 1969’s Everybody Knows This Is Nowhere? With Neil Young: Heart of Gold (2006) and Neil Young Trunk Show (2009) under his belt, Jonathan Demme has clearly earned the trust of the singer-songwriter, who occasionally likes to flex his multi-hyphenate creative muscles as a director himself, working under the name Bernard Shakey. The music-loving filmmaker tails Young as he drives through his hometown of Omemee, Ontario, shares glimpses of his school, named after his newspaper-man father, his small-town streets, and his home, and then takes it back to the stage and performs at Toronto’s Massey Hall. The stories and sights will interest mostly Young fans — you definitely get a feel for Young’s roots, but the place and its tales won’t jump out dramatically; they merely visualize factoids one can cull from sources like James McDonough’s bio Shakey — but performance dominates this concert film. Playing solo on guitar, harmonica, and in at least one memorable instance, pipe organ (for a hammered-home “After the Gold Rush”), the songs range from the still-moving, sprawling “Ohio” to “Love and War” off 2010’s Le Noise. It’s all love here for the Young diehard, though for an insightful, passionate tour doc, one might look to Shakey’s own CSNY/Déjà Vu (2008) or, for the performer’s finest cinematic performances, to Rust Never Sleeps (1979) and The Last Waltz (1978). (1:27) (Kimberly Chun)

http://www.youtube.com/watch?v=h74N3cXZH3s

Nobody Else But You The Marilyn Monroe pop-culture resurgence continues with director and co-writer Gérald Hustache-Mathieu’s appealingly low-key mystery, which pays homage to the iconic blonde while borrowing liberally from a pair of noir Lauras: Vera Caspary’s back-from-the-dead heroine, and Twin Peaks‘ unfortunate Ms. Palmer. Fortunately, Nobody Else But You is original enough to remain both suspenseful and highly entertaining. David (Jean-Paul Rouve), a detective novelist with writer’s block, travels from Paris to a small village where a Monroe-esque local beauty named Candice (Sophie Quinton) has just been found dead in a snowdrift. The official word is suicide, but David suspects something more sinister. With the help of a local cop (Guillaume Gouix), the newly inspired author investigates, urged onward by Candice’s evocative diary entries. Though it tries a little hard at times (drinking game: keep track of how many times the number five appears onscreen), Nobody Else But You is well worth seeking out; it layers European flair (translation: lots of casual nudity) over a plot that wouldn’t be out of place in an American indie — but relocated, memorably, to “the coldest town in France.” (1:42) (Cheryl Eddy)

Savages If it’s true, as some say, that Oliver Stone had lost his way after 9/11 — when seemingly many of his worst fears (and conspiracy theories) came to pass — then perhaps this toothy noir marks his return: it definitely reads as his most emotionally present exercise in years. Not quite as nihilistic as 1994’s Natural Born Killers, yet much juicier than 2010’s Wall Street: Money Never Sleeps, this pulpy effort turns on a cultural clash between pleasure-seeking, honky Cali hedonists, who appear to believe in whatever feels good, and double-dealing Mexican mafia muscle, whose apparently ironclad moral code is also shifting like drifting SoCal sands. All are draped in the Stone’s favored vernacular of manly war games with a light veneer of Buddhistic higher-mindedness and, natch, at least one notable wig. Happy pot-growing nouveau-hippies Ben (Aaron Johnson), Chon (Taylor Kitsch), and O (Blake Lively) are living the good life beachside, cultivating plants coaxed from seeds hand-imported by seething Afghanistan war vet Chon and refined by botanist and business major Ben. Pretty, privileged sex toy O sleeps with both — she’s the key prize targeted by Baja drug mogul Elena (Salma Hayek) and her minions, the scary Lado (Benicio Del Toro) and the more well-heeled Alex (Demian Bichir), who want to get a piece of Ben and Chon’s high-THC product. Folks lose their heads — in classic Mexican drug cartel style — and even zen-goon do-gooder Ben becomes complicit when Chon brings the war home to a decidedly lawless Southland. The twists and turnarounds obviously tickle Stone, though don’t look much deeper than Savages‘ saturated, sun-swathed façade — the script based on Don Winslow’s novel shares the take-no-prisoners hardboiled bent of Jim Thompson while sidestepping the brainy, postmodernish light-hearted detachment of Quentin Tarantino’s “extreme” ‘90s shenanigans. Our only glimpse at weird, wild depths lie in the fathomless eyes of Hayek’s soulful, castrating matriarch and the quotable interludes (“Gimme my money, gimme my money!”) bounding from Del Toro’s psycho-mulleted, striving maniac. (1:57) (Kimberly Chun)

Rep Clock

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Schedules are for Wed/4-Tue/10 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. Grease (Kleiser, 1978), Thu, 5, 7. Presented sing-along style; this event, $10-15. “Midnites for Maniacs: BFFs Triple Bill:” •Clueless (Heckerling, 1995), Fri, 7:30; Mean Girls (Waters, 2004), Fri, 9:45; Heavenly Creatures (Jackson, 1994), Fri, 11:45. This event, one or all three films for $13. “Scary Cow Short Film Festival,” Sat, 3. More info at www.scarycow.com. •The Muppet Movie (Frawley, 1979), Sun, noon, 3:15, 7, and Phantom of the Paradise (De Palma, 1974), Sun, 5:05, 8:50.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. Bel Ami (Donnellan and Ormerod, 2012), call for dates and times. Bernie (Linklater, 2012), call for dates and times. Oslo, August 31st (Trier, 2011), call for dates and times. Peace, Love and Misunderstanding (Beresford, 2011), call for dates and times. Pink Ribbons, Inc. (Pool, 2011), call for dates and times. Take This Waltz (Polley, 2011), July 6-12, call for times.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Bellissima: Leading Ladies of the Italian Screen:” Le Amiche (Antonioni, 1955), Fri, 7; La strada (Fellini, 1954), Sat, 8:30. “A Theater Near You:” Weekend (Godard, 1967), Fri, 9:05; Gerhard Richter Painting (Belz, 2011), Sat, 6:30; This Is Not a Film (Mirtahmasb and Panahi, 2011), Sun, 5:15. “Always for Pleasure: The Films of Les Blank:” Always for Pleasure (Blank, 1978) with “Dry Wood” (Blank and Gosling, 1973) and “Running Around Like a Chicken With Its Head Cut Off” (Blank, Blank, and Van Deusen, 1960), Sun, 7.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-10. Beyond the Black Rainbow (Cosmatos, 2011), Wed-Thu, 7:15. 9:30. The Connection (Clarke, 1962), Wed-Thu, 7, 9:15. “Kung Fu Double Feature:” •Five Element Ninjas (a.k.a. Chinese Super Ninjas) (Chang, 1982), Fri, 7:30, and The Mystery of Chess Boxing (Kuo, 1979), Fri, 9:30. “Au Revoir Béla Tarr:” The Man From London (Tarr and Hranitzky, 2007), July 7-11, 6:30 (also Sat-Sun, 1); The Turin Horse (Tarr and Hranitzky, 2011), July 7-11, 9:15 (also Sat-Sun, 3:45).

SF FILM SOCIETY CINEMA 1746 Post, SF. $10-11. The Story of Film: An Odyssey, Part Six: The Arrival of Multiplexes and Asian Mainstream (1970s); Fight the Power: Protest in Films (1980s), (Cousins, 2011), Sat, noon. British TV series; new episodes weekly through July 21. Corpo Celeste (Rohrwacher, 2011), Wed-Thu, 2:30, 4:30, 6:30. Marina Abramovic: The Artist is Present (Akers, 2011), July 6-12, 2:45, 5, 7:15, 9:30.

SF STATE UNIVERSITY Coppola Theatre, 1600 Holloway, SF; www.legacyfilmfestivalonaging.org. $12. “Legacy Film Festival on Aging,” co-presented by the Osher Lifelong Learning Institute, Fri-Sun.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “Documentaries By Ai Weiwei:” Fairytale (2008), Sun, 2.