Burlesque

Our Weekly Picks: February 20-26, 2013

Andrew Lam
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WEDNESDAY 20

Mega Shark vs. Giant Octopus

Head on down to the waterfront tonight for a hilarious night of bad B-movie fun! Where could be better to watch the schlocky sci-fi flick Mega Shark vs. Giant Octopus (featuring over-the-top cheesy performances from Deborah Gibson and Lorenzo Lamas) than an actual aquarium on the San Francisco Bay? Part of Aquarium of the Bay’s “Octopalooza,” a week-long fete celebrating cephalopods, the price of admission to this “Bad Movie Night” will include two drinks, popcorn, admission to the aquarium, and live satiric commentary about the film from Dark Room Theater. (Sean McCourt)

6pm, $16

Aquarium of the Bay, Bay Theater

Pier 39, SF

(415) 623-5300

www.aquariumofthebay.com

 

Patricia Schultz

Travel writer Patricia Schultz explained how she selected entries for her New York Times-bestseller 1,000 Places to See Before You Die in the book’s introduction: “In the final analysis, the common denominator I chose was a simple one: that each place impress upon the visitor — and, I hope, upon the reader — some sense of the earth’s magic, integrity, wonder, and legacy.” Lately, Schultz seems like she is looking for the next 1,000 places to pass on to readers. She has made stops in Connecticut, Boston, and California this month, and has a 10-day jaunt through Ethiopia in April ($5,400 to join her) followed by a 19-day cruise ship voyage near the Antarctic coast in November ($9,500). Interested (and perhaps more frugal) travelers can listen in tonight on her latest adventures. (Kevin Lee)

7pm, $12–$20

Oshman Family Jewish Community Center

3921 Fabian Way, Palo Alto

(415) 597-6700

www.commonwealthclub.org


THURSDAY 21

“Migration Now!”

The creators of the fabulous People’s History poster series, Justseeds, and Culturestr/ke have assembled a poster show to heal the psychic wounds you’ve done to yourself listening to the Right rage on against immigrants ruining our country. Seriously, this is the antidote: undocumented queer activist Julio Salgado’s peaceful odes to cross-border gay marriage, the flock of monarch butterflies that Portland, Ore.’s Roger Peet has conjured, alighting on a human skull in protest of the War on Drugs. King of the subversive poster Emory Douglas will also show work, along with many others. The opening reception features hip-hop performance, panel discussion, an appearance by the Filipino Caregiver Theater Ensemble, and more. (Caitlin Donohue)

Through Feb. 28

Opening reception: 6-10pm, free

Eric Quesada Center for Culture and Politics

518 Valencia, SF

www.justseeds.org

www.migrationnow.com

 

“Fabulous Artistic Guys Get Overtly Traumatized Sometimes: the Musical!”

After a sold-out weekend premiere in October, DavEnd’s sharp-witted, madcap, acronym-inviting musical comes back for another raucous binge of self-obsession and doubt before the bedroom mirror. Fabulous Artistic Guys Get Overtly Traumatized Sometimes features writer, composer, performer, chanteuse, accordionist, and costume designer extraordinaire DavEnd as, who else, queer artist DavEnd and her active — very active — imagination. Upon reflection (her own that is, courtesy of a full-length looking-glass (Maryam Farnaz Rostami)), solipsism turns to schism as DavEnd confronts a fractured fashion show of ideal or not-so-ideal types, MC’d by her Fairy Drag Mother (luminous burlesque star World Famous *BOB*). Discerning direction by D’Arcy Drollinger and musical director Chris Winslow support a pitch-perfect combo of the effervescent and deadpan, in a comedy that actually asks stark present-day questions about difference, acceptance, and validation of the self. (Robert Avila)

Through Sun/24, 8pm; (also Sun/24, 3pm), $20–$25

Counterpulse

1310 Mission, SF

(415) 626-2060

www.counterpulse.org


CHERYL at the Asian Art Museum

In the third century BCE, a Chinese emperor wanted to defeat death by commissioning a life-size terracotta army of over 7,000 warriors. In 2013, New York-based art collective CHERYL wants to defeat convention by throwing a party in honor of 10 of these warriors. At the opening of the Asian Art Museum’s “China’s Terracotta Warriors: The First Emperor’s Legacy,” the collective, joined by DJ Hakobo and the Extra Action Marching Band, will set up a video installation, an excellent set of tunes, and a bar, and they invite you to join them (preferably in a costume of your choosing). Probably not what the emperor had in mind, but it just might work. (Laura Kerry)

7pm, $18

Asian Art Museum

200 Larkin, SF

(415) 581-3500

www.asianart.org


FRIDAY 22

“Sexual Politics”

The full title of the Roxie’s first post-SF Indiefest event is “Sexual Politics: The Occasionally Autobiographical and Always Personal Films of Joe Swanberg,” a mouthful befitting a prolific filmmaker who is only 31 and yet has already made nearly 20 films. His debut, 2005’s Kissing on the Mouth, isn’t included here, but his second and third films are — LOL (2006) and Hannah Takes the Stairs (2007), both of which rushed him to the forefront of the lo-fi, low-budget, mostly-improv’d genre known (for better and worse) as “mumblecore.” (Both also star Hollywood’s next big thing, Greta Gerwig.) Among the 12 Swanberg selections is IndieFest closer All the Light in the Sky, a 2012 release that isn’t even his most recent (that’s be Drinking Buddies, which just screened at Sundance). Never sleep, Joe. (Cheryl Eddy)

Fri/22-Mon/25, $6.50–$10

Roxie Theater

3117 16th St, SF

www.roxie.com

 

Dave Alvin and Marshall Crenshaw

Fans of Americana, rockabilly, and roots music — or just plain old fashioned rock’n’roll — are in for a special treat tonight as two of the greatest singer-songwriters-guitarists of the past 30 years come to town on tour together — Dave Alvin and Marshall Crenshaw. First displaying his formidable chops as a member of the Blasters, Alvin has gone on to a distinguished solo career, as has Crenshaw, who gained mainstream exposure with his 1981 hit “Someday, Someway,” and portrayed Buddy Holly in the 1987 film La Bamba. Get ready for a night of shredding Stratocasters as these two tunesmith titans, who just keep getting better with age, play live backed by the Guilty Ones. (McCourt)

8pm, $22

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com

 

Chrome Canyon

At this rate, I’ll never make it to the future. But when I do, I know exactly what would make the perfect soundtrack. Giorgio Moroder’s Metropolis, Wendy Carlos’s Tron, John Carpenter’s Escape From New York, Michael Jarre’s Dreamscape, and Hirokazu Tanaka’s Metroid. Of course, that’s too much for one Walkman, but since I’ll be going that direction anyway, I’ll make a point to procure a copy of Elemental Themes, the recent analog synth saturated non-soundtrack from Brooklyn’s Chrome Canyon. It captures the mood. First order of business: find a place that sells cassettes. Second: restore causality. (Ryan Prendiville)

Voltaire Records and Stones Throw Present, with Peanut Butter Wolf (DJ set), Jonas Reinhardt, Shock, Chautauqua (DJ set)

9pm, $13-15

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com


SATURDAY 23

FaltyDL

Producer Drew Lustman may hail from New York, but his newest release Hardcourage impressively fuses the pace and smoothness of Chicago house with the synths and bleeps found in Detroit techno. The result is a multilayered work that leans more toward spacey introspection than frenetic movement, a somewhat surprising departure from vintage FaltyDL productions of two-step and UK-influenced garage. Consistent throughout Lustman’s discography is an emphasis on melody and texture that is quite fitting, given Lustman played upright bass and piano in jazz groups and counts Miles Davis as a big influence. How Lustman mixes groovier works like the luscious “She Sleeps” with harder-stepping garage in the tighter confines of Public Works’ loft space will bear watching. (Lee)

9:30pm, $10–$20

Public Works

161 Erie, SF

(415) 932-0955

www.publicsf.com


SUNDAY 24

Morrissey

It’s difficult to describe the voice — a tinge of a yowl but always fluid and warm. Then there’s the songwriting — mysteriously transcendent. And the incredible style that is both quirky and catchy. OK, this might be gushing, but come on, it’s Morrissey, and he’s coming to Davies Symphony Hall (and we’re keeping our fingers crossed that he actually makes it to the Bay this time). The influential artist, who established his reputation with the Smiths in the ’80s, will release a “very best of” album in April. Even though he’s looking back on career classics, he wants to show us he can still rock out. Morrissey, we wouldn’t doubt you for a second. (Kerry)

With Kristeen Young

8pm, $50-$90

Davies Symphony Hall

201 Van Ness, SF

(415) 864-6000

www.daviessymphonyhall.org

 

Matmos

Relax. Try to concentrate. I’m going to play some sounds. Tell me what you see. A triangle? No. Try again. A velvet blivet? No. Focus, please. What? I assure you, no one has had sex on this table. One more. A damn deacon? Please, there’s no call for that sort of language. Fail, a complete fail. Correct answer was A Marriage of True Minds, an auditory experiment into ESP by former SF — now Baltimore — residing duo Matmos. Yes, extra-sensory perception. Telepathy for the layperson like you. Here, give it a listen the next time you’re in the flotation tank. (Prendiville)

With Horse Lords, C.L.A.W.S. (DJ set), Kit Clayton, and visuals by Golden Suicide

8pm, $10

Public Works

161 Erie St., SF

(415) 932-0955

www.publicsf.com


MONDAY 25

Surfer Blood

Surfer Blood has discovered a magical formula. When the band came together in ’09, it united with the simple goal to produce an album and go on tour, but with the album and EP it has released since that time, the quartet has earned impressive recognition for its unceasingly gratifying pop-rock. Surfer Blood’s four-year-old goal continues with the launch of another tour leading up to the June release of Pythons. In the single, “Weird Shapes,” the magic continues in a catchy tune that somehow recalls both the Strokes and the Beach Boys. Come see what other tricks it has up its sleeve. (Kerry)

With Grand Rapids, Aaron Axelsen

8pm, $11

Brick and Mortar Music Hall

1710 Mission, SF

(415) 800-8782

www.brickandmortarmusic.com

On the Cheap Listings

Andrew Lam
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WEDNESDAY 20

Red Hots Burlesque Show El Rio, 3158 Mission, SF. www.redhotsburlesque.com. 7:30, $5. Get ready for some hot bods, pasties, and outrageous costumes. Head over to El Rio beforehand to take advantage of its happy hour from 5-8pm with pints and wells for just three bucks.

THURSDAY 21

sfnoir Remixology Otis Lounge, 25 Maiden, SF. www.sfnoir.org. 6-9pm, free. Marking the start of sfnoir, a four-day culinary festival honoring black cuisine, some of the city’s top African-American mixologists have created an original cocktail menu starring fresh remixes of traditional favorites, as well as libations representing manifestations of the African diaspora all over the world.

There’s Nothing Beautiful Around Here book release SF Camerawork, 1011 Market, SF. www.owlandtiger.com. 6-9pm, free. Bay Area photographer Paccarik Orue likes to leave viewers with more questions than answers and his new photobook, There’s Nothing Beautiful Around Here does just that. The 48-page book spotlights the city of Richmond, California — not necessarily an area known for it’s beautiful scenery. Orue gives us a closer look at the city and proves that beauty can appear where you might least expect it.

“No Bones About It: The Diversity of Gelatinous Invertebrates in the Deep Sea” The Bone Room, 1573 Solano, Berkl. 7pm, free. www.boneroompresents.com. If you think the giant squids popping up in Monterey are awesome, wait until you find out what other crazy creatures call the Northern Coast home. Many of these species are so fragile they have only recently been observed, filmed, and collected. Tonight Dr. Steve Haddock of the Monterey Bay Aquarium Research Institute will discuss and introduce you to some of the strangest animals our sea has to offer.

FRIDAY 22

“Sugar Does San Francisco” Project One, 251 Rhode Island, SF. www.sugarartandfashionshow.com. 8pm-2am, $15. Purchase tickets online. A cultural smorgasbord showcasing some of San Francisco’s most creative ladies in music, fashion, photography, fine art, and graffiti art. An artist and photography showcase will begin at 8pm, followed by a fashion show featuring emerging and underground local fashion and accessory designers.

SATURDAY 23

Year of the Snake celebration Chinese Historical Society of America, 965 Clay, SF. www.chsa.org. 1pm, free. To celebrate its 50th anniversary the museum is offering free admission in February and holding special events this month and next. Getting the show started is James Beard-awarded Grace Young, author of Stir-Frying to the Sky’s Edges. Young will give a demonstration of her cookbook, impart some wok wisdom and share Chinese New Year culinary customs and superstitions.

San Francisco Crystal Fair Fort Mason Center, Bldg. A, SF. www.crystalfair.com. 10am-6pm, $6 for adults, free for children 12 and under. Crystals, jewels, and minerals, oh my! The 26th annual San Francisco Crystal Fair returns to add some sparkle to your weekend. In addition to the crystals, jewels, and minerals there will also be psychic readings, jewelry, and metaphysical healing tools from over 40 vendors.

Rubberband bookmaking Bayview Branch Library, 5075 Third St., SF. www.sfmcd.org. 12:30-2pm, free. Bookmaking doesn’t have to complicated. The Museum of Craft and Design wants to help you create a handmade book using only two materials — paper and colorful rubber bands. Use your new treasure as a journal, photo album, planner, or whatever you damn well please!

SUNDAY 24

“The World’s Funniest Bubble Show” The Marsh, 1062 Valencia, SF. www.themarsh.org. 11am, $8 for children under 12, $11 for adults. Blowing bubbles in the backyard is entertaining, but this is hour-long show nothing like that. Bubble artist Louis Pearl’s mix of comedy, artistry, and audience participation is captivating enough to keep both children and adults mesmerized. Expect to see square bubbles, bubbles inside bubbles, fog-filled bubbles, bubble volcanoes, and plenty of other bubbly shenanigans.

MONDAY 25

“Nerd Nite East Bay” The New Parkway Theatre, 474 24th St., Oakl. eastbay.nerdnite.com. 8pm, $8. Nerd out and pick up some trivia that is sure to pay off at your next pub quiz. Jessica Richman shares a bit about the microbial cells found in you that outnumber your own cells 10-to-one. Will Fischer will speak about modern manufacturing, and you’ll take a trip to Mars with Guy Pyrzak as he explains how we can take a 249 million miles road trip.

TUESDAY 26

“Snow Falling on Cedars” screening SF State University, Coppola Theatre, 1600 Holloway, SF. creativestate.sfsu.edu. 4:10-8pm, free. This 1999 Academy Award-nominated murder mystery flick “Snow Falling on Cedars” is set in the quiet community of San Piedro where a murder trial has severely disrupted the tranquil norm. Local reporter (Ethan Hawke) gets sucked into solving the case when he discovers his ex-lover was involved. After the screening will be a Q&A with one of the film’s executive editors and Hollywood veteran Lloyd A. Silverman.

 

Six pack

Andrew Lam
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Six pack

Antiviral (Brandon Cronenberg, Canada, 2012) Yes, that Cronenberg. The spawn of veteran filmmaker David makes an auspicious feature debut with this, uh, Cronenberg-esque body-horror tale. In the stark, gloomy near-future, celebrity worship has become so out of control that healthy people visit special clinics to be injected with diseases gathered from superstars. When he’s not offering “biological communion” via shared flu germs plucked from blonde goddess Hannah Geist (Sarah Gadon of Cronenberg Sr.’s 2012 Cosmopolis), medical technician Syd (Friday Night Lights’ Caleb Landry Jones) is working black-market deals on the side, peddling illnesses to a sketchy broker who works out of a butcher shop that sells steaks grown from celebrity muscle cells. And if that sounds gross, just know that as Antiviral‘s clever, sci-fi noir plot twists itself into ever-darker (and gorier) contortions, there’s plenty more stomach-turning mad science ahead. You done good, son. Sat/9, 7:15pm; Tue/12, 9:30pm, Roxie.

Berberian Sound Studio (Peter Strickland, UK, 2012) It’s the 1970s, and frumpy British sound designer Gilderoy (a flawless Toby Jones) has, somewhat inexplicably, been hired by a flamboyant Italian filmmaker to work on his latest lurid genre piece, The Equestrian Vortex — about a girl who realizes her riding academy is haunted by witches. Any resemblance to 1977’s Suspiria is entirely intentional, as writer-director Peter Strickland crafts a meta-horror film that’s both tribute to Argento and co. and a freaky number all its own, as Gilderoy begins to realize that the “vortex” he’s dealing with isn’t merely confined to the screen. Fans of vintage Euro horror will appreciate the behind-the-scenes peek at the era’s filmmaking process, as well as Strickland’s obvious affection for one of cinema’s most oddly addictive genres. Bonus points for the Goblin reference. Fri/8, 9:30pm; Feb. 13, 7:15pm, Roxie.

Bound By Flesh (Leslie Zemeckis, US, 2012) Following up her 2010 burlesque doc Behind the Burly Q, Leslie Zemeckis (wife of Robert, director of 2012’s Flight) tackles another subject sprinkled with the tarnished glitter of a bygone era: conjoined twins Violet and Daisy Hilton, vaudeville and film (1932’s Freaks) stars who were exploited from birth by a series of shady guardians. When they finally earned their freedom in a landmark emancipation trial, their triumph was short-lived; not only were they ill-equipped to negotiate the perils of show biz on their own, they also suffered from grown-up-child-star syndrome, having tasted a level of fame early in life that they’d never reach again, though not for lack of trying. And, of course, they were conjoined twins — so amplify every possible life obstacle by about a million. Though Bound By Flesh suffers a bit from its limited source materials — be prepared to see the same photos of the Hiltons used over and over throughout the film — it nonetheless tells a tragic, fascinating, and utterly unique tale. Feb. 16, 5pm; Feb/ 17, 2:45pm, Roxie.

Iceberg Slim: Portrait of a Pimp (Jorge Hinojosa, US, 2012) Ice-T presents this study of a man (real name: Robert Beck) whose early years dabbling in “the second oldest profession” led him first to prison, and then — rather improbably — to the top of best-seller lists, as books like Pimp: The Story of My Life and Trick Baby (which became a 1972 blaxsploitation film) achieved cult status. Though the film’s first 30 minutes lay on the hero worship a bit thick (yeah, pimps are cool cats as far as movies and hip-hop’s concerned, but the real Beck is described as someone who “got a thrill out of degrading women”), the author’s talkative first wife and three daughters soon appear to offer some perspective. Archival interviews with Beck, and a detailed examination of his publisher, Holloway House (which employed only whites but specialized in African American literature), only add to this vivid biography. Sat/9, 5pm; Mon/11, 7:15pm, Roxie.

The Life and Times of Paul the Psychic Octopus (Alexandre Philippe, US, 2012) Eight correct predictions, eight tentacled arms, millions of enraptured cephalopod admirers: who could forget Paul, whose apparent ESP earned him nearly as much vuvuzela-blaring fanfare as the 2010 World Cup itself? This “fairytale” from the director of 2010’s The People vs. George Lucas begins with Paul’s death — he was young for an oracle, but old for an octopus, explains an employee at Sea Life Oberhausen, Paul’s German home. The doc then doubles back to examine how a publicity stunt involving acrylic boxes with taped-on flags and food tucked inside, plus one hungry octopus, could incite a global frenzy: epic lines at the aquarium, scrambling bookmakers, a full-scale media blitz, death threats, a rich Russian offering to buy Paul for a cool million Euros, an “Ask the Octopus” app, YouTube tributes, and more. At 90 minutes the doc stretches a little thin (fellow psychic animal Punxsutawney Phil even puts in an appearance), but this is fun stuff nonetheless. Sat/9, 2:45pm; Sun/10, 5pm, Roxie.

Sightseers (Ben Wheatley, UK, 2012) Ooh, yes, it’s the US premiere of the latest from rising star Ben Wheatley, who exceeds even 2011’s very fine hitman-goes-bananas Kill List with the sick and hilarious Sightseers. Awkward, nerdy couple Tina and Chris (Alice Lowe and Steve Oram, comedians who wrote the script with Amy Jump) pile into an RV and burn rubber toward some of Britain’s lesser-known attractions: Crich Tramway Village, the Cumberland Pencil Museum, etc. But it’s clear from the start that all’s not well in this relationship, and it doesn’t take long before their “erotic odyssey” also includes screaming fights, dognapping, and multiple homicides. So wrong, and yet so right — the evocative Sightseers manages to invent, and perfect, its own genre: the serial-killer road-tip rom-com. Sat/9 and Mon/11, 9:30pm, Roxie. (Cheryl Eddy) *

SAN FRANCISCO INDEPENDENT FILM FESTIVAL

Feb 7-21, most shows $12

Roxie Theater

3117 16th St, SF

www.sfindie.com

On the Cheap Listings

Andrew Lam
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Submit items for the listings at listings@sfbg.com. For further information on how to submit items for listings, see Picks.

WEDNESDAY 6

Urban dance at the library Merced Branch Library, 155 Winston, SF. www.sfpl.org. 4:30, free. For ages seven to 18. In celebration of Black History Month, Sergio Suarez of the All the Way Live Foundation will share his knowledge of street dance history — covering everything from the Memphis jook to Oakland TURF to LA crump. Children and teens will also have a chance to watch acclaimed Bay Area dancers Beatz n Pieces, Agatron, Fluidgirl, and Too Wet.

THURSDAY 7

“Bacon, Babes and Bingo” El Rio, 3158 Mission, SF. www.baconbabesandbingo.com. 7-11pm, $10. With endless ways to win prizes — from donning superlative pig-related accessories to spinning the “squeal wheel” — tonight is a shining night for bacon. To keep up with the theme, vendor BaconBacon will be serving up a variety of pork-related goodies. If all this isn’t compelling enough, there will also be burlesque, music, and free snacks courtesy of Rock Candy Snack Shop.

FRIDAY 8

Gray Loft Gallery’s second annual Love Show Gray Loft Gallery, 2889 Ford, third floor, Oakl. Through February 23. www.greyloftgallery.com. Opening reception: 6-9pm, free. Photographs, paintings, collages, sculptures, jewelry, textiles, and handmade cards, all exploring themes of love will be on display tonight in this unconventional work-live warehouse and gallery in Oakland’s Jingletown district.

“On The Edge” erotic photography exhibition Gallery 4N5, 683 Mission, SF. www.eroticartevents.com. 4-10pm. $5. Also open Sat/9, 1-10pm and Sun/10, noon-5pm. Free on Sunday. If the thought of a teddy-bear-and-Hallmark-card kind of Valentines Day puts you straight to sleep, this exhibit might be what you’ve been looking for. Featuring 400 pieces of fine nude art and extreme erotica photographs by 20 photographers, this event is sure spice up your holiday. Mingle with some of the photographers and stay for the leather fashion show at 7:30pm.

“Mortified’s Doomed Valentine’s Show” DNA Lounge, 375 11th St., SF. www.dnalounge.com. Doors open at 6:30pm. Show starts at 7:30pm, $14-21. Sat/8, 7:30pm at the Uptown, 1928 Telegraph, Oakl. “Mortified” is a nationally-loved, comic excavation of the artifacts of teenage angst (i.e. journals, home movies, letters, poems, etc.) shared by the original authors. Complete with a house band, these stories cover topics such as worst hand job, first puff, and Bible camp. Some of these stories may make you cringe with sheer awkwardness but they might make your high school experience seem slightly less tragic.

SF Beer Week Various Bay Area locations. www.sfbeerweek.org. Through Feb. 17. Every year this celebration of the Bay’s burgeoning microbrew macroculture exceeds our expectations and in 2013 we’ll be raising our steins yet again. Check the website for info on tastings, food-beer pairing dinners, educational offerings, and what special brew your favorite bar will be pouring on what night.

SATURDAY 9

“My Perverted Sucky Valentine Puts Out!” Center for Sex and Culture, 1349 Mission, SF. 8pm, $10-25 donation suggested. If you’ve fallen victim to a romantic rejection or two, you should know you’re not alone. In fact, tonight is a spoken word extravaganza focusing on topics such as: hot heartbreak, lust gone wrong, and ill-advised hookups. And let’s hear it for sponsoring sex-positive culture: your donations go to help the Center for Sex and Culture and St. James Infirmary continue those institutions’ rad, empowering programming.

Rare Device Valentine’s Trunk Show Rare Device, 600 Divisadero, SF. www.raredevice.net. Noon-6pm, free. Treat your Valentine (or yourself) with some awesome, locally-crafted goodies this afternoon. Between Zelma Rose’s cross stitched accessories, Jen Hewett’s lively prints, Emily McDowell’s inspirational illustrations, and Karrie Bakes’ gluten-free treats you are sure to walk away with something sweet.

Cupid’s Undie Run The Republic, 3213 Scott, SF. www.cupidsundierun.com. Pre-festivities start at noon, run begins at 2:30pm, $30. Register online. Strip down and sweat up for this mile long run around the Marina and Lombard Street. While your best lingerie gets all sweaty, you’ll also be helping to raise funds to benefit the Children’s Tumor Foundation. Warm up at the Republic before and afterwards with pre and post-run festivities.

SUNDAY 10

SPCA’s Be MineValentine’s Adopt-a-thon 201 Alabama, SF. www.sfspca.org. 10am-6pm, free. Nothing says “I love you” more than a puppy. Join the SF SPCA this weekend for its annual adoption extravaganza. Head over Friday night for a cocktail party, Saturday afternoon for dog and cat behavior seminars, or today for a puppy kissing booth, foster care bake sale, and prize wheel. All adoption fees are waived this weekend for animals from SF SPCA, SF Animal Care and Control, Muttville Senior Dog Rescue, and Family Dog Rescued.

MONDAY 11

“Edible Valentine Workshop” Autumn Express, 2071 Mission, SF. www.autumnexpress.com. 5-6pm. $10 if you register before Feb. 8, $15 at the door. Whether you’re still in school or not, passing out Valentine’s Day cards is fun. Head over to sustainability-oriented print shop Autumn Express to decorate some cookies and chocolate bars with icing and candies and whip up some cards for your big-kid class.

THURSDAY 14

One Billion Rising performance ritual First Presbyterian Church, 2619 Broadway, Oakl. www.bayarearising.org. 7-8:30pm, $10-100 donation suggested. Free for youth under 17. Purchase tickets online. Put your Valentines Day towards a good cause this year at a fundraiser for International Development Exchange (IDEX), an organization working to empower impoverished women across the globe. The evening will be a mix of spirituality, politics, and performances from local groups such as Youth Speaks and Mission Dance Brigade.

Dogpatch Wine Works date night Dogpatch Wine Works, 2455 Third St., SF. www.dogpatchwineworks.com. 6-8pm, $40. Few things spell out romance quite like wine and chocolate. Stroll around Dogpatch Wine Works’ tasting room sipping on some vino and snacking on locally-crafted Recchiuti chocolate. After your palette is satisfied you can tour the 15,000 square foot working winery.

“Returning Cupid’s Fire” Cartoon Art Museum, 655 Mission, SF. www.cartoonart.org. 7-9pm, $10. If you are Valentine-less and planning on having a night in with Ben and Jerry, it’s time to change your plans. San Francisco comedians Ivan Hernandez, Colleen Watson, and Mike Capozzola feel your pain and will be performing anti-Valentine’s Day themed stand-up routines tonight. Refreshments will be served.

Tout Sweet Pâtisserie tasting Tout Sweet Pâtisserie in Macy’s Union Square, 170 O’Farrell, third floor, SF. (415) 385-1679, www.toutsweetsf.com. 7-8:30pm, $55 per person. Reservations recommended. Yigit Pura, chef and owner of this sweet shop, is now offering tastings at Tout Sweet, which for our purposes means a three-course dessert menu featuring a rotating selection of seasonal offerings, each paired with local artisanal wine and beer. If you already have some sweet Valentine’s Day plans don’t fret, Pura has more tastings scheduled for March 14 and April 11.

Hella Vegan Eats V-Day pop up dinner Dear Mom, 2700 16th St., SF. www.dearmomsf.com. 5pm-midnight, free. The Oakland–based traveling food vendor will be in the city to once again take over Mission bar Dear Mom. We are hoping their doughnut burger with secret sauce will be on tonight’s menu.

Valentine’s Day at the Armory Club The Armory, 1800 Mission, SF. tickets.armorystudios.com. 7:30 and 9:30, $55. Start the evening off on the upper floor of the historic Armory then head to a workshop led by porn starlet Rain DeGrey that focuses on teaching couples how to make fantasies reality. Afterward, enjoy specialty cocktails and aphrodisiac-themed appetizers at the luxe Armory Club across the street.

 

The Performant: One for the road

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Baxtalo Drom’s happy trails — and the Performant’s faves of 2012

With 2012 finally behind us, apocalypse thwarted, we have to get back to the business of preparing for a future we were told not to expect. Stretched out before us, a ribbon of Alfred Noyes moonlight looping the landscape of possibility, the road of the future beckons us onward, final destination unknown. What lies ahead, nobody knows for sure. But at least we know that for the moment there *is* an ahead.

During both the best and worst of times, the heady mystique of the open road is always in fashion, imbued with an undeniable glamour that monthly “gypsy punk cabaret” Baxtalo Drom is all too happy to exploit. Baxtalo Drom translates to “Lucky Road” — happy trails, if you like — and it plays out very much like a quick-and-dirty variety show performed by a high-spirited caravan-load of traveling players. A showcase for pretty girls, hobo bands, and eclectic DJ’s, Baxtalo Drom’s shabby chic and Balkan streak make it a perfect fit for Amnesia’s convivial ramshackle allure, its dark corners and hardwood floors.

The weather was cold, but the action onstage was hot for Baxtalo Drom’s last show of the year. Saucily MCed by Mz. K., and featuring a sizzling playlist courtesy of guest DJ, Wolfgang von Cope, the show starred two very different dancers and one eclectic band, with a cameo by “The Human Cortex” — SF’s most cerebral sword swallower.

First up was Amberetta, billed as a second-generation belly dancer, who first performed to a blues version of “You Shook me All Night Long” and later in the evening to The Prodigy while balancing two curved swords on top of her regally poised head. Burlesque firecracker Bunny Pistol showed off her tasseled pasties and tattooed midriff, and Thee Hobo Gobbelins, armed with squeezebox, banjo, and guitarrón, rollicked their way through a setlist of junkyard anthems and phantasmagoric drinking songs. Swords being somewhat a theme, an appearance by “The Human Cortex” (Hernan Cortez) who gave an impromptu lesson on sword swallowing to an excitable oddience member, was a fitting complement to the evening’s entertainments, infusing the stage with a bit of dramatic vaudevillian bombast.

And as both the evening and the year drew to a close, a momentarily prophetic vision of the Lucky Road lurching forward into the future rose to mind, making said future seem less daunting, more familiar, even worth looking forward to — roadblocks, ruts, unexpected twists and all.

*******

Five for the road: five awesome events the Performant checked out in 2012 that you can still catch in 2013:

1) The San Francisco Tape Music Festival, January: www.sfsound.org/tape

2) Bay One Acts, TBD: www.bayoneacts.org

3) Robogames, April: www.robogames.net

4) KC Turner House Concerts, monthly or more: www.kcturnermusic.com

5) Popcorn Anti-Theater, monthly: www.antitheater.com

Music Listings

Andrew Lam
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Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 19

ROCK/BLUES/HIP-HOP

Greg Adams East Bay Soul: Sweet Soul Christmas Yoshi’s SF. 8pm, $25.

Another Funky Reggae Party Milk Bar. 9pm, $5. With Creation, Ceasar Myles, Dreaded Truth.

Black Rebel Motorcycle Club Slim’s. 7pm, $31.

Burnt Ones, Violent Change, Cumstain, Cheap Bliss Brick and Mortar Music Hall. 9pm, $7.

Chronic Town Make-Out Room. 7:30pm, $5.

Fuzz (with Ty Segall) Hemlock Tavern. 8:30pm, $7.

Gunshy Johnny Foley’s. 9pm, free.

Charlie Hunter and Scott Amendola Duo Independent. 8pm, $20.

Keith Crossan Blues Showcase with Mark Karan Biscuits and Blues. 8pm, $15.

Psychic Ills, Wymond Miles, 3 Leafs Bottom of the Hill. 9pm, $12.

Jill Tracey DNA Lounge. 9pm, $10.

Rags Tuttle vs Papi Johnny Foley’s Dueling Pianos. 9pm, free.

JAZZ/NEW MUSIC

Cat’s Corner with Nathan Dias Savanna Jazz. 9pm, $10.

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Gennaro’s Wax Trio 144 King Art Cafe, SF; www.144kingcafe.com. 6-9pm, $10.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Justin Ancheta Pena Pachamama, 1630 Powell, SF; www.pachammacenter.org. 8pm.

"Timba Dance Party" Bissap Baobab, 3372 19th, SF; www.bissapbaobab.com. 10pm, $5. With DJ Walt Diggz.

DANCE CLUBS

Aisle 45 Elbo Room. 9pm, $5. With DJs Sureshot, Romanowski, Mauby, DJ Mauricio Aviles.

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free. With Vinyl Ambassador, DJ Silverback, DJs Green B and Daneekah.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm. With DJ Mark Divita.

THURSDAY 20

ROCK/BLUES/HIP-HOP.

"A Very Castle Face Christmas: Benefit for the Coalition on Homelessness" Chapel, 777 Valencia, SF; www.thechapelsf.com. 8:30pm, $15. With Thee Oh Sees, Mallard, Blasted Canyons, Warm Soda.

Blank Tapes, Electric Shepherd, Black Oscillators, Down Dirty Shake, DJ Neil Martinson Brick and Mortar Music Hall. 9pm, $7-$10.

Capital Cities, Jerffrey Jerusalem, popscene DJs Rickshaw Stop. 9:30pm, $15-$17.

Chrystian Rawk, Rin Tin Tiger Amnesia. 9pm.

Dredg, Judgement Day, Strange Vine Great American Music Hall. 8pm, $20.

Girls in Suede, Of Shape and Sound, Coast Humper, Wes Leslie Leafs Bottom of the Hill. 8:30pm, $10.

John Lawton Trio Johnny Foley’s. 9pm, free.

King City, Aloha Screwdriver, Business End Thee Parkside. 9pm, $5.

Lenny Lashley’s Gang of One, Tater Famine Knockout. 10pm, $8.

Laurie Morvan Band Biscuits and Blues. 8 and 10pm, $15.

"Nat Keefe Concert Carnival" Independent. 8pm, $20-$35. With Allie Krall, Reed Mathis, Sharon Gilchrist, and more.

Papi vs Nathan Temby Johnny Foley’s Dueling Pianos. 9pm, free.

Powder, Rain Parade, Bang Cafe Du Nord. 8pm, $7.

Space Waves, Venus Beltran, In Letter Form Hemlock Tavern. 8:30pm, $6.

This Can’t End Well, Victoria and the Vaudevillians, Vagabondage DNA Lounge. 9pm, $8.

JAZZ/NEW MUSIC

David Lanz: Solo Holiday Show Yoshi’s SF. 8pm, $25.

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

Eddy Ramirez Savanna Jazz. 7:30pm, $5.

SF Jazz Hotplate Series Amnesia. 9pm.

FOLK/WORLD/COUNTRY

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music.

Tipsy House Plough and Stars. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-$7. With DJ-host Pleasuremaker.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Base: Holiday Special Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $10.

Ital, Loric, Hawa Public Works Loft. 10pm, $12. Presented by Future|Perfect.

Ritual Dubstep Temple. 10pm-3am, $5. Trap and bass.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 21

ROCK/BLUES/HIP-HOP

"A Very Bowie Glampocalypse" Cafe Du Nord. 9:30pm, $12-$15. With First Church of the Sacred Silversexual, Straight-Ups, Coo Coo Birds, and more.

"Beatrock Music Anniversary" Brick and Mortar Music Hall. 9pm, $9-$12. With Bambu, Prometheus Brown, Rocky Rivera, Otayo Dubb, Power Struggle, Bwan, DJ Roza, DJ Tanner.

Fishbone Inner Mission SF, 2050 Bryant, SF; www.fishbone.net. 8pm, $20-$25.

Karen Lovely Biscuits and Blues. 8pm, $20.

Maysa Yoshi’s SF. 8pm, $35; 10pm, $27.

Mother Hips, Jackpot Great American Music Hall. 9pm, $23.

Murder City Devils, Mallard Slim’s. 9pm, $22.

Music Box: Tribute to Genesis Regency Ballroom. 9pm, $45-$55.

Sambada Independent. 9pm, $15.

Scissors For Lefty, Solwave, Trims, DJ Taylor Fife Bottom of the Hill. 9:30pm, $10.

Sole Johnny Foley’s. 9pm, free.

Nathan Temby, Papi, Jason Marion Johnny Foley’s Dueling Pianos. 9pm, free.

"The End" DNA Lounge. 10pm, $25. With Zion I, Mochipet, Stephan Jacobs, CandyLand, Robotic Pirate Monkey, Sound Remedy, and more.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Benn Bacot Savanna Jazz. 7:30pm, $8.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9pm, $10.


FOLK/WORLD/COUNTRY

Queer Cumbia Bissap Baobab, 3372 19th, SF; www.bissapbaobab.com. 8pm, $3-$7.

DANCE CLUBS

DJ What’s His Fuck Riptide Tavern. 9pm, free.

Hella Tight Amnesia. 10pm, $5.

Joe Lookout, 3600 16th St,SF; www.lookoutsf.com. 9pm. Eight rotating DJs.

Ken Loi, Elephant Guns Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

120 Minutes: End of the World Party Elbo Room. 10pm, $8. With NGUZUNGUZU, oOoOO, Boychild, resident DJs S4NtA MU3rTE, Chauncey CC.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

SATURDAY 22

ROCK/BLUES/HIP-HOP

Bayonics Brick and Mortar Music Hall. 9pm, $7-$10.

Cafe R&B Biscuits and Blues. 8 and 10pm, $20.

"California Holiday Show" Elbo Room. 9pm, $10. With Z-Man, Eddie K, Grand Invincible, Oh Blimey, Marshall Payne, Deuce Eclipes and Caipo of Bang Data, and more.

Churches, Tijuana Panthers, Toshio Hirano Bottom of the Hill. 9pm, $12.

Cut Loose Band Johnny Foley’s. 9pm, free.

Bootsy Collins and the Funky Unity Band, Motion Potion Independent. 9pm, $49.50.

Dark Hollow Riptide Tavern. 9:30pm, free.

High on Fire, Goatwhore, Lo-Pan Slim’s. 9pm, $21.

Lost Dog Found Inner Mission, 2050 Bryant, SF; www.lostdogfound.com. 9pm, $15.

Maysa Yoshi’s SF. 8pm and 10pm, $35.

Mother Hips Great American Music Hall. 9pm, $23.

Music Box: Tribute to Genesis Regency Ballroom. 9pm, $45-$55.

Papi, Jason Marion, Nathan Temby Johnny Foley’s Dueling Pianos. 9pm, free.

Rule in Exile, James Conner Thee Parkside. 3pm, free.

Vagabond Lover’s Club with Slim Jenkins, 29th Street Swingtet Cafe, burlesque with Szandora LaVey, Roxy Reve, Bunny Pistol Cafe Du Nord. 9pm, $12-$15.

Yassou Benedict Hemlock Tavern. 9:30pm, $6.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Savanna Jazz Group Savanna Jazz. 7:30pm, $8.

FOLK/WORLD/COUNTRY

Savanna Blue, Get Off My Lawn Plough and Stars. 9pm.

"Noel Soley" Bissap Baobab, 3372 19th, SF; www.bissapbaobab.com. 7-9pm, free. Afoutayi Dance Music and Company, live Haitian drum and dance performances.

Craig Ventresco and Meredith Axelrod Atlas Cafe, 3049 20 St, SF; www.atlascafe.net. 4-6pm.

DANCE CLUBS

Bootie SF: Post-Apocalypse Party DNA Lounge. 9pm, $10-$15. With A Plus D, midnight mashup show, Keith Kraft, and more.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Public Works Holiday Bash Public Works. 9pm, $12. With Juan Maclean (DJ set), No Regular Play, and more.

Scooter and Lavelle, Chris Clouse Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Temptation vs Fringe Cat Club. 9:30pm, $5-$8. Video dance party, bad sweater edition.

SUNDAY 23

ROCK/BLUES/HIP-HOP

"Battle of the Bands" DNA Lounge. 5:30pm, $12. With Miles of Machines, Refuge, Oceans and Odysseys, and more.

Tia Carroll Biscuits and Blues. 7 and 9pm, $15.

John Lawton Trio Johnny Foley’s. 9pm, free.

Dave Koz and Friends, David Benoit, Sheila E., Javier Colon, Margo Rey Warfield. 8pm, $39.50-$125.50.

Mermen Christmas Show Slim’s. 8pm, $15.

Moonfox, Prize, Mammoth Life, Liz O Show, DK Christian Joun Brick and Mortar Music Hall. 8pm, $5-$8.

Naive Melodies Boom Boom Room. 8pm, $5.

Papi vs Greg Zema Johnny Foley’s Dueling Pianos. 9pm, free.

JAZZ/NEW MUSIC

Campilongo Quartet Yoshi’s SF. 7pm, $20.

Jazz Jam with Savanna Jazz Band Savanna Jazz. 7pm, $5.

Sophisticated Ladies, Bluebelles Red Poppy Art House. 7pm, $5.

FOLK/WORLD/COUNTRY

Heel Draggers Amnesia. 8pm, $5-$10.

Twang Sunday Thee Parkside. 4pm, free. With Hoboagogo.

DANCE CLUBS

Dub Mission Elbo Room. 9pm, $6. With DJs Sep, Maneesh the Twister, guest DJ Deevice.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 24

ROCK/BLUES/HIP-HOP

Clairdee’s Christmas: Soulful Sounds of the SeasonYoshi’s SF. 8pm, $20.

Damir Johnny Foley’s. 9pm, free.

FOLK/WORLD/COUNTRY

Oakland Interfaith Gospel Ensemble Slim’s. 7 and 9:30pm, $15.

DANCE CLUBS

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $5. Goth/industrial with Decay, Melting Room, Daniel Skellington, Sage, and Lexor.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 25

ROCK/BLUES/HIP-HOP

Craig Horton Band Biscuits and Blues. 7 and 9pm, $15.

"Black X-Mass" Elbo Room. 9:30pm, $10. With Metro Mictlan, Death Medicine Band, Skozey Fetisch, Amphibious Gestures, Theremin Wizard Barney.

Major Power and the Lo-Fi Symphony Amnesia. 9pm.

DANCE CLUBS

Death Guild X-Mess Night DNA Lounge. 9pm, $5.

Our Weekly Picks: December 5-11

Andrew Lam
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WEDNESDAY 5

Jill Tracy

Spooky chanteuse Jill Tracy describes her new holiday release, Silver Smoke, Star of Night, as “the Christmas album for those who prefer the October chill.” She celebrates its release with three festive events, starting with tonight’s “Fragrance: The Allure and Magical History of Perfumes,” an after-hours party at the San Francisco Conservatory of Flowers. The evening is both concert and launch of her limited-edition fragrances (appropriately, devoted to “dark elegance”), created with local perfumers Nocturne Alchemy. Sat/8, the Hypnodrome (where Tracy has been known to perform with the Thrillpeddlers) hosts “Creepshow Christmas” — a family-friendly show mixing ghost stories with live accompaniment. Finally, Silver Smoke‘s official CD release shindig is Dec. 19 at the DNA Lounge. Spirits will be bright! (Cheryl Eddy)

Tonight, 6-10pm, $13

San Francisco Conservatory of Flowers

Golden Gate Park, 100 John F. Kennedy Dr., SF

Sat/8, 8pm, $13–$25

Hypnodrome

575 10th St., SF

www.jilltracy.com

 

Blue Scholars

The young MCs in Seattle rap duo Blue Scholars met, quite appropriately, in a hip-hop club at the University of Washington. You can hear these academic roots clearly in DJs Sabzi and Geologic’s smart, searing rhymes. The heady lyrical content of their work tackles serious, political issues such as socioeconomic mobility, empowerment, and questioning authority. Even more impressively, these boys don’t just talk the talk. Geologic’s history of activism in the Filipino-American community and the duo’s headquarters in 98118, the country’s most ethnically diverse zip code, is the perfect recipe for the smart, relevant hip-hop that the scene most desperately needs (we’re looking at you, Chris Brown). (Haley Zaremba)

With The Physics, Brothers From Another

8pm, $19.50

Fillmore

1805 Geary, SF

(415) 346-6000

www.thefillmore.com

 

Get Carter and The Trip

Verrrry clever, Castro Theatre — programming back-to-back screenings of Get Carter (1971) and The Trip (2010). Gritty Get Carter follows a snarling Michael Caine as he prowls around Newcastle, punching his way through the local gangster contingent he holds responsible for his brother’s death. The Trip, a travelogue featuring Steve Coogan and Rob Brydon (playing exaggerated versions of themselves), contains some genius and quotable comedy — ABBA sing-offs, mock-epic speeches — but none more memorable than the two actors going head to head with their Caine impressions: “You were only supposed to blow the bloody doors off!” Truly, an inspired double feature. (Cheryl Eddy)

Get Carter 2:40 and 7pm; The Trip 4:50 and 9:10pm, $8.50–$11

Castro Theatre

429 Castro, SF

www.castrotheatre.com


THURSDAY 6

“Drag Queens on Ice”

It’s a bird! It’s a plane! It’s … er, definitely something, flying at you with the unstoppable momentum of a two-story wig and a pair of birdseed-filled balloons. You already know what’s green and ice skates (Peggy Phlegm) now come find out what’s queen and ice wobbles — all those years in man-stilletos can’t help you out on the rink, honey. This cherished annual hoot features a wealth of San Francisco’s beloved gender clown personalities threading their way through bewildered tourist families in Union Square (who actually get really into it, and by the end it’s a heartwarming family affair, full of squeals of delight). You can even skate with these swanning lovelies! No money back if you end up with a weave in your face. The great Donna Sachet — she of the stunning, form-fitting, fake-fur-trimmed ravishing red holiday dress — mistresses the ceremonies. Grab a warming adult beverage from nearby Emporio Rulli Il Caffe and join in the fun. But don’t you dare judge, or you might get Nancy Kerrigan’d. Skates are blades, remember. (Marke B.)

8-9:30pm, $10 entrance, $5 rentals

Union Square Skating Rink

Post and Geary, SF

www.unionsquareicerink.com

 

The Family Stone

I’ve had some good times listening to San Francisco’s Sly and the Family Stone — both letting my mind wander the groove of their funky sound and feeling the sense of pride in one’s self that Sly Stone sings so well — and I’d venture a guess that you have too. Though that innovate teacher and leader has opted for life out of the spotlight, three of the original members, Jerry Martini (saxophone), Cynthia Robinson(trumpet), and Greg Errico (drums), are keeping the music alive with the help of a few younger talents. Mostly hailing from the Las Vegas area, these new members are all performers with rich experiences listening to Sly’s music. This new Family Stone recreates the old hits in a fresh show, hoping to bring the music to all generations. (Molly Champlin)

7-8pm, $40–$45

Rrazz Room

222 Mason, SF

(800) 380-3095

www.therrazzroom.com

 

Streetlight Manifesto

Streetlight Manifesto was pretty late to the ska game, releasing its first album in 2003, well over a decade after the genre’s revival heyday. Though in a way, the band’s timing was actually perfect. Born out of the ashes of previous Jersey ska-punk heroes Catch-22 and One Cool Guy, Streetlight’s catchy tunes and punk rock virility have been nearly single-handedly keeping third-wave ska alive in a world dominated by hip-hop, mainstream pop, and EDM. The band is ringing in the new year with the release of its fifth album, The Hands That Thieve. During this tour, Streetlight Manifesto promises to play new songs, old favorites, and everything in between; so put on your skanking shoes and lace ’em up tight. It’s gonna be a good night. (Zaremba)

With Hostage Calm, Lionize

8pm, $21

Slim’s

333 11th St., SF

(415) 255-0333

www.slimspresents.com

 

FRIDAY 7

Hope Beyond

Kim Gordon, artist and gallery director at Modern Eden, has curated the one-night-only art show, Hope Beyond, a benefit for the victims of Hurricane Sandy. The assembled line-up includes an impressive selection of artists representing a variety of pop-surreal and contemporary styles. The work ranges from the graffiti style sharpie drawings of Kidlew to intricate fusion of nature images and Hindi symbolism by Inge Vandormael. Personally, I’m excited to see what all of these artists will contribute to the show. Especially Serge Gay Jr. — an artist whose paintings collage and reproduce pop culture images to create dichotomies between what’s real and what’s fake and make you to take a second look at his subjects: beauty, violence, drugs, and race. With all art priced below $100 and the proceeds going to Hurricane Sandy victims, what’s not to love? (Champlin)

6pm, free

Modern Eden Gallery

403 Francisco, SF

(415) 956-3303

www.hope-beyond.com

 

SFBallet’s Nutcracker

The folks in Imperial Russia loved The Nutcracker and kept it alive during Soviet times. But the West never saw it until some White Russians, who had escaped to San Francisco, nagged then San Francisco Ballet Artistic Director Willam Christensen to choreograph it in 1944. By now there are hundreds of versions all over the world; the oddest one I ever saw had Drosselmeyer arrive on a spaceship. SFB’s, choreographed by Helgi Tomasson in 2004, is set during the 1915 Panama International Exhibition. It lacks the cloying sweetness and sentimentality that infects so many others. Tomasson’s is a love letter to the City — cool, transparent, a little reserved and superbly elegant. (Rita Felciano)

Through Dec. 28, 7pm, 2pm matinees; $20–$270

War Memorial Opera House

301 Van Ness, SF

(415) 865-2000

www.boxofficesanfrancisco.com


SATURDAY 8

Misfit Toy Factory II

Did you ever feel cheated as a kid when you would see cartoons and hear stories about elves making toys from scratch, then you got a Barbie doll or video game that obviously wasn’t cobbled at the North Pole? Well, now is your chance to watch the toys actually being made. Not by elves though, but by local artists. There will be over 35 of them at Root Division Art Space bringing creativity from their various fields (painting, sculpture, and illustration mostly) to the art of toy making. All the work will be sold for a flat rate of $40. Bring cash for some shopping, or just come to enjoy the atmosphere of creativity complete with music by DJ Yukon Cornelius. (Champlin)

6pm, free

Root Division Art Space

3175 17th, SF

(415) 863-7668

www.rootdivision.org

 

John Prine

I think I need to start with a disclaimer: I love John Prine. Yes, I’m completely biased when I say that he is one of the greatest living lyricists and you’d be lucky to go see him. But why take my word for it? His more than 40 years of successful songwriting can speak for themselves. Starting off as a Chicago-area postman doing open mics in his spare time, Prine eventually got noticed — by a young Roger Ebert. Now, almost 70 years after that glowing review, Prine is still an incredible songwriter and performer, and each song is a charming, witty, and poignant labor of love. In his time as a performer, many trends and genres have come and gone, but a great folk song never goes out of style. (Zaremba)

With Justin Townes Earle

8pm, $39–$59

Warfield

982 Market, SF

(415) 345-0900

www.thewarfieldtheatre.com


SUNDAY 9

San Francisco Crab Fest 2012

Continuing a long-running San Francisco tradition that takes advantage of the fact that the crab fishing season along the California coast coincides with the holiday season, the Fisherman’s Wharf Community Benefit District 2012 Crab Fest will offer up a tasty fete featuring the crustacean prepared in a variety of ways by local restaurants, along with exhibits, cooking demonstrations and more. A host of sustainably-produced regional wines will provide the perfect way to raise a toast to the annual event, which donates all proceeds to the San Francisco Firefighters Toy Program and the San Francisco Police Department’s Youth Fishing Program. (Sean McCourt)

Noon-3pm, $25–$30

Waterfront Terraces, Fisherman’s Wharf

145 Jefferson St., Third Floor, SF

www.visitfishermanswharf.com

 

Queer Rebels Winter Shindig

Though the weather outside is frightful, the smolderingly creative queers performing tonight at El Rio are more than capable of keeping your toasty warm. The lineup alone is worth the sleigh ride to El Rio — burlesque from the bountiful Ms. Vagina Jenkins, jazzy moves courtesy East Bay punker Brontez Purnell, the release performance of drag king blueser K.B. TuffNStuff’s Trans of Venus album, and so much more hotness. But as if that wasn’t enough to draw you like a moth to flame, this: the evening is a benefit for Queer Rebels’ year-round lineup of genderbending, empowering art events like the Exploding Lineage! experimental film fest, two-day summit of Asian American activists, and the group’s annual eponymous production of queer takes on the Harlem Renaissance and beyond. (Caitlin Donohue)

8-11pm, $7-20 sliding scale

El Rio

3158 Mission, SF

www.elriosf.com


SUNDAY 9

John Cale

Whereas Lou Reed was the primary source of the Velvet Underground’s swagger, and hard-bitten lyricism, John Cale took charge of the group’s more avant-garde leanings. Even 45 years after leaving the band, Cale continues to challenge and surprise his listeners, as evidenced by the title of his latest LP: Shifty Adventures in Nookie Wood. Largely devoid of the splintering bursts of noise that defined his formative years, and the rootsy pastoralism of Paris 1919 and Vintage Violence, Cale’s latest is an art-rock record in the tradition of Peter Gabriel and Kate Bush: affecting in its ability to experiment and take risks while working squarely within the pop template. Another gutsy effort from an aging icon whose renegade streak hasn’t gone anywhere. See him while you can. (Taylor Kaplan)

With Cass McCombs

8pm, $32–$48

Regency

1290 Sutter, SF

(888) 929-7849

www.theregencyballroom.com

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Hot sexy events: Queer calendars, hot bikes, and Dita

Andrew Lam
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Orientalism to-do aside (who does she think she is, Gwen Stefani?), making eye contact with Dita Von Teese for an extended period of time is an experience I highly recommend.

Von Teese, after all, is “the siren of our times,” as host Lady Rizo told the crowd last night at Big Daddy’s Antiques, where Cointreau is hosting a few nights of cocktails and burlesque amid the whimsical, weird towers of Big Daddy’s old things-for-sale. Last night, a performance by the Cointreauversial Von Teese headlined the event preview, which also featured a vast swath of cocktails shaken up the brand’s “master mixologist” Kyle Ford. You can check out the show, minus Dita, for free with RSVP today Wed/14 and tomorrow Thu/15.

“Ask her if her shit stinks,” whispered my escort for the evening. 

I didn’t. But the soft-spoken Von Teese and I managed to cover a few other topics during our brief chat next to a wall of glowing Cointreau bottles. For example, what the most over-the-top feminine woman today considers to be the most masculine thing about herself (“my ability to paralell park. No, my collection of vintage autos. I drive a 1953 Cadillac on a daily basis.”), how she survived the vitriolic election season (“I have a girlfriend who keeps me informed. I fill out my ballot with her. Everything turned out fine in the end…”), and the sexiest thing she’s seen in 2012 — a question for which the seasoned star, surprisingly, had no pat answer for (“you mean, that I can tell you about?”)

But eventually, she hit upon it. “I’ve seen a lot of sexy moments within my show [her revue, “Strip, Strip Hooray!” which features curvy burlesquer Dirty Martini and Perle Noir]. We have a lot of diverse body shapes.”

Does she ever get blowback from fans for featuring fat girls in her shows? (We are talking about fat girls, amiright?) Not, Von Teese told me, from people who have actually watched “Strip, Strip Hooray!”

“But I have had them go, wow, I’ve never seen anything like that.”

… Which was exactly what I was thinking from my front row spot watch Von Teese do her jaw-dropping thing, first in a sequined South Pacific-style two-piece, then a feathered fan, then nothing much of anything — a string of sparkles, pasties, and a coy smile. 

La Maison Cointreau Big Daddy’s Antiques 1550 17th St., SF. www.lamaisoncointreau.com. Wed/14-Thu/15 6-9:30pm, free. RSVP for time slot

Bawdy Storytelling: Gender Bender

GenderFork founder Sarah Dopp created an online place to celebrate transgender, genderqueer, and androgynous folks, which is pretty much the perfect resume for a reader at tonight’s Bawdy. The XXX storytelling series explores the nooks and crannies of gender variance. Dopp will be joined by sex educator Reid Mihalko, performer Lily Black, and more at this last Oakland Bawdy for the forseeable future. 

Wed/14 7-10:30pm, 

The Uptown

1928 Telegraph, Oakl.

www.bawdystorytelling.com

“Everyday Pervertibles: DIY Kink”

When Sister Eden Asp asks you to find pervy uses for a quotidian object, you do it. Porn stars Leo Forte and Element Eclipse may be particularly suited for the task, which means that tonight’s event, at which they’ll share their sexual imaginations, will be a must-attend for anyone who is looking to learn about kink play that’s safe, sane, sexy. 

Wed/14 7-9pm

Center for Sex and Culture

1349 Mission, SF

www.sexandculture.org

Q-Were calendar release parties

Chicagoan photographer Patience Meeks has pulled together this gorgeous 12-monther of queer women just in time for your early holiday shopping (you’re doing that, right?) To celebrate, her team has organized parties on either side of the Bay at sexy hot spots, where they’ll be selling the calendar and mingling with its fans. 

Oakland: Thu/15 6pm, free

Feelmore510 

1703 Telegraph, Oakl.

www.feelmore510.com

San Francisco: Fri/16 8:45pm, free

Lexington Club

3464 16th St., SF

www.lexingtonclub.com

Progressive International Motorcycle Show

Leather aficionados will vroom vroom for this weekend expo of the burliest, sexiest two- and three-wheeled numbers in the industry. Among the vehicles that will be available for you to cast your voyeuristic eyes all over will be: first person from this country to win the Grand Prix motorcycle racing world championship Kenny Roger’s bikes and Honda’s 2013 bikes, appearing for the first time in public.

Fri/16 3pm-8pm; Sat/17 9:30am-8pm; Sun/18 9:30am-5pm, $15 day pass

San Mateo County Event Center

2495 South Delaware, San Mateo

www.motorcycleshows.com

The Godless Perverts Story Hour

How many times has Jesus poked his meddling beard into your bedroom? We all know that God and his son have no place in your sexual doings. This fact will be celebrated at tonight’s reading, featuring confirmed blasphemers Maggie Mayhem, Greta Christina, David Fitzgerald, Chris Hall, Dana Fredsti, Anthony O’Con, Simon Sheppard, and M.Christian. Earthly lechers, rejoice. 

Sat/17 7pm, $10-20

Center for Sex and Culture

1349 Mission, SF

www.sexandculture.org

Stage Listings

Andrew Lam
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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

THEATER

OPENING

History: The Musical Un-Scripted Theater, 533 Sutter, SF; www.un-scripted.com. $10-20. Opens Thu/15, 8pm. Runs Thu-Sat, 8pm (no show Nov 22). Through Dec 22. The Un-Scripted Theater Company performs "an unscripted romp through Western history."

ONGOING

Carmelina Eureka Theatre, 215 Geary, SF; www.42ndstmoon.org. $25-75. Wed/14, 7pm; Thu/15-Fri/16, 8pm; Sat/17, 6pm; Sun/18, 3pm. 42nd Street Moon performs the "forgotten musical" that inspired the Broadway hit Mamma Mia!

Elektra Geary Theater, 415 Geary, SF; www.act-sf.org. $20-110. Wed/14-Sat/17, 8pm (also Sat/17, 2pm); Sun/18, 2pm. Academy Award winner Olympia Dukakis stars in Sophocles’ Greek tragedy.

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $30-34. Fri-Sat, 8pm (no show Sat/17). Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

The Foreigner Mission Dolores Academy Auditorium, 3371 16th St, SF; (650) 952-3021. Free (donations requested). Fri/16, 7:30pm; Sat/17-Sun/18, 3pm. 16th Street Players perform Larry Shue’s comedy about an Englishman in the American South.

Geezer Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $30-100. Sat/17, 8pm; Sun/18, 7pm. Geoff Hoyle’s popular solo show about aging returns.

The Hundred Flowers Project Thick House, 1695 18th St, SF; www.crowdedfire.org. $10-35. Wed/14-Sat/17, 8pm. Reinvention is as American as apple pie — allowing every individual to shed the limitations of the past and move constantly forward. Of course it’s not an exclusively American concept, a point Christopher Chen makes early on in his latest play, The Hundred Flowers Project. A group of Asian American actors gather to collaborate on a play about the Maoist Cultural Revolution, focusing first on the idea of China as a "country of only beginnings … built on the idea of no past," while wrestling with the implications of creating and recreating history as you go along, including, eventually, their own. Ultimately the ideal overtakes their earnest intentions and hijacks the play to serve its own dictatorial end, each actor reduced to an insubstantial shadow of their former "selves," from the over-eager Sam (Ogie Zulueta) to the penitent philanderer Mike (Wiley Naman Strasser) to his somewhat wary ex, Lily (Anna Ishida). Their identities gobbled up by the restless juggernaut the play has morphed into after a triumphal five-year world-tour they hover constantly just on the edges of a dangerous discovery, their once lively sense of purpose replaced by an almost willful inability to question their roles or their fate. Chen’s sprawling, Orwellian tour de force is further bolstered by an army of adroit designers and the competent hand of director Desdemona Chiang, who one hopes is a slightly more benign force than the director of the play-within-the-play, Mel (Charisse Loriaux). (Gluckstern)

Lost Love Mojo Theatre, 2940 16th St, Ste 217, SF; www.mojotheatre.com. $28. Wed/14-Sat/17, 8pm. Modern love and modern life: it’s all a wash in this very funny and smart play from playwright-director Peter Papadopoulos about two pairs of lost souls thrown together in the shoals of a soggy apocalypse. Mitzy (a sure Elena Spittler) is a stunned bride whose just lost her wedding party and everyone she knew — except the valet, Tito (a perfectly deadpan Carlos Flores, Jr.), a loose canon if ultimately goodhearted, who finds himself clinging to the same rock after some unmentioned catastrophe. Meanwhile, Jan (a brilliantly, manically articulate Kimberly Lester) has gone from just sexy crazy to all-out nuts for her girlfriend Barb (a sharp, sympathetic Jessica Risco), whose recent infidelity has apparently triggered Jan’s meltdown, key symptoms of which include an obsession with a certain downbeat French existentialist on the Discovery Channel (a spritely Roy Eikleberry in an outrageous French accent so mal it’s bon), and shedding all material possessions in their mutually decorated apartment. What happens when they all end up together? The possibilities, if not endless, spell end times for the old world. The welcome inaugural production by newcomers Mojo Theatre turns out to have preempted Hurricane Sandy with its own storm of the century, proving rather timely as well as dramatically very worthwhile. Director Papadopoulos makes excellent use of modest resources in staging the action with dynamic contrasts and choice detailing, across a set of finely tuned ensemble performances, as the eccentricities and common sense at war within and between his characters begin slowly and surely to unravel a life out of balance, merrily and mercifully making way for who knows what. (Avila)

Phaedra’s Love Bindlestiff Studios, 185 Sixth St, SF; www.doitliveproductions.com. $15. Wed/14-Sat/17, 8pm. Although she didn’t make it into the 21st century herself, British playwright Sarah Kane (1971-1999) left behind a small group of plays that continue to test the complacency of an age lulled into thinking itself ultimately rational and civilized. In Kane’s cutting, brutally funny reworking of Seneca’s play (itself an adaptation of Euripides’ Hippolytus), the titular lovelorn queen (an amiably tormented Whitney Thomas) throws herself shamelessly at her stepson, royal slob Hippolytus (a sharp yet low-key Michael Zavala, channeling mumblecore nihilism) despite, or because of, his pungent contempt for everyone around him. The play’s main action, however, takes place after Phaedra has killed herself, leaving a note accusing Hippolytus of rape and setting in motion a downfall that is his own perverse salvation. Despite occasionally flagging momentum, director Ben Landmesser and newcomers Do It Live! (in their second outing since last season’s debut, an agile staging of Sam Shepard’s Suicide in B Flat) deliver a worthy production of this clever gem. While a sporadic, low-murmuring sound design (by Hannah Birch Carl) infuses the atmosphere with a muffled libidinal menace, the thrust stage brings us close to the action, rubbing our noses in the fetid whisperings and fumblings of royal parasites and their dialectical kin, the infantilized, desensitized masses. Kane’s Hippolytus, meanwhile, turns from a sort of repellent Hamlet without motive to a Genet-like criminal-saint whose martyrdom is a solitary ecstasy of stark perception. (Avila)

The Rainmaker Shelton Theater, 533 Sutter, SF; www.sheltontheater.org. $38. Fri-Sat, 8pm. Through Dec 22. Shelton Theatre preforms N. Richard Nash’s classic drama.

"ReOrient 2012 Festival and Forum" Z Space, 450 Florida, SF; www.goldenthread.org. $20. Series A runs Thu/15-Sat/17, 8pm; Sun/18, 7pm. Series B runs Sat/17-Sun/18, 8pm. After a three-year hiatus, Golden Thread Productions’ ReOrient Festival of short plays from and about the Middle East is back (coupled with an impressive two-day forum of talks, panels, workshops, and performance around art and politics in the wake of the Arab Spring and other momentous developments across the region). The first of two series of plays, Series A, includes War & Peace, a short symbolical comedy by 20th-century Egyptian literary giant Tawfiq Al-Hakim (handily translated by May Jayyusi and David Wright) that distills imposing social forces into a three-way ménage between a smart, free-spirited woman (a vibrant Lena Hart), her secret suitor in a showman’s coattails and cane (a comically fervent Jesse Horne), and her jealous husband, a violent-tempered military officer (a suave yet stentorian Garth Petal). Sharply directed by Hafiz Karmali, it’s an effervescent little farce that in its power dynamics, and the elusive happiness of the characters, neatly limns bigger themes never timelier in Egypt (or here). It’s followed by Farzam Farrokhi’s 2012, directed by Sara Razavi, a low-key second-coming cum coffee klatch among three laid-back, cell phone-obsessed messiahs (Cory Censoprano, Horne, Roneet Aliza Rahamim) from the three Abrahamic religions that sets an unexpected tone but never really amounts to much. Far more dramatic is Birds Flew In by Yussef El Guindi (of Golden Thread hit Language Rooms, among others), a monologue by a single Arab American mother mourning her deceased soldier-son and wondering where she might have gone wrong. Delivered with unsentimental grit by Nora El Samahy, it’s a strongly voiced if familiar story that registers ambivalence with facile patriotism and violent nationalism, yet unconvincingly retreats at the last moment into a familiar red-white-and-blue corner. Silva Semericiyan’s Stalemate, directed by Desdemona Chiang, is a triptych of scenes between changing pairs of men (played by Censoprano and Horne) that aims at a transnational snapshot of ingrained patterns of male aggression (from Fleet Street to Red Light Amsterdam to war-torn Baghdad) but comes across too weakly and a little confusingly. Durected by Christine Young, Jen Silverman’s In the Days That Follow — set in Boston amid clichés of American openness, innocence and possibility (albeit charmingly personified by Censoprano) — is the longest piece and the most dramatically interesting, if also somewhat strained, positing a 22-year-old Jewish Israeli translator and IDF veteran (Rahamim) as the instigator of peaceful dialogue and mutual affection with an older and politically hardened Palestinian Lebanese poet (El Samahy). Finally, in Mona Mansour and Tala Manassah’s sweet but drifting meta-theatrical, The Letter, directed by Razavi, a Palestinian American physicist (Petal) and his philosopher daughter (Hart) mount an amateur theater piece to respond to the 2011 controversy over CUNY’s blocking of an honorary degree to Tony Kushner based on an attack by a CUNY board member on Kushner’s opposition to Israel’s occupation of Palestine. (Avila)

Roseanne: Live! Rebel, 1760 Market, SF; www.brownpapertickets.com. $25. Wed/14, 7 and 9pm. Lady Bear, Heklina, D’Arcy Drollinger, and more star in this tribute to the long-running sitcom.

Shocktoberfest 13: The Bride of Death Hypnodrome, 575 10th St, SF; www.thrillpeddlers.com. $25-35. Thu/15-Sat/17, 8pm. Thrillpeddlers’ seasonal assortment of yeasty Grand Guignol playlets is a mixed bag of treats, but it all goes so nicely with the autumnal slink into early nights and dark cravings. Fredrick Whitney’s Coals of Fire is lightly amusing, if far from smoking, as a two-hander about a blind older matron (Leigh Crow) who discovers her young companion (Zelda Koznofski, alternating nights with Nancy French) has been secretly schtupping her husband. I’m a Mummy is a short, not very effective musical interlude by Douglas Byng, featuring the bright pair of Jim Jeske and Annie Larson as Mr. and Mrs., respectively. The titular feature, The Bride of Death, written by Michael Phillis and directed by Russell Blackwood, proves a worthy centerpiece, unfolding an intriguing, well-acted tale about a reporter (Phillis) and his photographer (Flynn DeMarco) arriving at a stormy castle to interview a strangely youthful Grand Guignol stage star (Bonni Suval) making her film debut. After another, this time more rousing musical number, Those Beautiful Ghouls (with music and lyrics by Scrumbly Koldewyn; directed and choreographed by D’Arcy Drollinger), comes the evening’s real high point, The Twisted Pair by Rob Keefe, acted to the bloody hilt by leads Blackwood and DeMarco as the titular duo of scientists driven mad by an experimental batch of ‘crazy’ glue. All of it comes capped, of course, by the company’s signature lights-out spook show. (Avila)

Speed-the-Plow Actors Theatre of San Francisco, 855 Bush, SF; www.actorstheatresf.org. $26-38. Wed-Sat, 8pm. Extended through Dec 21. Actors Theatre of San Francisco performs the David Mamet drama.

"Strindberg Cycle: The Chamber Plays in Rep" Exit on Taylor, 277 Taylor, SF; www.cuttingball.com. $10-50 (festival pass, $75). Thu/15, 7:30pm; Fri/16-Sat/17, 8pm (also Sat/17, 2pm); Sun/18, 5pm. The first pair in the Cutting Ball Theater’s cycle of five newly-translated August Strindberg chamber plays, Storm and Burned House share much in common. Written in 1907, five years before Strindberg’s death, they are the most straightforward, least supernaturally-charged of the five, whose characters are haunted by memories rather than actual ghosts, and whose cloak and dagger domestic intrigues foreshadow Alfred Hitchcock as much as they do Harold Pinter. Both star a commanding pair of veteran Bay Area actors James Carpenter and Robert Parsons as elderly brothers, whose ability to move forward in the present is impeded by memories of past mistakes. In Storm, Carpenter plays the role of an elderly cuckold, whose wife left him five years previous and who, in the words of Parsons, "murdered" his reputation. In Burned House, Carpenter returns to his childhood home from America, a long-lost prodigal son, only to find it has burned to the ground, and with it, any hope of reconciling an unpleasant past. In both, an atmosphere of muted mendacity and stifling unease crowds the stage like an unnamed character whose presence is little acknowledged but felt acutely by all the principles. Gloomy and hostile, bereft of even the slightest glimmer of hopefulness, Storm and Burned House will appeal most to Strindberg completists, post-naturalists, and admirers of new translations (of which Paul Walsh has done a stellar job). (Gluckstern)

The Submission New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Wed-Sat, 8pm (no shows Nov 21-22); Sun, 2pm. Through Dec 16. New Conservatory Theatre Center performs Jeff Talbott’s drama about a playwright who falsifies his identity when he enters his latest work into a prestigious theater festival.

Superior Donuts Gough Street Playhouse, 1622 Gough, SF; www.custommade.org. $25-30. Thu-Sat, 8pm; Sun, 7pm. Through Dec 2. Custom Made Theatre performs Tracy Letts’ poignant, Chicago-set comedy.

Twelfth Night, or What You Will Phoenix Theatre, 414 Mason, Sixth Flr., SF; www.ninjazofdrama.com. $10. Thu/15-Sat/17, 8pm (also Sat/17, 3pm). Ninjaz of Drama perform the Shakespeare classic.

The Waiting Period Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Thu-Fri, 8pm; Sat, 5pm. Extended through Dec 8. Brian Copeland (comedian, TV and radio personality, and creator-performer of the long-running solo play Not a Genuine Black Man) returns to the Marsh with a new solo, this one based on more recent and messier events` in Copeland’s life. The play concerns an episode of severe depression in which he considered suicide, going so far as to purchase a handgun — the title coming from the legally mandatory 10-day period between purchasing and picking up the weapon, which leaves time for reflections and circumstances that ultimately prevent Copeland from pulling the trigger. A grim subject, but Copeland (with co-developer and director David Ford) ensures there’s plenty of humor as well as frank sentiment along the way. The actor peoples the opening scene in the gun store with a comically if somewhat stereotypically rugged representative of the Second Amendment, for instance, as well as an equally familiar "doood" dude at the service counter. Afterward, we follow Copeland, a just barely coping dad, home to the house recently abandoned by his wife, and through the ordinary routines that become unbearable to the clinically depressed. Copeland also recreates interviews he’s made with other survivors of suicidal depression. Telling someone about such things is vital to preventing their worst outcomes, says Copeland, and telling his own story is meant to encourage others. It’s a worthy aim but only a fitfully engaging piece, since as drama it remains thin, standing at perhaps too respectful a distance from the convoluted torment and alienation at its center. (Avila)

BAY AREA

Acid Test: The Many Incarnations of Ram Dass Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $15-50. Thu-Fri, 8pm; Sat, 5pm. Through Nov 24. Lynne Kaufman’s new play stars Warren David Keith as the noted spiritual figure.

The Kipling Hotel: True Misadventures of the Electric Pink ’80s Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Sat, 8:30pm; Sun, 7pm. Extended through Dec 16. This new autobiographical solo show by Don Reed, writer-performer of the fine and long-running East 14th, is another slice of the artist’s journey from 1970s Oakland ghetto to comedy-circuit respectability — here via a partial debate-scholarship to UCLA. The titular Los Angeles residency hotel was where Reed lived and worked for a time in the 1980s while attending university. It’s also a rich mine of memory and material for this physically protean and charismatic comic actor, who sails through two acts of often hilarious, sometimes touching vignettes loosely structured around his time on the hotel’s young wait staff, which catered to the needs of elderly patrons who might need conversation as much as breakfast. On opening night, the episodic narrative seemed to pass through several endings before settling on one whose tidy moral was delivered with too heavy a hand, but if the piece runs a little long, it’s only the last 20 minutes that noticeably meanders. And even with some awkward bumps along the way, it’s never a dull thing watching Reed work. (Avila)

Richard the First: Part One, Part Two, Part Three Berkeley City Club, 2315 Durant, Berk; www.centralworks.org. $14-25. Thu/15-Sat/17, 8pm; Sun/18, three-part marathon, 2, 5, 8pm. This Central Works Method Trilogy presents a rotating schedule of three plays by Gary Graves about the king known as "the Lionheart."

Richard III Live Oak Theatre, 1301 Shattuck, Berk; www.aeofberkeley.org. $12-15. Fri/16-Sat/17, 8pm. Actors Ensemble of Berkeley performs the Shakespeare classic.

Sex, Slugs and Accordion Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $10. Wed/14, 8pm. Jetty Swart, a.k.a. Jet Black Pearl, stars in this "wild and exotic evening of song."

The Sound of Music Julia Morgan Theatre, 2640 College, Berk; www.berkeleyplayhouse.org. $15-35. Thu-Sat, 7pm (also Sat, 2pm); Sun, noon and 5pm. Through Dec 2. Berkeley Playhouse opens its fifth season with the Rodgers and Hammerstein musical.

Toil and Trouble La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thu-Sat, 8pm (no show Nov 22). Through Dec 8. Impact Theatre presents Lauren Gunderson’s world premiere comedy inspired by Macbeth.

The White Snake Berkeley Repertory Theatre, Roda Theatre, 2025 Addison, Berk; www.berkeleyrep.org. $29-99. Opens Wed/14, 8pm. Runs Tue and Thu-Sat, 8pm (also Nov 29, Dec 13, and Sat, 2pm; no matinee Dec 1; no show Nov 22); Sun, 2 and 7pm. Through Dec 23. Mary Zimmerman (Metamorphoses) returns to Berkeley Rep with this classic romance adapted from a Chinese legend.

Wilder Times Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $32-60. Tue, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Through Dec 9. Aurora Theatre performs a collection of one-acts by Thornton Wilder.

The World’s Funniest Bubble Show Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $8-50. Sun, 11am; Nov 23-25, 11am. Through Nov 25. Louis "The Amazing Bubble Man" Pearl brings his lighter-than-air show back to the Marsh.

PERFORMANCE/DANCE

BATS Improv Bayfront Theater, B350 Fort Mason Center, SF; www.improv.org. $20. "Theatresports," Fri, 8pm, through Dec 21. "Family Drama," Sat, 8pm, through Nov 24.

"The Buddy Club Children’s Shows" Randall Museum Theater, 199 Museum Wy, SF; www.thebuddyclub.com. Sun/18, 11am. $8. Magician Timothy James performs.

"Clone Zone" Dance Mission Theater, 3316 24th St, SF; clonezone.brownpapertickets.com. Fri/16-Sat/17, 8pm; Sun/18, 7pm. $20. Anna and the Annadroids perform a multi-media dance theater piece inspired by video games and Carl Jung.

"Comedy Bodega" Esta Noche Nightclub, 3079 16th St, SF; www.comedybodega.com. Thu, 8pm. Ongoing. No cover (one drink minumum). This week: Caitlin Gill, Wonder Dave, and friends.

"The Comikaze Lounge: A Showcase of Smart Comedy" Café Royale, 800 Post, SF; www.comikazelounge.com. Wed/14, 8pm. Free. Comedy with Brendan Lynch, Griffin Daley, Drew Harmon, and more.

"Fauxgirls!" Infusion Lounge, 124 Ellis, SF; www.fauxgirls.com. Thu/15, 8pm. Free. Drag revue with Victoria Secret, Alexandria, Chanel, Maria Garza, and more.

"Illuminique Under the Dome" Westfield SF Centre, 865 Market, SF; westfield.com/sanfrancisco. Thu/15, 4:30pm. Free. Dancers from the San Francisco Ballet’s Nutcracker perform a demonstration for children at this launch event for the shopping center’s new 3D holiday light display.

International Taiko Festival Yerba Buena Center for the Arts Theater, 700 Howard, SF; www.ybca.org. Fri/16-Sat/17, 8pm (also Sat/17, 2pm). $32-38. With Grand Master Seiichi Tanaka and San Francisco Taiko Dojo, and more.

"Life with Laughter" Garage, 715 Bryant, SF; www.brownpapertickets.com. Fri/16, 8:30pm. $10-20. Variety show featuring comedy, storytelling, spoken word, and music.

"New Frequencies Fest 2012" Yerba Buena Center for the Arts, 701 Mission, SF; www.ybca.org. Fri/16-Sat/17, 8pm. $20-25. Fri/16: "Women, Strings, and Song" with women songwriters and composers performing live; Sat/17: Dafnis Prieto Proverb Trio and a lively celebration of the African Diaspora.

"Our Daily Bread" CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Thu/15-Sun/18, 8pm. $20-30. Amara Tabor-Smith’s Deep Waters Dance Theater performs a work inspired by food traditions.

"Round One Cabaret" Alcove Theater, 414 Mason, Ste 502, SF; roundonecabaret.brownpapertickets.com. Fri/16-Sat/17, 8pm. $30. Not Quite Opera presents this showcase of new songs by Bay Area composers.

San Francisco International Hip Hop Festival Palace of Fine Arts Theater, 3301 Lyon, SF; www.cityboxoffice.com. Program A: Fri/16, 8pm and Sun/18, 2pm. Program B: Sat/17, 8pm and Sun/18, 7pm. $39.99 (combo tickets, $75). Sixteen hip-hop dance companies from the Bay Area, the East Coast, Europe, and more perform at this 14th annual event.

"San Francisco Magic Parlor" Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

"The Way Tomorrow Was: A Retro-Future Burlesque and Bellydance Revue" 50 Mason Social House, 50 Mason, SF; www.lightreclaimed.com. Sat/17, 10pm. $12-20. Retro space-age performances.

BAY AREA

Mills Repertory Dance Company Lisser Theatre, Mills College, 5000 Macarthur, Oakl; www.brownpapertickets.com. Fri/16-Sat/17, 8pm (also Fri/16, 1pm). Also Sun/18, 3pm at Dance Mission Theatre, 336 24th St., SF. $12-15. Fall concert with works by Sonya Delwaide, Shinichi Iova-Koga, Katie Faulkner, and others.

"Yes, Bay Area: The Selected Tweets of Lyrics Born: A Reading with Beats" Pegasus Books Downtown, 2349 Shattuck, Berk; (510) 649-1320. Sun/18, 7:30pm. Free. The musican shares his first book at this "musically enhanced literary reading" presented by First Person Singular’s On Book series.

Our Weekly Picks: October 31-November 6

Andrew Lam
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0

WEDNESDAY 31

Halloween at Thee Parkside

There was a pretty sizable chunk of paper last week dedicated to the eye-popping range of spooky/trashy/candy-coated Halloween events out there for you to dig into. Though on this night, this favorite holiday of many, I throw my vote to the tribute band. It’s just fun to see local bands dressed as other bands, rocking a catalogue they likely researched on Wikipedia and/or Youtube. That’s why I doff my cat-eared hat to Thee Parkside’s linup: Glitter Wizard as the Seeds, Twin Steps and the Cramps, Meat Market as G.G. and the Jabbers, and the Parmesans as the Kinks. Plus, some monster mashups via DJ Dahmer, MOM’s spook booth, tarot card readings, and (creepy?) silent film projections. (Emily Savage)

8pm, $8

Thee Parkside

1600 17th St., SF

(415) 252-1330

www.theeparkside.com

 

THURSDAY 1

Mr. Kind

Less than a year old, Oakland foursome Mr. Kind is still in its infancy. But when the band formed in March, it hit the ground running, releasing its first EP OK just a few months in. Now, three months later, Mr. Kind is taking on another ambitious project by playing Wilco’s Yankee Hotel Foxtrot in its entirety. The 2002 best-selling, alt-country masterpiece celebrated its 10th anniversary this year. When the band discussed which album they wanted to honor with a tribute show, Yankee Hotel Foxtrot was the unanimous choice, described in the group’s press release as “a classic album that has played a big part in influencing the members of Mr. Kind.” To top off the celebration, Mr. Kind will be joined onstage by various Bay Area musicians, including members of Please Do Not Fight and Finish Ticket. And one more thing: be sure to keep wearing your costume, Halloween’s not over yet. (Haley Zaremba)

With River Shiver, Marquiss

9pm, $10

Bottom of the Hill

1233 17th St, SF

(415) 626-4455

www.bottomofthehill.com

 

When We Were Young and Dumb: the Stranger vs. Believer

You’re currently reading the San Francisco Bay Guardian (thanks!), but if you lived in Seattle, you would probably be scanning Dan Savage’s home paper, the Stranger. As comrades in free-thinking liberal media, we can’t help but support their appearance in a face-off with another great publication, the Believer. One of Dave Eggers many projects, the literary journal lets writers do what they do best: ramble. It started by publishing only rejects from other literary journals and now specialize in longer form interviews and original work. Writers from both publications will be speaking of their younger days, including some key cornerstones: Jesus, LSD, and virginity. (Molly Champlin)

6pm, free

Makeout Room

3225 22 St., SF

(415) 647-2888

www.makeoutroom.com

 

Kirk Von Hammett Presents: Day of the Dead Bash

That guy from Metallica? Stringy-haired lead shredder Kirk (Von) Hammett? He’s also way into horror paraphernalia, and has packed his home with a collection of monster-movie memorabilia, including Bela Lugosi’s Dracula script and original Frankenstein posters. He’s got so much stuff, that he compiled an entire 224-page coffee table book on the subject — Too Much Horror Business — and will fête said tome’s release with zombies, Day of the Dead burlesque by Hubba Hubba Revue, and live performances by veteran Concord metal band Death Angel, and local string-metal trio Judgement Day tonight at Public Works. (Savage)

9pm, $13.99

Public Works

161 Eerie, SF

(415) 932-0955

www.publicsf.com


FRIDAY 2

“Private Life Studies”

Being a soldier and an artist is not a natural fit. But think about it. For both you need dedication, discipline, a willingness to submit your ego to something bigger than yourself and, for dancers, an ability to work with others. So, perhaps, it should be no surprise that Private Freeman, one of ODC/Dance’s most generous, witty, and focused dancers, managed to successfully integrate these two, seemingly contradictory impulses. Deborah Slater’s work-in-progress Private Life Studies is exploring some of these issues as a series of “dance stories”, based on strategies from Sun Tzu’ “The Art of War.” Sun was just one of some of history’s most brilliant minds writing about war; Machiavelli and von Clausewitz were others. Odd, isn’t it? (Rita Felciano)

Also Sat/3, 8pm; Sun/4, 2pm, $15–$25

CounterPULSE

1310 Mission St. SF

(877) 297-6805

privatelife-eorg.eventbrite.com

 

Day of the Dead altars and procession

Although the changing nature of the crowd at the Mission’s annual night of remembrance for those who’ve passed has earned it the affectionate nickname “Dia de los Dead Gringos,” there’s no denying that the community-led, candle-lit procession and park full of homemade altars can be breathtakingly lovely. Arrive early at Garfield Park to tiptoe around meticulously, sometimes even extravagantly decorated tributes to dead family members and public figures. Add a note of your own to the interactive exhibits, and await the arrival of the costumed procession, whose inevitable approximations of La Catrina are a distinctly San Franciscan way of celebrating the holiday. (Caitlin Donohue)

Procession: 6-7pm, free

Starts at Bryant and 22nd St., SF

Festival of Altars: 6-11pm, free

Garfield Park

Harrison and 26th St., SF

www.dayofthedeadsf.org

 

Chilly Gonzales

It’s not hard to come up with a list of catchy things about Chilly Gonzales to entice you to go to his show. And he knows it. While his strongest talents lie in piano, he has made quite a scene on Youtube, adapting his skills to popular demand with his genuine love of rap (and bongos, hula hoops, and pink suits). He has provided compositions for Feist, Drake, and Steve Jobs and then turned the tables to rap with the BBC Philharmonic Orchestra. Now though, like a true artist, he’s returning from his pop adventures and getting serious with his latest work, “Piano Solo II,” which is mostly short piano pieces showcasing serious skill in a still modern, easily digestible format. (Champlin)

8pm, $20

Swedish American Hall

2170 Market, SF

(415) 861-5016

www.cafedunord.com


SATURDAY 3

Informant

No documentary subject in recent memory is as infuriating as Brandon Darby — the radical activist turned FBI informant turned Tea Party chucklehead at the center of Informant, local documentary filmmaker Jamie Meltzer’s most recent work. (Prior to this, Meltzer was probably best-known for 2003’s wonderfully bizarre Off the Charts: The Song-Poem Story.) Scream at the screen (you will want to) at Other Cinema tonight, Informant’s first local showing since its San Francisco International Film Festival bow earlier this year. (Cheryl Eddy)

8:30pm, $6

Artists’ Television Access

992 Valencia, SF

www.othercinema.com

 

SF Symphony Dia de los Muertos community concert

Is a skeleton a xylophone or a marimba? You can bet your sweet sugar skull there’ll be an ocean of chromatic bones, dancing akimbo, at the vibrant annual celebration of the afterlife. The family favorite boasts performances from the SF Symphony Youth Orchestra (playing Aaron Copland’s El Salón México and Jose Pablom Moncayo’s Huapango), dance company Los Lupeños de San José, Mariachi Nuevo Tecalitlán, and more, all narrated by the twinkling Luis Valdez, “father of Chicano theater.” Face painting, paper flower-making, tons of colorful art, and a pre-show by the Mixcoatl Anahuac Aztec dancers, the 30th Street Chorus, and the Solera singers boost the fun — but really they had us at cinnamon-infused Mexican hot chocolate and pan de muerto. (Marke B.)

2pm, $17.50–$68

Davies Symphony Hall

401 Van Ness, SF.

(415) 864-1000

www.sfsymphony.org

 

AU

In my younger and more vulnerable years, certain music videos left definitive scars on my brain. Faith No More’s “Epic” — seemingly an over-the-top ode by Mike Patton to drowning fish and exploding pianos — taught me the meaning of the word in a way that no amount of Greek literature could. Things have largely remained that way until listening to the latest adventurous pop album from Portland’s AU, which opens with another “Epic” — an instrumental soundscape where technical, Hella-tight drumming is joined by impossibly high rising GY!BE guitars as part of a larger Tim-Riggins-winning-the-big-game-triumphant structure. The lexographically challenging track is only the first surprise on the record, and demands a live rendition. (Ryan Prendiville)

With Zammuto

9pm, $15

Independent

628 Divisadero, SF

(415) 771-1421

 www.theindependentsf.com


SUNDAY 4

Kid Koala

It’s been a big year for Eric San, the Montreal turntablist better known as Kid Koala. Not only did he contribute to the revival of Deltron 3030 after a decade-long hiatus; he’s also managed to release 12 Bit Blues, his first solo record in six years. Conceptually inspired and determined, the album utilizes a clunky, old-school sampler, à la Public Enemy, to reconstruct blues music from the ground up, resulting in a man vs. machine sort of tension that makes for a constantly engaging listen. Luckily, for those fans hesitant to watch a dude spin records for two hours, Kid Koala’s “Vinyl Vaudeville Tour” is loaded with bells and whistles to keep things interesting: Puppets! Dancing girls! Parlor games! Robots! If only more electronic acts were bold enough to co-opt these kooky antics of the Flaming Lips variety. (Taylor Kaplan)

With Adira Amram and the Experience

9pm, $20

Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com


MONDAY 5

Jens Lekman

“Hey do you want to go see a band? No I hate bands. It’s always packed with men spooning their girlfriends, clutching their hands, as if they let go their feet would lift off the ground and ascend,” Swedish pop master Jens Lekman sings on I Know What Love Isn’t, his first full-length since 2007’s classic Night Falls Over Kortedala. Gone are the enraptured recollections of romantic highs — this is the ever autobiographically charming Lekman, soberly looking at relationships from the outside. But on this “break-up” album, Lekman’s observations on past failures and limitations break through to a melancholic optimism for the future. Recreating the album’s full palette of ’80s balladry, Lekman will be performing with a full band. (Prendiville)

With Taken By Trees, Big Search

8pm, $25–$35

Fillmore

1850 Geary, SF

(415) 346-6000

 www.thefillmore.com

 

TUESDAY 6

Reverend Peyton’s Big Damn Band

Reverend Peyton’s Big Damn Band must be exhausted. Not only does the trio have to live up to its highfalutin’ damn big title, it found time this year to release its eighth full-length album while maintaining its ridiculous, awe-inspiring average of 250 shows per year. The Indiana-based Americana blues band consists of a Reverend Peyton on guitar and vocals, his wife Breezy on washboard, and Peyton’s cousin, Aaron “Cuz” Persinger on drums. For the band’s newest effort Between the Ditches, the Rev. and company slowed down enough to get into a studio and lay out the record instrument by instrument, track by track, instead of recording it live all in one big, enthusiastic rush as usual. The result is a beautifully recorded bit of nostalgia that transports the listener to a big wraparound porch in the Southern summer. And trust me, it’s exactly where you want to be. (Zaremba)

With The Gypsy Moonlight Band, Anju’s Pale Blue Eyes

9pm, $10

Bottom of the Hill

1233 17th St, SF

(415) 626-4455

www.bottomofthehill.com

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian, 225 Bush, 17th Flr., SF, CA 94105; or e-mail (paste press release into e-mail body — no attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Win tickets to The Quickies presented by Good Vibrations

Maria Poblet
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Win tickets to The Quickies presented by Good Vibrations

Check out Good Vibrations’ Erotic Short Film Competition at the haunted Castro Theatre with Peaches Christ and Dr. Carol Queen!

Your favorite adult toy store presents the hottest films of all flavors from around the world all in seven minutes or less. Funny, romantic, hardcore, straight, gay, lesbian, queer, or kinky, these international films go far beyond mainstream porn in a hilarious and stimulating presentation MC’d by your hosts Peaches Christ and Dr. Carol Queen.  Lube up for laughs at the pre-party in the Castro Theatre mezzanine featuring cocktails, nibbles, sexy prizes, live music and bawdy burlesque, followed by the screening where the audience chooses who gets $1,500 and glory! Spooky, sexy costumes encouraged!

Get more info here. Purchase tickets here. To win a pair of tickets, email your full name to sfbgpromos@sfbg.com with “quickies” in the subject. Winners will be chosen by 5pm on Wed/24.

Friday, October 26 at 7pm 8pm (7pm doors) @ Castro Theatre, 429 Castro, SF | $10

Appetite: Tasting spirits

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Appetite: Tasting spirits

An array of new liquor tastes, and a Whiskyfest recap

NAVY STRENGTH GIN REACHES US SHORES

Unforgettable: my journey to the south of England town of Plymouth and its legendary distillery with Master Distiller Sean Harrison. Possibly the most beautiful distillery I’ve yet visited. I relished drinking Plymouth Navy Strength ($34.99) while in the UK, a bracing version of their classic gin at 57% ABV/114 proof, the preferred gin of the British Royal Navy.

Though still smooth like Plymouth gin, Navy Strength packs a greater botanical punch, enlivening cocktails. The good news is it finally arrived to the US merely weeks ago in September so drink up.

It’s radiant in a classic Pink Gin (2 parts Plymouth Navy Strength, 3-4 dashes of Angostura bitters, lemon twist to garnish), which I enjoyed in the hills above Plymouth made by Harrison using fresh drops of reservoir water from the reservoir we enjoyed tea alongside.

www.plymouthgin.com

RECAPPING WHISKYFEST 2012

This year’s WhiskyFest was another memorable one. The hilarious Martin Daraz of Highland Park and the uber cool Beer Chicks, Christina Perozzi and Hallie Beaune (their book, The Naked Brewer, just released), killed it with their laughter-packed seminar. There wasn’t enough room for all who wanted to attend their tasting pairing Highland Park whiskies, all the way up to the glorious 30 year, with well-chosen craft beers selected by the Beer Chicks – a number of pairings went shockingly well together. This seminar should definitely return next year, giving all those who missed it a chance to partake of the joys.

Digging further into the independent distillery line of BenRiach whiskies with international Brand Ambassador Stewart Buchanan was a highlight, whether the affordable steal of 10 year Curiositas, a robust, elegant 1995 Pedro Ximenez Cask #7165 (at cask strength, 52.3%) or the otherworldly, perfectly balanced 25 yr. The BenRiach line is a nuanced alternative to an Islay Scotch. Though peaty, these whiskies corner balance, letting the peat shine alongside other layers.

On the American side, the standout was St. George’s 30th Anniversary XXX Single Malt Blend, a layered blend of whiskies from three generations of St. George distillers, Jörg Rupf, Lance Winters, Dave Smith. This new release (only 715 bottles) is a rare blend of whiskies: Winters’ first single malt distillation, his 1999 single malt aged in Rupf’s pear brandy barrels, a small portion of Lot 12 whiskey, and a whiskey distilled in 2007, aged in a port cask made of French oak. Pear notes shine in this bright whiskey as does ginger, butter, banana, hazelnut and orange peel.

Another Scotch standout was Classic Malts’ Glen Spey 21 year, a limited edition whisky maintaining a lively profile in spite of age from bourbon casks with notes of coconut, caramel, toffee.

THE FIRST SF CRAFT SPIRITS CARNIVAL

Held this past weekend in the massive Fort Mason, the first SF Craft Spirits Carnival was yet another opportunity for the consumer and industry to sample a wide range of international spirits. Though burlesque felt off in the middle of the vast space, acrobatics were more in line as we explored a US craft spirits-heavy selection with a good mix of Scotch, tequila, rum and the like from around the globe surrounded by gorgeous Bay and Golden Gate Bridge views.

While a number of my usual favorites were there (Highland Park, St. George, Old World Spirits, Charbay, Rhum Clement), there were quite a few new releases to taste. Charbay started importing beloved Tapatio tequila earlier this year, one of the best values out there for quality tequila, and at the Carnival, poured Tapatio’s just-imported Reposado and Anejo tequilas. Finally in the States, both are green, bright beauties thankfully allowing the agave to dominate over barrel wood.

Local distiller Don Pilar just released a refined Extra Anejo (aged a minimum of three years). Though I am typically not a big Extra Anejo – or sometimes even Anejo – fan when it masks agave properties with too much oak, Don Pilar manages complexity with agave liveliness.

Greenbar Collective’s http://www.greenbar.biz/ (aka Modern Spirits) spiced rum ($30) from downtown Los Angeles could have been too sweet – as their fruit liqueurs were for me – but the spiced rum is subtle, nearly dry, aromatic with allspice, clove, cinnamon, vanilla, and orange zest, redolent of fall.

Michter’s from Kentucky (I’ve long appreciated their 10 year bourbon and their rye) poured their two brand new releases out this month, a decent Sour Mash (86.6%) aged over 4 years, mixable more than sippable, and a robust, cask strength (114.2%) 20 year single barrel bourbon, aged over 20 years with a definite rye spice, although they can’t disclose any information whatsoever on the grain make-up or distilling location.

The tasting highlight of the weekend belonged to Rhum Clément. Already a fan of their elegant rhum agricoles from Martinique, I was pleased to see they just released a fresh, smoky 6 year old ($56), and a cinnamon, wood, vanilla-inflected 10 year old ($73), both aged in virgin and re-charred oak.

In addition, Rhum Cément Cuvee Homere is aged in French Limousin barriques and re-charred bourbon barrels, smooth with tastes of biscuits, almond butter, hazelnut, chocolate, black pepper, while the stately, pricey Clément XO Rhum, is a Cognac-reminiscent treat blending rhums from highly regarded vintages, like 1952, 1970, 1976, complex with fruitcake, toffee, tobacco, leather. My favorite ended up being a cask strength (though still reasonable under 100 proof) 10 year old Rhum J.M. Millesime 1997, unfolding with toasted nut, lemon, sage, passion fruit, white pepper, cinnamon.

Subscribe to Virgina’s twice-monthly newsletter, The Perfect Spot, www.theperfectspotsf.com

Our Weekly Picks: September 26-October 2

Andrew Lam
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WEDNESDAY 26

Amanda Palmer and the Grand Theft Orchestra

Massachusetts singer-songwriter Amanda Palmer has had a busy year. Well, actually she’s had a busy career. Palmer is a previous high school thespian, street performer, co-founder of the Dresden Dolls, subject of a coffee table book, half of musical duo Evelyn Evelyn, and a prolific blogger — and she’s just getting started. This year alone she’s written a song and produced a music video in defense of pubic hair, starred in a Flaming Lips video, released a new solo album, and now she’s back on the road. When Palmer decided to fund her second solo album Theater is Evil on Kickstarter earlier this year, few would have guessed over $1 million would pour in, shattering the site’s record with more than 24,000 individual donations. It looks like she won’t be slowing down any time soon. (Haley Zaremba)

With The Simple Pleasure, Jherek Bischoff, Ronald Reagan

8pm, $25

Fillmore

1805 Geary, SF

(415) 346-3000

www.thefillmore.com

 

Ghost Parade

Over the past six months, San Francisco-based progressive rock band Ghost Parade has steadily revealed its inaugural tracks, including the particularly catchy “Reach,” whose chorus features the group’s tagline: “we are fast and real.” Intense at times and always poetic, Ghost Parade encourages you to get lost in its hard and fast wall of sound while, simultaneously, inviting you into its stories. These musicians are no strangers to Bottom of the Hill, but this time around they’re headlining. Come for the energy, come for the nascent artistic merriment and, if that’s not enough, come for vocalist-guitarist Justin Bonifacio’s hair. It ranks among the best in San Francisco. Hands down. (Mia Sullivan)

With Stomacher, Soonest

9pm, $10

Bottom of the Hill

1233 17th St., SF

(415) 626-4455

www.bottomofthehill.com

 

Obituary

It may be hard to believe, but pioneering death metal titan Obituary has been grinding out tracks such as “Chopped In Half” and “Turned Inside Out” for more than 25 years now. The Florida based quartet just wrapped up a series of festival shows in Europe, and is now back for its first tour of the US in several years, part of the epic Carnival of Death tour, slaying stages alongside Broken Hope, Decrepit Birth, Jungle Rot, Encrust, and Feast. The band is promising a fan-favorite set, comprised largely of songs off of its first three classic albums, Slowly We Rot, Cause of Death, and The End Complete. (Sean McCourt)

With DJ Rob Metal

6:30pm, $14–$18

DNA Lounge, 375 11th St., SF.

(415) 626-1409

www.dnalounge.com


THURSDAY 27

“Shocktoberfest 13: The Bride of Death”

The Thrillpeddlers have been killing it lately, with endlessly extended runs of Cockettes revivals and a recent hit production of Marat/Sade. Now the company is poised to kill it again — live! Onstage! With gruesome gore! — in its annual “Shocktoberfest” production. This year’s lucky 13th incarnation includes a classic Grand Guignol one-act (Coals of Fire by Fredrick Whitney, which caused a scandal in 1922 Britain); two contemporary world premieres about mad scientists (The Bride of Death by Michael Phillis and The Twisted Pair by Rob Keefe); and Scrumbly Koldewyn’s “musical spectacle” Those Beautiful Ghouls. And if you think you’re safe just sitting in the audience, wait until the uniquely terrifying spook-show finale — if you’re not afraid of the dark, you will be! (Cheryl Eddy)

Through Nov. 17

Opens Thu/27, 8pm; runs Thu-Sat, 8pm, $25-35

Hypnodrome

575 10th St., SF

www.thrillpeddlers.com


FRIDAY 28

“Animate Your Night: Where It’s AT-AT”

As part of the Walt Disney Family Museum’s new “Animate Your Night” series of after-hours events, tonight’s “Where It’s AT-AT” party celebrates the opening of a new exhibit, Between Frames: The Magic Behind Stop Motion Animation, which looks at the innovative ideas and technical wizardry of the art form that has brought life to a host of magical characters and creations. Among the items party-goers will be able to get a first look at is a classic Gumby figure, the armature of the “Robot Chicken” mascot, and a model of the awesome AT-AT Imperial Walker made by Phil Tippett, as seen in The Empire Strikes Back. (McCourt)

7-10pm, $5–$10

Walt Disney Family Museum

104 Montgomery, SF

(415) 345-6800

www.waltdisney.org

 

Vir

While “on” Vir, I can’t decide if I’d rather take mass quantities of psychedelics and, well, gaze at my shoes, or embark on an epic, intergalactic quest with a few of my closest tribesmen. Luckily, these options aren’t mutually exclusive. This Oakland-based experimental noise pop trio originally hails from New Zealand and cites Kiwi post-punk groups Gordons, Bailter Space, and HDU as chief influences. Characterized by driving, tribal beats, sardonic, echoing lyrics, and ample fuzz pedal, Vir’s music is, at times, like marching through a lush jungle-like space field and, at other times, like My Bloody Valentine. Could it get much better? (Sullivan)

With Here Come the Saviours, Erik Blood

9:30pm, $7

Hemlock

1131 Polk, SF

(415) 923-0923

www.hemlocktavern.com


SATURDAY 29

Balboa Skatepark opening ceremony

Shredding (on a skateboard) and shredding (with a guitar) go together like pizza and hot dogs — which, incidentally, there will be a whole lot of at the Balboa skateboard park opening this week. While skaters grind their newly opened park behind, local thrasher act Haunted By Heroes — a.k.a. the world’s youngest rock band — along with the Nerv, and Big Shadows will perform out front. Plus, the free event includes the aforementioned ultimate snack foods, skateboard accessory giveaways, and the Youth DJ Collective with DJ/MC Ace, of Reality Check TV. Make like the ramp locals of Thrashin’ (1986) and bring your board, check out frenetic live music, munch cheesy pizza, and relive youth, glorious youth. (Emily Savage)

Noon-5pm, free

Balboa Skatepark

San Jose Avenue and Ocean Avenue, SF

Facebook: BalboaSkateparkOpening2012

 

Vintage Couture Ball

Let’s hear it for the grown and sexy. While the rest of us drink beer and chug from flasks in the bathroom, they drink Manhattans (up) and sip from nicer flasks, out in the open because unlike some, the motion only serves to make their surroundings more G&S. Class it up and join their ranks for this weekend’s openair fashion gala in the Fillmore — the Vintage Couture Ball (once called the Black Couture Ball) brings Chicago step dancing, a vintage car show, burlesque and swing dancing to SF’s jazz district. Most importantly, heed the dress code — everyone’s fancy black gowns and suits should make the evening pop. (Caitlin Donohue)

7pm-1am, $20

Fillmore between Eddy and Geary, SF

(800) 352-4315

www.vintagecoutureball.com


SUNDAY 30

Hot Water Music

It’s been an exciting year for post-hardcore. It marks the release of industry pioneer Hot Water Music’s first album in nearly a decade and the 19th anniversary since the band’s foundation in 1993. In these two decades, the band has broken up and reunited three different times, taking years off to explore side projects and family life. Though it has been touring sporadically since 2008, the Gainseville band’s eighth album Exister truly marks its triumphant return to the rock scene. The first single off the album, “State of Grace,” tackles the issue of the additives that we ingest every day in our over-processed foods. Whether you care about GMOs or not, you’ll want to catch this tour before Hot Water Music disbands again. (Zaremba)

With Dead To Me, Heartsounds

8pm, $21

Slim’s

333 11th St., SF

(415) 255-0333

www.slimspresents.com

 

Bebel Gilberto

New York City and Rio de Janeiro are a potent combination. As proof, we offer you Bebel Gilberto, daughter of famed bossanova boss João Gilberto and international star in her own right. Bebel’s 2009 release All in One relies less heavily on the electronic bends and flourishes of her past, its mainly acoustic, gentle guitar strums and chimes behind Brazilian coos. In other words, go to this concert to lower your blood pressure, it will smooth you out. In fact, we’d be hard pressed a better soundtrack to your weekend comedown, or swayfest with that new boo you picked up on last night’s dancefloor. (Donohue)

7pm, $35-70

Herbst Theater

401 Van Ness, SF

www.cityboxoffice.com

 

Maria Minerva

Like a ’90s TRL countdown as envisioned by Peaking Lights, Maria Minerva’s fuzzed-out hypnagogia is the stuff of bygone pop anthems, filtered experimentally and relentlessly through Macbooks, cheap software, and a boatload of filters and effects. Commended by The Wire for her contribution to the blossoming meta-pop movement, the elusive Estonian producer strikes a captivating balance between high art and radio trash, traditional top-40 conventions and anarchic nonconformity. Minerva’s newly released Will Happiness Find Me? might be her most accessibly structured statement yet, but that doesn’t stop her dubby sonic fog from enshrouding everything in its path. Fans of electronic hooliganism everywhere: meet your new pop diva. (Taylor Kaplan)

With Father Finger, Bobby Browser, EpicSauce DJs

8pm, $12

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com


MONDAY 1

Garbage

When it first arrived on the alternative rock scene back in the mid ’90s, Garbage could have been some sort of pre-fabricated hit machine, considering its members consisted of some of the biggest producers of the time — Butch Vig, Steve Marker, and Duke Erikson — with ex-Angelfish singer Shirley Manson joining the fold. As fans know, however, it quickly became evident that they were much more than that, a band that coalesced as one and produced some of the most memorable tunes of the era. After a series of hiatuses, the quartet is back with an excellent new album, Not Your Kind of People, and a welcome return to the live stage. (McCourt)

With Screaming Females

8pm, $38–$48

Warfield

982 Market, SF

(415) 345-0900

www.thewarfieldtheater.com

 

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian, 225 Bush, 17th Flr., SF, CA 94105; or e-mail (paste press release into e-mail body — no attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

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