Budget

Newsom’s fund raid get worse

3

By Steven T. Jones

It turns out that Mayor Gavin Newsom’s secret raid on the public financing fund was even worse than I wrote about yesterday. As the electoral reform advocates discovered yesterday afternoon, and the Chronicle reported this morning, Newsom took $2.3 million from the fund without indicating so in his budget or letting the Board of Supervisors know.

So right now, according Ethics Department officials that administer the fund, it contains just $500,000. And that fund is supposed to pay for public financing in both next year’s Board of Supervisors races and the 2011 mayor’s race, which are expected to total more than $5 million, possibly much more.

Newsom proposes to put $1.9 million into the fund in the coming fiscal year and Ethics officials say he has promised them another $1.9 million the next year, leaving it short of where it would need to be if the supervisorial candidates qualify for more than last year’s $1.3 million and more than a couple mayoral candidates opt for public financing. Then again, Newsom opposed the program from the beginning, so maybe that’s just part of his plan.

State budget secrets: $2.5 billion in tax giveaways

0

By Megan Rawlins

There’s no building-sized rock in Sacramento hiding 264 tons of cash – the approximate weight of the state’s budget deficit measured in $100 bills. But groups like the California Budget Project and the American Federation of State, County and Municipal Employees have published reports arguing there are smaller rocks, $100-million rocks, $1-billion rocks that can save services for some of the state’s most vulnerable populations.

In fact, according to a report CPB released June 3, the state Legislature quietly added three new corporate tax breaks in the last round of budget cuts — and just closing those loopholes could save the state up to $2.5 billion a year. The tax-law changes provide multi-million dollar tax breaks to a small nadful of the state’s largest corporations.

“Why,” Jean Ross, executive director of CBP, asked, “is the state giving away money?”

Arm race

0

Bionic Commando

(GRIN/Capcom; PC, XBOX 360, PS3)

GAMER Reading faithfully from Hollywood’s remake-happy script, the game industry has learned to cannibalize its history. Bionic Commando is the first in an ever-expanding series of big-budget 8-bit retreads; Splatterhouse (Namco Bandai) is due out later this year, and more are sure to follow.

Bionic Commando slots you into the futuristic combat boots of Nathan Spencer, voiced ably if bombastically by Faith No More’s Mike Patton. Spencer is equipped with a bionic arm, a telescoping grappling hook of a limb that enables him to cling to his surroundings and swing, Tarzan-style, through the game’s various levels. The arm is the game’s defining feature, imbuing an otherwise unremarkable third-person action title with a giddy, kinetic thrill.

Physics-based acrobatics are a passable reason to resurrect a moldering NES franchise, and it’s too bad Swedish developers GRIN couldn’t revamp the production values as well. The game is rated "M," for mature, which means the characters curse like it’s going out of style, but the story is insulting to anyone with intelligence even approaching maturity, when it makes sense at all. Stop me if you’ve heard this one before: a scientifically-augmented super-soldier is released from prison in exigent circumstances, made hostage by withheld knowledge of his missing wife-slash-daughter-slash-favorite toy, and charged with saving the world by sinister higher-ups who are totally not going to stab him in the back at a crucial moment.

Despite its free-swinging promise, the game’s lushly designed levels are disappointingly linear. Wide-open areas are liberally slathered with "radiation," an ugly blue texture that acts as a wagging finger of disapproval every time you try to go somewhere the level designers didn’t want you to. Swing too high? Death by radiation. Too low? Radiation. Too far to the left? You get the idea.

Also frustrating is a profusion of tepid, gun-based combat, and when you’re not using your arm to throw cars at things, you’re frantically trying to put bullet-shaped holes in the helmeted henchmen of Gottfried Groeder, a cartoon fascist with a German accent that would make Major Toht blush all the way down to the Headpiece of Ra-shaped scar on his palm.

Given these drawbacks, multiplayer proved to be a refreshing pleasure. Radiation-free and adrenaline-heavy, the game’s death matches make you feel like Master Chief crossed with Spider-Man, and the bionic arm provides all sorts of invigorating possibilities. There are possibilities of a sequel too, judging from the post-credits teaser. If someone makes the rounds at GRIN headquarters installing bionic brains, I might be interested.

Dismantling the Newsom budget

0

EDITORIAL Mayor Gavin Newsom was upbeat when he delivered his budget proposal last week. It won’t be that bad, he told everyone — "At the end of the day, it’s a math problem."

Well, actually, it’s not. At the end of the day, it’s job losses, major cuts to city services, and hidden taxes — most of them, despite the mayor’s rhetoric, falling on the backs of the poor.

You can’t cut $70 million from the Department of Public Health — which is already operating at bare-bones levels after years of previous cuts — without significant impacts on health care for San Franciscans. You can’t cut $19 million out of the Human Services Agency without badly hurting homeless and needy people. You can’t raise Muni fares to $2 without taking cash out of the pockets of working-class people. The mayor’s cheery line may sound good when he’s out of town running for governor, but it’s not going to play so well on the streets of San Francisco.

Just for the record, here are a few of the proposed cuts:

A 21-bed acute psychiatric unit would be shut and replaced with an 18-bed unit for milder cases. Where would the seriously mentally ill go?

The number of home-healthcare workers, the folks who take care of the very sick who need skilled clinical services in the home, would be cut by 30 percent. Those clients would either suffer, go to (expensive) hospitals, or die.

Ongoing outpatient mental health services would be limited to the most severe cases. People who are, for now, only moderately mentally ill would lose access to care (until, without care, they become severely mentally ill).

The emergency food-bag program for seniors will lose $50,000, so hungry senior citizens won’t get to eat.

Almost $3 million will be cut from community-based organizations that provide direct, frontline services to the homeless.

Almost half of the city’s recreation directors — people who provide direct services and mentoring to at-risk youth — will be laid off.

The Tenderloin Housing Clinic Eviction Defense Center, the only place that offers free legal defense for Ellis Act evictions, will lose funding, leaving hundreds of tenants at risk of losing their homes.

Drop-in centers will close. Programs for homeless youth will shut down. More homeless people with increasingly more serious mental illness will be wandering the streets with nowhere to go for help.

Mayor Newsom brags in his campaign ads about creating private-sector jobs — but the budget will mean layoffs not just for city employees but for perhaps 1,000 nonprofit workers. That dwarfs the job creation he’s claiming — and defies the Obama administration’s call for government and private business to try to preserve and create jobs.

This isn’t a math problem. It’s a political problem, and the supervisors need to make it very clear that the mayor’s budget isn’t going to fly.

The supervisors need to take the budget apart, piece by piece, and reset its priorities. Newsom increases funding for police investigators by $7 million, while cutting the Public Defender’s Office by $2 million. He’s preserving his own bloated political operation (a big press office, highly paid special assistants and programs like 311 that are part of his gubernatorial campaign) while eliminating big parts of the social safety net. He’s raising bus fares, but not taxes on downtown.

"The mayor has presented his vision," Sup. John Avalos, who chairs the Budget Committee, explained. "Now our priorities have to be presented."

This can’t be a modest, typical budget negotiation with the supervisors tweaking a few items here and there. This is a battle for San Francisco, for its future and its soul, and the supervisors need to start talking, today, about how they’re going to fight back. *

Editorial: Dismantling the Newsom budget

1

The mayor’s cheery line may sound good when he’s out of town running for governor, but it’s not going to play so well on the streets of San Francisco.

EDITORIAL Mayor Gavin Newsom was upbeat when he delivered his budget proposal last week. It won’t be that bad, he told everyone — "At the end of the day, it’s a math problem."

Well, actually, it’s not. At the end of the day, it’s job losses, major cuts to city services, and hidden taxes — most of them, despite the mayor’s rhetoric, falling on the backs of the poor.

You can’t cut $70 million from the Department of Public Health — which is already operating at bare-bones levels after years of previous cuts — without significant impacts on health care for San Franciscans. You can’t cut $19 million out of the Human Services Agency without badly hurting homeless and needy people. You can’t raise Muni fares to $2 without taking cash out of the pockets of working-class people. The mayor’s cheery line may sound good when he’s out of town running for governor, but it’s not going to play so well on the streets of San Francisco.

Newsom’s shell game, Part I: Public financing

0

By Steven T. Jones
369-newsom.web.jpg
Newsom and Avalos at the mayor’s budget unveiling. Photo by Luke Thomas.

Board of Supervisors budget analyst Harvey Rose is still busy researching Mayor Gavin Newsom’s city budget proposal in advance of the Budget Committee’s first hearing on it on June 17. But some advocates have already started to unearth deceptive budgetary shell games by the mayor.

Electoral reform advocates Rob Arnow and Steven Hill have discovered that Newsom has once again raided the public financing for mayoral candidates fund, but sought to disguise the move by including a $1.9 million contribution to the fund in his published budget, then draining $1.4 million from a fund transfer that wasn’t highlighted. And that doesn’t even count the $5 million “loan” that Newsom last year took from the fund – which he opposed the creation of — promising he’d pay it back this year.

“For the last three years, the mayor has been trying hard to bankrupt the public campaign financing fund, well before the budget crisis began. While he’s claiming now that it’s only a response to the budget crisis, the reality is far different. Despite his carefully crafted media image, he’s backed by big business interests who can’t stand the idea of regular citizens taking back the reins of our democracy,” said Arnow of the group San Franciscans for Voter Owned Elections.

Newsom’s winning the budget spin

3

By Tim Redmond

The mayor is winning the spin battle over the city budget. The Chron’s first-day story tells the tale:

San Francisco Mayor Gavin Newsom unveiled a $6.6 billion budget Monday for the 2009-10 fiscal year that he said “does a lot of extraordinary things” including bridging a half-billion-dollar deficit without raising taxes or laying off police officers, firefighters or teachers.

“It’s not perfect, but it’s as close to perfect, under the circumstances, as we could make it,” he said. “We did this without the devastation some had predicted.”

The Chron editorial the next day parrots the Newsom line:

San Francisco mayor Gavin Newsom acknowledges the obvious about next year’s budget: “It’s not perfect.” But his spending plan bridges a nearly half-billion dollar gap that existed three months ago and leaves basic services and schools in good shape.

Actually, that’s completely untrue — the devastation is going to be pretty serious. And basic services won’t be in good shape, they’ll be shredded.

But the progressives on the Board of Supervisors haven’t made that case yet — and it’s time to get started.

If we wait until the budget hearings, in a couple of weeks, the board will be on the defensive. It’s taken everyone a couple of days to figure out what’s in and out of the budget, but we know enough to understand the impacts — and we know enought to be able to argue that without some serious new revenue, the city’s going to be in horrible shape.

The mayor has, of course, dumped the budget off and fled for a fundraiser in New York . The leaders of the progressive wing on the board ought to be planning a press conference — soon — to tell the other side of the story, and they ought to be presenting an alternative fact sheet showing what Newsom really has in mind for the city.

The supervisors typically change just a tiny fraction of the budget, but this year’s going to be different. It will be — it almost has to be — a major battle over public priorities. And if the mayor sets the agenda and controls the public debate, the outcome won’t be pretty.

Is this really our only choice?

22

By Tim Redmond

603newsom.jpg 603brown.jpg

Now that Antonio Villaraigosa appears not to be running for governor, the most populous state in the nation, the world’s eighth-largest economy, is headed for a very ugly choice. The Democratic Party has exactly two prominent candidates to run California — Jerry Brown, who has become a conservative with his no-new-taxes pledge and his tough-on-crime stuff, and Gavin Newsom, who has been a pretty awful mayor of San Francisco.

Is this the best that the state can do?

It might be — and here’s the problem. In a state this big, with more than 36 million people, a race for governor is all about image. It’s about television ads and media hype — and most people don’t pay attention to the details. Brown is ahead in the polls almost entirely because of name recognition; he’s the attorney general, has been govenor before, his dad was governor, he’s run for president — people have heard of him. Liberal Democrats who are older and remember when he was the dynamic young, progressive leader think back fondly to those days. Democrats who are more moderate look at his hard-ass love-developers-and-cops tenure as mayor of Oakland. Nobody has any idea how he would fix the state’s economy; I don’t think he knows himself.

Newsom is catching up, and will make this a close race, because he’s the new young face — and because he’s got a team of consultants and producers who are experts at creating false images. He’ll run as the “green mayor,” although he’s opposed the most important environmental measures in the city. He’ll run as a sensible leader who balanced a budget with no borrowing or taxes (although he’s doing it by destroying the local safety net). What most voters won’t see is the arrogant, petulant guy who has surrounded himself with fawning accolytes and nasty hit men. They won’t see a person who is way over his head in his current job, and has no business moving on to a much bigger one.

And that’s what we’ve got.

I wasn’t kidding last week when we talked about splitting up the state. It sounds like a radical idea, but think about it: If we were electing a governor of the coastal counties between Sonoma and Los Angeles, Jerry Brown wouldn’t even be a factor — and a lot of smart, experienced progressives would have a shot at the job. We wouldn’t be facing this ugly choice of finding someone either bland or conservative enough to appeal to the Central Valley. The voting population would be much smaller, and thus the vast sums of money that candidates have to raise would be significantly reduced.

We might even get a good governor.

In the meantime, we have to do better than this. Is there nobody else out there, no real change candidate who might actually be able to take on the serious problems facing California?

First things Faust

0

a&eletters@sfbg.com

Bay Area writer-director Mark Jackson has been rightly hailed for his original scripts, especially since the rollicking ingenuity of 2003’s The Death of Meyerhold. But his dialogue with established or classic plays has been just as intriguing to follow. Here, strict fidelity to the text has not always proved a recipe for success. Indeed, it was by tossing out the text completely that Yes, Yes to Moscow — created with Tilla Kratochwil, Sommer Ulrickson, and Beth Wilmurt and one of the best things to happen on any Bay Area stage in 2008 — managed to capture the essence of Chekhov’s Three Sisters to a degree most big-budget, straight-ahead productions could only envy. Then again, without changing a word, Jackson brilliantly exploited the kinetic value of Sophie Treadwell’s expressionist drama, Machinal, for last year’s memorable production with alma mater San Francisco State University. But more recently, cleaving restlessly to August Strindberg’s text of Miss Julie in an otherwise skillful production for Berkeley’s Aurora Theatre, Jackson teetered near heavy-handedness, the injection of directorial personality often butting heads with Strindberg’s tightly wound material rather than entering a productive discourse with it.

That is happily not the case in Jackson’s current effort: a sure, compact, and invigorating free-adaptation of Johann Wolfgang Goethe’s Faust, Part I produced, like Meyerhold, by Berkeley’s Shotgun Players. The "freely adapted" part is no doubt key to the success here, but that implies no reduction of the original. Although the text has been trimmed and jiggered greatly, Jackson’s version — alive and lively in rhyming verse — strikes a confident, highly effective balance between his own visually striking exegesis and a deep-seated fidelity to the poetical and dramatic spirit of Goethe’s glorious closet play.

Essaying the title role himself with considerable wit and panache, Jackson leads a winning cast in the kind of dynamic, precisely choreographed neoexpressionist production he has made a hallmark of his work. "In the beginning was the act!" is Faust’s eureka cry. But the director starts the action in a tense but humorous fit of inaction at the lip of the stage. There Faust, the arch but frustrated rationalist bent on bending nature to his will, vacillates in calling forth the spirit world, standing before a wall of thin metal-framed windows blacked out except for one square patch of moonlight, and bare but for a single glass of magic potion.

Frenetic, verbose, arrogant, and (nearly) fearless, Jackson’s Faust dances a tightrope line between jaded hero and willing fool with conjured devil and enabler Mephistopheles (played with a slippery sobriety and quiet menace by the solid Peter Ruocco) standing erect and a full head shorter by his side, all courteousness amid flashes of animal teeth.

The play centers on Faust’s tragic wooing (and ruining) of the beautiful maiden Gretchen (an exceptionally deft, completely mesmerizing Blythe Foster), whom Faust meets in that fair field after downing his magic potion. But Gretchen’s mother (in a suitably jagged but subtle portrait by Zehra Berkman) guards her daughter’s chastity with hawk-like concentration despite being wheelchair-bound, her sharpness accentuated by repeated appearance in profile.

Goethe’s Faust — so applicable to our historical moment-of-truth that in lesser hands any treatment is doomed to cliché — has the unparalleled Renaissance man embodying rational, post-Enlightenment humanity in a sobering confrontation with questions of good and evil. A forceful aspect of Jackson’s shrewd staging lies in never losing sight of this "embodied" tale. Certainly Faust is enchanted by his own words. After all, it’s through language — here, in particular, the paradigm of a masculine rationality subduing a feminized nature — that we not only define but bring into being the world we inhabit (notwithstanding Faust’s claim for "the act" as instigator). But amid the heightened speech, Jackson maintains a delightfully chilling carnality in the details. It echoes more remotely in the play’s eerie final lines as well, when Mephistopheles, calling creation one big wash, must concede that for all its nothingness, "something seems to circle around." It’s messy, and it bothers him. "I should prefer eternal emptiness," he says.

FAUST, PART 1

Through June 28

Thurs.–Sat., 8 p.m.; Sun., 5 p.m., $22–$30

Ashby Stage, 1901 Ashby, Berk.

(510) 841-6500

www.shotgunplayers.org

Return of the creatures

0

Zombies, werewolves, slashers, ghosts, and just plain fucked-up individuals: yep, the usual suspects are on hand for the Another Hole in the Head film festival, an offshoot of the San Francisco Independent Film Festival that’s back for a sixth unleashing of cinematic ghastliness.

David Gargani’s Monsters from the Id, named for the invisible menace in 1956’s Forbidden Planet, takes an earnest, somewhat unfocused look at how scientists were depicted in 1950s sci-fi films. Movie clips and talking heads delve into the ways in which the era’s "futuristic" flicks (Spaceships! Giant ants! Pod people!) were informed by both the era’s sense of wonder and paranoia. Monsters also notes how much less money is spent on space in these post-Cold War days; one scientist wistfully notes that the only way physicists would become heroes again would be in some kind of preventing-an-asteroid-from-hitting-the-earth type of scenario (but, duh, Doc: according to 1998’s Armageddon, oil drillers would actually save the day in that case).

Entries with local ties include James Isaac’s Pig Hunt (which screened a few weeks back as part of the Clay Theater’s midnight series). After kicking off their road trip with a meal at the Pork Store Café, a group of SF friends set out on an ill-advised hunting jaunt (their quarry: a 3,000-lb "Hogzilla," a creature that turns out to be just one of many backwoods adversaries). Even more bloody and bizarre is Oakland filmmaker Jonathan Lewis’s Black Devil Doll, an awesomely campy, proudly low-budget, X-rated cross between Child’s Play (1988) and Dolemite (1975) — the entire cast is basically comprised of strippers and a raunchy puppet that says things like "Holy shit! These white bitches is crazy!"

Also of interest for all you discerning sickos: HoleHead unleashes two films by prolific Japanese cult auteur Takashi Miike, including opening night film Crows: Episode Zero (a manga adaptation) and Detective Story, about a detective and his neighbor on the trail of an organ-stealing murderer.

ANOTHER HOLE IN THE HEAD

June 5–19, see film listings for schedule, $10

Roxie, 3117 16th St, S.F.

(415) 820-3907, www.sfindie.com

Round one

0

sarah@sfbg.com

The Board of Supervisors’ narrowly thwarted attempt to reject the Municipal Transportation Agency’s 2009-10 budget was the first in a wave of anticipated showdowns between Mayor Gavin Newsom and the progressives this summer as budget season gets underway.

The mayor appeared to win this particular showdown when the board voted 6-5 not to reject the MTA deal May 27, although the skirmish helped progressives voice their concerns over Newsom’s budget priorities. It also gave board President David Chiu the opportunity to conduct a masterful interrogation of MTA executive director Nat Ford that set the stage for Sup. John Avalos to try to place a charter amendment on the November ballot that would make MTA more accountable and accessible.

That said, the final MTA deal — which closes a $129 million deficit on the backs of Muni riders (through service cuts and fare hikes) rather than motorists (MTA governs all parking revenue) by a ratio of about 4-1 — seems to be inconsistent with San Francisco’s official "transit-first" policy.

Chiu was the first to suggest rejecting the deal when it became clear that the Mayor’s Office has been using the MTA as a backdoor ATM, authorizing $66 million in work orders for things like salaries for Newsom’s environmental aides and compensating the police department for vaguely defined security services.

The practice made a mockery of Prop. A., which voters approved in 2007 to increase funding to Muni by $26 million annually. But since then, work orders from unrelated city departments, including the police and Newsom’s 311 call center, had increased by $32 million.

"If people have to pay more for less, they will stop taking Muni," Chiu said at the May 6 Budget Committee hearing on the MTA budget.

Sup. David Campos also took issue with the work orders and service cuts. "Whatever money riders of Muni pay into the system should be used for public transportation," Campos said.

In the end, Chiu got the agency to trim $10 million from its budget, restore $8.6 million in proposed Muni service cuts, and delay the increases that seniors, youth, and the disabled will pay for fast passes. In exchange the board voted 6-5 May 12 to drop its MTA’s budget challenge, allowing fares to increase to $2 and for services to be reduced. Sups. Campos, Avalos, Ross Mirkarimi, Chris Daly, and Eric Mar dissented.

"We needed to work this out so we can move forward on the myriad issues before us," Chiu said.

But led by Avalos, who chairs the board’s powerful Budget and Finance Committee, the progressives revived the issue the next day. "Given our grave economic crisis, we owe it to seniors, youth, and other low-income Muni riders to come up with a better budget, one that ensures Muni accessibility and accountability," Avalos said.

Instead of increasing fares and cutting services, Avalos suggested that the MTA extend meter hours to evenings and Sundays. For a moment, it looked as if the progressives would be able to muster the seven votes needed to reject the deal. Ultimately Chiu, Sophie Maxwell, and the other MTA budget opponents stuck to the deal, which was reapproved May 27.

But the episode underscores why Avalos wants to reform the composition of the MTA board. Currently the mayor appoints all seven members. The only thing the supervisors can do is confirm or reject his nominations.

The mayor also appoints MTA’s executive director. Under Newsom, Ford was hired to the post for $316,000 annually, making him the city’s highest paid employee and someone who feels accountable to the mayor. "In all the cities, the mayor takes the heat for the transit system," Ford told the Guardian when challenged on his agency’s seeming lack of independence.

But under Avalos’ amendment, the mayor and the Board of Supervisors would each nominate three board commissioners while voters would elect the seventh. "The new MTA board composition will create greater checks and balances and also ensure that the MTA director is not solely accountable to one person, but to a board that is more representative of the city and county of San Francisco," Avalos said.

MTA now faces an additional $10 to $16 million deficit, thanks to union negotiations and fears that the state will raid city property tax and gas tax coffers. But as part of his budget deal with Chiu, Ford promised that the agency would study extending parking meter enforcement hours to close the gap.

Confirming that the agency dropped a $9 million a year proposal to extend meter hours citywide after receiving input from merchants, Ford said that "we’ll clearly have to revisit parking. We’ll be looking at how to administer extended meter hours, and how that impacts churches if we do it Sundays. But we are sitting here with a structural deficit that’s been going on for decades. We need to figure out the revenue streams we need to enhance the system."

Campos thought that a progressive Board of Supervisors should have gotten a better MTA budget. "As Sup. John Avalos and I pointed out, there’s almost nothing different between this budget and what was presented last week," Campos said. "I think it’s an illustration of how it is not enough to have power. You have to be willing to use it."

But Chiu defended his deal as a necessary way out of the board conflict with Newsom’s office. "Nat Ford has committed publicly and privately that he will propose meter hour change. And MTA Board President Tom Nolan has committed that he will ensure that car owners pick up more of the burden, and that if the budget gets worse, the additional problems won’t be balanced on the backs of Muni riders, which was not something we heard last week," Chiu said.

Avalos was less sanguine: "It was a clear moment for the Board of Supervisors to support transit-first and the city’s most vulnerable residents."

But he felt that concerns about the deal, and the realization that Newsom is an increasingly absent mayor, will help voters see the need for MTA reform.

"There wasn’t a single MTA commissioner or director accessible or accountable to the greater part of San Francisco. But they were responsive to Room 200, the Mayor’s Office," Avalos said. "Clearly, we need greater checks and balances."

Mirkarimi observed how, when faced with a crisis, people make practical decisions. "What gets lost when we are in crisis mode is our larger objective," he said. "We are a transit-first city that has strong climate change legislation, and Mayor Gavin Newsom is constantly campaigning on green issues. So it’s counterintuitive for us to broker an MTA budget on the backs of Muni riders and not understand that this deal could diminish that ridership."

But MTA spokesperson Judson True believes that what got lost in the discussion is that, as a result of Proposition A, the agency adopted a two-year budget that slapped drivers with increased rates and fees in 2008 while Muni riders and services were mostly spared.

Things changed, True said, when the economy tanked in 2008 and the MTA was left facing an unprecedented deficit. "At that point we reopened the budget and put everything on the table," True said.

Either way, Chiu has been urging supervisors to move on and focus on the next big thing: the mayor’s budget. "There’s a half-billion dollar hole in this budget," Chiu said last week. "It’ll make this debate look like child’s play."

Steven T. Jones contributed to this report.

Shrinking government

0

steve@sfbg.com

Mayor Gavin Newsom released his proposed 2009-10 city budget June 1, proclaiming it far better than doomsayers predicted and emphasizing how he minimized cuts to health and human services that he once said could be as deep as 25 percent in order to bridge a $438 million budget deficit.

"It doesn’t come close to balancing on the backs of our health and human services agencies, as some had feared," Newsom told the department heads, elected supervisors, and journalists who were tightly packed into his office for the announcement event.

But there’s still plenty of pain in a city budget where the General Fund — the portion of the budget local officials can control — would be reduced by more than 11 percent, its only reduction in recent memory. And at a time when every reasonable Democrat in Sacramento has been nearly begging for tax hikes to prevent budget blood, San Francisco’s Democratic mayor proudly proclaimed that there are no new taxes in the budget.

"We didn’t raise taxes, and we didn’t borrow," he said. You can almost hear that line being repeated in the ads he’ll be running as he campaigns for governor.

Newsom proposes slashing the city’s public health budget by $128.4 million, or 8 percent (a total of 400 employees), while the human services budget would take a $15.9 million hit, or 2 percent. "That’s a lot, but by no means is it devastating," Newsom said, noting that he restored some of the deepest cuts that were the subject of alarming public hearings. "I listened to the public comments at the Board of Supervisors… Things got a lot better than the headlines and the hearings."

The proposed budget includes 1,603 full-time-equivalent layoffs, or a 5.8 reduction in the city’s workforce, trimming more than $75.5 million from the general fund budget. In addition, the Department of Health and Human Services is cutting back its workweek to 37.5 hours to further trim costs.

"The smoke hasn’t cleared yet and there’s a lot of devastation in this budget that isn’t being talked about," Sup. John Avalos, who chairs the Board of Supervisors Budget Committee, said at the event. Newsom’s budget will be analyzed and then face its first committee hearing June 17, with approval by the full board required by July 31.

"The mayor told us a lot about what’s in the budget, but not a lot about what’s not in the budget, so we’ll spend a few days figuring that out," board President David Chiu told the Guardian.

The budget was aided greatly by more than $80 million in federal stimulus funds and other one-time revenue sources (such as $10 million from the sale of city-owned energy turbines) that were used to plug this year’s gap and offset cuts by the state and depressed tax revenue.

Although Newsom doesn’t want to raise taxes, licenses and fees would go up 41 percent, increasing revenue by $64 million to $220 million. Some of those proposed fee hikes range from the cost of parking in city-owned garages to admission fees for city-owned facilities such as the Strybing Arboretum. Muni riders will also see fares hiked to $2.

There will also be deep cuts to some key city functions. The Department of Emergency Management would take a 24 percent cut under the mayor’s plan, while the Department of Building Inspection faces a 20 percent cut to expenditures and a 29 percent reduction in staff.

The Planning Department would also take a hit of about 7 percent, with most of that focused on the department’s long-range planning functions, which were slashed by 19 percent to $4.7 million.

But it’s not an entirely austere budget. The police and fire departments have status quo budgets with no layoffs. Travel expenses would increase 13.5 percent to $2.9 million and the cost of food purchased by the city would rise 127 percent to $7 million.

The Mayor’s Office of Economic and Workforce Development — which often uses public funds to subsidize private sector projects — would get a 32 percent increase, to $24.7 million.

It’s unclear how much the Mayor’s Office has shared the budget pain. During the presentation, Newsom said his office’s budget has been cut by 28 percent, but he later clarified that was spread over the five years he has been mayor. Yet even that is tough to account for given that some functions have been shuffled to other departments.

The document shows a proposed 60 percent increase in the Mayor’s Office budget, although the lion’s share of that comes from the Mayor’s Office of Housing’s one-time financial support for some long-awaited projects, including rebuilding the Hunters View housing and support services project for low-income people connected to the Central YMCA, and an apartment project on 29th Avenue for people with disabilities.

Avalos has said he will look to find money by cutting some of the highly paid policy czars and communications specialists added to the Mayor’s Office in recent years, as well as Newsom’s cherished 311 call center and the Community Justice Court he created. Supervisors are also expected to resist Newsom’s penchant for privatization. Newsom proposed to privatize seven city functions, from jail health services and security guards and city-owned facilities, and to consolidate another 14 functions between various city departments.

Newsom pledged to work with supervisors who want to change the budget, continuing the rhetoric of cooperation that he opened the budget season with in January, which supervisors say hasn’t been matched by his actions or the secretive nature of this budget. "This budget is by no means done," Newsom said. "It’s an ongoing process."

In fact, Newsom warned that the budget news could be even worse than his budget outlines. Gov. Arnold Schwarzenegger is talking about new cuts that could total $175 million or more for San Francisco only, although Newsom only included $25 million of that in his budget because it went to the printer on May 22 and the total hit is still unclear. "So," Newsom said, "we’re by no means out of the woods."

A hard look at the prison budget

0

OPINION Last week’s grim budget news from Sacramento reminded me of Edward Lorenz’s often-quoted maxim, according to which the flap of a butterfly’s wings in Brazil sets off a tornado in Texas. California’s budget, which we have consistently ignored and abused since the passage of Proposition 13, turns out not to have been limitless. And many residents, for whom our prison system had been invisible, may have found out for the first time that our correctional apparatus constitutes more than 7 percent of the state’s annual budget. Perhaps we are finally ready to become aware of the impact of our prisons on our wallets — and our lives.

Californian prisons are at nearly 200 percent capacity; 170,000 people are kept behind bars, and many more are under parole or probation supervision. The prison medical system has been declared unconstitutional by the federal courts and handed to a receiver. Among the many reasons for this catastrophe are our irrational sentencing scheme, a collage of punitive voter initiatives approved since the 1980s, and our deficient parole system, which leads 70 percent of those released back into prison for largely technical parole violations. Not only is this system inhumane and counterproductive, it’s also expensive: it costs about $40,000 dollars a year to keep a prisoner behind bars, and much more to treat aging, infirm prisoners who are in the system due to legislative constructs such as the three strikes law.

The silver lining of the budget crisis is the opportunity to rethink our social priorities and reassess how we may transform them to make the system less expensive and cumbersome. The indications of this transformation are everywhere: the resuscitated debate on marijuana legalization (and taxation); prioritizing violence and public harm over other offenses; a reinvigorated public discussion regarding the usefulness, and costs, of the death penalty; avoidance of expensive prison expansions; the national crime commission initiative, propelled by the failure of the War on Drugs; and the California Sentencing Commission Bill, which will soon come before the Assembly for a third reading.

Californians may not be as punitive as voter initiatives suggest. When informed of the existence of prison alternatives and of their costs, the public tends to choose less punitive options. Our current mentality of scarcity presents, therefore, a remarkable chance to decrease the size of our inmate population. This would lead not only to immense savings, but also to the release of many people who don’t belong behind bars. How we use this opportunity, however, depends on our ability to imagine, and implement, a new set of priorities.

We must understand that short-term, emergency measures of mass releases will be ineffective unless we use this opportunity as a catalyst to rethink our beliefs on corrections. Without a strong set of rehabilitative and reentry programs, many of those released under the new policy will return to the prison system. If we want to avoid more expenses, and a revolving prison door, we must reform and rationalize our sentencing regime to conform to sensible, fact-based principles, rather than political fads and panics.

Such measures are the flaps of the proverbial butterfly’s wings, and if we act not only swiftly, but deeply and wisely, we may be able to escape the tornado.

Hadar Aviram is associate professor of law at Hastings College of the Law and the author of the California Corrections Crisis blog, www.californiacorrectionscrisis.blogspot.com.

Editor’s Notes

0

› Tredmond@sfbg.com

The absolute most stunning statement of how messed up the state of California is emerged last week from the state director of finance, explaining why the proposed budget cuts fall so heavily on services for the poor. Let me quote directly from The New York Times:

"Government doesn’t provide services to rich people," Mike Genest, the state’s finance director, said on a conference call with reporters on Friday. "It doesn’t even really provide services to the middle class.

"You have to cut where the money is," he added.

Um … government doesn’t provide services to rich people? What about, say, the roads they drive on, and the airports they fly in and out of? What about the vast sums the state spends putting out fires that threaten wealthy enclaves in Southern California? What about the public education system, which trains workers for businesses? What about the entire criminal justice system, which exists to a significant extent to prevent poor people from taking rich people’s money?

Do you think Sergey Brin and Larry Page would have become Google billionaires if the Internet — developed and paid for by the government — didn’t exist?

No. Federal, state, and local governments all spend money on services for the rich. And by and large, those services don’t get cut when budgets are busted, and by and large, the rich don’t pay their fair share for the services they get — and by and large, nobody in politics talks about that when these nasty decisions get made.

It doesn’t have to be this way. Let’s just remember that as 900,000 kids lose their health insurance and California becomes, in the words of Mayor Gavin Newsom, the first state in the industrialized world to have no welfare system at all. It doesn’t have to be this way.

Cutting services for the poor, as opposed to cutting things rich people want and need, or making them pay a tiny bit more to keep society stable, is a political choice.

The American Federation of State, County, and Municipal Employees just put out a fascinating document looking at alternatives to the governor’s cuts — including a bunch of things that can be done without the two-thirds vote required to raise taxes. There are, for example, about $2.5 billion worth of useless and wasteful tax loopholes identified by AFSCME that could be closed (hurting the rich, helping the rest of us). That would save a lot of health and welfare programs.

San Francisco has choices, too. Downtown parking fees hit wealthier people; Muni fare hikes are a tax on the poor. A congestion management fee on downtown would overwhelmingly hit wealthier commuters; cuts in public health overwhelmingly hit the poor. The Tenderloin’s Community Justice Center hurts low-income people (and helps rich tourists and the hotels scare away the homeless).

The thing that kills me is that some of us have been saying over and over — for years and years — that the city needs to develop a better tax system (which will require a public vote) to minimize these cyclical crises. And some of us have been pointing out that a public power system would generate several hundred million a year (and that private power is sucking $600 million a year out of the local economy).

Do we have to keep blundering from disaster to disaster? For how long?

*

Newsom’s no-tax budget

1

By Tim Redmond

Steve Jones will be reporting in tomorrow’s paper about the details of Newsom’s budget proposal, and it’s going to take a few days to figure out exactly what’s in and what’s out of the budget, but the mayor has already made one point, and it’s infuriating:

He proudly announced that the budget is balanced with no borrowing and no new taxes.

Sounds like something that George W. Bush would have said.

And here’s the problem: When Newsom was negotiating the latest round of givebacks with the unions, he promised to work toward a revenue measure in November. And if he were serious about that, he could have included that projected revenue in this budget — avoiding some of the most painful cuts.

So what’s up? Is Newsom going back on the deal with SEIU — or is he just assuming that any revenue measure he puts on the ballot will fail?

Here’s what the mayor’s press secretary, Nathan Ballard, has to say:

After SEIU rejected the sensible deal that had been reached with the Mayor,
the revenue-measure talks unraveled, and so the Mayor could not in good
faith include projected revenue from a hypothetical measure in his proposed
budget.

All along we’ve said that a revenue measure would have to include support
from a broad coalition of San Franciscans, and nobody from the business
community — an essential part of any such coalition — is going to support
a revenue measure unless SEIU has already agreed to shoulder its fair share
of the city’s budget burden.

However, once SEIU votes to approve the new deal with the Mayor’s office,
it’s a whole new ball game. At that point we can convene a new series of
talks and attempt to come up with revenue measures that a broad coalition
can support. Once that happens, the budget could be adjusted accordingly.

Okay, sure — blame it on the SEIU members. But that’s not the point. First of all, it’s pretty likely the union membership will approve the latest contract offer, and Newsom knows that. More important, this isn’t about SEIU v. Newsom. It’s about the city, and the health of San Francisco and its residents. And a mayor who was serious about preserving essential services wouldn’t be waiting until the last minute, and planning to “adjust the budget” after front-line workers are laid off, programs are cut, nonprofits shut down etc. before he started talking seriously about new revenue sources.

God rides the bus

4

By Tim Redmond

601jesus.jpg
Or maybe he takes his bike — but he doesn’t park in the median

Sarah Phelan interviewed Nat Ford, the head of Muni, for her story on the Muni budget that will appear in Wednesday’s Guardian. I have to offer a sneak preview of one of his comments.

Confirming that the agency dropped a $9 million a year proposal to extend meter hours citywide after receiving input from merchants, Ford said, “We’ll clearly have to revisit parking. We’ll be looking at how to administer extended meter hours and how that impacts churches if we do it Sundays. But we are sitting here with a structural deficit that’s been going on for decades. We need to figure out the revenue streams we need to enhance the system.”

Wait, wait, wait.

The impact on churches?

Mr. Ford, let me clue you in on something. In San Francisco, particularly in the Mission, nobody every parks at a meter to go to church on Sunday. They park in the middle of the goddam street.

This is illegal. There are no permits required. The cops just look the other way.

And, as I pointed out when I last wrote about it:

Nobody else gets to do this.

If you go to see the (secular) Mime Troupe in Dolores Park and you stick your car in the middle of the street, you get a ticket. If you drink at a (secular) bar or eat at a (secular) restaurant and you leave your car in the Valencia Street median, you get cited. You can’t double park while you run in for a (secular) cup of coffee at Muddy Waters.

You can’t even do it when you go to yoga, which for a lot of people is a spiritual experience.

You want some money, Nat? Make the damn churches pay a fee for the damn free parking they get. I’m sorry: If you don’t want to pay for parking, you can ride the bus to church. Or walk. Or ride your bike. That’s what Jesus would do. Right?

The rich don’t use public services

11

By Tim Redmond

That’s what Gov. Schwarzenegger’s finance director told the New York Times:

Nearly all of the billions of dollars in cuts the administration has proposed would affect programs for poor Californians, although prisons and schools would take hits, as well.

“Government doesn’t provide services to rich people,” Mike Genest, the state’s finance director, said on a conference call with reporters on Friday. “It doesn’t even really provide services to the middle class.” He added: “You have to cut where the money is.”

But that’s just wrong.

California spends a ton of money protecting rich people’s homes from fires. California spends billions on law-enforcement and prisons, much of that money going to ensure that poor prople can’t take money from rich people. Who do you think state highways serve? (Mostly the middle-class.) Who gets to live safer, more secure lives because desperatly mentally ill people aren’t wandering the streets?

Does the public school system and the state college and university system not train workers for the state’s wealthiest corporations?

And what about all of the excessive tax breaks that go to big businesses? Tax breaks are money that comes out of the government’s pocket. Tax breaks are handouts, just like welfare payments are handouts. Except that the tax breaks tend to be much bigger.

When you add up all the benefits that state government provides for the wealthy — and you look at how modest the tax payments from the wealthy are in this state — you get a sense of why we’re in this budget mess.

City Desk Newshour ends long SF run

2

By Steven T. Jones

An era ended last night while my colleagues and I taped the final episode of the City Desk Newshour, a Comcast television program that has provided continuous weekly coverage of San Francisco City Hall for almost 30 years. It is simply the latest blow in a steady erosion of political and local government coverage by experienced journalists.

I’ve been a regular panelist on the show for a couple years now, but I was really struck by what an institution it is in November when we did a segment on the anniversary of the Harvey Milk and George Moscone assassinations. I glanced at the monitors and saw our B-roll footage of Milk, Moscone, and Dan White being interviewed in our studio for our show back in the day.

Comcast decided to slash its locally originated programming budget and fire half its Bay Area staff, something it is allowed to do because local governments have lost the legal ability to set local programming standards for cable companies as part of their franchise agreements. If you have Comcast cable, try to catch the final episode replays this weekend on Channel 11 and/or check out old episodes in the OnDemand section under hometown local programming.

But there is a silver lining to this story. Comcast officials in California successfully fought to save our show as long as we can retool it to have a more regional focus, which we’ll be working on over the next couple months. So tune in later this summer for a new show with a new name and new focus, but some of the same faces from the Guardian, Chronicle, Examiner, and KQED.

Prison report: Inmates will be back

5

Editors note: Just A Guy is an inmate in a California state prison. Read his last blog entry (and links to past ones) here. His dispatches run Monday and Thursdays; he tries to answer questions and comments as quickly as possible, but it’s a bit tricky communicating from prison, so be patient.

By Just A Guy

The tides have turned and the language is changing as politicos try to salvage their political futures via a different spin on the old tune.

As the State of California budget fiasco lays the foundation for massive cuts in spending the results will be: early releases (eventually) for prisoners and even LESS rehabilitation, NO welfare, LESS education spending, and less aid in general. The long term result, unarguably, will be MORE people in prison and HIGHER recidivism!!!

Supervisors fail to reject MTA’s “cars first” budget

0

Board President David Chiu and Sup. Sophie Maxwell joined their more conservative colleagues–Sups.Michela Alioto-Pier, Carmen Chu, Bevan Dufty an Sean Elsbernd–today in voting not to reject the Municipal Transportation Authority’s 2009-10 budget.

As a result, proposed fare increases and service cuts To MUNI will go ahead. And so far there are only verbal promises from MTA executive director Nat Ford that his agency will examine the feasibility of extending parking meter hours in the city’s downtown core, even though the MTA is facing 10 million to $15 million deficit-thanks to the state’s ongoing budget mess and as yet unresolved union negotiations,

Here’s hoping the progressives on the Board find a way to keep it together during the upcoming battle over the Mayor’s budget, which is due next Monday, June 1.

A new corporate tax cut

0

By Tim Redmond

Calitics has the scoop on one of the most insane parts of the budget debate — just as the governor is talking about massive, mind-numbing cuts in public services, the state is about to give a big tax break to large corporations.

Lenny Goldberg, of the California Tax Reform Association, puts it this way:

“This is the gutting of the state corporate tax,” said “In fact, they did it so badly that lawyers are chuckling about the opportunities for tax avoidance.”

O.G. sleaze

0

a&eletters@sfbg.com

A full range of involuntary facial-muscle responses have already been triggered by the trailer to Quentin Tarantino’s Inglourious Basterds, which premieres at the 2009 Cannes Film Festival. First 2008’s Valkyrie, now this: Brad Pitt’s Tennessee-hills-bred Lt. Aldo Raine twangily informing his Jewish-American Secret Service unit, "Each man under my command owes me ONE HUNNERD NAAATSEE SCALPS!" while Hostel auteur-turned-actor Eli Roth smirks in approval.

Will the whole turn out righteous, raucous, controversial, or just juvenile? We proles will have to wait until the film’s August theatrical release to decide for ourselves. Meanwhile, the Yerba Buena Center for the Arts is letting inquiring minds do their advance homework by reviving Enzo G. Castellari’s less orthographically challenged Inglorious Bastards, the 1978 Italian action movie Tarantino’s latest pays tribute to — though his isn’t a remake but a separate, newly crassed-up riff on The Dirty Dozen (1967).

That latter all-star World War II caper spawned umpteen "Europudding" imitations, including the QT-beloved Bastards, showing this week in a new 35mm print. A sort of Filthy Five to the original Dozen — budget reduced accordingly, with sharp eyes ID’ing the same extras experiencing different death throes in scene after scene — it centers on a quintet of U.S. Army grunts in 1944 France.

There’s Bo Svenson (who’d become a sorta-star by replacing the suspiciously car-crash-slain Buford Pusser in 1975’s Walking Tall Part II) as swaggering Lt. Yeager; Fred Williamson’s Pvt. Canfield, an incongruous 1940s fount of ’70s Black Power ‘tude; smirking wiseass, murderer, and racist Tony (Peter Hooten), who calls Canfield "Bongo;" Nick (Michael Pergolani), a long-haired hipster aping Donald Sutherland’s similar character in 1970’s hit Dirty rip Hell’s Heroes; and Jackie Basehart as fraidycat youth Berle.

After being sent to the brig for various misdeeds, they escape their captors, intending to flee to neutral Switzerland. En route they pick up a nice Nazi (Raimund Harmstorf, horny hero of 1971’s The Long Swift Sword of Siegfried) and bare collective musculature to some bathing Rhine maidens. But mostly they machine-gun everyone in sight, unfortunately including Yankee spies disguised in Third Reich uniforms.

Penitent, our protagonists vow to take over their late comrades’ dangerous mission. This culminates in an exploded train, and an SS commander foaming "All Americans are mongrels! Negro, Jew, Polish, Italian, Irish — every possible race! And your vimmen are whores! Coca-Cola! Hollyvood! Chewing gum! Stupid cowardly bastards!" just before his ass is whupped by Canfield. Musta been that soda remark.

Inglorious begins with psychedelic-silhouette images underlining two key things about Castellari: 1) he honed his energetic macho action style in spaghetti westerns; and 2) he isn’t considered "the poor man’s Peckinpah" for nothing, being absolutely addicted to balletic slow-mo violence. About a bazillion Germans here do the spastic dance of death, riddled by bullets or leaping from yet another explosion.

Yet the film’s tone is larky, at times even goofy. Hardly a neglected masterpiece, or a campy delight like some of Tarantino’s other retro faves, it’s a good example of another era’s disposable entertainment. Unlike the grim check-cashing air emitted by many similar Europudding exercises, here you can sense the fun that went into making it.

His big-screen career of Westerns, policiers, Mad Max and Escape from New York clones eventually tapped out, Castellari moved on to TV work. But at age 70, Castellari is still capable of rising to the exploitable moment. Currently being hawked at Cannes — alongside the considerably more hyped you-know-what — is his Caribbean Basterds, which appears to cobble together nods to Tarantino, contemporary sea piracy, Point Break (1991), and A Clockwork Orange (1971).

INGLORIOUS BASTARDS

Fri/29, 7:30 p.m.; Sun/31, 2 p.m., $8

Yerba Buena Center for the Arts, 701 Mission, SF

(415) 978-2787, www.ybca.org