Pub date January 18, 2011

>>Read part one here.


Raw Romance

(Burger Records)

Nobunny, the bunny-masked alter ego of Oakland rocker Justin Champlin, has been performing since 2001. He had his first full-length release in 2008 with Love Visions on Bubbledumb Records, and last fall he released his follow-up, First Blood, on Goner. Between that, in 2009, there was Raw Romance, a cassette-only release composed of new songs, covers, and acoustic alternates to favorites from Love Visions. With only 500 hand-numbered copies of Raw Romance in circulation, it garnered a cult following. Now Burger Records is releasing it remastered on vinyl, and the first 300 copies on pink vinyl.

Raw Romance starts out with a Buffalo 66 sample, and then plunges into “Your Mouth.” It’s a simple, sweet song with risque PG-13 lyrics, ornamented with tambourine, handclaps, and whistling. A nod to Nobunny’s own appearance, “Mask’s On” is an ode to mask-wearers and lovers. The recess-worthy “Apple Tree” is both sexy and scary, like a vampire crush. On “Tonight You Belong to Me,” Nobunny offers a raw acoustic version of the song famously sung by Steve Martin and Bernadette Peters in The Jerk. “The Gutter” is a mix of Elvis-rockabilly and country twang — a harrowing tale that ends in … the gutter. Although it’s a hodgepodge, Raw Romance makes a boisterous addition to any Nobunny fan’s collection. (Michelle Broder Van Dyke)


With Battlehooch, Exray’s, The Downer Party

Feb. 25, 9 p.m.; $12

Bottom of the Hill

1233 17th St., SF

(415) 621-4455



(Howells Transmitter)

From making “musical fiction” with Ray’s Vast Basement to playing in the SF band Black Fiction, a project with Tim Cohen from The Fresh and Onlys, Jon Bernson is a force in the Bay Area music scene. He’s contributed music to a dozen plays and at least four short films. And if you’ve seen the $200 million-grossing movie The Social Network, then music from his latest project Exray’s has no doubt crept into your ears.

As Exray’s, Bernson and Michael Falsetto-Mapp released a cassette, Ammunition Teeth, last year on San Francisco label Howells Trasmitter. The band is now set to release its self-titled full-length Feb. 1. It boasts an impressive guest list: Nate Query (the Decemberists), Warren Huegel (Citay, Jonas Reinhardt), and Cohen. Opening with “You Forget,” the album flows forth with uptempo beats and a florid blend of guitars, synths, and samples. This release evokes various moods, akin to the settings that Ray’s Vast Basement created for its “musical fiction,” making it clear why those behind The Social Network soundtrack found the Exray’s track “Hesitation” appropriate. Underneath the steady pulses and the pop melodies, there is an anxious undercurrent. “Stolen Postcard Sun” is a slowed-down number that hints at the mysterious. An album highlight comes at the end with “When I Was You,” which paints a somber postromantic picture. This electronic-pop duo crafts songs that hint at the unknown while steadily pacing ahead. (Broder Van Dyke)


With Magick Trick, Fiveng, DJ Cyclist

Feb. 4, 9:00 p.m.; $12

Cafe Du Nord

2170 Market, SF (415) 861-5016



Live in Aisle Five


Bay Area-favorite Ty Segall has been churning out recordings under his own name since 2008 with the cassette Horn The Unicorn on Wizard Mountain, and there are no signs he’s slowing down. To start 2011, Segall is releasing Live in Aisle Five, recorded by local noise-maker Eric Bauer last summer at an Amnesia show for Southpaw Records’ first-year anniversary party.

The album starts with a triumphant “How you guys doing?” from Segall, and then the smashing new song “Come to California.” There’s the usual rumble of reverb, so it’s hard to discern all the lyrics, but it sounds like a ragged advertisement for our home state. It’s got an astounding guitar solo that flushes the song out and moves into the pounding drums of “Imaginary Person,” off of 2010’s Melted, on Goner. Segall’s signature wolf-worthy howls are heard throughout the album. On his cover of GG Allin’s “Don’t Talk to Me,” the onomatopoeia of “chitter, chatter” and “yak tak” is screamed like it was meant to sound. More than his recordings, Segall wins fans live. And if you yearn for that visceral experience that is more human in its imperfections — one that makes you want to move — this is your record. (Broder Van Dyke)


With Nodzzz

Jan. 28, 8:30 p.m.; $12

Rickshaw Stop

155 Fell, SF

(415) 861-2011