YEAR IN REVIEW The time is right to pay tribute to the Bay Area’s artists and galleries. Without further ado, here’s an alphabetical guide to 2008’s delights.
A is for the amazing SF art opening section at www.artbusiness.com; and for Ryan Alexiev, whose "Land of a Million Cereals," at Mission 17, hit Larry King and Damien Hirst with sugary comedy
B is Todd Bura, whose "Misfits" at Triple Base used minimalism to make one see things anew; Jonathan Burstein, whose "Visage" at Patricia Sweetow Gallery turned museum recycling into the year’s best portraiture; and Luke Butler, whose "Invasion," at [2nd floor projects] tickled with Spock landscapes and Republican presidential beefcake
C is for Victor Cartagena, "The Invisible Nation," at Galeria de la Raza; Julie Chang, "Ox-herding," at Hosfelt Gallery; Ryan Coffey, "Recent Works," at Adobe Books Backroom Gallery
D is for Lauren DiCioccio, threading through the death of the newspaper era in "Lauren DiCioccio, Aliza Lelah," at Jack Fischer Gallery; and Emory Douglas, making his own activist news in "The Long Memory: Works Past and Present," at Babylon Falling
E is for David Enos, Frank Haines, and Wayne Smith, pronouncing "Zen With a Lisp," at [2nd floor projects]; and 871 Fine Arts, the Bay’s best art books, now at a new site.
F is for Matt Furie and his "Heads," at Adobe Books Backroom Gallery; and "Nature Freak," at Jack Fischer Gallery
G is for the Great Tortilla Conspiracy, who with help from a Paris Hilton Endowment for the Tortilla Arts served up "Tortilla Art for the 21st Century," at SomArts Gallery
H is for Jay Howell, who teamed up with Matt Furie for Receiver Gallery’s "Return to Innocence," and brought curatorial goodness to 111 Minna
I is for inventiveness
J is for Bill Jenkins, whose self-titled show at Jancar Jones Gallery was the understatement of the year; and Ian Johnson, whose "Other Voices/Other Rooms" turned jazz into color bursts at Park Life
K is for the brother duo George and Mike Kuchar, presenting dinosaur and dog love via "paintingsdrawingspaintingsdrawingspaintings," at [2nd floor projects]
L is for Ruth Laskey, and the amazing intricacy of her "7 Weavings," at Ratio 3; and Frank Lyon and David Wilson, "Enter the Center," at Eleanor Harwood Gallery
M is for Dave Muller, " Medium (Six Times,)" at Anthony Meier Fine Arts
N is for nothing
O is for Open Studios
P is for Nathan Phelps, turning a corner from white to black with "The Neti Project," at 20 GOTO 10 Gallery
Q is for Queen’s Nails Annex, which saw the future with Maximo Gonzalez’s "Recession: The Alternative Economies of Maximo Gonzalez."
R is for onetime Bay Area queer punk Gwenaël Rattke, bringing collage back with "Nouveau Système," at Ping Pong Gallery; and Lordy Rodriguez, blasting us with color in "201 Drawings," at Hosfelt Gallery
S is for Bott Scarry, tweaking op art and his name with "Weezing the Juice," at CCRider
T is for David Tomb, heeding the call of the wild with the beautiful paintings of "Birds of the Sierra Madre," at Electric Works
U is for underground art that you keep at home and show only to friends
V is for Jacques Villegle, whose "Decollage from 1965-2006" brought the art of torn posters to Modernism Gallery
W is for William T. Wiley, turning ecology into pinball at Electric Works’ "Punball Only One Earth"; and Michael Wolf, whose "The Transparent City" eyed city-of-now Chicago, at Robert Koch Gallery
X marks the spot
Y is for Will Yackulic, "A Prompt and Perfect Cure," at Gregory Lind Gallery
Z is for "Zebulun," by Goldie winner Kamau Patton, at Queen’s Nails Annex; and for all the zzzs needed to rest up before the barrage of Bay Area art in 2009.