SFBG Blogs Archives — Page 478 of 597 — San Francisco Bay Guardian Archive 1966

Flash: Is Stockton ousting PG@E?

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May 2, 2008

By Bruce B. Brugmann

Joe Neilands flashed the news late Friday afternoon. The City of Stockton may be moving to kick PG@E out of town.

Neilands broke the PG@E/Raker Act scandal wide open with an expose in the Guardian in l969 and started the long battle to kick PG@E out of City Hall and out of San Francisco.

Sure enough, Joe was on target again. The Stockton Record carried the story on Wednesday (April 30) with a strong headline: “PG@E Sued by Stockton, City Pursues Ruling to Aid Possible Power Takeover.” The story, by David Siders,
reported that the city sued “its century-old power provider Tuesday and requested “that a court rule Stockton has the right to oust Pacific Gas & Electric Company and to take over the local electricity market–even before the city decides if it ought to.

“A ruling in the city’s favor would reinforce its position that PG@E is contractually obligated to sell–agreeing to do so in its franchise agreement in l954–and would undermine PG@E’s claim that a takeover would be hostile and that its assets are not for sale.”

Mayor Ed Chavez had called for a takeover bid in his State of the City address in February. The story quoted him as saying that a takeover would cut rates and generate millions of dollars in revenue. A preliminary estimate found that it could cost Stockton $368 million to buy PG@E’s assets but that the market is so profitable the city could recover that cost and save $8 million more annually, according to the Record.

Hey, Mayor Newsom and all the PUC and other City Hall officials are scared to death of PG@E. Listen up. If Stockton can take on PG@E, why can’t San Francisco take on PG@E? After all, San Francisco is the only city in the U.S. that is required by federal law to have a public power system (because the Raker Act of l913 allowed the city to build the Hetch Hetchy dam in Yosemite National Park for its water supply, on condition the city residents get cheap Hetch Hetchy public power.) The city got the water but it never got the electricity because of PG@E muscle and City Hall cowardice and so PG@E stands to this day as an illegal private utility in San Francisco. (See Guardian stories and editorials since l969 and the Neilands story.)

Well, it’s good to see Joe still on the story after all these years. But, as I always tell him jokingly, “Joe, with a little more seasoning, you may be ready to cover City Hall in San Francisco.”

Click here to read the Recordnet.com story PG&E sued by Stockton: City pursues ruling to aid possible power takeover and check out the story links for the background.

Blazin’ up for UCSC

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May 2, 2008

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Deep Thoughts by Justin Juul, in honor of Cannabis Awareness Day, Sat/3

The University of Santa Cruz has a long history of embracing pot-heads, communist philosophers, vegans, musicians, artists, and white Rastafarian dudes. That’s why it came as no surprise that The Grateful Dead recently chose the school as the new home for its entire catalogue of music, articles, photos, films, etc. But it was no small feat. UCSC actually beat out bids by Stanford and Berkeley, which, to some, suggests that maybe the world really is changing for the better. Maybe hippies actually are kind of smart. After all, UCSC, a school founded by a roving band of love children back in the early 1960’s, a school that was once featured in Rolling Stone Magazine as “The Best School for Stoners,” a school that David Horowitz singled out on Fox News as “The Most Un-American School in the Country” has become one of the harder schools in the UC system to get admitted to.

The Grateful Dead deal is just another big step in the right direction for all of hippy-kind. But wait. Is the school really that dedicated to its roots or is it just cashing in on them for publicity, hoping that accepting the Dead catalogue will convince the world that hippies are still running the show at UCSC? The truth is they’re not.

Postal workers go postal with picket

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May 2, 2008

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*SEE UPDATED RESPONSE FROM RON MALIG BELOW*

A group of local postal workers are hitting the streets this afternoon, Friday, and going postal on their boss who they say won’t stop going postal on them. Okay, that’s not the best way to put it. Local postal carriers say there’s a guy working as a supervisor at the Bryant Annex Post Office in the Mission named Ron Malig who’s simply out of control. This postal boss, they allege, has long abused and discriminated against his underlings, behavior they describe as “obnoxious” from finding ways to punish fellow postal workers he dislikes to claiming certain colleagues are “disrespecting” him.

The highly publicized postal shootings of the ‘90s helped create an unfortunate image of letter carriers. But two union officials from the AFL-CIO’s National Association of Letter Carriers, Golden Gate Branch 214, told us that over the last few decades, their local hasn’t resorted to pickets all that often, maybe a handful of times. Mostly a quiet bunch, says union vice president Bill Thornton, at least compared to the ILWU, which briefly shut down West Coast ports this week on May Day to protest the Iraq war.

“We don’t picket. It has to be a really bad situation,” said Don Limin, a steward for Branch 214.

In fact, the last time Bryant Annex employees did hit the streets was for a vigil in late 2006 when a postal supervisor named Genevieve Paez from the 180 Napoleon St. post office in the Bayview was shot to death execution-style outside of her home in Visitacion Valley. Paez, who Limin said once worked at the Bryant Annex, had been involved in a dispute with another postal employee named Julius Tartt. The next day, Tartt himself was found in a Livermore parking lot dead from what the Alameda County Coroner’s Office declared was a self-inflicted gunshot wound. Police believed Tartt killed Paez and then took his own life.

Digital killed the Polaroid star

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May 2, 2008

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By Justin Juul

Attention all aspiring American Apparel models! Stop eating this very moment and get yourself a one-way ticket to Downtown LA because your dreams are on the verge of crumbling. The rumors are true. As announced earlier this year, Polaroid, the world’s only instant film manufacturer, has officially announced that it will no longer be making instant film, which, of course, means that the low-fi, borderline racist, pseudo-amateur photographs American Apparel has built its legacy on will no longer be possible to produce and that the AA empire will soon crumble too. Yes, hipsters, the whole world is coming to an end.

But wait. Maybe I’m being too hasty. There is one niche market of highly influential people who, in all likelihood, will never let instant film die: art gallery curators. Their lives are about to become a whole lot easier. Soon, all they’ll need to do to guarantee a crowd is to find some random dude with a Polaroid collection and let him loose on their walls.

The End of Polaroid with Tod Brilliant is the first of what is surely to become a Bay Area tradition: The Polaroid Retrospective. Join Brilliant as he reminisces about instant film, talks about his photographs, and shares his vintage camera collection.

Artist’s Reception: May 9th from 6:00 – 9:00pm
Micro Gallery
602 Wilson St. Santa Rosa.

(707) 570-0128.

Neon Neon hop in the DeLorean, speed back to the future

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May 2, 2008

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By Todd Lavoie

Neon Neon, “I Lust U (featuring Cate Le Bon)”

As far as concept albums go, it couldn’t get much odder: Neon Neon’s Stainless Style (Lex Records) — the new collaboration between Super Furry Animals frontman Gruff Rhys and underground electro/hip hop producer Boom Bip — takes a body-rockin’ trundle on the time-machine back to the heady life and times of John DeLorean, and mercifully, it works and works and works. It could’ve been so completely naff — concept albums often are, frequently falling prey to their own ambition and overly-serious dedication to the subject matter concerned — but the impish Welsh singer/songwriter and L.A. beatmaster handle the conceit with humor, reverence, and more than a little insight as well. Better yet, the album just as successfully when considered merely as a collection of songs, no more, no less. Isolate any of these synth-wigglers from the concept album construct, and you’ll still end up with a solid stand-alone track worthy of your hips and ears.

A neon yellow DeLorean: ready

Stainless Style is steeped a-plenty deep in the Back to The Future era. Much like the infamous DeLorean vehicle itself, the album is slick and sleek, squeaking from a hard polish that lands midway between glitzy and tacky beyond belief — in the best possible way, mind you. Any recording which intends to faithfully, convincingly pay tribute to the 80s must speak with a fluency in the rhythmic- and synth-cheeses of the times, and Neon Neon apparently has taken a full-immersion course in the language.

No May Day party for day laborers

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May 2, 2008

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Power tools, light fixtures, house paint, lumber, immigration raids. You can find it all at Home Depot. While everyone else was celebrating the May Day holiday of international solidarity and workers’ rights, a group of undocumented workers were either sitting in jail waiting to hear if they’d be permitted to stay in the United States or they’d already been deported.

Last month, law enforcement officials including the Alameda County Sheriff’s Department and the federal Immigration and Control Enforcement bureau arrested several workers waiting for jobs in front of the Home Depot location on Ice House Terrace in Fremont.

“They detained many of us, leaving only a couple of us behind. From what we know, most of them were deported,” one worker told KCBS April 29.

Just before the holiday, immigration activists from La Raza Centro Legal, the Living Wage Coalition and other groups held a press conference to denounce the raids.

“These are human beings we’re talking about, workers who were simply trying to work and earn a living,” a La Raza organizer said in a prepared statement. “We’re going to find out what happened to them.”

NBC 11 reported that several weeks ago Home Depot called the Fremont Police Department complaining about workers loitering in front of the store and 13 people were eventually taken to the Santa Rita Jail because they could not be properly identified.

Regulating marijuana slooooooooooowly

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May 2, 2008

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San Francisco blazed a new trail back in 2005 when the Board of Supervisors approved comprehensive regulations governing the city’s medical marijuana dispensaries, which numbered more than 40 back then. Fast forward to 2008 and not much has changed, with the 33 club operators and city officials still struggling to get these places permitted. On Tuesday, the board will consider a third delay of the deadline, pushing it back to Jan. 19, 2009 which, not coincidentally, is the day after the inauguration of a new U.S. president.

What’s the problem? Well, according to my sources and a recent Chron piece, the clubs are facing a confluence of difficulties. Sup. Michela Alioto-Pier’s insistence that clubs meet the highest standards of access for those with disabilities has caused club operators to have to develop detailed applications which are then reviewed by the Mayor’s Office of Disabilities, which wasn’t given any new staff or resources for this new role. And then when club operators are forced to make improvements, to get the building permits they need approval from their landlords, which are freaked out these days after receiving threatening letters from the Drug Enforcement Administration. Add to that permit costs of $7,000 and improvement costs in the tens of thousands of dollars, fear of creating a paper trail for federal prosecutors, and the nature of bureaucracy and it’s clear that the problem isn’t simply one of stoners who can’t get their shit together.

Merc circ up despite newsroom bloodbath

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May 2, 2008

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How is it possible that one of the only major daily newspapers in the United States to show an increase in circulation over the last six months is the closest to up and dying? The San Jose Mercury News added 4,000 weekday copies over the last half-year, according to their most recent figures.

The Merc, once the prestigious gem of the Knight-Ridder chain of newspapers, has undergone heartbreakingly massive staff cutbacks and turnovers of top editors over the last two years. One editor even tragically took his own life. Knight-Ridder was one of the few chains in the United States that aggressively challenged the White House on the war, something they didn’t get proper credit for until much later when Bill Moyers made his triumphant return to public television.

Besides the Merc, everybody’s down in circulation by several percentage points these days: the LA Times, the Chronicle, the Sacto Bee, the Orange County Register. And we all know why, of course. People don’t want to pay for paper anymore. So how could a paper product like the Merc, which is losing all of its talent and enduring the infamous operations consolidations of parent company MediaNews that predictably lead to more boring and error-laden copy, actually be raising the number of people who read the deadwood version at home?

Their circ is up by a seemingly small 1.7 percent, but when you consider the most attention the Merc has gotten lately came from a series of depressing photos portraying the Merc newsroom as a graveyard, this seems like a pretty big deal for the Silicone Valley daily. We couldn’t actually find a good explanation for why their circ is up … anywhere. Folks linked to the news but no one explained the turnaround. We weren’t able to reach anyone in the Merc‘s circ department right away either. They may have blitzed the city with subscription deals, but that seems unlikely if MediaNews CEO Dean “Obama Bin Laden” Singleton, like everyone else, is gravitating toward the Web, even if the Web formula he’s come up with for all of his newspaper holdings frankly looks like crap. I mean really, Dean. The MediaNews sites aren’t nice to navigate or look at. Moyers and Singleton videos after the jump.

What’s up with the restaurant surcharges?

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May 1, 2008

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The last time I had lunch at the Slow Club, the check came with a little notice: $1 was added to the cost of every meal to cover the cost of complying with the city’s new health-care mandate. That was fine — if I can afford to eat at the Slow Club I can afford an extra buck so the people who work there can get health insurance.

But it’s interesting that the place didn’t just raise prices by $1 (which most people wouldn’t have noticed — restaurant prices go up all the time). They made a point of letting everyone know that the money was for a new government mandate. It was, in its own way, a political statement: Hey, sorry we have to charge you more, but the city is forcing us to do it.

That’s made some local activists a bit angry (there’s a fascinating little bit on it in the San Francisco Magazine blog — Sup. Tom Ammiano (who wrote the health-care bill) and labor leader Chriss Romero were eating at 2223 Restaurant on Market, and Romero got pissed off when the tab came with a four percent service charge that mentioned the insurance rule.

I get Romero’s point, and we supported the Ammiano legislation — and as someone who works at a small business that has always provided health insurance to employees and is still getting hit with some serious additional expenses to comply, I understand why the restaurants are trying to make a point about it.

And it’s absolutely true that restaurants never do this when other mandates, taxes, fees and expensive compliance rules take effect (you never see it for increases in the minimum wage, for example).

Mild statement or annoying protest? Thoughts?

Ammiano: May Day! May Day!

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May 1, 2008

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Today’s Ammianoliner:

May Day! May Day! Arnold Schwarzenegger stops the light brown sprayijng of his hair.

(From the home telephone answering machine of Sup. Tom Ammiano on May l, 2008) B3

PUC adds two cents on peakers

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May 1, 2008

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Actually, it’s more like 200. Kinda lengthy, and a PDF, but here’s what to expect from the SFPUC at next Monday’s meeting on the issue of building two power plants in the city.

SFIFF, day eight: Bed, bath and beyond the ordinary

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May 1, 2008

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By Jeffrey M. Anderson

I love the festival’s crazy Late Show selections, but sometimes I miss them. Luckily, Abel Ferrara’s Go Go Tales screened for a third time on Wednesday afternoon. It’s very reminiscent of John Cassavetes’ 1974 The Killing of a Chinese Bookie, but not as focused. (Ferrara’s style is even more rambling.)

Willem Dafoe plays Ray Ruby, a man living his dream by running a strip club. The trouble is that the club is failing, the girls haven’t been paid and Ray loves to blow all his money on lotto tickets. A series of miniature dramas play out over the course of one night. Old friends stop in, new customers come and go, strippers dance and complain, and a man tries to sell organic hot dogs! A tanning booth explodes, nearly burning down the joint. The abrasive landlady (the great Sylvia Miles) shows up, threatening to let Bed, Bath and Beyond move in. A stripper called Monroe (Asia Argento) brings in her dog, which gets in the way. (She uses the dog in her act, and more or less makes out with him on stage.)

Bed, bath and beyond, baby!: The peerless Sylvia Miles with Go Go Tales director Abel Ferrara

Huffman clarifies on CCA

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May 1, 2008

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I just spoke with Assemblymember Jared Huffman, who was concerned about my post the other day suggesting he’d be up for changing the rules for Community Choice Aggregation. I’d parroted a Marin Independent Journal report that said he’d work to change the CCA law so that people have to “opt in” to the power co-op, rather than being automatically enrolled – which is how it currently works.

Huffman said the IJ didn’t put the full context around his quote – he’d only do it if the people in his district said that’s what they wanted, because that’s his job. “I want to be supportive. I represent this district and if the people in this district tell me they want the law changed, then that’s what I’ll do,” he said, adding that no, his constituents hadn’t been asking for him to change it.

But apparently there’s been a lot of hype in Marin over this provision, with the IJ editorializing against it.

Historic day

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May 1, 2008

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Today’s various May Day celebrations and demonstrations in San Francisco are unique. Never before have we seen the labor, immigrant rights, youth, and anti-war movements joined so closely and seamlessly into a coalition that is demanding a fundamental shift in U.S. foreign and economic policies. The messages from the podiums in Civic Center, Dolores Park, Justin Herman Plaza, and the ILWU Hall sounded surprisingly similar and unifying themes, making common cause of their struggles for a more just world that empowers all people, regardless of the artificial borders that separate them.
ILWU made history by shutting down all West Coast ports over a war. Previously, such tactics would only be employed for labor contracts, while the AFL-CIO and other major unions have never voted to oppose a U.S. war. It probably didn’t make much of a difference in the prosecution of the war, but it does signal a possible turning point and a coalescing of disparate groups around a set of issues that need to be more forcefully embraced by those in power (are you listening, Madame Speaker?) if they want to remain there.
Yes, it was a beautiful day in San Francisco in more ways than one. We’ll have more on what it all means — including color from the events and reporting on the issues — in the days to come and in next week’s paper.

Sizzle-shazam: Lazer Sword cuts loose

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May 1, 2008

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In which the breathless writer of this week’s Super Ego column in the paper, laying out the deets on the emerging lazer bass sound, cuts deeper with bass-bangin’ SF duo Lazer Sword (and gets a li’l spankin’ for slapping the “lazer bass” genre header over their sick-ass beats.) Stick it to me! Below is my e-mail interview with swordsters Lando Kal and LL …

The dynamic duo
Photo by Jordan Fraker

SFBG: So what’s the Lazer Sword backstory?
LL: I’m 26 years old and originally from Portland, OR, back when the Trailblazers were hot, but have been in SF for nearly 5 years now. Before I made the move I was heavily into making hip-hop beats in a rap group called Evil Hands, and when we started getting some shows around town I had no choice but to be the DJ (the guy who mans the CD player and does little scratches over the hook) so I was kind of forced to get used to standing on stage and learn to actually spin records a bit since I wasn’t one of the rappers.

After landing in SF I continued to work on music and started playing around with more instrumental type of shit since I had no homies who rapped in the immediate area. Lando and I had crossed paths a few times in the city before we actually got together on some music, but after an official introduction from our mutual hombre Keenan (2005?) we found many similarities in what each other were doing in our respective studios and how we were both trying to do some new experimental shit as well. For a couple months we dabbled around and got a feel for where things were going, but after some people heard what we were doing there was a bit of force put on coming up with a way to hit the streets, so insert a few more months of hard work and eventually we had a live show.

Lazer Sword rip up Rickshaw Stop, May 2007

LANDO: Well I’m 24 and though born in San Francisco, I grew up in Sacramento. I’ve been back for about 6 years now and still enjoy every bit of it. I’ve been producing/ DJing for about 8 years now, messing around with various styles throughout the years. I met Bryant about 4 years ago here in San Francisco and we’ve been labcolabin’ ever since. We met through mutual friends and through passing at Amoeba records (where I worked at the time), trading thoughts on good records for sample material and what not, and began visiting each others’ respective home studios to jam the fuck out. Noticing we had very similar tastes in music and production styles, we naturally began throwing our ideas together, creating boosty tunes and realizing it all worked well together. We’ve been performing for a little over a year now and the sets have changed quite a bit since the first show. I think we can read each other a bit more.

SFBG: What’s going on up there on stage and how do you work together to produce your sound? Especially, how do you produce your lazer bass sound?

D-Structuring the Antique Roadshow

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May 1, 2008

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By Vanessa K. Carr

First Fridays aren’t just for Oakland anymore: D-Structure now hosts art openings the first Friday of every month at their boutique in the Lower Haight.

After a successful show last month with painter Aaron Nagel, D-Structure is launching their latest exhibit, The Antique Roadshow, this Friday, 5/2. The launch party also celebrates the addition of San Francisco-based clothing line Correct Clothing to their stock.

According to Correct Clothing co-founder Thomas Lerou, “Correct Clothing is a lifestyle brand, which means we draw inspiration from the music and art that create the lifestyle. Our clothing will always be linked to music and art.”

Coming Correct

The line keeps it simple – t-shirts and hats only – that they design to be more classic than trendy.

D-Structure’s Antique Roadshow features more than 40 pieces of artwork by local artists Ian Hill, ZenTen, and TenFold, who together are known as the Swedish Milk Toast Collective. In his own way, each of these artists re-envisions the past from a futuristic perspective through the lens of urban and pop art.

Ian Hill’s “Skeptic”

To make the event “a true antique bazaar and roadshow,” says D-Structure’s Cassidy Blackwell, the store will have “antique trinkets displayed all over the gallery space.”

Tenfold takes it on the road

Music will be provided by local DJs Bogle, DJ Centipede, and Citizen Ten (a.k.a. artist TenZen).

The Antique Roadshow
Reception May 2, 8 p.m.
D-Structure
520 Haight, SF
415-252-8601

Church lets out with Marty Willson-Piper

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May 1, 2008

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By Todd Lavoie

Marty Willson-Piper, “Questions Without Answers” (1989)

What a treat! Singer/songwriter/founding member of Aussie atmosphere-masters The Church, Marty Willson-Piper, is doing a special solo-spotlight show— backed by the alluringly-named Mood Maidens— at the Great American Music Hall on Sunday, May 4th. As far as I remember, the last time he played here in the city was back in the summer of ’06, with The Church, at the same venue. Ah, what a show that was— ever-genteel bandmate Steve Kilbey joked about spearheading an “Elizabethan Rock” movement, and Willson-Piper obliged by bringing delicate, graceful guitar-dexterity to Church slow-burners and ambience-anthems such as “Under The Milky Way”, “Chromium”, and “Metropolis”. No word yet about whether Elizabethan Rock is still on the front burner for the band, but the charming, quick-quipping guitarist/big-hit-with-the-ladies does have a new album out— entitled Nightjar (Heyday Records), it’s a gorgeous collection of warm-textured folk-rock pushed along by some of the most delicious six string jangles since, well, the last Church album, really.

Is an introduction to The Church necessary? Probably not, so how about a reminder, then: ever since releasing their debut Of Skins and Heart (Arista/EMI) back in 1981, the band has released well over a dozen albums and EP’s matching (frequently) melancholy neo-psychedelic atmospherics with mystical subject matter, and Willson-Piper has, along with lead singer Kilbey, been a constant in their two-decades-deep career. Much of their success should be attributed to his ability to float just the right color of aura to their formidable mood-making; it’s tough to imagine the smoldering majesty of Church classics like 1985’s “Myrrh”, 1988’s “Antenna”, or 2003’s “Sealine” without Marty’s sublime textures. Then, of course, there’s the perennial crowd-fave of “Spark”— the taut, sneering Mod stomper from 1988’s Starfish (Arista) gave the band’s usual backing-vocalist a truly inspired turn at the lead mic. Two particularly fascinating recent-additions to the band’s catalogue— 2004’s El Momento Descuidado and 2007’s El Momento Siguiente (both Liberation Music)— both offer exquisite “unplugged” revisits to career-highlights, and here, free of feedback and pedal effects, one can gain a whole new appreciation for his intricate guitar-work. Perhaps they also had an effect on the recording of Nightjar, as this new solo jaunt seems to share a kinship with the lush folk ambience of both albums. Granted, the disc does indeed have its electric moments— it even occasionally rocks out in that slow purposeful grind associated with latter-day Church recordings— but it’s easy to imagine Nightjar as a younger, rougher-around-the-edges sibling to the Momento twins.

Leno’s next move

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April 30, 2008

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Mark Leno called today to thank us for endorsing him. I reminded him that this was a leap of faith for us, and that I’d gotten a lot of shit from some of my best political friends over the endorsement, and I told him that (a) he better not ever do anything boneheaded like endorsing Michael Yaki again, and (b) he needs to start now trying to repair the rifts that this race has caused. He promised me that was a top priority.

And then after I got off the phone I got an idea, which — like just about everything I’ve said to Leno — is worth putting out in public.

Mark: Why not start the process now by annoucing that you’ll support Debra Walker for District 6 supervisor in 2010?

She’s running. She told me that last week. She’s going to be the consensus progressive candidate to succeed Chris Daly. She’s a queer community leader, a leader in the arts community, an experienced political activist and city commissioner … she’s pretty much perfect for the job.

And she’s a supporter of Carole Migden.

That’s the sort of bold move it’s going to take to prove that you’re serious about bringing people together. And it’s a no-brainer, since Walker is such an extraordinary person and exceptional candidate. Nothing to lose here, Mark, and everything to gain. I have her phone number if you need it.

PS: Update: I’ve apparently been wrong in one of my criticisms — Leno says he never endorsed Michael Yaki. Sorry about the error.

Dirty, dirty bedroom secrets

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April 30, 2008

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By Justin Juul

I once lived with a girl whose bedroom looked and smelled exactly like a landfill. Stained panties, pieces of trash, and soup-bowls-turned-ashtrays were strewn from one corner of her private hellhole to the next. The strange thing was that if you had never seen this girl’s room you would have thought she was normal and nice. She dressed well, spoke eloquently, and never did anything too crazy. But I knew the truth. She may have looked nice on the outside, but I knew that somewhere deep down inside there lurked a slovenly beast with no regard for order or cleanliness, a heathen with dirty underpants. That’s the thing about bedrooms. The way we decorate them can reveal something about who we really are.

Bay Area photographer Andrew McClintock certainly understands this truth. He recently spent about five years documenting the living habits of young San Franciscans. So if you’ve ever wondered what all those waiters, starving artists, and late-night-computer nerds are really like, you should check out his show at the Bluesix Acoustic room. Prepare to be shocked.

Opening reception for Andrew McClintock’s Bedrooms Series
Friday, May 2nd. 7:30 PM.
Bluesix Acoustic Room
3043 24th. SF.

SFIFF, day seven: Home, Towne, and Leigh love

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April 30, 2008

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By Jeffrey M. Anderson

Well, I wasn’t able to catch up with Errol Morris this time around, and I’m bummed, but I secured an interview with screenwriter extraordinaire Robert Towne, which I will share with you later in the week.

I did catch up with Touching Home, the feature debut by local twins Logan and Noah Miller, and after watching it I suspect that their future may lie more in the realm of producing than directing or acting; their meetings may be more interesting than their movies.

Touching Home touches upon Christmas

Apparently the Millers accosted Ed Harris outside the Castro Theater in 2006, when the actor received the festival’s Peter J. Owens award. They pitched him their project and even showed him a trailer. The movie itself shows similar marketing smarts. It’s the story of twin brothers, both baseball players, who dream of making the big time. One loses his scholarship and the other is fired from his bush league position, so they slink home, get jobs in the local quarry and hope for a chance in the spring in Arizona. Meanwhile, one brother reconnects with their alcoholic, gambling-addicted father (Harris) and finds a cute new girlfriend, leading to fights between the brothers.

World Press Freedom Day

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April 30, 2008

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Smells like imposter rock

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April 30, 2008

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By Justin Juul

Rock and Roll bands are rad and all, but truth be told, I’d usually rather just listen to their music on my iPod. That said, I still crave a good show every now and again, The thing is, since the urge to go out on the town strikes so rarely, I’ve become rusty at the whole procuring-concert-tickets-on-time thing. I always miss my favorite bands when they pass through because I either log on to ticketmaster too late or I mistakenly think no one else gives a shit and I’ll be able to buy tickets at the door.

No big deal, really. Most of the bands I’d actually pay to see are all dead, or too old to look at, anyway. Which is why I think cover bands are where it’s really at. I mean, why pay a million dollars for the Motley Crue reunion, when you can pay ten dollars to see dead on impersonations of Ozzy Osbourne, Tesla, Whitesnake, and Motley Crue all at the same time? You just can’t ignore the economic value of cover bands, but the best part about them is that they only play the classics. No more sitting through Tommy Lee’s lame ass DJ set just to hear Shout at The Devil. No more wondering if Ozzy’s gonna sing Ironman. At a tribute show, you get to hear the good shit straightaway and then you just move on to the next awesome band.

Most tribute shows feature three to four bands in one evening, which is great, but there’s a show coming up in the first week of May during which you’ll get to hear almost all of your favorite buttrock anthems. It’s Lynda Mortenson’s Second Annual Cinco De Mayo Bash , with tributes to Tesla, Judas Priest, Iron Maiden, Dio, Motley Crue, and more. Rock out with your cock out. Jam out with your clam out. Get ‘er done.

Lynda Mortensen Presents The Second Annual Cinco De Mayo Bash
May 3rd, 2008. 5:00 pm – 2:00am
Free Until 9:00pm, $3.00 after 9:00pm
Saint James Gate
1410 Old County Road, Belmont, CA.
(650) 592-5923

Ammiano lectures Barry Zito

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April 30, 2008

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Today’s Ammianoliner:

Mr. Zito, can I (errrrrr) have a rebate, please?

(From the home telephone answering service of Sup. Tom Ammiano on Wednesday, April 30, 2008.) B3

Frank Chu Speaks, Or, McCain Embezzled My Money

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April 30, 2008

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By Justin Juul

So I ran into this really interesting guy at the One Year Anniversary of The Mission Indie Mart at 12 Galaxies the other day…

SFBG: Hey, aren’t you the guy who hangs out on the corner of Market and Sixth with the sign? I pass you everyday on my way to work. What’s your name?
Frank Chu: Yeah, I protest down there. My name is Frank Chu and I was published by the San Jose Mercury news with Dan Greene and also with Tom Brokaw on NBC Nightly News. I was also filmed by some populations of The 12 Galaxies. They are guilty with Bush and Cheney, which gives you a sense of the millions of populations I’m dealing with.

SFBG: Nice! So do you hang out here at The 12 Galaxies a lot?
Chu: Yes. I was a TV Star and a movie star, so they named the nightclub after me. They call it 12 Galaxies and they give me complimentary drinks and free admission to events. So I didn’t have to pay when I met Mark Hamill from Star Wars. I also met Nancy Pelosi, John Kerry, and Dennis Kucinich. I told them about my campaign.

SFBG: What’s your campaign about?
Chu: Well, it’s about rocket societies, flying saucers, and space vacations.

SFBG: I don’t get it. How does that all tie in together?
Chu: It’s about the 12 Galaxies that are friends with the White House who are guilty of attempts of murdering the other thousand galaxies.

SFBG: Oh, I see. Your campaign is about aliens and stuff then. I always thought you were one of those God people.

Chu: Well, the 12 Galaxies are advanced populations. They are more advanced than humans and they are friends with The Bush and The Clinton.

SFBG: Are they friends with Barack Obama too?