SFBG Blogs

Interview: author and actor Amber Benson

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By Louis Peitzman

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Though she’s probably best known for playing Tara on Buffy the Vampire Slayer, Amber Benson has kept busy since her three-season stint on the series. A screenwriter, director, and author, she recently released her first solo novel. The first in a trilogy, Death’s Daughter follows Calliope Reaper-Jones as she’s forced to take over for her father (that would be Death) while trying to locate his whereabouts. I spoke to Amber about the origins of the story, her mythologist ambitions, and the future of the series.

San Francisco Bay Guardian:
My first question is sort of the obvious one — where did these ideas come from?

Amber Benson: You know, I hadn’t really read a lot of paranormal romance, and then I read Charlaine Harris’ Sookie Stackhouse series, and I was like, this is an awesome genre. I really like it, the paranormal romance-slash-urban fantasy world. And I thought I’d like to try something in that vein. Until then, I’d written mostly horror with a Victorian slant to it, so I started just trying to come up with ideas for something in that genre. And then I was like, well, I love mythology, I love American Gods by Neil Gaiman. Maybe there’s a way to incorporate this mythological sort of context to the paranormal romance. That’s when I came up with the idea of Death’s Daughter. What would happen if death was run like a corporation, and the daughter of Death had to come and take it over because her dad was missing, and she didn’t want any part of it? I guess that’s where the idea came from: working all these things that I liked into a genre I was curious about.

SFBG: So did you end up doing any research, or was this all mythology you were already familiar with?

Money for nothing and checks for free

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By Steven T. Jones

After almost 20 years working for newspapers in California, I’ve taken hundreds of calls from public relations people seeking to have us write about their corporate clients. I usually ignore them, but sometimes I warn them to be careful what they’re asking for because they just might get it.

So when Amy Wallace from Echo Media Public Relations called me this week, seeking to get me to write a laudatory piece about California Property Tax Savers – which helps clients lower their property tax payments, something she said was important during these hard times – I remembered that local officials had just last month cautioned against using such companies.

Assessor Phil Ting and Treasurer Jose Cisneros sent out a statement that “denounced unscrupulous property tax reassessment services” that charge fees for a service that the city offers for free. I had the company send me a response to the city’s warning, and I called Ting to get a response to their response (which follows).
“Anybody can come into our office and make this request for free. It’s a process that’s created so people don’t have to pay these fees,” said Ting, who said he doesn’t believe this company can get clients more of a reduction than they’d otherwise get, and he said it certainly wouldn’t be enough to offset fees of up to 40 percent.

Sorry, Nate, but you’re wrong

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It’s too bad that Mayor Gavin Newsom’s communications director Nathan Ballard doesn’t seem to understand due process. At least not from an immigrant’s perspective.

I don’t say this lightly.

Ballard’s biography states that he is a former deputy city attorney, with a law degree from the University of California, Hastings. Whereas I’m just a lowly immigrant, who is under the impression that, in the United States, folks are assumed innocent until proven guilty.

But then along comes Ballard and tells me, yesterday, that I’m “wrong” in claiming that referring juveniles to federal Immigration Custom and Enforcement (ICE)—which is happening in San Francisco to youths are merely suspected of committing a felony and of being undocumented—raises due process questions.

If you don’t believe me–and I don’t blame you if you don’t, because it is hard to believe that this is happening in San Francisco with its huge immigrant communities–read the transcript of our exchange, which took place following the DCCC’s March 25 passage of a resolution that commits San Francisco to due process for all.

Phelan: “Nathan, following up on last night’s DCCC resolution in support of a Sanctuary City ordinance: Does the policy direction that Newsom ordered in 2008 guarantee due process for all?”

Ballard: “Yes. It was thoroughly vetted by the city attorney.”

Phelan: “I know the policy was vetted by the city attorney. But, as I understand it, juveniles are being referred to ICE without a hearing of any kind, which means, does it not, that due process is being denied?”

Ballard: “You’re wrong. Referral to ICE alone does not give rise to due process issues.”

If that’s not enough, check out the Examiner’s Ken Garcia, whose only source appears to be Ballard, framing the DCCC’s resolution as “one that demonized Mayor Gavin Newsom” and the more watered-down version as “one that said legal protections should not extend to people who commit violent felonies.”

But—and this really is the crux of the matter, folks—the problem with Newsom’s current policy is that it does not target folks who have been proven of committing a felony.

Instead, it targets folks suspected of, or charged with a felony.

Black Joe Lewis gets raw on the good foot

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By Todd Lavoie

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BLACK JOE LEWIS & THE HONEYBEARS

Tell ‘Em What Your Name Is!

(Lost Highway)

Well, great gosh-a-goddamn, what a sweet surprise: two weeks ago, I’d never even heard of Austin-based soul-whuppers Black Joe Lewis & The Honeybears, and now here I am, once again, swervin’ and stompin’ away to their major-label debut for the millionth time. As far as brassy, blazing tear-’em-up and tear-’em-on-down soulful sonic bad-assery is concerned, this high-octane octet has the genuine know-how: gritty and greasy garage rock meets old-school Wilson Pickett/Otis Redding-style vein-popping r&b, packed into a lean and hungry thirty-minute roar.

With its quick-and-to-the-point playing time and unfussy, straight-to-tape production (courtesy of Spoon’s Jim Eno), Tell ‘Em What Your Name Is! could probably be easily mistaken for a lost treasure from the late Sixties/early Seventies— and that’s exactly the whole idea, judging from Lewis’ obvious adoration for the Pickett/Redding era. Still, with the band frequently playing like their hair’s on fire — charging and crashing and running gleefully into the red — these folks at times remind me of Texan spiritual cousins to The Dirtbombs and The Bellrays, two contemporaries also serving up swaggering minglings of soul and garage sounds. Live, I imagine they must be riveting— we’ll get a chance to catch them in the Bay Area at Slim’s on May 16.

Black Joe Lewis, “Sugarfoot”

A look-see of the band’s MySpace will steer you right to the sources of the disc’s raw-and-ready firepower. The members cite James Brown, Hound Dog Taylor, and Rocket From The Tombs as influences, for example. They all make sense, too: Lewis’ full-throated shout definitely hoots a potent analog to Brown’s get-on-the-good-foot, and his formidable backing band the Honeybears are deserving of all the JB’s comparisons they get.

Meister: Let’s truly honor Cesar Chavez

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By Dick Meister

Dick Meister, a veteran San Francisco journalist, is co-author of “A Long
Time Coming: The Struggle to Unionize America’s Farm Workers.”

It’s way past time that Congress declared the March 31 birthdate of Cesar
Chavez a national holiday. President Obama agrees. So do the millions of
people who are expected to sign petitions being circulated by the United
Farm Workers, the union founded by Chavez.

California, seven other states and dozens of cities already observe Chavez’
birthdate as an official holiday – and for very good reason. As the UFW
notes, “He inspired farm workers and millions of people who never worked on
a farm to commit themselves to social, economic and civil rights activism.
Cesar’s legacy continues to educate, inspire and empower people from all
walks of life.”

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Tadesse, Gough and Hayes

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Tell us about your look: “I’m a ballet dancer, so I don’t have much time to think about what I’m putting on — but I always try to keep it colorful.”

80 Chronicle workers apply for voluntary termination

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The California Media Workers Guild is reporting that more than 80 workers applied for voluntary termination at the San Francisco Chronicle. THe Guild is also warning that because if the large numbers of volunteers, 60-day notices of involuntary layoffs may not be triggered–meaning workers won’t get an extra two months of pay.

Sonic Reducer: Lil Wayne, the Mae Shi, Starfucker, and more this weekend

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Pros to go: “A song by the Mae Shi celebrating the life and work of Xtian Bale.”

You have until Monday to find your place in the sun – or in the shadows. More fun musical offerings than we could fit into print – as usual in super-sweet SF.

Lil Wayne
The Nawlins rapper is said to pumped a good deal of performance-enhancement production values into his stage show – courtesy of a full band, a smoke machine, pillars of fire, and a set of backup dancers. But will Wayne deliver the goods? Or at least appear on time? With T-Pain, Gym Class Heroes, and Keri Hilson. Fri/27, 7 p.m., $42.50-=$147.75. HP Pavilion, 525 W. Santa Clara, San Jose. www.livenation.com

The Mae Shi, Pre, and Past Lives
Hey, it’s all good here. Well, I’ve never seen Pre but the Mae Shi are monsters (gag songs or no) and Past Lives – a band of ex-Blood Brothers – impressed at South by Southwest. Seems to me, though, that Skin Graft’s Pre combines squealing girly vocals with propulsive, clanging post-punk in a way that I’m sure SF kids can get with. Fri/27, 9:30 p.m., $8. Hemlock Tavern, 1131 Polk, SF. (415) 923-0923.

Starfucker
Don’t hold the fucked-up name against them – the Portland, Ore., combo could be the next Glass Candy, with a newly amplified sense of humor. With Grand Lake and Guidance Counselor. Sat/28, 9:30 p.m., $8. Hemlock Tavern, 1131 Polk, SF. (415) 923-0923.



Bonfire Madigan

Sometime SF dweller Madigan Shive whoops it up for her blessed b-day – and for the release of her new EP. With Excuses for Skipping. Sun/29, 8 p.m., $12. Cafe du Nord, 2170 Market, SF. (415) 861-5016.

White Magic
The Brooklyn psych-folk spell-casters send us spiralling. With Avocet. Sun/29, 5 p.m., $10. Hemlock Tavern, 1131 Polk, SF. (415) 923-0923.

Newsom officials dodge budget questions

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By Melody Parker and Steven T. Jones

The Board of Supervisors Budget and Finance Committee yesterday held a hearing on deep budget cuts proposed for city health and welfare programs and tried unsuccessfully to get straight answers to why the Newsom Administration isn’t planning to use federal stimulus money to offset those cuts.
Congress and President Barack Obama specifically offered economic stimulus money to prevent cuts in things like housing, homeless, and social services that are most needed during hard economic times. San Francisco’s share is more than $50 milllion. As Obama said, “This plan will also help ensure that you don’t need to make cuts to essential services Americans rely on now more than ever.”
But Sups. Ross Mirkarimi and David Campos expressed frustration that the Mayor’s Office has said it doesn’t want to use these one-time funding to cover ongoing expenses and that they’ve refused to engage in a dialogue about that stand. At a press conference before the hearing, Mirkarimi said dealing with the administration has been like pulling teeth: “The Board had received zero word from Mayor Newsom.”
So they pressed Newsom’s Public Health Director Mitch Katz at the hearing, but still made little progress on getting a straight answer. As a lawyer, Campos said he was “familiar with nuanced language” and told Katz that he didn’t feel the administration is being responsive.

SF pot raid clouds federal drug policies

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Story by Steven T. Jones, Photos by Neil Motteram

Yesterday’s federal raid on the locally permitted SoMa medical marijuana dispensary Emmalyn’s California Cannabis Clinic caused confusion about what local growers can expect from an Obama Administration that recently announced that it would no longer be conducting such raids.

Drug Enforcement Administration officials are saying little about the raid, which came on a Wednesday, the day Emmalyn’s gives out free marijuana to poor patients. But the DEA seemed to be trying to dance around the conflict with the public statement, “Based on our investigation, we believe there are not only violations of federal law, but state law as well.”

Assembly member Tom Ammiano, whose Assembly Bill 390 would decriminalize even recreational uses of marijuana, told the Guardian that the raid sends a troubling message and could indicate internal conflicts within the administration.

“It’s a little vigilante for me. They’re obviously try to flex their muscles, probably to have a showdown with the Obama Administration,” Ammiano said of the DEA. “The dispensaries are going to be in the crosshairs of this struggle.”
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T. Boone Pickens visits S.F.

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By Rebecca Bowe

T. Boone Pickens, 80, is a Republican billionaire living in Dallas whose spot-on predictions about the petroleum industry have earned him the nickname the “Oracle of Oil.” More recently, the founder and chairman of BP Capital Management has garnered media attention for reinventing himself as a proponent of clean energy. On March 25, hundreds of San Franciscans came out to the Intercontinental Mark Hopkins Hotel to listen to the former oilman discuss the Pickens Plan: a blueprint for curing America’s addiction to foreign oil.

Pickens launched his campaign last July with a slick Web site designed by one of the top brains behind Obama’s online presidential campaign. So far, some 2 million supporters have signed on, Pickens said. “I found out this,” he told a team of reporters shortly before his talk. “When I was a rich guy going to Washington trying to get something done, I got in to see everybody and they were all nice, but not much happened. Today, with 2 million people with me, I’m a hell of a lot more important when I go to Washington.”

A main component of his plan is the installation of thousands of wind turbines through the central corridor of the United States, harnessing what has been called the “Saudi Arabia of wind” to provide what Pickens estimates to be 20 percent of the nation’s electricity supply. To make it work, transmission lines must be constructed to move that power east and west. And according to his vision, domestic natural gas currently used to fire power plants can be utilized as a transportation fuel instead.

Ang Lee: Let’s talk about sex?

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By Danica Li

Ang Lee and James Schamus have, in tandem, produced and directed nearly a dozen movies. They count between them a trio of Taiwanese family dramas, a civil war epic, an Austen-derived austerely British comedy of manners, an encounter with the Hulk, and a Chinese-language film about flying warriors and a green sword of destiny that grossed a whopping 200 million bucks worldwide. The duo took the stage at Berkeley’s Zellerbach Hall recently, in conversation with the Berkeley English Department’s Professor Jeffrey Knapp. The premiere topic of conversation for the first half-hour? Sex.

I diagnose this as program coordinators On the Same Page‘s gesture at edginess and being “with it” — or at least as an effort at warding off the buttoned-up stodginess and rehearsed, by-rote deliveries that have plagued past presentations (see: Stephen Hawking, Garry Wills). For starters, the audience was treated to a presentation clip in which a series of explicit splices from 2007’s Lust, Caution were cross-cut with characters from Lee’s other films expressing distaste and affecting grimaces, a dynamic that ended with a raunchily symbolic big bang (taken from 2003’s Hulk). It was enough to provoke a smattering of laughs from the audience, and was an easy enough segue into the first question: Why do so many of Lee’s films involve sex, as it were?

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An unguarded moment from Ang Lee’s 2007 film Lust, Caution

Oh, the Comedy (Central)

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By Natalie Gregory

(Editor’s note: intrepid film intern Gregory reviews a pair of upcoming Comedy Central shows.)

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Lt. Dangle protects and serves.

Reno 911!, how come you’re so good? The upcoming sixth season looks pretty spectacular. When Jonah Hill is the guess star of the premiere episode, I think it’s an omen for good things to come. There are some new members of the troop, including Deputy Frank Rizzo (Jo Lo Truglio, who you might remember from Superbad) who has a stocked resume, but no recommendations. A stakeout explains why (think drug busts and prostitutes). New officer Sergeant Jack Declan (Ian Roberts) has a hilarious scene coding out a street kids’ lingo for the happenings on the street. Nick Swardson fans, prepare to laugh out loud in that scene. And of course there’s always Lieutenant Dangle (Thomas Lennon) who utters “Goddamnit!” better than anyone in the world. Side note: it’s always nice to see veterans of The State doing well, even if I still miss “I’m Doug. And I’m outta heeeeeerrre”. When’s The State DVD release gonna happen, already?

This week: A six-pack of rock picks

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By L.C. Mason and Andre Torrez

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THEE OH SEES AND EAT SKULL

Fuzz is the new black — at least according to the gospel preached by Thee Oh Sees and Eat Skull. The two West Coast combos will take the beer- and noise-soaked pulpit at the Eagle Tavern to bang out hazy sermons of garage wit and wisdom.

With Grant Hart and the Fresh and Onlys. Thurs/26, 9 p.m., $5. Eagle Tavern, 398 12th St., SF. (415) 626-0880. www.sfeagle.com

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DARK DARK DARK

Dark Dark Dark released its debut album in 2008 on Rhode Island’s Supply and Demand label. The group’s folky, rootsy instrumentation and female-to-male vocal tradeoffs take over the Caretaker’s House.

Fri/28, 8 p.m. www.myspace.com/darkdarkdarkband

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TRANS AM, EZEE TIGER, FUTUR SKULLZ

Imagine you’re in high school: Trans Am are the electronics nerds who jam to Rush, Anthony Petrovic of Ezee Tiger is the misunderstood indie guy who is into the Flaming Lips and Lightning Bolt while you’re still spinning Sublime, and Futur Skullz are the long-hairs who know metal is cool five years before you will — and who just got busted for stealing Dad’s whiskey.

Sun/29, 9 p.m., $14. Bottom of the Hill, 1233 17th St., SF. (415) 621-4455. www.bottomofthehill.com
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DCCC supports sanctuary & due process for all

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The Democratic County Central Committee voted last night by an overwhelming majority (20 ayes, 5 abstains, I no) to support Debra Walker’s strong resolution, recommitting “support of the Constitution and our city’s Sanctuary Ordinance for all,” and rejecting Scott Wiener’s watered-down version (19 noes, 3 abstained, 5 ayes).

Walker, who plans to run for District 6 supervisor, when incumbent Chris Daly is termed out next year, says DCCC’s vote made her, “ feel good about the party.”

“It’s been way too long that this has been happening and we have done nothing substantive, on the part of the party,” said Walker, noting that a companion resolution asking President Barack Obama to stop the ICE raids will be introduced next month.

Last night’s vote came after several dozen immigrant residents attended the DCCC hearing and testified about the impact of San Francisco’s new policies toward immigrants.

As Angela Chan, staff attorney for the Asian Law Caucus told the Guardian, “One teenage girl bravely stood before the DCCC and said that as a result of the change in climate in San Francisco toward immigrants, she lived in fear each day that she would come home to find that her parents had been taken away by ICE. Another immigrant resident said that if the DCCC takes a stand to support immigrants, he would raise his children to become proud Democrats. Another immigrant resident, who was a mother and a child care provider for many families in SF, said it is difficult to know that the image of criminality is being projected onto her and her community, when most members of the community are hardworking, law-abiding, and family-oriented people.”

Chan says she appreciated the supportive comments she heard from Sups. David Campos, Daly, Robert Haaland, Michael Bornstein, and resolution co-sponsors Walker and Peskin.

“They demonstrated a strong commitment to upholding immigrant rights and a deep understanding of the contributions of immigrant residents to San Francisco,” Chan said. “I hope Mayor Newsom will take the cue from his own party (and his own residents), and swiftly move to rescind his undocumented youth policy and work with the immigrant community to develop a more thought-out and balanced policy that respects the due process rights of youth and the goals to the juvenile justice system.”

That vote confirms that Mayor Gavin Newsom’s decision to do an about face last summer on San Francisco’s long standing sanctuary city ordinance is coming back to haunt him, as the gubernatorial race heats up.

Asked if the policy direction that Newsom ordered in 2008 guarantees due process for all, Newsom’s communications director Nathan Ballard did a classic obfuscation, telling the Guardian, “Yes. It was thoroughly vetted by the city attorney.”

But according to the City Attorney’s office, the original ordinance never did assure due process, “ if an individual was arrested for felony crimes.”

As for the revised policy direction, it directs police officers to report any juvenile “suspected of being present in the United States in violation of immigration laws,” and “booked” for commission of a felony” to federal immigration authorities,

The language, which is contained in the juvenile probation department’s policies and procedures section, directs officers to take into consideration, amongst other things, prior criminal history and “presence of undocumented persons in the same area where arrested or involved in illegal activity.”

To Walker’s mind, such direction amounts to a, “slippery slope.”

“It puts a lot of discretion in the hands of the police on the streets, and can end up with juveniles being referred to ICE and taken back to their country of origin, without any representation,” Walker said.

Herrera names stimpack “legal compliance” taskforce

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City Attorney Dennis Herrera has announced a stimulus spending taskforce, which he says will aim, ” to coordinate legal compliance and guarantee maximum transparency, efficiency and accountability for city investments made possible by the federal government’s recently enacted $787 billion economic stimulus package.”

“Our paramount duty is to ensure that this unprecedented level of federal funding is invested honestly and in ways that deliver real value to our communities and our children — we will not tolerate waste, fraud or abuse,” Herrera said in a press release.

“When President Obama signed the recovery and stimulus package into law, he challenged all of us in public life to prove to the American people that their trust in government is not misplaced,” Herrera said.

Pics: Chocolate love overwhelms Fort Mason

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By Ariel Soto. For more chocolate love (tis the season?) on Pixel Vision, click here.

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Chocoholics swarmed Herbst Pavilion March 21st for the 3rd Annual San Francisco International Chocolate Salon at Fort Mason. One had to have sharp elbows and quick maneuvering tactics to get to the tables piled high with samples with everything for durian fruit truffles to, my favorite, locally made chocolate covered Brazilian Honey Cakes by Kika’s Treats. There were also chocolate flavored liquors and Omnivore Books, a bookstore specifically dedicated to books on food and drink. Something for everyone — and I left shaking from so much caffeine and chocolate goodness running through my veins, my fingers sticky and stained a rich, luscious color.

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Event fee policy threatens How Weird and other festivals

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The How Weird Street Faire has become a popular event, particularly with the Guardian staff, including (from left) Associate Art Director Ben Hopfer, Culture Editor Molly Freedenberg, City Editor Steven T. Jones, and Art Director Mirissa Neff.

By Steven T. Jones

The city’s budget crunch and stricter policies on making special events pay up front for all city services that they’re required to use are once again threatening the How Weird Street Faire, a popular dance festival now in its 10th year that seems to battle city bureaucracy every year. Now, the grassroots organizers are challenging policies that could leave San Francisco with only events sponsored by deep-pocketed corporations.

Organizers say they can’t come up with the almost $10,000 that the San Francisco Police Department is requiring them to pay up front, a tab needed to pay for cops that do little except stand around at an event that would rather be allowed to police itself. The May 10 event is scheduled to take place around Howard and 2nd streets after city officials made them move from their previous spot 10 blocks away.

“The SFPD is demanding we pay them nearly $10K up front for police services, which was not discussed at the ISCOTT [the city body that issues street closure permits] hearing and is twice the amount of 2007. We simply do not have the money for this and they are threatening now to not plan for our police services. I have a bad feeling they will not sign off on our ABC license [needed for beer sales],” lead organizer Brad Olsen recently wrote in an appeal to City Hall for help.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Stefanie, Market and Hyde

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Tell us about your look: “I love mixing old vintage pieces with new clothes.”

GAYVNs: the long, hard rundown of events

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By Marke B.

The GayVN Awards: You’ve felt the gay dude excitement, you’ve felt the straight dude excitement. Now, feel the excitement for yourself at the upcoming onslaught of gay porn-related events, as we explode through the wormhole of this weekend’s fabulous — and flab-u-less — events. OMG — meet the stars! Share the love! Be a part of history!

Hey, don’t shoot me — I’m just the 12-inch pianist.

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Will the violent, controversial To the Last Man from Raging Stallion take home the GayVN for Best Picture? Will you take home its stars? Maybe

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Friday, March 27th

6PM

Falcon Studios’ GayVN Weekend Kick-off Party
Hosted By Juanita MORE!
Q Bar
456 Castro

Roll In Style
A Safer Sex Fashion Show
With NakedSwordsman 2009 Steve Cruz
Sui Generis
218 Church

To The Last Man Signing
Does Your Mother Know?
4141 18th St.

7PM

Raging Stallion Studios Party
The Edge
4149 18th St.

Bel Ami Studios Party
440 Castro
440 Castro

Barrett Long’s Cockstar
Moby Dick
4049 18th St.

Jet Set Men Studios Party
The Mix
4086 18th St.

Dirty Boy Video Studios Party
Twin Peaks
401 Castro

GayRealityPorn and PornTeam
The Midnight Sun
4067 18th St.

Peepshow: Gay porn for spring

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Each week Justin Juul highlights a rad upcoming local sexy event

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Who Have you ever seen that movie where the guy pulls out his dick and rubs it on some other guy’s face and then another guy comes in and he’s like “Hey there buddies, can I get me summa dat?!” Or no, wait! How about the one where the guy is sitting in the sauna at 24 Hour fitness just minding his own business, reading the paper, and then another guy comes up and he’s like “Fancy a blowjob, sir?” Those movies were great! Someone should set up an awards show for all the people involved in making them, don’t you think? They could charge tons of money for admission, throw tailgate parties in The Castro, and invite that dude from Ugly Betty to perform stand up comedy. Maybe Margaret Cho could come too. Just a thought.

Snap Sounds: The New Dawn — There’s a New Dawn

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Hey, man (and woman). One of the recordings I’m most enjoying lately is There’s a New Dawn, by…(wait for it)…the New Dawn. It’s on Jackpot Records.

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I’ll admit it, I don’t know a ton about the New Dawn, or this recording, other than that in vinyl form it has been known to fetch outrageously high prices from collectors. You could view the New Dawn as a precursor to the Wipers, though they seem overtly Christian today. This is a way-too-underknown but increasingly appreciated Northwest band.

Some things I like about There’s a New Dawn:

— amazing movie preview-like spoken intro about walking hand in hand and gazing out across the sea
— the raw, minimal, tough, electric-mosquito-on-the-attack guitar sound of “I See a Day”
— the vintage-Vietnam Era lyric “I see a day when life will mean much more/Than growing up to die”
— the pounding, surging rhythms of “It’s Time”
— the creepy yet seductive ballad “We’ll Fall in Love”
— the classic 1970s romantic Hallmark Card-style cover art

Viva the New Dawn, again. Read all about them in Ugly Things and here.

Janus A.D.: David Enos strikes again

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David Enos is a man of many talents: artist, musician, moviemaker. He recently had a show of art at [2nd floor projects], he’s made a lot of great comic books in the last few years, he did the covers (vinyl and CD) for the new album by the group he’s in, Papercuts. And now, Mr. Enos the director steps behind and in front of the camera once again to add a small chapter to a filmography that includes animated portraits of Jim Morrison, Dennis Wilson, and Leonard Cohen.

His latest effort adds a personalized twist to the great Damon Packard‘s flair for making movies that are previews. Witness Enos as the handsome caped romantic lead of Janus A.D., “an entirely different motion picture experience.”