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Weird Wine of the Week: White on ice

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Amy Monroe shares her favorite unusual, overlooked, and underappreciated wines. Check out her previous installment here.

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Ice, ice, maybe?

On Jack Falstaff’s closing night, I watched a woman order wine at the bar. Dressed in taupe silk organza, hair perfectly coiffed, a bejeweled clutch cupped daintily in her left hand, she asked for a glass of Chardonnay. After wrapping her manicured fingers around the bowl of the glass and tilting back the first sip, she turned to the bartender and asked, “Would you put some ice in this?” I had no choice but to judge her. Harshly. Didn’t she know putting ice in wine (in public, no less!) was the domain of the Real Housewives of New Jersey, not the society mavens of San Francisco?

There are rules in wine. It is, in fact, a minefield of murky, easy-to-violate etiquette. There are many ways to become an offender: by sniffing the cork instead of the wine; by sending back a perfectly good bottle at a restaurant simply because you don’t like it; by pronouncing Syrah as Sheerah. These rules are obvious and well-known to those who have chosen wine as a profession, but not necessarily to those who drink wine for fun. I can accept that, but I cannot condone pouring wine over ice. It is a rule violation of the highest order. Except, of course, when it isn’t. Which brings me to Lillet.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Savannah, 18th and Valencia

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Writers’ Block: In Defense of The Tag

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By Michael Krimper

The tag is the essence of graffiti. The craft begins with and grows from the aesthetics of the tag. Without it, there would be no two colored throw-ups or top to bottom burners breathing life into abandoned parking lots. No Goliath productions and finely orchestrated murals ushering thousands into Clarion Alley. And no multi-million dollar industry building upon and capitalizing on graffiti’s provocative aesthetic legacy. The tag is literally the ABC’s of the art practice. But in the eye of the mass public, the tag gets the worst wrap out of all of graffiti’s many articulations.

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Photo by Michael Krimper

I have engaged in countless conversations with detesters of the tag who confess more often than not a rapturous appreciation for its more colorful, larger than life offspring. Nonetheless, they cannot stand graffiti’s more ubiquitous and less evolved ancestors. The detesters envision city streets completely devoid of drippy marked signatures but magnificently filled with vibrantly painted walls. An urban landscape thoughtfully curated with the latex polish of expertly trained artists, but missing the gritty, grassroots democracy of the tag. A pleasant but curiously vacuous or ghostly urban picture.

In defense of the tag, it has many upstanding virtues as a serious art form. At rock bottom, the shape of the letters express raw feeling and the organization of the name tells a cohesive narrative. At its most experimental, the tag stretches the conceptual basis of letter forms and the autograph beyond their pragmatic usage into the more abstract territory of geometric notions and relations. At any level of skill whatsoever, the writer demonstrates a grasp on “hand styles”, the calligraphic interpretation of form and personality by way of stylizing a dynamic signature. However, considering that much of today’s (and history’s) broadly venerated visual art and pervasive commercial art employs aesthetic qualities similar or identical to those inherent in the graffiti tag, I have come to doubt that most people’s disgust is fundamentally conditioned by the tag’s surface appearance.

SF Indie Fashion: Read local, shop local

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By Mayka Mei

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It’s always a gamble meeting people who work in fashion, be it in design or in editorial, because there’s a looming pressure in what your interviewee might think of your clothes. Luckily for me, SF Indie Fashion blogger Lorraine Sanders didn’t seem to be judging me at all for my touristy surf shop tee and discount rack jeans. Instead, Sanders seemed very easygoing, and doesn’t describe herself as the garrulous socialite type one might expect of a self-made fashion editor.

Independents daily.
Pulling in nearly 20,000 hits a month, SF Indie Fashion has become a central news source for all things Bay Area fashion, emphasis on the “news.” While personal style blogs like Lulu and Your Mom are fun to scroll through for personality, SF Indie Fashion is more of a resource aggregate of stylemakers, events, and updates.

Sanders’ lifelong goal has always been to support herself as a freelance writer. Years ago while establishing herself in the Bay Area, Sanders sifted through sources for stories to pitch to potential employers. Eventually, her (actual) drawer of ideas ranneth over, and the need for a repository of all things SF fashion-related was no longer avoidable.

Patty Duke interview: What a doll!

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By Louis Peitzman

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Patty Duke in an iconic Valley of the Dolls promo shot with Barbara Parkins (left) and Sharon Tate (center).

Hollywood legend Patty Duke got an early start when she played Helen Keller in the play The Miracle Worker and its 1962 film adaptation, the latter for which she earned an Academy Award at the age of 16, a record at the time. Since then, she has kept herself busy with TV, stage, and film roles. But for many of us, Duke will always be Neely O’ Hara, the troubled starlet in 1967’s Valley of the Dolls. July 20, the Castro Theatre will host “Sparkle, Patty, Sparkle!”, a gala honoring Duke, complete with Valley screening, drag reenactments, and an interview conducted with Duke onstage by comic Bruce Vilanch. (That same day, the Castro will also screen The Miracle Worker at noon, for just $5 admission.) I spoke to Duke about Valley of the Dolls, her varied career, and how the industry has changed over time.

Appetite: Pomegranate molasses, pickled radishes, wild boar dogs, and more

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Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

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Cocktails at Clock Bar. Photo by Virginal Miller

EVENTS

7/13-17 – Clock Bar’s 1st Anniversary Week with guest bartenders and special cocktails every night
Cocktailians, take note! SF Cocktail Week is past, and many of our bartenders are working their way back from New Orleans’ Tales of the Cocktail, but this
week there’s a stellar guest line-up at Michael Mina‘s Clock Bar to commemorate the bar’s first anniversary. Each night, choose from well-crafted beauties, both classic and specialty cocktails featuring different spirit brands. Monday starts with a bang as none other than Scott Beattie and Jacques Bezuidenhout are behind the bar mixing with Partida Tequila. Tuesday’s got the dynamic duo of Brooke Arthur (Range) and Neyah White (Nopa) concocting Domain Canton and Chartreuse-based drinks. The next night, Steven Liles (Boulevard) creates cocktails with Plymouth and Beefeater 24 gins. Thursday, Erik Adkins (Heaven’s Dog) showcases Bols Genever, while Friday features “Mr. Mojito,” Dave Nepove, mixing Flor de Cana cocktails. It’s a unique week to enjoy the stylish (but not
chichi) setting and the handiwork of some of our city’s best. Happy Anniversary, Clock Bar!
7/13-17, 4pm-2am
Westin St. Francis
335 Powell, SF
415-397-9222
www.michaelmina.net

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NEW OPENINGS

Daniel Patterson’s casual eatery, Cane Rosso, debuts
Highly-trafficked Ferry Building is the site of Daniel Patterson’s latest, with chef Lauren Kiino at the helm. Since we can’t afford Coi as often as we’d like, there’s now Patterson’s quick-serve rotisserie and sandwich shop… comforting, convenient, on the other side of experimental. The rotisserie (in former Mistral space) is churning with chickens, pork, and other meats, while a host of sandwiches (such as gorgonzola and roasted peaches with walnut arugula pesto), asti (try marinated anchovies with pickled radishes), and breakfast options (like broken farro with salted butter, raisins and almonds) are available. Welcome to your new lunch (with Bay views) and take-out spot.
One Ferry Building #41
415-391-7599

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Shelley, 18th Street and Valencia

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Remembering “Creature from the Black Lagoon” star Ben Chapman

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By Sean McCourt

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Courtesy of Ben Chapman

Having roared and clawed its way into the hearts of film fans around the world when it was first released in 1954, the Universal monster classic Creature from the Black Lagoon has endured for generation after generation, seeming to grow in popularity with every passing year. Filmed in glorious black and white, the tale of the ancient half-man, half-fish — better known as the Gillman — cleverly uses the unique aspects of the colorless medium to effectively create a creepy atmosphere, particularly with the manipulation of shadows and lighting. Believable cast interaction, a monstrous musical score, and above all a great story make Creature a picture to remember — and it’s clear from the multitude of collectibles, video releases, actor appearances, and screening events that faithful fans have done just that.

The iconic and intricately designed Gillman suit was brought to life in the scenes above water by the late Ben Chapman, who gave the character a sympathetic feel through his body language and natural motions — a feat that no modern CG effect could hope to recreate. Chapman, who passed away last year at the age of 79, visited San Francisco in October of 2006 for a special event at the Castro Theatre celebrating Creature, meeting fans and sharing memories with the audience. I had a chance to speak with him then.

“One of the things that made [the film] successful — and it shows — is that we were all very happy. It was a great crew, great people. I would get up in the morning and I couldn’t wait to get to the studio,” he said.

ESFAC’E: The face of pop culture, redefined

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By Mayka Mei

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There are lifestyle brands. And then there are lifestyle brands. While the likes of Paris Hilton are “working” to expand their “businesses” in empowering consumers to turn heads with obnoxious celeb perfumes, Dele Sobomehin and his friends are running youth camps and making political statements with the most socially conscious fashion label in the Bay.

Sobomehin (“Dele” is short for “Oladele”) literally works in a brotherhood of friends and family as ESFAC’E’s first full-time employee. Sobomehin, his brother, and friends from Stanford and Santa Clara University founded the brand with a mission to make popular culture positive. And thus, in 2002, a movement was born.

ESFAC’E (pronounced “es-fah-chee”) is actually an acronym for the heart of their label’s movement: Education and Service through Fashion, Athletics, Community, and Entertainment. ESFAC’E’s urban-styled screened tees are just the face of their efforts.

Silent Film Fest gets Lupe

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By Dennis Harvey

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Ms. Lupe Valez

According to (disputed) legend, the 1944 death of 36-year-old Lupe Velez was far from glamorous, yet had classic Hollywood form: face-down in the toilet, choked on the pills she was regurgitating in a suicide attempt that succeeded, albeit not as planned. That sad end — she was despondent over a married lover and their unborn child — provided high contrast with her live-wire persona on and off-screen. The latter included high-drama involvements with legendary hunks Gary Cooper and Johnny "Tarzan" Weissmuller. In movies, she both defined and transcended a "Mexican Spitfire" stereotype (the actual name of her popular B-flick comedy series) with manic comic energy reminiscent of a Latina Clara Bow on one hand and a blueprint for Charo on the other.

Two features in this year’s Silent Film Festival find her minus speaking voice, but hardly muzzled. She was just 18 (and a convent school dropout) when picked to star opposite superstar Douglas Fairbanks in 1927’s The Gaucho. As his highly temperamental, jealous sweetheart, she gave as good as she got, frequently engaging his rakish hero in knock-down fights — a rehearsal for notorious later public spats with short-term husband Weissmuller, perhaps? Two years later she’d assumed a title role herself in Lady of the Pavements, a very late silent (its added "part-talkie" sequences have been lost) and one of D.W. Griffith’s last films. She plays a 19th-century Parisian cafe dancer who gets the Pygmalion treatment by a duplicitous countess seeking to humiliate her ex-fiancée. Material better suited to Lubitsch or Von Stroheim, this sophisticated seriocomic fluff wasn’t ideal for stuffy Griffith; and he couldn’t (or didn’t want to) tap Velez’s natural rambunctiousness as Fairbanks had. But this rare antique is still worth a look.

Other festival program highlights include Josef von Sternberg’s Oscar-winning gangster tale Underworld (1927), Victor Sjostrom’s poetic melodrama The Wind (1928), Gustav Machaty’s scandalous Czech Erotikon (1929), early W.C. Fields vehicle So’s Your Old Man (1926), and delirious Russian sci-fi exercise Aelita, Queen of Mars (1924). Live music will accompany each program.

SAN FRANCISCO SILENT FILM FESTIVAL July 10–12, free–$20. Castro Theatre, 429 Castro, SF.

(415) 621-6120, www.silentfilm.org

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Mateo, Castro and Clipper

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Tell us about your look: “My boyfriend got me this shirt.”

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Bruce, Castro Theatre

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Tell us about your look: “It’s opening night of the gay and lesbian film festival so I just had to dress up!”

Web Wears: Lulu and Your Mom have celeb status, cyber style

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In this week’s profile, Guardian writer Mayka Mei interviews Bay Area born-and-raised Lulu Chang of Lulu and Your Mom. All photos courtesy of Lulu Chang.

If Lulu Chang could give the world one piece of advice, it would be “Don’t be so hungry.”

The voice behind the ever-popular fashion blog, Lulu and Your Mom, didn’t set out to be the Internet celebrity she is today. It just happened that way. Now Chang sees over 2,000 hits a day, according to Bloglovin’, on what is essentially a photo blog with lots of style opinions and quick doses of editorial.

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Who needs a reality show to jumpstart a modeling career?

For Chang, blogging started as a simple Blogspot account in March of 2008. “At that time there were really only a handful of personal style bloggers,” Chang claims.

For those not familiar with the personal style blog, it’s an ongoing Web-based documentary of what one wears day in and day out. Sound ho-hum? You obviously don’t share the zeal for fashion that millions of readers across the globe have for the likes of Chang, MADE Jewelry muse Rumi, and precocious and somewhat creepy tween Tavi.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Chris, Market and Castro

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Tell us about your look: “I got these shoes ages ago from Zara and they’ve lasted for ages.”

Weird Wine of the Week: A Carignane by any other name

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Amy Monroe shares her favorite unusual, overlooked, and underappreciated wines every Tuesday. Check out her previous installment here.

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Carignane is the viticultural equivalent of Jon & Kate, the Duggars, and Octo Mom. Left to its own devices, it bears prodigious amounts of fruit. This is bad. When it comes to wine, high yields equal poor quality. Much like parents whose broods creep into double-digit territory, growers of Carignane spend the majority of their time attempting to keep the vines under control. Typically, they are rewarded with grapes that are very tannic, very acidic, and generally acknowledged to be harsh. Add to these charming qualities the fact that English speakers can’t pronounce it (it’s Care-In-Yawn, by the way), and it’s no wonder you hardly ever see Carignane’s name on a wine label.

I used to be a buyer for a wine shop, which basically means I got paid to taste wine. During that time, for me, Carignane lived up to its infamous reputation: I hated every one I tried. They all tasted like burnt rubber, and a single sip was often so acidic that I worried about the state of my tooth enamel. I didn’t like Carignane, and I told people so – customers, colleagues, friends. In my opinion (about which I was vocal), it was just plain bad, the trailer trash of wine grapes. Then I tasted Trinafour “Niemi Vineyard” Carignane.

Appetite: Punch for pirates, watermelon soup, orzo mac ‘n cheese, and more

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Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

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Delish cocktails at Rickhouse. Photo by Virginia Miller.

NEW OPENINGS Around the Bay

Bourbon & Branch and Cask debut a second bar: Rickhouse
Opening night, July 1st, at Bourbon and Branch’s highly-anticipated second bar, Rickhouse in FiDi, named after a storehouse for aging bourbon. The space, including front and back bars, is gorgeous, with wood planks above and below, and a little balcony area with gentle skylight glow. The Old World feel transports – you can almost imagine you’re aboard a pirate vessel or in an old English tavern. The word was way out on opening night, making for a bit of chaos, but a kindly doorman (replete in cap and vest) regulated so we weren’t body-to-body, while staff and bartenders are cheerful and welcoming. And, oh, that menu! Pages and pages of classic cocktails, punches (punch bowl for four, please!), flips, fizzes, and some wines and draught beers for good measure. This is a cocktail lover’s dream bar and I, for one, am already plotting my next visit.
246 Kearny, SF.
415-398-2827
www.rickhousebar.com

FIVE, Scott Howard’s latest, opens this week in Berkeley
We’ve been missing Scott Howard since his namesake restaurant closed, but he’s debuting Five this week in beautifully remodeled Hotel Shattuck, an elegant, modern space with oval, limestone bar, white pillars and dramatic glass chandelier. The menu (ranging from $5-21 at lunch, $5-28 at dinner), lists playful dishes like Deviled ‘Surf & Turf’ Eggs with Dungeness crab and ham, or Orzo Mac ‘n Cheese with Morel mushrooms and tomato jam. There’s classic cocktails and plenty of onion rings with ginger ketchup. Scott is back!
2086 Allston Way, Berk.
510-845-7300

www.five-berkeley.com

Commis: Hints of molecular gastronomy on Piedmont Ave
JoJo, Oakland long-time classic, closed some months ago, and chef/owner, James Syhabout, moved in with Commis, unexpectedly soft-opening last week. There’s one option: a $49 three-course meal (from a handful of choices in each course), laden with hints of molecular gastronomy since Syhabout’s resume lists the likes of none other than Manresa, WD-50 and Coi. I hear tell of menu items like crisp pork jowl on a poached egg, chicken cooked in malted ale with golden rice, and strawberry watermelon soup for dessert. Sounds like it’s time to make a reservation.
3859 Piedmont Avenue, Oakl.
510-653-3902
www.commisrestaurant.com

Lindy (might not be welcome) in the park

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By Sara Schieron

Every Sunday between 11am and 2pm, a group of swing dancers meet in Golden Gate Park for a free dance they call Lindy In The Park (LitP). Over the last 13 years the group, which has grown from a few dozen to 100-200 weekly attendees, have only inspired one complaint (that they know of). Sunday, June 28 at 1:15pm, Park Ranger Raymond Wong came to organizers Jen Holland and Ken Watanabe and alerted them of a sound complaint. The complaint, which was vaguely worded, was formidable enough to close the event down for the day and possibly for good, as this free dance is now, after over a decade, being required to attain a sound permit; a cost that threatened to shut them down. Without that permit, Lindy would no longer be welcome in the Park.

Watanabe reports, “Ranger Wong first said there were a lot of complaints and then, when we pressed him, he said it was the staff at the DeYoung.” As the group has been meeting at the same place for over a decade, hearing that the DeYoung — a fairly soundproof museum — was finally offended seemed questionable.

When the dance was shut down, Watanabe alerted the dancers, many of whom had just appeared impromptu, lured in by the free lesson offered at noon. The regulars, however, rallied quickly and a petition style list of addresses and phone numbers was circulated. At the final count, there were 40-odd addresses, indicating the event regulars were sturdy in number.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Cash, Market and Castro

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Tell us about your look: “I got this jacket from my aunt.”

Snackin’s: A shout-out to Sprinkles

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Cuckoo for chocolate coconut. All photos by Kimberly Chun.

Sprinkles describes its cupcakes as a “deliciously sophisticated update on an American classic,” but that doesn’t stop founder Candace Nelson from offering frosting shots at her mini-chain (mini ’cause there are just a handful so far in upscale enclaves like Beverly Hills, Newport Beach, Scottsdale, and now Palo Alto – though cupcake boutiques are in the works in Tokyo, London, Vegas, NYC, etc.).

From where I was sitting, happily scarfing Ritual’s and Kara’s cakes in SF, there seemed to be little fanfare when the shop opened last fall at Stanford Shopping Center, but man, that hasn’t stopped the hordes from lining up outside the pale frosted doors of the Palo Alto Sprinkles for a lil’ cake on a recent hot summer day.

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Nelson says her French culinary-trained great-grandmother who made deserts for her SF restaurant in the 1930s was her original inspiration for Sprinkles. If so, her great-grandmere must have been a whiz with pastry. A pal and I picked up the chocolate coconut and the seasonal lemon blueberry that steamy day and both were superb – light yet rich cake with sparkling flavors with a healthy topping of not-too-sweet yet satisfying frosting.

I particularly liked the array of flavor combos: chai latte, chocolate marshmallow, cinnamon sugar, ginger lemon, peanut butter chocolate, pumpkin, and, of course, red velvet, among them. Keep in mind that not all the flavors are available every day of the week – the Sprinkle site lays out the sked. Mixes for red velvet, chocolate peppermint, and the much-loved lemon cupcakes are on sale, as are yogurt-frosted doggie cakes (a poochy treat that looks more than a little tempting to this human). And don’t be daunted by the line – it moves fast. All the better to get to the cake.

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SPRINKLES CUPCAKES
Hours are Mon.-Sat., 9 a.m.-7 p.m.; Sun. 10 a.m.-6 p.m.
393 Stanford Shopping Center, Palo Alto
(650) 323-9300

Spanish Street Threads: Look of the Day

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SFBG photog Ariel Soto just returned from Spain with a glimpse at the street fashion there. See the previous Look of the Day here.

Today’s Look: Flavia, Rambla del Raval, Barcelona

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More Pride pics than you’ll ever need!

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Photos by Neil Motteram

Ahem. So, we kind of just “came to” from Pride — we seem to have lost our pink bunny slippers, and also pants and innocence, at Juanita More’s Pride pool party — and boy/girl was it all a blur. Fortunately, rad photog Neil Motteram was wide-eyed and bushy-tailed enough to snap some pics, which we’re now posting days late. Because we’re cool that way. — Your editrix, Marke B.

PINK SATURDAY

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DYKE MARCH

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PRIDE SUNDAY

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Top 10 reasons to move to Spain — right now

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Text and photos by Ariel Soto — hey, we’re Spain crazy!

I’m addicted to Spain. I’ve been there three times and I still want to go back to explore every single corner of what I consider to be one of the most unique and exciting countries I’ve ever visited. Here are some reasons why Spain is so amazing and why we should all pack our bags to move to the land of sangria and tapas.

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1. Pintxos The Northern Basque regions version of the tapa, these two bite snacks cover every surface of the bars at all hours of the day. For the true pintxo experience, you’re supposed to have one or two (they cost about 1 Euro each) with a glass of vinegary sidra, then throw your napkin on the floor and head on to the next bar and repeat.

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2. Bachelor Parties Instead of the usual bar hopping, men in Spain dress up in drag and then parade around town taking photos with people, while their friends blow away on whistles. Awesome!

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3. The Markets The food markets, especially La Boqueria in Barcelona, are magnificent. Everything is fresh and delicious and reasonably priced.

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4. Antonio Gaudi Probably the world’s most quirky and imaginative architect, whose work like the Sagrada Familia in Barcelona, is worth going back to see time and time again.

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5. Biking Naked While we have Critical Mass, the Spanish do a similar bike outing called “Desnudos frente el trafico” (naked in front of traffic) to promote bike safety and car speed limits in the city.

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Spanish Street Threads: Look of the Day

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SFBG photog Ariel Soto just returned from Spain with a glimpse at the street fashion there. See the previous Look of the Day here.

Today’s Look: Montse, Riera Baixa, Barcelona

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Writer’s Block: Graffiti News

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By Michael Krimper

Modern graffiti practice — born out of New York’s behemoth subway system nearly 40 years ago — has diffused across the globe arguably faster and further than any other subculture of our time. Many thought the prohibitive end of New York subway graffiti in the mid-1980s might mark the death of the movement itself. But the phenomenon has instead grown vibrantly, evolving in imaginative and cunning ways while unexpectedly inspiring thousands of offspring movements worldwide. Regional mutations of graffiti now prosper in urban centers from São Paulo to Tokyo, as well as the sprawling suburbs spanning Paris and Phoenix, and even in small town America.

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Photos by Michael Krimper

San Francisco was one of the earliest cities outside of the East Coast to contribute heavily to graffiti’s development. Young writers painted on freight trains in attempts to mimic their eastern counterparts’ love for subway cars, but they also brought the medium to life on the more stationary public spaces; walls, rooftops, billboards, and street furniture all gained color in rhythm. To this day the city is a hotbed for the creative evolution of style, approach, and placement. Graffiti tattoos the skin of our city, breathing vivaciously yet ephemerally in the rapid changing visual landscape.

During my morning routine in San Francisco’s SOMA district I come across hundreds of graffiti pieces. The moment I step outside my flat, vibrant names call forth on the neighboring walls, twisting and swinging frenetically in with an incandescence that is brighter than the fog-smothered sun rays. A school of simply stenciled koi fish meander curiously along the concrete sidewalk, snaking up the side of a storefront’s iron cage that is painted with a woman’s statuesque face locked in distant meditation. I jaunt over to the newspaper dispensers and reach for the daily only after appreciating any new stickers and wild, hand style lettering or drippy, dirty tags and rotating wheat paste prints, all competing equally for my attention. And I take a moment to imagine the people out there who took the time to get up, the thrills they must have felt, the inspiration that brought them out to the streets to write a shadowed name or post up a devilish cartoon character.

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Is the newspaper vendor not the prime placement for graffiti — both literally and metaphorically — in this post-subway train era? Covering the pervasive street furniture are the etched names of hundreds of locals. Some invent complex calligraphy and craft intricate geometrical balance to stylize their nom de plumes. Some choose the course of improv for the signatures and let the muses of the moment guide their ink-saturated markers. And still others invest countless hours of preparation to the act of clandestinely posting up ready made stickers during the dead of the night or even the grind of the day.