If you’re a local baseball fan and you haven’t yet run the Giant Race, you’re missing out, and not just because race entry includes a bobblehead (this year: sparkle-eyed Sergio Romo decked out in running gear) and a shiny medal (also this year: an homage to the World Series ring … with glitter, because WE ARE THE CHAMPIONS). The late summer race, which benefits Project Open Hand and offers nearly pancake-flat 5K, 10K, and half-marathon distances, begins just outside AT&T Park but ends on the field. Sure, certain parts of the sacred grass are roped off, but the bulk of the diamond is open for post-race stretching, hydration, and field-of-dreams fantasies galore. Die-hards take special note: There are companion Giant Races in San Jose and Scottsdale, too. No AT&T Park finish, obviously, but think of the superfan bragging rights!
Best of the Bay 2013
Best of the Bay 2013: BEST PUBLIC ART-CHITECTS
When the Exploratorium reopened at Pier 15 earlier this year, tech wizards Obscura Digital transformed the historic waterfront building’s façade with an ultra-high definition light projection show, dazzling nighttime gazers who flocked there with an array of spectacular, nature-themed dreamscapes. Enormous blooming crystals, fast-forward budding plants, time lapse microorganism interactions were all brought to life, precisely projected in a way that contained them within the lines of the building’s architecture — yet totally screwed with viewers’ perception. It wasn’t the first time this 13-year-old design studio has treated San Francisco audiences to surreal sound-and-light shows in public spaces. Its “Corazon Under the Dome” exhibit at downtown’s Westfield Centre dazzled shoppers with convex architectural mapping, and Obscura’s “Digital Arts Panorama” at the new San Francisco Public Utilities Commission building offers visitors a dynamic virtual tour of the regional watershed.
Best of the Bay 2013: BEST PLACE TO PADDLE AND WADDLE
The de Young Museum and the California Academy of Sciences have the giant advertising budgets and thus get all the press, but Golden Gate Park’s hidden gem lies just down JFK from those twin attractions: the Stow Lake Boathouse, perched alongside the built-in-1893 lake. The historic, recently renovated boathouse (it was getting a little creaky) contains a café stocked with handmade piroshkis and serves as the launch spot for Stow Lake’s fleet of boats, including the iconic paddleboats so beloved by tourists — and locals who aren’t too cool to admit it. If hanging out on the water’s not for you, stroll around the lake, dodging rapidly waddling geese and ducks on the paved path. More ambitious hikers can cruise to Strawberry Hill atop Stow Lake’s tiny, wooded island. On days when the fog lifts, the view there is well worth the huffing and puffing.
50 Stow Lake Dr. E., Golden Gate Park, SF. www.stowlakeboathouse.com
Best of the Bay 2013: BEST TWERK QUAKE
Long before Miley irrevocably shifted the national conversation in the direction of feverishly jiggling glutei, there were the Twerking Girls. This unabashedly trio of bootylicious women joyfully — but with hilariously straight faces — rapidly oscillated that which their mothers gifted unto them up and down the city. They shimmied through the Apple Store and all around Union Square. They headstood on cable cars and cafeteria tables, invaded laundromats and tiny GoCARS, stunned ’em on BART and at Macy’s. In the sight of God and 2Chainz, they twerked their way right down the veggie aisle at the Safeway. The hypnotically undulating hijinks of Cherry Red, Dollface, and Tastee were captured this summer in a viral video, “Twerking in San Francisco Prank” by the Simple Pickup crew (a trio of dudes made infamous by filming themselves aggressively hitting on unsuspecting women; this celebratory video proved there is a spark of good in everyone). At first watch, you can’t stop laughing at the befuddled, bewildered, or frozen faces of some of the people shocked by the Twerking Girls’ hypnotic undulations. But then a larger, deeper point takes over: damn, San Francisco’s gotten mighty uptight. Thank you, Twerking Girls and friends, for shaking some soul in the city’s face.
Best of the Bay 2013: BEST LITERARY BYWAY
Though the neighborhood can fascinate in a historic sense, sensory overload is a constant threat among the chain stores, tour buses, and souvenir sweatshirts of Fisherman’s Wharf. One can always head to Richard Henry Dana Place for a brief respite, however. Incongruously tacked onto the waterfront edge of Leavenworth Street, the quiet dead end — placid in a sea of tourist turbulence — was renamed in 1988 as part of a City Lights Bookstore proposal to name a dozen streets after local artists and authors. Richard Henry Dana Jr.’s renowned contribution to our canon, Two Years Before the Mast, contains some of the first accurate descriptions of the West Coast from aboard a merchant vessel. (Melville famously wrote of it, “But if you want the best idea of Cape Horn, get my friend Dana’s unmatchable Two Years Before the Mast. But you can read, and so you must have read it. His chapters describing Cape Horn must have been written with an icicle.”) Dana’s namesake street therefore manages to combine both literary and sea-faring history in one charmingly ramshackle locale.
Leavenworth and Jefferson, SF.
Best of the Bay 2013: BEST TIP-TOP SPIFF UP
It has been remarked that West Portal is quite the happy village in the middle of this teeming city. We concur. Tucked into the side of a hill topped by a Twin Peak, slung happily along a leafy central promenade, the neighborhood is not the worst model for Main Street, USA. Tip and Top Vacuum & Shoe Service, particularly seen in this light, is an all-American gem. Bring in your dirt sucker for a fix-me-up and the capable staff will get it back to dirt bunny-busting in two shakes of a dusty rug. And like any good member of a small community, Tip and Top is a multitasker, as evident from the boots in the window. The shop also repairs shoes, and will even custom-cobble you a boot or slipper. To recap: Tip and Top fixes vacuums and shoes, it’s cute as a button, and you kind of need to check it out.
173 W Portal, SF. (415) 664-9320
Best of the Bay 2013: BEST ANTI-GENTRIFICATION ELECTRO-PUNK SINGLE
It certainly touched a nerve. “Hey gurl, where you moving to? Moving to the East Bay, living life the broke way. SF keep your money. FUCK YOUR MONEY!” Esta Noche drag star Persia and local electro duo Daddies Plastik’s “Google Google Apps Apps” single came bouncing through the Web early this summer and ricocheted off hyperlocal blogs, paradoxically gaining speed through the power of social media. A bouncy yet sardonic party track that seriously skewers the tech industry and its effects on the San Francisco cost of living, the song (and wacky-genius video featuring the whole freak posse) successfully captured the rage of a city caught up in a tragic transition. It was an anger Persia herself felt when Esta Nocha, the Mission’s Latino gay bar, was in danger of closing. But she took that rage and turned it into summer anthem gold. Hey girl, could you tag me in that pic?
Best of the Bay 2013: BEST EXCUSE TO ORGANIZE
Earlier this year, the Metropolitan Transportation Commission adopted Plan Bay Area, a regional recipe for funneling an influx of new residents into San Francisco and the Bay’s other urban cores. It calls for San Francisco to somehow absorb 280,000 new souls, who will live in 92,000 new housing units and drive 73,000 more cars, by the year 2040 (see “Planning for displacement,” 5/28/2013), while doing little to preserve the homes of current residents, expand public transit, or discourage driving. In other words, it’s a free pass for developers, masquerading as environmentalism. Though the plan been challenged in court, activism is our best hope at mitigating the worst parts of it. To get involved, visit sfbay.sierraclub.org, www.cbecal.org, www.earthjustice.org, and the websites of other good activist organizations — and keep reading the Guardian.
Best of the Bay 2013: BEST ROLLING TWEETS
This is the Bay Area — of course our most ubiquitous meteorological feature has a Twitter, and that Twitter belongs to Karl the Fog. Also of course: Karl trains CrossFit, Karl writes poetry about Folsom Street Fair, Karl creeps the “young, new, and pretty” eastern span of the Bay Bridge (although he’s gentlemanly enough to shout out the “babe” western span as well). Oh, and as befits a major part of our cultural landscape, Karl gets political, too. “The Tea Party and I have a lot in common: we’re great at obstruction, we’re really dense, and we’re almost entirely white,” Karl quips. And yet, like a silver-skinned Barry White, this smooth mover rolls a comforting blanket of seduction over all our areas, high and low, uniting and reminding us that there’s no place like home.
Best of the Bay 2013: BEST REPAIR GRAND CENTRAL
Should you need a custom cabinet, a staircase rehab, perhaps a new cupola on your clock tower, you can turn to Clipper Construction’s Mathieu Palmer. But 501 Waller, the storefront Palmer owned and used as storage space — as he told local blog Haighteration — wasn’t the best use of a neighborhood-facing corner shop. Enter Palmer’s friend Dan Daniel, who created Clipper Repair from this clutter, a friendly place for fixing up, designing, or refurbishing anything you could imagine: lamps, cabinets, antique furniture, electrical things. The interior is a gorgeously organized wonderland of screws, nails, tools, gears, and random curiosities. And then! Garret Peters turned Clipper’s back storage room into a bike shop called Wiggle Bikes, conveniently located off the Wiggle, our crosstown thoroughfare for the two-wheeled. Could there be a more useful stop-off for lovers of sustainable transportation and reuse than the Clipper Repair-Wiggle Bikes complex?
501 Waller, SF. (415) 621-4733, www.clipper-construction.com
Best of the Bay 2013: BEST LADY-LOVING BIKE GANG
Roll up hot and cruise in the cool company of other bike-loving women who make up Fixed With Out Dix—a nonexclusive weekly ride for female-identified folks and their two-wheeled BFFs. The crew meets every Wednesday at the Lake Merritt BART station and pedals around parks, crushes hills, and rolls through town with the wind in its grinning faces. Whether you straddle a flashy fixie, speedy road bike, rusty cruiser, or your aunt’s muddy mountain ride, FWOD welcomes your wheels and the company. Share a snack, make new friends, and discover fresh trails for adventure. They’re pumped to empower women and encourage cycling, and these badass biker babes want others to feel good, be safe, and revel in camaraderie on the move.
Weekly rides meet Wednesdays, 6:30pm, free. Lake Merritt BART station, Oakl. fwodoakland.tumblr.com
Best of the Bay 2013: BEST COMMUNITY CENTERING
As San Francisco’s Mission District undergoes rapid rent increases and neighborhood demographic change, spaces like the Eric Quezada Center for Culture and Politics become fewer and farther between. We need spaces like this, where artists and activists come together to share stories of their fights for economic and social justice, or deliver stirring performance through music, poetry, art, and dance. Named for beloved Mission dweller and Guatemalan activist Eric Quezada, who lost his battle with cancer in 2011, the space seeks to be a cultural gathering spot that is both affordable and accessible — just blocks from 16th Street BART, and in the middle of a stretch of Valencia more known for spendy restaurants and hipster bars than progressive candidate forums and multicultural celebrations. An apt setting for those seeking to retain their sanity in a shifting SF.
518 Valencia, SF. www.518valencia.org
Best of the Bay 2013: BEST SUPERGENIUS BAR
Look, we’ve all done it: accidentally spilled a tall glass of vodka on our laptop keyboard, but kept watching our Breaking Bad marathon anyway. Sure, a few of the keys have stopped working, but we’re far too engrossed in the saga of Walter White to shut down, wipe down, and store that sucker in a bag of rice for a couple days until it dries out. Uh oh, though — the next morning it won’t turn on at all, or the morning after that. No need to hover around the Apple Store’s genius bar in dismay, hoping for a shot at paying $750 for a basic diagnostic — and who knows how much to actually repair the thing. The superfriendly, incredibly attentive folks of Keane Mac Repair can save the day quickly, professionally, and far more cheaply. (Recently they charged us $150 for an out-of-warranty diagnostic.) Full-service, fully licensed, and located somewhat incongruously in the gorgeous historic Flood Building — no wonder were keen on Keane.
870 Market, SF. (415) 835-9800, www.keanesf.com
Best of the Bay 2013: BEST BART STRIKE BENEFIT
We all got a four-day taste of Bay Area life without BART during the labor strike in early July (with another one coming in October, or so it seems at press time) — and it was hardly a transit flavor we savored. But amid all the bitter, there was a sweet worth noting, for anyone who used the opportunity to finally try commuting by San Francisco Bay Ferry. What a way to go! For instance, did you know we actually live on a bay, with water and everything? It’s true! With the ferry, you’re out on that very water, viewing the Bay’s waterfront cities from new vantage points, traveling in comfort, usually right on schedule — with access to an on-board bar serving reasonably priced beer and cocktails, no less. Plus, the ferries travel to Marin County, that land considered so inaccessible for adherents of non-aquatic public transportation. It’s almost enough to avoid the underground for good. Almost.
Best of the Bay 2013 Editors Picks: Arts and Entertainment
ARTS AND ENTERTAINMENT
EDITORS PICKS
Editors picks are chosen by Guardian editors for special recognition for brightening the Bay Area experience.
BEST BAWDY BOWIE WORSHIP
It takes a lot to stand out in this town. Bands and entertainers are a dime a dozen, and quality cover or innovative, hilarious “tribute” acts fill venue lineups year-round. The First Church of the Sacred Silversexual, however, is a glittery entity all its own. Raucous and roiling with glam-rock glee, it’s an orgasmic sensation of all things David Bowie wrapped in tinfoil and pumped full of sparkly gospel soul. The boisterous crew of theatrical musicians and singers packs onto stages and blows the Bowie horn: All ye who enter here, know the Thin White Duke’s (or Ziggy Stardust’s, or Alladin Sane’s) name. The oft-adoring crowd, with lyrics sheets in hand, responds in time. It’s a Suffragette City spectacle that “tap dances on the lines between religion and revelry, beatitude and blasphemy, rock show and revival.” Wham, bam, thank you ma’am!
BEST SECRET VERSE
Tired of hum-drum literary events involving lecterns, monotones, and rumpled suit jackets? Has Janey Smith got the antidote for you. One part poetry reading, one part beer bust, and one part urban exploration escapade, literary gatherings at the Squat turn the pedestrian concept of a reading into a situational ritual. After assembling in Smith’s lower Haight apartment for mingling and judicious imbibing, the crowd is ushered silently to a secret location: an abandoned flat lit by dozens of tea candles with a small pile of rubble on the floor serving as a podium for the invited poets. The echo of empty rooms, the brave flickers of candlelight, and the rapt attention of the crowd makes poetry at the Squat resonate that much more, attracting a stalwart crew of hardcore wordsmiths and armchair literati alike.
851thesquat.tumblr.com
BEST HIP-HOP NAMECHECK
Jaunty East Bay rapper-producer IamSu! has released a barrage of clever mixtapes and collaborated with the likes of big-timers like 2 Chainz, Wiz Khalifa, Juvenile, E-40, and Roach Gigz — but his career can be traced back to Youth Radio, a nonprofit media center based in Oakland. Like so many others before and since, the talented 23-year-old MC got his start there at age 15 and learned all about the art of beat making. Fast-forward a decade and IAmSu! (born Sudan Ahmeer Williams) is getting some serious love for attention-grabbing lyrics, bold beats, and his casual return to hyphy, not to mention team efforts with his crew HBK (Heart Break Kids) Gang. He still reps his hometown even while sending it up in hits like “Goin’ Up” feat. Khalifa, nonchalantly tossing out rhymes like “Ask around I got hell of love in the Bay/Get money give a fuck what a hater say” over a wobbly beat in a video directed by Kreayshawn and featuring cameos by locals like Gigz. He may be bursting outside the bounds of the Bay, but his output remains a family affair.
BEST JAZZ FLIGHT
The home base for SFJazz was decades in the making, but the popular nonprofit jazz organization finally got its own permanent home this year — and the SFJazz Center‘s sparkling new glass building is a marvel of modern sound. The $63 million, state-of-the-art facility includes balconies, perches, a fancy restaurant, and a smaller performing space for up-and-comers. But the main bowl-shaped auditorium deep inside the venue is where all that jazzy action comes alive, a circular space with platforms that can accordion and retract to make room for different kinds of setup. Resident artistic directors like Jason Moran have made good use of that unique space; during his stay, Moran opened up the bottom level for an actual skateboarder’s half-pipe with live skating demos, and also widened it up for a Fats Waller dance party. And of course a diverse roster of jazz greats — McCoy Tyner, Eddie Palmieri, Esperanza Spaulding, Hugh Masekela, Bill Frissell — have reached the new rafters with their flights of sound.
201 Franklin, SF. (866) 920-5299, www.sfjazz.org
BEST THREE-POINT SWISH
At first, the idea of opening a successful gay sports bar in the Castro might have struck some as either a shameful back-in-the-closet move (only manly men allowed, no swishing!) or another apocalyptic omen of gay assimilation (we’ve become the jocks who beat us up!). But then you watch the diverse crowds — including, yes, the swishy — pack into Hi Tops to cheer on our major championship teams and our lesser-recognized sports organizations and heroes. You see the Sports Illustrated picture of two male 49ers fans enthusiastically kissing — the first such photo to appear in that magazine. You check out the super-spiffy design of the place, which repurposes vintage bleachers, b-ball court floors, lockers, and cage lights. You sample the playful drink menu, which features an actual cocktail made with Muscle Milk, and a bar menu that twists standard game day food in a slightly gourmet direction. Finally, you see how owners Jesse Woodward, Dana Gleim, and Matt Kajiwara have created a community of like-minded queer sports fans who can finally express their mutual admiration openly, proudly, and loudly. Holy crap, is that a ball in your hand?
2247 Market, SF. (415) 551-2500, www.hitopssf.com
BEST PEACH OF A PLAYWRIGHT
We’re declaring 2012-2013 the theatre season of Lauren Gunderson, y’all. Ever since this prolific Georgia native’s Exit, Pursued by a Bear debuted at Crowded Fire Theater in 2011, Gunderson’s scripts are smart, sassy, and fueled by revenge and science. “I think I write about scientists more than I write about science,” she told Creative Loafing Atlanta. “You could say that science is the landscape and ether of the plays, but the hearts and dreams of the scientists are what we’re really watching.” That empathetic approach to science may help explain why her plays have the taken tech-nerdy Bay Area by storm. This season alone saw the Bay Area-based productions of no fewer than five of her scripts: Emilie La Marquise du Chatalet Defends Her Life Tonight by the Symmetry Theatre Company in Berkeley, Toil and Trouble at Impact Theatre, By and By with the Shotgun Players, The Taming with Crowded Fire Theater, plus I and You at the Marin Theatre Company. Love a rising star? There’s still time to bolster your “I saw her back when” cred when both TheatreWorks and SF Playhouse produce her works in early 2014.
BEST MIDWEEK THROWDOWN
For fans of great house music, packed dance floors, cute crowds, and sweating out the workweek, Wednesdays are the new Fridays, thanks to the stellar Housepitality party crew. Promoters and DJs Mikey Tello and Miguel Solari, along with about a dozen fantastic resident local DJs, bring in international underground superstars every week to get us over hump day (and play havoc with our Thursday mornings). But the Housepitalers go beyond merely roping in midweek talent — they’ve built a devoted community of new and old school dance mavens, crossing generational divides through the spirit of darned good music and a loving vibe. Now in their third year, they also dig deep to introduce the Bay to fresh talent and obscure legends: not too many parties on Earth can boast bringing in “DJ’s DJ” (and an inventor of Detroit techno) D. Wynn one week and then contemporary Bulgarian live acid house act Kink the next. Who needs sleep, anyway?
Wednesdays, 10pm-2am at F8, 1192 Folsom, SF. www.housepitalitysf.com
BEST CYBER-GLADIATORIAL WARFARE
Humans beware. The great robot revolution is nigh, and builders of combat robots have done us no favors by creating machines whose sole function is to destroy. Way to go, guys. But, on second thought, maybe it’s for the best that these “combots” exist, and are still obeying their owners by fighting battles — exclusively with each other — inside a giant, bulletproof pen at the annual International RoboGames. This gives us an opportunity now to study their moves — before they launch their surprise attack on the human race. Combots have advantages such as brute force, whirling blades, super-sumo skills, and general imperviousness to pain. There are even androids that perform kung fu (shudder). But by observing them in action now, we can start formulating our defense strategy ahead of time. Thanks, RoboGames, for giving us this opportunity for the past decade.
BEST DEFENDER OF INDIE AISLES
Along with closely-affiliated nonprofit San Francisco Neighborhood Theater Foundation, CinemaSF has stepped up to keep a pair of historic theaters located in non-trendy neighborhoods — the Vogue and the Balboa — alive and thriving, especially after a Kickstarter campaign earlier this year raised dough to ease the Balboa’s digital-upgrade costs. (The Vogue, thankfully, was already 21st century-ready.) It would be an easy moneymaker to simply screen the latest Hollywood releases, and while both theaters do show first-run stuff, they also offer exclusive and special-interest programming on the side, such as the Balboa’s “Popcorn Palace” kiddie series, and the Vogue’s hosting of San Francisco Film Society events like November’s “Taiwan Film Days.” Have we mentioned how awesome it is not to always watch a movie on your laptop alone in your tiny room, or be bombarded by sense-numbing multiplex gimmickry? Here’s to many more years of great indie flicks shared in great spaces with friendly film fans.
BEST BEAUX-ARTS REVIVAL
After 33 years of provoking thought and conversation about contemporary ideas and letters, City Arts and Lectures has a brand-new venue for hosting its famed series of onstage chats with boldfaced names (recent roll-call: Margaret Atwood, Richard Dawkins, Christopher Guest, Zadie Smith, Jaron Lanier, Marc Maron, Jhumpa Lahiri). But the Nourse Theater isn’t actually new at all — it was built in 1927, which makes it nearly as old as the Castro Theatre. The late Beaux-Arts beauty, once used as the High School of Commerce theater, sat neglected and closed for over 30 years. Now spiffily refurbished (think plush new seats and top-of-the-line sound and lighting) under the guidance of City Arts & Lectures founder Sydney Goldstein, with fabulously Rococo-like architectural details preserved, the hulking building on Hayes is fully revived and ready for heady artistic musings and bleeding-edge pronouncements.
275 Hayes, SF. www.cityarts.net/nourse
BEST GAY LEATHER BIKER ROCK AND ROLL RESURRECTION
When it was announced in 2011 that legendary Soma gay leather biker bar the Eagle Tavern was closing, much of the queer population was stunned. Sure, although charitable Sunday afternoon beer busts and renowned Thursday Night Live local rock showcases were packed, the large bar and patio were not exactly swarmed the rest of the time — and the owners had recently sunk much of their money into the revamped Hole in the Wall Saloon. But the Eagle’s closure became a flashpoint for what many saw as the homogenization of SF’s gay population and the gentrification of traditional queer spaces. A determined activist coalition rallied the city’s political forces and helped find new gay buyers — Alex Montiel and Mike Leon — who vowed to keep the spot’s rough-and-tumble, rock and roll gay vibe while revamping the interior and programming to appeal to a new generation of sexy, bearded, kinky men and friends. The SF Eagle flew again in 2013, and has been by all accounts a success: still down and dirty, but the coolest “new” gay hangout in the city.
398 12th St, SF. www.sf-eagle.com
BEST YEARLY WIDDERSHINS
How long does it take to make a tradition? Surely a longevity spanning four decades denotes a yearly gathering that has taken hold of a group’s psyche. If this is indeed the case, consider the pagan faction Bay Area Reclaiming’s Spiral Dance a full-blown, locally born folkway. The rite takes place each year during the Halloween season, or Samhain, as the pagan holiday of death and regeneration is best known. During the gathering — which also serves as Reclaiming Bay Area’s biggest fundraiser of the year — dance, acrobatics, elaborate altars, and song mark a program largely geared around the spiral dance itself, in which group members move in a whorl (widdershins, as the counterclockwise movement is known in faiths from Wicca to Judaism) that invokes rebirth as the cold season approaches. It’s a gorgeous, all-inclusive sight, regardless of the number or character of the deities to which you pay homage. (You’re invited too, atheist babes.)
BEST PUNK-LIT SPIT ‘N SHINE
Oh, how we love Sister Spit — that incubator of radical feminist artists and punk-lit creators, host for two decades of some the best Bay Area spoken word performances. But the performance series (birthed by Michelle Tea and Sini Anderson back in 1994, and then again in 2006) may well hold more significance to those outside of the Bay. After all, when Sister starting touring in the late ’90s, packing its erudite rabble-rousers into a series of ramshackle vans, towns like Detroit and Tucson got a very special dose of San Francisco’s “talented, tattooed, and purple pigtailed” poets, writers, sexual outlaws, and more. Cultural ambassadors, we deem them all. The series continues to go on the road — with writers like Ali Liebgott, Eileen Myles, Robin Akimbo, and many more — and grow. Earlier this year publisher City Lights debuted its new Sister Spit imprint with a glorious anthology of pieces performed at past events, Sister Spit: Writing, Rants and Reminiscence from the Road.
BEST PET SOUNDS
Different Fur Studios is esteemed by the current generation of music fans for churning out a staggering variety of hip music from San Francisco — A B & the Sea, Main Attrakionz, Lilac, the She’s — and beyond. Given the storied studio’s long history, however, it’s no wonder it’s still helping define the sound of the Bay. It was founded in 1968, at the height of San Francisco sonic weirdness, by Patrick Gleeson, an energetic electronic music composer who brought in the likes of Herbie Hancock, Jonathan Richman and the Modern Lovers, Stevie Wonder. The Fur stands on end: alert to the changing times and latest trends. Nowadays, it’s known for being highly Web-savvy, recording live iTunes-exclusive tracks, and uploading videos of in-studio sessions (like those of Little Dragon, Girls, Toro Y Moi, Big K.R.I.T., and more). Praise be to a different Pat — current owner and engineer Patrick Brown — who as a champion of local acts and labels alike keeps tradition alive in the heart of the Mission.
BEST GAYMER HANGOUT
Gay gamers often have friends they can brag to about their Xbox Live gamerscore. And they often have friends they can take to the club. And never shall those two groups of friends meet. Yet for one glorious weekend in Japantown last August, LGBT nerds united to celebrate indie queer games and to dress in Princess Peach drag (her five o’clock shadows were fetching). GaymerX was the first LGBT video game convention in the nation, and its panels included executives from gaming super-giant Electronic Arts, where gaymers lobbied for more inclusion in a white-male-hetero-normative-dominated industry. The dance floor was rocking, as Pikachu, Kratos, Mario and a host of other costumed fans shook their pixilated tail feathers. The voice actress who portrayed the killer robot from Portal, GLAaDOS, even helped two beautiful bear boys get married on stage with her signature song “Still Alive.” And best of all, the convention announced its second run for next July at an even bigger space. As Mario would say, “Let’s-a-go!”
BEST “HOUSE” MUSIC
Hang out with rad musicians like Peter Case, Alejandro Escovedo, Nataly Dawn, Sean Hayes, The Mother Hips, Ben Kweller, Heather Combs, John Vanderslice, and Chuck Prophet at a genial house party — and then watch them play a full concert in the living room? This convivial scene (you may actually be able to pet a cat while singing along) is what KC Turner’s House Concert series is all about. Here, nothing separates the performers from their patrons, save a few extra inches of legroom and the use of a microphone. In the music business, it seems almost inevitable that you’ll wind up selling some portion of your soul to make a living, but so far the fresh-faced, formidably-prolific KC Turner seems to be avoiding that fate by helping to create the world — and by extension, the music business — he wants to live in. We are all the better for it. Just please try not to spill any wine on the rug.
BEST BURST OF PAN-ASIAN PRIDE
In 1973, Japantown’s Nihonmachi Street Fair was devised along the lines of community protest — in the face of sweeping neighborhood redevelopment, the celebration of Japanese heritage was a line in the sand, a declaration that one of SF’s unique neighborhoods would not be erased by the vagaries of urban renewal. (Nihonmachi means, roughly, “Japantown.”) Forty years later, it is an enduring statement of the power of community, and the festival considers itself a representation of the Pan-Asian cultural experience in San Francisco. During the early August weekend of Nihonmachi, awesome food, unique crafts, and musical performances fill the streets, and Asian traditions like the Chinese Lion Dance, Hawaiian music, and Filipino acrobatics fill the stages. An estimated 30,000 people attended this year — fest organizers wager they were largely first-time fans of this neighborhood triumph, which only confirms the community’s deepening roots.
BEST PLAYING FIELD LEVELER
One game has the player land on a purple planet and get asked out on a date by a giant sea monster. Another has you shimmy a bumble-bee’s booty in the right sequence to win. Some of the games touch serious subjects like coming out for the first time, or dealing with poverty. And you can make one, too! The games on DIY text-based gaming platform Twine are wild and varied, but they’re always first person narratives. Remember “Choose Your Own Adventure” books? It’s kind of like that. Birthed three years ago by Chris Klimas, Twine really took off in the past year after being trumpeted by Anna Anthropy, a game designer known for “Dys4ia,” which chronicled her start in hormone replacement therapy. That’s the beauty of Twine: it’s a format suited to telling very personal stories in an interactive way. You don’t need to know any programming at all to make a free Twine game — it’s all text, so you just need to know how to write. And the games that result are presented as web pages containing a maze of hyperlinks: a pretty good metaphor for life.
The spirit of the underground is still alive in Larry Gonello Jr.’s world. The ace renegade soulful house and techno DJ was everywhere this year — from official street festival to not-so-official one, from licensed afterhours loft party to extralegal sunrise beach rave — joining in the fabulous mobile soundsystem tradition pioneered by great tricyclist Amandeep Jawa’s speaker-wired Trikeasaurus Rex, Monkeylectric’s Off-Grid Party Trailer, or anyone whose strapped an old transistor radio onto a bike during critical mass and rocked the freak out to Michael Jackson. Gonello’s Boombox Affair, though, usually went one better: wiring together an array of large, vintage, insanely covetable boom boxes to form a wall of sound at his pop-up dance parties. Adding a couple innocuous bass bins, he creates a DIY soundsystem that looks cool as hell while moves the crowd. “Sick” is the word usually uttered by first-time viewers. But by the time that overused yet totally appropriate word is swallowed up by beats, they’re already dancing.
Books on tape, books on schmape. If you’re looking for the words of great literature to leap off the page (or titanium dioxide electrophoretic screen, if you’re Kindlin’), look no further than the 20-year-old tradition that is Z Space’s Word for Word series. In 1993, the legend goes, Susan Harloe and JoAnne Winter founded the company in order to “tell great stories with elegant theatricality, staging performances of classic and contemporary fiction.” The first production, of Dorothy Parker story “The Standard of Living,” played to a packed house. Seventy staged works — from classics like Sherwood Anderson’s homey Winesburg, Ohio and Tennessee Williams’ homo-textual “Two on a Party” to cutting edge contemporary works like Siobhan Fallon’s resonant Iraq War-fallout story cycle “You Know When the Men Are Gone” and Nathan Englander’s post-Holocaust domestic tale “What We Talk About When We Talk About Anne Frank” (performed at the Jewish Community Center) — and a tour of France later, the inimitable W4W troupe just took on the title story of Dan Chaon’s 2012 collection Stay Awake for Litquake. In a delightful meta-move, Word for Word will stage 36 stories by SF’s patron saint of the theater, Sam Shepard, in May 2014.
BEST DANCE SÉANCE
Everybody’s saying the feisty, freaky soul of San Francisco is dying. Finally someone did something about it, in the form of resurrecting one of the city’s most treasured cult arts figures, Ed Mock. A black, gay, free-spirited improvisational dance pioneer who died of AIDS in 1986: welp, you can’t get much more “vanishing San Francisco” than that. (Ntozake Shange’s For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf… premiered in his studio. Enuf said.) The fact that Mock and his eponymous dance company heavily encouraged, trained, and influenced a generation of young artists surely helped cement his immortality. So much so that former student and UC Berkeley dance instructor Amara Tabor-Smith, who met Mock when she was 14 and joined his company three years later, joined with several collaborators in June to bring his specter back to the byways of our fair town. He Moved Swiftly But Gently Down the Not Too Crowded Street: Ed Mock and Other True Tales in a City That Once Was consisted of 11 site-specific performances that journeyed through Mock’s life, from “A Roomful of Black Men” in LaSalle Pianos to various “acts of improvisatory disruptions” up and down Valencia Street. You could feel Mock smiling fearlessly, glorious in a giant pink tutu, back on the streets.
Best of the Bay 2013: BEST RENEGADE RECITAL
And then one day in June, a piano appeared. Not a tiny Schroeder model, but a full-size, stand-up set of ivories, plopped on top of Bernal Hill with an open invitation attached for giggly renditions of “Chopsticks” and gorgeous, soul-stirring Chopin scores alike. Bernal Heights being the magical neighborhood it is, a full-on recital was planned and performed for a grinning crowd of over 200 very lucky folks. The Bernal Heights piano lineup of skilled musicians sent sassy jazz numbers and symphonic pleasures into the breeze and charmed the perching crowd, as the sun set over the city below. The piano may not be a permanent fixture on the Bernal bedrock — indeed, the instrument used for the recital was a replacement, hastily lugged up by the same start-up workers who donated the first, after it disappeared. (“One does not simply get rid of a piano,” one of the gifters wrote in a blog post. “[We] concocted a plan to bring it to a public place so that it could be enjoyed by many.”) All the more reason to hike to the top and play sweet, sweet songs for the city you love.
Best of the Bay 2013: BEST SAIL FROM SOBRIETY (ON WAVES OF NOTORIETY)
The cocktail menu at Virgil’s Sea Room pays homage to our city’s belovedly quirky, endlessly entertaining heroes: fashionista twins Marian and Vivian Brown, departed philanthropist and devoted banjo player Warren Hellman, drag queen Empress I Jose Sarria, perennial 12 Galaxies sign-hoister Frank Chu. But when speaking of our burg’s best loved, mustn’t we mention progenitors of accommodating neighborhood watering holes? If indeed we must, hoist a glass to the triple-threat owners of one of Bernal Heights’ new favorite hangouts. Lexington Club owner Lila Thirkield, DJ-promoter-political dervish Tom Temprano, and former Nickie’s drink slinger Gillian Fitzgerald opened their watering hole early this summer in the space that once housed karaoke dive-a-rama Nap’s III. They’ve slapped on some nautical accents, spruced up a surprisingly roomy patio, and nurtured a relaxed, quirky ambience that raises a welcoming flag to buoy local spirits — while saluting San Francisco’s rambunctious past.
3152 Mission, SF. (415) 829-2233, www.virgilssf.com
Best of the Bay 2013: BEST STICK TO THE SCRIPT
Books on tape, books on schmape. If you’re looking for the words of great literature to leap off the page (or titanium dioxide electrophoretic screen, if you’re Kindlin’), look no further than the 20-year-old tradition that is Z Space’s Word for Word series. In 1993, the legend goes, Susan Harloe and JoAnne Winter founded the company in order to “tell great stories with elegant theatricality, staging performances of classic and contemporary fiction.” The first production, of Dorothy Parker story “The Standard of Living,” played to a packed house. Seventy staged works — from classics like Sherwood Anderson’s homey Winesburg, Ohio and Tennessee Williams’ homo-textual “Two on a Party” to cutting edge contemporary works like Siobhan Fallon’s resonant Iraq War-fallout story cycle “You Know When the Men Are Gone” and Nathan Englander’s post-Holocaust domestic tale “What We Talk About When We Talk About Anne Frank” (performed at the Jewish Community Center) — and a tour of France later, the inimitable W4W troupe just took on the title story of Dan Chaon’s 2012 collection Stay Awake for Litquake. In a delightful meta-move, Word for Word will stage 36 stories by SF’s patron saint of the theater, Sam Shepard, in May 2014.
Best of the Bay 2013: BEST BOOMBOX AFFAIR
The spirit of the underground is still alive in Larry Gonello Jr.’s world. The ace renegade soulful house and techno DJ was everywhere this year — from official street festival to not-so-official one, from licensed afterhours loft party to extralegal sunrise beach rave — joining in the fabulous mobile soundsystem tradition pioneered by great tricyclist Amandeep Jawa’s speaker-wired Trikeasaurus Rex, Monkeylectric’s Off-Grid Party Trailer, or anyone whose strapped an old transistor radio onto a bike during critical mass and rocked the freak out to Michael Jackson. Gonello’s Boombox Affair, though, usually went one better: wiring together an array of large, vintage, insanely covetable boom boxes to form a wall of sound at his pop-up dance parties. Adding a couple innocuous bass bins, he creates a DIY soundsystem that looks cool as hell while moves the crowd. “Sick” is the word usually uttered by first-time viewers. But by the time that overused yet totally appropriate word is swallowed up by beats, they’re already dancing.
Best of the Bay 2013: BEST PLAYING FIELD LEVELER
One game has the player land on a purple planet and get asked out on a date by a giant sea monster. Another has you shimmy a bumble-bee’s booty in the right sequence to win. Some of the games touch serious subjects like coming out for the first time, or dealing with poverty. And you can make one, too! The games on DIY text-based gaming platform Twine are wild and varied, but they’re always first person narratives. Remember “Choose Your Own Adventure” books? It’s kind of like that. Birthed three years ago by Chris Klimas, Twine really took off in the past year after being trumpeted by Anna Anthropy, a game designer known for “Dys4ia,” which chronicled her start in hormone replacement therapy. That’s the beauty of Twine: it’s a format suited to telling very personal stories in an interactive way. You don’t need to know any programming at all to make a free Twine game — it’s all text, so you just need to know how to write. And the games that result are presented as web pages containing a maze of hyperlinks: a pretty good metaphor for life.
Best of the Bay 2013: BEST DANCE SEANCE
Everybody’s saying the feisty, freaky soul of San Francisco is dying. Finally someone did something about it, in the form of resurrecting one of the city’s most treasured cult arts figures, Ed Mock. A black, gay, free-spirited improvisational dance pioneer who died of AIDS in 1986: welp, you can’t get much more “vanishing San Francisco” than that. (Ntozake Shange’s For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf… premiered in his studio. Enuf said.) The fact that Mock and his eponymous dance company heavily encouraged, trained, and influenced a generation of young artists surely helped cement his immortality. So much so that former student and UC Berkeley dance instructor Amara Tabor-Smith, who met Mock when she was 14 and joined his company three years later, partnered with several collaborators in June to bring his specter back to the byways of our fair town. He Moved Swiftly But Gently Down the Not Too Crowded Street: Ed Mock and Other True Tales in a City That Once Was consisted of 11 site-specific performances that journeyed through Mock’s life, from “A Roomful of Black Men” in LaSalle Pianos to various “acts of improvisatory disruptions” up and down Valencia Street. You could feel Mock smiling fearlessly, glorious in a giant pink tutu, back on the streets.
Best of the Bay 2013: BEST BURST OF PAN-ASIAN PRIDE
In 1973, Japantown’s Nihonmachi Street Fair was devised along the lines of community protest — in the face of sweeping neighborhood redevelopment, the celebration of Japanese heritage was a line in the sand, a declaration that one of SF’s unique neighborhoods would not be erased by the vagaries of urban renewal. (Nihonmachi means, roughly, “Japantown.”) Forty years later, it is an enduring statement of the power of community, and the festival considers itself a representation of the Pan-Asian cultural experience in San Francisco. During the early August weekend of Nihonmachi, awesome food, unique crafts, and musical performances fill the streets, and Asian traditions like the Chinese Lion Dance, Hawaiian music, and Filipino acrobatics fill the stages. An estimated 30,000 people attended this year — fest organizers wager they were largely first-time fans of this neighborhood triumph, which only confirms the community’s deepening roots.
Best of the Bay 2013: BEST “HOUSE” MUSIC
Hang out with rad musicians like Peter Case, Alejandro Escovedo, Nataly Dawn, Sean Hayes, The Mother Hips, Ben Kweller, Heather Combs, John Vanderslice, and Chuck Prophet at a genial house party — and then watch them play a full concert in the living room? This convivial scene (you may actually be able to pet a cat while singing along) is what KC Turner’s House Concert series is all about. Here, nothing separates the performers from their patrons, save a few extra inches of legroom and the use of a microphone. In the music business, it seems almost inevitable that you’ll wind up selling some portion of your soul to make a living, but so far the fresh-faced, formidably-prolific KC Turner seems to be avoiding that fate by helping to create the world — and by extension, the music business — he wants to live in. We are all the better for it. Just please try not to spill any wine on the rug.
Best of the Bay 2013: BEST GAYMER HANGOUT
Gay gamers often have friends they can brag to about their Xbox Live gamerscore. And they often have friends they can take to the club. And never shall those two groups of friends meet. Yet for one glorious weekend in Japantown last August, LGBT nerds united to celebrate indie queer games and to dress in Princess Peach drag (her five o’clock shadows were fetching). GaymerX was the first LGBT video game convention in the nation, and its panels included executives from gaming super-giant Electronic Arts, where gaymers lobbied for more inclusion in a white-male-hetero-normative-dominated industry. The dance floor was rocking, as Pikachu, Kratos, Mario and a host of other costumed fans shook their pixilated tail feathers. The voice actress who portrayed the killer robot from Portal, GLAaDOS, even helped two beautiful bear boys get married on stage with her signature song “Still Alive.” And best of all, the convention announced its second run for next July at an even bigger space. As Mario would say, “Let’s-a-go!”