Virginia Miller

Appetite: Hungry for Change

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“Change the world with everything you buy”. This is the tag line behind the inspiring Trade as One, a Northern California-based organization that promotes sustainable businesses in poor, marginalized communities. Whether you look at it as a way of giving during the holidays or as a new year’s resolution, it’s an ideal time to try a new program that could be habit-forming.

Trade as One recently launched a monthly subscription called Hungry for Change. Delivered to your door every month is a box including 4-5 foods, a recipe, and additional surprise items. The month I tried the box, it included Canaan sun-dried Palestinian couscous, Glorybee comapi honey, Canaan Palestinian za’atar herbs, and Kopali dark chocolate-covered espresso beans. The additional “surprise” gifts? A Divine chocolate candy bar, a greeting card featuring an artistic photo of a fair trade farmer, and a handy little book, The Better World Shopping Guide. The book is full of incredibly helpful lists and company ratings for best and worst offenders in purchasing everyday items from hair care to paper, alongside supermarket or airline choices.

A subscription is $33 a month or $99 for three months. Add on Coffee Club – http://tradeasone.com/get_involved/hungry_for_change/details (choose regular or decaf) and 1-3 bags of fair trade coffee are included with your monthly shipment. A card detailing the story behind one of the producers in the package brings it home, making it personal. Trade as One’s holistic approach urges changing buying habits. As they say on the back of their greeting cards, we can “fix problems instead of perpetuate them” by using our consumer power to positively affect change. I can think of few better food gifts to a friend, yourself and the world.

www.tradeasone.com

–Subscribe to Virgina’s twice monthly newsletter, The Perfect Spot: www.theperfectspotsf.com

Appetite: Delicious giving

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FOR THE WINO Secrets of the Sommeliers by Rajat Parr and Jordan Mackay — Secrets of the Sommeliers, a new book from local SF treasures (sommelier extraordinaire Rajat Parr and drink writer Jordan Mackay is the best wine book to come across my desk in awhile. Stories from a range of the world’s best somms and winemakers stand alongside insights on tasting, purchasing, storing, pairing, ordering and serving wine. Sections “Thinking Like A Sommelier” and “The Wine List” deliver a true insider’s perspective and expertise. This intelligent, understated book is a must for any wine lover, budding or educated.

FOR THE TIKI FANATIC Beachbum Berry Remixed by Jeff Berry — Whether a retro tiki fanatic or one who prefers drinks reminiscent of an island getaway, this book from modern-day master of tropical cocktails, Jeff Berry (aka Beachbum Berry), satiates. Colorful vintage photos and graphics illumine mid-century history and tiki culture. I’ve tried out a number of the recipes on friends, some from top bartenders, many classic, never-before-published or “lost” exotic drink recipes. I have not run across one yet that is less than crowd-pleasing. Remixed combines Berry’s first two books, Grog Log and Intoxica!, adding 107 recipes for one comprehensive collection.

FOR THE CONSCIENTIOUS COOK Miss Dahl’s Voluptuous Delights: Recipes for Every Season, Mood, and Appetite by Sophie Dahl — A cookbook by a famous model is among the last places I’d look to as a cooking inspiration (I’m skeptical enough of ultra-skinny cooks like Giada). But Dahl is no typical model, having written three books and as a self-professed, avid eater. She’s the daughter of brilliant writer Roald Dahl and actress Patricia Neal. Her oft-discussed weight, modeling at real world sizes (like 10), convinces me she understands “voluptuous”. Her recipes may not be the most challenging on the shelf, rather they are approachable as the book’s layout is charming. Dahl she does not eat red meat: there’s plenty here for a vegetarian. Whether you’re making brown rice risotto with pumpkin or something as simple as flapjacks, Dahl’s personable approach draws you in while her seasonal recipes comfort.

FOR THE DRINK AFICIONADO Boozehound: On the Trail of the Rare, the Obscure, and the Overrated in Spirits by Jason Wilson — Though Boozehound by Washington Post’s spirits columnist Jason Wilson contains over 50 drink recipes, it is more a study on a range of spirits, history mixed with personal experience. His journeys to distilleries around the globe play as engaging travelogue, with breakthrough moments sipping an unusual liqueur or uncovering hype around others. It’s like reading a food memoir but with drink as the backdrop and instigator. The chapter “Bitter is Bella” made me miss Italy’s fabulously bitter palate; I began craving aquavit and bacalao reading Water of Life. His stories of researching tequila in Jalisco, Mexico, or chatting with Borje Karlsson (Karlsson’s Gold Vodka) rekindle my own memories. He explores sips as far-ranging as bianco vermouth, sloe gin, Barolo Chinato and pisco. There is education here, certainly, but via a pleasurable, relaxing read. Like a fine drink, at its finish, I found myself thirsty for more.

FOR THE COCKTAILIAN Speakeasy: The Employees Only Guide to Classic Cocktails Re-Imagined by Jason Kosmas & Dushan Zaric – An elegant book from bartenders behind Employees Only (http://www.employeesonlynyc.com/) in NYC’s West Village, this book lists a range of recipes from classics (e.g. the Martinez) to new drinks that play like classics, such as the Provencal. We have seen compendiums of classic recipes before, but this one ups the game with thoughtful directions and NY flair. Four sections cover categories like aperitifs, punches, cordials and homemade syrups. Inspired by Prohibition-era speakeasies, these two were doing “speakeasy” long before it became a trend. As they state in the section Mastering the Perfect Cocktail: “Every Cocktail Has A Story.” Speakeasy helps you tell stories through the preparation of a drink.

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Appetite: Coffee’s new shining star? It’s Ma’velous

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Cheesy puns aside, Ma’velous is truly that. Kudos to Phillip Ma and his new coffee and wine bar, which I’d be ecstatic to have in my own neighborhood. This coffee haven on Market Street (near Civic Center) is worth heading out of your way for. No, there is nothing else like it, even in a city of fabulous coffee.

The space is blessedly unique with graffiti artwork, pressed tin ceilings, retro-modern reclaimed furniture, textured floors, nooks with chairs, a couch, tables. The setting inspires but the coffee elevates.

Bean choices included beloveds like Intelligentsia and Ecco but also rare Tim Wendelboe from Norway. Wendelboe’s coffee is huge in Norway and this is the about the only place to get it in the States.

The preparation options are where it gets truly exciting for any coffee geek or the curious. You might want a Kyoto iced coffee or to have it prepared via siphon, V60, Beehouse pour over, French press, or Chemex. Then there’s their custom-made La Marzocco espresso machine. The staff is well-trained to create coffee in all forms.

A favorite already is an exquisite espresso made with Tim Wendelboe beans. I’m delighted by a “palette tasting bar” where you can sample coffees prepared three ways or three different brews. Their hot chocolate, made with local TCHO chocolate, is initially airily dark, becoming more rich and silky as you near the bottom of the cup.

Ma’velous is a shining new star in the coffee firmament, thankfully doing it differently than other greats in town. I love it so much I want to be a regular.

Ma’velous
1408 Market, SF
www.maveloussf.com

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Appetite: Thanksgiving wine recommendations

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You received the assignment to bring the wine for Thanksgiving… maybe not as difficult as cooking a turkey, but you want to bring something special without having to give it too much thought. Here are a few last-minute bottle suggestions from various parts of the world and a range of prices. Most can be found at shops like Bi-Rite, K&L Wine Merchants, and Jug Shop.

SPARKLING ROSE
2002 Movia Puro Rosé, $49.50 – The Kristancic family’s land covers both sides of the Italian/Slovenian border with vines over three centuries old. This delicate Slovenian rosé captures both a fruity, berry essence, and an earthy, mushroom body. Sparkling and crisp, it makes for a celebratory holiday sipper.

WHITE BARGAIN
2009 Aveleda Alvarinho, $12.99 – Portuguese wines are still in the ‘bang for buck’ category, and with this Alvarinho grape white, there’s enough dryness to pair it with a range of foods while the palate gives off pear, citrus, and a bouquet of flowers.

WHITE SPLURGE
2008 J. Hofstatter Kolbenhof Gewurztraminer, $55 – This full-bodied white is floral, lush, but acidic, from Italy’s fabulous Alto Adige region. A stunner that expresses Alpine vistas of both Italy and the nearby Austrian border.

RED BARGAIN
2007 Moric Blaufrankisch, $17.99 – I love the blaufrankisch grape and Moric’s line of wines showcases the warmth of the Austrian red while remaining a good value. Sandalwood, cherry and cinnamon unfold with a mineral finish.

RED SPLURGE
2005 Vietti Barolo Lazzarito, $130 – Definitely a spendy bottle, this Italian Barolo seduces with tannins balanced by earth, hints of rose petal and robustness, while pairing well with meats.

AFTER-DINNER LIQUEUR
Crispin’s Rose Liqueur, $75 – Impress by bringing a bottle from one of the country’s greatest distillers (nearby in Ukiah) for after dinner sipping. Craft Distillers wows with a rose liqueur unlike any other. No cloying, syrupy qualities here, but rather a full bouquet of roses in a cognac-style brandy based off of an old family apple-honey mead recipe. Available at Cask.

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Appetite: Indy Spirits Expo poured it on

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This year’s Indy Spirits Expo, which took place 11/17, was much improved since last year’s inaugural festivity, though crammed into the cool, brick-walled nightclub space of The Mighty. This event offers one of the better opportunities I’ve seen to sample everything from cachaca and pisco, to absinthe and eaux de vie, all in one room, among the best small batch spirits happening in the US and a few places beyond.

Many favorites you’ve heard me write about were there, like the great St. George, Charbay, Craft Distillers, and more recent greats like Old World Spirits and Don Pilar. Outside of Northern California’s riches, there were my Midwest faves like North Shore Distillery and Death’s Door, plus Oregon delight, Bend Distillery. Amidst a can’t-go-wrong line-up, here are just a handful of highlights:

St. George did it again with a couple special behind-the-table pours, my number one being a brilliant eau de vie infused with fresh Dungeness crabs. I saw photos of a still filled with crabs, smelled the briney-sea whiff that emanated from the pour, relishing the crabby goodness that screamed Bloody Mary. No complaints about the other pour from the masters of liquid experimentation, an eau de vie infused with seaweed.

Charbay brought some special hand-marked bottles filled with straight-from-the-keg whiskeys, including the ravishing 12yr whiskey I’ve told you about before in my Guardian column: their incomparable Release II whiskey, just aged another 6 years.

Old World Spirits poured their latest releases of the gorgeous Indian Blood Peach and Poire Williams (Pear) eau de vie, plus their luxurious Walnut Liqueur. Take a thoroughly different gin route and try their Blade gin aged (“rusty”) in a special, only-through-K&L Wines bottling. Technically you might not be able to call it gin, but the same herbs that go into the regular Blade are aged like a whiskey for 13 months. The gin’s juniper and citrus expand with spice and oak for a truly unique expression (only 250 bottles made with a retail price of $59.99 – contact K&L before they’re all gone).

– A surprising new addition to the rum scene comes from Colorado, of all places: Montanya Rum. It is sweeping up Gold and Silver medal awards the last two years since inception in esteemed places like San Francisco World Spirits Competition. I prefer the light rum Platino to the Oro dark rum, as the former is crisp and clean, nuanced with almond, oak, coffee and vanilla.

– A newcomer, Novo Fogo, ups the cachaça game bringing a 100% organic, gluten-free cachaça to the table. The aged Gold version is reminiscent of a bourbon or a rum, but I prefer the clean Silver, as I get more of those sugarcane cachaça properties, with hints of sea salt, citrus, and sweet peppers.

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Appetite: Highlights from the Single Malt Extravaganza

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I wasn’t sure what to expect at Tuesday night’s Single Malt Extravaganza at the Intercontinental Hotel, with the welcome giveaway of Romeo y Julieta and Monte Cristo cigars as take-home treats. Despite the lack of rare pours and the absence of master distillers — like the experience at Whiskyfest or Whiskies of the World Expo, you also (thankfully) get civilized, minimal crowds at Single Malt Extravaganza. I was able to flow, take my time with sips, and cover the whole room easily in two hours.

Although most pours were merely re-visits for me, as there wasn’t a lot I hadn’t tasted before, there were a couple special pours that truly wowed.

The highlight came in the members-only line of whiskies from the Scotch Malt Whisky Society (the co-host of the event along with Robb Report). Mostly from single casks and at cask strength, the rare bottlings are truly unique. I was relishing all five they had on offer this event. Cask No. 123.5 is an 8yr Southwest Highlands scotch described as “feisty but fun”. I loved the heavy marmalade, cinnamon toast overtones, rounded out with salty caramel and rich woods. But the one I couldn’t stop thinking about and returned to during the evening was Cask No. 25.51. A Lowlands malt described as “cherry lips and bitter nuts”, this bright wonder unfolds with passion fruit, spiced honey, and layers of aromatic rose petals. A hint of smoke, grass and tobacco round out cherry, banana leaf notes. I’ve never tasted a scotch like it and could sip it all night. Though they recommended a splash of water since it’s cask strength, I preferred it neat. I like the Society’s playful bottling descriptors (like “Gateway to Narnia” or “Apples and Hallowe’en”) and singular taste profiles. It’s tempting to become a member.

Spirit Imports/Classic Cask has not much more than 200 bottles left in the world of a brilliant 35-yr Classic Cask Rare Scotch Whisky. I lingered over this beauty awhile. A special millennium release in 2000, it blends 30 different scotches, aged 25 years each, then aged together for another 10 years. While the nose is rich with a buttery sherry from the Oloroso sherry casks it was aged in, the taste covers the gamut from rich butterscotch and oak, to dark chocolate and almonds.

Balvenie’s 21yr PortWood is an ideal after dinner imbibement. Fruity and dry on the nose, it tastes like a Highlands single malt until you get to the long finish of spiced vanilla and nuts, reminiscent of a cognac.

Value sip of the night was Glen Garioch, a small distiller from Eastern Highlands, whose Founder’s Reserve whisky retails around $45 and their 12yr around $60. The first is young, not a showstopper, but fruity with tart green apple and rhubarb, finished with butter cream. The latter hints of floral pears, sweet malt and banana with plenty of oaky notes.

 

–Subscribe to Virgina’s twice monthly newsletter, The Perfect Spot: www.theperfectspotsf.com

Appetite: Rare tequilas I sampled in Mexico

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In my travels last week through the magical land of Tequila, Mexico, I tasted, yes, a ridiculous amount of tequila from a wide range of distillers. After watching it being made and sampling it its homeland, I gained a deeper appreciation than I already had for the agave spirit. Here are three superb but uncommon tequilas only found in Mexico or here in the states with some investigative cunning. Of course, the incomparable Tommy’s Mexican Restaurant often stocks all of these by the pour if you wish to sample.

San Matias Gran Reserva Anejo
San Matias’ Gran Reserva Anejo is distilled in Ojode Agua, Jalisco, aged three years in French oak barrels, and is a shocking value in Mexico at less than $20 a bottle. Recommended to me by a restaurant owner on the outskirts of Guadalajara, I was pleased by its gentle amber color and subtle notes of orange peel, roasted apples and smoke playing off the herbaceousness it thankfully retains despite age (a fault I sometimes find with anejos). When asking locals why it’s so cheap compared to other anejos, they said it’s because it’s about 80% agave vs. a high quality 100%. Their website says otherwise, claiming to be 100%. I may never know the truth, but I can say this was a favorite find during my time in Mexico and certainly the best deal.

Arette Unique Reposado
Arette was one of the distilleries I visited in Tequila and has become a favorite, specifically for their fabulous, reasonable — around $60 a bottle in US, $30 in Mexico — Reposado Artesanal. (They also have a basic reposado). But the one everyone claims can only be purchased in Mexico is their Unique Reposado (there’s a Unique Blanco and Extra Anejo as well). Though I see K&L Wines can special order it and even if I actually prefer the Artesanal repo, the Unique impresses with its refined balance, aged 11 months in white oak bourbon barrels. Nuanced and subtle, it’s a fine reposado intro for the uninitiated.

I was more excited by the rare, small production Gran Clase Extra Anejo, aged over three years with woody mellowness yet herbaceous, agave properties… and the extra anejo El Gran Viejo with its artistic, unusual bottle. It’s warm with vanilla, almond richness, rested six years in bourbon barrels.

Reserva de los Gonzalez Blanco
Another sip recommended by a Mexican local, Reserva de los Gonazalez has Don Julio ties. Its directors are Eduardo and Francisco González, sons of none other than Don Julio González. Produced in Los Altos, Jalisco, and made from the Tequilana Weber blue agave plant, the Reserva Blanco is 100% pure agave, clean, reminiscent of Don Julio’s blanco with a gentle sweetness, floral, grassy notes, and plenty of agave.

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Appetite: 3 escaped-from-New York egg creams

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Sipping an egg cream soda is an all-American, very New York pastime, but nowadays the nostalgic sodas are popping up in increasing numbers in our fair city. I rounded up a trifecta of perfect SF spots to get your cream on, but first a historical rundown.

Though the identity of the creator of the original egg cream is somewhat debated, many credit Louis Auster, a Brooklyn candy store owner in the late 1800s. In his well-researched tome on the history of soda fountains, Fix the Pumps, Art of the Drink‘s Darcy S. O’Neil says the New York egg cream evolved as a variation on the original milkshakes served at soda fountains in the late 19th century.

The classic recipe, which contains no egg whatsoever, traditionally consists of milk (or cream, for added richness), chocolate syrup, and soda water, making for a gently effervescent imbibement. It has a creamy, chocolate-y tinge, and a pleasurable hint of sour from the soda. The best creations have a foamy, seltzer “head” and are reminiscent of an ice cream soda sans ice cream. Some claim the original recipe included actual egg, which was replaced when they became expensive and harder to procure during World War II.

Speculations aside, I find egg creams a delightful reminder of my high school years on the East Coast, when I sipped at diners in Manhattan, Brooklyn, and Jersey. To this day, I can’t be in proximity of Katz Deli in the Lower East Side without ordering one to go. 

The recent proliferation of egg creams in San Francisco is a welcome trend. Though I can never seem to track down the Egg Cream Cart, which was launched earlier this year by a mysterious “Madame Bubbles” (and serves egg creams and Jewish treats like rugelach), there are a few more easy-to-find places to wash down a soda, whether you go for the original Brooklyn recipe with chocolate syrup, New York style with vanilla, or even a San Francisco egg cream made with both chocolate and hazelnut syrups. 

 

Grand Coffee

Months back, I wrote about the new Grand Coffee on Mission Street, a humble little counter-window service  that pumped out expertly prepared Four Barrel coffee, creative jam sodas, layered iced coffees, and yes, egg creams. Owner Nabeel Silmi makes a Brooklyn egg cream ($2.75), for which he first drizzles the glass with Brooklyn-made Fox’s U-bet chocolate syrup, then douses it with milk and seltzer water, ultimately handing you a freshly frothy drink.

2663 Mission, SF

(415) 206-1238


Tony’s Coal-Fired Pizza & Slice House

The new take-out shop next to Tony’s Pizza Napoletana is just what North Beach needed: addictive Neapolitan and East Coast pizzas, ordered by the pie or the slice (cheese, pepperoni and daily specials). Eat in at one of the couple of tables in the joint or trot across the street to Washington Square Park with pizza or giant Italian beef sandwich in hand. The deal is sweetened with three egg cream options: New York, Brooklyn, and SF versions. The downside? They’re a whopping five dollars each. But the balance is right and kudos to Tony for offering all the classic egg creams. 

1556 Stockton Street, SF

(415) 835-9888


Cowgirl Creamery’s Sidekick

Cowgirl Creamery‘s brand new Ferry Building cafe, Sidekick, is a take-out venue for all things cheese, from challah rolls filled with the stuff to a fresh mozzarella bar where you can choose which mozza type you’d like to heap over salad. Sidekick starts with a San Francisco egg cream (chocolate and hazelnut syrups for four dollars), then offers three non-traditional versions: raspberry, coffee cream, and caramel cream ($3.75). The SF soda enhances that light, chocolate-drenched froth with a whisper of nuttiness. Consider it egg cream with a California twist. 

1 Ferry Building, SF

(415) 362-9354

www.cowgirlcreamery.com

 

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Appetite: David Wondrich on Punch

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When cocktail historian and Esquire columnist David Wondrich speaks about drink, you listen — or read, as the case may be. His latest book Punch, debuts Nov. 2, the first of its kind on the glories and history of the punch bowl. I had the privilege of speaking with Dave over the phone from his New York home. The question at hand: why punch? Or to quote from the book, what makes punch “necessary”?

Wondrich stands by his punch bowl. He tells me it’s “the greatest social beverage of all time,” that “now more than ever we need beverages that promote friendship.” He calls punch “more gentle than cocktails”, its preparation “easy and utterly pleasurable.” The punch bowl is communal, ideal for a group or festive gathering, less laborious than individual cocktails, and a hell of a lot more fun. As Dave states in the book’s preface: “most of punch’s stories are of warm fellowship, and conviviality, and high-spirited gatherings afloat on oceans of witty talk” — not to mention a few “battles and brawls.”

We’re not talking about “frat juice” here. We’re talking honest-to-God punch: boozy yet delicious, layered with citrus, raw sugar, and varying spirits. The book starts with a comprehensive history — who drank punch and where. Wondrich says the book started as a big chunk cut out of his first book Imbibe.

The convivial punch houses of antiquity that feature in Punch sound so appealing that I ask Dave if he envisions their return. “I certainly hope so,” he replies. Besides Rickhouse here in SF, some of his favorite bars for punch around the globe include Hix in London, Brooklyn’s Clover Club (which lies a dangerously close distance from his present location), and Manhattan’s Death & Co. He’s also a fan of Savoy Cocktail Night at SF’s own Alembic (hear, hear!)

Like most classic concoctions, the name of punch’s first mixologist has been lost to the sands of time — though there are countless early references to the drink. One of Wondrich’s strongest sources is Google Books, where he digs up old newspapers, pamphlets, and rare books before he cross references them in the libraries of New York and London. Another research source?  “I am trained as an academic so I have a lot of 1600s books,” he says. “I start with a lot of blank space and start to fill that in using every kind of source possible… I’ll track down the original source, and don’t settle for first mention.”

I asked if he’d ever write the book he wishes existed, a dream mentioned on page six of Punch, which is a detailed source on distilling, the drink’s origins, its history, and importance. He says it’s a project “too big for any one person to bite off, unless they have all the time in the world and know multiple languages.” Wondrich says he “could tackle parts of it.” He estimates that it would take at least three co-writers: someone fluent in Dutch, German, Chinese, and Indian.

What we’re more likely to see Wondrich write about next is how the American style of drinking — particularly our contributions in cocktails and spirits — went global. He’s already done “tons of research” for past presentations on the subject. Spots of particular interest for him include our country’s legendary World’s Fair cocktail showcases and the way the techniques they highlighted spread across the rest of the globe. 

Wondrich expects the section called Book II of his recently released Punch will be limited to “total mixology geeks.” But I found Book II a useful, necessary account of the ingredients, tools, and proper measurements needed for the drink, particularly his recommendations for spirits in the “Ingredients” chapter.

A good half of Punch is recipes, ranging from Milk Punch to American Fancy Punch. When asked which ones he makes the most, Wondrich named the bracing Chatham Artillery punch on page 248 (a Savannah original, a poorly-crafted version of which I’ve imbibed whilst walking down the city’s streets). Back in the day, a local paper described this punch thusly: “as a vanquisher of men its equal has never been found.” Dave says the recipe in this book (there’s yet another included in Imbibe!) “claims to be the original, and very well might be,” though when it comes to  traditional recipes “they get passed down like a game of telephone,” each iteration evolving from the last.

One of his biggest crowd-pleasers — which he says people consume in “shocking amounts” — is his own recipe of Royal Hibernian punch (p. 269):

Prepare an oleo-saccharum with the peel of three lemons and six ounces of white sugar. Add six ounces strained lemon juice and stir until the sugar has dissolved. Add to this 12 ounces Sandeman Rainwater Madeira, stir and pour the Madeira shrub into a clean 750-milliliter bottle. Add enough water to the bottle to fill it, seal and refrigerate. Fill another clean 750-milliliter bottle with filtered water and refrigerate that too.

To serve, pour the bottle of the shrub, the bottle of water, and one 750-milliliter bottle of Jameson 12 or Redbreast Irish whiskey into a gallon Punch bowl, add a 1 1/2 quart block of ice and grate nutmeg over the top.

Yield: 9 1/2 cups.

 

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FEAST: Distilled genius

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It’s a thrilling time in Bay Area spirits. The same players who’ve made us proud in years past continue to reinvent themselves, while newcomers add flavor — literally — to the scene. In visits to four local distilleries, I came away inspired by their inventiveness and skill. And while none of the spirits I tasted use extracts or flavorings (like many of their big-brand counterparts), they do manage to fit in countless pounds of local, unexpected fruits, even natural herbs.

Even more exciting to the small batch booze enthusiast? Most of the following distilleries open their tasting rooms by schedule or appointment so the tippling public can discover for itself the motto emblazoned on the bottles of Old World Spirits: “Good stuff needs no special effects.”

ST. GEORGE’S SPIRITS

At the mighty St. George, inventiveness reigns, with a rock star attitude to boot. The distillery’s small staff experiments broadly and distillers Lance Winters and Dave Smith drive this license into genius. A behind-the-scenes journey through their labs unveiled nothing short of a wonderland apothecary: test tubes and bottles of spirits flavored with herbs, fruits, vegetables, foie gras — even beef jerky. You may (rightly) love their eaux de vie, absinthe, agave spirits, rum, vodkas, and whiskeys, but have you heard they’re toying with a carrot brandy? Clear and vegetal, it showcases the essence of the orange vegetable with a delicate hand. We can only pray they’ll bottle this one.

I also sampled St. George’s bourbon aging in charred American white oak that was a few years away from being officially bottled. Only five months young and made from the required minimum amount of corn (it needs at least 51 percent to qualify as bourbon) plus barley, crystal malt, wheat, and rye, it’s full of malty, rich promise. The same holds true of its white dog (clear-white whiskey) made from the same grains — one we could possibly see sooner on the shelves.

St. George’s next single malt whiskey, Lot 9, has been aging five to 12 years in barrels blended with 17 woods, including used American bourbon oak, sherry refills, port refills, and French oak. If you’re lucky, you soon may be able to purchase (in limited quantities) a single malt-single barrel selection that has been aged eight years in bourbon barrels then finished for four years in French oak apple brandy barrels. It is a wonder of complexity compared to their regular whiskey releases.

Only the brave attempt to down the scorching fire that is St. George’s in house habanero vodka. Grown men confessed of crying or throwing up just sipping it — only a handful of people have downed a legitimate amount and have been permitted to sign the distillery’s bottle of the burn. But my name is on that bottle — no tears, no throwing up, just a raging habanero sizzle.

2601 Monarch, Alameda. (510) 769-1601. www.stgeorgesspirits.com


CHARBAY

On a winding road above St. Helena and under peaceful Spring Mountain pines, there’s more going on than this distillery’s impeccable line of vodkas. Thirteen generations have gone into this family business, founded in 1983 and run by Miles and Susan Karakasevic, their son Marko, and his wife Jenni. The distillery’s lineage is evident to the discerning tippler who sips their port, rums, pastis, brandy, grappa, wines — even their herbaceous tequila. Charbay’s father-son distilling duo traveled to Mexico to painstakingly learn traditional tequila-making technique, which they expertly riff on to make their distinct blends.

Don’t even get me started on Release II of Charbay whiskey! 110 proof, aged six years with a pilsner beer base, it’s a stratospheric $325, but one of the most exceptional things I’ve ever tasted. From its astounding complexity, I caught everything from hops to echoes of the pine trees surrounding the distillery. I also sampled an unreleased 12-year version of Release II: higher proof, rich, a stunner.

But there’s no rest for the Karakasevics. Future whiskeys are already aging in French oak barrels — the one I’m most thirsty for, a stout whiskey, won’t be ready until 2012. If early tastes are any indication, it’s already brilliantly complex with coffee, spice, and dark chocolate notes. Made with neighboring Bear Republic’s stout in copper alembic stills, it’ll age for two years to reach 90 proof and is expected to retail around $90 — part of a younger, more affordable line of whiskeys compared with the divine but costly Release II. The bold explorer spirit that propels Charbay to Mexico to make a fine tequila shines in their future whiskeys.


TEMPUS FUGIT SPIRITS

These importers have already made waves with their Swiss-produced Gran Classico Bitter, which I hailed for reinventing classic cocktails like the Negroni. They also import some of the best French and Swiss absinthes in existence. Absinthe historians and spirits experts Peter Schaf and John Troia are the masterminds behind Tempus Fugit — and owners of one of the finest vintage absinthe poster collections in the world. It was a thrill to check out these rare pieces while tasting the history and forward-thinking vision in their bitters and liqueurs.

Tempus Fugit’s modus operandi is reinventing classic recipes and distilling them locally. Petaluma-produced Liqueur de Violettes is next up for the duo, a taste along the lines of Creme de Violette and other violet liqueurs yet somehow unlike any of them. Made with less sugar, the liqueur is a more appropriate cocktail ingredient — it’s less cloying, more purely floral and light. Each time I sample it, its bouquet blossoms like a layered wine: a sophisticated, botanical aperitif.

Tempus Fugit future project (a two-man team, after all, only has four hands) is Crème de Cacao-Chouva, a chocolate liqueur that will change chocolate cocktails the way St. George’s Firelit transformed coffee liqueur. It’s dark, lightly sweet, lush and earthy. Tasting it, I envision a resurgence of my guilty pleasure cocktail, the Grasshopper, refined and grown up with Crème de Cacao-Chouva and creme de menthe. It came alive with soda water — an elevated egg cream soda materialized in my cocktail windshield.

Keep an eye on these guys. They have more spirits and bitters as exciting as the ones I’ve listed in the works. Their dizzying knowledge of the history and intricacies of forgotten or neglected spirits, along with refined taste, suggests revelatory possibilities for the future pours of Tempus Fugit.

(707) 789-9660, www.tempusfugitspirits.com


OLD WORLD SPIRITS

Just north of San Carlos in a nondescript smattering of office buildings, is Old World Spirits, which has been in production since 2009. Davorin Kuchan, its third-generation distiller from Croatia, says family plays an irreplaceable part in the operation, as is evident from the photos lining the walls of the distillery. The whole clan is involved — Kuchan’s young daughter even drew the girl peeking out from foliage that graces Old World’s playful absinthe label. The output of both Davorin and business partner Joseph Karakas is astounding for a two-person operation, with two absinthes, a gin, a black walnut liqueur, three eaux de vie/brandies, and more liquors slotted for future release.

Old World uses custom-made German stills and local fruits like the Indian blood peach, which Davorin calls the “heirloom tomato” of stone fruit. As with the best natural fruits, the Indian blood has cracks and flaws, its lower sugar content imparting a lush understatement of taste. Though he grew the peaches himself in Croatia, in California Davorin orders in from Placerville’s Goldbud Farms. The clear blood peach eau de vie impresses with notes of ripe, juicy fruit flesh and spicy skin. I found Old World’s eaux de vies well-balanced, both the pear-inflected Poire Williams and the three- to seven-months oak-aged O’Henry Peach. I sipped a raspberry eau di vie it has yet to release: clear and lightly floral, free of the cloying sugar common in raspberry liqueurs.

Watch for Old World’s sold out dark black walnut liqueur — another batch is out in two years. Kuchan’s Blade Gin stocks the shelves of many a Bay Area bar, journeying down a nontraditional, California-inspired gin route with whispers of ginger, citrus, cilantro, lemon verbena, and black cardamom. Two kinds of absinthe, a green (verte) and clear blanche/white (referred to as Bleue, as in Switzerland), take cues from classic absinthes but resound with Davorin’s interpretation of 20 percent more herbs than what enlivens a traditional absinthe. Old World’s next release: a Cognac-style double barrel brandy aged in French and American oak and finished in Kentucky bourbon casks, which they hope to release soon. My early taste straight from the barrel yielded an already rich, spicy brandy.

Thirsty yet? Visit Davorin and Joseph during their monthly Friday Flight nights. Davorin will turn on some fine French pop tunes as both pour spirits, transforming the distillery into a warm familial party.

121 Industrial, Belmont. (650) 622-9222. www.oldworldspirits.com 

You can also find these spirits at Cask (17 Third St., SF), John Walker & Co. (175 Sutter, SF), and K&L Wine Merchants (638 Fourth St., SF).

 

 

Appetite: Director Jean-Luc Naret dishes on SF Michelin Guide 2011

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Hubbub‘s the word in the food world this week surrounding the release of the 2011 Michelin Guide San Francisco, the restaurant ranking organization’s fifth Bay Area edition. The venerable food institution is entering into its 111th year, having gained a strong following in New York and San Francisco and anticipating an upcoming launch in Chicago (next time, LA).

Hot topics around the champagne cooler? Chez Panisse losing its star and The Restaurant at Meadowood achieving the rare feat of gaining three stars (making it and French Laundry the only Bay Area ‘straunts to make the grade). Read on for Michelin Jean Luc Naret’s reflections and a list of the Bay’s Michelin-honored restaurants for 2011.

I chatted with Naret — a charming Frenchman based in Paris who generally spends three weeks out of every month traveling around the globe — over espresso at the Slanted Door yesterday. On an idyllic October day, the nostalgic glow on the Bay was befitting — Naret is departing Michelin in January after seven years with the company, though he’ll stay tied to its future in a consulting role.

Naret describes San Francisco as “one of the finest culinary regions in the world… I love this place. It’s a region where I spend a lot of time”. He hints that he’s considering getting a place in Marin, maybe Tiburon, laughingly adding, “So, if anyone is listening?” 

What does the arbiter of taste see as our unique contribution in the food realm? Naret names categories where the Bay Area excels: technique (“You don’t burn anything anymore” he jokes, I think) and produce. He claims the general culinary mindset changed here in large part due to the “willingness of chefs” to grow or source every kind of produce locally, not to mention the development of talent that was necessary “to make it perfect”. 

“Fifteen years ago in France we never heard the word ‘organic'”, Naret says. “That came from here. [The Bay Area] has a big influence — similar to Japan — where seasonality is also very important”. 

Successfully launching Michelin in America was one of Naret’s key accomplishment during his years as director, so what does he see as the US’ greatest culinary strength? In one word: “Diversity”. He mentions the myriad of cuisines available. “You can get anything in New York,” he says, adding that the breadth of food culture in our great cities enriches the dining world.  

Looking back on the last seven years, Naret shared that his biggest surprise came when he joined Michelin from the outside, one of only six directors to do so since 1900. He pushed boundaries in the company by asking questions like: “Why not go to the States? To Asia?” 

He’s delighted to see that seven years later — he planned on acting in the post for no longer than five — he’s managed to leave a legacy that feels complete. “Everything we said we’d do, we’ve done. We’ve reached new territories.” He says the future of Michelin includes the ranking system’s continued expansion to other cities — along with growth in technology output like the global spread of Michelin iPhone apps already common in Europe. 

All signs show that the world is ready. Heads of state and people from Michelin-less countries — Singapore among them — have contacted Naret him to ask when their cities will be getting their own guides. In Tokyo (which now stands as the city with the most three star restaurants in the world) the area’s first Michelin guide sold 150,000 copies in a shocking 24 hours. It would appear that the massive influence Michelin has long held in Europe has a firm grasp on epicures around the world. 

Naret keeps mum about the mysterious business venture he’ll launch promptly after leaving Michelin after a mere two weeks vacation. On this October day, he’s in reflection mode: “I’m very happy to leave a beautiful legacy”. 

The 2011 SF Michelin Guide officially releases today. Michelin Guide New York 2011 debuted Oct. 6 and the very first Chicago guide will be released November 17. Subscribe to Virgina’s twice monthly newsletter, The Perfect Spot.

*****

Bay Area restaurants awarded coveted Michelin stars in its 2011 edition

(N = new to this year’s guide)

 

THREE STARS: Exceptional cuisine, worth a special journey

The French Laundry

The Restaurant at Meadowood (N)

 

TWO STARS: Excellent cuisine, worth a detour

Coi

Cyrus

Manresa

 

ONE STAR: A very good restaurant in its category

Acquerello

Alexander’s Steakhouse (N)

Ame

Applewood (N)

Auberge de Soleil

Aziza

Baumé (N)

Bouchon

Boulevard

Campton Place (N)

Chez TJ

Commis

The Dining Room at the Ritz Carlton

Dio Deka (N)

étoile

Farmhouse Inn & Restaurant

Fleur de Lys

Frances (N)

Gary Danko

La Folie

La Toque

Luce

Madera (N)

Madrona Manor

Masa’s

Mirepoix (N)

Murray Circle

One Market

Plumed Horse

Quince

Redd

Saison (N)

Santé

Solbar

Spruce (N)

Terra

Ubuntu

The Village Pub

Wakuriya (N)

 

Appetite: Del Maguey and the glories of mezcal

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There’s mezcal and there’s Del Maguey. You may have heard me talk about Del Maguey mezcals and the line’s founder, Ron Cooper, in the past. A session with the gentle yet passionate Ron (like his mezcal seminar at 2010 Tales of the Cocktail) is an experience you’re not likely to soon forget. Even the way he describes fermentation stays with you: “wild creatures eating sugar, farting carbon dioxide, pissing alcohol!”

I’m leaving for Mexico next week, so sipping Del Maguey was getting me in the south of the border mood — even though I’m going to Tequila vs. Oaxaca, where most mezcal is produced. For the unfamiliar, mezcal is a spirit made from the heart (piña) of the maguey, an agave plant native to Mexico. Piñas are roasted underground, giving mezcal its distinctive smoky properties. Mezcal is the peaty scotch of tequila, which by definition is a mezcal made specifically from blue agave in Tequila, Mexico.

One thing I learned in Ron’s seminar is that traditionally, mezcal was rarely oak-aged for any length of time — more aged mezcals are being produced purely to gain in competing markets. Similar to tequila, mezcal styles include joven (literally “young,” and in this case referring to a silver liquor); blanco (white), which must be bottled within 2 months; reposado (rested), which ages 2-12 months in oak; anejo (mellow), aged a minimum of 1 year in oak; and the rare Pechuga (chicken breast), which can be triple-distilled with everything from fruits, nuts, white rice, to, yes, chicken.

Mezcal is usually drunk neat and you’ll find many in the Del Maguey line available by the shot at Nopalito. Places like Oakland’s Tamarindo Antojeria, with their new tequila bar, Miel, serve cocktails like the Mezcalito – ($12) with Del Maguey’s Creme de Mezcal, fresh orange and volcanic salt rim.

I’ve had the privilege of tasting most Del Maguey mezcals, each one a revelation. Here’s a few recommendations (available locally at Cask and K&L Wine Merchants):

Chichicapa, ($69.99) –  After multiple tastings, this may be my favorite for all-around balance. It marries the best elements of smooth smokiness with citrus. Despite a surprisingly light nose, there’s spice, chocolate, even mint on the finish. It reminds me of a fine coffee mole: succulent, spiced, earthy.

Crema de Mezcal ($39.99) – One of the more affordable in the line, this single village mezcal is made from unfermented agave syrup collected during roasting and exhibits a smoky, earthy sweetness with creamy texture. Works as a great introduction to mezcal for the uninitiated.

Mezcal Vida ($38.99) – Newer in the line, the Vida is another fine intro to mezcal: a pure, straightforward expression. Produced according to 400-year tradition with nothing but the agave heart and water, it’s bright with notes of fruit and sweet grass.

Tobala ($119.99) – Tobalá is a sophisticated level of mezcal, taking around eight Tobala piñas (hearts) to equal one piña from the most common maguey plants. Though fruity on the nose, the taste is elemental… smoke intermingles with tropical fruits and dusty cinnamon, with a long, smooth finish.

Minero ($69.99) – From the tiny village of Santa Catarina Minas, this mezcal is double-distilled, giving it greater smoothness with a floral essence tasting of warm honey and fig.

Santo Domingo Albarradas ($69.99) – Citrus and roasted pear combine with wood for a clean, dry mouth feel.

San Luis del Rio ($79.99) – Spice, fruit and ubiquitous smoke hit you on the nose, but there’s mineral citrus and volcanic earth inherent in this recent release produced two hours south of Oaxaca.

Pechuga ($200.00) – Pechuga starts with a double-distilled Minero base, to which 25 pounds of wild mountain apples, plums, red plantain bananas, pineapples, almonds and a few pounds of uncooked white rice are added to each 75 liters of mezcal for distillation round three. Though there is no taste of chicken, a whole chicken breast (minus the skin) has its excess oil removed while cleaned in water, then is hung over the still for a day while spirituous vapors condense into a clear liquid that drips from the bird into the mezcal. With intense citrus on the nose, this fruity spirit evokes earth but is a bright counterpart to the smoky, rocky soil of other mezcals. All that fruit imparts a robust fall glow by way of a gentle spring.

Subscribe to Virgina’s twice-monthly newsletter on SF’s hottest tastes and tipples, The Perfect Spot

 

Appetite: Three beef sandwiches that get it right

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In today’s Appetite installation, Virginia Miller ranged near and far (in a fabulous pair of vintage pumps, as is her wont) in search of the meatiest hunk of sandwich available for hungry city souls. Sink your teeth into one while watching your — cross your fingers — new league champion baseball team. Go Gigantes! 

1. Deli Board’s Boca 

You’ll do a double take when arriving at the address given for SoMa’s Deli Board. The window is lined with butcher paper, giving the place an under-construction look. Per building owner’s rules, you can’t even step inside the entrance of the building but must wait on the sidewalk to get your sandwich, soup, or salad. But once you do, Deli Board’s friendly staff ensures that you get a sandwich hot off the grill, freshly made within the last few minutes. Their Boca sandwich ($9) is a triple beef threat with brisket, corned beef, pastrami, delicately sliced in a sweet French roll with Muenster cheese, pickles and brown mustard. Though I could have used more of their “board sauce”, the beef is perfection, melting warm in my mouth: feathery light, yet dense and meaty with a radiant, multi-color meat ranging from pink to brown.

1080 Howard Street, SF

(415) 552-7687

www.deliboardsf.com

Deli Board’s three-beef bomb, the Boca Source. Photo by Virginia Miller

2. Refuge’s roast brisket of beef

The famed pastrami sandwich at San Carlos Belgian beer bar and sandwich-burger joint, The Refuge, deserves the accolades. But equally worthy is their roast brisket of beef ($12). The beef is layered on warm bread in tangy sweet Carolina-style sauce with a lather of horseradish cream to give the already addictive beef even more lusciousness.

963 Laurel Street, San Carlos 

(650) 598-981

www.refugesc.com


3. Sycamore’s roast beef sandwich

Sycamore is a cozy little cafe on Mission Street, the kind of neighborhood joint where quality beers, wines, happy hour prices and sliders (I like the BLT slider) keep you coming back. But the real highlight is Sycamore’s famous roast beef sandwich ($8) on grocery store-reminiscent sesame buns with BBQ sauce and mayo, a sandwich that pays tribute to the roots of native Bostonian owners. The beef is pink, thinly sliced, soft but hearty, and dissolves in your mouth. Eating it makes me feel like a kid again.

2140 Mission, SF

(415) 252-7704

www.thesycamoresf.com

 

Whiskeyfest 2010 highlights, part two

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Earlier on sfbg.com, Virginia Miller turned WhiskyFest into Whisky Week, meeting with seven different distillers who’d come to attend the Fest from such far-flung booze berths as Kentucky and Scotland. Here’s part one of her scotch-heavy Whisky Week highlights. Read on for part two: conversations with bourbon and rye distillers.

10/8 COFFEE WITH JIMMY RUSSELL OF WILD TURKEY – The morning before WhiskyFest I learned about a company that’s been a Kentucky mainstay since 1855, and met with its master-distiller since 1954. Jimmy Russell comes from a family of distillers: grandad, dad — who worked for him at Wild Turkey in the early years — and now Russell is distilling with his son, Eddie. Jimmy could not be more charming. An older Southern gentleman, he’s soft-spoken, with an adorable sense of humor that I discovered as we chatted over coffee.

Russell makes Wild Turkey bourbons and ryes “the old-fashioned way” and says he doesn’t even tell his son all of his distilling secrets. They use barrels charred four times and made of white oak mainly from Missouri, Kentucky and the Ozarks of Arkansas. Their basic bourbons are a blend of six, eight and ten year-aged, with a lower proof than some bourbons, generally 108-110 proof. He explains lower proof is actually more costly as there is more water added to dilute higher proof bourbons. 

The distiller’s yarns about his town of Lawrenceburg, KY are fascinating, particularly because it’s in a mostly dry county where no drinks are allowed in restaurants and bars do not exist. “We’re not dry, we’re moist”, he says, as there are a few limited options to purchase drink in the area. It was only a couple years ago they secured a souvenir liquor license, one of many complicated hoops to jump through to in order to allow tastings in their actual distillery. Russell says he adheres to the Southern Baptist tradition that one only drinks hard liquor for medicinal purposes. He qualifies in a gentle, Southern drawl, “I keep a cough pretty much most of the time”.

10/7 SIPPIN’ WHEATED BOURBON WITH PARKER BEAM – Amidst the annoying happy hour din at Bloodhound last Thursday night, distilling legend Parker Beam was hanging out with the Heaven Hill crew and a few of their whiskeys. They pulled out a bottle of brand new Parker’s Heritage Wheated Bourbon, an earthy, wood-laced wheat beauty whose mix blends in corn and malted barley.

Parker raised a glass as we attempted to chat above the din. Hearing took some effort as the delightful Parker speaks in a slow, Southern drawl that lulls one into a real enjoyment of the moment. His passion for distilling shines in his calm demeanor. He’s distilled for decades, both with father, Earl and son, Craig. And yes, he’s related to “that” Beam. His grandfather and namesake, Park Beam’s, brother was the storied Jim Beam (aka James Beauregard Beam). Parker is part of a royal distilling heritage. I asked if his son had any children who might next enter the fray. “My son has five daughters, so no,” he surmised. “But who knows? Maybe we’ll have the first female bourbon distiller someday.” It wouldn’t be the first noteworthy accomplishment in the Beam family’s rich history.

10/10 BACON BRUNCH WITH KEITH KERKHOFF OF TEMPLETON RYE – Setting: Reza Esmaili’s Long Bar. Food: delectable spread from chef Erik Hopfinger. Heaping bacon piles of Eden Farms Berkshire Pork — And don’t forget the rye. Templeton Rye from Templeton, Iowa, to be exact. The brunch was in celebration of this delightful rye — previously restricted for sale to Illinois and Iowa — finally becoming available in San Francisco.

Templeton is so small batch that you won’t find it in any Bay Area shops outside of SF, where our usual suspects, like Cask, Jug Shop, and K&L all stock the brand. Assistant master-distiller Keith Kerkhoff (I wrote about a Whiskies of the World seminar with their president, Scott Bush earlier this year) and brand manager Michael Killmer hosted us for a relaxed, festive brunch where the coffees were spiked with the rye and topped with Fernet whipped cream. Welcome to SF, Templeton.

Waxing poetic with Maker’s Mark at The Alembic

10/10 DIPPING WAX WITH KEVIN SMITH OF MAKER’S MARK — At The Alembic, Kevin Smith, the master distiller of Maker’s Mark, spent a couple hours with a small group, tasting through various ages of the bourbon from white dog to pours that were years older than the finished Maker’s product, so that we could get an idea of when a spirit is ready. From a somewhat neutral base cut down to 90 proof, the bourbon gained most of its flavor from barrel aging, and we sampled a woody 12-year version that came off astringent and tannic, though not unpleasant. Smith used the two to highlight their choice of the smoother, rounder balance of the fully matured final product which is aged roughly years.

We finished with Maker’s 46, their first new product in 50 years. I’ve had it a few times and it makes sense Kevin said the inspiration was rye whiskey with advanced spicing, toasty oak and that “cinnamon bite.” It’s certainly my preferred Makers. Thanks to The Alembic for serving us a gorgeous, bright Maker’s 46 cocktail: sweet vermouth, absinthe, maraschino and a mint garnish. But the session wasn’t over until we had hand-dipped glasses in Maker’s signature red wax, a tradition established from the chemist wife of Bill Samuels, Sr. (Maker’s original owner). She loved brandy and wanted the bottle shape and wax to imbue Maker’s with a brandy elegance.

Interestingly, California just surpassed Kentucky as Maker’s number one-selling US market. Raise a glass, shall we, to the pioneers and tastemakers who brought love of spirits to share during this past whirlwind week of whisky.

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Appetite: WhiskyFest 2010 highlights, part one

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“[Whisky] feels appropriately intellectual: a drink you can wrestle with, linger over, and appreciate with all its nooks and crannies.” – Victoria Moore, How to Drink

WhiskyFest turns into Whisky Week with many of the world’s great master distillers and brand ambassadors in town from the reaches of Scotland and Kentucky for a tasting event of nearly 300 whiskies. I had the privilege of meeting with seven different distillers – some met with me over coffee or lunch, others at intimate gatherings. Impressed by the wide range of approaches, styles and personalities, I could easily write an article about each one and their respective distilleries. I will share highlights, this time with Scotch master, Richard Paterson, from a Charbay whiskey dinner, and tastes from the event. Part two will be conversations with bourbon and rye distillers.

10/8 LUNCH WITH RICHARD PATERSONRichard Paterson, known as “the nose” for his impeccable nose and taste, has been Whyte & Mackay’s master blender for decades. He’s one of the world’s leading scotch experts, author of the book Goodness Nose (which I savored as “homework” all through Whisky Week). To be part of one his seminars (such as at WhiskyFest Friday night), is to be bombarded with dates, history, uproarious expertise, irreverence, drama, laughter. When one lucky member of the class samples Dalmore Sirius (which has sold at up to $60,000 a bottle!), Paterson sets off a mini-rocket filled with confetti. Fireworks. Revelation. Kind of like tasting it myself…

I had the privilege of an intimate three hour lunch over food and the Dalmore line with Paterson at Wayfare Tavern. We covered the range from 12 year to King Alexander III scotches (which I first had at Whiskies of the World). The chocolate, marzipan, tropical fruit of King Alexander III remains a Dalmore highlight for me. It’s the only single malt in the world finished in six different woods (Port, Bordeaux Cabernet Sauvignon, Marsala, Madeira, Matusalem sherry, small batch Knob Creek bourbon barrels). Dalmore’s Gran Reserva stood out more the second and third time I sampled it with spiced marmalade, crushed almonds, and sherry notes from the 60% Oloroso sherry casks it’s aged in.

Get Richard started on wood and he says, “The wood is, as far as I’m concerned, the be all, end all.” With a devotion to fine sherry casks (like Gonzales Byass), a key source of Dalmore’s elegant taste profile, they also use a generous amount of American white oak, bourbon casks from Heaven Hill and Jim Beam, which enriches the profile further.

A favorite, which I would happily sip on its own, isn’t bottled: the unaged distillate or, whisky base. It’s amazing how much you can tell of a spirit’s quality by its foundation. I was pleasantly assaulted with an array of tastes from spice and earth to lemongrass in the clear, strong distillate. I finished every drop.

Certainly a pinnacle is reached with the Sirius. The rare opportunity to sample highly aged spirits just a handful times (like two 1800s cognacs in New Orleans or Highland Park’s 40 and 42 year scotches) has opened doors of flavor I could not dream up – this scotch transported me to regions beyond. There are only 12 bottles of Sirius in existence, a ’51 vintage with a blend of Dalmore scotches from 1868, 1878, 1926, 1939. History courses through each drop, while Paterson’s expert blending skills are illuminated here. Rich chocolate earth gives way to licorice and a bonfire smokiness. I count myself lucky.

To drink with Paterson is to learn how to properly nose a glass, how to hold whisky in your mouth for maximum taste (from many seconds, up to 2-3 minutes). One learns how the dreaded phylloxera aphid (which wreaks havoc on vines) inadvertently aided whisky’s growth by making dominant cognac in short supply, creating demand for other drink (read chapter seven in Paterson’s book). But he doesn’t just talk aphids, he brings visuals: big, plastic bugs to illustrate whisky’s unexpected “friend”.

Quirky and colorful, whisky comes to life through Paterson’s interpretation. Intelligent and challenging though the whisky world can be, Paterson retains the intellect but makes it approachable, fun. A Paterson course in whisky education should be mandatory for all would-be and already-avid drinkers.

TASTES – As usual, VIP hour is the time for the rare, the old, the latest, though it was more packed than ever with a mad rush waiting at the door at opening time.  This meant less opportunity to chat with distillers and hear about what you were tasting. A lot can happen in a year and the number of whiskies I’ve had since the last WhiskyFest meant this year was a lot of re-tasting and confirming favorites. Of the whiskies I had not tried, there weren’t a slew of stand-outs.

One that jumped out was a special unlisted, under-the-table pour of George T. Stagg bourbon. Toasty, charred oak warms, rounded out by a raisin-vanilla sweetness. Out of many over-hyped whiskies in the 20-40 year range during VIP hour, Bowmore’s 25 year stood out with a robust profile of salty brine and baked pear sweetness. Glenfarclas 40 year made a statement with tobacco, elegant tannins, orange. But it was many of my usual favorites that remained at the top, including Highland Park’s 30 year, Pappy Van Winkle’s 20 and 23 year bourbons, Parker’s Heritage 27 year bourbon, and Charbay’s incomparable Release II 1999 Pilsner whiskey. It was good to see Wes and Lincoln Henderson (of Woodford Reserve fame) with their new, port barrel-finished Angel’s Envy bourbon – I sampled an early version from Wes way back in December. Also on the non-whisky tip, I was happy as ever to sip a couple Germain-Robin beauties, including their complex Varietal Grappa, and oaky Coast Road Reserve brandy.

10/6 CHARBAY SPIRITED DINNERWith a magnificent sunset from atop the Marriott’s View Lounge as our backdrop, Marko and Jenni Karakasevic of Charbay hold an intimate spirited dinner annually. With plenty of time to hang out with the Karakasevics and meet fervent food and drink lovers at the two tables, the highlight was, of course, drinking Charbay’s incomparable spirits. Starting off with refreshing Green Tea Aperitif paired with Kumamoto oysters on the half shell, we then moved to one of the stand-out white whiskeys in existence: Doubled & Twisted Light Whiskey.

We moved on to what qualifies as one of the best things I ever tasted in my life (now, and every time I taste it): Release II of Charbay Whiskey. This was the best food match of the night, paired with slow-smoked Berkshire Farms Pork Belly and a mini-tamale in Lagunitas chili mole. Surprise whiskey barrel tastings followed: the Release II, but aged 12 years instead of the 6 years of the current release. At a higher proof, it’s superb, complex, rich.

A Meyer Lemon Vodka  ice intermezzo was a refreshing palate cleanser over basil ice, imbuing tart lemon with almost absinthe-like notes. Dessert was paired with their Black Walnut liqueur. As with most Charbay spirits, it’s a stunning standard-setter in its genre.

-Subscribe to Virgina’s twice monthly newsletter, The Perfect Spot

Appetite: 3 recent food books pique our palates

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These three books (one factual journey, one memoir, one cookbook) have two things in common: they’re all new this year and centered around food.

TWAIN’S FEAST by Andrew Beahrs — Andrew Beahrs, an East Bay local, displays his affection for the great Mark Twain in this thoroughly researched book. Twain’s Feast explores the history of foods Twain waxed eloquent about that are either gone entirely or slowly making their way back into the American landscape.  Experiencing food and coffee in his European travels “as tasteless as paper”, Twain found American cooking of his time “generous”, “genuine”, “real”. Of course, the prairie hens he grew up with, fresh possum and raccoon, New Orleans’ sheep-head and croakers, and the “heaven on the half shell” of San Francisco’s own oysters and mussels, are largely extinct or rare nowadays.

The book is, yes, a poignant ode to the pre-mass-produced, homogenized, dangerously grown American “food” we now know. It’s also a hopeful challenge to the reader, worded gently in the epilogue: “… choices about what we eat help to determine which American landscapes survive and thrive.”

There are many worthy stories here, both for the Twain aficionado and food historian. What I came away with, besides a reminder to support the craftswomen and men making food and growing animals with care (which we’re heavily blessed with in the Bay Area), was Twain’s insataible passion for robust flavor, a hunger to drink life to the dregs. I relate to the way he eats… and heartily writes about it.

As Beahrs says, “… Twain’s love for a dish was inseparable from his love of life.” Amen.

HUNGRY TOWN by Tom Fitzmorris — Make no bones about it, I have a mad love affair with New Orleans, a city you hear me go on about often enough. Naturally, I ate up (no pun intended) Tom Fitzmorris‘ new Hungry Town, a leading Nola restaurant reviewer both in print and on the radio for decades.

He knows the city’s food scene intimately: its history, key players, essential recipes (included in the book), and the post-Katrina struggle that has brought the culinary magic of the ultimate Southern city back to even greater heights (and more restaurants) than before the storm. His post-Katrina assessments are honest insights into just how torn apart families and businesses were, including his own. But he unabashedly claims: “Food Saves New Orleans”.

I value his commitment to Creole and Cajun as the “default” styles of cooking in New Orleans, essential to the city’s future. He states: “The genius of New Orleans cooking is not that we cook better than anyone else. It’s that nobody in the world cooks our local specialties – except when they consciously imitate us (usually badly, I’ve found). The day that our food fails to be flagrantly distinctive… is the day we become Anywhere, USA. That’s also the day I’m leaving town.”

THE SUNSET COOKBOOK — Cooks take note: 10/19 is the release date of the massive, 1000+ recipe tome that is the latest edition of the Sunset Cookbook. It’s a fine one. Not only are the clean, bright photos dangerous to peruse on an empty stomach, but the book manages to be both approachable and widely comprehensive, with sections on every aspect of a meal you can think of from bread to cocktails to preserves and pickles.

Sunset magazine‘s food editor, Margo True, is also the book’s editor and she maintains a cohesive standard of ‘farmers-market-fresh’ ingredients with regional Western foods. Yes, Sunset magazine is based in the Bay Area, so California ethos displays prominently with international influences married to a rich range of produce. But the styles of cooking cover the world, showcasing food of the West as what it truly is: global.

Many recipes tempt me here, including this snack and shake:

Avocado Fries
SERVES 6 | TIME 30 minutes

Canola oil for frying
1⁄4 cup flour
1⁄4 tsp. kosher salt, plus more to taste
2 eggs, beaten to blend
11⁄4 cups panko (Japanese-style bread crumbs)
2 firm-ripe medium Hass avocados, pitted, peeled, sliced into 1⁄2-in. wedges

1. Preheat oven to 200°. In a medium saucepan, heat 11⁄2 in. oil until it registers 375° on a deep-fry thermometer.

2. Meanwhile, mix flour with salt in a shallow plate. Put eggs and panko in separate shallow plates. Dip avocado wedges in flour, shaking off excess. Dip in egg, then panko to coat. Set on two plates in a single layer.

3. Fry a quarter of the avocado wedges at a time until deep golden, 30 to 60 seconds. Transfer wedges to a plate lined with paper towels. Keep warm in oven while cooking remainder. Sprinkle with salt to taste.

California Date Shake
One of the great foods of the Sunshine State, the date shake is exactly what you want to be slurping while visiting baking-hot date country near Palm Springs. Our favorite shake is the one at Shields Date Gardens, in Indio. Shields uses its own date “crystals”—dehydrated Deglet Noor and Blonde dates (the latter is one of its signature varieties). You can order these online or substitute fresh, as we’ve done here. This shake is sensational with a shot of rum stirred in.

Makes 1 shake (11⁄3 cups) | TIME 10 minutes

4 pitted Medjool dates (about 3 oz.), coarsely chopped
1⁄4 cup very cold milk
11⁄4 cups high-quality vanilla ice cream

In a blender, blend dates and milk until smooth and super-frothy. Add ice cream and pulse a few times, until just blended.

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Appetite: Dinner and cocktails with a view

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Wednesday  through Saturday nights there’s a ready-made date if you want romance without having to think too hard. At $80 a person, it’s a package deal between Luce Restaurant (which I’ve written about more than once) in the Intercontinental Hotel and Top of the Mark. Choose the order – three course dinner or cocktails first – with a cab ride included to the second location.

I’ve always loved the old world class (not to mention in-the-thick-of-it San Francisco views) of Top of the Mark and live jazz with dancing, but cover charges and mediocre cocktails priced in the mid-teens make it unrealistic too often. With this package, the cost of a drink, cover charge and the cab ride alone would make up half of the $80 and that’s not counting three courses and sparkling wine at Luce.

On one of our mild September nights, I took in an offer to try the package  with The Renaissance Man – we opted for dinner first. It started with a glass of champagne (we added in a Rustic Grappa Flight – $14, see Imbiber for more on grappa at Luce/Bar 888) and an amuse bouche of Chicken Confit with diced Granny Smith apples and vanilla cream. The chicken was tender with a crispy confit layer. Contrasted by sweet, creamy accents, I almost wished it was my main course.

Chef Dominique Crenn, who’s cooking earned Luce a Michelin star and is getting ready to launch her Atelier Crenn restaurant this winter, could have crafted a throwaway prix fixe menu, yet it does not feel so except for a basic salad with nothing but vinaigrette as a first course option. Instead, I chose Chilled Corn Soup with mussels and a speck chip on top. Redolent of Summer with fresh corn sweetness, it is refreshing and generously portioned.

Though there was a Vegetarian Risotto, The Renaissance Man and I stuck with fish and meat. I had “Poisson du Jour” (catch of the day): Seared Branzino with Black Mission figs, corn, trumpet mushrooms and Bloomdale spinach. He had Niman Ranch Flat Iron Steak cooked medium-rare, with romano beans, baby carrots, potatoes, drizzled with beef consumme. Again, good-sized portions, from three juicy cuts of steak to the crispy, buttery Branzino.

While there were two dessert options in the prix fixe (Chocolate Custard with cocoa crumbs & Pear Williams or Earl Grey Tea Panna Cotta with lemon zest and shortbread), we opted for two desserts on the regular menu. The first, called “Peaches”, resembled a wild, mossy garden with pistachio sponge cake growing over pistachio sorbet, crispy sesame and white peach mousse. Subtle and Spring-like, it looks like a fairyland dessert, even if flavors aren’t overwhelming. More exciting flavor-wise is “Chocolate”, which, despite the straightforward name has a lot going on: chocolate ganache, dehydrated chocolate and cacao nib sorbet are covered in a crumbled, Oreo-reminiscent chocolate ‘soil’, with dots of passion fruit puree, basil oil and micro mint contrasting with dark, earthy goodness. One of the more creative desserts I’ve had in awhile.

We then took our ride up the hill to Top of the Mark, mentioned we had the dinner with a view package (to be exempt from the usual cover charge), then enjoyed the cheesy fun of cocktails like a Grasshopper and other sweeter-than-I-normally-prefer choices (one cocktail each is included), while we spent the rest of the night swing dancing to the live band surrounded by a sea of San Francisco lights.

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Appetite: The green fairy transforms

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Absinthe is on the move from its initial novelty phase once finally legalized in the US in 2007 into an era where appreciators of fine drink are gaining greater education and refinement on the subject. No, it is not a hallucinogen (more on that in a minute), and no, it’s not the artificially sweetened and colored liqueurs flooding the market (but labeled as absinthe). When made as it has been historically, it’s a natural, herbal spirit with a rich culture surrounding it. 

We owe increasing knowledge to artisan producers of absinthe near and far. Some are local guys, like Lance Winters of St. George Spirits, the first producer in the US when the ban was lifted, or more recently, Davorin Kuchan of Old World Spirits, producing green (verte) and bleue (white) absinthes. Then there’s absinthe historians and experts like Peter Schaf and John Troia of Tempus Fugit Spirits who import some of the best absinthes from France and Switzerland, such as Duplais’ brilliant verte and blanche (white) versions. Schaf also created Vieux Pontarlier, a classic-style absinthe made in Pontarlier, France, from local wormwood, long considered the finest grown in the world (where most wormwood was sourced over 100 years ago). Schaf, Winters and Ted Breaux of Lucid, formed a recent panel during SF Cocktail Week, a two hour session (and tasting) on the green fairy (read about it here).

Another source for absinthe education is books, the latest being A Taste for Absinthe, by R. Winston Guthrie with James F. Thompson. Though predominantly a cocktail recipe source, this elegant new book, with photography by Liza Gershman, offers an encompassing summary of the history and culture surrounding absinthe, from its poster art, to the spoons, glasses, fountains and accouterments used to serve it. It’s an artful drink requiring leisure and attention, not a hallucinogen, a myth still falsely promoted around the world (thujone is the fragrant chemical found in wormwood and other plants, such as sage, believed to be a neurotoxoin in extremely high doses – governments have strict regulations on the levels of thujone allowed in the making of absinthe so it is not remotely dangerous yet qualifies as actual absinthe). Kudos for film anecdotes throughout the book on movies where absinthe is imbibed, classic films I grew up watching that are rare to run across now like Lust for Life and Madame X. 

On the recipe side, the book is broken down into five sections: classics, fruit and citrus, whiskey and gin, liqueurs and bitters, and modern classics. The recipes are compiled from some of our country’s best bartenders, including many SF locals. While straightforward classics like Death in the Afternoon (absinthe and champagne) and a bright Brunelle (lemon, absinthe, citrus) are all here, there are also modern takes such as Neyah White’s Green Goddess: absinthe, Square One cucumber vodka, simple syrup, lime fresh basil and thyme. There’s even dessert-like recipes… try an Absinthe & Old Lace: gin, absinthe, creme de menthe, cream, egg white and chocolate mole bitters. 

A Taste for Absinthe is clearly well-researched, with many of the sources above tapped to bring together a comprehensive book worthy of a place on the shelves of absinthe aficionados as well as novices. This Monday at Book Passage (6pm) is a book release event with the author, photographer, and an all-star line-up of bartenders at neighboring Slanted Door serving four cocktails from the book: 

The event is free… well, purchased drinks and the book are on your own dime, but that’s a small price to pay for a little education.
 

Monday, 10/4 – 6pm

 Book Passage

1 Ferry Building # 42


www.atasteforabsinthe.com

 

Appetite: Highlights of SF Cocktail Week, part 2

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That fizzy, magical week during which cocktails take over our fair city has just washed over us. Here are more highlights — check out part 1 here.

9/26 – Cocktail Cookout on the Island  

 Though it’s a toss-up between the Cocktail Carnival and the St. George/Hangar One cookout for best event of the week, sheer fun and beauty was unrivaled on the stunning Sunday boat cruise to and from Alameda (entire boat for Cocktail Week attendees only). None other than Scott Beattie served cocktails for the scenic boat ride. It was a hot, over 80 degree day so Beattie’s creations topped with Thai coconut foam and apple chip or dotted with edible flowers cooled us off in the most gourmet of ways. Massive navy ships in Alameda’s port made for a dramatic unloading point.

At the ever festive St. George/Hangar One distillery, there was BBQ (pulled pork from Fatted Calf), East Bay bartenders shaking up ice-cold cocktails, umbrellas and wading pools in the massive lot with views of the city across the Bay. Claire of Claire’s Squares served seductively lush dark chocolate squares which she hand-filled with St. George brandy in a caramel sauce and topped with sea salt. Damn. Tours of the distillery, a DJ spinning reggae and hip hop and bright sun made for a cookout to trump all cookouts.

But nothing could top that ferry ride home… pristine horizons, a rosy orange sunset illuminating our fair San Francisco with a gentle glow, warm air and rounds of Firelit Coffee liqueur. Amidst much laughter with friends, I leaned over the side of the boat letting the spray of the waves caress my face as city lights begin to ignite before me. I knew, once again, the grateful wonder and privilege of living in a place so magically stunning. 

9/25 – The Return of Absinthe at Comstock 

 Absinthe distillers Peter Schaf of Vieux Pontarlier, Lance Winters of St. George, and Ted Breaux of Lucid, formed the panel for two hours of all things absinthe. Their expertise and knowledge is dizzying. It was a crucial intro for those who dabble in the green fairy, clarifying the difference between real absinthe distilled from herbs and the unnaturally colored and flavored “absinthes” that flood the market.  Absinthe’s history, art and paraphernalia, as well as “terroir” and sourcing of herbs, were all discussed… with occasionally rowdy laughter from comments such as the one about syphilis (don’t ask).Comstock Saloon was the perfect setting, serving us three impeccably-prepared (and in gorgeous classic glassware) absinthe cocktails, including a Sazerac and Brunelle, as well as savory snacks from their kitchen.

9/26 – I-talian I-ranian Spaghetti Feed

Negronis, Sangiovese, antipasti, spaghetti and meatballs (traditional Italian from Long Bar chef Erik Hopfinger, as well as Hoss Zaré of Zaré at Fly Trap‘s – famed Iranian meatballs), ending with tiramisu and grappa. This was Sunday night (plus red-checkered tablecloths) at Reza Esmaili’s Long Bar for the I-talian I-ranian American Spaghetti Feed. Some took the tip, wearing velour tracksuits or elastic-waisted trousers: trashy and tacky, ready to fill up after a long day in the sun at St. George. It was all delicious – a special kudos to Hoss’ decadent surprise meatball stuffing of foie gras, duck, fig and date.

 

Appetite: Highlights of SF Cocktail Week, part 1

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The magical settings, moments and drinks were many in the 4th Annual SF Cocktail Week, which set the bar high for all future Cocktail Weeks… consider attending next year, as it’s far from being just for drink aficionados. It’s for those who love a memorable party done in true San Francisco style.

I have watched Cocktail Week grow from intimate nights out at bars in prior years to this year’s galas and ferry rides. Camaraderie was strong and I couldn’t help but think that though there were even grander galas at major cocktail weeks like Tales of the Cocktail or Manhattan Cocktail Classic, the quality of the settings and drinks I had every night at SF Cocktail Week were far superior to most everything I tasted at either of those two events. SF, once again, does drink proud. (Check out part 2 here.)

9/21 – Inauguration of Boothby Center

SF now has a cocktail center to call its own: the “Cocktail Bill” Boothby Center for the Beverage Arts, which debuted opening night of Cocktail Week, named after SF bartending legend Cocktail Bill Boothby. A multi-use space in the Mission, it will be community center, beverage lab, and event space, preserving the art and history of the cocktail. The Barbary Coast Conservancy of the American Cocktail(BCCAC), headed up by H. Joseph Ehrmann (Elixir), Jeff Hollinger (Comstock Saloon), Duggan McDonnell (Cantina), calls it home base. Opening night was a raucous toast to the still raw space with, what else? Classic cocktails, including the week’s official drink, a Papa Ghirardelli.

9/23 – Ragtag Rabble Gaming Soiree  

The back room of one of my favorite bars, Burritt Room, was transformed into a turn-of-the-century, Barbary Coast-era saloon/parlor with craps, blackjack, roulette and poker (sans real money), and a beautiful menu of classic cocktails prepared with skillful care, from The Last Word to a Boulevardier with scotch. A jazz quartet (with talented female vocalist) set the mood, transporting me to another time, as did the decked-out crowd who filled but did not overcrowd the room with bowler hats, suspenders, boas, saloon or retro attire. It was a swank affair that carried on late into the night with an after-party at Comstock Saloon.

9/25 – Cocktail Carnival Gala

The event of the week, Cocktail Carnival Gala in the stunning, historic Old Mint, was a brilliant night. I only wish even more people filled  (not overcrowded) the spacious mansion we were given free reign in. This was a one-of-a-kind night I’d plan towards next year. The Barbary Coast-Era carnival theme included roving minstrels, talented musicians, contortionists, man-on-stilts, jugglers and acrobats, roving among us through each high-ceilinged room as we sipped punches from antique punch bowls.

Leave it to Martin Cate from Smuggler’s Cove to wow us with a 40-gallon rum punch bowl with flaming volcano shooting out of a sea of spiced punch. Daniel Hyatt and the Alembic crew scooped some mighty tasty ‘swill’ out of a swampy bucket. One cachaca-based punch sported an ethereal liquid nitrogen top. Bartenders from Elixir, Cantina and 15 Romolo ensured there was not one bad drink in the house.

Chef Chris L’Hommedieu of Restaurant Michael Mina and William Werner of Tell Tale Preserve Co. sent out small but impeccable bites like lobster corn dogs, chips topped with caviar and creme fraiche, and lush dark chocolate caramel cake squares.

The courtyard of the Old Mint was a surreal setting transporting me directly to an ancient Spanish or Italian square. Chipped building facades contrasted against a deep, midnight blue sky. As minstrels serenaded us on this warm, sultry night while the full moon cast a glow over the courtyard, I felt alive with the night… one of those perfect moments that lives illuminated in memory.

The evening ended (at 2am) with a bang: Brass Mafia played and we began to dance. Circling in and among us, their blaring brass brought to life songs from musicians as random as Michael Jackson, Salt-n-Pepa, Men at Work, even Montell Jordan’s “This Is How We Do It”, all in New Orleans’ brass band style (they threw in a few classic Nola Dixieland tunes, too). It was a joyous, raucous dance.

Thanks to the Bon Vivants for co-hosting a tremendous event none who attended will soon forget (which I hope you will all attend next year).

Appetite: Forks up for two big events

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10/3 CUESA 8th Annual Sunday Supper Fundraiser — CUESA (The Center for Urban Education about Sustainable Agriculture), which runs the Ferry Plaza Farmers Market, is throwing its 8th Annual Sunday Supper on October 3. It’s a CUESA fundraiser, whole animal feast, chef gala and drink event all rolled into one. Not to mention a night where local farmers and purveyors mingle to enjoy a meal made from local ingredients and sustainably raised meats.

The chef lineup is pretty killer: there’s Chris Cosentino of Incanto, Craig Stoll of Delfina, Annie Somerville of Greens, Thomas McNaughton of Flour+Water, Mourad Lahlou of Aziza, and so on. Over 60 chefs represent with tableside carvings at each communal table, offering a range of meats from steer to lamb. It’s sure to be one raucous feast.
 
For those who can’t swing the $200 whole-package night, there’s the $75 reception, which will still fund CUESA’s worthy endeavors in local sustainable food education. The reception includes over 30 different hors d’oeuvres and five artisan cocktails made with local spirits, like the great Charbay and St. George Sprits. There’s also regional wines like Benziger and Hahn. In other words, a little something for everyone.
 
10/3, 5:30pm reception ($75), 7pm dinner ($200, includes reception)
One Ferry Building
Get a load of the chef line-up and buy tickets here: cuesasundaysupper.eventbrite.com

9/25 PRIMAL NAPA – “Celebrating Fire Cooking, Meat and the Art of Butchering” — Yes, butchery is an art and PRIMAL Napa throws its second annual shindig to highlight and celebrate that art. Many of the country’s best butchers and chefs will be butchering and grilling using hardwood fire cooking methods, local foods from responsible farms, and whole animal utilization. Held at Chase Cellars, wines and spirits will flow among breakdown demos of every kind of animal from lamb to cow. Locals like Ryan Farr of 4505 Meats and Peter McNee from Poggio will be there, but so will the likes of Joshua Applestone from Fleisher’s in New York, John Sundstrom from Seattle’s Lark, and Dave Varley from Bourbon Steak DC (he was 2010’s Grand Cochon winner).
 
Some of your ticket costs benefit the City of Napa Fire Explorers program, while Friday night there’s a special Chef & Butcher Dinner at Farmstead, one of my favorite restaurant additions to Napa County this year. There’s only a handful of seats at $150 each so hurry and reserve by emailing brady@tastenetwork.org.

It’s all-you-can-eat (and drink) and it all sounds mouth-watering, though if it were me, I’d make a run straight for Magnolia‘s Beer & Sausage Bar. They’ll be featuring a special Magnolia Meaty Brew beer and The Alembic‘s Daniel Hyatt is mixing spirits. Don’t forget all afternoon wine tastings (everything from CADE Winery to Rubicon Estate), and the Bacon Hall of Fame (2-5pm) featuring killer hams like Tennessee’s Benton’s and local Hobb’s Applewood Smoked.

9/25, 2-7pm
$75 (VIP – $125)
Chase Cellars’ Hayne Vineyard, 2252 Sulphur Springs Avenue, St. Helena
404-849-3569
www.artofthebutcher.com
twitter.com/ProteinU

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Appetite: The great vodka debate

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Vodka — it’s a spirit that in sophisticated drink communities like San Francisco can sometimes elicit more scorn than love, even if most of the country drinks it well above other spirits. I’m not alone in saying it tends to be the last spirit I’d order at a bar. The SF chapter of the USBG (US Bartenders’ Guild) recently re-created their Great Vodka Debate for USBG members and industry folk, which was a popular seminar at 2010 Tales of the Cocktail in New Orleans.

An all-star bartender, brand ambassador, and drink writer panel discussed vodka’s merits (rich history, a “blank slate” from which to create cocktails) and negatives (aggressive marketing, “blank slate”/lack of flavor, sometimes unchallenging ingredient to make cocktails with). The debate never got nasty but it was, by all accounts, lively. Brand ambassadors for more conscious brands, like H. Joseph Ehrmann with Square One Organic Vodka or Borys Saciuk with 42 Below, talked convincingly of quality vodka beyond heavily-marketed, celebrity-sponsored brands that overpower the market. (Case in point, a recent Sobieski Vodka event at the Fairmont Hotel where none other than Bruce Willis came out for about two seconds to give his stamp of approval – granted, it is better than most mainstream brands). Then I visit bars like the icy, cold Vodbox of Nic’s in Beverly Hills, tasting through a range of vodkas from around the globe, and it’s clear vodka has its place.

While I may never be a vodka fanatic, I appreciate those are who are doing vodka “right”… and readily admit there are times when a vodka martini satisfies (I like mine dry, thank you). Besides craft vodka kings (who also happen to be local), like Hangar One and Charbay, here are three more that stand out from the fray:

STILLWATER SPIRITS – In a side-by-side tasting, this is the most complex, full-bodied of the three, an under-the-radar, single malt vodka made locally in Petaluma. Consequentially, Stillwater is also the pricier and hardest to find of the three. It’s a stand-alone vodka you can sip neat, made from 100% barley malt and copper-distilled. K&L has it for special order at $49.99.

FAIR – Ethically produced, fair-trade-certified ingredients, the first fair trade vodka… what other reasons do you need? Oh, it tastes good, too. This vodka is made from Bolivian quinoa and French distillers, notes of white pepper and berries give way to a creamy finish. Retails around $35. Available at Cask.

42 BELOW – The most accessible, easiest to find of the three is New Zealand’s 42 Below, claiming the pristine qualities of Kiwi water in its pure taste. Made from winter wheat, it does go down smooth and easy with hints of anise and a lightly sweet finish… it is also the right price. Retails around $19.95. Available everywhere from The Jug Shop to Bev Mo.

Appetite: 3 twists on the Caprese salad

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The purity and simplicity of a caprese salad, or insalata caprese as it is known in Campania, Italy, where it originated, is hard to outdo. Silky buffalo mozzarella, red tomatoes and fresh basil are drizzled with olive oil and salt. When I eat a quality caprese, I am immediately transported to Italia, eating lunch alongside glimmering water, maybe the canals of Venice or the expanse of Lake Como, the juice of the tomatoes dripping down my chin and a glass of Sangiovese in hand. That this experience could be improved upon is doubtful, but what of variations in a caprese’s perfection? A few local San Francisco restaurants have taken its key elements of tomatoes and mozzarella and created something unexpected… 

ROCKETFISH’S FARMERS TOMATO SALAD — Rocketfish, Potrero Hill’s newest sushi lounge, also deals in Japanese small plates. In this izakaya spirit, the kitchen serves what seems to be a simple farmers tomato salad ($7). Caprese elements create the base: heirloom tomatoes and buffalo mozzarella. But it takes on a whole new dimension sprinkled with honey balsamic and ume salt, then given a bit of crisp with caramelized fennel crumbled over the top. It works so well, it almost outshines the sushi. 

JARDINIERE’S HEIRLOOM TOMATO SALAD — Pop into Jardiniere‘s bar or sit down for a meal and start with its heirloom tomato salad ($16). You’ve seen all this before: plump, gorgeous heirloom tomatoes over arugula with croutons for crunch. But wait: interspersed in the arugula are Padron peppers and Castelvetrano olives. Sweet tomatoes, salty olives, and piquant peppers hint of a marriage between Italy and Spain, one officiated by California. The combo feels so natural, you’ll wonder why you don’t see it more often. 

BAR CRUDO’S LOBSTER SALAD — A recent visit to the ever brilliant crudo haven of Bar Crudo yielded salad loaded with chunks of lobster and creamy burrata (the pinnacle of mozzarella… with cream) topped with mache leaves. While some nights they make it with gold and chiogga beets ($17), my last visit entailed a load of plump tomatoes with the lobster and burrata ($18), again elevating the basics of a caprese to luxury salad level. 

Appetite: SF Cocktail Week is coming September 21-27

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Last year’s San Francisco Cocktail Week was a full-but-chill week of parties and cocktails at some of our best bars. This year, the fourth annual SF Cocktail Week steps it up with a whole slew of events I’m excited (and proud) to see us throwing in the name of the cocktail, especially as our city has been one of the two leading the cocktail renaissance long before the rest of the country caught on.

This year we celebrate in a big way with the unveiling of a new Center for the Beverage Arts, the Boothby Center (named after Cocktail Boothby) on Cocktail Week’s opening night. Cocktail Carnival Gala is the big shindig held at the magnificent Old Mint and co-presented by The Bon Vivants. There are daytime seminars, late night after-parties and a cook-out (including ferry ride) at Hangar One/St. George Distillery. Some events are free, while tickets range anywhere from $10-$95.

Decide which ways you will imbibe, knowing your tickets support our city’s rich drinking and cultural heritage via the event’s presenters, Barbary Coast Conservancy of the American Cocktail (BCCAC), founded by H. Joseph Ehrmann (Elixir), Jeff Hollinger (Comstock Saloon), and Duggan McDonnell (Cantina).

Check the schedule for events you most want to hit. I’ll see you at the Ragtag Rabble Gaming Soirée on Thursday, or maybe the Cocktail Carnival Gala Saturday night? Oh, “whimsical” attire is recommended, so do what San Franciscans do well and dress to “impress.”

This year’s official event cocktail is “Papa Ghirardelli”, a moniker honoring Ghirardelli’s founder, Domingo Ghirardelli. Italian-born, but living in Peru where he first became successful with his confections prior to moving to San Francisco, the drink gives a nod to his dual roots with Campari (Italy) and Pisco (Peru), using Encanto Pisco. You can try the recipe at home before raising a glass next week:

Papa Ghirardelli
1.5 oz Encanto Pisco
.5 oz Campari
.5 oz Martini & Rossi Rosato Vermouth
.25 oz Benedictine
.5 oz Lemon Juice
Seltzer Water, to fill
Orange Slice, for garnish
 
Combine Encanto Pisco, Campari, Rosato, Benedictine and lemon juice in an ice-filled shaker and shake for 10 to 15 seconds, or until chilled. Strain over fresh ice into a Collins glass, and top with seltzer. Garnish with a slice of orange.

Purchase tickets for Cocktail Week here.

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