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Biotech’s bonanza

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By Adam Lesser

news@sfbg.com

It’s difficult to measure the value a biotechnology company receives from locating in San Francisco. Most measures are qualitative: scientists talk about synergy with other biotech companies in the area, the intellectual community that thrives at the University of California-San Francisco, and support offered at the California Institute for Quantitative Biosciences (QB3).

But the quantitative costs are easier to calculate, beginning with rents that often are two to three times higher than in the East Bay or South Bay. Add San Francisco’s 1.5 percent payroll tax, and companies can begin to attach a dollar figure to the premium of being in San Francisco.

To incentivize biotech companies to locate in San Francisco, Mayor Gavin Newsom is asking the Board of Supervisors to extend the six-year-old Biotech Payroll Tax Exemption. The exemption allows any new biotech company to get a full 7.5 years without paying local business taxes as long as it files for the exemption by Dec. 31, 2014.

At a time when San Francisco city officials are struggling to close a budget deficit of more than $500 million — for which Newsom hasn’t offered any significant revenue proposals to help bridge the gap — some are questioning why the city should continue giving millions of dollars in tax breaks to the thriving biotech industry.

The core question of whether the payroll tax credit has worked in bringing more biotech companies to San Francisco is complex. While Newsom boasted of attracting 54 new biotech companies in the last five years during his Jan. 13 State of the City address, analysis of the credit by Ted Egan, the city’s chief economist, indicated that only eight companies had applied for the credit by the end of 2008.

The thriving research environment at UCSF-Mission Bay and the establishment of the state taxpayer-funded California Institute for Regenerative Medicine have played significant roles in creating a favorable environment for young biotech companies. The last five years also have seen broad growth in biotech as scientific discoveries have accelerated. Would biotech companies have come to San Francisco regardless of the payroll tax exemption?

The city’s Office of Economic Analysis looked at the question of how effective the payroll tax exclusion actually has been in spurring biotech growth. Because the size of the incentive — an exemption from paying a 1.5 percent tax on its total payroll — is relatively small, Egan felt that there could not be a conclusive link between the exemption and biotech growth. But he did feel there was some benefit, writing in his analysis that “in fact, the primary worth of the incentive may lie in its marketing value and how it signals to the industry that San Francisco is a credible location for biotechnology.”

Between 2004 and 2008, the biotech tax credit cost the city $1.2 million. If costs stay on pace with 2008, the existing Biotechnology Tax Exclusion will cost at least an additional $2 million. There are no cost estimates yet on extending the credit to give all biotech companies the full 7.5 years of payroll tax exclusion.

The extension faces opposition. Sup. John Avalos, chair of the Board of Supervisors Budget and Finance Committee, has expressed concern about the effectiveness of tax credits.

“I’m not sure the city is going to be able to show a direct connection between taxes and the growth of the biotech industry. The verdict is still out for me,” Avalos told the Guardian. “We’ve created the whole infrastructure for the industry around Mission Bay. That could have a lot to do with companies coming to San Francisco.” The city donated a portion of the land the UCSF-Mission Bay campus was built on.

Allopartis Biotechnologies is a small biotech startup in QB3 at UCSF-Mission Bay that has received venture capital funding. It saved $3,670 in 2009 by qualifying for the payroll exclusion. Allopartis has six employees and focuses on developing technologies to convert biomass into sustainable fuels.

“You pay a premium to be in the city, and it’s worth it,” said Robert Blazej, cofounder of Allopartis. “We’d like to stay close to this nexus of innovation and collaborators. But it’s going to be challenging with the cost of square footage.”

Interviews with other growing San Francisco businesses showed that their biggest concern was the cost and availability of commercial real estate. Zynga, a social gaming company in Potrero Hill, plans to add 800 jobs over the next two years. Newsom has asked for an additional waiver on payroll taxes for all new hires over the next two years, regardless of industry.

“We considered moving out of San Francisco for a couple reasons. One is the availability of commercial real estate. The other is the payroll tax,” said Chief Financial Officer Mark Vranesh. “The large blocks of space we would be looking for are hard to find.”

But as the city tries to plug gaps in dwindling city services, concerns are mounting about how much the city can give away to companies under the premise that tax credits create new jobs. In the debate about the biotech tax credit, objections have been raised about the fundamental fairness of giving a tax break to one industry while others still pay their share. Similar next generation industries with large up-front research and development costs such as solar energy or fiberoptic Internet do not receive payroll tax waivers.

Economists such as the Tax Foundation’s Patrick Fleenor are quick to point out that there are no political advantages to taxing everyone equally. “The problem is a political one. If you tax everyone the same, there aren’t politicians creating little fiefdoms. There aren’t ribbon-cutting ceremonies,” he said.

Avalos has equated judging the effectiveness of tax credits at creating jobs to looking into a crystal ball. But the price tag of each tax credit is borne in the present as the city contemplates laying off hundreds of city workers.

Adding to the political infighting have been public complaints by Sup. Michela Alioto-Pier that Newsom is trying to take credit for the biotech payroll exclusion, which she originally proposed and helped legislate in 2004. She requested an extension for the biotech tax credit in November. Her office has defended the bill. “We’re creating a hub so that other biotech companies can come to San Francisco,” said Bill Barnes, Alioto-Pier’s legislative aide. “When she was courting biotech, she was hearing that the payroll tax was an impediment.”

But other cities charge local business taxes comparable to San Francisco’s payroll tax. And if there was ever an industry that has been heaped with support from the public sector, it is biotech.

Proposition 71 passed with 59 percent voter support in 2004 and established the CIRM, which provides grants and loans for stem cell research. Stem cell research is an area within biotech that has seen significant political support, particularly since the time of the Bush administration, when federal funding for embryonic stem cell research was heavily restricted.

But appearing to be doing something about the economy remains politically important, even if the actual benefits are somewhat dubious.

“It’s a big political game that the mayor is playing. He wants to paint progressives as anti-jobs, which is ridiculous, and paint himself as the mayor for jobs,” Avalos told us. “We would be cannibalizing government services for the private sector.”

Newsom has been vague about whether he accepts that tradeoff or even understands its implications to city coffers and the local economy. Newsom Press Secretary Tony Winnicker recently told us, “He thinks it’s good policy to spur private sector job growth.”

Later, he added: “While not every company has taken advantage of it, we feel extending it sends the right message,”

Style Lines: Bianca Starr fulfills your heart’s desire

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By Chhavi Nandi

Music and fashion are often so intrinsically connected, it’s hard to tell where one starts and the other stops. Which came first? Fall Out Boy or the emo haircut? So it should be no surprise that the impeccable taste that Bianca Starr brought to operating the former nightlife wonderland Club 222, now techno hotspot  222 Hyde, also carries over into the world of clothing with her new vintage boutique. The concept is providing carefully edited and cleaned pieces that appeal to Bianca herself (the store motto is “If we wouldn’t wear it, we wouldn’t sell it”), all in a fun, collaborative, friendly setting that includes rotating DJs playing every weekend.

And just as you might expect, she’s kicking off the store’s opening with a party worthy of a nightclub . Beats will be provided by Rebecca Vandersteen, Sybil Johnson of Heartbaker, DJ Irene Hernandez-Feiks of Chillin’ Productions, and DJ Miss Watkins, while shoppers enjoy baked goods, champagne, and special deals like 25 percent off all dresses and discounts on jewelry (it is the day before Valentine’s Day, after all).

4 R Hearts Desire

Sat/13, 1-7pm

Bianca Starr

3552 20th St, SF

(between San Carlos and Lexington)

www.biancastarr.com

Joseph Stiglitz: Muddling Out of Freefall

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Here is our monthly installment of Joseph E. Stiglitz’s Unconventional Economic Wisdom column from the Project Syndicate news series. Stiglitz is University Professor at Columbia University and the winner of the 2001 Nobel Prize in economics. His new book is Freefall.

NEW YORK – Defeat in the Massachusetts senatorial election has deprived America’s Democrats of the 60 votes needed to pass health-care reform and other legislation, and it has changed American politics – at least for the moment. But what does that vote say about American voters and the economy?

It does not herald a shift to the right, as some pundits suggest. Rather, the message it sends is the same as that sent by voters to President Bill Clinton 17 years ago: “It’s the economy, stupid!” and “Jobs, jobs, jobs.” Indeed, on the other side of the United States from Massachusetts, voters in Oregon passed a referendum supporting a tax increase.

The US economy is in a mess – even if growth has resumed, and bankers are once again receiving huge bonuses. More than one out of six Americans who would like a full-time job cannot get one; and 40% of the unemployed have been out of a job for more than six months.

As Europe learned long ago, hardship increases with the length of unemployment, as job skills and prospects deteriorate and savings gets wiped out. The 2.5-3.5 million foreclosures expected this year will exceed those of 2009, and the year began with what is expected to be the first of many large commercial real-estate bankruptcies. Even the Congressional Budget Office is predicting that it will be the middle of the decade before unemployment returns to more normal levels, as America experiences its own version of “Japanese malaise.” 

As I wrote in my new book Freefall, President Barack Obama took a big gamble at the start of his administration. Instead of the marked change that his campaign had promised, he kept many of the same officials and maintained the same “trickle down” strategy to confront the financial crisis. Providing enough money to the banks was, his team seemed to say, the best way to help ordinary homeowners and workers.

When America reformed its welfare programs for the poor under Clinton, it put conditions on recipients: they had to look for a job or enroll in training programs. But when the banks received welfare benefits, no conditions were imposed on them. Had Obama’s attempt at muddling through worked, it would have avoided some big philosophical battles. But it didn’t work, and it has been a long time since popular antipathy to banks has been so great.

Obama wanted to bridge the divides among Americans that George W. Bush had opened. But now those divides are wider. His attempts to please everyone, so evident in the last few weeks, are likely to mollify no one.

Deficit hawks – especially among the bankers who laid low during the government bailout of their institutions, but who have now come back with a vengeance – use worries about the growing deficit to justify cutbacks in spending. But these views on how to run the economy are no better than the bankers’ approach to running their own institutions.

Cutting spending now will weaken the economy. So long as spending goes to investments yielding a modest return of 6%, the long-term debt will be reduced, even as the short-term deficit increases, owing to the higher tax revenues generated by the larger output in the short run and the more rapid growth in the long run.

Trying to “square the circle” between the need to stimulate the economy and please the deficit hawks, Obama has proposed deficit reductions that, while alienating liberal democrats, were too small to please the hawks. Other gestures to help struggling middle-class Americans may show where his heart is, but are too small to make a meaningful difference.

Three things can make a difference: a second stimulus, stemming the tide of housing foreclosures by addressing the roughly 25% of mortgages that are worth more than the value the house, and reshaping our financial system to rein in the banks.

There was a moment a year ago when Obama, with his enormous political capital, might have been able to achieve this ambitious agenda, and, building on these successes, go on to deal with America’s other problems. But anger about the bailout, confusion between the bailout (which didn’t restart lending, as it was supposed to do) and the stimulus (which did what it was supposed to do, but was too small), and disappointment about mounting job losses, has vastly circumscribed his room for maneuver.

Indeed, there is even skepticism about whether Obama will be able to push through his welcome and long overdue efforts to curtail the too-big-to-fail banks and their reckless risk-taking. And, without that, more likely than not, the economy will face another crisis in the not-too-distant future.

Most Americans, however, are focused on today’s downturn, not tomorrow’s. Growth over the next two years is expected to be so anemic that it will barely be able to create enough jobs for new entrants to the labor force, let alone to return unemployment to an acceptable level.

Unfettered markets may have caused this calamity, and markets by themselves won’t get us out, at least any time soon. Government action is needed, and that will require effective and forceful political leadership.

Joseph E. Stiglitz, winner of the 2001 Nobel Prize in economics, served as Chairman of the Council of Economic Advisers from 1995 to 1997. He is the author of the recently published bestseller, Freefall: America, Free Markets, and the Sinking of the World Economy.

Copyright: Project Syndicate, 2010.
www.project-syndicate.org
For a podcast of this commentary in English, please use this link: http://media.blubrry.com/ps/media.libsyn.com/media/ps/stiglitz122.mp3

 

Evelyn Evelyn: conjoined-twin singer bluff?

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By Chloe Roth

We just received a press release announcing the debut album of Evelyn Evelyn, “the world’s only conjoined-twin singer-songwriter duo.” The twins are apparently the discovery, or, if our doubts are correct, the brainchild, of Amanda Palmer (of the Dresden Dolls) and Jason Webley (accordionist extraordinaire). The press release contains a suspect biography of the purported 25-year-old twins, Lyn and Eva, born in Kansas, orphaned at birth, and eventually rescued from toiling in the circus by Palmer and Webley. Totally plausible.

There is a Wikipedia page about “them.” “Their” MySpace page has music. The domain name evelynevelyn.com belongs to “them.” But do they themselves really exist?

 

The most relevant signs point to a resounding “no.” The songs on their Myspace page, though charming with their cabaret style and old-timey harmonies, are being sung by male and female vocalists (we’d venture a guess at Palmer and Webley), and seem to be about the twins rather than by them. What’s more, the lyrics reveal these songs not to be Evelyn Sisters creations at all, but rather ditties written and recorded to hype their upcoming debut. In the song “A Campaign of Shock and Awe,” the two voices sing: “Ladies and Gentlemen/ Critics and hipsters/ Have you heard the new disc/ By the Evelyn Sisters…As featured in Rolling Stone, Spin, the New Yorker, and Pitchfork.” Not the most poetic, perhaps, but it gets a point across. The MySpace pictures are either vintage black and white portraits of long-dead twins or artistic renderings of the so-called Evelyns. And then there is the obvious doubt that any sane mother would bestow upon her twins, albeit conjoined, two half-names (Eva and Lyn), like they were some sort of puzzle to be put together (or more appropriately, pulled apart, ack!). Plus their mom supposedly died in labor, which would mean it’s really the orphanage that masterminded the whole thing.

If the Evelyn sisters do indeed exist, and we sincerely hope that they do, then this “campaign of shock and awe” will prove to have been an impressive stroke of marketing genius. But however appropriately vaudevillian it would be of Amanda Palmer to orchestrate a hoax of this magnitude, if the sisters turn out to be the imaginary figments of marketing alone, the audience might prove more disappointed than impressed. So, do they exist or not? I suppose we just have to wait to find out. But how anti-climactic it will be if they don’t exist, and how politically incorrect this article will seem in retrospect if they do.

 

2K Top 10: Erik Morse’s best IDM/ home-listening/ lounge-chair electronica of the noughties

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Continuing our Decade on Music coverage, here’s ambi-eared Guardian writer Erik Morse’s list, “in no particular order…”

1. Christian Fennesz, Endless Summer (Mego, 2001)
The paradigm of Mego’s electroacoustic “sound”, Fennesz’s ode to breezy, oceanic pop is a 21st century masterpiece rivaling the work of Brian Wilson, Eno and Kevin Shields. Tracks deftly alternate from pixilated seascapes to reverbed vistas. While the sheets of static and rhythmic glitches invite close listening throughout much of Endless Summer, it is Fennesz’s unique attention to acoustic melody that elevates this album toward a kind of blissful simplicity and an echelon all its own. An utterly indescribable musical experience.

Stand-out tracks: “Caecilia”, “Shisheido”

2. Raymond Scott, Manhattan Research Inc. (Basta, 2000)
The compilation release of the decade, Basta’s two CD treasure chest of Raymond Scott’s jerry-rigged exotica provides hours of bleeps, squiggles and zoinks. Collected from his upstate New York studio work in the 50s and 60s, tracks include radio-jingles, one-off experiments and the cosmic sounds of home-built instruments. In his sonic genius, Scott anticipated every seminal electronic artist of the last fifty years, from Kraftwerk to DJ Spooky to Aphex Twin.

Stand-out tracks: “Cindy Electronium”, “Don’t Beat Your Wife Every Night”

3. Gas, Pop (Mille Plateaux, 2000)
One of many monikers of Cologne musician and label founder, Wolfgang Voigt, Gas represented the vanguard of German ambient at the turn of the century. The final release in a series that included albums Gas, Zauberberg and Konigforst, Pop takes its titular namesake as its ultimate objective, delivering heartaching loops and Voigt’s omnipresent kkickdrum in an atmosphere as haunting as the Schwarzwald of Deutschland. Pop would also serve as an inspiration for Voigt’s massively successful Pop Ambient series.

Stand-out tracks: “Track 7”

4. Child’s View, Funfair (Bubble Core, 2000)
Drum and bass DJ Nobukazu Takemura might very well be the true heir of exotica savants, Raymond Scott and Danny Elfman. Child’s View, one of his side-projects, takes the Japanese musician’s love of heavily processed beats and glitches and combines them with calliope, vibraphone and other carnivalesque tones. Funfair sounds futuristic and retro, digital and phonographic, a testament to Takemura’s mastery of both cutting edge electronica and traditional pop.

Stand-out tracks: “The Cradle of Light” “Assi Que Dodo”

5. Philip Jeck, Stoke (Touch, 2002)
Plunderphonic turntablist extraordinaire Philip Jeck takes Dansette soundscaping to its most extreme in Stoke. Using warped and broken vinyl as his base material, Jeck spins obsolescent straw into gold. Rather than emphasizing rhythmic scratching and beat, Jeck improvises with tactile textures, swirling phases and haunting voices, then edits the results into concise five minute études.

Stand-out tracks: “Lambing”, “Below”, “Close”

SCENE: N.I.C.E. Collective designs a community

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Interview by Laura Palmer. From SCENE: The Guardian Guide to Nightlife and Glamour on stands in the Guardian now

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The N.I.C.E. boys. All photos by Spencer Hansen

Designers Joe Haller and Ian Hannula of burgeoning San Francisco fashion brand N.I.C.E. Collective (www.nicecollective.com) met in a club more than a decade ago and started collaborating on projects — the first one was repurposing an electric blanket into a jumper — complete with tag and plug. Their big idea was to fuel fashion with a musical and nightlife sensibility, enabling the duo to build a community of artists. N.I.C.E. (an acronym for “navigate, inform, create, explore”) rocked New York Fashion Week last spring with a show that felt more art installation/dance party than runway presentation, and whose backdrop included a 19th century carriage and much charred wood. The impeccably edgy Time Machine line they introduced there took off and now holds its own on the floors of retail boutiques next to editorial darlings Rag & Bone and more established brands like Comme des Garcons.

But what next? Between constant trips back and forth from New York to the site of their “live fashion installment” in Bolinas, we managed to snag Joe and Ian for a moment to ask them about the concept for their latest, “communal” clothing line.

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SFBG When did you start cultivating the concept for a communal line launch?
N.I.C.E. We came across this stretch of land in Bolinas, and we looked over it and thought, “with the economy tanking, why don’t we just set up a little commune together?” This thought became the jump-off point for our design inspiration for spring 2010. We decided to name it the Gathering.

Then when we didn’t find what we were looking for to show the clothes in New York during Fashion Week this fall, we thought back to Bolinas and decided to go ahead and actually set up a temporary community there. Instead of art directing an outdoor photo-shoot, we would live it and take pictures of our line that way.

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SFBG How did it go? Were any of the models eaten by bears?

SCENE: Lazer Sword zaps the boom-blap

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By Michael Krimper. From SC ENE: The Guardian Guide to Nightlife and Glamour, on stands in the Guardian now!

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Lazer Sword photo by Beryl Fine

San Francisco-bred electronic duo, Lazer Sword, has a secret weapon. Bryant Rutledge (a.k.a. Low Limit) and Antaeus Roy (a.k.a. Lando Kal) have developed a musically enhanced dehydration gun that zaps the sweat out of dance crowds like a soul-sonic Super Soaker. There’s no escaping it. Inside investigators report that this weapon emerged mysteriously from a Mission District apartment building in 2006, conceived from a reactive mixture of 1980s sci-fi psychedelia and a futuristic bass-rattling force unanticipated by even the most forward-thinking predictions of the oncoming 2010s. It’s manufactured out of grime-ridden computer technology and 8-bit video game parts, designed with the stuttering ferocity of electro-house synthetics and drum machines, and blessed by the hustlers and gangstas of swagger rap. Welcome to Lazer Sword’s boom blap.

And just like one of those vintage sci-fi films, Rutledge and Roy seem to be on their way to world domination. The duo just returned from their second European tour, slaying dance floors from London, England, to Bialystok, Poland. “Crowds overseas are pretty open to electronic music in general,” says Rutledge, “but I get the feeling that two guys jamming on their midi controllers making weird rap beats mixed with dolphin noises and Hanna Barbera samples is a little different and new for them.” Unabashed, Lazer Sword welcomes the challenge of converting unknowing club fiends, wallflowers, and beat heads alike to their leftfield, electro hip-hop bounce. “There’s always an awesome feeling when the crowd doesn’t know what to expect at first,” Roy weighs in, “then over time, cats are dripping in sweat and falling over themselves.”

50% sale today at Goodwill: This is not a drill

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Text and photos by Caitlin Donohue

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Well knock me over with a feather…

Although my disdain for (and fear of) some San Francisco thrift stores has been duly noted, I have to admit that sometimes they make me feel all warm inside. Case in point, today- every Goodwill in the city will be selling all their clothing and shoes for… holy moley, half price!(!!)

Now, granted this is no “all clothing and shoes for $2” sale (lemme tell you, November was a good month for me), but 50% is nothing to shake a stick at. I’ve taken the liberty of assembling a few gems you could pick up today- if you get off your ass right now and start throwing ‘bows people! I’m serious, store opens at 9 a.m.- you don’t want to be the last one rifling through the holiday sweater pile. The choice items shown below are from the Fillmore and Sutter store, easily the best outlet in the city. I have two theories about this: (a) its where the ladies who lunch from Pac Heights drop their impulse shopping designer threads and (b) there is a donation center attached to the store and all the intrepid employees (they are lovely here) squirrel away the best items for the benefit of their committed customers. I go in once a week, so I count as one of these.

But that’s neither here nor there. Without further ado (besides the jump), inspiration to hit the 50% sale! Sales tax free as always! Let’s see that hustle, people!

SCENE: Sirron Norris bears all

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Interview by Caitlin Donohue. From SCENE: The Guardian Guide to Nightlife and Glamour — on stands in the Guardian now!

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“When you walk into a room in San Francisco, half the people in there are going to know who I am — or at least the bear,” says “cartoon literalism” artist (and palindrome) Sirron Norris. Norris may be right about his citywide ubiquity. The friendly blue bears and pink rabbits that frolic through his Technicolor streetscapes are probably brightening up a wall near you, from Balmy Alley to the neighborhood cheesesteak restaurant. But the lightheartedness of Norris’ popular work belies an artist with an intense drive to be commercially viable in the increasingly barebones world of art. Upcoming projects include Bob’s Burgers, an animated series on Fox, and a studio at 1406 Valencia where he’ll hawk his own work and teach cartooning classes — even a proposed reality show. Ever opinionated, Norris pulls no punches when it comes to taggers, the Mission anti-gentrification movement, and the value of commercialism.

SFBG How did you get started in the SF art scene?
SIRRON NORRIS I fell into fine art. I’d never planned on it at all. I was making video games at a software development company in San Rafael and painting on the side out of frustration. I was doing these canvases on my own and [one day] I took them down to Luggage Space, which was the hot gallery at the time. A few months later, I had a show.

SFBG I think, given the aesthetic of your work, a lot of people would be surprised to find out that you don’t come from a graffiti background.
SN I have a huge disdain for graffiti. My murals have been ripped apart by it. I exercise a lot and the main reason I started is honestly because I wanted to stay up super-late at night and run around with a baseball bat and find [taggers]. People don’t understand when they ruin my murals how hurtful that is. You are stealing that artist’s life away from them. And for what — you want people to notice you? I just think that it’s sad and self-indulgent. I’m an artist too, but when [someone tags a wall] it’s gonna be their name, or an elaborate form of their name, or their crew. It’s not like the murals, where we’re trying to tell some rich indigenous history or something about apartheid.

We’re all in this together

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Text by Sarah Phelan

“The disaster is already in progress, but we have it in our power to end this injustice,”
Desmond Tutu, COP15

So begins the email that Green for All’s Phaedra Ellis-Lamkins sent from Copenhagen at 3 a.m–a message that sums up the climate change-driven disaster that everyone is facing, even if they haven’t admitted it, yet.

“This city is filled with people who face the consequences of global warming every day,” she continues. “Families who watched their homes fall into the water, farmers who can no longer harvest because of drought, and those whose peaceful countries are now preparing for unrest because they are losing their natural resources. These are the victims of global warming; debating whether the crisis is “real” denies their human experience, and that of millions of people like them around the world.”

“We elected Barack Obama, who promised a clean-energy economy that would restore our economic power and affirm our place as part of a global community,” she observes, as she urges folks to get off the fence and ask Obama to sign a strong climate agreement in Copenhagen.. “He left no doubt that global warming was real and was a threat to our existence, and he vowed to lead the charge to solve it.”

“A year later, we are again at a crossroads,” she concludes.” Last year’s election was not the end of the mission. We will reach the end only when we have translated our values and promise into action. Hope is not enough. It must become change.”

I like the sentiment–and it reminds me that I have to stop getting annoyed with the folks who want to blame Obama for everything, and start refocusing on doing whatever I can to make change happen. And the good news is…there is so much that I can do.

To see how climate change stands to impact the local community click here.

Retail for the people: Black Panther Clothing

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By Caitlin Donohue

It’s possible that on December 3rd, 1969, when he was arrested for alleged death threats against President Richard Nixon, Black Panther Chief of Staff David Hilliard could not have predicted he’d have a lasting fashion legacy. It was near the height of the Panthers’ international freedom fighting activities. The group was involved in providing food, medical care and legal aid to underserved African-American communities- but in a time of serious governmental persecution, Hilliard was arrested on numerous occasions for everything from possession of a weapon in a public place to his participation in the Oakland police shoot out that killed his comrade Bobby Hutton.

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“Hey Panther, where’d ya get that jacket?” A fashion show Friday’s got the answer

They were rebels, social leaders, badasses- and man, could they dress. The “Panther look”- berets, traditional African textiles and sharp leather jackets- were a hipper, sleeker activist chic than the haphazard “hippie” look prevalent at the time. Although they didn’t set out to be style icons, “the greatest threat to the internal security of the United States” (as J. Edgar Hoover memorably dubbed them) definitely made their mark on the fashion scene.

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SF fashion designer Andrea Lamadora with her artistic inspiration, Black Panther David Hilliard

It’s a tricky business, commodifying a social movement, but in preparation for creating a clothing line based on the Panthers’ innate vogue, fashion designer Andrea Lamadora had the unique chance to learn from a key player in the movement- Hilliard himself. Her friendship with the activist gave her “the privilege of seeing the Black Panther Party archives, including never seen by the public images and photos of actual Panther clothing from the ‘60s and ‘70s,” Lamadora says. “I was immediately inspired to lend my creative style to this very important historical, political and cultural organization.” After the jump, what she came up with.

Street Threads: Jill and Ra

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Jill and Ra, Castro Station

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Tell us about your look: “We both like a lotta layers.”

Herrera to Campos: duck and cover

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Louis XIV’s weakness was liking to hear people sing his praises. Is the same true of Newsom? And is this why he is refusing to meet with immigrant advocates, who have been critical of his sanctuary policy cave-in, and do the right thing for immigrant youth?

Text by Sarah Phelan

City Attorney Dennis Herrera replied today to Sup. David Campos’ request that he tell Newsom that he’s not a monarch. Campos made his request after Newsom said he intends to ignore the Board’s veto-proof amendment to the sanctuary ordinance.

Herrera also replied to Campos’ request that the Juvenile Probation Department could comply with the ordinance’s directive by adopting a proposed policy thqt was drafted by the Asian Law Caucus.

And the answer seems to be yes, Newsom’s not a monarch, and yes, JPD could adopt ALC’s proposed policy, but it all comes down “to the extent permitted by state and federal law,” which sounds like a massive passing of the buck.

Diego’s Umbrella breaks out the lasers and the lesbians

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By Caitlin Donohue

At a certain point, hibernation becomes a bit of an issue. There’s the odd smell emanating from the heater, the mice scooting about in the antechambers, holiday treats that last night’s hostess convinced you to take home taunting you from the fridge. I appreciate that chilly climes sanction being all cozy inside your Christmas lights and heavy blankets but sometimes… you… need to get out. Tough love, I know.

But, you would-be grizzly bear you, there’s a show this weekend that practically has a stay-warm guarantee.

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Diego’s Umbrella has more fun in a puddle than you did last month

Diego’s Umbrella is hella fun. Fun like they perform wearing matching, home-made stage costumes. Fun like they’ve dubbed their genre “Mexicali gypsy pirate polka” and it works. They play fun songs, like the klezmer inspired toe tapper “Lasers and Lesbians,” and people get fun when they watch them. Last time I caught a Diego’s Umbrella show a vast percentage of the crowd was dancing, or rather, jumping gleefully about and flailing their limbs by the end of their set. It’s that kind of music.

2K top 12: A dozen from Mosi Reeves

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Guardian writer Mosi Reeves, who contributed a stellar essay to our Decade in Music package, weighs in with a lucky dozen of favorites from the past decade. Says Mosi: “Yep, I probably need to go outside now.”

*Ghostface Killah, Supreme Clientele (Epic)
*Ellen Allien, Berlinette (BPitch Control)
*Cannibal Ox, The Cold Vein (Definitive Jux)
*Modest Mouse, The Moon and Antarctica (Epic)
*Edan, Beauty and the Beat (Lewis)

*Flying Lotus, Los Angeles (Warp)
*Quasimoto, The Unseen (Stones Throw)
*Boards of Canada, Geogaddi (Warp)

*M83, Dead Cities, Red Seas and Lost Ghosts (Mute)
*Colleen, The Golden Morning Breaks (Leaf)
*Portishead, Third (Mercury)
*TV on the Radio, Desperate Youth, Bloodthirsty Babes (Touch & Go)

Appetite: A drink-lover’s holiday

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By Virginia Miller of www.theperfectspotsf.com. View her last installment here.

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HOLIDAY PUNCH RECIPES
One of the best ways to supply fine drink to a party or gathering is with a classic punch bowl: make it in large batches for stress-less imbibing. We look to our local bartender greats for some unusual recipes using Brazilian cachaca or classic genever gin.

Honey Spiced Punch 
Erick Castro, Rickhouse, San Francisco

1 Cup Leblon Cachaca 
1/2 Cup Appleton V/X 
1/2 Cup Velvet Falernum 
1 Cup Lemon 
1/4 Cup Honey Syrup 
1/4 Cup Simple Syrup 
8 Dashes Angostura 
10 oz. Sparkling Water
Garnish with cinnamon, orange wheels and a sprig of mint.

Climate Change protests

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Text by Sarah Phelan

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“Human chain” protestors protect grassroots groups from all over the world from hundreds of riot police who turned out to keep climate justice activists from entering the Bella Center where the 15th Conference of Parties was being held.

Alicia Garza, co-executive director of the San Francisco-based People Organized to Win Employment Rights (POWER) sent these photos from protests in Copenhagen. Media outlets are reporting that Danish police arrested about 250 protesters and used pepper spray and dogs to contain crowds in Copenhagen today, as a demonstration against the U.N. climate talks converged on the Bella Center ahead of crucial negotiations at the COP15 summit.

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As thousands of activists held a People’s Assembly outside the Bella Center where indigenous activists and G77 representatives walked out of climate talks, activists hung a banner from the trees which said COP15: Business as U$ual. Many activists said that the wealthier nations, such as the EU, France and the United States were prioritizing business interests over the fate of millions of people around the world who are severely impacted by current and impending climate crises.
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Via campesina at COP 15” is an international grassroots organization of farmers and workers from around the world who led activists and civil society who were locked out of the COP. COP officials limited the amount of participation from civil society to 1000 people today, and intend to further limit participation to 90 people tomorrow.
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Street Threads: Amy

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Amy, West Portal Station

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Tell us about your look: “Lots of layers.”

alt.sex.column: My heart belongs to Daddy

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By Andrea Nemerson. Email your questions to andrea@mail.altsexcolumn.com. Read more of Andrea’s columns here.

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Dear Andrea:

OK, I get it about the hot moms, but what about dads? Does anyone ever talk about them? I remember when our son was younger and my husband would be out with him in the Baby Bjorn or stroller, he would tell me he got a lot more attention from women than he did otherwise. Some of that was really about the cute baby, but really, he was pretty sure those women were flirting with him. What was that about? He had a wedding ring and a kid!

Is there a thing about DILFs like there is about MILFs? It kind of seems like there would be, but it’s not something you ever hear.

Love,

Wondering Mom

Dear Mom:

Kinda. Did you try Googling "DILF?’ There’s a ton more out there than I would have expected, but since you’re not the first one to bring this up, I have been looking. A lot of it is just online porny zeitgeistiness — "people are talking about MILFs, so people will be wondering about DILFs, so I, sex-site owner or promoter or whatever, will make sure there’s something for them to see." The perhaps unexpected (although not to me!) detail is that almost every hit brings you to gay porn. This should not be a big surprise when you remember that there just isn’t a lot of "hot guy!" stuff marketed to women. There is some, but most porn made for women is very couple-y. So "DILF" for porn purposes seems to refer to somewhat older men-for-men, and fits neatly alongside already-existing categories like "daddies." And "daddy" for porn purposes never had the first thing to do with taking the kids to the park. There are also bears, of course, but they are likewise not associated with babies. Not even Baby Bjorns. Ahem.

Street Threads: Amber

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Amber, West Portal Station

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Tell us about your look: “My jeans are from Hollister and the top is from New York and Co.”

Queen EB: Emily Blunt on “The Young Victoria”

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By Louis Peitzman

Emily Blunt quickly made a name for herself with a breakthrough supporting role in The Devil Wears Prada (2006). Since then, she’s appeared in numerous films, including The Jane Austen Book Club (2007), Charlie Wilson’s War (2007), and Sunshine Cleaning (2008), garnering plenty of fans and critical attention. Now she takes on her largest role yet as the titular queen in The Young Victoria.

San Francisco Bay Guardian: How do you approach a role when you’re playing a historical figure?

Emily Blunt: Well, you want to do it justice, and factually of course, you want to remain as close to what you’ve researched. In a way there’s a challenge because it’s your take on her as well. And it’s not that I wanted to make her contemporary, but I wanted to have a fresher look on that period, so that I presented her as the girl rather than as the queen. Because I think that’s more relatable, and I think that people can understand being young and being in love and feeling overwhelmed, rather than a rather stiff portrayal of a monarch. Not many people can relate to that. What I loved about the script is that it allowed us so much room to explore the private side of her. The public side was such a performance, in a way. And that’s what I loved — I found it revealing and intimate, and I liked that.

Despite awesome FX, “Avatar” underwhelms

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By Ben Richardson

James Cameron’s Avatar takes place on planet Pandora, where human capitalists are prospecting for precious unobtanium, hampered only by the toxic atmosphere and a profusion of unfriendly wildlife, including the Na’vi, a nine-foot tall race of poorly disguised cliches. When Jake Sully (Sam Worthington), a paraplegic ex-marine, arrives on the planet, he is recruited into the “Avatar” program, which enables him to cybernetically link with a part-human, part-Na’vi body and go traipsing through Pandora’s psychedelic underbrush. Initially designed for botanical research, these avatars become the only means of diplomatic contact with the bright-blue natives, who live smack on top of all the bling. The special effects are revolutionary, but the story that ensues blends hollow “noble savage” dreck with events borrowed from Dances With Wolves (1990) and Fern Gully: The Last Rainforest (1992). When Sully falls in love with a Na’vi princess and undergoes a spirit journey so he can be inducted into the tribe and fight the evil miners, all I could think of was Kevin Bacon getting his belly sliced in The Air Up There (1994).

Avatar opens Fri/18 in Bay Area theaters.

Street Threads: Alexa

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Alexa, West Portal and 15th Ave.

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Tell us about your look: “I don’t really spend that much money on clothes. I got my bag at Cost Plus and I love it because I can pack so much stuff into it.”

Break out the ho-ho-hos for Hard Nut

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Text and photos by Ariel Soto

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As a grownup, there are few things to look forward to when it comes to the holiday season, but one event is always worth breaking out the ho-ho-hos for: The Hard Nut. Since 1991, the Mark Morris Dance Group has been keeping this holiday tradition alive and festive to well-received shows season after season. The Hard Nut, a quirky 1960s twist on the traditional Nutcracker, is full of surprises at every pirouette, with cocktail-guzzling dudes in disco outfits and male sugar plum fairies in spectacular tutus. The performance also shows the more grotesque parts of the holidays, like adults with excessive drinking habits and the totally unappreciative children who are never satisfied with their gifts. This makes for a rare fairytale that shows not only the loveliness of the holiday season, but also the realistic — and funnier — side of all our annual holiday traditions.

The Hard Nut
Mark Morris Dance Group
Fri/11 – Sun/20
various times and prices
Zellerbach Hall
UC Berkeley Campus
www.calperformances.org

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