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Power Exchange bust: an eyewitness report

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This weekend, the Power Exchange sex club, one of the few in the city that welcomes more than gay bio-men, was busted by police at its new Tenderloin location last Friday night, ostensibly because of permit violations. It had been facing some ridiculous backlash. Was it really because of transphobia? Commenter robintv posted this eyewitness report. We’ve been unable to confirm robintv’s identity, but if you were there or have any other information please post it in the comments.

Intolerance closes the Power Exchange club in San Francisco
by robintv

Late Friday night the forces of intolerance prevailed in San Francisco, using the San Francisco government to do their bidding.

Around 10:30pm, I heard voices telling everyone to leave the premises, and saw a large number of uniformed San Francisco fire and police personnel had entered the Power Exchange club (PE) at 34 Mason Street. The PE usually is not real busy till after midnight, so there was not a large number of people inside. The whole process was peaceful, and from what I saw, the police and fire dept personnel were courteous and discreet and just following orders and there were no cuffs, no id checks, no photos, we were just told to leave the club.

After exiting, we milled around outside the PE talking with each other, passerbys, local residents, and M Powers, the PE owner. People continued to arrive at PE by foot and cabs, including a number of transgender (TG) women who frequented the Otis St location and were returning to the PE for their first time at the new Mason St. location. They were returning to the only space where they could safely be themselves, socialize with other TG women and friends and meet people who are attracted to TG women, without risk of being verbally abused, beaten, or even murdered. Many, including myself, have been going to the PE for over 10 years.

For many, the PE has been a sanctuary of tolerance and acceptance in a world of intolerance, persecution and pain.

As I stood there on a beautiful, warm, September SF night, it was difficult for me to believe that this was happening in San Francisco, where the politicians give a lot of lip service to how tolerant SF is.

I believe the PE has limited resources and lawyers are very costly. A business can be right and the city wrong, but still loose if the business has used up its resources in proving it is right, and can not reopen. Thus, even if PE is right, which I suspect they are, they can still be forced to stay closed and intolerant haters will prevail in forcing their religious/moral values on others using the San Francisco government as a forceful vehicle to do so.

What to do?

Will your favorite club/venue/ business be the next target of the intolerance crusade?

Found Footage Fest: “Hold the phone, is that from Eddie’s Bar Mitzvah?”

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By Caitlin Donohue

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Er ….

Rejoice, ye public access hosts, ye corporate training stooges, ye home movie starlets, for thy hour is nigh. No longer will your tapes be the viewing delight of a happenstance few. Film collagists Nick Pruehler and Joe Pickett have vaulted you into a slightly more middling level of obscurity. The fruit of their labor, The Found Footage Festival, makes its way to the Red Vic Movie House for a two night run starting Friday, October 2, bringing with it the panorama of American G-list treasures that Pruehler and Pickett have been discovering ever since a fateful trip to the back room of a McDonald’s in 1991. Discovering, scavenging, stealing — don’t get bogged down in semantics, people, it’s all part of the creative process. We recently interviewed Pruehler to discuss the profound joy produced by combining the FFF with Bay Area cush, as well as his deep-seated man love for Mr. T.

Found Footage Festival trailer

San Francisco Bay Guardian: How renegade are we talking here in terms of your video collecting techniques– do you ever dumpster dive for the tapes, or is that something you have “people” to do for you these days?
Nick Prueher: We’re not afraid to get our hands dirty and root around through garbage cans and dusty bargain bins at thrift stores in search of VHS gems. We’ll take risks to get videos. A few weeks ago, we were in a FedEx office picking up a package and happened to see a set of three VHS training videos behind the counter. When the clerk went back to grab the package, Joe snuck behind the counter and grabbed the tapes. Unfortunately, they were all pretty boring.

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Celluloid scavengers Joe Pickett and Nick Pruehler

SFBG: Has anyone from the home movies ever gotten sassy on you because you put them in a showcase?
NP: Without fail, whenever we’ve met people in the videos we’ve found, they’ve been universally flattered by the fact they’ve become unintentional cult heroes of sorts. This footage that they’ve long since forgotten about is now bringing joy to hundreds of people across the country. The one close call we had was with Jack Rebney, a guy we dubbed “The World’s Angriest R.V. Salesman.” We cut together some outtakes of this guy going nuts during a promotional video for Winnebago R.V.s and it became a big hit from our first show. Then Jack found out about it and, believe it or not, was pretty pissed off. But we somehow convinced him to appear with us at a show at the Red Vic last year. He came out to a standing ovation and regaled the audience with hilarious stories from that disastrous shoot, then signed autographs for a half hour afterward. At the end of the night, we actually hugged the man.

Slavic Soul Party! rocks the cockatoo

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By Marke B.

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Soul with a “!”

In the hoot-and-whirl tradition of Gogol Bordello and Balkan Beat Box, massive NYC brass-and-other-things band Slavic Soul Party! brings Eastern European funk sounds to the dancing masses, on the order of our own beloved Brass Menazeri crew. New album Taketron (barbes) is a shining example of the delicious new Romany hybridity.

Don’t believe me? Download a slice of Taketron and listen for yourself here.

Then watch the feathers fly to this SSP track:

Then join the freakin’ party!

Slavic Soul Party!
Fri/25, 8:30 p.m. and 11:30 p.m.
$15 per show, $25 for both
Elbo Room
647 Valencia, SF
www.elbo.com

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Renee, Arguello and Anza

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Tell us about your look: “I’m late and I’ve got to get to class!”

Gavin tweets, while Jennifer gives birth?

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It’s typical for women to swear and variously carry on while giving birth. So, one can’t help wondering what Jennifer said when she saw Gavin tweeting, while she was busy pushing out daughter Montana.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Michelle and Andrew, University of San Francisco

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Tell us about your look:
Michelle — “My pants have holes in them and my shirt is falling apart.”
Andrew — “I stole this jacket from my friend and then I broke the zipper on it, so my friend let me keep it.”

LAPD says de la Plaza stabbing may be suicide

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Text by Sarah Phelan

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If de la Plaza really killed himself, how come no one can find the weapon?

I’m still waiting for a copy of this latest report and a call back from SFPD, but the Chronicle is reporting that the LAPD’s review of the 2007 stabbing death of Hugues de la Plaza is leaning towards ruling the case a suicide.

And that’s a verdict that has made de la Plaza’s ex-girlfriend, Melissa Nix, extremely angry.

“It’s very disappointing,” an emotional Nix told me today. ‘It’s a cynical decision that’s meant to silenced critics. How can they explain that a man kills himself when there is no weapon? They should be ashamed of themselves.”

Nix went onto slam the SFPD’s new chief George Gascón .
“This shows that Gascón is not necessarily in favor of cfhange, but of politics as usual,” Nix said. “I think San Francisco should be outraged. And scared. San Francisco can’t be the kind of city where you murder someone and get away with it.”

After a March press conference in which the de la Plaza family announced that French investigators had ruled the stabbing a homicide, and a report from the Office of Citizen Complaints that found that de la Plaza was a low SFPD priority, the SFPD agreed to review the case. And when Gascón took over as SFPD Chief this summer, he called investigators in the LAPD, where he used to work, and asked them to take another look at the case.

But according to the Chronicle, Dr. Venus Azar, the SFPD Medical Examiner in charge of the case, intends to stick by her original finding, namely that the cause of de la Plaza’s death is “undetermined.”

Either way, this case is doubtless going to get people wondering just how many deaths that the SFPD has ruled as suicides or undetermined were actually homicides. And how many murderers wander our streets unchecked.

Pics: Mark Morris Dance Group intertwines, rehearses

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Text and photos by Ariel Soto

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Smiling dancers spun across the stage wearing neon bright pep-band uniforms. Classical music from a live ensemble kept the dancer’s movements fluid and true. It was the last rehearsal before opening night at Zellerbach Hall (as part of Cal Performances) for the Mark Morris Dance Group, who will be premiering two new pieces on the West Coast, entitled “Visitation” and “Empire Garden” this coming weekend.

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Two-day On Land Festival takes root

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By Michael Harkin

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Christina Carter. Photo by Rosa Guerrero

Root Strata, the San Francisco-based avant/out music label co-owned by Jefre Cantu and Maxwell Croy, has released over 50 records since its inception. Its foundations and mission are humble, but after nearly five years of work, the label has seen fit to celebrate in a quietly extravagant way with the On Land Festival, a two-night event in the city where it initially, um, took root. "This is the first time we’ve collectively tried to do something on this scale," Cantu, Root Strata’s founder and a member of Tarentel (who perform the first night of the festival) explains over the phone. Sure, On Land is relatively small compared to SF’s other fall festivals, but it’s a damned feast for the right audience. Ducktails and Keith Fullerton Whitman at Café Du Nord on the same night? Killer!

Ducktails, “Parasailing”

Although On Land is not a label showcase per se, nearly every artist on the 21-act weekend bill at Du Nord and the Swedish American Hall has put out at least one record with Root Strata, or will be doing so soon. The label began in late 2004 as a way for Cantu to release a solo CD-R prior to a Japanese tour with Tarentel, but it quickly snowballed into a wide-ranging outlet for artists local and distant, whether they be noisy, pretty, glitched-out, or all or none of the above. For instance, Root Strata recently released Common Eider, King Eider’s Figs, Wasps, and Monotremes, in which core member Rob Fisk’s viola, guitar, and piano meanderings coalesce into a frail, haunting song cycle.

The headliner of Sunday’s bill at the Swedish American is Portland, Ore.-based Bay Area expat Grouper, a.k.a. Liz Harris, whose harmonic haze will dovetail beautifully alongside the sounds of the venerable Christina Carter, the Austin, Texas cofounder of drone-folk outfit Charalambides and superb visual and musical artist. Although a straight-up music festival in most senses, On Land also possesses some cool nonauditory aspects: Paul Clipson will be showing films to accompany several of the performances, and, according to Cantu, Joe Grimm has been generating music by placing contact mics on two 16mm projectors. A handful of other labels will vend their wares as well, including Eclipse Records and Last Visible Dog. Bring a few bucks and an open mind — this is an ideal, totally stacked entrance to San Francisco’s rich underground.

ON LAND FESTIVAL Sat/19–Sun/20, various times. Café Du Nord and the Swedish American Music Hall, 2170 Market, SF. (415) 861-5016. www.onlandfestival.com

DanceWright Project enlivens every turn

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By Rita Felciano

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"Jamie Ray Wright came to dance later than most," the choreographer and artistic director of the DanceWright Project says of himself — an understatement if there ever was one. At Stanford, Wright was a pop musician who then embarked on a career in marketing. For 20 years he watched dance from the audience’s perspective but finally "could stand it no longer" and started to study ballet 24/7, three hours a day. No, he didn’t become even a second-rate Barishnikov — but he did become a choreographer whose work has been floating around the Bay Area for the last half dozen years or so, most prominently at the Black Choreographers Festival. Neither are his dancers virtuosi. But what he and they have in common is a sense for craft, a lack of pretense, and a love for ballet that enlivens every turn, every gesture and every encounter. In addition to pieces from the rep, the evening will feature a world premiere, Bella Donna, performed to the live playing by jazz guitarist Chris Tozzi. This is the DanceWright’s first self-produced evening, and it has invited some other "newcomers" to share the program. Enrico Labayen, who used to be very active in the Bay Area a decade ago, is resurrecting his Labayen Dance/SF; Kat Worthington, a dancer with Wright, is introducing her own group; and the locally little-known Dac Pac, a youth company from Santa Clara.

DANCEWRIGHT PROJECT AND SPECIAL GUESTS Fri/18–Sat/19, 8 p.m., $15–$18, Dance Mission, 3316 24th St., SF, (415) 826-4441, www.brownpapertickets.com/event/76954

‘Best Erotic Comics’: please get bigger

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By D. Scot Miller

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BEST EROTIC COMICS 2009
Last Gasp, 1995
Edited by Greta Christina

The cover art by Junko Mizuno alone makes Last Gasp’s Best Erotic Comics 2009 worth the price of admission. His gothic-Sanrio-sex-kittens getting into all kinds of weird mischief, involving sleeping-spray and whips among other things, is just one example in this well-pieced and well-paced collection.

There’s something for everyone in this one, but I have my favorites:

Cephelapod Products weighs in with an homage to the bawdy “just for larfs” period of the 1940s and ’50s, and returns with the look and feel of the 60’s underground “Zapp” comic days that is so dead-on that I feel like I’m in the back of the record shop.

Toshios Saeki reaches even further back to early Japanese erotica to do that sexy double-entendre thing with the word “fantasy.” Saeki does the best tentacles in the biz, and he creates passionate embraces that make even the most supernatural seem like the most natural.

A long-time favorite of mine, Christy C. Road, brings “Reclaim Yourself: Revolution On A Battery Operated Phallus,” which it actually is. Whether it’s a bicycle or a buttplug, Road’s lines, color and emotion feel like liberation to me. Delicious, shameless sex is part of the revolution, better believe it. Even/especially when you’re by yourself.

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Belasco’s Brothers of New Essex

In that same vein, Belasco (best known for his “Brothers Of New Essex” graphic novel) opens “Th’Floodgates,” the most poignant, concious, and healing story in the book. Comic book sex can be about sex as a healing energy of succor and an expression of love too. Who knew?

But it ain’t all love-taps in here. Best Erotic Comics 2009 is rough, soft, frightening, and soothing with each turn of the page. Whips, guns, pixies, paronoia, and perverison inter-mingle here, if the thunder don’t get you, the lightning will. Are these truly the best erotic comics 2009 had to offer? Hardly. With manga and web-based comics being published everyday, it’s time for Last Gasp to consider making 2010’s edition much, much bigger.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Maggie, University of San Francisco

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Tell us about your look: “I like a lot of color, but not too much all at the same time. That can be overwhelming!”

Business as usual at City Hall this fall?

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Tuesday marked a return to business, as the Board of Supervisors reconvened after a month-long recess.
It also seemed to mark a return to business as usual on the part of those elected officials who occupy City Hall, including Mayor Gavin Newsom, and, of course, the folks who love to hate them.
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Outside, former D8 supervisorial candidate, Libertarian Party member and sex worker Starchild, tanned and stripped down to the waist, was demanding an audit of the federal reserve as outlined in H.R. 1207, and as part of the “Campaign for Liberty.”

Latin psych-funk explosion with Brownout

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By Marke B.

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Smoke out with Brownout. Photo by Sandy Carson

This week in the paper, I write about eight-piece Latin psychedelic funk outfit from Texas, Brownout. I’m really digging, in a mellow way, their new album Aguilas and Cobras on Six Degrees Records. You should throw on a rad patterned suit jacket and some slick shoes, light up something nice, and check them out at Elbo Room this Friday.

Want a taste? Check out this primo Brownout mix from Austin’s DJ Chicken George and download their Olvidalo track.

Oh, and here’s their new video for “Slinky”

BROWNOUT
Fri/18, 10 p.m., $8–$10
Elbo Room
647 Valencia, SF
(415) 552-7788
www.elbo.com

PARK(ing) Day finds the plot

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By Molly Freedenberg

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Screw the consumerism of Christmas, the war imagery of Independence Day, and the inevitable disappointment of New Year’s Eve. Our favorite holiday of the year is PARK(ing) Day, when individuals and groups around the world turn metered parking spots into the playgrounds of their dreams. Started in 2005 by the SF art and design collective Rebar, the event takes advantage of a legal loophole that allows any (legal) use of parking spots as long as the meter gets paid. (Think of it as miniature, short-term space rental.) Want kiddie pools and pink flamingos on Valencia Street? Sod and benches outside a Haight Street shop? A mobile grassy knoll taking up residence in the mayor’s parking spot? It’s all fair game. Nearly five years in, the idea has become so popular that, on certain city boulevards, a stroll on PARK(ing) Day can feel like a street festival — minus the annoying commerce (if people are playing by Rebar’s rules). One part fun, one part frivolity, and two parts commentary on the way we use urban space, this open source project makes an ordinary workday … ahem … a walk in the park.

PARK(ING) DAY Fri/18. Find information, maps, and instructions on how to construct your own park at www.parkingday.org.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Lordes, 11th St. and Howard

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Tell us about your look: “I just put this outfit together. I got my hat at a thrift shop.”

‘We Did Porn’: Zak Smith gets sticky

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By D. Scot Miller

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WE DID PORN: MEMOIRS AND DRAWINGS
(Tin House Books)
by Zak Smith

I admit it. I was fully expecting to hate Zak Smith‘s book about his alt-porn experiences. Yes I was. Trendoid motherfucker gonna tell me about porno? What’s this artsty-fartsy, probably spoiled, uber-talented white boy artist got to say to me about fucking somebody?

Turns out, quite a bit.

I have to say that after the first chapter of this engrossing tome, Zak Smith had changed my life forever. He made me overcome my fear and predjudice of hipsters – something that Miranda July and Dave Eggers could not do – and listen to his tale of making alt-porn and living gonzo in alt-porn world. Not the best writer in the world, Smith makes up for his Hunter Thompson parroting with honesty and constant lucidity.

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Zak at work as “Zak Sabbath,” alt-porn star

“The most hideous thing about pornography,” he says early on, “is that it works. On you.”

Snap Sounds: Mos Def

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By D. Scot Miller

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MOS DEF

The Ecstatic

(Downtown)

After 2006’s somewhat tepid though promising True Magic (Geffen), Mos drops the best hip-hop album of 2009 thus far. Named after Victor Lavalle’s novel, with cover art from Charles Burnett’s Killer Of Sheep, this is a gem that I just can’t stop playing — especially "Priority" and "No Hay Nada Mas"

Mos Def, “Quiet Dog” Live

Appetite: Root beer floats, grilled moist melts, shrimp creole, and more

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Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

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DEALS
Just for You’s new happy hour and New Orleans inspired bites
Despite this past weekend’s thunderstorms, our Summer is still in its early stages – Just for You Cafe commemorates an SF Indian Summer (and their nostalgia for New Orleans, which I acutely share) with new menu items and Wednesday through Friday happy hour specials. There’s $4.50 Root Beer Floats made with Nawlins’ own Abita Root Beer and our Mitchell’s Ice Cream. And it wouldn’t be an ode to the South without Red Beans and Rice ($4.50, $2 to add Louisiana hot sausage), Hush Puppies ($4) or a Creole Sampler ($6) of red beans and rice, jambalaya, and shrimp creole. Heineken and Miller beers are $2 and there’s Chicken Empanadas ($2.25) or Crispy Chicken Tacos ($2.95) for a veer off the New Orleans’ path.
Wednesdays-Fridays, 4:30-6:30pm
732 22nd Street
415-647-3033
www.justforyoucafe.com/specials

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NEW OPENING
Fish & Farm launches American Box
Gourmet lunches from top notch chefs continue to proliferate downtown, with Fish & Farm now in the mix, launching American Box. Executive chef, Chad Newton, created a menu that, similar to the flagship restaurant, is farm-fresh, local, sustainable. Eat from changing menu items, like a "Chop" Salad ($9) with Molinari salami, a Double Taco Box ($7), or a Grilled Moist Melt Box ($8, a rye, cheddar, pickle, caramelized onion sandwich), to go or in Fish & Farm’s dining room. Save room for cookies or brownies for dessert.
Monday-Friday, 10:30am-1:30pm
Cash only
339 Taylor Street
415-474-3474
www.americanboxlunch.com

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EVENTS
Test your blind wine tasting skills at Press Club all month
So the Governator himself has dubbed September California Wine Month (isn’t every month?) No matter… I like the sound of Press Club‘s Blind Tasting throughout the month – to test or improve your tasting skills, as the case may be. In Press Club’s roomy underground environs, $17 will get you pours of three wines, each selected from some of Nor Cal’s best wineries. If you’re feeling comfortable, submit your guesses as to each wine in the blind tasting and be entered to win a $50 private tasting for two.
20 Yerba Buena Lane
415-744-5000
www.pressclubsf.com

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Liz, University of San Francisco

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Tell us about your look: “My fashion inspiration is Chloe Sevigny.”

Sexy celluloid: Good Vibrations Independent Erotic Film Festival artists speak!

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By Louis Peitzman

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Festivities for the fourth annual Good Vibrations Independent Erotic Film Festival (aka IXFF) are now underway — but the main event is a film screening Thurs/17 at the Castro. What follows is the first installment in a series of interviews with filmmakers from the fest.

Filmmaker: Petra Joy
Film: Hardback

San Francisco Bay Guardian: What was the inspiration for your film?
Petra Joy: I wanted to show the power play between this real life couple. Even though she is usually more dominant and he is the (hunky) submissive, their sexuality is fluid and flows freely. The resprect each other and it turns them on to pleasure each other in body, mind and soul.I also wanted to break the big taboo of women penetrating men and celebrate the prostate as a highly erogenous zone.

SFBG: What did you hope to accomplish with it?
PJ: I wanted to show that s/m sex does not have to be extreme and role patterns not cast in stone. Just becasue he licks her feet does not mean that she will not enjoy to be penetrated by him. I hope to inspire women and men to experiment more and make their fantasies come true – far away from all the definitions of gender roles and classifications of sexuality they are often hemmed in by.

Live Shots: Power to the Peaceful 9/12/09

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Text and photos by Ariel Soto

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The air was thick with friendship and love as about 70,000 people went into tree pose to say a united prayer for peace in Speedway Meadows this Saturday for the 11th annual Power to the Peaceful concert. The day long concert has been the pride and joy of Michael Franti for the past decade, whose own music strives to motivate and cultivate love and peace between all us human beings.

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This year the special guests included Alanis Morissette, Cherine Anderson, and Sly and Robbie along with inspirational speakers such as former Green Party candidate Cynthia McKinney and Tibetan monk Namkha Rinpoche who hinted at the possibility of the Dalai Lama coming to next year’s Power to the Peaceful.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Lilly, University of San Francisco

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Tell us about your look: “I thrifted this dress and the bag is from Forever 21. I’m a student, so I mostly buy cheap clothes.”

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