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Balmy Alley kicks off block party season

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By Caitlin Donohue

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“Naya Bihana” (A New Dawn), a Martin Travers mural in Balmy Alley commemorating the struggle for freedom in Tibet.

Balmy Alley is awesome. In general, I am content to mosey through this painty wonderland with a loved one, preferably with a cup of coffee from Phil’z or a $1.50 24th street taco grasped firmly in my paw. But this Friday there’s a top-shelf chance to enjoy Balmy in my most favoritest form of celebration: the block party.

The alleyway gallery on Balmy Street was started in 1975 by Mujeres Muralistas, and exploded into its present glory in 1985, when three dozen muralists threw up 27 pieces on the back road’s garage doors, walls and sitting stoops. Originally a celebration of Latin American indigenous culture and refutation of our government’s malicious shenanigans south of the border, its walls now include send-ups of Mission gentrification and a commemoration of the Katrina tragedy. It has become an important focal point of the neighborhood and is a kickass place for a block party.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Rebecca, City College, Ocean Campus

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Tell us about your look: “Everything was cheap, from Target or Forever 21. I like to mix colorful and weird pieces with casual and normal ones.”

Americans for Prosperity: another right wing attack dog

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Text by Sarah Phelan

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Groups like Americans for Prosperity want to revive Reagonomics. At the cost of your public health care option.

Just got an email from Americans For Prosperity, which bills itself as “being committed to educating citizens about economic policy and a return of the federal government to its Constitutional limits.” In other words, AFP is yet another right wing pit bull that favors the free-for-all market economic philosophy, which brought us Enron and the subprime mortgage fiasco, in which the rich get richer with minimum accountability and responsibility to the very tax payers that they allegedly champion. Sweet.

And this time, AFP is announcing a National Call Congress Day (Oct. 5), which they claim is necessary, “As Democratic Leaders Continue to Rush Radical Health Care Reform,” as well as rallying folks to the 2009 Defending the American Dream Summit in Arlington, Virginia (see banner above), replete with pix of Ronald Reagan. Lovely.

AFP, which also champions “exposing the ballooning costs of global warming hysteria,” boasts as its current Vice President Ed Frank, a former Bush staffer, who last year described the congressional showdown over off-shore drilling as “a political fight the free-market guys actually can win.”

Hmm. In other words, the folks opposing public health care option are the same folks who supported Palin’s “drill, baby drill” mantra last year? Nice. No wonder APF raked in over $ 5 million in 2007 alone.

Yeah, well it sounds like Oct 5 is a good day to call Congress, and demand a public health care option by telling your local representative the simple truth: including a public health care option is the morally right thing to do. Period.

Hope in hard times: Michael Moore discusses “Capitalism: A Love Story”

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By Louis Peitzman

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To call Michael Moore a contentious filmmaker would be something of an understatement. A stalwart champion of the left, he has managed to piss off Republicans and Democrats alike. At an appearance in San Francisco recently, I spoke to Moore about his latest film, Capitalism: A Love Story, a bipartisan look at an economic system that — according to Moore — has let this country down.

San Francisco Bay Guardian: With a topic as broad as capitalism, where do you begin?

Michael Moore: Well, I began by thinking about all the stories I’ve heard over the years of things that, to me, are the most illustrative of this economic system. So I first talked to a pilot on food stamps 13 years ago. I first heard about “dead peasants” eight or nine years ago. I’ve kept in my head a list of these stories, because a lot of people stop me on the street or in a restaurant or whatever, and they want to tell me their story. I’ve listened to a lot of stories. I get thousands of emails every week and so I hear a lot that way. It’s a culmination of 20 years of just being inundated by the misery that this economic system has created.

The bong show

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By Johnny Ray Huston

In honor of how quick Guardian workers just were at helping a fellow employee who needed eye drops, here are some photos of John De Fazio‘s work at [2nd Floor Projects], where he and Daniel Minnick share a show.

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E.T. bong. All photos by Johnny Ray Huston

The name of the show is “Sweet Believer Exit,” and the opening on Saturday night was sweltering. When John Waters arrived at the small space, his appearance couldn’t help but become a mini-performance piece on how people react to the glare of celebrity: some lingered nearby and said hi, while others retreated to the less crowded and thus slightly cooler hallway or escaped outside.

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Weird octodoll bong

More bongs and some wonderfully creepy dolls by Minnick after the jump.

Pushing back against Newsom’s leaked memo war

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Text and photos by Sarah Phelan

Remember how Mayor Gavin Newsom leaked a confidential City Attorney memo about the implications of Sup. David Campos’ proposal to extend due process to undocumented youth?

And how Newsom made everyone else wait two weeks before deigning to release said memo, even though he told the Guardian that he had every right to waive his attorney-client privilege and distribute the Campos memo to whomsoever he pleased?

Well, this week a number of folks are preparing to file complaints with the Sunshine Taskforce a) about the Mayor’s Office’s selective release of this memo and b) his office’s subsequent refusal to release any other communications related to the leak.

And today, a group of civil rights organizations released a legal brief that responds to City Attorney Dennis Herrera’s leaked memo on the city’s immigrant youth policy. (You can read the brief in full here.)

Also today, Sup. David Campos participated in a tele-press conference in which legal experts and professors explained why Campos’ proposed amendment, which has an Oct. 5 hearing before the Board of Supervisors’ Public Safety Committee, is legally tenable and defensible.

And along the way, Campos and these experts, who included Angie Junck of the Immigrant Legal Resources Center, Robert Rubin of the Lawyer’s Committee for Civil Rights, Julia Mass of the American Civil Liberties Union (ACLU) of Northern California, Professor Bill Ong Hing of UC Davis Law School and Angela Chan of the Asian Law Caucus, succeeded in debunking a number of myths about the Campos amendment.

As the brief explains, the Campos’ proposal, “will allow immigrant youth to have their day in court and be heard by an impartial judge, ensuring due process is upheld for all of San Frnacisco’s youth,” “ensure that families are not torn apart because a youth is mistakenly referred for deportation,” “encourage cooperation between law enforcement and immigrant communities by reestablishing a relationship based on trust and therefore increasing public safety,” “lessen the risk that the city will be liable for racial profiling, unlawful detention and mistaken referrals of U.S. citizens and lawful immigrants for deportation,” and “bring the city’s juvenile probation practices into compliance with state confidentiality laws for youth.”

And as today’s brief further explains, the Campos proposal won’t prevent referral to ICE of youth who have sustained felony charges and won’t put the sanctuary ordinance at risk.

“The sanctuary ordinance has stood strong for twenty years, and the proposed amendment strengthens the ordinance by taking steps to bring the city’s practices more into compliance with state juvenile justice law,” states the civil rights brief, which was prepared by the Asian Law Caucus, Legal Services for Children, Lawyer’s Committee for Civil Rights of the San Francisco Bay Area, Immigrant Legal Resource Center, San Francisco Immigrant Legal & Education Network, and the San Francisco Immigrant Rights Defense Committee.

“In short, the legislation is a measured step in the right direction that will help restore accountability and fairness in the City’s treatment of immigrant youth.”

And as Campos told reporters today, his proposed amendment, “ is something we drafted very carefully in close consultation with the City Attorney’s office.”

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Kaida, City College, Ocean Campus

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Tell us about your look: “My hat is from Wondercon Comicon. I got these jeans from my mom and I don’t know where she got them. The jacket is from Hot Topic.”

This weekend, catch crabs

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By Caitlin Donohue

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Loves it when you eat him. Photo by Erik Anderson

There’s a brisk wind running down Market today. And though I hear that it was 80-degree loveliness over the past weekend, I spent the past few days out of town in a place where they have things called “seasons.” So I missed out this time on the Indian summer benefits and am now reaccustoming myself to living in one of the world’s most bizarre weather systems.

But the Bay Area possesses many charms, and primary among these is the sheer fertility of the ecosystem we live in. Particularly when it is producing things I can eat. On Saturday, the National Park Service will be schooling hungry people on this glory of nature. Namely on how to catch your very own crabs in the shadow of the Golden Gate Bridge. There will be a 15-minute demonstration on how to use a crabbing net (nets provided) as well as on which crabbies can come home with you and which will live to pinch another day (rock and red crabs = all yours, dungeness = their life, their love, and their lady is the sea).

After the quick lesson you’ll have the next hour and a forty five to mess with your new favorite hobby, smiling dreamily over thoughts of bouillabaisse and etoufees. And you will have a new dinner option on the table, as the Fort Point pier is open for permit-free public crabbing 24/7. Just cross your fingers that our crabby friends haven’t shared the fate of their herring brethren, whom recent studies suggest have been adversely affected by the 2007 Cosco Busan oil spill. Dang polycyclic aromatic hydrocarbons!

Crabbing How-To
Sat/3 10 a.m.- noon, free
Fort Point Pier
End of Marina Drive, at south anchorage of Golden Gate Bridge
(415) 556-1693
www.nps.gov/fopo

Feeding holes with Depeche Mode

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By Juliette Tang


Depeche Mode – Hole To Feed

Having been a latchkey child in the ’90s with ready access to that extinct and sorely missed era of MTV when VJs and actual music video programming were my after-school treat, the dawning of my sexual awakening was catalyzed in part by videos like “Closer” by NIN, “Erotica” by Madonna, and, more disturbingly, “Wicked Games,” by Chris Isaak. Watching minute particles of sand lodge themselves between the crevices of Helena Christensen’s sun-kissed bosoms (or, creepily, Chris Isaak’s briary armpits) resulted in, to this day, an irrational fear of any combination of pompadour and wifebeater.

It’s odd that watching Eric Wareheim’s music video for “Hole to Feed,” by Depeche Mode, ushers me back, a la little madeleine, to my days on the old plaid couch in front of the wood-paneled TV, silently praying that I’d see something shocking before my parents came home. More specifically, it makes me acutely aware of that sedentary, vaguely molested sensation I experienced when I witnessed Marilyn Manson ride a pig in “Sweet Dreams” for the first time, my eyes wide with fascination and horror and my mouth agape with Fruit-by-the-Foot.

Spank-tastic ambiguous nymphs butter the muffin

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By D. Scot Miller

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EROTIC COMICS 2: A GRAPHIC HISTORY FROM THE LIBERATED ’70S TO THE INTERNET
Tim Pilcher
(Abrams ComicArts)

The lord works in mysterious ways.

My impassioned plea to the publishers of Best Erotic Comics 2009 to please expand their tasty tome inspired something in the ether, and my request for a bigger erotic comic collection as come to me in the form of Erotic Comics 2: A Graphic History from the Liberated ’70s to the Internet.

Tim Pilcher, author of Erotic Comics: A Graphic History from Tijuana Bibles to Underground Comix has pulled together a comprehensive and illuminating retrospective on the genre, its relevance, and how it has both mirrored and transformed our sexuality.

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Barry Blair’s hot ambi-nymphs

From the pre-code days of Wally Wood’s Weird Sex Fantasy and the tantalizing soft-core of the early days of Heavy Metal Magazine, Pilcher brings both sub-genres and individual artists into focus, creating a time-line that not only examines the art, but the supporters and detractors of pornography, free-speech, and free-love.
Alan Moore — the genius behind Watchmen, V is for Vendetta, and (along with partner Melinda Gebbie) the $75 slip-covered piece of indulgent psycho-sexual sensuousness that is The Lost Girls — writes a pro-porn polemic worthy of The New Yorker (or this fine blog) that catapults us into high-weirdness and beyond.

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Moore and Gebbie’s Blake-meets-Darger sextravaganza, The Lost Girls

Like many of you out there, for the longest time I thought adult comics were reserved for 40-year-old virgins.

Live Shots: Quijeremá at Red Poppy Art House, 9/25/09

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Text and photos by Ariel Soto

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“I think this is going to be really romantic music,” J said to me, as we sat down in our seats, our toes literally touching the mics and instruments on the makeshift stage area at Red Poppy Art House (http://www.redpoppyarthouse.org/). It was a perfect Fall evening and we were about to embark on a musical adventure through Chile with trusty our guides, the Quijeremá quartet. And yes, the music was very romantic, but also very sad.

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Appetite: Pheasant eggs, shrimp and grits, Soul Food benefit, and more

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Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

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10/11 Soul Food Farm Fundraiser from Il Cane Rosso & Coi
Our Nor Cal food and farm community was saddened to hear about 30 burned acres and 1000 baby chicks lost in a recent devastating fire at Soul Food Farm in Vacaville. Daniel Patterson and his dynamic duo of restaurants, Il Cane Rosso and Coi, sponsor a fundraising dinner next week where all proceeds go to Soul Food Farm and you’re treated to a three course, family-style meal at Il Cane Rosso. Two seatings (between 5:30-6 pm, or 7:30-8 pm), offer a communal, heartwarming meal prepared with generously donated ingredients from Prather Ranch, Mariquita Farm and Full Belly. It feels good to help… and eat well at the same time.
$50 (including wine, not including tax & gratuity)
10/11, Sunday, 5:30-6pm or 7:30-8pm seatings
Il Cane Rosso, Ferry Building
415-391-7599
www.canerossosf.com
http://soulfoodfarm.com/blog/2009/09/cane-russo

———–

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Magnolia’s new Southern-inspired brunch
Magnolia Gastropub is one of our best local breweries and a darn good restaurant to boot. With my great love for New Orleans comes excitement at Chef Ronnie New’s Southern-inspired brunch menu (he is from New Orleans, after all). Saturdays and Sundays there’s dishes Shrimp & Grits (made from the best, naturally: Anson Mills Grits), Crab Cake Benedict, even Pheasant Eggs & Toast. Magnolia’s best is still on offer, including their house-made sausages), excellent Chicken & Waffles, French Toast, and so on. So whether you prefer your brunch with Blue Bottle Coffee or Magnolia’s renowned suds (the sampler lets you try six), you know the morning after can be nearly as fun as the night before.
Saturdays and Sunday, 10am-2:30pm
1398 Haight Street
415-864-7468
www.magnoliapub.com

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Gavin, City College, Ocean Campus

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Tell us about your look: “My shoes are from Hong Kong.”

Lame “Anatomy”

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By D. Scot Miller

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ANATOMY OF AN ADULT FILM
Sunset Thomas and R. Richard
(World Audience Inc.)

Finally! A book I can trash! I can’t tell you how long I’ve waited for something so bad to fall into my grimy little hands. Deep down inside, all critics are sadists. Everyone knows it. Everyone loves it. But it’s rare to find a work that is so masochistic in its conception that it is the equivalent to the animal kingdom’s definition of “presenting.”

Well, Thomas and her ghosty cowriter “R” present big-time with Anatomy An Adult Film and I, for one, am thrilled! As I salivate over this, rubbing my hands together like the best cartoon villain, I wonder where to begin. It’s all just so tempting!

Let’s begin with the writing. Oh god, it’s so bad! If Thomas has any eloquence in her speech, “R” is quick to squelch it with the fervor of a fan-boy whose read too many “Penthouse Confessions.”

Bargain Bites: Ode to Osha

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By Sarah Jimenez

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Glen Park: Charming home of yogis with nonfat lattes, rich moms with dogs, and … cheap lunch? Yup.

Poor lunch. It always gets overlooked. While breakfast gets all the crepe and omelet glory, and dinner gets a sexy night vibe, lunch has long been demoted to that awkward hour you finally meet up with your ex and eat another fucking Cobb Salad, dressing on the side – or stuff your face with whatever boring staples are in your cupboard. Bore me to tears.

I contemplated this one recent afternoon as I sat at home, hungry as hell, with a fridge full of condiments and no freakin’ food. Watching Paula fry chicken on the Food Network wasn’t helping matters. How’s a poor girl to give the midday meal it’s due?

I threw on yesterday’s threads, brushed my teeth, and got my lazy ass outta the house. Over the river and through the woods is a bomb-ass Thai place that you’ve probably heard of, even if you’re an Excelsior brat like me and can barely see outta the fog: Osha Thai. The Glen Park location has $11 lunch specials — just right if you’re a broke bastard or just a big cheapskate (hey, I don’t judge). The new spot on Diamond Street is my closest samosa salvation, just a hop away on the always eventful (aka brain-cell destroying) 44 line where I get pushed and shoved into the mosh-pit of teens screaming on their cell-phones and at each other.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Alanna, City College, Ocean Campus

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Tell us about your look: This sweater is my grandma’s and it’s a really old Guess. The shoes are my mom’s.”

Barney in Guantanamo? Torture playlist apallingly predictable

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By Marke B.


A different kind of torture

Well, this fascinatingly sucks. Mother Jones has compiled a playlist

The Torture Playlist

Back to the future: Handcar Regatta

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By Dan Abbott


Video of last year’s Handcar Regatta by Mike Sloat of Roaring Mouse Productions

Do you ever get the feeling that we’re totally screwed? I do, but I’m kind of into it. I’ve been consuming dystopian science fiction most of my life. I don’t remember the last time I read or watched speculative fiction that saw the future as being better than the present. That may be one of the fundamental differences between the Boomer generation and their children; up until the early 70s, people actually believed the world would be better in 20 years. I grew up watching The Terminator and The Road Warrior, and at this point anything better than fighting wasteland mutants for a dented can of Dinty Moore will be a pleasant surprise. And considering the widespread interest in being actually prepared for a zombie apocalypse, I am not alone.

This is indicative of a deep distrust of progress, which is really the fundamental belief of modernity. The idea that there is a trajectory for the human species, that mistakes are learned from and that we are slowly but surely improving ourselves. Before the mechanized bloodbath of World War I began to throw it into question, this belief in the inexorable march of progress was iron-clad. The technological wonders of the 19th century inspired writers like Jules Verne to envision a future made utopian through invention, a world of crackling Tesla coils, bicycles and iron gears powered by steam. While this vision was drowned in a sea of bubblin’ crude at the dawn of the 20th century, there is a revival of this sort of speculative engineering going on. Some of the Bay Area’s best and brightest gearheads will be showing off their technological prowess this Sunday, Sept. 27, in Santa Rosa at The 2nd Annual 2009 Great West End & Railroad Square Handcar Regatta & Exposition of Mechanical & Artistic Wonders!

Will Arnie’s ‘park closure solution’ save Candlestick Point?

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Text and photo by Sarah Phelan

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Does San Francisco really need to sell Candlestick Point park for Lennar condos?

Governor Arnold Schwarzenegger has unveiled a plan to allow for all state parks to remain open without increasing Parks and Recreation budget appropriation. Does this mean the Bayview’s only major park can be saved? Developers are arguing that if the state sells a chunk of the waterfront property for $50 million, the rest of the park can be saved. But environmentalists disagree, noting that Lennar simply wants the land for luxury condos.

“Working closely with my Departments of Finance and Parks and Recreation, we have successfully found a way to avoid closing parks this year,” Schwarzenegger said in a press release today. “This is fantastic news for all Californians.”

But does this mean that Sen. Mark Leno’s SB 792 is no longer necessary?

Leno’s bill would allow the state to sell a chunk of Candlestick Point State Recreation Area for $50 million, so that developer Lennar, which has entered into a nebulous public-private partnership with the city of San Francisco, can build luxury condos on this waterfront parkland.

Leno’s bill, which the Assembly and the Senate have approved, is sitting on Arnie’s desk awaiting the governor’s signature. But it has faced stiff opposition from environmental groups in recent months.

And their neutrality was only recently secured, based on the spurious argument that, without the bill’s approval, Candlestick Point SRA would have to closed in its entirerity.

But now the Governor is proposing to reduce ongoing maintenance for the remainder of 2009-10, eliminate all major equipment purchases, and reduce hours and/or days of operation at most State Park units, expenditures on seasonal staff, and staffing and operations at State Parks headquarters.

According to Arnie’s proposal, some facilities could close weekdays and be open on weekends and holidays, or portions of a unit could be closed, such as the back loop of a campground. For a park with multiple campgrounds, one whole campground or day use facility could be closed while the rest of the park remains open, while parks that already close due to seasonal conditions could see longer closures.

“Service reductions will be planned to minimize disruptions to visitors, achieve cost savings and maintain park fee revenues,” the memo says.

Hmm. Seems like Arnie’s memo just gave Candlestick Point park supporters more ammo in their ongoing quest to challenge Lennar’s plan to take 23 acres of Candlestick Point SRA.

Lennar never spelled out this plan to take a chunk of the Bayview’s only major park, when they asked voters to approve Prop. G in 2008.

Instead, Prop. G was billed as a way to clean-up the abandoned Hunters Point shipyard and “create” hundreds of new acres of parkland.

It wasn’t until after Prop. G passed, that Lennar began publicly arguing that they would need 42 acres of the existing parkland, if the rest of their plan, which involves building 10,500 housing units on 770 acres of former industrial/ military land, is to pencil out. As for the new acres of parkland, that turned out to be acres of polluted shipyard that Lennar was proposing to cap with a cement cover and convert into a park.

Understandably angered, park advocates beat Lennar down to 23 acres, this fall, during the most recent round of the “parks for condos” battle.

Now, in light of Arnie’s plan and the soon-to-be released environmental impact report for Lennar’s massive redevelopment plan, those battlelines are perhaps, once again about to be redrawn. Only this time in favor of the park.

Stay tuned.

Getting blurry and cross-eyed at Tauba Auerbach’s Deitch Projects exhibit

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By Spencer Young

SF-gone-NY artist Tauba Auerbach, who has a keen obsession with language systems and structures, departs (slightly) from the well-worn two-tones of her 50/50 series in the current anagrammatically-titled exhibit “HERE AND NOW/AND NOWHERE.” Showcased at the ever-so-hip Deitch Projects, these new works dazzle with optical trickery and viewer interaction. The stars of the show (aside from the elephant-like organ that stands obtrusively in the gallery’s center) are the seemingly innocuous “Crumple Paintings” that hang all the way in the back. I say seemingly because at first glance the canvases look crumpled, but deeper inspection of their disorienting visual static reveals they are rife with polka dots.

In a previous exhibit, Auerbach explained this work as a confrontation of the “threshold between order and chaos, or between pattern and randomness,” wherein “it’s never a discreet line” and “maybe these states overlap or maybe they don’t really exist in a pure way.” She also suggests a 2-D and 3-D interactive experience new to her work that develops between viewer and object. Hence the need to be near or far to see both sides.

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Tauba Auerbach, Crumple VII, 2009, acrylic and inkjet on canvas, 96 x 128 inches

If I understand correctly, from a distance the “Crumple Paintings” are meant to represent chaos/randomness and a contoured 3-D experience, but up close bring orderliness/pattern, flat/2-D. However, neither is necessarily accurate, because it’s all a matter of perspective, based on where you’re standing. In other words, it’s all relative. Check. But isn’t this too easy and rigid of an analysis — much like the clean nicety of an anagram where nothing gets left out, just rearranged? If so, isn’t it then a return to the same formulaic structure of her 50/50 pattern pieces? Or has a blurring evolved between the two, as exemplified in the actual visual blur that happens when physically approaching the work?

Black gold? Oil doc “Crude” opens today

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By Laura Swanbeck

If the Amazon is the “lungs of the world,” the exhausted natural resources and indigenous people who have lived there for centuries are in need of some serious oxygen. Crude, a candid, even-keeled documentary by Joe Berlinger (1996’s Paradise Lost; 2004’s Metallica: Some Kind of Monster) examines the class-action lawsuit filed by 30,000 Ecuadorians who charge that Chevron, who bought out Texaco in 2001, is responsible for dumping 18 billion gallons of toxinogens into the Amazon between 1972 to 1990. However, the oil conglomerate counters that state-owned PetroEcuador, which has since taken over, truly ravaged the countryside, polluted streams, and killed off inhabitants and livestock. Although the film’s opening — in which the lead prosecutor, Pablo Fajardo, accepts the prestigious Goldman Environmental Prize in San Francisco — suggests closure, Berlinger realizes that this battle is far more complicated than your average David vs. Goliath story. A study in perseverance and public perception (Trudie Styler and Sting make cameos to drum up support), Crude delves into political strategy, American entitlement (on both sides), and the frustrating bureaucracy that has plagued this ongoing case.

Crude opens today at the Lumiere and Shattuck.

Tubular: Vitalic’s “Poney” and Crystal Castles’ “Vanished”

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By Johnny Ray Huston

By no means brand new, yet still worth a view: Even if the music is Daft Punk cloning 101, there’s no hating the video by Pleix (whose “Astral Body Church” project intrigues) for Vitalic’s “Poney Part 1.”

Vitalic, “Poney Part 1”

By no means brand new, but still worth a view, part II: As TV Carnage maniacs wait with baited breath for Cop Movie, we have to make due with occasional viewings of Pinky’s music video for Crystal Castles. Considering the quality of the song and clip, the wait is better than it is long.

Crystal Castles, “Vanished”

Snap Sounds: Crocodiles

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By Johnny Ray Huston

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CROCODILES
Summer of Hate
(Fat Possum)

If it’s 1988 all over again, Crocodiles are our Spacemen 3, ready to deliver the perfect prescription: drum machines. vintage organs, drugs = god lyrics. They’ve got the best Jesus and Mary Chain death anthems too, and the occasional burst of energy, trading ’ludes for upper-spiked punk on “Soft Skull (In My Room).” The poise and epic production here are surprising for a debut.

Crocodiles, “Summer of Hate”