Marke B.

Making it

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superego@sfbg.com

SUPER EGO Some foaming bloviator recently, misspellingly commented on sfgate.com that the Guardian was about nothing more than “the lasest [sic] freaky sex worker or drag queen DJ.” Which reminded me — it’s been literally and figuratively forever since I featured a drag queen DJ, lasest or no. (I’ll save the freaky sex workers for myself, thank ye.) Trollface, this one’s for you.

Or rather it’s not. This one’s about the new Some Thing party, every Friday at the Stud. (This is not to be confused with the equally wacky and strange Thing Nite, every first and third Tuesdays at Aunt Charlie’s Lounge, www.auntcharlieslounge.com. Things are in the air!) It’s true that Some Thing is brought to us by the same gender-transcenders behind the giddy, tinsel-strewn Monday night alternaqueer conflagration Tiara Sensation: Vivvyanne Forevermore, Glamamore, and DJ down-E. And, yes, it’s true that Some Thing will feature two drag-based shows per night — “A Gem in the Rough” at 11 p.m. and “Some Thing More: The Drool in the Crown” at midnight.

But we’re in a post-drag moment. Classic, glamorous lipsync-to-camp-classics drag (especially as practiced by the amazing Hot Boxx Girls, www.thehotboxxxgirls.com) has seen its dips and resurgences, as has its anarchic, punk-tinged sometime-nemesis, trash drag, like that practiced at the now defunct Trannyshack. But the Some Thing threesome represent a third way, one that uses the familiar concept of drag as a mere portal into all kinds of performance effects.

Post-drag thrills at exposing drag’s ancient commedia dell’arte roots, deconstructing gay history in order to create its own glimmering, sculptural kitsch. A signature piece by Glamamore — the alias of star couturier Mr. David — sees two performers dressed in hilariously intricate yet cumbersome origami outfits, pantomiming the histrionic flower duet from the 1881 opera Lakmé by Léo Delibes. Vivvyanne’s “That’s Not Drag” concept nights for Tiara Sensation hectically stretched the boundaries of the genre to the outside parking lot, while the “Project Runtover” competition series — parodying Project Runway, duh — encouraged the audience itself to rip down the clubs decorations and create their own entries. (This seemed a natural outgrowth of the trio’s ever-present hot-glue-gun-and-glitter craft table, also to be featured at Some Thing.)

And down-E, when he’s not playing vintage dance cuts of deliberately questionable taste, is the closest thing the Bay has to an anti-drag queen. Swathed in asexual free-bin leftovers, sporting a skewed tonsure wig and oversized eyeglasses, and munching a bag of SunChips, he disastrously drones, live, along to peppy hits by the Carpenters and Whitney Houston. The unnerving result is less a send-up of traditional gender roles than the feeling that some misty-eyed alien has infiltrated your Great-Aunt Ruth.

Beyond the theoretical, though, Some Thing should be a good ol’ hoot — and it’s awfully nice for edgy queers to have a regular Friday night destination again. The great trash drag club that previously dominated that spot, Charlie Horse at the Cinch, was shut down due to noise complaints after five years, and its politically-minded hostess, Glendon Anna Conda Hyde, is now running for District 6 supervisor. (There’ll be a daytime charitable-fundraising Charlie Horse drag marathon farewell party Jan. 30, 1 p.m.-7 p.m., at the Cinch, 1723 Polk, SF.) Weekly parties are always tough to pull off — but with hot glue guns, loony tunes, and slippery theatrics at the ready, the Some Thing crew just might make it work.

SOME THING
Fridays, 10 p.m., $5
The Stud
399 Ninth St., SF
www.studsf.com

Best of the Bay 2008

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“Best of the Bay? I’m anxiously awaiting the results, as our fair city appears to be on the decline. Please help rekindle my love for SF!” wrote Seamus of Sunnyside when we asked Guardian readers to tell us about their own bests of the Bay. OK, Seamus, here goes …

Welcome to the San Francisco Bay Guardian‘s Best of the Bay 2008! This is our 34th annual celebration of the people, places, and things that make living here awesome with a capital “yay,” a megastellar shout-out to everything Baylicious — from Best Vietnamese Sandwich to Best Quirky Specialty Store, to Best Burlesque Troupe and beyond.

As we worked on this year’s issue, we couldn’t help but notice a few things. Change is in the air. A major election is right around the corner. Freedom is on everyone’s lips — and people are making their voices heard. We’re finally having that malevolent weed in the Oval Office removed! Seriously, it was totally messing up our lawn. Gross.

In honor of this spirit of liberty and choice, we chose as our theme “A Celebration of Bay Area Independence.” Not just independents — all local businesses honored here are independently owned and operated. But also independence, as in get out there and vote. Speak out! It’s not too late to do something about the global situation, and the individuals and organizations you’ll read about inside are doing their best to turn this mess around and make the world a little lovelier.

We’ve also changed up a few things ourselves, like adding a bunch of new categories in our readers poll and placing your choices above the Editors Picks in each section for easier reference. Thanks to the more than 7,000 of you who voted in our Best of the Bay readers poll this year, there were several stunning upsets — change is in the air indeed! Due to popular demand, we’ve published the top two runners-up in the hotly contested Food and Drink, Shopping, and Nightlife and Entertainment categories online at www.bestofthebay.com. We wish everyone could win. We’re mushy like that.

More change: we asked you to tell us in your own words about what you love most about the Bay — and received a sparkling tsunami of responses. We’ve printed some of our favorites throughout. Our Editors Picks (Best Cerebral Workout, Best Floating Lap Dance, Best Monumental Urinal, etc.) attempt to shine a little light into the brilliant corners of the Bay experience. And as for Seamus’ fear of the Bay’s decline, well, we can only say that we found way too much evidence of mind-blowing vitality to include here.

In 1974 Esquire magazine asked us for ideas for its Best of the USA issue, and the Guardian responded by publishing the original Best of the Bay. Made by the people of the Bay Area for the people of the Bay Area, its our annual chance to celebrate the people and places that make this city great. We were the first weekly paper to print a regular “best of” issue. Thirty-four years on — and 42 years after we opened our doors — we’re still going strong.

Editing this year’s installment was something no one could possibly do alone. I had the extreme privilege of working with the frabjous Guardian staff and an amazing smorgasbord of local talent to get 2008’s Best of the Bay out the conceptual door.

I shower grateful smooches on them all, especially my right-hand cheese puff Molly Freedenberg, creative wizard Mirissa Neff, amazing illustrator Caitlin Kuhwald, our steadfast advertisers, and the ever-supportive Hunky Beau, my own personal Best of the Bay.

But most of all we thank you, dear reader, for pouring your unique pluck and zing into this great community, for keeping the doors of hope open, and for never giving up the fight. Peace.

BEST OF THE BAY STAFF

BEST OF THE BAY EDITOR

Marke B.

CREATIVE DIRECTOR

Mirissa Neff

ASSISTANT EDITOR

Molly Freedenberg

ASSOCIATE ART DIRECTOR

Ben Hopfer

LOCAL HEROES EDITOR

Tim Redmond

CONTRIBUTING DESIGNER

Jake Balakoohi

COVER AND ILLUSTRATIONS

Caitlin Kuhwald

CONTRIBUTING WRITERS

Jon Beckhardt, Bruce B. Brugmann, Kimberly Chun, Paula Connelly, Duncan Scott Davidson, Sam Devine, Cheryl Eddy, Deborah Giattina, Marcia Gagliardi, Nicole Gluckstern, Johnny Ray Huston, Chris Jasmin, Steven T. Jones, Justin Juul, Laurie Koh, Ella Lawrence, Erik Morse, Scott Owen, Sarah Phelan, Tim Redmond, Paul Reidinger, Julie Ross Godar, G.W. Schulz, Stephen Torres, Amanda Witherell

 

CONTRIBUTING PHOTOGRAPHERS

Brandon Joseph Baker, Samantha Berg, Pat Mazzera, Rory McNamara, Neil Motteram, Arlene Romana, Charles Russo

SENIOR COPY EDITOR

Diane Sussman

COPY EDITORS

Laura Neil, Lynn Rapaport, M.P. Klier

INTERNS

Dona Bridges, Vanessa Carr, Candice Chan, Philip Eil, Colleen McCaffery, Marianne Moore, Ailene Sankur

CELEBRATE WITH US!

The Guardian‘s annual Best of the Bay party is legendary — and this one’s gonna be a doozy. Jello Biafra MCs! 1015 Folsom hosts! It’s free! Shmooze with all the winners. Dig performances by Ahmad Raashan, Hot Tub, and many more. Plus a “Freedom to Undress” burlesque extravaganza. Thursday, Aug. 7, 8 p.m., 1015 Folsom, SF. www.sfbg.com/bobparty *

ABOUT THE ILLUSTRATOR

All illustrations in this issue were hand-painted by Oakland artist Caitlin Kuhwald, who honed her skill for depicting everyday people with humor and sweetness while earning her BA in illustration at California College of the Arts and her MFA at the Pennsylvania Academy of Fine Arts. She now teaches illustration at CCA and has published her work in a number of newspapers and magazines, including Rolling Stone, Spin, and Nylon. See more of Kuhwald’s paintings, drawings, and illustrations at www.caitlinkuhwald.com

Is Sade the new Lil Wayne?

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Curiouser and curiouser … Two years ago every rhymer and her father’s indie rockstar wannabe mother was spouting vanilla skrilla all over LIl Wayne’s “A Milli.” And now, no sooner that a month after the leak of Sade’s exquisitely amazing new joint (yes, that Sade – and I’m certainly not alone in this opinion, plus just listen) a milli rappers seem to be taking a shine. Not all the flows hold up, of course, and Ghostface’s is just plain grafted on. But it’s nice to hear some heretofore unknown regional talent like Leech of Gran Rapids or Detroit’s righteous flowlogic get in the game. Here’s a little rundown so you can be the judge…

http://www.youtube.com/watch?v=VbZetvD5gSQ&feature=player_embedded

Party Radar: Bootie moves to Mezzanine this month

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Hear ye, hear ye: Biweekly monster mashup party Bootie’s usual home, DNA Lounge, is closed for the month of January as part of a settlement with the Department of Alcoholic Beverage Control, which sited it for supposed “lewd behavior.” Ugh.

But the mashup must go on, temporarily at Mezzanine this month, with DJs A+D and Jay-R, plus a special Future Universal room this Saturday, with Sarah Delush, Mario Muse, Kidhack, and Interrobang, who wins DJ name of the year already.

In other delicious mashup news — is Christina Aguilera-meets-Julian Casablancas masterwork “A Stroke of Genius” really the song of the decade? You betcha, Freelance Hellraiser.

2k10 zonkers

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SUPER EGO Wherein we present an alphabetical rundown of New Year’s Eve nightlife diversions, sprees, galas, fetes, and carousals.

AFROLICIOUS Around the world! Ultimate Latin funk brothers Senor Oz and Pleasuremaker team up with DJ Jimmy Love of Non-Stop Bhangra and Trinidadian MC Fresh4Life for a global-groove blast.

9:30 p.m., $15–$25. Elbo Room, 647 Valencia, SF. www.elbo.com

BE It’s another glorious case of trance mania — perfect for our ADD times — at 1015 Folsom. Above and Beyond, Super8 and Tab, and DJ Taj keep the eve pumping wildly.

10 p.m.–8a.m., $50–$100. 1015 Folsom, SF. www.1015.com

BEARRACUDA Will large, hairy gay men still be in next year? Probably. DJ Ted Eiel of MegaWOOF sheds all over the tables at this rump-pumping free-for-all.

8 p.m.–4 a.m., $32 advance. Deco, 510 Larkin, SF. www.bearracuda.com

BEYOND BEYOND Find a queer hottie to kiss in the new as the wonderfully alt Stay Gold kids, DJs Rapid Fire and Pink Lightning, host Dr. Sleep, Bunny Style, and tons of shawties.

9 p.m., $15. Makeout Room, 3225 22nd St., SF. www.makeoutroom.com

BLOW YOUR WHISTLE Miss Juanita More! gathers a gaggle of queer underground superstars to pop your cork, including DJ Pee Play, Stanley Chilidog, Joshua J, Tiara Sensation, and Miss Honey.

9 p.m., $35. Bambuddha Lounge, 601 Eddy, SF. www.juanitamore.com

BOOTIE BOOTLEG BALL Mashup the decades at the city’s — possible world’s — biggest mashup club, with Adrian and Mysterious D, Smash Up Derby, and Freddy King of Pants.

8 p.m.–late, $40 advance only. DNA Lounge, 375 11th St., SF. www.dnalounge.com

CLUB 1994 Don’t let the name fool you — there’ll be classic jams pumped for sure, but with special electro guests Wallpaper the vibe will be pure 2010.

9 p.m.-3 a.m., $18.50 advance. Paradise Lounge, 1501 Folsom, SF. www.club1994.com

CLUB COCOMO NYE What would New Year’s be without a little salsa? Break out your cha cha heels and join live band Avance and KPFA DJ Luis Medina on the floor.

8 p.m., prices vary. 650 Indiana, SF. www.clubcocomo.com

CODA NYE Jazz it up for the next chapter of the millennium at the deluxe supper club, with the Mike Olmos Organ Combo, Dynamic, and Hot Bag.

6 p.m., prices vary. Coda, 1710 Mission, SF. www.codalive.com

COMEDY COUNTDOWN Ha ha ha — the naughts. It was to laugh! And still will be, with chuckleheads Greg Behrendt, Maria Bamford, Amy Schumer, Doug Benson, and loads more.

8:30 p.m., $49.50. Palace of Fine Arts, 3301 Lyon, SF. www.livenation.com

DEBASER + BOOTY BASEMENT Party down ’90s style, when Debaser’s grunge meltdown meets Booty Basement’s hip-hop gangsta swagger. DJs Jamie Jams, Dimitri Dickenson, Emdee, and Ryan Poulsen bring it.

9 p.m.-4 a.m., $15. The Knockout, SF. 3223 Mission, www.knockoutsf.com

DECADANCE Acoustic rock meets electro-hop in the universe of headliner (and apparent hair model) Chris Clouse. Longtime dance favorites DJ Zhaldee and Chris Fox warm it all up.

9 p.m.–3 a.m., $99 advance. Mezzanine 444 Jessie, SF. www.mezzaninesf.com

THE GLAMOROUS LIFE Omnivorously poppy-hoppy DJ White Mike pops the cork at the newly renovated (and quite lovely) Beauty Bar.

10 p.m., $10. Beauty Bar, 2299 Mission, SF. www.beautybar.com

MARGA GOMEZ NYE SPECTACULAR More hilariously hilarious queers (and friends) than you can count at the off-her-awesome-rocker comedian’s, yes, spectacular. With David Hawkins, Ben Lehrman, and Natasha Muse. Balloon drop!

7 p.m. and 9 p.m., $25/$30. Victoria Theatre, 2961 16th St., SF. www.therhino.org

OM 2010 Work it on out with the OM Records stable and some surprising talent, including techno Jesus Nikola Baytala, Lance DeSardi, Galen, M3, and Sammy D

9 p.m.-4 a.m., $20 advance. Triple Crown, 1760 Market, SF. www.triplecrownsf.com

OPEL NYE Bass-shaking goodness at the ever-bumping Opel’s year-end teardown, with Stanton Warriors, Syd Gris, Dex Stakker, and Melyss.

10 p.m.–4 a.m., $20–$50. Mighty, 119 Utah, SF. www.mighty119.com

PLANET ROCK Oh, Afrika Bambaata, “Amen Ra of Universal Hip-Hop Culture” — how could we not pop and lock it with you, and three floors of others, for 2k10?

8 p.m.–4 a.m., $25 advance. Club Six, 60 Sixth St., SF. www.clubsix1.com

REDLINE Dubstep took over in 2009 — celebrate the dominance with the Bay’s best steppers, like Sam Supa, Ultraviolet, Kozee, and Spacer.

8 p.m., $10. Matador, 10 Sixth St., SF. www.myspace.com/redlinedjs

SEA OF DREAMS The cavernous, Burnerish NYE joint celebrates 10 years with a stellar lineup — Glitch Mob, Ozomatli, Bassnectar, Ghostland Observatory, Sila and the Afrofunk Experience …

9 p.m.–5a.m., $75–$125. Concourse Center, 635 Eighth St., SF.

SOM NYE The turntablistic wonderfingers of Triple Threat meet the hiphop party cunning of Distortion 2 Static, with DJs Vinroc, Shortkut, and Prince Aries at this new hotspot.

9 p.m.- a.m., $25/$30. SOM, 2925 16th St., SF. www.som-bar.com

TEMPLE OF LIGHT Templekeepers Paul Hemming, Ben Tom, A2D, Jaswho?, Nacho Vega, and so many more ring in the new Zen.

9 p.m.–late, $40–$60. Temple, 540 Howard, SF. www.templesf.com

TRIGGER NYE The exquisite steroid pop of DJ Mykill is sugar rush enough to get you through a night of Trigger and the Castro as the balls drop

9 p.m., $15 advance. Trigger, 2344 Market, SF. www.clubtrigger.com

THE TUBESTEAK CONNECTION

DJ Bus Station John helps all the nice-naughty queers cruise into a dirty new decade of bathhouse disco indulgence.

9 p.m., $10. Aunt Charlie’s Lounge, 133 Turk, SF. www.auntcharlieslounge.com

QOOL NYE

The longest running happy hour dance party in SF joins with Honey Soundsystem and takes on the night, with DJs Silencefiction, Peeplay, Jondi & Spesh, Ken Vulsion, Derek Bobus, and Looq Records playmates.

9 p.m., $15–$50. 111 Minna Gallery, 111 Minna, SF. www.qoolsf.com

Digging

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SUPER EGO This time of year, everyone’s showering their Top 10 lists down upon an eager, listless world. I’ll get to mine just as soon as I finish this bottomless pomosa, but I want to give a special shoutout to a couple recent local releases I’ve been digging that may have slipped past your Beatport. (Remember to always use a water-based lubricant with digital. Safety first!)

The first is the absolutely lovely Brick by Brick (Nightlight) by Alland Byallo which sounds excellent either on the dance floor or on a rainy Monday, chilling as you attempt to pour some bottomless pomosa into a giant thermos in your backpack without the waitress seeing, like I am now. As the title suggests, this is a minimal-techish release, building up numbers with a very limited set of elements. Those elements are impeccably produced snatches of sound that propel each track forward with an unfussy chug and even a few flashes of wry humor. Standout tracks like “Bebring” and “Casual Sax” break the minimal mold by giving us some good ol’ funk.

Also yummy: the recently released An-ten-nae Presents Acid Crunk Vol 2 (Muti) acts as a superb compendium of the still intriguing if increasingly in-jokey glitch hop sound. The mysterious An-ten-nae splits his time between L.A. and the Bay, spinning and promoting up a storm, and here he’s gathered a whirl of big names like Marty Party and ill.gates to follow up his first EP. Many seem on their best behavior, but tracks like Akira Kiteshi’s “Ulysses” and Robot Koch’s “Hard to Find” are more than just wobbly punchlines.

OK, my bottomless stocking’s full — let’s go find a party.

CHRISTMAS DAY COSTUME CALAMITY

At first I was going to write “Just try saying ‘Christmas Day Costume Calamity’ real fast three times,” but then I tried it and I could! Yay! The medication still works. A whole bunch of party kids staying in town for the holiday — Richie Panic, Kirin Rider, Willie Maze, Similak Chyld, more — are taking that whole Nightmare Before Christmas mashup seriously and throwing another Halloween for Noel. (Noelloween?) You don’t have to dress as Santa, just dress as something and rock out.

Dec 25, 10 p.m.–4 a.m., free. Som, 2925 16th St., SF. www.som-bar.com

STEVE FABUS

Direct from the past but wholly of the knees-deep-in-disco-revival present — and looking amazing, might I add — Steve Fabus, one of the city’s most admired DJs from some of San Francisco’s most storied clubs (including the Trocadero Transfer) joins the younger generation of groove-heads at the very fun Go Bang!

Sat/26, 9 p.m.late, $5. Deco Lounge, 510 Larkin, SF. www.decosf.com

FLOW THE FUNK

Vinyl. It is back. And not just in that fetishy backlash way where some people just hate everything new so they pretend nothing after 1995 happened. Avant-techno musicians like the Durian Brothers are wringing crazy textures from “prepared” turntables, much like composer John Cage did from prepared pianos in the 1940s. Underground dance music artists have released a flood of colored-vinyl rarities to increase their PR potential. And, on the more fun side of things, all-vinyl nights have taken off at such DJ-nurturing places as Triple Crown. Appropriate, then, that DJ M3, Triple Crown’s commander-in-chief, would be pulling out an all-vinyl marathon session from his bag of tricks at the new flapper-styley Eve. Five hours, no digital, all free.

Sat/26, 9 p.m., free. Eve, 575 Howard, SF. www.eveloungesf.com

FLOOR SCORE

Next week I’ll be laying down some New Year’s Eve party picks — and probably laying down a little myself in preparation. Bring Momma a little cocktail and a big Australian before her nap, sweetie. But not the toothy, manscaped kind. What? Impossible? Sheesh, just make him Italian, then. Somebody please take the clippers away from Down Under. Anyway, everyone knows that it’s actually the ability to party all the way through New Year’s Day that separates the hot wings from the boneless. Dragging yourself across the finish line (resolutions!) won’t be too hard this year, with promoter Ryan Robles’ Floor Score waiting at the front end of 2k10. Although queer-oriented, this party has enough going for all persuasions, including DJ Pee Play from Honey Soundsystem and Gemini Disco’s Nicky B. ringing in the future.

Jan. 1, 10 p.m.–4 a.m., $6. Siberia, 314 11th St., SF.

STOMPY + SUNSET

Another New Year’s Day secret, only for the sexy (and possibly addicted) people — this 12-hour rager from classic SF techno-house crews Stompy and Sunset. The frankly amazing Stanley Frank of Chilidog kicks things off with some sublime rare-cuts wackiness. Charles Webster from the U.K. headlines. Galen, Solar, Taj, and tons more join in. You make sure to carry some concealer in your purse.

Jan. 1, 2 p.m.–2 a.m., $10/$20. Cafe Cocomo, 650 Indiana, SF. www.pacificsound.net

Flashing lights

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119-ego.jpg
Guardian illustration of DJ AM, Daft Punk, and Steve Aoki by Matt Furie and Aiyana Udesen

DECADE IN MUSIC Good lord. Who can remember all the strobe-lit twists and turns that Bay Area nightlife slid down in the past decade? Even if I wasn’t utterly and gloriously hung over from 10 years of being 86ed, it would still be a sweat-drenched, dry-iced, hypnotic blear. That’s a lovely thing. The ABC crackdown on underground parties in the late 1990s still held strong — and lively licensed spaces like Café Du Nord, Slim’s, Buckshot, and DNA Lounge as well as many music-oriented street fairs are still feeling the pressure of the War on Fun. But you can’t stop the party. And, baby, we lived through it.

One point about nightlife in general this decade: no one could ignore it. From hip-pop’s odiously capitalist-utopian "da club" to the tourist-trap explosion of global dance music festivals, club culture was on everyone’s radar. Today’s pop stars blithely name-check underground nightlife legends like Leigh Bowery and Larry Levan, and middle-school kids fill their notebooks with fantasy club outfits. Oh yeah, edgy nightlife has been completely commodified — thank you, Steve Aoki and DJ AM — but it’s a testament to its amazing versatility that going out is still enormously subversive fun, and the onslaught of bottle service and stretch-limo-packed music vids have had little impact on a vibrant independent scene. (In fact, the independent scene has gotten a ton of mileage out of parodying and reinterpreting mainstream club dreams.)

The last 10 years of the local club scene certainly gave me a lot to write and think — and drink — about. That was probably nightlife’s most distinctive feature: it finally came into its own as an art form, one that welcomed multiple interpretations while devilishly playing with our heads. The best party promoters in the Bay worked hard not only to present immersive subcultural experiences but also to contextualize their parties in terms of global movements. You couldn’t just fly in a supastar DJ and set the light show on random anymore. Clubgoers rejected that kind of dollar-driven cynicism. They wanted to know how a party would plug them into something different, something relevant, something uniquely of the moment, something beyond.

In short, they wanted personality. At times, this meant that concept trumped music — how many times did you find yourself spazzing on the dance floor to someone’s hodgepodge iPod playlist in 2005, just because that someone was ironically amazing? But it sure was fun for a while, giving dance culture a kick in the fancy-pants and throwing open the door to a glittering array of musical styles. And everybody looked fantastic. Irony freed us from previous expectations like beat-matching, genre hegemony, fashion anxiety, and bland slickness. (It also introduced a flood of unicorns and neon accessories.) Deconstruction at last! For good or ill, but mostly for good, anyone could be a DJ, throw a party, design a flyer, work a look. All you needed was a little space, a big idea, and a sense of adventure. A crowd helped, too, but only if you worried about something as mundane as paying the bills. Reality? Oh, really.

That mid-period chemical peel of irony neatly divided the decade. We cruised and shmoozed into the new millennium on the Boom-bubble back of a lazy lounge wave — the sunny house-lite sighs of Naked Music and Miguel Migs, the mushroom jazz of Mark Farina, OM’s smooth-beats Kaskade, and the friendly turntablism of Triple Threat popping the pink Champagne. That wave soon crested, churning up a foam of pink-slip parties, when discount daytime raves and increasingly baby-powdered coke binges took over. Luckily, happy hour took credit cards. Clubland reverted to a pre-Internet sensibility, with small spaces ruling and breakbeats all the rage again.

Alongside the breaks (a sound the Bay actually had a big hand in developing) the club music menu was still hogged by chunky techno, diva house, Burner trance, retro overload, and sing-along hip-hop. Post-punk, electro-funk, radical eclecticism, and global-eared sounds popped their heads up at times: Joy at Liquid, Milkshake at Sno-Drift, Club KY at Amnesia, Knees Up at Hush Hush, Popscene at 330 Ritch, Step at An Sibin, Fake at Cat Club, roving Bardot-a-Go-Go, and one-offs at 26Mix, Blind Tiger, Jezebel’s Joint, Pow!, Annie’s, Tongue and Groove, Storyville, and Justice League. Electroclash had its brief moment, too — anyone remember Electro Rodeo at Galaxy? — and reggaeton made a thrilling brief appearance. But in general the Bay was a little late in breaking free from the ’90s.

That sounds absolutely pukey, but it wasn’t. Some beautiful nights came out of this period — I’m half-remembering Said’s Afro-house Atmosfere, David Harness’s deep-souled Taboo, and anything at the Top, EndUp, or the Cellar. And living in the ’90s wasn’t so bad considering primo parties like Qoöl, Wicked, Stompy, Thump, Death Guild, and New Wave City maintained a presence. Also, if you were looking for "exotic" sounds, you could easily find them at some of the best ethno-audio spaces, like Bissap Baobab and Café Cocomo. But yes, those four-four beats got tiresome.

Then, around late-2004, came a return of the repressed, an explosion of Day-Glo styles that had been incubating in a clutch of neon-oriented, omnivorous-eared parties like Le Freak Plastique at Hush Hush and DJ Jefrodesiac’s Sex With Machines (later Frisco Disco) at Arrow. Soon San Francisco was in the midst of a small-venue, independent promoter golden age — and a rosy flush of youth. Finally, more than the same four people were throwing parties! And you were never sure of what you’d hear.

After a few debauched months of those rag-tag iPod-oriented shindigs, things sorted out into a handful of heady genres. Technology spookily inserted itself — almost every dance floor was bathed in the light of a little half-eaten apple. Serrato and Ableton software made live edits and mind-boggling mashups, like those heard at Bootie, possible, and timelines fell away to reveal gleaming ahistorical sonic landscapes. Beat-matching gradually came back into vogue, but wittily revealing the seams between tracks became the ne plus ultra of DJ craftsmanship.

The French invaded in the form of Daft Punk- and Justice-inspired electro bangers, spraying young clubbers with American Apparel and shutter shades. To my ears, Richie Panic and Vin Sol were our best balls-out interpreters of this fuck-all party sound and spirit, and Blow Up at Rickshaw Stop its finest venue. Minimal techno made sure hot nerds with little glasses were still in control — Kontrol at EndUp, in fact, was the club that did the most to nurture the Berlin-based sound here, with venue Anu and now the near-perfect 222 Hyde offering various party backup. Genius local minimal players like Nikola Baytala and Alland Byallo worked hard to stretch the boundaries, while Claude Von Stroke and the Dirty Bird Records crew added some much-needed humor.

There was a backlash to all the technology, which revolutionized gay clubs. DJ Bus Station John’s all-vinyl, unmixed bathhouse disco sets goosed the moribund queer scene into exploring its AIDS-shrouded past, and threw open the back door to the far-reaching sets of freestyle and rare ’80s fetishist Stanley Frank and the kiki-technotics of Honey Soundsystem.

London’s dubstep sound morphed into glitch-tipsy future bass — another genre the Bay can claim as its own — before it got a firm party foothold here. Which is more than all right, considering that mutation spawned beloved duo Lazer Sword and led Burner techno giant Bassnectar to change his sonic stripes. Most inspiring to me was the outpouring of global sounds in the Bay, from NonStop Bhangra’s whirling saris to Surya Dub’s growling dubstep-bhangra hybrid, from Tormenta Tropical’s bass-bomping nueva cumbia to Kafana Balkan’s breathless, Romani-delirious funk.

So where are we now? If any moment could be called "post-whatever," this is it. Anything goes, excellently, but it’s accompanied by a feeling that we’ve informed ourselves fully of the past, that we’ve mastered the technology of the present, and that, no matter how intelligent the music, we can still have a damn good time. My only gripe about the past decade in nightlife — other than I wished we’d had a more conscious reaction to war — is, alas, the same one as last decade. Where are all the women? Big ups to Ana Sia, Sarah Delush, Forest Green, J. Phlip, Felina, Dulcinea, Miz Margo, Nuxx, Black, and the Stay Gold, Redline, and B.A.S.S. sisterhoods. But seriously, I hope the teens see less testosterone-driven talent behind the decks. We’ve got the style down — now let’s change the look. OK?

Nice apse

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superego@sfbg.com

SUPER EGO Ever since Jack handed down the Key to the Wiggly Worm in 1987, dance music has flaunted its spiritual side. Sure, disco was about transcending the physical bonds of quotidian slavery, Parliamentary funk probed the cosmogenic recesses of inner space, and early electro froze out any organic interference with its ethereal pings and pongs. But house was “a feeling,” a “spiritual thing,” a “soul thing.” And techno explicitly mobilized the restless ghosts in Detroit’s rapidly antiquating machines. Merely read the titles of techno originator Derrick May’s late 1980s output — “Beyond the Dance,” “The Beginning,” “Strings of Life” — for the gist of that genre’s ectochromosomal blueprint.

Upping the metaphysical has led to some notable clubby excesses — think sage-smoked rave prayer circles, jungle and tribal house’s witch doctor shenanigans, the gamma states of trance, or whatever the hell Burning Man thinks it’s doing. For the better part of this decade, “ultra lounges” had to feature a giant golden Buddha somewhere on the property or risk excommunication from the Eternal Congregation of Bachelorettes. And how many times did some of us (me) find ourselves, after a crazed and filthy weekend, on the EndUp dance floor on a Sunday afternoon in the 1990s, twitching to a gospel house choir shrieking about the power of salvation through The Lord. (Answer: 42.)

Still, everyone calls their favorite club “church” because that’s where they go on the regular to feel a part of something bigger than themselves. So you’d think a club night in an actual church — let alone one in Grace Cathedral called EpiscoDisco — would be the ultimate theological expression of this nightlife strain. Not so, says Bertie Pearson, the young Episcopal priest, longtime club fixture, and on-point DJ who launched the electro-centric monthly last February. “We’re not out to convert anyone, or try to ‘bring youth into the fold,’ or anything like that,” he tells me. “The Episcopal church isn’t really about proselytizing, anyway — all paths to God are equally effective, and we’re more concerned with keeping our community fed and sheltered. We just wanted to open up this amazing space on a night when there wasn’t much happening here and have a great party.”

EpiscoDisco, with its heady mix of spiffed-up nightlife glitterati, up-to-the minute live acts and DJs, and edgy art installations curated by Paradise Now, offers a perfectly relevant and reverent early evening club experience — even without the cavernous gothic grandeur of Grace echoing every furtive stiletto-clack of the otherwise irreligious. (Pearson says he always wanted to be an Episcopal priest because the faith “appealed to all sides of me: social, spiritual, philosophical, artistic, intellectual … and now the nightlife side, apparently.”) Yet you are, indeed, in a spectacular candle-lit cathedral, navigating the vaulted apse with your plastic-cupped Chablis, gazing at luminous gold-flecked icons of MLK Jr. and John Donne, tracing the gorgeous meditative labyrinth etched in the nave’s marble flooring.

And despite the party-priest’s protestations about keeping his intentions earthbound, you can’t help but get lifted in a club-spiritual way. Upon entering Grace’s AIDS Interfaith Chapel, EpiscoDiscopalians are greeted by ultimate club kid Keith Haring’s wondrous “Life of Christ” triptych altarpiece. A panel of the AIDS Quilt memorializes Grace preachers who passed away from the disease and the “Book of Names” lists Bay Area victims. Given that some of the most exciting recent nightlife trends have been about exhuming the music and fashion buried by AIDS, the chapel offers a celebratory connection to the other side.

But there’s a connection to the living at EpiscoDisco, too. “San Francisco nightlife can be a bit clique-y,” says Pearson, a master of tart understatement. “Sometimes if you walk up to a group of people and just start talking to them, they look at you like you’re insane. That doesn’t happen here. Isn’t that great?”

EPISCODISCO with DJ John Friend and Pale Hoarse live. Saturday, Dec. 19 and every third Saturday of the month, 7 p.m.-10 p.m., free. Grace Cathedral, 1100 California, SF. www.episcodisco.com

DERRICK MAY Yes, the Godfather is coming, throwing down one of his gleaming Hi-Tek-Soul soul sets to call the spirits down. Thu/10, 10 p.m., $10 advance. Vessel, 84 Campton Place, SF. www.vesselsf.com

AC SLATER Electro — saved by the bell? The latest banger boy wonder takes to the tables at Reverend Pearson’s other club playground, Blow Up. Fri/11, 10 p.m., $10/$15, 18+. Rickshaw Stop, 155 Fell, SF. www.blowupsf.com

LE PERLE DEGLI SQUALLOR DJ Bus Station John’s latest bathhouse disco and vinyl rarities monthly breaks cruise-y new queer ground at the Hotspot. Sat/12, 10 p.m., $5. Hotspot, 1414 Market, SF.

Glitchy kisses

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marke@sfbg.com

VISUAL ART "I’m interested in the destruction of everything. I was the kid who screwed up all his toys," Toban Nichols (www.tobannichols.com) says over the phone from his studio in Los Angeles. The longtime San Francisco resident and multimedia artist is still unpacking from his recent move to the capital of schmooze, but he’s been frantically yo-yoing up to the Bay to attend three concurrent gallery openings, a "trilogy of terror," of his work here. "It’s been very weird, to put it mildly. I moved to L.A. partly out of frustration with my lack of traction in the San Francisco art world, and then as soon as I get down here I’m offered three shows at once. Maybe I should have moved sooner."

Maybe he should have, although the gay club scene sure misses his smiling presence and that of his DJ husband, Jonathan. Slyly undermining notions of camp and kitsch with painterly electronic fuck-ups, Nichols’ work is as varied as it is entrancing. And the exciting threesome of shows introduces a trio of delectably unique lines of aesthetic inquiry that will tickle any deconstructivist’s — queer or otherwise — mental bone. Shall we count them off?

JIGSAWMENTALLAMA This sundry group show at David Cunningham Projects contains works from Nichols glitchy-smeary "Lockup" series, summoning contemporary architectural forms and based on machine error. If Gerhard Richter appropriated Amon Tobin CD covers, you’d probably get something like Nichols’s Giclée prints "Appaloosa" and "Unicorn," both from 2008. Other entries in the "Lockup" series keep the sharp and sensuous rainbow smudges but introduce fields of gray or black hatch marks that bring to mind both industrial metal ramping and early post-punk 12-inch single artwork. Nichols trained as a painter, but moved on when he felt painting "wasn’t speaking" to him. "I now start with a photographic image —and through a computer process I discovered completely by accident, overtax the output until it’s corrupted in a way I like," he says. In a wonderful related series, appropriately titled "Overtax," which you can see at his Web site, Nichols eerily haywires a Windows force-quit error box into an apocalyptic sleigh ride.

Through Dec. 19, free. David Cunningham Projects, 1928 Folsom, SF. www.davidcunninghamprojects.com

"THE TRAGEDY COLLECTION" Bewitched, bothered, bewildered — the "Tragedy Collection," five pieces of which are on display on the fourth floor of the LGBT Center, hilariously filters televised camp iconography through Nichols’ handheld: "I wanted to create something accessible to show I could do it, so I took pictures of the TV with my crappy cell phone and printed them." Dynasty‘s Joan Collins gnawing on a chicken bone, Tyra Banks’ legendary Top Model freakout, Bewitched‘s Agnes Moorehead hissing like a cat on a rack … the prints somehow update queer histrionics while burying traditional camp sensibilities deeper than Susan Sontag.

Through Jan. 10, 2010, free. San Francisco Lesbian Gay Bisexual Transgender Community Center, 1800 Market, SF. www.sfcenter.org

"OPPROBRIUM" Nichols’ show at Adobe Books, opening Dec. 11, is a meditative compression of Vogue’s Book of Etiquette and Good Manners (Conde Nast, 1969). "That book is so funny. It’s completely outdated, full of advice that’s so alien to contemporary readers. When you read it today there’s all kinds of complex humor from a feminist and class perspective. But that humor was on too many levels for me, I wanted to shrink it into a single joke. So I thought, ‘Why not hire an engineer to write an algorithm that replaces every third word with PUSSY?’ So I did." Two copies of the book will be on display as well as a deliberately loopy video of Nichols’ artist statement — "Who wants to stand around and read something long on a wall?" — featuring a voiceover by comedian Deven Green of Brenda Dixon parody and "Betty Bowers Explains Traditional Marriage to Everyone Else" YouTube fame, "plus some random images, whatever".

Opening reception Thursday, Dec. 11, 7 p.m.-9 p.m, free. Through Jan. 10, 2010. Adobe Books Backroom Gallery, 3166 16th St., SF. adobebooksbackroomgallery.blogspot.com

Things We Like

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Yoshi’s Fillmore

The Fillmore district was an epicenter of the golden age of West Coast jazz, and this huge, luxurious, recent addition to the area is reviving the spirit of that bygone era for thousands of delighted musicophiles and newbies. Dine on delicious sushi, grab a couple of cool cocktails, and sink into the tuneful, improvisatory vibes with live shows nightly. Don’t be surprised if you find yourself taking in performances by (or sitting next to) some of the Bay’s jazz greats. 1330 Fillmore. (415) 655-5600, www.yoshis.com
Neighborhood: Fillmore. Muni: 22 Fillmore, 38 Geary

Glen Canyon Park

A stunning shot of Northern California nature lies smack-dab in the middle of the city. This huge preserve in the Glen Park neighborhood offers outdoor activities, unusual wildlife, sports utilities, and the opportunity to get away from it all without the car-rental fees. Pack a couple of buttery chocolate croissants from nearby Destination Baking Company in the Glen Park Village shopping area and commune with nature (and gooey pastry) for an afternoon.
Bosworth and Elk
Neighborhood: Glen Park. Muni: 44 O’Shaughnessy. BART: Glen Park

Ton Kiang

Chinatown gets all the press when it comes to Chinese cuisine in this town — deservedly so — but locals also flock to this Outer Richmond neighborhood fave from 10:30 a.m. to 9 p.m. daily to dive into some of the city’s best dim sum. That means the large two-story dining room gets a little packed and noisy, but who cares when you’re gorging on delectable hai kim (shrimp-stuffed crab claws) and siu lung bao (Shanghai meat dumplings)?
5821 Geary. (415) 752-4440, www.tonkiang.net
Neighborhood: Outer Richmond. Muni: 38 Geary

Temple

If you’re into giant, after-hours nightlife experiences with a spiritual edge, this recently opened megaclub will grab you body and soul (without completely draining your wallet). Techno, tribal, electronica, hip-hop – even guided meditation and peace conferences – all find a home in the bangin’ multiple rooms of this green-certified palace. Check the basement “catacombs” for the latest sounds, grab a bite at attached Thai restaurant Prana, and don’t forget your latest dancing shoes.
540 Howard. www.templesf.com www.templesf.com
Neighborhood: SoMa. Muni: 27 Bryant

Zante Pizza and Indian Cuisine

It’s one thing to claim to invent a curious dish like “Indian pizza” – but quite another to have it turn out quite so amazingly. Zante in the Outer Mission has been serving this unique, crispy-crusted delicacy for years; it’s a San Francisco classic. Choose your toppings from an expansive, unusual list that includes spinach, tandoori chicken, cauliflower, eggplant, and more. The restaurant also features savory traditional Indian foods (the veggie samosas will knock your socks off). If you can’t make it in, Zante delivers to most of the city seven days a week.
3489 Mission. (415) 821-3949, www.zantespizza.com
Neighborhood: Outer Mission. Muni: 14 Mission

Fiona’s Sweet Shoppe

Ah yes, the famous Union Square, where the tumult of international commercialism, in the form of a gazillion department stores and tourist traps, can certainly overwhelm. When you’ve had enough browsing, or just need a sweet refresher, head a few blocks northeast to this incredibly cute, tiny candy store on Sutter Street. Scrumptious old school confections like English toffee and Dutch licorice abound, each piece individually wrapped and displayed in adorable jars.
214 Sutter. (415) 399-9992, www.fionassweetshoppe.com
Neighborhood: Downtown. Muni: 30 Stockton, 45 Union

Harry Denton’s Starlight Room

An oldie but still very-goodie. This dazzling bar and nightclub on the 21st floor of the Sir Francis Drake Hotel has an atmosphere that occasionally rises into glitzy high camp, but with 360-degree views of the glimmering city at night through floor-to-ceiling plate glass windows – well, all aboard the disco-go-round! Among all the polished Art Nouveau decor, the 1930s-style ladies room is a definite must-see. Sundays play host to the raucous “Sunday’s a Drag” brunch and gender-illusionist showcase – a stunning buffet if ever there was one.
450 Powell. (415) 395-8595, www.harrydenton.com
Neighborhood: Downtown. Muni: 38 Geary, 30 Stockton

Upper Playground

An art gallery, a fashion label, a men’s and women’s boutique – Upper Playground, whose various outlets take up approximately an entire block of Fillmore Street in Lower Haight, is the streetwise hipster’s one-stop dream. Local graffiti artists line up to design for Upper Playground’s numerous lines of T-shirts, hats, jackets, and accessories (including cheeky dildos and shot glasses), or to display their latest graphic works. When you’re done fingering monogrammed fleece in downtown’s tourist traps, this is the place to collect real SF souvenirs.
220 Fillmore. (415) 861-1960, www.upperplayground.com
Neighborhood: Lower Haight. Muni: 30

The Buena Vista

Whether or not the talented gents of the Buena Vista bar and cafe brought the everdreamy Irish coffee to America (as has been claimed), this well-appointed bar is well worth visiting for its cozy, old-timey atmosphere in the heart of North Beach – and for that lovely, steaming concoction of Irish whisky and specially prepared cream. Fog? What fog? You’ll slice right through it with a couple of warm ones in your belly.
2765 Hyde. (415) 474-5044. www.thebuenavista.com
Neighborhood: North Beach. Cable Car: Powell and Hyde

Ritual Coffee Roasters

With its anti-establishment logo, interesting art, tattooed baristas devoted to coffee culture, and scenester customers devoted to their laptops, Ritual embodies several generations of quintessential San Franciscan culture – from the summer of love to the dot com boom (2.0) – with a decidedly funky Mission District flair. This is where to plug in, foam up, and get connected, whether you’re new in town or ready to launch that quirky startup.
1026 Valencia, SF. (415) 641-1024, www.ritualroasters.com
Neighborhood: Mission. Muni: 14 Mission, 26 Valencia. BART: 24th Street

Zeitgeist

Rain or shine, this world-famous dive always seems packed with hipsters, hippies, bikers, anarchists, burners, European exchange students, and anyone else willing to brave notoriously surly service from punk-rock bartenders. The payoff? A chance to sip stellar Bloody Marys or draught imports on a beer garden-style bench in the expansive backyard. Sunday afternoons are especially raucous, and feature a shamelessly carnivorous barbeque.
199 Valencia, SF. (415) 255-7505, myspace.com/zeitgeistsf
Neighborhood: SoMa. Muni: 22 Fillmore, 26 Valencia

AsiaSF

Sleek, upscale, stylish – and fabulously gender-bending. Chichi drinks and high-end food are part of the deal, but AsiaSF’s real draw is its spectacular, theatrical, during-dinner shows featuring gorgeous, jaw-dropping gender illusionists – high-kicking, hair-flipping, and lip-synching with flair atop the long, thin bar. A restaurant and club perfect for celebrations, special occasions, and other-side-of-the-mirror titillation.
201 Ninth St., SF. (415) 255-2742, www.asiasf.com
Neighborhood: SoMa. Muni: F Line, 14 Mission, 19 Polk. BART: Civic Center Station

Bottom of the Hill

Situated deep in the deceptively charming industrial district of Potrero Hill, this live music venue, bar, and restaurant is known to music fans worldwide as one of the best places in San Francisco to see live bands. With a roster of performers that reads like Pitchfork’s Who’s Who of Indie Rock (and local acts soon to be included), an intimate stage, cheap cover, and a comfortable smoking patio, it’s a good bet seven days a week.
1233 17th St., SF. (415) 621-4455, www.bottomofthehill.com
Neighborhood: Potrero Hill. Muni: 19 Polk, 22 Fillmore

TransportedSF

San Francisco’s take on the tour bus, this biodiesel-fueled, decked-out VW is one part party, one part educational tool (by day, as Das Frachtgut), and all parts experience. Hop aboard for a movie-, DJ-, or dinner-themed trip with other strangers in the know, or rent it out for your own private fete. Either way, you’ll see several San Francisco landmarks, from peeks at Ocean Beach to a great view of your purple-haired fellow rider.
Pick up at Shine (call for schedule), 1337 Mission, SF. (415) 424-1058, www.transportedsf.com
Neighborhood: SoMa and all over. Muni: F Line, 14 Mission, 26 Valencia

Japantown

Japanese immigrants flocked to the area in Western Addition between Van Ness Avenue and Fillmore 100 years ago, and Japanophiles have been following their lead ever since. You can’t miss Japan Center, a three-block mall featuring shops that sell rare Japanese products, a multiplex theater, and a memorial designed by a world-renowned architect. Highlights include noodles at Suzu Ya, the baths and spa at Kabuki Springs, and oodles of anime figurines and samurai swords.
Between Geary, Polk, Laguna, and Fillmore, SF. www.sfjapantown.org
Neighborhood: Fillmore. Muni: 38 Geary

Beat Museum

If there’s one thing North Beach is known for more than its Italian roots, it’s for being the adopted home of the Beat Generation. This shop and museum is dedicated to all things Kerouac-and-friends, from documentaries upstairs to Beat bobbleheads (downstairs). An interesting education for curious on-the-roaders and a treasure trove for serious, finger-snapping fanatics looking to get groovy.
540 Broadway, SF. (800) 537-6822, www.thebeatmuseum.org
Neighborhood: North Beach. Muni: 20 Columbus, 41 Union, 45 Union/Stockton

Casanova Lounge

Hip, crowded, and unapologetically ironic (read: velvet nudes on the walls), Casanova, a full-service dive bar, is a Mission flagship. Crimson lighting and comfortable couches give it a slight boudoir/opium den feel, while lots of standing room and loud DJ music keep a casual vibe. And yes, it’s a meat market, but also a great place to meet well-versed, impeccably accessorized locals.
527 Valencia, SF. (415) 863-9328, www.casanovasf.com
Neighborhood: Mission. Muni: 22 Fillmore, 26 Valencia, BART: 16th Street

Trimmings

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superego@sfbg.com

SUPER EGO Child, there is no better place to digest your Thanksgiving giblets than a leather bar. (For all my non-homo homies and vegan amigos, meet me at the rather hopping Mission Hill Saloon — 491 Potrero, SF — for some cheap après-pie Chimay. I’ll bring the family-recovery Vicodin. Is Vicodin vegan? Anyway.) Hunky and slightly distressed-skin leather queens will actually cruise the holiday fat off those chunky drumsticks poking through your peek-a-boo chaps with their hungry, hungry, laser-beam eyes. And let’s not even get into all the "stuffing" double-entendres here because what do I look like, an anal-leather-metaphorologist? Gag, not hardly.

But say, what’s better than a leather bar? Saw VII: Lady Gaga? Nah, it’s several leather bars — which is why I’m harnessing your attention to the upcoming Folsom Friday dead-cow spectacular, hosted by the chacondo folks of SoMa enclave Truck. Board the free shuttle there and get carted to such dark and lovely glories as Chaps, Lone Star Saloon, Powerhouse, Mr. S, Blow Buddies, and Off Ramp Leather to get you good and plucked. I’m not sure why the juicy Hole in the Wall and Eagle Tavern aren’t on the list, but the whole man-megillah’s a testament to our thriving leather scene, once thought strangled by the Web’s insidious tentacles. Flog that bird!

FOLSOM FRIDAY Fri/27, 9 p.m., free. Truck, 1900 Folsom, SF. www.folsomfriday.com

DARK SPARKLE


Goths — always in fashion because they’re above it. They’re even immune to hiatuses, as the 10th anniversary fete for this once-regular, now-rare goth-glam jamboree attests. Return from the grave to rock’s frigid underside with DJs Miz Margo and Sage.

Wed/25, 10 p.m., $5. Café Du Nord, 2170 Market, SF. www.darksparkle.com

NEXTAID BENEFIT


World AIDS Day is Dec. 1, and incredibly on-top charity NextAid (www.nextaid.org) is rolling out a ton of worldwide benefit parties, starting with an all-star bonanza here, with long-standing L.A. techno king D:Fuse, Sen-Sei, Rooz, and Fil Latorre

Wed/25, 9 p.m., $15. Supperclub, 657 Harrison, SF. www.supperclub.com

BASSGIVING


A gaggle of local woofer gobblers of all bass styles invades Paradise Lounge to sauce your canned cranberries. Ginsu-wielders include Smoove, Mozaic, Influence, Uncle Larry, Cruz, and Antibiotik.

Wed/25, 9 p.m.–3 a.m., $5. Paradise Lounge, 1501 Folsom, SF. www.paradisesf.com

JOKER


Poor Joker. This year, the young Bristol, U.K., phenom tried to start a more melodic "purple" dubstep movement to get more women on the dance floor — and was immediately accused of stereotyping. Truth is, he’s got killer bass instincts and soulful taste, a rare combination these days — as rare as women on the dubstep dance floor, in fact. With Lazer Sword, an-ten-nae, and loads more.

Fri/27, 10 p.m.–late, $10. 103 Harriet, SF. www.1015.com

GO BANG!


Pop your cork early this year, love. All-star disco DJ dream team Sergio Fedasz, Stanley Chilidog, Nickie B., Flight, and door-slut Stephen You Guys! are celebrating one year of monthly high-hat spritz at Deco. Plus: Ken Vulsion of Honey Soundsystem and Disochorror.com’s Ash Williams, who’ll be offering a "Cosmic Beardo Lift-Off Set."

Sat/28, 9 p.m.–late, $5. Deco, 510 Larkin, SF

LOWDOWN


Hall and Oates meet hyphy classics in the crunktastic mashup universe of DJ Roots Uno. He’s the house decks wrecker at the new weekly Sunday joint from the too-high LOW SF kids who, when they’re not peeing in someone’s swanky pool, are keeping the electro-disco dream alive.

Sundays, 9 p.m., free. Delirium, 3139 16th St., SF. www.lowsf.com

CHASER


I finally have to put in a good word for my favorite shady lady Monistat’s Tuesday night drag cataclysm at EndUp. (EndUp just turned 36! Where have all the flowers gone?) Every week brings a more thrillingly horrifying theme, with outré performances, rotating DJs, and a bountiful bouquet of mayhem. Outwit, outplay, outlast.

Tuesdays, 10 p.m., $5. EndUp, 401 Sixth St., SF. www.endup.com

x plus x equals xx

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x one: 2009 is 1989 all over again. Exhibit 89: The xx intro themselves near Fascination Street, somewhere across the city from the fine times and vanishing points where Memory Tapes currently resides. Truth be told, that year is just one of many pre-millennial ones this sneaky group taps into and renovates. Their minor key, lowercase late night musings shine darkly like Young Marble Giants circa-1979. Their slowly uncoiling guitar lines accompany a less chaste version of the gorgeous languor on Unrest’s 1992 imperial f.f.r.r. (Teen Beat), an album whose male-female vocal duality was an outgrowth of the shoegaze craze of — wait for it — 1989. When they cast their eyes at infinity, the brooding atmosphere and cavernous reverb sound a bit like the wicked games and twin peaks of 1989, as well. The canny use of space and silence, masculine and feminine on The xx (Young Turks) might reach maximum seduction and propulsion on “Islands,” where the low-end throbs like Tricky breaking free from the Wild Bunch and the angular guitar melodies flutter with excitement as Oliver Sims’ sexy cig-rasp snakes in and out of Romy Madley Croft’s soft, lazy lead vocal. Too many British female vocalists go so wan they lose all sense of lust. But not her — not here. (Johnny Ray Huston)

x two: “Basic space, open air … don’t look away when there’s nothing there.” On the intimate Independent stage, what will the emotionally prickly xx share? The quartet’s just lost keyboardist Baria Qureshi due to exhaustion and their much-hyped live show at CMJ this year was called “warmed-over Tracey Thorn” by a cheeky New York Times critic. That would seem paradoxical (no one associates physical exhaustion with Everything But the Girl appearances) if paradox wasn’t the xx’s creative engine, the push-pull of sexual relationships churning lyrically within an obsessively polished, passive-aggressively spare musical backdrop. The xx‘s “Basic Space” might be the best encapsulation of this Ziploc-ed bleeding heart aesthetic. From its inverted horror-movie metaphors — co-singer Oliver Sims climbs into a pool of boiling wax, which provides him with a “shine,” a “second skin,” while Romy Madley Croft states, “I’ll take you in pieces” — to its plucky Smiths-pinching final phrases and tin-Casio organ chords, the track is at the razor’s edge of current indie pop sensibilities. What’s uniquely its own, though, besides the way the tune’s steel-blue flicker runs up your discs, and what the xx brings to the world of rock, is a voluble taciturnity — yearning for personal space while lamenting its necessity, holding yourself together by breaking into pieces, creating a killer dance tune just one whiff away from silence. Sustaining that attitude live will be a neat trick. (Marke B.)

THE XX

With Friendly Fires, Holly Miranda

Nov 23, 9 p.m., sold out

The Independent

628 Divisadero, SF

(415) 771-1421

Dutch trick

0

superego@sfbg.com

SUPER EGO Say what you will about trance: it happened.

In fact, it happened two ways. The first, in all its flaming-poi-twirling, shaman-transcendentalist, goa-gamma-psy-matrix glory, is rooted in underground dance movements of the 1980s, and still provides a few subversive, head-pounding kicks. For a local taste, check out the Tantra tribe’s omnipresent DJ Liam Shy (www.liamshy.com), Skills DJ crew honcho Dyloot (www.myspace.com/dyloot), and the new Club S weekly, benefiting SF Food Bank (Thursdays, 9:30 p.m., $3/$1 with nonperishable food item. Paradise Lounge, 1501 Folsom, www.paradisesf.com). This strain of trance gets props both for its hyperactive dedication to melting far-flung cultural influences into its obliterating 155 b.p.m. bam-bam-bam and its surge of female power behind the decks. Holy neon dreads of Gaia, it even has its own store on Haight Street! (Ceiba, 1364 Haight, SF, www.ceibarec.com).

Then there’s the other kind. "Popular trance" ditches the wonky metaphysics and morphs the progressive Euro-house template of build-breakdown-build into a numbing, arena-filling formula that somehow took over the 2000s and gifted us with visions of Ed Hardy dudes spazzing out in Glo-Stick necklaces. Queasy. No one is more representative of this slicked-up genre than Tiësto, the 40-year-old Dutch DJ and producer who started as an underground gabber and rose with laser-like ambition to claim the title of "World’s Biggest DJ." Tiësto’s my favorite "supastar" punching bag — the Reebok shoe, the knighthood by Queen Beatrix, the video-game ubiquity, the sigh-raising "Adagio for Strings" redo, the agro cloud of spiky-haired, wraparound Gucci wannabes. It’s a tad much.

But beating this particular bugbear’s too easy. As his ruthless marketing onslaught suggests, the guy is really on top of his game. Worse, he’s actually quite charming — infectiously enthusiastic about his scene and quick to praise up-and-comers. Although avowedly apolitical, he’s used his clout to raise funds for HIV/AIDS awareness through the Dance4Life project. And with his new album Kaleidoscope (Ultra), Tiësto shows he’s suitably self-aware to know when enough’s enough.

"My brand of trance has evolved," he told me over the phone from Winnipeg, Manitoba, where he was preparing to slay a stadium of Canadian fanatics. ("Canada is 10 years ahead of the U.S. — I don’t have to scale down my tour here," he said.) "It’s kind of freaked me out. It’s not about the drugs or the old communal feeling so much, it’s about this big urge to party. My shows are like rock concerts now — crowd surfing, moshing, singing along. I realized I couldn’t do the same thing I used to, just these long trance sets. It was time for something different."

Kaleidoscope shows a definitive turning away from extended jams. Loaded with guest collaborators and indie darlings like Calvin Harris and Bloc Party’s Kele Okereke, most of the songs are less than five minutes long and stick to a classic pop template. None of it’s particularly mind-blowing — Tegan and Sara number "Feel It in my Bones" is the definite standout — but there’s a refreshing sense of risk and a few nice hooks.

"I’ve been listening to a lot more indie and rock lately, so this transition is a personal one, too," Tiësto said. "I don’t consider myself underground. I’m a pop artist now. I’m even writing songs on the road that could be called Tiësto R&B," he added with a laugh. "But it’s just the way the music is going, toward more pop structure. You can see that with David Guetta’s chart success this year. Everyone’s becoming more song-oriented. I’m a producer more than a DJ. That’s why I don’t call myself DJ Tiësto anymore. Just Tiësto."

But he still tours as a DJ, one famous for delivering nine-hour sets to crowds of 100,000. So how does he fit short pop blasts into the revolving-stage and firework-erupting Tiësto spectacle? "I have this trick where I split the show in two parts, the pop-rock and singing in the beginning and then the classic longer stuff later on. It really works out."

As for his fans’ reaction to the changes? "Look," he said, "I see stuff on the Internet. Some people hate it. Some new people love it. It’s always been the same about me anyway. Love or hate. But like I said — even with trance, you can’t do that same thing forever."

TIËSTO

Sat/21, 8 p.m., $60

Cow Palace

2600 Geneva, Daly City

www.ticketmaster.com

www.tiesto.com

Information

0

superego@sfbg.com

SUPER EGO Apparently there’s some sort of "recession" happening, which explains all the cat-hair wigs, duct-taped platforms, sideways boob-jobs, and flask-filled socks on the dance floor. And yet, peculiarly, new SF clubs continue to open at the rate of one a week. Among the recent delectations: SOM (2925 16th St., SF. www.som-bar.com), club impresario Peter Glickstern’s Brazilian-tinged redo of the Liquid-Pink space in the Mission; Siberia (314 11th St., SF.), an intriguing if somewhat directionless ramp-up of the old Fat City, and a relaunch of the cozy 222 Hyde (222 Hyde, SF. www.222hydesf.com), which is starting to attract some mighty piquant talent. Are there enough crisp bucks to fold and tuck into these newbies’ spangled thongs? Don’t sneeze at my wig!

DEVOTION

Good ol’ seamless sets of throwdown soulful house became a rarity in this fractional decade, and the rest seems to have done a world of good. That full-throated sound of yore is back on the rise, and former Bay Area fave DJ Ruben Mancias is bringing his joyful party back once more, hands up.

Thurs/12, 9:30 p.m., $10. Harlot, 46 Minna, SF. www.harlotsf.com

BEATS IN SPACE

I practically grew up on Beats in Space radio (www.beatsinspace.net), DJ and DFA member Tim Sweeney’s tastily eclectic show on New York’s WNYU. From Carl Craig to Faze Action, Diplo to Shit Robot, BIS’s guestlist has been a crystalline signal through the Web static. Now the 10-year-old show’s on the move, kicking off a monthly here with DJ Brennan Green and Sweeney himself.

Fri/13, 9 p.m., $5. Triple Crown, 1760 Market, SF. www.triplecrownsf.com

CLAUDE VONSTROKE

Mr. Dirty Bird Records should be credited with injecting a sense of humor into minimal techno and producing a signature Bay Area sound. Although he sticks with his usual tricks on his new album, Bird Brain — guttural grunts, jungle calls, tympani rolls, locker room jokes, and ornithological obsession — he’s still hitting a dance floor sweet spot and occasionally breaking through into beauty.

Fri/13, 10 p.m., $10 advance. Mezzanine, 444 Jessie, SF. www.mezzaninesf.com

THE FUTURE 003

Yes, future bass is still happening, and starting to enter its baroque phase. (Luckily, wacky maestro headliner Daedelus was baroque to begin with). The first two gut-rumbling installments of this party focused on more aggressive, dubstep-related variations of the future sound. This one looks a tad jazzier, with electro-boogie aficionado James Pants and progressive warper Free the Robots looking ahead.

Fri/13, 9 p.m., $12 advance. 103 Harriet, SF. www.1015.com

MERCURY LOUNGE

It’s all about Mason Bates, the local composer whose attempts to fuse classical orchestration with laptop electronics are never less than wowza. His Mercury Soul project is mixing up a fizzy Friday happy hour, interspersing live classical performances with house, trip-hop, and jazzy downtempo loveliness.

Fri/13, 5 p.m.-9 p.m., free. 111 Minna, SF. www.111minnagallery.com

BIG IDEA NIGHT

Another lollapalooza of art and nightlife who’s-who at Yerba Buena, this time taking on "The State of the Queer Nation." Yes, that’s far too much to swallow in one tipsy evening, but performances by HOTTUB, Tim Miller, Diamond Daggers, DJ Black, and more will certainly whet your appetite for funky homo-intellectualization.

Sat/14, 9 p.m., free. Yerba Buena Center for the Arts, 701 Mission, SF. www.ybca.org

L-VIS 1990 AND BOK BOK

L-vis 1990’s videos, directed by James Connolly, are little slices of postmodern genius, positing a Soul II Soul meets Jane Fonda Workout era that never existed but kind of should have. His UK Funky sound, however, is definitely of the now, mixing tribal house beats with champagne-rave breakdowns. With fellow funker Bok Bok, he’ll bring the bangin’ Night Slugs party from the UK.

Sat/14, 10 p.m., $10. Elbo Room, 647 Valencia, SF. www.elbo.com

MALL MADNESS

I once jokingly lamented that among all the ’90s grunge revival in the clubs, there wasn’t a complimentary boy-band tribute night. STFU, Marke B.! Here it is in all its glory, a galleria-drag bonanza with a healthy and shockingly unironic dose of Tiffany, Stacey Q., and uncloseted Backstreet Boys. Accessories by Claire’s, Glamour Shots provided.

Sat/14, 10 p.m., $5. UndergroundSF, 424 Haight, SF. *

Honey Soundsystem

0

marke@sfbg.com

Believe it or not (and you better believe it), until a few years ago, gay club music was a monolith, a Spandexed, Botoxed, over-toxed Easter Island rictus of fake-techno squeals and outrageous divas. There’s nothing inherently wrong with that (except: yawn), and as far as such a thing called "gay club music" exists, the Gaga-Rihanna-Madonna industrial complex still reigns.

What’s different now is the music available in the gay clubs, from punky no-wave, old-school vogue, and bathhouse chestnuts to Berlin minimal, nu-IDM, and space disco. Nobody’s been more on the forefront of this youthful wave of change than Honey Soundsystem. The hyperactively crafty collective — currently composed of DJs Ken Vulsion, Pee Play, Josh Cheon, Robot Hustle, and Jason Kendig — hits a genre-busting musical sweet spot in its decades-spanning sets (Honey was formed in 2005 when Ken Vulsion, a veteran of the early ’90s Manhattan club kid scene, heard Pee Play, then 19, throw down an Adam and the Ants reedit at Café Flor) that could rightly be called ahistoric if it wasn’t so rooted in a conceptual sense of the gay past. Even as it plays club host to such cutting-edge talents as Stefan Goldman, C.L.A.W.S, and Disco Dromo, the collective foregrounds, in flyer art and party theme, its appreciation for AIDS-era icons like Keith Haring, Willi Ninja, Larry Levan, and Patrick Cowley, the local electronic music originator who was the subject of a brilliant art and music retrospective put on by Honey in October.

After roaming its way through practically every alternative space in the city — and recently having its equipment impounded by police at an underground party — Honey’s found a home on Sunday nights above Paradise Lounge, where it truly lets its freaky fag flag fly. "We focus on quality, not on singularities," Ken Vulsion says. "We’re not about this one type of music, this one type of scene. We have a loyal following of fun, creative people who never know what to expect — except that it’ll be a great party."

"Plus," adds Pee Play, "there are five of us, so if some tired queen wants to complain they have no idea who to go to."

www.honeysoundsystem.com

>>GOLDIES 2009: The 21st Guardian Outstanding Local Discovery awards, honoring the Bay’s best in arts

Unholy sheet

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superego@sfbg.com

OK, it’s official — there’s way too much boo this Halloween. Scariest of all, I’m just going to shut up for once and let the parties do the talking. Gasp!

STAY GOLD

The original, frighteningly fantastic queer dance party kicks off the costumed train wreck that will be Halloween ’09. You bet there’s be rainbow unicorns. Wed/28, 10:30 p.m., $3. MakeOut Room, 3225 22nd St., SF. www.makeoutroom.com

DANGER

French rockers enliven the terrifyingly popular 18+ indie club mainstay Popscene, with Veil Veil Varnish opening up, DJ Omar, and other treats. Thu/29, 9 p.m., $5. 330 Ritch, SF. www.popscene-sf.com

ALL HALLOW’S EVE

Perfectly goth and industrial powerhouse parties Meat and Death Guild team up with burlesque killers Hubba Hubba Revue for some spectacular murder on the dance floor. Fri/30, 9 p.m.–late, $13. DNA Lounge, 375 11th St., SF. www.dnalounge.com

BUZZIN’ FLY

Whoa, the seminal deep house club and label headed by Everything But the Girl’s Ben Watt is touching down for a costumed Devil’s Night of smooth beats mayhem. Fri/30, 10 p.m., $20. 103 Harriet, SF. www.1015.com

COCKBLOCK MASQUEERADE

The horribly homolicious — hot young dyke alert! — monthly promises "feathers, face paint, papier-mâché masks, glitter, gold, and glam." With DJs Nuxx and Zax. Fri/30, 10 p.m., $10. Supperclub, 657 Harrison, SF. www.cockblocksf.com

MISS HONEY BOO

Vogue! Drop! Scare! DJs Chelsea Starr, Errol, Nikki B, and more present a runway of death for all you underworld, drag-bedazzled queens. Fri/30, 10 p.m., $5. Triple Crown, 1760 Market, SF. www.triplecrownsf.com

TEMPLE RISING — HALLOW’S EVE

Rising up from the late ’90s rave scene, decks fave Ben Tom relights 1000 Glo-sticks with new track "It’s a Party." The nutso Goldsweats kids hold down the basement. Fri/30, 10 p.m.-4 a.m., $20. temple, 540 Howard, SF. www.templesf.com

ALBINO!

The raucous Berkeley band ‘vades the Independent cosmic tunes at a Star Wars-themed get-down, with the Afrolicious brothers thrusting funky warm-up tunes. Sat/31, 8:30 p.m., $18. Independent, 628 Divisadero, SF. www.independentsf.com

BIBI MASQUERADE

What’s better than a gyrating gaggle of queer Arabian and Middle-Eastern lovelies (and friends)? A drag-studded masquerade party for them, with DJs Cheon, Emancipacion, and Masood. Sat/31, 9 p.m.– 3 a.m., Six, 60 Sixth St., www.myspace.com/bibisf

BIG TOP HOMOWEEN

It’s a spooky disco circus installment of this monthly gay glitterati fiesta from Joshua J and Juanita More, with creepy drag clowns, skeletal go-go boys, and DJs Kevin Graves and Marcus Boogie. Sat/31, 9 p.m.-3 a.m., $10. Club Eight, 1151 Folsom, SF. www.eightsf.com

BOOOTIE

Everyone’s a sawed-off wiener when monster mashup club Bootie unleashes its annual big-H hoedown, with Smashup Derby live, Princess Kennedy, and some smashing Seattle players in the Frankenboot room upstairs. Sat/31, 9 p.m.-late, $15. DNA Lounge, 375 11th St., www.bootiesf.com

CLUB 1994: HALLOWEEN SPECIAL

What did they wear for Halloween before the Internet? Find out at this trés fashionable way-back machine, with DJs Jeffrey Paradise and Richie Panic and the Tenderlions live. Sat/31, 9 p.m., $10–$15. Paradise Lounge, 1501 Folsom, SF. www.club1994.com

COCKFRIGHT

Fear no anal embrace! Fantastic, supergay monthly ironic jock appreciation night Cockfight becomes a haunted locker room with DJ Earworm. Sat/31, 9 p.m., $5 with costume. UndergroundSF, 424 Haight, SF. www.cockfightsf.com

DRESS TO KILL

Bloodcurdlingly cute monthly indie rock dance club Fringe explodes with a screaming array of visual effects and tunes by DJ Blondie K and suboctave. Sat/31, 9 p.m., $5. Madrone, 500 Divisadero, SF. www.fringesf.com

GREEN GORILLA 13

Celebrating a devilishly lucky 13 years, the legendary San Francisco techno collective rages out with Abe Dusque, M3, Sharon Buck, and more. Sat/31, 8 p.m.-4 a.m., $10–<\d>$20. Triple Crown, 1760 Market, SF. www.triplecrownsf.com

HALLOWEEN: A PARTY

Horror queens Heklina and Peaches Christ team up for a wicked drag spectacular featuring the sequin-shredding antics of Jackie Beat, Putanesca, Holy McGrail, Cookie Dough, and so many more. Sat/31, 9 p.m.–3 a.m., $15 with costume, Cat Club, 1190 Folsom, SF. www.trannyshack.com

HOLLA-WEEN

AC/DC tribute band BC/DC salutes you, local electro-poppers Wallpaper sparks it up, and DJ Shane King tickles your bass bone. Holla. Sat/31, 8 p.m.-3a.m., $25. mezzanine, 444 Jessie, SF. www.mezzaninesf.com

MIXHELL

An onslaught of face-melting live hardcore electro from the former drummer of Sepultura(!) and his wife, plus Nisus, Apache Cleo, and DJ Bling Crosby. Sat/31, 10 p.m., $12 advance. Poleng, 1751 Fulton, SF. www.hacksawent.com

NIGHT OF THE LIVING BASS

Low-end burner heroes Opel present a three-arena rumble to rip out your brain, with Syd Gris, Unerzone, and Germany’s Wolfgang Gartner. Sat/31, 9 p.m.-5 a.m., $15 advance. Mighty, 119 Utah, SF. www.mighty119.com

NIGHTMARE ON SIXTH STREET

Show off your all-hallowed hilarity to some mind-blowing hip-hop and turntablist beats, as De La Soul’s Maseo joins Shortkut, DJ Nyce, and Jah Yzer on the operating tables. Sat/31, 10 p.m.–3 a.m., $12 advance. Club Six, 60 Sixth St., www.clubsix1.com

TEENAGE DANCE CRAZE HALLOWEEN

One of my favorite clubs, digging up those old-time, pre-’70s 45s from the vinyl graveyard. Do the Monster mash! Sat/31, 9:30 p.m., $10. The Knockout, 3223 Mission, SF. www.myspace.com/teenagedancecraze

Batty up

0

superego@sfbg.com

SUPER EGO Hi, I’m a big faggot who loves reggae. And I’m not alone in my puff-puff-pass pinkness — not just because everyone goes through an "experimental reggae phase" in college, but because I see tons of queer kids getting down to reggae-derived dancehall and reggaeton hits at the Crib parties (www.thecribsf.com) and the Café (www.cafesf.com). I’ve run into other reggays at the always welcoming Jah Warrior Shelter Hi Fi events (www.jahwarriorshelter.com), Dub Mission joints (www.dubmissionsf.com), and Reggae Gold nights (www.reggaegoldsf.com). And praise Miss Jah for all the laidback homo hotties at the annual Reggae in the Park fest.

Yet in the latest round of queer-reggae controversy, I felt like a rarer bird than ever. Here’s the bones: Almost 20 years ago, a young Jamaican reggae-dancehall singer named Buju Banton wrote a really catchy song called "Boom Bye Bye" that advocated murdering queer batty boys like me by, among other things, riddling us with Uzi bullets and melting us in tires. Charming. It made him famous, he still sells tons of downloads, and he seems to have no regrets. Every time he comes around on tour, members of the gay community get rightly pissed and attempt to shut him down. That’s what happened Oct. 12 when Banton was set to perform at San Francisco’s Rockit Room. Somewhat amazingly, Banton, who claims to have embraced a "more peaceful" lifestyle and to no longer perform "Boom," agreed to meet with gay folk for the first time. Everyone involved listened to each other for an hour, and the show went ahead as planned — this time at least with channels open and peaceful protests outside the club.

The frustrating part to me was watching many people on both sides overreact, allowing the whole issue to blow up into a giant "queers vs. reggae" thing, rather than a protest targeting one specific hater. People who should know better immediately raised the stakes into the ridiculous. At one point, SF Weekly falsely accused lead protester Pollo Del Mar of bursting into the concert in full drag and pepper-spraying the crowd, yeesh. Yes, my gays, reggae Rastafarianism is as queer-hating as most other religions, but there’s no such thing as "homophobic music," only homophobic people. Reggae, like hip-hop and rock, is a broad trope that encompasses all kinds of expression. You don’t have to be conflicted to be a fan. And no, Buju-heads, this wasn’t an attack by wily "gay activists" on reggae culture — and, by extension, black culture. Gayness isn’t a white thing, no matter what the Jamaican government says to justify its persecution of queers there. Many Buju defenders also keep framing the continuing nationwide protests as an attack on Banton’s freedom of speech. It’s not. He can say whatever he wants; it’s saying it in our community and making money off of it that people object to.

I have friends in each camp, and it sucked dreaded pubes to hear coded racism and homophobia creep into their comments. Worse, though, was the sense that we were all being played. This exact same thing happened three years ago when Banton came to town. Once again his name was in all the papers, like this one. Once again, his fanbase solidified in the face of a perceived threat. Tickets to his show were $40. Just sayin’.

KID SISTER

Electro hipsters, set your heads to explode. The spunky neon-rap artist and Swedish Pop Mafia protégé hits the Rickshaw bricks with toothy duo Flosstradamus.

Thu/22, 9 p.m., $20. Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com

THE VERY BEST

MIA aptly channels Siouxsie Sioux on the wonderful Malawi-Parisian trio’s border-hopping, genre-popping debut, Warm Heart of Africa (Green Owl).

Fri/23, 10 p.m., $12 advance. 103 Harriet, SF. www.1015.com

CYRUS

The hypnotic dubstep originator heads a brutal Brit train of bass mechanics, including Cluekid, Kutz, and Darkside, in honor of Big Up mag’s first birthday.

Sat/24, 10 p.m.–3 a.m., $20. Paradise Lounge, 1501 Folsom, www.paradisesf.com

STEPPIN’

Who’s ready for a boogaloo revival? Knock out your Nuyorican doowops with some shaggy mambo as the Steppin’ band, featuring trumpet legend Oscar Myers, jazzes up Madrone. Total hot cakes.

Tuesdays, 9 p.m., $3. Madrone Art Bar, 500 Divisadero, SF. www.madronelounge.com

Do you have to let it Linger?

1

By Juliette Tang

linger1009.jpg

A new mint called Linger is being marketed toward women who wish to improve the taste of their natural vaginal secretions. I first heard of Linger mints via Mother Jones, where writer Jen Philips revealed that Lingers have the same chemical composition of a sugary breath mint (and not even a good mint at that, but the cheap trade-show variety). Using a Linger, then, is essentially the equivalent of inserting a petri dish into the vaginal canal in terms of courting a yeast infection, though for women who wish to harvest kombucha by way of their genitalia these mints may have some utility.

Sadly, it’s not inconceivable that a female shopper might purchase this product, despite its $7.99 price tag and associated health risks. As a woman, I know that we justify embarrassing purchases in name of feminine modesty (or feminine shame, depending on how you look at it) all the time. The fact that “fish” has become a culturally normalized adjective in reference to the vagina is disturbing enough.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Kirsten, 22nd Street and Valencia

Kirsten1009.jpg

tell us about your look: “This is all vintage.”

Street Threads: Look of the Day

0

SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: France, 24th Street and Guerrero

France1009.jpg

Tell us about your look: “I’m from Belgium. I made these clothes.”

Bloodsports and the Exotic Erotic Ball

1

By Juliette Tang

Those who would like to attend Perry Mann’s Erotic Exotic Ball (Oct 24 @ Cow Palace) next weekend but who balk at the $79 general admission price tag (i.e. you, me, and everyone we know) have the option of donating blood this Saturday in exchange for a free pass, while supplies last. Organizers are sponsoring a blood drive at Blood Centers of the Pacific’s Irwin Center (270 Masonic Ave) from 2 to 9PM on Saturday (Oct 16) and each donor will receive one ticket to the event. If you wish to schedule an appointment to donate blood, you may go to BloodHeroes.com and enter “ExErBall” as your sponsor code. For those who partake in needle play, this means you can have your cake and eat it too.

The Erotic Ball has graced San Francisco with its presence since 1979 and features “live music, top DJs, erotic performers, exotic dancers, wild sideshows and playful interactive fun on multiple stages”. If the video above with its clips from previous years’ festivities is anything to go by, this entails near limitless opportunities for depravity and an all-around epic night of partying. A pass seems well worth a little blood, a service to the community, and an hour of on a Saturday afternoon.

Secret history

0

superego@sfbg.com

You say that you love women, you say that you love men … but do you love your robot children?

— "Robot Children" by Catholic

SUPER EGO Thanks to the mid-decade rediscovery, by young people at least, of ’70s gay bathhouse disco and the Hi-NRG club scene it spawned, the Bay is back on international electronic music nerds’ radar. Gay San Francisco wiz Patrick Cowley (1950-1982) — the man behind such essential touchstones as "Menergy," "Megatron Man," Paul Parker’s "Right on Target," and Sylvester’s "Do You Wanna Funk" — is now often mentioned in the same breath as Giorgio Moroder in terms of pioneering electronic dance music. Nightlife historians fetishize Cowley’s early ’80s Menergy parties at EndUp, and his unabashedly homoerotic output is embraced as both the prime source and an exciting alternative to all the gay-centric techno that followed.

In terms of retro styles — our digital century’s shameless obsession — Hi-NRG may well be the final frontier. Buried by AIDS, wondrously reeking of wanton gay sexuality, and lodged for decades in the "utter cheese" category of musical taste, it could only become acceptable in our post-rock, pro-gay, retro-viral moment. No one dared touch this stuff before. Now, straight fans get brownie points for enjoying "gay music," gay fans can relish a period previously blacked out by sadness, and everyone looks cool dancing to bang-up tunes they’ve never heard before. It’s a pretty apolitical revival so far. No one’s agitating for our bathhouses to be reopened, and I’ve yet to attend an underground retro disco party that donates its proceeds to AIDS research. But in terms of audio-archeological exploration, it’s a stunner.

Take the story of Catholic, the genre-exploding act Cowley formed with Indoor Life vocalist Jorge Socarras. From 1975-79, the duo recorded a batch of songs that improbably melded krautrock, synthpop, proto-punk, and electro experimentalism with bluntly gay lyrics ("Don’t you recognize me!" Socarras commands on "I Am Your Tricks.") The tunes were so far-out for their time that Cowley’s legendary label, Megatone, couldn’t handle them, and they languished in label head John Hedges’ basement for decades.

Enter Honey Soundsystem who, along with DJ Bus Station John, are our prime bathhouse boosters. When Honey’s members heard in 2007 that Hedges was planning to retire to Palm Springs, they gained access to his literally underground repository and loaded up a truck’s worth of Megatone tapes and acetates. Among the treasure were the stunning Catholic sessions. The rumor of a golden cache of lost, weird Cowley lit up Europe’s rarified techno scene, and the Catholic tapes found their way to German minimalist Stefan Goldmann, who with partner Finn Johannsen decided to release them on their recently formed Macro label. The result, Catholic, is jaw-droppingly prescient and fills in a wealth of subcultural blanks. (You can stream the album at www.honeysoundsystem.com and www.myspace.com/cowleysocarras.)

But there may be a danger here. "This stuff is so much more popular in Europe with the straight crowd," says Honey’s DJ Pee Play. "Of course the music is for everyone, but a lot of gay people here don’t even know that this is their history." Accordingly, Honey Soundsystem, in association with the GLBT Historical Society and others, is curating a special monthlong exhibit called "Megatron Man: The Life and Times of Patrick Cowley" at Mama Calizo’s Voice Factory. The exhibit incorporates memorabilia, audio interviews, and musical tributes inspired by Cowley, sent in from around the world.

Honey’s Josh Cheon has been painstakingly recording the interviews with key figures of the era, including Cowley’s roommate and sister. "It’s been incredibly emotional," he told me. "Everything is still so wrapped up with AIDS. Patrick died of it, and this is the first chance most people have had to open up about that, to cry about it. That’s the bigger story for us as gay people with this music. It’s a resurrection not just of Patrick’s contributions, but of a whole period that’s never been truly brought to light."

Adds Pee Play, "There were so many sprits at work with this project. Just the way everything worked out, we could feel them watching over us. The whole thing — the exhibit, the release, the parties we’re planning around it — we just wanted to acknowledge that. Before it becomes something else, we want to have our time with it, for San Francisco to dance around with the spirits and reconnect."

MEGATRON MAN

Opening reception, Sun/18, 6 p.m.–10p.m.;

Exhibit through Nov. 18), free

Mama Calizo’s Voice Factory

1519 Mission, SF.

www.voicefactorysf.org

Sing out

0

superego@sfbg.com


SUPER EGO The only place social constructivism — and its attendant corollary, relativism — can fully fluoresce as a philosophical trope is in poetry. There, I said it. Never mind simply reverse-engineering facts to reach a mere equivocation. The "deep metaphysical vision" that John R. Searle attributes to constructivists in a recent New York Review of Books article is actually a deep metaphorical vision, one in which objects gingerly materialize through the screen door of mental language, sometimes banging open, sometimes clicking locked. Situations arise from their own plots.


See-line woman

Dressed in green

Wears silk stockings

With golden seams

See-line woman


+++


Was this at last our Balearic summer? Did dance music decisively turn from tracky loops to center instead on a sunny little something called "songs"?

"That Balearic era of music was so formative for me. The Stone Roses, Primal Scream, Happy Mondays, and the Verve are some of my faves," Gavin Hardkiss (www.gavinhardkiss.com), one of San Francisco’s classic Hardkiss Brothers, told me over e-mail, limning the baggier side of early rave. "Recently, I downloaded about 100 Balearic anthems from that era. I didn’t like most of them, though, so it’s not like the entire era was golden." As Hawke, a nom du disque he’s recorded under since 1993, Hardkiss has just released a nifty album, +++ (Eighth Dimension), full of sing-along electronic tunes that not only call up past Madchester glories, but also the intricate audio daydreams of Ultramarine and Orbital.

Hardkiss will forever epitomize the ’90s Lower Haight techno scene — graffiti on concrete, stars in eyes. But he’s all grown up now, and his musical complexity is complemented by the simple, practical lyrics of a new dad. "I love to make beats for DJs, but the new challenge became making songs. For this album, I had no audience in mind other than the fans who live in my house, something the family would enjoy listening to over and over. My two-year-old keeps singing my lyrics, ‘You took my money … you took my money’ and that makes me happier than anything."

He also asked several edgy artist friends to create works based on +++ tracks, which will be displayed Oct. 7-16 at Project One Gallery (251 Rhode Island, SF. www.p1sf.com), accompanied by various party events, including an opening shindig (Wed/7, 7 p.m., free), a sharp Honey Soundsystem kiss (Fri/9, 9 p.m., free) and an appearance by brother Robbie Hardkiss (Oct. 16, 9 p.m., free). Gavin promises that the art "isn’t 15 Swiss Army knife emblems."

IN FLAGRANTI


I’ve been creaming my Sergios for trip-disco lately, which stretches and tweaks rare classics without losing the red-light sensuality of the originals. Coming to a similar conclusion, but with original compositions, is Brooklyn "cut-and-paste" disco duo In Flagranti, who’ve developed an entire aesthetic that incorporates slinky synths, ’70s graphic design, bad ad piracy, horny housewives, and tunes that turn on the fog machines all by themselves.

Wed/7, 10 p.m., $5, 18+. Poleng Lounge, 1751 Fulton, SF. www.hacksawent.com

BLACK, WHITE, AND READ


No, not that kind of "read," you queen — the kind you do (or once did) with a book. LitQuake kicks off its citywide verbal smackdown with a "book ball" that hearkens back to Truman Capote’s celebrity-ridden master masques of yore. Mask yourself as your favorite scribe, light a Thai stick, and flip through the night with DJ Juanita More, rappers Khalil & Glynn, and the SF Jazz High School All-Stars. Perfectly, Miss More will also perform Carmen McCrae’s "I’m Always Drunk in San Francisco."
Fri/9, 8 p.m., $19.99. Green Room, Herbst Theatre, 401 Van Ness, SF. www.litquake.org

Funny face

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superego@sfbg.com

SUPER EGO How could anyone say no to Joan Rivers? The turbulent past, the red-carpet gushes, the petrified visage? Sure, we could blame her for Kathy Griffin and the rise of celebrity culture, but she also created the one true tagline of our time in a Geico commercial that defined a generation: “I can’t feel my face!” Recently roasted, the hysterically hysterical comedian is gracing us with her presence in early October, and the only time she could talk to me was smack dab in the middle of Folsom Street Fair. So I unhooked myself and ducked in to a Porta-Potty to call her in New York.

SFBG Hi Joan, please forgive any background noise. I’m calling you from a Porta-Potty at our giant leather fetish festival, the Folsom Street Fair.

Joan Rivers Fantastic! I’m there with you in my heart.

SFBG I remember you were here in San Francisco this time last year. The gay press published the screaming headline, “Leather Fair a huge success!” with a big picture of your face underneath it.

JR I really couldn’t ask for much more.

SFBG This year’s fair falls on Yom Kippur, so you get the beatings and the atonement all in one. Do you observe Yom Kippur?

JR I do observe it. I’m the matron of my family, so I have a huge dinner to prepare!

SFBG I’ll keep it short and sweet, then. I adore your signature line of jewelry that you sell on QVC. Lately, I’ve seen many up-and-coming drag queens wearing your items.

JR It’s such an absolutely gorgeous collection, and I’m not just saying that because it’s mine. It’s truly exquisite, and I’m sure it looks lovely on the girls.

SFBG It really does. And congratulations on your hard-fought win on this year’s Celebrity Apprentice. You went tooth and nail!

JR The best part was donating my winnings to [meal-delivery service to AIDS patients] God’s Love We Deliver, a charity I’ve been supporting for years. Let me tell you, Marke, it was such a thrilling experience. Would I do it all again? No.

SFBG At 76, you’re still doing standup. You’re doing four shows in two nights at Cobb’s. Good lord! What are the crowds like here?

JR I love San Francisco. I once lived there for a month when I was in residence at the Magic Theater and it was a beautiful time. San Francisco is smart and it’s gay. What more do you need as a performer?

JOAN RIVERS Fri/2 and Sat/3, 7:30 p.m. and 9:30 p.m., $53.50–$55. Cobb’s Comedy Club, 915 Columbus, SF. www.cobbscomedy.com ———-

FEEL THE LOVE

“Our club is for young people,” the promoter of a popular electro club responded cooly when I asked if her tribe would have a presence at LovEvolution, formerly Lovefest, formerly Love Parade, on Saturday, Oct. 3. It’s true that the programming of the massive outdoor raveathon can seem a bit, er, mature. But the all-ages party is bursting with eager youth, with a youthful outlook to match, even as it seems more and more panicky about reeling in out-of-town Big Names. The true local and new will be found on the smaller parade floats, with California Dubstep Republic, Homochic, and the “Janky Barge” looking especially twisty. And this time around, at the satellite parties, the kids are in for one holy cow of a house education. DJ Frankie Knuckles will show them why he’s the godfather of house at Temple (www.templesf.com) and the awesomely gifted and underage Martinez Brothers will represent the next soulful wave at Mighty (www.mighty119.com), both on Fri/2. Also at Mighty, on Sunday, Oct.4, is an event that everyone in Clubland is wetting their drawers for. One of the best parties I’ve ever been to (and spent a ton of frequent flyer miles on), New York City’s Body and Soul, is popping up for one night here in San Francisco, reuniting founding DJs Francois K., Danny Krivit, and Joe Clausell. It’s all too much, and that’s quite a bit of the point.

www.sflovevolution.com