Caitlin Donohue

Holiday gift guide

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culture@sfbg.com

HOLIDAY GUIDE 2011 We know. Between the blasts of pepper gas you sustained at the last Cal protest and all those “support needed” texts you’ve been receiving from Occupy Everything, Everywhere, All the Time you’ve barely had a spare moment to think about your holiday shopping list. Easy now, no need to get your bandanna in a twist. We’ve been trekking around the city (and that hella occupied burg on the other end of the Bay Bridge) for the very best in affordable presents this holiday season — and we found them all at locally-owned businesses. So don’t break the bank — occupy its lobby instead, conquered shopping list in hand. 

 

DICK VIVIAN MIX CD, $10

ROOKY RICARDO’S

There is perhaps nothing more happy than a man with soul in his heart, as anyone who watches the YouTube video entitled “Dick Vivian cuttin’ the rug at Rooky’s!” can attest. Vivian is the owner and spiritual embodiment of the venerable Lower Haight record store, which he stocks with real-cheap 45s, vintage camera equipment, and a passel of witty lapel pins and magnets.

For real holiday majick, however, one must turn to Vivian’s lovingly-crafted mix CDs. There they sit, 10 bucks a pop with witty, retro-recreation packaging, a wonderland of ’60s soul, girl bands, and more. Many of the tracks, Vivian will attest, have never been captured in CD form before. Do you have a dad who still digs on the funky sounds of his youth? A buddy who is never more happy than when she’s doing the twist? You friend, have struck shopping list gold.

448 Haight, SF. (415) 864-7526, www.rookyricardos.com

 

WOMEN’S SHOES, $8

CLOTHES CONTACT

Half the battle of holiday shopping is remaining positive. You will find the perfect token of your affection for each and every coworker, friend, family member, and postal worker. The secret to undying enthusiasm this season is patronizing shops where retailing can make you happy — which is why a visit to Clothes Contact is essential. The Mission vintage shop is a carnival of colors and patterns, and sells most of its items by the pound ($10 per!)

Some of the shop’s most attractive items are the individually-priced accessories like its bowties and fedoras, which combine for a package that’ll make even the most sartorially uninspired chappie stoked for the office holiday party. The real steal, however, is in the shoe section, where you will find women’s kicks for a pittance. $8 gets you this pair of jewel-toned slippers, whose sexy-comfy flat heels have the power to traipse with you through much more than eight crazy nights.

473 Valencia, SF. (415) 621-3212

 

BLOOD ORANGE BITTERS, $5.50

BLACKWELL’S WINE AND SPIRITS

The average behind-the-bar adventurer knows bitters to be highly concentrated blends of herbs, spices, rinds, and roots sure to add zing to a standard cocktail. This non-alcoholic blood orange bottle lends a deep, pumpkin-y hue to your drinks — as well as a slightly sweet taste.

5620 Geary, SF. (415) 386-9463, www.blackwellswines.com

 

MY MISSION GUIDEBOOK, $7

MISSION LOC@L

Mission Loc@l’s guidebook lives up to the neighborhood news site’s name: their pocket-sized collection of various Missionites’ (from grade-schoolers to aging boho poets) favorite places in the ‘hood could open the eyes of the most seasoned South Van Ness dweller to hidden gems amidst the murals and taco shops.

Available in various SF locations. Order online at www.missionlocal.org (search term: guidebook)

 

VINTAGE BOWTIES, $10

PAUL’S HAT WORKS

Paul’s Hat Shop has been around since 1918 — and the same goes for many of its hat styles. Check out the silky old bowties that sit seductively on a countertop. They come in patterns that haven’t seen the light of day for decades, guaranteeing that vintage fans recipients will wear them with care.

6128 Geary, SF. (415) 221-5332, www.hatworksbypaul.com

 

CANDY NIPPLE TASSELS, $10

GOOD VIBRATIONS

Open the door to the best kind of trouble with these dangling pasties, made from the same chalky rainbow sweets as traditional candy necklaces. Swing by Good Vibe’s newest store at 899 Mission to check out the sex toy vanguard’s downtown flavor.

Various Bay Area locations. www.goodvibes.com

 

JAPANESE HOUSE SLIPPERS, $4.89

SAKURA DISCOUNT STORE

Unless your recipient’s feet fall outside the size four to thirteen range, they can rest easy in the soft silken threads of Sakura’s house slippers. A jam-packed and family-run Japanese discount store, this spot stocks hundreds of the kicks, which are perfect for padding around the house or slipping on for a last-minute car-moving operation since yes, street sweeping is this morning.

936 Irving Street, SF. (415) 665-5064, www.sakurasf.com

 

DIY HOLLOW BOOK, COST OF SUPPLIES

YOUR HOUSE (YOU’VE GOT OLD BOOKS, RIGHT?)

A sweet present for a secretive soul: choose a book from your shelves that you’re done with (hardcover tends to work best), glue the pages together with super glue or epoxy leaving one cover free, and use an Exacto knife to cut out a square in the middle of the pages, creating a nook worthy of a Sherlock Holmes novel. Stick in a note that declares your end-of-2011 love and give to the super sleuth you fancy the most.

For more DIY present ideas, check out www.instructables.com

 

ROSEWATER CANDIED CASHEWS, $8 FOR ¼ POUND BAG

LAURA’S NUTS

Slow Food adherent Laura Forst makes the perfect housewarming present for nutters: candied floral cashews that steer clear of holiday-heavy saccharine.

www.laurasnuts.com

 

1985 MR. POTATO HEAD WITH ACCESSORIES, $10

SF MISSION FINDS

An online Etsy toybox of vintage toys and kitschy coffee cups, SF Mission Finds clearly subscribes to that old Playskool truism: “Mr. Potato Head’s other parts might get mixed up, but his heart is always in the right place.” Cop the shop’s 1985 Mr. Potato Head for the beloved misfit toy on your list.

www.etsy.com/shop/SFMissionFinds

 

MYSTERIES OF THE UNKNOWN BOOK, $5

PAINTED BIRD

Could Time-Life Books have imagined that their series on the paranormal — which was published between 1987 and 1991 and broke sales records for the publishing house — would find new popularity on the shelves of a Mission District vintage clothing store? Surely not, but the occult fan in your life will certainly appreciate the resurrection of such titles as Cosmic Duality and Spirit Summonings.

1360 Valencia, SF. (415) 401-7027, www.paintedbird.org

 

FELTED CHRISTMAS TREE ORNAMENT, $8

KATE’S CLOSET

For the holidays, this cozy little shop in Potrero Hill is selling felted ornaments made by two women who live right in the neighborhood. No need to truck out to the Christmas superstore this year (sorry, Target)!

1331 18th St., Potrero Hill, SF. (415) 624-3736


 

VEGAN MAPLE PECAN PIE, COST OF SUPPLIES

YOUR KITCHEN

Of course, you can always give them something that will, without fail, ensure that sharp intake of breath that marks the happy receipt of a caloric holiday gift-bomb. This holiday sweet from Isa Chandra Moskowitz and Terry Hope Romero’s Vegan Pie in the Sky (DaCapo Press, 233pp, $17) should do just the trick — and will win the heart of gentle vegans and fierce omnivores alike.

Makes one nine-inch pie or one 11-inch pie

INGREDIENTS:

1 nine-inch pie crust

Filling:

½ cup sugar

½ cup brown sugar

½ cup pure maple sugar

¼ cup nonhydrogenated margarine

6 ounces extra-firm silken tofu

¼ cup cold unsweetened plain nondairy milk

2 tablespoons cornstarch

½ teaspoon salt

1 teaspoon pure vanilla extract

2 cups pecan halves

First, we’re going to make a caramel. In a two quart saucepan, mix together the sugars and the maple syrup. Heat over medium heat, stirring often with a whisk. Once small bubbles start rapidly forming, stir pretty constantly for about 10 minutes. The mixture should become thick and syrupy. It shouldn’t be boiling too fiercely; if big bubbles start climbing the walls of the pan then lower the heat a bit.

Add the margarine and stir to melt. Turn the heat off, transfer the mixture to a mixing bowl, and let it cool for a bit. In the meantime, prepare the rest of the filling.

Crumble the tofu into a blender or food processor, along with the milk, cornstarch, and salt. Puree until completely smooth, scraping down the sides of the blender to make sure you get everything.

Transfer the filling to the prepared pie crust and bake for 40 minutes. When done, the pie is going to be somewhat jiggly, but it should appear to be set. Let cool, slice, and serve! No cheating and pulling pecans off the pie.

Variation: Sprinkle ½ teaspoon coarse sea salt over the cooled pie.

For more vegan recipes from Isa Chandra Moskowitz, check out www.theppk.com

 

 

FRESH SPINACH FETTUCCINE, $3.98 PER POUND

LUCCA FOODS

There’s just something that works about Italian feasts over the holidays. Maybe it’s the decadence of the cuisine, or perhaps the vivid hues of marinara, eggplant, and basil — wherever the allure lies, you can get your buddy rolling on a meal to remember with this cheap but classy gift: a pound or two of Lucca Foods’ housemade spinach pasta.

1100 Valencia, SF. (415) 647-5581, www.luccaravioli.com

 

NEIGHBORHOOD BATH SALTS, $8

URBAN BAZAAR

Few might initially elect to smell like Union Square, but Roman Ruby’s handmade soaps ($10) and bath salts are redolent in the postcard-pleasure of San Francisco’s most beloved areas. Ocean Beach (coconut and sea salt), Golden Gate Park (grass and rose), Potrero Hill (goat milk and lemon verbena), and Bernal Heights (fig and brown sugar) are all represented.

1371 Ninth Ave., SF. (415) 664-4422, www.urbanbazaarsf.com

 

ICE CREAM CONE EARRINGS, $1-4

BOOBADEEBOO JEWELRY

This sweet Etsy page is run by a self-proclaimed misanthrope right here in the city, and stocks a passel of darling, uber-affordable earrings. Made of polymer clay, ice cream cone earrings can be ordered in a variety of “flavors” — the mint is a lovely light green and bubblegum is a pretty pink dotted with green and blue sprinkles.

www.etsy.com/shop/boobadeeboo

 

ONE POUND OF INCENSE, $10

BUDDHISM FENG SHUI SUPPLY

We all know the adage about quantity and quality, but what about when you can get a lot of something that also happens to be really good? Buddhism Feng Shui Supply’s incense is high quality (meant for use in shrines) and comes in a wide variety of scents. Unless your giftee is a real burner, it’s pretty much bound to last a lifetime.

907 Clement, SF. (415) 831-1987

 

DATE NIGHT AT THE MOVIES, $5 DONATION

LOST WEEKEND

How very adorable will it be when you take your baby to this well-loved local video store for one of its cheap-as-heck movie nights? Like, very very. Grab two of the seats near the front of the store and bring their fave candy for maximum points. Film buffs rejoice: Lost Weekend’s projection screen productions tend to involve flicks not available on Netflix (in fact, in September it hosted a film festival called just that).

1034 Valencia, SF. (415) 643-3375, www.lostweekendvideo.com

 

LUBE SHOOTER, $8.95

FEELMORE 510

One touch and you’ll be touching: this handy little number from Oak-Town’s hottest new feminist-queer sex shop promises that it “puts the lube between your cheeks, not on the sheets.” That means the only unwanted friction between you and your lover over the holidays will be about whose family is more bizarre.

1703 Telegraph, Oakl. (510) 891-0199, www.feelmore510.com

 

SECONDHAND T-SHIRT, $6

NEW JACK CITY

Along one wall of this super-fly supplier of 1990s and aught-era Starter jackets, ball caps, and occasional fanny packs is the $6 t-shirt rack. Browse its hangers for tees from your giftee’s alma mater, fave sports team, or artistic nemesis: a recent trip to the store uncovered a Takashi-Murakami-designed number from Kanye West’s “Glow in the Dark” tour.

299 Guerrero, SF. (415) 624-3751, newjackcity.blogspot.com

 

CHOCOLATE-COVERED MANGOS, $9.95

TCHO

Snag a treat from the city’s most educational chocolate factory for your holiday honey — if they’re really into the fine chocolate bathing these succulent pieces of fruit you can bring them back for one of TCHO’s Wonka-fied tours of its factory floor.

Pier 17, SF. (415) 981-0189, www.tcho.com

 

ORGANIC PLANT SIX PACK, $3.69

RAINBOW GROCERY

In our experience, all it takes to restore confidence in a would-be gardener with a track record of failed ferns is a salad green seedling. Rainbow’s got the goods in this department: stock up on a sixer of Asian mizuna greens, lemongrass, chives, and more for your budding grower.

1745 Folsom, SF. (415) 863-0620, www.rainbow.coop

 

FRANK LLOYD WRIGHT PLAYING CARDS, $8.50

ROOM 4

What started out as an interior design studio has since evolved into a great resource for handpicked vintage goods, but hints of Room 4’s roots are visible in its selection of playing cards, which features a deck printed with the Prairie School architectural school progenitor’s greatest hits. Your giftee’s Solitaire game has never been this well-constructed.

904 Valencia, SF (415) 647-2764, www.room4.com

 

BEESWAX SHEETS, $4.59; WICK, 29 CENTS PER YARD

THE HOBBY COMPANY OF SAN FRANCISCO

Candlemaking is a craft pretty much anyone can conquer — and a fragrant one at that. Hobby Co.’s beeswax comes in a variety of colors, including the standard yellow. With wicks retailing for less than fifty cents a yard, expect your giftee’s electric bill to significantly drop.

5150 Geary, SF. (415) 386-2802, www.hobbycosf.com

 

TERRARIUM, $10

MISSION STATEMENT

One of the three owners of this well-turned-out Mission boutique crafts these “air plants” in bulbous aquarium bowls. Rocks, sand, moss, and greenery coexist peacefully within the bowels of the terrariums – the perfect window sill companion for your buddy who longs for more nature in their life.

3458 18th St., SF (415) 244-7457, www.missionstatementsf.com

 

Dickens and drag queens and dreidels (oh my!)

0

culture@sfbg.com

HOLIDAY GUIDE 2011 You know what would be a good present to yourself this holiday season? Some ankle weights. Imagine all the almond cake and vegan eggnog you’ll have shoved into your belly by this time next month, you soon-to-be-less-svelte snowy sexpot. Not into approximating a house arrest prisoner? How about pledging to run about to as many as the Bay’s holiday hotspots as possible this year — you’ll be a Kwanzaa cutie in no time a’tall. And with such jingling gems — from costume fairs to drag queens in Union Square and free chamber orchestra performances — you’ll come out on the other side (2012) cut and cultured. 

 

Union Square iceskating rink Good news for nervous wall-grabbers and double axel spinners alike: the holiday ice rink is back at Union Square. Cue icicle lights, grand romantic gestures, and seizing onto strangers for suddenly-needed support.

Through Jan. 16. 10 a.m.-11:30 p.m. except for when closed for private parties, $10 for 90-minute session. Union Square, SF. www.unionsquareicerink.com

 

Great Dickens Fair Before Harry Potter and Kate Middleton transformed young Americans into full-blown Anglophiles, a whole different conception of Britain flourished stateside: the Dickensian version, replete with scones and hot toddies. Walk off your burgeoning middle with a jaunt through the Cow Palace’s temporary lamp-lit alleys.

Saturdays and Sundays through Dec. 18, 11 a.m.-7 p.m., $25. Cow Palace, 2600 Geneva, SF. www.dickensfair.com

 

“The Best Time of Year” SF Symphony Christmas special concert The San Francisco Symphony and Chorus exhale classical Christmas picks and carols to a fully-bedecked Davies Symphony Hall.

Nov.30-Dec.1, 8 p.m., $25–$68. Davies Symphony Hall, 201 Van Ness, SF. (451) 864-6000, www.sfsymphony.org

 

Working Solutions holiday gift fair Showcasing San Francisco businesses assisted by Working Solutions’ micro loan programs, this fair lets shoppers pick up everything from Bernal Heights-wrought knives to chunks of Mission-crafted chocolate.

Dec. 1, 5-8 p.m., free. 101 Second St., SF. (415) 655-5433, www.tmcworkingsolutions.org

 

The Golden Girls: The Christmas Episodes Trannyshack takes on the blue-haired wonder that was The Golden Girls in a glitzy, raucous yearly San Francisco tradition.

Thursdays, Fridays, and Saturdays Dec. 1-23, 8 p.m., $25–$30. Victoria Theater, 2961 16th St., SF. www.trannyshack.com

 

A Christmas Carol There’s no better way to get in the mistletoe mood than to watch old Ebenezer slowly thaw out his icy, pinched heart in the Deco glory of the ACT Theatre.

Dec. 1-24, 7 p.m., $20–$75. American Conservatory Theatre, 415 Geary, SF. (415) 749-2228, www.act-sf.org

 

Holiday tree-lighting ceremony Jack London Square becomes a Bay-side holiday crèche two hours with live reindeer, snow, wintry tunes, and a tree-lighting to launch the flurry of the holidays.

Dec. 2, 5-7 p.m., free. Jack London Square, Oakl. www.jacklondonsquare.com


Oakland-Alameda Estuary lighted yacht parade How can yachts parade, you ask? With style, we answer — East Bay boat owners trick out their vessels with festive lights visible from the shore.

Dec. 3, 5:30 p.m., free. Visible from Jack London Square, Oakl. www.lightedyachtparade.com

 

Fantasy of Lights celebration ‘Tis the season for brilliant night-time lights, and Union Street will not be an exception. Stately Victorians provide the glowing background for a holiday gathering featuring everything from a monkey to Santa and his elves.

Dec. 3, 3-7 p.m., free. Union between Van Ness and Steiner, Fillmore between Union and Lombard, SF. www.sresproductions.com

 

San Francisco Forest Choir Imagine yourself in a snowy Narnia glen, the Forbidden Forest, or roaming through the woods with Hansel and Gretel to the music of the San Francisco Forest Choir, an all-female group who sing in Japanese and English at the Western Addition library.

Dec. 3, 3-4 p.m., free. Western Addition branch library, 1550 Scott, SF. (415) 355-5727, www.sfpl.org.

 

Sharon Art Studio winter pottery and craft sale Thousands of gleaming pieces are up for sale by this staple of the Bay Area craft scene; lug your loot home and get your bicep curls out of the way for a week.

Dec. 4, 11 a.m., free. Sharon Art Studio, Children’s Playground, Golden Gate Park, SF. (415) 753-7005, www.sharonartstudio.org

 

SF Chamber Orchestra holiday family concert Circus Bella and the SF Chamber Orchestra team up for a strangely compelling holiday pairing: clownish acrobatics set to the strains of classical music.

Dec. 4, 3-4 p.m., free with RSVP. Bayview Opera House, 4705 Third St., SF. (415) 824-0386, www.bayviewoperahouse.org

 

Gourmet Ghetto’s snow day For those Bay citizens unfamiliar with the bliss of a true snow day, the Gourmet Ghetto’s version provides a superior version to the rest of the country’s admittedly frigid ones: real snow, yes, but also crafting, hot cocoa and cookies, a Snow Queen, and the warmth of community.

Dec. 5 10 a.m.-3 p.m., free. Andronico’s parking lot, 1550 Shattuck, Berk.; 1-4 p.m., free. M. Lowe and Co., 1519 Shattuck, Berk.; Noon-4 p.m., free. Twig and Fig, 2110 Vine, Berk. www.gourmetghetto.org

 

“Winter in the Wineries” Sixteen wineries will stamp your passport for a two-month period starting December 2, enabling you to enjoy unlimited tastings, tours, and meet-and-greets throughout Napa Valley.

Various locations and times, Calistoga. www.calistogavisitors.com. $50 for one passport ticket

 

Palestinian Craft Fair Straight from the hands of Palestinian artists and craftspeople: olive oil-based soap, embroidery, glassware, ceramics, books, honey, and Dead Sea products sold to benefit their makers an ocean away.

Dec. 4, 10 a.m.-4 p.m., free. Live Oak Park, 1301 Shattuck, Berk. (510) 548-0542, www.mecaforpeace.org

 

“Songs and Harps to Celebrate the Holiday Season” Harpists of the Bay, unite! The young pluckers of the Bay Area Youth Harp Ensemble join the Triskela Celtic Harp Trio to perform holiday pieces from around the world. Singing along is not only encouraged but expected.

Dec. 6, 6 p.m., free. Main Library, 100 Larkin, SF. (415) 557-4400, www.sfpl.org

 

“Drag Queens on Ice” Break out your very best glitz for a night spent skating next to legions of SF’s drag personalities. A 9:30 p.m. performance by the queens in question ends the evening.

Dec. 8, 8 p.m., $10 for 90-minute session. Union Square, SF. www.unionsquareicerink.com

 

“A Very Shut-Ins Xmas” The vanguard leaders of the “hulabilly” sound, the Shut-Ins return with a Christmas show to benefit San Francisco’s Legal Assistance to the Elderly.

Dec. 8, 5:30-8 p.m., $20. 50 Mason Social House, 50 Mason, SF. (415) 538-3333, www.laesf.org

 

Golden Gate Park tree lighting Golden Gate Park’s hundred-foot Monterey cypress (shouldn’t it have a name by now?) transforms into a light-bedecked behemoth for the 82 year.

Dec. 8, 5 p.m., free. McLaren Lodge, 501 Stanyan, SF.

 

La Cocina gift fair Its cryptic but tasty-sounding “tamale alley” should provide enough of a draw, but La Cocina’s gift fair also promises local vendors selling organic olive oils, handmade pasta, and mushrooms nourished by recycled coffee grounds. Pretty easy to stomach.

Dec. 9, 5-9 p.m., free. Mission Cultural Center for Latino Arts, 2868 Mission, SF. www.lacocinasf.org

 

Winter Wunderkammer holiday art sale The most you can spend here on one item is 50 bucks, the least a dollar. Accompanied by spiced wine and tunes, small-format works from local artists are on sale. Proceeds from this walk-in curio cabinet benefit The Lab and participating artists.

Opening party Dec. 9, 6-11 p.m., free. Also Dec. 10, 11 a.m.-4 p.m., free. The Lab, 2948 16th St., SF. (415) 864-885, www.thelab.org

 

California Revels Ah, the revels. This year, the interactive period presentation will sit you smack down at the Round Table. Dance and sing, young knight — no one’s mocking you at this costume-heavy conclave.

Dec. 9-11, 16-18; Fri. 8 p.m., Sat. and Sun. 1 p.m. and 5 p.m., $19-52. Scottish Rite Theater, 2850 19th Ave., SF. (510) 452-8800, www.californiarevels.org

 

SF Ballet’s Nutcracker Even with its lampoonable name, the Nutcracker remains a incomparable date choice for its lush costumes, fantastical storyline, and ability to trigger childhood flashbacks.

Dec. 9-25, various times, $25–$285. War Memorial Opera House, 301 Van Ness, SF. (415) 865-2000, www.sfballet.org

 

Misfit Toy Factory For one evening, artists cobble together sculptures, toys, and gifts under one roof to the beat of DJ Yukon Cornelius. Items are sold at the end of the evening for a fixed price of forty dollars.

Dec. 10, 7-10 p.m., free. Root Division, 3175 17th St., SF. (415) 863-7668, www.rootdivision.org

 

The Revolutionary Nutcracker Sweetie A radical alternative to the holiday classic, Dance Brigade’s version features Clara, an undocumented worker, a homeless Sugar Plum Fairy, and an angel of resistance.

Dec. 10, 2 p.m. and 6 p.m.; Dec. 11, 1 p.m. and 5 p.m., $15–$17. Brava Theater, 2781 24th St., SF. www.dancemission.com

 

Hanukah festival of light Geared towards the younger set and their handlers, the JCC East Bay’s festival of light features storytelling, menorah making, dreidel games, and a concert by Isaac Zones, a mainstay in the Bay’s Jewish music scene.

Dec. 11, 10 a.m-2 p.m., $5. JCC East Bay, 1414 Walnut, Berk. www.jcceastbay.org.

 

“Holidays: Christmas, Chanukah, and Other Festive Celebrations” lecture Library docents present an examination of paintings from around the world dealing with everyone’s favorite subject: the giving, feasting, and receiving endemic to the holiday season.

Dec. 14, 6:30-7:30 p.m., free. Glen Park branch library, 2825 Diamond, SF. (415) 355-2858, www.sfpl.org

 

Mechanics’ Institute holiday gift and poster sale The staggeringly lovely Mechanics’ Institute hosts a large sale of hard-cover and paperback books, gifts, and posters straight from its library.

Dec. 15, 4:30-6:30 p.m., free. Mechanics’ Institute, 57 Post, SF. (415) 393-0100, www.milibrary.org

 

Holiday youth mariachi concert Three zestful youth mariachi bands perform traditional Mexican holiday music, providing an energizing segue into a sometimes exhausting season.

Dec. 16, 7:30 p.m., $10. Mission Cultural Center for Latino Arts, 2868 Mission, SF. (415) 643-2785, www.missionculturalcenter.org

 

Holiday Memories double feature Head back to the times of toboggans and candle-lit windows with two short films recounting rural winters of yesteryear. A Child’s Christmas in Wales visualizes Dylan Thomas’ Welsh childhood; The Sweater animatedly recounts Roch Carrier’s Quebecois, hockey-centered upbringing.

Dec. 17, 2 p.m., free with $15 museum admission. The Exploratorium, 3601 Lyon, SF. (415) 561-0360, www.exploratorium.edu

 

Renegade Craft Fair holiday market For the third year and showcasing more than 250 makers and craftspeople, the Renegade Craft Fair’s holiday happening can be a bit overwhelming. But it’s an undeniably great answer to gifting woes: pick up jewelry, body products, paper goods, clothing, and way, way more, all DIY enough to satisfy your most loca-ttired friend.

Dec. 17-18, 11 a.m.-6 p.m., free. Concourse Exhibition Center, 635 Eighth St., SF. www.renegadecraft.com

 

Reclaiming Yule ritual It may be chilly outside, but Sebastapol’s midwinter celebration (led by Starhawk, a leader in Bay Area earth-based spirituality) is indoors and full of warmth-inducing activities, namely dancing in honor of the Earth and Sun.

Dec. 18, 6:30 p.m., $7. Sebastopol Community Center, 390 Morris, Sebastapol. www.reclaiming.org

 

Solstice Eve celebration With a bonfire and roles doled out to participants (rocks, trees and mists), celebrating the longest night of the year on Ocean Beach is actually rather toasty. Bring items to release into the transformative fire — love letters are just the starting point.

Dec. 20, 3:30 p.m., free. Ocean Beach at Taraval, SF. www.reclaiming.org

 

Bill Graham menorah lighting The lighting itself takes place at 5 p.m., but the hours-long run-up is by no means lacking: traditional Jewish music, arts and crafts, and menorahs for every child fill Union Square starting at 3 p.m.

Dec. 20, 5 p.m., free. Union Square, SF. www.chabadsf.org

 

Kujichagulia celebration Kwanzaa’s day of personal definition and expression comes to City Hall, followed by a candle-lighting ceremony and dinner at Gussie’s, known for its fried tasties, red velvet cake, and Southern sweet tea.

Dec. 27, noon, City Hall, SF., 6 p.m., Gussies Chicken and Waffles, 1521 Eddy, SF. www.kwanzaasanfrancisco.com

 

Ujima celebration On Ujima, the third day of the week-long Kwanzaa holiday, community members gather to celebrate a collective spirit of responsibility and work.

Dec. 28, 3-6 p.m., free. Bayview Hunters Point YMCA, 1601 Lane, SF. www.sfpl.org

 

Keeping Score: Ives Holiday Symphony screening Unrecognized at the time of his death, experimentalist composer Charles Ives labored over his Holiday Symphony, which now gets fitting recognition by the San Francisco Symphony in a library concert that follows an hour-long documentary on the man.

Dec. 29, noon, free. Main Library, 100 Larkin, SF. (415) 557-4400, www.sfpl.org

 

Kuumba celebration Fittingly, the main San Francisco celebration of Kwanzaa’s Kuumba (day of creativity) occurs in the Jazz Heritage Center, a space shared by musical hotspot Yoshi’s. Celebrate the Fillmore’s manifold musical virtuosos on the last day of the year.

Dec. 31, 1-5 p.m., free. Jazz Heritage Center, 1330 Fillmore, SF. www.jazzheritagecenter.org

Dear Obama

0

caitlin@sfbg.com

HERBWISE Dear Obama,

Hey, how are you? You haven’t responded to my tweets, so I though I’d get at you on here. We have some things to discuss.

In all of the hubbub surrounding Occupy, the nationally-coordinated strikes on encampments, the general unrest, and the inspirational organizing taking place during this dour period of history our country is now experiencing, you’ve made next to no response.

But your federal agencies have managed to find time in the middle of said havoc to attack marijuana dispensaries and grow-ops that are legal under state law. Last week, they raided (way too much of that word going around these days) 15 of them in Washington State.

Weird, why?

On a related note, we need to talk about Sativex. Oh what, you thought we didn’t know? Don’t make this turn into a Beyonce video.

Let me tell you what I’m for sure about, and then we can talk about what I don’t understand.

I know for sure that Sativex is a drug developed by British company GW Pharmaceuticals, which declined to answer any of my phone calls while researching this letter so it’s a little unclear where exactly the drug stands on its path to legality in the US (it’s already being prescribed in Europe and Canada). Sativex is used to treat multiple sclerosis spasticity, or muscle tightness. Currently, it is in Stage III trials in the United States for use in the treatment of cancer patients, trials that are being conducted by Otsuka Pharmaceuticals, the company handling the drug’s development in the US.

Sativex (and this really gets to the heart about why I’m writing to you via the Guardian cannabis column) is made from marijuana. It has been tinctured and refined into a mouth spray that contains both THC, and — unlike the synthetically engineered Marinol, which is currently being prescribed in the United States to deal with nausea and lack of appetite in cancer patients — cannabidiol, or CBD, the other cannabinoid in marijuana. It doesn’t work as fast as smoking the stuff though, in a doobie say, or bong.

But it is still cannabis albeit in an adulterated form and if things proceed as they have been, doctors will be able to legally prescribe it. Of course, it’ll be way more expensive than Humboldt’s finest — estimates for cost of treatment are pegged around $16 a day.

Now. The other day, as I wrote in this selfsame column (“Some joy in Mudville”, 10/16/11) I ran into a one Lynette Shaw, who runs the Marin Alliance for Medical Marijuana. She’s a patient herself and has been fighting for safe, comprehensive access to medical cannabis for over two decades. Her Fairfax dispensary, which sits on land the city specifically zoned for the purpose, is in danger of being closed because federal agents have threatened her landlord with jail time for allowing his property to host illegal drug trafficking.

Marin County, for whatever reason, has one of the highest incidents of breast cancer in the country. Is this where Sativex will be marketed?

We’ve all been wondering, Prez, why on Earth your administration would choose this moment in time to make moves on state-legal growing operations. We’ve been told that it’s election year maneuvering, but even that’s not cynical enough for me.

Here is what is not: you’ve received more than $1.6 million from the health sector — doctor’s associations, health insurance companies, pharmaceutical companies — since the beginning of the year. That’s more than any other candidate, in fact you edged out the next runner-up Mitt Romney by over $700,000. It would appear that Big Pharma has identified its horse in this race.

So that’s it on my end. From you, I’m just looking for some answers. Why processed drugs over plants? Why does cannabis have to be passed through a lab and profit the pharmaceutical industry to get fair clinical trial testing? Must all of our medicine be corporatized to be deemed beneficial to us?

My email’s up there.

 

Sincerely,

A Concerned Citizen

The faces and voices of Occupy

33

Who are the 99 percent — and what are they saying? It’s not what you read in the daily papers

To read some of the accounts in the daily papers in San Francisco, and hear some of the national critics, you’d think the people in the local Occupy movement were mostly filthy, drunk, violent social outcasts just looking for a place to party. Or that they’re mad-eyed anarchists who can’t wait to break windows and throw bottles at the police. Or that they’re a confused and leaderless band that can’t figure out what it wants.

When you actually go and spend time at Occupy SF and Occupy Cal and Occupy Oakland, as our reporters have done, you get a very different picture.

The Occupy movement is diverse, complex and powerful. It’s full of people with different backgrounds and perspectives. And they all agree that economic injustice and inequality are at the root of the major problems facing the United States today.

Here are some of those people, the faces and the voices of Occupy — and a celebration of the lives they’re living and the work they’re doing.

 

The student

Jessica Martin reflects on the First Amendment

Guardian photo by Rebecca Bowe

Jessica Martin stood and held her sign high on the steps of Sproul Hall, at the University of California at Berkeley, while a jubilant crowd of students jammed to classic dance party tunes and set up tents. They were invigorated by a general assembly that had attracted thousands following a Nov. 15 student strike and Day of Action called as part of the Occupy movement. (Their tents were cleared in a police raid two days later, yet students responded with flair, suspending tents high in the air with balloons.)

Martin’s sign proclaimed, “Remember the First Amendment,” and she’d written the text of the Constitutional right to free speech on the other side.

“My mother stood on the steps [of the Lincoln Memorial] in D.C. with Martin Luther King as part of the ‘I Have a Dream’ speech,” said the graduating senior, who’s majoring in Japanese and Linguistics. “And now I stand on the steps of Sproul Hall,” — the birthplace of Berkeley’s Free Speech Movement — “in front of the Martin Luther King Student Union, to defend my First Amendment rights.”

She expressed solidarity with students who were brutalized by police Nov. 9 following their first attempt to establish an occupation.

“Part of what [police] are here to serve and protect is the First Amendment,” Martin said. But on that day, “They met the First Amendment with violence.” (Rebecca Bowe)

 

The artist

Ernest Doty responds to police brutality

Guardian photo by Rebecca Bowe

In Oakland, a young veteran named Scott Olsen suffered a fractured skull and brain injuries after being hit with a police projectile at an Oct. 25 Occupy Oakland protest. Ernest Doty was one of several who ran to Olsen’s aid and carried him to safety.

“Immediately after I saw Scott go down … I knew I had to get him, and get him out of there,” Doty recounted. “I whistled at another guy, and we both ran in. The cops were shooting at us with rubber bullets.” As they ran up, he said, a flash grenade blew up next to Olsen’s face, just inches from his head injury.

Doty, 32, recently moved to the Bay Area from Albuquerque, New Mexico. An artist who also does spoken word performances, he’s camped overnight at Occupy Oakland and has incorporated words and images from the Occupy movement into his artwork and poetry.

He’s also been personally impacted by tragedies arising from police interactions: Both his stepbrother and his cousin — a veteran who suffered from post-traumatic stress disorder — were shot and killed by police in New Mexico.

Occupy Oakland “has managed to create a community out of chaos,” Doty said. “I think that this movement is going to continue to grow. It’s the 1960s all over again, but it’s broader. It’s going to be a long road. I think encampments, marches, and protests are going to continue into the next year.”(Bowe)

Ernest Doty’s next art show is Dec. 2 from 7 to 11 p.m. at Sticks + Stones Gallery, 815 Broadway, in Oakland.

 

The peacekeeper

Nate Paluga deals with camp conflict

Guardian photo by Mirissa Neff

Does this man look like he’s an occupier? Depends on your perception of the movement. He’s not homeless — he’s a bike mechanic who lives in Nob Hill and whose girlfriend only tentatively accepts that he’s camping in Justin Herman Plaza. He is young, blunt, and possesses the intense gaze of an activist, belied by a snug red-white-and-blue biker’s cap with “USA” emblazoned on the underbelly of its brim.

Paluga, a self-proclaimed philosopher, has grabbed upon the concepts of “fairness and equality” as the core values of Occupy. “This movement means something different to different people, but I haven’t found anyone that disagrees with those being some core values,” he said as he showed off the bike he uses to move as much as 100 pounds of food and equipment for the camp.

His core values are his guidelines in his other role at Occupy SF: peacekeeper. Paluga said he and others often intervene in the disagreements that can arise in a group-run housing situation populated by diverse socioeconomic and cultural backgrounds.

He said that with aggressive individuals it’s important to reinforce why they’re all there. “They’re coming from places where there wasn’t a lot of equality and justice and they’re bringing that with them. You gotta step in and tell them it’s gonna be okay.” (Caitlin Donohue)

 

The nester

Two Horses’ permanent protest

Guardian photo by Mirissa Neff

Two Horses might have the most welcoming tent at Occupy SF. Brightly stocked flowerboxes and a welcome mat are outside; inside, the one-time property manager and current homeless man has arranged an air mattress, carpet, and princess accommodations for his 12-year-old blind white cat Luna. There’s even a four-foot tall kitty tower.

The agile feline moves toward the sound of his hand tapping on the floor. “I like the idea of a 24-hour protest,” said Two Horses. He came to the camp a few weeks ago and was impressed by the quality and availability of food available in the encampment’s kitchen, where he said donations come from all over (“it comes from the 99 percent”) at all hours of the day and night.

“I knew I had to do something, so I started volunteering.” He now works the late shift, a core kitchen staffer.

When Michael Moore came by the plaza, Two Horses was impressed. “It wasn’t so much what he said but how he came shuffling up with no entourage, no security, no assistant with a clipboard.” He would, however, like to see more communication between Occupy camps, maybe a livestream video screen to see other cities.

He seems quite at home in his surroundings. “My goal is to look as permanent as I can,” he said, the corners of his mouth turning up crookedly, happily. (Donohue)

 

The healers

Med tent volunteers from the nurses’ union do it for the patients

Guardian photo by Mirissa Neff

Melissa Thompson has a kid who’s looking at college options; she hopes her family can figure out a way to afford education in a state where public university tuition continues to rise.

But that’s not the only reason she’s at Occupy SF. On a cloudy Friday morning, Thompson sat outside the encampment’s med tent, where she tended to cuts, changed the dressing on wounds, and provided socks, blankets, and tools for basic hygiene. It’s her trade — she’s a nurse, one of the many California Nurses Association members sick of cuts to the country’s public and private health options who were eager to lend their services to the movement.

She’s also one of the determined crew that enlivens Occupy Walnut Creek. What’s it like out there? “It’s been good,” she assured us, brightly. “We’re on the corner, by the Bank of America? We’ve had great reactions at Walnut Creek.”

Thompson said she got involved because “I love being a nurse, number one.” Corporate greed, she said, has led to cuts in her patients’ insurance, leaving them to make tough decisions between feeding their family and filling the prescription for their post-dialysis medications.

She said he hopes the politicians are listening to Occupy. “I don’t understand what the problem is. They need to open up their eyes and see how they’ve damaged us.” (Donohue)


The fabulous

Li Morales and Molly Goldberg talk about Queer Occupy

Queers have long been resisting the ravages of the one percent on the 99 percent. Resistance has looked like coming together on our own, on our own terms, with our own names, genders, and chosen families. Like the (decolonize) occupations in San Francisco, Oakland, around the country and world, our resistance is made out of a stubborn imagination, and can be messy. We are a menagerie of magnificent beasts, with all of our struggles and limitations firmly at the center of the fabulous and fucked-up world we make for ourselves.

In HAVOQ/ SF Pride at Work, we imagine queerness not as a What, an identity whose boundaries we seek to police, a platform from which to put forth our One Demand. Rather, we imagine it as a How: a way of being with one another. We call it Fabulosity. And Fabulosity means drawing on queer histories of re-imagining family as a way of expanding circles of care and responsibility. Fabulosity is to affirm the self-determination of every queer to do queer just exactly how they do. It affirms that under the banner of the 99 percent, we are all uniquely impacted by the ravages of the 1 percent and we come with a diversity of strategies and tactics to resist and survive.

In the gray areas lives our emerging autonomy and interdependence — an autonomy not contingent on capitalism’s insistence on utility. We are not useful. We are not legible. And in that lack of utility and that illegibility, we are not controllable. Because we do not have one demand, but rather a cornucopia of desire. We’re making our fabulous fucked-up world for ourselves, with each other. We always have. (Morales and Goldberg)

Li Morales and Molly Goldberg are members of SF Pride at Work/HAVOQ, a San Francisco-based collective of queers organizing for social and economic justice.

 

The mechanic

reZz keeps Occupy’s tires filled

Photo by David Martinez

On a Sunday afternoon at Occupy SF, Bike Kitchen volunteer reZz exported the education-oriented bike shop’s mission — and its tools — to Justin Herman Plaza. There he stood, fixing alignment on the wheels of passers-by and occupiers — for free. “Occupy Bike Shop,” as he and other volunteers have come to call the service, has been tinkering out in the plaza two to three times a week.

“It’s been lovely,” he said later in a phone interview with the Guardian. “I’ve purposefully been in a place where it’s open to people in the encampment and people who are passing by. People who stop want to see the occupation in it’s most positive light.” reZz wouldn’t consider camping out at Occupy, but that’s not to say that he doesn’t truck with the movement’s message that public space can — and should — be repurposed.

An avid biker himself, he thinks public bike repair is a great re-envisioning tactic. And fixing poor people’s bikes sends its own message. “This year’s junk is an invented need,” he said. “We’re falling into debt because we think we need a new car every year. Part of the idea of fixing people’s bikes and showing them how to do it brings us away from the artificial scarcity whereby the robber barons and capitalists insist we have to struggle against each other instead of working with each other.” (Donohue)


The medic

Miran Istina has cancer — and helps others

Guardian photo by Yael Chanoff

It had grown dark, and the OccupySF camp was restless as many signs pointed to a raid that night at 101 Market Street. But 18-year-old Miran Istina sat calmly on the sidewalk, medical supplies spread over her lap. “As a medic for OccupySF,” said Istina, “It’s my job to have a well-supplied, well-organized medical kit.”

The tall, wide-eyed teenager, who spends some of the time in a wheelchair, is not just a medic at camp. She has done police liaison and media work as well. And she has a remarkable story.

When she was 14, Istina was diagnosed with chronic myelogenous leukemia. Her family had purchased her health insurance only three months before, and the cancer was in stage two, indicating that she had been sick for at least one year. So the company denied her treatment, which would include a bone-marrow transplant, radiation therapy and chemotherapy, on the basis of a pre-existing condition.

Her family bought a van, left Sisters, Oregon, and started searching for somebody who would treat her. They traveled around the country three years, desperate for the life-saving treatment but unable to pay for it.

Just after her 17th birthday, Istina left her parents in New York and began hitchhiking back to Oregon. “That was my way of saying, I’m done looking for treatment. I’m going to do what makes my heart happy.”

After a little over a year of traveling and exploring her interests, Istina made her way to San Francisco. She was sleeping in Buena Vista Park when she “heard some protesters walking by, going ‘occupy San Francisco! Occupy San Francisco. I figured they were a bunch of radicals and that a street kid like me really wouldn’t be welcome.'”

A few nights later, she did go check it out, looking for a safe place to sleep. “They explained to me what it’s about, and why we’re here, and my story directly sat inside of that.”

She has been living and organizing with OccupySF ever since. She got involved with the medic team after spending a night in the hospital for kidney failure, then being treated for nine days, free, in the camp’s medical tent. “They realized I had a lot of skill as a medic, and gave me a kit.”

In the midst of recent media attacks on the OccupySF community, Istina is defensive: “Every community has its assholes. Every community has that pit that no one goes into because it’s just yucky. For some people in San Francisco it’s the Haight, for the the Haightians- you know, the Haight people- it’s the financial district. For other people it’ll be somewhere else. But I love the community here. “I’ve been hurt by a lot of people in my life,” said Istina. “But I think I can make that right by holding to this pure-hearted motto of universal and unconditional love, for everyone. No exceptions.” (Yael Chanoff)

There are homeless people and mental problems at Occupy encampments? No duh, that’s the point.

23

The SF Examiner reporter that embedded at the Occupy SF camp just brought back a titillating story of pants-off rowdies, pot smoking, and screaming. This is how it starts (I swear):

The third major fight at the Occupy SF encampment was supposed to be the last of it Monday night after about 100 protesters banished “Jimmy the Instigator.”

Most protesters believed he was responsible for about half the brawls that broke out there in recent days. Once he was gone, tensions eased, and a heartwarming singalong forecast a peaceful night.

Then Nick took off his pants, the drugs and alcohol took their toll and the violence returned.

Examiner staff writer Mike Aldax spent 24 hours at the encampment undercover. He didn’t tell anyone he was a reporter or his real name, which I can tell you is A) arguably unethical as a journalist in a situation that doesn’t explicitly call for it and B) a great way to ensure that you don’t have any honest conversations with any of the people you’re reporting on. 

It’s fine if you’re just there to find ways to belittle protesters though! Like this gem: 

The east side now resembles a scene from “Pirates of the Caribbean.” Drunk people are fighting and yelling incessantly as someone sings a folk song in a low, bluesy voice.

I mean, that verbal imagery is hilarious but then, making fun of addicts is kind of like shooting fish in the bucket. Ahem, homeless fish that have run into all the injustices and inequities in life that the Occupy movement has sprung up in reaction to. 

Aldax differentiates the troublemakers from “responsible protesters” and tells tales of people with mental illness, not to mention someone who asks him for money, hugs him, and asks him for more, and of course, an incident in which he is told to turn his camera off. Of course, he’s undercover so the person that asks him to do so calls him by his psuedonym, which is Mickey (which I consider a fake name with flair, btw, begrudging props). 

I was also at the encampment the other day interviewing occupiers to get a deeper understanding of the society that’s sprung up in Justin Herman Plaza. Only I told the occupiers my real name. Even though I am a member of the media, I am of the belief that even if you are homeless you still merit the basic standards of human interaction. 

A photographer and I were at the Occupy SF info table when Nate Paluga (by the way Examiner, the occupiers have last names), came up and pointed to a cardboard sign that read “equality and justice” amid the brochures and fliers. “I did that,” he told me. “I’m kind of the camp philosopher. This movement means something different to different people, but I haven’t found anyone that disagrees with those being some core values.”

It turned out he was a bike mechanic who left his apartment in Nob Hill to come live at the camp. He also was one of the camp peacekeepers, and knew a fair amount about the “addicts, opportunists, and people suffering from mental illness” profiled in the Examiner post. 

Here’s the thing, Paluga told me – there’s a reason why people are like that. 

“They’re coming from places where there wasn’t a lot of equality and justice and they’re bringing that with them. You gotta step in and tell them ‘you’re gonna be okay.’”

That’s the role he fills on camp, but he says that kind of intervention also serves to reinforce the camp’s core values.

At Occupy SF, there’s a 70-year-old woman who is nuts. She screams a lot, occupiers told me. But she’s also a barometer for them: when people freak out on her, the craziest one there, others know that that person needs to be spoken with, and reminded of why OccupySF is there in the first place. Because we’re all crazy in our own way. There’s homeless people with mental problems at Occupy because there are homeless people with mental problems everywhere — it’s just that at the Occupy encampments they’re not precluded from being heard because of it. 

Paluga wasn’t denying that disruptions or evictions happen at Occupy – but also he was acknowledging that the movement has the responsibility to deal with trodden-upon people in a different way than the castigation techniques of our legal and social system. “You’ll see it,” Paluga told me. “People will step in.”

This line kills me in the Examiner article. In it, Aldax considers the failure of Occupy if the “good” and “bad” protesters are forced to co-exist:

As long as these two communities live side by side, it’s hard to see how the movement’s message will ever transcend the storyline being scripted by the troublemakers. 

But what about the storyline being scripted by the mass media?

Occupy your imagination: Tomorrow, hear the words of a Mission son

0

It’s getting into the grind time for the Occupy movement. The first, brilliant tactic of camping out in our nation’s towns and cities is meeting with a nationally-coordinated crack-down, just like we all knew it would. It’s time for phase two.

Benjamin Bac Sierra knows a lot about reimagining. The author survived an adolescence among the Mission gangs to publish the first novel by a native son to come out of the neighborhood in decades

“Once upon a time,” he writes on his blog announcing a lecture tomorrow (Thu/17) at City College,  “the truth was that I was supposed to be a dishwashing convict criminal and to disagree with that truth was to fight the universe.”

With the raid on Zuccoti Park, the raids on Oscar Grant Plaza, the violence on the UC Berkeley campus (?!?), it’s clear that the warriors of Occupy are in need of some uplift – and they’re certainly in need of a plan. 

“To invent your destiny, you must appreciate your base knowledge and synthesize it with other knowledge or predictions, and create something new, unimagined by others,” Bac Sierra writes. Sure, it’s New Agey and maybe his presentation isn’t geared exactly towards camping activists – but this is a man from a section of society that gets a raw deal, who has subverted the “rules” and come out on the other side with a family, a teaching gig at City College, a luminous book, and self-worth.

It might be worth a trip to City College to hear him at this point, just sayin’. 

 

“Inventing Your Destiny” presentation by Benjamin Bac Sierra

Thu/16 1 p.m., free

Diego Rivera Theatre

City College of San Francisco

50 Phelan, SF

todobododown.wordpress.com 

 

Some joy in Mudville

0

caitlin@sfbg.com

“I like the way you trim it/I got to bag it/Bag it up.” A ganja-fied version of Blackstreet’s “No Diggity” was playing over the speakers the night of Saturday, November 12 at 847 Lounge, an event space above the SoMa dispensary Green Door. The party’s mood was — yes — high as patients awaited the announcement of the winners in three categories of cannabis products at the Patient’s Choice awards ceremony, conversation with the activists and patients assembled in the room veered towards the serious.

Medical marijuana activist Mellody Gannon enjoyed the scene from a table in the center of the room: “As a patient, it’s really important right now that things like this are going on,” she said. Amid puzzling federal crackdowns, the future of her medicine is smoky. Recent pressure from the Department of Justice on landlords and banks has caused many dispensaries to consider shutting their doors (see “Feds crack down,” 10/12/11).

Which is why she was heartened to see cannabis connoisseurs coming together to celebrate the best of what California cannabis producers have to offer.

This year’s Patient’s Choice event was a much more intimate affair. Attendance was open to the public in 2010, but this year was limited to dispensary staff, activists, and the patients who had paid the $350 for a judge’s testing package. Judges had to sample over 30 strains (not to mention other products) in the 10 days leading up to Friday, when their votes were tallied and winners announced to stoned elation.

The event, sponsored by many of the city’s best-known dispensaries, was a fundraiser for Americans for Safe Access (ASA), an organization that promotes secure and available ways for prescribed patients to access medical marijuana.

Gannon, a patient since 1996, said that ASA’s advocacy is important — many times her doctors have turned up their nose at the medical efficacy of her marijuana prescription. “They tell you that you’re crazy or just a pothead,” she said.

After breaking a host of bones in a car accident, she relies on cannabis to mitigate chronic pain. “If they start closing these clubs, where are you going to go?” she asked.

Lynette Shaw sat nearby, smoking a strain home-grown buds she’s named Bonanza Jellybean. Shaw founded the Marin Alliance dispensary in Fairfax in 1997 after working on the Proposition 215 campaign the year before. She obtained special zoning from the city for the dispensary and insisted “we’ve done everything they told us to, even when the rules changed. We’re completely regulated to the satisfaction of the community.”

Nonetheless, one of the Department of Justice’s cease-and-desist letters landed in the mailbox of her landlord. Now unless something changes, Shaw’s dispensary — located in a county with one of the highest rates of breast cancer in the nation — will be out on the streets. Her landlord was threatened with 40 years in prison for renting to an illegal drug trafficker.

While others have pegged the Obama administration’s about-face on the tolerance of medical cannabis to election year grandstanding, Shaw thinks the persecution of state-legal marijuana operations like her own is a harbinger of much more dire civil rights violations.

“They’re trying to break the Constitution over marijuana. That’s why it’s important that we fight back now,” she said.

It was clear from the crowd at 847 Lounge that the medical marijuana movement wasn’t going to lose their meds without a fight. Perhaps strangely, the family producers that proudly hoisted their glass, Stanley Cup-looking trophies for best strain and other products still had an air of winning about them.

Maximum Consumption: Justin Bua finds the vegan in hip-hop

4

Hip-hop and jazz visual artist Justin Bua is reeling off the pillars of vegan hip-hop.

Mr. Wiggles, DJ Qbert, Russell Simmons, Dead Prez, KRS-One, Mear One – I think GZA from Wu Tang? But I’d doublecheck that.” (It turns out he’s at least vegetarian, as are four members of the Wu) “I think being vegan is the ultimate expression of hip-hop,” says the B-boy cum bestselling poster artist. 

It was a novel twist to our conversation, which took place over a table at Gracias Madre, Cafe Gratitude’s vegan Mexican restaurant in the Mission. Bua’s new coffeetable portrait book, The Legends of Hip-Hop (Harper Collins, 160 pp, $34.99) came out earlier this month, and he had just performed at the Independent the night before in a show that he hopes to take around the country in 2012. The Bay’s DJ Qbert – one of Bua’s subject for Legends, who was just finishing up his plate of food at the table when I walked into the restaurant – and others had spun while Bua hosted and supplied visuals. The show had sold out, the painter told me. He said tickets were going for “$60, $70” from scalpers. 

But back to veganism. 

“It’s irreverant, subversive, truth,” Bua mused over a creamy, vegan coconut pie when I asked him about the connection between hip-hop and eschewing dairy. “It’s about having a clean head and mind.”

C’mon, even Tupac was on this level. “Let’s change the way we eat, change the way we live, change the way we treat each other,” Bua quotes. “Let’s change the way we eat? He was talking about going vegan.” 

This is Bua’s jam – changing the world through personal actions. He sees his own work to document hip-hop’s legendary emcees, DJs, graffiti artists, producers, and B-boys as a entry in the historical record. Of his swirling, regally distorted works he says “they’re really in the tradition of the Grecos, the Raphaels, the Rubins” – artists which once documented the elite and created some of the few lasting visuals of the times in which we live. 

“I’d like people to take away from The Legends of Hip-Hop that these people are as historically revelant as the kings and the queens, those are the important people of the time.”

He says that given the hip-hop generation’s spending power, that the music has the capacity to change the world. And that it could do it through veganism, the rejection of industrial farming and that invasive act of consuming a fellow earth-dweller. “The ultimate form of respect is to not eat each other. That’s fucking weird.” 

To that end, Bua is considering launching a hip-hop-oriented eco-festival, featuring presentations by the food scientists whose findings have helped change his own lifestyle. So taken is he, in fact, by the power of food, that he and girlfriend Ruby Roth started a cooking blog called We Be Vegan, and he has an affordable super food drink in the works with nutritionist David Wolfe. He calls Wolfe “the most knowledgable person I’ve ever met in my life – and I’ve met Cornell West and Bill Clinton.” He hopes to drop the product in the next few months, insisting “you have an experience when you drink it.”

Ultimately, he’d like to see the people that take strength like he does in hip-hop’s powerful figures translate their message into taking control over their diets. Corporations, he said, can be toppled by what’s in your kitchen cabinet and lower intestine. Big companies should never be trusted to care for the health of the people.

“They know that they’re putting garbage on your plate, but they don’t care because the want that money. We gotta eat simple. Seven billion people on this planet is unstable. You can’t feed the world meat.”

 

Second chances at the Cadillac Hotel

3

Never let it be said that the Cadillac Hotel’s lobby is a stranger to people in need of a do-over in life. Muhammed Ali sparred in the gym that once stood here, Jerry Garcia slept upstairs, but nowadays the historic Tenderloin hotel is home to poor, single adults. On Friday afternoon, a collection of residents, neighbors, and opera were assembled for a tale of redemption, fall from grace, redemption, fall from grace. 

No, not a biblical sermon – try a performance of Porgy and Bess.

“If you didn’t start out right you can hit reset. That’s what we believe in. Everything we’re giving to you right now, you’re giving right back to us.” San Francisco Recovery Theatre director Geoffery Grier stood in front of the Cadillac’s pride and joy – an 1884 Steinway grand piano, donated in the name of Western Addition neighborhood activist Patricia Walkup. 

The show was part of a series that was inaugurated in 2007 to utilize the Steinway and bring art into the classically beautiful lobby of the Cadillac, where SRO residents shuffle about past crystal chandeliers, fake spiral topiaries, and a massive fireplace. The hotel’s founder, Leroy Looper, passed away two months ago. His wife Katherine is pushing on with the concert series, and next month will host former member of the Supremes Susave Green in the space.

Of course, it wasn’t the whole Gershwin opera (four hours!) What Grier emceed was a one-hour rendition of Porgy and Bess‘ most well-known songs: “Summertime,” “Ain’t Necessarily So,” “A Red Haired Woman.” The performers vamped their way through multiple characters – at one point Eric Ward (who changed from a red dress shirt-vest combo to a blue dress shirt-vest combo halfway through the show) took the stage two songs in a row, a different role for both. The multiracial cast may have stumbled through Gershwin’s heavy-handed use of ebonics, sure — but there was no denying that the motivation behind the performance was heartfelt.

The whole thing was cheer-worthy really. By the time the cast (minus a regal, leonine woman bedecked in pearls that sang a R&B-afied version of “Summertime”) was performing a sing-a-long rendition of “O Lawd, I’m On My Way,” I was already feeling separation anxiety. 

Of course, as Grier reminded us, the end of the show just means we can do it all over again. 

Next month’s Cadillac performance will mark an extra-special milestone: the piano’s turning 127 years old. There will be birthday cake.

 

Susave Green feat. the Jeffery Chin Trio

Dec. 2 12:30-1:30 p.m., free

Cadillac Hotel

(415) 673-7223

www.cadillachotel.org

Wag the dog: The SF kennel that makes your apartment look like kibble

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Wiggle that paw into your trusty Birkin for a spare $150 this holiday season — you’re staying in the best room in town. Of course, the hospitality staff there is going to be a little hands-on. They’ll wake you at 6 a.m., feed you breakfast, put you in a play group with future-friends that share your weight, age, and temperment. They’ll read you a short story during nightly “cuddletimes” and make sure your owners can see you on the livefeed at all times. Also, in this scenario you are a dog.

“People don’t want a kennel these days,” Jose Gonzales, director of guest services at the Mission’s Wag Hotel, is showing me through his kennel’s state-of-the-art facilities. “They want a safe, clean, convenient place to leave their pet.”

Wag’s first branch opened in Sacramento in 2005, at which time Gonzales tells me “we really, literally redefined pet care.” Redefined it to mean luxury summer camp for the dander set, that is.

Where’s my mint. Guardian photo by Caitlin Donohue

The center is open 24 hours a day. In Wag’s parlance, its human customers are “parents,” individuals who need only peek at their iPhones and the hotel’s playroom livestreams shown thereon to determine whether Pawla Abdul needs another dog biscuit (Gonzales says he is wont to call in requests that employees give snacks to his own pooch when he leaves his furry friend to Wag). 

Wag smells more like air freshener than canine as the two of us explore its bowels, Gonzales imparting a stream of information and myself dutifully following after. Here are the glistening, occasionally flatscreen-bedecked two-room enclosures that house steerage boarders (the dog bowl in the door means the “room” has been serviced), the vast playrooms looked down upon by even more vast skylights. 

There are 239 of these quarters at Wag. Usually there are less than 100 dogs staying in them, although at peak times over holidays, there can be enough to necessitate 50 to 60 employees, when it’s “all paws on deck,” as Gonzales puns. There is a rooftop garden for dogs that love to feel the sun on their furry faces, even report cards given to each parent at their offspring-from-another-bitch’s terminus at Wag. These rate Puppy’s bowel movements, and cite the friends they’ve made at Wag by breed and name. There are special activities planned intermittently, like the 12 Days of Winter event from Dec. 1-16 that will afford the dogs opportunities to take photos on Santa’s lap and have staff members design stockings for them that suit their personalities. 

Reading selections in the Wag Suite. Guardian photo by Caitlin Donohue

But for some, this comfort is not enough. And there is still a chance for your young pup to be the first guest at the $150 a night Golden Gate Suite.

This is the grand finale of Gonzales’ tour. Here, in a secluded hallway far from the whines and yelps of steerage, a genteel canine can while away the three to four days that constitute the average stay at the hotel, in jet-setting style. 

A double bed (slung low to the floor, no jumping for the dogs of the one percent) with organic sheets, layers of pillows, and a faux fur throw is the centerpiece of the room, which rather resembles a slick private double in a high-end hostel. Upon the pillows rest a box of doggy “chocolates” made by a local artisan and a plush remote control, which does not operate the large flatscreen on one side of the room where room occupants will view their owners each night for a heart-warming Skype chat. 

There is also a stack of books for storytime on a coffee table. “I personally like The Giving Tree,” Gonzales tells me. “But that’s a personal favorite.”

“A lot of people thought that the room was built to be over the top,” he reflects, shortly before we call in a golden labrador named Montana to lounge for my camera on the bed and whine impatiently for the box of artisan treats Gonzales has safely hid behind his back. “But we built it to be practical. We looked at what a dog needs and what will make the client and dog super-happy.”

This super-happiness, Wag has decided, lies in bridging the gap between pet and human when the two must be geographically separated. To mimic the home environment, Golden Gate Suite patrons can even sit down with hotel employees to determine which Pandora channel their beloved four-legger will listen to. 

On the occasion of my visit, classical is playing throughout the hotel. “We’ve had different feedback from clients that they don’t want their dog listening to classical,” says the director of guest services. “Maybe they want movie noise. Yeah, dogs don’t watch movies. But we want them to feel at home.”

 

Wag Hotel

25 14th St., SF

(415) 876-0700

www.waghotels.com

Justin Bua brings his hip-hop legends to the Bay

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Justin Bua‘s new book Legends of Hip-Hop would look nice in your living room, but if you get a chance to snag the renowned portratist on his promotional swoop through the Bay Area this weekend (Thu/10-Sat/12) don’t feel like you have to call it a coffeetable book. This thing’s got wisdom to impart to the Beyonce feat. J. Cole generation.

You’ve probably seen Bua’s work before. He’s that “new urban realist” whose iconic DJ print hangs in just about every hip-hop gearhead’s hallway. He did the cityscapes for Slum Village’s “Tainted” video – a sober East Coast version of Sirron Norris’ Mission District send-ups

In Legends of Hip-Hop readers get to find out exactly why Bua has dedicated his lifework to exploring hip-hop culture. The man feels it deeply. He chose 50 artists for the pages of the book, each honored with a luminous image and page-long reflection on their importance in history, in music, in Bua’s own life. He’s picked old school classics like Sha-Rock, B-boy Mr. Wiggles, and pioneering tagger Lady Pink, and goes up straight through today’s greats that even the MTV generation can recognize as legendary: Jay-Z, Jay Dilla, Missy Elliott. 

And it’s not just rote explanations, either. Like any great hip-hop artist (he is one) Bua is unafraid to put some weird blanket statements out there, like his unexplicably tender profile of Snoop Dogg, subtitled “The Beloved,” no less.

“Snoop transcends definition, and everyone – from soccer moms to gang bangers – loves him.” [emphasis author’s own] Well…

Legends makes a good read for anyone stuck in that hip-hop-is-Auto-tuned miasma, and instructs also on the music’s greater influence on our culture as a whole. The book’s first profile is Muhammed Ali, progenitor of hip-hop’s swagger and patter. It ends with Obama, who Bua says quietly signaled hip-hop lovers when he gave daps to Michelle onstage and brushed his shoulders off during speeches. Perhaps those movements weren’t quite as under-the-radar as he thinks, but there’s no doubt that Obama is the first president to successfully use hip-hop’s power to organize his own campaign. 

 

Legends of Hip-Hop concert

Thu/10 9 p.m., $25

Feat. DJs Qbert, Shortkut, and Apollo

The Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com

 

Legends of Hip-Hop book signing

Fri/11 6 p.m., free

The Booksmith

1644 Haight, SF

(415) 863-8688

www.booksmith.com

 

Going veg at the wing shop: Wing Wings’ deep-fried oyster mushrooms

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Owner Christian Ciscle’s been trying to get me to come into his Lower Haight wings shop for a minute. I was always like “Christian (full disclosure: Ciscle took me on board as counterperson back in the days when he managed SoMa’s Little Skillet to-go window), they’re wings. I don’t eat meat.”

But then I went, and now I have to apologize because: Wing Wings‘ deep-fried oyster mushrooms.

When do you get to eat a whole tray of oyster mushrooms? And for $5? It’s improbable, really. Wing Wings’ side of them occupies a hefty paper tray. They’re crispy and just salty enough on the outside, juicy on the inside. Dunk them in some ranch dressing or Wing Wing remoulade and you’re good to go. I nearly took down the whole thing, but I had a friend there to fight me for the bottom of the tray (thank god).

They don’t really have anything to do with each other, but if you stop by for the oyster mushrooms you can also pick up a brown sugar-black pepper biscuit what that Ciscle has been baking since the Little Skillet days. Call it dessert if you’re a label person. 

Pairing suggestion: Wing Wings, limeade, and some headphones at nearby Rookie Ricardo’s LP listening stations

Of course, there’s no veggie entrees per se at Wing Wings – normally. But tomorrow, Tue/8, the counter shop will host a pop-up dinner by chef-about-town Dontaye Ball of Good Foods Catering, who has lent his culinary chops to everywhere from the kitchens at Google to Delfina and the Presidio Social Club.

Ball’s entrees will include, yes, pork belly and beef meatloaf ($15) and slow-braised chicken in a white wine-thyme gravy with cornbread dressing ($14), but also blackened tofu with roasted veggies and mashed yams ($12). Check out the evening’s menu here

A full vegetarian belly — at a wings shop. Will wonders never cease?

 

Good Foods Catering’s “Soulful Food” pop-up dinner 

Tue/8 6-9 p.m., check Good Foods website for prices

Wing Wings

422 Haight, SF

www.wingwingssf.com

www.goodfoodsonthego.blogspot.com

Hot sexy events: November 2-8

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It’s easy to see how photographer Michael Rosen gets people to take their clothes off. He listens, he’s mild-mannered, and he makes great art of the occasion – what more could you want in a voyeur? Rosen has been taking erotic photos since 1977, images of all genders, all sexualities, all the slutty, falling-apart-at-the seams of human sexuality. His new show opens on Fri/4.

This new exhibition, “Contact Sheet,” focuses on the fairer sex. Rosen has assembled comprehensive looks at individual womens’ sexuality – the series start with them fully clothed, then progress to strip shots, close-ups of genitals, and erotic images. 

“They’re strong, in control, and display what of themselves they choose,” comments Rosen. Lucky ladies to have a shutterbag there to pick up what they’re putting down. 

 

“100 Ways to Play: A Catalog of Kink”

Like a smorgasbord of BDSM snacks, this party gives attendees the opportunity to sample many of the ways of play that they might be called upon to perform at a dungeon party. Get the introductory skills you need to at least know what you don’t know about electric, fetish, medical, sensation, impact play, and much more. 

Thu/3 7:30-10:30 p.m., $15-$25

SF Citadel

1277 Mission, SF

www.sfcitadel.org


Michael Rosen photography exhibit: “Contact Sheet”

36 women, caught and preserved on 35mm film contact sheets – this is Rosen’s meditation on feminine sexuality. Seeing as he’s been capturing sexy things for over 30 years, his thoughts bear listening to. 

Fri/4 6-9 p.m., free

Center for Sex and Culture

1349 Mission, SF

(415) 902-2071

www.sexandculture.org


Hard French

If you can’t get laid at 2011’s final installment of this cruise-y queer soulfest, you’re just not trying. Or you need to work on your outfit. The monthly retro bump-and-grind returns to El Rio for one last time before it gets too cold for vintage swimsuits and white denim booty shorts.

Sat/5 2-9 p.m., $7

El Rio

3158 Mission, SF

(415) 282-3325

www.elriosf.com

 

“Intersextions of Fat Positivity & Sex Positivity”

Sex educator Virgie Tovar will bring her fat-friendly knowledge of all things carnal to this workshop on bridging the gap between chubby and sexual positivity. Come to learn more about integrating both into your community. 

Sun/6 3-4 p.m., free

Good Vibrations

1620 Polk, SF

(415) 345-0400

www.goodvibes.com

 

Eagle in Exile

Ever since leather bar legend the Eagle was ousted from SoMa, there’s been a severe lack of all-you-can-drink beer events for bears and big boys. Well, except for Eagle in Exile, which brings those boys to the El Rio yard with bottomless Rolling Rocks. Pair with a side of Sisters of Perpetual Indulgence and performances by the Patsy Cline belt-outs of the Patsychords and Carletta Sue Kay and you have yourself a party. 

Sun/6 3-8 p.m., $10

El Rio

3158 Mission, SF

(415) 282-3325

www.elriosf.com

Start your day off dead: Your Dia de los Muertos events guide

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There is probably no more devastatingly beautiful day in San Francisco as today, Dia de los Muertos. It’s more neighborly than Burning Man Decompression, more colorful than a march on the Federal Building — and has more emphasis on colored tissue paper than even the Mission’s spectacular Carnival parade (see here for last year’s Guardian photo gallery). Peep the community altars at SOMArts Cultural Center (above) and read on for more on where you can let those skeletons out of the closet.

So who are you remembering this year? At SOMArts “Illuminations” altar exhibition (read our interview from last year with Rene and Rio Yañez, the father-son team that curates the event) this year’s artists have created homages to Martha Sanchez, deceased doyenne of the Casa Sanchez taqueria and brain behind everyone’s favorite cheap tortilla chips; friends who passed away in the San Bruno fires; victims of Hurricane Katrina; and Pablo Picasso. Rene Yañez’ 3-D art pops from one end of the maze of installations.

You still have ’til Saturday to check those out, but be sure you drop through the Mission tonight if you haven’t seen the explosion of creativity that goes into all the house parties, kids costumes, dance performances, and altars artistically lounging about Parque de los Niños Unidos this time of year. 

 

“Illuminations” altar exhibit

Through Sat/5

Closing party: Sat/5 6-9 p.m., $6-$10 suggested donation

SOMArts Cultural Center

934 Brannan, SF

(415) 863-1414

www.somarts.org

 

Day of the Dead procession

Join in with your still-living loved ones — contrary to popular belief, facepaint and costumes are not required — and march to the park where all the altars are set up. In prior years, the parade has been marked by paper mache puppetry on a massive scale, dance performances, and cross-cultural celebration.

7 p.m., free

22nd St. and Bryant, SF

www.dayofthedeadsf.org  

 

Day of the Dead Festival of Altars

Genuflect in front of the wall of Michael Jackson remembrances (one of last year’s efforts), or just kick back and take pleasure in a Mission District park full of happy families — and sure, partying — after dark. This is one of the neighborhood’s most special happenings of the year. 

6-11 p.m., free

Garfield Park

26th St. and Harrison, SF

www.dayofthedeadsf.org

 

SF Symphony Dia de los Muertos family performance

Mexican tenor David Lomelí will join the symphony’s world-class cast for this family day on Van Ness Street. “Besame Mucho,” “Granada,” and works by Mexican composers will stud the program, and from 1 p.m. traditional dancers strut their stuff in the lobby, right by the tables full of pan de muerto and Mexican hot chocolate drinks. 

1 p.m. procession, 2 p.m. performance, $15–$68

Davies Symphony Hall

201 Van Ness, SF

(415) 552-8338

www.sfsymphony.org

 

See listings for more dead head events

That’s amoré

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caitlin@sfbg.com

HERBWISE The ever- unfolding swath of life’s problems that can be solved by cannabis has been extended the length of an aphrodisiac shot made from cannabis, cane syrup, glycerin, citric acid, and other supplements. Product name: Amoré. Don’t worry, it’s locally made.

Amoré is the brainchild of a one Ed Silva, a gregarious medical industry product developer (think defibrillators and glucose monitors) who started up his San Jose dispensary Sensi Herbal Care in November 2010. It sells topical cannabis treatments, lemonade, chocolates, and buds, but Silva says its “flagship product” is its insomnia-fighting cannabis shot called Indi.

“That product has literally helped thousands of people with their insomnia problems,” he told the Guardian in a phone interview. The dispensary also stocks an energy formula, of course Amoré, and has a pain reliever in the works.

Recent legislation posed at the city level in San Jose, where regulations that would limit the city’s number of dispensaries (now hovering around 900) to 10 businesses. Paid campaigners and volunteers say they turned in 48,598 petition signatures last week to halt the process. They only needed 29,653 to initiate a referendum on the new guidelines. The United Food and Commercial Workers union Local 5 donated $5,000 towards supporting the referendum to stop them.

The city’s new policies, an employee who answered the phone at Sansi said, could have shut down the dispensary — and community access to the Viagra of the cannabis world — down. Later, Silva sounded triumphant when he informed the Guardian reporter on the laws’ impending curtailing.

Without a medical background — besides developing defibrillators — Silva was a bit vague about his methods of creating cannabis formulas, but was confident in the way customers responded that they were doing their job. He’d submitted the product to lab quality assurance testing and informal focus groups.

The optimal way to use Amoré? Silva cautioned that the drink’s effect would vary among individuals. “It doesn’t work for everyone, that is true for every medication out there,” he said. But generally, “45 minutes before.” It was further clarified that he meant pre-sexual escapade.

Our Guardian tester, who took the “for her” variety of Amoré, found its power varied, a.k.a., got turned-on, then slightly nauseous, then turned-on. Tastes like a particularly gnarly 5-Hour Energy Drink, fades fast. A mixed bag. On a small “caution” panel, the label of Amoré prohibits the contents being taken with alcohol, other supplements, and heavy machinery.

When asked about one of the label’s more esoteric ingredients, the fo-ti root (also listed are dodder seed extract, kudzu root, and tribulus fruit), Silva semi-helpfully explains “It’s also called sho-wu. It means ‘black-haired Mr. Hee.’ It means that in Chinese, it’s a Chinese herb. That’s a name from someone in an old village in China. You can research that on Google, there’s a story behind that.”

So of course we do, and sure enough, it tends to be used to restore graying hair. So that’s fo-ti. But why is it in this cannabis aphrodisiac shot, whose silver hard plastic bottle clearly states “for her”?

Says Silva: “It’s also known as a happy herb. It has the effect of making you happy, which is always a good thing. There’s a few people who I’d like to give that regularly, like every hour.” Which left us still unconvinced regarding Amoré, but still a big fan of Silva.

Gear up: Trevor Traynor’s lowrider captures cruise into the Mission

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Photographer Trevor Traynor is moved by lowriders. And he says he’s not the only one.

“Lowriders move people,” he wrote to the Guardian in an email interview. “Literally and figuratively. When you’re cruising people smile, wave, they take pictures. The cars connect people of all walks of life and the clubs enjoy it as well. It keeps people productive with a strong passion in cars.”

You can tap into his love for the low on Thu/3, when Traynor’s photo show “Low Life” opens at The Summit SF in the Mission.

Though the Mac-sprouting coffeeshop might seem like an odd venue for a show that celebrates the Mission’s Latino car clubs, the San Francisco-based shutterbug’s exhibition will be hanging just a few blocks away from where his passion for lowriders was first spawned on Cinco de Mayo in 2010. 

“As a native New Yorker, seeing 30-plus lowriders cruising low and slow, hopping on three wheels down Mission Street was something new and exciting and the energy [could] not be ignored,” Traynor recalls. The sight was enough to get him in a ride. “I remember hanging out of the back of a mint 1969 yellow [author’s note: he’s also described it as “flan-colored”] Buick Skylark Convertible while Lexxx from the Padrinos Car Club drove nice and slow for me to steady my camera.”

Traynor’s body of work has tended to specialize in hip-hop culture — he’s shot everyone from Mos Def and E-40 to Lil’ B and N.E.R.D. over the years. But since that Cinco, Traynor has ridden with a score of Bay Area clubs: The Inspirations (the only cars people are stoked to see when Sunday Streets hits the Mission), Padrinos, Pachuco, Aztecas, Excandalow, Frisco’s Finest, Bay Riders, and Fo’ Fifteen Car Club among others. The images from the show come from outside the Bay, too — places like Santa Fe and Sacramento make appearances. On opening night, they’ll be accompanied by shifting motion visuals from John Coyne, and DJs bumping lowrider anthems from the Summit sound system.  

It’s clear from looking at the shots of the cars and their riders that result that he digs the aesthetic (craziest thing he’s ever seen airbrushed on a ride: “A nude angel goddess holding two smoking guns riding a fire-breathing dragon above the pits of hell”) but he insists that these are more than just pretty machines. 

“Lowriders hold history in the Chicano community. [The cars’ purpose is] a sense of pride, passion, and respect. Car clubs are a small community, a family, a group of friends that are all car-loving aficionados.” He’s even seen car clubs that do youth outreach programs and toy drives. 

“Some people wake up on a sunny Sunday and go golfing, go to the park, go to the courts, go hiking. Car clubs cruise. Lowriding is a lifestyle.”

 

“Low Life”

Through Dec. 1

Opening reception: Thu/3 7-10 p.m., free

The Summit

780 Valencia, SF

(415) 861-5330

www.thesummit-sf.com

 

Bronc busting: Allegations of cruelty to animals at this year’s Grand National Rodeo

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When the Grand National Rodeo was in town Oct. 14-15 and 21-22, we wrote about the presence of animal rights advocates lofting signs in the parking lot of Cow Palace outside the vernerable event. But it turns out the activists got to catch the show too — the Guardian has been sent videos from a local animal advocate that suggest that animals were in fact being mistreated at the event. The video shows a man prodding a bronco that’s waiting to be ridden with a long, angular object. Broncs are also shown having their tail twisted and at one point, being touched with a black object by a cowboy that Andrew Zollman of animal rights group LGBT Compassion says the video is “clearly showing two instances of electric shocks administered to animals” — and that’s illegal.

But when contacted for comment Lindsay Branquinho, press liasion for the Grand National stuck by what she had told this reporter on the sidelines of the very event in the video.

“For these animals their quality of life far exceeds that of most. They are fed the highest quality feeds, given frequent regular medical attention (i.e., check-ups, vaccinations, etc). The amount of time, money, and love that is wrapped up in these animals is huge and the people that own them do all that they can to protect them. These animals are their livelihood, and they would not jeopardize that.” She denied that the black object seen in the video was an electric prod, and said she’d get back to us about what it really was.

But Zollman wasn’t surprised by the contents of the video at all. He says that abuse from the kinds of offenses he sees in it — in addition to “painful caustic ointments” and stabbing, all which he says are violations of California’s penal code section 597(b) which bars tormenting, needless suffering, and unnecessary cruelty towards animals with the exception of slaughter for food — is endemic to all rodeos. He leads a campaign against the Golden State Gay Rodeo Association as well. A history of the Grand National Rodeo’s past offenses can be found here

The official response from the Professional Rodeo Cowboys Association was as follows (yawn): 

The Professional Rodeo Cowboys Association (PRCA) is committed to the proper care and handling of all animals that participate in our sanctioned rodeos.  There are 60 rules governing the treatment of the livestock are enforced by on-site rodeo officials.  A veterinarian is in attendance at all rodeo competition.  In addition to the PRCA rules, we are aware that the Grand National has additional standards for livestock care. 

The PRCA and the management of the Grand National were contacted regarding videotapes taken by those who wish to ban many uses of animals, including rodeo.  The videotapes have been reviewed by officials at the Grand National, the PRCA  as well as experts on the care of livestock and upon initial review the overall opinion is that the livestock were properly handled in accordance with standard livestock practices and PRCA rules.  There were, however,  a few instances where the care and handling of the livestock was not up to Grand National standards.  In one case, a livestock handler’s actions did not meet Grand Nationals standards for livestock care and was dismissed from working the remainder of the show.  

 The PRCA will continue to work with local officials, rodeo judges, on-site rodeo veterinarians, rodeo livestock owners and our members to insure that the livestock at PRCA sanctioned events is afforded proper care and handling. 

Calls for comment from the SFPD Mounted Unit (who ride at the Grand National and were also forwarded Zollman’s emails) and the Peninsula Humane Society, the organization who handles animal cruelty law enforcement for San Mateo County Animal Control, have so far gone unanswered. We’ll update when they get back to us. 

But is tail twisting inexcusable abuse? Akin to a horseback rider’s spurs? This reporter attended the rodeo and was standing quite close to the bronco pit as the above video was being taken — the tail twisting seemed a little harmful, but it’s hard to say with animals this large how much permanent damage that could cause to a 1,700 pound bull. Of course, some would say that any abuse to animals, regardless of severity, counts as cruelty. And the cattle roping — in which calves are lassoed around the neck as they run at top speed through the ring and thrown to the ground — definitely gave me pause. How much discomfort should animals have to endure to lead cushy lives (as doubtless the broncs’ are, bred as they are for generations to be in top form for the events). 

Thoughts from the cowpokes?

 

Hot sexy events: October 27-November 1

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Friday evening of the Folsom Street Fair saw a throng gathered in a second-story SoMa apartment for an art opening. The space was owned by a one Mark I. Chester, a man who counts as one of the city’s many hubs of sex culture. Chester tends towards the art side of rough sex — regularily hosting drawing sessions where men pose in various states of disarray — a harness here, a dog mask there, and not much else. But tonight, the crowd was more diverse. It was there to witness the opening of “Fear No Art,” the sex and power exhibition that you watch close its doors on Sun/30 this week.

Black-and-white photographs hung densely on Chester’s walls, but the opening party was 3D. On”stage” (the front of the living room), a man in a gold lamé thong performed comedic showtunes describing his life as a D-List porn star. Soliciting audience interaction, he neatly displayed his aptitude for deep-throating. Lucky banana. 

Any lingering effects of his levity was appreciated for the next act (at least, your hemophobic reporter appreciated them). Next up was Leland of the San Francisco girls of Leather, who announced to the crowd that she’d be etching the exhibition’s name onto the back of the helper she’d brought to the front of the cramped room with her. 

“Don’t be afraid to move in closer, it’s actually really quite beautiful,” she counseled the audience. A handful of art lovers obliged, pushing in for a closer look at her razor-thin lines that blossomed into strips of blood before their eyes as the woman who the back belonged to squirmed in agony — particularly when Leland went back over the lines for a more pronounced look. 

“Fear No Art” advises you in a similar manner — not to be afraid to look at sex in all its forms, and to consider what every kind of eroticism says about us as humans. It closes Sun/30, an excellent chance to take in 2D representations of human beauty, lust, and love. 

 

Naked Girls Reading: Neil Gaiman edition

So lit-sexy it’s scary, this regular reading event — hosted by the area’s hottest female sex activists in their alltogether — welcomes to its featured artist slot Rain DeGrey, professional bondage rigger, Kink.com star, and sex educator. She and the regular crew of NGR will be reading from the works of Neil Gaiman, a novelist whose children’s book featured a young orphan being raised by a graveyard, if that gives you any idication of the creepiness of his canon of work. C. Theodore Walker will perform a “half play, half ritual” based on the works of Aleister Crowley.

Thu/27 8-10:30 p.m., $15

Center for Sex and Culture

1349 Mission, SF

www.sexandculture.org

 

Steam’s one-year anniversary party

Powerhouse kicks off Halloween weekend with the 12-monther of its bathhouse revival shindig, Steam. It’ll be garaunteeing that the ghouls drop their sheets with a wet towel contest (winner gets $100, which will buy a zombie Amy Winehouse-sized load of vodka-Red-Bulls. Go-gos, power showers, hot boys — oh, boo. 

Fri/28 10 p.m.- 2 a.m., $5

Powerhouse

1347 Folsom, SF

www.powerhouse-sf.com

 

XXX Haunted Fun House

Halloween at Mission Control is like Christmas Day in Santa’s Workshop — all the work from around the year pretty much leads up to this one big spectacular. Do these swingers have mad flair game? Obviously. Pack more than a sheet with holes in it when you go to this two-night extravaganza featuring performances to fuck to from DJs Jocelyn and Cyril Noir, seances, zombie strippers, and virgin sacrifices (yeah right). 

Fri/28 10 p.m.-late, $25-$35 free membership required

Mission Control

www.missioncontrolsf.org

 

“Building Our Own White Picket Fences”

In a sex events column gone by we talked about Femina Potens’ plans for an art exhibit that re-envisioned what family and home meant in the alt sex-LGBT community. It’s opening on Fri/28, a multi-media presentation featuring artists Midori, Monica Canilao, Harrison Bartlett, Mev Luna, Amelia Reiff Hill, and Madison Young. Go to reflect on your own notion of what the future holds, and be inspired by the imaginings of others. 

Fri/28 7:30 p.m., free

Michele O’Connor gallery

2111 Mission, SF

www.feminapotens.org


“Fear No Art” closing party

“Things I Have Fucked Someone With: An Incomplete Collection” is photographic round-up of just those things by Patti Beadles. It looks like one of those kitchen posters that show you all the different kinds of chili peppers, and at this sex art exhibition she also displays a similarly-configured of things she has not fucked anyone with (shape seems to be the defining factor between the two). Pair this with Jim Duvall’s BDSM romance novel cover of a woman being used as a harp by a lover, Shilo McCabe’s pussy-baring fetish art, and others and you have yourself a panoramic view of human sexuality at local sex luminary Mark I. Chester’s SoMa apartment. 

Sun/30 2-5 p.m., donations suggested

1229 Folsom, SF

www.markichester.com

Halloween style guide: A timely warning about hipster headdresses

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One of my favorite activities of late seems to be railing against the prevalence of “Native American”-themed swag that a certain demographic has recently been using to accessorize their MDMA and Chromeo sets (no thanks to you Urban Outfitters — but reluctant semantic kudos for de-naming the line in question “Navajo”). Just in time for Halloween, along comes a blog that can neatly sum up these feelings, and do it in a constructive way. Please forward to your girlfriend frantically readying her dreamcatcher earrings.

Cherokee (“really!” as she asserts on her site) blogger Adrienne K. has assembled an ace 101 on why you can’t dress up like another ethnic group on her blog Native Appropriations, which is pretty much devoted to the topic. Her rationale (which comes structured as a conversation with a feather-sporting individual): you’re promoting a wildly stereotypical image of actual Native Americans, for one. Your godawful headdress is mocking someone’s spiritual rites, for two. Additional reasons are unnecessary, but they include the fact that you’re basically walking around in blackface. 

On a local note: Asterisk Magazine, I loved your recent Style Issue. But this single paragraph was enough to halt me in my see-through clothing raptures:

Just when you thought we took everything from American Indians, these Navajo prints are popping up on handbags and jackets everywhere. What may be culturally insensitive is also pretty sharp when done right. This is nothing new, but the urban arena is really just getting on board, and huge turquoise jewelry is surely close behind.

Who let that one slip through? Ick.

While we’re at it, you might want to check out this post by queer Chicana blogger April’s Eye on (white-and-)blackfacing it on Dia de los Muertos.

Interview with a master pumpkin carver: Shawn Feeney of Team Bling Bats

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The triumphant Team Bling Bats might owe some of their success to German electronic music pioneer Karlheinz Stockhausen. Without it, the champions of the Food Network reality design show Halloween Wars might not have had the kickass contributions of SF local Shawn Feeney, who helped drive the team to victory in the four-episode series final show on Sunday.

Feeney is an concept art illustrator working at Industrial Light and Magic, but in his spare time he creates these killer jack-o-lanterns that feature the face of a musician who has passed away in the last year (wo0o0o0o0o0oo!). Stockhausen, a composer who made music to be performed on helicopters, by three orchestras at once, and in weeklong cycles. His face was one of the ones that Food Network brass saw on Feeney’s website, who then contacted him to be on the show. 

On Sunday, Feeney sat down with buddies at Asiento in the Mission to watch his Bling Bats defeat Team Boo. Then he sat down to email us his secret tricks and what he’s going to say to Obama to put this country back on track, via pumpkinery. 

 

SFBG: Where’d you get them carving skills from?

SF: I used to work in a prosthetic hand laboratory. I also got a master of fine arts in New Zealand, and later worked as a forensic artist for the New York police. Recently, I have been working at effects studio Industrial Light and Magic, where I’ve further developed my analog and digital sculpting skills.

Karlheinz Stockhausen, German godfather of electronic music, composed pieces that were meant to be performed in a helicopter and one for three orchestras. He became Feeney’s gourd muse when he passed away in 2007.

SFBG: How did you prepare for last night’s battle?

SF: There was an enormous amount of surface area on that 1200-pound pumpkin, so I knew the ribbon loop tool I usually use wouldn’t suffice to get the skin off. Instead, I got an angle grinder – that thing vaporized the pumpkin skin into a fine mist (although it made the floor dangerously slippery).

 

SFBG: How would you rate your performance?

SF: I think Karen Portaleo, Susan Notter, and I really worked well together as a team, with each member contributing equally. I’m in awe of their talents. I didn’t approach this as a pumpkin carving contest – rather, I tried to develop designs that showcased everyone’s skills in a cohesive manner.

 

SFBG: How are you celebrating your triumph?

SF: I watched the final episode at Asiento in the Mission with some friends – the whole bar was on pins and needles! I’ve decided to use the winnings to further develop my carving practice, even beyond pumpkins. I’ll be making a lot more work in this field in the coming months, and I’m available for custom carvings, events, and teaching. I’ve really excited to offer my skills to the Bay Area foodie culture. 

 

SFBG: I hear you’re carving presidents for Obama. Please explain. 

SF: I’m carving pumpkins for Obama. A couple weeks ago, I got in touch with fruit and vegetable artist James Parker. He’d been watching Halloween Wars and liked my work. James organizes this event to bring some of the top carving and culinary artists to create displays for the White House lawn on Halloween. I feel honored that he invited me to participate.

 

SFBG: Also, can you tell him that we’re a little frustrated with him right now? I’m not sure if you can work that into pumpkin discussions, but surely you can craft a metaphor involving pumpkin smashing. Or whatnot. 

SF: Hopefully Obama is astute enough to realize there is much unrest in the country right now due to vast economic inequality. At this event though, I’m really aiming to inspire (and perhaps scare) the trick-o-treaters, and to collaborate with some of the top food sculptors in the country.

 

Theophilus London goes beyond fashion at the Rickshaw Stop

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Let’s talk about what Theophilus London was wearing last night at his concert at Rickshaw Stop and get it out of the way.

It was: a disco ball of a black tank top, black leather jacket, the “LVRS” hat he sports in many of his  model-filled music videos, non-denominational levels of chains (he is all about these, he told GQ, “from Cuban links to herringbone”) around his neck and wrist, and some real nice white pants. He looked good.

But you already knew that. Charges have been leveled against London that most of the 24-year old Brooklyn-to-Poconos Trindidadian emcee’s serious press has come from fashion magazines. Certainly one must raise an eyebrow when a Vogue profile assures that he has musical chops and to just look at his collaborators: “Mark Ronson, Sara Quin (one-half of the Canadian indie twins Tegan and Sara) and Solange Knowles.”

 

The crowd at Rickshaw wasn’t worrying about the merits of his hip-hop-via-Michael-Jackson tunes though – they were too busy dancing. 

Because say what you like about London’s artistic merit, the relatively unvarying pace of his flow, any lingering questions about his “credibility” as a rapper (is there a more tired refrain in music?), his songs are more than serviceable as pop tunes. Well-constructed personas, like the cowboy-shirt-wearing, dookie-chained, perma-sunglassed one he’s got make for great eye candy and the twenty-something (and under, this was a Pop Scene show after all) crowd wasn’t taking his eyes off him.

One imagines that the next time London makes it to the Bay (he seemed stoked on us, by the way) his show won’t be $13 anymore. 

Weed Wars

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HERBWISE “I always knew that doing this show would be a risk,” says Harborside Health Center founder Steve DeAngelo in a phone interview with the Guardian. A medical marijuana dispensary could probably always be considered controversial fodder for a nighttime reality TV program, but DeAngelo’s enterprise rose above standard controversy when it became the target of the IRS, the federal agency ruling that it could no longer write off common business expenses. It now owes $2 million — an amount that left the rest of the industry quaking with concerns over its future.

The perfect time for an on-air debut, right? DeAngelo thinks so.

“If the American people see how we use this medicine, how we distribute it, they’re going to support it,” he says. “They’ve only gotten a chance to see the government’s side, the propaganda side.”

Especially nowadays. In the past few weeks, the feds have launched a multi-lateral attack on medical cannabis dispensaries (see the Oct. 12 Herbwise column, entitled “Feds crack down”). The Treasury Department convinced banks to close dispensaries’ accounts. The Department of Justice has sent out numerous cease-and-desist letters to dispensaries. The notifications insist that the trafficking illegal substances is occurring, and that it must be stopped — a turnaround from the Obama administration’s earlier pledge that it would not stand in the way of a patient’s access to medicine.

DeAngelo claims that Harborside is among the top 10 highest tax payers to the city of Oakland. The dispensary has gone through disputes over taxes paid before, but this latest persecution has meant a diminished sense of security for the dispensary’s 120-person staff at its San Jose and Oakland locations — not to mention among patients.

“They’re terrorized,” says DeAngelo. “I have 60, 70, 80-year old patients who are terrified.”

It’s high drama stuff. Ironically, filming for Weed Wars — save a few remaining pickup shots — had already concluded by the time of the ruling. Surely Discovery Channel executives are smacking their foreheads, having shot the relatively boring chunk of 2011 at Harborside.

“It does seem like the cameras got turned off at just the wrong time,” says DeAngelo.

The dispensary founder says that his people thoroughly vetted Braverman Productions prior to signing any deals — it wasn’t the only offer they got to be the subject of such a show. He’s confident the company will shy from the “unreal setups” so prevalent on other reality TV series. And he hopes that despite the current drama (which might make its way into the final episode of the program’s season), producers will portray the dispensary in a way that’s respectful and shows an accurate image of what day-to-day operations look like.

But whether or not that will be the case remains to be seen. An article written by a staff member in the September 2011 edition of the Harborside newsletter questioned the use of “weed” in the show’s title (a faux pas in the medical marijuana industry). In such a volatile political environment, the temptation to sensationalize cannabis dispensaries might run pretty hot. Or on the contrary, maybe Weed Wars will make the sale of state-legal marijuana seem as normal as being a Coloradan bounty hunter or a Kardashian.

Regardless of what happens, DeAngelo’s not ruing the day he decided to go into medical marijuana.

“We decided when we opened our doors that it was worth the risk. I still think it was worth that risk.” *

Weed Wars premieres November 27 at 10 p.m. PST on the Discovery Channel